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142 results for "brother" in 7 films — see also Brother | friend

Film	Theme name	Instance	Tags
Arsenic and Old Lace (1944)	Rondo Alla Turca	0:06:25 - Teddy plays the harpsichord	aunt \| brother \| classical music \| conversing \| crazy person \| establish character \| harpsichord \| leading lady \| old man \| on-screen music \| playing \| room \| source music \| upbeat \| victim
Arsenic and Old Lace (1944)	Happy Land (Lento)	0:09:11 - Reverend talks about the Brewster sisters	added-note chord \| aunt \| brother \| calm \| conversing \| crazy person \| establish character \| familiar tune \| gentle \| kindness \| leading lady \| old man \| room \| victim
Arsenic and Old Lace (1944)	Happy Land (Lento)	0:12:31 - The aunts talk	advance plot \| aunt \| brother \| conversing \| crazy person \| familiar tune \| foreign key modulation \| gentle \| leading lady \| mysterious \| plotting \| room \| sequence \| tender \| whole-tone chord \| whole-tone scale
Arsenic and Old Lace (1944)	The Aunts (Grazioso Con Moto)	0:13:16 - The aunts talk	advance plot \| aunt \| brother \| cheerful \| conversing \| crazy person \| delicate \| foreign key modulation \| gentle \| harmonic sequence \| leading lady \| plotting \| room
Arsenic and Old Lace (1944)	Break the News to Mother	0:18:44 - Teddy sings	advance plot \| aunt \| brother \| cheerful \| crazy person \| familiar tune \| groom \| leading lady \| leading man \| on-screen music \| room \| singing \| source music \| war song
Arsenic and Old Lace (1944)	Break the News to Mother	0:29:30 - Mortimer listens to Teddy sing	advance plot \| brother \| cheerful \| crazy person \| familiar tune \| groom \| leading man \| on-screen music \| room \| singing \| source music
Arsenic and Old Lace (1944)	Home Sweet Home (Ominous)	0:41:03 - Jonathan looks around the house	added-note chord \| augmented triad \| brother \| conversing \| crazy person \| criminal \| dark \| dissonant bass \| distortion \| doctor \| establish character \| familiar tune \| leading man \| observing \| ominous \| room
Arsenic and Old Lace (1944)	Scar (Misterioso)	0:41:31 - They see the food	brother \| conversing \| crazy person \| criminal \| doctor \| establish character \| leading man \| mysterious \| observing \| pc set \| polychord \| room
Arsenic and Old Lace (1944)	Home Sweet Home (Expressivo) + Scar	0:41:42 - Abby talks to Jonathan	altered dominant \| augmented triad \| aunt \| brother \| combination of themes \| conversing \| convincing \| crazy person \| criminal \| distortion \| doctor \| establish character \| expressive \| familiar tune \| leading lady \| leading man \| murderer \| mysterious \| ominous \| room
Arsenic and Old Lace (1944)	Underscoring (Tense)	0:42:08 - Jonathan talks to the aunts	aunt \| brother \| conversing \| crazy person \| criminal \| doctor \| establish character \| leading lady \| leading man \| murderer \| mysterious \| parallelism \| room \| tense \| underscoring
Arsenic and Old Lace (1944)	Scar (Face)	0:42:29 - Jonathan talks about his scar	augmented triad \| aunt \| brother \| chromatic parallelism \| conversing \| crazy person \| criminal \| doctor \| establish character \| fragmentation \| leading lady \| leading man \| murderer \| mysterious \| pc set \| polychord \| room \| scar \| tense
Arsenic and Old Lace (1944)	Mysterioso Pizzicato	0:42:41 - Martha talks about scary movies	aunt \| brother \| conversing \| crazy person \| criminal \| dissonant bass \| doctor \| establish character \| familiar tune \| leading lady \| leading man \| murderer \| mysterious \| room \| scar \| silent film music
Arsenic and Old Lace (1944)	Underscoring (Tense)	0:42:56 - Jonathan glares at Dr. Einstein	aunt \| brother \| conversing \| crazy person \| criminal \| diminished 7th chord \| doctor \| establish character \| leading lady \| leading man \| murderer \| oscillation \| room \| scar \| tense
Arsenic and Old Lace (1944)	Jonathan 2	0:43:08 - Jonathan talks about the operation	aunt \| brother \| chromatic scale \| chromatic wedge \| crazy person \| criminal \| dark \| dissonant bass \| doctor \| establish character \| grabbing \| leading lady \| leading man \| murderer \| ominous \| pc set \| room \| struggling \| threatening
Arsenic and Old Lace (1944)	Scar	0:43:20 - Dr. Einstein talks to the aunts	aunt \| brother \| conversing \| crazy person \| criminal \| dark \| doctor \| establish character \| leading lady \| leading man \| murderer \| ominous \| pc set \| polychord \| room
Arsenic and Old Lace (1944)	Home Sweet Home (Ominous)	0:43:28 - Dr. Einstein talks to the aunts	added-note chord \| altered dominant \| aunt \| brother \| conversing \| crazy person \| criminal \| distortion \| doctor \| establish character \| familiar tune \| leading lady \| leading man \| murderer \| room \| split-fifth chord \| tense
Arsenic and Old Lace (1944)	Home Sweet Home (Tranquillo)	0:43:40 - Jonathan sits down	augmented triad \| aunt \| brother \| calm \| chromatic parallelism \| conversing \| crazy person \| criminal \| direct modulation \| distortion \| doctor \| establish character \| familiar tune \| leading lady \| leading man \| murderer \| pedal tone \| room
Arsenic and Old Lace (1944)	The Aunts (Frightened)	0:44:00 - The aunts go into the kitchen	augmentation \| aunt \| brother \| conversing \| crazy person \| criminal \| doctor \| establish character \| fear \| foreign key modulation \| fragmentation \| leading lady \| leading man \| murderer \| mysterious \| Neapolitan \| ominous \| parallel 63s \| pedal tone \| room \| walking \| watching
Arsenic and Old Lace (1944)	The Aunts (Frightened)	0:45:22 - The aunts peek through the kitchen window	aunt \| brother \| conversing \| crazy person \| criminal \| doctor \| establish character \| face \| fear \| leading lady \| leading man \| murderer \| mysterious \| Neapolitan \| ominous \| parallel 63s \| pedal tone \| room \| snooping \| watching
Arsenic and Old Lace (1944)	Scar	0:45:29 - Dr. Einstein describes how he will fix Jonathan's face	aunt \| brother \| conversing \| crazy person \| criminal \| dark \| doctor \| establish character \| face \| leading lady \| leading man \| murderer \| ominous \| pc set \| planning \| polychord \| room \| wipe
Arsenic and Old Lace (1944)	Jonathan 2	0:49:12 - Jonathan threatens the aunts	advance plot \| aunt \| brother \| chromatic scale \| chromatic wedge \| crazy person \| criminal \| dark \| dissonant bass \| doctor \| fear \| leading lady \| leading man \| murderer \| ominous \| pc set \| room \| threatening
Arsenic and Old Lace (1944)	Scar	0:49:36 - Dr. Einstein calls to Jonathan	advance plot \| aunt \| brother \| crazy person \| criminal \| dark \| doctor \| fear \| leading lady \| leading man \| murderer \| ominous \| pc set \| polychord \| room \| threatening
Arsenic and Old Lace (1944)	Underscoring (Tense)	0:49:45 - Jonathan follows Dr. Einstein	advance plot \| altered dominant \| brother \| conversing \| crazy person \| criminal \| digging \| dissonant bass \| doctor \| familiar tune \| leading man \| march \| murderer \| on-screen music \| patriotic tune \| pc set \| plotting \| room \| source and scoring overlap \| tense \| tone cluster \| whistling
Arsenic and Old Lace (1944)	When Johnny Comes Marching Home	0:49:45 - Dr. Einstein spies on Teddy	advance plot \| brother \| crazy person \| criminal \| dark \| digging \| doctor \| familiar tune \| leading man \| march \| murderer \| on-screen music \| patriotic tune \| room \| source and scoring overlap \| tense \| whistling
Arsenic and Old Lace (1944)	Scar (Dark)	0:50:14 - Jonathan and Dr. Einstein watch Teddy dig	advance plot \| brother \| conversing \| crazy person \| criminal \| dark \| digging \| dissonant bass \| doctor \| familiar tune \| leading man \| march \| murderer \| on-screen music \| patriotic tune \| room \| source and scoring overlap \| watching \| whistling
Arsenic and Old Lace (1944)	The Aunts (Frightened)	0:50:20 - Jonathan and Dr. Einstein talk	advance plot \| brother \| crazy person \| criminal \| digging \| doctor \| familiar tune \| leading man \| march \| murderer \| Neapolitan \| on-screen music \| parallel 63s \| patriotic tune \| pedal tone \| plotting \| room \| source and scoring overlap \| tense \| whistling
Arsenic and Old Lace (1944)	Stinger	0:52:41 - Jonathan suddenly appears at the window	advance plot \| aunt \| brother \| crazy person \| dramatic \| harsh \| leading lady \| leading man \| murderer \| opening \| room \| stinger \| surprise \| whole-tone chord \| window
Arsenic and Old Lace (1944)	Jonathan 2	0:52:48 - Jonathan comes in the window	advance plot \| aunt \| brother \| chromatic scale \| chromatic wedge \| crazy person \| dark \| darkness \| dissonant bass \| doctor \| intimidating \| leading lady \| leading man \| murderer \| ominous \| pc set \| room \| staring \| tense
Arsenic and Old Lace (1944)	Jonathan (Fragmented)	0:53:35 - Jonathan and the doctor go up the stairs	advance plot \| aunt \| brother \| conversing \| crazy person \| dark \| darkness \| doctor \| fragmentation \| intimidating \| leading lady \| leading man \| murderer \| ominous \| pc set \| room \| tense
Arsenic and Old Lace (1944)	The Aunts	0:53:55 - Aunt Abby goes to the front door	advance plot \| aunt \| brother \| calm \| crazy person \| darkness \| harmonic sequence \| leading lady \| leading man \| murderer \| room \| silhouette \| staring \| upbeat \| walking
Arsenic and Old Lace (1944)	Underscoring (Mysterious)	0:54:01 - Aunt Abby goes up the stairs	advance plot \| aunt \| brother \| crazy person \| darkness \| intimidating \| leading lady \| leading man \| murderer \| mysterious \| room \| silhouette \| staring \| underscoring
Arsenic and Old Lace (1944)	The Aunts (Molto Misterioso)	0:54:12 - Aunt Abby faces Jonathan	advance plot \| aunt \| brother \| crazy person \| darkness \| foreign key modulation \| fragmentation \| intimidating \| leading lady \| leading man \| murderer \| mysterious \| parallel 63s \| pedal tone \| room \| staring \| walking
Arsenic and Old Lace (1944)	Underscoring (Tense)	0:54:30 - Jonathan goes up the stairs	advance plot \| brother \| crazy person \| darkness \| leading man \| murderer \| mysterious \| room \| sneaking \| tense \| tone cluster \| underscoring \| walking
Arsenic and Old Lace (1944)	Happy Land (Dirge)	0:54:54 - Teddy looks for the body in the dark	advance plot \| brother \| corpse \| crazy person \| creaking \| darkness \| dirge \| familiar tune \| mysterious \| opening \| pc set \| room \| sneaking \| tense \| walking \| whole-tone chord
Arsenic and Old Lace (1944)	Funeral March	0:55:21 - Teddy carries the body down the stairs	advance plot \| brother \| carrying \| chromatic scale \| corpse \| crazy person \| darkness \| diminution \| dirge \| familiar tune \| foreign key modulation \| funeral march \| linear chromaticism \| ominous \| ostinato \| room \| tritone \| walking
Arsenic and Old Lace (1944)	Underscoring (Dark)	0:56:27 - Einstein looks around in the dark	advance plot \| brother \| crazy person \| dark \| darkness \| descending \| doctor \| leading man \| match \| murderer \| plotting \| room \| sneaking \| underscoring
Arsenic and Old Lace (1944)	Blows out match	0:56:48 - Einstein blows out the match	advance plot \| blowing \| brother \| crazy person \| darkness \| doctor \| extinguishing \| leading man \| match \| mickey-mousing \| murderer \| room \| tense \| whole-tone scale
Arsenic and Old Lace (1944)	Jonathan 2 (Dark)	0:57:04 - Jonathan exits	advance plot \| brother \| chromatic scale \| chromatic wedge \| conversing \| crazy person \| dark \| darkness \| dissonant bass \| doctor \| falling \| leading man \| murderer \| mysterious \| pc set \| polychord \| room \| stinger
Arsenic and Old Lace (1944)	Underscoring (Tense)	0:58:10 - Someone knocks at the door	advance plot \| brother \| chromatic scale \| conversing \| corpse \| crazy person \| darkness \| doctor \| knocking \| leading man \| murderer \| pc set \| room \| sequence \| sneaking \| tense \| underscoring
Arsenic and Old Lace (1944)	Scar (Tense)	0:58:39 - Close-up on Dr. Einstein's face	advance plot \| bride \| brother \| calling \| close-up \| crazy person \| darkness \| doctor \| entering \| fear \| fragmentation \| leading lady \| leading man \| murderer \| polychord \| room \| sneaking \| tense
Arsenic and Old Lace (1944)	Jonathan 2	0:58:55 - Jonathan emerges from the shadows	advance plot \| bride \| brother \| chromatic scale \| chromatic wedge \| conversing \| crazy person \| darkness \| dissonant bass \| doctor \| fear \| leading lady \| leading man \| murderer \| pc set \| questioning \| room \| sinister
Arsenic and Old Lace (1944)	Jonathan 2 (Ominous)	1:00:36 - Jonathan backs Elaine into a corner	advance plot \| anger \| augmented triad \| bride \| brother \| chromatic scale \| crazy person \| dissonant bass \| doctor \| fear \| hurting \| leading lady \| leading man \| murderer \| ominous \| polychord \| questioning \| room \| stinger \| tense \| threatening
Arsenic and Old Lace (1944)	Underscoring (Dramatic)	1:01:21 - They take Elaine into the cellar	9th chord \| aunt \| bride \| brother \| chromatic scale \| conflict \| crazy person \| darkness \| diminished 7th chord \| doctor \| dramatic \| fear \| fighting \| gagging \| harmonic sequence \| leading lady \| leading man \| metric dissonance \| murderer \| oscillation \| room \| running \| self-borrowing \| struggling \| suspenseful \| underscoring
Arsenic and Old Lace (1944)	Organ Stinger	1:01:40 - Aunts emerge in black upstairs	arguing \| aunt \| brother \| conflict \| crazy person \| leading lady \| leading man \| murderer \| ominous \| room \| stinger
Arsenic and Old Lace (1944)	The Aunts (Frightened)	1:01:49 - Aunts talk to Jonathan	arguing \| aunt \| brother \| conflict \| crazy person \| fear \| fragmentation \| leading lady \| leading man \| murderer \| Neapolitan \| parallel 63s \| pedal tone \| room \| tense
Arsenic and Old Lace (1944)	Happy Land	1:19:56 - Mortimer with the taxi driver	aunt \| brother \| calm \| conversing \| crazy person \| doctor \| driver \| funeral \| groom \| hymn \| leading lady \| leading man \| murderer \| on-screen music \| score to source \| singing \| source music \| street
Arsenic and Old Lace (1944)	Molto Agitato	1:29:57 - Jonathan ties Mortimer to a chair	9th chord \| brother \| captive \| chromatic parallelism \| conflict \| crazy person \| diminished 7th chord \| doctor \| dramatic \| fear \| gagging \| leading man \| mickey-mousing \| murderer \| room \| stinger \| tying \| victim
Arsenic and Old Lace (1944)	The Victim	1:30:11 - Mortimer tied up in a chair	brother \| captive \| conflict \| crazy person \| doctor \| fear \| leading man \| murderer \| ominous \| parallel fifths \| quartal chord \| room \| tense \| tone cluster \| torturing \| tritone \| victim
Arsenic and Old Lace (1944)	Knives	1:31:05 - Mortimer looks at the knives	acceleration \| brother \| captive \| chromatic parallelism \| close-up \| conflict \| crazy person \| diminution \| doctor \| fear \| layering \| leading man \| murderer \| ominous \| oscillation \| ostinato \| pc set \| polychord \| room \| tense \| tone cluster \| torturing \| victim
Arsenic and Old Lace (1944)	Panic	1:31:48 - Einstein agrees to do the torture	alcohol \| brother \| captive \| chromatic parallelism \| chromatic scale \| conflict \| crazy person \| doctor \| dramatic \| fear \| leading man \| murderer \| oscillation \| panicked \| panicking \| polychord \| room \| sequence \| split-third chord \| tense \| torturing \| victim
Arsenic and Old Lace (1944)	Scar (Fast)	1:32:11 - Einstein finds some wine	alcohol \| brother \| captive \| conflict \| crazy person \| doctor \| dramatic \| fear \| hurrying \| leading man \| murderer \| panicking \| polychord \| room \| tense \| torturing \| victim
Arsenic and Old Lace (1944)	How Dry I Am (Mysterious)	1:32:25 - Einstein and Jonathan start to drink the wine	alcohol \| brother \| captive \| conflict \| crazy person \| doctor \| drinking \| familiar tune \| fear \| leading man \| murderer \| mysterious \| polychord \| room \| victim \| whole-tone chord
Arsenic and Old Lace (1944)	Underscoring (Tense)	1:32:35 - They toast to Mortimer	alcohol \| brother \| captive \| clinking \| conflict \| crazy person \| doctor \| fear \| glass effect \| leading man \| murderer \| mysterious \| pc set \| polychord \| room \| tense \| toasting \| underscoring \| victim
Arsenic and Old Lace (1944)	Bugle Call	1:32:56 - Teddy plays the bugle	brother \| bugle \| bugle call \| captive \| conflict \| crazy person \| doctor \| dramatic \| fear \| leading man \| murderer \| on-screen music \| playing \| room \| source music \| victim
City for Conquest (1940)	Tone Poem A	0:10:50 - Eddie plays the piano	brother \| composer \| conversing \| establish character \| leading man \| musician \| piano \| playing \| romantic \| room \| score to source \| source music \| transcribed by ear
City for Conquest (1940)	Tone Poem A (Very Broad)	0:12:16 - Eddie plays the piano	13th chord \| brother \| chromatic parallelism \| chromatic scale \| composer \| conversing \| describing \| dissonant bass \| establish character \| explaining \| leading man \| musician \| name of film \| pentatonic \| piano \| playing \| romantic \| room \| source music \| transcribed by ear
City for Conquest (1940)	Tone Poem A (Unattainable Stars)	0:12:37 - Eddie plays the piano	brother \| chromatic parallelism \| composer \| conversing \| describing \| establish character \| explaining \| leading man \| musician \| piano \| playing \| romantic \| room \| somber \| source music \| transcribed by ear
City for Conquest (1940)	Tone Poem A	0:13:03 - Eddie plays the piano	9th chord \| 11th chord \| 13th chord \| brother \| common-chord modulation \| composer \| conversing \| deceptive resolution \| establish character \| leading man \| musician \| piano \| playing \| romantic \| room \| source music \| transcribed by ear
City for Conquest (1940)	Tone Poem A	0:27:25 - Eddie composes at the piano	advance plot \| brother \| composer \| composing \| leading man \| musician \| on-screen music \| parallelism \| piano \| playing \| romantic \| room \| source music \| transcribed by ear
City for Conquest (1940)	Tone Poem A	0:27:40 - Eddie plays the piano	13th chord \| advance plot \| brother \| composer \| composing \| leading man \| musician \| on-screen music \| piano \| playing \| romantic \| room \| source music \| transcribed by ear
City for Conquest (1940)	Tone Poem A	0:27:59 - Eddie plays the piano	9th chord \| 13th chord \| advance plot \| brother \| composer \| composing \| deceptive resolution \| enharmonic respelling \| leading man \| musician \| on-screen music \| piano \| playing \| romantic \| room \| source music \| transcribed by ear
City for Conquest (1940)	Tone Poem A	0:42:10 - Eddie plays the piano	9th chord \| 11th chord \| 13th chord \| advance plot \| boxer \| brother \| common-chord modulation \| composer \| conversing \| crowd \| deceptive resolution \| leading man \| musician \| on-screen music \| party \| piano \| playing \| romantic \| source music \| transcribed by ear
City for Conquest (1940)	Tone Poem A (Stride Piano)	0:43:27 - Eddie plays the piano	9th chord \| 11th chord \| 13th chord \| added-note chord \| advance plot \| augmented sixth chord \| boxer \| brother \| chord substitution \| common-tone diminished 7th \| composer \| conversing \| crowd \| foreign key modulation \| leading man \| mode mixture \| musician \| on-screen music \| parallelism \| party \| piano \| playing \| ragtime \| source music \| syncopation \| upbeat
City for Conquest (1940)	Where Were You When the Moon Came Out	1:19:38 - Danny resting in bed	advance plot \| blur \| brother \| composer \| dancing \| leading man \| listening \| musician \| on-screen music \| parallel double period \| playing \| room \| singer \| singing \| source music \| upbeat \| victim
City for Conquest (1940)	Where Were You When the Moon Came Out (Sad)	1:20:48 - Eddie plays the piano	advance plot \| altered dominant \| blur \| brother \| composer \| leading man \| musician \| on-screen music \| playing \| room \| sentimental \| source music \| victim \| watching
City for Conquest (1940)	Tone Poem A (The Song of the City)	1:23:05 - Eddie plays the piano	9th chord \| 13th chord \| advance plot \| brother \| common-chord modulation \| composer \| diminished 7th chord \| leading man \| listening \| musician \| on-screen music \| playing \| romantic \| room \| source music \| transcribed by ear \| victim
I Was a Communist for the FBI (1951)	Family	1:21:44 - Matt is reunited with his son and brother	brother \| conversing \| gentle \| leading man \| love \| mode mixture \| resolution \| reuniting \| self-borrowing \| son \| tender \| undercover agent
I Was a Communist for the FBI (1951)	Family (Con Moto)	1:22:03 - Matt talks to his son	brother \| conversing \| gentle \| leading man \| love \| peaceful \| resolution \| reuniting \| self-borrowing \| son \| tender \| undercover agent
I Was a Communist for the FBI (1951)	Battle Hymn of the Republic (The End)	1:22:16 - Dick looks at his dad	brother \| conversing \| countermelody \| end title sequence \| leading man \| love \| patriotic \| patriotic tune \| plagal cadence \| resolution \| reuniting \| son \| The End \| undercover agent
Lightning Strikes Twice (1951)	Shelly 2 (Dolce)	0:24:34 - Shelly walks around the ranch	9th chord \| actor \| arriving \| brother \| calm \| conversing \| countermelody \| leading lady \| ranch \| rancher \| transition \| walking
Lightning Strikes Twice (1951)	Shelly 3 (Dolce)	0:24:43 - Shelly sees Liza	actor \| arriving \| brother \| calm \| common-chord modulation \| conversing \| enharmonic respelling \| feeding \| goat \| leading lady \| Neapolitan \| ranch \| rancher \| transition \| watching
Lightning Strikes Twice (1951)	Molto Agitato	0:32:50 - String gets angry	actor \| anger \| arguing \| brother \| chromatic parallelism \| chromatic scale \| chromatic wedge \| conflict \| dramatic \| half-diminished 7th chord \| leading lady \| oscillation \| pc set \| priest \| rancher \| room \| tense
Lightning Strikes Twice (1951)	Menace (Poco Meno)	0:33:06 - String argues	actor \| anger \| arguing \| brother \| chromatic parallelism \| conflict \| diminished 7th chord \| leading lady \| priest \| rancher \| room \| tense
Lightning Strikes Twice (1951)	Anger	0:33:15 - String gets angry	actor \| anger \| arguing \| brother \| conflict \| crying \| dramatic \| leading lady \| oscillation \| priest \| rancher \| room \| tense \| tone cluster \| whole-tone chord \| yelling
Lightning Strikes Twice (1951)	Father Paul	0:33:25 - Liza comforts String	actor \| anger \| brother \| comforting \| conflict \| crying \| dark \| foreign key modulation \| leading lady \| priest \| rancher \| room \| sequential modulation \| somber \| tense
Lightning Strikes Twice (1951)	Father Paul (Ominous)	1:21:26 - Liza admits to murder	brother \| confessing \| confession \| dark \| murderer \| ominous \| rancher \| room \| truth \| turning point
Lightning Strikes Twice (1951)	Molto Agitato	1:21:32 - String gets angry	anger \| angry \| brother \| murderer \| rancher \| room \| threatening \| turning point
Lightning Strikes Twice (1951)	Menace (Poco Meno)	1:21:41 - String calms down	brother \| conversing \| danger \| murderer \| rancher \| room \| tense \| thematic transference \| turning point
Lightning Strikes Twice (1951)	Anger (Extended)	1:21:51 - String plans to leave	brother \| conversing \| murderer \| plotting \| rancher \| room \| tense \| turning point \| underscoring
Lightning Strikes Twice (1951)	Escape	1:26:51 - Liza runs away	actor \| brother \| chasing \| climax \| dark \| escaping \| friend \| husband \| leading lady \| leading man \| murderer \| ranch \| rancher \| room \| tense
Lightning Strikes Twice (1951)	Escape (Getaway)	1:27:08 - Trev runs back inside	actor \| brother \| chasing \| climax \| dramatic \| escaping \| friend \| husband \| leading lady \| leading man \| murderer \| ranch \| rancher \| room \| tense
Lightning Strikes Twice (1951)	Menace (The Chase)	1:27:42 - Liza and String drive away	brother \| car \| chasing \| climax \| countryside \| dramatic \| driving \| escaping \| frantic \| motorcycle \| murderer \| police \| rancher \| speeding \| tense
Lightning Strikes Twice (1951)	Menace (The Crash)	1:28:30 - Liza drives off the hill	brother \| car \| car crash \| climax \| countryside \| crashing \| death \| dramatic \| dying \| murderer \| police \| rancher \| tense
Without Honor (1949)	Unidentified dance tune	0:19:04 - Bill turns on the radio	advance plot \| antagonist \| brother \| conversing \| leading lady \| leading man \| popular music \| reacting \| room \| source music \| upbeat
Without Honor (1949)	Underscoring (Dramatic)	0:21:29 - Bill heads towards the laundry room	antagonist \| brother \| conflict \| corpse \| door \| dramatic \| kitchen \| leading lady \| leading man \| reacting \| rushing \| tense \| underscoring
Without Honor (1949)	Twilight (Tense)	0:21:51 - Jane cleans off Bill's sleeve	antagonist \| brother \| cleaning \| conflict \| conversing \| corpse \| door \| kitchen \| leading lady \| leading man \| opening \| tense
Without Honor (1949)	Cleaning	0:21:57 - Jane cleans off Bill's sleeve	antagonist \| brother \| cleaning \| cleaning effect \| conflict \| conversing \| corpse \| door \| kitchen \| leading lady \| leading man \| mickey-mousing \| tense
Without Honor (1949)	Underscoring (Tense)	0:22:07 - Bill tosses the towel	antagonist \| brother \| conflict \| conversing \| corpse \| door \| kitchen \| leading lady \| leading man \| tense \| tossing \| underscoring
Without Honor (1949)	Misterioso	0:22:17 - Jane reacts	antagonist \| brother \| conflict \| kitchen \| leading lady \| leading man \| mysterious \| taunting \| tense
Without Honor (1949)	Rubato	0:22:34 - Bill talks with Jane	antagonist \| brother \| conflict \| dramatic \| kitchen \| leading lady \| leading man \| memory \| rushing \| taunting \| tense
Without Honor (1949)	Tension	0:22:52 - Jane gives Bill a drink	antagonist \| brother \| conflict \| kitchen \| leading lady \| leading man \| memory \| taunting \| tense \| underscoring \| uneasy
Without Honor (1949)	Valse Triste	0:23:06 - Bill talks with Jane	antagonist \| brother \| conflict \| kitchen \| leading lady \| leading man \| memory \| recounting \| somber \| uneasy \| waltz
Without Honor (1949)	Valse Triste (Poco Appassionato)	0:23:31 - Bill grabs Jane's arm	antagonist \| brother \| conflict \| dramatic \| grabbing \| kitchen \| leading lady \| leading man \| memory \| reacting \| recounting \| tense \| waltz
Without Honor (1949)	Jerks hand	0:23:41 - Jane jerks her arm away	antagonist \| brother \| conflict \| dramatic \| escaping \| kitchen \| leading lady \| leading man \| mickey-mousing \| reacting \| stinger
Without Honor (1949)	Valse Triste (Misterioso)	NIF - not in film	antagonist \| brother \| conflict \| cut from film \| kitchen \| leading lady \| leading man
Without Honor (1949)	Valse Triste (Ominous)	0:24:46 - Bill looks at Jane	antagonist \| brother \| conflict \| leading lady \| leading man \| ominous \| reacting \| room \| solemn \| taunting
Without Honor (1949)	Grabs her	0:25:40 - Bill grabs Jane and kisses her	antagonist \| brother \| conflict \| dramatic \| grabbing \| kissing \| leading lady \| leading man \| room \| slapping \| turning
Without Honor (1949)	Tunes Radio	0:26:26 - Bill turns on the radio	antagonist \| brother \| conflict \| conversing \| leading lady \| leading man \| radio \| room \| source music \| upbeat
Without Honor (1949)	Unidentified dance tune 2	0:27:06 - Bill turns on the radio	antagonist \| brother \| conflict \| leading lady \| leading man \| popular music \| radio \| reacting \| room \| source music \| taunting \| upbeat
Without Honor (1949)	First Call	0:27:58 - Jane looks at Bill	antagonist \| brother \| bugle call \| conflict \| leading lady \| leading man \| radio \| room \| source music \| taunting \| upbeat
Without Honor (1949)	Unidentified dance tune 3	0:28:30 - Bill tunes the radio	antagonist \| brother \| conflict \| leading lady \| leading man \| popular music \| radio \| room \| source music \| taunting \| upbeat
Without Honor (1949)	Andante and Variations	0:29:28 - Bill talks to Jane	antagonist \| arriving \| brother \| calm \| classical music \| conflict \| conversing \| leading lady \| leading man \| radio \| room \| source music \| taunting \| wife \| zoom in
Without Honor (1949)	Prelude in D-Flat Major, Op. 28, No. 15	0:33:17 - Mrs. Williams talks to Jane	antagonist \| brother \| calm \| classical music \| conflict \| conversing \| leading lady \| leading man \| radio \| room \| source music \| wife
Without Honor (1949)	Unidentified dance tune 4	0:34:19 - Bill tunes the radio	antagonist \| brother \| calling \| conflict \| conversing \| dialing \| leading lady \| leading man \| popular music \| radio \| room \| source music \| telephone \| upbeat \| wandering \| wife
Without Honor (1949)	Misterioso (Molto Rubato)	0:43:10 - Bill talks with Fred	antagonist \| brother \| conflict \| conversing \| husband \| leading lady \| leading man \| reveal \| room \| secret \| tense \| warning
Without Honor (1949)	Valse Triste (Andante Doloroso)	0:49:07 - Fred enters	antagonist \| brother \| conflict \| entering \| husband \| leading lady \| leading man \| reacting \| reveal \| room \| secret \| somber \| thinking \| wife
Without Honor (1949)	Underscoring (Tense)	0:49:48 - Bill talks to Fred	antagonist \| brother \| conflict \| conversing \| husband \| leading lady \| leading man \| reveal \| room \| secret \| tense \| thinking \| wife
Without Honor (1949)	Tension (Molto Misterioso)	0:50:03 - Bill stares at Jane	anger \| antagonist \| brother \| conflict \| conversing \| demanding \| dramatic \| husband \| leading lady \| leading man \| reveal \| room \| secret \| slapping \| tense \| wife
Without Honor (1949)	Agitation (Appassionato)	0:52:28 - Jane cries	agitated \| antagonist \| brother \| climax \| confessing \| confession \| crying \| demanding \| husband \| leading lady \| leading man \| room \| tense \| wife
Without Honor (1949)	Confession	0:52:54 - Jane confesses	agitated \| antagonist \| brother \| climax \| confessing \| confession \| crying \| husband \| leading lady \| leading man \| room \| wife
Without Honor (1949)	Appassionato 2	0:53:24 - Jane laughs	antagonist \| brother \| climax \| confession \| crying \| husband \| laughing \| leading lady \| leading man \| passionate \| room \| wife
Without Honor (1949)	Underscoring (Dramatic)	0:53:45 - Jane screams	antagonist \| blood \| brother \| climax \| confession \| dramatic \| handprint \| husband \| leading lady \| leading man \| room \| screaming \| tense \| underscoring \| wife
Without Honor (1949)	Desperation (The Scream)	0:53:50 - They look at the bloody handprint	antagonist \| blood \| brother \| climax \| confession \| departing \| dramatic \| handprint \| husband \| investigating \| leading lady \| leading man \| room \| screaming \| searching \| tense \| wife \| yard
Without Honor (1949)	Appassionato (Broad)	0:54:27 - Bill talks on the phone	antagonist \| brother \| calling \| climax \| leading lady \| leading man \| room \| searching \| telephone \| tense \| wandering \| yard
Without Honor (1949)	Twilight (Resolution)	0:55:26 - Jane walks out of the orchard	antagonist \| brother \| calm \| child \| conversing \| husband \| leading lady \| leading man \| orchard \| resolution \| scout \| street
Without Honor (1949)	Doloroso	0:57:10 - Mrs. Williams talks to Jane	antagonist \| apologizing \| brother \| climax \| conversing \| husband \| leading lady \| leading man \| room \| solemn \| wife
Without Honor (1949)	Twilight (Somber)	0:57:48 - Mrs. Williams forgives Jane	antagonist \| bathroom \| brother \| climax \| forgiveness \| husband \| leading lady \| leading man \| razor blade \| room \| somber \| thinking \| wife
Without Honor (1949)	Tension (Extended)	0:58:12 - Mrs. Williams talks to Fred and Bill	antagonist \| bathroom \| brother \| climax \| conversing \| forgiveness \| husband \| leading lady \| leading man \| razor blade \| room \| tense \| wife
Without Honor (1949)	Valse Triste (Suicide)	0:58:33 - Jane stares in the mirror	antagonist \| attempted suicide \| bathroom \| brother \| climax \| conversing \| husband \| knocking \| leading lady \| leading man \| razor blade \| room \| somber \| suicide \| wife
Without Honor (1949)	Valse Triste (Molto Appassionato)	0:58:58 - Jane stares down	antagonist \| attempted suicide \| bathroom \| brother \| climax \| conversing \| dramatic \| husband \| knocking \| leading lady \| leading man \| razor blade \| room \| suicide \| wife
Without Honor (1949)	Appassionato 2 (Molto Expressivo)	0:59:06 - Jane cuts her wrist	antagonist \| attempted suicide \| bathroom \| breaking \| brother \| climax \| committing suicide \| conversing \| cutting \| dramatic \| entering \| grabbing \| husband \| knocking \| leading lady \| leading man \| razor blade \| room \| running \| suicide \| wife \| yelling
Without Honor (1949)	Twilight (Rubato)	0:59:24 - Mrs. Williams helps Jane	antagonist \| attempted suicide \| brother \| climax \| doctor \| helping \| husband \| leading lady \| leading man \| razor blade \| room \| serious \| somber \| struggling \| suicide \| wife
Without Honor (1949)	Valse Triste (Tempo de Beguin)	1:00:38 - Bill watches them leave	antagonist \| brother \| conversing \| convincing \| hopeful \| husband \| leading man \| resolution \| room \| thinking
Without Honor (1949)	Valse Triste (Mexico)	1:02:08 - Fred packs his things	antagonist \| brother \| cheerful \| conversing \| convincing \| husband \| leading man \| Mexican \| resolution \| room \| thinking
Without Honor (1949)	Valse Triste (Tempo de Beguin)	1:02:32 - Bill talks to Fred	antagonist \| brother \| conversing \| convincing \| hopeful \| husband \| leading man \| resolution \| room \| thinking
Without Honor (1949)	Valse Triste (Reeds)	1:04:26 - Fred argues with Bill	antagonist \| arguing \| brother \| husband \| leading man \| resolution \| room \| tense
Without Honor (1949)	Valse Triste (Triple Beguin)	1:05:18 - Fred starts to leave for the hospital	antagonist \| arguing \| brother \| fighting \| husband \| leading man \| punching \| resolution \| tense \| yard
Without Honor (1949)	Appassionato 2 (Broad)	1:05:32 - Fred gets in his car	anger \| antagonist \| brother \| car \| complaining \| departing \| dramatic \| driving \| husband \| leading man \| resolution \| street \| tense \| yard
Without Honor (1949)	Valse Triste (Agitato)	1:05:49 - Bill tries to stop Fred	anger \| antagonist \| brother \| car \| chasing \| complaining \| departing \| dramatic \| driving \| harsh \| husband \| leading man \| resolution \| running \| street \| tense \| yelling
Without Honor (1949)	The End	1:06:25 - Bill in the middle of the road	anger \| antagonist \| brother \| dramatic \| leading man \| looking \| resolution \| standing \| street \| The End
The Most Dangerous Game (1932)	Piano Noise	0:23:59 - Martin falls on the piano	brother \| castle \| count \| drunk \| establish character \| leading lady \| leading man \| neutral \| on-screen music \| source music \| stumbling
The Most Dangerous Game (1932)	Russian Waltz	0:24:22 - Zaroff plays the piano	brother \| castle \| conversing \| count \| dog \| drunk \| establish character \| leading lady \| leading man \| on-screen music \| piano \| playing \| recounting \| score to source \| somber \| source music \| warning
The Most Dangerous Game (1932)	Russian Waltz (Upstairs)	0:26:51 - Eve goes up the stairs	advance plot \| ascending \| brother \| castle \| conversing \| count \| departing \| drunk \| leading lady \| leading man \| mickey-mousing \| mute \| mysterious \| servant \| source to score \| stairs \| tense \| walking
The Most Dangerous Game (1932)	Zaroff (Stinger)	0:27:05 - A closeup on Ivan	advance plot \| brother \| castle \| close-up \| conversing \| count \| drunk \| leading lady \| leading man \| mute \| mysterious \| servant \| stinger \| tense
The Most Dangerous Game (1932)	Russian Waltz (Zoom In)	0:27:16 - Zaroff looks up at Eve	advance plot \| brother \| castle \| close-up \| conversing \| count \| departing \| drunk \| frantic \| leading lady \| leading man \| mute \| ominous \| servant \| stinger \| zoom in
Lightning Strikes Twice (1951)	Aftermath	1:28:48 - Man gets out of the jalopy	approaching \| brother \| bystander \| car \| car crash \| climax \| countryside \| death \| murderer \| police \| rancher \| solemn
Mara Maru (1952)	Ortega	0:40:26 - Gregory talks with Ortega	arguing \| brother \| conversing \| distrust \| establish character \| leading man \| mysterious \| room \| tense
Mara Maru (1952)	Grabbing	0:41:15 - Gregory grabs Ortega	arguing \| brother \| distrust \| dramatic \| establish character \| grabbing \| gun \| leading man \| mickey-mousing \| room \| tense
Mara Maru (1952)	Underscoring (Tense)	0:41:23 - Ortega points a gun at Gregory	arguing \| brother \| distrust \| establish character \| gun \| leading man \| room \| stinger \| tense \| underscoring
Mara Maru (1952)	Cross (Fragment)	0:41:40 - A cross on Ortega's keychain	arguing \| brother \| cross \| distrust \| dramatic \| establish character \| gun \| keys \| leading man \| room \| stinger
Mara Maru (1952)	Ortega	0:41:50 - Gregory tosses Ortega's keys	arguing \| brother \| distrust \| establish character \| gun \| leading man \| mysterious \| room \| tense
Mara Maru (1952)	Adoramus te Christe	0:49:05 - A cross and some candles	brother \| church \| conversing \| cross \| crowd \| crying \| embracing \| evidence \| funeral scene \| leading man \| mother \| mourner \| mourning \| police \| praying \| priest \| private eye \| somber \| source music \| worker

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