| Angels With Dirty Faces (1938) | Newspaper Editor | 1:10:09 - A newspaper editor accepts Jerry's story | accepting | conversing | heroic | leading man | montage | montage | newspaper editor | newspaper office | priest | secondary dominant |
Angels With Dirty Faces (1938) | Jerry + Tear Gas | 1:21:14 - Rocky staggers through tear gas and Jerry arrives | agitated | arriving | building | chromatic parallelism | combination of themes | conflict | dissonant bass | dramatic | gangster | heroic | hurrying | leading man | mickey-mousing | priest | quartal chord | smoke | staggering | street | tear gas |
Angels With Dirty Faces (1938) | Jerry (Pleading) | 1:21:26 - Jerry talks to the cops | building | conflict | deceptive resolution | heroic | hopeful | leading man | pleading | priest | street |
Angels With Dirty Faces (1938) | Jerry (Maestoso) | 1:22:13 - Jerry enters the building | building | conflict | entering | foreign key modulation | heroic | hopeful | leading man | pedal tone | priest | street | walking |
Angels With Dirty Faces (1938) | Jerry (End Title) | 1:36:38 - End title | closing credits | diminished 7th chord | end title sequence | foreign key modulation | heroic | plagal cadence | triumphant |
| The Big Sleep (1946) | Chevalier Audubon | 0:13:14 - Marlowe writes on note card | advance plot | heroic | leading man | library | private eye | researching | writing |
The Big Sleep (1946) | Marlowe (Heroic) | 0:21:28 - Marlowe enters the house | 9th chord | action scene | breaking in | heroic | inversion | leading man | private eye | running | street |
The Big Sleep (1946) | Marlowe (Determined) | 0:47:56 - Marlowe enters the apartment building | arriving | ascending | bold | common-chord modulation | determined | fragmentation | heroic | investigating | investigation scene | leading lady | leading man | parallel 63s | parallelism | private eye | sequence | stairs | street | walking |
The Big Sleep (1946) | Down the Stairs + The Chase + Marlowe (Action) | 0:56:39 - Marlowe chases the killer | assassin | chase scene | chasing | chromatic parallelism | chromatic scale | descending | dissonant bass | dramatic | gun | gunshot | heroic | layering | leading man | murderer | private eye | room | running | stairs | tense |
The Big Sleep (1946) | Marlowe (Action) | 0:57:01 - Marlowe runs to his car | 64 chord | assassin | augmented sixth chord | chase scene | chasing | common-tone diminished 7th | dramatic | fragmentation | heroic | leading man | murderer | private eye | running | sequential modulation | street | tense |
The Big Sleep (1946) | Marlowe (Bold) | 1:45:44 - Marlowe and Vivian get out of the car | bold | chromatic scale | heroic | leading lady | leading man | love interest | outside | private eye | transition | walking |
| Crime School (1938) | The Boiler Room | 0:54:27 - Boys talk about stoking the boiler | action scene | auctioning | boiler room | chromatic parallelism | chromatic scale | dissonant bass | fanfare | gang | heroic | reformatory | teenager | working |
Crime School (1938) | Fireman | 0:56:46 - Boiler room worker orders kids back | action scene | fanfare | gang | heroic | parallelism | pedal tone | protecting | reformatory | rushing | teenager | worker | yelling |
Crime School (1938) | Mark Saves Boy | 0:57:29 - Mark carries Squirt up the stairs | action scene | ascending | authentic cadence | dissonant bass | hero | heroic | leading man | mickey-mousing | reformatory | rising | stairs | teenager | walking |
| They Made Me a Criminal (1939) | Peggy | 0:00:25 - Director credit | 9th chord | 11th chord | 13th chord | bold | cast list | chromatic mediant | foreign key modulation | heroic | main title | opening title sequence | tritone substitution |
They Made Me a Criminal (1939) | The Printing Press | 0:14:10 - A printing press | 64 chord | dark | dissonant bass | fanfare | headline | heroic | mode change | montage | montage | motoric | newspaper | oscillation | printing press |
| Dust Be My Destiny (1939) | Dust Be My Destiny (Grandioso) | 0:50:50 - Joe and Mabel outside | 42 chord | 64 chord | deceptive resolution | escaping | friend | heroic | jail break | leading lady | leading man | pedal tone | shopkeeper | street | triumphant |
Dust Be My Destiny (1939) | The Daily Journal | 1:00:10 - Sign for The Daily Journal | establish setting | fanfare | heroic | mode mixture | Neapolitan | newspaper | sign | street | triumphant |
| The FBI Story (1959) | FBI March A | 0:04:33 - Film title, main cast | bold | cast list | FBI | heroic | main title | march |
| Hell on Frisco Bay (1955) | Steve | 1:36:31 - Steve surfaces | dock | gentle | heroic | inspector | leading man | resolution from here on? | swimming |
Hell on Frisco Bay (1955) | Steve | 1:37:30 - Steve gets off the boat | arriving | boat | bold | dock | gangster | heroic | inspector | leading man | police |
| The Informer (1935) | The Irish Washerwoman (Pub) + Blood Money + The Wearin' o' the Green + The Informer | 0:44:52 - People celebrate in the pub | advance plot | antagonist | bar | chaotic | chromatic scale | close-up | combination of themes | crowd | dark | dissonant bass | excited | familiar tune | folk song | foreign key modulation | happy | heroic | Irish | layering | leading man | mob | mobbing | octatonic | parallelism | pedal tone | polytonality | rebel | serving | source to score | spying | tense | whole-tone | yelling | zoom in |
The Informer (1935) | The Wearin' o' the Green (Somber) | 0:57:08 - Dan and Mary talk about the rebel organization | 64 chord | conversing | diminished 7th chord | familiar tune | folk song | hero | heroic | love interest | love scene | room | tense |
| Key Largo (1948) | McCloud | 0:11:41 - Nora talks about her husband George | conversing | establish character | heroic | hotel | leading lady | leading man | memorializing | noble |
Key Largo (1948) | McCloud (Noble) | 0:14:28 - Frank talks about George and the war | advance plot | death | father | heroic | hotel | leading lady | leading man | memory | noble | remembering | storytelling | war |
Key Largo (1948) | McCloud (Bugle Call) + Taps | 0:16:31 - Mr. Temple asks Frank about George's burial place | advance plot | bugle call | combination of themes | death | father | heroic | hotel | leading lady | leading man | memory | noble | remembering | somber | storytelling | taps | war |
Key Largo (1948) | McCloud (Noble) | 0:21:22 - Nora and Frank talk about her life | advance plot | heroic | hotel | leading lady | leading man | memory | noble | remembering | storytelling |
| The Letter (1940) | Runners | 0:05:14 - Workers run through jungle | action scene | chromatic parallelism | dramatic | heroic | jungle | running | sequential modulation | servant | tense |
| Lightning Strikes Twice (1951) | Trev (Triste 2) | 0:46:33 - Trev climbs to help Shelly | actor | cliff | climbing | countryside | danger | falling in love scene | helping | heroic | leading lady | leading man | love interest | rescue | rescuing | romantic | somber | suspect | tense |
| Mildred Pierce (1945) | Mildred (Risoluto) | 0:33:23 - Mildred resolves to give her daughter nice things | 64 chord | advance plot | child | determined | heroic | heroine | leading lady | noble | promising | resolved | room |
| Kid Galahad (1937) | Kid Galahad (Montage) | 0:46:47 - Montage of newspaper headlines | 64 chord | advance plot | appoggiatura | boxer | boxing | boxing ring | cheering | chromatic parallelism | fanfare | fragmentation | harmonic sequence | heroic | leading man | montage | newspaper |
Kid Galahad (1937) | Kid Galahad (Montage 2) | 1:18:47 - Newspaper headline montage | 64 chord | chromatic mediant | climax | fanfare | foreign key modulation | heroic | hurrying | manager | montage | newspaper | pedal tone | room | syncopation |
| The Unfaithful (1947) | Attorney | 0:42:51 - Close up of sign on the lawyer's door | 64 chord | altered dominant | deceptive resolution | door | glorious | heroic | law office | office | parallel 63s | sign | transition |
The Unfaithful (1947) | Unfaithful (Dramatic) | 0:44:05 - Chris goes to Larry's office | advance plot | arriving | fanfare | heroic | law office | leading lady | mode mixture | office |
The Unfaithful (1947) | Attorney (Doorbell) | 0:53:31 - Chris takes off her jacket | advance plot | arriving | enharmonic respelling | heroic | lawyer | leading lady | room | stinger | surprise |
The Unfaithful (1947) | Attorney | 1:09:14 - Larry drives to the art shop | 64 chord | deceptive resolution | driving | heroic | lawyer | street | transition |
| White Heat (1949) | T-Men | 0:15:01 - Aerial view of the city | city | heroic | noble | panning shot | transition |
White Heat (1949) | T-Men (Agitato) | 0:16:28 - Agents picks up the death mask | agent | clue | death mask | heroic | investigation scene | noble | office | walking |
White Heat (1949) | T-Men (Marcia) | 0:19:03 - Agents see the marker on the car | advance plot | agent | car | following | heroic | noble | observing | planning | street | telephone |
White Heat (1949) | T-Men (The Station) | 1:38:03 - Agents track progress of truck on the map | agent | chase scene | heroic | map | mapping | planning | police station |
| The Most Dangerous Game (1932) | Mysterioso Dramatico | 0:45:01 - Bob and Eve look for Zaroff | action scene | conversing | fanfare | heroic | jungle | leading lady | leading man | preparing | tense | victim | watching |
| Mara Maru (1952) | Gregory | 0:00:26 - Title of film | boat | cast list | fanfare | grand | heroic | ocean | opening title sequence | title of film |
Mara Maru (1952) | Gregory (Underwater) | 0:01:16 - A diver (Gregory) underwater | boat | close-up | diver | diving | diving suit | establish character | fanfare | grand | heroic | leading man | ocean | underwater | working |
Mara Maru (1952) | Surfacing | 0:02:34 - Gregory rises from the water | assisting | boat | boat | child | diver | diving suit | establish character | heroic | hopeful | leading man | mickey-mousing | rising | surfacing | underwater | worker | working |
Mara Maru (1952) | On Deck | 0:02:52 - Gregory steps onto the boat | boat | boat | child | conversing | diver | diving suit | establish character | heroic | hopeful | leading man | underscoring | worker | working |
Mara Maru (1952) | Gregory (Con Moto) | 0:04:24 - A boat in the harbor | arriving | boat | child | conversing | diver | establish character | gambling | grand | harbor | heroic | leading man | ocean | sailing | worker |
Mara Maru (1952) | Gregory (Heroic) | 1:00:31 - Gregory gets ready to dive | action scene | antagonist | bodyguard | captain | conversing | diving suit | heroic | leading lady | leading man | love interest | preparing | private eye | ship | ship | tense | worker | working |
Mara Maru (1952) | Surfacing | 1:02:55 - Gregory rises from the water | action scene | antagonist | assisting | bodyguard | breaking | captain | diver | heroic | hopeful | leading lady | leading man | love interest | mickey-mousing | ocean | private eye | radio | rising | sabotaging | saboteur | ship | ship | sneaking | surfacing | traitor | underwater | worker | working |
Mara Maru (1952) | Gregory (Sunken Boat) | 1:14:12 - Gregory enters the boat | action scene | boat | captain | diver | diving | diving suit | exploring | fanfare | heroic | leading man | ocean | ship | suspeneful | swimming | underwater | walking |
Mara Maru (1952) | Gregory + Struggling | 1:16:57 - Gregory tries to free himself | action scene | beam | boat | captain | close-up | combination of themes | dark | digging | diver | diving | diving suit | dramatic | fanfare | frantic | heroic | hose | leading man | mickey-mousing | ocean | rushing | ship | struggling | treasure | tugging | underwater | working |
Mara Maru (1952) | Surfacing | 1:18:26 - Gregory rises to the surface | action scene | antogonist | assisting | boat | captain | close-up | diver | diving suit | heroic | hopeful | leading lady | leading man | love interest | mickey-mousing | ocean | private eye | rain | rising | ship | storm | surfacing | treasure | underwater | wind | worker | working | yelling |
Mara Maru (1952) | On Deck | 1:18:55 - Gregory emerges from the water | action scene | antogonist | assisting | boat | captain | conversing | diver | diving suit | heroic | hopeful | leading lady | leading man | love interest | private eye | rain | ship | storm | treasure | triumphant | wind | worker | working | yelling |
Mara Maru (1952) | Gregory (Running) | 1:24:20 - Gregory runs from Benedict | chase scene | chasing | cross | dramatic | escaping | fleeing | frantic | gun | heroic | hurrying | jungle | leading lady | leading man | love interest | rain | running | running effect | storm | wind | worker |
Mara Maru (1952) | Police | 1:34:53 - The police enter | action scene | antagonist | bodyguard | catacomb | cave | chasing | climax | cross | dramatic | gun | gunshot | heroic | leading man | martyr | murderer | police | running | shooting | stairs | tense | tunnel | victim |
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