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136 results for "brother" in 6 films — see also Brother | friend

FilmTheme nameInstanceTags
Arsenic and Old Lace (1944)Rondo Alla Turca0:06:25 - Teddy plays the harpsichordaunt | brother | classical music | conversing | crazy person | establish character | harpsichord | leading lady | old man | on-screen music | playing | room | source music | upbeat | victim

Arsenic and Old Lace (1944)

Happy Land (Lento)0:09:11 - Reverend talks about the Brewster sistersadded-note chord | aunt | brother | calm | conversing | crazy person | establish character | familiar tune | gentle | kindness | leading lady | old man | room | victim

Arsenic and Old Lace (1944)

Happy Land (Lento)0:12:31 - The aunts talkadvance plot | aunt | brother | conversing | crazy person | familiar tune | foreign key modulation | gentle | leading lady | mysterious | plotting | room | sequence | tender | whole-tone chord | whole-tone scale

Arsenic and Old Lace (1944)

The Aunts (Grazioso Con Moto)0:13:16 - The aunts talkadvance plot | aunt | brother | cheerful | conversing | crazy person | delicate | foreign key modulation | gentle | harmonic sequence | leading lady | plotting | room

Arsenic and Old Lace (1944)

Break the News to Mother0:18:44 - Teddy singsadvance plot | aunt | brother | cheerful | crazy person | familiar tune | groom | leading lady | leading man | on-screen music | room | singing | source music | war song

Arsenic and Old Lace (1944)

Break the News to Mother0:29:30 - Mortimer listens to Teddy singadvance plot | brother | cheerful | crazy person | familiar tune | groom | leading man | on-screen music | room | singing | source music

Arsenic and Old Lace (1944)

Home Sweet Home (Ominous)0:41:03 - Jonathan looks around the houseadded-note chord | augmented triad | brother | conversing | crazy person | criminal | dark | dissonant bass | distortion | doctor | establish character | familiar tune | leading man | observing | ominous | room

Arsenic and Old Lace (1944)

Scar (Misterioso)0:41:31 - They see the foodbrother | conversing | crazy person | criminal | doctor | establish character | leading man | mysterious | observing | pc set | polychord | room

Arsenic and Old Lace (1944)

Home Sweet Home (Expressivo) + Scar0:41:42 - Abby talks to Jonathanaltered dominant | augmented triad | aunt | brother | combination of themes | conversing | convincing | crazy person | criminal | distortion | doctor | establish character | expressive | familiar tune | leading lady | leading man | murderer | mysterious | ominous | room

Arsenic and Old Lace (1944)

Underscoring (Tense)0:42:08 - Jonathan talks to the auntsaunt | brother | conversing | crazy person | criminal | doctor | establish character | leading lady | leading man | murderer | mysterious | parallelism | room | tense | underscoring

Arsenic and Old Lace (1944)

Scar (Face)0:42:29 - Jonathan talks about his scaraugmented triad | aunt | brother | chromatic parallelism | conversing | crazy person | criminal | doctor | establish character | fragmentation | leading lady | leading man | murderer | mysterious | pc set | polychord | room | scar | tense

Arsenic and Old Lace (1944)

Mysterioso Pizzicato0:42:41 - Martha talks about scary moviesaunt | brother | conversing | crazy person | criminal | dissonant bass | doctor | establish character | familiar tune | leading lady | leading man | murderer | mysterious | room | scar | silent film music

Arsenic and Old Lace (1944)

Underscoring (Tense)0:42:56 - Jonathan glares at Dr. Einsteinaunt | brother | conversing | crazy person | criminal | diminished 7th chord | doctor | establish character | leading lady | leading man | murderer | oscillation | room | scar | tense

Arsenic and Old Lace (1944)

Jonathan 20:43:08 - Jonathan talks about the operationaunt | brother | chromatic scale | chromatic wedge | crazy person | criminal | dark | dissonant bass | doctor | establish character | grabbing | leading lady | leading man | murderer | ominous | pc set | room | struggling | threatening

Arsenic and Old Lace (1944)

Scar0:43:20 - Dr. Einstein talks to the auntsaunt | brother | conversing | crazy person | criminal | dark | doctor | establish character | leading lady | leading man | murderer | ominous | pc set | polychord | room

Arsenic and Old Lace (1944)

Home Sweet Home (Ominous)0:43:28 - Dr. Einstein talks to the auntsadded-note chord | altered dominant | aunt | brother | conversing | crazy person | criminal | distortion | doctor | establish character | familiar tune | leading lady | leading man | murderer | room | split-fifth chord | tense

Arsenic and Old Lace (1944)

Home Sweet Home (Tranquillo)0:43:40 - Jonathan sits downaugmented triad | aunt | brother | calm | chromatic parallelism | conversing | crazy person | criminal | direct modulation | distortion | doctor | establish character | familiar tune | leading lady | leading man | murderer | pedal tone | room

Arsenic and Old Lace (1944)

The Aunts (Frightened)0:44:00 - The aunts go into the kitchenaugmentation | aunt | brother | conversing | crazy person | criminal | doctor | establish character | fear | foreign key modulation | fragmentation | leading lady | leading man | murderer | mysterious | Neapolitan | ominous | parallel 63s | pedal tone | room | walking | watching

Arsenic and Old Lace (1944)

The Aunts (Frightened)0:45:22 - The aunts peek through the kitchen windowaunt | brother | conversing | crazy person | criminal | doctor | establish character | face | fear | leading lady | leading man | murderer | mysterious | Neapolitan | ominous | parallel 63s | pedal tone | room | snooping | watching

Arsenic and Old Lace (1944)

Scar0:45:29 - Dr. Einstein describes how he will fix Jonathan's faceaunt | brother | conversing | crazy person | criminal | dark | doctor | establish character | face | leading lady | leading man | murderer | ominous | pc set | planning | polychord | room | wipe

Arsenic and Old Lace (1944)

Jonathan 20:49:12 - Jonathan threatens the auntsadvance plot | aunt | brother | chromatic scale | chromatic wedge | crazy person | criminal | dark | dissonant bass | doctor | fear | leading lady | leading man | murderer | ominous | pc set | room | threatening

Arsenic and Old Lace (1944)

Scar0:49:36 - Dr. Einstein calls to Jonathanadvance plot | aunt | brother | crazy person | criminal | dark | doctor | fear | leading lady | leading man | murderer | ominous | pc set | polychord | room | threatening

Arsenic and Old Lace (1944)

Underscoring (Tense)0:49:45 - Jonathan follows Dr. Einsteinadvance plot | altered dominant | brother | conversing | crazy person | criminal | digging | dissonant bass | doctor | familiar tune | leading man | march | murderer | on-screen music | patriotic tune | pc set | plotting | room | source and scoring overlap | tense | tone cluster | whistling

Arsenic and Old Lace (1944)

When Johnny Comes Marching Home0:49:45 - Dr. Einstein spies on Teddyadvance plot | brother | crazy person | criminal | dark | digging | doctor | familiar tune | leading man | march | murderer | on-screen music | patriotic tune | room | source and scoring overlap | tense | whistling

Arsenic and Old Lace (1944)

Scar (Dark)0:50:14 - Jonathan and Dr. Einstein watch Teddy digadvance plot | brother | conversing | crazy person | criminal | dark | digging | dissonant bass | doctor | familiar tune | leading man | march | murderer | on-screen music | patriotic tune | room | source and scoring overlap | watching | whistling

Arsenic and Old Lace (1944)

The Aunts (Frightened)0:50:20 - Jonathan and Dr. Einstein talkadvance plot | brother | crazy person | criminal | digging | doctor | familiar tune | leading man | march | murderer | Neapolitan | on-screen music | parallel 63s | patriotic tune | pedal tone | plotting | room | source and scoring overlap | tense | whistling

Arsenic and Old Lace (1944)

Stinger0:52:41 - Jonathan suddenly appears at the windowadvance plot | aunt | brother | crazy person | dramatic | harsh | leading lady | leading man | murderer | opening | room | stinger | surprise | whole-tone chord | window

Arsenic and Old Lace (1944)

Jonathan 20:52:48 - Jonathan comes in the windowadvance plot | aunt | brother | chromatic scale | chromatic wedge | crazy person | dark | darkness | dissonant bass | doctor | intimidating | leading lady | leading man | murderer | ominous | pc set | room | staring | tense

Arsenic and Old Lace (1944)

Jonathan (Fragmented)0:53:35 - Jonathan and the doctor go up the stairsadvance plot | aunt | brother | conversing | crazy person | dark | darkness | doctor | fragmentation | intimidating | leading lady | leading man | murderer | ominous | pc set | room | tense

Arsenic and Old Lace (1944)

The Aunts0:53:55 - Aunt Abby goes to the front dooradvance plot | aunt | brother | calm | crazy person | darkness | harmonic sequence | leading lady | leading man | murderer | room | silhouette | staring | upbeat | walking

Arsenic and Old Lace (1944)

Underscoring (Mysterious)0:54:01 - Aunt Abby goes up the stairsadvance plot | aunt | brother | crazy person | darkness | intimidating | leading lady | leading man | murderer | mysterious | room | silhouette | staring | underscoring

Arsenic and Old Lace (1944)

The Aunts (Molto Misterioso)0:54:12 - Aunt Abby faces Jonathanadvance plot | aunt | brother | crazy person | darkness | foreign key modulation | fragmentation | intimidating | leading lady | leading man | murderer | mysterious | parallel 63s | pedal tone | room | staring | walking

Arsenic and Old Lace (1944)

Underscoring (Tense)0:54:30 - Jonathan goes up the stairsadvance plot | brother | crazy person | darkness | leading man | murderer | mysterious | room | sneaking | tense | tone cluster | underscoring | walking

Arsenic and Old Lace (1944)

Happy Land (Dirge)0:54:54 - Teddy looks for the body in the darkadvance plot | brother | corpse | crazy person | creaking | darkness | dirge | familiar tune | mysterious | opening | pc set | room | sneaking | tense | walking | whole-tone chord

Arsenic and Old Lace (1944)

Funeral March0:55:21 - Teddy carries the body down the stairsadvance plot | brother | carrying | chromatic scale | corpse | crazy person | darkness | diminution | dirge | familiar tune | foreign key modulation | funeral march | linear chromaticism | ominous | ostinato | room | tritone | walking

Arsenic and Old Lace (1944)

Underscoring (Dark)0:56:27 - Einstein looks around in the darkadvance plot | brother | crazy person | dark | darkness | descending | doctor | leading man | match | murderer | plotting | room | sneaking | underscoring

Arsenic and Old Lace (1944)

Blows out match0:56:48 - Einstein blows out the matchadvance plot | blowing | brother | crazy person | darkness | doctor | extinguishing | leading man | match | mickey-mousing | murderer | room | tense | whole-tone scale

Arsenic and Old Lace (1944)

Jonathan 2 (Dark)0:57:04 - Jonathan exitsadvance plot | brother | chromatic scale | chromatic wedge | conversing | crazy person | dark | darkness | dissonant bass | doctor | falling | leading man | murderer | mysterious | pc set | polychord | room | stinger

Arsenic and Old Lace (1944)

Underscoring (Tense)0:58:10 - Someone knocks at the dooradvance plot | brother | chromatic scale | conversing | corpse | crazy person | darkness | doctor | knocking | leading man | murderer | pc set | room | sequence | sneaking | tense | underscoring

Arsenic and Old Lace (1944)

Scar (Tense)0:58:39 - Close-up on Dr. Einstein's faceadvance plot | bride | brother | calling | close-up | crazy person | darkness | doctor | entering | fear | fragmentation | leading lady | leading man | murderer | polychord | room | sneaking | tense

Arsenic and Old Lace (1944)

Jonathan 20:58:55 - Jonathan emerges from the shadowsadvance plot | bride | brother | chromatic scale | chromatic wedge | conversing | crazy person | darkness | dissonant bass | doctor | fear | leading lady | leading man | murderer | pc set | questioning | room | sinister

Arsenic and Old Lace (1944)

Jonathan 2 (Ominous)1:00:36 - Jonathan backs Elaine into a corneradvance plot | anger | augmented triad | bride | brother | chromatic scale | crazy person | dissonant bass | doctor | fear | hurting | leading lady | leading man | murderer | ominous | polychord | questioning | room | stinger | tense | threatening

Arsenic and Old Lace (1944)

Underscoring (Dramatic)1:01:21 - They take Elaine into the cellar9th chord | aunt | bride | brother | chromatic scale | conflict | crazy person | darkness | diminished 7th chord | doctor | dramatic | fear | fighting | gagging | harmonic sequence | leading lady | leading man | metric dissonance | murderer | oscillation | room | running | self-borrowing | struggling | suspenseful | underscoring

Arsenic and Old Lace (1944)

Organ Stinger1:01:40 - Aunts emerge in black upstairsarguing | aunt | brother | conflict | crazy person | leading lady | leading man | murderer | ominous | room | stinger

Arsenic and Old Lace (1944)

The Aunts (Frightened)1:01:49 - Aunts talk to Jonathanarguing | aunt | brother | conflict | crazy person | fear | fragmentation | leading lady | leading man | murderer | Neapolitan | parallel 63s | pedal tone | room | tense

Arsenic and Old Lace (1944)

Happy Land1:19:56 - Mortimer with the taxi driveraunt | brother | calm | conversing | crazy person | doctor | driver | funeral | groom | hymn | leading lady | leading man | murderer | on-screen music | score to source | singing | source music | street

Arsenic and Old Lace (1944)

Molto Agitato1:29:57 - Jonathan ties Mortimer to a chair9th chord | brother | captive | chromatic parallelism | conflict | crazy person | diminished 7th chord | doctor | dramatic | fear | gagging | leading man | mickey-mousing | murderer | room | stinger | tying | victim

Arsenic and Old Lace (1944)

The Victim1:30:11 - Mortimer tied up in a chairbrother | captive | conflict | crazy person | doctor | fear | leading man | murderer | ominous | parallel fifths | quartal chord | room | tense | tone cluster | torturing | tritone | victim

Arsenic and Old Lace (1944)

Knives1:31:05 - Mortimer looks at the knivesacceleration | brother | captive | chromatic parallelism | close-up | conflict | crazy person | diminution | doctor | fear | layering | leading man | murderer | ominous | oscillation | ostinato | pc set | polychord | room | tense | tone cluster | torturing | victim

Arsenic and Old Lace (1944)

Panic1:31:48 - Einstein agrees to do the torturealcohol | brother | captive | chromatic parallelism | chromatic scale | conflict | crazy person | doctor | dramatic | fear | leading man | murderer | oscillation | panicked | panicking | polychord | room | sequence | split-third chord | tense | torturing | victim

Arsenic and Old Lace (1944)

Scar (Fast)1:32:11 - Einstein finds some winealcohol | brother | captive | conflict | crazy person | doctor | dramatic | fear | hurrying | leading man | murderer | panicking | polychord | room | tense | torturing | victim

Arsenic and Old Lace (1944)

How Dry I Am (Mysterious)1:32:25 - Einstein and Jonathan start to drink the winealcohol | brother | captive | conflict | crazy person | doctor | drinking | familiar tune | fear | leading man | murderer | mysterious | polychord | room | victim | whole-tone chord

Arsenic and Old Lace (1944)

Underscoring (Tense)1:32:35 - They toast to Mortimeralcohol | brother | captive | clinking | conflict | crazy person | doctor | fear | glass effect | leading man | murderer | mysterious | pc set | polychord | room | tense | toasting | underscoring | victim

Arsenic and Old Lace (1944)

Bugle Call1:32:56 - Teddy plays the buglebrother | bugle | bugle call | captive | conflict | crazy person | doctor | dramatic | fear | leading man | murderer | on-screen music | playing | room | source music | victim
City for Conquest (1940)Tone Poem A0:10:50 - Eddie plays the pianobrother | composer | conversing | establish character | leading man | musician | piano | playing | romantic | room | score to source | source music | transcribed by ear

City for Conquest (1940)

Tone Poem A (Very Broad)0:12:16 - Eddie plays the piano13th chord | brother | chromatic parallelism | chromatic scale | composer | conversing | describing | dissonant bass | establish character | explaining | leading man | musician | name of film | pentatonic | piano | playing | romantic | room | source music | transcribed by ear

City for Conquest (1940)

Tone Poem A (Unattainable Stars)0:12:37 - Eddie plays the pianobrother | chromatic parallelism | composer | conversing | describing | establish character | explaining | leading man | musician | piano | playing | romantic | room | somber | source music | transcribed by ear

City for Conquest (1940)

Tone Poem A0:13:03 - Eddie plays the piano9th chord | 11th chord | 13th chord | brother | common-chord modulation | composer | conversing | deceptive resolution | establish character | leading man | musician | piano | playing | romantic | room | source music | transcribed by ear

City for Conquest (1940)

Tone Poem A0:27:25 - Eddie composes at the pianoadvance plot | brother | composer | composing | leading man | musician | on-screen music | parallelism | piano | playing | romantic | room | source music | transcribed by ear

City for Conquest (1940)

Tone Poem A0:27:40 - Eddie plays the piano13th chord | advance plot | brother | composer | composing | leading man | musician | on-screen music | piano | playing | romantic | room | source music | transcribed by ear

City for Conquest (1940)

Tone Poem A0:27:59 - Eddie plays the piano9th chord | 13th chord | advance plot | brother | composer | composing | deceptive resolution | enharmonic respelling | leading man | musician | on-screen music | piano | playing | romantic | room | source music | transcribed by ear

City for Conquest (1940)

Tone Poem A0:42:10 - Eddie plays the piano9th chord | 11th chord | 13th chord | advance plot | boxer | brother | common-chord modulation | composer | conversing | crowd | deceptive resolution | leading man | musician | on-screen music | party | piano | playing | romantic | source music | transcribed by ear

City for Conquest (1940)

Tone Poem A (Stride Piano)0:43:27 - Eddie plays the piano9th chord | 11th chord | 13th chord | added-note chord | advance plot | augmented sixth chord | boxer | brother | chord substitution | common-tone diminished 7th | composer | conversing | crowd | foreign key modulation | leading man | mode mixture | musician | on-screen music | parallelism | party | piano | playing | ragtime | source music | syncopation | upbeat

City for Conquest (1940)

Where Were You When the Moon Came Out1:19:38 - Danny resting in bedadvance plot | blur | brother | composer | dancing | leading man | listening | musician | on-screen music | parallel double period | playing | room | singer | singing | source music | upbeat | victim

City for Conquest (1940)

Where Were You When the Moon Came Out (Sad)1:20:48 - Eddie plays the pianoadvance plot | altered dominant | blur | brother | composer | leading man | musician | on-screen music | playing | room | sentimental | source music | victim | watching

City for Conquest (1940)

Tone Poem A (The Song of the City)1:23:05 - Eddie plays the piano9th chord | 13th chord | advance plot | brother | common-chord modulation | composer | diminished 7th chord | leading man | listening | musician | on-screen music | playing | romantic | room | source music | transcribed by ear | victim
I Was a Communist for the FBI (1951)Family1:21:44 - Matt is reunited with his son and brotherbrother | conversing | gentle | leading man | love | resolution | reuniting | self-borrowing | son | tender | undercover agent

I Was a Communist for the FBI (1951)

Family (Con Moto)1:22:03 - Matt talks to his sonbrother | conversing | gentle | leading man | love | peaceful | resolution | reuniting | self-borrowing | son | tender | undercover agent

I Was a Communist for the FBI (1951)

Battle Hymn of the Republic (The End)1:22:16 - Dick looks at his dadbrother | conversing | end title sequence | leading man | love | patriotic | patriotic tune | resolution | reuniting | son | The End | undercover agent
Lightning Strikes Twice (1951)Shelly 2 (Dolce)0:24:34 - Shelly walks around the ranchactor | arriving | brother | calm | conversing | leading lady | ranch | rancher | transition | walking

Lightning Strikes Twice (1951)

Shelly 3 (Dolce)0:24:43 - Shelly sees Lizaactor | arriving | brother | calm | conversing | feeding | goat | leading lady | ranch | rancher | transition | watching

Lightning Strikes Twice (1951)

Molto Agitato0:32:50 - String gets angryactor | anger | arguing | brother | conflict | dramatic | leading lady | priest | rancher | room | tense

Lightning Strikes Twice (1951)

Menace (Poco Meno)0:33:06 - String arguesactor | anger | arguing | brother | conflict | leading lady | priest | rancher | room | tense

Lightning Strikes Twice (1951)

Anger0:33:15 - String gets angryactor | anger | arguing | brother | conflict | crying | dramatic | leading lady | priest | rancher | room | tense | yelling

Lightning Strikes Twice (1951)

Father Paul0:33:25 - Liza comforts Stringactor | anger | brother | comforting | conflict | crying | dark | leading lady | priest | rancher | room | somber | tense

Lightning Strikes Twice (1951)

Father Paul (Ominous)1:21:26 - Liza admits to murderbrother | confessing | confession | dark | murderer | ominous | rancher | room | truth | turning point

Lightning Strikes Twice (1951)

Molto Agitato1:21:32 - String gets angryanger | angry | brother | murderer | rancher | room | threatening | turning point

Lightning Strikes Twice (1951)

Menace (Poco Meno)1:21:41 - String calms downbrother | conversing | danger | murderer | rancher | room | tense | thematic transference | turning point

Lightning Strikes Twice (1951)

Anger (Extended)1:21:51 - String plans to leavebrother | conversing | murderer | plotting | rancher | room | tense | turning point | underscoring

Lightning Strikes Twice (1951)

Escape1:26:51 - Liza runs awayactor | brother | chasing | climax | dark | escaping | friend | husband | leading lady | leading man | murderer | ranch | rancher | room | tense

Lightning Strikes Twice (1951)

Escape (Getaway)1:27:08 - Trev runs back insideactor | brother | chasing | climax | dramatic | escaping | friend | husband | leading lady | leading man | murderer | ranch | rancher | room | tense

Lightning Strikes Twice (1951)

Menace (The Chase)1:27:42 - Liza and String drive awaybrother | car | chasing | climax | countryside | dramatic | driving | escaping | frantic | motorcycle | murderer | police | rancher | speeding | tense

Lightning Strikes Twice (1951)

Menace (The Crash)1:28:30 - Liza drives off the hillbrother | car | car crash | climax | countryside | crashing | death | dramatic | dying | murderer | police | rancher | tense
Without Honor (1949)Unidentified dance tune0:19:04 - Bill turns on the radioadvance plot | antagonist | brother | conversing | leading lady | leading man | popular music | reacting | room | source music | upbeat

Without Honor (1949)

Underscoring (Dramatic)0:21:29 - Bill heads towards the laundry roomantagonist | brother | conflict | corpse | door | dramatic | kitchen | leading lady | leading man | reacting | rushing | tense | underscoring

Without Honor (1949)

Twilight (Tense)0:21:51 - Jane cleans off Bill's sleeveantagonist | brother | cleaning | conflict | conversing | corpse | door | kitchen | leading lady | leading man | opening | tense

Without Honor (1949)

Cleaning0:21:57 - Jane cleans off Bill's sleeveantagonist | brother | cleaning | cleaning effect | conflict | conversing | corpse | door | kitchen | leading lady | leading man | mickey-mousing | tense

Without Honor (1949)

Underscoring (Tense)0:22:07 - Bill tosses the towelantagonist | brother | conflict | conversing | corpse | door | kitchen | leading lady | leading man | tense | tossing | underscoring

Without Honor (1949)

Misterioso0:22:17 - Jane reactsantagonist | brother | conflict | kitchen | leading lady | leading man | mysterious | taunting | tense

Without Honor (1949)

Rubato0:22:34 - Bill talks with Janeantagonist | brother | conflict | dramatic | kitchen | leading lady | leading man | memory | rushing | taunting | tense

Without Honor (1949)

Tension0:22:52 - Jane gives Bill a drinkantagonist | brother | conflict | kitchen | leading lady | leading man | memory | taunting | tense | underscoring | uneasy

Without Honor (1949)

Valse Triste0:23:06 - Bill talks with Janeantagonist | brother | conflict | kitchen | leading lady | leading man | memory | recounting | somber | uneasy | waltz

Without Honor (1949)

Valse Triste (Poco Appassionato)0:23:31 - Bill grabs Jane's armantagonist | brother | conflict | dramatic | grabbing | kitchen | leading lady | leading man | memory | reacting | recounting | tense | waltz

Without Honor (1949)

Jerks hand0:23:41 - Jane jerks her arm awayantagonist | brother | conflict | dramatic | escaping | kitchen | leading lady | leading man | mickey-mousing | reacting | stinger

Without Honor (1949)

Valse Triste (Misterioso)NIF - not in filmantagonist | brother | conflict | cut from film | kitchen | leading lady | leading man

Without Honor (1949)

Valse Triste (Ominous)0:24:46 - Bill looks at Janeantagonist | brother | conflict | leading lady | leading man | ominous | reacting | room | solemn | taunting

Without Honor (1949)

Grabs her0:25:40 - Bill grabs Jane and kisses herantagonist | brother | conflict | dramatic | grabbing | kissing | leading lady | leading man | room | slapping | turning

Without Honor (1949)

Tunes Radio0:26:26 - Bill turns on the radioantagonist | brother | conflict | conversing | leading lady | leading man | radio | room | source music | upbeat

Without Honor (1949)

Unidentified dance tune 20:27:06 - Bill turns on the radioantagonist | brother | conflict | leading lady | leading man | popular music | radio | reacting | room | source music | taunting | upbeat

Without Honor (1949)

First Call0:27:58 - Jane looks at Billantagonist | brother | bugle call | conflict | leading lady | leading man | radio | room | source music | taunting | upbeat

Without Honor (1949)

Unidentified dance tune 30:28:30 - Bill tunes the radioantagonist | brother | conflict | leading lady | leading man | popular music | radio | room | source music | taunting | upbeat

Without Honor (1949)

Liszt Waltz0:29:28 - Bill talks to Janeantagonist | arriving | brother | calm | classical music | conflict | conversing | leading lady | leading man | radio | room | source music | taunting | wife | zoom in

Without Honor (1949)

Prelude in D-Flat Major, Op. 28, No. 15 "Raindrop"0:33:17 - Mrs. Williams talks to Janeantagonist | brother | calm | classical music | conflict | conversing | leading lady | leading man | radio | room | source music | wife

Without Honor (1949)

Unidentified dance tune 40:34:19 - Bill tunes the radioantagonist | brother | calling | conflict | conversing | dialing | leading lady | leading man | popular music | radio | room | source music | telephone | upbeat | wandering | wife

Without Honor (1949)

Misterioso (Molto Rubato)0:43:10 - Bill talks with Fredantagonist | brother | conflict | conversing | husband | leading lady | leading man | reveal | room | secret | tense | warning

Without Honor (1949)

Valse Triste (Andante Doloroso)0:49:07 - Fred entersantagonist | brother | conflict | entering | husband | leading lady | leading man | reacting | reveal | room | secret | somber | thinking | wife

Without Honor (1949)

Underscoring (Tense)0:49:48 - Bill talks to Fredantagonist | brother | conflict | conversing | husband | leading lady | leading man | reveal | room | secret | tense | thinking | wife

Without Honor (1949)

Tension (Molto Misterioso)0:50:03 - Bill stares at Janeanger | antagonist | brother | conflict | conversing | demanding | dramatic | husband | leading lady | leading man | reveal | room | secret | slapping | tense | wife

Without Honor (1949)

Agitation (Appassionato)0:52:28 - Jane criesagitated | antagonist | brother | climax | confessing | confession | crying | demanding | husband | leading lady | leading man | room | tense | wife

Without Honor (1949)

Confession0:52:54 - Jane confessesagitated | antagonist | brother | climax | confessing | confession | crying | husband | leading lady | leading man | room | wife

Without Honor (1949)

Appassionato 20:53:24 - Jane laughsantagonist | brother | climax | confession | crying | husband | laughing | leading lady | leading man | passionate | room | wife

Without Honor (1949)

Underscoring (Dramatic)0:53:45 - Jane screamsantagonist | blood | brother | climax | confession | dramatic | handprint | husband | leading lady | leading man | room | screaming | tense | underscoring | wife

Without Honor (1949)

Desperation (The Scream)0:53:50 - They look at the bloody handprintantagonist | blood | brother | climax | confession | departing | dramatic | handprint | husband | investigating | leading lady | leading man | room | screaming | searching | tense | wife | yard

Without Honor (1949)

Appassionato (Broad)0:54:27 - Bill talks on the phoneantagonist | brother | calling | climax | leading lady | leading man | room | searching | telephone | tense | wandering | yard

Without Honor (1949)

Twilight (Resolution)0:55:26 - Jane walks out of the orchardantagonist | brother | calm | child | conversing | husband | leading lady | leading man | orchard | resolution | scout | street

Without Honor (1949)

Doloroso0:57:10 - Mrs. Williams talks to Janeantagonist | apologizing | brother | climax | conversing | husband | leading lady | leading man | room | solemn | wife

Without Honor (1949)

Twilight (Somber)0:57:48 - Mrs. Williams forgives Janeantagonist | bathroom | brother | climax | forgiveness | husband | leading lady | leading man | razor blade | room | somber | thinking | wife

Without Honor (1949)

Tension (Extended)0:58:12 - Mrs. Williams talks to Fred and Billantagonist | bathroom | brother | climax | conversing | forgiveness | husband | leading lady | leading man | razor blade | room | tense | wife

Without Honor (1949)

Valse Triste (Suicide)0:58:33 - Jane stares in the mirrorantagonist | attempted suicide | bathroom | brother | climax | conversing | husband | knocking | leading lady | leading man | razor blade | room | somber | suicide | wife

Without Honor (1949)

Valse Triste (Molto Appassionato)0:58:58 - Jane stares downantagonist | attempted suicide | bathroom | brother | climax | conversing | dramatic | husband | knocking | leading lady | leading man | razor blade | room | suicide | wife

Without Honor (1949)

Appassionato 2 (Molto Expressivo)0:59:06 - Jane cuts her wristantagonist | attempted suicide | bathroom | breaking | brother | climax | committing suicide | conversing | cutting | dramatic | entering | grabbing | husband | knocking | leading lady | leading man | razor blade | room | running | suicide | wife | yelling

Without Honor (1949)

Twilight (Rubato)0:59:24 - Mrs. Williams helps Janeantagonist | attempted suicide | brother | climax | doctor | helping | husband | leading lady | leading man | razor blade | room | serious | somber | struggling | suicide | wife

Without Honor (1949)

Valse Triste (Tempo de Beguin)1:00:38 - Bill watches them leaveantagonist | brother | conversing | convincing | hopeful | husband | leading man | resolution | room | thinking

Without Honor (1949)

Valse Triste (Mexico)1:02:08 - Fred packs his thingsantagonist | brother | cheerful | conversing | convincing | husband | leading man | Mexican | resolution | room | thinking

Without Honor (1949)

Valse Triste (Tempo de Beguin)1:02:32 - Bill talks to Fredantagonist | brother | conversing | convincing | hopeful | husband | leading man | resolution | room | thinking

Without Honor (1949)

Valse Triste (Reeds)1:04:26 - Fred argues with Billantagonist | arguing | brother | husband | leading man | resolution | room | tense

Without Honor (1949)

Valse Triste (Triple Beguin)1:05:18 - Fred starts to leave for the hospitalantagonist | arguing | brother | fighting | husband | leading man | punching | resolution | tense | yard

Without Honor (1949)

Appassionato 2 (Broad)1:05:32 - Fred gets in his caranger | antagonist | brother | car | complaining | departing | dramatic | driving | husband | leading man | resolution | street | tense | yard

Without Honor (1949)

Valse Triste (Agitato)1:05:49 - Bill tries to stop Fredanger | antagonist | brother | car | chasing | complaining | departing | dramatic | driving | harsh | husband | leading man | resolution | running | street | tense | yelling

Without Honor (1949)

The End1:06:25 - Bill in the middle of the roadanger | antagonist | brother | dramatic | leading man | looking | resolution | standing | street | The End
The Most Dangerous Game (1932)Piano Noise0:23:59 - Martin falls on the pianobrother | castle | count | drunk | establish character | leading lady | leading man | neutral | on-screen music | source music | stumbling

The Most Dangerous Game (1932)

Russian Waltz0:24:22 - Zaroff plays the pianobrother | castle | conversing | count | dog | drunk | establish character | leading lady | leading man | on-screen music | piano | playing | recounting | score to source | somber | source music | warning

The Most Dangerous Game (1932)

Russian Waltz (Upstairs)0:26:51 - Eve goes up the stairsadvance plot | ascending | brother | castle | conversing | count | departing | drunk | leading lady | leading man | mickey-mousing | mute | mysterious | servant | source to score | stairs | tense | walking

The Most Dangerous Game (1932)

Zaroff (Stinger)0:27:05 - A closeup on Ivanadvance plot | brother | castle | close-up | conversing | count | drunk | leading lady | leading man | mute | mysterious | servant | stinger | tense

The Most Dangerous Game (1932)

Russian Waltz (Zoom In)0:27:16 - Zaroff looks up at Eveadvance plot | brother | castle | close-up | conversing | count | departing | drunk | frantic | leading lady | leading man | mute | ominous | servant | stinger | zoom in
Lightning Strikes Twice (1951)Aftermath1:28:48 - Man gets out of the jalopyapproaching | brother | bystander | car | car crash | climax | countryside | death | murderer | police | rancher | solemn