| All This, and Heaven Too (1940) | Valse | 1:03:32 - Montage of newspaper clippings | ballroom | cheerful | crowd | dancing | double exposure | duchess | duke | leading lady | leading man | montage | upbeat | waltz |
All This, and Heaven Too (1940) | Invitation to the Dance | 1:04:19 - People waltzing | advance plot | ballroom | child | classical music | crowd | dancing | duchess | duke | leading lady | leading man | simulated source music | upbeat | waltz |
All This, and Heaven Too (1940) | La Parisienne (The King) | 1:06:08 - The children watch from the balcony | advance plot | arriving | ballroom | child | crowd | governess | king | leading lady | march | patriotic tune | regal | simulated source music |
All This, and Heaven Too (1940) | Henriette (Sad Waltz) | 1:12:55 - Henriette watches the people dancing | advance plot | ballroom | crowd | dancing | dissolve | governess | leading lady | point-of-view shot | room | somber | watching |
All This, and Heaven Too (1940) | Henriette (Dark) | 1:52:57 - A police wagon approaches | arresting | carriage | conflict | crowd | dark | landlady | leading lady | soldier | street | suspect |
All This, and Heaven Too (1940) | Henriette (Grandioso) + Desperation (Grandioso) | 1:53:13 - The police wagon leaves | arresting | bold | carriage | conflict | conversing | crowd | crying | dark | landlady | leading lady | ominous | soldier | street | suspect | tense | testifying |
All This, and Heaven Too (1940) | Agitato 2 | 1:59:31 - Henriette is arrested | agitated | crowd | crying | double exposure | dramatic | fanfare | headline | leading lady | leaving | mob | montage | newspaper | soldier | street | suspect | yelling |
All This, and Heaven Too (1940) | Henriette (Ostinato) | 2:10:09 - A carriage leaves | carriage | crowd | dramatic | leading lady | mob | ominous | ostinato | prisoner | soldier | street | suspect | tense | transition | traveling |
| The Amazing Dr. Clitterhouse (1938) | People running | 0:52:10 - Men run to the warehouse | added-note chord | crowd | exciting | mickey-mousing | robbery | running | street |
| Angels With Dirty Faces (1938) | I've Got a Heartfelt of Music | 0:08:31 - People in the street | ABAC structure | cheerful | crowd | driving | headline | newspaper | radio | source music | street | transition | walking |
Angels With Dirty Faces (1938) | Crowd rushing | 0:41:09 - Crowd rushes to the crime scene | chromatic sequence | conflict | crowd | dissonant bass | hurrying | mickey-mousing | running | street | tense |
Angels With Dirty Faces (1938) | Underscoring (Tense) | 0:41:20 - Police car arrives | arriving | chromatic parallelism | chromatic scale | conflict | crowd | dissonant bass | half-diminished 7th chord | rushing | shop | street | tense | underscoring |
Angels With Dirty Faces (1938) | Crowd | 0:41:46 - Hustling crowd | chromatic parallelism | conflict | crowd | dissonant bass | rushing | street | tense |
Angels With Dirty Faces (1938) | Underscoring (Dramatic) | 1:16:29 - Rocky shoots Mac and Frazier | agitated | attacking | casino | chaos | chasing | chromatic parallelism | chromatic scale | climbing | conflict | crowd | death | dissonant bass | dramatic | dying | escaping | falling | fighting | gangster | gun | gunshot | half-diminished 7th chord | hurrying | jumping | landing | lawyer | leading man | mickey-mousing | pedal tone | police | rooftop | room | running | sequence | shooting | sneaking | sneaky | street | tone cluster | underscoring |
Angels With Dirty Faces (1938) | Pleading (Extended) | 1:21:00 - Jerry arrives on the scene | 9th chord | appoggiatura | arriving | chromatic sequence | circle of fifths | concerned | conflict | crowd | gun | gunshot | hurried | hurrying | leading lady | leading man | love interest | polychord | priest | pushing | street | yearning |
Angels With Dirty Faces (1938) | Underscoring (Tense) | 1:33:36 - Rocky pleads for his life | begging | climax | cowardice | crowd | crying | death | execution | execution chamber | gangster | leading man | pleading | police | priest | prison | shadow | tense | tone cluster | underscoring | wailing |
| Arsenic and Old Lace (1944) | Take Me Out to the Ball Game | 0:01:20 - Fans yelling at a ball game | augmented sixth chord | baseball | baseball player | bass drum | cheering | crowd | enharmonic modulation | establish place | evaded cadence | falling | familiar tune | field | fighting | musician | parallel double period | pep band | playing | popular song | punching | rushed | saxophone | simulated source music | source music | sporting event | trombone | umpire | upbeat | yelling |
Arsenic and Old Lace (1944) | Here Comes the Bride (Marriage License Bureau) | 0:01:59 - "Marriage License Bureau" sign | 64 chord | arriving | calm | conversing | crowd | direct modulation | establish character | familiar tune | marriage | office | parallelism | reporter | romantic | sequence | spouse |
| Beyond the Forest (1949) | Courthouse | 0:04:14 - People in a courthouse | courtroom | crowd | establish setting | tense | trial | voice-over | waiting | watching |
Beyond the Forest (1949) | Rosa (Molto Moderato Misterioso) | 0:04:33 - People in a courthouse | courtroom | crowd | establish setting | juror | mysterious | stinger | trial | voice-over | waiting | watching |
Beyond the Forest (1949) | Whisper While You’re Waltzing | 1:01:34 - People at a party | conversing | crowd | dance scene | doctor | eating | folk music | gentle | leading lady | leading man | on-screen music | party | playing | room | source music | waltz | wife |
Beyond the Forest (1949) | For He’s a Jolly Good Fellow | 1:02:12 - Folk musicians | arriving | cake | cheerful | conversing | crowd | dance scene | doctor | familiar tune | leading lady | leading man | love interest | musician | on-screen music | party | playing | room | singing | source music | tuning | wife | wind |
Beyond the Forest (1949) | The Arkansas Traveler | 1:02:55 - Folk musicians | crowd | dancer | dance scene | dancing | doctor | folk music | leading lady | leading man | love interest | musician | on-screen music | party | playing | room | singing | source music | square dance caller | square dance music | upbeat | wife |
Beyond the Forest (1949) | Portland Fancy | 1:03:11 - People dancing | crowd | dancer | dance scene | dancing | doctor | folk music | leading lady | leading man | love interest | musician | on-screen music | party | playing | room | singing | source music | square dance caller | square dance music | upbeat | wife |
Beyond the Forest (1949) | Devil’s Dream | 1:03:26 - People dancing | crowd | dancer | dance scene | dancing | doctor | folk music | leading lady | leading man | love interest | musician | on-screen music | party | playing | room | singing | source music | square dance caller | square dance music | upbeat | wife |
Beyond the Forest (1949) | Little Brown Jug | 1:03:57 - People dancing | crowd | dancer | dance scene | dancing | doctor | folk music | leading lady | leading man | love interest | musician | on-screen music | party | playing | room | singing | source music | square dance caller | square dance music | upbeat | wife |
Beyond the Forest (1949) | Religioso | 1:11:19 - A church steeple in the rain | calm | casket | crowd | funeral | graveyard | listening | mourner | mourning | rain | religious | victim | watching |
| The Breaking Point (1950) | First Call | 1:15:04 - Sign for a horse race | crowd | horse | race track | source music | transition | upbeat |
The Breaking Point (1950) | The Breaking Point (Triste) | 1:35:50 - Harry is carried out on a stretcher | carrying | child | climax | crowd | crying | doctor | harbor | leading lady | leading man | sailor | somber | watching | wife |
The Breaking Point (1950) | Leona | 1:36:26 - Leona watches | child | climax | crowd | crying | doctor | harbor | leading lady | leading man | sailor | somber | watching | wife |
The Breaking Point (1950) | Sad Boy | 1:36:44 - Sad orphaned boy looks on | child | climax | crowd | crying | harbor | leaving | somber | spiritual-like | triumphant | watching |
| City for Conquest (1940) | Sidewalks of New York | 0:03:10 - A New York street corner | AABA structure | child | conversing | crowd | dancing | old man | on-screen music | organ grinder | playing | pleasant | score to source | source music | street | street organ | thief | transition | upbeat | walking |
City for Conquest (1940) | The Bowery | 0:05:00 - People on a New York street | child | conversing | crowd | establish character | on-screen music | playing | pleasant | source music | street | street organ | upbeat |
City for Conquest (1940) | Lullaby of Broadway | 0:17:00 - A sign for Rose Gardens Casino | boxer | conversing | crowd | dance band | dance hall | dancer | dance scene | dancing | leading lady | leading man | on-screen music | playing | popular music | source music | upbeat |
City for Conquest (1940) | Latin For Manhattan | 0:18:29 - Peggy and Danny sit down | AABA structure | blue note | boxer | conversing | crowd | dance band | dance hall | dancer | dance scene | dancing | leading lady | leading man | on-screen music | playing | popular music | source music | upbeat |
City for Conquest (1940) | The Continental | 0:19:53 - Peggy dances with Murray | AABA structure | boxer | conversing | crowd | dance band | dance hall | dancer | dance scene | dancing | friend | leading lady | leading man | on-screen music | phrase extension | playing | popular music | source music | upbeat |
City for Conquest (1940) | Jalousie | 0:20:39 - Danny sitting at a table | ABAC structure | boxer | crowd | dance band | dance hall | dancer | dance scene | dancing | friend | leading lady | leading man | on-screen music | popular music | source music | upbeat |
City for Conquest (1940) | I'm Just Wild About Harry | 0:21:28 - Peggy dances with Murray | ABAC structure | crowd | dance band | dance hall | dancer | dance scene | dancing | leading lady | on-screen music | popular music | source music | upbeat |
City for Conquest (1940) | Shadow Waltz | 0:21:46 - Peggy dances with Murray | ABAC structure | conversing | crowd | dance band | dance hall | dancer | dance scene | dancing | leading lady | on-screen music | playing | popular music | source music | upbeat |
City for Conquest (1940) | Fanfare | 0:22:58 - A trophy is brought out | award | bold | chromatic mediant | crowd | dance band | dance hall | dancer | dance scene | fanfare | leading lady | on-screen music | parallelism | presenting | source music | transcribed by ear | upbeat |
City for Conquest (1940) | I'm Just Wild About Harry | 0:23:07 - Close-up of Lily | ABAC structure | award | boxer | conversing | crowd | dance band | dance hall | dancer | dance scene | friend | leading lady | leading man | on-screen music | popular music | source music | upbeat |
City for Conquest (1940) | The Words Are in My Heart | 0:29:31 - Peggy dances with Murray | applause | augmented triad | crowd | dance hall | dancer | dancing | double exposure | gentle | leading lady | montage | source music | waltz |
City for Conquest (1940) | Original Rhumba | 0:29:38 - Peggy dances with Murray | applause | crowd | dance hall | dancer | dancing | double exposure | leading lady | montage | rhumba | source music | upbeat |
City for Conquest (1940) | Original Bolero | 0:29:43 - Peggy dances with Murray | applause | bolero | chromatic mediant | crowd | dance hall | dancer | dancing | double exposure | leading lady | montage | source music | upbeat |
City for Conquest (1940) | Jalousie | 0:29:51 - Peggy dances with Murray | added-note chord | applause | crowd | dance hall | dancer | dancing | double exposure | leading lady | montage | source music | tango | upbeat |
City for Conquest (1940) | Original Foxtrot | 0:29:57 - Peggy dances with Murray | applause | common-tone diminished 7th | crowd | dance hall | dancer | dancing | double exposure | foxtrot | leading lady | montage | source music | upbeat |
City for Conquest (1940) | Liberty Day | 0:39:41 - Old timer talks to worker | boxer | boxing ring | celebrating | contrasting double period | conversing | crowd | fanfare | leading man | manager | montage | parallel double period | source music | upbeat |
City for Conquest (1940) | Tone Poem A | 0:42:10 - Eddie plays the piano | 9th chord | 11th chord | 13th chord | advance plot | boxer | brother | common-chord modulation | composer | conversing | crowd | deceptive resolution | leading man | musician | on-screen music | party | piano | playing | romantic | source music | transcribed by ear |
City for Conquest (1940) | Tone Poem A (Stride Piano) | 0:43:27 - Eddie plays the piano | 9th chord | 11th chord | 13th chord | added-note chord | advance plot | augmented sixth chord | boxer | brother | chord substitution | common-tone diminished 7th | composer | conversing | crowd | foreign key modulation | leading man | mode mixture | musician | on-screen music | parallelism | party | piano | playing | ragtime | source music | syncopation | upbeat |
City for Conquest (1940) | 42nd Street | 0:51:52 - People arriving at a dance | AABA structure | advance plot | club | crowd | dance band | dancer | dancing | musician | on-screen music | source music | upbeat |
City for Conquest (1940) | Drum Roll | 0:52:51 - Peggy and Danny at the dance | advance plot | announcer | announcing | club | crowd | dance band | dramatic | on-screen music | source music |
City for Conquest (1940) | Drum Roll | 0:53:08 - People applaud for Danny | advance plot | announcer | announcing | club | crowd | dance band | dramatic | on-screen music | source music |
City for Conquest (1940) | Corn Pickin' | 0:53:35 - People dancing the jitterbug | AABA structure | advance plot | boxer | club | crowd | dance band | dancer | dancing | leading lady | leading man | on-screen music | source music | upbeat |
City for Conquest (1940) | Japanese Sandman | 0:54:33 - Danny and Peggy at the dance | advance plot | boxer | club | crowd | dance band | dancer | dancing | leading lady | leading man | on-screen music | source music | upbeat |
| Dust Be My Destiny (1939) | Here Comes the Bride (Advertisement) | 0:31:07 - A marquee advertising "Marriage on Stage Tonite" | common-chord modulation | crowd | familiar tune | foreign key modulation | happy | love scene | marriage | street | theater |
Dust Be My Destiny (1939) | Here Comes the Bride | 0:31:19 - Crowd sings and claps at a wedding | crowd | happy | leading lady | leading man | marriage | on-screen music | source music | theater | wedding |
Dust Be My Destiny (1939) | Here Comes the Bride | 0:32:48 - Joe kisses Mabel | crowd | happy | leading lady | leading man | marriage | on-screen music | pianist | source music | theater | wedding |
Dust Be My Destiny (1939) | Underscoring (Dramatic) | 0:59:15 - A bank alarm sounds | 42 chord | 64 chord | action scene | bank | chromatic parallelism | chromatic scale | chromatic wedge | crowd | dramatic | leading man | photographer | robbery | shopkeeper | street | tone cluster | underscoring |
Dust Be My Destiny (1939) | Alarm | 0:59:15 - Alarm sounds | action scene | alarm | bank | crowd | dramatic | leading man | mickey-mousing | photographer | robbery | shopkeeper | street |
Dust Be My Destiny (1939) | Dust Be My Destiny (Heroic) | 0:59:42 - Joe takes pictures of the robbery | 42 chord | action scene | bank | chromatic scale | criminal | crowd | dramatic | fragmentation | gangster | leading man | photographer | retrograde | shopkeeper | street |
Dust Be My Destiny (1939) | Underscoring (Dramatic) | 0:59:53 - Police arrive at the scene | 64 chord | action scene | bank | chromatic scale | crowd | dramatic | leading man | police | street | underscoring |
Dust Be My Destiny (1939) | Dust Be My Destiny (Delicate) | 1:22:18 - Mabel rises to testify for Joe | courtroom | crowd | delicate | judge | jury | leading lady | leading man | sequence | somber | suspect | trial |
Dust Be My Destiny (1939) | Dust Be My Destiny (Religioso) | 1:22:41 - Mabel testifies for Joe | 11th chord | chromatic parallelism | common-tone diminished 7th | courtroom | crowd | diminished 7th chord | gentle | judge | jury | leading lady | leading man | loving | mode mixture | parallel double period | plagal cadence | sincere | suspect | tender | trial |
| Each Dawn I Die (1939) | Confusion | 0:05:43 - Frank sits confused in car after crash | accusing | car | car crash | chromatic parallelism | chromatic scale | conflict | confused | crowd | dissonant bass | fire | glass | half-diminished 7th chord | hero | injury | leading man | reporter | running | street | yelling |
Each Dawn I Die (1939) | Underscoring (Dramatic) | 0:06:06 - Crowd accuses Frank of murder | 9th chord | accusing | car crash | conflict | crowd | dissonant bass | dramatic | hero | injury | leading man | linear chromaticism | police | reporter | sequence | shaking | street | underscoring | yelling |
| Her Kind of Man (1946) | Night Clubs | 0:01:12 - Montage of night clubs | bar | bluesy | club | crowd | dancer | dancing | double exposure | eating | journalist | montage | montage | performer | performing | simulated source music | street | voice-over |
Her Kind of Man (1946) | Lady Play Your Mandolin | 0:11:03 - Audience applauding | applauding | applauding | club | crowd | dancing | leading man | music scene | popular music | source music | upbeat |
Her Kind of Man (1946) | Gambling | 0:18:58 - Miami | beach | casino | conversing | croupier | crowd | excited | gambler | gambling | gentle | grand | jockey | leading man | montage | montage | racetrack | racing | riding |
Her Kind of Man (1946) | First Call | 0:33:53 - Horses before a race | bugle call | crowd | excited | racetrack | transition | waiting |
Her Kind of Man (1946) | Too Many Tears | 0:41:11 - Saratoga Casino | advance plot | club | conversing | crowd | gambler | leading lady | leading man | love interest | manager | on-screen music | source music | upbeat |
Her Kind of Man (1946) | My Darling | 0:45:05 - Georgia and Don in a restaurant | conversing | crowd | leading lady | leading man | love interest | love scene | photograph | photographer | reporter | restaurant | romantic | source music | waiter |
Her Kind of Man (1946) | Can't We Talk It Over | 0:45:42 - Georgia and Don in a photograph | advance plot | club | conversing | crowd | dancing | husband | leading lady | newspaper | on-screen music | photograph | playing | source music | upbeat | waiter |
Her Kind of Man (1946) | Body and Soul (Intro) | 0:56:28 - Night club sign | arriving | crowd | dramatic | music scene | sign | street |
Her Kind of Man (1946) | Body and Soul | 0:56:43 - Georgia singing in a night club | applauding | club | conductor | crowd | leading lady | musician | music scene | on-screen music | performing | performing | romantic | score to source | singer | singing | source music | watching | wife |
Her Kind of Man (1946) | Love Is Sweeping the Country | 0:58:02 - The crowd applauds | advance plot | club | conversing | criminal | crowd | gambler | henchman | husband | leading lady | leading man | on-screen music | owner | performing | reporter | singer | sister | source music | upbeat | wife |
Her Kind of Man (1946) | Underscoring (Dramatic [Deutsch]) | 1:03:37 - Steve shoots his sister | action scene | club | crowd | dramatic | dying | gambler | husband | leading man | murderer | police | reacting | shooting | sister | underscoring | victim |
Her Kind of Man (1946) | The Escape | 1:03:50 - Steve tries to escape | action scene | car | chasing | club | crowd | dramatic | driving | escaping | gambler | husband | jumping | leading man | mickey-mousing | murderer | police | running | sister | street | victim |
| The Informer (1935) | The Irish Washerwoman (Pub) + Blood Money + The Wearin' o' the Green + The Informer | 0:44:52 - People celebrate in the pub | advance plot | antagonist | bar | chaotic | chromatic scale | close-up | combination of themes | crowd | dark | dissonant bass | excited | familiar tune | folk song | foreign key modulation | happy | heroic | Irish | layering | leading man | mob | mobbing | octatonic | parallelism | pedal tone | polytonality | rebel | serving | source to score | spying | tense | whole-tone | yelling | zoom in |
The Informer (1935) | Dardanella | 0:53:41 - Gypo buys drinks at a party | AB structure | advance plot | antagonist | celebrating | cheerful | crowd | drinking | leading man | on-screen music | party | partying | source music |
The Informer (1935) | Believe Me If All Those Endearing Young Charms | 0:55:32 - A woman prepares to sing a song at a party | advance plot | antagonist | cheerful | crowd | leading man | on-screen music | party | playing | source music |
The Informer (1935) | Believe Me If All Those Endearing Young Charms | 0:58:23 - Singing continues (from the previous scene) | advance plot | antagonist | crowd | crying | familiar tune | folk song | leading man | on-screen music | party | sentimental | singing |
The Informer (1935) | The Informer (King Gypo) | 1:01:03 - Gypo's friend brags about him | advance plot | antagonist | bragging | cheerful | crowd | friend | leading man | party | proud |
The Informer (1935) | The Informer (Quiet!) | 1:01:27 - The rebels enter and start an argument | 64 chord | advance plot | antagonist | arguing | bold | crowd | dark | friend | interrupting | leading man | matching speech | mickey-mousing | party | rebel |
| The Life of Vergie Winters (1934) | Funeral March | 0:01:12 - A funeral march | altered dominant | brass band | classical music | crowd | establish place | funeral | funeral march | marching | mode change | on-screen music | parallel 63s | pedal tone | performer | secondary dominant | somber | source music | street | watching |
The Life of Vergie Winters (1934) | There'll Be a Hot Time in the Old Town Tonight | 0:12:17 - People rallying for John Shadwell | advance plot | conversing | crowd | on-screen music | popular song | rally | source music | upbeat |
The Life of Vergie Winters (1934) | For He's a Jolly Good Fellow | 0:13:48 - Political rally for John Shadwell | advance plot | conversing | crowd | folk song | on-screen music | politician | rally | source music | spouse | upbeat |
The Life of Vergie Winters (1934) | Semper Fidelis | 0:30:32 - A march is played outside | advance plot | celebrating | cheering | child | common-chord modulation | conversing | crowd | gossiper | leading lady | leading man | march | patriotic tune | politician | source music | spouse | street | upbeat |
The Life of Vergie Winters (1934) | Funeral March | 1:17:18 - John's funeral procession | altered dominant | brass band | classical music | crowd | establish place | funeral | funeral march | marching | on-screen music | parallel 63s | somber | source music | street | watching |
| Out of the Fog (1941) | Comparsa Negra No.1 | 0:35:38 - People dancing in a conga line | bartender | club | conversing | criminal | crowd | dancer | dance scene | dancing | eating | Latin music | leading lady | leading man | musician | on-screen music | playing | source music | upbeat |
Out of the Fog (1941) | No Digas | 0:37:46 - Cuban dancers and musicians | bartender | club | conversing | criminal | crowd | dancer | dance scene | dancing | Latin music | leading lady | leading man | musician | on-screen music | playing | source music | upbeat |
Out of the Fog (1941) | The Merry-Go-Round Broke Down | 0:49:00 - Olaf and Jonah walk to the restaurant | advance plot | conversing | crowd | dancing | dock | father | fisherman | friend | popular music | source music | upbeat |
Out of the Fog (1941) | Speeding Car | 1:13:32 - A car racing down the street | action scene | car | crowd | double exposure | dramatic | driving | leading lady | point-of-view shot | police | questioning | reporter | rushed | rushing | street | tense |
| Kid Galahad (1937) | Swing for Sale | 0:04:26 - Dancing at a party | AABA structure | crowd | dancing | establish character | leading lady | leading man | manager | party | partying | source music | transcribed by ear | upbeat |
Kid Galahad (1937) | The Ring | 0:06:38 - People at a party | AABA structure | crowd | establish character | leading lady | leading man | manager | party | partying | source music | transcribed by ear | upbeat |
Kid Galahad (1937) | Stride Piano Improvisation 1 | 0:08:50 - People at a party | blues scale | crowd | dancing | establish character | leading lady | leading man | manager | on-screen music | party | source music | stride piano | transcribed by ear | upbeat |
Kid Galahad (1937) | The Prizefighter and the Lady | 0:09:36 - Ward helps Louise | AABA structure | crowd | dancing | establish character | leading lady | leading man | manager | on-screen music | party | source music | stride piano | transcribed by ear | upbeat |
Kid Galahad (1937) | Stride Piano Improvisation 2 | 0:13:24 - People dance at a party | crowd | dancing | establish character | leading lady | leading man | manager | party | partying | source music | transcribed by ear | upbeat |
| The Unfaithful (1947) | Unfaithful (Scandal) | 1:24:55 - Newspaper headlines about the murder | climax | courtroom | crowd | dramatic | hurrying | montage | newspaper | ostinato | radio | rushing | sequential modulation |
The Unfaithful (1947) | Unfaithful (The Trial) | 1:25:17 - Chris on trial | climax | courtroom | crowd | dramatic | hurrying | knife | lawyer | mirroring | montage | ostinato | polytonality | prosecuting | prosecutor | rushing | witness |
The Unfaithful (1947) | Unfaithful (Heavy) | 1:26:02 - Newspaper of Chris testifying | climax | courtroom | crowd | dramatic | hurrying | montage | newspaper | rushing |
| We Are Not Alone (1939) | Celebre Romance (Agitato) | 1:01:40 - News of the war | chaotic | classical music | conflict | crowd | dramatic | familiar tune | riot | Rubinstein | running | street | whole-tone | whole-tone chord |
We Are Not Alone (1939) | Agitato | 1:02:31 - Crowd presses forward | 11th chord | chaotic | classical music | conflict | conversing | crowd | dissonant bass | dissonant bass | dramatic | familiar tune | riot | Rubinstein | street |
We Are Not Alone (1939) | Underscoring (Tense) | 1:03:56 - The crowd outside | agitated | chromatic scale | conflict | confused | crowd | hero | linear chromaticism | metric dissonance | pedal tone | polychord | riot | rioting | street | tense | underscoring |
We Are Not Alone (1939) | Furioso | 1:04:49 - Man throws rock through shop window | chromatic scale | conflict | crowd | dissonant bass | dramatic | riot | rioting | street | underscoring |
We Are Not Alone (1939) | God Save the King (Violent) | 1:05:00 - British mobs in the street | British | chromatic scale | conflict | crowd | familiar tune | patriotic | riot | rioting | street |
We Are Not Alone (1939) | Rule, Britannia | 1:05:03 - Men attack a German shop | British | conflict | crowd | familiar tune | patriotic | riot | rioting | street |
We Are Not Alone (1939) | God Save the King (Angry) | 1:05:06 - British mobs in the street | 9th chord | angry | British | conflict | crowd | diminished 7th chord | familiar tune | mode mixture | patriotic | riot | rioting | street |
We Are Not Alone (1939) | Frohe Botschaft (Death Sentence) | 1:33:07 - The judge sentences David and Leni to death | 9th chord | common-chord modulation | conflict | courtroom | courtroom scene | crowd | dark | familiar tune | folk song | German | quotation | reverse picardy | sentencing | verdict |
| The Woman in White (1948) | Come, Sweet Death (Funeral) | 1:20:13 - Mourners at a funeral | cemetery | church | cousin | crowd | funeral | funeral | husband | leading lady | leading man | mourning | priest | reading | somber | victim |
| High Stakes (1931) | Here Comes the Bride | 0:04:05 - Bride walks down the aisle | advance plot | bride | calm | crowd | establish place | familiar tune | source music | walking | wedding |
High Stakes (1931) | Wedding March | 0:05:16 - They get married | advance plot | bride | cheerful | crowd | groom | marrying | priest | source music | wedding |
| The Public Defender (1931) | Crowd thronging | 0:01:17 - A crowd pressing towards a guarded door | arguing | chromatic scale | crowd | hurried | noise | street | tense | transcribed by ear | transition |
The Public Defender (1931) | Mystery (Bank Closed) | 0:01:25 - Notice posted on the door | arguing | chromaticism | crowd | mysterious | mystery | noise | pc set | street | transcribed by ear | transition |
The Public Defender (1931) | Beautiful Thing | 0:05:58 - Dance music played at a dinner party | advance plot | banker | cheerful | conversing | crowd | dance music | on-screen music | party | police | source music | transcribed by ear |
The Public Defender (1931) | An Armchair With An Armful of You | 0:12:46 - Dance music played at a dinner party | ABAC structure | advance plot | arguing | banker | cheerful | conversing | crowd | dance music | party | source music | transcribed by ear | waiter |
| Hold ‘Em Jail (1932) | Bide-More Alma Mater | 1:04:44 - Bidemore celebrates their victory | celebrating | comic | crowd | field | love interest | politician | prisoner | resolution | source music | upbeat | warden |
| Is My Face Red? (1932) | Sailing of the Olympic | 0:15:16 - William on the deck of a busy ship | AB structure | advance plot | boat | bustling | chromatic sequence | crowd | hurried | leading man | metric dissonance | parallelism | searching | transcribed by ear |
Is My Face Red? (1932) | Sailing | 0:19:56 - Boat moves through the water | boat | common-tone diminished 7th | crowd | excited | mode mixture | pedal tone | sailing | transcribed by ear | transition |
| Sing and Like It (1934) | King Kong March | 0:58:31 - Annie's name in lights | 9th chord | 11th chord | 13th chord | added-note chord | advance plot | arriving | binary form | boss | common-tone diminished 7th | critic | crowd | dressing room | fanfare | fanfare | gangster | leading lady | lobby | mode mixture | neon lights | parallelism | self-borrowing | singer | street | theater | worker |
Sing and Like It (1934) | Hi-De-Ho | 1:01:43 - The audience | AABA structure | boss | critic | crowd | dance | dancing | gangster | moll | musical | music scene | on-screen music | performer | performing | singer | singing | source music | theater | upbeat | watching |
Sing and Like It (1934) | My Imaginary Sweetheart | 1:02:44 - A man conducts the pit orchestra | AABA structure | conducting | conductor | crowd | dancer | dancing | musical | musician | music scene | on-screen music | performer | performing | playing | source music | theater | upbeat | watching |
Sing and Like It (1934) | My Imaginary Sweetheart | 1:03:10 - The audience reacts | AABA structure | boss | conducting | conductor | critic | crowd | dancer | dancing | gangster | moll | musical | musician | music scene | on-screen music | performer | performing | playing | source music | theater | upbeat | watching |
Sing and Like It (1934) | My Imaginary Sweetheart | 1:03:34 - The critic reacts | AABA structure | boss | conducting | conductor | critic | crowd | dancer | dancing | gangster | gun | laughing | moll | musical | musician | music scene | on-screen music | performer | performing | playing | source music | theater | threatening | upbeat | watching |
Sing and Like It (1934) | My Imaginary Sweetheart | 1:04:10 - The critic reacts | AABA structure | boss | conducting | conductor | critic | crowd | dancer | dancing | gangster | gun | laughing | moll | musical | musician | music scene | on-screen music | performer | performing | playing | source music | theater | threatening | upbeat | watching |
Sing and Like It (1934) | Your Mother | 1:04:54 - A man conducts the pit orchestra | AABA structure | ballad | boss | conducting | conductor | critic | crowd | crying | dancing | gangster | gun | leading lady | moll | musical | musician | music scene | on-screen music | performer | performing | playing | sentimental | singer | singing | source music | theater | threatening | watching |
Sing and Like It (1934) | Your Mother (Curtain Call) | 1:07:57 - The audience applauds | AABA structure | applauding | boss | bowing | cheering | conducting | conductor | critic | crowd | gangster | leading lady | moll | musical | musician | music scene | on-screen music | performer | playing | secondary dominant | singer | source music | theater | transcribed by ear | upbeat |
Sing and Like It (1934) | Makes You Forget Your Troubles | 1:08:27 - A man pours champagne | AABA structure | announcing | boss | celebrating | common-tone diminished 7th | conversing | crowd | drinking | gangster | leading lady | moll | party | party | room | singer | source music | upbeat |
| Gridiron Flash (1934) | Oh, Mama | 0:22:48 - Pudge sings | athlete | awkward | crowd | friend | listening | party | room | singing | source music |
Gridiron Flash (1934) | Gridiron Flash | 1:02:36 - The scoreboard | added-note chord | athlete | celebrating | countermelody | crowd | football | football game | leading lady | leading man | march | resolution | The End | upbeat |
| Another Face (1935) | Old Fashioned Love | 0:38:13 - People at a pool party | ABAB structure | actress | advance plot | conversing | crowd | diving | maid | mother | pool | room | source music | swimmer | swimming | upbeat |
| Girl of the Rio (1932) | Piano noise | 0:00:52 - A busy street in Mexicana | crowd | neutral | on-screen text | source music | street | transition | walking |
Girl of the Rio (1932) | Toreador Song | 0:04:23 - A man cues the orchestra to play | arriving | celebrity | crowd | establish character | leading man | night club | source music | Spanish | three-phrase period | upbeat | walking |
Girl of the Rio (1932) | Querida | 0:06:40 - Don Jose admires a woman | ABAC structure | arriving | celebrity | conversing | crowd | establish character | laughing | leading lady | leading man | night club | on-screen music | performing | romantic | singer | singing | source music | Spanish |
Girl of the Rio (1932) | Was it Wrong? | 0:15:41 - Johnny rolls a pair of dice | conversing | crowd | dancing | flirting | leading lady | leading man | love interest | lovers meet | night club | on-screen music | performing | romantic | singer | source music | syncopation | terrace | upbeat |
Girl of the Rio (1932) | Querida | 0:38:14 - Dolores sings and plays the guitar | ABAC structure | advance plot | conversing | crowd | leading lady | night club | on-screen music | plotting | prison | romantic | singer | singing | source music | terrace | whistling |
Tag Search Results