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143 results for "lawyer" in 9 films

FilmTheme nameInstanceTags
Angels With Dirty Faces (1938)Underscoring (Mysterious)0:07:26 - Rocky talks with his lawyeradvance plot | conversing | dark | dissonant bass | gangster | lawyer | leading man | mysterious | prison | prisoner | underscoring

Angels With Dirty Faces (1938)

When a Prince of a Fella Meets a Cinderella0:16:49 - Rocky goes to a night club advance plot | cheerful | conversing | gambling | gangster | lawyer | leading man | night club | parallel double period | popular music | source music

Angels With Dirty Faces (1938)

Monday Morning0:18:15 - Rocky talks to Frazier in his officeadvance plot | cheerful | conversing | gangster | lawyer | leading man | popular music | room | source music

Angels With Dirty Faces (1938)

So Help Me (If I Don't Love You)0:19:36 - Rocky leaves the nightclubadvance plot | conversing | gangster | lawyer | leading man | popular music | room | sentimental | source music

Angels With Dirty Faces (1938)

Car slowing down0:42:10 - Car slows downadvance plot | arriving | car | gangster | garage | lawyer | linear chromaticism | mysterious | sequence | slowing | stopping

Angels With Dirty Faces (1938)

Stickup0:42:30 - Rocky points a gun at Frazier64 chord | advance plot | assaulting | dramatic | gangster | garage | grabbing | lawyer | leading man | mickey-mousing

Angels With Dirty Faces (1938)

The Gangster (Elevator Music)0:42:40 - Elevator goes upadvance plot | chromatic parallelism | elevator | gangster | half-diminished 7th chord | lawyer | leading man | mickey-mousing | rising | room | tense

Angels With Dirty Faces (1938)

Saving Myself For You (I've Been)1:02:30 - Rocky and Laury at a night clubAABA structure | advance plot | cheerful | club | drinking | gambling | gangster | lawyer | leading lady | leading man | on-screen music | source music

Angels With Dirty Faces (1938)

Underscoring (Dramatic)1:16:29 - Rocky shoots Mac and Frazieragitated | attacking | casino | chaos | chasing | chromatic parallelism | chromatic scale | climbing | conflict | crowd | death | dissonant bass | dramatic | dying | escaping | falling | fighting | gangster | gun | gunshot | half-diminished 7th chord | hurrying | jumping | landing | lawyer | leading man | mickey-mousing | pedal tone | police | rooftop | room | running | sequence | shooting | sneaking | sneaky | street | tone cluster | underscoring

Angels With Dirty Faces (1938)

Mac gets shot1:16:35 - Mac gets shot and diesagitated | chromatic parallelism | chromatic scale | conflict | death | dramatic | dying | falling | gangster | gun | gunshot | lawyer | leading man | mickey-mousing | room | shooting

Angels With Dirty Faces (1938)

Frazier gets shot1:16:56 - Frazier gets shot and diesagitated | casino | chromatic scale | conflict | death | dramatic | dying | falling | gangster | gun | gunshot | lawyer | leading man | mickey-mousing | shooting
Each Dawn I Die (1939)Verdict0:08:19 - The verdict is deliveredbanging | courtroom | courtroom scene | gavel | hero | judge | justice | lawyer | leading man | noble | parallelism | reporter | verdict
Flamingo Road (1949)If I Could Be With You (Maestoso)1:26:31 - Dan reads a telegram about Field's deathadvance plot | chromatic parallelism | diminished 7th chord | lawyer | leading man | linear chromaticism | politician | reading | suicide | telegram | tragic | train | violent
Illegal (1955)Restaurant0:04:33 - Mr. Scott talks to reporters after the triallawyer | reporters | restaurant | waiter
In This Our Life (1942)Underscoring (Tense)1:05:14 - Craig in his officeadvance plot | arriving | lawyer | leading lady | leading man | office | tense | underscoring

In This Our Life (1942)

Stanley Introduction (Extended 2)1:05:31 - Stanley in Craig's officeadvance plot | conversing | lawyer | leading lady | leading man | office | reading | uneasy

In This Our Life (1942)

Stanley (Extended)1:05:53 - Stanley talks to Craigadvance plot | conversing | lawyer | leading lady | leading man | office | solemn | uneasy

In This Our Life (1942)

Stanley B (Slowly)1:06:13 - Stanley talks to Craigadvance plot | conversing | lawyer | leading lady | leading man | office | uneasy

In This Our Life (1942)

Stanley (Triste)1:06:29 - Stanley talks to Craigadvance plot | conversing | lawyer | leading lady | leading man | office | uneasy

In This Our Life (1942)

Stanley (Misterioso)1:06:47 - Stanley hesitates at the dooradvance plot | hesitating | lawyer | leading lady | leading man | mysterious | office

In This Our Life (1942)

Stanley Introduction (Appassionato)1:07:01 - Stanley talks to Craigadvance plot | lawyer | leading lady | leading man | manipulating | office | passionate

In This Our Life (1942)

Stanley1:07:11 - Stanley talks to Craigadvance plot | lawyer | leading lady | leading man | manipulating | office | uneasy

In This Our Life (1942)

Stanley B (Slowly)1:07:19 - Stanley talks to Craigadvance plot | anxious | lawyer | leading lady | leading man | manipulating | office | tense

In This Our Life (1942)

Stanley (Dark)1:07:32 - Stanley leavesadvance plot | dark | lawyer | leading lady | leading man | manipulating | office | uneasy

In This Our Life (1942)

Stanley (Packing)1:14:36 - Newspaper headline about the accidentarriving | conflict | conversing | headline | lawyer | leading lady | leading man | mysterious | newspaper | office

In This Our Life (1942)

Underscoring (Tense)1:15:04 - Craig refuses Parry's caseconflict | conversing | denying | lawyer | leading lady | leading man | office | ominous | refusing | tritone | underscoring

In This Our Life (1942)

Stanley (Molto Accell)1:15:15 - Craig talks about Stanleyanxious | conflict | conversing | defending | denying | lawyer | leading lady | leading man | office | refusing | tense

In This Our Life (1942)

Roy (Molto Modto)1:15:51 - Roy leavesangry | conflict | lawyer | leading lady | leading man | leaving | office

In This Our Life (1942)

Stanley (Slowly)1:16:07 - Craig reads a noteconflict | lawyer | leading man | note | office | sentimental | thinking

In This Our Life (1942)

Underscoring (Tense)1:20:10 - Craig's car pulls up to the jailarriving | car | car | conflict | conversing | criminal | lawyer | leading lady | leading man | street | tense | underscoring | uneasy

In This Our Life (1942)

Stanley (Slowly 2)1:20:46 - Men playing checkerscheckers | conflict | criminal | dark | game | lawyer | leading lady | leading man | playing | prison | prisoner | somber | suspect | victim

In This Our Life (1942)

Underscoring (Somber)1:21:07 - Parry in his jail cellconflict | conversing | criminal | lawyer | leading lady | leading man | prison | prisoner | somber | suspect | underscoring | victim

In This Our Life (1942)

Minerva and Parry1:21:28 - Parry in his jail cellconflict | conversing | criminal | lawyer | leading lady | leading man | lying | prison | prisoner | somber | suspect | tender | testifying | victim

In This Our Life (1942)

Minerva and Parry (Triste)1:22:39 - Parry talks to Stanleyconflict | conversing | criminal | lawyer | leading lady | leading man | lying | prison | prisoner | solemn | somber | suspect | testifying | victim

In This Our Life (1942)

Stanley Introduction (Extended 4)1:23:09 - Stanley and Craig leave the jailcar | conflict | criminal | lawyer | leading lady | leading man | leaving | street | tense

In This Our Life (1942)

London Bridge is Falling Down (Molto Expressivo)1:23:33 - Craig talks to Stanleycar | children's song | conflict | conversing | criminal | familiar tune | lawyer | leading lady | leading man | somber

In This Our Life (1942)

London Bridge is Falling Down (Mysterious)1:23:45 - Craig and Stanley arguecar | children's song | conflict | conversing | criminal | familiar tune | lawyer | leading lady | leading man | lying | mysterious | ominous

In This Our Life (1942)

Stanley (Agitato)1:25:21 - Craig talks to Stanleyagitated | climax | conversing | criminal | father | lawyer | leading lady | leading man | mother | room | suspect

In This Our Life (1942)

Underscoring (Tense) + South American Way1:25:34 - Stanley reactsaccusing | climax | criminal | father | lawyer | leading lady | leading man | lying | mother | mysterious | ominous | remembered source music | remembering | room | source and scoring overlap | source music | suspect | tense | underscoring

In This Our Life (1942)

Stanley (Valse Triste)1:26:23 - Stanley confessesarguing | climax | confessing | confession | criminal | crying | dramatic | father | lawyer | leading lady | leading man | mother | room | suspect

In This Our Life (1942)

Stanley B (Slowly Extended)1:26:39 - Stanley confessesagitated | arguing | climax | confessing | confession | criminal | crying | father | lawyer | leading lady | leading man | lying | mother | room | suspect

In This Our Life (1942)

Expressivo (Extended 2)1:27:04 - Lavinia risesarguing | climax | criminal | emotional | father | lawyer | leading lady | leading man | mother | pleading | room | suspect

In This Our Life (1942)

Underscoring (Tense)1:27:23 - Stanley reactsclimax | conversing | criminal | father | lawyer | leading lady | leading man | mother | plotting | room | suspect | tense | underscoring

In This Our Life (1942)

Stanley (Extended)1:27:33 - Stanley goes upstairsclimax | conversing | criminal | crying | father | lawyer | leading lady | leading man | mother | room | somber | suspect | uneasy

In This Our Life (1942)

Love Theme (Gentle)1:27:58 - Roy talks to Craigaccusing | climax | conversing | criminal | crying | embracing | gentle | lawyer | leading lady | leading man | room | sneaking | tender

In This Our Life (1942)

Underscoring (Dramatic)1:28:57 - Stanley escapesclimax | criminal | dramatic | driving | escaping | lawyer | leading lady | leading man | room | underscoring | watching

In This Our Life (1942)

Stanley (Driving Away)1:29:06 - Craig goes to the phoneagitated | calling | climax | lawyer | leading man | room | telephone | walking
The Letter (1940)Leslie (Delicato)0:21:46 - Men admire needlepointadvance plot | changing meter | conversing | delicate | foreign key modulation | gentle | home | lacework | lawyer | leading lady | minor-major 7th chord | oscillation | polychord | sequence

The Letter (1940)

Leslie (The Story)0:22:26 - Leslie speaks with Howardadvance plot | changing meter | home | lawyer | leading lady | lying | oscillation | recounting | tense | whole-tone | whole-tone chord

The Letter (1940)

Letter (Sarcastic)0:22:41 - Leslie and Howard leaveadvance plot | chromatic sequence | dissonant bass | home | lawyer | leading lady | leaving | mysterious | passionate | sequence

The Letter (1940)

Law Office0:24:33 - Sign for a law firmcity | justice | lawyer | noble | office | setting | sign | transition

The Letter (1940)

Leslie (Mysterioso)0:30:04 - Howard in his officeadvance plot | augmented major 7th chord | lawyer | mysterious | office | oscillation | pc set | quartal chord | suspension | tense | thinking

The Letter (1940)

Leslie B (Screwyoso 2)0:30:23 - Howard grabs the letteradvance plot | lawyer | letter | mysterious | office | sequence | tense | thinking

The Letter (1940)

Mrs. Hammond (Lawyer)0:30:45 - Ong speaks to Howardadvance plot | Chinese | lawyer | leaving | mysterious | office | pc set | tritone

The Letter (1940)

Waiting0:31:24 - Howard waits for Leslieadvance plot | lawyer | pacing | prison | tense | waiting | whole-tone chord

The Letter (1940)

Leslie (Tense)0:34:20 - Howard tells Leslie about the letter9th chord | altered dominant | chromatic parallelism | conversing | lawyer | leading lady | letter | pivotal scene | prison | sequence | suspenseful | tense

The Letter (1940)

Deception0:34:35 - Leslie lies about the letterchromatic scale | deception | lawyer | leading lady | letter | lying | pc set | pivotal scene | prison | tense

The Letter (1940)

Leslie (Rising) + Deception0:34:47 - Howard gives Leslie the letteraltered dominant | augmented triad | chromatic parallelism | combination of themes | deception | denying | lawyer | leading lady | letter | lying | oscillation | ostinato | pc set | pivotal scene | prison | reading | sequence | tense

The Letter (1940)

Leslie (Risoluto)0:35:11 - Leslie reacts angrily to the letterarguing | augmented triad | chromatic parallelism | deception | fragmentation | lawyer | leading lady | letter | lying | oscillation | pc set | pivotal scene | polychord | prison | sequence | tense

The Letter (1940)

Denial0:35:39 - Leslie denies writing the letteraugmented triad | chromatic parallelism | deception | lawyer | leading lady | letter | lying | pivotal scene | prison | tense

The Letter (1940)

Letter (Agitato)0:36:08 - Leslie talks to Howarddeception | lawyer | leading lady | letter | lying | pc set | pivotal scene | prison | sequence | tense

The Letter (1940)

Letter (Frantic)0:36:16 - Leslie admits to writing the letterchromatic sequence | deception | lawyer | leading lady | letter | lying | pivotal scene | prison | sequence | tense

The Letter (1940)

Underscoring (Tense)0:36:22 - Leslie explains why she wrote the letterdeception | lawyer | leading lady | letter | lying | pivotal scene | prison | tense | whole-tone chord

The Letter (1940)

Leslie (The Story)0:36:42 - Leslie lies to Howardchanging meter | deception | lawyer | leading lady | letter | lying | oscillation | pivotal scene | prison | tense | whole-tone chord

The Letter (1940)

Underscoring (Tense)0:36:53 - Howard takes out the letterdeception | denying | lawyer | leading lady | letter | ominous | pivotal scene | prison | tense | tritone | tritone | whole-tone | whole-tone chord

The Letter (1940)

Leslie (Risoluto)0:37:07 - Howard reads the letter to Leslieanxious | augmented triad | buildup | chromatic parallelism | fearful | fragmentation | lawyer | leading lady | letter | oscillation | pc set | pivotal scene | polychord | prison | reading | sequence | tense

The Letter (1940)

Leslie (Tragic)0:37:21 - Howard talks to Leslieanxious | changing meter | climax | conversing | fearful | lawyer | leading lady | letter | oscillation | pivotal scene | prison | sequence | sequential modulation | suspension | tense

The Letter (1940)

Leslie B (Screwyoso)0:37:34 - Howard talks to Leslieanxious | chromatic sequence | conversing | fearful | lawyer | leading lady | letter | pivotal scene | prison | sequence | tense

The Letter (1940)

Leslie (Shimmery 3)0:37:54 - Howard talks to Leslieanxious | conversing | fearful | lawyer | leading lady | letter | oscillation | pivotal scene | prison | sequence | sequential modulation | stinger | suspension | tense

The Letter (1940)

Collapse0:38:20 - Leslie collapsesanxious | collapsing | fainting | falling | fearful | half-diminished 7th chord | lawyer | leading lady | letter | mickey-mousing | pivotal scene | prison | suspension | tense

The Letter (1940)

Leslie (Triste)0:38:57 - Howard helps Leslie recoveradvance plot | calm | conversing | hospital | lawyer | leading lady | oscillation | sequence | sequential modulation | suspension

The Letter (1940)

Leslie B (Con Moto)0:39:25 - Leslie asks Howard about the letteradvance plot | conversing | hospital | lawyer | leading lady | letter | sequence | tense

The Letter (1940)

Leslie (Plotting)0:39:32 - Howard and Leslie plot their next move9th chord | advance plot | buildup | changing meter | chromatic sequence | fragmentation | hospital | lawyer | leading lady | letter | minor-major 7th chord | ominous | oscillation | plotting | tense

The Letter (1940)

Law Office (The Plea)0:40:00 - Howard asks Leslie to be honest9th chord | advance plot | anxious | artwork in score | chromatic sequence | conversing | hospital | lawyer | leading lady | letter | refusing | tense

The Letter (1940)

Leslie (Despair)0:40:33 - Leslie despairsadvance plot | anxious | changing meter | conversing | despair | dissonant bass | hospital | lawyer | leading lady | letter | oscillation | sequence | tense

The Letter (1940)

Leslie (Rising) + Deception0:40:57 - Leslie talks to Howardadvance plot | angry | augmented triad | chromatic parallelism | combination of themes | conversing | deception | hospital | lawyer | leading lady | letter | sequence | staring | tense

The Letter (1940)

Robert and Leslie0:41:12 - Howard says he will help Leslieadvance plot | appoggiatura | calm | chromatic mediant | crying | deception | hospital | lawyer | leading lady | letter | love theme | sigh gesture | somber | suspension | tender

The Letter (1940)

Robert and Leslie (Triste)0:42:17 - Leslie and Howard talk about her husbandadvance plot | appoggiatura | calm | chromatic mediant | crying | hospital | lawyer | leading lady | letter | love theme | resolution | sigh gesture | somber | suspension | tender

The Letter (1940)

Sociable0:48:42 - People having dinnerABA structure | cheerful | conversing | deceptive resolution | dinner | Dorian mode | foreign key modulation | happy | home | husband | lacework | lawyer | leading lady | party | whole-tone chord

The Letter (1940)

Leslie (Uneasy)0:49:41 - They discuss the trialdinner | home | husband | lawyer | leading lady | oscillation | pc set | planning | tense | tone cluster | trial | whole-tone chord

The Letter (1940)

Sociable (Ending)0:49:58 - Pleasant conversationcheerful | conversing | dinner | foreign key modulation | happy | home | husband | lawyer | leading lady | reverse picardy

The Letter (1940)

Lento Mysterioso0:50:37 - Leslie and Howard aloneadvance plot | altered dominant | home | lawyer | leading lady | mysterious | planning | sad | upper pedal tone | whole-tone chord

The Letter (1940)

Underscoring (Tense)0:51:14 - Leslie talks to Howardadvance plot | altered dominant | dark | foreign key modulation | home | lawyer | leading lady | planning

The Letter (1940)

Leslie (Ominous)0:51:41 - Howard gets up to leaveadvance plot | call and response | diminished 7th chord | dissonant bass | home | lawyer | leading lady | ominous | stretto imitation | thinking

The Letter (1940)

Mrs. Hammond0:51:49 - Howard and Leslie aloneadvance plot | Chinese | home | lawyer | leading lady | mysterious | open fifth | pacing | parallel fifths | pentatonic | waiting

The Letter (1940)

Leslie (Lacework 2)0:52:07 - Leslie does her laceworkadvance plot | changing meter | conversing | foreign key modulation | home | lacework | lawyer | leading lady | mysterious | oscillation | sequence

The Letter (1940)

Leslie B (Ethereal)0:52:33 - Howard and Leslie talkadvance plot | chromatic sequence | conversing | home | lawyer | leading lady | sequence | tense

The Letter (1940)

Leslie (Tragic)0:52:55 - Howard and Leslie talkadvance plot | changing meter | conversing | home | lawyer | leading lady | oscillation | sequence | sequential modulation | suspension | tense

The Letter (1940)

Leslie B0:53:10 - Howard and Leslie talkadvance plot | conversing | home | lawyer | leading lady | sequence | tense

The Letter (1940)

Leslie (Leaving)0:53:20 - Howard and Leslie leave the houseadded-note chord | fragmentation | lawyer | leading lady | leaving | mysterious | plantation | sequence | sequential modulation | transition

The Letter (1940)

Leslie (Screwyoso)0:53:35 - Howard and Leslie walk awaylawyer | leading lady | leaving | oscillation | plantation | sequence | tense | transition

The Letter (1940)

Mrs. Hammond (Grandioso)0:53:54 - Leslie approaches the carantagonist | Chinese | Chinese | driving | lawyer | leading lady | mysterious | open fifth | parallel fifths | pedal tone | pentatonic | plantation | transition

The Letter (1940)

Chinese Quarter0:54:15 - The car enters the Chinese Quarterantagonist | Chinatown | Chinese | Chinese | driving | exotic | exoticism | lawyer | leading lady | open fifth | parallel fifths | parallelism | pentatonic | setting | transition

The Letter (1940)

Chinese Shop0:55:30 - Howard and Leslie look aroundantagonist | Chinatown | Chinese | Chinese | exotic | exoticism | lawyer | layering | leading lady | Lydian mode | mirroring | mysterious | open fifth | parallel fifths | parallelism | polytonality | quintal chord | tense | transition | waiting | walking

The Letter (1940)

Mrs. Hammond (Mysterioso)0:56:29 - Howard and Leslie wait in the shopantagonist | Chinatown | Chinese | Chinese | exotic | lawyer | leading lady | mysterious | open fifth | parallel fifths | parallelism | pedal tone | pentatonic | shop | tense | transition | waiting

The Letter (1940)

Mrs. Hammond (Dagger)0:57:04 - Leslie looks at a Chinese daggerantagonist | Chinatown | Chinese | Chinese | dagger | exotic | lawyer | leading lady | mysterious | open fifth | parallel fifths | parallelism | pedal tone | pentatonic | polytonality | shop | tense | transition | waiting

The Letter (1940)

Mrs. Hammond (Slowly)0:57:27 - Howard and Leslie walk into the back roomantagonist | Chinatown | Chinese | Chinese | conflict | lawyer | leading lady | mysterious | pentatonic | quintal chord | shop | walking

The Letter (1940)

Glass Curtains0:59:08 - Mrs. Hammond enters through the glass curtainantagonist | Chinatown | Chinese | chromatic scale | conflict | curtain | entering | glass | lawyer | layering | leading lady | mirroring | mysterious | ostinato | parallelism | pc set | polyrhythm | shop | staring | tense | tinkling | tone cluster | waiting | whole-tone | whole-tone chord

The Letter (1940)

Mrs. Hammond + Glass Curtains1:00:13 - Leslie faces Mrs. Hammondantagonist | Chinatown | Chinese | Chinese | chromatic scale | combination of themes | conflict | conversing | curtain | glass | lawyer | layering | leading lady | mirroring | mysterious | ostinato | parallelism | paying | pc set | pentatonic | polyrhythm | shop | staring | tense | tinkling | tone cluster | waiting | whole-tone | whole-tone chord

The Letter (1940)

Leslie + Glass Curtains1:01:27 - Leslie removes her shawlantagonist | Chinatown | Chinese | Chinese | chromatic scale | combination of themes | conflict | conversing | curtain | glass | lawyer | layering | leading lady | mirroring | mysterious | oscillation | ostinato | parallelism | pc set | polyrhythm | sequence | shop | staring | tense | tinkling | tone cluster | waiting | whole-tone | whole-tone chord

The Letter (1940)

Leslie B + Glass Curtains1:01:57 - Leslie approaches Mrs. Hammondantagonist | Chinatown | Chinese | chromatic scale | combination of themes | conflict | confronting | curtain | glass | lawyer | layering | leading lady | mirroring | mysterious | ostinato | parallelism | pc set | polyrhythm | sequence | shop | staring | tense | tinkling | tone cluster | walking | whole-tone | whole-tone chord

The Letter (1940)

Glass Curtains1:02:21 - Leslie faces Mr. Hammondantagonist | Chinatown | Chinese | chromatic scale | conflict | confronting | curtain | glass | lawyer | layering | leading lady | mirroring | mysterious | ostinato | parallelism | pc set | polyrhythm | shop | staring | tense | tinkling | tone cluster | whole-tone | whole-tone chord

The Letter (1940)

Mrs. Hammond (Contempt) + Glass Curtains1:02:40 - Leslie stoops down to pick up the letterantagonist | Chinatown | Chinese | Chinese | chromatic scale | combination of themes | conflict | confronting | contempt | curtain | glass | lawyer | layering | leading lady | mirroring | mysterious | ostinato | parallelism | pc set | pentatonic | polyrhythm | shop | staring | stooping | tense | tinkling | tone cluster | whole-tone | whole-tone chord

The Letter (1940)

Leslie B (Dark) + Glass Curtains1:02:50 - Leslie looks at the letterantagonist | Chinatown | Chinese | chromatic scale | combination of themes | conflict | confronting | curtain | dark | glass | lawyer | layering | leading lady | mirroring | mysterious | ostinato | parallelism | pc set | polyrhythm | sequence | shop | staring | tense | tinkling | tone cluster | whole-tone | whole-tone chord

The Letter (1940)

Mrs. Hammond (Solemn) + Glass Curtains1:03:08 - Leslie and Howard leaveantagonist | Chinatown | Chinese | Chinese | chromatic scale | combination of themes | conflict | curtain | glass | lawyer | layering | leading lady | mirroring | mysterious | ostinato | parallelism | pc set | pentatonic | polyrhythm | shop | solemn | staring | tinkling | tone cluster | whole-tone | whole-tone chord

The Letter (1940)

Sociable1:09:09 - Leslie and Robert meet with friends64 chord | celebrating | dinner music | drinking | foreign key modulation | happy | home | husband | lawyer | leading lady | party | pump-up modulation | reverse picardy

The Letter (1940)

Leslie (Restless)1:14:42 - Robert asks about the letterarguing | conflict | fragmentation | home | husband | lawyer | leading lady | lying | major 7th chord | sequence | tense

The Letter (1940)

Leslie (Wild)1:14:57 - Robert waits for a response9th chord | arguing | augmented major 7th chord | chromatic parallelism | conflict | distress | fragmentation | home | husband | lawyer | leading lady | lying | sequence | tense

The Letter (1940)

Distress1:15:08 - Robert confronts the lawyer9th chord | arguing | conflict | dissonant bass | distress | home | husband | lawyer | leading lady | tense

The Letter (1940)

Leslie (Molto Agitato)1:15:28 - Robert argues with Lesliearguing | chromatic parallelism | conflict | distress | home | husband | lawyer | leading lady | oscillation | pc set | sequence | tense

The Letter (1940)

Underscoring (Dramatic)1:15:45 - Robert asks to see the letterarguing | augmented triad | conflict | diminished 7th chord | dramatic | home | husband | lawyer | leading lady | letter | pc set | sequence | tense | underscoring

The Letter (1940)

Robert and Leslie (Tragic)1:16:14 - Leslie tells Howard to give Robert the letterconflict | home | husband | lawyer | leading lady | letter | love theme | reading | somber | tense

The Letter (1940)

Leslie (Confession)1:16:36 - Leslie confesses to Robertconfessing | conflict | dark | half-diminished 7th chord | home | husband | lawyer | leading lady | letter | ostinato | recounting | sequence | serious | tritone | tritone oscillation

The Letter (1940)

Mrs. Hammond (Confession)1:17:35 - Leslie confesses to RobertChinese | confessing | conflict | home | husband | lawyer | leading lady | letter | open fifth | parallel fifths | parallelism | pentatonic | recounting | serious | somber | tritone oscillation

The Letter (1940)

Leslie (Rising) + Deception1:17:52 - Leslie confesses to Robertaugmented triad | chromatic parallelism | combination of themes | confessing | conflict | dramatic | home | husband | lawyer | leading lady | letter | oscillation | ostinato | recounting | sequence | tense

The Letter (1940)

Leslie (Tragic)1:17:59 - Leslie confesses to Robertchanging meter | confessing | conflict | dramatic | home | husband | lawyer | leading lady | letter | murder | oscillation | recounting | sequence | sequential modulation | suspension

The Letter (1940)

Leslie B (Ethereal)1:18:13 - Leslie confesses to Robertchromatic sequence | confessing | conflict | dramatic | home | husband | lawyer | leading lady | letter | murder | oscillation | recounting | sequence

The Letter (1940)

Leslie (Dramatic)1:18:32 - Leslie confesses to Robertconfessing | conflict | crying | dramatic | half-diminished 7th chord | home | husband | lawyer | leading lady | letter | murder | oscillation | recounting | sequence

The Letter (1940)

Robert and Leslie (Mournful)1:19:00 - Robert cries after hearing the confessionconflict | crying | crying gesture | home | husband | lawyer | leading lady | letter | love theme | mournful | murder | pedal tone | retardation | sad | suspension
The Unfaithful (1947)Stride Piano0:03:20 - Larry arrives at the partyestablish character | jazz | lawyer | leading lady | on-screen music | party | sister | source music | upbeat

The Unfaithful (1947)

Deep Night0:05:47 - Roger argues with PaulaAABA structure | antagonist | arguing | establish character | lawyer | leading lady | on-screen music | party | sister | somber | source music

The Unfaithful (1947)

Oh But I Do0:32:27 - Ladies talk at a restaurantAABA structure | advance plot | calm | conversing | husband | lawyer | leading lady | on-screen music | restaurant | sister | source music | transition | victim

The Unfaithful (1947)

Deep Night0:35:15 - Larry, Chris, and Bob at a restaurantAABA structure | advance plot | calm | conversing | husband | lawyer | leading lady | on-screen music | restaurant | source music | transition | victim

The Unfaithful (1947)

Unfaithful (Rising)0:43:06 - Larry walks into his officechromatic parallelism | dramatic | law office | lawyer | office | ostinato | sequence | transition | walking

The Unfaithful (1947)

Underscoring (Tense)0:43:21 - Lady talks to Larryadvance plot | conversing | law office | lawyer | office | pedal tone | tense | underscoring

The Unfaithful (1947)

Unfaithful (Ominous)0:43:39 - Secretary makes a calladvance plot | dialing | law office | lawyer | monophonic | office | ominous | phone call | sinister | spinning

The Unfaithful (1947)

Unfaithful (Ostinato)0:50:56 - Chris leaves Larry's officeadvance plot | exiting | law office | lawyer | leading lady | office | pedal tone | somber

The Unfaithful (1947)

Attorney (Doorbell)0:53:31 - Chris takes off her jacketadvance plot | arriving | enharmonic respelling | heroic | lawyer | leading lady | room | stinger | surprise

The Unfaithful (1947)

Unfaithful (Ominous)1:09:06 - Chris on the phoneadvance plot | lawyer | leading lady | monophonic | office | phone call | room | tense | thinking

The Unfaithful (1947)

Attorney1:09:14 - Larry drives to the art shop64 chord | deceptive resolution | driving | heroic | lawyer | street | transition

The Unfaithful (1947)

Unfaithful (Rising)1:09:33 - The art shop is lockedlawyer | ostinato | parallelism | sequence | shop | tense | transition | worrying

The Unfaithful (1947)

Unfaithful (The Trial)1:25:17 - A woman in the courtroomchromatic wedge | climax | courtroom | crowd | dissonant bass | dramatic | hurrying | knife | lawyer | montage | prosecuting | prosecutor | rushing | witness

The Unfaithful (1947)

Unfaithful (Distressed)1:41:24 - Larry talks with Bob9th chord | conversing | foreign key modulation | husband | lawyer | ostinato | pc set | resolution | room | somber | wife

The Unfaithful (1947)

Unfaithful (Leaving)1:42:32 - Chris prepares to leave9th chord | conversing | husband | lawyer | mode mixture | ostinato | pedal tone | resolution | room | somber | wife

The Unfaithful (1947)

Unfaithful (Dolce)1:46:08 - Bob talks with Chrisaltered dominant | chromatic mediant | common-chord modulation | conversing | foreign key modulation | fragmentation | hopeful | husband | lawyer | mode mixture | ostinato | peaceful | pedal tone | plagal cadence | resolution | resolution | romantic | room | triumphant | wife
State’s Attorney (1932)When I am Dead0:12:59 - Tom sings to himselfadvance plot | cheerful | humming | lawyer | on-screen music | room | singing | source music

State’s Attorney (1932)

Blues (Swinging)0:43:46 - Jazz musicians playing in a clubclub | conversing | dancing | daughter | jazz | lawyer | leading man | love interest | music scene | on-screen music | source music | upbeat

State’s Attorney (1932)

Beer Glasses0:53:26 - Tom tunes his beer glasses to Aadvance plot | bar | drunk | drunk | lawyer | leading man | on-screen music | source music | tuning

State’s Attorney (1932)

Wedding March0:53:50 - Tom plays the Wedding Marchadvance plot | bar | drunk | drunk | lawyer | leading man | on-screen music | playing | source music

State’s Attorney (1932)

Beer Glasses0:54:08 - Tom strikes a beer glassadvance plot | bar | drunk | drunk | lawyer | leading man | on-screen music | playing | source music

State’s Attorney (1932)

Beer Glasses0:54:32 - Tom strikes a beer glassadvance plot | bar | drunk | drunk | lawyer | leading man | on-screen music | playing | source music
Hat, Coat, and Glove (1934)Wonderful0:39:29 - Robert tells Dorothea goodbye11th chord | ABAC structure | added-note chord | advance plot | calm | club | common-tone diminished 7th | conversing | lawyer | leading lady | leading man | meeting | self-borrowing | source music | transcribed by ear

Hat, Coat, and Glove (1934)

When You're Far Away0:41:12 - Robert talks to JerryAABA structure | advance plot | club | conversing | lawyer | leading man | meeting | pleasant | source music | suspect