Tag Search Results


Home | Tag Data


Loading...

138 results for "driving" in 26 films — see also drive | speeding | steering | swing | traveling

FilmTheme nameInstanceTags
Angels With Dirty Faces (1938)Explosion0:07:16 - Building explodes after car drives bybomb | chromatic scale | dissonant bass | dramatic | driving | establish character | explosion | gangster | mickey-mousing | montage | polychord | street | throwing

Angels With Dirty Faces (1938)

I've Got a Heartfelt of Music0:08:31 - People in the streetABAC structure | cheerful | crowd | driving | headline | newspaper | radio | source music | street | transition | walking
Beyond the Forest (1949)The Cliff1:19:13 - Rosa looks out of the car windowaction scene | car | car | cliff | contemplating | descending | driving | leading lady | leading man | murderer | tense

Beyond the Forest (1949)

Chicago (Dark)1:19:25 - Rosa sitting in a caraction scene | car | car | cliff | conversing | descending | driving | familiar tune | leading lady | leading man | murderer | ominous | popular tune

Beyond the Forest (1949)

The Cliff (Car Stops)1:19:36 - Rosa sitting in a caraction scene | car | car | cliff | conversing | descending | driving | leading lady | leading man | murderer | tense
The Big Sleep (1946)Car0:19:13 - Car arrives at Geiger's housecar | driving | leading man | mysterious | private eye | rain | street | tense | transition

The Big Sleep (1946)

Walking (The Car)NIF - not in filmcar | deleted scene | driving | femme fatale | foreign key modulation | leading man | parallelism | pedal tone | private eye | room | sequential modulation | tense | transition

The Big Sleep (1946)

Marlowe (Taxi)0:39:05 - Marlowe talks to the lady cab driver9th chord | car | car | chromatic scale | driver | driving | following | investigation scene | leading man | mysterious | private eye | taxi | tense

The Big Sleep (1946)

Station Wagon0:39:16 - Marlowe follows a station wagoncar | car | driver | driving | following | investigation scene | leading man | mysterious | private eye | taxi | tense

The Big Sleep (1946)

Marlowe 2 (Waiting)0:47:11 - Marlowe waits in his car9th chord | car | driving | investigation scene | leading man | mysterious | private eye | tense | waiting

The Big Sleep (1946)

Car0:47:32 - Another car arrivesarriving | driving | investigation scene | leading man | mysterious | ostinato | private eye | street | tense | waiting

The Big Sleep (1946)

The Pursuit0:57:09 - Marlowe pursues killer in his carassassin | car | chase scene | chasing | chromatic scale | dissonant bass | driving | gun | hiding | leading man | murderer | ostinato | private eye | pursuing | street | syncopation | tense

The Big Sleep (1946)

Driving1:14:54 - Marlowe and Vivian in the caraugmented sixth chord | car | car | driving | leading lady | leading man | love interest | love scene | mickey-mousing | oscillation | ostinato | private eye | tense

The Big Sleep (1946)

Hurrying (Car)1:33:13 - Marlowe drives in a caradded-note chord | car | driving | hurried | leading man | parallelism | private eye | sequential modulation | street | tense | traveling scene

The Big Sleep (1946)

Underscoring (Tense)1:33:20 - Marlowe backs the car upcar | driving | leading man | private eye | street | tense | traveling scene | underscoring

The Big Sleep (1946)

Hurrying (Car)1:33:25 - Marlowe continues drivingadded-note chord | car | driving | fragmentation | hurried | leading man | parallelism | picardy third | private eye | sequential modulation | street | tense | traveling scene

The Big Sleep (1946)

Hurrying (Car)1:33:50 - Marlowe drives off the roadcar | chromatic scale | driving | fragmentation | hurried | leading man | private eye | sequence | street | tense | traveling scene

The Big Sleep (1946)

Driving 21:43:54 - Marlowe and Vivian drive awaycar | conversing | driving | leading lady | leading man | love interest | love scene | ostinato | pc set | private eye | sequence | tense

The Big Sleep (1946)

Driving 2 + Vivian1:44:16 - Vivian tells Marlowe she loves him9th chord | 13th chord | car | chromatic parallelism | conversing | driving | leading lady | leading man | love | love interest | love scene | ostinato | private eye | romantic | suspension | tense

The Big Sleep (1946)

Driving 21:44:32 - Vivian and Marlowe talk in the carcar | conversing | driving | leading lady | leading man | love interest | love scene | ostinato | private eye | sequence | tense

The Big Sleep (1946)

Driving 2 + Vivian1:44:44 - Vivian and Marlowe talk in the carcar | conversing | driving | leading lady | leading man | love | love interest | love scene | ostinato | private eye | romantic | tense | whole-tone chord

The Big Sleep (1946)

Driving 21:44:51 - Vivian and Marlowe talk in the carcar | conversing | driving | leading lady | leading man | love interest | love scene | ostinato | pc set | private eye | tense | whole-tone chord

The Big Sleep (1946)

Driving 2 + Carmen1:45:06 - Marlowe talks about Carmencar | conversing | driving | leading lady | leading man | love interest | love scene | ostinato | private eye | tense | whole-tone chord

The Big Sleep (1946)

Driving 2 + Vivian1:45:21 - Marlowe tells Vivian he loves her9th chord | 13th chord | arriving | car | chromatic parallelism | conversing | driving | leading lady | leading man | love | love interest | love scene | ostinato | private eye | romantic | suspension | tense
Caged (1950)Caged (Main Title)NIF - not in filmcar | cut from film | dark | driving | guard | opening title sequence | police car | prisoner | riding | title of film

Caged (1950)

Police VanNIF - not in filmcar | cut from film | dark | driving | guard | opening title sequence | point-of-view shot | police car | prisoner | riding | siren effect | tense

Caged (1950)

Caged (Van Stops)NIF - not in filmcar | cut from film | dark | driving | guard | opening title sequence | police car | prisoner | riding | tense

Caged (1950)

Caged0:00:08 - Title of filmcar | cast list | dark | driving | guard | opening title sequence | point-of-view shot | police car | prisoner | title of film
City for Conquest (1940)Googi (The Car)1:13:38 - Googi in the carcar | car | conversing | criminal | diminished 7th chord | dissonant bass | driving | gangster | manager | murder scene | ominous | tense | trill

City for Conquest (1940)

Tone Poem A (Ominous)1:14:02 - Googi talks with the boxing managers9th chord | arguing | car | car | criminal | dissonant bass | driving | fragmentation | gangster | manager | murder scene | ominous | tense

City for Conquest (1940)

Googi (The Car)1:14:32 - Googi threatens Cobbcar | car | criminal | diminished 7th chord | dissonant bass | driving | gangster | manager | murder | murderer | murder scene | ominous | tense | threatening | trill

City for Conquest (1940)

Googi (Hysterical)1:14:42 - Cobb pleads for mercyaugmented triad | begging | car | car | chromatic sequence | criminal | driving | equal division of octave | gangster | manager | murder | murderer | murder scene | ominous | tense

City for Conquest (1940)

Underscoring (Tense)1:14:48 - Googi threatens Cobbcar | car | chromatic parallelism | chromatic scale | criminal | dissonant bass | driving | gangster | manager | murder | murderer | murder scene | ominous | tense | threatening

City for Conquest (1940)

Tone Poem A (Very Rough)1:15:00 - The car pulls to a stoparriving | car | criminal | dark | dock | driving | gangster | manager | murderer | murder scene | threatening | tritone | whole-tone chord
They Made Me a Criminal (1939)They Say0:13:05 - Doc and Goldie in Johnnie's caraction scene | car | car | criminal | drinking | driving | floozy | happy | murderer | radio | source music

They Made Me a Criminal (1939)

On the Make0:49:40 - Johnnie and Peggy drive in a carABAB structure | added-note chord | altered dominant | car | car | cheerful | conversing | driving | hero | leading lady | leading man | linear chromaticism | love scene | mode mixture | phrase extension | romantic | traveling

They Made Me a Criminal (1939)

On the Make (Extended)0:53:21 - Johnnie and Peggy drive in a carABAB structure | added-note chord | advance plot | altered dominant | car | car | cheerful | conversing | driving | hero | kissing | leading lady | leading man | linear chromaticism | mode mixture | phrase extension | romantic | traveling
Death of a Scoundrel (1956)Cab Ride0:00:11 - Cab driving through the big citycar | driving | mickey-mousing
Deep Valley (1947)Homestead (Moderato 2)0:18:58 - A truck arrivesarriving | bright | calm | car | crew | driving | leading man | lovers meet | street

Deep Valley (1947)

Barry (Running)1:37:23 - Libby chases Barryarguing | car | chasing | climax | convict | crying | dramatic | driving | fleeing | fugitive | leading lady | leading man | love interest | running | street

Deep Valley (1947)

Molto Expressivo1:37:28 - Barry pushes Libby awayarguing | car | chasing | climax | convict | crying | dramatic | driving | falling | fleeing | fugitive | leading lady | leading man | love interest | running | street

Deep Valley (1947)

Deep Valley (Climactic)1:37:35 - Libby on the groundcar | chasing | climax | convict | crying | dramatic | driving | fleeing | fugitive | leading lady | leading man | love interest | street

Deep Valley (1947)

Car Crash1:37:49 - Barry's car runs off the roadcar | climax | convict | crashing | dramatic | driving | falling | fleeing | fugitive | leading man | love interest | mickey-mousing | street | swerving
The FBI Story (1959)The Bureau (Ascending)1:08:42 - Sam and Chip drive to find some hoodlumscar | driving | FBI | flashback

The FBI Story (1959)

Driving1:19:50 - Two cars following one another down a dusty roadcar | chasing | driving | flashback | motoric

The FBI Story (1959)

The Marines' Hymn (Con Moto)2:28:15 - Chip's family drives around Washington DCcar | combination of themes | driving | family | memorial | soldier | Washington DC
Flamingo Road (1949)DrivingNIF - not in filmcar | cut from film | driving | foreign key modulation | leading lady | leading man | love interest | love scene

Flamingo Road (1949)

Titus + Agitato (Extended)0:39:55 - Police take Lane awayarresting | combination of themes | conflict | driving | leading lady | police | self-borrowing | street | tense | turbulent

Flamingo Road (1949)

Lute Mae (Driving)0:53:02 - Lane drives Dan to the construction site13th chord | added-note chord | arriving | car | car | comical | common-chord modulation | driving | leading lady | leading man | love interest | politician | rushed | self-borrowing | transition | traveling

Flamingo Road (1949)

If I Could Be With You (Dramatic)1:11:05 - Boldon Lumber Companyconflict | dark | dramatic | driving | foreshadowing | half-diminished 7th chord | sheriff | street

Flamingo Road (1949)

Agitato (Angry)1:29:00 - Lane goes to confront Titusadvance plot | angry | car | chromatic parallelism | chromatic scale | chromatic wedge | dramatic | driving | leading lady | polychord | source and scoring overlap | tense
Hell on Frisco Bay (1955)Underscoring (Dramatic)1:34:53 - Steve climbs in the boataction scene | boat | dock | dramatic | driving | gangster | inspector | leading man | tense | underscoring

Hell on Frisco Bay (1955)

Underscoring (Tense)1:36:23 - The boat approaches a wallaction scene | boat | dock | driving | inspector | leading man | tense | underscoring
Her Kind of Man (1946)Underscoring (Dramatic [Waxman])0:42:19 - Approaching headlightsaction scene | criminal | dark | departing | dramatic | driving | henchman | leading man | leaving | reporter | street | stumbling | underscoring

Her Kind of Man (1946)

The Escape1:03:50 - Steve tries to escapeaction scene | car | chasing | club | crowd | dramatic | driving | escaping | gambler | husband | jumping | leading man | mickey-mousing | murderer | police | running | sister | street | victim

Her Kind of Man (1946)

It Had to Be You (Mysterious)1:07:50 - Don leavesadvance plot | arriving | car | car | criminal | driving | familiar tune | gambler | henchman | leading lady | leading man | murderer | mysterious | popular music | signaling | singer | street | warehouse | wife

Her Kind of Man (1946)

Speeding1:14:21 - Policeman drivingcar | climax | dramatic | driving | hurrying | leading lady | leading man | police | reporter | rushing | singer | tense | wife | yelling

Her Kind of Man (1946)

Candy (Molto Marcato)1:14:49 - Gun in a glove compartmentcar | climax | dark | double-cross | driving | gun | hurrying | husband | revenge | rushing | widow

Her Kind of Man (1946)

Underscoring (Tense [Steiner])1:15:00 - Candy in the alleyarriving | climax | criminal | double-cross | driving | gambler | henchman | hiding | husband | leading man | murderer | revenge | signaling | sneaking | street | tense | underscoring | warehouse | widow
I Was a Communist for the FBI (1951)Undercover Agent (Misterioso)0:59:50 - Agent watchescar | communist | driving | escaping | leading lady | leading man | mysterious | spy | street | teacher | transition | undercover agent
In This Our Life (1942)Driving0:38:19 - Roy and Craig in a carcalm | car | conversing | driving | leading lady | leading man | love interest | love scene

In This Our Life (1942)

Driving + Love Theme0:39:07 - Roy and Craig in a carcalm | car | combination of themes | conversing | driving | leading lady | leading man | love interest | love scene | romantic

In This Our Life (1942)

Driving + Stanley1:08:53 - Stanley drivingcar | car | child | combination of themes | crime scene | criminal | driving | drunk | leading lady | mysterious | street | tense | uneasy | victim | walking

In This Our Life (1942)

Underscoring (Dramatic)1:09:01 - Stanley has an accidentcar | child | crashing | crime scene | criminal | dramatic | driving | drunk | leading lady | street | victim

In This Our Life (1942)

Car crash1:09:01 - Stanley hits two pedestriansaccident | car | car crash | crashing | crime scene | criminal | dramatic | driving | drunk | dying | falling | hit and run | leading lady | mickey-mousing | street | victim

In This Our Life (1942)

Driving1:09:12 - Stanley drives awayaccident | car | car | car crash | crime scene | criminal | driving | drunk | fleeing | hit and run | leading lady | mysterious | tense

In This Our Life (1942)

Police1:09:16 - A police car arrivesarriving | car | driving | investigation scene | menacing | police | room | tense

In This Our Life (1942)

Underscoring (Dramatic)1:28:57 - Stanley escapesclimax | criminal | dramatic | driving | escaping | lawyer | leading lady | leading man | room | underscoring | watching

In This Our Life (1942)

Driving1:29:17 - Stanley driving her carcriminal | driving | escaping | leading lady | street | tense | transition

In This Our Life (1942)

Police (Chase)1:32:36 - Stanley runs for her carconflict | criminal | driving | fleeing | hiding | leading lady | police | running | rushing | street | tense

In This Our Life (1942)

Stanley (Chase)1:32:59 - The police chase after Stanleychase scene | chasing | climax | criminal | desperate | dramatic | driving | fleeing | leading lady | police | street | tense

In This Our Life (1942)

Stanley (Fleeing)1:33:12 - The police chase after Stanleychase scene | chasing | climax | criminal | desperate | dramatic | driving | fleeing | leading lady | police | street | tense

In This Our Life (1942)

Underscoring (Dramatic)1:33:29 - Two other policeman see Stanleychase scene | chasing | climax | criminal | dark | dramatic | driving | fleeing | leading lady | police | street | tense | underscoring | watching

In This Our Life (1942)

Stanley (Crying)1:33:37 - Stanley crying in her carchase scene | chasing | climax | criminal | crying | dark | dramatic | driving | fleeing | leading lady | police | somber | street | tense

In This Our Life (1942)

Stanley B (Rising Tension)1:33:49 - The police in hot pursuitchase scene | chasing | climax | combination of themes | criminal | desperate | dramatic | driving | fleeing | leading lady | police | street | tense

In This Our Life (1942)

Stanley (Desperate)1:34:02 - The police in hot pursuitchase scene | chasing | climax | criminal | crying | desperate | dramatic | driving | fleeing | leading lady | police | street | tense

In This Our Life (1942)

Underscoring (Dramatic)1:34:09 - Stanley's eyes in the rear-view mirrorchase scene | chasing | climax | criminal | crying | desperate | dramatic | driving | fleeing | leading lady | police | street | tense | underscoring

In This Our Life (1942)

Car crash 21:34:17 - Stanley's car crashesbrash | car | car crash | chase scene | climax | crashing | criminal | dramatic | driving | dying | falling | fire | leading lady | mickey-mousing | police | street | tense
The Letter (1940)Leslie (Maestoso)0:06:11 - Robert arrives at the plantationbold | brassy | changing meter | dark | driving | home | husband | oscillation | transition | tritone

The Letter (1940)

Mrs. Hammond (Grandioso)0:53:54 - Leslie approaches the carantagonist | Chinese | Chinese | driving | lawyer | leading lady | mysterious | open fifth | parallel fifths | pedal tone | pentatonic | plantation | transition

The Letter (1940)

Chinese Quarter0:54:15 - The car enters the Chinese Quarterantagonist | Chinatown | Chinese | Chinese | driving | exotic | exoticism | lawyer | leading lady | open fifth | parallel fifths | parallelism | pentatonic | setting | transition
Lightning Strikes Twice (1951)Shelly (Traveling) + Shelly 20:10:13 - Shelly drives through desertactor | bright | car | cheerful | combination of themes | desert | double exposure | driving | leading lady | map | montage | motor effect | traveling | traveling scene | wheel | zoom in

Lightning Strikes Twice (1951)

Shelly (Traveling) + Shelly 2 (Allegretto)0:23:40 - Shelly travels to Tumblewood Ranchactor | arriving | bright | car | cheerful | combination of themes | countryside | cut from film | desert | driving | horse | leading lady | leading man | ranch | suspect | transition | traveling | walking

Lightning Strikes Twice (1951)

Shelly (Traveling) + Shelly 2 (Allegretto)0:51:09 - Shelly drives away from the Tumble Moon ranchactor | car | combination of themes | driving | leading lady | luggage | ranch | rancher | transition | traveling | upbeat

Lightning Strikes Twice (1951)

Underscoring (Dark)1:02:38 - Harvey drivesactor | arriving | car | conflict | danger | dark | driving | friend | leading lady | love interest | ranch | stopping | tense | underscoring

Lightning Strikes Twice (1951)

Shelly and Trev (Ecstatic)1:07:09 - A car pulls up the ranchactor | arriving | driving | embracing | kissing | leading lady | leading man | love interest | love scene | ranch | romantic | suspect

Lightning Strikes Twice (1951)

Shelly 2 (Fleeing)1:19:32 - Shelly runs to the caractor | chasing | dramatic | driving | fear | fleeing | husband | leading lady | leading man | mad scene | ranch | running | running effect | suspect

Lightning Strikes Twice (1951)

Shelly (Fleeing)1:19:41 - Trev sees Shelly drive awayactor | dramatic | driving | fear | fleeing | husband | leading lady | leading man | mad scene | ranch | running effect | suspect

Lightning Strikes Twice (1951)

Shelly (Molto Agitato)NIF - not in filmactor | agitated | arriving | car | cut from film | dark | driving | leading lady | ranch | tense | turning point

Lightning Strikes Twice (1951)

Menace (The Chase)1:27:42 - Liza and String drive awaybrother | car | chasing | climax | countryside | dramatic | driving | escaping | frantic | motorcycle | murderer | police | rancher | speeding | tense
Mildred Pierce (1945)Beach House0:42:49 - Mildred and Wally drive up to the beach house9th chord | arriving | beach house | driving | friend | heroine | leading lady | ocean | peaceful | transition | water | wave

Mildred Pierce (1945)

Walking0:49:48 - Driving to the beach house9th chord | beach house | cheerful | driving | falling in love scene | friend | heroine | leading lady | parallelism | room | traveling | walking

Mildred Pierce (1945)

Kay and Veda (Excited)1:13:21 - Veda drives away in her new caradded-note chord | advance plot | altered dominant | car | child | deceptive resolution | driving | excited | happy | heroine | kissing | leading lady | love interest | room | running

Mildred Pierce (1945)

Mildred (Revenge)1:43:57 - Mildred drives to the beach housecar | chromatic scale | common-tone diminished 7th | dark | dissonant bass | dramatic | driving | flashback ends | gun | heroine | leading lady | pc set | street | transition
The Life of Vergie Winters (1934)Everybody's Doing It Now0:03:48 - Horses and buggies in a small town streetaltered dominant | buggy | common-tone diminished 7th | deceptive resolution | driving | establish setting | establish time | horse | playful | popular song | riding | street
Out of the Fog (1941)Speeding Car (Arriving)1:11:50 - A speeding caraction scene | car | dramatic | driving | fisherman | friend | rushed | rushing | street | tense

Out of the Fog (1941)

Speeding Car1:12:30 - A car racing down the streetaction scene | car | double exposure | dramatic | driving | leading lady | point-of-view shot | police | rushed | rushing | street | tense

Out of the Fog (1941)

Speeding Car (Extended)1:13:32 - A car racing down the streetaction scene | car | crowd | double exposure | dramatic | driving | leading lady | minor-major 7th chord | point-of-view shot | police | questioning | reporter | rushed | rushing | street | tense
Kid Galahad (1937)New York Scene0:32:31 - Ward and Louise ride in a taxiadvance plot | driving | hurried | not by Steiner | street | transcribed by ear

Kid Galahad (1937)

Heart's Affair (Yearning)0:44:11 - Ward and Nick leave the farmadvance plot | altered dominant | car | deceptive resolution | driving | farm | leading man | leaving | manager | mother | not by Steiner | parting | sentimental | sister | transcribed by ear | yearning gesture

Kid Galahad (1937)

Doublecross1:15:33 - Nick reads a newspaper headlineadvance plot | driving | hotel | manager | newspaper | not by Steiner | passionate | reading | sequence | transcribed by ear
The Unfaithful (1947)Chris0:07:27 - Chris drives home9th chord | calm | car | driving | leading lady | street | transition

The Unfaithful (1947)

Chris 2 (Minor)0:07:37 - Chris arrives home9th chord | antagonist | car | cheerful | dark | driving | house | leading lady | sequential modulation | suspension | transition

The Unfaithful (1947)

Chris0:43:45 - Chris pulls up in a cab9th chord | added-note chord | driving | foreign key modulation | law office | leading lady | office | peaceful | spinning | transition

The Unfaithful (1947)

Attorney1:09:14 - Larry drives to the art shop64 chord | deceptive resolution | driving | heroic | lawyer | street | transition

The Unfaithful (1947)

Unfaithful (Driving)1:10:31 - Bob rides in a carcar | driving | husband | minor-major 7th chord | ominous | street | transition | whole-tone

The Unfaithful (1947)

Unfaithful (Risoluto)1:14:27 - Bob arrives homeangry | arriving | car | driving | fragmentation | house | husband | monophonic | transition
White Heat (1949)Driving0:14:09 - The gangsters drive awaydark | departing | driving | gangster | leading lady | leading man | menacing | moll | mother | murderer | rushing | self-borrowing | street | transition

White Heat (1949)

Speed0:16:46 - Sign for Milbanke Motelsarriving | car | dark | driving | gangster | leading man | murderer | self-borrowing | street | tense | transition

White Heat (1949)

Backing up0:17:00 - Cody backs uparriving | backing up | car | dark | driving | gangster | leading man | mickey-mousing | murderer | street | tense | transition

White Heat (1949)

Underscoring (Tense)0:18:58 - Agents pull up in a caradvance plot | agent | arriving | car | driving | street | tense

White Heat (1949)

Pursuit0:19:58 - Agents pursue Ma in their carsagent | car | chase scene | driving | following | mother | motor effect | pursuing | street | telephone | tense | uneasy

White Heat (1949)

Getaway0:21:01 - Ma speeds awayagent | car | chase scene | driving | following | mother | pursuing | street | tense | uneasy

White Heat (1949)

Pursuit (Tense)0:21:09 - Agents pursue Maagent | car | chase scene | driving | following | mother | motor effect | pursuing | street | telephone | tense | uneasy

White Heat (1949)

Underscoring (Dramatic)0:21:34 - Ma speeds ahead in her caragent | car | chase scene | dramatic | driving | escaping | mother | pursuing | street | tense | turning | underscoring

White Heat (1949)

Pursuit (Ominous)0:22:08 - Agents arrive at the moteladvance plot | agent | arriving | car | driving | motor effect | ominous | pursuing | street | telephone | tense

White Heat (1949)

Pursuit0:22:38 - The agents drive awayadvance plot | agent | car | driving | motor effect | pursuing | street | tense

White Heat (1949)

Agitato (Escaping)0:23:37 - Evans struggles on the groundaction scene | agent | agitated | car | dramatic | driving | escaping | gangster | gun | gunshot | leading lady | leading man | moll | mother | murderer | shooting | street | struggling | tense | wound

White Heat (1949)

Pursuit1:08:44 - The agents turn aroundagent | car | driving | leading man | police | prison break | rushing | street | tense | uneasy

White Heat (1949)

Truck1:36:45 - The truck engine startsadvance plot | driving | fugitive | gangster | leading man | mickey-mousing | murderer | starting | tense | truck | truck | undercover agent | worker

White Heat (1949)

Truck (Speeding)1:37:36 - Tanker drives down the streetchase scene | driving | fugitive | gangster | leading man | murderer | ominous | speeding | street | truck | undercover agent

White Heat (1949)

Cody 21:39:10 - Tanker drives down the streetcar | chase scene | dark | double exposure | driving | fugitive | gangster | leading man | montage | murderer | radio | speeding | street | truck | undercover agent

White Heat (1949)

Truck (Tutti)1:39:43 - Tanker pulls up to factorychase scene | dramatic | driving | fugitive | gangster | leading man | murderer | ominous | street | truck | undercover agent

White Heat (1949)

Cody (Mugs)1:39:57 - Gangsters in the tankerarriving | chase scene | dramatic | driving | factory | fugitive | gangster | guard | leading man | murderer | ominous | truck | truck | undercover agent | waiting

White Heat (1949)

Gate1:40:15 - The factory gate opensarriving | chase scene | closing | dark | driving | factory | fanfare | fugitive | gangster | gate | guard | leading man | murderer | opening | tense | truck | undercover agent

White Heat (1949)

Underscoring (Tense)1:40:42 - Truck pulls in to factoryarriving | chase scene | driving | factory | fugitive | gangster | leading man | murderer | tense | truck | undercover agent | underscoring
Emergency Call (1933)Ambulance0:00:11 - Main titles over a speeding ambulanceambulance | augmented triad | dissonant bass | Dorian mode | dramatic | driving | half-diminished 7th chord | main title | opening title sequence | parallelism | paramedic | pedal tone | siren | street | through-composed | whole-tone
We're Only Human (1935)Game 11:01:21 - Driving in a carcar | car | chromatic sequence | climax | conflict | detective | dissonant bass | dramatic | driving | hurried | leading lady | leading man | pedal tone | reporter | rushing | victim | wipe

We're Only Human (1935)

Game 21:01:56 - Witness threatens to kill the criminalsacceleration | arguing | car | car | chromatic parallelism | climax | conflict | detective | dramatic | driving | hurried | leading lady | leading man | pedal tone | reporter | rushing | threat | threatening | victim
Another Face (1935)Success at any Price Transition0:00:58 - Times Square in New York Citycar | conversing | deceptive resolution | driving | establish setting | foreign key modulation | gangster | laughing | mysterious | street | sultry
Without Honor (1949)Dog0:01:55 - A dog runningcar | dog | driving | establish setting | leading man | light | orchard | playful | running | street

Without Honor (1949)

Tempo di Gavotte0:02:09 - A car coming to a stopcar | driving | establish setting | leading man | light | playful | stopping | street

Without Honor (1949)

Twilight (Morendo)NIF - not in filmambulance | cut from film | driving | resolution | street

Without Honor (1949)

Appassionato 2 (Broad)1:05:32 - Fred gets in his caranger | antagonist | brother | car | complaining | departing | dramatic | driving | husband | leading man | resolution | street | tense | yard

Without Honor (1949)

Valse Triste (Agitato)1:05:49 - Bill tries to stop Fredanger | antagonist | brother | car | chasing | complaining | departing | dramatic | driving | harsh | husband | leading man | resolution | running | street | tense | yelling
Lightning Strikes Twice (1951)Jalopy1:28:41 - Old jalopy drives alongbystander | car | car crash | climax | comical | countryside | death | driving

Lightning Strikes Twice (1951)

Shelly and Trev (Appassionato 2)1:29:33 - Trev and Shelly embraceactor | calm | comforting | countryside | departing | driving | embracing | husband | kissing | leading lady | leading man | mother | owner | peace | peaceful | police | priest | resolution | smiling

Lightning Strikes Twice (1951)

Shelly (The End) + Shelly 2 (The End)1:30:00 - Trev and Shelly drive away togetheractor | calm | comforting | countryside | driving | embracing | end title sequence | husband | leading lady | leading man | peace | peaceful | resolution | resolved | The End