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58 results for "mother" — see also create | father | inspiration | old woman

FilmTheme nameInstanceTags
Are These Our Children? (1931)Dreams (Allegro)1:15:33 - Newspaper headlinesaugmented triad | chromatic parallelism | double exposure | dramatic | fanfare | frantic | headline | montage | mother | newspaper | ostinato | spinning | tense | whole-tone chord | whole-tone scale
City for Conquest (1940)Scales0:09:16 - Danny and Peggy go upstairsarguing | conversing | establish character | leading lady | leading man | mother | on-screen music | piano | room | source music | tedious
Death of a Scoundrel (1956)Clementi's Mother0:05:23 - Detective questions Clementi's motherfolk-like | mother | somber | strumming

Death of a Scoundrel (1956)

Clementi's Mother (The Letter)1:31:34 - Bridget reads a letter to Clementi from his motherflashback | folk-like | letter | mother | pleading

Death of a Scoundrel (1956)

Clementi's Mother (Arriving)1:42:44 - Clementi's mother gets off of the planeCzechoslavakian | ethnic | flashback | mother

Death of a Scoundrel (1956)

Clementi's Mother (Peaceful)1:45:16 - Clementi talks to his motherbedroom | ethnic | flashback | gentle | mother | peaceful

Death of a Scoundrel (1956)

Clementi C (Tense)1:45:52 - Clementi tells his mother of Zina's death, and his plan to get out of the country with all of his moneydeception | flashback | mother | pleading

Death of a Scoundrel (1956)

Clementi's Mother (Disappointed)1:46:39 - Clementi's mother realizes that he brought her to America to help him escapecrying | flashback | honor | mother | refusal

Death of a Scoundrel (1956)

Clementi's Mother (Confession)1:55:54 - Clementi speaks with his mother through the door and asks for repentanceconfession | flashback | mother | repentance

Death of a Scoundrel (1956)

Clementi's Mother1:58:15 - Bridget talks to Clementi's mothermother | somber
Each Dawn I Die (1939)Frank0:08:23 - Frank and Joyce embraceappoggiatura | courtroom | courtroom scene | embracing | girlfriend | handcuffs | hero | leading man | mother | reporter | reverse picardy | tender
The FBI Story (1959)Embrace0:02:06 - Mother and son hug before she leaves on the planeairport | embrace | goodbye | mother

The FBI Story (1959)

Lucy A (Walking)0:37:12 - Lucy walks down the street with her childrenchild | flashback | heroine | mother | street
In This Our Life (1942)Roy (Triste 2)1:13:12 - Roy talks with Minervaadvance plot | conversing | leading lady | maid | mother | questioning | room | solemn | somber

In This Our Life (1942)

Minerva and Parry1:13:29 - Minerva talks with Royadvance plot | calm | conversing | leading lady | maid | mellow | mother | questioning | room | sentimental | solemn | spiritual

In This Our Life (1942)

Stanley (Agitato)1:25:21 - Craig talks to Stanleyagitated | climax | conversing | criminal | father | lawyer | leading lady | leading man | mother | room | suspect

In This Our Life (1942)

Underscoring (Tense) + South American Way1:25:34 - Stanley reactsaccusing | climax | criminal | father | lawyer | leading lady | leading man | lying | mother | mysterious | ominous | remembered source music | remembering | room | source and scoring overlap | source music | suspect | tense | underscoring

In This Our Life (1942)

Stanley (Valse Triste)1:26:23 - Stanley confessesarguing | climax | confessing | confession | criminal | crying | dramatic | father | lawyer | leading lady | leading man | mother | room | suspect

In This Our Life (1942)

Stanley B (Slowly Extended)1:26:39 - Stanley confessesagitated | arguing | climax | confessing | confession | criminal | crying | father | lawyer | leading lady | leading man | lying | mother | room | suspect

In This Our Life (1942)

Expressivo (Extended 2)1:27:04 - Lavinia risesarguing | climax | criminal | emotional | father | lawyer | leading lady | leading man | mother | pleading | room | suspect

In This Our Life (1942)

Underscoring (Tense)1:27:23 - Stanley reactsclimax | conversing | criminal | father | lawyer | leading lady | leading man | mother | plotting | room | suspect | tense | underscoring

In This Our Life (1942)

Stanley (Extended)1:27:33 - Stanley goes upstairsclimax | conversing | criminal | crying | father | lawyer | leading lady | leading man | mother | room | somber | suspect | uneasy
The Informer (1935)Sancta Maria1:30:27 - Frankie's mother forgives Gypoantagonist | church | climax | confessing | dying | gentle | leading man | mother | sacred | somber | suspension | traitor
Mildred Pierce (1945)Kay and Veda (Returning Home)1:38:10 - Mildred looks at Veda through the windowadvance plot | conversing | daughter | emotional | happy | heroine | leading lady | loving | mother | room | warm | watching

Mildred Pierce (1945)

Mildred (Happy Homecoming)1:38:50 - Mildred and her daughter embraceadvance plot | apologizing | daughter | embracing | forgiveness | happy | heroine | leading lady | loving | mother | returning | reuniting | room | warm

Mildred Pierce (1945)

Bert (Tenderly)1:39:33 - Mildred thanks Bertadvance plot | ex-husband | gentle | heroine | leading lady | mother | room | sweet | thanking

Mildred Pierce (1945)

Kay and Veda (Returning Home 2)1:49:17 - Veda convinces her mother to not report herantagonist | crying | daughter | heroine | leading lady | loving | mother | murderer | murder scene | room | sacrificing | tender | warm

Mildred Pierce (1945)

Kay and Veda (Triste)1:49:37 - Veda is led out by the policeantagonist | conversing | daughter | defeat | detective | heroine | leading lady | leaving | mother | murderer | police station | resigned | resolution | somber
The Life of Vergie Winters (1934)Lullaby (Joan)0:50:31 - Joan enters Vergie's shopadvance plot | child | conversing | daughter | distortion | entering | foreign key modulation | fragmentation | gentle | harmonic sequence | leading lady | meeting | mother | octatonic scale | reunion | secret | shop | timid

The Life of Vergie Winters (1934)

Underscoring (Gentle)0:51:06 - Joan talks with Vergie9th chord | advance plot | altered dominant | augmented sixth chord | child | chromatic parallelism | conversing | daughter | foreign key modulation | gentle | half-diminished 7th chord | leading lady | mother | reunion | secret | shop | timid

The Life of Vergie Winters (1934)

Lullaby (Delicato)0:51:39 - Joan talks with Vergie9th chord | advance plot | child | conversing | daughter | gentle | leading lady | mother | parallel 63s | reunion | secret | shop

The Life of Vergie Winters (1934)

Underscoring (Gentle)0:51:52 - Vergie gives Joan a fan9th chord | advance plot | child | conversing | daughter | gentle | leading lady | mother | reunion | secret | shop

The Life of Vergie Winters (1934)

Lullaby (Solo Violin)0:52:06 - Vergie gets a ribbon for Joanadvance plot | child | common-chord modulation | conversing | daughter | fragmentation | gentle | leading lady | mother | reunion | secret | shop

The Life of Vergie Winters (1934)

Lullaby (Strings)0:52:30 - Vergie puts a ribbon in Joan's hairadvance plot | child | chromatic mediant | conversing | countermelody | daughter | direct modulation | gentle | leading lady | mode mixture | mother | pedal tone | reunion | secret | shop
Rockabye (1932)Improvised Lullaby0:11:04 - Elizabeth sings a lullabyadvance plot | calm | daughter | doll | leading lady | lullaby | mother | on-screen music | room | singing | source music

Rockabye (1932)

Sleep, My Sweet0:11:20 - Judy sings with her daughteradvance plot | calm | daughter | humming | leading lady | lullaby | mother | on-screen music | room | score to source | singing | source music

Rockabye (1932)

A Bird in a Gilded Cage0:29:09 - Snooks sings to herselfadvance plot | drunk | mother | on-screen music | room | singing | source music

Rockabye (1932)

You’ve Got What Gets Me0:53:27 - People at a partyABAB structure | advance plot | cheerful | conversing | manager | mother | party | source music

Rockabye (1932)

You’ve Got What Gets Me0:55:05 - Judy at a partyABAB structure | advance plot | celebrating | cheerful | leading lady | maid | mother | party | source music
Kid Galahad (1937)Heart’s Affair (Yearning)0:44:11 - Ward and Nick leave the farmadvance plot | altered dominant | car | deceptive resolution | driving | farm | leading man | leaving | manager | mother | not by Steiner | parting | sentimental | sister | transcribed by ear | yearning gesture

Kid Galahad (1937)

Yearning0:48:47 - Marie speaks with her motheradvance plot | chromatic mediant | conversing | deceptive resolution | foreign key modulation | home | mother | nervous | newspaper | not by Steiner | sister | transcribed by ear | yearning

Kid Galahad (1937)

Heart’s Affair0:49:16 - Marie speaks with her motheradvance plot | altered dominant | conversing | harmonic sequence | home | mode mixture | mother | newspaper | romantic | sister | transcribed by ear | yearning

Kid Galahad (1937)

Doublecross (Entanglements)1:17:24 - Nick falls to the groundadvance plot | dark | descending tetrachord | farm | fighting | leading man | manager | mother | not by Steiner | sister | somber | tragic | transcribed by ear
We Are Not Alone (1939)Boy runs downstairs0:03:07 - Gerald runs down the stairs9th chord | altered dominant | antagonist | boy | child | chromatic mediant | down | downstairs | establish character | foreign key modulation | gentle | home | mickey-mousing | mother | pedal tone | playful | running

We Are Not Alone (1939)

Appassionato0:03:13 - Gerald is scolded by his motherantagonist | boy | child | chromatic parallelism | chromatic scale | deceptive resolution | dominant 7th chord | establish character | fragmentation | harmonic sequence | hero | home | linear chromaticism | mother | passionate | scolding | sequence | telling a story | tense

We Are Not Alone (1939)

Piano Banging0:37:12 - Gerald bangs on the piano antagonist | boy | chaotic | child | dissonant | establish character | heroine | home | mother | on-screen music | piano | playing | tone cluster

We Are Not Alone (1939)

Jessica0:45:10 - Jessica enters the room9th chord | advance plot | antagonist | chromatic parallelism | chromatic scale | conversing | half-diminished 7th chord | home | mother | room | sour

We Are Not Alone (1939)

Frohe Botschaft (Crying)0:45:45 - Leni kisses Gerald9th chord | 64 chord | advance plot | antagonist | boy | child | crying | deceptive resolution | familiar tune | folk song | fragmentation | German | heroine | home | leaving | mode mixture | mother | quotation | room | sequence | somber | tritone

We Are Not Alone (1939)

Tragico0:46:40 - Gerald faces his motheradvance plot | antagonist | appoggiatura | boy | child | conversing | dark | home | mother | pedal tone | room | sad | stinger | tragic

We Are Not Alone (1939)

Surprise Symphony (Tragico)0:47:06 - Jessica gathers clothes for Gerald advance plot | antagonist | boy | child | classical music | conversing | dark | familiar tune | Haydn | home | mother | quotation | room | sad | tragic
White Heat (1949)Stirs the pot0:06:29 - Ma stirs food in the potcooking | mother | strirring

White Heat (1949)

Ma0:06:34 - Ma cooks dinnercooking | mother

White Heat (1949)

Ma0:19:45 - Ma walks to her car and drives awaycar | driving | mother

White Heat (1949)

Ma (Dramatic)0:21:50 - Ma smiles when the agents are stopped by the trailercar | chasing | escaping | mother | pursuing

White Heat (1949)

Ma (Agitato)1:28:38 - Cody talks about his mothermemory | mother

White Heat (1949)

Plotting (Agitato)1:29:03 - Cody talks about his family and his pastfamily | memory | mother

White Heat (1949)

Cody (Family)1:29:15 - Cody talks about his own past with his mommemory | mother

White Heat (1949)

Ma (Remembering)1:29:29 - Cody says he talks to his dead mothermemory | mother