| Deep Valley (1947) | Libby | 0:06:09 - Libby returns to her work | establish character | father | kitchen | leading lady | serving | somber |
Deep Valley (1947) | Homestead (Morendo) | 0:06:44 - Cliff makes his bed | cleaning | establish character | father | room | somber |
Deep Valley (1947) | Homestead (Moderato) | 0:15:18 - Homestead in the distance | barnyard | dark | father | gentle | leading lady | mother | reading | room | transition |
Deep Valley (1947) | Libby 2 (Slowly) | 0:19:39 - Jeff talks with Libby | arguing | crew | dog | father | leading lady | leading man | lovers meet | street | tense |
Deep Valley (1947) | Underscoring (Tense) | 0:22:23 - Barry pumps water | boss | conflict | convict | father | guard | leading lady | leading man | mocking | pumping | street | tense | underscoring |
Deep Valley (1947) | Turns, Hits, and Falls | 0:22:28 - Barry hits the guard | boss | conflict | convict | dramatic | falling | father | guard | leading lady | leading man | mickey-mousing | punching | stinger | street | turning | violence |
Deep Valley (1947) | Barry | 0:22:35 - Barry threatens the guard | angry | arguing | boss | conflict | convict | dramatic | father | guard | leading lady | leading man | street | threatening | yelling |
Deep Valley (1947) | Law (Subtle) | 0:22:45 - Barry looks at the guard | arguing | boss | conflict | convict | father | guard | leading lady | leading man | street | tense | underscoring |
Deep Valley (1947) | Love Theme (Molto Expressivo) | 0:23:07 - Libby watches them take Barry | boss | conflict | convict | crying | father | guard | leading lady | leading man | somber | street | watching |
Deep Valley (1947) | Underscoring (Dramatic) | 0:31:10 - Close-up on Libby | arguing | conflict | crying | dark | dramatic | father | leading lady | lightning | room | storm | tense | thunder | underscoring |
Deep Valley (1947) | Slap | 0:32:20 - Cliff slaps Libby | conflict | dramatic | father | leading lady | lightning | mickey-mousing | room | slapping | storm | thunder | violence |
Deep Valley (1947) | Earthquake | 0:32:21 - An earthquake shakes the house | conflict | dramatic | earthquake | father | leading lady | lightning | mother | room | rushing | shaking | storm | thunder |
Deep Valley (1947) | Homestead (Slowly) | 0:37:05 - Ellie in her room | advance plot | arriving | father | mother | room | somber | street | waiting |
Deep Valley (1947) | Libby 2 (Misterioso) | 0:37:32 - Cliff looks for Libby | advance plot | calling | father | mysterious | room | searching | tense |
Deep Valley (1947) | Libby 3 (Dolce) | 0:37:47 - Cliff looks for Libby | advance plot | father | room | searching | tender |
Deep Valley (1947) | Drudge | 0:38:02 - Ellie looks out the window | advance plot | father | mother | room | tender | waiting |
Deep Valley (1947) | Libby 3 (Brief) | 0:38:54 - Cliff closes a door | advance plot | father | mother | room | tender | waiting |
Deep Valley (1947) | Triste (Timidly) | 0:57:32 - Ellie leaves her room | cleaning | father | mother | reconciliation scene | room | somber | timid | walking |
Deep Valley (1947) | Homestead (Dolce) | 0:57:50 - Ellie comes downstairs | father | gentle | mother | reconciliation scene | reuniting | room | sweet | timid |
Deep Valley (1947) | Homestead (Gentle) | 1:01:50 - Ellie sits at the table | father | gentle | mother | reconciliation scene | room | watching |
Deep Valley (1947) | Underscoring (Dramatic) | 1:02:02 - Libby in her room | advance plot | arriving | dramatic | father | leading lady | police | room | searching | street | tense | underscoring | watching |
Deep Valley (1947) | Law (Misterioso) | 1:02:41 - Libby looks out the window | advance plot | father | leading lady | manhunt | mysterious | police | room | searching | street | tense |
Deep Valley (1947) | Homestead (Lento) | 1:07:51 - Ellie and Cliff play cards | advance plot | calm | cards | conversing | father | leading lady | mother | playing | room |
Deep Valley (1947) | Homestead (Morendo) | 1:08:13 - Libby talks with her parents | advance plot | conversing | father | leading lady | mother | room | somber |
Deep Valley (1947) | My Bonnie Lies Over the Ocean | 1:21:19 - Barry listens at the door | advance plot | barn | cheerful | convict | father | fugitive | leading man | love interest | singing |
Deep Valley (1947) | Homestead (Walking) | 1:23:47 - Cliff on the porch | advance plot | arriving | calm | convict | father | fugitive | leading lady | leading man | love interest | porch |
Deep Valley (1947) | Barry (Misterioso) | 1:27:15 - Libby talks to Barry | agitated | barn | conflict | convict | dark | father | fugitive | leading lady | leading man | love interest | mysterious | searching | worrying |
Deep Valley (1947) | Libby 3 (Tense) | 1:28:28 - Libby comes down the ladder | barn | conflict | conversing | convict | father | fugitive | leading lady | leading man | love interest | tense | uneasy | walking |
Deep Valley (1947) | Running (Extended) | 1:29:26 - Libby runs to the barn | advance plot | barn | convict | father | fugitive | hesitating | leading lady | leading man | love interest | mickey-mousing | running | tense | uneasy | yard |
Deep Valley (1947) | Libby (Running) | 1:36:13 - Libby and Barry run out of the barn | barn | begging | climax | convict | father | frantic | fugitive | leading lady | leading man | love interest | mother | pleading | running | rushing | tense | yard |
Deep Valley (1947) | Libby (Stormy) | 1:36:26 - Cliff looks for Ellie | barn | climax | convict | crying | dark | father | fugitive | hiding | leading lady | leading man | love interest | mother | running | rushing | sneaking | tense | yard |
| Hell on Frisco Bay (1955) | Steve | 0:32:34 - Steve investigates | advance plot | arriving | calm | child | conductor score | conversing | detective | father | leading man | room | sailor | street | walking |
Hell on Frisco Bay (1955) | Disappointment | 0:36:18 - Steve leaves | advance plot | child | conductor score | detective | disappointment | father | leading man | leaving | sailor | somber | street |
Hell on Frisco Bay (1955) | Underscoring (Gentle) | 0:36:40 - Sebastian talks to Georgie | advance plot | caring | child | conductor score | embracing | father | gentle | room | tender |
| In This Our Life (1942) | Roy | 0:02:59 - Roy descends a staircase | 64 chord | conversing | daughter | delicate | establish character | father | foreign key modulation | gentle | greeting | leading lady | maid | room |
In This Our Life (1942) | Stanley | 0:16:44 - Craig comes inside | 9th chord | advance plot | appoggiatura | circle of fifths | dark | father | leading lady | leading man | room | somber | waltz |
In This Our Life (1942) | Stanley Introduction | 0:16:56 - Craig talks with Asa | 9th chord | advance plot | chromatic scale | conversing | father | fiancé | leading lady | room | tense | underscoring |
In This Our Life (1942) | Stanley B (Agitato) | 0:18:08 - Asa arrives in a car | advance plot | agitated | arriving | butler | chromatic scale | chromatic sequence | dissonant bass | father | half-diminished 7th chord | room | tense |
In This Our Life (1942) | Asa (Triste) | 0:21:45 - Asa arrives home | 64 chord | arriving | common-tone diminished 7th | conflict | father | leading lady | room | solemn | somber | tense |
In This Our Life (1942) | Stanley (Con Moto) | 0:22:19 - Roy talks about Stanley's letter | 13th chord | angry | bitter | chromatic scale | conflict | conversing | father | half-diminished 7th chord | leading lady | letter | parallelism | pc set | room |
In This Our Life (1942) | Roy (Risoluto) | 0:22:40 - Roy talks to Asa | 64 chord | chromatic parallelism | conflict | conversing | deceptive resolution | father | gentle | leading lady | room |
In This Our Life (1942) | Expressivo | 0:22:51 - Roy talks to Asa | altered dominant | chromatic scale | conflict | conversing | expressive | father | leading lady | plagal cadence | retardation | room |
In This Our Life (1942) | Big Sweep (Turn) | 0:23:03 - Roy looks in the mirror | altered dominant | conflict | conversing | expressive | father | leading lady | room |
In This Our Life (1942) | Roy (Grazioso) | 0:23:08 - Roy looks in the mirror | 9th chord | conflict | conversing | countermelody | father | foreign key modulation | leading lady | mysterious | room |
In This Our Life (1942) | Caring | 0:23:19 - Asa talks to Roy | 9th chord | chromatic parallelism | conflict | conversing | father | leading lady | room | sentimental | underscoring |
In This Our Life (1942) | Asa (Ostinato) | 0:23:26 - Asa talks to Roy | chromatic parallelism | conflict | conversing | dark | father | leading lady | ostinato | room | sequential modulation | serious | whole-tone chord |
In This Our Life (1942) | Asa (Molto Expressivo) | 0:23:49 - Roy leaves | 64 chord | added-note chord | conflict | dark | father | leading lady | leaving | mode mixture | pedal tone | reverse picardy | room | somber |
In This Our Life (1942) | Phone Call | 0:47:29 - Asa answers the phone | bad news | conversing | dark | eerie | father | mysterious | pc set | phone call | room | telephone | tense | tone cluster | turning point |
In This Our Life (1942) | Funereal | 0:48:25 - Asa calls for the others | bad news | conversing | father | leading lady | leading man | room | solemn | stinger | turning point | uncle |
In This Our Life (1942) | Underscoring (Somber) | 0:48:46 - Asa relates the bad news | 9th chord | bad news | conversing | deceptive resolution | father | leading lady | leading man | room | sigh gesture | somber | turning point | uncle | underscoring |
In This Our Life (1942) | Underscoring (Dark) | 0:49:21 - Asa tells them Peter committed suicide | conversing | dark | father | leading lady | leading man | room | stinger | suicide | triadic transformation | turning point | uncle | underscoring |
In This Our Life (1942) | Stanley B (Agitato) | 0:49:32 - Uncle Fitzroy asks about Stanley | agitated | altered dominant | arguing | chromatic scale | chromatic sequence | dissonant bass | father | leading lady | leading man | room | suicide | tense | turning point | uncle | whole-tone chord |
In This Our Life (1942) | Roy (Morendo 2) | 0:49:54 - Roy reacts to the bad news | added-note chord | appoggiatura | augmented sixth chord | conversing | father | leading lady | leading man | mode change | room | serious | somber | suicide | turning point | uncle |
In This Our Life (1942) | How Do I Know It's Sunday | 0:57:12 - Stanley starts a record playing | AABA structure | advance plot | conversing | crying | dancing | father | flirting | leading lady | leading man | popular music | record player | room | sister | source music | upbeat | widow |
In This Our Life (1942) | Stanley (Agitato) | 1:25:21 - Craig talks to Stanley | agitated | climax | conversing | criminal | father | lawyer | leading lady | leading man | mother | pc set | room | suspect |
In This Our Life (1942) | Underscoring (Tense) + South American Way | 1:25:34 - Stanley reacts | accusing | climax | criminal | father | lawyer | leading lady | leading man | lying | mother | mysterious | ominous | remembered source music | remembering | room | source and scoring overlap | source music | suspect | tense | underscoring |
In This Our Life (1942) | Stanley (Valse Triste) | 1:26:23 - Stanley confesses | 9th chord | altered dominant | appoggiatura | arguing | circle of fifths | climax | confessing | confession | criminal | crying | dramatic | father | lawyer | leading lady | leading man | mother | room | suspect | whole-tone chord |
In This Our Life (1942) | Stanley B (Slowly Extended) | 1:26:39 - Stanley confesses | 9th chord | agitated | arguing | chromatic scale | chromatic sequence | climax | confessing | confession | criminal | crying | dissonant bass | father | lawyer | leading lady | leading man | lying | mother | room | suspect |
In This Our Life (1942) | Expressivo (Extended) | 1:27:04 - Lavinia rises | added-note chord | arguing | chromatic scale | climax | criminal | emotional | father | lawyer | leading lady | leading man | mother | pleading | retardation | room | suspect |
In This Our Life (1942) | Big Sweep (Subtle) | 1:27:23 - Stanley reacts | 9th chord | climax | conversing | criminal | father | lawyer | leading lady | leading man | mother | pc set | plotting | room | suspect | tense | underscoring |
In This Our Life (1942) | Stanley (Extended) | 1:27:33 - Stanley goes upstairs | 9th chord | appoggiatura | circle of fifths | climax | conversing | criminal | crying | father | lawyer | leading lady | leading man | mother | room | somber | suspect | uneasy |
| Key Largo (1948) | Underscoring (Somber) | 0:13:51 - Frank talks with Mr. Temple | advance plot | conversing | father | hotel | leading lady | leading man | prelude | somber | underscoring |
Key Largo (1948) | McCloud (Noble) | 0:14:28 - Frank talks about George and the war | advance plot | death | father | heroic | hotel | leading lady | leading man | memory | noble | remembering | storytelling | war |
Key Largo (1948) | McCloud (Tense) | 0:14:56 - Nora and Frank talk about George | advance plot | agitated | death | father | hotel | leading lady | leading man | memory | mode change | remembering | storytelling | tense | war |
Key Largo (1948) | McCloud (Molto Expressivo) | 0:15:36 - Frank and Mr. Temple talk about George | advance plot | death | father | hotel | leading lady | leading man | memory | remembering | somber | storytelling | tender | war |
Key Largo (1948) | Burial Place | 0:16:11 - Frank talks about George's burial place | advance plot | death | father | hotel | hymn | leading lady | leading man | memory | remembering | somber | storytelling | tender | war |
Key Largo (1948) | McCloud (Bugle Call) + Taps | 0:16:31 - Mr. Temple asks Frank about George's burial place | advance plot | bugle call | combination of themes | death | father | heroic | hotel | leading lady | leading man | memory | noble | remembering | somber | storytelling | taps | war |
Key Largo (1948) | McCloud (Broad) | 0:17:00 - Nora and Frank go outside | advance plot | bright | death | father | hotel | leading lady | leading man | memory | remembering | somber | storytelling | tender | walking | war |
Key Largo (1948) | Rocco (Cut From Film) | NIF - not in film | boss | conversing | cut from film | cut from film | father | gangster | hostage | hotel | leading lady | leading man |
Key Largo (1948) | Rocco 2 (Cut From Film) | NIF - not in film | boss | conversing | cut from film | cut from film | father | gangster | hostage | hotel | leading lady | leading man |
Key Largo (1948) | Rocco 3 (Cut from Film) | NIF - not in film | boss | conversing | cut from film | cut from film | father | gangster | hostage | hotel | leading lady | leading man |
Key Largo (1948) | Tension | NIF - not in film | boss | conversing | cut from film | cut from film | father | gangster | hostage | hotel | leading lady | leading man |
Key Largo (1948) | Rocco (Tense 2) | NIF - not in film | boss | conversing | cut from film | cut from film | father | gangster | hostage | hotel | leading lady | leading man |
Key Largo (1948) | Rocco 2 (Misterioso) | NIF - not in film | boss | conversing | cut from film | cut from film | father | gangster | hostage | hotel | leading lady | leading man |
Key Largo (1948) | Rocco 3 (Cut From Film 2) | NIF - not in film | boss | conversing | cut from film | cut from film | father | gangster | hostage | hotel | leading lady | leading man |
Key Largo (1948) | McCloud (Cut From Film) | NIF - not in film | boss | conversing | cut from film | cut from film | father | gangster | hostage | hotel | leading lady | leading man |
Key Largo (1948) | Rocco 2 (Slowly) + McCloud (Tritone) | 0:32:57 - McCloud quotes FDR | angry | boss | combination of themes | conflict | conversing | father | gangster | hostage | hotel | leading lady | leading man | mysterious | quoting | stinger |
Key Largo (1948) | Underscoring (Dramatic) | 0:33:17 - Mr. Temple rises to attack Rocco | angry | arguing | attacking | boss | conflict | dramatic | father | gangster | hostage | hotel | laughing | leading lady | leading man | tense | underscoring |
Key Largo (1948) | Falling | 0:33:38 - Mr. Temple falls to the ground | angry | boss | conflict | dramatic | falling | father | gangster | hostage | hotel | landing | leading lady | leading man | mickey-mousing | tense |
Key Largo (1948) | Underscoring (Dramatic) | 0:33:43 - Nora rises to attack Rocco | angry | attacking | boss | conflict | dramatic | father | gangster | hitting | horror | hostage | hotel | kissing | leading lady | leading man | tense | underscoring | violence |
Key Largo (1948) | Rocco 2 | 0:33:53 - Rocco talks to Nora | boss | conflict | dangerous | father | gangster | hostage | hotel | leading lady | leading man | mysterious | threatening |
Key Largo (1948) | McCloud (Tragic) | 0:34:05 - McCloud and Nora help Mr. Temple up | boss | conflict | father | gangster | helping | hostage | hotel | leading lady | leading man | mode change | solemn | somber |
Key Largo (1948) | Rocco 3 | 0:39:45 - Rocco looks at Nora | boss | conflict | creepy | father | gangster | hostage | hotel | leading lady | leading man | mysterious | tense | watching |
Key Largo (1948) | Rocco Whispers | 0:39:53 - Rocco whispers to Nora | boss | conflict | creepy | father | gangster | hostage | hotel | leading lady | leading man | mickey-mousing | mysterious | tense | whisper effect | whispering |
Key Largo (1948) | Rocco 3 | 0:40:06 - Rocco follows Nora | boss | conflict | creepy | father | following | gangster | hostage | hotel | leading lady | leading man | mysterious | tense |
Key Largo (1948) | Rocco Whispers | 0:40:10 - Rocco whispers to Nora | boss | conflict | creepy | father | gangster | hostage | hotel | leading lady | leading man | mickey-mousing | mysterious | tense | whisper effect | whispering |
Key Largo (1948) | Underscoring (Dramatic) | 0:40:21 - Nora spits in Rocco's face | angry | boss | conflict | father | gangster | hostage | hotel | leading lady | leading man | spitting | staring | stinger | underscoring |
Key Largo (1948) | McCloud (Dissonant) | 0:40:25 - McCloud walks over to Nora | angry | boss | conflict | dramatic | father | gangster | hostage | hotel | leading lady | leading man | protecting |
Key Largo (1948) | Rocco 3 (Angry) | 0:40:32 - Rocco gets angry | angry | boss | conflict | dramatic | father | gangster | hostage | hotel | leading lady | leading man | stinger | taunting |
Key Largo (1948) | Rocco 2 (Agitato) | 0:46:26 - Look of horror on Gaye's face | boss | conflict | father | fear | gangster | horror | hostage | hotel | leading lady | leading man | look of horror | moll | stinger | watching |
Key Largo (1948) | Underscoring (Tense) | 0:46:30 - Rocco tells McCloud to shoot him | boss | conflict | conversing | father | gangster | hostage | hotel | leading lady | leading man | moll | tense | underscoring |
Key Largo (1948) | Rocco 3 (Shrill) | 0:46:38 - Rocco mocks McCloud | boss | conflict | dangerous | father | gangster | gun | hostage | hotel | leading lady | leading man | moll | tense | threatening |
Key Largo (1948) | Tension (Violent) | 0:46:44 - McCloud decides whether to shoot | boss | conflict | dangerous | father | gangster | gun | hostage | hotel | leading lady | leading man | moll | tense | threatening | violence | violent |
Key Largo (1948) | Rocco + Tension | 0:46:48 - Rocco's grinning face | boss | combination of themes | conflict | dangerous | father | gangster | gun | hostage | hotel | leading lady | leading man | moll | staring | tense | threatening | violence | violent |
Key Largo (1948) | Rocco 3 + Tension + Laughing | 0:46:53 - Gangsters laugh at McCloud | boss | combination of themes | conflict | dangerous | father | gangster | gun | hostage | hotel | laughing | leading lady | leading man | mocking | moll | tense | violence | violent |
Key Largo (1948) | Tosses gun | 0:47:06 - McCloud tosses the gun onto a chair | boss | conflict | father | gangster | gun | hostage | hotel | leading lady | leading man | mickey-mousing | moll | tense | tossing | violence |
Key Largo (1948) | Rocco 3 (Extended) | 0:47:08 - Mr. Temple asks for the gun | boss | conflict | dangerous | father | gangster | gun | hostage | hotel | leading lady | leading man | moll | staring | tense | threatening | violence | violent |
Key Largo (1948) | McCloud (Triste) | 0:47:23 - Rocco mocks McCloud | boss | conflict | conversing | father | gangster | gun | hostage | hotel | leading lady | leading man | mode change | moll | serious | somber |
Key Largo (1948) | Scrambling | 0:47:31 - Deputy runs for the gun | boss | conflict | dangerous | father | gangster | gun | hostage | hotel | leading lady | leading man | mickey-mousing | moll | running | scrambling | tense | violent |
Key Largo (1948) | Rocco (Conflict) | 0:47:39 - Gaye looks terrified | boss | conflict | danger | father | fear | gangster | gun | horror | hostage | hotel | leading lady | leading man | look of horror | moll | staring | stinger | threatening | violence |
Key Largo (1948) | Underscoring (Dramatic) | 0:48:10 - Rocco shoots Deputy Sawyer | boss | conflict | death | dramatic | father | fear | gangster | gun | gunshot | horror | hostage | hotel | leading lady | leading man | look of horror | moll | shooting | stinger | tense |
Key Largo (1948) | Falling and dying | 0:48:19 - Deputy Sawyer falls dead off-screen | boss | conflict | death | dramatic | dying | falling | father | gangster | gun | gunshot | hostage | hotel | leading lady | leading man | mickey-mousing | moll | tense |
Key Largo (1948) | Ominous | 0:51:32 - Lights begin to go out in the hotel | boss | conversing | dark | develop character | father | gangster | hostage | hotel | leading lady | leading man | menacing | moll | ominous | preparing | storm | tense |
Key Largo (1948) | Expressivo | 0:52:37 - Mr. Temple is helped down the stairs | advance plot | boss | father | gangster | gentle | helping | hostage | hotel | leading lady | leading man | noble | stairs |
Key Largo (1948) | Rocco 2 (Menacing) | 0:52:59 - Rocco stares at McCloud and Nora | advance plot | boss | dark | father | gangster | hostage | hotel | leading lady | leading man | menacing | staring |
Key Largo (1948) | Moanin’ Low | 0:56:55 - Gaye sings "Moanin' Low" | awkward | blues | bluesy | boss | develop character | father | gangster | hostage | hotel | leading lady | leading man | moll | nervous | on-screen music | singer | singing | source music |
Key Largo (1948) | Moanin’ Low (Quasi Appassionato) | 0:58:38 - McCloud gets a drink for Gaye | alcohol | bluesy | boss | crying | develop character | familiar tune | father | gangster | helping | hostage | hotel | leading lady | leading man | moll | somber | source to score |
Key Largo (1948) | Moanin’ Low (Tense) | 0:59:24 - Gaye takes a drink | alcohol | boss | develop character | drinking | familiar tune | father | gangster | hostage | hotel | leading lady | leading man | moll | slapping | tense | whole-tone |
Key Largo (1948) | Underscoring (Tense) | 0:59:37 - McCloud and Gaye exchange glances | boss | develop character | father | gangster | hostage | hotel | leading lady | leading man | moll | staring | tense | underscoring |
Key Largo (1948) | Rocco Pacing | 1:02:01 - Rocco paces back and forth | boss | develop character | father | gangster | hostage | hotel | leading lady | leading man | moll | nervous | ominous | pacing | sinister | walking |
Key Largo (1948) | Rocco 3 (Nervous) | 1:02:52 - Rocco yells at Gaye | arguing | boss | dark | develop character | father | gangster | hostage | hotel | leading lady | leading man | menacing | moll |
Key Largo (1948) | McCloud (Delicato) | 1:08:14 - McCloud talks with Nora | conversing | delicate | father | gentle | hotel | leading lady | leading man | love interest | love scene | warm |
Key Largo (1948) | Underscoring (Tense) | 1:18:47 - They all walk to another room | boss | father | gangster | hostage | hotel | investigation scene | leading lady | leading man | moll | obeying | tense | underscoring |
Key Largo (1948) | Rocco 3 | 1:24:03 - Rocco approaches Nora | advance plot | boss | conversing | father | gangster | hotel | tense | violent |
Key Largo (1948) | Rocco (Leaving) | 1:25:33 - Gangsters leave the hotel with McCloud | advance plot | boss | father | gangster | hostage | hotel | leading lady | leading man | leaving | moll | ominous | walking |
Key Largo (1948) | Rocco (Tense) | 1:25:49 - Gangsters leave to board the boat | advance plot | boss | dock | father | gangster | hostage | leading lady | leading man | moll | tense | walking |
Key Largo (1948) | Hurrying | 1:26:02 - Gangsters walk to the boat | advance plot | boss | dock | father | gangster | hostage | hurrying | leading lady | leading man | mickey-mousing | moll | tense | walking |
Key Largo (1948) | McCloud (Tense) | 1:27:56 - Mr. Temple tries to make a phone call | advance plot | conversing | father | hotel | leading lady | moll | somber |
Key Largo (1948) | Moanin’ Low (Triste) | 1:38:30 - Gaye leaves | familiar tune | father | hotel | leading lady | moll | resolution | somber | thinking | waiting |
Key Largo (1948) | McCloud (Tenderly) | 1:39:12 - Nora tells her father the good news | father | hopeful | hoping | hotel | leading lady | light | opening | relieved | resolution | sunlight | thinking | window |
| Lightning Strikes Twice (1951) | Trev | 0:07:18 - Myra talks about finding Trev | actor | conversing | establish character | father | foreign key modulation | gentle | hotel | leading lady | mode mixture | mother | Neapolitan | owner |
Lightning Strikes Twice (1951) | Underneath a Western Sky | 0:56:48 - A chuckwagon dinner | actor | advance plot | calm | campfire | chuckwagon | conversing | cowboy song | crowd | drinking | eating | father | flirting | food | friend | leading lady | love interest | mother | on-screen music | owner | playing | ranch | source music |
| Out of the Fog (1941) | Russian Barcarolle (Dark) | 0:19:34 - Goff walks | boat | chef | conflict | conversing | criminal | dark | dock | extortion | father | fisherman | friend | leading man | threatening | walking |
Out of the Fog (1941) | Underscoring (Dark) | 0:20:11 - Jonah reacts | arguing | boat | chef | conflict | conversing | criminal | dark | dock | extortion | father | fisherman | friend | leading man | stinger | tense | threatening | underscoring |
Out of the Fog (1941) | Russian Barcarolle (Threatening) | 0:20:40 - Goff threatens Jonah | arguing | boat | breaking | chef | conflict | conversing | criminal | dark | dock | extortion | father | fisherman | friend | leading man | tense | threatening | violence |
Out of the Fog (1941) | Russian Barcarolle (Fear) | 0:21:18 - Officer Magruder arrives | boat | chef | conflict | conversing | criminal | dock | extortion | father | fear | fisherman | friend | leading man | police | sandwich | solemn | somber |
Out of the Fog (1941) | Drab | 0:24:36 - Stella in bed | advance plot | father | ignoring | knocking | leading lady | room | smoking | somber | tense | thinking | whispering |
Out of the Fog (1941) | Concert in the Park | 0:25:09 - Jonah and Olaf walk down the street | advance plot | arriving | conversing | dock | father | fisherman | friend | popular music | source music | upbeat | walking |
Out of the Fog (1941) | Underscoring (Dramatic) | 0:26:42 - Goff slaps Jonah | arguing | chef | conflict | criminal | dock | dramatic | extortion | falling | father | fisherman | friend | leading man | mickey-mousing | punching | slapping | stinger | underscoring | violence |
Out of the Fog (1941) | Underscoring (Gentle) | 0:26:51 - Jonah helps Olaf | chef | conflict | conversing | criminal | dock | extortion | father | fisherman | friend | gentle | helping | leading man | mickey-mousing | reacting | solemn | tender | threatening | underscoring |
Out of the Fog (1941) | Russian Barcarolle (Dark 2) | 0:27:12 - Jonah and Olaf react | arguing | chef | conflict | conversing | criminal | dark | dock | extortion | father | fisherman | friend | gun | leading man | stinger | tense | threatening |
Out of the Fog (1941) | Animato | 0:27:43 - Goff pulls out a gun | chef | conflict | conversing | criminal | dock | extortion | father | fisherman | foreign key modulation | friend | gun | leading man | tense | threatening |
Out of the Fog (1941) | Russian Barcarolle (Distorted) | 0:28:02 - Jonah and Olaf pay Goff | chef | conflict | conversing | criminal | dark | dock | extortion | father | fisherman | friend | leading man | money | threatening |
Out of the Fog (1941) | Underscoring (Tense) | 0:28:20 - Jonah and Olaf react | chef | conflict | conversing | criminal | dock | extortion | father | fisherman | friend | leading man | tense | threatening | underscoring |
Out of the Fog (1941) | Father and Daughter | 0:33:12 - Jonah talks to Stella | advance plot | conversing | crying | father | gentle | hugging | leading lady | mode mixture | room | tender |
Out of the Fog (1941) | Underscoring (Dramatic) | 0:45:13 - Goff enters | arriving | conflict | conversing | criminal | dock | dramatic | father | fisherman | friend | leading man | tense |
Out of the Fog (1941) | Russian Barcarolle (Solemn) | 0:45:25 - Goff asks for money | arguing | conflict | conversing | criminal | dock | extortion | father | fisherman | foreign key modulation | friend | leading man | sequence | solemn |
Out of the Fog (1941) | Underscoring (Dramatic) | 0:46:00 - Jonah calls for the cop | arguing | conflict | criminal | dock | dramatic | extortion | father | fisherman | friend | leading man | underscoring | yelling |
Out of the Fog (1941) | Russian Barcarolle (Fragmented) | 0:46:14 - Jonah calls for the cop | arguing | conflict | criminal | dock | extortion | father | fisherman | fragmentation | friend | leading man | police | tense | yelling |
Out of the Fog (1941) | Underscoring (Tense) | 0:46:34 - Jonah accuses Goff | arguing | conflict | conversing | criminal | dock | extortion | father | fisherman | friend | leading man | police | tense | underscoring |
Out of the Fog (1941) | Russian Barcarolle (Fragmented) | 0:46:50 - Olaf accuses Goff | conflict | conversing | criminal | departing | dock | extortion | father | fisherman | fragmentation | friend | leading man | police | tense |
Out of the Fog (1941) | The Merry-Go-Round Broke Down | 0:49:00 - Olaf and Jonah walk to the restaurant | AABA structure | advance plot | conversing | crowd | dancing | dock | father | fisherman | friend | popular music | source music | upbeat |
Out of the Fog (1941) | Underscoring (Dramatic) | 0:49:39 - Goff stops Jonah | conflict | conversing | criminal | dark | dramatic | extortion | father | fisherman | leading man | mickey-mousing | panning shot | stinger | street | threatening | underscoring | violence | walking | weapon |
Out of the Fog (1941) | Beating | 0:50:17 - Goff beats Jonah | beating | conflict | criminal | dark | dissonant bass | dramatic | extortion | father | fisherman | leading man | mickey-mousing | street | violence | weapon |
Out of the Fog (1941) | Underscoring (Dramatic) | 0:50:24 - Goff shoves Jonah | conflict | criminal | dark | dramatic | extortion | father | fisherman | leading man | street | threatening | underscoring | violence |
Out of the Fog (1941) | Russian Barcarolle (Death Threat) | 0:50:48 - Goff mocks Jonah | conflict | criminal | dark | extortion | father | fisherman | leading man | mocking | street | tense | threatening | violence |
Out of the Fog (1941) | Underscoring (Dramatic) | 0:51:05 - Goff gives Jonah a gun | conflict | criminal | dramatic | extortion | father | fisherman | gun | leading man | mocking | stinger | street | threatening | underscoring | violence |
Out of the Fog (1941) | Father and Daughter (Tender) | 0:51:32 - Maps of Cuba | advance plot | arriving | conversing | father | fisherman | leading lady | mirror shot | packing | room | tender | tense |
Out of the Fog (1941) | Drab (Extended) | 0:51:50 - Stella talks with her father | advance plot | conversing | father | fisherman | foreign key modulation | leading lady | packing | room | sequence | somber | uneasy |
Out of the Fog (1941) | Russian Barcarolle (Dark) | 0:52:49 - Jonah reacts | advance plot | conversing | dark | father | fisherman | leading lady | room |
Out of the Fog (1941) | Drab | 0:53:05 - Stella talks with her father | advance plot | conversing | father | fisherman | leading lady | room | sequence | somber | uneasy |
Out of the Fog (1941) | Russian Barcarolle (Troubled) | 0:53:43 - Stella talks with her father | advance plot | bold | conversing | dark | father | fisherman | leading lady | ominous | room |
Out of the Fog (1941) | Father and Daughter (Short) | 0:54:23 - Stella and Jonah embrace | advance plot | conversing | departing | father | fisherman | leading lady | room | tender |
Out of the Fog (1941) | Russian Folk Song | 0:54:43 - Jonah enters a room | advance plot | arriving | cheerful | father | fisherman | folk music | friend | on-screen music | room | singing | source music |
Out of the Fog (1941) | Russian Barcarolle | 0:55:11 - Sam sings a Russian folk song | advance plot | cheerful | father | fisherman | folk music | friend | on-screen music | room | score to source | singing | source music |
Out of the Fog (1941) | Russian Barcarolle (Ethereal) | 1:23:47 - Jonah talks to Stella | conversing | dock | ethereal | father | fisherman | leading lady | peaceful | resolution | walking |
Out of the Fog (1941) | Russian Barcarolle (Tango) | 1:24:07 - Stella and Jonah walk away | chromatic mediant | conversing | dock | exotic | father | fisherman | foreign key modulation | leading lady | peaceful | pedal tone | resolution | street | tango | walking |
Out of the Fog (1941) | Russian Barcarolle (The End) | 1:24:24 - The dock at night | conversing | dock | end title sequence | father | fisherman | grand | leading lady | peaceful | perfect authentic cadence | resolution | street | The End | walking |
| We Are Not Alone (1939) | Surprise Symphony (Imagination) | 0:03:55 - David talks to his son | boy | child | chromatic parallelism | establish character | father | gentle | hero | home | playful | sweet | telling a story |
We Are Not Alone (1939) | Playful | 0:04:39 - David asks his son to find a cat | boy | child | establish character | father | foreign key modulation | fragmentation | hero | home | playful | sequence | step modulation |
We Are Not Alone (1939) | Boy runs back and forth | 0:04:52 - Gerald runs to the door and back | back and forth | boy | child | establish character | father | hero | home | mickey-mousing | playful | running |
We Are Not Alone (1939) | Surprise Symphony (Hushed) | 0:04:59 - David talks to his son | boy | child | classical music | establish character | familiar tune | father | half-diminished 7th chord | Haydn | hero | home | hushed | quotation | subtle |
We Are Not Alone (1939) | Surprise Symphony (Hug) | 0:05:14 - David hugs his son | boy | child | classical music | establish character | familiar tune | father | gentle | Haydn | hero | home | mode mixture | quotation |
We Are Not Alone (1939) | Surprise Symphony (Innocent) | 0:06:36 - Gerald runs inside | 9th chord | boy | child | classical music | comforting | common-tone diminished 7th | establish character | familiar tune | father | foreign key modulation | fragmentation | Haydn | hero | home | innocent | mode mixture | nagging | parallel fifths | playful | quotation | step modulation | tritone | Wagner |
We Are Not Alone (1939) | Surprise Symphony (Worried) | 0:22:57 - David hears Gerald crying | advance plot | boy | child | classical music | dark | familiar tune | father | fragmentation | Haydn | hero | home | hurrying | mode mixture | quotation | tense |
We Are Not Alone (1939) | Surprise Symphony (Fixing the Lights) | 0:23:27 - David tries to fix the lights | 11th chord | advance plot | boy | child | classical music | familiar tune | father | foreign key modulation | fragmentation | Haydn | helping | hero | home | mysterious | playful | quotation | working |
We Are Not Alone (1939) | Surprise Symphony (Lighting the House) | 0:23:40 - David lights candles in the house | advance plot | boy | candle | child | chromatic sequence | classical music | dissonant bass | familiar tune | father | Haydn | helping | hero | home | lighting | positive | quotation | working |
We Are Not Alone (1939) | Surprise Symphony (Better) | 0:23:55 - David puts his son in bed | 9th chord | advance plot | boy | calm | child | classical music | conversing | dark | familiar tune | father | foreign key modulation | Haydn | hero | home | playing | quotation | warm |
We Are Not Alone (1939) | Whee! | 0:23:57 - David flips his son upside down playfully | advance plot | boy | child | father | hero | home | jumping | mickey-mousing | parallel 63s | parallelism | playful | playing | spinning |
We Are Not Alone (1939) | Surprise Symphony (Death Bed) | 0:24:11 - David discusses death with his son | advance plot | augmentation | boy | child | classical music | conversing | dark | death | familiar tune | father | Haydn | hero | home | quotation |
We Are Not Alone (1939) | Surprise Symphony (Dolce) | 0:25:02 - Gerald asks to go with his father on a trip | advance plot | boy | child | classical music | conversing | familiar tune | father | Haydn | hero | home | mode mixture | quotation | sweet | warm |
We Are Not Alone (1939) | Frohe Botschaft (Ethereal) | 0:25:12 - David tells his son about his patient, Leni | 9th chord | 64 chord | advance plot | boy | child | conversing | familiar tune | father | folk song | German | hero | home | mode mixture | pedal tone | quotation | sweet |
We Are Not Alone (1939) | Surprise Symphony (Lullaby) | 0:25:36 - David asks his son to help Leni | advance plot | boy | child | classical music | conversing | familiar tune | father | Haydn | hero | home | pedal tone | quotation | sweet |
We Are Not Alone (1939) | It's Easy to Be a Lady if You Try | 0:25:50 - Gerald and Leni ride a carousel | ABAC structure | advance plot | amusement park | boy | bright | carnival | carousel | child | conversing | familiar tune | father | hero | heroine | playing | source music |
We Are Not Alone (1939) | Frohe Botschaft (At the Piano) | 0:34:49 - Leni plays and sings | boy | cheerful | child | establish character | familiar tune | father | folk song | foreign key modulation | German | hero | heroine | home | on-screen music | piano | playing | score to source | singing | source music | transcribed by ear |
| The Woman in White (1948) | Pavan (Garden 2) | 0:55:17 - Marian talks to Mr. Fairlie | advance plot | conversing | cousin | father | leading lady | room | somber |
The Woman in White (1948) | Sneaking | 1:02:12 - Marian leaves wearing a cloak | advance plot | antagonist | conversing | cousin | criminal | eavesdropping | father | husband | leading lady | leading man | room | sneaking | somber | tense |
The Woman in White (1948) | Fosco (Misterioso Slowly) | 1:04:48 - Count Fosco leaves the room | advance plot | antagonist | conversing | cousin | criminal | eavesdropping | father | husband | leading lady | leading man | lightning | mysterious | room | sneaking | storm | tense |
The Woman in White (1948) | Laura (Harp Countermelody) | 1:46:55 - The camera pans from the asylum | arriving | butler | child | conversing | father | happy | husband | leading man | mansion | resolution | voice-over | waltz |
The Woman in White (1948) | Pavan (Major) | 1:47:33 - Walter with his daughter Ann | child | conversing | father | greeting | husband | leading man | noble | resolution | voice-over | yard |
The Woman in White (1948) | The Self Banished (The End) | 1:47:51 - Walter with the children | book | child | conversing | embracing | father | greeting | husband | kissing | leading lady | leading man | mother | resolution | tender | The End | voice-over | wife | yard |
| Secrets of the French Police (1932) | Berceuse | 0:13:09 - The flower girl talks with her father | advance plot | conversing | father | leading lady | restaurant | somber | waltz |
| Don’t Turn ‘em Loose (1936) | Souvenir No. 16 | 1:03:53 - John at his daughter's wedding | bride | calm | conversing | father | guest | mother | pedal tone | pleasant | resolution | wedding | wedding | wedding |
Don’t Turn ‘em Loose (1936) | Here Comes the Bride | 1:04:36 - Mildred at her wedding | bride | calm | father | guest | mother | parallel period | pleasant | resolution | walking | wedding | wedding | wedding |
| Half Shot at Sunrise (1930) | Kiss Me Cherie (The End) | 1:17:59 - The leads all embrace | embracing | end title sequence | father | greeting | kissing | leading lady | leading man | love interest | mother | street | The End | upbeat |
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