| The Amazing Dr. Clitterhouse (1938) | Arms crossing | 0:47:10 - Criminal crosses his arms | arm | chromatic parallelism | comical | criminal | crossing | diminished 7th chord | gangster | mickey-mousing | robbery | rooftop | thief | wedge |
The Amazing Dr. Clitterhouse (1938) | Rocks (Double Cross) | 0:48:56 - Rocks thinks of a double-cross | antagonist | chromatic parallelism | criminal | diminished 7th chord | doctor | double-cross | dramatic | gangster | leading man | murderer | murdering | plotting | robbery | sinister | store | thief | trapping |
The Amazing Dr. Clitterhouse (1938) | Locked in vault | 0:49:06 - Dr. Clitterhouse locked in safe | anxious | chromatic parallelism | chromatic scale | criminal | doctor | double-cross | dramatic | gangster | leading man | murderer | murdering | panicking | polychord | pounding | robbery | safe | store | tense | thief | trapping | vault | yelling |
The Amazing Dr. Clitterhouse (1938) | The Motor | 0:49:21 - Rocks starts the refrigeration motor | antagonist | anxious | criminal | diminished 7th chord | doctor | double-cross | dramatic | gangster | gauge | leading man | lowering | machine | mickey-mousing | motor | murderer | murdering | ostinato | panicking | pedal tone | pounding | robbery | spinning | store | temperature | tense | thief | trapping | whirling | yelling |
The Amazing Dr. Clitterhouse (1938) | The Amazing Doctor + The Motor | 0:49:36 - Dr. Clitterhouse in safe | anxious | combination of themes | criminal | doctor | double-cross | dramatic | gangster | gauge | leading man | machine | motor | murderer | murdering | ostinato | panicking | pedal tone | robbery | spinning | store | tense | thief | trapping | whirling |
The Amazing Dr. Clitterhouse (1938) | The Motor (Getting Colder) | 0:49:43 - The vault gets colder | anxious | chromatic scale | criminal | dissonant bass | doctor | double-cross | dramatic | gangster | gauge | leading man | lowering | machine | motor | murderer | murdering | ostinato | panicking | pedal tone | pounding | robbery | spinning | store | temperature | tense | thief | trapping | whirling | yelling |
The Amazing Dr. Clitterhouse (1938) | Rocks goes downstairs | 0:50:05 - Rocks goes down the stairs | antagonist | anxious | criminal | descending | diminished 7th chord | double-cross | dramatic | gangster | mickey-mousing | murderer | robbery | stairs | store | temperature | tense | thief | walking |
The Amazing Dr. Clitterhouse (1938) | The Amazing Doctor + The Motor | 0:50:11 - Butch comes back | anxious | combination of themes | criminal | doctor | double-cross | dramatic | gangster | hurrying | leading man | motor | murderer | ostinato | robbery | store | temperature | tense | thief |
The Amazing Dr. Clitterhouse (1938) | Rocks (Sneaking) + The Motor | 0:50:14 - Rocks sneaks around in the dark | antagonist | anxious | combination of themes | criminal | diminished 7th chord | doctor | double-cross | dramatic | gangster | leading man | motor | murderer | ostinato | robbery | sneaking | store | temperature | tense | thief |
The Amazing Dr. Clitterhouse (1938) | The Amazing Doctor + The Motor | 0:50:22 - Butch runs downstairs | anxious | chromatic scale | combination of themes | criminal | double-cross | down | downstairs | dramatic | gangster | mickey-mousing | motor | ostinato | robbery | store | tense | thief | walking |
The Amazing Dr. Clitterhouse (1938) | Butch goes downstairs | 0:50:22 - Butch runs downstairs | anxious | chromatic scale | combination of themes | criminal | double-cross | down | downstairs | dramatic | gangster | mickey-mousing | robbery | store | tense | thief | walking |
The Amazing Dr. Clitterhouse (1938) | The Amazing Doctor (Rocks) + Rocks (The Amazing Doctor) | 0:50:33 - Rocks goes out to the truck | antagonist | anxious | combination of themes | criminal | dissonant bass | double-cross | dramatic | gangster | lying | murderer | pc set | robbery | street | tense | thief | tritone |
| Angels With Dirty Faces (1938) | The Gangster (Triste) | 1:23:57 - Rocky uses Jerry as a hostage | 9th chord | building | chromatic parallelism | conflict | coughing | dark | double-cross | foreign key modulation | fragmentation | gangster | hostage | leading man | linear chromaticism | major 7th chord | menacing | polychord | priest | smoke | somber | street | tear gas | walking |
Angels With Dirty Faces (1938) | Jerry (Hostage) | 1:25:07 - Rocky pushes Jerry | augmented sixth chord | conflict | double-cross | gangster | hostage | leading man | mysterious | priest | pushing | street | tense |
| Her Kind of Man (1946) | Candy (Dark) | 1:12:58 - Candy leaves | bar | calling | conversing | criminal | dark | double-cross | gambler | henchman | husband | leading man | murderer | ominous | pc set | stinger | telephone | turning point | warehouse |
Her Kind of Man (1946) | Underscoring (Dramatic [Steiner]) | 1:14:17 - Cop looks at his watch | climax | conversing | criminal | double-cross | dramatic | henchman | leading lady | leading man | parallelism | police | reporter | room | singer | stinger | telephone | tense | underscoring | watch | wife |
Her Kind of Man (1946) | Candy (Molto Marcato) | 1:14:49 - Gun in a glove compartment | car | climax | dark | double-cross | driving | gun | hurrying | husband | pc set | revenge | rushing | widow |
Her Kind of Man (1946) | Underscoring (Tense [Steiner]) | 1:15:00 - Candy in the alley | arriving | climax | criminal | double-cross | driving | gambler | henchman | hiding | husband | leading man | murderer | revenge | signaling | sneaking | street | syncopation | tense | underscoring | warehouse | widow |
Her Kind of Man (1946) | Candy (Tragic) | 1:15:28 - Candy in the shadows | chromatic scale | climax | conversing | criminal | double-cross | gambler | henchman | hiding | husband | leading man | murderer | revenge | sequence | street | tense | tragic | walking | widow |
Her Kind of Man (1946) | Underscoring (Dramatic [Steiner]) | 1:15:53 - Joe shoots at Steve | climax | criminal | double-cross | dramatic | dying | falling | gambler | gun | gunshot | henchman | husband | leading man | murder | murderer | parallelism | revenge | shooting | street | widow |
Her Kind of Man (1946) | Candy (Mr. Candy) | 1:16:09 - Candy bends over Steve's body | chromatic scale | climax | conversing | criminal | dark | double-cross | dying | gambler | heavy | henchman | leading man | murder | murderer | revenge | street |
Her Kind of Man (1946) | Speeding | 1:16:29 - Candy tries to run away | arriving | capturing | car | chromatic parallelism | chromatic scale | chromatic sequence | climax | criminal | double-cross | dramatic | gambler | henchman | leading man | murder | murderer | omnibus progression | police | reporter | revenge | running | street | tense |
Her Kind of Man (1946) | Candy (Agitato) | 1:16:53 - Don confronts Candy | agitated | arguing | climax | confronting | criminal | double-cross | gambler | henchman | leading man | murder | murderer | pc set | police | reporter | revenge | sequence | street | tense |
| Mara Maru (1952) | Cross (Fragment) | 0:41:40 - A cross on Ortega's keychain | arguing | brother | cross | distrust | dramatic | establish character | gun | keys | leading man | room | stinger |
Mara Maru (1952) | Manuelo (Molto Appassionato) | 0:48:42 - Manuelo mourns for his brother | cross | crying | dark | death | death scene | dock | embracing | evidence | leading man | mourning | somber | stinger | worker |
Mara Maru (1952) | Adoramus te Christe | 0:49:05 - A cross and some candles | brother | church | conversing | cross | crowd | crying | embracing | evidence | funeral scene | leading man | mother | mourner | mourning | police | praying | priest | private eye | somber | source music | worker |
Mara Maru (1952) | Ortega | 0:58:27 - Gregory talks to Stella about Ortega | conversing | cross | leading lady | leading man | love interest | love scene | mysterious | sailing | ship | ship | tense |
Mara Maru (1952) | Underscoring (Dramatic) | 1:19:37 - The cross in a treasure chest | action scene | antogonist | breaking | captain | cross | dark | diver | dramatic | dropping | leading lady | leading man | love interest | private eye | rain | reveal | ship | storm | throwing | treasure | underscoring | wind | worker | yelling |
Mara Maru (1952) | Cross (Distorted) | 1:19:49 - The cross is revealed | action scene | antogonist | arguing | captain | cross | dark | diver | hymn-like | leading lady | leading man | love interest | private eye | rain | ship | storm | tense | treasure | wind | worker | yelling |
Mara Maru (1952) | Underscoring (Tense) | 1:20:01 - Benedict grabs the cross | action scene | antogonist | arguing | captain | cross | diver | dramatic | falling | leading lady | leading man | love interest | ordering | private eye | punching | rain | ship | storm | tense | treasure | underscoring | wind | worker |
Mara Maru (1952) | Underscoring (Dramatic) | 1:20:13 - Fortuno grabs Gregory | action scene | antogonist | captain | cross | diver | dramatic | leading lady | leading man | love interest | private eye | rain | ship | storm | tense | treasure | underscoring | wind | worker | yelling |
Mara Maru (1952) | Rushing | 1:20:29 - Benedict runs in to check the compass | action scene | antogonist | captain | cross | diver | dramatic | hurrying | leading lady | leading man | love interest | private eye | rain | running | rushing | rushing effect | ship | storm | tense | treasure | wind | worker | yelling |
Mara Maru (1952) | Underscoring (Tense) | 1:21:01 - Gregory gives orders | action scene | antogonist | captain | cross | diver | dramatic | fanfare | leading lady | leading man | love interest | ordering | private eye | rain | ship | storm | tense | treasure | wind | worker | yelling |
Mara Maru (1952) | Very Stormy | 1:21:22 - A waves splashes onboard | action scene | antogonist | captain | cross | diver | dramatic | leading lady | leading man | love interest | private eye | rain | ship | storm | tense | treasure | walking | wave | wave effect | wind | worker |
Mara Maru (1952) | Hurrying | 1:23:36 - People running from the boat | antogonist | chase scene | chasing | cross | escaping | fleeing | frantic | hurrying | leading lady | leading man | love interest | private eye | rain | rock | running | ship | ship wreck | storm | wave | wind | worker |
Mara Maru (1952) | The Escape | 1:23:42 - People running from the boat | antogonist | chase scene | chasing | corpse | cross | dark | death | dramatic | escaping | fleeing | frantic | gun | gunshot | hurrying | leading lady | leading man | love interest | mickey-mousing | murder | murderer | private eye | rain | rock | running | ship | ship wreck | shooting | stinger | storm | wind | worker |
Mara Maru (1952) | The Wind | 1:24:04 - Wind rushing through the trees | chase scene | chasing | cross | dramatic | escaping | fleeing | frantic | gun | hurrying | jungle | leading lady | leading man | love interest | rain | running | storm | wind | wind effect | worker |
Mara Maru (1952) | Benedict (Molto Marcato) | 1:24:17 - Benedict chases Gregory | antagonist | bodyguard | chase scene | chasing | cross | dark | dramatic | escaping | fleeing | frantic | gun | hurrying | jungle | murderer | rain | running | storm | wind |
Mara Maru (1952) | Gregory (Running) | 1:24:20 - Gregory runs from Benedict | chase scene | chasing | cross | dramatic | escaping | fleeing | frantic | gun | heroic | hurrying | jungle | leading lady | leading man | love interest | rain | running | running effect | storm | wind | worker |
Mara Maru (1952) | Benedict (Chasing) | 1:24:24 - Benedict chases Gregory | antagonist | bodyguard | chase scene | chasing | cross | dark | dramatic | escaping | fleeing | frantic | gun | hurrying | jungle | murderer | rain | running | storm | wind |
Mara Maru (1952) | Underscoring (Dramatic) | 1:24:27 - Gregory runs from Benedict | chase scene | chasing | cross | dramatic | escaping | fleeing | frantic | gun | hurrying | jungle | leading lady | leading man | love interest | rain | running | rushing effect | storm | wind | worker |
Mara Maru (1952) | The Wind | 1:24:31 - Gregory runs from Benedict | chase scene | chasing | cross | dramatic | escaping | fleeing | frantic | gun | hurrying | jungle | leading lady | leading man | love interest | rain | running | storm | wind | wind effect | worker |
Mara Maru (1952) | Benedict | 1:24:37 - Benedict chases Gregory | antagonist | bodyguard | chase scene | chasing | cross | dark | dramatic | escaping | fleeing | frantic | gun | gunshot | hurrying | jungle | murderer | rain | running | storm | wind |
Mara Maru (1952) | Pursuing | 1:24:39 - Benedict chases Gregory | antogonist | bodyguard | chase scene | chasing | cross | dark | dramatic | escaping | fear | fleeing | frantic | gun | hurrying | jungle | leading man | mickey-mousing | murderer | rain | running | running effect | rushing effect | storm | tense | wind |
Mara Maru (1952) | Hiding | 1:24:54 - Gregory hides in the bushes | chase scene | cross | dark | dramatic | fear | frantic | gun | hiding | jungle | leading man | mickey-mousing | rain | storm | tense | wind |
Mara Maru (1952) | Rolling down the hill | 1:24:58 - Gregory rolls down the hill | antogonist | bodyguard | chase scene | cross | dark | descending | dramatic | falling | frantic | gun | jungle | leading man | mickey-mousing | murderer | rain | rolling | storm | tense | wind |
Mara Maru (1952) | Benedict (Shrill) | 1:25:03 - Benedict chases Gregory | antogonist | bodyguard | chase scene | chasing | cross | dark | dramatic | escaping | fleeing | frantic | gun | hurrying | jungle | leading man | murderer | rain | running | shrill | storm | tense | wind |
Mara Maru (1952) | Gregory + Struggling (Dissonant) | 1:25:07 - Gregory runs away | antogonist | bodyguard | chase scene | chasing | cross | dark | dramatic | escaping | fleeing | frantic | gun | hurrying | jungle | leading man | murderer | rain | running | storm | tense | wind |
Mara Maru (1952) | Struggling 2 (Escape) | 1:25:17 - Gregory emerges from the jungle | calm | chase scene | cross | escaping | jungle | leading lady | leading man | love interest | tense | walking | wind | worker |
Mara Maru (1952) | Cross | 1:26:54 - Manuelo holds the cross | arguing | calm | cross | hut | hymn-like | leading lady | leading man | love interest | religious | turning point | worker |
Mara Maru (1952) | Cross (Tense) | 1:27:07 - Gregory grabs Manuelo | arguing | cross | falling | hut | hymn-like | leading lady | leading man | love interest | religious | slapping | tense | turning point | worker |
Mara Maru (1952) | Cross (Maestoso) | 1:27:18 - Gregory slaps Manuelo | arguing | cross | hut | hymn-like | leading lady | leading man | love interest | majestic | reacting | slapping | tense | turning point | worker |
Mara Maru (1952) | Cross (Appassionato) | 1:28:12 - Manuelo runs away | action scene | church | cross | fleeing | hymn-like | jungle | passionate | searching | walking | worker |
Mara Maru (1952) | Cross (Religioso) | 1:28:41 - Manuelo sees the church | action scene | car | church | collapsing | cross | headlights | hiding | hymn-like | passionate | religious | scrambling | shadow | street | suspect | worker |
Mara Maru (1952) | Underscoring (Tense) | 1:29:14 - Manuelo collapses | action scene | car | church | collapsing | cross | dark | headlights | scrambling | shadow | street | suspect | tense | underscoring | worker |
Mara Maru (1952) | Molto Misterioso | 1:31:38 - Gregory explores the catacombs | advance plot | catacomb | cave | cross | echo | echo effect | following | leading man | mysterious | searching | suspsect | tunnel |
Mara Maru (1952) | Underscoring (Dramatic) | 1:31:56 - Ortega tries to escape | advance plot | catacomb | cave | cross | dramatic | following | leading man | mysterious | searching | suspsect | throwing | tunnel | underscoring |
Mara Maru (1952) | Grabbing | 1:32:13 - Gregory grabs Ortega | advance plot | arguing | catacomb | cave | cross | dramatic | grabbing | interrogating | leading man | mickey-mousing | mysterious | suspsect | tunnel |
Mara Maru (1952) | Underscoring (Tense) | 1:32:18 - Gregory interrogates Ortega | advance plot | arguing | catacomb | cave | cross | grabbing | interrogating | leading man | suspsect | tense | tunnel | underscoring |
Mara Maru (1952) | Cross (Fragment) | 1:32:29 - Ortega explains himself | advance plot | arguing | catacomb | cave | cross | dark | grabbing | interrogating | leading man | suspsect | tunnel |
Mara Maru (1952) | Benedict (Agitato) | 1:32:39 - Ortega accuses Benedict | advance plot | agitated | arguing | catacomb | cave | cross | interrogating | leading man | mysterious | suspsect | tunnel | uneasy |
Mara Maru (1952) | Grabbing 2 | 1:32:55 - Gregory grabs Ortega | advance plot | arguing | catacomb | cave | cross | dramatic | grabbing | interrogating | leading man | mickey-mousing | suspsect | tunnel |
Mara Maru (1952) | Cross (Maestoso Religioso) | 1:33:02 - Ortega offers Gregory the cross | advance plot | arguing | catacomb | cave | cross | giving | hymn-like | leading man | pleading | reacting | religious | suspsect | tense | tunnel |
Mara Maru (1952) | Underscoring (Tense) | 1:33:38 - Ortega pleads with Gregory | advance plot | arguing | catacomb | cave | cross | leading man | pleading | suspsect | tense | tunnel | underscoring |
Mara Maru (1952) | Cross (Fragment 2) | 1:33:52 - Gregory leaves with the cross | advance plot | catacomb | cave | cross | departing | leading man | leaving | suspsect | tunnel | uneasy |
Mara Maru (1952) | Underscoring (Dramatic) | 1:33:58 - Fortuno shoots at Gregory | action scene | antagonist | bodyguard | catacomb | cave | chasing | climax | cross | dramatic | escaping | gun | gunshot | leading man | murderer | running | shooting | suspsect | tense | tunnel |
Mara Maru (1952) | The Chase | 1:34:03 - Ortega and Gregory run away | action scene | antagonist | bodyguard | catacomb | cave | chasing | climax | cross | dramatic | escaping | gun | gunshot | leading man | mickey-mousing | murderer | running | running effect | shooting | suspsect | tense | tunnel |
Mara Maru (1952) | Benedict (Menacing) | 1:34:30 - Ortega tries to block the door | action scene | antagonist | arguing | blocking | bodyguard | catacomb | cave | climax | cross | defending | dramatic | gun | gunshot | leading man | martyr | menacing | murderer | ominous | protecting | pushing | running | tunnel | victim |
Mara Maru (1952) | Ortega is Shot | 1:34:42 - Ortega is shot | action scene | antagonist | blocking | bodyguard | catacomb | cave | climax | cross | death | dramatic | dying | falling | gun | gunshot | leading man | martyr | murder | murderer | passionate | sentimental | shooting | somber | tunnel | victim |
Mara Maru (1952) | Police | 1:34:53 - The police enter | action scene | antagonist | bodyguard | catacomb | cave | chasing | climax | cross | dramatic | gun | gunshot | heroic | leading man | martyr | murderer | police | running | shooting | stairs | tense | tunnel | victim |
Mara Maru (1952) | Descending the stairs | 1:34:55 - Fortuno runs down the stairs | action scene | antagonist | bodyguard | catacomb | cave | chasing | climax | cross | descending | dramatic | gun | gunshot | leading man | martyr | mickey-mousing | murderer | police | running | stairs | tense | tunnel | victim |
Mara Maru (1952) | Underscoring (Dramatic) | 1:35:15 - Benedict confronts Gregory | action scene | antagonist | attacking | catacomb | cave | climax | cross | dramatic | leading man | martyr | murderer | tense | tunnel | victim |
Mara Maru (1952) | Gregory (Expressivo) | 1:36:22 - Stella and Gregory look at each other | catacomb | cave | comforting | conversing | corpse | cross | death | dying | leading lady | leading man | love interest | martyr | resolution | solemn | somber | tunnel | victim | worker |
Mara Maru (1952) | Cross (Cello Solo) | 1:36:55 - Manuelo mourns Ortega's death | catacomb | cave | corpse | cross | crying | death | hymn-like | leading lady | leading man | looking | love interest | martyr | reacting | resolution | solemn | somber | thinking | tunnel | victim | worker |
Mara Maru (1952) | The End | 1:37:33 - Gregory gives the cross to Manuelo | catacomb | cave | corpse | cross | crying | death | deciding | departing | end title sequence | fade-out | leading lady | leading man | looking | love interest | map | martyr | reacting | redmption | religious | religious | resolution | The End | thinking | triumphant | tunnel | victim | worker |
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