| All This, and Heaven Too (1940) | Underscoring (Agitated) | 0:22:23 - The Duke rebukes the Duchess | agitated | arguing | chromatic parallelism | chromatic scale | distressed | dominant 7th chord | duchess | duke | establish character | leading lady | leading man | room |
| Angels With Dirty Faces (1938) | Running and shooting | 0:06:52 - Police chase gangsters and Rocky shoots | agent | augmented triad | chasing | dissonant bass | dominant 7th chord | dramatic | establish character | gangster | gun | gunshot | leading man | mickey-mousing | montage | newspaper | quartal chord | running | shooting | street | zoom out |
Angels With Dirty Faces (1938) | Pushing forward | 0:40:26 - Man pulls a gun on the cashier | advancing | chromatic parallelism | chromatic scale | conflict | dominant 7th chord | gangster | gun | leading man | mickey-mousing | ominous | pedal tone | pushing | shop |
| City for Conquest (1940) | Tone Poem Introduction | 1:32:01 - Orchestra playing in a concert hall | 9th chord | audience | bold | Carnegie Hall | chromatic parallelism | common-tone dominant 7th | concert | concert hall | concert scene | conducting | conductor | dissonant bass | dominant 7th chord | double exposure | Dutch angle | Gershwinesque | listening | musician | on-screen music | orchestra | playing | radio | score to source | source music | watching |
City for Conquest (1940) | Tone Poem Transition 3 | NIF - not in film | acceleration | bold | chromatic parallelism | chromatic sequence | concert scene | cut from film | diminution | dominant 7th chord | exciting | foreign key modulation | fragmentation | polyrhythm |
| Flamingo Road (1949) | Titus (Tutti) | 1:08:05 - Titus and Field arrive at the construction site | arriving | dark | dominant 7th chord | half-diminished 7th chord | leading man | ominous | politician | self-borrowing | sheriff | street | transition |
| The Informer (1935) | The Wearin' o' the Green (Fighting) | 1:03:51 - Gypo struggles with the rebels | 64 chord | advance plot | antagonist | chromatic parallelism | conversing | dominant 7th chord | drunk | familiar tune | fighting | folk song | fragmentation | leading lady | leading man | reassuring | rebel | sequence | street | struggling | syncopation |
| We Are Not Alone (1939) | Appassionato | 0:03:13 - Gerald is scolded by his mother | antagonist | boy | child | chromatic parallelism | chromatic scale | deceptive resolution | dominant 7th chord | establish character | fragmentation | harmonic sequence | hero | home | linear chromaticism | mother | passionate | scolding | sequence | telling a story | tense |
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