| All This, and Heaven Too (1940) | Henriette | 0:00:28 - Cast list | 64 chord | added-note chord | cast list | chromatic mediant | countermelody | deceptive resolution | diminished third chord | foreign key modulation | mode mixture | opening title sequence | pedal tone | pleasant | romantic | sentence form | suspension |
All This, and Heaven Too (1940) | School Girls | 0:01:12 - Young girls walking to school | added-note chord | chatting | child | establish setting | pedal tone | pleasant | school | street | upbeat | walking |
All This, and Heaven Too (1940) | Henriette (Carriage) | 0:13:05 - A carriage arrives | 64 chord | carriage | driver | leading lady | pleasant | street | transition | traveling | upbeat |
All This, and Heaven Too (1940) | Arriving | 0:13:14 - Henriette gets out of the carriage | arriving | augmented sixth chord | carriage | driver | enharmonic modulation | foreign key modulation | gentle | leading lady | pleasant | street | transition |
All This, and Heaven Too (1940) | Arriving 2 | 0:13:24 - Henriette walks to the front door | 9th chord | arriving | caretaker | deceptive resolution | gentle | leading lady | pleasant | secondary dominant | street | transition |
All This, and Heaven Too (1940) | Pierre | 0:13:47 - Pierre introduces himself | added-note chord | caretaker | conversing | deceptive resolution | introducing | leading lady | mode mixture | pedal tone | pleasant | street | tense | transition |
All This, and Heaven Too (1940) | Fairy Tale | 0:23:13 - Henriette reads a fairy tale | added-note chord | book | calm | child | delicate | establish character | fairy tale | governess | leading lady | pentatonic | pleasant | room | storytelling |
All This, and Heaven Too (1940) | Fairy Godmother | 0:23:28 - Henriette reads a fairy tale | 9th chord | altered dominant | book | calm | child | delicate | establish character | fairy tale | foreign key modulation | governess | leading lady | magical | pleasant | room | storytelling |
All This, and Heaven Too (1940) | Henriette (Fairy Tale) | 0:23:50 - Henriette reads a fairy tale | book | calm | child | countermelody | delicate | duke | establish character | fairy tale | governess | leading lady | leading man | magical | pleasant | room | storytelling |
All This, and Heaven Too (1940) | The War of the Roses | 0:27:13 - Henriette plays the harpsichord | advance plot | child | children's song | dancing | governess | leading lady | on-screen music | pleasant | room | singing | source music |
All This, and Heaven Too (1940) | The War of the Roses | 0:28:23 - The girls sing | advance plot | child | children's song | dancing | governess | leading lady | on-screen music | pleasant | room | singing | source music |
All This, and Heaven Too (1940) | Raynald (Carriage) | 0:46:53 - Horses pulling a carriage | 64 chord | carriage | child | chromatic mediant | common-chord modulation | conversing | countermelody | foreign key modulation | governess | horse | leading lady | mickey-mousing | mode mixture | pleasant | riding | street | traveling scene | trotting | upbeat |
All This, and Heaven Too (1940) | Henriette (Sweepingly) | 1:45:32 - Henriette reads a letter | cheerful | leading lady | letter | pleasant | room | transition |
All This, and Heaven Too (1940) | Henriette | 1:45:41 - A carriage arrives | arriving | carriage | child | duke | grand | leading man | pleasant | street | transition | traveling |
All This, and Heaven Too (1940) | Spring Time (Flowers) | 1:47:09 - The children give flowers to Henriette | added-note chord | cheerful | child | conversing | leading lady | pleasant | reunion scene | room | sequential modulation |
All This, and Heaven Too (1940) | Heaven Theme (Expressivo) | 2:05:06 - Henry talks to Henriette | advance plot | calm | conversing | gentle | leading lady | minister | pleasant | prison | prisoner | suspect | suspension |
All This, and Heaven Too (1940) | Dolce | 2:05:51 - Henriette talks to Henry | 9th chord | 11th chord | advance plot | calm | common-chord modulation | conversing | gentle | leading lady | minister | pleasant | prison | prisoner | suspect |
All This, and Heaven Too (1940) | Heaven Theme (Delicato) | 2:06:34 - Henry talks to Henriette | advance plot | calm | conversing | gentle | leading lady | minister | pleasant | prison | prisoner | suspect |
| Arsenic and Old Lace (1944) | Here Comes the Bride (Full) | 0:14:00 - Elaine appears in the window | aunt | bride | cheerful | chromatic mediant | common-chord modulation | conversing | crazy person | familiar tune | greeting | groom | leading lady | leading man | love | love scene | on-screen music | pleasant | room | score to source | source music | street | whistling |
Arsenic and Old Lace (1944) | The Aunts (Grazioso Con Moto) | 0:52:20 - The aunts move through the kitchen | advance plot | aunt | calm | conversing | crazy person | foreign key modulation | harmonic sequence | leading lady | murderer | pleasant | room |
| The Big Sleep (1946) | I Guess I'll Have to Change My Plan | 1:00:50 - Vivian enters a restaurant | ABACA structure | arriving | club | conversing | falling in love scene | leading lady | leading man | love interest | pleasant | private eye | source music |
The Big Sleep (1946) | The Blue Room | 1:02:15 - Vivan pays Marlowe | AABA structure | club | conversing | falling in love scene | leading lady | leading man | love interest | pleasant | private eye | source music |
The Big Sleep (1946) | You Go to My Head | 1:04:25 - Vivian and Marlowe talk in a restaurant | club | conversing | falling in love scene | leading lady | leading man | love interest | pleasant | private eye | source music |
| The Breaking Point (1950) | Carmen, Carmela | 0:11:11 - Harry talks to Duncan in a bar | AABA structure | bar | conversing | criminal | establish setting | floozy | folk music | gambling | leading lady | leading man | musician | on-screen music | performing | pleasant | sailor | serenading | singing | source music |
The Breaking Point (1950) | En Mi Canto de Amor | 0:21:43 - Harry talks to Duncan | advance plot | bar | conversing | criminal | leading man | planning | pleasant | sailor | source music |
| His Greatest Gamble (1934) | Bavardage | 0:01:10 - The beach | AABA structure | beach | casino | establish character | establish place | establish setting | gambler | gambling | leading man | luggage | pleasant | roulette wheel | transcribed by ear | upbeat |
His Greatest Gamble (1934) | Russian Waltz | 0:30:05 - Philip arrives at Florence's home | 9th chord | arriving | calm | chromatic sequence | common-tone diminished 7th | establish setting | fugitive | leading man | mansion | mode mixture | on-screen music | piano | playing | pleasant | source music | waltz | wandering |
His Greatest Gamble (1934) | Nocturne in E-flat Major | 0:36:29 - Philip looks for Alice | advance plot | calm | conversing | daughter | fugitive | leading lady | leading man | mansion | nocturne | pleasant | searching | source music | wandering |
| City for Conquest (1940) | Sidewalks of New York | 0:03:10 - A New York street corner | AABA structure | child | conversing | crowd | dancing | old man | on-screen music | organ grinder | playing | pleasant | score to source | source music | street | street organ | thief | transition | upbeat | walking |
City for Conquest (1940) | The Bowery | 0:05:00 - People on a New York street | child | conversing | crowd | establish character | on-screen music | playing | pleasant | source music | street | street organ | upbeat |
City for Conquest (1940) | I'm Just Wild About Harry (Delicato) | 0:25:06 - Peggy calls Murray | 11th chord | added-note chord | advance plot | altered dominant | calling | common-tone diminished 7th | conversing | leading lady | mode mixture | pleasant | room | source to score | telephone | upbeat |
| Flamingo Road (1949) | Lane | 0:50:59 - Lane gives Dan his money | conversing | delicate | gentle | leading lady | leading man | love interest | lovers meet | mode mixture | pleasant | politician | room |
| Hell on Frisco Bay (1955) | The Church | 0:07:19 - A church | church | conductor score | establish setting | pleasant |
Hell on Frisco Bay (1955) | Steve | 0:11:11 - Steve knocks on door | advance plot | arriving | conductor score | investigator | leading man | pleasant | porch | walking |
| In This Our Life (1942) | Stanley (Grazioso) | 0:37:56 - Stanley talks to Peter | 9th chord | added-note chord | appoggiatura | circle of fifths | conversing | flirting | happy | leading lady | leading man | love scene | pleasant | room | sultry |
In This Our Life (1942) | Blues in the Night (Transition) | 0:43:37 - Craig's office door | 9th chord | arriving | assistant | calm | friend | leading lady | love scene | office | pleasant | source to score |
In This Our Life (1942) | Roy (Expressivo) | 0:43:43 - Roy talks with Parry | 64 chord | assistant | calm | conversing | deceptive resolution | friend | leading lady | love scene | office | pleasant |
In This Our Life (1942) | Love Theme (Valse Sentimentale) | 0:46:31 - Roy talks with her uncle | 9th chord | altered dominant | conversing | iii chord | leading lady | leading man | love scene | pleasant | proposal | room | tender | uncle | waltz |
| Mildred Pierce (1945) | Ballet Lesson | 0:37:25 - Kay dances | 9th chord | 11th chord | ballet | child | dancing | double exposure | graceful | heroine | leading lady | montage | pleasant | room | voice-over |
| The Life of Vergie Winters (1934) | Lullaby | 0:00:09 - Starring cast list | AABA structure | calm | cast list | common-chord modulation | lullaby | opening title sequence | pleasant | starring list | title of film |
| Three Who Loved (1931) | Impromptu | 0:00:16 - Title of film, starring list, cast list | ABAC structure | cast list | cheerful | mode mixture | not by steiner | opening title sequence | pleasant | starring list | title of film | transcribed by ear |
Three Who Loved (1931) | Transition | 0:00:45 - Cast list | cast list | cheerful | linear chromaticism | opening title sequence | pedal tone | pleasant | starring list | title of film | transcribed by ear |
Three Who Loved (1931) | Typewriter | 0:01:02 - Person typing | cheerful | opening title sequence | pleasant | transcribed by ear | typewriter | typing |
Three Who Loved (1931) | My One Ambition is You | 0:14:21 - Phil turns on the radio | AB structure | advance plot | cheerful | conversing | dancing | pleasant | radio | room | source music | upbeat |
Three Who Loved (1931) | Dance | 0:17:09 - John and Helga talking | AB structure | advance plot | conversing | pleasant | radio | room | source music |
| Transgression (1931) | Main Title | 0:00:15 - Title of film, starring list, cast list | AABA structure | altered dominant | cast list | gentle | happy | harmonic sequence | leading lady | mode mixture | opening title sequence | plagal cadence | pleasant | running | starring list | title of film | transcribed by ear |
Transgression (1931) | Main Title (Ending) | 1:09:15 - The End | embracing | end title sequence | gentle | happy | husband | leading lady | pleasant | The End | transcribed by ear |
| Men of America (1932) | Lace and Ruffles | 0:30:53 - The criminals have a feast | advance plot | criminal | eating | food | pleasant | source music |
| Headline Shooter (1933) | He's Not the Marrying Kind | 0:02:32 - Radio announcer talking | announcing | beauty contestant | conversing | establish character | filming | film staff | leading man | modeling | on-screen music | pageant | parallel period | photographer | pleasant | radio announcer | source music |
Headline Shooter (1933) | You Can Depend on Me | 0:05:21 - Bathing beauties walk past | AABA structure | announcing | beauty contestant | conversing | drunk | establish character | filming | film staff | leading lady | leading man | modeling | on-screen music | pageant | photographer | pleasant | radio announcer | source music |
Headline Shooter (1933) | Tell Me is It Love? | 0:21:50 - Bill and Jane at a bar | advance plot | bar | conversing | drunk | leading lady | leading man | parallel double period | pleasant | source music |
| Dangerous Corner (1934) | Finishing School B | 0:01:05 - Video snapshots of the actors | 64 chord | common-tone diminished 7th | common-tone modulation | opening title sequence | pedal tone | phrase extension | pleasant | transcribed by ear | upbeat | video cast list |
Dangerous Corner (1934) | Finishing School B (Playful) | 0:01:36 - Books being placed together | book | opening title sequence | pleasant | transcribed by ear | upbeat |
| Hat, Coat, and Glove (1934) | Transient Love | 0:00:12 - Title of film; starring list; cast list | AABA structure | added-note chord | altered dominant | cast list | chromatic mediant | common-tone diminished 7th | opening title sequence | pedal tone | pleasant | starring list | title of film | transcribed by ear |
Hat, Coat, and Glove (1934) | Tonight is Mine | 0:11:24 - Dorothea plays the piano | advance plot | conversing | leading lady | leading man | mode mixture | on-screen music | piano | playing | pleasant | room | source music |
Hat, Coat, and Glove (1934) | When You're Far Away | 0:41:12 - Robert talks to Jerry | AABA structure | advance plot | club | conversing | lawyer | leading man | meeting | pleasant | source music | suspect |
| Murder on the Blackboard (1934) | Blackboard Murder (Lyrical) | 0:00:51 - Video cast list | appoggiatura | augmented triad | blackboard | opening title sequence | ostinato | pleasant | retardation | sequence | transcribed by ear | video cast list |
| Don’t Turn ‘em Loose (1936) | Souvenir No. 16 | 1:03:53 - John at his daughter's wedding | bride | calm | conversing | father | guest | mother | pedal tone | pleasant | resolution | wedding | wedding | wedding |
Don’t Turn ‘em Loose (1936) | Here Comes the Bride | 1:04:36 - Mildred at her wedding | bride | calm | father | guest | mother | parallel period | pleasant | resolution | walking | wedding | wedding | wedding |
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