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140 results for "mother" in 21 films — see also create | father | inspiration | old woman

FilmTheme nameInstanceTags
Are These Our Children? (1931)Dreams (Allegro)1:15:33 - Newspaper headlinesaugmented triad | chromatic parallelism | double exposure | dramatic | fanfare | frantic | headline | montage | mother | newspaper | ostinato | spinning | tense | whole-tone chord | whole-tone scale
Beyond the Forest (1949)Hurrying (Rather Slowly)0:30:48 - Rosa leaves the post officeadvance plot | child | departing | leading lady | mother | neighbor | post office | upset
Caged (1950)Marie (Dramatic)0:52:43 - Marie pleads with her mother to take the babydespair | dramatic | leading lady | mother | nurse | pleading | prison | prisoner | tragic | turning point

Caged (1950)

Prison (Tragic)0:52:48 - Marie calls after her motherdespair | dramatic | leading lady | mother | nurse | pleading | prison | prisoner | tragic | turning point
City for Conquest (1940)Scales0:09:16 - Danny and Peggy go upstairsarguing | conversing | establish character | leading lady | leading man | mother | on-screen music | piano | room | source music | tedious | transcribed by ear
Death of a Scoundrel (1956)Clementi's Mother0:05:23 - Detective questions Clementi's motherfolk-like | mother | somber | strumming

Death of a Scoundrel (1956)

Clementi's Mother (The Letter)1:31:34 - Bridget reads a letter to Clementi from his motherflashback | folk-like | letter | mother | pleading

Death of a Scoundrel (1956)

Clementi's Mother (Arriving)1:42:44 - Clementi's mother gets off of the planeCzechoslavakian | ethnic | flashback | mother

Death of a Scoundrel (1956)

Clementi's Mother (Peaceful)1:45:16 - Clementi talks to his motherbedroom | ethnic | flashback | gentle | mother | peaceful

Death of a Scoundrel (1956)

Clementi C (Tense)1:45:52 - Clementi tells his mother of Zina's death, and his plan to get out of the country with all of his moneydeception | flashback | mother | pleading

Death of a Scoundrel (1956)

Clementi's Mother (Disappointed)1:46:39 - Clementi's mother realizes that he brought her to America to help him escapecrying | flashback | honor | mother | refusal

Death of a Scoundrel (1956)

Clementi's Mother (Confession)1:55:54 - Clementi speaks with his mother through the door and asks for repentanceconfession | flashback | mother | repentance

Death of a Scoundrel (1956)

Clementi's Mother1:58:15 - Bridget talks to Clementi's mothermother | somber
Deep Valley (1947)Joe0:01:29 - A dogcheerful | dog | establish character | friendly | leading lady | mother | opening | porch | room | running | upbeat | waking

Deep Valley (1947)

Joe (Poco Meno Expressivo)0:01:59 - Libby gets updog | dressing | establish character | leading lady | mother | room | scolding | upbeat | waking

Deep Valley (1947)

Homestead (Moderato)0:15:18 - Homestead in the distancebarnyard | dark | father | gentle | leading lady | mother | reading | room | transition

Deep Valley (1947)

Homestead (Sordini)0:16:14 - Ellie talks with Libbyadvance plot | calm | conversing | delicate | leading lady | memory | mother | past | room | sentimental

Deep Valley (1947)

Underscoring (Tense)0:17:06 - Ellie talks with Libbyadvance plot | conversing | dark | leading lady | mother | room | stinger | tense | underscoring

Deep Valley (1947)

Homestead (Triste)0:17:34 - Ellie talks with Libbyadvance plot | conversing | dark | leading lady | mother | room | tense

Deep Valley (1947)

Underscoring (Somber)0:17:55 - Libby talks with Ellieadvance plot | conversing | dark | leading lady | mother | room | somber | underscoring

Deep Valley (1947)

Homestead (Somber)0:18:26 - Ellie talks with Libbyadvance plot | conversing | dark | leading lady | mother | room | somber

Deep Valley (1947)

Earthquake0:32:21 - An earthquake shakes the houseconflict | dramatic | earthquake | father | leading lady | lightning | mother | room | rushing | shaking | storm | thunder

Deep Valley (1947)

Libby (Dark)0:33:17 - Libby walks to her mother's roomconflict | conversing | dark | leading lady | lightning | mother | room | somber | storm | thunder | walking

Deep Valley (1947)

Libby (Slowly)0:34:53 - Libby leaves her motherconflict | dark | leading lady | leaving | lightning | mother | pleading | room | somber | storm | tense | thunder

Deep Valley (1947)

Triste (Stormy)0:35:16 - Shutters shaking in the windconflict | dark | leading lady | leaving | lightning | mother | pleading | room | somber | storm | thunder

Deep Valley (1947)

Libby 2 (Stormy)0:35:27 - Waves hitting the shoreconflict | construction site | crew | dark | leading lady | leaving | mother | pleading | storm | tense | waves | working

Deep Valley (1947)

Homestead (Slowly)0:37:05 - Ellie in her roomadvance plot | arriving | father | mother | room | somber | street | waiting

Deep Valley (1947)

Drudge0:38:02 - Ellie looks out the windowadvance plot | father | mother | room | tender | waiting

Deep Valley (1947)

Libby 3 (Brief)0:38:54 - Cliff closes a dooradvance plot | father | mother | room | tender | waiting

Deep Valley (1947)

Libby (Molto Expressivo)0:57:13 - Libby looks at the homesteadleading lady | mother | mysterious | reconciliation scene | returning | room | somber | street

Deep Valley (1947)

Triste (Timidly)0:57:32 - Ellie leaves her roomcleaning | father | mother | reconciliation scene | room | somber | timid | walking

Deep Valley (1947)

Homestead (Dolce)0:57:50 - Ellie comes downstairsfather | gentle | mother | reconciliation scene | reuniting | room | sweet | timid

Deep Valley (1947)

Homestead (Gentle)1:01:50 - Ellie sits at the tablefather | gentle | mother | reconciliation scene | room | watching

Deep Valley (1947)

Barry (Misterioso)1:02:50 - Libby runs to the dooradvance plot | leading lady | mother | mysterious | room | rushing | tense

Deep Valley (1947)

Law (Tense)1:02:57 - Libby goes down the stairsadvance plot | leading lady | mother | room | sneaking | tense

Deep Valley (1947)

Barry (Misterioso)1:03:09 - Ellie approachesadvance plot | leading lady | mother | mysterious | room | sneaking

Deep Valley (1947)

Libby 31:03:21 - Ellie talks with LIbbyadvance plot | conversing | hesitant | leading lady | lying | mother | room

Deep Valley (1947)

Libby (Stormy)1:03:40 - Ellie talks with Libbyadvance plot | conversing | hesitant | leading lady | lying | mother | room | tense

Deep Valley (1947)

Homestead (Lento)1:07:51 - Ellie and Cliff play cardsadvance plot | calm | cards | conversing | father | leading lady | mother | playing | room

Deep Valley (1947)

Homestead (Morendo)1:08:13 - Libby talks with her parentsadvance plot | conversing | father | leading lady | mother | room | somber

Deep Valley (1947)

Underscoring (Tense)1:33:08 - The Sheriff talks with Ellieadvance plot | conversing | evidence | mother | ominous | porch | sheriff | stinger | tense

Deep Valley (1947)

Love Theme1:33:30 - A shot of the barnadvance plot | mellow | mother | porch | sheriff | uneasy | walking

Deep Valley (1947)

Libby 2 (Molto Expressivo)1:33:40 - Ellie walks to the barnadvance plot | barn | convict | eavesdropping | fugitive | leading lady | leading man | love interest | mother | sneaking | tense | walking | yard

Deep Valley (1947)

Libby 2 (Misterioso)1:34:15 - Ellie climbs the ladderadvance plot | barn | climbing | convict | eavesdropping | fugitive | leading lady | leading man | love interest | mother | mysterious | sneaking | tense

Deep Valley (1947)

Rushing away1:36:01 - Libby rushes out of the barnbarn | climax | convict | descending | dramatic | fugitive | leading lady | leading man | love interest | mother | rushing | rushing effect | tense

Deep Valley (1947)

Libby 2 (Frantic)1:36:05 - Ellie calls after Libbybarn | begging | climax | convict | frantic | fugitive | leading lady | leading man | love interest | mother | pleading | tense

Deep Valley (1947)

Libby (Running)1:36:13 - Libby and Barry run out of the barnbarn | begging | climax | convict | father | frantic | fugitive | leading lady | leading man | love interest | mother | pleading | running | rushing | tense | yard

Deep Valley (1947)

Libby (Stormy)1:36:26 - Cliff looks for Elliebarn | climax | convict | crying | dark | father | fugitive | hiding | leading lady | leading man | love interest | mother | running | rushing | sneaking | tense | yard
Each Dawn I Die (1939)Frank0:08:23 - Frank and Joyce embraceappoggiatura | courtroom | courtroom scene | embracing | girlfriend | handcuffs | hero | leading man | mother | reporter | reverse picardy | tender
The FBI Story (1959)Embrace0:02:06 - Mother and son hug before she leaves on the planeairport | embrace | goodbye | mother

The FBI Story (1959)

Lucy A (Walking)0:37:12 - Lucy walks down the street with her childrenchild | flashback | heroine | mother | street
In This Our Life (1942)Roy (Triste 2)1:13:12 - Roy talks with Minervaadvance plot | conversing | leading lady | maid | mother | questioning | room | solemn | somber

In This Our Life (1942)

Minerva and Parry1:13:29 - Minerva talks with Royadvance plot | calm | conversing | leading lady | maid | mellow | mother | questioning | room | sentimental | solemn | spiritual

In This Our Life (1942)

Stanley (Agitato)1:25:21 - Craig talks to Stanleyagitated | climax | conversing | criminal | father | lawyer | leading lady | leading man | mother | room | suspect

In This Our Life (1942)

Underscoring (Tense) + South American Way1:25:34 - Stanley reactsaccusing | climax | criminal | father | lawyer | leading lady | leading man | lying | mother | mysterious | ominous | remembered source music | remembering | room | source and scoring overlap | source music | suspect | tense | underscoring

In This Our Life (1942)

Stanley (Valse Triste)1:26:23 - Stanley confessesarguing | climax | confessing | confession | criminal | crying | dramatic | father | lawyer | leading lady | leading man | mother | room | suspect

In This Our Life (1942)

Stanley B (Slowly Extended)1:26:39 - Stanley confessesagitated | arguing | climax | confessing | confession | criminal | crying | father | lawyer | leading lady | leading man | lying | mother | room | suspect

In This Our Life (1942)

Expressivo (Extended 2)1:27:04 - Lavinia risesarguing | climax | criminal | emotional | father | lawyer | leading lady | leading man | mother | pleading | room | suspect

In This Our Life (1942)

Underscoring (Tense)1:27:23 - Stanley reactsclimax | conversing | criminal | father | lawyer | leading lady | leading man | mother | plotting | room | suspect | tense | underscoring

In This Our Life (1942)

Stanley (Extended)1:27:33 - Stanley goes upstairsclimax | conversing | criminal | crying | father | lawyer | leading lady | leading man | mother | room | somber | suspect | uneasy
The Informer (1935)Sancta Maria1:30:27 - Frankie's mother forgives Gypoantagonist | church | climax | confessing | dying | gentle | leading man | mother | sacred | somber | suspension | traitor
Lightning Strikes Twice (1951)Trev0:07:18 - Myra talks about finding Trevactor | conversing | establish character | father | gentle | hotel | leading lady | mother | owner

Lightning Strikes Twice (1951)

Underneath a Western Sky0:56:48 - A chuckwagon dinneractor | advance plot | calm | campfire | chuckwagon | conversing | cowboy song | crowd | drinking | eating | father | flirting | food | friend | leading lady | love interest | mother | on-screen music | owner | playing | ranch | source music

Lightning Strikes Twice (1951)

Shelly (Peaceful) + Shelly 2 (Peaceful)1:07:58 - Trev and Shelly embraceactor | calm | combination of themes | conversing | embracing | kissing | leading lady | leading man | love interest | love scene | mother | owner | ranch | romantic | room | suspect

Lightning Strikes Twice (1951)

Shelly and Trev (Misterioso)1:09:40 - Shelly and Myra talkactor | advance plot | conversing | leading lady | mother | mysterious | owner | room | tense

Lightning Strikes Twice (1951)

Allargando1:10:03 - Shelly learns that Liza loves Trevactor | advance plot | concerned | conversing | dark | leading lady | mother | owner | room | tense
Mildred Pierce (1945)Kay and Veda (Returning Home)1:38:10 - Mildred looks at Veda through the windowadvance plot | chromatic mediant | conversing | daughter | deceptive resolution | emotional | foreign key modulation | happy | heroine | leading lady | loving | mode mixture | mother | room | warm | watching

Mildred Pierce (1945)

Mildred (Happy Homecoming)1:38:50 - Mildred and her daughter embraceadded-note chord | advance plot | apologizing | chromatic mediant | daughter | embracing | foreign key modulation | forgiveness | happy | heroine | leading lady | loving | mode mixture | mother | returning | reuniting | room | warm

Mildred Pierce (1945)

Bert (Tenderly)1:39:33 - Mildred thanks Bertadvance plot | ex-husband | gentle | heroine | leading lady | mother | room | sweet | thanking

Mildred Pierce (1945)

Kay and Veda (Returning Home 2)1:49:17 - Veda convinces her mother to not report herantagonist | crying | daughter | heroine | leading lady | loving | mode mixture | mother | murderer | murder scene | reverse picardy | room | sacrificing | tender | warm

Mildred Pierce (1945)

Kay and Veda (Triste)1:49:37 - Veda is led out by the policeantagonist | conversing | daughter | defeat | detective | heroine | leading lady | leaving | mother | murderer | police station | resigned | resolution | sigh gesture | somber
The Life of Vergie Winters (1934)Lullaby (Joan)0:50:31 - Joan enters Vergie's shopadvance plot | child | conversing | daughter | distortion | entering | foreign key modulation | fragmentation | gentle | harmonic sequence | leading lady | meeting | mother | octatonic scale | reunion | secret | shop | timid

The Life of Vergie Winters (1934)

Underscoring (Gentle)0:51:06 - Joan talks with Vergie9th chord | advance plot | altered dominant | augmented sixth chord | child | chromatic parallelism | conversing | daughter | foreign key modulation | gentle | half-diminished 7th chord | leading lady | mother | reunion | secret | shop | timid

The Life of Vergie Winters (1934)

Lullaby (Delicato)0:51:39 - Joan talks with Vergie9th chord | advance plot | child | conversing | daughter | gentle | leading lady | mother | parallel 63s | reunion | secret | shop

The Life of Vergie Winters (1934)

Underscoring (Gentle)0:51:52 - Vergie gives Joan a fan9th chord | advance plot | child | conversing | daughter | gentle | leading lady | mother | reunion | secret | shop

The Life of Vergie Winters (1934)

Lullaby (Solo Violin)0:52:06 - Vergie gets a ribbon for Joanadvance plot | child | common-chord modulation | conversing | daughter | fragmentation | gentle | leading lady | mother | reunion | secret | shop

The Life of Vergie Winters (1934)

Lullaby (Strings)0:52:30 - Vergie puts a ribbon in Joan's hairadvance plot | child | chromatic mediant | conversing | countermelody | daughter | direct modulation | gentle | leading lady | mode mixture | mother | pedal tone | reunion | secret | shop
Rockabye (1932)Improvised Lullaby0:11:04 - Elizabeth sings a lullabyadvance plot | calm | daughter | doll | leading lady | lullaby | mother | on-screen music | room | singing | source music

Rockabye (1932)

Sleep, My Sweet0:11:20 - Judy sings with her daughteradvance plot | calm | daughter | humming | leading lady | lullaby | mother | on-screen music | room | score to source | singing | source music

Rockabye (1932)

A Bird in a Gilded Cage0:29:09 - Snooks sings to herselfadvance plot | drunk | mother | on-screen music | room | singing | source music

Rockabye (1932)

You've Got What Gets Me0:53:27 - People at a partyABAB structure | advance plot | cheerful | conversing | manager | mother | party | source music

Rockabye (1932)

You've Got What Gets Me0:55:05 - Judy at a partyABAB structure | advance plot | celebrating | cheerful | leading lady | maid | mother | party | source music
Out of the Fog (1941)South American Way0:30:00 - Stella listens to the radioadvance plot | conversing | leading lady | mother | popular music | radio | room | source music | upbeat
Kid Galahad (1937)Heart's Affair (Yearning)0:44:11 - Ward and Nick leave the farmadvance plot | altered dominant | car | deceptive resolution | driving | farm | leading man | leaving | manager | mother | not by Steiner | parting | sentimental | sister | transcribed by ear | yearning gesture

Kid Galahad (1937)

Yearning0:48:47 - Marie speaks with her motheradvance plot | chromatic mediant | conversing | deceptive resolution | foreign key modulation | home | mother | nervous | newspaper | not by Steiner | sister | transcribed by ear | yearning

Kid Galahad (1937)

Heart's Affair0:49:16 - Marie speaks with her motheradvance plot | altered dominant | conversing | harmonic sequence | home | mode mixture | mother | newspaper | romantic | sister | transcribed by ear | yearning

Kid Galahad (1937)

Doublecross (Entanglements)1:17:24 - Nick falls to the groundadvance plot | dark | descending tetrachord | farm | fighting | leading man | manager | mother | not by Steiner | sister | somber | tragic | transcribed by ear
We Are Not Alone (1939)Boy runs downstairs0:03:07 - Gerald runs down the stairs9th chord | altered dominant | antagonist | boy | child | chromatic mediant | down | downstairs | establish character | foreign key modulation | gentle | home | mickey-mousing | mother | pedal tone | playful | running

We Are Not Alone (1939)

Appassionato0:03:13 - Gerald is scolded by his motherantagonist | boy | child | chromatic parallelism | chromatic scale | deceptive resolution | dominant 7th chord | establish character | fragmentation | harmonic sequence | hero | home | linear chromaticism | mother | passionate | scolding | sequence | telling a story | tense

We Are Not Alone (1939)

Piano Banging0:37:12 - Gerald bangs on the piano antagonist | boy | chaotic | child | dissonant | establish character | heroine | home | mother | on-screen music | piano | playing | tone cluster

We Are Not Alone (1939)

Jessica0:45:10 - Jessica enters the room9th chord | advance plot | antagonist | chromatic parallelism | chromatic scale | conversing | half-diminished 7th chord | home | mother | room | sour

We Are Not Alone (1939)

Frohe Botschaft (Crying)0:45:45 - Leni kisses Gerald9th chord | 64 chord | advance plot | antagonist | boy | child | crying | deceptive resolution | familiar tune | folk song | fragmentation | German | heroine | home | leaving | mode mixture | mother | quotation | room | sequence | somber | tritone

We Are Not Alone (1939)

Tragico0:46:40 - Gerald faces his motheradvance plot | antagonist | appoggiatura | boy | child | conversing | dark | home | mother | pedal tone | room | sad | stinger | tragic

We Are Not Alone (1939)

Surprise Symphony (Tragico)0:47:06 - Jessica gathers clothes for Gerald advance plot | antagonist | boy | child | classical music | conversing | dark | familiar tune | Haydn | home | mother | quotation | room | sad | tragic
White Heat (1949)Thinking0:06:23 - Cody walks across the roomestablish character | gangster | leading man | mother | murderer | room | tense | thinking | victim | walking

White Heat (1949)

Stirring the pot0:06:29 - Ma stirs food in a potcooking | establish character | gangster | leading man | mother | murderer | room | stirring | uneasy | victim

White Heat (1949)

Ma0:06:34 - Ma cooks dinnercooking | establish character | gangster | leading man | mother | murderer | room | uneasy | victim

White Heat (1949)

Verna0:06:56 - Verna gets uparguing | bluesy | complaining | dark | establish character | gangster | leading lady | leading man | moll | mother | murderer | rising | room | victim | waking

White Heat (1949)

Rushing0:10:49 - A gangster comes in the dooradvance plot | arguing | dark | gangster | leading lady | leading man | moll | mother | murderer | punching | room | storm | tense | victim | wind

White Heat (1949)

Verna (Molto Expressivo)0:11:38 - Verna embraces Codybluesy | conversing | dark | embracing | flirting | gangster | kissing | leading lady | leading man | love scene | moll | money | mother | murderer | room | victim | waltz

White Heat (1949)

Underscoring (Dark)0:12:14 - Zuckie pleads with Codyconversing | dark | death | funereal | gangster | leading lady | leading man | moll | mother | murderer | murder scene | pleading | room | underscoring | victim

White Heat (1949)

Zuckie's Death0:12:29 - Cody ignores Zuckiecrying | dark | death | departing | funereal | gangster | leading lady | leading man | moaning | moll | mother | murderer | murder scene | pleading | room | somber | victim

White Heat (1949)

Plotting (Extended)0:12:45 - Ma warns Cody that Zuckie may talkdark | death | gangster | leading lady | leading man | moll | mother | murderer | murder scene | mysterious | plotting | victim | warning | yard

White Heat (1949)

Underscoring (Dramatic)0:12:57 - Cody orders Cotton to shoot Zuckiecommanding | dark | death | dramatic | gangster | gun | leading lady | leading man | moll | mother | murderer | murder scene | stinger | underscoring | victim | yard

White Heat (1949)

Plotting (Ugly)0:13:06 - Cotton goes to kill Zuckiedark | death | gangster | gun | leading lady | leading man | moll | mother | murderer | murder scene | mysterious | victim | walking | yard

White Heat (1949)

Zuckie's Death0:13:32 - Gangsters get in the cardark | death | departing | funereal | gangster | gun | leading lady | leading man | moll | mother | murderer | murder scene | somber | victim | walking | yard

White Heat (1949)

Cody (Molto Marcato)0:13:59 - Cody walks to the carbold | dark | departing | gangster | leading lady | leading man | moll | mother | murderer | murder scene | victim | violent | walking | yard

White Heat (1949)

Driving0:14:09 - The gangsters drive awaydark | departing | driving | gangster | leading lady | leading man | menacing | moll | mother | murderer | rushing | self-borrowing | street | transition

White Heat (1949)

Ma0:19:45 - Ma walks out of the marketagent | car | chase scene | mother | observing | street | uneasy | walking

White Heat (1949)

Moll0:19:50 - Ma gets in her caragent | car | chase scene | mother | observing | street | uneasy | walking

White Heat (1949)

Pursuit0:19:58 - Agents pursue Ma in their carsagent | car | chase scene | driving | following | mother | motor effect | pursuing | street | telephone | tense | uneasy

White Heat (1949)

Getaway0:21:01 - Ma speeds awayagent | car | chase scene | driving | following | mother | pursuing | street | tense | uneasy

White Heat (1949)

Pursuit (Tense)0:21:09 - Agents pursue Maagent | car | chase scene | driving | following | mother | motor effect | pursuing | street | telephone | tense | uneasy

White Heat (1949)

Underscoring (Dramatic)0:21:34 - Ma speeds ahead in her caragent | car | chase scene | dramatic | driving | escaping | mother | pursuing | street | tense | turning | underscoring

White Heat (1949)

Ma (Dramatic)0:21:49 - Ma continues drivingagent | car | chase scene | chasing | dramatic | escaping | frantic | mother | pursuing | street

White Heat (1949)

Pursuit (Frantic)0:21:56 - Agents lose Maagent | car | chase scene | chasing | escaping | mother | pursuing | street | tense | underscoring

White Heat (1949)

Danger (Escaping)0:23:32 - Verna and Ma rush outaction scene | agent | dramatic | escaping | gangster | leading lady | leading man | moll | mother | murderer | room | rushing | street | wound

White Heat (1949)

Agitato (Escaping)0:23:37 - Evans struggles on the groundaction scene | agent | agitated | car | dramatic | driving | escaping | gangster | gun | gunshot | leading lady | leading man | moll | mother | murderer | shooting | street | struggling | tense | wound

White Heat (1949)

Driving (Extended)0:23:46 - The gangsters speed awayaction scene | agent | car | chasing | dark | dramatic | gangster | leading lady | leading man | menacing | moll | mother | murderer | speeding | street | wound

White Heat (1949)

Speed (Frantic)0:24:11 - The gangsters speed awaycar | chase scene | chasing | dramatic | frantic | leading lady | leading man | moll | mother | murderer | rushing | self-borrowing | speeding | street | tense

White Heat (1949)

Speed (Frantic)0:24:26 - The gangsters speed awaycar | chase scene | chasing | dramatic | frantic | leading lady | leading man | moll | mother | murderer | self-borrowing | speeding | street | tense

White Heat (1949)

Speed (Desperate)0:24:44 - The gangsters speed awaycar | chase scene | chasing | dramatic | frantic | leading lady | leading man | moll | mother | murderer | self-borrowing | speeding | street | tense

White Heat (1949)

Pursuit (Fleeing)0:24:50 - Ernie chases the gangstersagent | car | chase scene | chasing | dramatic | frantic | leading lady | leading man | moll | mother | motor effect | murderer | speeding | street | tense

White Heat (1949)

Agents + Pursuit (Rising)0:24:58 - Ernie chases the gangstersagent | car | chase scene | chasing | combination of themes | dramatic | frantic | leading lady | leading man | moll | mother | murderer | speeding | street | tense

White Heat (1949)

Speed (Desperate 2)0:25:03 - The gangsters speed awayagent | car | chase scene | chasing | dramatic | drive-in theater | frantic | leading lady | leading man | moll | mother | murderer | self-borrowing | speeding | tense

White Heat (1949)

Plotting (Mysterious)0:29:13 - Verna and Ma leave the police stationagent | leading lady | leading man | moll | mother | mysterious | police station | transition | walking

White Heat (1949)

Underscoring (Tense)0:42:03 - Ma talks to the gangstersadvance plot | conversing | gangster | leading lady | love interest | moll | mother | room | tense | underscoring

White Heat (1949)

Cody (Expressivo)0:42:17 - Ma talks to Big Edadvance plot | conversing | gangster | leading lady | love interest | moll | mother | room | tense

White Heat (1949)

Agitato0:42:32 - Verna leaves the roomadvance plot | agitated | conversing | departing | gangster | leading lady | love interest | moll | mother | room | tense | underscoring

White Heat (1949)

Big Ed0:42:41 - Big Ed leaves the roomadvance plot | gangster | leading lady | love interest | moll | mother | room | tense | walking

White Heat (1949)

Verna (Slowly)0:43:41 - Verna kisses Big Edbetrayal | bluesy | gangster | kissing | leading lady | love interest | love scene | moll | mother | porch | romantic | spying | sultry
The Woman in White (1948)The Self Banished (The End)1:47:51 - Walter with the childrenbook | child | conversing | embracing | father | greeting | husband | kissing | leading lady | leading man | mother | resolution | tender | The End | voice-over | wife | yard
Don’t Turn ‘em Loose (1936)Souvenir No. 161:03:53 - John at his daughter's weddingbride | calm | conversing | father | guest | mother | pedal tone | pleasant | resolution | wedding | wedding | wedding

Don’t Turn ‘em Loose (1936)

Here Comes the Bride1:04:36 - Mildred at her weddingbride | calm | father | guest | mother | parallel period | pleasant | resolution | walking | wedding | wedding | wedding
Another Face (1935)Old Fashioned Love0:38:13 - People at a pool partyABAB structure | actress | advance plot | conversing | crowd | diving | maid | mother | pool | room | source music | swimmer | swimming | upbeat

Another Face (1935)

I Never Saw a Better Night0:39:50 - Sheila talks with her auntAABA structure | actress | advance plot | aunt | conversing | criminal | fiancé | gangster | maid | mellow | mother | room | source music

Another Face (1935)

Boys Will Be Boys0:41:15 - The maid bakes a cakeAABA structure | actress | advance plot | aunt | conversing | criminal | diving | fiancée | gangster | maid | manager | mellow | mother | room | source music | swimming
Lightning Strikes Twice (1951)Father Paul (Slow)1:29:00 - Shelly and Myra wait for the newsactor | bell effect | car crash | countryside | death | funereal | leading lady | mother | owner | police | resolution | somber | waiting

Lightning Strikes Twice (1951)

Liza (Triste)1:29:20 - Father Paul climbs upactor | arriving | car crash | climbing | countryside | death | husband | leading lady | leading man | mother | owner | police | priest | resolution | somber

Lightning Strikes Twice (1951)

Shelly and Trev (Appassionato 2)1:29:33 - Trev and Shelly embraceactor | calm | comforting | countryside | departing | driving | embracing | husband | kissing | leading lady | leading man | mother | owner | peace | peaceful | police | priest | resolution | smiling