| All This, and Heaven Too (1940) | School Girls | 0:01:12 - Young girls walking to school | added-note chord | chatting | child | establish setting | pedal tone | pleasant | school | street | upbeat | walking |
All This, and Heaven Too (1940) | Henriette (Carriage) | 0:13:05 - A carriage arrives | 64 chord | carriage | driver | leading lady | pleasant | street | transition | traveling | upbeat |
All This, and Heaven Too (1940) | Raynald (Carriage) | 0:46:53 - Horses pulling a carriage | 64 chord | carriage | child | chromatic mediant | common-chord modulation | conversing | countermelody | foreign key modulation | governess | horse | leading lady | mickey-mousing | mode mixture | pleasant | riding | street | traveling scene | trotting | upbeat |
All This, and Heaven Too (1940) | Armide | 0:49:21 - The opera house | arriving | audience | child | concert scene | conversing | duke | governess | leading lady | leading man | opera | regal | source music | theater | upbeat | watching |
All This, and Heaven Too (1940) | Fanfan la Tulipe | 0:51:48 - Henriette plays the harpsichord | advance plot | child | dancing | duke | folk music | governess | leading lady | leading man | on-screen music | playing | room | upbeat |
All This, and Heaven Too (1940) | Valse | 1:03:32 - Montage of newspaper clippings | added-note chord | ballroom | cheerful | crowd | dancing | double exposure | duchess | duke | leading lady | leading man | mode mixture | montage | upbeat | waltz |
All This, and Heaven Too (1940) | Invitation to the Dance | 1:04:19 - People waltzing | advance plot | ballroom | child | classical music | crowd | dancing | duchess | duke | leading lady | leading man | simulated source music | upbeat | waltz |
All This, and Heaven Too (1940) | The Carousel | 1:26:22 - A spinning carousel | 64 chord | amusement park | augmented sixth chord | bright | carousel | child | enharmonic modulation | foreign key modulation | fun | mode mixture | on-screen text | pedal tone | riding | spinning | transition | upbeat |
| Are These Our Children? (1931) | Incidental Music | NIF - not in film | ABAC structure | added-note chord | altered dominant | common-tone diminished 7th | cut from film | upbeat |
| Arsenic and Old Lace (1944) | Happy Land (Screwy Gavotte) | 0:00:39 - Cast list | 9th chord | 64 chord | added-note chord | cast list | happy | opening title sequence | ostinato | pedal tone | upbeat |
Arsenic and Old Lace (1944) | Happy Land (Gospel) | 0:00:47 - Cast list | cast list | hymn | opening title sequence | parallel period | upbeat |
Arsenic and Old Lace (1944) | Take Me Out to the Ball Game | 0:01:20 - Fans yelling at a ball game | augmented sixth chord | baseball | baseball player | bass drum | cheering | crowd | enharmonic modulation | establish place | evaded cadence | falling | familiar tune | field | fighting | musician | parallel double period | pep band | playing | popular song | punching | rushed | saxophone | simulated source music | source music | sporting event | trombone | umpire | upbeat | yelling |
Arsenic and Old Lace (1944) | Two by Two | 0:02:51 - The marriage clerk sings | clerk | establish character | marriage | office | on-screen music | singing | source music | upbeat |
Arsenic and Old Lace (1944) | Rondo Alla Turca | 0:06:25 - Teddy plays the harpsichord | aunt | brother | classical music | conversing | crazy person | establish character | harpsichord | leading lady | old man | on-screen music | playing | room | source music | upbeat | victim |
Arsenic and Old Lace (1944) | Opens window | 0:13:59 - The aunts open the window | advance plot | aunt | half-diminished 7th chord | leading lady | mickey-mousing | opening | raising | room | upbeat | window |
Arsenic and Old Lace (1944) | Here Comes the Bride | 0:19:52 - Mortimer at the window seat | advance plot | familiar tune | groom | leading man | on-screen music | room | source music | upbeat | whistling |
Arsenic and Old Lace (1944) | The Aunts | 0:39:01 - The aunts talk | advance plot | aunt | cleaning | conversing | crazy person | foreign key modulation | harmonic sequence | leading lady | murderer | room | upbeat |
Arsenic and Old Lace (1944) | The Aunts | 0:53:55 - Aunt Abby goes to the front door | advance plot | aunt | brother | calm | crazy person | darkness | harmonic sequence | leading lady | leading man | murderer | room | silhouette | staring | upbeat | walking |
Arsenic and Old Lace (1944) | Happy Land | 1:50:41 - Mortimer sings | bugle call | climax | leading man | on-screen music | room | singing | source music | upbeat |
Arsenic and Old Lace (1944) | Happy Land (The End) | 1:57:05 - Mortimer carries Elaine away | altered dominant | bride | countermelody | driver | end title sequence | familiar tune | groom | kissing | leading lady | leading man | resolution | street | The End | upbeat |
Arsenic and Old Lace (1944) | Happy Land (March) | 1:57:20 - Cast list | cast list | countermelody | end title sequence | transcribed by ear | upbeat |
| Beyond the Forest (1949) | Hurrying | 0:15:09 - Rosa lights a fire | advance plot | hurrying | leading lady | room | upbeat | wife | working |
Beyond the Forest (1949) | Rosa (Grazioso) | 0:15:23 - Rosa gets a drink | advance plot | hurrying | leading lady | room | upbeat | wife | working |
Beyond the Forest (1949) | Hurrying | 0:15:35 - Rosa carries a drink | advance plot | hurrying | leading lady | room | upbeat | wife | working |
Beyond the Forest (1949) | Chicago | 0:43:37 - Rosa sews | advance plot | arriving | familiar tune | leading lady | leading man | on-screen music | popular tune | room | score to source | sewing | singing | source and scoring overlap | source music | upbeat | wife |
Beyond the Forest (1949) | The Arkansas Traveler | 1:02:55 - Folk musicians | crowd | dancer | dance scene | dancing | doctor | folk music | leading lady | leading man | love interest | musician | on-screen music | party | playing | room | singing | source music | square dance caller | square dance music | upbeat | wife |
Beyond the Forest (1949) | Portland Fancy | 1:03:11 - People dancing | crowd | dancer | dance scene | dancing | doctor | folk music | leading lady | leading man | love interest | musician | on-screen music | party | playing | room | singing | source music | square dance caller | square dance music | upbeat | wife |
Beyond the Forest (1949) | Devil’s Dream | 1:03:26 - People dancing | crowd | dancer | dance scene | dancing | doctor | folk music | leading lady | leading man | love interest | musician | on-screen music | party | playing | room | singing | source music | square dance caller | square dance music | upbeat | wife |
Beyond the Forest (1949) | Little Brown Jug | 1:03:57 - People dancing | crowd | dancer | dance scene | dancing | doctor | folk music | leading lady | leading man | love interest | musician | on-screen music | party | playing | room | singing | source music | square dance caller | square dance music | upbeat | wife |
Beyond the Forest (1949) | Varsovienne | 1:04:52 - Moose talks with Mr. Latimer | conversing | dance scene | folk music | friend | friend | leading lady | leading man | love interest | on-screen music | party | plotting | proposal | room | sneaking | source music | square dance music | upbeat |
Beyond the Forest (1949) | Chicago (Molto Expressivo) | 1:20:43 - The maid in the kitchen | advance plot | familiar tune | leading lady | maid | murderer | popular tune | recovering | resting | room | sentimental | sickness | upbeat |
| The Big Sleep (1946) | And Her Tears Flowed Like Wine | 1:05:55 - Marlowe arrives at Mars's place | advance plot | arriving | club | leading lady | leading man | love interest | musician | on-screen music | playing | private eye | singer | singing | source music | upbeat |
The Big Sleep (1946) | Wotta Life | 1:08:09 - Marlowe talks to Mars | 12-bar blues | advance plot | club | criminal | investigating | leading man | private eye | source music | suspect | upbeat |
The Big Sleep (1946) | I'm in a Jam With Baby | 1:10:53 - Marlowe talks to people at the party | advance plot | club | gambler | gambling | leading lady | leading man | love interest | private eye | source music | upbeat |
The Big Sleep (1946) | Liza (All the Clouds'll Roll Away) | 1:12:27 - Marlowe leaves the gambling joint | AABA structure | conflict | criminal | investigating | leading lady | leading man | love interest | private eye | source music | street | upbeat |
The Big Sleep (1946) | What Are You Doin' the Rest of Your Life | 1:14:35 - Marlowe and Vivian leave | conflict | conversing | leading lady | leading man | love interest | parallel double period | private eye | source music | street | upbeat |
| The Breaking Point (1950) | Fishermen | 0:07:40 - Ship leaving the harbor | boat | boat | boating | calm | common-tone diminished 7th | departing | fisherman | fishing | floozy | leading lady | leading man | montage | not by Steiner | sailor | tense | transcribed by ear | upbeat |
The Breaking Point (1950) | Flor de Lis | 0:08:17 - A ship sailing | art song | boat | boat | boating | conversing | establish setting | flirting | floozy | leading lady | leading man | not by Steiner | sailor | upbeat | working |
The Breaking Point (1950) | En Mi Canto de Amor | 0:08:57 - A dock at night | arriving | art song | boat | conversing | docking | establish setting | flirting | floozy | harbor | leading lady | leading man | not by Steiner | sailor | source music | upbeat | working |
The Breaking Point (1950) | La Adelita | 0:09:56 - A Mexican village at night | arriving | bar | bartender | conversing | establish setting | folk music | leading man | musician | on-screen music | performing | sailor | salesperson | selling | source music | street | upbeat | working |
The Breaking Point (1950) | Please Don't Talk About Me When I'm Gone | 0:39:07 - Harry arrives at a bar | AABA structure | advance plot | bar | bartender | criminal | dancing | floozy | jukebox | leading lady | leading man | on-screen music | sailor | singing | source music | upbeat |
The Breaking Point (1950) | First Call | 1:15:04 - Sign for a horse race | crowd | horse | race track | source music | transition | upbeat |
| His Greatest Gamble (1934) | Bavardage | 0:01:10 - The beach | AABA structure | beach | casino | establish character | establish place | establish setting | gambler | gambling | leading man | luggage | pleasant | roulette wheel | transcribed by ear | upbeat |
| City for Conquest (1940) | Sidewalks of New York | 0:03:10 - A New York street corner | AABA structure | child | conversing | crowd | dancing | old man | on-screen music | organ grinder | playing | pleasant | score to source | source music | street | street organ | thief | transition | upbeat | walking |
City for Conquest (1940) | The Bowery | 0:05:00 - People on a New York street | child | conversing | crowd | establish character | on-screen music | playing | pleasant | source music | street | street organ | upbeat |
City for Conquest (1940) | Lullaby of Broadway | 0:17:00 - A sign for Rose Gardens Casino | boxer | conversing | crowd | dance band | dance hall | dancer | dance scene | dancing | leading lady | leading man | on-screen music | playing | popular music | source music | upbeat |
City for Conquest (1940) | Latin For Manhattan | 0:18:29 - Peggy and Danny sit down | AABA structure | blue note | boxer | conversing | crowd | dance band | dance hall | dancer | dance scene | dancing | leading lady | leading man | on-screen music | playing | popular music | source music | upbeat |
City for Conquest (1940) | The Continental | 0:19:53 - Peggy dances with Murray | AABA structure | boxer | conversing | crowd | dance band | dance hall | dancer | dance scene | dancing | friend | leading lady | leading man | on-screen music | phrase extension | playing | popular music | source music | upbeat |
City for Conquest (1940) | Jalousie | 0:20:39 - Danny sitting at a table | ABAC structure | boxer | crowd | dance band | dance hall | dancer | dance scene | dancing | friend | leading lady | leading man | on-screen music | popular music | source music | upbeat |
City for Conquest (1940) | I'm Just Wild About Harry | 0:21:28 - Peggy dances with Murray | ABAC structure | crowd | dance band | dance hall | dancer | dance scene | dancing | leading lady | on-screen music | popular music | source music | upbeat |
City for Conquest (1940) | Shadow Waltz | 0:21:46 - Peggy dances with Murray | ABAC structure | conversing | crowd | dance band | dance hall | dancer | dance scene | dancing | leading lady | on-screen music | playing | popular music | source music | upbeat |
City for Conquest (1940) | Fanfare | 0:22:58 - A trophy is brought out | award | bold | chromatic mediant | crowd | dance band | dance hall | dancer | dance scene | fanfare | leading lady | on-screen music | parallelism | presenting | source music | transcribed by ear | upbeat |
City for Conquest (1940) | I'm Just Wild About Harry | 0:23:07 - Close-up of Lily | ABAC structure | award | boxer | conversing | crowd | dance band | dance hall | dancer | dance scene | friend | leading lady | leading man | on-screen music | popular music | source music | upbeat |
City for Conquest (1940) | I'm Just Wild About Harry (Delicato) | 0:25:06 - Peggy calls Murray | 11th chord | added-note chord | advance plot | altered dominant | calling | common-tone diminished 7th | conversing | leading lady | mode mixture | pleasant | room | source to score | telephone | upbeat |
City for Conquest (1940) | Original Rhumba | 0:29:38 - Peggy dances with Murray | applause | crowd | dance hall | dancer | dancing | double exposure | leading lady | montage | rhumba | source music | upbeat |
City for Conquest (1940) | Original Bolero | 0:29:43 - Peggy dances with Murray | applause | bolero | chromatic mediant | crowd | dance hall | dancer | dancing | double exposure | leading lady | montage | source music | upbeat |
City for Conquest (1940) | Jalousie | 0:29:51 - Peggy dances with Murray | added-note chord | applause | crowd | dance hall | dancer | dancing | double exposure | leading lady | montage | source music | tango | upbeat |
City for Conquest (1940) | Original Foxtrot | 0:29:57 - Peggy dances with Murray | applause | common-tone diminished 7th | crowd | dance hall | dancer | dancing | double exposure | foxtrot | leading lady | montage | source music | upbeat |
City for Conquest (1940) | I'm Just Wild About Harry | 0:34:32 - Man operating a spotlight | audience | clapping | dancer | dancing | double exposure | leading lady | marquee | montage | source music | stage | upbeat |
City for Conquest (1940) | Burns and Company | 0:39:06 - Montage of dancing scenes | added-note chord | dance band | dancing | double exposure | headline | montage | newspaper | shadow | stage | transcribed by ear | upbeat |
City for Conquest (1940) | Liberty Day | 0:39:19 - A boxing match | boxing | boxing ring | contrasting double period | montage | parallel double period | source music | upbeat |
City for Conquest (1940) | Liberty Day | 0:39:41 - Old timer talks to worker | boxer | boxing ring | celebrating | contrasting double period | conversing | crowd | fanfare | leading man | manager | montage | parallel double period | source music | upbeat |
City for Conquest (1940) | Negra Consentida | 0:41:21 - The Carleton Plaza Towers | advance plot | arriving | boxer | dance band | dancer | dancing | leading man | musician | on-screen music | parallel double period | party | playing | source music | upbeat |
City for Conquest (1940) | Tone Poem A (Stride Piano) | 0:43:27 - Eddie plays the piano | 9th chord | 11th chord | 13th chord | added-note chord | advance plot | augmented sixth chord | boxer | brother | chord substitution | common-tone diminished 7th | composer | conversing | crowd | foreign key modulation | leading man | mode mixture | musician | on-screen music | parallelism | party | piano | playing | ragtime | source music | syncopation | upbeat |
City for Conquest (1940) | In the Evening | 0:45:08 - Peggy in her dressing room | arguing | boxer | conflict | conversing | crying | dancer | dressing room | leading lady | leading man | parallel double period | punching | source music | upbeat |
City for Conquest (1940) | A Girl Like You | 0:46:49 - Danny in Peggy's dressing room | boxer | conflict | crying | dancer | dressing room | leading lady | leading man | leaving | parallel double period | source music | upbeat |
City for Conquest (1940) | 42nd Street | 0:51:52 - People arriving at a dance | AABA structure | advance plot | club | crowd | dance band | dancer | dancing | musician | on-screen music | source music | upbeat |
City for Conquest (1940) | Corn Pickin' | 0:53:35 - People dancing the jitterbug | AABA structure | advance plot | boxer | club | crowd | dance band | dancer | dancing | leading lady | leading man | on-screen music | source music | upbeat |
City for Conquest (1940) | Japanese Sandman | 0:54:33 - Danny and Peggy at the dance | advance plot | boxer | club | crowd | dance band | dancer | dancing | leading lady | leading man | on-screen music | source music | upbeat |
City for Conquest (1940) | Garden of the Moon | 1:00:04 - Backstage at the Club Madrid | AABA structure | advance plot | conversing | dancer | dressing room | leading lady | preparing | source music | upbeat |
City for Conquest (1940) | Miramar | 1:00:44 - Danny prepares for a fight | advance plot | boxer | conversing | leading man | locker room | manager | march | parallel double period | preparing | source music | upbeat |
City for Conquest (1940) | Piggy Wiggy Woo | 1:10:52 - Peggy cries | advance plot | conversing | crying | dancer | dressing room | leading lady | source music | upbeat |
City for Conquest (1940) | Where Were You When the Moon Came Out | 1:19:38 - Danny resting in bed | advance plot | blur | brother | composer | dancing | leading man | listening | musician | on-screen music | parallel double period | playing | room | singer | singing | source music | upbeat | victim |
City for Conquest (1940) | Powder My Back | 1:23:34 - A burlesque marquee | advance plot | conversing | dancer | dancing | leading lady | manager | on-screen music | phrase extension | singer | singing | source music | stage | upbeat |
City for Conquest (1940) | Tone Poem A (End Cast) | 1:43:34 - End cast list | 13th chord | closing credits | end title sequence | jazz | not by Steiner | plagal cadence | syncopation | transcribed by ear | upbeat |
| Crime School (1938) | Gangster Blues | 0:01:16 - New York City streets | 13th chord | added-note chord | altered dominant | blues | cut from film | establish setting | fun | Gershwinesque | main title | setting | street | upbeat |
Crime School (1938) | Reform School Drill | 0:33:18 - Reform school boys exercise outside | comedy | cut from film | deceptive resolution | exercising | exercising music | foreign key modulation | gang | jogging | leading man | polychord | reformatory | split-third chord | teenager | upbeat | warden |
Crime School (1938) | Reform School Drill | 0:34:09 - Reform school boys exercise outside | comedy | deceptive resolution | exercising | exercising music | foreign key modulation | gang | jogging | leading man | polychord | reformatory | teenager | upbeat | warden |
Crime School (1938) | Reform School Drill (Coda) | 0:35:01 - Reform school boys exercise outside | comedy | exercising | gang | jogging | leading man | reformatory | teenager | upbeat | warden |
Crime School (1938) | Gangster Blues (End Title) | 1:24:33 - Cast list | bluesy | closing credits | end title sequence | not by Steiner | upbeat |
Crime School (1938) | Sue (End Credits) | 1:24:49 - Cast list | added-note chord | bluesy | chromatic parallelism | closing credits | end title sequence | Gershwinesque | mode mixture | not by Steiner | upbeat |
| They Made Me a Criminal (1939) | On the Make (End Cast) | 1:31:03 - End titles | 9th chord | added-note chord | closing credits | end title | linear chromaticism | mode mixture | not by Steiner | plagal cadence | upbeat |
| Deep Valley (1947) | Joe | 0:01:29 - A dog | cheerful | dog | establish character | friendly | leading lady | mother | opening | porch | room | running | upbeat | waking |
Deep Valley (1947) | Joe (Poco Meno Expressivo) | 0:01:59 - Libby gets up | dog | dressing | establish character | leading lady | mother | room | scolding | upbeat | waking |
Deep Valley (1947) | Joe (Very Light) | 0:04:29 - Joe watches Libby work | cheerful | cooking | dog | establish character | kitchen | leading lady | upbeat |
Deep Valley (1947) | Woods | 0:08:25 - Libby leaves the house | cheerful | dog | establish character | forest | leading lady | playing | running | upbeat |
Deep Valley (1947) | Squirrel | 0:09:26 - Libby feeds a squirrel | cheerful | conversing | establish character | forest | leading lady | squirrel | upbeat |
Deep Valley (1947) | Woods | 0:09:57 - Libby walks in the woods | cheerful | cut from film | dog | establish character | forest | leading lady | upbeat | walking |
Deep Valley (1947) | Joe (Running) | 0:19:24 - Libby arrives at the farm | conversing | leading lady | lovers meet | running | rushed | street | upbeat |
Deep Valley (1947) | Joe (Allegretto Grazioso) | 0:39:06 - Libby in the woods | advance plot | dog | forest | happy | leading lady | running | upbeat | walking |
Deep Valley (1947) | Woods | 0:40:58 - Libby swimming | advance plot | cheerful | convict | dog | forest | fugitive | leading lady | leading man | searching | swimming | upbeat |
Deep Valley (1947) | Woods | 0:42:41 - Libby arrives at the cabin | advance plot | arriving | cabin | cheerful | convict | dog | fugitive | leading lady | leading man | upbeat |
| Dust Be My Destiny (1939) | Dust Be My Destiny (End Credits) | 1:26:54 - End credits | altered dominant | closing credits | common-tone diminished 7th | end title sequence | upbeat |
| Flamingo Road (1949) | Ain't We Got Fun | 0:01:41 - A carnival scene | carnival | carny | establish setting | on-screen music | parallel double period | playing | source music | townsfolk | upbeat | voice-over |
Flamingo Road (1949) | Put 'Em in a Box, Tie 'Em with a Ribbon, and Throw 'Em in the Deep Blue Sea | 0:12:05 - The Eagle Cafe | AABA structure | advance plot | conversing | leading lady | leading man | police | popular music | restaurant | source music | upbeat |
Flamingo Road (1949) | Cheatin' on Me | 0:19:12 - Lane works at the café | AABA structure | advance plot | café | leading lady | leading man | leaving | police | source music | upbeat | waitress | working |
Flamingo Road (1949) | South American Way | 0:22:08 - Field and Titus arrive at Lute Mae's Tavern | advance plot | club | dancer | dancing | gambling | leading man | musician | on-screen music | playing | police | politician | sheriff | source music | upbeat | waitress |
Flamingo Road (1949) | Lane (Grazioso) | 0:41:46 - Lane talks to a fellow prisoner | advance plot | conversing | foreign key modulation | hopeful | leading lady | prison | prisoner | upbeat |
Flamingo Road (1949) | The Blue Room | 0:44:58 - Lane dresses for work | AABA structure | advance plot | club | conversing | leading lady | politician | sheriff | source music | upbeat | waitress |
Flamingo Road (1949) | Jalousie | 0:46:06 - Woman dances | club | conversing | dance scene | dancing | employer | leading lady | on-screen music | playing | sheriff | source music | upbeat | waitress |
Flamingo Road (1949) | The Girl With the Spanish Drawl | 1:29:10 - Lane arrives at Lute Mae's | arriving | climax | club | dancer | dancing | leading lady | musician | on-screen music | playing | source and scoring overlap | source music | upbeat |
| Hell on Frisco Bay (1955) | Put 'Em in a Box, Tie 'Em with a Ribbon, and Throw 'Em in the Deep Blue Sea | 0:40:24 - A dance hall | advance plot | club | conversing | dancer | dancing | investigator | jazz | jazz band | leading man | on screen music | source music | upbeat |
| Her Kind of Man (1946) | You Do Something to Me | 0:02:52 - A night club | AABA structure | celebrating | club | conversing | dancing | establish character | flashback | mickey-mousing | on-screen music | playing | popular music | ripple effect | source music | upbeat | working |
Her Kind of Man (1946) | Something to Remember You By | 0:06:59 - Floor show at a night club | club | dancer | dancing | music scene | popular music | source music | stage | upbeat |
Her Kind of Man (1946) | Sailor's Hornpipe | 0:07:02 - Dancing sailors | club | dancer | dancing | music scene | popular music | source music | stage | upbeat |
Her Kind of Man (1946) | Something to Remember You By | 0:07:16 - Georgia enters | AABA structure | club | dancer | dancing | leading lady | music scene | on-screen music | popular music | singer | singing | source music | stage | upbeat |
Her Kind of Man (1946) | Lady Play Your Mandolin | 0:11:03 - Audience applauding | AABA structure | applauding | applauding | club | crowd | dancing | leading man | music scene | popular music | source music | upbeat |
Her Kind of Man (1946) | Bulletin Board | 0:32:45 - Don leaves | bluesy | conversing | crew | departing | gambler | leading man | reporter | room | source and scoring overlap | stage | transition | upbeat |
Her Kind of Man (1946) | Too Many Tears | 0:41:11 - Saratoga Casino | AABA structure | advance plot | club | conversing | crowd | gambler | leading lady | leading man | love interest | manager | on-screen music | source music | upbeat |
Her Kind of Man (1946) | Night Clubs (Street Scene) | 0:44:59 - Neon signs on Broadway | dramatic | sequential modulation | street | transition | upbeat |
Her Kind of Man (1946) | Can't We Talk It Over | 0:45:42 - Georgia and Don in a photograph | advance plot | club | conversing | crowd | dancing | husband | leading lady | newspaper | on-screen music | photograph | playing | source music | upbeat | waiter |
Her Kind of Man (1946) | Please Don't Talk About Me When I'm Gone | 0:46:03 - Steve dances with a girl | AABA structure | advance plot | club | conversing | criminal | dancing | floozy | gambler | henchman | leading man | on-screen music | source music | upbeat |
Her Kind of Man (1946) | Love Is Sweeping the Country | 0:58:02 - The crowd applauds | advance plot | club | conversing | criminal | crowd | gambler | henchman | husband | leading lady | leading man | on-screen music | owner | performing | reporter | singer | sister | source music | upbeat | wife |
Her Kind of Man (1946) | Shanty in Old Shanty Town | 0:59:36 - A cop waits | advance plot | arguing | club | conversing | leading man | observing | on-screen music | police | reporter | source music | upbeat | waiting |
Her Kind of Man (1946) | It Had to Be You (Tempo di Foxtrot) | 1:11:50 - Steve talks to Candy | advance plot | common-tone diminished 7th | conversing | criminal | familiar tune | gambler | henchman | leading man | murderer | popular music | remembered source music | reminiscing | upbeat | warehouse |
| I Was a Communist for the FBI (1951) | (I'm Gonna Wait) A Little Bit Longer (For That Never-on-Time Baby of Mine) | 0:39:06 - Matt goes to a record shop | advance plot | agent | arguing | arriving | conversing | jazz | leading man | record player | record shop | shopkeeper | source music | undercover agent | upbeat | walking |
I Was a Communist for the FBI (1951) | Ice Cold Katy | 0:53:21 - Matt follows Eve | advance plot | arguing | communist | jazz | leading lady | leading man | source music | spy | street | teacher | undercover agent | upbeat |
| In This Our Life (1942) | South American Way | 0:24:06 - A spinning record | AABA structure | advance plot | conversing | dancing | Latin-American | leading lady | leading man | love interest | popular music | record player | room | source music | upbeat |
In This Our Life (1942) | Java Jive | 0:32:41 - A dance hall | dance hall | dance scene | dancing | leading lady | leading man | on-screen music | popular music | source music | upbeat |
In This Our Life (1942) | This Time the Dream's on Me | 0:33:03 - Stanley and Peter sit at a table | AABA structure | conversing | dance hall | dance scene | dancing | leading lady | leading man | on-screen music | popular music | source music | upbeat |
In This Our Life (1942) | Blues in the Night | 0:42:47 - Stanley puts a record on the phonograph | arguing | blue note | blues | conflict | leading lady | leading man | record player | room | source music | upbeat |
In This Our Life (1942) | Blues in the Night | 0:54:51 - Stanley dresses | advance plot | blues | dressing | leading lady | record player | room | source music | upbeat | widow |
In This Our Life (1942) | How Do I Know It's Sunday | 0:57:12 - Stanley starts a record playing | AABA structure | advance plot | conversing | crying | dancing | father | flirting | leading lady | leading man | popular music | record player | room | sister | source music | upbeat | widow |
In This Our Life (1942) | South American Way | 1:07:39 - Stanley in a bar | advance plot | bar | bartender | dancing | drinking | jukebox | leading lady | upbeat | waiting |
In This Our Life (1942) | You're a Lucky Guy | 1:16:20 - Stanley dances | AABA structure | advance plot | arriving | conversing | criminal | dancing | drinking | leading lady | popular music | record player | room | source music | upbeat |
| Lightning Strikes Twice (1951) | Chiapanecas | 0:33:40 - People dancing outside | actor | advance plot | congregation | conversing | dancer | dancing | leading lady | Mexican | on-screen music | performer | playing | priest | ranch | source music | upbeat |
Lightning Strikes Twice (1951) | Father Paul (Carriage) | 0:35:13 - Priest riding in a carriage | arriving | carriage | dog | flashback | galloping | horse | leading man | mysterious | priest | ranch | suspect | traveling | upbeat | voice-over |
Lightning Strikes Twice (1951) | Shelly (Gallop) | 0:40:52 - Shelly riding on a horse | actor | arriving | countryside | galloping | galloping effect | horse | leading lady | riding | transition | upbeat |
Lightning Strikes Twice (1951) | Shelly (Gallop 2) + Shelly 2 | 0:42:19 - Shelly riding on a horse | actor | arriving | calm | combination of themes | countryside | galloping | galloping effect | horse | leading lady | riding | transition | traveling | upbeat |
Lightning Strikes Twice (1951) | Shelly (Traveling) + Shelly 2 (Allegretto) | 0:51:09 - Shelly drives away from the Tumble Moon ranch | actor | car | combination of themes | driving | leading lady | luggage | ranch | rancher | transition | traveling | upbeat |
Lightning Strikes Twice (1951) | Mi Caballero | 1:00:08 - People dancing outside | actor | advance plot | crowd | dancing | friend | Latin American | leading lady | love interest | on-screen music | party | playing | ranch | source music | upbeat |
Lightning Strikes Twice (1951) | El Pregon de Santiago | 1:11:53 - Johnny plays the guitar and sings | actor | Cuban | friend | guitar | husband | leading lady | leading man | on-screen music | party | performer | room | serenading | singing | suspect | upbeat |
Lightning Strikes Twice (1951) | La Paloma | 1:12:40 - Johnny sings briefly | actor | friend | guitar | husband | leading lady | leading man | Mexican | on-screen music | party | performer | room | serenading | singing | suspect | upbeat |
| Mildred Pierce (1945) | You Must Have Been a Beautiful Baby | 0:03:59 - Wally sees Mildred from the window | conversing | establish character | familiar tune | friend | heroine | jazz | leading lady | on-screen music | restaurant | source music | upbeat |
Mildred Pierce (1945) | Kay and Veda | 0:25:03 - Kay plays football in the street | 11th chord | added-note chord | child | establish character | football | mickey-mousing | playing | street | upbeat |
Mildred Pierce (1945) | Kay falls | 0:25:12 - Kay falls to the ground | child | establish character | falling | football | mickey-mousing | playing | street | upbeat |
Mildred Pierce (1945) | Work | 0:36:12 - Mildred works as a waitress | 64 chord | added-note chord | altered dominant | chromatic mediant | chromatic sequence | common-chord modulation | foreign key modulation | hectic | heroine | leading lady | montage | restaurant | rushing | self-borrowing | sequential modulation | serving | upbeat | voice-over | waitress | working |
Mildred Pierce (1945) | Work (Singing Lesson) | 0:37:17 - Veda sings | added-note chord | child | double exposure | heroine | leading lady | montage | on-screen music | room | scored source music | self-borrowing | singing | upbeat | voice-over | working |
Mildred Pierce (1945) | South American Way | 0:37:36 - Veda sings and plays while Kay dances | child | dancing | heroine | leading lady | music scene | on-screen music | playing | popular music | room | sequence | singing | source music | upbeat |
Mildred Pierce (1945) | Mazurka in B-Flat Major (Tense) | 0:38:47 - Veda plays a Chopin Mazurka | arguing | child | classical music | common-tone diminished 7th | conflict | familiar tune | half-diminished 7th chord | heroine | leading lady | on-screen music | playing | quotation | room | scored source music | source music | tense | upbeat | waltz |
Mildred Pierce (1945) | Work (Grand Opening) | 0:57:26 - View of Mildred's restaurant | added-note chord | advance plot | foreign key modulation | restaurant | self-borrowing | tritone | upbeat | voice-over | working |
Mildred Pierce (1945) | T'Ain't No Good | 0:57:37 - Mildred at the opening of her restaurant | advance plot | antagonist | busy | conversing | daughter | dining | friend | guest | heroine | leading lady | popular music | restaurant | serving | source music | upbeat | working |
Mildred Pierce (1945) | While You're Away | 0:59:47 - Monte arrives at the restaurant | ABAC structure | advance plot | antagonist | busy | conversing | daughter | dining | friend | guest | heroine | leading lady | love interest | parallel double period | popular music | restaurant | serving | source music | upbeat | working |
Mildred Pierce (1945) | Work (Success) | 1:01:42 - People work in Mildred's restaurant | 9th chord | added-note chord | advance plot | busy | cook | foreign key modulation | restaurant | secondary dominant | self-borrowing | server | upbeat | working |
Mildred Pierce (1945) | Order wheel spins | 1:01:45 - Restaurant order wheel spins | advance plot | busy | cook | mickey-mousing | restaurant | server | spinning | upbeat |
Mildred Pierce (1945) | Please Think of Me | 1:01:54 - Monte dances with Veda | antagonist | celebrating | dance scene | dancing | daughter | friend | heroine | jukebox | leading lady | love interest | on-screen music | popular music | restaurant | singing | source music | upbeat |
Mildred Pierce (1945) | Work | 1:08:00 - Montage of restaurants | added-note chord | altered dominant | common-chord modulation | guest | montage | restaurant | self-borrowing | upbeat | voice-over | working |
Mildred Pierce (1945) | French One-Step | 1:08:14 - Veda at a polo match | added-note chord | antagonist | cheering | common-tone diminished 7th | daughter | field | heroine | leading lady | love interest | montage | playing | polo | secondary dominant | sports | upbeat | voice-over | watching |
Mildred Pierce (1945) | Sweet Georgia Brown | 1:29:05 - Mildred confronts Wally | ABAC structure | advance plot | antagonist | club | conversing | daughter | heroine | jazz | leading lady | on-screen music | popular music | source music | upbeat |
Mildred Pierce (1945) | It Had to Be You | 1:30:25 - Mildred and Veda talk | ABAC structure | advance plot | antagonist | club | conversing | daughter | heroine | jazz | leading lady | on-screen music | popular music | source music | upbeat |
| The Life of Vergie Winters (1934) | There'll Be a Hot Time in the Old Town Tonight | 0:12:17 - People rallying for John Shadwell | advance plot | conversing | crowd | on-screen music | popular song | rally | source music | upbeat |
The Life of Vergie Winters (1934) | For He's a Jolly Good Fellow | 0:13:48 - Political rally for John Shadwell | advance plot | conversing | crowd | folk song | on-screen music | politician | rally | source music | spouse | upbeat |
The Life of Vergie Winters (1934) | Oh! You Beautiful Doll | 0:17:47 - People in a bar | advance plot | bar | business man | conversing | mode mixture | ragtime | source music | upbeat |
The Life of Vergie Winters (1934) | Ida (Sweet As Apple Cider) | 0:28:55 - People in a bar | advance plot | bar | business man | conversing | parallel double period | ragtime | source music | upbeat |
The Life of Vergie Winters (1934) | Semper Fidelis | 0:30:32 - A march is played outside | advance plot | celebrating | cheering | child | common-chord modulation | conversing | crowd | gossiper | leading lady | leading man | march | patriotic tune | politician | source music | spouse | street | upbeat |
The Life of Vergie Winters (1934) | Darktown Strutters' Ball | 0:40:06 - Sadie and Mike in a bar | advance plot | business man | club | common-chord modulation | conversing | friend | love interest | plotting | ragtime | source music | upbeat |
| Rockabye (1932) | Till the Real Thing Comes My Way | 0:33:55 - Judy at the party | advance plot | club | conversing | dancing | friend | leading lady | love interest | on-screen music | pianist | playing | playwright | source music | upbeat |
Rockabye (1932) | Improvisation (in Rockabye) | 0:35:35 - People at a party | advance plot | club | conversing | drinking | friend | on-screen music | playing | source music | upbeat |
Rockabye (1932) | Till the Real Thing Comes My Way | 0:39:24 - Judy sings a song | AABA structure | advance plot | club | dancing | leading lady | love interest | on-screen music | pianist | singing | source music | upbeat |
Rockabye (1932) | Till the Real Thing Comes My Way | 0:40:21 - Judy sings on top of a truck | advance plot | leading lady | love interest | on-screen music | pianist | singing | source music | street | upbeat |
Rockabye (1932) | Run-Around | 0:52:45 - Montage of Broadway scenes | common-chord modulation | dominant pedal | montage | self-borrowing | theater | upbeat |
| Out of the Fog (1941) | Concert in the Park | 0:01:57 - Goff walks along the dock | arriving | conversing | criminal | dock | establish character | gambling | leading man | popular music | restaurant | source and scoring overlap | source music | upbeat | worker |
Out of the Fog (1941) | Concert in the Park | 0:25:09 - Jonah and Olaf walk down the street | advance plot | arriving | conversing | dock | father | fisherman | friend | popular music | source music | upbeat | walking |
Out of the Fog (1941) | Trade Winds | 0:28:40 - Stella enters a drugstore | AABA structure | advance plot | child | conversing | criminal | leading lady | leading man | popular music | shopping | source music | store | upbeat | worker |
Out of the Fog (1941) | South American Way | 0:30:00 - Stella listens to the radio | advance plot | conversing | leading lady | mother | popular music | radio | room | source music | upbeat |
Out of the Fog (1941) | Comparsa Negra No.1 | 0:35:38 - People dancing in a conga line | ABAC structure | bartender | club | conversing | criminal | crowd | dancer | dance scene | dancing | eating | Latin music | leading lady | leading man | musician | on-screen music | parallel double period | playing | source music | upbeat |
Out of the Fog (1941) | No Digas | 0:37:46 - Cuban dancers and musicians | AABA structure | bartender | club | conversing | criminal | crowd | dancer | dance scene | dancing | Latin music | leading lady | leading man | musician | on-screen music | playing | source music | upbeat |
Out of the Fog (1941) | Whistle While You Work | 0:43:46 - Eddie sets the table | AABA structure | advance plot | arguing | boss | conversing | dock | popular music | restaurant | source music | upbeat | worker |
Out of the Fog (1941) | The Merry-Go-Round Broke Down | 0:49:00 - Olaf and Jonah walk to the restaurant | AABA structure | advance plot | conversing | crowd | dancing | dock | father | fisherman | friend | popular music | source music | upbeat |
Out of the Fog (1941) | The Merry-Go-Round Broke Down (Cast List) | 1:24:39 - Cast list | cast list | end title sequence | upbeat |
| Kid Galahad (1937) | Swing for Sale | 0:04:26 - Dancing at a party | AABA structure | crowd | dancing | establish character | leading lady | leading man | manager | party | partying | source music | transcribed by ear | upbeat |
Kid Galahad (1937) | The Ring | 0:06:38 - People at a party | AABA structure | crowd | establish character | leading lady | leading man | manager | party | partying | source music | transcribed by ear | upbeat |
Kid Galahad (1937) | Stride Piano Improvisation 1 | 0:08:50 - People at a party | blues scale | crowd | dancing | establish character | leading lady | leading man | manager | on-screen music | party | source music | stride piano | transcribed by ear | upbeat |
Kid Galahad (1937) | The Prizefighter and the Lady | 0:09:36 - Ward helps Louise | AABA structure | crowd | dancing | establish character | leading lady | leading man | manager | on-screen music | party | source music | stride piano | transcribed by ear | upbeat |
Kid Galahad (1937) | Stride Piano Improvisation 2 | 0:13:24 - People dance at a party | crowd | dancing | establish character | leading lady | leading man | manager | party | partying | source music | transcribed by ear | upbeat |
| Traveling Husbands (1931) | There's a Sob in My Heart | 0:00:00 - A rushing train under the opening credits | AABA structure | opening title sequence | popular song | syncopation | train | transcribed by ear | traveling | upbeat |
Traveling Husbands (1931) | There's a Sob in My Heart (Strings) | 0:23:03 - Music is played in a night club | AABA structure | dance scene | dancing | leading lady | night club | popular song | source music | transcribed by ear | upbeat |
Traveling Husbands (1931) | Dance | 0:26:27 - Music is played in a night club | AB structure | dance scene | dancing | Latin-American | leading lady | night club | salesman | source music | tango | transcribed by ear | upbeat |
Traveling Husbands (1931) | There's a Sob in My Heart (Radio Jazz) | 0:32:29 - Music is played on the radio | altered dominant | comedy | dancing | popular song | radio | room | salesman | source music | transcribed by ear | upbeat |
Traveling Husbands (1931) | There's a Sob in My Heart (Radio Dance Band) | 0:32:46 - Music is played on the radio | AABA structure | chromatic mediant | comedy | dancing | leading lady | popular song | radio | room | salesman | source music | transcribed by ear | upbeat |
Traveling Husbands (1931) | There's a Sob in My Heart (Dixieland) | 0:34:27 - Music is played in a night club | banjo | countermelody | dancing | Dixieland | double exposure | drums | improvisation | jazz | leading lady | montage | night club | popular song | salesman | source music | taxi | transcribed by ear | trombone | upbeat |
Traveling Husbands (1931) | Hello Beautiful | 0:35:04 - Music is played in a taxi | AABA structure | banjo | dancing | drums | leading lady | montage | night club | popular song | salesman | source music | taxi | transcribed by ear | trombone | upbeat |
Traveling Husbands (1931) | Millie | 0:35:09 - Hot jazz is played in a night club | AABA structure | banjo | dancing | Dixieland | drums | jazz | leading lady | montage | night club | popular song | salesman | source music | taxi | transcribed by ear | trombone | upbeat |
| The Unfaithful (1947) | Beverly Hills | 0:01:00 - Cars driving down road in Beverly Hills | Beverly Hills | cheerful | establish location | panning shot | sequential modulation | street | upbeat | voice-over |
The Unfaithful (1947) | Stride Piano | 0:03:20 - Larry arrives at the party | establish character | jazz | lawyer | leading lady | on-screen music | party | sister | source music | upbeat |
| White Heat (1949) | Five O'Clock Whistle | 1:11:01 - Verna watches Ed | advance plot | conversing | gangster | leading lady | love interest | moll | popular music | radio | room | source music | upbeat |
| High Stakes (1931) | Close to Me | 0:01:09 - People at a party | conversing | establish character | friend | on-screen music | playing | source music | upbeat | waiting | wedding |
| Three Who Loved (1931) | My One Ambition is You | 0:14:21 - Phil turns on the radio | AB structure | advance plot | cheerful | conversing | dancing | pleasant | radio | room | source music | upbeat |
| Hold ‘Em Jail (1932) | The Prisoner's Song | 0:00:15 - Title of film, starring list, cast list | altered dominant | cast list | cheerful | common-tone diminished 7th | establish place | opening title sequence | starring list | title of film | transcribed by ear | upbeat |
Hold ‘Em Jail (1932) | Bide-More Alma Mater | 0:00:46 - Cast list and prison sign | cast list | cheerful | common-chord modulation | common-tone diminished 7th | countermelody | establish place | opening title sequence | transcribed by ear | upbeat |
Hold ‘Em Jail (1932) | The Prisoner's Song | 0:01:11 - Prisoners in a prison yard | altered dominant | augmented sixth chord | cheerful | establish place | establish setting | mode mixture | prison | somber | transcribed by ear | upbeat |
Hold ‘Em Jail (1932) | There's a Sob in My Heart | 0:05:14 - People dancing in a night club | AABA structure | business man | cheerful | club | conversing | dance scene | dancing | dining | reused recording | upbeat |
Hold ‘Em Jail (1932) | Makes You Forget Your Troubles | 0:11:18 - Spider and Curley talk to Steele | AABA structure | advance plot | club | comic | dancer | dancing | planning | salesman | self-borrowing | source music | upbeat |
Hold ‘Em Jail (1932) | A Moment in the Dark | 0:14:05 - Curley turns on the radio | AABA structure | advance plot | comic | goofing around | office | prisoner | radio | source music | upbeat |
Hold ‘Em Jail (1932) | Ain't That the Way it Goes | 0:14:53 - Spider and Curley look around | AABA structure | advance plot | comic | conversing | goofing around | love interest | office | prisoner | radio | source music | upbeat |
Hold ‘Em Jail (1932) | I'm Wrapped Up in You | 0:18:18 - Spider dances with Violet | advance plot | comic | conversing | dancing | goofing around | love interest | office | prisoner | radio | source music | upbeat |
Hold ‘Em Jail (1932) | Eldorania | 0:59:14 - A doctor tends to Spider's leg | advance plot | athlete | comic | conversing | doctor | field | plotting | prisoner | referee | relative key | source music | treating | upbeat |
Hold ‘Em Jail (1932) | El Capitan March | 1:01:51 - Spider makes Whitey sign a confession | advance plot | comic | criminal | field | plotting | prisoner | source music | upbeat |
Hold ‘Em Jail (1932) | Bide-More Alma Mater | 1:04:44 - Bidemore celebrates their victory | celebrating | comic | crowd | field | love interest | politician | prisoner | resolution | source music | upbeat | warden |
Hold ‘Em Jail (1932) | The Prisoner's Song | 1:05:19 - Spider talks to Violet | comic | conversing | field | prisoner | resolution | source music | upbeat |
Hold ‘Em Jail (1932) | Bide-More Alma Mater | 1:05:33 - End titles | end title sequence | source music | The End | upbeat |
| Is My Face Red? (1932) | Press Club | 0:02:41 - Man serving beer in a bar | bar | bartender | establish setting | jazz | server | serving | transcribed by ear | upbeat |
| Ladies of the Jury (1932) | El Capitan March | 0:28:41 - Jurors deliberate | advance plot | conversing | juror | jury room | leading lady | march | radio | source music | upbeat |
Ladies of the Jury (1932) | I'm Just Wild About Harry | 0:52:40 - Spencer sings | advance plot | juror | jury room | on-screen music | singing | source music | upbeat |
Ladies of the Jury (1932) | All in Favor of Taking a Ride Say Aye | 0:56:03 - Mayme sings | advance plot | juror | jury room | on-screen music | singing | source music | upbeat |
| Men of America (1932) | Cimarron B | 0:00:43 - Cast list | cast list | folk song | opening title sequence | self-borrowing | transcribed by ear | upbeat |
Men of America (1932) | Hey! Hey! | 0:26:27 - Man turns on car radio | advance plot | car | criminal | listening | mode mixture | radio | self-borrowing | source music | upbeat |
| Penguin Pool Murder (1932) | Run Around | 1:01:51 - The End | 9th chord | altered dominant | end title sequence | mode mixture | self-borrowing | The End | transcribed by ear | upbeat |
| Secrets of the French Police (1932) | Beau Ideal | 0:00:15 - A newspaper is opened to a detective story | cast list | march | newspaper | opening title sequence | self-borrowing | upbeat |
Secrets of the French Police (1932) | Serenade | 0:56:57 - The End and Cast of Characters | closing credits | end title sequence | mode mixture | self-borrowing | The End | upbeat |
| State’s Attorney (1932) | The Sidewalks of New York | 0:00:15 - Title and starring list | familiar tune | opening title sequence | popular music | starring list | title of film | transcribed by ear | upbeat |
State’s Attorney (1932) | Blues (Piano) | 0:18:14 - People talking in a club | advance plot | blue note | club | conversing | gangster | leading lady | leading man | mistress | score to source | source music | upbeat |
State’s Attorney (1932) | Stack o' Lee Blues | 0:43:17 - Jazz musicians playing in a club | club | Dixieland | musician | music scene | on-screen music | playing | singer | singing | source music | upbeat |
State’s Attorney (1932) | Blues (Swinging) | 0:43:46 - Jazz musicians playing in a club | club | conversing | dancing | daughter | jazz | lawyer | leading man | love interest | music scene | on-screen music | source music | upbeat |
| Thirteen Women (1932) | The Train | 0:01:33 - A rushing train | chromatic mediant | mickey-mousing | pedal tone | rushing | sorting | train | train | train whistle | transcribed by ear | transition | traveling | upbeat |
Thirteen Women (1932) | Blue Streak | 0:01:54 - A circus poster | ABA structure | circus | circus music | conversing | cousin | establish character | establish place | horoscope | letter | performer | reading | source music | upbeat |
Thirteen Women (1932) | Circus Music | 0:03:44 - June talks to Hazel | AB structure | circus | circus music | conversing | cousin | establish character | performer | source music | upbeat |
Thirteen Women (1932) | Spring, Beautiful Spring | 0:04:48 - June and May perform | ABA structure | circus | circus music | death scene | performer | performing | source music | swinging | trapeze | upbeat |
| Headline Shooter (1933) | King Kong March | 1:00:16 - The End | augmented sixth chord | end title | march | mode mixture | reused recording | The End | upbeat |
| Dangerous Corner (1934) | Finishing School B | 0:01:05 - Video snapshots of the actors | 64 chord | common-tone diminished 7th | common-tone modulation | opening title sequence | pedal tone | phrase extension | pleasant | transcribed by ear | upbeat | video cast list |
Dangerous Corner (1934) | Finishing School B (Playful) | 0:01:36 - Books being placed together | book | opening title sequence | pleasant | transcribed by ear | upbeat |
Dangerous Corner (1934) | Won't You Believe | 1:03:30 - A man adjusts the radio | AABA structure | alternate timeline | conversing | dancing | drinking | friend | popular music | radio | resolution | room | source music | upbeat |
| Sing and Like It (1934) | Introduction | 0:00:10 - Title of the film | added-note chord | foreign key modulation | introduction | jazz | opening title sequence | starring list | title of film | transcribed by ear | upbeat |
Sing and Like It (1934) | Your Mother (Opening Title) | 0:00:21 - Cast list | AABA structure | added-note chord | augmented sixth chord | cast list | jazz | mode mixture | opening title sequence | radio | room | secondary dominant | source music | transcribed by ear | upbeat |
Sing and Like It (1934) | Indiana | 0:01:30 - Ruby changes the radio station | ABAC structure | boss | conversing | establish character | gangster | jazz | leading lady | leading man | listening | moll | radio | room | source music | upbeat |
Sing and Like It (1934) | Dinah | 0:02:34 - Ruby and Fenny listen to the radio | AABA structure | arguing | boss | conversing | establish character | gangster | gum | jazz | leading lady | leading man | listening | moll | radio | room | source music | upbeat |
Sing and Like It (1934) | It's Sunday Down in Caroline | 0:04:11 - Fenny prepares for a meeting | AABA structure | boss | conversing | establish character | gangster | jazz | laughing | leading lady | leading man | moll | plotting | radio | room | source music | upbeat |
Sing and Like It (1934) | O Du Lieber Augustin | 0:09:09 - Annie and Oswald go in the theatre door | AABA structure | ballad | dancer | dancing | musician | music scene | on-screen music | piano | source music | stage | upbeat |
Sing and Like It (1934) | Hi-De-Ho | 0:37:46 - Fenny talks with Mr. Frink | AABA structure | advance plot | boss | conversing | dancing | gangster | laughing | leading man | on-screen music | piano | source music | theater | upbeat |
Sing and Like It (1934) | Hi-De-Ho | 1:01:43 - The audience | AABA structure | boss | critic | crowd | dance | dancing | gangster | moll | musical | music scene | on-screen music | performer | performing | singer | singing | source music | theater | upbeat | watching |
Sing and Like It (1934) | My Imaginary Sweetheart | 1:02:44 - A man conducts the pit orchestra | AABA structure | conducting | conductor | crowd | dancer | dancing | musical | musician | music scene | on-screen music | performer | performing | playing | source music | theater | upbeat | watching |
Sing and Like It (1934) | My Imaginary Sweetheart | 1:03:10 - The audience reacts | AABA structure | boss | conducting | conductor | critic | crowd | dancer | dancing | gangster | moll | musical | musician | music scene | on-screen music | performer | performing | playing | source music | theater | upbeat | watching |
Sing and Like It (1934) | My Imaginary Sweetheart | 1:03:34 - The critic reacts | AABA structure | boss | conducting | conductor | critic | crowd | dancer | dancing | gangster | gun | laughing | moll | musical | musician | music scene | on-screen music | performer | performing | playing | source music | theater | threatening | upbeat | watching |
Sing and Like It (1934) | My Imaginary Sweetheart | 1:04:10 - The critic reacts | AABA structure | boss | conducting | conductor | critic | crowd | dancer | dancing | gangster | gun | laughing | moll | musical | musician | music scene | on-screen music | performer | performing | playing | source music | theater | threatening | upbeat | watching |
Sing and Like It (1934) | Your Mother (Curtain Call) | 1:07:57 - The audience applauds | AABA structure | applauding | boss | bowing | cheering | conducting | conductor | critic | crowd | gangster | leading lady | moll | musical | musician | music scene | on-screen music | performer | playing | secondary dominant | singer | source music | theater | transcribed by ear | upbeat |
Sing and Like It (1934) | Makes You Forget Your Troubles | 1:08:27 - A man pours champagne | AABA structure | announcing | boss | celebrating | common-tone diminished 7th | conversing | crowd | drinking | gangster | leading lady | moll | party | party | room | singer | source music | upbeat |
| Gridiron Flash (1934) | Fanfare | 0:00:16 - Title of the film | fanfare | opening title sequence | pedal tone | starring list | title of film | upbeat |
Gridiron Flash (1934) | Gridiron Flash | 0:00:24 - Cast list | added-note chord | cast list | countermelody | march | opening title sequence | starring list | title of film | upbeat |
Gridiron Flash (1934) | Swing it Sister | 0:21:09 - Eddie at a party | conversing | friend | leading lady | leading man | party | popular music | room | upbeat |
Gridiron Flash (1934) | Gridiron Flash | 0:33:51 - Sports montage | countermelody | fanfare | football | football game | headline | montage | newspaper | playing | upbeat |
Gridiron Flash (1934) | Dunlap Commandery | 0:43:59 - Eddie in his room | advance plot | cheering | leading man | march | room | thinking | upbeat |
Gridiron Flash (1934) | Gridiron Flash | 0:45:19 - Eddie in his room | added-note chord | advance plot | cheering | countermelody | leading man | march | room | upbeat |
Gridiron Flash (1934) | Marching Band Tune | 0:56:19 - A marching band | advance plot | athlete | football | football game | march | playing | upbeat |
Gridiron Flash (1934) | Gridiron Flash | 1:02:36 - The scoreboard | added-note chord | athlete | celebrating | countermelody | crowd | football | football game | leading lady | leading man | march | resolution | The End | upbeat |
| Star of Midnight (1935) | Swing it Sister | 0:10:50 - Clay talks with Jim | AABA structure | blackmail | blackmailing | conversing | criminal | detective | establish character | leading man | radio | room | source music | threatening | upbeat |
| Another Face (1935) | Old Fashioned Love | 0:38:13 - People at a pool party | ABAB structure | actress | advance plot | conversing | crowd | diving | maid | mother | pool | room | source music | swimmer | swimming | upbeat |
| Girl of the Rio (1932) | Paso Doble | 0:00:00 - Title of the film | 9th chord | cast list | common-tone diminished 7th | opening title sequence | Spanish | starring list | title of film | upbeat |
Girl of the Rio (1932) | Toreador Song | 0:04:23 - A man cues the orchestra to play | arriving | celebrity | crowd | establish character | leading man | night club | source music | Spanish | three-phrase period | upbeat | walking |
Girl of the Rio (1932) | Was it Wrong? | 0:15:41 - Johnny rolls a pair of dice | conversing | crowd | dancing | flirting | leading lady | leading man | love interest | lovers meet | night club | on-screen music | performing | romantic | singer | source music | syncopation | terrace | upbeat |
Girl of the Rio (1932) | Baile | 0:23:15 - A close-up on Dolores | advance plot | conversing | dancing | departing | leading lady | manager | on-screen music | performing | room | singer | source music | upbeat |
| Without Honor (1949) | Unidentified dance tune | 0:19:04 - Bill turns on the radio | advance plot | antagonist | brother | conversing | leading lady | leading man | popular music | reacting | room | source music | upbeat |
Without Honor (1949) | Tunes Radio | 0:26:26 - Bill turns on the radio | antagonist | brother | conflict | conversing | leading lady | leading man | radio | room | source music | upbeat |
Without Honor (1949) | Unidentified dance tune 2 | 0:27:06 - Bill turns on the radio | antagonist | brother | conflict | leading lady | leading man | popular music | radio | reacting | room | source music | taunting | upbeat |
Without Honor (1949) | First Call | 0:27:58 - Jane looks at Bill | antagonist | brother | bugle call | conflict | leading lady | leading man | radio | room | source music | taunting | upbeat |
Without Honor (1949) | Unidentified dance tune 3 | 0:28:30 - Bill tunes the radio | antagonist | brother | conflict | leading lady | leading man | popular music | radio | room | source music | taunting | upbeat |
Without Honor (1949) | Unidentified dance tune 4 | 0:34:19 - Bill tunes the radio | antagonist | brother | calling | conflict | conversing | dialing | leading lady | leading man | popular music | radio | room | source music | telephone | upbeat | wandering | wife |
| The Most Dangerous Game (1932) | A Moment In The Dark | 0:04:39 - A picture of a hunting trip | boat | conversing | establish character | friend | hunter | leading man | radio | radio | source music | upbeat |
| Caged (1950) | Jingle Bells | 1:08:01 - Woman plays harmonica | advance plot | Christmas | conversing | guard | harmonica | leading lady | listening | on-screen music | playing | prison | prisoner | source music | upbeat | warden |
Caged (1950) | Bird in a Cage | 1:08:07 - Woman plays harmonica | advance plot | Christmas | conversing | dancing | guard | harmonica | leading lady | listening | on-screen music | playing | prison | prisoner | singing | source music | upbeat | warden |
| All This, and Heaven Too (1940) | Henriette (End Credits) | 2:22:42 - Closing credits | 9th chord | cast list | end title sequence | happy | upbeat |
| Mara Maru (1952) | Baby Face | 0:07:12 - Gregory arrives at a bar | advance plot | arguing | bar | bartender | conversing | crowd | fighting | leading man | partner | sailor | server | source music | upbeat |
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