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70 results for "boat" — see also ocean | ship

FilmTheme nameInstanceTags
All This, and Heaven Too (1940)The Duke (Ocean Waves)0:10:10 - Ocean wavesboat | establish place | flashback | gentle | leading lady | light | peaceful | storytelling | student | teacher | traveling

All This, and Heaven Too (1940)

Henriette (Lento)0:10:20 - Henriette on a shipboat | flashback | hopeful | leading lady | mysterious | storytelling | tense | traveling

All This, and Heaven Too (1940)

Henriette (Dolce)0:12:43 - Henriette talks to Henryboat | conversing | gentle | leading lady | leaving | minister | peaceful | transition
Angels With Dirty Faces (1938)Bootlegging0:06:46 - Bootlegging liquoralcohol | boat | dock | establish character | gangster | leading man | mickey-mousing | montage | sneaking | sneaky
Arsenic and Old Lace (1944)Sidewalks of New York (Expressivo)0:01:53 - A ship sailing under a bridgeboat | bridge | calm | card | city | establish place | familiar tune | sailing | transition
His Greatest Gamble (1934)The Chase 20:29:44 - Montage of Philip's escapeboat | dark | frantic | leading man | montage | montage | parallelism | prisoner | transcribed by ear | traveling
City for Conquest (1940)Sidewalks of New York (Montage)0:02:18 - A montage of New York City scenesboat | bridge | car | city | conversing | Dutch angle | establish setting | excited | montage | old man | panning shot | police | soliloquy | train

City for Conquest (1940)

Tranquillo0:31:35 - Peggy and Danny on a boatboat | conversing | delicate | gentle | leading lady | leading man | love scene

City for Conquest (1940)

Tone Poem A1 (Waltz)0:31:48 - Peggy and Danny talk about the futureboat | calm | conversing | leading lady | leading man | love scene | romantic

City for Conquest (1940)

Shadow Waltz (Dark)0:33:22 - Peggy talks with Dannyboat | conversing | dark | leading lady | leading man | love scene | somber

City for Conquest (1940)

I’m Just Wild About Harry0:33:35 - Peggy starts to leaveboat | calm | conversing | gentle | leading lady | leading man | love scene

City for Conquest (1940)

Tone Poem A1 (Dolcissimo)0:34:02 - Danny talks with Peggyboat | conversing | gentle | kissing | leading lady | leading man | love scene | romantic
Death of a Scoundrel (1956)Columbia, the Gem of the Ocean0:14:05 - Boat sails into New York harborAmerica | boat | flashback | ocean | patriotic | source music
Hell on Frisco Bay (1955)Amato runs1:34:27 - Amato runs to his boataction scene | agitated | boat | dock | dramatic | following | gangster | inspector | leading man | running | tense

Hell on Frisco Bay (1955)

Boat Chase1:34:33 - Amato tries to escape in a boataction scene | agitated | boat | dock | dramatic | following | gangster | inspector | leading man | running | tense

Hell on Frisco Bay (1955)

Underscoring (Dramatic)1:34:53 - Steve climbs in the boataction scene | boat | dock | dramatic | driving | gangster | inspector | leading man | tense | underscoring

Hell on Frisco Bay (1955)

Menace1:34:57 - Steve and Amato fightaction scene | agitated | boat | dock | dramatic | fighting | gangster | inspector | leading man | tense

Hell on Frisco Bay (1955)

Menace1:35:21 - Steve and Amato fightaction scene | agitated | boat | dock | dramatic | fighting | gangster | inspector | leading man | tense

Hell on Frisco Bay (1955)

Underscoring (Dramatic)1:35:44 - The police boat leaves the dockaction scene | boat | departing | dock | dramatic | police | tense | underscoring

Hell on Frisco Bay (1955)

Amato1:35:47 - Steve and Amato fightaction scene | agitated | boat | dock | dramatic | fighting | gangster | inspector | leading man | tense

Hell on Frisco Bay (1955)

Amato1:35:56 - The police boat advancesaction scene | agitated | boat | dock | dramatic | fighting | gangster | inspector | leading man | tense | underscoring

Hell on Frisco Bay (1955)

Horn Call1:36:10 - The police boat advancesaction scene | battle call | boat | departing | dock | police | tense

Hell on Frisco Bay (1955)

Amato1:36:12 - Steve and Amato fightaction scene | agitated | boat | dock | dramatic | fighting | gangster | inspector | leading man | tense

Hell on Frisco Bay (1955)

Amato falls1:36:20 - Amato falls in the wateraction scene | boat | dock | dramatic | falling | fighting | gangster | inspector | leading man | mickey-mousing | punching | splashing | tense | water

Hell on Frisco Bay (1955)

Underscoring (Tense)1:36:23 - The boat approaches a wallaction scene | boat | dock | driving | inspector | leading man | tense | underscoring

Hell on Frisco Bay (1955)

Steve dives 21:36:27 - Steve dives in the wateraction scene | boat | diving | dock | inspector | jumping | leading man | mickey-mousing | splashing | tense | water

Hell on Frisco Bay (1955)

1:36:42 - Steve and Amato swim to the police boatboat | dock | gangster | inspector | leading man | mickey-mousing | swimming | tense | water

Hell on Frisco Bay (1955)

Lifting up1:36:50 - Amato is brought onboardboat | dock | dramatic | gangster | inspector | leading man | lifting | mickey-mousing | police | raising | tense | up | water

Hell on Frisco Bay (1955)

Menace1:36:57 - The police boat leavesagitated | arriving | boat | dock | gangster | inspector | leading man | police | tense

Hell on Frisco Bay (1955)

Steve1:37:30 - Steve gets off the boatarriving | boat | bold | dock | gangster | heroic | inspector | leading man | police
The Informer (1935)Here Comes the Bride0:49:55 - Dream sequence of a voyage to America64 chord | advance plot | antagonist | boat | double exposure | dreaming | familiar tune | leading lady | leading man | pedal tone | romantic | ship | street | vision | wedding
Key Largo (1948)Seminoles0:19:11 - Seminole Indians arriveadvance plot | arriving | boat | conversing | dock | Indian | Indian | leading lady | leading man | rowing | serious

Key Largo (1948)

Seminoles (Grandma)0:19:46 - Elderly Indian woman talks to Noraadvance plot | arriving | boat | conversing | dock | grandmother | Indian | Indian | leading lady | leading man | old woman | serious | smoking

Key Largo (1948)

Seminoles (Brothers)0:20:29 - Nora talks with Seminole Indiansadvance plot | arriving | boat | conversing | dock | Indian | Indian | leading lady | leading man | serious

Key Largo (1948)

Tension (The Boat)1:26:31 - McCloud tries to start the boatadvance plot | boat | boat | boss | dramatic | gangster | hostage | leading man | leaving | motor | sputtering | starting | stinger | tense

Key Largo (1948)

Underscoring (Dramatic)1:35:14 - McCloud shoots Roccoboat | boss | conflict | death | dramatic | dying | falling | gangster | gun | gunshot | leading man | mickey-mousing | shooting | stinger | tense

Key Largo (1948)

Climbing down1:35:31 - McCloud climbs downboat | climbing | conflict | descending | leading man | mickey-mousing | mysterious | tense

Key Largo (1948)

Tension (The Boat 2)1:35:44 - McCloud steers the boatboat | conflict | hopeful | leading man | steering | tense

Key Largo (1948)

Hope1:36:11 - McCloud calls for help on the radioboat | calling | conflict | hopeful | leading man | radio | steering

Key Largo (1948)

McCloud (Maestoso)1:39:43 - McCloud steers the boat homeboat | hopeful | leading man | resolution | returning | sailing | triumphant
Is My Face Red? (1932)Steam whistle0:15:08 - A steam whistle blowsboat | chromatic scale | mickey-mousing | polychord | steam whistle | tense | transcribed by ear | transition

Is My Face Red? (1932)

Sailing of the Olympic0:15:16 - William on the deck of a busy shipAB structure | advance plot | boat | bustling | chromatic sequence | crowd | hurried | leading man | metric dissonance | parallelism | searching | transcribed by ear

Is My Face Red? (1932)

I Love Thee0:16:08 - Two people embraceadvance plot | boat | embrace | embracing | leading man | quotation | romantic | transcribed by ear

Is My Face Red? (1932)

Strolling the Deck (Argument)0:16:14 - Camera moves from one window to anotheradvance plot | boat | cheerful | eavesdropping | fragmentation | leading man | parallelism | searching | transcribed by ear

Is My Face Red? (1932)

Sailing of the Olympic (Argument)0:16:24 - Two people argueadvance plot | arguing | boat | eavesdropping | leading man | parallelism | tense | transcribed by ear

Is My Face Red? (1932)

Strolling the Deck0:16:29 - Camera moves from one window to anotheradvance plot | boat | cheerful | common-tone diminished 7th | eavesdropping | leading man | mode mixture | searching | transcribed by ear

Is My Face Red? (1932)

Sailing of the Olympic (Commotion)0:16:39 - Four people talk at once to Mildredadvance plot | arguing | argument | boat | chromatic sequence | eavesdropping | hurried | leading lady | leading man | metric dissonance | parallelism | tense | transcribed by ear

Is My Face Red? (1932)

Mildred Waltz0:19:03 - Mildred talks with WilliamABA structure | altered dominant | augmented sixth chord | boat | calm | conversing | diminished 7th chord | leading lady | leading man | lovers meet | transcribed by ear

Is My Face Red? (1932)

Sailing0:19:56 - Boat moves through the waterboat | common-tone diminished 7th | crowd | excited | mode mixture | pedal tone | sailing | transcribed by ear | transition

Is My Face Red? (1932)

Mildred Waltz0:20:18 - Mildred has a drink with WilliamABA structure | advance plot | altered dominant | augmented sixth chord | boat | calm | diminished 7th chord | drinking | leading lady | leading man | transcribed by ear

Is My Face Red? (1932)

Mildred Waltz (Tipsy)0:21:09 - Mildred is drunkadvance plot | altered dominant | augmented triad | boat | drinking | drunk | leading lady | leading man | transcribed by ear

Is My Face Red? (1932)

Sailing 20:21:30 - Boat cuts through the wavesboat | parallelism | sailing | sailor | tense | transcribed by ear | transition | waves | whole-tone

Is My Face Red? (1932)

Mildred Waltz0:21:43 - Mildred talks with Williamadvance plot | augmented sixth chord | boat | calm | conversing | diminished 7th chord | leading lady | leading man | transcribed by ear

Is My Face Red? (1932)

Hurrying0:22:00 - Mildred and William hurry offadvance plot | boat | hurried | hurrying | jumping | leading lady | leading man | transcribed by ear | up

Is My Face Red? (1932)

Mildred Waltz (Rushing)0:22:05 - Mildred and William leaveadvance plot | boat | hurried | hurrying | leading lady | leading man | mode mixture | Neapolitan | transcribed by ear

Is My Face Red? (1932)

Scenes Metropolitaine0:43:51 - Montage of activities in the cityABCA structure | augmented triad | boat | boxing | Chinatown | diminished 7th chord | excited | gambling | leading lady | leading man | metric dissonance | montage | New York | night club | parallelism | transcribed by ear | transition | whole-tone

Is My Face Red? (1932)

Mildred Waltz0:44:47 - Mildred and William ride in a motorboatABA structure | advance plot | boat | calm | leading lady | leading man | sailing | transcribed by ear

Is My Face Red? (1932)

Comin’ Thro’ the Rye0:46:54 - A man exercises to music on a boatadvance plot | boat | calm | exercising | leading lady | leading man | source music | transcribed by ear
Headline Shooter (1933)You Bunch of Fun (Introduction)0:00:15 - Title and starring list over camera lens montage9th chord | boat | camera lens | car | cast list | cheerful | chromatic parallelism | kaleidoscope effect | opening title sequence | plane | racing | reused recording | sequence | split screen | title of film | transcribed by ear
Murder on the Blackboard (1934)Sidewalks of New York (Waltz)0:00:11 - Tugboats sailing under a bridgeboat | cheerful | city | establish place | establish setting | parallelism | popular song | sailing | transcribed by ear
The Breaking Point (1950)Transition0:00:07 - Birds flyingbird | boat | calm | conductor score | harbor | opening title sequence | starring list | tense

The Breaking Point (1950)

The Breaking Point0:00:25 - Title of the filmboat | calm | cast list | conductor score | gentle | harbor | mixed meter | opening title sequence | tender | title of film

The Breaking Point (1950)

The Breaking Point (Cellos)0:00:48 - Cast listboat | calm | cast list | conductor score | harbor | mixed meter | opening title sequence

The Breaking Point (1950)

Calm0:01:08 - Ships in a harborboat | calm | conductor score | harbor | opening title sequence

The Breaking Point (1950)

Fishermen0:07:40 - Ship leaving the harborboat | boat | boating | calm | departing | fisherman | fishing | floozy | leading lady | leading man | montage | not by Steiner | sailor | tense | upbeat

The Breaking Point (1950)

Flor de Lis0:08:17 - A ship sailingart song | boat | boat | boating | conversing | establish setting | flirting | floozy | leading lady | leading man | not by Steiner | sailor | upbeat | working

The Breaking Point (1950)

En Mi Canto de Amor0:08:57 - A dock at nightarriving | art song | boat | conversing | docking | establish setting | flirting | floozy | harbor | leading lady | leading man | not by Steiner | sailor | source music | upbeat | working

The Breaking Point (1950)

The Breaking Point (Ethereal)1:34:41 - Harry recognizes Lucyboat | climax | comforting | conversing | crying | ethereal | leading lady | leading man | mixed meter | sailor | sweet | wife

The Breaking Point (1950)

The Breaking Point (Cellos)1:35:14 - Harry talks with Lucyboat | climax | comforting | conversing | crying | ethereal | leading lady | leading man | mixed meter | sailor | sweet | wife

The Breaking Point (1950)

Calm1:35:38 - Lucy leavesboat | climax | comforting | conversing | crying | ethereal | leading lady | leading man | sailor | sweet | wife