| Angels With Dirty Faces (1938) | Underscoring (Mysterious) | 0:07:26 - Rocky talks with his lawyer | advance plot | conversing | dark | gangster | lawyer | leading man | mysterious | prison | prisoner | underscoring |
Angels With Dirty Faces (1938) | When a Prince of a Fella Meets a Cinderella | 0:16:49 - Rocky goes to a night club | advance plot | cheerful | conversing | gambling | gangster | lawyer | leading man | night club | popular music | source music |
Angels With Dirty Faces (1938) | Monday Morning | 0:18:15 - Rocky talks to Frazier in his office | advance plot | cheerful | conversing | gangster | lawyer | leading man | popular music | room | source music |
Angels With Dirty Faces (1938) | So Help Me (If I Don’t Love You) | 0:19:36 - Rocky leaves the nightclub | advance plot | conversing | gangster | lawyer | leading man | popular music | room | sentimental | source music |
Angels With Dirty Faces (1938) | Car slowing down | 0:42:10 - Car slows down | advance plot | arriving | car | gangster | garage | lawyer | mysterious | slowing | stopping |
Angels With Dirty Faces (1938) | Stickup | 0:42:30 - Rocky points a gun at Frazier | advance plot | assaulting | dramatic | gangster | garage | grabbing | lawyer | leading man | mickey-mousing |
Angels With Dirty Faces (1938) | The Gangster (Elevator Music) | 0:42:40 - Elevator goes up | advance plot | elevator | gangster | lawyer | leading man | mickey-mousing | rising | room | tense |
Angels With Dirty Faces (1938) | Saving Myself For You | 1:02:30 - Rocky and Laury at a night club | advance plot | cheerful | club | drinking | gambling | gangster | lawyer | leading lady | leading man | on-screen music | source music |
Angels With Dirty Faces (1938) | Underscoring (Dramatic) | 1:16:29 - Rocky shoots Mac and Frazier | agitated | attacking | casino | chaos | chasing | climbing | conflict | crowd | death | dramatic | dying | escaping | falling | fighting | gangster | gun | gunshot | hurrying | jumping | landing | lawyer | leading man | mickey-mousing | police | rooftop | room | running | shooting | sneaking | sneaky | street | underscoring |
Angels With Dirty Faces (1938) | Mac gets shot | 1:16:35 - Mac gets shot and dies | agitated | conflict | death | dramatic | dying | falling | gangster | gun | gunshot | lawyer | leading man | mickey-mousing | room | shooting |
Angels With Dirty Faces (1938) | Frazier gets shot | 1:16:56 - Frazier gets shot and dies | agitated | casino | conflict | death | dramatic | dying | falling | gangster | gun | gunshot | lawyer | leading man | mickey-mousing | shooting |
| Each Dawn I Die (1939) | Verdict | 0:08:19 - Verdict is delivered | banging | courtroom | courtroom scene | gavel | hero | judge | justice | lawyer | leading man | noble | reporter | verdict |
| Illegal (1955) | Restaurant | 0:04:33 - Mr. Scott talks to reporters after the trial | lawyer | reporters | restaurant | waiter |
| The Letter (1940) | Hammond A (Delicato) | 0:21:46 - Men admire needlepoint | advance plot | conversing | delicate | gentle | home | lacework | lawyer | leading lady | main theme | oscillation | polychord | sequence |
The Letter (1940) | Hammond A (The Story) | 0:22:26 - Leslie speaks with Howard | advance plot | home | lawyer | leading lady | lying | main theme | oscillation | recounting | tense | whole-tone chord |
The Letter (1940) | Letter (Sarcastic) | 0:22:41 - Leslie and Howard leave | advance plot | chromatic sequence | home | lawyer | leading lady | leaving | main theme | mysterious | passionate |
The Letter (1940) | Law Office | 0:24:33 - Sign for Mr. Joyce's law firm | city | justice | lawyer | noble | office | setting | sign | transition |
The Letter (1940) | Hammond A (Mysterioso) | 0:30:04 - Howard in his office | advance plot | lawyer | main theme | mysterious | office | pc set | quartal chord | tense | thinking |
The Letter (1940) | Hammond B (Screwyoso) | 0:30:23 - Howard grabs the letter | advance plot | lawyer | letter | main theme | mysterious | office | sequence | tense | thinking |
The Letter (1940) | Mrs. Hammond (Lawyer) | 0:30:45 - Howard speaks with his secretary | advance plot | Chinese | lawyer | leaving | mysterious | office | pc set | tritone |
The Letter (1940) | Waiting | 0:31:24 - Howard waits for Leslie | advance plot | lawyer | pacing | prison | tense | waiting | whole-tone chord |
The Letter (1940) | Hammond A (Tense) | 0:34:20 - Howard tells Leslie about the letter | conversing | lawyer | leading lady | letter | main theme | parallelism | pivotal scene | prison | suspense | tense |
The Letter (1940) | Deception | 0:34:35 - Leslie lies about the letter | chromatic | deception | lawyer | leading lady | letter | lying | pc set | pivotal scene | prison | tense |
The Letter (1940) | Hammond A (Deception) | 0:34:47 - Leslie starts to worry about the letter | augmented triad | chromatic parallelism | combination of themes | deception | denying | lawyer | leading lady | letter | lying | main theme | pivotal scene | prison | reading | sequence | tense |
The Letter (1940) | Hammond A (Risoluto) | 0:35:11 - Leslie decides how to defend her having written the letter | arguing | augmented triad | deception | fragmentation | lawyer | leading lady | letter | lying | main theme | parallelism | pc set | pivotal scene | polychord | prison | tense |
The Letter (1940) | Denial | 0:35:39 - Leslie denies writing the letter | augmented triad | deception | lawyer | leading lady | letter | lying | pivotal scene | prison | tense |
The Letter (1940) | Letter (Agitato) | 0:36:08 - Leslie changes her mind and admits to having written the letter | deception | lawyer | leading lady | letter | lying | pc set | pivotal scene | prison | sequence | tense |
The Letter (1940) | Letter (Frantic) | 0:36:16 - Leslie defends her actions as having written the letter | chromatic sequence | deception | lawyer | leading lady | letter | lying | pivotal scene | prison | tense |
The Letter (1940) | Underscoring (Tense) | 0:36:22 - Leslie explains why she wrote the letter | deception | lawyer | leading lady | letter | lying | pivotal scene | prison | tense |
The Letter (1940) | Hammond A (The Story) | 0:36:42 - Leslie tells Howard more lies about the letter | deception | lawyer | leading lady | letter | lying | main theme | pivotal scene | prison | tense | whole-tone chord |
The Letter (1940) | Underscoring (Tense) | 0:36:53 - Howard takes out the letter | deception | denying | lawyer | leading lady | letter | ominous | pivotal scene | prison | tense | tritone |
The Letter (1940) | Hammond A (Risoluto) | 0:37:07 - Howard reads the letter to Leslie | anxiety | augmented triad | buildup | fear | fragmentation | lawyer | leading lady | letter | main theme | parallelism | pc set | pivotal scene | polychord | prison | reading | tense |
The Letter (1940) | Hammond A (Tragic) | 0:37:21 - Howard talks to Leslie | anxiety | climax | conversing | fear | lawyer | leading lady | letter | main theme | oscillation | pivotal scene | prison | sequence | tense |
The Letter (1940) | Hammond B (Screwyoso) | 0:37:34 - Howard talks to Leslie | anxiety | chromatic sequence | conversing | fear | lawyer | leading lady | letter | main theme | pivotal scene | prison | tense |
The Letter (1940) | Hammond A (Shimmery) | 0:37:54 - Howard talks to Leslie | anxiety | conversing | fear | lawyer | leading lady | letter | main theme | pivotal scene | prison | stinger | tense |
The Letter (1940) | Collapse | 0:38:20 - Leslie collapses on the ground | anxiety | collapsing | fainting | falling | fear | lawyer | leading lady | letter | mickey-mousing | pivotal scene | prison | tense |
The Letter (1940) | Hammond A (Resigned) | 0:38:57 - Howard talks to Leslie in the hospital | advance plot | calm | conversing | hospital | lawyer | leading lady | main theme | oscillation | sequence |
The Letter (1940) | Hammond B (Con Moto) | 0:39:25 - Leslie asks Howard about the letter | advance plot | conversing | hospital | lawyer | leading lady | letter | main theme | sequence | tense |
The Letter (1940) | Hammond A (Plotting) | 0:39:32 - Howard and Leslie plot their next move | advance plot | buildup | chromatic sequence | fragmentation | hospital | lawyer | leading lady | letter | main theme | minor-major 7th chord | ominous | oscillation | plotting | tense |
The Letter (1940) | Law Office (The Plea) | 0:40:00 - Howard asks Leslie to be honest | advance plot | anxious | artwork in score | chromatic sequence | conversing | hospital | lawyer | leading lady | letter | refusing | tense |
The Letter (1940) | Hammond A (Despair) | 0:40:33 - Leslie despairs | advance plot | anxious | conversing | despair | hospital | lawyer | leading lady | letter | main theme | oscillation | tense |
The Letter (1940) | Hammond A (Deception) | 0:40:57 - Howard says he doesn't despise Leslie | advance plot | angry | augmented triad | chromatic parallelism | combination of themes | conversing | deception | hospital | lawyer | leading lady | letter | main theme | sequence | staring | tense |
The Letter (1940) | Letter 2 | 0:41:12 - Howard says he will do what he can to help Leslie | advance plot | calm | crying | deception | hospital | lawyer | leading lady | letter | pedal tone | somber | tender |
The Letter (1940) | Letter 2 (Triste) | 0:42:17 - Howard disapproves of Leslie's lack of faithfulness to her husband | advance plot | calm | crying | hospital | lawyer | leading lady | letter | pedal tone | resolution | somber | tender |
The Letter (1940) | Sociable | 0:48:42 - People having dinner | cheerful | conversing | dinner | happy | home | husband | lacework | lawyer | leading lady | party |
The Letter (1940) | Hammond A (Uneasy) | 0:49:41 - They discuss the trial | dinner | home | husband | lawyer | leading lady | main theme | planning | tense | tone cluster | trial | whole-tone chord |
The Letter (1940) | Sociable (Ending) | 0:49:58 - Pleasant conversation | cheerful | conversing | dinner | happy | home | husband | lawyer | leading lady | reverse picardy |
The Letter (1940) | Lento Mysterioso | 0:50:37 - They plan to get the letter | advance plot | home | lawyer | leading lady | mysterious | pedal tone | planning | sad |
The Letter (1940) | Lento Mysterioso (Expressivo) | 0:51:14 - Howard is upset about committing a crime | advance plot | dark | home | lawyer | leading lady | planning |
The Letter (1940) | Hammond A (Ominous) | 0:51:41 - Leslie and Howard sitting in the room | advance plot | call and response | home | lawyer | leading lady | main theme | ominous | thinking |
The Letter (1940) | Mrs. Hammond | 0:51:49 - Howard and Leslie wait for Ong Chi Seng | advance plot | Chinese | home | lawyer | leading lady | mysterious | open fifth | pacing | parallel fifths | pentatonic | waiting |
The Letter (1940) | Hammond A (Delicato) | 0:52:07 - Howard and Leslie talk about lacework | advance plot | conversing | home | lacework | lawyer | leading lady | main theme | mysterious | oscillation |
The Letter (1940) | Hammond B (Ethereal) | 0:52:33 - Howard and Leslie talk | advance plot | chromatic sequence | conversing | home | lawyer | leading lady | main theme | oscillation | tense |
The Letter (1940) | Hammond A (Tragic) | 0:52:55 - Howard and Leslie talk | advance plot | conversing | home | lawyer | leading lady | main theme | oscillation | tense |
The Letter (1940) | Hammond B (Screwyoso) | 0:53:10 - Howard and Leslie talk | advance plot | conversing | home | lawyer | leading lady | main theme | oscillation | tense |
The Letter (1940) | Hammond A (Leaving) | 0:53:20 - Howard and Leslie leave the house | fragmentation | lawyer | leading lady | leaving | main theme | mysterious | plantation | transition |
The Letter (1940) | Hammond A (Screwyoso) | 0:53:35 - Howard and Leslie walk away | call and response | lawyer | leading lady | leaving | main theme | plantation | tense | transition |
The Letter (1940) | Mrs. Hammond (Grandioso) | 0:53:54 - Howard and Leslie drive to meet with Mrs. Hammond | antagonist | Chinese | Chinese | driving | lawyer | leading lady | mysterious | open fifth | parallel fifths | pentatonic | plantation | transition |
The Letter (1940) | Chinese Quarter | 0:54:15 - Howard and Leslie enter the Chinese Quarter | antagonist | Chinatown | Chinese | Chinese | driving | exotic | exoticism | lawyer | leading lady | parallelism | pentatonic | setting | transition |
The Letter (1940) | Chinese Shop | 0:55:30 - Howard and Leslie enter a shop in the Chinese Quarter | antagonist | Chinatown | Chinese | Chinese | exotic | exoticism | lawyer | layering | leading lady | Lydian mode | mysterious | open fifth | parallelism | polytonality | quintal chord | tense | transition | waiting | walking |
The Letter (1940) | Mrs. Hammond (Mysterioso) | 0:56:29 - Howard and Leslie wait in the shop | antagonist | Chinatown | Chinese | Chinese | exotic | lawyer | leading lady | mysterious | open fifth | parallelism | pentatonic | shop | tense | transition | waiting |
The Letter (1940) | Mrs. Hammond (Dagger) | 0:57:04 - Leslie looks at a Chinese dagger | antagonist | Chinatown | Chinese | Chinese | dagger | exotic | lawyer | leading lady | mysterious | open fifth | parallelism | pentatonic | polytonality | shop | tense | transition | waiting |
The Letter (1940) | Mrs. Hammond (Slowly) | 0:57:27 - Howard and Leslie walk into the back room | antagonist | Chinatown | Chinese | Chinese | conflict | lawyer | leading lady | mysterious | pentatonic | quintal chord | shop | walking |
The Letter (1940) | Glass Curtains | 0:59:08 - Mrs. Hammond enters through the glass curtain | antagonist | Chinatown | Chinese | chromaticism | conflict | curtain | entering | glass | lawyer | layering | leading lady | mysterious | ostinato | polyrhythm | shop | staring | tense | tinkling | waiting |
The Letter (1940) | Mrs. Hammond (Glass Curtains) | 1:00:13 - Leslie pays Mrs. Hammond | antagonist | Chinatown | Chinese | Chinese | combination of themes | conflict | conversing | curtain | glass | lawyer | layering | leading lady | mysterious | ostinato | paying | pentatonic | polyrhythm | shop | staring | tense | tinkling | waiting |
The Letter (1940) | Hammond A (Glass Curtains) | 1:01:27 - Leslie removes the shawl from her head | antagonist | Chinatown | Chinese | Chinese | combination of themes | conflict | conversing | curtain | glass | lawyer | layering | leading lady | main theme | mysterious | oscillation | ostinato | polyrhythm | sequence | shop | staring | tense | tinkling | waiting |
The Letter (1940) | Hammond B (Glass Curtains) | 1:01:57 - Leslie approaches Mrs. Hammond with the money | antagonist | Chinatown | Chinese | combination of themes | conflict | confronting | curtain | glass | lawyer | layering | leading lady | main theme | mysterious | ostinato | polyrhythm | shop | staring | tense | tinkling | walking |
The Letter (1940) | Glass Curtains | 1:02:21 - Leslie faces Mrs. Hammond, then Mrs. Hammond throws down the letter | antagonist | Chinatown | Chinese | conflict | confronting | curtain | glass | lawyer | layering | leading lady | mysterious | ostinato | polyrhythm | shop | staring | tense | tinkling |
The Letter (1940) | Mrs. Hammond (Glass Curtains: Contempt) | 1:02:40 - Leslie stoops down to pick up the letter | antagonist | Chinatown | Chinese | Chinese | conflict | confronting | contempt | curtain | glass | lawyer | layering | leading lady | mysterious | ostinato | pentatonic | polyrhythm | shop | staring | stooping | tense | tinkling |
The Letter (1940) | Hammond B (Glass Curtains: Dark) | 1:02:50 - Leslie faces Mrs. Hammond again and looks at the letter | antagonist | Chinatown | Chinese | combination of themes | conflict | confronting | curtain | dark | glass | lawyer | layering | leading lady | main theme | mysterious | ostinato | pentatonic | polyrhythm | shop | staring | tense | tinkling |
The Letter (1940) | Mrs. Hammond (Solemn) | 1:03:08 - Leslie and Howard leave | antagonist | Chinatown | Chinese | Chinese | combination of themes | conflict | curtain | glass | lawyer | layering | leading lady | mysterious | ostinato | pentatonic | polyrhythm | shop | solemn | staring | tinkling |
The Letter (1940) | Sociable | 1:09:09 - Leslie and Robert meet with friends | celebrating | dinner music | drinking | happy | home | husband | lawyer | leading lady | party | reverse picardy |
The Letter (1940) | Hammond A (Restless) | 1:14:42 - Robert asks about the letter | arguing | conflict | fragmentation | home | husband | lawyer | leading lady | lying | main theme | sequence | tense |
The Letter (1940) | Hammond A (Wild) | 1:14:57 - Robert waits for a response | arguing | chromatic parallelism | conflict | distress | home | husband | lawyer | leading lady | lying | main theme | tense |
The Letter (1940) | Distress | 1:15:08 - Robert confronts the lawyer | arguing | conflict | distress | home | husband | lawyer | leading lady | tense |
The Letter (1940) | Hammond A (Molto Agitato) | 1:15:28 - Robert argues with Leslie | arguing | conflict | distress | home | husband | lawyer | leading lady | main theme | parallelism | pc set | tense |
The Letter (1940) | Underscoring (Dramatic) | 1:15:45 - Robert asks to see the letter | arguing | conflict | dramatic | home | husband | lawyer | leading lady | letter | tense | underscoring |
The Letter (1940) | Letter 2 (Tragic) | 1:16:14 - Robert reads the letter | conflict | home | husband | lawyer | leading lady | letter | reading | somber | tense |
The Letter (1940) | Hammond A (Confession) | 1:16:36 - Leslie confesses to Robert | confessing | conflict | dark | home | husband | lawyer | leading lady | letter | main theme | ostinato | recounting | serious | tritone | tritone |
The Letter (1940) | Mrs. Hammond (Confession) | 1:17:35 - Leslie confesses to Robert | Chinese | confessing | conflict | home | husband | lawyer | leading lady | letter | open fifth | parallelism | pentatonic | recounting | serious | somber |
The Letter (1940) | Hammond A (Deception) | 1:17:52 - Leslie confesses to Robert | augmented triad | confessing | conflict | dramatic | home | husband | lawyer | leading lady | letter | main theme | parallelism | recounting | tense |
The Letter (1940) | Hammond A (Tragic) | 1:17:59 - Leslie confesses to Robert | confessing | conflict | dramatic | home | husband | lawyer | leading lady | letter | main theme | murder | oscillation | recounting | sequence |
The Letter (1940) | Hammond B (Ethereal) | 1:18:13 - Leslie confesses to Robert | chromatic sequence | confessing | conflict | dramatic | home | husband | lawyer | leading lady | letter | main theme | murder | oscillation | recounting |
The Letter (1940) | Hammond A (Dramatic) | 1:18:32 - Leslie confesses to Robert | confessing | conflict | crying | dramatic | home | husband | lawyer | leading lady | letter | main theme | murder | oscillation | recounting | sequence |
The Letter (1940) | Letter 2 (Mournful) | 1:19:00 - Robert cries after hearing the confession | conflict | crying | home | husband | lawyer | leading lady | letter | mournful | murder | pedal tone | sad |
| The Unfaithful (1947) | Stride Piano | 0:03:20 - Larry arrives at the party | establish character | jazz | lawyer | leading lady | on-screen music | party | sister | source music | upbeat |
The Unfaithful (1947) | Deep Night | 0:05:47 - Roger arrives at party and argues with Paula | antagonist | arguing | establish character | lawyer | leading lady | on-screen music | party | sister | somber | source music |
The Unfaithful (1947) | Oh But I Do | 0:32:27 - Ladies talk at a restaurant | advance plot | calm | conversing | husband | lawyer | leading lady | on-screen music | restaurant | sister | source music | transition | victim |
The Unfaithful (1947) | Deep Night | 0:35:15 - Larry answers a phone call and leaves | advance plot | calm | conversing | husband | lawyer | leading lady | on-screen music | restaurant | source music | transition | victim |
The Unfaithful (1947) | Unfaithful (Dramatic Underscoring) | 0:43:06 - Larry walks into his office | dramatic | law office | lawyer | main theme | mirroring | office | ostinato | polytonal | transition | walking |
The Unfaithful (1947) | Underscoring (Tense) | 0:43:21 - Lady talks to Larry | advance plot | conversing | law office | lawyer | office | tense | underscoring |
The Unfaithful (1947) | Unfaithful (Ominous) | 0:43:39 - Secretary makes a call | advance plot | dialing | law office | lawyer | main theme | monophonic | office | ominous | phone call | sinister | spinning |
The Unfaithful (1947) | Unfaithful (Ostinato) | 0:50:56 - Chris leaves larry's office | advance plot | exiting | law office | lawyer | leading lady | main theme | office | somber |
The Unfaithful (1947) | Attorney (Doorbell) | 0:53:31 - Chris takes off her jacket | advance plot | arriving | heroic | lawyer | leading lady | room | stinger | surprise |
The Unfaithful (1947) | Unfaithful (Ominous) | 1:09:06 - Larry and Chris talk on the phone | advance plot | lawyer | leading lady | main theme | monophonic | office | phone call | room | tense | thinking |
The Unfaithful (1947) | Attorney | 1:09:14 - Larry drives to the art shop | deceptive resolution | driving | heroic | lawyer | street | transition |
The Unfaithful (1947) | Unfaithful (Dramatic Underscoring) | 1:09:33 - The art shop is locked | lawyer | main theme | ostinato | shop | tense | transition | worrying |
The Unfaithful (1947) | Unfaithful (The Trial) | 1:25:17 - Chris on trial | climax | courtroom | crowd | dramatic | hurrying | knife | lawyer | main theme | mirroring | montage | ostinato | polytonality | prosecuting | prosecutor | rushing | weapon | witness |
The Unfaithful (1947) | Unfaithful (Distressed) | 1:41:24 - Bob talks with Larry | conversing | ending | husband | lawyer | main theme | minor-major 7th chord | ostinato | room | somber | wife |
The Unfaithful (1947) | Unfaithful (Leaving) | 1:42:32 - Bob talks with Chris | conversing | ending | husband | lawyer | main theme | ostinato | room | somber | wife |
The Unfaithful (1947) | Unfaithful (Dolce) | 1:46:08 - Bob talks with Chris | conversing | ending | hopeful | husband | lawyer | main theme | ostinato | peaceful | plagal cadence | resolution | resolution | romantic | room | triumphant | wife |
| State’s Attorney (1932) | When I am Dead | 0:12:59 - Tom sings to himself | advance plot | cheerful | humming | lawyer | on-screen music | room | singing | source music |
State’s Attorney (1932) | Business in F | 0:43:46 - Jazz musicians playing in a club | advance plot | club | conversing | dancing | daughter | jazz | lawyer | leading man | love interest | on-screen music | source music | upbeat |
State’s Attorney (1932) | Beer Glasses | 0:53:26 - Tom tunes his beer glasses to A | advance plot | bar | drunk | drunk | lawyer | leading man | on-screen music | source music | tuning |
State’s Attorney (1932) | Wedding March | 0:53:50 - Tom plays the Wedding March | advance plot | bar | drunk | drunk | lawyer | leading man | on-screen music | playing | source music |
State’s Attorney (1932) | Beer Glasses | 0:54:08 - Tom strikes a beer glass | advance plot | bar | drunk | drunk | lawyer | leading man | on-screen music | playing | source music |
State’s Attorney (1932) | Beer Glasses | 0:54:32 - Tom strikes a beer glass | advance plot | bar | drunk | drunk | lawyer | leading man | on-screen music | playing | source music |
