| All This, and Heaven Too (1940) | The Duke (Ocean Waves) | 0:10:10 - Ocean waves | boat | establish place | flashback | gentle | leading lady | light | peaceful | storytelling | student | teacher | traveling |
All This, and Heaven Too (1940) | Henriette (Lento) | 0:10:20 - Henriette on a ship | boat | flashback | hopeful | leading lady | mysterious | storytelling | tense | traveling |
All This, and Heaven Too (1940) | Henriette (Dolce) | 0:12:43 - Henriette talks to Henry | boat | conversing | gentle | leading lady | leaving | minister | peaceful | transition |
| Angels With Dirty Faces (1938) | Bootlegging | 0:06:46 - Bootlegging liquor | alcohol | boat | dock | establish character | gangster | leading man | mickey-mousing | montage | sneaking | sneaky |
| Arsenic and Old Lace (1944) | Sidewalks of New York (Expressivo) | 0:01:53 - A ship sailing under a bridge | boat | bridge | calm | card | city | establish place | familiar tune | sailing | transition |
| His Greatest Gamble (1934) | The Chase 2 | 0:29:44 - Montage of Philip's escape | boat | dark | frantic | leading man | montage | montage | parallelism | prisoner | transcribed by ear | traveling |
| City for Conquest (1940) | Sidewalks of New York (Montage) | 0:02:18 - A montage of New York City scenes | boat | bridge | car | city | conversing | Dutch angle | establish setting | excited | montage | old man | panning shot | police | soliloquy | train |
City for Conquest (1940) | Tranquillo | 0:31:35 - Peggy and Danny on a boat | boat | conversing | delicate | gentle | leading lady | leading man | love scene |
City for Conquest (1940) | Tone Poem A1 (Waltz) | 0:31:48 - Peggy and Danny talk about the future | boat | calm | conversing | leading lady | leading man | love scene | romantic |
City for Conquest (1940) | Shadow Waltz (Dark) | 0:33:22 - Peggy talks with Danny | boat | conversing | dark | leading lady | leading man | love scene | somber |
City for Conquest (1940) | I’m Just Wild About Harry | 0:33:35 - Peggy starts to leave | boat | calm | conversing | gentle | leading lady | leading man | love scene |
City for Conquest (1940) | Tone Poem A1 (Dolcissimo) | 0:34:02 - Danny talks with Peggy | boat | conversing | gentle | kissing | leading lady | leading man | love scene | romantic |
| Death of a Scoundrel (1956) | Columbia, the Gem of the Ocean | 0:14:05 - Boat sails into New York harbor | America | boat | flashback | ocean | patriotic | source music |
| Hell on Frisco Bay (1955) | Amato runs | 1:34:27 - Amato runs to his boat | action scene | agitated | boat | dock | dramatic | following | gangster | inspector | leading man | running | tense |
Hell on Frisco Bay (1955) | Boat Chase | 1:34:33 - Amato tries to escape in a boat | action scene | agitated | boat | dock | dramatic | following | gangster | inspector | leading man | running | tense |
Hell on Frisco Bay (1955) | Underscoring (Dramatic) | 1:34:53 - Steve climbs in the boat | action scene | boat | dock | dramatic | driving | gangster | inspector | leading man | tense | underscoring |
Hell on Frisco Bay (1955) | Menace | 1:34:57 - Steve and Amato fight | action scene | agitated | boat | dock | dramatic | fighting | gangster | inspector | leading man | tense |
Hell on Frisco Bay (1955) | Menace | 1:35:21 - Steve and Amato fight | action scene | agitated | boat | dock | dramatic | fighting | gangster | inspector | leading man | tense |
Hell on Frisco Bay (1955) | Underscoring (Dramatic) | 1:35:44 - The police boat leaves the dock | action scene | boat | departing | dock | dramatic | police | tense | underscoring |
Hell on Frisco Bay (1955) | Amato | 1:35:47 - Steve and Amato fight | action scene | agitated | boat | dock | dramatic | fighting | gangster | inspector | leading man | tense |
Hell on Frisco Bay (1955) | Amato | 1:35:56 - The police boat advances | action scene | agitated | boat | dock | dramatic | fighting | gangster | inspector | leading man | tense | underscoring |
Hell on Frisco Bay (1955) | Horn Call | 1:36:10 - The police boat advances | action scene | battle call | boat | departing | dock | police | tense |
Hell on Frisco Bay (1955) | Amato | 1:36:12 - Steve and Amato fight | action scene | agitated | boat | dock | dramatic | fighting | gangster | inspector | leading man | tense |
Hell on Frisco Bay (1955) | Amato falls | 1:36:20 - Amato falls in the water | action scene | boat | dock | dramatic | falling | fighting | gangster | inspector | leading man | mickey-mousing | punching | splashing | tense | water |
Hell on Frisco Bay (1955) | Underscoring (Tense) | 1:36:23 - The boat approaches a wall | action scene | boat | dock | driving | inspector | leading man | tense | underscoring |
Hell on Frisco Bay (1955) | Steve dives 2 | 1:36:27 - Steve dives in the water | action scene | boat | diving | dock | inspector | jumping | leading man | mickey-mousing | splashing | tense | water |
Hell on Frisco Bay (1955) | | 1:36:42 - Steve and Amato swim to the police boat | boat | dock | gangster | inspector | leading man | mickey-mousing | swimming | tense | water |
Hell on Frisco Bay (1955) | Lifting up | 1:36:50 - Amato is brought onboard | boat | dock | dramatic | gangster | inspector | leading man | lifting | mickey-mousing | police | raising | tense | up | water |
Hell on Frisco Bay (1955) | Menace | 1:36:57 - The police boat leaves | agitated | arriving | boat | dock | gangster | inspector | leading man | police | tense |
Hell on Frisco Bay (1955) | Steve | 1:37:30 - Steve gets off the boat | arriving | boat | bold | dock | gangster | heroic | inspector | leading man | police |
| The Informer (1935) | Here Comes the Bride | 0:49:55 - Dream sequence of a voyage to America | 64 chord | advance plot | antagonist | boat | double exposure | dreaming | familiar tune | leading lady | leading man | pedal tone | romantic | ship | street | vision | wedding |
| Key Largo (1948) | Seminoles | 0:19:11 - Seminole Indians arrive | advance plot | arriving | boat | conversing | dock | Indian | Indian | leading lady | leading man | rowing | serious |
Key Largo (1948) | Seminoles (Grandma) | 0:19:46 - Elderly Indian woman talks to Nora | advance plot | arriving | boat | conversing | dock | grandmother | Indian | Indian | leading lady | leading man | old woman | serious | smoking |
Key Largo (1948) | Seminoles (Brothers) | 0:20:29 - Nora talks with Seminole Indians | advance plot | arriving | boat | conversing | dock | Indian | Indian | leading lady | leading man | serious |
Key Largo (1948) | Tension (The Boat) | 1:26:31 - McCloud tries to start the boat | advance plot | boat | boat | boss | dramatic | gangster | hostage | leading man | leaving | motor | sputtering | starting | stinger | tense |
Key Largo (1948) | Underscoring (Dramatic) | 1:35:14 - McCloud shoots Rocco | boat | boss | conflict | death | dramatic | dying | falling | gangster | gun | gunshot | leading man | mickey-mousing | shooting | stinger | tense |
Key Largo (1948) | Climbing down | 1:35:31 - McCloud climbs down | boat | climbing | conflict | descending | leading man | mickey-mousing | mysterious | tense |
Key Largo (1948) | Tension (The Boat 2) | 1:35:44 - McCloud steers the boat | boat | conflict | hopeful | leading man | steering | tense |
Key Largo (1948) | Hope | 1:36:11 - McCloud calls for help on the radio | boat | calling | conflict | hopeful | leading man | radio | steering |
Key Largo (1948) | McCloud (Maestoso) | 1:39:43 - McCloud steers the boat home | boat | hopeful | leading man | resolution | returning | sailing | triumphant |
| Is My Face Red? (1932) | Steam whistle | 0:15:08 - A steam whistle blows | boat | chromatic scale | mickey-mousing | polychord | steam whistle | tense | transcribed by ear | transition |
Is My Face Red? (1932) | Sailing of the Olympic | 0:15:16 - William on the deck of a busy ship | AB structure | advance plot | boat | bustling | chromatic sequence | crowd | hurried | leading man | metric dissonance | parallelism | searching | transcribed by ear |
Is My Face Red? (1932) | I Love Thee | 0:16:08 - Two people embrace | advance plot | boat | embrace | embracing | leading man | quotation | romantic | transcribed by ear |
Is My Face Red? (1932) | Strolling the Deck (Argument) | 0:16:14 - Camera moves from one window to another | advance plot | boat | cheerful | eavesdropping | fragmentation | leading man | parallelism | searching | transcribed by ear |
Is My Face Red? (1932) | Sailing of the Olympic (Argument) | 0:16:24 - Two people argue | advance plot | arguing | boat | eavesdropping | leading man | parallelism | tense | transcribed by ear |
Is My Face Red? (1932) | Strolling the Deck | 0:16:29 - Camera moves from one window to another | advance plot | boat | cheerful | common-tone diminished 7th | eavesdropping | leading man | mode mixture | searching | transcribed by ear |
Is My Face Red? (1932) | Sailing of the Olympic (Commotion) | 0:16:39 - Four people talk at once to Mildred | advance plot | arguing | argument | boat | chromatic sequence | eavesdropping | hurried | leading lady | leading man | metric dissonance | parallelism | tense | transcribed by ear |
Is My Face Red? (1932) | Mildred Waltz | 0:19:03 - Mildred talks with William | ABA structure | altered dominant | augmented sixth chord | boat | calm | conversing | diminished 7th chord | leading lady | leading man | lovers meet | transcribed by ear |
Is My Face Red? (1932) | Sailing | 0:19:56 - Boat moves through the water | boat | common-tone diminished 7th | crowd | excited | mode mixture | pedal tone | sailing | transcribed by ear | transition |
Is My Face Red? (1932) | Mildred Waltz | 0:20:18 - Mildred has a drink with William | ABA structure | advance plot | altered dominant | augmented sixth chord | boat | calm | diminished 7th chord | drinking | leading lady | leading man | transcribed by ear |
Is My Face Red? (1932) | Mildred Waltz (Tipsy) | 0:21:09 - Mildred is drunk | advance plot | altered dominant | augmented triad | boat | drinking | drunk | leading lady | leading man | transcribed by ear |
Is My Face Red? (1932) | Sailing 2 | 0:21:30 - Boat cuts through the waves | boat | parallelism | sailing | sailor | tense | transcribed by ear | transition | waves | whole-tone |
Is My Face Red? (1932) | Mildred Waltz | 0:21:43 - Mildred talks with William | advance plot | augmented sixth chord | boat | calm | conversing | diminished 7th chord | leading lady | leading man | transcribed by ear |
Is My Face Red? (1932) | Hurrying | 0:22:00 - Mildred and William hurry off | advance plot | boat | hurried | hurrying | jumping | leading lady | leading man | transcribed by ear | up |
Is My Face Red? (1932) | Mildred Waltz (Rushing) | 0:22:05 - Mildred and William leave | advance plot | boat | hurried | hurrying | leading lady | leading man | mode mixture | Neapolitan | transcribed by ear |
Is My Face Red? (1932) | Scenes Metropolitaine | 0:43:51 - Montage of activities in the city | ABCA structure | augmented triad | boat | boxing | Chinatown | diminished 7th chord | excited | gambling | leading lady | leading man | metric dissonance | montage | New York | night club | parallelism | transcribed by ear | transition | whole-tone |
Is My Face Red? (1932) | Mildred Waltz | 0:44:47 - Mildred and William ride in a motorboat | ABA structure | advance plot | boat | calm | leading lady | leading man | sailing | transcribed by ear |
Is My Face Red? (1932) | Comin’ Thro’ the Rye | 0:46:54 - A man exercises to music on a boat | advance plot | boat | calm | exercising | leading lady | leading man | source music | transcribed by ear |
| Headline Shooter (1933) | You Bunch of Fun (Introduction) | 0:00:15 - Title and starring list over camera lens montage | 9th chord | boat | camera lens | car | cast list | cheerful | chromatic parallelism | kaleidoscope effect | opening title sequence | plane | racing | reused recording | sequence | split screen | title of film | transcribed by ear |
| Murder on the Blackboard (1934) | Sidewalks of New York (Waltz) | 0:00:11 - Tugboats sailing under a bridge | boat | cheerful | city | establish place | establish setting | parallelism | popular song | sailing | transcribed by ear |
| The Breaking Point (1950) | Transition | 0:00:07 - Birds flying | bird | boat | calm | conductor score | harbor | opening title sequence | starring list | tense |
The Breaking Point (1950) | The Breaking Point | 0:00:25 - Title of the film | boat | calm | cast list | conductor score | gentle | harbor | mixed meter | opening title sequence | tender | title of film |
The Breaking Point (1950) | The Breaking Point (Cellos) | 0:00:48 - Cast list | boat | calm | cast list | conductor score | harbor | mixed meter | opening title sequence |
The Breaking Point (1950) | Calm | 0:01:08 - Ships in a harbor | boat | calm | conductor score | harbor | opening title sequence |
The Breaking Point (1950) | Fishermen | 0:07:40 - Ship leaving the harbor | boat | boat | boating | calm | departing | fisherman | fishing | floozy | leading lady | leading man | montage | not by Steiner | sailor | tense | upbeat |
The Breaking Point (1950) | Flor de Lis | 0:08:17 - A ship sailing | art song | boat | boat | boating | conversing | establish setting | flirting | floozy | leading lady | leading man | not by Steiner | sailor | upbeat | working |
The Breaking Point (1950) | En Mi Canto de Amor | 0:08:57 - A dock at night | arriving | art song | boat | conversing | docking | establish setting | flirting | floozy | harbor | leading lady | leading man | not by Steiner | sailor | source music | upbeat | working |
The Breaking Point (1950) | The Breaking Point (Ethereal) | 1:34:41 - Harry recognizes Lucy | boat | climax | comforting | conversing | crying | ethereal | leading lady | leading man | mixed meter | sailor | sweet | wife |
The Breaking Point (1950) | The Breaking Point (Cellos) | 1:35:14 - Harry talks with Lucy | boat | climax | comforting | conversing | crying | ethereal | leading lady | leading man | mixed meter | sailor | sweet | wife |
The Breaking Point (1950) | Calm | 1:35:38 - Lucy leaves | boat | climax | comforting | conversing | crying | ethereal | leading lady | leading man | sailor | sweet | wife |
