Tag Search Results


Home | Tag Data


104 results for "father" — see also Father | create | head | mother | priest | title

FilmTheme nameInstanceTags
Hell on Frisco Bay (1955)Georgie0:36:40 - George talks to his sonadvance plot | caring | child | conductor score | embracing | father | gentle | room | tender
In This Our Life (1942)Roy0:02:59 - Roy descends a staircaseconversing | daughter | delicate | establish character | father | gentle | greeting | leading lady | maid | room

In This Our Life (1942)

Stanley (Valse Triste)0:16:44 - Craig comes insideadvance plot | dark | father | leading lady | leading man | room | somber | waltz

In This Our Life (1942)

Stanley Introduction0:16:56 - Craig talks with Asaadvance plot | conversing | father | fiancé | leading lady | room | tense | underscoring

In This Our Life (1942)

Stanley B (Agitato)0:18:08 - Asa arrives in a caradvance plot | agitated | arriving | butler | father | room | tense

In This Our Life (1942)

Asa (Triste)0:21:45 - Asa arrives homearriving | conflict | father | leading lady | room | solemn | somber | tense

In This Our Life (1942)

Stanley (Con Moto)0:22:19 - Roy talks about Stanley's letterangry | bitter | conflict | conversing | father | leading lady | letter | room

In This Our Life (1942)

Roy (Risoluto)0:22:40 - Roy talks to Asaconflict | conversing | father | gentle | leading lady | room

In This Our Life (1942)

Expressivo (Extended)0:22:51 - Roy talks to Asaconflict | conversing | expressive | father | leading lady | room

In This Our Life (1942)

Roy (Grazioso)0:23:08 - Roy looks at herself in the mirrorconflict | conversing | father | leading lady | mysterious | room

In This Our Life (1942)

Caring0:23:19 - Asa talks to Royconflict | conversing | father | leading lady | room | sentimental | underscoring

In This Our Life (1942)

Asa (Ostinato)0:23:26 - Asa talks to Royconflict | conversing | dark | father | leading lady | room | serious

In This Our Life (1942)

Asa (Molto Expressivo)0:23:49 - Roy leavesconflict | dark | father | leading lady | leaving | room | somber

In This Our Life (1942)

Phone Call0:47:29 - Asa answers the phonebad news | conversing | dark | eerie | father | mysterious | phone call | room | telephone | tense | turning point

In This Our Life (1942)

Funereal0:48:25 - Asa calls for the othersbad news | conversing | father | leading lady | leading man | room | solemn | stinger | turning point | uncle

In This Our Life (1942)

Underscoring (Somber)0:48:46 - Asa relates the bad newsbad news | conversing | father | leading lady | leading man | room | somber | turning point | uncle | underscoring

In This Our Life (1942)

Underscoring (Dark)0:49:21 - Asa tells them Peter committed suicideconversing | dark | father | leading lady | leading man | room | stinger | suicide | turning point | uncle | underscoring

In This Our Life (1942)

Stanley B (Agitato)0:49:32 - Uncle Fitzroy asks about Stanleyagitated | arguing | father | leading lady | leading man | room | suicide | tense | turning point | uncle

In This Our Life (1942)

Roy (Morendo 2)0:49:54 - Roy reacts to the bad newsconversing | father | leading lady | leading man | room | serious | somber | suicide | turning point | uncle

In This Our Life (1942)

How Do I Know It’s Sunday0:57:12 - Stanley starts a record playingadvance plot | conversing | crying | dancing | father | flirting | leading lady | leading man | popular music | record player | room | sister | source music | upbeat | widow

In This Our Life (1942)

Stanley (Agitato)1:25:21 - Craig talks to Stanleyagitated | climax | conversing | criminal | father | lawyer | leading lady | leading man | mother | room | suspect

In This Our Life (1942)

Underscoring (Tense) + South American Way1:25:34 - Stanley reactsaccusing | climax | criminal | father | lawyer | leading lady | leading man | lying | mother | mysterious | ominous | remembered source music | remembering | room | source and scoring overlap | source music | suspect | tense | underscoring

In This Our Life (1942)

Stanley (Valse Triste)1:26:23 - Stanley confessesarguing | climax | confessing | confession | criminal | crying | dramatic | father | lawyer | leading lady | leading man | mother | room | suspect

In This Our Life (1942)

Stanley B (Slowly Extended)1:26:39 - Stanley confessesagitated | arguing | climax | confessing | confession | criminal | crying | father | lawyer | leading lady | leading man | lying | mother | room | suspect

In This Our Life (1942)

Expressivo (Extended 2)1:27:04 - Lavinia risesarguing | climax | criminal | emotional | father | lawyer | leading lady | leading man | mother | pleading | room | suspect

In This Our Life (1942)

Underscoring (Tense)1:27:23 - Stanley reactsclimax | conversing | criminal | father | lawyer | leading lady | leading man | mother | plotting | room | suspect | tense | underscoring

In This Our Life (1942)

Stanley (Extended)1:27:33 - Stanley goes upstairsclimax | conversing | criminal | crying | father | lawyer | leading lady | leading man | mother | room | somber | suspect | uneasy
Key Largo (1948)Underscoring (Somber)0:13:51 - Frank talks with Mr. Templeadvance plot | conversing | father | hotel | leading lady | leading man | prelude | somber | underscoring

Key Largo (1948)

McCloud (Noble)0:14:28 - Frank talks about George and the waradvance plot | death | father | heroic | hotel | leading lady | leading man | memory | noble | remembering | storytelling | war

Key Largo (1948)

McCloud (Tense)0:14:56 - Nora and Frank talk about Georgeadvance plot | agitated | death | father | hotel | leading lady | leading man | memory | mode change | remembering | storytelling | tense | war

Key Largo (1948)

McCloud (Molto Expressivo)0:15:36 - Frank and Mr. Temple talk about Georgeadvance plot | death | father | hotel | leading lady | leading man | memory | remembering | somber | storytelling | tender | war

Key Largo (1948)

Burial Place0:16:11 - Frank talks about George's burial placeadvance plot | death | father | hotel | hymn | leading lady | leading man | memory | remembering | somber | storytelling | tender | war

Key Largo (1948)

McCloud (Bugle Call) + Taps0:16:31 - Mr. Temple asks Frank about George's burial placeadvance plot | bugle call | combination of themes | death | father | heroic | hotel | leading lady | leading man | memory | noble | remembering | somber | storytelling | taps | war

Key Largo (1948)

McCloud (Broad)0:17:00 - Nora and Frank go outsideadvance plot | bright | death | father | hotel | leading lady | leading man | memory | remembering | somber | storytelling | tender | walking | war

Key Largo (1948)

Rocco (Cut From Film)NIF - not in filmboss | conversing | cut from film | cut from film | father | gangster | hostage | hotel | leading lady | leading man

Key Largo (1948)

Rocco 2 (Cut From Film)NIF - not in filmboss | conversing | cut from film | cut from film | father | gangster | hostage | hotel | leading lady | leading man

Key Largo (1948)

Rocco 3 (Cut from Film)NIF - not in filmboss | conversing | cut from film | cut from film | father | gangster | hostage | hotel | leading lady | leading man

Key Largo (1948)

TensionNIF - not in filmboss | conversing | cut from film | cut from film | father | gangster | hostage | hotel | leading lady | leading man

Key Largo (1948)

Rocco (Tense 2)NIF - not in filmboss | conversing | cut from film | cut from film | father | gangster | hostage | hotel | leading lady | leading man

Key Largo (1948)

Rocco 2 (Misterioso)NIF - not in filmboss | conversing | cut from film | cut from film | father | gangster | hostage | hotel | leading lady | leading man

Key Largo (1948)

Rocco 3 (Cut From Film 2)NIF - not in filmboss | conversing | cut from film | cut from film | father | gangster | hostage | hotel | leading lady | leading man

Key Largo (1948)

McCloud (Cut From Film)NIF - not in filmboss | conversing | cut from film | cut from film | father | gangster | hostage | hotel | leading lady | leading man

Key Largo (1948)

Rocco 2 (Slowly) + McCloud (Tritone)0:32:57 - McCloud quotes FDRangry | boss | combination of themes | conflict | conversing | father | gangster | hostage | hotel | leading lady | leading man | mysterious | quoting | stinger

Key Largo (1948)

Underscoring (Dramatic)0:33:17 - Mr. Temple rises to attack Roccoangry | arguing | attacking | boss | conflict | dramatic | father | gangster | hostage | hotel | laughing | leading lady | leading man | tense | underscoring

Key Largo (1948)

Falling0:33:38 - Mr. Temple falls to the groundangry | boss | conflict | dramatic | falling | father | gangster | hostage | hotel | landing | leading lady | leading man | mickey-mousing | tense

Key Largo (1948)

Underscoring (Dramatic)0:33:43 - Nora rises to attack Roccoangry | attacking | boss | conflict | dramatic | father | gangster | hitting | horror | hostage | hotel | kissing | leading lady | leading man | tense | underscoring | violence

Key Largo (1948)

Rocco 20:33:53 - Rocco talks to Noraboss | conflict | dangerous | father | gangster | hostage | hotel | leading lady | leading man | mysterious | threatening

Key Largo (1948)

McCloud (Tragic)0:34:05 - McCloud and Nora help Mr. Temple upboss | conflict | father | gangster | helping | hostage | hotel | leading lady | leading man | mode change | solemn | somber

Key Largo (1948)

Rocco 30:39:45 - Rocco looks at Noraboss | conflict | creepy | father | gangster | hostage | hotel | leading lady | leading man | mysterious | tense | watching

Key Largo (1948)

Rocco Whispers0:39:53 - Rocco whispers to Noraboss | conflict | creepy | father | gangster | hostage | hotel | leading lady | leading man | mickey-mousing | mysterious | tense | whispering

Key Largo (1948)

Rocco 30:40:06 - Rocco follows Noraboss | conflict | creepy | father | following | gangster | hostage | hotel | leading lady | leading man | mysterious | tense

Key Largo (1948)

Rocco Whispers0:40:10 - Rocco whispers to Noraboss | conflict | creepy | father | gangster | hostage | hotel | leading lady | leading man | mickey-mousing | mysterious | tense | whispering

Key Largo (1948)

Underscoring (Dramatic)0:40:21 - Nora spits in Rocco's faceangry | boss | conflict | father | gangster | hostage | hotel | leading lady | leading man | spitting | staring | stinger | underscoring

Key Largo (1948)

McCloud (Dissonant)0:40:25 - McCloud walks over to Noraangry | boss | conflict | dramatic | father | gangster | hostage | hotel | leading lady | leading man | protecting

Key Largo (1948)

Rocco 3 (Angry)0:40:32 - Rocco gets angryangry | boss | conflict | dramatic | father | gangster | hostage | hotel | leading lady | leading man | stinger | taunting

Key Largo (1948)

Rocco 2 (Agitato)0:46:26 - Look of horror on Gaye's faceboss | conflict | father | fear | gangster | horror | hostage | hotel | leading lady | leading man | look of horror | moll | stinger | watching

Key Largo (1948)

Underscoring (Tense)0:46:30 - Rocco tells McCloud to shoot himboss | conflict | conversing | father | gangster | hostage | hotel | leading lady | leading man | moll | tense | underscoring

Key Largo (1948)

Rocco 3 (Shrill)0:46:38 - Rocco mocks McCloudboss | conflict | dangerous | father | gangster | gun | hostage | hotel | leading lady | leading man | moll | tense | threatening

Key Largo (1948)

Tension (Violent)0:46:44 - McCloud decides whether to shootboss | conflict | dangerous | father | gangster | gun | hostage | hotel | leading lady | leading man | moll | tense | threatening | violence | violent

Key Largo (1948)

Rocco + Tension0:46:48 - Rocco's grinning faceboss | combination of themes | conflict | dangerous | father | gangster | gun | hostage | hotel | leading lady | leading man | moll | staring | tense | threatening | violence | violent

Key Largo (1948)

Rocco 3 + Tension + Laughing0:46:53 - Gangsters laugh at McCloudboss | combination of themes | conflict | dangerous | father | gangster | gun | hostage | hotel | laughing | leading lady | leading man | mocking | moll | tense | violence | violent

Key Largo (1948)

Tosses gun0:47:06 - McCloud tosses the gun onto a chairboss | conflict | father | gangster | gun | hostage | hotel | leading lady | leading man | mickey-mousing | moll | tense | tossing | violence

Key Largo (1948)

Rocco 3 (Extended)0:47:08 - Mr. Temple asks for the gunboss | conflict | dangerous | father | gangster | gun | hostage | hotel | leading lady | leading man | moll | staring | tense | threatening | violence | violent

Key Largo (1948)

McCloud (Triste)0:47:23 - Rocco mocks McCloudboss | conflict | conversing | father | gangster | gun | hostage | hotel | leading lady | leading man | mode change | moll | serious | somber

Key Largo (1948)

Scrambling0:47:31 - Deputy runs for the gun boss | conflict | dangerous | father | gangster | gun | hostage | hotel | leading lady | leading man | mickey-mousing | moll | running | scrambling | tense | violent

Key Largo (1948)

Rocco (Conflict)0:47:39 - Gaye looks terrifiedboss | conflict | danger | father | fear | gangster | gun | horror | hostage | hotel | leading lady | leading man | look of horror | moll | staring | stinger | threatening | violence

Key Largo (1948)

Underscoring (Dramatic)0:48:10 - Rocco shoots Deputy Sawyerboss | conflict | death | dramatic | father | fear | gangster | gun | gunshot | horror | hostage | hotel | leading lady | leading man | look of horror | moll | shooting | stinger | tense

Key Largo (1948)

Falling and dying0:48:19 - Deputy Sawyer falls dead off-screenboss | conflict | death | dramatic | dying | falling | father | gangster | gun | gunshot | hostage | hotel | leading lady | leading man | mickey-mousing | moll | tense

Key Largo (1948)

Ominous0:51:32 - Lights begin to go out in the hotelboss | conversing | dark | develop character | father | gangster | hostage | hotel | leading lady | leading man | menacing | moll | ominous | preparing | storm | tense

Key Largo (1948)

Expressivo0:52:37 - Mr. Temple is helped down the stairsadvance plot | boss | father | gangster | gentle | helping | hostage | hotel | leading lady | leading man | noble | stairs

Key Largo (1948)

Rocco 2 (Menacing)0:52:59 - Rocco stares at McCloud and Noraadvance plot | boss | dark | father | gangster | hostage | hotel | leading lady | leading man | menacing | staring

Key Largo (1948)

Moanin’ Low0:56:55 - Gaye sings "Moanin' Low"awkward | blues | bluesy | boss | develop character | father | gangster | hostage | hotel | leading lady | leading man | moll | nervous | on-screen music | singer | singing | source music

Key Largo (1948)

Moanin’ Low (Quasi Appassionato)0:58:38 - McCloud gets a drink for Gayealcohol | bluesy | boss | crying | develop character | familiar tune | father | gangster | helping | hostage | hotel | leading lady | leading man | moll | somber | source to score

Key Largo (1948)

Moanin’ Low (Tense)0:59:24 - Gaye takes a drinkalcohol | boss | develop character | drinking | familiar tune | father | gangster | hostage | hotel | leading lady | leading man | moll | slapping | tense | whole-tone

Key Largo (1948)

Underscoring (Tense)0:59:37 - McCloud and Gaye exchange glancesboss | develop character | father | gangster | hostage | hotel | leading lady | leading man | moll | staring | tense | underscoring

Key Largo (1948)

Rocco Pacing1:02:01 - Rocco paces back and forthboss | develop character | father | gangster | hostage | hotel | leading lady | leading man | moll | nervous | ominous | pacing | sinister | walking

Key Largo (1948)

Rocco 3 (Nervous)1:02:52 - Rocco yells at Gayearguing | boss | dark | develop character | father | gangster | hostage | hotel | leading lady | leading man | menacing | moll

Key Largo (1948)

McCloud (Delicato)1:08:14 - McCloud talks with Noraconversing | delicate | father | gentle | hotel | leading lady | leading man | love interest | love scene | warm

Key Largo (1948)

Underscoring (Tense)1:18:47 - They all walk to another roomboss | father | gangster | hostage | hotel | investigation scene | leading lady | leading man | moll | obeying | tense | underscoring

Key Largo (1948)

Rocco 31:24:03 - Rocco approaches Noraadvance plot | boss | conversing | father | gangster | hotel | tense | violent

Key Largo (1948)

Rocco (Leaving)1:25:33 - Gangsters leave the hotel with McCloudadvance plot | boss | father | gangster | hostage | hotel | leading lady | leading man | leaving | moll | ominous | walking

Key Largo (1948)

Rocco (Tense)1:25:49 - Gangsters leave to board the boatadvance plot | boss | dock | father | gangster | hostage | leading lady | leading man | moll | tense | walking

Key Largo (1948)

Hurrying1:26:02 - Gangsters walk to the boatadvance plot | boss | dock | father | gangster | hostage | hurrying | leading lady | leading man | mickey-mousing | moll | tense | walking

Key Largo (1948)

McCloud (Tense)1:27:56 - Mr. Temple tries to make a phone calladvance plot | conversing | father | hotel | leading lady | moll | somber

Key Largo (1948)

Moanin’ Low (Triste)1:38:30 - Gaye leavesfamiliar tune | father | hotel | leading lady | moll | resolution | somber | thinking | waiting

Key Largo (1948)

McCloud (Tenderly)1:39:12 - Nora tells her father the good newsfather | hopeful | hoping | hotel | leading lady | light | opening | relieved | resolution | sunlight | thinking | window
We Are Not Alone (1939)Surprise Symphony (Imagination)0:03:55 - David talks to his sonboy | child | chromatic parallelism | establish character | father | gentle | hero | home | playful | sweet | telling a story

We Are Not Alone (1939)

Playful0:04:39 - David asks his son to find a catboy | child | establish character | father | foreign key modulation | fragmentation | hero | home | playful | sequence | step modulation

We Are Not Alone (1939)

Boy runs back and forth0:04:52 - Gerald runs to the door and backback and forth | boy | child | establish character | father | hero | home | mickey-mousing | playful | running

We Are Not Alone (1939)

Surprise Symphony (Hushed)0:04:59 - David talks to his sonboy | child | classical music | establish character | familiar tune | father | half-diminished 7th chord | Haydn | hero | home | hushed | quotation | subtle

We Are Not Alone (1939)

Surprise Symphony (Hug)0:05:14 - David hugs his sonboy | child | classical music | establish character | familiar tune | father | gentle | Haydn | hero | home | mode mixture | quotation

We Are Not Alone (1939)

Surprise Symphony (Innocent)0:06:36 - Gerald runs inside9th chord | boy | child | classical music | comforting | common-tone diminished 7th | establish character | familiar tune | father | foreign key modulation | fragmentation | Haydn | hero | home | innocent | mode mixture | nagging | parallel fifths | playful | quotation | step modulation | tritone | Wagner

We Are Not Alone (1939)

Surprise Symphony (Worried)0:22:57 - David hears Gerald cryingadvance plot | boy | child | classical music | dark | familiar tune | father | fragmentation | Haydn | hero | home | hurrying | mode mixture | quotation | tense

We Are Not Alone (1939)

Surprise Symphony (Fixing the Lights)0:23:27 - David tries to fix the lights11th chord | advance plot | boy | child | classical music | familiar tune | father | foreign key modulation | fragmentation | Haydn | helping | hero | home | mysterious | playful | quotation | working

We Are Not Alone (1939)

Surprise Symphony (Lighting the House)0:23:40 - David lights candles in the houseadvance plot | boy | candle | child | chromatic sequence | classical music | dissonant bass | familiar tune | father | Haydn | helping | hero | home | lighting | positive | quotation | working

We Are Not Alone (1939)

Surprise Symphony (Better)0:23:55 - David puts his son in bed9th chord | advance plot | boy | calm | child | classical music | conversing | dark | familiar tune | father | foreign key modulation | Haydn | hero | home | playing | quotation | warm

We Are Not Alone (1939)

Whee!0:23:57 - David flips his son upside down playfullyadvance plot | boy | child | father | hero | home | jumping | mickey-mousing | parallel 63s | parallelism | playful | playing | spinning

We Are Not Alone (1939)

Surprise Symphony (Death Bed)0:24:11 - David discusses death with his son advance plot | augmentation | boy | child | classical music | conversing | dark | death | familiar tune | father | Haydn | hero | home | quotation

We Are Not Alone (1939)

Surprise Symphony (Dolce)0:25:02 - Gerald asks to go with his father on a tripadvance plot | boy | child | classical music | conversing | familiar tune | father | Haydn | hero | home | mode mixture | quotation | sweet | warm

We Are Not Alone (1939)

Frohe Botschaft (Ethereal)0:25:12 - David tells his son about his patient, Leni9th chord | 64 chord | advance plot | boy | child | conversing | familiar tune | father | folk song | German | hero | home | mode mixture | pedal tone | quotation | sweet

We Are Not Alone (1939)

Surprise Symphony (Lullaby)0:25:36 - David asks his son to help Leniadvance plot | boy | child | classical music | conversing | familiar tune | father | Haydn | hero | home | pedal tone | quotation | sweet

We Are Not Alone (1939)

It’s Easy to Be a Lady if You Try0:25:50 - Gerald and Leni ride a carouselABAC structure | advance plot | amusement park | boy | bright | carnival | carousel | child | conversing | familiar tune | father | hero | heroine | playing | source music

We Are Not Alone (1939)

Frohe Botschaft (At the Piano)0:34:49 - Leni plays and singsboy | cheerful | child | establish character | familiar tune | father | folk song | foreign key modulation | German | hero | heroine | home | on-screen music | piano | playing | score to source | singing | source music | transcribed by ear
Secrets of the French Police (1932)Berceuse0:13:09 - The flower girl talks with her fatheradvance plot | conversing | father | leading lady | restaurant | somber | waltz