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540 results for "gangster" in 15 films — see also criminal | gang | mobster

Film	Theme name	Instance	Tags
The Amazing Dr. Clitterhouse (1938)	How Dry I Am	0:20:16 - People in a hotel lobby	advance plot \| dark \| gangster \| lobby \| mysterious \| on-screen music \| scored source music \| whistling
The Amazing Dr. Clitterhouse (1938)	The Amazing Doctor (Meeting)	0:21:30 - Dr. Clitterhouse is taken upstairs	64 chord \| advance plot \| chromatic parallelism \| conversing \| doctor \| fragmentation \| gangster \| leading man \| lobby \| mysterious \| pedal tone \| sequence \| thief
The Amazing Dr. Clitterhouse (1938)	Clitterhouse Onestep	0:33:20 - Gangsters walk through music studio	added-note chord \| common-tone diminished 7th \| dancer \| dancing \| gangster \| jaunty \| on-screen music \| parallel double period \| pianist \| playing \| singing \| studio \| transition \| walking \| warming up
The Amazing Dr. Clitterhouse (1938)	Eine kleine Nachtmusik	0:35:00 - Phonograph plays Mozart record	advance plot \| doctor \| gangster \| leading man \| Mozart \| neutral \| plotting \| record player \| room \| source music \| thief
The Amazing Dr. Clitterhouse (1938)	Eine kleine Nachtmusik	0:41:57 - Phonograph plays Mozart record	advance plot \| doctor \| gangster \| leading man \| moll \| Mozart \| neutral \| plotting \| record player \| room \| source music \| thief
The Amazing Dr. Clitterhouse (1938)	Night Watchman (Light and Shadow)	0:44:51 - The watchman goes about his work	augmented sixth chord \| criminal \| flashlight \| gangster \| guard \| mysterious \| robbery \| shadow \| store \| suspenseful \| walking \| working
The Amazing Dr. Clitterhouse (1938)	Shadow punch	0:45:00 - Watchman is punched by a shadowy figure	attacking \| augmented sixth chord \| crime \| criminal \| dramatic \| fighting \| gangster \| guard \| punching \| robbery \| shadow \| store \| violence \| whole-tone
The Amazing Dr. Clitterhouse (1938)	Night Watchman (Knocked Out)	0:45:04 - Watchman knocked out on the floor	9th chord \| chromatic parallelism \| crime \| criminal \| diminished 7th chord \| gangster \| guard \| mysterious \| robbery \| stealing \| store \| thief
The Amazing Dr. Clitterhouse (1938)	Sneaking	0:45:13 - Criminals steal furs	ascending \| carrying \| chromatic parallelism \| crime \| criminal \| diminished 7th chord \| dissonant bass \| gangster \| pedal tone \| robbery \| sneaking \| sneaky \| stairs \| stealing \| store \| thief \| walking
The Amazing Dr. Clitterhouse (1938)	Underscoring (Mysterious)	0:45:26 - Criminals on the rooftop	42 chord \| carrying \| chromatic parallelism \| chromatic scale \| crime \| criminal \| dissonant bass \| gangster \| half-diminished 7th chord \| mysterious \| robbery \| rooftop \| sneaking \| sneaky \| stairs \| stealing \| thief \| tossing \| underscoring \| walking \| whole-tone
The Amazing Dr. Clitterhouse (1938)	Tossing bags	0:45:31 - Criminals toss bags of furs off of the roof	bag \| crime \| criminal \| gangster \| mickey-mousing \| mysterious \| robbery \| rooftop \| sneaky \| thief \| tossing
The Amazing Dr. Clitterhouse (1938)	Underscoring (Tense)	0:45:45 - Criminals talk about the professor	64 chord \| altered dominant \| conversing \| crime \| criminal \| gangster \| robbery \| rooftop \| tense \| thief \| underscoring
The Amazing Dr. Clitterhouse (1938)	The Amazing Doctor (Comical)	0:46:08 - Doctor examines a criminal	64 chord \| chromatic parallelism \| comical \| criminal \| doctor \| examining \| fragmentation \| gangster \| leading man \| pedal tone \| robbery \| rooftop \| sequence \| thief \| underscoring
The Amazing Dr. Clitterhouse (1938)	Underscoring (Tense)	0:47:04 - Doctor talks with the criminals	augmented major 7th chord \| chromatic parallelism \| criminal \| dissonant bass \| doctor \| examining \| gangster \| leading man \| ostinato \| pc set \| robbery \| rooftop \| tense \| thief \| underscoring \| walking \| working
The Amazing Dr. Clitterhouse (1938)	Arms crossing	0:47:10 - Criminal crosses his arms	arm \| chromatic parallelism \| comical \| criminal \| crossing \| diminished 7th chord \| gangster \| mickey-mousing \| robbery \| rooftop \| thief \| wedge
The Amazing Dr. Clitterhouse (1938)	The Amazing Doctor (Examination)	0:47:16 - The doctor writes in his notebook	criminal \| dissonant bass \| doctor \| examining \| gangster \| leading man \| robbery \| rooftop \| subtle \| thief \| underscoring
The Amazing Dr. Clitterhouse (1938)	How Dry I Am (Nervous)	0:47:20 - Criminals talking	64 chord \| conversing \| criminal \| doctor \| gangster \| leading man \| nervous \| parallelism \| pedal tone \| robbery \| rooftop \| source music \| thief
The Amazing Dr. Clitterhouse (1938)	Spiraling down	0:47:38 - Doctor goes down the stairs	9th chord \| criminal \| descending \| diminished 7th chord \| doctor \| gangster \| leading man \| mickey-mousing \| mysterious \| robbery \| spiraling \| store \| tense \| thief \| walking
The Amazing Dr. Clitterhouse (1938)	Underscoring (Dramatic)	0:47:48 - Rocks opens the safe	breaking in \| criminal \| diminished 7th chord \| doctor \| dramatic \| enharmonic modulation \| gangster \| leading man \| lock \| opening \| robbery \| safe \| safe-cracking \| stinger \| store \| tense \| thief \| underscoring \| unlocking \| vault \| wedge
The Amazing Dr. Clitterhouse (1938)	Flashlight	0:48:20 - Doctor shines flashlight on Rocks	anger \| annoyance \| criminal \| doctor \| flashlight \| gangster \| leading man \| mickey-mousing \| ominous \| robbery \| shining \| store \| tense \| thief \| whole-tone chord
The Amazing Dr. Clitterhouse (1938)	Rocks (Annoyed)	0:48:25 - Rocks is annoyed by flashlight	anger \| angry \| annoyance \| criminal \| doctor \| flashlight \| gangster \| leading man \| ominous \| robbery \| shining \| store \| tense \| thief \| tritone \| whole-tone chord
The Amazing Dr. Clitterhouse (1938)	The Amazing Doctor (Giving Orders)	0:48:32 - Doctor gives orders to the criminals	64 chord \| anger \| annoyance \| chromatic parallelism \| commanding \| criminal \| doctor \| fragmentation \| gangster \| leading man \| ordering \| pedal tone \| robbery \| sequence \| store \| tense \| thief
The Amazing Dr. Clitterhouse (1938)	Rocks (Double Cross)	0:48:56 - Rocks thinks of a double-cross	antagonist \| chromatic parallelism \| criminal \| diminished 7th chord \| doctor \| double-cross \| dramatic \| gangster \| leading man \| murderer \| murdering \| plotting \| robbery \| sinister \| store \| thief \| trapping
The Amazing Dr. Clitterhouse (1938)	Locked in vault	0:49:06 - Dr. Clitterhouse locked in safe	anxious \| chromatic parallelism \| chromatic scale \| criminal \| doctor \| double-cross \| dramatic \| gangster \| leading man \| murderer \| murdering \| panicking \| polychord \| pounding \| robbery \| safe \| store \| tense \| thief \| trapping \| vault \| yelling
The Amazing Dr. Clitterhouse (1938)	The Motor	0:49:21 - Rocks starts the refrigeration motor	antagonist \| anxious \| criminal \| diminished 7th chord \| doctor \| double-cross \| dramatic \| gangster \| gauge \| leading man \| lowering \| machine \| mickey-mousing \| motor \| murderer \| murdering \| ostinato \| panicking \| pedal tone \| pounding \| robbery \| spinning \| store \| temperature \| tense \| thief \| trapping \| whirling \| yelling
The Amazing Dr. Clitterhouse (1938)	The Amazing Doctor + The Motor	0:49:36 - Dr. Clitterhouse in safe	anxious \| combination of themes \| criminal \| doctor \| double-cross \| dramatic \| gangster \| gauge \| leading man \| machine \| motor \| murderer \| murdering \| ostinato \| panicking \| pedal tone \| robbery \| spinning \| store \| tense \| thief \| trapping \| whirling
The Amazing Dr. Clitterhouse (1938)	The Motor (Getting Colder)	0:49:43 - The vault gets colder	anxious \| chromatic scale \| criminal \| dissonant bass \| doctor \| double-cross \| dramatic \| gangster \| gauge \| leading man \| lowering \| machine \| motor \| murderer \| murdering \| ostinato \| panicking \| pedal tone \| pounding \| robbery \| spinning \| store \| temperature \| tense \| thief \| trapping \| whirling \| yelling
The Amazing Dr. Clitterhouse (1938)	Rocks goes downstairs	0:50:05 - Rocks goes down the stairs	antagonist \| anxious \| criminal \| descending \| diminished 7th chord \| double-cross \| dramatic \| gangster \| mickey-mousing \| murderer \| robbery \| stairs \| store \| temperature \| tense \| thief \| walking
The Amazing Dr. Clitterhouse (1938)	The Amazing Doctor + The Motor	0:50:11 - Butch comes back	anxious \| combination of themes \| criminal \| doctor \| double-cross \| dramatic \| gangster \| hurrying \| leading man \| motor \| murderer \| ostinato \| robbery \| store \| temperature \| tense \| thief
The Amazing Dr. Clitterhouse (1938)	Rocks (Sneaking) + The Motor	0:50:14 - Rocks sneaks around in the dark	antagonist \| anxious \| combination of themes \| criminal \| diminished 7th chord \| doctor \| double-cross \| dramatic \| gangster \| leading man \| motor \| murderer \| ostinato \| robbery \| sneaking \| store \| temperature \| tense \| thief
The Amazing Dr. Clitterhouse (1938)	The Amazing Doctor + The Motor	0:50:22 - Butch runs downstairs	anxious \| chromatic scale \| combination of themes \| criminal \| double-cross \| down \| downstairs \| dramatic \| gangster \| mickey-mousing \| motor \| ostinato \| robbery \| store \| tense \| thief \| walking
The Amazing Dr. Clitterhouse (1938)	Butch goes downstairs	0:50:22 - Butch runs downstairs	anxious \| chromatic scale \| combination of themes \| criminal \| double-cross \| down \| downstairs \| dramatic \| gangster \| mickey-mousing \| robbery \| store \| tense \| thief \| walking
The Amazing Dr. Clitterhouse (1938)	The Amazing Doctor (Rocks) + Rocks (The Amazing Doctor)	0:50:33 - Rocks goes out to the truck	antagonist \| anxious \| combination of themes \| criminal \| dissonant bass \| double-cross \| dramatic \| gangster \| lying \| murderer \| pc set \| robbery \| street \| tense \| thief \| tritone
The Amazing Dr. Clitterhouse (1938)	The Motor (Butch)	0:50:45 - Butch searches for the doctor	anxious \| chromatic scale \| criminal \| dramatic \| gangster \| mickey-mousing \| motor \| ostinato \| pedal tone \| robbery \| running \| searching \| store \| tense \| thief
The Amazing Dr. Clitterhouse (1938)	Butch runs	0:50:46 - Butch runs to the window	anxious \| criminal \| dramatic \| gangster \| mickey-mousing \| robbery \| running \| searching \| sequence \| store \| tense \| thief
The Amazing Dr. Clitterhouse (1938)	Butch runs back	0:50:52 - Butch runs back from the window	anxious \| chromatic scale \| criminal \| dramatic \| gangster \| mickey-mousing \| robbery \| running \| searching \| store \| tense \| thief
The Amazing Dr. Clitterhouse (1938)	The Amazing Doctor (Brass) + The Motor	0:51:00 - Dr. Clitterhouse in the safe	anxious \| chromatic parallelism \| chromatic scale \| combination of themes \| criminal \| dramatic \| gangster \| knocking \| motor \| ostinato \| panicking \| robbery \| store \| tense \| thief
The Amazing Dr. Clitterhouse (1938)	Lighting the Torch + The Motor	0:51:05 - Butch prepares the torch	anxious \| chromatic scale \| combination of themes \| criminal \| dramatic \| fire \| flame \| gangster \| hero \| lighting \| ostinato \| preparing \| rescuing \| robbery \| sequence \| store \| tense \| thief \| torch \| working
The Amazing Dr. Clitterhouse (1938)	The Torch (Burning)	0:51:12 - Butch opens safe with welder's torch	anxious \| burning \| chromatic parallelism \| criminal \| dramatic \| fire \| flame \| gangster \| half-diminished 7th chord \| hero \| rescuing \| robbery \| sparks \| store \| tense \| thief \| torch
The Amazing Dr. Clitterhouse (1938)	The Torch	0:51:17 - Torch breaks through the safe door	anxious \| burning \| criminal \| cutting \| dramatic \| fire \| flame \| gangster \| hero \| pc set \| rescuing \| robbery \| sparks \| store \| tense \| thief \| torch
The Amazing Dr. Clitterhouse (1938)	The Torch (Off) + The Motor	0:52:24 - Butch finishes opening safe	anxious \| burning \| combination of themes \| criminal \| cutting \| dissonant bass \| dramatic \| fire \| flame \| gangster \| hero \| motor \| ostinato \| pc set \| rescuing \| robbery \| sparks \| store \| tense \| thief \| torch \| turning off
The Amazing Dr. Clitterhouse (1938)	The Motor (Rescue)	0:52:29 - Dr. Clitterhouse escapes from safe	anxious \| chromatic parallelism \| chromatic scale \| criminal \| dramatic \| escaping \| gangster \| hero \| motor \| ostinato \| rescuing \| robbery \| store \| tense \| thief
The Amazing Dr. Clitterhouse (1938)	I Wanna Go Back to Bali	0:53:48 - Gangsters meet in an apartment	advance plot \| conversing \| criminal \| dance music \| doctor \| gangster \| hero \| leading man \| lying \| playful \| radio \| room \| thief
The Amazing Dr. Clitterhouse (1938)	Doctor Leaves	0:57:38 - Dr. Clitterhouse leaves	advance plot \| doctor \| door \| exiting \| gangster \| hero \| leading lady \| leading man \| leaving \| linear chromaticism \| opening \| room \| tense \| wedge \| whole-tone chord
The Amazing Dr. Clitterhouse (1938)	Rocks	0:57:55 - Rocks has an idea	advance plot \| antagonist \| gangster \| plotting \| room \| tense
The Amazing Dr. Clitterhouse (1938)	Underscoring (Mysterious)	0:57:58 - Dr. Clitterhouse talks with Jo	conversing \| doctor \| gangster \| leading lady \| leading man \| love scene \| mysterious \| room \| tense
The Amazing Dr. Clitterhouse (1938)	Jo	0:58:18 - Dr. Clitterhouse talks with Jo	13th chord \| added-note chord \| altered dominant \| chromatic mediant \| conversing \| doctor \| foreign key modulation \| gangster \| leading lady \| leading man \| love scene \| room \| sequence \| tender
The Amazing Dr. Clitterhouse (1938)	Jo (At the Phone)	0:59:24 - Rocks takes the phone apart	9th chord \| advance plot \| antagonist \| combination of themes \| dark \| gangster \| leading lady \| ominous \| plotting \| room \| tense
The Amazing Dr. Clitterhouse (1938)	Underscoring (Tense)	1:00:10 - Jo and Rocks quarrel	advance plot \| antagonist \| arguing \| dissonant bass \| gangster \| half-diminished 7th chord \| leading lady \| quarreling \| room \| tense
The Amazing Dr. Clitterhouse (1938)	The Poison Victim	1:07:50 - Rocks is poisoned	dissonant \| doctor \| gangster \| leading lady \| leading man \| murder \| murderer \| murdering \| murder scene \| mysterious \| office \| parallel fifths \| poison \| poisoning \| quartal chord \| tense \| tone cluster \| tritone
The Amazing Dr. Clitterhouse (1938)	Poison	1:08:46 - Rocks feels the effect of the poison	blur \| chromatic parallelism \| diminution \| doctor \| dreaming \| drugs \| ethereal \| gangster \| layering \| leading lady \| leading man \| murder \| murderer \| murdering \| murder scene \| office \| oscillation \| ostinato \| pc set \| poison \| poisoning \| polychord \| stinger \| tone cluster
The Amazing Dr. Clitterhouse (1938)	Rocks struggles and falls	1:09:52 - Rocks tries to get up, then collapses	chromatic parallelism \| chromatic scale \| death \| doctor \| down \| drugs \| dying \| falling \| gangster \| leading lady \| leading man \| murder \| murderer \| murder scene \| office \| oscillation \| poison \| rising \| split-third chord \| struggling \| tense \| up
The Amazing Dr. Clitterhouse (1938)	The Amazing Doctor (Funebre)	1:10:07 - Dr. Clitterhouse talks with Jo	9th chord \| chromatic parallelism \| dark \| death \| doctor \| gangster \| leading lady \| leading man \| murder \| murderer \| murder scene \| office \| pleading \| realizing \| tense
Angels With Dirty Faces (1938)	Bootlegging	0:06:46 - Bootlegging liquor	alcohol \| boat \| dock \| establish character \| gangster \| leading man \| mickey-mousing \| montage \| sneaking \| sneaky
Angels With Dirty Faces (1938)	Running and shooting	0:06:52 - Police chase gangsters and Rocky shoots	agent \| augmented triad \| chasing \| dissonant bass \| dominant 7th chord \| dramatic \| establish character \| gangster \| gun \| gunshot \| leading man \| mickey-mousing \| montage \| newspaper \| quartal chord \| running \| shooting \| street \| zoom out
Angels With Dirty Faces (1938)	Roulette	0:07:01 - Roulette wheel spins	club \| double exposure \| establish character \| frantic \| gambling \| gangster \| leading man \| mickey-mousing \| montage \| parallelism \| pedal tone \| sequence \| spinning
Angels With Dirty Faces (1938)	Night Club Music	0:07:05 - Rocky gambles in a nightclub	altered dominant \| club \| dancing \| double exposure \| drinking \| establish character \| frantic \| gambling \| gangster \| leading man \| mickey-mousing \| montage \| pouring
Angels With Dirty Faces (1938)	Explosion	0:07:16 - Building explodes after car drives by	bomb \| chromatic scale \| dissonant bass \| dramatic \| driving \| establish character \| explosion \| gangster \| mickey-mousing \| montage \| polychord \| street \| throwing
Angels With Dirty Faces (1938)	Underscoring (Mysterious)	0:07:26 - Rocky talks with his lawyer	advance plot \| conversing \| dark \| dissonant bass \| gangster \| lawyer \| leading man \| mysterious \| prison \| prisoner \| underscoring
Angels With Dirty Faces (1938)	Sanctus	0:09:13 - Church interior with boys singing in a choir loft	boys choir \| church \| conducting \| gangster \| leading man \| music scene \| nun \| on-screen music \| organ \| priest \| religious \| serious \| singer \| singing \| solemn \| source music
Angels With Dirty Faces (1938)	In My Merry Oldsmobile	0:12:55 - Rocky and Jerry singing	cheerful \| church \| gangster \| hymn \| laughing \| leading man \| music scene \| on-screen music \| popular music \| priest \| singing \| source music
Angels With Dirty Faces (1938)	When a Prince of a Fella Meets a Cinderella	0:16:49 - Rocky goes to a night club	advance plot \| cheerful \| conversing \| gambling \| gangster \| lawyer \| leading man \| night club \| parallel double period \| popular music \| source music
Angels With Dirty Faces (1938)	Monday Morning	0:18:15 - Rocky talks to Frazier in his office	advance plot \| cheerful \| conversing \| gangster \| lawyer \| leading man \| popular music \| room \| source music
Angels With Dirty Faces (1938)	So Help Me (If I Don't Love You)	0:19:36 - Rocky leaves the nightclub	advance plot \| conversing \| gangster \| lawyer \| leading man \| popular music \| room \| sentimental \| source music
Angels With Dirty Faces (1938)	Rocky and Laury (Not In Film 1)	NIF - not in film	added-note chord \| altered dominant \| augmented sixth chord \| common-chord modulation \| conversing \| cut from film \| establish character \| following \| gangster \| leading lady \| leading man \| mode mixture \| street \| walking
Angels With Dirty Faces (1938)	Rocky and Laury (Not In Film 2)	NIF - not in film	added-note chord \| altered dominant \| augmented sixth chord \| chromatic scale \| conversing \| cut from film \| establish character \| following \| gangster \| leading lady \| leading man \| street \| walking
Angels With Dirty Faces (1938)	Underscoring (Dramatic)	NIF - not in film	chromatic parallelism \| chromatic scale \| chromatic sequence \| conflict \| cut from film \| diminished 7th chord \| dissonant bass \| evading \| following \| gangster \| leading man \| linear chromaticism \| setup \| shop \| street \| underscoring \| walking
Angels With Dirty Faces (1938)	Underscoring (Tense)	0:39:58 - Rocky in the drug store	conflict \| conversing \| gangster \| leading man \| ominous \| setup \| shop \| telephone \| tritone \| underscoring
Angels With Dirty Faces (1938)	Pushing forward	0:40:26 - Man pulls a gun on the cashier	advancing \| chromatic parallelism \| chromatic scale \| conflict \| dominant 7th chord \| gangster \| gun \| leading man \| mickey-mousing \| ominous \| pedal tone \| pushing \| shop
Angels With Dirty Faces (1938)	Backing up	0:40:37 - Rocky pulls a gun on the man following him	backing up \| conflict \| gangster \| gun \| leading man \| mickey-mousing \| ominous \| sequence \| shop
Angels With Dirty Faces (1938)	Closes door	0:40:48 - Rocky shuts the phone booth door	closing \| conflict \| door \| gangster \| leading man \| mickey-mousing \| shop \| tense
Angels With Dirty Faces (1938)	Underscoring (Dramatic)	0:40:50 - Gangsters shoot their own man in phone booth	chromatic sequence \| conflict \| death \| diminished 7th chord \| falling \| gangster \| gun \| gunshot \| half-diminished 7th chord \| leading man \| mickey-mousing \| murderer \| polychord \| shooting \| shop \| sneaking \| tense \| voice-exchange
Angels With Dirty Faces (1938)	Sneaking away	0:41:02 - Rocky sneaks away	conflict \| diminished 7th chord \| gangster \| leading man \| mickey-mousing \| shop \| sneaking \| tense
Angels With Dirty Faces (1938)	Car slowing down	0:42:10 - Car slows down	advance plot \| arriving \| car \| gangster \| garage \| lawyer \| linear chromaticism \| mysterious \| sequence \| slowing \| stopping
Angels With Dirty Faces (1938)	Stickup	0:42:30 - Rocky points a gun at Frazier	64 chord \| advance plot \| assaulting \| dramatic \| gangster \| garage \| grabbing \| lawyer \| leading man \| mickey-mousing
Angels With Dirty Faces (1938)	The Gangster (Elevator Music)	0:42:40 - Elevator goes up	advance plot \| chromatic parallelism \| elevator \| gangster \| half-diminished 7th chord \| lawyer \| leading man \| mickey-mousing \| rising \| room \| tense
Angels With Dirty Faces (1938)	Underscoring (Romantic)	1:01:43 - Rocky and Laury talk	altered dominant \| conversing \| dissonant bass \| gangster \| leading lady \| leading man \| linear chromaticism \| love scene \| romantic \| room \| underscoring
Angels With Dirty Faces (1938)	Rocky and Laury (Sentimental)	1:01:59 - Rocky and Laury talk	added-note chord \| altered dominant \| conversing \| gangster \| leading lady \| leading man \| love scene \| parallel period \| romantic \| room
Angels With Dirty Faces (1938)	Foxtrot	1:02:20 - Rocky and Laury look out the window	added-note chord \| altered dominant \| common-tone diminished 7th \| dreaming \| foxtrot \| gangster \| hoping \| leading lady \| leading man \| looking \| love scene \| mode mixture \| romantic \| room
Angels With Dirty Faces (1938)	Saving Myself For You (I've Been)	1:02:30 - Rocky and Laury at a night club	AABA structure \| advance plot \| cheerful \| club \| drinking \| gambling \| gangster \| lawyer \| leading lady \| leading man \| on-screen music \| source music
Angels With Dirty Faces (1938)	Underscoring (Mysterious)	1:05:58 - Jerry goes to meet Rocky	advance plot \| arriving \| gangster \| leading man \| mickey-mousing \| mysterious \| pedal tone \| priest \| room \| underscoring \| waiting
Angels With Dirty Faces (1938)	Underscoring (Mysterious)	1:09:33 - Jerry leaves	42 chord \| gangster \| leading man \| leaving \| money \| montage \| mysterious \| priest \| room \| turning point
Angels With Dirty Faces (1938)	Tossing money	1:09:33 - Jerry throws Rocky's money on the table	42 chord \| gangster \| leading man \| mickey-mousing \| money \| mysterious \| priest \| room \| tossing \| turning point
Angels With Dirty Faces (1938)	Underscoring (Dramatic)	1:16:29 - Rocky shoots Mac and Frazier	agitated \| attacking \| casino \| chaos \| chasing \| chromatic parallelism \| chromatic scale \| climbing \| conflict \| crowd \| death \| dissonant bass \| dramatic \| dying \| escaping \| falling \| fighting \| gangster \| gun \| gunshot \| half-diminished 7th chord \| hurrying \| jumping \| landing \| lawyer \| leading man \| mickey-mousing \| pedal tone \| police \| rooftop \| room \| running \| sequence \| shooting \| sneaking \| sneaky \| street \| tone cluster \| underscoring
Angels With Dirty Faces (1938)	Mac gets shot	1:16:35 - Mac gets shot and dies	agitated \| chromatic parallelism \| chromatic scale \| conflict \| death \| dramatic \| dying \| falling \| gangster \| gun \| gunshot \| lawyer \| leading man \| mickey-mousing \| room \| shooting
Angels With Dirty Faces (1938)	Frazier gets shot	1:16:56 - Frazier gets shot and dies	agitated \| casino \| chromatic scale \| conflict \| death \| dramatic \| dying \| falling \| gangster \| gun \| gunshot \| lawyer \| leading man \| mickey-mousing \| shooting
Angels With Dirty Faces (1938)	Going down a ladder	1:17:32 - Rocky goes down an escape ladder	agitated \| chromatic scale \| climbing \| conflict \| descending \| down \| dramatic \| escaping \| gangster \| hurrying \| ladder \| leading man \| mickey-mousing \| street
Angels With Dirty Faces (1938)	Going up a ladder	1:17:41 - Rocky climbs up an escape ladder	agitated \| ascending \| chromatic parallelism \| climbing \| conflict \| dramatic \| gangster \| ladder \| leading man \| mickey-mousing \| pedal tone \| sequence \| street \| up
Angels With Dirty Faces (1938)	Running on wall	1:17:55 - Rocky runs on wall	agitated \| chromatic scale \| conflict \| dramatic \| gangster \| half-diminished 7th chord \| leading man \| mickey-mousing \| rooftop \| running \| sequence
Angels With Dirty Faces (1938)	Breaking in	1:18:11 - Rocky enters the building	conflict \| down \| gangster \| jumping \| landing \| leading man \| mickey-mousing \| room \| sneaking \| sneaky
Angels With Dirty Faces (1938)	Underscoring (Dramatic)	1:19:00 - Rocky is trapped in a building	42 chord \| agitated \| chromatic parallelism \| chromatic scale \| conflict \| dissonant bass \| dramatic \| escaping \| fleeing \| gangster \| half-diminished 7th chord \| leading man \| major 7th chord \| police \| running \| sequence \| stairwell \| tone cluster \| underscoring
Angels With Dirty Faces (1938)	Going down stairs	1:19:05 - Rocky runs down the stairs	agitated \| chromatic scale \| conflict \| down \| dramatic \| gangster \| half-diminished 7th chord \| leading man \| mickey-mousing \| running \| stairs \| stairwell
Angels With Dirty Faces (1938)	Going up stairs	1:19:27 - Rocky runs up the stairs	agitated \| chromatic parallelism \| chromatic scale \| conflict \| dissonant bass \| dramatic \| gangster \| leading man \| major 7th chord \| mickey-mousing \| running \| sequence \| stairs \| stairwell \| up
Angels With Dirty Faces (1938)	Tear Gas	1:19:48 - Tear gas spreads throughout the room	agitated \| breaking \| breaking \| breathing \| building \| chromatic parallelism \| chromatic scale \| conflict \| dissonant bass \| dramatic \| gangster \| gun \| gunshot \| hurrying \| leading man \| mickey-mousing \| pedal tone \| police \| quartal chord \| running \| shooting \| smoke \| street \| tear gas \| throwing \| window
Angels With Dirty Faces (1938)	Machine Gun	1:20:24 - Policeman shoots at Rocky with machine gun	agitated \| building \| chromatic parallelism \| conflict \| death \| dramatic \| falling \| gangster \| gun \| gunshot \| hiding \| leading man \| police \| polychord \| shooting \| street \| underscoring
Angels With Dirty Faces (1938)	Underscoring (Dramatic)	1:20:39 - Policemen shoot tear gas in through the window	agitated \| appoggiatura \| building \| conflict \| dramatic \| gangster \| gun \| gunshot \| leading man \| mickey-mousing \| police \| shooting \| street \| tone cluster \| underscoring
Angels With Dirty Faces (1938)	Launching tear gas	1:20:51 - Policemen shoot tear gas in through the window	agitated \| building \| conflict \| dramatic \| gangster \| gun \| gunshot \| launching \| leading man \| mickey-mousing \| police \| shooting \| street \| tear gas \| tone cluster
Angels With Dirty Faces (1938)	Jerry + Tear Gas	1:21:14 - Rocky staggers through tear gas and Jerry arrives	agitated \| arriving \| building \| chromatic parallelism \| combination of themes \| conflict \| dissonant bass \| dramatic \| gangster \| heroic \| hurrying \| leading man \| mickey-mousing \| priest \| quartal chord \| smoke \| staggering \| street \| tear gas
Angels With Dirty Faces (1938)	Tear Gas (Desperate)	1:21:40 - Rocky tries to hold off the cops	agitated \| building \| chromatic parallelism \| chromatic scale \| conflict \| dissonant bass \| dramatic \| gangster \| gun \| gunshot \| leading man \| mickey-mousing \| pedal tone \| police \| priest \| quartal chord \| shooting \| smoke \| staggering \| street \| tear gas
Angels With Dirty Faces (1938)	Underscoring (Dramatic)	1:23:10 - Jerry and Rocky confront one another	42 chord \| agitated \| arguing \| building \| conflict \| dramatic \| entering \| gangster \| leading man \| priest \| underscoring \| wedge \| yelling
Angels With Dirty Faces (1938)	Jerry (Agitato)	1:23:21 - Jerry and Rocky talk	agitated \| arguing \| building \| conflict \| diminished 7th chord \| gangster \| leading man \| pedal tone \| priest
Angels With Dirty Faces (1938)	Jerry (Slowly)	1:23:44 - Jerry goes to the window	building \| conflict \| coughing \| gangster \| leading man \| menacing \| priest \| smoke \| tear gas \| walking
Angels With Dirty Faces (1938)	The Gangster (Triste)	1:23:57 - Rocky uses Jerry as a hostage	9th chord \| building \| chromatic parallelism \| conflict \| coughing \| dark \| double-cross \| foreign key modulation \| fragmentation \| gangster \| hostage \| leading man \| linear chromaticism \| major 7th chord \| menacing \| polychord \| priest \| smoke \| somber \| street \| tear gas \| walking
Angels With Dirty Faces (1938)	Jerry (Hostage)	1:25:07 - Rocky pushes Jerry	augmented sixth chord \| conflict \| double-cross \| gangster \| hostage \| leading man \| mysterious \| priest \| pushing \| street \| tense
Angels With Dirty Faces (1938)	Rocky runs	1:25:13 - Rocky makes a run for it	agitated \| chromatic scale \| conflict \| falling \| gangster \| gun \| gunshot \| hostage \| leading man \| octatonic \| priest \| running \| sequence \| shooting \| street \| whole-tone chord
Angels With Dirty Faces (1938)	Underscoring (Dramatic)	1:25:20 - Rocky throws his gun	capturing \| chromatic scale \| conflict \| dissonant bass \| dramatic \| gangster \| gun \| leading man \| police \| sequence \| street \| throwing \| underscoring
Angels With Dirty Faces (1938)	The Gangster (Captured)	1:25:31 - Rocky is captured	capturing \| conflict \| gangster \| leading man \| police \| somber \| street \| taunting
Angels With Dirty Faces (1938)	Jerry (Somber)	1:31:04 - Rocky leaves his cell for his execution	altered dominant \| climax \| conversing \| gangster \| gentle \| leading man \| pc set \| priest \| prison \| reverse picardy \| stinger \| tone cluster
Angels With Dirty Faces (1938)	Jerry (Upset)	1:31:40 - Jerry follows Rocky out of his cell	agitated \| climax \| conversing \| gangster \| leading man \| police \| priest \| prison
Angels With Dirty Faces (1938)	Underscoring (Dramatic)	1:31:44 - Rocky punches a guard	agitated \| chromatic parallelism \| chromatic scale \| chromatic wedge \| climax \| fighting \| gangster \| half-diminished 7th chord \| leading man \| police \| priest \| prison \| punching \| tense \| underscoring
Angels With Dirty Faces (1938)	The Gangster (Funebre)	1:31:55 - Rocky is taken away	64 chord \| climax \| gangster \| leading man \| police \| priest \| prison \| pushing \| somber
Angels With Dirty Faces (1938)	Funebre	1:32:03 - Jerry and Rocky walk down the hall	climax \| dirge \| execution chamber \| gangster \| leading man \| marching \| police \| priest \| prison \| somber \| tense \| walking
Angels With Dirty Faces (1938)	Jerry (Goodbye)	1:33:12 - Jerry says goodbye to Rocky	added-note chord \| climax \| conversing \| dissonant bass \| execution chamber \| gangster \| leading man \| priest \| prison \| serious \| sigh gesture \| somber
Angels With Dirty Faces (1938)	Funebre (Sigh)	1:33:19 - Rocky heads towards electric chair	added-note chord \| climax \| dirge \| execution chamber \| gangster \| leading man \| marching \| priest \| prison \| sigh gesture \| somber \| tense \| walking
Angels With Dirty Faces (1938)	Underscoring (Tense)	1:33:36 - Rocky pleads for his life	begging \| climax \| cowardice \| crowd \| crying \| death \| execution \| execution chamber \| gangster \| leading man \| pleading \| police \| priest \| prison \| shadow \| tense \| tone cluster \| underscoring \| wailing
City for Conquest (1940)	Mysterioso	1:13:36 - Googi leaves	augmented triad \| chromatic parallelism \| criminal \| gangster \| leaving \| locker room \| manager \| murder scene \| mysterious \| parallelism \| whole-tone
City for Conquest (1940)	Googi (The Car)	1:13:38 - Googi in the car	car \| car \| conversing \| criminal \| diminished 7th chord \| dissonant bass \| driving \| gangster \| manager \| murder scene \| ominous \| tense \| trill
City for Conquest (1940)	Tone Poem A (Ominous)	1:14:02 - Googi talks with the boxing managers	9th chord \| arguing \| car \| car \| criminal \| dissonant bass \| driving \| fragmentation \| gangster \| manager \| murder scene \| ominous \| tense
City for Conquest (1940)	Shooting and dying	1:14:23 - Googi shoots Dutch	car \| car \| criminal \| dramatic \| dying \| gangster \| gun \| manager \| mickey-mousing \| murder \| murderer \| murdering \| murder scene \| shooting \| stinger \| tense
City for Conquest (1940)	Googi (The Car)	1:14:32 - Googi threatens Cobb	car \| car \| criminal \| diminished 7th chord \| dissonant bass \| driving \| gangster \| manager \| murder \| murderer \| murder scene \| ominous \| tense \| threatening \| trill
City for Conquest (1940)	Googi (Hysterical)	1:14:42 - Cobb pleads for mercy	augmented triad \| begging \| car \| car \| chromatic sequence \| criminal \| driving \| equal division of octave \| gangster \| manager \| murder \| murderer \| murder scene \| ominous \| tense
City for Conquest (1940)	Underscoring (Tense)	1:14:48 - Googi threatens Cobb	car \| car \| chromatic parallelism \| chromatic scale \| criminal \| dissonant bass \| driving \| gangster \| manager \| murder \| murderer \| murder scene \| ominous \| tense \| threatening
City for Conquest (1940)	Slap	1:14:53 - Googi slaps Cobb	car \| car \| chromatic parallelism \| criminal \| gangster \| manager \| mickey-mousing \| murder \| murderer \| murder scene \| ominous \| pc set \| slapping \| tense
City for Conquest (1940)	Tone Poem A (Very Rough)	1:15:00 - The car pulls to a stop	arriving \| car \| criminal \| dark \| dock \| driving \| gangster \| manager \| murderer \| murder scene \| threatening \| tritone \| whole-tone chord
City for Conquest (1940)	Googi (Dead Man)	1:15:09 - They pull out the dead man	car \| chromatic scale \| conversing \| corpse \| criminal \| disposing \| dock \| gangster \| manager \| murderer \| murder scene \| ominous \| ostinato \| tense \| whole-tone chord \| working
City for Conquest (1940)	Gun falls	1:15:13 - A gun falls to the ground	car \| corpse \| criminal \| dock \| dropping \| gangster \| gun \| manager \| mickey-mousing \| murderer \| murder scene \| ominous \| tense
City for Conquest (1940)	Googi (Molto Mysterioso e Screwyoso)	1:15:19 - Cobb sees the gun	car \| chromatic parallelism \| conversing \| corpse \| criminal \| disposing \| dissonant bass \| dock \| fragmentation \| gangster \| half-diminished 7th chord \| manager \| murderer \| murder scene \| ominous \| ostinato \| tense \| tritone oscillation \| working
City for Conquest (1940)	Kicks body	1:15:22 - Googi kicks the body into the water	chromatic scale \| corpse \| criminal \| dock \| dropping \| gangster \| kicking \| manager \| mickey-mousing \| murderer \| murder scene \| ominous \| tense
City for Conquest (1940)	Throws gun away	1:15:30 - Googi throws a gun in the water	criminal \| dock \| gangster \| gun \| manager \| mickey-mousing \| murderer \| murder scene \| ominous \| tense \| throwing
City for Conquest (1940)	Googi dies	1:15:34 - Googi is shot	chromatic parallelism \| criminal \| dock \| dying \| falling \| gangster \| gun \| gunshot \| half-diminished 7th chord \| manager \| mickey-mousing \| murderer \| murdering \| murder scene \| ominous \| shooting \| slumping \| tense
City for Conquest (1940)	Tone Poem A (Death)	1:15:39 - Googi dies	criminal \| diminished 7th chord \| dissonant bass \| dock \| dying \| falling \| gangster \| gun \| gunshot \| manager \| murderer \| murdering \| murder scene \| ominous \| shooting \| slumping \| tense
Dust Be My Destiny (1939)	Dust Be My Destiny (Heroic)	0:59:42 - Joe takes pictures of the robbery	42 chord \| action scene \| bank \| chromatic scale \| criminal \| crowd \| dramatic \| fragmentation \| gangster \| leading man \| photographer \| retrograde \| shopkeeper \| street
Dust Be My Destiny (1939)	Underscoring (Tense)	1:09:28 - Mike is confronted by gangsters	bribe \| chromatic parallelism \| conflict \| gangster \| linear chromaticism \| newspaper editor \| street \| tense \| underscoring
Dust Be My Destiny (1939)	Gangsters walk	1:10:26 - The gangsters walk to their car	chromatic parallelism \| chromatic scale \| chromatic sequence \| conflict \| gangster \| mickey-mousing \| newspaper editor \| street \| tense \| walking
Dust Be My Destiny (1939)	Underscoring (Dramatic)	1:10:32 - Joe runs after the car	augmented triad \| chromatic parallelism \| chromatic scale \| conflict \| dramatic \| gangster \| half-diminished 7th chord \| hero \| leading man \| mickey-mousing \| newspaper editor \| running \| street
Dust Be My Destiny (1939)	Dust Be My Destiny (Brave)	1:10:38 - Joe jumps onto the car	action scene \| augmented triad \| car \| chromatic parallelism \| dramatic \| fighting \| gangster \| hero \| leading man \| newspaper editor \| street \| whole-tone chord
Dust Be My Destiny (1939)	Dust Be My Destiny (Heroic)	1:10:32 - Joe heroically wrestles away the steering wheel	action scene \| chromatic scale \| dramatic \| fighting \| fragmentation \| gangster \| hero \| leading man \| newspaper editor \| retrograde \| street
Dust Be My Destiny (1939)	Car crash	1:10:55 - Gangsters crash the car	action scene \| car \| chromatic scale \| crashing \| dramatic \| gangster \| hero \| leading man \| mickey-mousing \| newspaper editor \| street
Each Dawn I Die (1939)	Underscoring (Mysterious)	0:04:28 - Frank leaves the newspaper office	close-up \| conflict \| diminished 7th chord \| gangster \| hero \| leading man \| mysterious \| reading \| reporter \| street \| underscoring \| watching
Each Dawn I Die (1939)	Lights match	0:04:40 - Man lights a match on a lamp post	conflict \| gangster \| lighting \| match \| mickey-mousing \| mysterious \| street
Each Dawn I Die (1939)	Creeping	0:04:47 - Two men sneak up behind Frank	chromatic scale \| chromatic sequence \| conflict \| creeping \| gangster \| mickey-mousing \| mysterious \| pizzicato \| sneaking \| street \| walking
Each Dawn I Die (1939)	Underscoring (Dramatic)	0:04:55 - Frank is pushed into a car	car \| chromatic scale \| conflict \| diminished 7th chord \| dissonant bass \| dramatic \| fragmentation \| gangster \| gun \| hero \| kidnapping \| leading man \| pushing \| reporter \| street \| underscoring \| violence
Each Dawn I Die (1939)	Underscoring (Tense)	0:05:11 - Newspaper on the sidewalk	conflict \| dissonant bass \| gangster \| newspaper \| reading \| street \| tense \| underscoring \| whole-tone \| whole-tone chord
Each Dawn I Die (1939)	Underscoring (Dramatic)	0:05:24 - Frank is framed for drunk driving	9th chord \| attacking \| car \| conflict \| diminished 7th chord \| dramatic \| gangster \| hero \| leading man \| minor second \| murder \| pushing \| reporter \| setup \| street \| underscoring \| violence
Each Dawn I Die (1939)	Hits with bottle	0:05:26 - A bottle of alcohol is broken	9th chord \| bottle \| breaking \| conflict \| dramatic \| gangster \| hero \| leading man \| mickey-mousing \| reporter \| street \| violence
The FBI Story (1959)	The Bureau (Arrest)	1:01:31 - FBI arrest a mobster who then is shot	arrest \| city \| FBI \| flashback \| gangster \| mobster \| walking
The FBI Story (1959)	Underscoring (Dramatic)	1:02:21 - Montage of mobster mischief	dramatic \| flashback \| gangster \| gun \| gunshot \| mobster \| underscoring
The FBI Story (1959)	Symbol (Shootout)	1:20:04 - Gunfight breaks out between FBI agents and mobsters	car \| FBI \| flashback \| gangster \| mobster \| shootout
The FBI Story (1959)	Agents die	1:20:10 - FBI agents are shot	death \| FBI \| flashback \| gangster \| gun \| mickey-mousing \| mobster \| shootout
The FBI Story (1959)	Baby Face Dies	1:20:14 - Baby Face Nelson is shot and dies	death \| FBI \| flashback \| gangster \| gun \| mickey-mousing \| mobster \| shootout
The FBI Story (1959)	Underscoring (Dark)	1:20:31 - Pretty Boy Floyd takes hostages to a car	dark \| dramatic \| flashback \| gangster \| mobster \| tense \| underscoring
The FBI Story (1959)	Floyd runs 1	1:20:41 - Pretty Boy Floyd runs to take cover before shooting	flashback \| gangster \| gun \| mickey-mousing \| mobster \| running
The FBI Story (1959)	Floyd runs 2	1:20:57 - Floyd runs from the FBI men	flashback \| gangster \| gun \| mickey-mousing \| mobster \| running
The FBI Story (1959)	Floyd dies	1:21:03 - Floyd falls to the ground and dies	death \| flashback \| gangster \| mobster
The FBI Story (1959)	Underscoring (Dramatic)	1:32:26 - Shootout at Ma Barker's place	dramatic \| flashback \| gangster \| gun \| mobster \| shootout \| underscoring
The FBI Story (1959)	Ma Barker Dies	1:32:41 - Ma Barker is shot and dies	death \| flashback \| gangster \| gun \| gunshot \| mobster
The FBI Story (1959)	Underscoring (Dramatic)	1:32:49 - Mobster Alvin Karpis announces that he is going to kill J. Edgar Hoover	dramatic \| flashback \| gangster \| mobster \| underscoring
The FBI Story (1959)	Underscoring (Dramatic)	1:33:19 - Agents arrest Machine Gun Kelly	dramatic \| flashback \| gangster \| mobster \| underscoring
Hell on Frisco Bay (1955)	Spring Song	0:14:56 - Amato talks to Mario	antagonist \| conductor score \| conversing \| dark \| establish character \| gangster \| menacing \| office \| tritone
Hell on Frisco Bay (1955)	Underscoring (Mysterious)	0:15:33 - Amato talks to Lye	antagonist \| conductor score \| conversing \| establish character \| gangster \| mysterious \| office \| underscoring
Hell on Frisco Bay (1955)	Amato	0:15:44 - Amato talks to Lye	antagonist \| conductor score \| conversing \| establish character \| gangster \| harsh \| office
Hell on Frisco Bay (1955)	Lye	0:16:52 - Amato talks to Lye	antagonist \| conductor score \| conversing \| establish character \| gangster \| gentle \| office
Hell on Frisco Bay (1955)	Face twitching	0:16:59 - Lye's face twitches	antagonist \| comical \| conductor score \| establish character \| gangster \| mickey-mousing \| office \| twitching
Hell on Frisco Bay (1955)	Menace	0:17:13 - Gangsters talk	antagonist \| conductor score \| conversing \| establish character \| gangster \| office \| ominous
Hell on Frisco Bay (1955)	Amato	0:17:47 - Gangsters talk	antagonist \| conductor score \| conversing \| establish character \| gangster \| harsh \| office
Hell on Frisco Bay (1955)	Underscoring (Dark)	0:19:33 - Amato slaps old man	antagonist \| conductor score \| conversing \| dark \| establish character \| gangster \| office \| slapping \| stinger \| underscoring
Hell on Frisco Bay (1955)	Menace	0:19:43 - Amato talks to old man	antagonist \| conductor score \| dark \| establish character \| gangster \| office \| yelling
Hell on Frisco Bay (1955)	Menace	0:20:30 - Amato talks to Lye	antagonist \| conductor score \| conversing \| dark \| establish character \| gangster \| office
Hell on Frisco Bay (1955)	Amato	0:20:40 - Amato leaves	antagonist \| conductor score \| conversing \| establish character \| gangster \| office \| ominous
Hell on Frisco Bay (1955)	Kay	0:20:48 - Lye goes to see Kay	antagonist \| conductor score \| conversing \| establish character \| gangster \| kissing \| love interest \| lyrical \| romantic \| street
Hell on Frisco Bay (1955)	Walking	0:26:31 - Marcia walks to the door	advance plot \| conductor score \| gangster \| hurried \| leading lady \| leading man \| mickey-mousing \| room \| walking
Hell on Frisco Bay (1955)	Underscoring (Dramatic)	0:27:50 - Steve fights Hammy	action scene \| conductor score \| dramatic \| fighting \| gangster \| hurried \| leading lady \| leading man \| room \| strangling \| tense \| underscoring
Hell on Frisco Bay (1955)	Underscoring (Tense)	0:28:03 - The gangsters leave	action scene \| conductor score \| conversing \| gangster \| leading lady \| leading man \| leaving \| room \| tense \| underscoring
Hell on Frisco Bay (1955)	How Many Hearts Have You Broken	0:40:22 - A dance hall	advance plot \| club \| conversing \| drowning \| fighting \| gangster \| interrogating \| investigator \| jazz \| leading man \| mellow \| source music
Hell on Frisco Bay (1955)	Anna	0:46:05 - Anna talks with Amato	antagonist \| conductor score \| conversing \| establish character \| gangster \| gentle \| leading man \| room \| sentimental \| warning \| wife \| worrying
Hell on Frisco Bay (1955)	Amato	0:47:01 - Amato talks with Lye	advance plot \| antagonist \| brash \| conductor score \| conversing \| gangster \| harsh \| leading man \| room
Hell on Frisco Bay (1955)	Face twitching	0:47:44 - Amato talks with Lye	advance plot \| antagonist \| conductor score \| conversing \| gangster \| leading man \| room \| uneasy
Hell on Frisco Bay (1955)	Amato	0:48:03 - Amato teases Lye	advance plot \| agitated \| antagonist \| arguing \| conductor score \| gangster \| leading man \| room
Hell on Frisco Bay (1955)	Amato	0:48:11 - Amato threatens Lye	advance plot \| antagonist \| arguing \| brash \| conductor score \| dark \| gangster \| leading man \| room \| threatening
Hell on Frisco Bay (1955)	Anna	0:48:38 - Anna comforts Mario	advance plot \| comforting \| conductor score \| gangster \| gentle \| room \| sentimental \| wife
Hell on Frisco Bay (1955)	Menace	0:49:04 - Amato paces	action scene \| conductor score \| dark \| gangster \| leading man \| menacing \| pacing \| room
Hell on Frisco Bay (1955)	Underscoring (Dramatic)	0:51:36 - Amato yells at Steve	action scene \| angry \| arguing \| conductor score \| fighting \| gangster \| investigator \| leading man \| room \| underscoring \| violence \| yelling
Hell on Frisco Bay (1955)	Underscoring (Tense)	0:52:13 - Dan waits for Steve	advance plot \| conductor score \| friend \| gangster \| investigator \| leading man \| pacing \| street \| tense \| underscoring \| waiting
Hell on Frisco Bay (1955)	Steve	0:52:23 - Steve arrives	advance plot \| conductor score \| conversing \| friend \| gangster \| investigator \| leading man \| neutral \| street
Hell on Frisco Bay (1955)	Steve runs	0:52:55 - Steve runs	advance plot \| conductor score \| gangster \| investigator \| leading man \| mickey-mousing \| running \| street \| tense
Hell on Frisco Bay (1955)	Menace	0:53:06 - Steve talks with Dan	advance plot \| conductor score \| conversing \| dark \| gangster \| investigator \| leading man \| sinister \| street
Hell on Frisco Bay (1955)	Steve	0:53:15 - Steve leaves	action scene \| aiming \| conductor score \| dark \| gangster \| investigator \| leading man \| murderer \| neutral \| shooting \| street \| tense \| walking
Hell on Frisco Bay (1955)	Menace	0:53:30 - Hammy tries to escape	action scene \| conductor score \| dramatic \| escaping \| fleeing \| gangster \| hurried \| investigator \| leading man \| murderer \| running \| shooting \| street \| tense
Hell on Frisco Bay (1955)	Hammy Is Shot	0:53:37 - Hammy falls to the ground	action scene \| conductor score \| dramatic \| dying \| falling \| gangster \| investigator \| leading man \| mickey-mousing \| street \| tragic
Hell on Frisco Bay (1955)	Underscoring (Dark)	0:53:50 - Steve questions Hammy	action scene \| conductor score \| dark \| death \| dying \| gangster \| investigator \| leading man \| questioning \| stinger \| street \| underscoring
Hell on Frisco Bay (1955)	Menace	0:58:48 - Bessie walks through the market	\| agitated \| chase scene \| conductor score \| dramatic \| floozy \| gangster \| hurrying \| investigator \| leading man \| mysterious \| street \| tense \| walking
Hell on Frisco Bay (1955)	Anna	1:04:54 - Anna talks to Amato	advance plot \| antagonist \| conductor score \| conversing \| dark \| gangster \| gentle \| leading man \| room \| wife
Hell on Frisco Bay (1955)	Menace	1:08:27 - Amato threatens Brody	advance plot \| antagonist \| conductor score \| dark \| gangster \| leading man \| street \| threatening
Hell on Frisco Bay (1955)	Amato	1:08:39 - Amato arrives	advance plot \| antagonist \| arriving \| brash \| conductor score \| dark \| gangster \| leading man \| stinger \| street
Hell on Frisco Bay (1955)	Lye	1:09:00 - Amato calls Lye	advance plot \| antagonist \| calling \| conductor score \| conversing \| gangster \| leading man \| stinger \| street \| uneasy
Hell on Frisco Bay (1955)	It Can't Be Wrong	1:09:26 - Amato talks to Lye	advance plot \| antagonist \| calm \| conversing \| gangster \| leading man \| room \| source music
Hell on Frisco Bay (1955)	Anna	1:20:28 - Anna mourns Mario's death	conversing \| crying \| dark \| funeral \| funeral \| gangster \| leading man \| wife
Hell on Frisco Bay (1955)	Underscoring (Mysterious)	1:24:05 - Amato calls detective	advance plot \| calling \| gangster \| leading man \| mysterious \| room \| statue \| tense \| underscoring
Hell on Frisco Bay (1955)	Anna	1:24:31 - Amato calls detective	advance plot \| conversing \| gangster \| leading man \| mysterious \| religious \| religious \| room
Hell on Frisco Bay (1955)	Menace	1:24:38 - Amato talks to detective	advance plot \| detective \| gangster \| leading man \| mysterious \| plotting \| police station \| tense
Hell on Frisco Bay (1955)	Underscoring (Tense)	1:24:53 - Amato talks to detective	advance plot \| detective \| gangster \| leading man \| plotting \| police station \| tense
Hell on Frisco Bay (1955)	Amato	1:25:21 - Amato sets up Lye and Kay	advance plot \| betraying \| detective \| gangster \| harsh \| leading man \| plotting \| police station \| tense
Hell on Frisco Bay (1955)	Anna	1:25:41 - Amato looks at the statue	advance plot \| gangster \| leading man \| looking \| mysterious \| religious \| room \| tense
Hell on Frisco Bay (1955)	Menace	1:31:01 - Amato prepares to leave	action scene \| agitated \| gangster \| leading man \| packing \| room
Hell on Frisco Bay (1955)	Menace 2	1:31:19 - Amato prepares to leave	action scene \| agitated \| gangster \| leading man \| packing \| room
Hell on Frisco Bay (1955)	Menace	1:31:32 - Amato picks up his gun	action scene \| conversing \| dramatic \| gangster \| leading man \| packing \| room
Hell on Frisco Bay (1955)	Lye	1:32:01 - Lye confronts Amato	action scene \| conversing \| gangster \| gun \| leading man \| lying \| room \| uneasy
Hell on Frisco Bay (1955)	Amato	1:32:23 - Amato shoots Lye	action scene \| brash \| gangster \| gun \| gunshot \| leading man \| murder \| murdering \| room \| shooting \| tense \| violence \| yelling
Hell on Frisco Bay (1955)	Lye's Death	1:32:58 - Lye is killed	action scene \| brash \| gangster \| harsh \| leading man \| murder \| murdering \| shooting \| street \| violence
Hell on Frisco Bay (1955)	Menace	1:33:12 - Amato hides	action scene \| fleeing \| gangster \| hiding \| leading man \| ominous \| street
Hell on Frisco Bay (1955)	Amato	1:33:23 - Amato takes Marcia hostage	action scene \| dock \| gangster \| inspector \| kidnapping \| leading lady \| leading man \| ominous \| tense
Hell on Frisco Bay (1955)	Amato	1:34:01 - Steve confronts Amato	action scene \| dock \| dramatic \| gangster \| inspector \| kidnapping \| leading lady \| leading man \| tense
Hell on Frisco Bay (1955)	Amato	1:34:08 - Steve confronts Amato	action scene \| dock \| dramatic \| gangster \| gun \| gunshot \| inspector \| kidnapping \| leading lady \| leading man \| shooting \| tense
Hell on Frisco Bay (1955)	Amato runs	1:34:27 - Amato runs to his boat	action scene \| agitated \| boat \| dock \| dramatic \| following \| gangster \| inspector \| leading man \| running \| tense
Hell on Frisco Bay (1955)	Boat Chase	1:34:33 - Amato tries to escape in a boat	action scene \| agitated \| boat \| dock \| dramatic \| following \| gangster \| inspector \| leading man \| running \| tense
Hell on Frisco Bay (1955)	Steve dives	1:34:48 - Steve dives in the water	action scene \| agitated \| diving \| dock \| dramatic \| gangster \| inspector \| jumping \| leading man \| mickey-mousing \| splashing \| tense \| water
Hell on Frisco Bay (1955)	Underscoring (Dramatic)	1:34:53 - Steve climbs in the boat	action scene \| boat \| dock \| dramatic \| driving \| gangster \| inspector \| leading man \| tense \| underscoring
Hell on Frisco Bay (1955)	Menace	1:34:57 - Steve and Amato fight	action scene \| agitated \| boat \| dock \| dramatic \| fighting \| gangster \| inspector \| leading man \| tense
Hell on Frisco Bay (1955)	Menace	1:35:21 - Steve and Amato fight	action scene \| agitated \| boat \| dock \| dramatic \| fighting \| gangster \| inspector \| leading man \| tense
Hell on Frisco Bay (1955)	Amato	1:35:47 - Steve and Amato fight	action scene \| agitated \| boat \| dock \| dramatic \| fighting \| gangster \| inspector \| leading man \| tense
Hell on Frisco Bay (1955)	Amato	1:35:56 - The police boat advances	action scene \| agitated \| boat \| dock \| dramatic \| fighting \| gangster \| inspector \| leading man \| tense \| underscoring
Hell on Frisco Bay (1955)	Amato	1:36:12 - Steve and Amato fight	action scene \| agitated \| boat \| dock \| dramatic \| fighting \| gangster \| inspector \| leading man \| tense
Hell on Frisco Bay (1955)	Amato falls	1:36:20 - Amato falls in the water	action scene \| boat \| dock \| dramatic \| falling \| fighting \| gangster \| inspector \| leading man \| mickey-mousing \| punching \| splashing \| tense \| water
Hell on Frisco Bay (1955)	Steve Saves Amato	1:36:42 - Steve and Amato swim to the police boat	boat \| dock \| gangster \| inspector \| leading man \| mickey-mousing \| swimming \| tense \| water
Hell on Frisco Bay (1955)	Lifting up	1:36:50 - Amato is brought onboard	boat \| dock \| dramatic \| gangster \| inspector \| leading man \| lifting \| mickey-mousing \| police \| raising \| tense \| up \| water
Hell on Frisco Bay (1955)	Menace	1:36:57 - The police boat leaves	agitated \| arriving \| boat \| dock \| gangster \| inspector \| leading man \| police \| tense
Hell on Frisco Bay (1955)	Steve	1:37:30 - Steve gets off the boat	arriving \| boat \| bold \| dock \| gangster \| heroic \| inspector \| leading man \| police
Key Largo (1948)	I Gotta Right to Sing the Blues	0:04:21 - Frank speaks with people in the bar	conversing \| establish character \| gangster \| hotel \| jazz \| leading man \| moll \| radio \| sentimental \| source music
Key Largo (1948)	Rocco 2 (Subito)	0:12:07 - Nora sees Curly	dangerous \| establish character \| gangster \| hotel \| leading lady \| mysterious \| watching
Key Largo (1948)	McCloud (Misterioso)	0:12:13 - Nora walks downstairs	establish character \| gangster \| hotel \| leading lady \| mysterious \| walking \| watching
Key Largo (1948)	Rocco 2 (Molto Misterioso)	0:12:22 - Curly walks down the hall	dangerous \| establish character \| gangster \| hotel \| mysterious \| walking \| watching
Key Largo (1948)	Nora (Nervous)	0:17:53 - Nora sees the gangsters	conversing \| dock \| falling in love scene \| gangster \| leading lady \| leading man \| nervous \| wind
Key Largo (1948)	Wind	0:18:21 - Frank helps prepare for the storm	conversing \| dock \| falling in love scene \| gangster \| leading lady \| leading man \| storm \| tense \| wind
Key Largo (1948)	Rocco 3	0:25:37 - Curly pushes Nora	dangerous \| establish character \| gangster \| gun \| hotel \| leading man \| mysterious \| stinger \| threatening \| violence
Key Largo (1948)	Rocco	0:25:46 - Rocco in the bathtub	bathing \| boss \| establish character \| gangster \| hotel \| menacing \| sinister \| tremolo
Key Largo (1948)	Rocco (Tense)	0:26:13 - Curly talks with Rocco	boss \| conversing \| dressing \| establish character \| gangster \| hotel \| tense \| tremolo
Key Largo (1948)	Tension	0:26:48 - Rocco slaps bleeding man	boss \| establish character \| gangster \| hostage \| hotel \| menacing \| police \| sinister \| slapping \| violence
Key Largo (1948)	Rocco 3 (Misterioso)	0:28:45 - Sawyer starts moaning in the other room	boss \| conflict \| gangster \| gun \| hostage \| hotel \| leading lady \| leading man \| menacing \| mysterious \| threatening
Key Largo (1948)	Tension	0:28:58 - Sawyer stands up	conflict \| gangster \| hostage \| hotel \| menacing \| mysterious \| police \| standing
Key Largo (1948)	Rocco 3 (Heavily)	0:29:04 - Sawyer enters the room	conflict \| gangster \| hostage \| hotel \| menacing \| police \| stumbling
Key Largo (1948)	Rocco 3 (Agitato)	0:29:15 - Toots trips Sawyer	conflict \| falling \| gangster \| hostage \| hotel \| menacing \| mickey-mousing \| police \| rolling \| tripping
Key Largo (1948)	Rocco (Cut From Film)	NIF - not in film	boss \| conversing \| cut from film \| cut from film \| father \| gangster \| hostage \| hotel \| leading lady \| leading man
Key Largo (1948)	Rocco 2 (Cut From Film)	NIF - not in film	boss \| conversing \| cut from film \| cut from film \| father \| gangster \| hostage \| hotel \| leading lady \| leading man
Key Largo (1948)	Rocco 3 (Cut from Film)	NIF - not in film	boss \| conversing \| cut from film \| cut from film \| father \| gangster \| hostage \| hotel \| leading lady \| leading man
Key Largo (1948)	Tension	NIF - not in film	boss \| conversing \| cut from film \| cut from film \| father \| gangster \| hostage \| hotel \| leading lady \| leading man
Key Largo (1948)	Rocco (Tense 2)	NIF - not in film	boss \| conversing \| cut from film \| cut from film \| father \| gangster \| hostage \| hotel \| leading lady \| leading man
Key Largo (1948)	Rocco 2 (Misterioso)	NIF - not in film	boss \| conversing \| cut from film \| cut from film \| father \| gangster \| hostage \| hotel \| leading lady \| leading man
Key Largo (1948)	Rocco 3 (Cut From Film 2)	NIF - not in film	boss \| conversing \| cut from film \| cut from film \| father \| gangster \| hostage \| hotel \| leading lady \| leading man
Key Largo (1948)	McCloud (Cut From Film)	NIF - not in film	boss \| conversing \| cut from film \| cut from film \| father \| gangster \| hostage \| hotel \| leading lady \| leading man
Key Largo (1948)	Rocco 2 (Slowly) + McCloud (Tritone)	0:32:57 - McCloud quotes FDR	angry \| boss \| combination of themes \| conflict \| conversing \| father \| gangster \| hostage \| hotel \| leading lady \| leading man \| mysterious \| quoting \| stinger
Key Largo (1948)	Underscoring (Dramatic)	0:33:17 - Mr. Temple rises to attack Rocco	angry \| arguing \| attacking \| boss \| conflict \| dramatic \| father \| gangster \| hostage \| hotel \| laughing \| leading lady \| leading man \| tense \| underscoring
Key Largo (1948)	Falling	0:33:38 - Mr. Temple falls to the ground	angry \| boss \| conflict \| dramatic \| falling \| father \| gangster \| hostage \| hotel \| landing \| leading lady \| leading man \| mickey-mousing \| tense
Key Largo (1948)	Underscoring (Dramatic)	0:33:43 - Nora rises to attack Rocco	angry \| attacking \| boss \| conflict \| dramatic \| father \| gangster \| hitting \| horror \| hostage \| hotel \| kissing \| leading lady \| leading man \| tense \| underscoring \| violence
Key Largo (1948)	Rocco 2	0:33:53 - Rocco talks to Nora	boss \| conflict \| dangerous \| father \| gangster \| hostage \| hotel \| leading lady \| leading man \| mysterious \| threatening
Key Largo (1948)	McCloud (Tragic)	0:34:05 - McCloud and Nora help Mr. Temple up	boss \| conflict \| father \| gangster \| helping \| hostage \| hotel \| leading lady \| leading man \| mode change \| solemn \| somber
Key Largo (1948)	Rocco 3	0:39:45 - Rocco looks at Nora	boss \| conflict \| creepy \| father \| gangster \| hostage \| hotel \| leading lady \| leading man \| mysterious \| tense \| watching
Key Largo (1948)	Rocco Whispers	0:39:53 - Rocco whispers to Nora	boss \| conflict \| creepy \| father \| gangster \| hostage \| hotel \| leading lady \| leading man \| mickey-mousing \| mysterious \| tense \| whisper effect \| whispering
Key Largo (1948)	Rocco 3	0:40:06 - Rocco follows Nora	boss \| conflict \| creepy \| father \| following \| gangster \| hostage \| hotel \| leading lady \| leading man \| mysterious \| tense
Key Largo (1948)	Rocco Whispers	0:40:10 - Rocco whispers to Nora	boss \| conflict \| creepy \| father \| gangster \| hostage \| hotel \| leading lady \| leading man \| mickey-mousing \| mysterious \| tense \| whisper effect \| whispering
Key Largo (1948)	Underscoring (Dramatic)	0:40:21 - Nora spits in Rocco's face	angry \| boss \| conflict \| father \| gangster \| hostage \| hotel \| leading lady \| leading man \| spitting \| staring \| stinger \| underscoring
Key Largo (1948)	McCloud (Dissonant)	0:40:25 - McCloud walks over to Nora	angry \| boss \| conflict \| dramatic \| father \| gangster \| hostage \| hotel \| leading lady \| leading man \| protecting
Key Largo (1948)	Rocco 3 (Angry)	0:40:32 - Rocco gets angry	angry \| boss \| conflict \| dramatic \| father \| gangster \| hostage \| hotel \| leading lady \| leading man \| stinger \| taunting
Key Largo (1948)	Rocco 2 (Agitato)	0:46:26 - Look of horror on Gaye's face	boss \| conflict \| father \| fear \| gangster \| horror \| hostage \| hotel \| leading lady \| leading man \| look of horror \| moll \| stinger \| watching
Key Largo (1948)	Underscoring (Tense)	0:46:30 - Rocco tells McCloud to shoot him	boss \| conflict \| conversing \| father \| gangster \| hostage \| hotel \| leading lady \| leading man \| moll \| tense \| underscoring
Key Largo (1948)	Rocco 3 (Shrill)	0:46:38 - Rocco mocks McCloud	boss \| conflict \| dangerous \| father \| gangster \| gun \| hostage \| hotel \| leading lady \| leading man \| moll \| tense \| threatening
Key Largo (1948)	Tension (Violent)	0:46:44 - McCloud decides whether to shoot	boss \| conflict \| dangerous \| father \| gangster \| gun \| hostage \| hotel \| leading lady \| leading man \| moll \| tense \| threatening \| violence \| violent
Key Largo (1948)	Rocco + Tension	0:46:48 - Rocco's grinning face	boss \| combination of themes \| conflict \| dangerous \| father \| gangster \| gun \| hostage \| hotel \| leading lady \| leading man \| moll \| staring \| tense \| threatening \| violence \| violent
Key Largo (1948)	Rocco 3 + Tension + Laughing	0:46:53 - Gangsters laugh at McCloud	boss \| combination of themes \| conflict \| dangerous \| father \| gangster \| gun \| hostage \| hotel \| laughing \| leading lady \| leading man \| mocking \| moll \| tense \| violence \| violent
Key Largo (1948)	Tosses gun	0:47:06 - McCloud tosses the gun onto a chair	boss \| conflict \| father \| gangster \| gun \| hostage \| hotel \| leading lady \| leading man \| mickey-mousing \| moll \| tense \| tossing \| violence
Key Largo (1948)	Rocco 3 (Extended)	0:47:08 - Mr. Temple asks for the gun	boss \| conflict \| dangerous \| father \| gangster \| gun \| hostage \| hotel \| leading lady \| leading man \| moll \| staring \| tense \| threatening \| violence \| violent
Key Largo (1948)	McCloud (Triste)	0:47:23 - Rocco mocks McCloud	boss \| conflict \| conversing \| father \| gangster \| gun \| hostage \| hotel \| leading lady \| leading man \| mode change \| moll \| serious \| somber
Key Largo (1948)	Scrambling	0:47:31 - Deputy runs for the gun	boss \| conflict \| dangerous \| father \| gangster \| gun \| hostage \| hotel \| leading lady \| leading man \| mickey-mousing \| moll \| running \| scrambling \| tense \| violent
Key Largo (1948)	Rocco (Conflict)	0:47:39 - Gaye looks terrified	boss \| conflict \| danger \| father \| fear \| gangster \| gun \| horror \| hostage \| hotel \| leading lady \| leading man \| look of horror \| moll \| staring \| stinger \| threatening \| violence
Key Largo (1948)	Underscoring (Dramatic)	0:48:10 - Rocco shoots Deputy Sawyer	boss \| conflict \| death \| dramatic \| father \| fear \| gangster \| gun \| gunshot \| horror \| hostage \| hotel \| leading lady \| leading man \| look of horror \| moll \| shooting \| stinger \| tense
Key Largo (1948)	Falling and dying	0:48:19 - Deputy Sawyer falls dead off-screen	boss \| conflict \| death \| dramatic \| dying \| falling \| father \| gangster \| gun \| gunshot \| hostage \| hotel \| leading lady \| leading man \| mickey-mousing \| moll \| tense
Key Largo (1948)	Ominous	0:51:32 - Lights begin to go out in the hotel	boss \| conversing \| dark \| develop character \| father \| gangster \| hostage \| hotel \| leading lady \| leading man \| menacing \| moll \| ominous \| preparing \| storm \| tense
Key Largo (1948)	Gaye	0:52:06 - Gaye awkwardly walks past Rocco	awkward \| bluesy \| boss \| develop character \| gangster \| hotel \| jazz \| moll \| sultry \| walking
Key Largo (1948)	Gaye Pours a Drink	0:52:16 - Gaye pours herself a drink	alcohol \| bluesy \| boss \| develop character \| gangster \| hotel \| jazzy \| moll \| obsessive \| pouring \| shaking \| sultry
Key Largo (1948)	Alcohol Denial	0:52:29 - Rocco tells Gaye she can't drink	alcohol \| boss \| denying \| develop character \| disappointed \| gangster \| hotel \| moll
Key Largo (1948)	Expressivo	0:52:37 - Mr. Temple is helped down the stairs	advance plot \| boss \| father \| gangster \| gentle \| helping \| hostage \| hotel \| leading lady \| leading man \| noble \| stairs
Key Largo (1948)	Rocco 2 (Menacing)	0:52:59 - Rocco stares at McCloud and Nora	advance plot \| boss \| dark \| father \| gangster \| hostage \| hotel \| leading lady \| leading man \| menacing \| staring
Key Largo (1948)	Moanin’ Low	0:56:55 - Gaye sings "Moanin' Low"	awkward \| blues \| bluesy \| boss \| develop character \| father \| gangster \| hostage \| hotel \| leading lady \| leading man \| moll \| nervous \| on-screen music \| singer \| singing \| source music
Key Largo (1948)	Moanin’ Low (Quasi Appassionato)	0:58:38 - McCloud gets a drink for Gaye	alcohol \| bluesy \| boss \| crying \| develop character \| familiar tune \| father \| gangster \| helping \| hostage \| hotel \| leading lady \| leading man \| moll \| somber \| source to score
Key Largo (1948)	Moanin’ Low (Tense)	0:59:24 - Gaye takes a drink	alcohol \| boss \| develop character \| drinking \| familiar tune \| father \| gangster \| hostage \| hotel \| leading lady \| leading man \| moll \| slapping \| tense \| whole-tone
Key Largo (1948)	Underscoring (Tense)	0:59:37 - McCloud and Gaye exchange glances	boss \| develop character \| father \| gangster \| hostage \| hotel \| leading lady \| leading man \| moll \| staring \| tense \| underscoring
Key Largo (1948)	Rocco Pacing	1:02:01 - Rocco paces back and forth	boss \| develop character \| father \| gangster \| hostage \| hotel \| leading lady \| leading man \| moll \| nervous \| ominous \| pacing \| sinister \| walking
Key Largo (1948)	Rocco 3 (Nervous)	1:02:52 - Rocco yells at Gaye	arguing \| boss \| dark \| develop character \| father \| gangster \| hostage \| hotel \| leading lady \| leading man \| menacing \| moll
Key Largo (1948)	Rocco (Agitato)	1:08:53 - Gangsters see that their boat is missing	advance plot \| angry \| announcing \| boss \| danger \| discovering \| gangster \| hotel \| stinger \| tense \| violent
Key Largo (1948)	Rocco 2 (Misterioso)	1:13:37 - The sheriff leaves	boss \| conflict \| gangster \| hotel \| lying \| menacing \| police
Key Largo (1948)	Sheriff Leaves	1:13:51 - Rocco waits for the sheriff to leave	boss \| conflict \| deception \| gangster \| hotel \| leaving \| nervous \| police \| tense
Key Largo (1948)	Rocco (Tense)	1:15:03 - Rocco claims the Indians murdered Sawyer	angry \| boss \| conflict \| dock \| gangster \| lying \| murder \| police \| tense \| violent
Key Largo (1948)	Underscoring (Tense)	1:16:54 - Close-ups on McCloud and Rocco	boss \| gangster \| hotel \| investigation scene \| leading man \| staring \| tense \| underscoring
Key Largo (1948)	Rocco 3	1:17:07 - Sheriff questions Rocco	boss \| gangster \| hotel \| investigation scene \| menacing \| police \| questioning
Key Largo (1948)	Rocco	1:17:15 - Sheriff questions Rocco	boss \| gangster \| hotel \| investigation scene \| menacing \| police \| questioning \| tense
Key Largo (1948)	Rocco 3	1:17:30 - Sheriff questions Curly	gangster \| hotel \| investigation scene \| menacing \| police \| questioning
Key Largo (1948)	Rocco 3 (Tense)	1:17:52 - Sheriff questions gangster	gangster \| hotel \| investigation scene \| police \| questioning \| tense
Key Largo (1948)	Underscoring (Tense)	1:18:21 - Sheriff leaves	boss \| gangster \| hotel \| investigation scene \| police \| questioning \| tense \| underscoring
Key Largo (1948)	Rocco 2	1:18:34 - The policemen takes Sawyer's body	boss \| gangster \| hotel \| investigation scene \| menacing \| police \| tense \| violent \| watching
Key Largo (1948)	Underscoring (Tense)	1:18:47 - They all walk to another room	boss \| father \| gangster \| hostage \| hotel \| investigation scene \| leading lady \| leading man \| moll \| obeying \| tense \| underscoring
Key Largo (1948)	Rocco (Tense)	1:19:02 - Rocco welcomes new gangsters	boss \| conversing \| friend \| gangster \| greeting \| hotel \| investigation scene \| laughing \| tense \| underscoring
Key Largo (1948)	Underscoring (Tense)	1:20:19 - Rocco speaks with Ziggy	advance plot \| boss \| gangster \| giving \| hotel \| tense \| underscoring
Key Largo (1948)	Rocco 2 (Counterfeit Money)	1:20:36 - Gangster examines the counterfeit money	advance plot \| boss \| gangster \| hotel \| money \| mysterious \| observing
Key Largo (1948)	Rocco 3 (Counterfeit Money)	1:20:45 - Gangster examines the counterfeit money	advance plot \| boss \| gangster \| hotel \| money \| mysterious \| observing
Key Largo (1948)	Rocco (Heavily)	1:21:28 - Gangsters handle the counterfeit money	advance plot \| brash \| gangster \| hotel \| money \| observing \| tense \| villain
Key Largo (1948)	Rocco 3	1:24:03 - Rocco approaches Nora	advance plot \| boss \| conversing \| father \| gangster \| hotel \| tense \| violent
Key Largo (1948)	Rocco Whispers	1:24:08 - Rocco whispers in Nora's ear	advance plot \| boss \| gangster \| hotel \| leading lady \| mysterious \| tense \| whisper effect \| whispering
Key Largo (1948)	Walking	1:24:21 - Gangsters go down the stairs	advance plot \| gangster \| hotel \| mickey-mousing \| tense \| walking
Key Largo (1948)	Rocco (Packing Up)	1:24:28 - Gangsters pack up their things	advance plot \| boss \| gangster \| hotel \| leaving \| packing \| preparing \| tense
Key Largo (1948)	Underscoring (Tense)	1:24:37 - Gaye watches Rocco	advance plot \| boss \| gangster \| hotel \| leaving \| mysterious \| packing \| preparing \| tense \| underscoring
Key Largo (1948)	Moanin’ Low (Appassionato)	1:25:01 - Gaye pleads for Rocco to take her along	advance plot \| boss \| deceiving \| deception \| desperate \| desperation \| familiar tune \| gangster \| hotel \| moll \| pleading \| sentimental
Key Largo (1948)	Moanin’ Low (Ominous)	1:25:21 - Gaye hands Rocco's gun to McCloud	advance plot \| boss \| deceiving \| deception \| familiar tune \| gangster \| gun \| hotel \| moll \| ominous \| tense
Key Largo (1948)	Rocco (Leaving)	1:25:33 - Gangsters leave the hotel with McCloud	advance plot \| boss \| father \| gangster \| hostage \| hotel \| leading lady \| leading man \| leaving \| moll \| ominous \| walking
Key Largo (1948)	Rocco (Tense)	1:25:49 - Gangsters leave to board the boat	advance plot \| boss \| dock \| father \| gangster \| hostage \| leading lady \| leading man \| moll \| tense \| walking
Key Largo (1948)	Hurrying	1:26:02 - Gangsters walk to the boat	advance plot \| boss \| dock \| father \| gangster \| hostage \| hurrying \| leading lady \| leading man \| mickey-mousing \| moll \| tense \| walking
Key Largo (1948)	Underscoring (Dramatic)	1:26:10 - Gangsters board the boat with McCloud	advance plot \| boarding \| boss \| dock \| dramatic \| gangster \| hostage \| leading lady \| leading man \| moll \| storm \| tense \| underscoring \| wind
Key Largo (1948)	Tension (The Boat)	1:26:31 - McCloud tries to start the boat	advance plot \| boat \| boat \| boss \| dramatic \| gangster \| hostage \| leading man \| leaving \| motor \| sputtering \| starting \| stinger \| tense
Key Largo (1948)	Rocco exits	1:35:14 - Rocco exits	boat \| boss \| conflict \| dramatic \| exiting \| gangster \| gun \| gunshot \| leading man \| mickey-mousing \| shooting \| tense
Key Largo (1948)	Rocco's Death	1:35:17 - Rocco falls	boat \| boss \| conflict \| death \| dramatic \| dying \| falling \| gangster \| gun \| gunshot \| leading man \| mickey-mousing \| shooting \| stinger \| tense
Kid Galahad (1937)	Green Lady	1:12:08 - Ward, Marie, and Louise talk in the club	advance plot \| arguing \| cheerful \| fighting \| gangster \| night club \| source music \| trainer \| transcribed by ear
White Heat (1949)	Steam	0:04:54 - Man gets burned by steam from train	burning \| bursting \| countryside \| dramatic \| establish character \| falling \| gangster \| leading man \| murderer \| pain \| robbery \| steam \| steam effect \| stinger \| tense \| train \| train engineer \| victim \| writhing
White Heat (1949)	Danger	0:05:02 - Gangsters leap from the train	announcer \| countryside \| dramatic \| escaping \| establish character \| gangster \| jumping \| leading man \| murderer \| pain \| radio \| robbery \| tense \| train \| train engineer \| victim \| writhing
White Heat (1949)	Underscoring (Mysterious)	0:05:27 - Gangsters listen to the radio	announcer \| car \| establish character \| gangster \| listening \| mysterious \| radio \| street \| underscoring
White Heat (1949)	Cody	0:05:35 - Gangsters listen to the radio	announcer \| car \| conversing \| establish character \| gangster \| radio \| street \| tense
White Heat (1949)	Agitato	0:05:43 - Big Ed plots against Cody	agitated \| conversing \| establish character \| gangster \| plotting \| street \| tense \| walking
White Heat (1949)	Big Ed	0:06:00 - Big Ed talks to Cody	arriving \| dark \| establish character \| gangster \| leading man \| murderer \| room \| tense \| victim
White Heat (1949)	Thinking	0:06:23 - Cody walks across the room	establish character \| gangster \| leading man \| mother \| murderer \| room \| tense \| thinking \| victim \| walking
White Heat (1949)	Stirring the pot	0:06:29 - Ma stirs food in a pot	cooking \| establish character \| gangster \| leading man \| mother \| murderer \| room \| stirring \| uneasy \| victim
White Heat (1949)	Ma	0:06:34 - Ma cooks dinner	cooking \| establish character \| gangster \| leading man \| mother \| murderer \| room \| uneasy \| victim
White Heat (1949)	Moll	0:06:40 - Verna sleeps	calm \| establish character \| gangster \| leading lady \| leading man \| moll \| murderer \| room \| sleeping \| snoring \| waking
White Heat (1949)	Verna	0:06:56 - Verna gets up	arguing \| bluesy \| complaining \| dark \| establish character \| gangster \| leading lady \| leading man \| moll \| mother \| murderer \| rising \| room \| victim \| waking
White Heat (1949)	Rushing	0:10:49 - A gangster comes in the door	advance plot \| arguing \| dark \| gangster \| leading lady \| leading man \| moll \| mother \| murderer \| punching \| room \| storm \| tense \| victim \| wind
White Heat (1949)	Plotting	0:11:21 - Cody packs up money in a suitcase	conversing \| dark \| gangster \| leading lady \| leading man \| love scene \| moll \| money \| murderer \| packing \| room \| tense \| transition
White Heat (1949)	Verna (Molto Expressivo)	0:11:38 - Verna embraces Cody	bluesy \| conversing \| dark \| embracing \| flirting \| gangster \| kissing \| leading lady \| leading man \| love scene \| moll \| money \| mother \| murderer \| room \| victim \| waltz
White Heat (1949)	Underscoring (Dark)	0:12:14 - Zuckie pleads with Cody	conversing \| dark \| death \| funereal \| gangster \| leading lady \| leading man \| moll \| mother \| murderer \| murder scene \| pleading \| room \| underscoring \| victim
White Heat (1949)	Zuckie's Death	0:12:29 - Cody ignores Zuckie	crying \| dark \| death \| departing \| funereal \| gangster \| leading lady \| leading man \| moaning \| moll \| mother \| murderer \| murder scene \| pleading \| room \| somber \| victim
White Heat (1949)	Plotting (Extended)	0:12:45 - Ma warns Cody that Zuckie may talk	dark \| death \| gangster \| leading lady \| leading man \| moll \| mother \| murderer \| murder scene \| mysterious \| plotting \| victim \| warning \| yard
White Heat (1949)	Underscoring (Dramatic)	0:12:57 - Cody orders Cotton to shoot Zuckie	commanding \| dark \| death \| dramatic \| gangster \| gun \| leading lady \| leading man \| moll \| mother \| murderer \| murder scene \| stinger \| underscoring \| victim \| yard
White Heat (1949)	Plotting (Ugly)	0:13:06 - Cotton goes to kill Zuckie	dark \| death \| gangster \| gun \| leading lady \| leading man \| moll \| mother \| murderer \| murder scene \| mysterious \| victim \| walking \| yard
White Heat (1949)	Zuckie's Death	0:13:32 - Gangsters get in the car	dark \| death \| departing \| funereal \| gangster \| gun \| leading lady \| leading man \| moll \| mother \| murderer \| murder scene \| somber \| victim \| walking \| yard
White Heat (1949)	Cody (Molto Marcato)	0:13:59 - Cody walks to the car	bold \| dark \| departing \| gangster \| leading lady \| leading man \| moll \| mother \| murderer \| murder scene \| victim \| violent \| walking \| yard
White Heat (1949)	Driving	0:14:09 - The gangsters drive away	dark \| departing \| driving \| gangster \| leading lady \| leading man \| menacing \| moll \| mother \| murderer \| rushing \| self-borrowing \| street \| transition
White Heat (1949)	Speed	0:16:46 - Sign for Milbanke Motels	arriving \| car \| dark \| driving \| gangster \| leading man \| murderer \| self-borrowing \| street \| tense \| transition
White Heat (1949)	Backing up	0:17:00 - Cody backs up	arriving \| backing up \| car \| dark \| driving \| gangster \| leading man \| mickey-mousing \| murderer \| street \| tense \| transition
White Heat (1949)	Con Moto	0:17:09 - Cody gets out of his car	conflict \| dramatic \| gangster \| leading man \| murderer \| opening \| rushing \| searching \| street \| tense
White Heat (1949)	Danger (Con Moto)	0:17:39 - Cody argues with Verna	agitated \| arguing \| conflict \| gangster \| leading lady \| leading man \| moll \| murderer \| room \| tense
White Heat (1949)	Verna falls	0:18:05 - Verna falls off the chair	agitated \| chair \| conflict \| couch \| falling \| gangster \| kicking \| landing \| leading lady \| leading man \| mickey-mousing \| moll \| murderer \| room \| tense
White Heat (1949)	Danger (Molto Agitato)	0:23:25 - Evans points a gun at Cody	action scene \| agent \| agitated \| arresting \| dying \| falling \| gangster \| gun \| gunshot \| leading man \| murderer \| shooting \| street \| tense \| wound
White Heat (1949)	Danger (Escaping)	0:23:32 - Verna and Ma rush out	action scene \| agent \| dramatic \| escaping \| gangster \| leading lady \| leading man \| moll \| mother \| murderer \| room \| rushing \| street \| wound
White Heat (1949)	Agitato (Escaping)	0:23:37 - Evans struggles on the ground	action scene \| agent \| agitated \| car \| dramatic \| driving \| escaping \| gangster \| gun \| gunshot \| leading lady \| leading man \| moll \| mother \| murderer \| shooting \| street \| struggling \| tense \| wound
White Heat (1949)	Driving (Extended)	0:23:46 - The gangsters speed away	action scene \| agent \| car \| chasing \| dark \| dramatic \| gangster \| leading lady \| leading man \| menacing \| moll \| mother \| murderer \| speeding \| street \| wound
White Heat (1949)	Underscoring (Dramatic)	0:35:05 - Judge sentences Cody	courtroom \| courtroom scene \| dark \| dramatic \| gangster \| judge \| leading man \| murderer \| sentencing \| underscoring \| verdict
White Heat (1949)	T-Men (Molto Misterioso)	0:35:30 - Cody walks away	courtroom \| courtroom scene \| dramatic \| gangster \| judge \| leading man \| murderer \| prison \| prisoner \| stinger \| undercover agent \| walking
White Heat (1949)	Prison Fight	0:37:48 - Hank sees Bo Creel	action scene \| falling \| fighting \| gangster \| guard \| leading man \| mickey-mousing \| murderer \| prison \| prisoner \| punching \| tense \| undercover agent
White Heat (1949)	Punching and falling	0:38:03 - Hank punches inmate	action scene \| dramatic \| falling \| gangster \| guard \| leading man \| mickey-mousing \| murderer \| prison \| prisoner \| punching \| tense \| undercover agent
White Heat (1949)	Misterioso (Tense)	0:40:12 - Hank looks around	advance plot \| gangster \| leading man \| looking \| murderer \| mysterious \| photograph \| prison \| prisoner \| tense \| undercover agent \| underscoring
White Heat (1949)	T-Men (Expressivo)	0:40:26 - Hank looks at the photograph	advance plot \| conversing \| gangster \| leading man \| murderer \| photograph \| prison \| prisoner \| undercover agent \| uneasy
White Heat (1949)	Jumping on bed	0:40:41 - Hank jumps up on his bed	advance plot \| ascending \| gangster \| jumping \| leading man \| mickey-mousing \| murderer \| prison \| prisoner \| undercover agent \| uneasy
White Heat (1949)	Misterioso (Ominous)	0:40:51 - The prisoners talk	advance plot \| conversing \| gangster \| leading man \| murderer \| mysterious \| ominous \| prison \| prisoner \| tense \| undercover agent \| underscoring
White Heat (1949)	Whispering	0:41:06 - The prisoner reads lips	advance plot \| gangster \| leading man \| listening \| murderer \| prison \| prisoner \| spying \| tense \| undercover agent \| uneasy \| whisper effect \| whispering
White Heat (1949)	Thinking	0:41:34 - Prisoners talk about money	advance plot \| conversing \| gangster \| leading man \| murderer \| mysterious \| prison \| prisoner \| tense \| thinking \| undercover agent
White Heat (1949)	Underscoring (Tense)	0:42:03 - Ma talks to the gangsters	advance plot \| conversing \| gangster \| leading lady \| love interest \| moll \| mother \| room \| tense \| underscoring
White Heat (1949)	Cody (Expressivo)	0:42:17 - Ma talks to Big Ed	advance plot \| conversing \| gangster \| leading lady \| love interest \| moll \| mother \| room \| tense
White Heat (1949)	Agitato	0:42:32 - Verna leaves the room	advance plot \| agitated \| conversing \| departing \| gangster \| leading lady \| love interest \| moll \| mother \| room \| tense \| underscoring
White Heat (1949)	Big Ed	0:42:41 - Big Ed leaves the room	advance plot \| gangster \| leading lady \| love interest \| moll \| mother \| room \| tense \| walking
White Heat (1949)	Underscoring (Dramatic)	0:42:52 - Big Ed talks to Verna	advance plot \| anger \| angry \| arguing \| dramatic \| gangster \| leading lady \| love interest \| moll \| porch \| underscoring
White Heat (1949)	Moll (Arguing)	0:43:06 - Verna argues with Big Ed	anger \| arguing \| gangster \| leading lady \| love interest \| love scene \| moll \| porch \| tense \| uneasy
White Heat (1949)	Verna (Slowly)	0:43:41 - Verna kisses Big Ed	betrayal \| bluesy \| gangster \| kissing \| leading lady \| love interest \| love scene \| moll \| mother \| porch \| romantic \| spying \| sultry
White Heat (1949)	Underscoring (Mysterious)	0:44:42 - Parker sneaks	gangster \| leading man \| murderer \| murder scene \| mysterious \| prison \| prisoner \| sneaking \| undercover agent \| underscoring \| working
White Heat (1949)	Trap	0:44:53 - The crane moves over Cody's head	attempted \| crane \| crashing \| dramatic \| dropping \| falling \| gangster \| leading man \| machine \| machine effect \| mickey-mousing \| moving \| murder \| murderer \| murder scene \| prison \| prisoner \| saving \| stinger \| tense \| trap \| undercover agent
White Heat (1949)	Ma (Restless)	0:49:34 - Cody walks back to work	anxious \| dramatic \| gangster \| leading man \| mad scene \| murderer \| prison \| prisoner \| tense \| thinking \| threatening \| working
White Heat (1949)	Underscoring (Tense)	0:49:56 - Cody threatens Parker	gangster \| leading man \| mad scene \| murderer \| prison \| prisoner \| tense \| threatening \| underscoring
White Heat (1949)	Madness	0:50:16 - Cody hears voices	agitated \| blur \| falling \| gangster \| hallucinating \| hallucination \| headache \| headache effect \| hearing voices \| leading man \| machine \| mad scene \| murderer \| pain \| prison \| prisoner \| self-borrowing \| tense \| unsettled
White Heat (1949)	Headache	0:50:31 - Heavy machinery	agitated \| crawling \| falling \| gangster \| headache \| headache effect \| leading man \| machine \| mad scene \| murderer \| pain \| prison \| prisoner \| self-borrowing \| tense \| unsettled
White Heat (1949)	Struggle	0:50:50 - Cody crawls on the floor	agitated \| crawling \| falling \| gangster \| headache \| headache effect \| helping \| leading man \| machine \| mad scene \| murderer \| pain \| prison \| prisoner \| self-borrowing \| tense \| undercover agent \| unsettled
White Heat (1949)	Cody (Headache)	0:51:15 - Hank helps Cody	crawling \| gangster \| headache \| helping \| leading man \| mad scene \| murderer \| pain \| prison \| prisoner \| tense \| undercover agent
White Heat (1949)	Underscoring (Tense)	0:51:20 - Hank helps Cody	crawling \| gangster \| headache \| helping \| leading man \| mad scene \| massaging \| murderer \| pain \| prison \| prisoner \| tense \| undercover agent \| underscoring
White Heat (1949)	Cody rises	0:51:40 - Hank helps Cody stand	gangster \| headache \| helping \| leading man \| mad scene \| mickey-mousing \| murderer \| pain \| prison \| prisoner \| rising \| tense \| undercover agent
White Heat (1949)	Cody (Recovering)	0:51:52 - Cody's headache subsides	gangster \| headache \| leading man \| mad scene \| murderer \| pain \| prison \| prisoner \| tense \| undercover agent \| uneasy \| waiting
White Heat (1949)	Misterioso (Straitjacket)	1:04:07 - The warden talks with Cody	conversing \| doctor \| gangster \| guard \| leading man \| murderer \| mysterious \| prison \| prison break \| prisoner \| straitjacket \| tense \| underscoring \| warden
White Heat (1949)	Plotting (Tense)	1:04:33 - Tommy brings food to Cody	carrying \| doctor \| feeding \| food \| gangster \| guard \| leading man \| murderer \| mysterious \| prison \| prison break \| prisoner \| straitjacket \| tense \| warden
White Heat (1949)	Misterioso (Tense 2)	1:04:48 - Tommy loosens Cody's straitjacket	doctor \| gangster \| guard \| gun \| leading man \| loosening \| murderer \| mysterious \| prison \| prison break \| prisoner \| releasing \| straitjacket \| tense \| untying \| warden
White Heat (1949)	Cody (Pulls Gun)	1:05:05 - Cody stands up	doctor \| dramatic \| gangster \| guard \| gun \| leading man \| loosening \| murderer \| mysterious \| prison \| prison break \| prisoner \| releasing \| straitjacket \| tense \| untying \| warden
White Heat (1949)	Danger (Tense)	1:05:23 - Cody forces the doctor out at gunpoint	doctor \| down \| dramatic \| gangster \| guard \| gun \| leading man \| murderer \| prison \| prison break \| prisoner \| stinger \| warden
White Heat (1949)	Gathering	1:05:39 - Inmates playing cards	conversing \| doctor \| dramatic \| gangster \| guard \| leading man \| murderer \| prison \| prison break \| prisoner \| self-borrowing \| tense \| walking
White Heat (1949)	Cody (Violent)	1:06:11 - Cody shoves the doctor	commanding \| doctor \| dramatic \| gangster \| guard \| gun \| leading man \| murderer \| prison \| prison break \| prisoner \| pushing \| stinger \| violent
White Heat (1949)	Danger (Risoluto)	1:06:24 - Cody forces the guard into a cell	commanding \| doctor \| gangster \| guard \| gun \| leading man \| murderer \| prison \| prison break \| prisoner \| pushing \| tense \| warden
White Heat (1949)	Cody 3	1:06:43 - Cody forces men out at gunpoint	commanding \| doctor \| dramatic \| gangster \| guard \| gun \| kicking \| leading man \| murderer \| prison \| prison break \| prisoner \| warden
White Heat (1949)	Trap	1:06:47 - Cody kicks Parker	commanding \| dramatic \| gangster \| guard \| gun \| kicking \| leading man \| murderer \| prison \| prison break \| prisoner \| revenge \| tense \| warden
White Heat (1949)	Plotting (Extended)	1:07:13 - Cody forces men out at gunpoint	commanding \| dramatic \| gangster \| guard \| gun \| leading man \| murderer \| prison \| prison break \| prisoner \| revenge \| tense \| warden
White Heat (1949)	Prison Break	1:07:19 - Cody and men go outside	dramatic \| escaping \| gangster \| guard \| gun \| leading man \| murderer \| prison \| prison break \| prisoner \| rushing \| self-borrowing \| warden
White Heat (1949)	Underscoring (Dramatic)	1:07:29 - Cody commands the men	car \| dramatic \| escaping \| gangster \| guard \| gun \| leading man \| murderer \| prison \| prison break \| prisoner \| underscoring \| warden
White Heat (1949)	Danger (Tense)	1:07:49 - The men get in the car	car \| dramatic \| escaping \| fanfare \| gangster \| guard \| gun \| leading man \| motor effect \| murderer \| prison \| prison break \| prisoner \| underscoring \| warden
White Heat (1949)	Underscoring (Tense)	1:07:57 - The car drives off	car \| dramatic \| escaping \| fanfare \| gangster \| guard \| gun \| leading man \| murderer \| prison \| prison break \| prisoner \| tense \| warden
White Heat (1949)	Cody (Prison Gate)	1:08:17 - The prison gates open	car \| dramatic \| escaping \| gangster \| gate \| guard \| gun \| leading man \| mickey-mousing \| murderer \| prison \| prison break \| prisoner \| warden
White Heat (1949)	Cody 2 (Molto Misterioso)	1:09:13 - Cody adjusts his hat in the mirror	dressing \| fugitive \| gangster \| hat \| leading man \| mirror \| murderer \| mysterious \| prison break \| room \| tense
White Heat (1949)	Five O'Clock Whistle	1:11:01 - Verna watches Ed	advance plot \| conversing \| gangster \| leading lady \| love interest \| moll \| popular music \| radio \| room \| source music \| upbeat
White Heat (1949)	Underscoring (Tense)	1:13:20 - Big Ed walks up the stairs	action scene \| dark \| gangster \| leading lady \| love interest \| moll \| room \| tense \| underscoring \| walking
White Heat (1949)	Danger (Agitato)	1:13:33 - Verna sits up	action scene \| anxiety \| danger \| gangster \| leading lady \| listening \| love interest \| moll \| room \| tense
White Heat (1949)	Madness (Agitato)	1:15:59 - Cody looks at Verna	agitated \| anger \| death \| gangster \| leading lady \| leading man \| lying \| moll \| murderer \| murder scene \| staring \| stinger \| tense \| yard
White Heat (1949)	Cody (Malevolent)	1:16:18 - Cody pushes Verna	dark \| gangster \| gun \| leading lady \| leading man \| moll \| murderer \| murder scene \| pushing \| yard
White Heat (1949)	Underscoring (Tense)	1:16:28 - Big Ed creates a decoy	decoy \| gangster \| gun \| love interest \| murder scene \| preparing \| room \| tense \| underscoring
White Heat (1949)	Underscoring (Mysterious)	1:16:51 - Cody and Verna climb through the window	gangster \| gun \| leading lady \| leading man \| moll \| murderer \| murder scene \| mysterious \| room \| sneaking \| sneaking effect \| tense \| underscoring \| window
White Heat (1949)	Verna (Uneasy)	1:18:05 - Big Ed kisses Verna	dark \| drinking \| embracing \| gangster \| gun \| kissing \| leading lady \| leading man \| love interest \| moll \| murderer \| murder scene \| room \| somber \| spying \| waiting
White Heat (1949)	Big Ed's Death	1:18:41 - Big Ed runs	dark \| death \| dramatic \| dying \| falling \| gangster \| gun \| gunshot \| leading lady \| leading man \| love interest \| mickey-mousing \| moll \| murder \| murderer \| murder scene \| room \| running \| rushing \| shooting \| violence
White Heat (1949)	Underscoring (Dramatic)	1:19:20 - Big Ed's body falls down the stairs	dark \| death \| dramatic \| falling \| fugitive \| gangster \| leading lady \| leading man \| love interest \| mickey-mousing \| moll \| murderer \| murder scene \| panning shot \| room \| stairs \| staring \| statue \| stinger \| undercover agent \| underscoring \| watching
White Heat (1949)	Panning	1:19:32 - Camera pans to the group	beans \| dramatic \| fugitive \| gangster \| leading lady \| leading man \| love interest \| mickey-mousing \| moll \| murderer \| panning shot \| room \| throwing \| transition \| undercover agent \| waiting
White Heat (1949)	Fight	1:26:51 - Hank attacks the gangster	action scene \| dramatic \| fighting \| fugitive \| gangster \| leading man \| mickey-mousing \| murderer \| punching \| tense \| undercover agent \| yard
White Heat (1949)	T-Men (Misterioso)	1:27:39 - Hank talks to Cody	advance plot \| arguing \| conversing \| fugitive \| gangster \| leading man \| murderer \| mysterious \| stinger \| undercover agent \| yard
White Heat (1949)	Underscoring (Tense)	1:27:53 - Hank talks to Cody	advance plot \| arguing \| conversing \| fugitive \| gangster \| leading man \| murderer \| tense \| undercover agent \| underscoring \| yard
White Heat (1949)	Verna (Cello Solo)	1:28:30 - Cody talks about Verna	advance plot \| character mention \| conversing \| fugitive \| gangster \| leading man \| memory \| murderer \| somber \| undercover agent \| yard
White Heat (1949)	Ma (Molto Expressivo)	1:28:38 - Cody talks about his mother	advance plot \| character mention \| conversing \| fugitive \| gangster \| leading man \| memory \| murderer \| tense \| undercover agent \| uneasy \| yard
White Heat (1949)	Plotting (Agitato)	1:29:03 - Cody talks about his family	advance plot \| conversing \| fugitive \| gangster \| insanity \| leading man \| memory \| murderer \| tense \| undercover agent \| uneasy \| yard
White Heat (1949)	Cody (Climbing)	1:29:15 - Cody talks about his past	advance plot \| conversing \| fugitive \| gangster \| leading man \| memory \| murderer \| tense \| undercover agent \| uneasy \| yard
White Heat (1949)	Ma (Triste)	1:29:29 - Cody talks about his mother	advance plot \| character mention \| conversing \| fugitive \| gangster \| leading man \| memory \| murderer \| tense \| undercover agent \| uneasy \| yard
White Heat (1949)	Danger (Sneaky)	1:31:56 - Hank puts the transmitter on the truck	advance plot \| fugitive \| gangster \| hiding \| leading lady \| leading man \| moll \| murderer \| sneaking \| tense \| transmitter \| truck \| undercover agent \| yard
White Heat (1949)	Cody 3 (Tense)	1:32:12 - Cody approaches the truck	advance plot \| conversing \| fugitive \| gangster \| leading lady \| leading man \| lying \| moll \| murderer \| tense \| transmitter \| truck \| undercover agent \| yard
White Heat (1949)	Underscoring (Tense)	1:33:58 - Hank talks to the gas station attendant	advance plot \| conversing \| fugitive \| gangster \| gas station \| leading man \| murderer \| tense \| truck \| undercover agent \| underscoring \| worker \| working
White Heat (1949)	Underscoring (Tense)	1:34:25 - Attendant fixes the truck	advance plot \| conversing \| fugitive \| gangster \| gas station \| leading man \| murderer \| tense \| underscoring \| waiting \| worker \| working
White Heat (1949)	Mirror	1:34:34 - Gangster goes to check on Hank	advance plot \| bathroom \| dramatic \| fanfare \| fugitive \| gangster \| gas station \| hurrying \| leading man \| message \| mirror \| murderer \| tense \| undercover agent \| worker \| writing
White Heat (1949)	Bo Creel	1:35:51 - Bo Creel comes outside	advance plot \| conversing \| dark \| fugitive \| gangster \| leading man \| murderer \| ominous \| preparing \| stinger \| tense \| truck \| undercover agent \| worker \| working \| yard
White Heat (1949)	Verna (Gum)	1:36:15 - Verna spits out her gum	advance plot \| conversing \| fugitive \| gangster \| gum \| kissing \| leading lady \| leading man \| moll \| murderer \| preparing \| spitting \| tense \| undercover agent \| uneasy \| worker \| yard
White Heat (1949)	Danger	1:36:32 - The gangsters hide in the truck	advance plot \| fugitive \| gangster \| hiding \| leading man \| murderer \| preparing \| tense \| truck \| truck \| undercover agent \| worker
White Heat (1949)	Truck	1:36:45 - The truck engine starts	advance plot \| driving \| fugitive \| gangster \| leading man \| mickey-mousing \| murderer \| starting \| tense \| truck \| truck \| undercover agent \| worker
White Heat (1949)	Truck (Speeding)	1:37:36 - Tanker drives down the street	chase scene \| driving \| fugitive \| gangster \| leading man \| murderer \| ominous \| speeding \| street \| truck \| undercover agent
White Heat (1949)	Cody 2 (Montage)	1:38:26 - Tanker drives down the street	car \| car \| chase scene \| dark \| double exposure \| electronic effect \| fugitive \| gangster \| leading man \| montage \| murderer \| pursuing \| radio effect \| speeding \| street \| truck \| undercover agent
White Heat (1949)	Cody 2	1:39:10 - Tanker drives down the street	car \| chase scene \| dark \| double exposure \| driving \| fugitive \| gangster \| leading man \| montage \| murderer \| radio \| speeding \| street \| truck \| undercover agent
White Heat (1949)	Truck (Tutti)	1:39:43 - Tanker pulls up to factory	chase scene \| dramatic \| driving \| fugitive \| gangster \| leading man \| murderer \| ominous \| street \| truck \| undercover agent
White Heat (1949)	Cody (Mugs)	1:39:57 - Gangsters in the tanker	arriving \| chase scene \| dramatic \| driving \| factory \| fugitive \| gangster \| guard \| leading man \| murderer \| ominous \| truck \| truck \| undercover agent \| waiting
White Heat (1949)	Gate	1:40:15 - The factory gate opens	arriving \| chase scene \| closing \| dark \| driving \| factory \| fanfare \| fugitive \| gangster \| gate \| guard \| leading man \| murderer \| opening \| tense \| truck \| undercover agent
White Heat (1949)	Underscoring (Tense)	1:40:42 - Truck pulls in to factory	arriving \| chase scene \| driving \| factory \| fugitive \| gangster \| leading man \| murderer \| tense \| truck \| undercover agent \| underscoring
White Heat (1949)	Cody	1:40:57 - Cody exits truck	arriving \| chase scene \| dark \| factory \| fugitive \| gangster \| leading man \| murderer \| opening \| tense \| truck \| undercover agent
White Heat (1949)	Rushing (Misterioso)	1:41:01 - Cody emerges from the truck	chase scene \| dark \| factory \| fugitive \| gangster \| leading man \| murderer \| rushing \| tense \| truck \| undercover agent
White Heat (1949)	Plotting (Faster)	1:41:49 - Gangsters enter the building	action scene \| anxious \| arriving \| factory \| fugitive \| gangster \| guard \| hurrying \| leading man \| murderer \| tense \| undercover agent \| working
White Heat (1949)	Underscoring (Tense)	1:42:42 - Hank looks out the window	action scene \| factory \| fugitive \| gangster \| guard \| leading man \| murderer \| tense \| undercover agent \| underscoring \| working
White Heat (1949)	Police Raid	1:43:09 - Gangster acting as lookout	action scene \| arriving \| factory \| fugitive \| gangster \| leading man \| looking \| march \| murderer \| police \| running \| rushing \| tense \| undercover agent
White Heat (1949)	Bo Creel (Misterioso)	1:43:26 - Bo Creel tells Cody that Hank is a cop	action scene \| discovering \| discovery \| factory \| fugitive \| gangster \| guard \| leading man \| looking \| murderer \| mysterious \| realizing \| undercover agent
White Heat (1949)	Underscoring (Dramatic)	1:46:13 - Cody shoots man in back	action scene \| agent \| death \| dramatic \| dying \| factory \| falling \| fugitive \| gangster \| gun \| gunshot \| leading man \| mickey-mousing \| murder \| murderer \| shooting \| tear gas \| underscoring
White Heat (1949)	Crawling	1:46:18 - Hank crawls on the floor	action scene \| agent \| crawling \| dramatic \| factory \| fugitive \| gangster \| gun \| leading man \| mickey-mousing \| murderer \| rushing \| tear gas \| tense
White Heat (1949)	Danger (Extended)	1:47:06 - Cody sends men out	action scene \| agent \| death \| dying \| factory \| falling \| fugitive \| gangster \| gun \| gunshot \| leading man \| murderer \| police \| pushing \| rushing \| shooting \| tense
White Heat (1949)	Climbing stairs	1:47:22 - Gangsters climb up stairs	action scene \| agent \| ascending \| dramatic \| factory \| fleeing \| fugitive \| gangster \| leading man \| mickey-mousing \| murderer \| police \| running \| rushing \| stairs
White Heat (1949)	Underscoring (Dramatic)	1:47:35 - Gangsters get off of ladder	action scene \| agent \| dramatic \| factory \| fugitive \| gangster \| hiding \| leading man \| murderer \| police \| rushing \| tense \| underscoring
White Heat (1949)	White Heat (Police Raid)	1:47:47 - Police advance on the gangsters	action scene \| advancing \| agent \| death \| dramatic \| dying \| factory \| falling \| fugitive \| gangster \| gun \| gunshot \| hidiging \| leading man \| mickey-mousing \| murder \| murderer \| police \| raid \| searching \| shooting \| shootout \| tense
White Heat (1949)	Falling and dying	1:48:09 - Gangster falls down	action scene \| death \| descending \| dramatic \| dying \| factory \| falling \| gangster \| gun \| gunshot \| mickey-mousing \| police \| raid \| shootout \| tense
White Heat (1949)	Cody 2 (Brash)	1:48:12 - Agents run up the stairs	action scene \| agent \| ascending \| brash \| dramatic \| factory \| fugitive \| gangster \| leading man \| murderer \| police \| raid \| running \| rushing \| shootout \| stairs
White Heat (1949)	Prison Fight + Agents	1:48:17 - Gangsters run up the stairs	action scene \| agent \| ascending \| combination of themes \| dramatic \| factory \| fleeing \| fugitive \| gangster \| gun \| gunshot \| leading man \| murderer \| police \| raid \| running \| rushing \| shootout \| stairs \| tense
White Heat (1949)	Falling down stairs	1:48:21 - Gangster falls down the stairs	action scene \| death \| descending \| dramatic \| dying \| factory \| falling \| gangster \| gun \| mickey-mousing \| police \| raid \| shootout \| stairs \| tense
White Heat (1949)	Prison Fight + Agents	1:48:30 - Agents run up the stairs	action scene \| agent \| ascending \| chasing \| dramatic \| factory \| fugitive \| gangster \| leading man \| murderer \| police \| raid \| running \| stairs \| tense
State’s Attorney (1932)	Blues (Piano)	0:18:14 - People talking in a club	advance plot \| blue note \| club \| conversing \| gangster \| leading lady \| leading man \| mistress \| score to source \| source music \| upbeat
Sing and Like It (1934)	Indiana	0:01:30 - Ruby changes the radio station	ABAC structure \| boss \| conversing \| establish character \| gangster \| jazz \| leading lady \| leading man \| listening \| moll \| radio \| room \| source music \| upbeat
Sing and Like It (1934)	Dinah	0:02:34 - Ruby and Fenny listen to the radio	AABA structure \| arguing \| boss \| conversing \| establish character \| gangster \| gum \| jazz \| leading lady \| leading man \| listening \| moll \| radio \| room \| source music \| upbeat
Sing and Like It (1934)	It's Sunday Down in Caroline	0:04:11 - Fenny prepares for a meeting	AABA structure \| boss \| conversing \| establish character \| gangster \| jazz \| laughing \| leading lady \| leading man \| moll \| plotting \| radio \| room \| source music \| upbeat
Sing and Like It (1934)	Your Mother	0:10:15 - Annie sings on stage	AABA structure \| ballad \| boss \| crying \| gangster \| leading lady \| listening \| musician \| music scene \| on-screen music \| piano \| robbery \| score to source \| sentimental \| singer \| singing \| source music \| stage \| stealing
Sing and Like It (1934)	Your Mother	0:13:55 - Annie sings on stage	AABA structure \| ballad \| boss \| crying \| gangster \| leading lady \| listening \| musician \| music scene \| on-screen music \| piano \| sentimental \| singer \| singing \| source music \| stage
Sing and Like It (1934)	Your Mother	0:23:01 - Call board for a dress rehearsal	AABA structure \| arguing \| ballad \| boss \| conversing \| gangster \| leading lady \| listening \| musician \| music scene \| on-screen music \| piano \| sentimental \| singer \| singing \| source music \| stage
Sing and Like It (1934)	Liebesträume	0:34:46 - Ruby enters the room	advance plot \| calm \| classical music \| conversing \| gangster \| leading lady \| moll \| musician \| on-screen music \| piano \| playing \| room \| secondary dominant \| source music
Sing and Like It (1934)	Your Mother	0:35:20 - Toots plays the piano	advance plot \| ballad \| gangster \| leading lady \| moll \| musician \| on-screen music \| piano \| playing \| room \| sentimental \| singing \| source music \| teasing \| tone cluster
Sing and Like It (1934)	Liebesträume	0:35:31 - Toots plays the piano	advance plot \| calm \| classical music \| conversing \| gangster \| leading lady \| moll \| musician \| on-screen music \| piano \| playing \| room \| secondary dominant \| source music
Sing and Like It (1934)	Hearts and Flowers	0:36:11 - Toots plays the piano	advance plot \| conversing \| gangster \| leading lady \| moll \| musician \| on-screen music \| parallel period \| piano \| playing \| popular song \| room \| sentimental \| source music
Sing and Like It (1934)	Hi-De-Ho	0:37:46 - Fenny talks with Mr. Frink	AABA structure \| advance plot \| boss \| conversing \| dancing \| gangster \| laughing \| leading man \| on-screen music \| piano \| source music \| theater \| upbeat
Sing and Like It (1934)	Your Mother	0:44:50 - Annie sings with a tenor	AABA structure \| actor \| advance plot \| ballad \| boss \| gangster \| leading lady \| on-screen music \| piano \| sentimental \| singer \| singing \| source music \| stage
Sing and Like It (1934)	King Kong March	0:58:31 - Annie's name in lights	9th chord \| 11th chord \| 13th chord \| added-note chord \| advance plot \| arriving \| binary form \| boss \| common-tone diminished 7th \| critic \| crowd \| dressing room \| fanfare \| fanfare \| gangster \| leading lady \| lobby \| mode mixture \| neon lights \| parallelism \| self-borrowing \| singer \| street \| theater \| worker
Sing and Like It (1934)	Hi-De-Ho	1:01:43 - The audience	AABA structure \| boss \| critic \| crowd \| dance \| dancing \| gangster \| moll \| musical \| music scene \| on-screen music \| performer \| performing \| singer \| singing \| source music \| theater \| upbeat \| watching
Sing and Like It (1934)	My Imaginary Sweetheart	1:03:10 - The audience reacts	AABA structure \| boss \| conducting \| conductor \| critic \| crowd \| dancer \| dancing \| gangster \| moll \| musical \| musician \| music scene \| on-screen music \| performer \| performing \| playing \| source music \| theater \| upbeat \| watching
Sing and Like It (1934)	My Imaginary Sweetheart	1:03:34 - The critic reacts	AABA structure \| boss \| conducting \| conductor \| critic \| crowd \| dancer \| dancing \| gangster \| gun \| laughing \| moll \| musical \| musician \| music scene \| on-screen music \| performer \| performing \| playing \| source music \| theater \| threatening \| upbeat \| watching
Sing and Like It (1934)	My Imaginary Sweetheart	1:04:10 - The critic reacts	AABA structure \| boss \| conducting \| conductor \| critic \| crowd \| dancer \| dancing \| gangster \| gun \| laughing \| moll \| musical \| musician \| music scene \| on-screen music \| performer \| performing \| playing \| source music \| theater \| threatening \| upbeat \| watching
Sing and Like It (1934)	Your Mother	1:04:54 - A man conducts the pit orchestra	AABA structure \| ballad \| boss \| conducting \| conductor \| critic \| crowd \| crying \| dancing \| gangster \| gun \| leading lady \| moll \| musical \| musician \| music scene \| on-screen music \| performer \| performing \| playing \| sentimental \| singer \| singing \| source music \| theater \| threatening \| watching
Sing and Like It (1934)	Your Mother (Curtain Call)	1:07:57 - The audience applauds	AABA structure \| applauding \| boss \| bowing \| cheering \| conducting \| conductor \| critic \| crowd \| gangster \| leading lady \| moll \| musical \| musician \| music scene \| on-screen music \| performer \| playing \| secondary dominant \| singer \| source music \| theater \| transcribed by ear \| upbeat
Sing and Like It (1934)	Makes You Forget Your Troubles	1:08:27 - A man pours champagne	AABA structure \| announcing \| boss \| celebrating \| common-tone diminished 7th \| conversing \| crowd \| drinking \| gangster \| leading lady \| moll \| party \| party \| room \| singer \| source music \| upbeat
Sing and Like It (1934)	At Sunset	1:09:46 - The crowd leaves the party	boss \| conversing \| gangster \| leading lady \| moll \| parallel double period \| party \| party \| room \| sentimental \| singer \| source music
Don’t Turn ‘em Loose (1936)	Mildred Waltz	0:24:13 - Bob and Letty go for a walk	ABA structure \| advance plot \| altered dominant \| augmented sixth chord \| calm \| conversing \| diminished 7th chord \| gangster \| imposter \| leading man \| love interest \| street \| transcribed by ear \| walking \| waltz
Don’t Turn ‘em Loose (1936)	Gimpy Walk	0:26:00 - Bob walks	advance plot \| appoggiatura \| gangster \| imposter \| leading man \| oscillation \| pacing \| room \| street \| tense \| walking
Don’t Turn ‘em Loose (1936)	Gimpy Walk	0:26:12 - Bob walks	added-note chord \| advance plot \| gangster \| imposter \| leading man \| oscillation \| pacing \| room \| street \| tense \| walking
Don’t Turn ‘em Loose (1936)	Gimpy Walk	0:26:17 - Bob walks	added-note chord \| advance plot \| calm \| gangster \| imposter \| leading man \| mode mixture \| oscillation \| pacing \| reverse picardy \| room \| waiting \| walking
Don’t Turn ‘em Loose (1936)	Gimpy Walk	0:26:34 - Bob walks	added-note chord \| advance plot \| calm \| double exposure \| gangster \| imposter \| leading man \| oscillation \| pacing \| room \| waiting \| walking
Don’t Turn ‘em Loose (1936)	Suicide Transition	0:26:55 - Bob sits	augmented triad \| chromatic parallelism \| dissonant bass \| gangster \| guard \| gun \| gunshot \| imposter \| leading man \| mysterious \| parallelism \| plotting \| preparing \| reading \| robbery \| room \| sequence \| shooting \| store \| transcribed by ear \| whole-tone \| whole-tone chord
Don’t Turn ‘em Loose (1936)	Underscoring (Dramatic)	0:28:05 - Bob shoots guard	breaking \| death \| dramatic \| gangster \| guard \| gun \| gunshot \| imposter \| leading man \| murder \| robbery \| robbery \| shooting \| stealing \| store \| transcribed by ear \| whole-tone chord
Don’t Turn ‘em Loose (1936)	Mystery	0:28:14 - Bob (Bat) steals a necklace	breaking \| chromaticism \| gangster \| imposter \| leading man \| mysterious \| necklace \| pc set \| robbery \| robbery \| room \| stealing \| transcribed by ear
Don’t Turn ‘em Loose (1936)	Suicide Transition 2	0:28:29 - Bob (Bat) bandanges his hand	bandaging \| chromatic scale \| gangster \| imposter \| leading man \| mysterious \| returning \| robbery \| room \| transcribed by ear \| whole-tone chord
Don’t Turn ‘em Loose (1936)	Makes You Forget Your Troubles	0:39:42 - Grace turns on the radio	AABA structure \| arriving \| cheerful \| common-tone diminished 7th \| confronting \| conversing \| gangster \| gun \| leading man \| moll \| murderer \| murder scene \| popular music \| room \| source music \| staring \| threatening
Don’t Turn ‘em Loose (1936)	Makes You Forget Your Troubles (Dream Sequence)	0:39:59 - Bob (Bat) pulls a gun on Grace	augmented sixth chord \| cheerful \| confronting \| fragmentation \| frantic \| gangster \| gun \| gunshot \| half-diminished 7th chord \| leading man \| mirror shot \| moll \| murder \| murderer \| murder scene \| popular music \| reacting \| room \| screaming \| sequence \| shooting \| simulated source music \| source music \| staring \| tense \| threatening \| victim
Don’t Turn ‘em Loose (1936)	Makes You Forget Your Troubles	0:40:17 - Grace is shot	AABA structure \| cheerful \| common-tone diminished 7th \| gangster \| gun \| leading man \| mirror shot \| moll \| murder \| murderer \| murder scene \| planning \| popular music \| room \| source music \| staring \| victim
We're Only Human (1935)	The Escape (Hiding)	0:27:05 - Pete and Danny dodge from gunfire	action scene \| chromatic scale \| detective \| dodging \| dramatic \| gangster \| gunshot \| hiding \| leading man \| shooting \| stinger \| street \| whole-tone chord
We're Only Human (1935)	Gypo Runs Away	0:27:09 - Pete and Danny hide	action scene \| agitated \| chromatic parallelism \| detective \| diminished 7th chord \| gangster \| hiding \| leading man \| street \| tense
We're Only Human (1935)	The Informer (Up the Stairs)	0:27:17 - Pete prepares to advance	64 chord \| action scene \| agitated \| bank \| chromatic sequence \| detective \| dodging \| fragmentation \| gangster \| gunshot \| hiding \| leading man \| preparing \| running \| stinger \| tense
We're Only Human (1935)	Blood Money (Four Coins)	0:27:37 - Pete and Danny hide	action scene \| bank \| detective \| gangster \| half-diminished 7th chord \| hiding \| leading man \| mysterious \| preparing \| sneaking \| tense
We're Only Human (1935)	The Informer (Lying)	0:27:51 - Danny prepares to advance	action scene \| bank \| chromatic sequence \| detective \| diminished 7th chord \| dissonant bass \| gangster \| half-diminished 7th chord \| hiding \| leading man \| octatonic \| preparing \| sneaking \| tense
We're Only Human (1935)	Kong 1	0:28:23 - Pete jumps on a criminal	action scene \| bank \| chromatic parallelism \| detective \| dramatic \| fighting \| gangster \| jumping \| leading man \| pedal tone \| punching \| tense
We're Only Human (1935)	Kong 2	0:28:34 - Pete handcuffs a criminal	action scene \| bank \| detective \| dramatic \| fighting \| gangster \| leading man \| mysterious \| tense \| whole-tone \| whole-tone chord
We're Only Human (1935)	The Informer (Drinking)	0:28:39 - Pete stands up	action scene \| bank \| detective \| gangster \| leading man \| octatonic \| standing \| tense \| whole-tone chord
We're Only Human (1935)	Katie (Triste)	0:28:47 - Pete talks to the criminal	action scene \| arguing \| bank \| detective \| foreign key modulation \| gangster \| leading man \| parallelism \| stinger \| sultry
We're Only Human (1935)	Blood Money (Extended)	0:28:58 - Pete walks away with the criminal	action scene \| arguing \| augmented triad \| bank \| detective \| gangster \| leading man \| mysterious \| tense \| tritone \| whole-tone
We're Only Human (1935)	Katie (Begging)	0:29:21 - Close up on Danny	64 chord \| action scene \| bank \| calling \| detective \| gangster \| leading man \| sequence \| serious \| tense \| victim
We're Only Human (1935)	Begging	0:29:35 - Pete talks with Danny	action scene \| arguing \| bank \| detective \| diminished 7th chord \| dissonant bass \| gangster \| leading man \| pedal tone \| sequence \| serious \| tense \| victim
We're Only Human (1935)	Katie (Dolcissimo)	0:30:05 - Danny talks with Pete	action scene \| bank \| chromatic sequence \| conversing \| death \| detective \| dying \| gangster \| leading man \| solemn \| victim
We're Only Human (1935)	Dan and Mary (Adagio)	0:30:44 - Pete says goodbye to Danny	11th chord \| action scene \| bank \| conversing \| death \| detective \| dying \| gangster \| leading man \| solemn \| victim
We're Only Human (1935)	The Escape	1:04:31 - Pete enters the house	chromatic scale \| climax \| conflict \| detective \| dodging \| dramatic \| gangster \| gunshot \| hiding \| leading man \| murderer \| room \| shooting \| underscoring \| whole-tone \| whole-tone chord
We're Only Human (1935)	Game 4	1:04:54 - Pete crawls on the floor	climax \| conflict \| crawling \| detective \| gangster \| leading man \| murderer \| room \| tense \| underscoring \| whole-tone chord
We're Only Human (1935)	Game 5	1:05:03 - Pete prepares to shoot	chromatic parallelism \| climax \| conflict \| detective \| gangster \| gunshot \| leading man \| murderer \| pc set \| pedal tone \| room \| shooting \| sneaking \| tense \| underscoring \| whole-tone chord
We're Only Human (1935)	Blood Money (Counting Money)	1:05:25 - Pete looks at the fallen man	climax \| conflict \| detective \| gangster \| leading man \| murderer \| mysterious \| room \| sneaking \| tense \| tone cluster
We're Only Human (1935)	Game 6	1:05:34 - Pete dodges gunfire	climax \| conflict \| dark \| detective \| gangster \| leading man \| murderer \| room \| sneaking \| taunting \| tense \| underscoring
We're Only Human (1935)	Game 7	1:05:48 - Pete runs up the stairs	9th chord \| climax \| conflict \| detective \| dramatic \| gangster \| leading man \| murderer \| parallelism \| pc set \| pedal tone \| room \| running \| rushing \| tense \| underscoring \| whole-tone chord
We're Only Human (1935)	Game 8	1:05:55 - Pete advances slowly	arguing \| chromatic scale \| climax \| conflict \| detective \| gangster \| half-diminished 7th chord \| hostage \| leading man \| murderer \| pedal tone \| polychord \| room \| sneaking \| taunting \| tense \| tricking \| underscoring
We're Only Human (1935)	Lost Patrol 2	1:06:45 - Berger falls to the ground	climax \| conflict \| death \| detective \| dramatic \| dying \| falling \| gangster \| gunshot \| hostage \| leading man \| murderer \| room \| tone cluster \| underscoring
We're Only Human (1935)	Lost Patrol 3	1:06:52 - Pete looks at Berger	64 chord \| climax \| conflict \| death \| detective \| gangster \| hostage \| leading man \| murderer \| reacting \| room \| solemn
Another Face (1935)	Success at any Price Transition	0:00:58 - Times Square in New York City	car \| conversing \| deceptive resolution \| driving \| establish setting \| foreign key modulation \| gangster \| laughing \| mysterious \| street \| sultry
Another Face (1935)	Lover's Quarrel	0:01:38 - Gangsters get out of a car	arriving \| establish setting \| gangster \| mysterious \| office \| sequence \| street \| walking
Another Face (1935)	Suicide Transition	0:01:57 - Gangsters arrive at doctor's office	arriving \| conversing \| doctor \| establish setting \| gangster \| mysterious \| office \| parallelism \| pedal tone
Another Face (1935)	Russian Waltz (Meno) + The Iron Door	0:02:11 - Gangsters talk with doctor	chromatic scale \| combination of themes \| conversing \| doctor \| establish character \| gangster \| mysterious \| nurse \| office \| pedal tone \| tense
Another Face (1935)	Underscoring (Tense)	0:02:30 - Gangster talks with nurse	chromatic parallelism \| conversing \| doctor \| establish character \| gangster \| half-diminished 7th chord \| nurse \| office \| tense \| underscoring
Another Face (1935)	Zaroff (Molto Moderato) + The Iron Door	0:02:43 - The gangsters depart	chromatic scale \| combination of themes \| conversing \| departing \| doctor \| establish character \| gangster \| half-diminished 7th chord \| mysterious \| nurse \| office \| tense
Another Face (1935)	Courage + The Iron Door	0:02:53 - Close up on the nurse	dramatic \| establish character \| gangster \| headline \| laughing \| newspaper \| nurse \| office \| pedal tone \| reacting \| reading \| stinger \| tense
Another Face (1935)	Underscoring (Mysterious)	0:03:08 - Gangster smoking in chair	augmented triad \| chromatic parallelism \| establish character \| gangster \| office \| smoking \| tense \| underscoring \| waiting
Another Face (1935)	Ursula (Hypnotic)	0:03:21 - An operation	diminished 7th chord \| doctor \| gangster \| mysterious \| nurse \| operating \| operating room \| operation scene \| patient \| surgery
Another Face (1935)	The Swami (Sleeping)	0:03:42 - The nurse gets supplies	doctor \| gangster \| mysterious \| nurse \| operating \| operating room \| operation scene \| patient \| surgery \| whole-tone \| whole-tone chord
Another Face (1935)	Russian Waltz (Whole Tone)	0:03:55 - The operation continues	doctor \| gangster \| mysterious \| nurse \| operating \| operating room \| operation scene \| patient \| surgery \| whole-tone chord
Another Face (1935)	Courage (Tone Cluster)	0:04:26 - Gangster all bandaged up	conversing \| departing \| doctor \| gangster \| half-diminished 7th chord \| mysterious \| nurse \| operating room \| operation scene \| patient \| whole-tone chord
Another Face (1935)	I Never Saw a Better Night	0:39:50 - Sheila talks with her aunt	AABA structure \| actress \| advance plot \| aunt \| conversing \| criminal \| fiancé \| gangster \| maid \| mellow \| mother \| room \| source music
Another Face (1935)	Boys Will Be Boys	0:41:15 - The maid bakes a cake	AABA structure \| actress \| advance plot \| aunt \| conversing \| criminal \| diving \| fiancée \| gangster \| maid \| manager \| mellow \| mother \| room \| source music \| swimming
White Heat (1949)	Sliding down pole	1:48:43 - Cody slides down a pole	action scene \| agent \| descending \| dramatic \| factory \| fugitive \| gangster \| leading man \| mickey-mousing \| murderer \| pole \| police \| raid \| sliding \| tense
White Heat (1949)	Danger (Tense)	1:48:48 - Gangsters run away	action scene \| agent \| chasing \| dramatic \| factory \| fanfare \| fugitive \| gangster \| leading man \| murderer \| police \| raid \| running \| rushing \| tense
White Heat (1949)	Agents + Gathering	1:49:06 - Agents in action	action scene \| agent \| chasing \| combination of themes \| dramatic \| factory \| fugitive \| gangster \| leading man \| murderer \| police \| raid \| running \| rushing \| tense
White Heat (1949)	Danger (Risoluto)	1:49:17 - Agents advance	action scene \| agent \| chasing \| dramatic \| factory \| fugitive \| gangster \| leading man \| murderer \| police \| raid \| running \| rushing \| tense
White Heat (1949)	Underscoring (Dramatic)	1:49:19 - Gangsters run away	action scene \| agent \| chasing \| dramatic \| factory \| fugitive \| gangster \| leading man \| murderer \| police \| raid \| running \| rushing \| tense \| underscoring
White Heat (1949)	Plotting (Extended)	1:49:34 - Gangsters hide	action scene \| agent \| factory \| frantic \| fugitive \| gangster \| hiding \| leading man \| murderer \| police \| raid \| running \| rushing \| tense
White Heat (1949)	Rushing + Agents	1:49:44 - Police advance	action scene \| advancing \| agent \| combination of themes \| factory \| fugitive \| gangster \| hiding \| leading man \| murderer \| police \| raid \| rushing \| searching \| tense
White Heat (1949)	White Heat (Maestoso 2)	1:49:55 - Police advance	action scene \| advancing \| agent \| dramatic \| factory \| fugitive \| gangster \| hiding \| leading man \| murderer \| police \| raid \| rushing \| searching \| tense
White Heat (1949)	Agents (Searching)	1:50:02 - Agents plan their next move	action scene \| advancing \| agent \| dramatic \| factory \| fugitive \| gangster \| hiding \| leading man \| murderer \| police \| raid \| rushing \| searching \| tense
White Heat (1949)	Rushing (Searchlights)	1:50:05 - Searchlights	action scene \| agent \| factory \| fugitive \| gangster \| hiding \| laughing \| leading man \| mickey-mousing \| murderer \| police \| raid \| searching \| searchlight \| tense
White Heat (1949)	Madness	1:50:16 - Cody talks to Riley	action scene \| agent \| factory \| fugitive \| gangster \| hiding \| leading man \| madness \| murderer \| plotting \| police \| raid \| tense
White Heat (1949)	Plotting (Agitato)	1:50:27 - Cody gets up	action scene \| agent \| factory \| fugitive \| gangster \| hiding \| laughing \| leading man \| madness \| murderer \| police \| raid \| sneaking \| tense
White Heat (1949)	Cody (Climbing)	1:50:30 - Cody climbs the stairs	action scene \| agent \| ascending \| dramatic \| factory \| fugitive \| gangster \| hiding \| leading man \| murderer \| police \| raid \| rushing \| stairs \| tense
White Heat (1949)	Plotting	1:50:41 - Cody hides	action scene \| agent \| factory \| fugitive \| gangster \| hiding \| leading man \| murderer \| police \| raid \| tense
White Heat (1949)	Rushing (Searchlights 2)	1:50:48 - Searchlights	action scene \| agent \| announcing \| death \| factory \| fugitive \| gangster \| gun \| gunshot \| hiding \| killing \| laughing \| leading man \| mickey-mousing \| murder \| murderer \| police \| raid \| searching \| searchlight \| shooting \| surrendering \| tense
White Heat (1949)	Riley's Death	1:51:15 - Riley hits the ground	action scene \| agent \| dark \| death \| dying \| factory \| fugitive \| gangster \| laughing \| leading man \| murder \| murderer \| police \| raid \| stinger
White Heat (1949)	Cody 3 (Mocking)	1:51:30 - Cody shoots	action scene \| agent \| brash \| factory \| frantic \| fugitive \| gangster \| gun \| gunshot \| laughing \| leading man \| mocking \| murderer \| police \| raid
White Heat (1949)	Trap	1:51:37 - Policeman hands Hank a rifle	action scene \| agent \| aiming \| factory \| fugitive \| gangster \| gun \| leading man \| murderer \| police \| raid \| searching \| tense
White Heat (1949)	Rushing	1:51:44 - Searchlights	action scene \| agent \| aiming \| factory \| fugitive \| gangster \| gun \| gunshot \| hiding \| leading man \| mickey-mousing \| murderer \| police \| raid \| searching \| searchlight \| shooting \| tense
White Heat (1949)	Headache (Explosion)	1:52:26 - Cody shoots a gas valve	agent \| climax \| dramatic \| exploding \| explosion \| factory \| fire \| frantic \| fugitive \| gangster \| gun \| gunshot \| laughing \| leading man \| murderer \| police \| raid \| running \| rushing \| shooting
White Heat (1949)	Struggle	1:52:46 - Explosion	agent \| climax \| conversing \| death \| dramatic \| exploding \| explosion \| factory \| fire \| fugitive \| gangster \| leading man \| murderer \| police \| raid
White Heat (1949)	Cody (The End)	1:53:02 - Explosion	agent \| climax \| conversing \| dark \| death \| dramatic \| exploding \| explosion \| factory \| fire \| fugitive \| gangster \| leading man \| murderer \| police \| raid \| The End

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