I Was a Communist for the FBI (1951) | Undercover Agent (Ominous) + Family | 0:38:46 - Matt leaves his apartment | advance plot | combination of themes | communist | dark | discovery | leading lady | letter | ominous | polychord | reacting | reading | self-borrowing | spy | street | teacher | tense | tritone oscillation |
I Was a Communist for the FBI (1951) | Ice Cold Katy | 0:53:21 - Matt follows Eve | advance plot | arguing | communist | jazz | leading lady | leading man | source music | spy | street | teacher | undercover agent | upbeat |
I Was a Communist for the FBI (1951) | Underscoring (Tense) | 0:57:39 - Communists watch apartment | communist | create suspense | sneaking | spy | street | tense | underscoring | walking | watching |
I Was a Communist for the FBI (1951) | Down the stairs | 0:57:47 - Eve sneaks down the stairs | communist | create suspense | descending | leading lady | leading man | mickey-mousing | sneaking | spy | staircase | stairs | teacher | tense | undercover agent |
I Was a Communist for the FBI (1951) | Underscoring (Tense) | 0:57:54 - Matt and Eve go down the stairs | communist | create suspense | leading lady | leading man | pc set | sneaking | spy | staircase | stairs | teacher | tense | tritone | undercover agent | underscoring |
I Was a Communist for the FBI (1951) | Sneaking | 0:58:02 - Matt and Eve sneak away | chromatic scale | communist | create suspense | hiding | leading lady | leading man | mickey-mousing | pc set | running | sneaking | spy | staircase | stairs | teacher | tense | undercover agent |
I Was a Communist for the FBI (1951) | Undercover Agent (Molto Misterioso) | 0:58:12 - The communists go upstairs | ascending | communist | create suspense | leading lady | leading man | ostinato | polychord | sequence | sneaking | spy | staircase | stairs | teacher | tense | tone cluster | tritone oscillation | undercover agent |
I Was a Communist for the FBI (1951) | Turns on lights | 0:58:50 - Agent turns on the lights | communist | create suspense | light | mickey-mousing | room | spy | tense | tritone | turning on |
I Was a Communist for the FBI (1951) | Searching | 0:58:52 - The communists search the room | communist | create suspense | mickey-mousing | room | searching | sneaking | spy | tense |
I Was a Communist for the FBI (1951) | FBI (Molto Marcato) | 0:59:03 - FBI man enters with a gun | agent | arresting | communist | gun | leading lady | leading man | murder scene | noble | room | sneaking | spy | stinger | street | teacher | tense | undercover agent |
I Was a Communist for the FBI (1951) | Undercover Agent (Tense) | 0:59:26 - FBI man holds gun on commie agents | acceleration | agent | arresting | communist | dark | dialing | gun | murder scene | room | spy | tense | tritone oscillation |
I Was a Communist for the FBI (1951) | Throws lamp | 0:59:39 - Commie throws lamp at FBI man | agent | augmented triad | chromatic parallelism | communist | dramatic | falling | lamp | mickey-mousing | murder scene | room | spy | throwing |
I Was a Communist for the FBI (1951) | Agents Fight | 0:59:39 - Communists fight the FBI man | agent | attacking | augmented triad | chromatic parallelism | communist | death | dramatic | fighting | knife | minor-major 7th chord | murder | murder scene | pc set | polychord | room | spy | stabbing | stinger | tritone oscillation |
I Was a Communist for the FBI (1951) | Undercover Agent (Misterioso) | 0:59:50 - Agent watches | car | communist | driving | escaping | leading lady | leading man | mysterious | polychord | spy | street | teacher | transition | tritone oscillation | undercover agent |
I Was a Communist for the FBI (1951) | Jumps off stairs | 1:03:23 - Matt jumps off of the staircase | communist | gun | gunshot | jumping | leading lady | leading man | mickey-mousing | shooting | shootout | shootout | spy | teacher | tense | tone cluster | train tracks | tritone | undercover agent |
I Was a Communist for the FBI (1951) | Running and hiding | 1:03:28 - Matt runs and takes cover | communist | hiding | leading lady | leading man | mickey-mousing | running | shootout | shootout | spy | teacher | tense | train tracks | undercover agent |
I Was a Communist for the FBI (1951) | Undercover Agent (Gunfight) | 1:03:34 - Train tracks | augmented triad | communist | dissonant bass | diving | dramatic | gun | gunshot | hiding | leading lady | leading man | mickey-mousing | minor-major 7th chord | polychord | running | shooting | shootout | shootout | spy | syncopation | teacher | tense | train tracks | tritone oscillation | undercover agent |
I Was a Communist for the FBI (1951) | Running | 1:03:57 - Communist runs | communist | dramatic | leading lady | leading man | mickey-mousing | running | shootout | shootout | spy | teacher | tense | train tracks | undercover agent | whole-tone chord |
I Was a Communist for the FBI (1951) | Commie is shot | 1:04:01 - Communist is shot and falls dead | chromatic scale | communist | death | dramatic | dying | falling | gun | gunshot | leading lady | leading man | mickey-mousing | pc set | shooting | shootout | shootout | spy | stinger | teacher | tense | tone cluster | train tracks | undercover agent |
The Informer (1935) | The Irish Washerwoman (Pub) + Blood Money + The Wearin' o' the Green + The Informer | 0:44:52 - People celebrate in the pub | advance plot | antagonist | bar | chaotic | chromatic scale | close-up | combination of themes | crowd | dark | dissonant bass | excited | familiar tune | folk song | foreign key modulation | happy | heroic | Irish | layering | leading man | mob | mobbing | octatonic | parallelism | pedal tone | polytonality | rebel | serving | source to score | spying | tense | whole-tone | yelling | zoom in |
The Informer (1935) | Blood Money | 1:00:57 - Rebels see Gypo spending money | advance plot | augmented triad | dark | money | party | rebel | spying | tritone |
The Informer (1935) | The Informer (Sympathetic) | 1:26:35 - Katie tells Dan where Gypo is | advance plot | eavesdropping | leading lady | love interest | main theme | rebel | room | spying | tense |
The Letter (1940) | Leslie (Ominous) | 0:22:58 - The site of the murder | advance plot | augmentation | call and response | Chinese | dramatic | leading lady | leaving | mysterious | plantation | reveal | shadow | spying | stinger | tense | watching | widow |
We Are Not Alone (1939) | Surprise Symphony (Window) | 1:05:40 - Susan sees Leni and David in the window | antagonist | classical music | conflict | familiar tune | Haydn | quotation | spying | street | tense | window |
White Heat (1949) | Whispering | 0:41:06 - The prisoner reads lips | advance plot | gangster | leading man | listening | murderer | prison | prisoner | spying | tense | undercover agent | uneasy | whisper effect | whispering |
White Heat (1949) | Verna (Slowly) | 0:43:41 - Verna kisses Big Ed | betrayal | bluesy | gangster | kissing | leading lady | love interest | love scene | moll | mother | porch | romantic | spying | sultry |
White Heat (1949) | Verna (Uneasy) | 1:18:05 - Big Ed kisses Verna | dark | drinking | embracing | gangster | gun | kissing | leading lady | leading man | love interest | moll | murderer | murder scene | room | somber | spying | waiting |
The Woman in White (1948) | Fosco (Spying) | 0:31:31 - Fosco spies on Laura and Walter | advance plot | garden | leading lady | leading man | mysterious | point-of-view shot | snooping | spying | watching |
The Woman in White (1948) | Ann (Misterioso) | 1:21:57 - Marian talks to Walter | cemetery | cousin | crying | funeral | funeral | leading lady | leading man | mysterious | somber | spying |
The Woman in White (1948) | Pavan (Misterioso) | 1:23:21 - Marian and Walter leave | cousin | dark | forest | leading lady | leading man | leaving | serious | spy | spying | transition |
The Woman in White (1948) | Hypnosis + Fosco | 1:30:32 - Count Fosco leaves | antagonist | carriage | combination of themes | criminal | dark | husband | hypnotist | leading man | leaving | murderer | ominous | plotting | spy | spying | street | tense | transition |
The Woman in White (1948) | Pavan (Garden) | 1:31:13 - Walter talks with Marian | conversing | criminal | friend | husband | leading lady | leading man | love scene | murderer | noble | room | spy | spying |
The Woman in White (1948) | The Carman's Whistle (Accompaniment) | 1:32:33 - Walter walks | calm | comedy | criminal | leading man | sneaking | spy | spying | street | walking |
The Woman in White (1948) | The Carman's Whistle (Bassoon) | 1:32:48 - A man spies on Walter | calm | comedy | criminal | following | husband | leading man | murderer | sneaking | spy | spying | street | walking |
The Woman in White (1948) | Fight | 1:36:33 - Walter fights the spy | conflict | criminal | dramatic | fighting | husband | leading lady | leading man | murderer | patient | punching | spy | street | victim | wife |
The Woman in White (1948) | Fosco (Dark) | 1:36:50 - Sir Percival on the ground | conflict | criminal | dark | husband | leading lady | leading man | murderer | ominous | patient | spy | street | victim | walking | wife |
Mara Maru (1952) | Underscoring (Mysterious) | 0:14:26 - Gregory walks down the street | leading man | mysterious | private eye | spying | street | transition | walking |
Mara Maru (1952) | Sneaking away | 0:14:35 - Two men sneak away | leading man | mickey-mousing | mysterious | private eye | sneaking | spying | street | transition |
Mara Maru (1952) | Benedict | 1:31:19 - Benedict arrives at the church | antagonist | arriving | bodyguard | car | departing | driver | leading lady | love interest | murderer | mysterious | spying | street | tense | transition | watching |