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299 results for "prison" in 24 films — see also jail | reformatory | solitary

Film	Theme name	Instance	Tags
All This, and Heaven Too (1940)	Henriette (Molto Moderato)	2:04:10 - Women in prison	double exposure \| headline \| leading lady \| montage \| newspaper \| oscillation \| pacing \| prison \| prisoner \| solemn \| suspect \| walking
All This, and Heaven Too (1940)	Heaven Theme (Expressivo)	2:05:06 - Henry talks to Henriette	advance plot \| calm \| conversing \| gentle \| leading lady \| minister \| pleasant \| prison \| prisoner \| suspect \| suspension
All This, and Heaven Too (1940)	Dolce	2:05:51 - Henriette talks to Henry	9th chord \| 11th chord \| advance plot \| calm \| common-chord modulation \| conversing \| gentle \| leading lady \| minister \| pleasant \| prison \| prisoner \| suspect
All This, and Heaven Too (1940)	Underscoring (Tense)	2:06:17 - Henriette argues with Henry	advance plot \| arguing \| fragmentation \| leading lady \| minister \| pedal tone \| prison \| prisoner \| sequence \| suspect \| tense \| underscoring
All This, and Heaven Too (1940)	Heaven Theme (Delicato)	2:06:34 - Henry talks to Henriette	advance plot \| calm \| conversing \| gentle \| leading lady \| minister \| pleasant \| prison \| prisoner \| suspect
All This, and Heaven Too (1940)	Raynald (Delicato)	2:06:46 - Henry talks to Henriette	advance plot \| conversing \| delicate \| leading lady \| minister \| mode change \| prison \| prisoner \| suspect \| tender \| tense \| worrying
All This, and Heaven Too (1940)	Heaven Theme (Dolce)	2:06:58 - Henry talks to Henriette	advance plot \| conversing \| gentle \| leading lady \| minister \| prison \| prisoner \| suspect
All This, and Heaven Too (1940)	Henriette (The Truth)	2:07:07 - Henry talks to Henriette	advance plot \| calm \| conversing \| deceptive resolution \| leading lady \| minister \| prison \| prisoner \| suspect
All This, and Heaven Too (1940)	Henriette (Ostinato)	2:10:09 - A carriage leaves	carriage \| crowd \| dramatic \| fragmentation \| leading lady \| mob \| ominous \| ostinato \| prisoner \| soldier \| street \| suspect \| tense \| transition \| traveling
All This, and Heaven Too (1940)	Underscoring (Tense)	2:10:17 - A carriage arrives at the palace	9th chord \| arriving \| carriage \| chromatic scale \| leading lady \| prisoner \| soldier \| street \| suspect \| tense \| transition \| traveling \| underscoring
All This, and Heaven Too (1940)	The Duke (Maestoso)	2:10:50 - Henriette enters the Duke's palace	arriving \| countermelody \| dark \| hearing voices \| leading lady \| mode change \| palace \| prisoner \| soldier \| spooky \| suspect \| transition \| uneasy
All This, and Heaven Too (1940)	Henriette (Ghostly)	2:11:23 - Henriette hears voices	arriving \| chromatic parallelism \| dark \| dissonant bass \| hearing voices \| leading lady \| palace \| prisoner \| soldier \| spooky \| suspect \| transition \| uneasy
All This, and Heaven Too (1940)	Henriette (Serious)	2:11:50 - Henriette arrives upstairs	arriving \| detective \| hearing voices \| leading lady \| palace \| prisoner \| serious \| soldier \| solemn \| somber \| suspect \| transition \| whole-tone chord
All This, and Heaven Too (1940)	Crying	2:12:15 - Pierre looks at Henriette	64 chord \| caretaker \| chromatic scale \| crying \| detective \| devastated \| leading lady \| looking \| palace \| prisoner \| soldier \| somber \| suspect \| transition
All This, and Heaven Too (1940)	Henriette (Noble)	2:13:19 - Henriette comes into the Duke's room	arriving \| dark \| death scene \| detective \| duke \| dying \| hopeful \| leading lady \| leading man \| mode mixture \| noble \| prisoner \| room \| soldier \| suspect
All This, and Heaven Too (1940)	Dying	2:13:46 - The Duke in his death bed	chromatic scale \| conversing \| death bed \| death scene \| detective \| dissonant bass \| duke \| dying \| leading lady \| leading man \| prisoner \| questioning \| room \| sad \| soldier \| suspect
All This, and Heaven Too (1940)	Henriette (Duet)	2:14:06 - A close-up on Henriette	appoggiatura \| chromatic parallelism \| conversing \| death bed \| death scene \| deceptive resolution \| detective \| duke \| dying \| leading lady \| leading man \| mode mixture \| prisoner \| questioning \| room \| sad \| soldier \| suspect \| tender
All This, and Heaven Too (1940)	Henriette (Funereal)	2:14:27 - Henriette leaves the Duke	conversing \| death bed \| death scene \| detective \| duke \| dying \| funeral march \| leading lady \| leading man \| Neapolitan \| parallelism \| pedal tone \| prisoner \| questioning \| room \| sad \| sigh gesture \| soldier \| suspect
All This, and Heaven Too (1940)	Henriette (Moderato Maestoso)	2:16:29 - A hand signing a release form	9th chord \| chromatic mediant \| deceptive resolution \| hopeful \| leading lady \| leaving \| noble \| prison \| resolution \| walking \| writing
Angels With Dirty Faces (1938)	The Gangster (Reformatory)	0:05:04 - Sign: "Society for Juvenile Delinquents"	establish character \| main title \| Neapolitan \| prisoner \| reformatory \| serious \| sign \| somber \| teenager
Angels With Dirty Faces (1938)	The Gangster (Fingerprints)	0:06:17 - Montage of juvenile detention and prison life	digging \| dramatic \| establish character \| fingerprints \| foreign key modulation \| headline \| leading man \| main title \| marching \| montage \| mug shot \| newspaper \| prison \| prisoner \| reformatory \| sequence \| serious \| working
Angels With Dirty Faces (1938)	Underscoring (Mysterious)	0:07:26 - Rocky talks with his lawyer	advance plot \| conversing \| dark \| dissonant bass \| gangster \| lawyer \| leading man \| mysterious \| prison \| prisoner \| underscoring
Angels With Dirty Faces (1938)	The Gangster (Maestoso)	0:08:07 - Discharge papers from the penitentiary	common-chord modulation \| common-tone diminished 7th \| ledger \| main title \| marching \| mickey-mousing \| montage \| prison \| prisoner \| serious \| solemn \| transition \| writing
Angels With Dirty Faces (1938)	Jerry (Somber)	1:31:04 - Rocky leaves his cell for his execution	altered dominant \| climax \| conversing \| gangster \| gentle \| leading man \| pc set \| priest \| prison \| reverse picardy \| stinger \| tone cluster
Angels With Dirty Faces (1938)	Jerry (Upset)	1:31:40 - Jerry follows Rocky out of his cell	agitated \| climax \| conversing \| gangster \| leading man \| police \| priest \| prison
Angels With Dirty Faces (1938)	Underscoring (Dramatic)	1:31:44 - Rocky punches a guard	agitated \| chromatic parallelism \| chromatic scale \| chromatic wedge \| climax \| fighting \| gangster \| half-diminished 7th chord \| leading man \| police \| priest \| prison \| punching \| tense \| underscoring
Angels With Dirty Faces (1938)	The Gangster (Funebre)	1:31:55 - Rocky is taken away	64 chord \| climax \| gangster \| leading man \| police \| priest \| prison \| pushing \| somber
Angels With Dirty Faces (1938)	Funebre	1:32:03 - Jerry and Rocky walk down the hall	climax \| dirge \| execution chamber \| gangster \| leading man \| marching \| police \| priest \| prison \| somber \| tense \| walking
Angels With Dirty Faces (1938)	Jerry (Goodbye)	1:33:12 - Jerry says goodbye to Rocky	added-note chord \| climax \| conversing \| dissonant bass \| execution chamber \| gangster \| leading man \| priest \| prison \| serious \| sigh gesture \| somber
Angels With Dirty Faces (1938)	Funebre (Sigh)	1:33:19 - Rocky heads towards electric chair	added-note chord \| climax \| dirge \| execution chamber \| gangster \| leading man \| marching \| priest \| prison \| sigh gesture \| somber \| tense \| walking
Angels With Dirty Faces (1938)	Underscoring (Tense)	1:33:36 - Rocky pleads for his life	begging \| climax \| cowardice \| crowd \| crying \| death \| execution \| execution chamber \| gangster \| leading man \| pleading \| police \| priest \| prison \| shadow \| tense \| tone cluster \| underscoring \| wailing
Angels With Dirty Faces (1938)	Sanctus (Mournful)	1:34:12 - Jerry cries after Rocky dies	added-note chord \| climax \| crying \| death \| dissonant bass \| execution chamber \| leading man \| mourning \| pedal tone \| priest \| prison \| redemption \| reverse picardy \| sacred \| somber
Are These Our Children? (1931)	Dreams (Eddie’s Prayer)	1:22:14 - Eddie behind bars	added-note chord \| climax \| crying \| dramatic \| jail \| leading man \| murderer \| praying \| prisoner \| religious \| sacred
Caged (1950)	Caged (Main Title)	NIF - not in film	car \| chromatic scale \| cut from film \| dark \| dissonant bass \| driving \| guard \| opening title sequence \| oscillation \| police car \| prisoner \| riding \| sigh gesture \| title of film
Caged (1950)	Police Van	NIF - not in film	car \| cut from film \| dark \| diminished 7th chord \| dissonant bass \| driving \| guard \| opening title sequence \| oscillation \| point-of-view shot \| police car \| polychord \| prisoner \| riding \| siren effect \| tense \| whole-tone chord
Caged (1950)	Caged (Van Stops)	NIF - not in film	car \| chromatic parallelism \| cut from film \| dark \| dissonant bass \| driving \| guard \| opening title sequence \| police car \| prisoner \| riding \| tense
Caged (1950)	Prisoners get out	NIF - not in film	car \| cut from film \| exiting \| guard \| opening title sequence \| pc set \| police car \| prisoner \| quartal chord \| tense \| whole-tone chord
Caged (1950)	Marie (Main Title)	NIF - not in film	augmented sixth chord \| car \| cut from film \| dark \| guard \| leading lady \| looking \| opening title sequence \| police car \| prisoner \| tense
Caged (1950)	Prison	NIF - not in film	9th chord \| augmented sixth chord \| conversing \| cut from film \| dark \| exiting \| guard \| leading lady \| opening title sequence \| police car \| prison \| prisoner \| suspension \| underscoring
Caged (1950)	Caged	0:00:08 - Title of film	car \| cast list \| chromatic scale \| dark \| dissonant bass \| driving \| guard \| opening title sequence \| point-of-view shot \| police car \| prisoner \| title of film
Caged (1950)	Marie	0:08:04 - Marie poses for mugshot	augmented sixth chord \| camera \| dissonant bass \| establish character \| guard \| leading lady \| mug shot \| photographer \| photographing \| prison \| prisoner \| sigh gesture \| somber
Caged (1950)	Isolation Ward	0:08:54 - Edna lying in a bed	9th chord \| conversing \| dark \| dissonant bass \| establish character \| illness \| isolation \| leading lady \| mysterious \| ominous \| oscillation \| prison \| prisoner \| rain \| uneasy
Caged (1950)	Marie (Tragic)	NIF - not in film	advance plot \| augmented sixth chord \| cut from film \| dissonant bass \| foreign key modulation \| guard \| leading lady \| pc set \| prison \| prisoner \| standing \| uneasy
Caged (1950)	Swimmy	NIF - not in film	advance plot \| chromatic parallelism \| chromatic scale \| cut from film \| disbelief \| dissonant bass \| fragmentation \| guard \| leading lady \| pregnancy \| prison \| prisoner \| reacting \| realization \| tense
Caged (1950)	Molto Expressivo	NIF - not in film	9th chord \| advance plot \| arriving \| cut from film \| disbelief \| foreign key modulation \| guard \| leading lady \| pregnancy \| prison \| prisoner \| realization \| somber \| stinger \| tense \| walking
Caged (1950)	Mrs. Benton (Not in Film)	NIF - not in film	9th chord \| added-note chord \| altered dominant \| augmented sixth chord \| comforting \| common-tone modulation \| crying \| cut from film \| disbelief \| establish character \| gentle \| leading lady \| mode mixture \| office \| pregnancy \| prison \| prisoner \| realization \| warden
Caged (1950)	Crying	NIF - not in film	comforting \| crying \| cut from film \| deceptive resolution \| dramatic \| establish character \| leading lady \| office \| pregnancy \| prison \| prisoner \| sequential modulation \| warden
Caged (1950)	Mrs. Benton (Not in Film 2)	NIF - not in film	comforting \| crying \| cut from film \| establish character \| foreign key modulation \| gentle \| leading lady \| mode mixture \| office \| pregnancy \| prison \| prisoner \| warden
Caged (1950)	Marie 2 (Not in Film)	NIF - not in film	added-note chord \| conversing \| cut from film \| establish character \| gentle \| leading lady \| office \| pregnancy \| prison \| prisoner \| warden
Caged (1950)	Lullaby	NIF - not in film	9th chord \| added-note chord \| conversing \| cut from film \| establish character \| gentle \| leading lady \| office \| pregnancy \| prison \| prisoner \| sequential modulation \| warden
Caged (1950)	Mrs. Benton (Not in Film 3)	NIF - not in film	altered dominant \| chromatic mediant \| conversing \| cut from film \| establish character \| gentle \| guard \| leading lady \| mode mixture \| office \| pregnancy \| prison \| prisoner \| reading \| room \| sigh gesture \| warden
Caged (1950)	Bird in a Cage	0:30:00 - Inmates sleeping	advance plot \| bed \| crazy person \| folk song \| gentle \| humming \| leading lady \| on-screen music \| prison \| prisoner \| singing \| source music
Caged (1950)	Underscoring (Tense)	NIF - not in film	bed \| crazy person \| crying \| cut from film \| leading lady \| mad scene \| oscillation \| prison \| prisoner \| sleeping \| tense \| underscoring
Caged (1950)	Madness	NIF - not in film	agitated \| bed \| chromatic scale \| crazy person \| crying \| cut from film \| leading lady \| mad scene \| ostinato \| prison \| prisoner \| sleeping \| standing
Caged (1950)	Train Whistle Hallucination	NIF - not in film	acceleration \| agitated \| bed \| breaking \| chromatic parallelism \| chromatic scale \| crazy person \| crying \| cut from film \| diminished 7th chord \| dramatic \| glass \| hallucinating \| leading lady \| mad scene \| ostinato \| pedal tone \| polychord \| prison \| prisoner \| screaming \| smashing
Caged (1950)	Caged (Not in Film)	NIF - not in film	bed \| crazy person \| crying \| cut from film \| dark \| glass \| leading lady \| mad scene \| pc set \| prison \| prisoner
Caged (1950)	Wailing	NIF - not in film	agitated \| bed \| crazy person \| crying \| crying effect \| cut from film \| glass \| leading lady \| mad scene \| ostinato \| pc set \| prison \| prisoner \| wailing
Caged (1950)	Wailing + Train Whistle Hallucination	NIF - not in film	acceleration \| agitated \| bed \| chromatic parallelism \| chromatic scale \| combination of themes \| crazy person \| crying \| crying effect \| cut from film \| diminished 7th chord \| dramatic \| glass \| leading lady \| mad scene \| ostinato \| pedal tone \| polychord \| prison \| prisoner \| rushing \| unlocking \| wailing
Caged (1950)	Wailing (Ominous)	NIF - not in film	bed \| bleeding \| blood \| crazy person \| crying \| cut from film \| dark \| leading lady \| mad scene \| ominous \| ostinato \| prison \| prisoner \| tritone \| wailing \| whole-tone chord
Caged (1950)	Agitato	NIF - not in film	agitated \| chromatic parallelism \| chromatic scale \| cut from film \| fragmentation \| mad scene \| ostinato \| pc set \| prison \| whole-tone chord
Caged (1950)	Prison Alarm	0:32:00 - Ringing prison alarm	agitated \| alarm \| alarm effect \| bell \| double exposure \| dramatic \| guard \| leading lady \| mickey-mousing \| montage \| montage \| prison \| prisoner \| ringing \| waking \| whole-tone chord \| whole-tone scale \| yelling
Caged (1950)	Marie (Expressivo)	0:32:12 - The prison laundry	alarm \| augmented sixth chord \| augmented triad \| bell \| double exposure \| dramatic \| guard \| leading lady \| metric displacement \| montage \| montage \| prison \| prisoner \| ringing \| roll call \| working
Caged (1950)	Prison Alarm	0:32:22 - Ringing prison alarm	agitated \| alarm \| alarm effect \| bell \| double exposure \| dramatic \| eating \| guard \| leading lady \| mickey-mousing \| montage \| montage \| prison \| prisoner \| ringing \| waking \| whole-tone chord
Caged (1950)	Underscoring (Dramatic)	0:32:30 - Marie in the prison cafeteria	alarm \| alarm effect \| bell \| chromatic parallelism \| double exposure \| dramatic \| eating \| fanning \| guard \| heat \| leading lady \| mickey-mousing \| montage \| montage \| pc set \| prison \| prisoner \| underscoring \| whole-tone scale
Caged (1950)	Prison	0:32:40 - Marie working in the prison laundry	9th chord \| double exposure \| dramatic \| leading lady \| montage \| montage \| prison \| prisoner \| suspension \| working
Caged (1950)	Underscoring (Dramatic)	0:32:47 - Marie working in the prison laundry	alarm \| alarm effect \| augmented sixth chord \| bell \| chromatic scale \| double exposure \| dramatic \| leading lady \| mickey-mousing \| montage \| montage \| pain \| prison \| prisoner \| quick cuts \| underscoring \| working
Caged (1950)	Marie (Dark)	0:32:55 - Marie's medical report	augmented sixth chord \| dark \| double exposure \| infirmary \| leading lady \| medical report \| montage \| montage \| pain \| prison \| prisoner \| working
Caged (1950)	Marie (Slowly)	0:35:14 - Marie talks to Kitty	advance plot \| augmented sixth chord \| chromatic mediant \| conversing \| foreign key modulation \| friend \| leading lady \| oscillation \| pc set \| prison \| prisoner \| sickness \| sigh gesture \| solemn \| uneasy
Caged (1950)	Underscoring (Subtle)	0:36:52 - June gets dressed for her parole board hearing	dressing \| establish character \| excited \| friend \| leading lady \| prison \| prisoner \| sequential modulation \| tense \| underscoring
Caged (1950)	June and Marie	0:37:06 - June and Marie talk	conversing \| establish character \| foreign key modulation \| friend \| hopeful \| leading lady \| noble \| prison \| prisoner
Caged (1950)	June	0:37:27 - June and Marie talk	11th chord \| 13th chord \| conversing \| establish character \| foreign key modulation \| friend \| hopeful \| leading lady \| melancholy \| prison \| prisoner \| sequence \| somber
Caged (1950)	Underscoring (Dark)	0:37:58 - June and Marie argue	arguing \| dark \| dissonant bass \| establish character \| friend \| leading lady \| prison \| prisoner \| underscoring
Caged (1950)	June (Triste)	0:38:14 - June and Marie talk	common-tone diminished 7th \| conversing \| cut from film \| establish character \| friend \| leading lady \| melancholy \| prison \| prisoner \| somber
Caged (1950)	June (Slowly)	0:38:39 - Marie looks for June	arriving \| chromatic mediant \| conversing \| deceptive resolution \| establish character \| friend \| guard \| leading lady \| melancholy \| minor-major 7th chord \| prison \| prisoner \| somber
Caged (1950)	June (Adagio)	0:39:34 - Inmates play cards	cards \| chromatic mediant \| chromatic scale \| close-up \| conversing \| establish character \| foreign key modulation \| friend \| leading lady \| melancholy \| playing \| prison \| prisoner \| somber \| underscoring \| uneasy
Caged (1950)	June and Marie (Very Slow)	0:39:59 - Marie helps June	9th chord \| consoling \| dark \| despair \| establish character \| friend \| guard \| helping \| leading lady \| prison \| prisoner \| somber \| whole-tone chord
Caged (1950)	Harper	0:40:20 - Harper walks	dark \| establish character \| friend \| guard \| leading lady \| mickey-mousing \| prison \| prisoner \| tritone oscillation \| walking \| whole-tone chord
Caged (1950)	June (Dead)	0:43:38 - Shot of June's hanging body	common-tone diminished 7th \| dark \| death \| death scene \| friend \| hanging \| harsh \| leading lady \| prison \| prisoner \| suicide
Caged (1950)	Swimmy (Poco Agitato)	0:43:53 - Mrs. Benton on the phone	advance plot \| calling \| cards \| chromatic parallelism \| conversing \| dissonant bass \| phone call \| playing \| prison \| telephone \| tense \| warden
Caged (1950)	Mrs. Benton	0:44:07 - Mrs. Benton on the phone	added-note chord \| advance plot \| calling \| cards \| conversing \| gentle \| phone call \| prison \| telephone \| warden
Caged (1950)	Crying (Poco Agitato)	0:44:27 - Mrs. Benton paces	baby \| childbirth \| conversing \| crying \| doctor \| infirmary \| leading lady \| mickey-mousing \| operation scene \| oscillation \| pacing \| prison \| prisoner \| tense \| triadic transformation \| uneasy \| walking \| warden
Caged (1950)	Marie (Tragic)	0:44:36 - Mrs. Benton paces	baby \| childbirth \| doctor \| foreign key modulation \| infirmary \| leading lady \| operation scene \| pacing \| prison \| prisoner \| tense \| uneasy \| warden \| worrying
Caged (1950)	Marie	0:44:54 - The doctor washes up	baby \| childbirth \| cleaning \| conversing \| doctor \| infirmary \| leading lady \| operation scene \| prison \| prisoner \| sigh gesture \| solemn \| warden
Caged (1950)	Caged (Main Title)	0:49:00 - Mrs. Benton at her desk	advance plot \| chromatic scale \| dark \| dissonant bass \| nursery \| oscillation \| prison \| sigh gesture \| thinking \| uneasy \| warden \| whole-tone chord
Caged (1950)	Nursery	0:49:22 - Marie goes to see her newborn baby	added-note chord \| advance plot \| baby \| gentle \| hopeful \| leading lady \| nurse \| nursery \| optimistic \| prison \| prisoner \| walking
Caged (1950)	Lullaby	0:49:51 - Marie holds her new baby	9th chord \| added-note chord \| advance plot \| altered dominant \| baby \| conversing \| gentle \| leading lady \| nurse \| nursery \| prison \| prisoner \| sequential modulation
Caged (1950)	Marie 2	0:50:22 - Marie holds her new baby	advance plot \| baby \| conversing \| gentle \| happy \| leading lady \| mode mixture \| nurse \| nursery \| prison \| prisoner \| sigh gesture
Caged (1950)	Marie (Dramatic)	0:52:43 - Marie pleads with her mother to take the baby	9th chord \| altered dominant \| chromatic scale \| chromatic wedge \| despair \| dramatic \| leading lady \| mother \| nurse \| pleading \| prison \| prisoner \| tragic \| turning point
Caged (1950)	Prison (Tragic)	0:52:48 - Marie calls after her mother	added-note chord \| augmented sixth chord \| chromatic sequence \| despair \| dramatic \| leading lady \| mother \| nurse \| pleading \| prison \| prisoner \| sigh gesture \| tragic \| turning point
His Greatest Gamble (1934)	The Chase 1	0:29:26 - Philip escapes from prison	augmented triad \| dark \| escaping \| frantic \| leading man \| montage \| montage \| prisoner \| sequence \| train \| transcribed by ear \| traveling \| whole-tone scale
His Greatest Gamble (1934)	The Chase 2	0:29:44 - Montage of Philip's escape	boat \| dark \| frantic \| leading man \| montage \| montage \| parallelism \| prisoner \| transcribed by ear \| traveling
Dust Be My Destiny (1939)	Underscoring (Dark)	0:01:35 - A prison	dark \| establish location \| prison \| underscoring
Dust Be My Destiny (1939)	Mysterioso	0:02:00 - Warden talks to Joe	conversing \| drone \| establish character \| leading man \| mysterious \| parallelism \| polytonality \| prison \| prisoner \| warden
Dust Be My Destiny (1939)	Dust Be My Destiny (Injustice)	0:02:29 - Joe reacts to the warden	9th chord \| 64 chord \| agitated \| chromatic parallelism \| conversing \| dramatic \| establish character \| injustice \| leading man \| prison \| prisoner \| warden
Dust Be My Destiny (1939)	Marching	0:10:10 - Inmates marching	establish location \| leading man \| march \| marching \| parallelism \| pedal tone \| prison \| prisoner \| somber
Dust Be My Destiny (1939)	Charlie	0:10:58 - Charlie talks to inmates	conversing \| dark \| drunk \| establish character \| leading man \| polychord \| prison \| prisoner \| warden
Dust Be My Destiny (1939)	Hiccough	0:11:35 - Charlie hiccups	comical \| drunk \| establish character \| hiccuping \| leading man \| mickey-mousing \| prison \| prisoner \| warden
Dust Be My Destiny (1939)	Cow	0:11:39 - Man calls Charlie a cow	comical \| cow \| drunk \| establish character \| leading man \| mickey-mousing \| mooing \| prison \| prisoner \| stinger \| warden
Dust Be My Destiny (1939)	Charlie (Extended)	0:11:41 - Charlie talks to inmates	chromatic parallelism \| dark \| drunk \| establish character \| leading man \| prison \| prisoner \| sequence \| slapping \| stinger \| warden
Dust Be My Destiny (1939)	Marching	0:12:27 - Inmates marching	establish character \| march \| marching \| pedal tone \| prison \| prisoner \| somber
Dust Be My Destiny (1939)	Comedy fall	0:13:08 - Joe falls over while milking the cow	barn \| chromatic parallelism \| chromatic scale \| comical \| falling \| leading lady \| leading man \| lovers meet \| mickey-mousing \| prisoner
Dust Be My Destiny (1939)	Underscoring (Humorous)	0:13:13 - Joe talks to the cow	barn \| chromatic parallelism \| comical \| conversing \| cow \| diminished triad \| dissonant bass \| leading man \| lovers meet \| prisoner \| underscoring
Dust Be My Destiny (1939)	Dust Be My Destiny (Playful)	0:13:38 - Mabel talks to Joe	barn \| comical \| common-tone diminished 7th \| cow \| laughing \| leading lady \| leading man \| lovers meet \| playful \| prisoner \| romantic
Dust Be My Destiny (1939)	Joe fights cow	0:13:56 - Joe fights cow (off-screen)	augmented triad \| barn \| chromatic parallelism \| chromatic scale \| comical \| cow \| diminished 7th chord \| fighting \| leading lady \| leading man \| lovers meet \| mickey-mousing \| prisoner
Dust Be My Destiny (1939)	Dust Be My Destiny (Laughing)	0:14:07 - Mabel laughs at Joe	barn \| chromatic parallelism \| comical \| diminished 7th chord \| laughing \| leading lady \| leading man \| lovers meet \| prisoner
Dust Be My Destiny (1939)	Laughing	0:14:10 - Mabel laughs at Joe	barn \| chromatic parallelism \| comical \| diminished 7th chord \| laughing \| leading lady \| leading man \| lovers meet \| mickey-mousing \| prisoner
Dust Be My Destiny (1939)	Dust Be My Destiny (Agitated)	0:14:22 - Joe argues with Mabel	agitated \| arguing \| barn \| fragmentation \| leading lady \| leading man \| lovers meet \| prisoner \| sequence
Dust Be My Destiny (1939)	Underscoring (Tense)	0:14:40 - Charlie enters	barn \| leading lady \| leading man \| lovers meet \| prisoner \| stinger \| tense \| underscoring \| villain \| warden
Dust Be My Destiny (1939)	Dust Be My Destiny (Tense)	0:14:53 - Joe talks to Charlie	barn \| dark \| dissonant \| leading lady \| leading man \| lovers meet \| prisoner \| tense \| tritone \| villain \| warden
Dust Be My Destiny (1939)	Train whistle	0:17:18 - A distant train whistle sounds	advance plot \| dissonant \| leading man \| mickey-mousing \| pc set \| prison \| train whistle
Dust Be My Destiny (1939)	Escape Plan	0:17:23 - Joe talks with the boys	advance plot \| leading man \| pc set \| prison \| quotation \| sincere
Dust Be My Destiny (1939)	Dust Be My Destiny (Pleading)	0:17:41 - Mabel pleads for Joe	advance plot \| intervallic expansion \| leading lady \| pleading \| prison \| sincere \| warden
Dust Be My Destiny (1939)	Dust Be My Destiny (Medical Report)	0:17:58 - Warden talks about Charlie	advance plot \| leading lady \| oppressive \| parallelism \| prison \| warden
Dust Be My Destiny (1939)	Dust Be My Destiny (Expectant)	0:18:08 - Mabel leaves	advance plot \| expectant \| gentle \| guard \| hopeful \| leading lady \| leading man \| pedal tone \| prison \| prisoner \| sweet
Dust Be My Destiny (1939)	Dust Be My Destiny (Denied)	0:18:23 - Mabel talks to Joe	conflict \| deceptive resolution \| denial \| expectant \| gentle \| guard \| hopeful \| leading lady \| leading man \| prison \| prisoner \| stinger \| sweet
Dust Be My Destiny (1939)	Dust Be My Destiny (Somber)	0:18:36 - Mabel reacts	conflict \| inversion \| leading lady \| prison \| sigh gesture \| somber
Dust Be My Destiny (1939)	Turning around	0:26:13 - Joe and Mabel turn around	64 chord \| barn \| death \| dramatic \| leading lady \| leading man \| mickey-mousing \| prisoner \| turning
Each Dawn I Die (1939)	Transition	0:00:08 - Lead actors	bold \| main title \| opening title sequence \| prison \| starring list \| transition
Each Dawn I Die (1939)	Each Dawn A	0:00:14 - Title of film	augmented triad \| cast list \| dark \| diminished 7th chord \| main title \| opening title sequence \| parallelism \| prison \| title of film
Each Dawn I Die (1939)	Each Dawn B	0:00:29 - Cast list	cast list \| main title \| opening title sequence \| prison \| tragic
Each Dawn I Die (1939)	Each Dawn B (Augmented)	0:00:36 - Cast list	augmentation \| bleak \| cast list \| countermelody \| dark \| diminished 7th chord \| main title \| opening title sequence \| prison
Each Dawn I Die (1939)	Walking	0:22:22 - Man paces back and forth in the prison yard	advance plot \| anxious \| crazed \| mickey-mousing \| mysterious \| pacing \| pc set \| prison \| prisoner \| walking
Each Dawn I Die (1939)	Montage	0:22:54 - Montage showing the passing of time	chromatic parallelism \| clock \| dramatic \| linear chromaticism \| mickey-mousing \| montage \| montage \| prison \| prisoner \| tense \| waiting \| whole-tone chord
Each Dawn I Die (1939)	Don’t Give Up the Ship	0:26:47 - Prison orchestra plays	arriving \| entering \| military band \| murder scene \| on-screen music \| orchestra \| parallel double period \| patriotic \| prison \| prisoner \| source music
Each Dawn I Die (1939)	Wings Over the Navy	0:28:04 - Prisoners watch a movie	dying \| film music \| knife \| movie \| murdering \| murder scene \| patriotic \| prison \| prisoner \| source music \| watching
Each Dawn I Die (1939)	Calendar Pages	0:59:53 - Pages falling from a calendar	calendar \| chromatic parallelism \| diminished 7th chord \| falling \| leading man \| mickey-mousing \| montage \| montage \| mysterious \| prisoner \| sequence
Each Dawn I Die (1939)	Clock ticking	1:03:50 - Prisoners waiting	anxious \| clock \| leading man \| mickey-mousing \| montage \| montage \| polychord \| prisoner \| ticking \| waiting
Each Dawn I Die (1939)	Frank (Parole Denied)	1:07:58 - Frank's parole is denied	9th chord \| common-tone diminished 7th \| dark \| despair \| foreign key modulation \| half-diminished 7th chord \| hopeful \| leading man \| letter \| prison \| prisoner \| reading \| sigh gesture \| solemn \| turning point
Flamingo Road (1949)	Titus 2 (Maestoso)	0:41:11 - Women enter the prison	advance plot \| dark \| dramatic \| leading lady \| prison \| prisoner \| self-borrowing \| walking
Flamingo Road (1949)	Lane (Lonely)	0:41:27 - Lane talks to a fellow prisoner	advance plot \| conversing \| foreign key modulation \| leading lady \| lonely \| prison \| prisoner \| reverse picardy \| somber
Flamingo Road (1949)	Lane (Grazioso)	0:41:46 - Lane talks to a fellow prisoner	advance plot \| conversing \| foreign key modulation \| hopeful \| leading lady \| prison \| prisoner \| upbeat
Flamingo Road (1949)	Lane (Hopeful)	0:41:58 - Lane talks to a fellow prisoner	advance plot \| conversing \| deceptive resolution \| gentle \| hopeful \| leading lady \| pedal tone \| prison \| prisoner
Flamingo Road (1949)	Lute Mae (A Reminiscence)	0:42:04 - A female prisoner talks about Lute Mae's	13th chord \| added-note chord \| advance plot \| altered dominant \| bluesy \| conversing \| countermelody \| Gershwinesque \| leading lady \| prison \| prisoner \| self-borrowing
Flamingo Road (1949)	Lane (Fragmented)	0:42:21 - Lane talks to a fellow prisoner	advance plot \| conversing \| fragmentation \| leading lady \| prison \| prisoner \| somber
Flamingo Road (1949)	If I Could Be With You (Slowly)	0:43:04 - Lane lies in bed	leading lady \| montage \| montage \| prison \| prisoner \| staring \| tragic
Flamingo Road (1949)	Flamingo Road (Appassionato)	1:32:54 - Dan visits Lane in prison	crying \| embracing \| foreign key modulation \| husband \| joyous \| kissing \| leading lady \| leading man \| pedal tone \| prison \| resolution \| reuniting \| self-borrowing \| wife
Flamingo Road (1949)	Flamingo Road (Dolce)	1:33:08 - Dan and Lane embrace	crying \| dark \| embracing \| husband \| kissing \| leading lady \| leading man \| mode mixture \| peaceful \| prison \| resolution \| reuniting \| self-borrowing \| wife
Flamingo Road (1949)	Lute Mae (Delicato)	1:33:28 - Lane smiles as Dan	13th chord \| added-note chord \| crying \| delicate \| husband \| kissing \| leading lady \| leading man \| prison \| resolution \| reuniting \| romance \| self-borrowing \| sentimental \| wife
Flamingo Road (1949)	If I Could Be With You (Ecstatic)	1:33:37 - Lane walks away	added-note chord \| altered dominant \| artwork in score \| chromatic parallelism \| friend \| husband \| joyous \| leading lady \| leading man \| leaving \| prison \| resolution \| reuniting \| romance \| secondary dominant \| The End \| thematic transference \| triumphant \| wife
Hell on Frisco Bay (1955)	Prison Gate	0:01:25 - Steve exits the prison gate	conductor score \| establish character \| friend \| gate \| leading lady \| leading man \| leaving \| prison \| serious \| walking
Illegal (1955)	Funeral	0:09:54 - Clary marches to his execution	execution \| execution \| priest \| prison \| prisoner
Illegal (1955)	Ellen (Dark)	1:07:50 - Ellen in jail	dark \| heroine \| prison \| sad
In This Our Life (1942)	Stanley (Slowly 2)	1:20:46 - Men playing checkers	checkers \| conflict \| criminal \| dark \| diminished 7th chord \| dissonant bass \| game \| lawyer \| leading lady \| leading man \| playing \| prison \| prisoner \| somber \| suspect \| victim
In This Our Life (1942)	Underscoring (Somber)	1:21:07 - Parry in his jail cell	9th chord \| conflict \| conversing \| criminal \| diminished 7th chord \| lawyer \| leading lady \| leading man \| prison \| prisoner \| sigh gesture \| somber \| suspect \| underscoring \| victim
In This Our Life (1942)	Minerva and Parry	1:21:28 - Parry in his jail cell	9th chord \| 11th chord \| blue note \| chromatic mediant \| common-tone diminished 7th \| conflict \| conversing \| criminal \| foreign key modulation \| lawyer \| leading lady \| leading man \| lying \| prison \| prisoner \| somber \| suspect \| tender \| testifying \| victim
In This Our Life (1942)	Minerva and Parry (Triste)	1:22:39 - Parry talks to Stanley	64 chord \| conflict \| conversing \| criminal \| lawyer \| leading lady \| leading man \| lying \| mode change \| prison \| prisoner \| solemn \| somber \| suspect \| testifying \| victim
The Informer (1935)	Blood Money (Ostinato)	1:17:10 - Gypo waits in his cell while the rebels draw straws	advance plot \| antagonist \| dripping \| escaping \| gun \| headquarters \| leading man \| mysterious \| ostinato \| prison \| rebel \| room \| shooting \| tense \| traitor \| whispering \| worrying
The Informer (1935)	The Escape	1:19:46 - Gypo escapes and a chase ensues	advance plot \| antagonist \| chromatic scale \| dramatic \| escaping \| headquarters \| hurrying \| leading man \| mickey-mousing \| prison \| rebel \| room \| running \| traitor \| whole-tone \| whole-tone chord
The Letter (1940)	Leslie (Walking)	0:30:58 - Leslie in jail	64 chord \| advance plot \| chromatic parallelism \| fragmentation \| leading lady \| mysterious \| oscillation \| prison \| walking
The Letter (1940)	Waiting	0:31:24 - Howard waits for Leslie	advance plot \| lawyer \| pacing \| prison \| tense \| waiting \| whole-tone chord
The Letter (1940)	Leslie (Tense)	0:34:20 - Howard tells Leslie about the letter	9th chord \| altered dominant \| chromatic parallelism \| conversing \| lawyer \| leading lady \| letter \| pivotal scene \| prison \| sequence \| suspenseful \| tense
The Letter (1940)	Deception	0:34:35 - Leslie lies about the letter	chromatic scale \| deception \| lawyer \| leading lady \| letter \| lying \| pc set \| pivotal scene \| prison \| tense
The Letter (1940)	Leslie (Rising) + Deception	0:34:47 - Howard gives Leslie the letter	altered dominant \| augmented triad \| chromatic parallelism \| combination of themes \| deception \| denying \| lawyer \| leading lady \| letter \| lying \| oscillation \| ostinato \| pc set \| pivotal scene \| prison \| reading \| sequence \| tense
The Letter (1940)	Leslie (Risoluto)	0:35:11 - Leslie reacts angrily to the letter	arguing \| augmented triad \| chromatic parallelism \| deception \| fragmentation \| lawyer \| leading lady \| letter \| lying \| oscillation \| pc set \| pivotal scene \| polychord \| prison \| sequence \| tense
The Letter (1940)	Denial	0:35:39 - Leslie denies writing the letter	augmented triad \| chromatic parallelism \| deception \| lawyer \| leading lady \| letter \| lying \| pivotal scene \| prison \| tense
The Letter (1940)	Letter (Agitato)	0:36:08 - Leslie talks to Howard	deception \| lawyer \| leading lady \| letter \| lying \| pc set \| pivotal scene \| prison \| sequence \| tense
The Letter (1940)	Letter (Frantic)	0:36:16 - Leslie admits to writing the letter	chromatic sequence \| deception \| lawyer \| leading lady \| letter \| lying \| pivotal scene \| prison \| sequence \| tense
The Letter (1940)	Underscoring (Tense)	0:36:22 - Leslie explains why she wrote the letter	deception \| lawyer \| leading lady \| letter \| lying \| pivotal scene \| prison \| tense \| whole-tone chord
The Letter (1940)	Leslie (The Story)	0:36:42 - Leslie lies to Howard	changing meter \| deception \| lawyer \| leading lady \| letter \| lying \| oscillation \| pivotal scene \| prison \| tense \| whole-tone chord
The Letter (1940)	Underscoring (Tense)	0:36:53 - Howard takes out the letter	deception \| denying \| lawyer \| leading lady \| letter \| ominous \| pivotal scene \| prison \| tense \| tritone \| tritone \| whole-tone \| whole-tone chord
The Letter (1940)	Leslie (Risoluto)	0:37:07 - Howard reads the letter to Leslie	anxious \| augmented triad \| buildup \| chromatic parallelism \| fearful \| fragmentation \| lawyer \| leading lady \| letter \| oscillation \| pc set \| pivotal scene \| polychord \| prison \| reading \| sequence \| tense
The Letter (1940)	Leslie (Tragic)	0:37:21 - Howard talks to Leslie	anxious \| changing meter \| climax \| conversing \| fearful \| lawyer \| leading lady \| letter \| oscillation \| pivotal scene \| prison \| sequence \| sequential modulation \| suspension \| tense
The Letter (1940)	Leslie B (Screwyoso)	0:37:34 - Howard talks to Leslie	anxious \| chromatic sequence \| conversing \| fearful \| lawyer \| leading lady \| letter \| pivotal scene \| prison \| sequence \| tense
The Letter (1940)	Leslie (Shimmery 3)	0:37:54 - Howard talks to Leslie	anxious \| conversing \| fearful \| lawyer \| leading lady \| letter \| oscillation \| pivotal scene \| prison \| sequence \| sequential modulation \| stinger \| suspension \| tense
The Letter (1940)	Collapse	0:38:20 - Leslie collapses	anxious \| collapsing \| fainting \| falling \| fearful \| half-diminished 7th chord \| lawyer \| leading lady \| letter \| mickey-mousing \| pivotal scene \| prison \| suspension \| tense
Lightning Strikes Twice (1951)	Transition	0:00:07 - Starring list and lightning strikes	acceleration \| dramatic \| lightning \| lightning effect \| opening title sequence \| prison \| self-borrowing \| sequential modulation \| starring list \| transition
Lightning Strikes Twice (1951)	Lightning	0:00:24 - Title card, cast list and prison	cast list \| dramatic \| harmonic sequence \| lightning effect \| opening title sequence \| prison \| self-borrowing \| title of film \| transition
Lightning Strikes Twice (1951)	Lightning 3	0:01:02 - Title card, cast list and prison	cast list \| common-tone diminished 7th \| conversing \| dark \| guard \| opening title sequence \| priest \| prison \| somber \| warden
Lightning Strikes Twice (1951)	Menace	0:01:23 - Priest in a prison	arriving \| conversing \| dark \| establish character \| funeral march \| funereal \| guard \| leading man \| priest \| prison \| prisoner \| solemn \| somber \| walking \| warden
Lightning Strikes Twice (1951)	Liza	0:02:55 - Trev is released from death row	calm \| conversing \| deceptive resolution \| establish character \| guard \| hopeful \| leading man \| priest \| prison \| prisoner \| relief \| reprieve \| Scotch snap \| walking \| warden \| whole-tone chord
The Life of Vergie Winters (1934)	Lullaby + Funeral March	0:02:32 - Vergie in her jail cell	classical music \| combination of themes \| funeral \| funeral march \| leading lady \| plagal cadence \| pondering \| prison \| prisoner \| sequence \| somber \| source music \| suspect \| watching
The Life of Vergie Winters (1934)	Lullaby (Ending) + Funeral March (Ending)	1:18:06 - Vergie in her jail cell	classical music \| combination of themes \| crying \| funeral \| funeral march \| leading lady \| prisoner \| somber \| suspect
The Life of Vergie Winters (1934)	Lullaby (Allegro)	1:18:34 - Newspaper headline	bold \| conversing \| daughter \| dissonant bass \| fragmentation \| husband \| montage \| pedal tone \| prison \| waiting
The Life of Vergie Winters (1934)	Lullaby (Very Ethereal)	1:19:04 - Vergie exits the prison	daughter \| dissonant bass \| husband \| leading lady \| pedal tone \| prison \| prisoner \| resolution \| somber \| suspect \| tense \| walking
The Life of Vergie Winters (1934)	Lullaby (Resolution)	1:21:03 - Joan talks about her mother	added-note chord \| calm \| conversing \| crying \| daughter \| end title sequence \| husband \| peaceful \| prison \| redemption \| resolution \| The End \| triumphant
We Are Not Alone (1939)	Underscoring (Mysterious)	1:36:37 - David walks down a prison corridor	advance plot \| anticipation \| guard \| hero \| heroine \| mysterious \| prison \| underscoring \| walking
We Are Not Alone (1939)	Celebre Romance (Love)	1:37:12 - David and Leni express their love for each other	classical music \| conversing \| familiar tune \| fragmentation \| guard \| hero \| heroine \| love scene \| prison \| quotation \| romantic \| Rubinstein
We Are Not Alone (1939)	Underscoring (Somber)	1:37:44 - David and Leni talk	conversing \| harmonic sequence \| hero \| heroine \| love scene \| prison \| somber \| triadic transformation \| underscoring
We Are Not Alone (1939)	Execution	1:38:10 - Leni talks to David	comforting \| conversing \| drone \| execution \| hero \| heroine \| love scene \| name of film \| prison \| somber
We Are Not Alone (1939)	Frohe Botschaft (Hopeful)	1:38:41 - David comforts Leni	9th chord \| comforting \| conversing \| familiar tune \| folk song \| German \| hero \| heroine \| love scene \| mode mixture \| pedal tone \| plagal cadence \| prison \| quotation \| somber
We Are Not Alone (1939)	Underscoring (Romantic)	1:39:42 - David comforts Leni	9th chord \| 13th chord \| comforting \| conversing \| hero \| heroine \| love scene \| prison \| romantic \| underscoring
We Are Not Alone (1939)	Surprise Symphony (Someday)	1:39:55 - David is hopeful	64 chord \| classical music \| comforting \| conversing \| deceptive resolution \| dream-like \| familiar tune \| foreign key modulation \| gentle \| Haydn \| hero \| heroine \| imagining \| love scene \| prison \| quotation \| sweet
We Are Not Alone (1939)	Heart Break	1:40:11 - David and Leni kiss	9th chord \| appoggiatura \| dissonant bass \| first kiss \| hero \| heroine \| kissing \| love \| love scene \| mode mixture \| passionate \| pedal tone \| prison \| suspension
We Are Not Alone (1939)	Fainting	1:40:41 - Leni faints	added-note chord \| fainting \| falling \| hero \| heroine \| love scene \| mickey-mousing \| prison \| sequence \| tense
We Are Not Alone (1939)	Underscoring (Subtle)	1:40:57 - David helps Leni	9th chord \| advance plot \| conversing \| delicate \| helping \| hero \| heroine \| octatonic scale \| prison \| underscoring
We Are Not Alone (1939)	Surprise Symphony (Semplice)	1:41:10 - Guards help Leni	advance plot \| augmented triad \| classical music \| conversing \| delicate \| familiar tune \| fragmentation \| Haydn \| helping \| hero \| heroine \| lullaby \| prison \| quotation
We Are Not Alone (1939)	Underscoring (Subtle)	1:41:29 - David walks down the prison corridor	advance plot \| augmented triad \| conversing \| delicate \| diminished 7th chord \| helping \| hero \| pedal tone \| prison \| underscoring \| whole-tone chord
We Are Not Alone (1939)	Frohe Botschaft (Restful)	1:41:47 - David watches Leni sleep	9th chord \| advance plot \| delicate \| familiar tune \| folk song \| German \| hero \| heroine \| mode mixture \| plagal cadence \| prison \| quotation \| watching
We Are Not Alone (1939)	Fife and Drums	1:44:42 - David talks with the guards	advance plot \| hero \| patriotic \| pentatonic \| prison \| source music \| war
We Are Not Alone (1939)	It's a Long Long Way to Tipperary	1:45:21 - David talks with the guards	advance plot \| familiar tune \| hero \| patriotic \| prison \| source music \| war
We Are Not Alone (1939)	Waiting	1:46:39 - David asks about his execution	9th chord \| advance plot \| hero \| prison \| somber \| waiting
We Are Not Alone (1939)	Surprise Symphony (Acceptance)	1:47:27 - David talks to the prison guards	advance plot \| classical music \| familiar tune \| gentle \| Haydn \| hero \| mode mixture \| plagal cadence \| prison \| quotation \| reverse picardy \| sweet
We Are Not Alone (1939)	Surprise Symphony (Whistling)	1:48:34 - David whistles as he thinks	advance plot \| augmentation \| classical music \| deceptive resolution \| familiar tune \| gentle \| Haydn \| hero \| on-screen music \| pedal tone \| prison \| quotation \| score to source \| source music \| sweet \| whistling
White Heat (1949)	T-Men (Molto Misterioso)	0:35:30 - Cody walks away	courtroom \| courtroom scene \| dramatic \| gangster \| judge \| leading man \| murderer \| prison \| prisoner \| stinger \| undercover agent \| walking
White Heat (1949)	Prison	0:35:40 - The prison walls	conversing \| dark \| leading man \| ominous \| prison \| prisoner \| transition \| undercover agent
White Heat (1949)	Prison Fight	0:37:48 - Hank sees Bo Creel	action scene \| falling \| fighting \| gangster \| guard \| leading man \| mickey-mousing \| murderer \| prison \| prisoner \| punching \| tense \| undercover agent
White Heat (1949)	Punching and falling	0:38:03 - Hank punches inmate	action scene \| dramatic \| falling \| gangster \| guard \| leading man \| mickey-mousing \| murderer \| prison \| prisoner \| punching \| tense \| undercover agent
White Heat (1949)	Misterioso (Tense)	0:40:12 - Hank looks around	advance plot \| gangster \| leading man \| looking \| murderer \| mysterious \| photograph \| prison \| prisoner \| tense \| undercover agent \| underscoring
White Heat (1949)	T-Men (Expressivo)	0:40:26 - Hank looks at the photograph	advance plot \| conversing \| gangster \| leading man \| murderer \| photograph \| prison \| prisoner \| undercover agent \| uneasy
White Heat (1949)	Jumping on bed	0:40:41 - Hank jumps up on his bed	advance plot \| ascending \| gangster \| jumping \| leading man \| mickey-mousing \| murderer \| prison \| prisoner \| undercover agent \| uneasy
White Heat (1949)	Misterioso (Ominous)	0:40:51 - The prisoners talk	advance plot \| conversing \| gangster \| leading man \| murderer \| mysterious \| ominous \| prison \| prisoner \| tense \| undercover agent \| underscoring
White Heat (1949)	Whispering	0:41:06 - The prisoner reads lips	advance plot \| gangster \| leading man \| listening \| murderer \| prison \| prisoner \| spying \| tense \| undercover agent \| uneasy \| whisper effect \| whispering
White Heat (1949)	Thinking	0:41:34 - Prisoners talk about money	advance plot \| conversing \| gangster \| leading man \| murderer \| mysterious \| prison \| prisoner \| tense \| thinking \| undercover agent
White Heat (1949)	Underscoring (Mysterious)	0:44:42 - Parker sneaks	gangster \| leading man \| murderer \| murder scene \| mysterious \| prison \| prisoner \| sneaking \| undercover agent \| underscoring \| working
White Heat (1949)	Trap	0:44:53 - The crane moves over Cody's head	attempted \| crane \| crashing \| dramatic \| dropping \| falling \| gangster \| leading man \| machine \| machine effect \| mickey-mousing \| moving \| murder \| murderer \| murder scene \| prison \| prisoner \| saving \| stinger \| tense \| trap \| undercover agent
White Heat (1949)	Ma (Restless)	0:49:34 - Cody walks back to work	anxious \| dramatic \| gangster \| leading man \| mad scene \| murderer \| prison \| prisoner \| tense \| thinking \| threatening \| working
White Heat (1949)	Underscoring (Tense)	0:49:56 - Cody threatens Parker	gangster \| leading man \| mad scene \| murderer \| prison \| prisoner \| tense \| threatening \| underscoring
White Heat (1949)	Madness	0:50:16 - Cody hears voices	agitated \| blur \| falling \| gangster \| hallucinating \| hallucination \| headache \| headache effect \| hearing voices \| leading man \| machine \| mad scene \| murderer \| pain \| prison \| prisoner \| self-borrowing \| tense \| unsettled
White Heat (1949)	Headache	0:50:31 - Heavy machinery	agitated \| crawling \| falling \| gangster \| headache \| headache effect \| leading man \| machine \| mad scene \| murderer \| pain \| prison \| prisoner \| self-borrowing \| tense \| unsettled
White Heat (1949)	Struggle	0:50:50 - Cody crawls on the floor	agitated \| crawling \| falling \| gangster \| headache \| headache effect \| helping \| leading man \| machine \| mad scene \| murderer \| pain \| prison \| prisoner \| self-borrowing \| tense \| undercover agent \| unsettled
White Heat (1949)	Cody (Headache)	0:51:15 - Hank helps Cody	crawling \| gangster \| headache \| helping \| leading man \| mad scene \| murderer \| pain \| prison \| prisoner \| tense \| undercover agent
White Heat (1949)	Underscoring (Tense)	0:51:20 - Hank helps Cody	crawling \| gangster \| headache \| helping \| leading man \| mad scene \| massaging \| murderer \| pain \| prison \| prisoner \| tense \| undercover agent \| underscoring
White Heat (1949)	Cody rises	0:51:40 - Hank helps Cody stand	gangster \| headache \| helping \| leading man \| mad scene \| mickey-mousing \| murderer \| pain \| prison \| prisoner \| rising \| tense \| undercover agent
White Heat (1949)	Cody (Recovering)	0:51:52 - Cody's headache subsides	gangster \| headache \| leading man \| mad scene \| murderer \| pain \| prison \| prisoner \| tense \| undercover agent \| uneasy \| waiting
White Heat (1949)	Prison	1:04:01 - The prison walls	dramatic \| ominous \| prison \| transition
White Heat (1949)	Misterioso (Straitjacket)	1:04:07 - The warden talks with Cody	conversing \| doctor \| gangster \| guard \| leading man \| murderer \| mysterious \| prison \| prison break \| prisoner \| straitjacket \| tense \| underscoring \| warden
White Heat (1949)	Plotting (Tense)	1:04:33 - Tommy brings food to Cody	carrying \| doctor \| feeding \| food \| gangster \| guard \| leading man \| murderer \| mysterious \| prison \| prison break \| prisoner \| straitjacket \| tense \| warden
White Heat (1949)	Misterioso (Tense 2)	1:04:48 - Tommy loosens Cody's straitjacket	doctor \| gangster \| guard \| gun \| leading man \| loosening \| murderer \| mysterious \| prison \| prison break \| prisoner \| releasing \| straitjacket \| tense \| untying \| warden
White Heat (1949)	Cody (Pulls Gun)	1:05:05 - Cody stands up	doctor \| dramatic \| gangster \| guard \| gun \| leading man \| loosening \| murderer \| mysterious \| prison \| prison break \| prisoner \| releasing \| straitjacket \| tense \| untying \| warden
White Heat (1949)	Danger (Tense)	1:05:23 - Cody forces the doctor out at gunpoint	doctor \| down \| dramatic \| gangster \| guard \| gun \| leading man \| murderer \| prison \| prison break \| prisoner \| stinger \| warden
White Heat (1949)	Gathering	1:05:39 - Inmates playing cards	conversing \| doctor \| dramatic \| gangster \| guard \| leading man \| murderer \| prison \| prison break \| prisoner \| self-borrowing \| tense \| walking
White Heat (1949)	Cody (Violent)	1:06:11 - Cody shoves the doctor	commanding \| doctor \| dramatic \| gangster \| guard \| gun \| leading man \| murderer \| prison \| prison break \| prisoner \| pushing \| stinger \| violent
White Heat (1949)	Danger (Risoluto)	1:06:24 - Cody forces the guard into a cell	commanding \| doctor \| gangster \| guard \| gun \| leading man \| murderer \| prison \| prison break \| prisoner \| pushing \| tense \| warden
White Heat (1949)	Cody 3	1:06:43 - Cody forces men out at gunpoint	commanding \| doctor \| dramatic \| gangster \| guard \| gun \| kicking \| leading man \| murderer \| prison \| prison break \| prisoner \| warden
White Heat (1949)	Trap	1:06:47 - Cody kicks Parker	commanding \| dramatic \| gangster \| guard \| gun \| kicking \| leading man \| murderer \| prison \| prison break \| prisoner \| revenge \| tense \| warden
White Heat (1949)	Plotting (Extended)	1:07:13 - Cody forces men out at gunpoint	commanding \| dramatic \| gangster \| guard \| gun \| leading man \| murderer \| prison \| prison break \| prisoner \| revenge \| tense \| warden
White Heat (1949)	Prison Break	1:07:19 - Cody and men go outside	dramatic \| escaping \| gangster \| guard \| gun \| leading man \| murderer \| prison \| prison break \| prisoner \| rushing \| self-borrowing \| warden
White Heat (1949)	Underscoring (Dramatic)	1:07:29 - Cody commands the men	car \| dramatic \| escaping \| gangster \| guard \| gun \| leading man \| murderer \| prison \| prison break \| prisoner \| underscoring \| warden
White Heat (1949)	Danger (Tense)	1:07:49 - The men get in the car	car \| dramatic \| escaping \| fanfare \| gangster \| guard \| gun \| leading man \| motor effect \| murderer \| prison \| prison break \| prisoner \| underscoring \| warden
White Heat (1949)	Underscoring (Tense)	1:07:57 - The car drives off	car \| dramatic \| escaping \| fanfare \| gangster \| guard \| gun \| leading man \| murderer \| prison \| prison break \| prisoner \| tense \| warden
White Heat (1949)	Cody (Prison Gate)	1:08:17 - The prison gates open	car \| dramatic \| escaping \| gangster \| gate \| guard \| gun \| leading man \| mickey-mousing \| murderer \| prison \| prison break \| prisoner \| warden
White Heat (1949)	Pursuit	1:08:44 - The agents turn around	agent \| car \| driving \| leading man \| police \| prison break \| rushing \| street \| tense \| uneasy
White Heat (1949)	Cody 2 (Molto Misterioso)	1:09:13 - Cody adjusts his hat in the mirror	dressing \| fugitive \| gangster \| hat \| leading man \| mirror \| murderer \| mysterious \| prison break \| room \| tense
The Woman in White (1948)	Fosco (Marcato)	1:08:44 - Fosco talks to the servant	antagonist \| arguing \| butler \| confining \| conflict \| conversing \| cousin \| criminal \| dark \| leading lady \| leading man \| mysterious \| prisoner \| room
The Woman in White (1948)	Underscoring (Dramatic)	1:09:11 - Marian is locked in	antagonist \| confining \| conflict \| conversing \| cousin \| criminal \| dark \| dramatic \| husband \| leading lady \| leading man \| prisoner \| room \| underscoring
The Woman in White (1948)	Asylum (Dark)	1:09:26 - Fosco talks to Sir Percival	aching \| antagonist \| conflict \| conversing \| criminal \| dark \| headache \| husband \| illness \| leading lady \| leading man \| pain \| plotting \| prisoner \| room
Three Who Loved (1931)	Old Folks At Home	0:46:00 - Phil paces in a jail cell	advance plot \| jail \| leading man \| on-screen music \| playing \| prisoner \| somber \| source music
Hell’s Highway (1932)	Hikin' Jerry	0:00:14 - Main titles and newspaper headlines	call and response \| establish setting \| guard \| headline \| montage \| newspaper \| opening title sequence \| prison \| prisoner \| singing \| solemn \| source music \| transcribed by ear \| working
Hell’s Highway (1932)	John Henry	0:06:08 - Men working on a chain gang	advance plot \| guard \| on-screen music \| pentatonic \| prison \| prisoner \| singing \| solemn \| source music \| transcribed by ear \| working
Hell’s Highway (1932)	Willie, the Weeper	0:13:52 - Men singing in prison	advance plot \| blue note \| guard \| on-screen music \| prison \| prisoner \| singing \| solemn \| source music \| spiritual \| transcribed by ear
Hell’s Highway (1932)	The Load is Heavy	0:17:26 - Men singing in prison	advance plot \| barbershop \| cheerful \| guard \| on-screen music \| prison \| prisoner \| singing \| source music \| transcribed by ear
Hell’s Highway (1932)	Frankie and Johnny	0:27:11 - Men singing in prison	advance plot \| calm \| guard \| on-screen music \| prison \| prisoner \| singing \| source music \| transcribed by ear
Hell’s Highway (1932)	Tuning of Violin	0:47:34 - A man tunes a violin	advance plot \| calm \| guard \| on-screen music \| playing \| prison \| prisoner \| source music \| tuning \| violin
Hell’s Highway (1932)	Liberty Road	1:01:16 - The End / Cast of Characters	calm \| end title sequence \| prison \| spiritual \| The End
Hold ‘Em Jail (1932)	The Prisoner's Song	0:01:11 - Prisoners in a prison yard	altered dominant \| augmented sixth chord \| cheerful \| establish place \| establish setting \| mode mixture \| prison \| somber \| transcribed by ear \| upbeat
Hold ‘Em Jail (1932)	A Moment in the Dark	0:14:05 - Curley turns on the radio	AABA structure \| advance plot \| comic \| goofing around \| office \| prisoner \| radio \| source music \| upbeat
Hold ‘Em Jail (1932)	Ain't That the Way it Goes	0:14:53 - Spider and Curley look around	AABA structure \| advance plot \| comic \| conversing \| goofing around \| love interest \| office \| prisoner \| radio \| source music \| upbeat
Hold ‘Em Jail (1932)	I'm Just a Vagabond Lover	0:17:00 - Curley talks to Barbara	ABAC structure \| advance plot \| comic \| conversing \| goofing around \| love interest \| office \| prisoner \| radio \| sentimental \| source music
Hold ‘Em Jail (1932)	I'm Wrapped Up in You	0:18:18 - Spider dances with Violet	advance plot \| comic \| conversing \| dancing \| goofing around \| love interest \| office \| prisoner \| radio \| source music \| upbeat
Hold ‘Em Jail (1932)	Improvisation	0:39:35 - Violet plays the piano and sings	advance plot \| comic \| comical \| conversing \| office \| on-screen music \| playing \| prisoner \| singing \| source music
Hold ‘Em Jail (1932)	Improvisation	0:40:44 - Violet plays the piano and sings	advance plot \| comic \| comical \| conversing \| office \| on-screen music \| playing \| prisoner \| singing \| source music
Hold ‘Em Jail (1932)	Improvisation	0:41:43 - Violet plays the piano and sings	advance plot \| comic \| comical \| conversing \| office \| on-screen music \| playing \| prisoner \| singing \| source music
Hold ‘Em Jail (1932)	Chopsticks	0:42:09 - Violet and Spider play a piano duet	advance plot \| comic \| comical \| office \| on-screen music \| playing \| prisoner \| source music
Hold ‘Em Jail (1932)	Improvisation	0:42:44 - Violet plays the piano and sings	advance plot \| comic \| comical \| office \| on-screen music \| playing \| prisoner \| singing \| source music
Hold ‘Em Jail (1932)	Eldorania	0:59:14 - A doctor tends to Spider's leg	advance plot \| athlete \| comic \| conversing \| doctor \| field \| plotting \| prisoner \| referee \| relative key \| source music \| treating \| upbeat
Hold ‘Em Jail (1932)	El Capitan March	1:01:51 - Spider makes Whitey sign a confession	advance plot \| comic \| criminal \| field \| plotting \| prisoner \| source music \| upbeat
Hold ‘Em Jail (1932)	Bide-More Alma Mater	1:04:44 - Bidemore celebrates their victory	celebrating \| comic \| crowd \| field \| love interest \| politician \| prisoner \| resolution \| source music \| upbeat \| warden
Hold ‘Em Jail (1932)	The Prisoner's Song	1:05:19 - Spider talks to Violet	comic \| conversing \| field \| prisoner \| resolution \| source music \| upbeat
Don’t Turn ‘em Loose (1936)	Crestwood C	0:00:27 - Cast list	cast list \| guard \| Lydian mode \| mysterious \| opening title sequence \| parallelism \| prison \| prisoner \| transcribed by ear
Girl of the Rio (1932)	Querida	0:38:14 - Dolores sings and plays the guitar	ABAC structure \| advance plot \| conversing \| crowd \| leading lady \| night club \| on-screen music \| plotting \| prison \| romantic \| singer \| singing \| source music \| terrace \| whistling
The Most Dangerous Game (1932)	The Iron Door (Tense)	0:36:27 - Zaroff looks at Bob's watch	action scene \| castle \| commanding \| count \| leading man \| mute \| prisoner \| servant \| shackles \| stinger \| tense \| villain
The Most Dangerous Game (1932)	Walking	0:36:42 - Zaroff walks to the door	action scene \| agitated \| castle \| closing \| count \| leading man \| marching \| mickey-mousing \| mute \| preparing \| prisoner \| servant \| tense \| villain \| walking
The Most Dangerous Game (1932)	The Iron Door (Fangs and Claws)	0:37:00 - Zaroff gives Bob a knife	action scene \| castle \| commanding \| count \| giving \| knife \| leading man \| mute \| preparing \| prisoner \| servant \| tense \| threatening \| villain
The Most Dangerous Game (1932)	Emotions 2 (Agitato)	0:37:23 - Eve runs to Bob	action scene \| agitated \| arriving \| castle \| conversing \| count \| fear \| leading lady \| leading man \| mute \| prisoner \| servant \| tense \| villain
The Most Dangerous Game (1932)	Russian Waltz (Meno) + The Iron Door	0:37:30 - Zaroff talks about the game	action scene \| castle \| combination of themes \| conversing \| count \| leading lady \| leading man \| mute \| prisoner \| servant \| tense \| villain
The Most Dangerous Game (1932)	Underscoring (Tense)	0:37:49 - Zaroff talks about the game	action scene \| castle \| conversing \| count \| leading lady \| leading man \| mute \| prisoner \| servant \| tense \| underscoring \| villain
The Most Dangerous Game (1932)	Zaroff (Molto Moderato) + The Iron Door	0:38:01 - Zaroff talks about the game	action scene \| castle \| combination of themes \| conversing \| count \| leading lady \| leading man \| mute \| prisoner \| servant \| tense \| villain
The Most Dangerous Game (1932)	Courage + The Iron Door	0:38:17 - Bob and Eve leave	action scene \| agitated \| castle \| combination of themes \| count \| departing \| leading lady \| leading man \| mute \| prisoner \| servant \| tense \| villain
The Most Dangerous Game (1932)	Russian Waltz (Maestoso)	0:38:32 - Bob and Eve are taken to the jungle	action scene \| conversing \| fanfare \| jungle \| leading lady \| leading man \| mute \| ominous \| preparing \| prisoner \| releasing \| servant \| walking
Caged (1950)	Underscoring (Dark)	0:56:40 - Kitty and Harper	advance plot \| chromatic parallelism \| dark \| guard \| low-angle shot \| pc set \| pedal tone \| prison \| prisoner \| shadow \| threatening \| underscoring
Caged (1950)	Caged (Waiting)	0:56:52 - Marie waits by the parole office	advance plot \| announcing \| dissonant bass \| fidgeting \| guard \| leading lady \| prison \| prisoner \| running \| shadow \| sigh gesture \| tense \| waiting
Caged (1950)	Prison Alarm (The Scream)	1:00:42 - Marie covers her ears	alarm \| alarm effect \| anxiety \| chromatic parallelism \| chromatic scale \| dramatic \| fidgeting \| guard \| hysteria \| leading lady \| mad scene \| prison \| prisoner \| screaming \| tense \| tone cluster \| whole-tone chord
Caged (1950)	Hysteria	1:00:55 - Marie runs down the hall	alarm \| anxiety \| chromatic parallelism \| chromatic scale \| dissonant bass \| dramatic \| escaping \| guard \| hysteria \| leading lady \| mad scene \| pc set \| polychord \| prison \| prisoner \| running \| tense
Caged (1950)	Falling	1:01:18 - Marie falls to the ground	diminished 7th chord \| dramatic \| falling \| guard \| leading lady \| mad scene \| mickey-mousing \| octatonic scale \| prison \| prisoner \| throwing
Caged (1950)	Marie 2 (Melancholy)	1:01:25 - Marie returns to her cell	conversing \| guard \| leading lady \| mad scene \| melancholy \| prison \| prisoner \| returning \| solemn
Caged (1950)	Jingle Bells	1:08:01 - Woman plays harmonica	advance plot \| Christmas \| conversing \| guard \| harmonica \| leading lady \| listening \| on-screen music \| playing \| prison \| prisoner \| source music \| upbeat \| warden
Caged (1950)	Bird in a Cage	1:08:07 - Woman plays harmonica	advance plot \| Christmas \| conversing \| dancing \| guard \| harmonica \| leading lady \| listening \| on-screen music \| playing \| prison \| prisoner \| singing \| source music \| upbeat \| warden
Caged (1950)	Marie (Misterioso)	1:17:04 - Shadows on a staircase	augmented sixth chord \| descending \| guard \| leading lady \| mad scene \| prison \| prisoner \| shadow \| solemn \| solitary \| walking
Caged (1950)	Isolation Ward (Dark)	1:17:27 - Shadows on Marie's face	dark \| departing \| dissonant bass \| guard \| isolation \| leading lady \| mad scene \| mysterious \| ominous \| oscillation \| polychord \| prison \| prisoner \| shadow \| solitary \| staring \| uneasy \| walking
Caged (1950)	Water Dripping	1:17:52 - Marie in solitary	audible thoughts \| dark \| dripping \| guard \| hysteria \| isolation \| leading lady \| mad scene \| melodic cell \| mickey-mousing \| mysterious \| pacing \| pc set \| prison \| prisoner \| tense \| thinking \| uneasy \| water \| water effect
Caged (1950)	Water Dripping + Caged (Tense)	NIF - not in film	9th chord \| chromatic parallelism \| chromatic sequence \| combination of themes \| cut from film \| dark \| dissonant bass \| hysteria \| isolation \| leading lady \| mad scene \| melodic cell \| mickey-mousing \| mysterious \| ostinato \| prison \| prisoner \| sigh gesture \| tense \| uneasy \| water effect
Caged (1950)	Water Dripping + Foxtrot	NIF - not in film	11th chord \| combination of themes \| cut from film \| deceptive resolution \| eerie \| foxtrot \| hysteria \| isolation \| mad scene \| mickey-mousing \| mysterious \| prison \| uneasy \| water effect
Caged (1950)	Water Dripping	NIF - not in film	cut from film \| dark \| hysteria \| isolation \| mad scene \| mickey-mousing \| mysterious \| prison \| tense \| uneasy \| water effect
Caged (1950)	Water Dripping + Marie 2	NIF - not in film	combination of themes \| cut from film \| hysteria \| isolation \| mad scene \| mickey-mousing \| mysterious \| prison \| tender \| uneasy \| water effect
Caged (1950)	Water Dripping (Frantic)	NIF - not in film	chromatic parallelism \| chromatic scale \| cut from film \| dark \| dissonant bass \| frantic \| hysteria \| isolation \| mad scene \| mickey-mousing \| mysterious \| parallel 63s \| pc set \| prison \| tense \| uneasy \| water effect
Caged (1950)	Water Dripping (Molto Expressivo)	1:18:15 - Marie in solitary	9th chord \| crying \| dissonant bass \| dripping \| hysteria \| isolation \| leading lady \| mad scene \| mickey-mousing \| mickey-mousing \| minor-major 7th chord \| mysterious \| prison \| prisoner \| tense \| uneasy \| water \| water effect \| wipe \| yelling
Caged (1950)	Harper Whistles	1:19:30 - Harper whistles	advance plot \| guard \| leading lady \| neutral \| on-screen music \| prison \| source music \| telephone \| waiting \| whistling
Caged (1950)	Harper's Death	1:27:19 - Kitty stabs Harper with a fork	added-note chord \| dark \| death \| dying \| dying \| falling \| falling \| fork \| killing \| minor-major 7th chord \| murder \| murdering \| murder scene \| prison \| screaming \| stabbing \| stabbing \| stinger \| walking \| walking
Caged (1950)	He Leadeth Me	1:27:53 - Women in prison	advance plot \| calm \| conversing \| crying \| hymn \| leading lady \| prison \| prisoner \| singing \| source music
Caged (1950)	Rock of Ages	1:30:31 - Women in prison	advance plot \| calm \| conversing \| guard \| hymn \| leading lady \| prison \| prisoner \| singing \| source music \| watching
Caged (1950)	Underscoring (Dramatic)	1:32:09 - Superintendent office door	advance plot \| bold \| conversing \| leading lady \| leaving \| mode mixture \| prison \| prisoner \| unpacking \| walking
Caged (1950)	Molto Expressivo (Not in Film)	NIF - not in film	advance plot \| chromatic parallelism \| cut from film \| prison \| solemn \| whole-tone chord
Caged (1950)	Underscoring (Tense)	1:32:21 - Marie unpacks her belongings	advance plot \| chromatic parallelism \| leading lady \| leaving \| prison \| prisoner \| tense \| underscoring \| unpacking \| whole-tone chord
Caged (1950)	Molto Expressivo (Rubato)	1:32:37 - Marie checks out	advance plot \| chromatic parallelism \| conversing \| guard \| leading lady \| leaving \| prison \| prisoner \| solemn \| underscoring
Caged (1950)	Marie (Checking Out)	1:32:47 - Marie opens an envelope	advance plot \| chromatic parallelism \| chromatic wedge \| dramatic \| guard \| leading lady \| leaving \| looking \| polychord \| prison \| prisoner \| ring \| solemn \| throwing
Caged (1950)	Molto Expressivo (Slowly)	1:32:59 - Marie's mugshot	advance plot \| leading lady \| leaving \| looking \| mode mixture \| mug shot \| Neapolitan \| prison \| prisoner \| solemn \| throwing \| warden
Caged (1950)	Molto Expressivo (Con Moto)	1:34:42 - Marie leaves Mrs. Benton's office	climax \| dramatic \| ex-convict \| guard \| leading lady \| leaving \| prison \| prisoner \| stinger \| uneasy \| warden
Caged (1950)	Molto Expressivo (Quasi Blues)	1:35:01 - Marie leaves the prison	added-note chord \| bluesy \| bluesy \| car \| climax \| ex-convict \| freedom \| leading lady \| leaving \| prison \| smoking \| street \| warden \| watching
Caged (1950)	Marie (The End)	1:36:04 - Mrs. Benton and her secretary	augmented sixth chord \| climax \| closing credits \| conversing \| prison \| somber \| warden

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