Tag Search

144 results for "crowd" in 28 films — see also crew | gang | meet | mob

Film	Theme name	Instance	Tags
All This, and Heaven Too (1940)	Valse	1:03:32 - Montage of newspaper clippings	added-note chord \| ballroom \| cheerful \| crowd \| dancing \| double exposure \| duchess \| duke \| leading lady \| leading man \| mode mixture \| montage \| upbeat \| waltz
All This, and Heaven Too (1940)	Invitation to the Dance	1:04:19 - People waltzing	advance plot \| ballroom \| child \| classical music \| crowd \| dancing \| duchess \| duke \| leading lady \| leading man \| simulated source music \| upbeat \| waltz
All This, and Heaven Too (1940)	La Parisienne (The King)	1:06:08 - The children watch from the balcony	advance plot \| arriving \| ballroom \| child \| crowd \| governess \| king \| leading lady \| march \| patriotic tune \| regal \| simulated source music
All This, and Heaven Too (1940)	Henriette (Sad Waltz)	1:12:55 - Henriette watches the people dancing	9th chord \| 64 chord \| advance plot \| ballroom \| crowd \| dancing \| dissolve \| governess \| leading lady \| pedal tone \| point-of-view shot \| room \| somber \| watching
All This, and Heaven Too (1940)	Henriette (Dark)	1:52:57 - A police wagon approaches	arresting \| carriage \| chromatic sequence \| conflict \| crowd \| dark \| landlady \| leading lady \| soldier \| street \| suspect
All This, and Heaven Too (1940)	Henriette (Grandioso) + Desperation (Grandioso)	1:53:13 - The police wagon leaves	arresting \| bold \| carriage \| conflict \| conversing \| crowd \| crying \| dark \| dissonant bass \| fragmentation \| landlady \| leading lady \| ominous \| soldier \| street \| suspect \| tense \| testifying
All This, and Heaven Too (1940)	Agitato 2	1:59:31 - Henriette is arrested	agitated \| crowd \| crying \| diminished 7th chord \| dissonant bass \| double exposure \| dramatic \| fanfare \| headline \| leading lady \| leaving \| mob \| montage \| newspaper \| soldier \| street \| suspect \| yelling
All This, and Heaven Too (1940)	Henriette (Ostinato)	2:10:09 - A carriage leaves	carriage \| crowd \| dramatic \| fragmentation \| leading lady \| mob \| ominous \| ostinato \| prisoner \| soldier \| street \| suspect \| tense \| transition \| traveling
The Amazing Dr. Clitterhouse (1938)	People running	0:52:10 - Men run to the warehouse	added-note chord \| crowd \| exciting \| mickey-mousing \| robbery \| running \| street
Angels With Dirty Faces (1938)	I've Got a Heartfelt of Music	0:08:31 - People in the street	ABAC structure \| cheerful \| crowd \| driving \| headline \| newspaper \| radio \| source music \| street \| transition \| walking
Angels With Dirty Faces (1938)	Crowd rushing	0:41:09 - Crowd rushes to the crime scene	chromatic sequence \| conflict \| crowd \| dissonant bass \| hurrying \| mickey-mousing \| running \| street \| tense
Angels With Dirty Faces (1938)	Underscoring (Tense)	0:41:20 - Police car arrives	arriving \| chromatic parallelism \| chromatic scale \| conflict \| crowd \| dissonant bass \| half-diminished 7th chord \| rushing \| shop \| street \| tense \| underscoring
Angels With Dirty Faces (1938)	Crowd	0:41:46 - Hustling crowd	chromatic parallelism \| conflict \| crowd \| dissonant bass \| rushing \| street \| tense
Angels With Dirty Faces (1938)	Underscoring (Dramatic)	1:16:29 - Rocky shoots Mac and Frazier	agitated \| attacking \| casino \| chaos \| chasing \| chromatic parallelism \| chromatic scale \| climbing \| conflict \| crowd \| death \| dissonant bass \| dramatic \| dying \| escaping \| falling \| fighting \| gangster \| gun \| gunshot \| half-diminished 7th chord \| hurrying \| jumping \| landing \| lawyer \| leading man \| mickey-mousing \| pedal tone \| police \| rooftop \| room \| running \| sequence \| shooting \| sneaking \| sneaky \| street \| tone cluster \| underscoring
Angels With Dirty Faces (1938)	Pleading (Extended)	1:21:00 - Jerry arrives on the scene	9th chord \| appoggiatura \| arriving \| chromatic sequence \| circle of fifths \| concerned \| conflict \| crowd \| gun \| gunshot \| hurried \| hurrying \| leading lady \| leading man \| love interest \| polychord \| priest \| pushing \| street \| yearning
Angels With Dirty Faces (1938)	Underscoring (Tense)	1:33:36 - Rocky pleads for his life	begging \| climax \| cowardice \| crowd \| crying \| death \| execution \| execution chamber \| gangster \| leading man \| pleading \| police \| priest \| prison \| shadow \| tense \| tone cluster \| underscoring \| wailing
Arsenic and Old Lace (1944)	Take Me Out to the Ball Game	0:01:20 - Fans yelling at a ball game	augmented sixth chord \| baseball \| baseball player \| bass drum \| cheering \| crowd \| enharmonic modulation \| establish place \| evaded cadence \| falling \| familiar tune \| field \| fighting \| musician \| parallel double period \| pep band \| playing \| popular song \| punching \| rushed \| saxophone \| simulated source music \| source music \| sporting event \| trombone \| umpire \| upbeat \| yelling
Arsenic and Old Lace (1944)	Here Comes the Bride (Marriage License Bureau)	0:01:59 - "Marriage License Bureau" sign	64 chord \| arriving \| calm \| conversing \| crowd \| direct modulation \| establish character \| familiar tune \| marriage \| office \| parallelism \| reporter \| romantic \| sequence \| spouse
Beyond the Forest (1949)	Courthouse	0:04:14 - People in a courthouse	courtroom \| crowd \| establish setting \| tense \| trial \| voice-over \| waiting \| watching
Beyond the Forest (1949)	Rosa (Molto Moderato Misterioso)	0:04:33 - People in a courthouse	courtroom \| crowd \| establish setting \| juror \| mysterious \| stinger \| trial \| voice-over \| waiting \| watching
Beyond the Forest (1949)	Whisper While You’re Waltzing	1:01:34 - People at a party	conversing \| crowd \| dance scene \| doctor \| eating \| folk music \| gentle \| leading lady \| leading man \| on-screen music \| party \| playing \| room \| source music \| waltz \| wife
Beyond the Forest (1949)	For He’s a Jolly Good Fellow	1:02:12 - Folk musicians	arriving \| cake \| cheerful \| conversing \| crowd \| dance scene \| doctor \| familiar tune \| leading lady \| leading man \| love interest \| musician \| on-screen music \| party \| playing \| room \| singing \| source music \| tuning \| wife \| wind
Beyond the Forest (1949)	The Arkansas Traveler	1:02:55 - Folk musicians	crowd \| dancer \| dance scene \| dancing \| doctor \| folk music \| leading lady \| leading man \| love interest \| musician \| on-screen music \| party \| playing \| room \| singing \| source music \| square dance caller \| square dance music \| upbeat \| wife
Beyond the Forest (1949)	Portland Fancy	1:03:11 - People dancing	crowd \| dancer \| dance scene \| dancing \| doctor \| folk music \| leading lady \| leading man \| love interest \| musician \| on-screen music \| party \| playing \| room \| singing \| source music \| square dance caller \| square dance music \| upbeat \| wife
Beyond the Forest (1949)	Devil’s Dream	1:03:26 - People dancing	crowd \| dancer \| dance scene \| dancing \| doctor \| folk music \| leading lady \| leading man \| love interest \| musician \| on-screen music \| party \| playing \| room \| singing \| source music \| square dance caller \| square dance music \| upbeat \| wife
Beyond the Forest (1949)	Little Brown Jug	1:03:57 - People dancing	crowd \| dancer \| dance scene \| dancing \| doctor \| folk music \| leading lady \| leading man \| love interest \| musician \| on-screen music \| party \| playing \| room \| singing \| source music \| square dance caller \| square dance music \| upbeat \| wife
Beyond the Forest (1949)	Religioso	1:11:19 - A church steeple in the rain	calm \| casket \| crowd \| funeral \| graveyard \| listening \| mourner \| mourning \| rain \| religious \| victim \| watching
The Breaking Point (1950)	First Call	1:15:04 - Sign for a horse race	crowd \| horse \| race track \| source music \| transition \| upbeat
The Breaking Point (1950)	The Breaking Point (Triste)	1:35:50 - Harry is carried out on a stretcher	carrying \| child \| climax \| crowd \| crying \| deceptive resolution \| doctor \| harbor \| leading lady \| leading man \| sailor \| somber \| watching \| wife
The Breaking Point (1950)	Leona	1:36:26 - Leona watches	9th chord \| 11th chord \| 13th chord \| augmented sixth chord \| child \| chromatic parallelism \| climax \| crowd \| crying \| doctor \| harbor \| leading lady \| leading man \| sailor \| somber \| watching \| wife
The Breaking Point (1950)	Sad Boy	1:36:44 - Sad orphaned boy looks on	9th chord \| 11th chord \| blue note \| child \| climax \| crowd \| crying \| harbor \| leaving \| somber \| spiritual \| triumphant \| watching
City for Conquest (1940)	Sidewalks of New York	0:03:10 - A New York street corner	AABA structure \| child \| conversing \| crowd \| dancing \| old man \| on-screen music \| organ grinder \| playing \| pleasant \| score to source \| source music \| street \| street organ \| thief \| transition \| upbeat \| walking
City for Conquest (1940)	The Bowery	0:05:00 - People on a New York street	child \| conversing \| crowd \| establish character \| on-screen music \| playing \| pleasant \| source music \| street \| street organ \| upbeat
City for Conquest (1940)	Lullaby of Broadway	0:17:00 - A sign for Rose Gardens Casino	boxer \| conversing \| crowd \| dance band \| dance hall \| dancer \| dance scene \| dancing \| leading lady \| leading man \| on-screen music \| playing \| popular music \| source music \| upbeat
City for Conquest (1940)	Latin For Manhattan	0:18:29 - Peggy and Danny sit down	AABA structure \| blue note \| boxer \| conversing \| crowd \| dance band \| dance hall \| dancer \| dance scene \| dancing \| leading lady \| leading man \| on-screen music \| playing \| popular music \| source music \| upbeat
City for Conquest (1940)	The Continental	0:19:53 - Peggy dances with Murray	AABA structure \| boxer \| conversing \| crowd \| dance band \| dance hall \| dancer \| dance scene \| dancing \| friend \| leading lady \| leading man \| on-screen music \| phrase extension \| playing \| popular music \| source music \| upbeat
City for Conquest (1940)	Jalousie	0:20:39 - Danny sitting at a table	ABAC structure \| boxer \| crowd \| dance band \| dance hall \| dancer \| dance scene \| dancing \| friend \| leading lady \| leading man \| on-screen music \| popular music \| source music \| upbeat
City for Conquest (1940)	I'm Just Wild About Harry	0:21:28 - Peggy dances with Murray	ABAC structure \| crowd \| dance band \| dance hall \| dancer \| dance scene \| dancing \| leading lady \| on-screen music \| popular music \| source music \| upbeat
City for Conquest (1940)	Shadow Waltz	0:21:46 - Peggy dances with Murray	ABAC structure \| conversing \| crowd \| dance band \| dance hall \| dancer \| dance scene \| dancing \| leading lady \| on-screen music \| playing \| popular music \| source music \| upbeat
City for Conquest (1940)	Fanfare	0:22:58 - A trophy is brought out	award \| bold \| chromatic mediant \| crowd \| dance band \| dance hall \| dancer \| dance scene \| fanfare \| leading lady \| on-screen music \| parallelism \| presenting \| source music \| transcribed by ear \| upbeat
City for Conquest (1940)	I'm Just Wild About Harry	0:23:07 - Close-up of Lily	ABAC structure \| award \| boxer \| conversing \| crowd \| dance band \| dance hall \| dancer \| dance scene \| friend \| leading lady \| leading man \| on-screen music \| popular music \| source music \| upbeat
City for Conquest (1940)	The Words Are in My Heart	0:29:31 - Peggy dances with Murray	applause \| augmented triad \| crowd \| dance hall \| dancer \| dancing \| double exposure \| gentle \| leading lady \| montage \| source music \| waltz
City for Conquest (1940)	Original Rhumba	0:29:38 - Peggy dances with Murray	applause \| crowd \| dance hall \| dancer \| dancing \| double exposure \| leading lady \| montage \| rhumba \| source music \| upbeat
City for Conquest (1940)	Original Bolero	0:29:43 - Peggy dances with Murray	applause \| bolero \| chromatic mediant \| crowd \| dance hall \| dancer \| dancing \| double exposure \| leading lady \| montage \| source music \| upbeat
City for Conquest (1940)	Jalousie	0:29:51 - Peggy dances with Murray	added-note chord \| applause \| crowd \| dance hall \| dancer \| dancing \| double exposure \| leading lady \| montage \| source music \| tango \| upbeat
City for Conquest (1940)	Original Foxtrot	0:29:57 - Peggy dances with Murray	applause \| common-tone diminished 7th \| crowd \| dance hall \| dancer \| dancing \| double exposure \| foxtrot \| leading lady \| montage \| source music \| upbeat
City for Conquest (1940)	Liberty Day	0:39:41 - Old timer talks to worker	boxer \| boxing ring \| celebrating \| contrasting double period \| conversing \| crowd \| fanfare \| leading man \| manager \| montage \| parallel double period \| source music \| upbeat
City for Conquest (1940)	Tone Poem A	0:42:10 - Eddie plays the piano	9th chord \| 11th chord \| 13th chord \| advance plot \| boxer \| brother \| common-chord modulation \| composer \| conversing \| crowd \| deceptive resolution \| leading man \| musician \| on-screen music \| party \| piano \| playing \| romantic \| source music \| transcribed by ear
City for Conquest (1940)	Tone Poem A (Stride Piano)	0:43:27 - Eddie plays the piano	9th chord \| 11th chord \| 13th chord \| added-note chord \| advance plot \| augmented sixth chord \| boxer \| brother \| chord substitution \| common-tone diminished 7th \| composer \| conversing \| crowd \| foreign key modulation \| leading man \| mode mixture \| musician \| on-screen music \| parallelism \| party \| piano \| playing \| ragtime \| source music \| syncopation \| upbeat
City for Conquest (1940)	42nd Street	0:51:52 - People arriving at a dance	AABA structure \| advance plot \| club \| crowd \| dance band \| dancer \| dancing \| musician \| on-screen music \| source music \| upbeat
City for Conquest (1940)	Drum Roll	0:52:51 - Peggy and Danny at the dance	advance plot \| announcer \| announcing \| club \| crowd \| dance band \| dramatic \| on-screen music \| source music
City for Conquest (1940)	Drum Roll	0:53:08 - People applaud for Danny	advance plot \| announcer \| announcing \| club \| crowd \| dance band \| dramatic \| on-screen music \| source music
City for Conquest (1940)	Corn Pickin'	0:53:35 - People dancing the jitterbug	AABA structure \| advance plot \| boxer \| club \| crowd \| dance band \| dancer \| dancing \| leading lady \| leading man \| on-screen music \| source music \| upbeat
City for Conquest (1940)	Japanese Sandman	0:54:33 - Danny and Peggy at the dance	advance plot \| boxer \| club \| crowd \| dance band \| dancer \| dancing \| leading lady \| leading man \| on-screen music \| source music \| upbeat
Dust Be My Destiny (1939)	Here Comes the Bride (Advertisement)	0:31:07 - A marquee advertising "Marriage on Stage Tonite"	common-chord modulation \| crowd \| familiar tune \| foreign key modulation \| happy \| love scene \| marriage \| street \| theater
Dust Be My Destiny (1939)	Here Comes the Bride	0:31:19 - Crowd sings and claps at a wedding	crowd \| happy \| leading lady \| leading man \| marriage \| on-screen music \| source music \| theater \| wedding
Dust Be My Destiny (1939)	Here Comes the Bride	0:32:48 - Joe kisses Mabel	crowd \| happy \| leading lady \| leading man \| marriage \| on-screen music \| pianist \| source music \| theater \| wedding
Dust Be My Destiny (1939)	Underscoring (Dramatic)	0:59:15 - A bank alarm sounds	42 chord \| 64 chord \| action scene \| bank \| chromatic parallelism \| chromatic scale \| chromatic wedge \| crowd \| dramatic \| leading man \| photographer \| robbery \| shopkeeper \| street \| tone cluster \| underscoring
Dust Be My Destiny (1939)	Alarm	0:59:15 - Alarm sounds	action scene \| alarm \| bank \| crowd \| dramatic \| leading man \| mickey-mousing \| photographer \| robbery \| shopkeeper \| street
Dust Be My Destiny (1939)	Dust Be My Destiny (Heroic)	0:59:42 - Joe takes pictures of the robbery	42 chord \| action scene \| bank \| chromatic scale \| criminal \| crowd \| dramatic \| fragmentation \| gangster \| leading man \| photographer \| retrograde \| shopkeeper \| street
Dust Be My Destiny (1939)	Underscoring (Dramatic)	0:59:53 - Police arrive at the scene	64 chord \| action scene \| bank \| chromatic scale \| crowd \| dramatic \| leading man \| police \| street \| underscoring
Dust Be My Destiny (1939)	Dust Be My Destiny (Delicate)	1:22:18 - Mabel rises to testify for Joe	courtroom \| crowd \| delicate \| judge \| jury \| leading lady \| leading man \| sequence \| somber \| suspect \| trial
Dust Be My Destiny (1939)	Dust Be My Destiny (Religioso)	1:22:41 - Mabel testifies for Joe	11th chord \| chromatic parallelism \| common-tone diminished 7th \| courtroom \| crowd \| diminished 7th chord \| gentle \| judge \| jury \| leading lady \| leading man \| loving \| mode mixture \| parallel double period \| plagal cadence \| sincere \| suspect \| tender \| trial
Each Dawn I Die (1939)	Confusion	0:05:43 - Frank sits confused in car after crash	accusing \| car \| car crash \| chromatic parallelism \| chromatic scale \| conflict \| confused \| crowd \| dissonant bass \| fire \| glass \| half-diminished 7th chord \| hero \| injury \| leading man \| reporter \| running \| street \| yelling
Each Dawn I Die (1939)	Underscoring (Dramatic)	0:06:06 - Crowd accuses Frank of murder	9th chord \| accusing \| car crash \| conflict \| crowd \| dissonant bass \| dramatic \| hero \| injury \| leading man \| linear chromaticism \| police \| reporter \| sequence \| shaking \| street \| underscoring \| yelling
Her Kind of Man (1946)	Night Clubs	0:01:12 - Montage of night clubs	bar \| bluesy \| club \| crowd \| dancer \| dancing \| double exposure \| eating \| journalist \| montage \| montage \| performer \| performing \| simulated source music \| street \| voice-over
Her Kind of Man (1946)	Lady Play Your Mandolin	0:11:03 - Audience applauding	AABA structure \| applauding \| applauding \| club \| crowd \| dancing \| leading man \| music scene \| popular music \| source music \| upbeat
Her Kind of Man (1946)	Gambling	0:18:58 - Miami	beach \| casino \| conversing \| croupier \| crowd \| excited \| gambler \| gambling \| gentle \| grand \| jockey \| leading man \| montage \| montage \| racetrack \| racing \| riding
Her Kind of Man (1946)	First Call	0:33:53 - Horses before a race	bugle call \| crowd \| excited \| racetrack \| transition \| waiting
Her Kind of Man (1946)	Too Many Tears	0:41:11 - Saratoga Casino	AABA structure \| advance plot \| club \| conversing \| crowd \| gambler \| leading lady \| leading man \| love interest \| manager \| on-screen music \| source music \| upbeat
Her Kind of Man (1946)	My Darling	0:45:05 - Georgia and Don in a restaurant	conversing \| crowd \| leading lady \| leading man \| love interest \| love scene \| photograph \| photographer \| reporter \| restaurant \| romantic \| source music \| waiter
Her Kind of Man (1946)	Can't We Talk It Over	0:45:42 - Georgia and Don in a photograph	advance plot \| club \| conversing \| crowd \| dancing \| husband \| leading lady \| newspaper \| on-screen music \| photograph \| playing \| source music \| upbeat \| waiter
Her Kind of Man (1946)	Body and Soul (Intro)	0:56:28 - Night club sign	arriving \| crowd \| dramatic \| music scene \| sign \| street
Her Kind of Man (1946)	Body and Soul	0:56:43 - Georgia sings in a night club	AABA structure \| applauding \| club \| conductor \| crowd \| leading lady \| musician \| music scene \| on-screen music \| performing \| performing \| romantic \| score to source \| singer \| singing \| source music \| watching \| wife
Her Kind of Man (1946)	Love Is Sweeping the Country	0:58:02 - The crowd applauds	advance plot \| club \| conversing \| criminal \| crowd \| gambler \| henchman \| husband \| leading lady \| leading man \| on-screen music \| owner \| performing \| reporter \| singer \| sister \| source music \| upbeat \| wife
Her Kind of Man (1946)	Steve Shoots Sister	1:03:37 - Steve shoots his sister	action scene \| chromatic scale \| club \| crowd \| dramatic \| dying \| gambler \| husband \| leading man \| murderer \| police \| reacting \| shooting \| sister \| underscoring \| victim
Her Kind of Man (1946)	The Escape	1:03:50 - Steve tries to escape	action scene \| car \| chasing \| club \| crowd \| dramatic \| driving \| escaping \| gambler \| husband \| jumping \| leading man \| mickey-mousing \| murderer \| police \| running \| sister \| street \| victim
I Was a Communist for the FBI (1951)	Undercover Agent (Tuttissimo)	1:14:31 - New York City skyline	crowd \| dramatic \| montage \| polychord \| riot \| rioting \| tritone oscillation \| violence \| voice-over
I Was a Communist for the FBI (1951)	Riot	1:14:50 - Rioters fighting	chromatic parallelism \| chromatic scale \| crowd \| dramatic \| fighting \| montage \| ostinato \| pc set \| riot \| rioting \| violence \| whole-tone scale
I Was a Communist for the FBI (1951)	Undercover Agent (Conflict)	1:15:06 - Protestors marching	arguing \| crowd \| dramatic \| montage \| polychord \| protesting \| riot \| tritone oscillation \| violence
The Informer (1935)	The Irish Washerwoman (Pub) + Blood Money + The Wearin' o' the Green + The Informer	0:44:52 - People celebrate in the pub	advance plot \| antagonist \| bar \| chaotic \| chromatic scale \| close-up \| combination of themes \| crowd \| dark \| dissonant bass \| excited \| familiar tune \| folk song \| foreign key modulation \| happy \| heroic \| Irish \| layering \| leading man \| mob \| mobbing \| octatonic \| parallelism \| pedal tone \| polytonality \| rebel \| serving \| source to score \| spying \| tense \| whole-tone \| yelling \| zoom in
The Informer (1935)	Dardanella	0:53:41 - Gypo buys drinks at a party	AB structure \| advance plot \| antagonist \| celebrating \| cheerful \| crowd \| drinking \| leading man \| on-screen music \| party \| partying \| source music
The Informer (1935)	Believe Me If All Those Endearing Young Charms	0:55:32 - A woman prepares to sing a song at a party	advance plot \| antagonist \| cheerful \| crowd \| leading man \| on-screen music \| party \| playing \| source music
The Informer (1935)	Believe Me If All Those Endearing Young Charms	0:58:23 - Singing continues (from the previous scene)	advance plot \| antagonist \| crowd \| crying \| familiar tune \| folk song \| leading man \| on-screen music \| party \| sentimental \| singing
The Informer (1935)	The Informer (King Gypo)	1:01:03 - Gypo's friend brags about him	advance plot \| antagonist \| bragging \| cheerful \| crowd \| friend \| leading man \| party \| proud
The Informer (1935)	The Informer (Quiet!)	1:01:27 - The rebels enter and start an argument	64 chord \| advance plot \| antagonist \| arguing \| bold \| crowd \| dark \| friend \| interrupting \| leading man \| matching speech \| mickey-mousing \| party \| rebel
Lightning Strikes Twice (1951)	Underneath a Western Sky	0:56:48 - A chuckwagon dinner	actor \| advance plot \| calm \| campfire \| chuckwagon \| conversing \| cowboy song \| crowd \| drinking \| eating \| father \| flirting \| food \| friend \| leading lady \| love interest \| mother \| on-screen music \| owner \| playing \| ranch \| source music
Lightning Strikes Twice (1951)	Mi Caballero	1:00:08 - People dancing outside	actor \| advance plot \| crowd \| dancing \| friend \| Latin American \| leading lady \| love interest \| on-screen music \| party \| playing \| ranch \| source music \| upbeat
The Life of Vergie Winters (1934)	Funeral March	0:01:12 - A funeral march	altered dominant \| brass band \| classical music \| crowd \| establish place \| funeral \| funeral march \| marching \| mode change \| on-screen music \| parallel 63s \| pedal tone \| performer \| secondary dominant \| somber \| source music \| street \| watching
The Life of Vergie Winters (1934)	There'll Be a Hot Time in the Old Town Tonight	0:12:17 - People rallying for John Shadwell	advance plot \| conversing \| crowd \| on-screen music \| popular song \| rally \| source music \| upbeat
The Life of Vergie Winters (1934)	For He's a Jolly Good Fellow	0:13:48 - Political rally for John Shadwell	advance plot \| conversing \| crowd \| folk song \| on-screen music \| politician \| rally \| source music \| spouse \| upbeat
The Life of Vergie Winters (1934)	Semper Fidelis	0:30:32 - A march is played outside	advance plot \| celebrating \| cheering \| child \| common-chord modulation \| conversing \| crowd \| gossiper \| leading lady \| leading man \| march \| patriotic tune \| politician \| source music \| spouse \| street \| upbeat
The Life of Vergie Winters (1934)	Funeral March	1:17:18 - John's funeral procession	altered dominant \| brass band \| classical music \| crowd \| establish place \| funeral \| funeral march \| marching \| on-screen music \| parallel 63s \| somber \| source music \| street \| watching
Out of the Fog (1941)	Comparsa Negra No.1	0:35:38 - People dancing in a conga line	ABAC structure \| bartender \| club \| conversing \| criminal \| crowd \| dancer \| dance scene \| dancing \| eating \| Latin music \| leading lady \| leading man \| musician \| on-screen music \| parallel double period \| playing \| source music \| upbeat
Out of the Fog (1941)	No Digas	0:37:46 - Cuban dancers and musicians	AABA structure \| bartender \| club \| conversing \| criminal \| crowd \| dancer \| dance scene \| dancing \| Latin music \| leading lady \| leading man \| musician \| on-screen music \| playing \| source music \| upbeat
Out of the Fog (1941)	The Merry-Go-Round Broke Down	0:49:00 - Olaf and Jonah walk to the restaurant	AABA structure \| advance plot \| conversing \| crowd \| dancing \| dock \| father \| fisherman \| friend \| popular music \| source music \| upbeat
Out of the Fog (1941)	Speeding Car (Extended)	1:13:32 - A car racing down the street	action scene \| car \| crowd \| double exposure \| dramatic \| driving \| leading lady \| minor-major 7th chord \| point-of-view shot \| police \| questioning \| reporter \| rushed \| rushing \| street \| tense
Kid Galahad (1937)	Swing for Sale	0:04:26 - Dancing at a party	AABA structure \| crowd \| dancing \| establish character \| leading lady \| leading man \| manager \| party \| partying \| source music \| transcribed by ear \| upbeat
Kid Galahad (1937)	The Ring	0:06:38 - People at a party	AABA structure \| crowd \| establish character \| leading lady \| leading man \| manager \| party \| partying \| source music \| transcribed by ear \| upbeat
Kid Galahad (1937)	Stride Piano Improvisation 1	0:08:50 - People at a party	blues scale \| crowd \| dancing \| establish character \| leading lady \| leading man \| manager \| on-screen music \| party \| source music \| stride piano \| transcribed by ear \| upbeat
Kid Galahad (1937)	The Prizefighter and the Lady	0:09:36 - Ward helps Louise	AABA structure \| crowd \| dancing \| establish character \| leading lady \| leading man \| manager \| on-screen music \| party \| source music \| stride piano \| transcribed by ear \| upbeat
Kid Galahad (1937)	Stride Piano Improvisation 2	0:13:24 - People dance at a party	crowd \| dancing \| establish character \| leading lady \| leading man \| manager \| party \| partying \| source music \| transcribed by ear \| upbeat
The Unfaithful (1947)	Unfaithful (Scandal)	1:24:55 - Newspaper headlines about the murder	climax \| courtroom \| crowd \| dramatic \| hurrying \| montage \| newspaper \| ostinato \| radio \| rushing \| sequential modulation
The Unfaithful (1947)	Unfaithful (The Trial)	1:25:17 - A woman in the courtroom	chromatic wedge \| climax \| courtroom \| crowd \| dissonant bass \| dramatic \| hurrying \| knife \| lawyer \| montage \| prosecuting \| prosecutor \| rushing \| witness
The Unfaithful (1947)	Unfaithful (Heavy)	1:26:02 - Newspaper headline	climax \| courtroom \| crowd \| dramatic \| hurrying \| montage \| newspaper \| rushing
We Are Not Alone (1939)	Celebre Romance (Agitato)	1:01:40 - News of the war	chaotic \| classical music \| conflict \| crowd \| dramatic \| familiar tune \| riot \| Rubinstein \| running \| street \| whole-tone \| whole-tone chord
We Are Not Alone (1939)	Agitato	1:02:31 - Crowd presses forward	11th chord \| chaotic \| classical music \| conflict \| conversing \| crowd \| dissonant bass \| dissonant bass \| dramatic \| familiar tune \| riot \| Rubinstein \| street
We Are Not Alone (1939)	Underscoring (Tense)	1:03:56 - The crowd outside	agitated \| chromatic scale \| conflict \| confused \| crowd \| hero \| linear chromaticism \| metric dissonance \| pedal tone \| polychord \| riot \| rioting \| street \| tense \| underscoring
We Are Not Alone (1939)	Furioso	1:04:49 - Man throws rock through shop window	chromatic scale \| conflict \| crowd \| dissonant bass \| dramatic \| riot \| rioting \| street \| underscoring
We Are Not Alone (1939)	God Save the King (Violent)	1:05:00 - British mobs in the street	British \| chromatic scale \| conflict \| crowd \| familiar tune \| patriotic \| riot \| rioting \| street
We Are Not Alone (1939)	Rule, Britannia	1:05:03 - Men attack a German shop	British \| conflict \| crowd \| familiar tune \| patriotic \| riot \| rioting \| street
We Are Not Alone (1939)	God Save the King (Angry)	1:05:06 - British mobs in the street	9th chord \| angry \| British \| conflict \| crowd \| diminished 7th chord \| familiar tune \| mode mixture \| patriotic \| riot \| rioting \| street
We Are Not Alone (1939)	Frohe Botschaft (Death Sentence)	1:33:07 - The judge sentences David and Leni to death	9th chord \| common-chord modulation \| conflict \| courtroom \| courtroom scene \| crowd \| dark \| familiar tune \| folk song \| German \| quotation \| reverse picardy \| sentencing \| verdict
The Woman in White (1948)	Come, Sweet Death (Funeral)	1:20:13 - Mourners at a funeral	cemetery \| church \| cousin \| crowd \| funeral \| funeral \| husband \| leading lady \| leading man \| mourning \| priest \| reading \| somber \| victim
High Stakes (1931)	Here Comes the Bride	0:04:05 - Bride walks down the aisle	advance plot \| bride \| calm \| crowd \| establish place \| familiar tune \| source music \| walking \| wedding
High Stakes (1931)	Wedding March	0:05:16 - They get married	advance plot \| bride \| cheerful \| crowd \| groom \| marrying \| priest \| source music \| wedding
The Public Defender (1931)	Crowd thronging	0:01:17 - A crowd pressing towards a guarded door	arguing \| chromatic scale \| crowd \| hurried \| noise \| street \| tense \| transcribed by ear \| transition
The Public Defender (1931)	Mystery (Bank Closed)	0:01:25 - Notice posted on the door	arguing \| chromaticism \| crowd \| mysterious \| mystery \| noise \| pc set \| street \| transcribed by ear \| transition
The Public Defender (1931)	Beautiful Thing	0:05:58 - Dance music played at a dinner party	advance plot \| banker \| cheerful \| conversing \| crowd \| dance music \| on-screen music \| party \| police \| source music \| transcribed by ear
The Public Defender (1931)	An Armchair With An Armful of You	0:12:46 - Dance music played at a dinner party	ABAC structure \| advance plot \| arguing \| banker \| cheerful \| conversing \| crowd \| dance music \| party \| source music \| transcribed by ear \| waiter
Hold ‘Em Jail (1932)	Bide-More Alma Mater	1:04:44 - Bidemore celebrates their victory	celebrating \| comic \| crowd \| field \| love interest \| politician \| prisoner \| resolution \| source music \| upbeat \| warden
Is My Face Red? (1932)	Sailing of the Olympic	0:15:16 - William on the deck of a busy ship	AB structure \| advance plot \| boat \| bustling \| chromatic sequence \| crowd \| hurried \| leading man \| metric dissonance \| parallelism \| searching \| transcribed by ear
Is My Face Red? (1932)	Sailing	0:19:56 - Boat moves through the water	boat \| common-tone diminished 7th \| crowd \| excited \| mode mixture \| pedal tone \| sailing \| transcribed by ear \| transition
Sing and Like It (1934)	King Kong March	0:58:31 - Annie's name in lights	9th chord \| 11th chord \| 13th chord \| added-note chord \| advance plot \| arriving \| binary form \| boss \| common-tone diminished 7th \| critic \| crowd \| dressing room \| fanfare \| fanfare \| gangster \| leading lady \| lobby \| mode mixture \| neon lights \| parallelism \| self-borrowing \| singer \| street \| theater \| worker
Sing and Like It (1934)	Hi-De-Ho	1:01:43 - The audience	AABA structure \| boss \| critic \| crowd \| dance \| dancing \| gangster \| moll \| musical \| music scene \| on-screen music \| performer \| performing \| singer \| singing \| source music \| theater \| upbeat \| watching
Sing and Like It (1934)	My Imaginary Sweetheart	1:02:44 - A man conducts the pit orchestra	AABA structure \| conducting \| conductor \| crowd \| dancer \| dancing \| musical \| musician \| music scene \| on-screen music \| performer \| performing \| playing \| source music \| theater \| upbeat \| watching
Sing and Like It (1934)	My Imaginary Sweetheart	1:03:10 - The audience reacts	AABA structure \| boss \| conducting \| conductor \| critic \| crowd \| dancer \| dancing \| gangster \| moll \| musical \| musician \| music scene \| on-screen music \| performer \| performing \| playing \| source music \| theater \| upbeat \| watching
Sing and Like It (1934)	My Imaginary Sweetheart	1:03:34 - The critic reacts	AABA structure \| boss \| conducting \| conductor \| critic \| crowd \| dancer \| dancing \| gangster \| gun \| laughing \| moll \| musical \| musician \| music scene \| on-screen music \| performer \| performing \| playing \| source music \| theater \| threatening \| upbeat \| watching
Sing and Like It (1934)	My Imaginary Sweetheart	1:04:10 - The critic reacts	AABA structure \| boss \| conducting \| conductor \| critic \| crowd \| dancer \| dancing \| gangster \| gun \| laughing \| moll \| musical \| musician \| music scene \| on-screen music \| performer \| performing \| playing \| source music \| theater \| threatening \| upbeat \| watching
Sing and Like It (1934)	Your Mother	1:04:54 - A man conducts the pit orchestra	AABA structure \| ballad \| boss \| conducting \| conductor \| critic \| crowd \| crying \| dancing \| gangster \| gun \| leading lady \| moll \| musical \| musician \| music scene \| on-screen music \| performer \| performing \| playing \| sentimental \| singer \| singing \| source music \| theater \| threatening \| watching
Sing and Like It (1934)	Your Mother (Curtain Call)	1:07:57 - The audience applauds	AABA structure \| applauding \| boss \| bowing \| cheering \| conducting \| conductor \| critic \| crowd \| gangster \| leading lady \| moll \| musical \| musician \| music scene \| on-screen music \| performer \| playing \| secondary dominant \| singer \| source music \| theater \| transcribed by ear \| upbeat
Sing and Like It (1934)	Makes You Forget Your Troubles	1:08:27 - A man pours champagne	AABA structure \| announcing \| boss \| celebrating \| common-tone diminished 7th \| conversing \| crowd \| drinking \| gangster \| leading lady \| moll \| party \| party \| room \| singer \| source music \| upbeat
Gridiron Flash (1934)	Oh, Mama	0:22:48 - Pudge sings	athlete \| awkward \| crowd \| friend \| listening \| party \| room \| singing \| source music
Gridiron Flash (1934)	Gridiron Flash	1:02:36 - The scoreboard	added-note chord \| athlete \| celebrating \| countermelody \| crowd \| football \| football game \| leading lady \| leading man \| march \| resolution \| The End \| upbeat
Another Face (1935)	Old Fashioned Love	0:38:13 - People at a pool party	ABAB structure \| actress \| advance plot \| conversing \| crowd \| diving \| maid \| mother \| pool \| room \| source music \| swimmer \| swimming \| upbeat
Girl of the Rio (1932)	Piano noise	0:00:52 - A busy street in Mexicana	crowd \| neutral \| on-screen text \| source music \| street \| transition \| walking
Girl of the Rio (1932)	Toreador Song	0:04:23 - A man cues the orchestra to play	arriving \| celebrity \| crowd \| establish character \| leading man \| night club \| source music \| Spanish \| three-phrase period \| upbeat \| walking
Girl of the Rio (1932)	Querida	0:06:40 - Don Jose admires a woman	ABAC structure \| arriving \| celebrity \| conversing \| crowd \| establish character \| laughing \| leading lady \| leading man \| night club \| on-screen music \| performing \| romantic \| singer \| singing \| source music \| Spanish
Girl of the Rio (1932)	Was it Wrong?	0:15:41 - Johnny rolls a pair of dice	conversing \| crowd \| dancing \| flirting \| leading lady \| leading man \| love interest \| lovers meet \| night club \| on-screen music \| performing \| romantic \| singer \| source music \| syncopation \| terrace \| upbeat
Girl of the Rio (1932)	Querida	0:38:14 - Dolores sings and plays the guitar	ABAC structure \| advance plot \| conversing \| crowd \| leading lady \| night club \| on-screen music \| plotting \| prison \| romantic \| singer \| singing \| source music \| terrace \| whistling
Mara Maru (1952)	Baby Face	0:07:12 - Gregory arrives at a bar	advance plot \| arguing \| bar \| bartender \| conversing \| crowd \| fighting \| leading man \| partner \| sailor \| server \| source music \| upbeat
Mara Maru (1952)	Nassau	0:27:20 - People in a club	club \| conversing \| crowd \| drinking \| establish character \| exotic \| gentle \| leading man \| private eye \| waitress
Mara Maru (1952)	Underscoring (Dramatic)	0:46:32 - A boat on fire	arriving \| crowd \| death scene \| dock \| dousing \| dramatic \| fire \| fire effect \| hurrying \| leading man \| police \| running \| tense \| underscoring
Mara Maru (1952)	Adoramus te Christe	0:49:05 - A cross and some candles	brother \| church \| conversing \| cross \| crowd \| crying \| embracing \| evidence \| funeral scene \| leading man \| mother \| mourner \| mourning \| police \| praying \| priest \| private eye \| somber \| source music \| worker

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