| All This, and Heaven Too (1940) | All Hallows Eve | 1:23:22 - A forest scene at night | augmented triad | child | chromatic parallelism | chromatic scale | conversing | create suspense | dissonant bass | forest | governess | Halloween | hiding | leading lady | ombra topic | on-screen text | pc set | pedal tone | scaring | scary | spooky | walking | whole-tone chord |
| Angels With Dirty Faces (1938) | Machine Gun | 1:20:24 - Policeman shoots at Rocky with machine gun | agitated | building | chromatic parallelism | conflict | death | dramatic | falling | gangster | gun | gunshot | hiding | leading man | police | polychord | shooting | street | underscoring |
| Arsenic and Old Lace (1944) | Underscoring (Comical) | 0:02:20 - Mortimer hides from the reporters | chromatic parallelism | chromatic wedge | comical | disguise | establish character | hiding | leading lady | leading man | looking | marriage | office | reporter | underscoring | whole-tone chord |
| The Big Sleep (1946) | The Pursuit | 0:57:09 - Marlowe pursues killer in his car | assassin | car | chase scene | chasing | chromatic scale | dissonant bass | driving | gun | hiding | leading man | murderer | ostinato | private eye | pursuing | street | syncopation | tense |
The Big Sleep (1946) | Marlowe (Hiding) | 1:41:50 - Marlowe crouches behind a car | action scene | criminal | hiding | leading man | mysterious | outside | private eye |
The Big Sleep (1946) | Marlowe (Echo) | 1:42:20 - Canino shoots at Marlowe | action scene | criminal | gun | gunshot | half-diminished 7th chord | hiding | leading man | outside | private eye | shooting | tense |
The Big Sleep (1946) | Marlowe (Danger) | 1:48:32 - Men approach the house | climax | fear | hiding | leading man | mysterious | ominous | pc set | planning | private eye | room | tense | tone cluster | underscoring | waiting |
The Big Sleep (1946) | Marlowe (Misterioso) | 1:48:55 - Marlowe sneaks up behind Mars | climax | criminal | fear | hiding | leading man | mysterious | private eye | room | sneaking | tense |
| Crime School (1938) | Underscoring (Dramatic) | 0:28:01 - Frankie escapes from the warden's office | 9th chord | chromatic parallelism | dramatic | escape | escaping | half-diminished 7th chord | hiding | mickey-mousing | ostinato | reformatory | running | teenager | tense | throwing | tone cluster | warden | whole-tone scale |
Crime School (1938) | Escaping | 0:28:32 - Frankie runs and hides | chromatic parallelism | chromatic wedge | dissonant bass | dramatic | escape | escaping | hiding | mickey-mousing | police | reformatory | running | sequence | sneaking | teenager | tense | tone cluster |
Crime School (1938) | Searchlights (Sneaking) | 0:28:47 - Frankie hides from the searchlight | chromatic parallelism | dramatic | escape | escaping | hiding | jumping | mickey-mousing | police | reformatory | running | searchlight | sneaking | teenager | tense |
Crime School (1938) | Underscoring (Dramatic) | 0:29:09 - Frankie hides then runs | barbed wire fence | battle call | chromatic parallelism | chromatic scale | diminished 7th chord | dramatic | escape | escaping | gang | hiding | jumping | mickey-mousing | reformatory | running | teenager | tense |
Crime School (1938) | Underscoring (Tense) | 1:14:26 - Mark talks to policeman | chromatic scale | conflict | deceptive resolution | gun | hero | heroine | hiding | knocking | leading lady | leading man | lying | mode mixture | pedal tone | police | room | teenager | tense | underscoring |
| They Made Me a Criminal (1939) | Underscoring (Tense) | 1:02:14 - Johnnie overhears the detective | advance plot | chromatic scale | detective | dissonant bass | hiding | leading man | ominous | room | tense | underscoring |
They Made Me a Criminal (1939) | The Fugitive (Hiding) | 1:02:31 - Detective buys tickets to Johnnie's match | advance plot | detective | hiding | leading man | pedal tone | room | suspenseful | tense |
| Deep Valley (1947) | Underscoring (Dramatic) | 1:06:48 - Barry reacts to gunshots | action scene | cabin | convict | dramatic | forest | fugitive | gunfight | hiding | leading man | loading | love interest | manhunt | police | shooting | stinger | tense | underscoring |
Deep Valley (1947) | Law | 1:07:20 - Barry tries to escape | action scene | cabin | convict | dramatic | fugitive | hiding | leading man | love interest | manhunt | police | retreating | shooting | tense |
Deep Valley (1947) | Libby (Stormy) | 1:36:26 - Cliff looks for Ellie | barn | climax | convict | crying | dark | father | fugitive | hiding | leading lady | leading man | love interest | mother | running | rushing | sneaking | tense | yard |
Deep Valley (1947) | Law (Searching) | 1:39:05 - The posse closes in on Barry | chasing | climax | convict | dramatic | forest | fugitive | hiding | injury | leading man | love interest | police | searching |
Deep Valley (1947) | Underscoring (Tense) | 1:39:09 - Barry hides | climax | convict | forest | fugitive | hiding | injury | leading man | love interest | police | searching | tense | underscoring |
Deep Valley (1947) | Law (Subtle) | 1:39:20 - The posse searches for Barry | climax | convict | forest | fugitive | hiding | injury | leading man | love interest | police | searching | tense |
Deep Valley (1947) | Law | 1:39:28 - Barry crawls on the ground | climax | convict | forest | fugitive | hiding | injury | leading man | love interest | police | searching | tense |
Deep Valley (1947) | Barry (Dark 2) | 1:39:35 - Barry hides | climax | convict | forest | fugitive | hiding | injury | leading man | love interest | mysterious | police | tense |
Deep Valley (1947) | Underscoring (Dramatic) | 1:40:00 - Barry hides | climax | convict | forest | fugitive | hiding | injury | leading man | love interest | mysterious | police | searching | tense |
Deep Valley (1947) | Law (Misterioso) | 1:40:10 - Barry hides | climax | convict | forest | fugitive | hiding | injury | leading man | love interest | mysterious | searching | tense |
Deep Valley (1947) | Barry (Misterioso 2) | 1:40:17 - Barry runs | climax | convict | forest | fugitive | hiding | injury | leading man | love interest | somber | stumbling | tense |
Deep Valley (1947) | Barry (Triste) | 1:40:30 - Barry at the creek | climax | convict | forest | fugitive | hiding | injury | leading man | love interest | somber |
Deep Valley (1947) | Molto Expressivo | 1:40:35 - Barry at the creek | climax | convict | forest | fugitive | hiding | injury | leading man | love interest | somber |
Deep Valley (1947) | Sunrise | 1:40:46 - The sun rises | climax | convict | dramatic | forest | fugitive | hiding | injury | leading man | love interest | sunrise effect |
| Dust Be My Destiny (1939) | Agitato Risoluto | 0:35:11 - Joe and Mabel hide under the stairs | agitated | alley | chromatic parallelism | concerned | danger | escape | hiding | leading lady | leading man | pedal tone | runaway | street |
Dust Be My Destiny (1939) | Dust Be My Destiny (Hiding) | 0:47:35 - Nick talks with Joe | 42 chord | advance plot | anxious | diminished 7th chord | diner | fragmentation | friend | hiding | leading man | money | runaway | shopkeeper | suspense |
Dust Be My Destiny (1939) | Dust Be My Destiny (Appassionato) | 1:12:09 - Mabel and Joe hide from the reporters | conflict | countermelody | hero | hiding | hospital | leading lady | leading man | passionate | underscoring |
| The FBI Story (1959) | Mario hides | 1:59:37 - Although not on screen, the music here tells us that Mario is still hiding on the top of the hill | flashback | hiding | mickey-mousing |
| Hell on Frisco Bay (1955) | Climbing and jumping | 0:53:27 - Steve runs from Hammy | action scene | climbing | conductor score | hiding | hurried | investigator | jumping | leading man | mickey-mousing | street | tense |
Hell on Frisco Bay (1955) | Sneaking and following | 0:58:30 - Bessie sneaks away | chase scene | conductor score | descending | floozy | following | hiding | investigator | leading man | mysterious | sneaking | street | tense |
Hell on Frisco Bay (1955) | Menace | 1:33:12 - Amato hides | action scene | fleeing | gangster | hiding | leading man | ominous | street |
| Her Kind of Man (1946) | Underscoring (Tense [Steiner]) | 1:15:00 - Candy in the alley | arriving | climax | criminal | double-cross | driving | gambler | henchman | hiding | husband | leading man | murderer | revenge | signaling | sneaking | street | syncopation | tense | underscoring | warehouse | widow |
Her Kind of Man (1946) | Candy (Tragic) | 1:15:28 - Candy in the shadows | chromatic scale | climax | conversing | criminal | double-cross | gambler | henchman | hiding | husband | leading man | murderer | revenge | sequence | street | tense | tragic | walking | widow |
| I Was a Communist for the FBI (1951) | Sneaking | 0:58:02 - Matt and Eve sneak away | chromatic scale | communist | create suspense | hiding | leading lady | leading man | mickey-mousing | pc set | running | sneaking | spy | staircase | stairs | teacher | tense | undercover agent |
I Was a Communist for the FBI (1951) | Running and hiding | 1:03:28 - Matt runs and takes cover | communist | hiding | leading lady | leading man | mickey-mousing | running | shootout | shootout | spy | teacher | tense | train tracks | undercover agent |
I Was a Communist for the FBI (1951) | Undercover Agent (Gunfight) | 1:03:34 - Train tracks | augmented triad | communist | dissonant bass | diving | dramatic | gun | gunshot | hiding | leading lady | leading man | mickey-mousing | minor-major 7th chord | polychord | running | shooting | shootout | shootout | spy | syncopation | teacher | tense | train tracks | tritone oscillation | undercover agent |
| In This Our Life (1942) | Stanley B (Very Agitated) | 1:32:15 - Stanley hides from the police | agitated | chromatic scale | conflict | criminal | dissonant bass | fragmentation | hiding | leading lady | mysterious | police | room | running | rushing | street |
In This Our Life (1942) | Underscoring (Dramatic) | 1:32:30 - Stanley dashes through the gate | conflict | criminal | dramatic | hiding | leading lady | police | running | rushing | street | underscoring |
In This Our Life (1942) | Police (Chase) | 1:32:36 - Stanley runs for her car | chromatic scale | conflict | criminal | dissonant bass | driving | fleeing | hiding | leading lady | ostinato | police | running | rushing | street | tense |
| The Informer (1935) | Running and hiding | 0:07:54 - Frankie runs and hides in the shadows | chromatic scale | establish character | familiar tune | folk song | hero | hiding | mickey-mousing | running | soldier | street | tense |
The Informer (1935) | The Informer (Gypo Hides) | 1:20:38 - Gypo sees British soldiers marching | antagonist | hiding | leading man | marching | running | street | tense | traitor | transition |
The Informer (1935) | Gypo runs away | 1:21:26 - Gypo runs and hides | agitated | antagonist | chromatic parallelism | diminished 7th chord | hiding | leading man | mickey-mousing | running | sequence | street | tense | traitor | transition |
The Informer (1935) | The Informer (Up the Stairs) | 1:21:35 - Gypo goes up the stairs | 64 chord | agitated | antagonist | chromatic sequence | fragmentation | hallway | hiding | leading man | mickey-mousing | running | sequence | stairs | tense | traitor | transition | up |
| White Heat (1949) | Danger (Sneaky) | 1:31:56 - Hank puts the transmitter on the truck | advance plot | fugitive | gangster | hiding | leading lady | leading man | moll | murderer | sneaking | tense | transmitter | truck | undercover agent | yard |
White Heat (1949) | Danger | 1:36:32 - The gangsters hide in the truck | advance plot | fugitive | gangster | hiding | leading man | murderer | preparing | tense | truck | truck | undercover agent | worker |
White Heat (1949) | Underscoring (Dramatic) | 1:47:35 - Gangsters get off of ladder | action scene | agent | dramatic | factory | fugitive | gangster | hiding | leading man | murderer | police | rushing | tense | underscoring |
| The Woman in White (1948) | Appearing | 1:10:28 - The woman in white disappears | advance plot | antagonist | criminal | doctor | hiding | husband | leading lady | leading man | magical | mysterious | room | running | superimposed shot | victim |
The Woman in White (1948) | Appearing | 1:34:51 - Laura emerges from her room | asylum | escape | escaping | hiding | leading lady | magical | mickey-mousing | mysterious | patient | sneaking | victim | wife |
The Woman in White (1948) | Ann | 1:34:57 - Laura sneaks down the hallway | asylum | escape | escaping | hiding | leading lady | mysterious | patient | sneaking | victim | wife |
The Woman in White (1948) | Balmy Porter | 1:35:10 - The porter returns to lock the door | asylum | comical | escape | escaping | hiding | hurrying | key | locking | shuffling | sneaking | walking | worker |
The Woman in White (1948) | Appearing | 1:35:26 - Laura takes a key | asylum | escape | escaping | hiding | key | leading lady | mickey-mousing | mysterious | patient | sneaking | victim | wife |
The Woman in White (1948) | Ann | 1:35:32 - Laura heads for the exit | asylum | escape | escaping | hiding | key | leading lady | mysterious | patient | sneaking | victim | wife |
| We're Only Human (1935) | The Escape (Hiding) | 0:27:05 - Pete and Danny dodge from gunfire | action scene | chromatic scale | detective | dodging | dramatic | gangster | gunshot | hiding | leading man | shooting | stinger | street | whole-tone chord |
We're Only Human (1935) | Gypo Runs Away | 0:27:09 - Pete and Danny hide | action scene | agitated | chromatic parallelism | detective | diminished 7th chord | gangster | hiding | leading man | street | tense |
We're Only Human (1935) | The Informer (Up the Stairs) | 0:27:17 - Pete prepares to advance | 64 chord | action scene | agitated | bank | chromatic sequence | detective | dodging | fragmentation | gangster | gunshot | hiding | leading man | preparing | running | stinger | tense |
We're Only Human (1935) | Blood Money (Four Coins) | 0:27:37 - Pete and Danny hide | action scene | bank | detective | gangster | half-diminished 7th chord | hiding | leading man | mysterious | preparing | sneaking | tense |
We're Only Human (1935) | The Informer (Lying) | 0:27:51 - Danny prepares to advance | action scene | bank | chromatic sequence | detective | diminished 7th chord | dissonant bass | gangster | half-diminished 7th chord | hiding | leading man | octatonic | preparing | sneaking | tense |
We're Only Human (1935) | The Escape | 1:04:31 - Pete enters the house | chromatic scale | climax | conflict | detective | dodging | dramatic | gangster | gunshot | hiding | leading man | murderer | room | shooting | underscoring | whole-tone | whole-tone chord |
| Without Honor (1949) | Underscoring (Tense) | 0:37:33 - Jane climbs out the window | action scene | escaping | hiding | leading lady | running | tense | underscoring | window | yard |
Without Honor (1949) | Good Humor Truck + Underscoring (Tense) | 0:37:46 - Jane runs to the road | | action scene | combination of themes | escaping | hiding | ice cream truck | leading lady | running | scored source music | source music | street | tense | underscoring |
| The Most Dangerous Game (1932) | Russian Waltz (Poco Agitato) | 0:42:12 - The Count approaches | action scene | count | dark | hiding | hunting | jungle | knife | leading lady | leading man | sneaking | stalking | tense | trap | victim | villain | waiting | watching |
The Most Dangerous Game (1932) | Zaroff (Poco Agitato) | 0:42:25 - Bob and Eve hide in a cave | action scene | agitated | count | hiding | hunting | jungle | knife | leading lady | leading man | sneaking | stalking | tense | trap | victim | villain | waiting | watching |
The Most Dangerous Game (1932) | Courage (Hiding) | 0:42:33 - Bob and Eve watch and wait | action scene | combination of themes | count | hiding | hunting | jungle | knife | leading lady | leading man | mysterious | sneaking | stalking | tense | trap | victim | villain | waiting | watching |
The Most Dangerous Game (1932) | The Count Approaches | 0:42:44 - The Count approaches slowly | action scene | approaching | arrow | count | dark | hiding | hunting | jungle | knife | leading lady | leading man | shooting | sneaking | stalking | tense | trap | victim | villain | waiting | watching |
The Most Dangerous Game (1932) | Emotions (Agitato Mysterioso) | 0:43:29 - Eve reacts to the arrow | action scene | agitated | count | hiding | hunting | jungle | knife | leading lady | leading man | sneaking | stalking | tense | victim | villain | waiting | watching |
The Most Dangerous Game (1932) | Emotions 2 (Agitato Mysterioso) | 0:43:44 - Bob and Eve watch and wait | action scene | agitated | count | hiding | hunting | jungle | knife | leading lady | leading man | sneaking | stalking | tense | victim | villain | waiting | watching |
The Most Dangerous Game (1932) | Zaroff (Hunting) + The Iron Door | 0:43:48 - Zaroff talks to Bob | action scene | combination of themes | count | dark | hiding | hunting | jungle | knife | leading lady | leading man | mysterious | sneaking | stalking | victim | villain | waiting | watching |
The Most Dangerous Game (1932) | Russian Waltz (Andante) | 0:44:07 - Close up on Zaroff | action scene | count | dark | departing | hiding | jungle | knife | leading lady | leading man | ominous | sneaking | victim | villain | waiting | watching |
The Most Dangerous Game (1932) | Courage (Allegro) | 0:44:26 - Bob prepare to leave | action scene | agitated | departing | hiding | jungle | knife | leading lady | leading man | sneaking | tense | victim | waiting | watching |
The Most Dangerous Game (1932) | Courage (Moderato) | 0:44:51 - Bob tells Eve to come out | action scene | calm | hiding | jungle | knife | leading lady | leading man | sneaking | unsettled | victim | waiting | watching |
The Most Dangerous Game (1932) | Zaroff (Hiding) | 0:46:48 - Bob and Eve hide from Zaroff | action scene | combination of themes | count | hiding | jungle | leading lady | leading man | preparing | sneaking | tense | trap | victim | villain |
The Most Dangerous Game (1932) | The Iron Door (Trembling) | 0:47:20 - A branch trembles | action scene | approaching | count | gun | hiding | hunting | jungle | leading lady | leading man | shaking | shooting | tense | trap | trembling | trembling effect | tricking | victim | villain |
The Most Dangerous Game (1932) | Zaroff (Allegro) | 0:47:43 - The Count approaches | action scene | approaching | count | dark | gun | hiding | hunting | jungle | leading lady | leading man | shaking | shooting | tense | trap | trembling | tricking | victim | villain |
The Most Dangerous Game (1932) | Zaroff (Deliberate) | 0:47:51 - Bob and Eve scramble away | action scene | count | dark | escaping | gun | hiding | hunting | jungle | leading lady | leading man | pursuing | running | scrambling | tense | victim | villain |
The Most Dangerous Game (1932) | Russian Waltz (Dark) | 0:52:53 - Eve and Bob hiding in a tree | agitated | barking | chase scene | count | dark | dog | hiding | jungle | leading lady | leading man | servant | tense | tree | victim | villain |
The Most Dangerous Game (1932) | The Approach | 0:52:59 - Eve and Bob hiding in a tree | agitated | barking | chase scene | count | dark | dog | hiding | jungle | leading lady | leading man | servant | tense | tree | victim | villain |
The Most Dangerous Game (1932) | The Chase (Accelerando) + The Iron Door | 0:53:02 - The dogs bark up the tree | agitated | barking | chase scene | chasing | combination of themes | count | dark | dog | escaping | hiding | jumping | jungle | leading lady | leading man | lifting | log | mickey-mousing | running | servant | tense | tree | victim | villain | vine |
The Most Dangerous Game (1932) | The Approach (Risoluto) | 0:53:38 - Bob and Eve hide in the trees | barking | chase scene | cliff | climbing | cutting | dog | dramatic | hiding | jumping | jungle | leading lady | leading man | running | tense | victim |
The Most Dangerous Game (1932) | The Approach (Risoluto) | 0:54:59 - Count Zaroff by the river | chase scene | chasing | count | dramatic | hiding | jungle | leading lady | leading man | river | servant | tense | victim | villain | waterfall |
The Most Dangerous Game (1932) | The Chase (Tremolo) + The Iron Door (Horn Call) | 0:55:08 - Count Zaroff approaching the waterfall | chase scene | chasing | combination of themes | count | dramatic | hiding | jungle | leading lady | leading man | river | servant | tense | victim | villain | waterfall |
| White Heat (1949) | Plotting (Extended) | 1:49:34 - Gangsters hide | action scene | agent | factory | frantic | fugitive | gangster | hiding | leading man | murderer | police | raid | running | rushing | tense |
White Heat (1949) | Rushing + Agents | 1:49:44 - Police advance | action scene | advancing | agent | combination of themes | factory | fugitive | gangster | hiding | leading man | murderer | police | raid | rushing | searching | tense |
White Heat (1949) | White Heat (Maestoso 2) | 1:49:55 - Police advance | action scene | advancing | agent | dramatic | factory | fugitive | gangster | hiding | leading man | murderer | police | raid | rushing | searching | tense |
White Heat (1949) | Agents (Searching) | 1:50:02 - Agents plan their next move | action scene | advancing | agent | dramatic | factory | fugitive | gangster | hiding | leading man | murderer | police | raid | rushing | searching | tense |
White Heat (1949) | Rushing (Searchlights) | 1:50:05 - Searchlights | action scene | agent | factory | fugitive | gangster | hiding | laughing | leading man | mickey-mousing | murderer | police | raid | searching | searchlight | tense |
White Heat (1949) | Madness | 1:50:16 - Cody talks to Riley | action scene | agent | factory | fugitive | gangster | hiding | leading man | madness | murderer | plotting | police | raid | tense |
White Heat (1949) | Plotting (Agitato) | 1:50:27 - Cody gets up | action scene | agent | factory | fugitive | gangster | hiding | laughing | leading man | madness | murderer | police | raid | sneaking | tense |
White Heat (1949) | Cody (Climbing) | 1:50:30 - Cody climbs the stairs | action scene | agent | ascending | dramatic | factory | fugitive | gangster | hiding | leading man | murderer | police | raid | rushing | stairs | tense |
White Heat (1949) | Plotting | 1:50:41 - Cody hides | action scene | agent | factory | fugitive | gangster | hiding | leading man | murderer | police | raid | tense |
White Heat (1949) | Rushing (Searchlights 2) | 1:50:48 - Searchlights | action scene | agent | announcing | death | factory | fugitive | gangster | gun | gunshot | hiding | killing | laughing | leading man | mickey-mousing | murder | murderer | police | raid | searching | searchlight | shooting | surrendering | tense |
White Heat (1949) | Rushing | 1:51:44 - Searchlights | action scene | agent | aiming | factory | fugitive | gangster | gun | gunshot | hiding | leading man | mickey-mousing | murderer | police | raid | searching | searchlight | shooting | tense |
| Mara Maru (1952) | Hiding | 1:24:54 - Gregory hides in the bushes | chase scene | cross | dark | dramatic | fear | frantic | gun | hiding | jungle | leading man | mickey-mousing | rain | storm | tense | wind |
Mara Maru (1952) | Cross (Religioso) | 1:28:41 - Manuelo sees the church | action scene | car | church | collapsing | cross | headlights | hiding | hymn-like | passionate | religious | scrambling | shadow | street | suspect | worker |
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