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177 results for "upbeat" — see also cheerful | happy | joyful | sunny

FilmTheme nameInstanceTags
All This, and Heaven Too (1940)School Girls0:01:12 - Young girls walking to schoolchatting | child | establish setting | pleasant | school | street | upbeat | walking

All This, and Heaven Too (1940)

Henriette (Carriage)0:13:05 - A carriage arrivescarriage | driver | leading lady | pleasant | street | transition | traveling | upbeat

All This, and Heaven Too (1940)

Henriette (Carriage)0:46:53 - Horses pulling a carriagecarriage | child | conversing | governess | horse | leading lady | mickey-mousing | pleasant | riding | street | traveling scene | trotting | upbeat

All This, and Heaven Too (1940)

Armide0:49:21 - The opera housearriving | audience | child | concert scene | conversing | duke | governess | leading lady | leading man | opera | regal | source music | theater | upbeat | watching

All This, and Heaven Too (1940)

Fanfan la Tulipe0:51:48 - Henriette plays the harpsichordadvance plot | child | dancing | duke | folk music | governess | leading lady | leading man | on-screen music | playing | room | upbeat

All This, and Heaven Too (1940)

Valse1:03:32 - Montage of newspaper clippingsballroom | cheerful | crowd | dancing | double exposure | duchess | duke | leading lady | leading man | montage | upbeat | waltz

All This, and Heaven Too (1940)

Invitation to the Dance1:04:19 - People waltzingadvance plot | ballroom | child | classical music | crowd | dancing | duchess | duke | leading lady | leading man | simulated source music | upbeat | waltz

All This, and Heaven Too (1940)

The Carousel1:26:22 - A spinning carouselamusement park | bright | carousel | child | fun | on-screen text | riding | spinning | transition | upbeat

All This, and Heaven Too (1940)

Henriette (End Credits)2:22:42 - Closing creditscast list | end title sequence | happy | upbeat
Are These Our Children? (1931)Incidental MusicNIF - not in filmABAC structure | added-note chord | altered dominant | common-tone diminished 7th | cut from film | upbeat
Arsenic and Old Lace (1944)Happy Land (Allegretto)0:00:13 - Main titlecast list | familiar tune | opening title sequence | starring list | title of film | upbeat

Arsenic and Old Lace (1944)

Happy Land (Screwy Gavotte)0:00:39 - Cast listcast list | happy | opening title sequence | upbeat

Arsenic and Old Lace (1944)

Happy Land (Gospel)0:00:47 - Cast listcast list | hymn | opening title sequence | upbeat

Arsenic and Old Lace (1944)

Take Me Out to the Ball Game0:01:20 - Fans yelling at a ball gamebaseball | baseball player | bass drum | cheering | crowd | establish place | falling | familiar tune | field | fighting | musician | pep band | playing | popular song | punching | rushed | saxophone | simulated source music | source music | sporting event | trombone | umpire | upbeat | yelling

Arsenic and Old Lace (1944)

Two by Two0:02:51 - The marriage clerk singsclerk | establish character | marriage | office | on-screen music | singing | source music | upbeat

Arsenic and Old Lace (1944)

Rondo Alla Turca0:06:25 - Teddy plays the harpsichordaunt | brother | classical music | conversing | crazy person | establish character | harpsichord | leading lady | old man | on-screen music | playing | room | source music | upbeat | victim

Arsenic and Old Lace (1944)

Opens window0:13:59 - The aunts open the windowadvance plot | aunt | leading lady | mickey-mousing | opening | raising | room | upbeat | window

Arsenic and Old Lace (1944)

Here Comes the Bride0:19:52 - Mortimer at the window seatadvance plot | familiar tune | groom | leading man | on-screen music | room | source music | upbeat | whistling

Arsenic and Old Lace (1944)

The Aunts0:39:01 - The aunts talkadvance plot | aunt | cleaning | conversing | crazy person | leading lady | murderer | room | upbeat

Arsenic and Old Lace (1944)

The Aunts0:53:55 - Aunt Abby goes to the front dooradvance plot | aunt | brother | calm | crazy person | darkness | leading lady | leading man | murderer | room | silhouette | staring | upbeat | walking

Arsenic and Old Lace (1944)

Happy Land1:50:41 - Mortimer singsbugle call | climax | leading man | on-screen music | room | singing | source music | upbeat

Arsenic and Old Lace (1944)

Happy Land (The End)1:57:05 - Mortimer carries Elaine awaybride | driver | end title sequence | familiar tune | groom | kissing | leading lady | leading man | resolution | street | The End | upbeat

Arsenic and Old Lace (1944)

Happy Land (March)1:57:20 - Cast listcast list | end title sequence | upbeat
The Big Sleep (1946)And Her Tears Flowed Like Wine1:05:55 - Marlowe arrives at Mars's placeadvance plot | arriving | club | leading lady | leading man | love interest | musician | on-screen music | playing | private eye | singer | singing | source music | upbeat

The Big Sleep (1946)

Wotta Life1:08:09 - Marlowe talks to Marsadvance plot | club | criminal | investigating | leading man | private eye | source music | suspect | upbeat

The Big Sleep (1946)

I'm in a Jam With Baby1:10:53 - Marlowe talks to people at the partyadvance plot | club | gambler | gambling | leading lady | leading man | love interest | private eye | source music | upbeat

The Big Sleep (1946)

Liza (All the Clouds'll Roll Away)1:12:27 - Marlowe leaves the gambling jointconflict | criminal | investigating | leading lady | leading man | love interest | private eye | source music | street | upbeat

The Big Sleep (1946)

What Are You Doin' the Rest of Your Life1:14:35 - Marlowe and Vivian leaveconflict | conversing | leading lady | leading man | love interest | private eye | source music | street | upbeat
His Greatest Gamble (1934)Bavardage0:01:10 - The beachAABA structure | beach | casino | establish character | establish place | establish setting | gambler | gambling | leading man | luggage | pleasant | roulette wheel | transcribed by ear | upbeat
City for Conquest (1940)Sidewalks of New York (Street Organ)0:03:10 - A New York street cornerchild | conversing | crowd | dancing | old man | on-screen music | organ grinder | playing | pleasant | score to source | source music | street | street organ | thief | transition | upbeat | walking

City for Conquest (1940)

The Bowery0:05:00 - People on a New York streetchild | conversing | crowd | establish character | on-screen music | playing | pleasant | source music | street | street organ | upbeat

City for Conquest (1940)

Lullaby of Broadway0:17:00 - A sign for Rose Gardens Casinoboxer | conversing | crowd | dance band | dance hall | dancer | dance scene | dancing | leading lady | leading man | on-screen music | playing | popular music | source music | upbeat

City for Conquest (1940)

Latin For Manhattan0:18:29 - Peggy and Danny sit downboxer | conversing | crowd | dance band | dance hall | dancer | dance scene | dancing | leading lady | leading man | on-screen music | playing | popular music | source music | upbeat

City for Conquest (1940)

The Continental0:19:53 - Peggy dances with Murrayboxer | conversing | crowd | dance band | dance hall | dancer | dance scene | dancing | friend | leading lady | leading man | on-screen music | playing | popular music | source music | upbeat

City for Conquest (1940)

Jalousie0:20:39 - Danny sitting at a tableboxer | crowd | dance band | dance hall | dancer | dance scene | dancing | friend | leading lady | leading man | on-screen music | popular music | source music | upbeat

City for Conquest (1940)

I’m Just Wild About Harry0:21:28 - Peggy dances with Murraycrowd | dance band | dance hall | dancer | dance scene | dancing | leading lady | on-screen music | popular music | source music | upbeat

City for Conquest (1940)

Shadow Waltz0:21:46 - Peggy dances with Murrayconversing | crowd | dance band | dance hall | dancer | dance scene | dancing | leading lady | on-screen music | playing | popular music | source music | upbeat

City for Conquest (1940)

Fanfare0:22:58 - A trophy is brought outaward | bold | crowd | dance band | dance hall | dancer | dance scene | fanfare | leading lady | on-screen music | presenting | source music | upbeat

City for Conquest (1940)

I’m Just Wild About Harry0:23:07 - Close-up of Lilyaward | boxer | conversing | crowd | dance band | dance hall | dancer | dance scene | friend | leading lady | leading man | on-screen music | popular music | source music | upbeat

City for Conquest (1940)

I’m Just Wild About Harry (Delicato)0:25:06 - Peggy calls Murrayadvance plot | calling | conversing | leading lady | pleasant | room | source to score | telephone | upbeat

City for Conquest (1940)

Original Rhumba0:29:38 - Peggy dances with Murrayapplause | crowd | dance hall | dancer | dancing | double exposure | leading lady | montage | rhumba | source music | upbeat

City for Conquest (1940)

Original Bolero0:29:43 - Peggy dances with Murrayapplause | bolero | crowd | dance hall | dancer | dancing | double exposure | leading lady | montage | source music | upbeat

City for Conquest (1940)

Original Tango0:29:51 - Peggy dances with Murrayapplause | crowd | dance hall | dancer | dancing | double exposure | leading lady | montage | source music | tango | upbeat

City for Conquest (1940)

Original Foxtrot0:29:57 - Peggy dances with Murrayapplause | crowd | dance hall | dancer | dancing | double exposure | foxtrot | leading lady | montage | source music | upbeat

City for Conquest (1940)

I’m Just Wild About Harry0:34:32 - Man operating a spotlightaudience | clapping | dancer | dancing | double exposure | leading lady | marquee | montage | source music | stage | upbeat

City for Conquest (1940)

Interlude0:39:06 - Montage of dancing scenesdance band | dancing | double exposure | headline | montage | newspaper | shadow | stage | upbeat

City for Conquest (1940)

Liberty Day0:39:19 - A boxing matchboxing | boxing ring | montage | source music | upbeat

City for Conquest (1940)

Liberty Day0:39:41 - Old timer talks to workerboxer | boxing ring | celebrating | conversing | crowd | fanfare | leading man | manager | montage | source music | upbeat

City for Conquest (1940)

Negra Consentida0:41:21 - The Carleton Plaza Towersadvance plot | arriving | boxer | dance band | dancer | dancing | leading man | musician | on-screen music | party | playing | source music | upbeat

City for Conquest (1940)

Tone Poem A1 (Ragtime)0:43:27 - Eddie plays the pianoadvance plot | boxer | brother | composer | conversing | crowd | leading man | musician | on-screen music | party | piano | playing | ragtime | source music | upbeat

City for Conquest (1940)

In the Evening0:45:08 - Peggy in her dressing roomarguing | boxer | conflict | conversing | crying | dancer | dressing room | leading lady | leading man | punching | source music | upbeat

City for Conquest (1940)

A Girl Like You0:46:49 - Danny in Peggy's dressing roomboxer | conflict | crying | dancer | dressing room | leading lady | leading man | leaving | source music | upbeat

City for Conquest (1940)

42nd Street0:51:52 - People arriving at a danceadvance plot | club | crowd | dance band | dancer | dancing | musician | on-screen music | source music | upbeat

City for Conquest (1940)

Corn Pickin’0:53:35 - People dancing the jitterbugadvance plot | boxer | club | crowd | dance band | dancer | dancing | leading lady | leading man | on-screen music | source music | upbeat

City for Conquest (1940)

Japanese Sandman0:54:33 - Danny and Peggy at the danceadvance plot | boxer | club | crowd | dance band | dancer | dancing | leading lady | leading man | on-screen music | source music | upbeat

City for Conquest (1940)

Garden of the Moon1:00:04 - Backstage at the Club Madridadvance plot | conversing | dancer | dressing room | leading lady | preparing | upbeat

City for Conquest (1940)

Miramar1:00:44 - Danny prepares for a fightadvance plot | boxer | conversing | leading man | locker room | manager | march | preparing | source music | upbeat

City for Conquest (1940)

Piggy Wiggy Woo1:10:52 - Peggy criesadvance plot | conversing | crying | dancer | dressing room | leading lady | source music | upbeat

City for Conquest (1940)

Where Were You When the Moon Came Out1:19:38 - Danny resting in bedadvance plot | blur | brother | composer | dancing | leading man | listening | musician | on-screen music | playing | room | singer | singing | source music | upbeat | victim

City for Conquest (1940)

Powder My Back1:23:34 - A burlesque marqueeadvance plot | conversing | dancer | dancing | leading lady | manager | on-screen music | singer | singing | source music | stage | upbeat

City for Conquest (1940)

Tone Poem A1 (End Cast) + Tone Poem A2 (End Cast)1:43:34 - End cast listend credits | end title sequence | jazz | upbeat
Crime School (1938)Gangster Blues0:01:16 - New York City streets13th chord | added-note chord | altered dominant | blues | cut from film | establish setting | fun | Gershwinesque | main title | setting | street | upbeat

Crime School (1938)

Reform School Drill0:33:18 - Reform school boys exercise outsidecomedy | cut from film | deceptive resolution | exercising | exercising music | foreign key modulation | gang | jogging | leading man | polychord | reformatory | split-third chord | teenager | upbeat | warden

Crime School (1938)

Reform School Drill0:34:09 - Reform school boys exercise outsidecomedy | deceptive resolution | exercising | exercising music | foreign key modulation | gang | jogging | leading man | polychord | reformatory | teenager | upbeat | warden

Crime School (1938)

Reform School Drill (Coda)0:35:01 - Reform school boys exercise outsidecomedy | exercising | gang | jogging | leading man | reformatory | teenager | upbeat | warden

Crime School (1938)

Gangster Blues (End Title)1:24:33 - Cast listbluesy | closing credits | end title sequence | not by Steiner | upbeat

Crime School (1938)

Sue (End Credits)1:24:49 - Cast listadded-note chord | bluesy | chromatic parallelism | closing credits | end title sequence | Gershwinesque | mode mixture | not by Steiner | upbeat
They Made Me a Criminal (1939)On the Make (End Cast)1:31:03 - End titles9th chord | added-note chord | closing credits | end title | linear chromaticism | mode mixture | not by Steiner | plagal cadence | upbeat
Dust Be My Destiny (1939)Dust Be My Destiny (End Credits)1:26:54 - End creditsaltered dominant | closing credits | common-tone diminished 7th | end title sequence | upbeat
Flamingo Road (1949)Ain't We Got Fun0:01:41 - A carnival scenecarnival | carny | establish setting | on-screen music | parallel double period | playing | source music | townsfolk | upbeat | voice-over

Flamingo Road (1949)

Put ‘Em in a Box, Tie ‘Em with a Ribbon, and Throw ‘Em in the Deep Blue Sea0:12:05 - The Eagle CafeAABA structure | advance plot | conversing | leading lady | leading man | police | popular music | restaurant | source music | upbeat

Flamingo Road (1949)

Cheatin’ on Me0:19:12 - Lane works at the caféAABA structure | advance plot | café | leading lady | leading man | leaving | police | source music | upbeat | waitress | working

Flamingo Road (1949)

South American Way0:22:08 - Field and Titus arrive at Lute Mae's Tavernadvance plot | club | dancer | dancing | gambling | leading man | musician | on-screen music | playing | police | politician | sheriff | source music | upbeat | waitress

Flamingo Road (1949)

Lane (Grazioso)0:41:46 - Lane talks to a fellow prisoneradvance plot | conversing | foreign key modulation | hopeful | leading lady | prison | prisoner | upbeat

Flamingo Road (1949)

Blue Room0:44:58 - Lane dresses for workAABA structure | advance plot | club | conversing | leading lady | politician | sheriff | source music | upbeat | waitress

Flamingo Road (1949)

Jalousie0:46:06 - Woman dancesadvance plot | club | conversing | dancing | employer | leading lady | on-screen music | playing | sheriff | source music | upbeat | waitress

Flamingo Road (1949)

The Girl With the Spanish Drawl1:29:10 - Lane arrives at Lute Mae'sarriving | climax | club | dancer | dancing | leady lady | musician | on-screen music | playing | source and scoring overlap | source music | upbeat
Hell on Frisco Bay (1955)Put 'Em in a Box, Tie 'Em with a Ribbon, and Throw 'Em in the Deep Blue Sea0:40:24 - A dance halladvance plot | club | conversing | dancer | dancing | investigator | jazz | jazz band | leading man | on screen music | source music | upbeat
In This Our Life (1942)South American Way0:24:06 - A spinning recordadvance plot | conversing | dancing | Latin-American | leading lady | leading man | love interest | popular music | record player | room | source music | upbeat

In This Our Life (1942)

Java Jive0:32:41 - A dance halldance hall | dance scene | dancing | leading lady | leading man | on-screen music | popular music | source music | upbeat

In This Our Life (1942)

This Time the Dream’s on Me0:33:03 - Stanley and Peter sit at a tableconversing | dance hall | dance scene | dancing | leading lady | leading man | on-screen music | popular music | source music | upbeat

In This Our Life (1942)

Blues in the Night0:42:47 - Stanley puts a record on the phonographarguing | blues | conflict | leading lady | leading man | record player | room | source music | upbeat

In This Our Life (1942)

Blues in the Night0:54:51 - Stanley dressesadvance plot | blues | dressing | leading lady | record player | room | source music | upbeat | widow

In This Our Life (1942)

How Do I Know It’s Sunday0:57:12 - Stanley starts a record playingadvance plot | conversing | crying | dancing | father | flirting | leading lady | leading man | popular music | record player | room | sister | source music | upbeat | widow

In This Our Life (1942)

South American Way1:07:39 - Stanley in a baradvance plot | bar | bartender | dancing | drinking | jukebox | leading lady | upbeat | waiting

In This Our Life (1942)

You’re a Lucky Guy1:16:20 - Stanley dancesadvance plot | arriving | conversing | criminal | dancing | drinking | leading lady | popular music | record player | room | source music | upbeat
Mildred Pierce (1945)You Must Have Been a Beautiful Baby0:03:59 - Wally sees Mildred from the windowconversing | establish character | familiar tune | friend | heroine | jazz | leading lady | on-screen music | restaurant | source music | upbeat

Mildred Pierce (1945)

Kay and Veda0:25:03 - Kay plays football in the streetchild | establish character | football | mickey-mousing | playing | street | upbeat

Mildred Pierce (1945)

Kay falls0:25:12 - Kay falls to the groundchild | establish character | falling | football | mickey-mousing | playing | street | upbeat

Mildred Pierce (1945)

Work0:36:12 - Mildred works as a waitresshectic | heroine | leading lady | montage | restaurant | rushing | serving | upbeat | voice-over | waitress | working

Mildred Pierce (1945)

Work (Singing Lesson)0:37:17 - Veda singschild | double exposure | heroine | leading lady | montage | on-screen music | room | scored source music | singing | upbeat | voice-over | working

Mildred Pierce (1945)

South American Way0:37:36 - Veda sings and plays while Kay danceschild | dancing | heroine | leading lady | music scene | on-screen music | playing | popular music | room | singing | source music | upbeat

Mildred Pierce (1945)

Mazurka in B-Flat Major (Tense)0:38:47 - Veda plays a Chopin Mazurkaarguing | child | classical music | conflict | familiar tune | heroine | leading lady | on-screen music | playing | quotation | room | scored source music | source music | tense | upbeat | waltz

Mildred Pierce (1945)

Work (Grand Opening)0:57:26 - View of Mildred's restaurantadvance plot | restaurant | upbeat | voice-over | working

Mildred Pierce (1945)

T’Ain’t No Good0:57:37 - Mildred at the opening of her restaurantadvance plot | antagonist | busy | conversing | daughter | dining | friend | guest | heroine | leading lady | popular music | restaurant | serving | source music | upbeat | working

Mildred Pierce (1945)

While You’re Away0:59:47 - Monte arrives at the restaurantadvance plot | antagonist | busy | conversing | daughter | dining | friend | guest | heroine | leading lady | love interest | popular music | restaurant | serving | source music | upbeat | working

Mildred Pierce (1945)

Work (Success)1:01:42 - People work in Mildred's restaurantadvance plot | busy | cook | restaurant | server | upbeat | working

Mildred Pierce (1945)

Order wheel spins1:01:45 - Restaurant order wheel spinsadvance plot | busy | cook | mickey-mousing | restaurant | server | spinning | upbeat

Mildred Pierce (1945)

Please Think of Me1:01:54 - Monte dances with Vedaadvance plot | antagonist | celebrating | dancing | daughter | friend | heroine | jukebox | leading lady | love interest | on-screen music | popular music | restaurant | singing | source music | upbeat

Mildred Pierce (1945)

Work1:08:00 - Montage of restaurantsguest | montage | restaurant | upbeat | voice-over | working

Mildred Pierce (1945)

Polo1:08:14 - Veda at a polo matchantagonist | cheering | daughter | field | heroine | leading lady | love interest | montage | playing | polo | sports | upbeat | voice-over | watching

Mildred Pierce (1945)

Sweet Georgia Brown1:29:05 - Mildred confronts Wallyadvance plot | antagonist | club | conversing | daughter | heroine | jazz | leading lady | on-screen music | popular music | source music | upbeat

Mildred Pierce (1945)

It Had to Be You1:30:25 - Mildred and Veda talkadvance plot | antagonist | club | conversing | daughter | heroine | jazz | leading lady | on-screen music | popular music | source music | upbeat
The Life of Vergie Winters (1934)There’ll Be a Hot Time in the Old Town Tonight0:12:17 - People rallying for John Shadwelladvance plot | conversing | crowd | on-screen music | popular song | rally | source music | upbeat

The Life of Vergie Winters (1934)

For He’s a Jolly Good Fellow0:13:48 - Political rally for John Shadwelladvance plot | conversing | crowd | folk song | on-screen music | politician | rally | source music | spouse | upbeat

The Life of Vergie Winters (1934)

Oh! You Beautiful Doll0:17:47 - People in a baradvance plot | bar | business man | conversing | mode mixture | ragtime | source music | upbeat

The Life of Vergie Winters (1934)

Ida (Sweet As Apple Cider)0:28:55 - People in a baradvance plot | bar | business man | conversing | parallel double period | ragtime | source music | upbeat

The Life of Vergie Winters (1934)

Semper Fidelis0:30:32 - A march is played outsideadvance plot | celebrating | cheering | child | common-chord modulation | conversing | crowd | gossiper | leading lady | leading man | march | patriotic tune | politician | source music | spouse | street | upbeat

The Life of Vergie Winters (1934)

Darktown Strutters’ Ball0:40:06 - Sadie and Mike in a baradvance plot | business man | club | common-chord modulation | conversing | friend | love interest | plotting | ragtime | source music | upbeat
Rockabye (1932)Till the Real Thing Comes My Way0:33:55 - Judy at the partyadvance plot | club | conversing | dancing | friend | leading lady | love interest | on-screen music | pianist | playing | playwright | source music | upbeat

Rockabye (1932)

Improvisation (in Rockabye)0:35:35 - People at a partyadvance plot | club | conversing | drinking | friend | on-screen music | playing | source music | upbeat

Rockabye (1932)

Till the Real Thing Comes My Way0:39:24 - Judy sings a songAABA structure | advance plot | club | dancing | leading lady | love interest | on-screen music | pianist | singing | source music | upbeat

Rockabye (1932)

Till the Real Thing Comes My Way0:40:21 - Judy sings on top of a truckadvance plot | leading lady | love interest | on-screen music | pianist | singing | source music | street | upbeat

Rockabye (1932)

Run-Around0:52:45 - Montage of Broadway scenescommon-chord modulation | dominant pedal | montage | self-borrowing | theater | upbeat
Kid Galahad (1937)Swing for Sale0:04:26 - Dancing at a partyAABA structure | crowd | dancing | establish character | leading lady | leading man | manager | party | partying | source music | transcribed by ear | upbeat

Kid Galahad (1937)

The Ring0:06:38 - People at a partyAABA structure | crowd | establish character | leading lady | leading man | manager | party | partying | source music | transcribed by ear | upbeat

Kid Galahad (1937)

Stride Piano Improvisation 10:08:50 - People at a partyblues scale | crowd | dancing | establish character | leading lady | leading man | manager | on-screen music | party | source music | stride piano | transcribed by ear | upbeat

Kid Galahad (1937)

The Prizefighter and the Lady0:09:36 - Ward helps LouiseAABA structure | crowd | dancing | establish character | leading lady | leading man | manager | on-screen music | party | source music | stride piano | transcribed by ear | upbeat

Kid Galahad (1937)

Stride Piano Improvisation 20:13:24 - People dance at a partycrowd | dancing | establish character | leading lady | leading man | manager | party | partying | source music | transcribed by ear | upbeat
Traveling Husbands (1931)There’s a Sob In My Heart0:00:00 - A rushing train under the opening creditsAABA structure | opening title sequence | popular song | syncopation | train | transcribed by ear | traveling | upbeat

Traveling Husbands (1931)

There’s a Sob in My Heart (Strings)0:23:03 - Music is played in a night clubAABA structure | advance plot | dancing | leading lady | night club | popular song | source music | transcribed by ear | upbeat

Traveling Husbands (1931)

Dance0:26:27 - Music is played in a night clubAB structure | advance plot | dancing | Latin-American | leading lady | night club | salesman | source music | tango | transcribed by ear | upbeat

Traveling Husbands (1931)

There’s a Sob in My Heart (Radio Jazz)0:32:29 - Music is played on the radioaltered dominant | comedy | dancing | popular song | radio | room | salesman | source music | transcribed by ear | upbeat

Traveling Husbands (1931)

There’s a Sob in My Heart (Radio Dance Band)0:32:46 - Music is played on the radioAABA structure | chromatic mediant | comedy | dancing | leading lady | popular song | radio | room | salesman | source music | transcribed by ear | upbeat

Traveling Husbands (1931)

There’s a Sob in My Heart (Dixieland)0:34:27 - Music is played in a night clubbanjo | countermelody | dancing | Dixieland | double exposure | drums | improvisation | jazz | leading lady | montage | night club | popular song | salesman | source music | taxi | transcribed by ear | trombone | upbeat

Traveling Husbands (1931)

Hello Beautiful0:35:04 - Music is played in a taxiAABA structure | banjo | dancing | drums | leading lady | montage | night club | popular song | salesman | source music | taxi | transcribed by ear | trombone | upbeat

Traveling Husbands (1931)

Millie0:35:09 - Hot jazz is played in a night clubAABA structure | banjo | dancing | Dixieland | drums | jazz | leading lady | montage | night club | popular song | salesman | source music | taxi | transcribed by ear | trombone | upbeat
The Unfaithful (1947)Beverly Hills0:01:00 - Cars driving down road in Beverly HillsBeverly Hills | cheerful | establish location | panning shot | sequential modulation | street | upbeat | voice-over

The Unfaithful (1947)

Stride Piano0:03:20 - Larry arrives at the partyestablish character | jazz | lawyer | leading lady | on-screen music | party | sister | source music | upbeat
High Stakes (1931)Close to Me0:01:09 - People at a partyconversing | establish character | friend | on-screen music | playing | source music | upbeat | waiting | wedding
Three Who Loved (1931)My One Ambition is You0:14:21 - Phil turns on the radioAB structure | advance plot | cheerful | conversing | dancing | pleasant | radio | room | source music | upbeat
Hold ‘Em Jail (1932)The Prisoner’s Song0:00:15 - Title of film, starring list, cast listaltered dominant | cast list | cheerful | common-tone diminished 7th | establish place | opening title sequence | starring list | title of film | transcribed by ear | upbeat

Hold ‘Em Jail (1932)

Bide-More Alma Mater0:00:46 - Cast list and prison signcast list | cheerful | common-chord modulation | common-tone diminished 7th | countermelody | establish place | opening title sequence | transcribed by ear | upbeat

Hold ‘Em Jail (1932)

The Prisoner’s Song0:01:11 - Prisoners in a prison yardaltered dominant | augmented sixth chord | cheerful | establish place | establish setting | mode mixture | prison | somber | transcribed by ear | upbeat

Hold ‘Em Jail (1932)

There’s a Sob in My Heart0:05:14 - People dancing in a night clubAABA structure | business man | cheerful | club | conversing | dance scene | dancing | dining | reused recording | upbeat

Hold ‘Em Jail (1932)

Makes You Forget Your Troubles0:11:18 - Spider and Curley talk to SteeleAABA structure | advance plot | club | comic | dancer | dancing | planning | salesman | self-borrowing | source music | upbeat

Hold ‘Em Jail (1932)

A Moment in the Dark0:14:05 - Curley turns on the radioAABA structure | advance plot | comic | goofing around | office | prisoner | radio | source music | upbeat

Hold ‘Em Jail (1932)

Ain’t That the Way it Goes0:14:53 - Spider and Curley look aroundAABA structure | advance plot | comic | conversing | goofing around | love interest | office | prisoner | radio | source music | upbeat

Hold ‘Em Jail (1932)

I’m Wrapped Up in You0:18:18 - Spider dances with Violetadvance plot | comic | conversing | dancing | goofing around | love interest | office | prisoner | radio | source music | upbeat

Hold ‘Em Jail (1932)

Eldorania0:59:14 - A doctor tends to Spider's legadvance plot | athlete | comic | conversing | doctor | field | plotting | prisoner | referee | relative key | source music | treating | upbeat

Hold ‘Em Jail (1932)

El Capitan March1:01:51 - Spider makes Whitey sign a confessionadvance plot | comic | criminal | field | plotting | prisoner | source music | upbeat

Hold ‘Em Jail (1932)

Bide-More Alma Mater1:04:44 - Bidemore celebrates their victorycelebrating | comic | crowd | field | love interest | politician | prisoner | resolution | source music | upbeat | warden

Hold ‘Em Jail (1932)

The Prisoner’s Song1:05:19 - Spider talks to Violetcomic | conversing | field | prisoner | resolution | source music | upbeat

Hold ‘Em Jail (1932)

Bide-More Alma Mater1:05:33 - End titlesend title sequence | source music | The End | upbeat
Is My Face Red? (1932)Press Club0:02:41 - Man serving beer in a barbar | bartender | establish setting | jazz | server | serving | transcribed by ear | upbeat
Ladies of the Jury (1932)El Capitan March0:28:41 - Jurors deliberateadvance plot | conversing | juror | jury room | leading lady | march | radio | source music | upbeat

Ladies of the Jury (1932)

I’m Just Wild About Harry0:52:40 - Spencer singsadvance plot | juror | jury room | on-screen music | singing | source music | upbeat

Ladies of the Jury (1932)

All in Favor of Taking a Ride Say Aye0:56:03 - Mayme singsadvance plot | juror | jury room | on-screen music | singing | source music | upbeat
Men of America (1932)Cimarron B0:00:43 - Cast listcast list | folk song | opening title sequence | self-borrowing | transcribed by ear | upbeat

Men of America (1932)

Hey! Hey!0:26:27 - Man turns on car radioadvance plot | car | criminal | listening | mode mixture | radio | self-borrowing | source music | upbeat
Penguin Pool Murder (1932)Run Around1:01:51 - The End9th chord | altered dominant | end title sequence | mode mixture | self-borrowing | The End | transcribed by ear | upbeat
Secrets of the French Police (1932)Beau Ideal0:00:15 - A newspaper is opened to a detective storycast list | march | newspaper | opening title sequence | self-borrowing | upbeat

Secrets of the French Police (1932)

Serenade0:56:57 - The End and Cast of Charactersclosing credits | end title sequence | mode mixture | self-borrowing | The End | upbeat
State’s Attorney (1932)The Sidewalks of New York0:00:15 - Title and starring listfamiliar tune | opening title sequence | popular music | starring list | title of film | transcribed by ear | upbeat

State’s Attorney (1932)

Blues (Piano)0:18:14 - People talking in a clubadvance plot | blue note | club | conversing | gangster | leading lady | leading man | mistress | score to source | source music | upbeat

State’s Attorney (1932)

Stack o’ Lee Blues0:43:17 - Jazz musicians playing in a clubadvance plot | club | Dixieland | musician | on-screen music | playing | singer | singing | source music | upbeat

State’s Attorney (1932)

Business in F0:43:46 - Jazz musicians playing in a clubadvance plot | club | conversing | dancing | daughter | jazz | lawyer | leading man | love interest | on-screen music | source music | upbeat
Thirteen Women (1932)The Train0:01:33 - A rushing trainchromatic mediant | mickey-mousing | pedal tone | rushing | sorting | train | train | train whistle | transcribed by ear | transition | traveling | upbeat

Thirteen Women (1932)

Blue Streak0:01:54 - A circus posterABA structure | circus | circus music | conversing | cousin | establish character | establish place | horoscope | letter | performer | reading | source music | upbeat

Thirteen Women (1932)

Circus Music0:03:44 - June talks to HazelAB structure | circus | circus music | conversing | cousin | establish character | performer | source music | upbeat

Thirteen Women (1932)

Spring, Beautiful Spring0:04:48 - June and May performABA structure | circus | circus music | death scene | performer | performing | source music | swinging | trapeze | upbeat
Headline Shooter (1933)King Kong March1:00:16 - The Endaugmented sixth chord | end title | march | mode mixture | reused recording | The End | upbeat
Gridiron Flash (1934)Fanfare0:00:16 - Title of the filmfanfare | opening title sequence | pedal tone | starring list | title of film | upbeat

Gridiron Flash (1934)

Gridiron Flash0:00:24 - Cast listadded-note chord | cast list | countermelody | march | opening title sequence | starring list | title of film | upbeat

Gridiron Flash (1934)

Swing it Sister0:21:09 - Eddie at a partyconversing | friend | leading lady | leading man | party | popular music | room | upbeat

Gridiron Flash (1934)

Gridiron Flash0:33:51 - Sports montagecountermelody | fanfare | football | football game | headline | montage | newspaper | playing | upbeat

Gridiron Flash (1934)

Dunlap Commandery0:43:59 - Eddie in his roomadvance plot | cheering | leading man | march | room | thinking | upbeat

Gridiron Flash (1934)

Gridiron Flash0:45:19 - Eddie in his roomadded-note chord | advance plot | cheering | countermelody | leading man | march | room | upbeat

Gridiron Flash (1934)

Marching Band Tune0:56:19 - A marching bandadvance plot | athlete | football | football game | march | playing | upbeat

Gridiron Flash (1934)

Gridiron Flash1:02:36 - The scoreboardadded-note chord | athlete | celebrating | countermelody | crowd | football | football game | leading lady | leading man | march | resolution | The End | upbeat
Star of Midnight (1935)Swing it Sister0:10:50 - Clay talks with JimAABA structure | blackmail | blackmailing | conversing | criminal | detective | establish character | leading man | radio | room | source music | threatening | upbeat
The Breaking Point (1950)Fishermen0:07:40 - Ship leaving the harborboat | boat | boating | calm | departing | fisherman | fishing | floozy | leading lady | leading man | montage | not by Steiner | sailor | tense | upbeat

The Breaking Point (1950)

Flor de Lis0:08:17 - A ship sailingart song | boat | boat | boating | conversing | establish setting | flirting | floozy | leading lady | leading man | not by Steiner | sailor | upbeat | working

The Breaking Point (1950)

En Mi Canto de Amor0:08:57 - A dock at nightarriving | art song | boat | conversing | docking | establish setting | flirting | floozy | harbor | leading lady | leading man | not by Steiner | sailor | source music | upbeat | working

The Breaking Point (1950)

La Adelita0:09:56 - A Mexican village at nightarriving | bar | bartender | conversing | establish setting | folk music | leading man | musician | on-screen music | performing | sailor | salesperson | selling | source music | street | upbeat | working

The Breaking Point (1950)

Please Don’t Talk About Me When I’m Gone0:39:07 - Harry arrives at a baradvance plot | bar | bartender | criminal | dancing | floozy | jukebox | leading lady | leading man | on-screen music | sailor | singing | source music | upbeat

The Breaking Point (1950)

First Call1:15:04 - Sign for a horse racecrowd | horse | race track | source music | transition | upbeat