All This, and Heaven Too (1940) | The Duke (Ocean Waves) | 0:10:10 - Ocean waves | boat | establish place | flashback | foreign key modulation | gentle | leading lady | light | peaceful | storytelling | student | teacher | traveling |
All This, and Heaven Too (1940) | Henriette (Lento) | 0:10:20 - Henriette on a ship | boat | dissonant bass | flashback | foreign key modulation | hopeful | leading lady | mysterious | pedal tone | storytelling | tense | traveling |
All This, and Heaven Too (1940) | Henriette (Dolce) | 0:12:43 - Henriette talks to Henry | 64 chord | boat | chromatic mediant | conversing | deceptive resolution | gentle | leading lady | leaving | minister | peaceful | transition |
Angels With Dirty Faces (1938) | Bootlegging | 0:06:46 - Bootlegging liquor | alcohol | boat | dock | establish character | gangster | leading man | mickey-mousing | montage | sneaking | sneaky |
Arsenic and Old Lace (1944) | Sidewalks of New York (Expressivo) | 0:01:53 - A ship sailing under a bridge | 64 chord | boat | bridge | calm | card | city | establish place | familiar tune | pedal tone | sailing | transition |
The Breaking Point (1950) | Transition | 0:00:07 - Birds flying | bird | boat | calm | chromatic scale | conductor score | harbor | opening title sequence | sequential modulation | starring list | tense |
The Breaking Point (1950) | The Breaking Point | 0:00:25 - Title of the film | boat | calm | cast list | conductor score | gentle | harbor | mixed meter | mode mixture | opening title sequence | tender | title of film |
The Breaking Point (1950) | The Breaking Point (Cellos) | 0:00:48 - Opening credits | boat | calm | cast list | chromatic mediant | conductor score | foreign key modulation | harbor | mixed meter | opening title sequence |
The Breaking Point (1950) | Calm | 0:01:08 - Ships in a harbor | augmented triad | boat | calm | conductor score | harbor | opening title sequence | pedal tone |
The Breaking Point (1950) | Fishermen | 0:07:40 - Ship leaving the harbor | boat | boat | boating | calm | common-tone diminished 7th | departing | fisherman | fishing | floozy | leading lady | leading man | montage | not by Steiner | sailor | tense | transcribed by ear | upbeat |
The Breaking Point (1950) | Flor de Lis | 0:08:17 - A ship sailing | art song | boat | boat | boating | conversing | establish setting | flirting | floozy | leading lady | leading man | not by Steiner | sailor | upbeat | working |
The Breaking Point (1950) | En Mi Canto de Amor | 0:08:57 - A dock at night | arriving | art song | boat | conversing | docking | establish setting | flirting | floozy | harbor | leading lady | leading man | not by Steiner | sailor | source music | upbeat | working |
The Breaking Point (1950) | The Breaking Point (Ethereal) | 1:34:41 - Harry recognizes Lucy | 9th chord | boat | climax | comforting | conversing | crying | ethereal | leading lady | leading man | mixed meter | mode mixture | sailor | sweet | wife |
The Breaking Point (1950) | The Breaking Point (Cellos) | 1:35:14 - Harry talks with Lucy | boat | climax | comforting | conversing | crying | ethereal | foreign key modulation | leading lady | leading man | mixed meter | sailor | sweet | wife |
The Breaking Point (1950) | Calm | 1:35:38 - Lucy leaves | augmented triad | boat | climax | comforting | conversing | crying | ethereal | leading lady | leading man | pedal tone | sailor | sweet | wife |
His Greatest Gamble (1934) | The Chase 2 | 0:29:44 - Montage of Philip's escape | boat | dark | frantic | leading man | montage | montage | parallelism | prisoner | transcribed by ear | traveling |
City for Conquest (1940) | Sidewalks of New York (Montage) | 0:02:18 - A montage of New York City scenes | added-note chord | boat | bridge | car | chromatic parallelism | city | conversing | Dutch angle | establish setting | excited | fragmentation | montage | old man | panning shot | police | pump-up modulation | soliloquy | train |
City for Conquest (1940) | Tranquillo | 0:31:35 - Peggy and Danny on a boat | 9th chord | boat | conversing | delicate | gentle | leading lady | leading man | love scene |
City for Conquest (1940) | Tone Poem A (Waltz) | 0:31:48 - Peggy and Danny talk about the future | 9th chord | 13th chord | added-note chord | boat | calm | common-chord modulation | conversing | deceptive resolution | foreign key modulation | leading lady | leading man | love scene | mode mixture | romantic |
City for Conquest (1940) | Shadow Waltz (Dark) | 0:33:22 - Peggy talks with Danny | boat | chromatic sequence | conversing | dark | leading lady | leading man | love scene | major 7th chord | octatonic | somber |
City for Conquest (1940) | I'm Just Wild About Harry (Foxtrot) | 0:33:35 - Peggy starts to leave | 9th chord | added-note chord | boat | calm | chromatic mediant | conversing | gentle | leading lady | leading man | love scene |
City for Conquest (1940) | Tone Poem A (Dolcissimo) | 0:34:02 - Danny talks with Peggy | 9th chord | added-note chord | boat | common-tone diminished 7th | conversing | gentle | kissing | leading lady | leading man | love scene | romantic |
Death of a Scoundrel (1956) | Columbia, the Gem of the Ocean | 0:14:05 - Boat sails into New York harbor | America | boat | flashback | ocean | patriotic | source music |
Hell on Frisco Bay (1955) | Running | 1:34:27 - Amato runs to his boat | action scene | agitated | boat | chasing | descending | detective | dock | dramatic | following | gangster | leading lady | leading man | mickey-mousing | running | tense | wife |
Hell on Frisco Bay (1955) | Boat Chase | 1:34:33 - Amato tries to escape in a boat | action scene | agitated | antagonist | boat | boss | chasing | detective | dock | dramatic | following | gangster | leading man | running | tense |
Hell on Frisco Bay (1955) | Underscoring (Dramatic) | 1:34:53 - Steve climbs in the boat | action scene | antagonist | boat | boss | detective | dock | dramatic | driving | gangster | leading man | tense | underscoring |
Hell on Frisco Bay (1955) | Menace (Fight) | 1:34:57 - Steve and Amato fight | action scene | agitated | antagonist | boat | boss | detective | dock | dramatic | driving | fighting | gangster | leading man | tense |
Hell on Frisco Bay (1955) | Menace (Fight) | 1:35:21 - Steve and Amato fight | action scene | agitated | antagonist | boat | boss | detective | dock | dramatic | fighting | gangster | leading man | strangling | tense |
Hell on Frisco Bay (1955) | Underscoring (Dramatic) | 1:35:40 - The police boat leaves the dock | action scene | boat | departing | dock | dramatic | driving | police | tense | underscoring |
Hell on Frisco Bay (1955) | Amato (Fighting) | 1:35:47 - Steve and Amato fight | action scene | agitated | antagonist | boat | boss | detective | dock | dramatic | fighting | gangster | leading man | tense |
Hell on Frisco Bay (1955) | Amato (Climax) | 1:35:56 - The police boat advances | action scene | agitated | antagonist | boat | boss | chasing | detective | dock | dramatic | fighting | following | gangster | leading man | police | tense | underscoring |
Hell on Frisco Bay (1955) | Horn Call | 1:36:10 - The police boat advances | action scene | boat | chasing | dock | following | horn call | police | tense |
Hell on Frisco Bay (1955) | Amato (Fighting) | 1:36:12 - Steve and Amato fight | action scene | agitated | antagonist | boat | boss | climax | detective | dock | dramatic | fighting | gangster | leading man | tense |
Hell on Frisco Bay (1955) | Amato falls | 1:36:20 - Amato falls in the water | action scene | antagonist | boat | boss | climax | detective | dock | dramatic | driving | falling | fighting | gangster | leading man | mickey-mousing | punching | splashing | tense | water |
Hell on Frisco Bay (1955) | Steve dives 2 | 1:36:27 - Steve dives in the water | action scene | boat | climax | detective | diving | dock | jumping | leading man | mickey-mousing | splashing | tense | water |
Hell on Frisco Bay (1955) | Underscoring (Dramatic) | 1:36:42 - Marcia and police watch | antagonist | boat | boss | detective | dock | gangster | leading man | resolution from here on? | saving | swimming | tense | underscoring | water |
Hell on Frisco Bay (1955) | Lifting up | 1:36:50 - Amato is brought onboard | antagonist | boat | boss | detective | dock | dramatic | gangster | leading man | lifting | mickey-mousing | police | raising | resolution from here on? | tense | water |
Hell on Frisco Bay (1955) | Menace (Captured) | 1:36:57 - The police boat leaves | agitated | antagonist | arriving | boat | boss | detective | dock | gangster | leading lady | leading man | police | resolution from here on? | tense | waiting | wife |
Hell on Frisco Bay (1955) | Steve (Maestoso) | 1:37:30 - Steve gets off the boat | antagonist | arriving | boat | bold | boss | detective | dock | gangster | heroic | leading lady | leading man | police | resolution from here on? | wife |
Hell on Frisco Bay (1955) | Menace | 1:36:57 - The police boat leaves | agitated | arriving | boat | dock | gangster | inspector | leading man | police | tense |
Hell on Frisco Bay (1955) | Steve | 1:37:30 - Steve gets off the boat | arriving | boat | bold | dock | gangster | heroic | inspector | leading man | police |
The Informer (1935) | Here Comes the Bride | 0:49:55 - Dream sequence of a voyage to America | 64 chord | advance plot | antagonist | boat | double exposure | dreaming | familiar tune | leading lady | leading man | pedal tone | romantic | ship | street | vision | wedding |
Key Largo (1948) | Seminoles | 0:19:11 - Seminole Indians arrive | advance plot | arriving | boat | conversing | dock | Indian | Indian | leading lady | leading man | rowing | serious |
Key Largo (1948) | Seminoles (Grandma) | 0:19:46 - Elderly Indian woman talks to Nora | advance plot | arriving | boat | conversing | dock | grandmother | Indian | Indian | leading lady | leading man | old woman | serious | smoking |
Key Largo (1948) | Seminoles (Brothers) | 0:20:29 - Nora talks with Seminole Indians | advance plot | arriving | boat | conversing | dock | Indian | Indian | leading lady | leading man | serious |
Key Largo (1948) | Tension (The Boat) | 1:26:31 - McCloud tries to start the boat | advance plot | boat | boat | boss | dramatic | gangster | hostage | leading man | leaving | motor | sputtering | starting | stinger | tense |
Key Largo (1948) | Rocco exits | 1:35:14 - Rocco exits | boat | boss | conflict | dramatic | exiting | gangster | gun | gunshot | leading man | mickey-mousing | shooting | tense |
Key Largo (1948) | Rocco's Death | 1:35:17 - Rocco falls | boat | boss | conflict | death | dramatic | dying | falling | gangster | gun | gunshot | leading man | mickey-mousing | shooting | stinger | tense |
Key Largo (1948) | Climbing down | 1:35:31 - McCloud climbs down | boat | climbing | conflict | descending | leading man | mickey-mousing | mysterious | tense |
Key Largo (1948) | Tension (The Boat 2) | 1:35:44 - McCloud steers the boat | boat | conflict | hopeful | leading man | steering | tense |
Key Largo (1948) | Hope | 1:36:11 - McCloud calls for help on the radio | boat | calling | conflict | hopeful | leading man | radio | steering |
Key Largo (1948) | McCloud (Maestoso) | 1:39:43 - McCloud steers the boat home | boat | hopeful | leading man | resolution | returning | sailing | triumphant |
Out of the Fog (1941) | Harbor Front | 0:01:11 - Goff descends a ladder | boat | criminal | establish character | fire | harbor | leading man | sneaking | tense |
Out of the Fog (1941) | Fishing | 0:13:46 - Catching a fish | advance plot | boat | boat | chef | comical | conversing | fish | fishing | friend | mickey-mousing | transcribed by ear |
Out of the Fog (1941) | Russian Barcarolle (Dark) | 0:19:34 - Goff walks | boat | chef | conflict | conversing | criminal | dark | dock | extortion | father | fisherman | friend | leading man | threatening | walking |
Out of the Fog (1941) | Underscoring (Dark) | 0:20:11 - Jonah reacts | arguing | boat | chef | conflict | conversing | criminal | dark | dock | extortion | father | fisherman | friend | leading man | stinger | tense | threatening | underscoring |
Out of the Fog (1941) | Russian Barcarolle (Threatening) | 0:20:40 - Goff threatens Jonah | arguing | boat | breaking | chef | conflict | conversing | criminal | dark | dock | extortion | father | fisherman | friend | leading man | tense | threatening | violence |
Out of the Fog (1941) | Russian Barcarolle (Fear) | 0:21:18 - Officer Magruder arrives | boat | chef | conflict | conversing | criminal | dock | extortion | father | fear | fisherman | friend | leading man | police | sandwich | solemn | somber |
Is My Face Red? (1932) | Steam whistle | 0:15:08 - A steam whistle blows | boat | chromatic scale | mickey-mousing | polychord | steam whistle | tense | transcribed by ear | transition |
Is My Face Red? (1932) | Sailing of the Olympic | 0:15:16 - William on the deck of a busy ship | AB structure | advance plot | boat | bustling | chromatic sequence | crowd | hurried | leading man | metric dissonance | parallelism | searching | transcribed by ear |
Is My Face Red? (1932) | I Love Thee | 0:16:08 - Two people embrace | advance plot | boat | embrace | embracing | leading man | quotation | romantic | transcribed by ear |
Is My Face Red? (1932) | Strolling the Deck (Argument) | 0:16:14 - Camera moves from one window to another | advance plot | boat | cheerful | eavesdropping | fragmentation | leading man | parallelism | searching | transcribed by ear |
Is My Face Red? (1932) | Sailing of the Olympic (Argument) | 0:16:24 - Two people argue | advance plot | arguing | boat | eavesdropping | leading man | parallelism | tense | transcribed by ear |
Is My Face Red? (1932) | Strolling the Deck | 0:16:29 - Camera moves from one window to another | advance plot | boat | cheerful | common-tone diminished 7th | eavesdropping | leading man | mode mixture | searching | transcribed by ear |
Is My Face Red? (1932) | Sailing of the Olympic (Commotion) | 0:16:39 - Four people talk at once to Mildred | advance plot | arguing | argument | boat | chromatic sequence | eavesdropping | hurried | leading lady | leading man | metric dissonance | parallelism | tense | transcribed by ear |
Is My Face Red? (1932) | Mildred Waltz | 0:19:03 - Mildred talks with William | ABA structure | altered dominant | augmented sixth chord | boat | calm | conversing | diminished 7th chord | leading lady | leading man | lovers meet | transcribed by ear |
Is My Face Red? (1932) | Sailing | 0:19:56 - Boat moves through the water | boat | common-tone diminished 7th | crowd | excited | mode mixture | pedal tone | sailing | transcribed by ear | transition |
Is My Face Red? (1932) | Mildred Waltz | 0:20:18 - Mildred has a drink with William | ABA structure | advance plot | altered dominant | augmented sixth chord | boat | calm | diminished 7th chord | drinking | leading lady | leading man | transcribed by ear |
Is My Face Red? (1932) | Mildred Waltz (Tipsy) | 0:21:09 - Mildred is drunk | advance plot | altered dominant | augmented triad | boat | drinking | drunk | leading lady | leading man | transcribed by ear |
Is My Face Red? (1932) | Sailing 2 | 0:21:30 - Boat cuts through the waves | boat | parallelism | sailing | sailor | tense | transcribed by ear | transition | waves | whole-tone |
Is My Face Red? (1932) | Mildred Waltz | 0:21:43 - Mildred talks with William | advance plot | augmented sixth chord | boat | calm | conversing | diminished 7th chord | leading lady | leading man | transcribed by ear |
Is My Face Red? (1932) | Hurrying | 0:22:00 - Mildred and William hurry off | advance plot | boat | hurried | hurrying | jumping | leading lady | leading man | transcribed by ear | up |
Is My Face Red? (1932) | Mildred Waltz (Rushing) | 0:22:05 - Mildred and William leave | advance plot | boat | hurried | hurrying | leading lady | leading man | mode mixture | Neapolitan | transcribed by ear |
Is My Face Red? (1932) | Scenes Metropolitaine | 0:43:51 - Montage of activities in the city | ABCA structure | augmented triad | boat | boxing | Chinatown | diminished 7th chord | excited | gambling | leading lady | leading man | metric dissonance | montage | New York | night club | parallelism | transcribed by ear | transition | whole-tone |
Is My Face Red? (1932) | Mildred Waltz | 0:44:47 - Mildred and William ride in a motorboat | ABA structure | advance plot | boat | calm | leading lady | leading man | sailing | transcribed by ear |
Is My Face Red? (1932) | Comin' Thro' the Rye | 0:46:54 - A man exercises to music on a boat | advance plot | boat | calm | exercising | leading lady | leading man | source music | transcribed by ear |
Headline Shooter (1933) | You Bunch of Fun (Introduction) | 0:00:15 - Title and starring list over camera lens montage | 9th chord | boat | camera lens | car | cast list | cheerful | chromatic parallelism | kaleidoscope effect | opening title sequence | plane | racing | reused recording | sequence | split screen | title of film | transcribed by ear |
Murder on the Blackboard (1934) | Sidewalks of New York (Waltz) | 0:00:11 - Tugboats sailing under a bridge | boat | cheerful | city | establish place | establish setting | parallelism | popular song | sailing | transcribed by ear |
The Most Dangerous Game (1932) | The Open Sea | 0:01:20 - A buoy on the open sea | boat | boat | calm | clock | gentle | ocean | sailing | transition |
The Most Dangerous Game (1932) | A Moment In The Dark | 0:04:39 - A picture of a hunting trip | boat | conversing | establish character | friend | hunter | leading man | radio | radio | source music | upbeat |
The Most Dangerous Game (1932) | Zaroff (Risoluto) | 1:01:10 - Zaroff at the window | arrow | boat | castle | count | dramatic | escaping | leading lady | leading man | rising | tense | victim | villain |
The Most Dangerous Game (1932) | Russian Waltz (The Window) | 1:01:15 - Zaroff at the window | arrow | boat | castle | count | dramatic | escaping | fanfare | leading lady | leading man | rising | tense | victim | villain |
The Most Dangerous Game (1932) | Courage (Allegro con Fuoco) + The Iron Door | 1:01:23 - The boat leaves the dock | arrow | boat | castle | count | death | dramatic | dying | escaping | leading lady | leading man | motor effect | preparing | tense | victim | villain |
The Most Dangerous Game (1932) | Russian Waltz (Impossible) | 1:01:37 - Zaroff collapses | arrow | boat | castle | collapsing | count | dark | death | dying | falling | leading lady | leading man | mickey-mousing | victim | villain |
The Most Dangerous Game (1932) | Underscoring (Dramatic) | 1:01:44 - Dogs barking | barking | boat | castle | count | death | dog | dramatic | dying | leading lady | leading man | tense | underscoring | victim | villain |
The Most Dangerous Game (1932) | Falling out of window | 1:01:53 - Zaroff falls out of the window | boat | castle | count | death | dramatic | dying | escaping | falling | leading lady | leading man | mickey-mousing | tense | victim | villain |
The Most Dangerous Game (1932) | Russian Waltz (Climax) | 1:01:55 - The boat speeding away | boat | castle | dark | death | escaping | fanfare | leading lady | leading man | victim |
Mara Maru (1952) | Manuelo 2 | 0:00:17 - Starring list | boat | ocean | opening title sequence | starring list | tense |
Mara Maru (1952) | Gregory | 0:00:26 - Title of film | boat | cast list | fanfare | grand | heroic | ocean | opening title sequence | title of film |
Mara Maru (1952) | Gregory (Diving) | 0:00:40 - Cast list | boat | cast list | descending | diver | diving | diving suit | fanfare | leading man | ocean | opening title sequence | point-of-view shot | sailor | somber | underwater | uneasy | working |
Mara Maru (1952) | Gregory (Underwater) | 0:01:16 - A diver (Gregory) underwater | boat | close-up | diver | diving | diving suit | establish character | fanfare | grand | heroic | leading man | ocean | underwater | working |
Mara Maru (1952) | Manuelo (Giocoso) | 0:01:32 - A boy (Perol) working | boat | boat | child | establish character | light | playful | smoking | worker | working |
Mara Maru (1952) | Manuelo (Guitar) | 0:01:40 - Boys working | boat | boat | calling | child | establish character | light | playful | worker | working | yelling |
Mara Maru (1952) | Surfacing | 0:02:34 - Gregory rises from the water | assisting | boat | boat | child | diver | diving suit | establish character | heroic | hopeful | leading man | mickey-mousing | rising | surfacing | underwater | worker | working |
Mara Maru (1952) | On Deck | 0:02:52 - Gregory steps onto the boat | boat | boat | child | conversing | diver | diving suit | establish character | heroic | hopeful | leading man | underscoring | worker | working |
Mara Maru (1952) | Manuelo (Allegretto Giocoso) | 0:03:20 - Perol lights a cigar | boat | boat | child | conversing | diver | establish character | leading man | light | playful | reveal | worker | working |
Mara Maru (1952) | Manuelo 2 (Extended) | 0:03:36 - The boys help Gregory | boat | boat | child | conversing | diver | establish character | leading man | light | playful | worker | working |
Mara Maru (1952) | Manuelo (Giocoso) | 0:03:58 - The boys help Gregory | boat | boat | child | conversing | diver | establish character | leading man | light | playful | worker | working |
Mara Maru (1952) | Manuelo (Meno) | 0:04:10 - Gregory stands up | boat | boat | child | conversing | diver | establish character | gentle | leading man | worker | working |
Mara Maru (1952) | Gregory (Con Moto) | 0:04:24 - A boat in the harbor | arriving | boat | child | conversing | diver | establish character | gambling | grand | harbor | heroic | leading man | ocean | sailing | worker |
Mara Maru (1952) | Underscoring (Dramatic) | 1:13:49 - A sunken boat | action scene | boat | captain | diver | diving | diving suit | dramatic | exploring | leading man | ocean | ship | stinger | swimming | underscoring | underwater | walking |
Mara Maru (1952) | Gregory (Sunken Boat) | 1:14:12 - Gregory enters the boat | action scene | boat | captain | diver | diving | diving suit | exploring | fanfare | heroic | leading man | ocean | ship | suspeneful | swimming | underwater | walking |
Mara Maru (1952) | Gregory (Exploring) | 1:14:48 - Gregory explores the boat | action scene | boat | captain | diver | diving | diving suit | exploring | fanfare | leading man | ocean | ship | subdued | swimming | underwater | walking |
Mara Maru (1952) | Gregory (Hindemith in Hollywood) | 1:15:18 - Gregory opens a door | action scene | boat | captain | dark | diver | diving | diving suit | exploring | fanfare | leading man | mickey-mousing | ocean | serious | ship | suspenseful | swimming | underwater | walking |
Mara Maru (1952) | Torch | 1:15:50 - Gregory operates a torch | action scene | boat | captain | diver | diving | diving suit | fire | fire effect | leading man | lighting | mickey-mousing | ocean | ship | tense | torch | underwater | working |
Mara Maru (1952) | Beam falling | 1:15:57 - A beam collapses | action scene | beam | boat | captain | collapsing | dark | descending | diver | diving | diving suit | dramatic | falling | leading man | lighting | mickey-mousing | ocean | ship | underwater | working |
Mara Maru (1952) | Torch | 1:16:06 - Gregory operates a torch | action scene | boat | captain | diver | diving | diving suit | fire | leading man | lighting | mickey-mousing | ocean | ship | tense | torch | underwater | working |
Mara Maru (1952) | Underscoring (Mysterious) | 1:16:15 - Gregory opens a door | action scene | boat | captain | diver | diving | diving suit | leading man | mysterious | ocean | opening | ship | tense | treasure | underscoring | underwater | working |
Mara Maru (1952) | Walking underwater | 1:16:23 - Gregory walks away | action scene | boat | captain | diver | diving | diving suit | leading man | mickey-mousing | ocean | ship | suspenseful | tense | treasure | underwater | walking | working |
Mara Maru (1952) | Beam falling 2 | 1:16:34 - A beam collapses on the air hose | action scene | beam | boat | captain | collapsing | dark | descending | diver | diving | diving suit | dramatic | falling | hose | leading man | mickey-mousing | ocean | ship | treasure | underwater | working |
Mara Maru (1952) | Tugging | 1:16:39 - Gregory tugs at the air hose | action scene | antogonist | beam | boat | captain | dark | diver | diving | diving suit | dramatic | hose | leading lady | leading man | love interest | mickey-mousing | ocean | private eye | pulling | rain | raining | ship | storm | treasure | tugging | underwater | worker | working | yelling |
Mara Maru (1952) | Gauge rising | 1:16:54 - Rising air pressure on a gauge | action scene | antogonist | boat | captain | diver | dramatic | gauge | leading lady | leading man | love interest | mickey-mousing | private eye | rain | raining | rising | ship | storm | tense | worker |
Mara Maru (1952) | Gregory + Struggling | 1:16:57 - Gregory tries to free himself | action scene | beam | boat | captain | close-up | combination of themes | dark | digging | diver | diving | diving suit | dramatic | fanfare | frantic | heroic | hose | leading man | mickey-mousing | ocean | rushing | ship | struggling | treasure | tugging | underwater | working |
Mara Maru (1952) | Struggling 2 | 1:17:23 - Gregory tries to free himself | action scene | beam | boat | captain | dark | diver | diving | diving suit | dramatic | frantic | hose | leading man | ocean | rushing | ship | struggling | treasure | tugging | underwater | working |
Mara Maru (1952) | Gauge falling | 1:17:42 - Falling air pressure on a gauge | action scene | antogonist | boat | captain | descending | diver | dramatic | falling | gauge | leading lady | leading man | love interest | mickey-mousing | private eye | rain | relief | ship | storm | worker |
Mara Maru (1952) | Underwater | 1:17:50 - Gregory's light shines underwater | action scene | boat | captain | carrying | dark | diver | diving | diving suit | leading man | ocean | ship | suspenseful | swimming | treasure | underwater |
Mara Maru (1952) | Floating | 1:18:01 - Gregory carries the treasure chest | action scene | boat | captain | carrying | dark | diver | diving | diving suit | leading man | ocean | ship | suspenseful | swimming | treasure | underwater |
Mara Maru (1952) | Underwater (Fish) | 1:18:09 - Fish swimming | action scene | boat | captain | carrying | close-up | diver | diving | diving suit | fish | leading man | mysterious | ocean | ship | swimming | treasure | underwater |
Mara Maru (1952) | Gregory (Signaling) | 1:18:19 - Gregory signals to come up | action scene | antogonist | boat | captain | carrying | dark | diver | diving | diving suit | fanfare | leading lady | leading man | love interest | ocean | private eye | rain | ship | signaling | storm | swimming | treasure | underwater | wind | worker |
Mara Maru (1952) | Surfacing | 1:18:26 - Gregory rises to the surface | action scene | antogonist | assisting | boat | captain | close-up | diver | diving suit | heroic | hopeful | leading lady | leading man | love interest | mickey-mousing | ocean | private eye | rain | rising | ship | storm | surfacing | treasure | underwater | wind | worker | working | yelling |
Mara Maru (1952) | On Deck | 1:18:55 - Gregory emerges from the water | action scene | antogonist | assisting | boat | captain | conversing | diver | diving suit | heroic | hopeful | leading lady | leading man | love interest | private eye | rain | ship | storm | treasure | triumphant | wind | worker | working | yelling |
Mara Maru (1952) | Underscoring (Dramatic) | 1:19:10 - Gregory falls to the deck floor | action scene | antogonist | boat | captain | diver | diving suit | dramatic | falling | leading lady | leading man | love interest | private eye | rain | ship | storm | treasure | underscoring | wind | worker | yelling |