Tag Search Results


Home | Tag Data


Loading...

2328 results for "leading lady" in 53 films — see also heroine

FilmTheme nameInstanceTags
All This, and Heaven Too (1940)Agitato0:06:49 - Henriette leaves the classroomagitated | appoggiatura | chromatic scale | distressed | establish character | hurrying | leading lady | leaving | minister | Neapolitan | principal | school | teacher | walking

All This, and Heaven Too (1940)

Molto Agitato0:07:21 - Henriette talks to Miss Hainesagitated | conversing | dissonant bass | distressed | establish character | foreign key modulation | leading lady | minister | principal | school | suspension | teacher

All This, and Heaven Too (1940)

Henry0:07:41 - Henriette looks at Henry Fieldestablish character | gentle | hymn-like | leading lady | minister | noble | principal | reassuring | school | secondary dominant | teacher

All This, and Heaven Too (1940)

Underscoring (Agitated)0:07:52 - Henriette talks to Henry Fieldagitated | chromatic parallelism | chromatic sequence | conversing | distressed | establish character | leading lady | minister | principal | school | teacher

All This, and Heaven Too (1940)

Henriette (Moderato)0:08:03 - Henriette talks to Henry Fieldagitated | conversing | distressed | establish character | leading lady | minister | principal | school | secondary dominant | teacher

All This, and Heaven Too (1940)

Henriette (Proud)0:08:21 - Mr. Field encourages Henrietteadded-note chord | deceptive arrival | establish character | hopeful | leading lady | minister | mode mixture | mysterious | pedal tone | principal | reassuring | reverse Picardy | school | student | teacher

All This, and Heaven Too (1940)

The Duke0:09:55 - Henriette tells the girls her storyestablish place | flashback | gentle | leading lady | light | peaceful | school | storytelling | student | teacher

All This, and Heaven Too (1940)

The Duke (Ocean Waves)0:10:10 - Ocean wavesboat | establish place | flashback | foreign key modulation | gentle | leading lady | light | peaceful | storytelling | student | teacher | traveling

All This, and Heaven Too (1940)

Henriette (Lento)0:10:20 - Henriette on a shipboat | dissonant bass | flashback | foreign key modulation | hopeful | leading lady | mysterious | pedal tone | storytelling | tense | traveling

All This, and Heaven Too (1940)

Henriette (Dolce)0:12:43 - Henriette talks to Henry64 chord | boat | chromatic mediant | conversing | deceptive resolution | gentle | leading lady | leaving | minister | peaceful | transition

All This, and Heaven Too (1940)

Henriette (Carriage)0:13:05 - A carriage arrives64 chord | carriage | driver | leading lady | pleasant | street | transition | traveling | upbeat

All This, and Heaven Too (1940)

Arriving0:13:14 - Henriette gets out of the carriagearriving | augmented sixth chord | carriage | driver | enharmonic modulation | foreign key modulation | gentle | leading lady | pleasant | street | transition

All This, and Heaven Too (1940)

Arriving 20:13:24 - Henriette walks to the front door9th chord | arriving | caretaker | deceptive resolution | gentle | leading lady | pleasant | secondary dominant | street | transition

All This, and Heaven Too (1940)

Ascending0:13:37 - Henriette meets the caretakeraltered dominant | caretaker | conversing | half-diminished 7th chord | leading lady | mysterious | street | transition | underscoring

All This, and Heaven Too (1940)

Pierre0:13:47 - Pierre introduces himselfadded-note chord | caretaker | conversing | deceptive resolution | introducing | leading lady | mode mixture | pedal tone | pleasant | street | tense | transition

All This, and Heaven Too (1940)

The Duke (Maestoso)0:14:03 - Henriette enters the palacearriving | butler | calm | chromatic mediant | chromatic sequence | countermelody | establish place | establish setting | foreign key modulation | gentle | leading lady | noble | palace | sequential modulation | walking

All This, and Heaven Too (1940)

The Duke (Quasi Mysterioso)0:14:49 - Henriette hears the Duke and Duchess arguingarriving | butler | common-chord modulation | deceptive resolution | duchess | duke | establish setting | interrupting | leading lady | leading man | mysterious | room | tense

All This, and Heaven Too (1940)

The Duchess (Agitato)0:22:02 - The Duchess argues with the Dukeagitated | arguing | chromatic scale | chromatic sequence | distressed | duchess | duke | establish character | leading lady | leading man | mode mixture | room

All This, and Heaven Too (1940)

Underscoring (Agitated)0:22:23 - The Duke rebukes the Duchessagitated | arguing | chromatic parallelism | chromatic scale | distressed | dominant 7th chord | duchess | duke | establish character | leading lady | leading man | room

All This, and Heaven Too (1940)

Rushing0:22:31 - The Duchess rushes after the Dukeagitated | arguing | augmented triad | distressed | duchess | duke | establish character | leading lady | leading man | mickey-mousing | rising | room | rushing | turn figure

All This, and Heaven Too (1940)

Pleading0:22:41 - The Duchess pleads with the Duke to stayacceleration | agitated | arguing | chromatic sequence | distressed | duchess | duke | establish character | fragmentation | leading lady | leading man | parallelism | pleading | room

All This, and Heaven Too (1940)

Desperation (Furioso)0:22:53 - The Duchess curses the Dukeagitated | arguing | dissonant bass | distressed | duchess | duke | establish character | leading lady | leading man | parallelism | pleading | priest | room | tense

All This, and Heaven Too (1940)

Fairy Tale0:23:13 - Henriette reads a fairy taleadded-note chord | book | calm | child | delicate | establish character | fairy tale | governess | leading lady | pentatonic | pleasant | room | storytelling

All This, and Heaven Too (1940)

Fairy Godmother0:23:28 - Henriette reads a fairy tale9th chord | altered dominant | book | calm | child | delicate | establish character | fairy tale | foreign key modulation | governess | leading lady | magical | pleasant | room | storytelling

All This, and Heaven Too (1940)

Henriette (Fairy Tale)0:23:50 - Henriette reads a fairy talebook | calm | child | countermelody | delicate | duke | establish character | fairy tale | governess | leading lady | leading man | magical | pleasant | room | storytelling

All This, and Heaven Too (1940)

Illness0:26:16 - The Duke asks about Raynaldadvance plot | delicate | duke | gentle | governess | leading lady | leading man | parallelism | room | worrying

All This, and Heaven Too (1940)

Henriette (Molto tranquillo)0:26:30 - The Duke talks to Henrietteadded-note chord | advance plot | conversing | countermelody | delicate | duke | gentle | governess | leading lady | room | worrying

All This, and Heaven Too (1940)

The War of the Roses0:27:13 - Henriette plays the harpsichordadvance plot | child | children's song | dancing | governess | leading lady | on-screen music | pleasant | room | singing | source music

All This, and Heaven Too (1940)

The War of the Roses0:28:23 - The girls singadvance plot | child | children's song | dancing | governess | leading lady | on-screen music | pleasant | room | singing | source music

All This, and Heaven Too (1940)

Underscoring (Tense)NIF - not in filmadvance plot | child | chromatic wedge | conversing | cut from film | duchess | governess | leading lady | room | tense | underscoring

All This, and Heaven Too (1940)

RubatoNIF - not in film9th chord | added-note chord | advance plot | arguing | child | cut from film | deceptive resolution | duchess | governess | leading lady | room | tense

All This, and Heaven Too (1940)

Desperation (Very Dramatic)NIF - not in filmadvance plot | altered dominant | arguing | child | cut from film | duchess | governess | leading lady | room | tense

All This, and Heaven Too (1940)

Rubato (Carriage)NIF - not in film9th chord | advance plot | carriage | child | cut from film | deceptive resolution | duchess | governess | leading lady | leaving | parallelism | passionate | street

All This, and Heaven Too (1940)

Desperation (Carriage Starts)NIF - not in filmadded-note chord | advance plot | carriage | child | cut from film | duchess | gentle | governess | leading lady | leaving | pedal tone | street

All This, and Heaven Too (1940)

Underscoring (Tense)0:30:19 - Henriette dresses Raynald9th chord | advance plot | arguing | caring | child | duke | governess | illness | leading lady | leading man | room | sequence | tense | underscoring

All This, and Heaven Too (1940)

Underscoring (Gentle)0:30:34 - Henriette puts Raynald in bedadvance plot | arguing | caring | child | chromatic sequence | duke | gentle | governess | illness | leading lady | leading man | mode mixture | room | tense | underscoring

All This, and Heaven Too (1940)

Romance0:30:48 - Henriette talks with the Dukeadded-note chord | advance plot | arguing | child | duke | governess | illness | leading lady | leading man | romantic | room | sequence

All This, and Heaven Too (1940)

Henriette (Andante)0:31:04 - The Duke apologizes to Henriette9th chord | 64 chord | advance plot | apologizing | child | conversing | duke | foreign-key modulation | governess | illness | leading lady | leading man | romantic | room

All This, and Heaven Too (1940)

The Duke (Tranquillo)0:31:41 - The doctor treats Raynaldadvance plot | caring | child | conversing | doctor | duke | gentle | governess | illness | leading lady | leading man | room | somber

All This, and Heaven Too (1940)

The Sick Room0:32:12 - The doctor talks to the Duke64 chord | advance plot | child | chromatic sequence | conversing | doctor | duke | fragmentation | gentle | governess | illness | leading lady | leading man | pedal tone | room

All This, and Heaven Too (1940)

Raynald0:32:53 - Henriette helps Raynaldadvance plot | caring | child | common-chord modulation | conversing | delicate | duke | gentle | governess | illness | leading lady | leading man | room | sweet

All This, and Heaven Too (1940)

Counting0:33:30 - Henriette counts tangerine slicesadvance plot | calm | child | chromatic sequence | conversing | counting | distracting | duke | governess | illness | leading lady | leading man | pc set | room | tense | wedge | zoom in

All This, and Heaven Too (1940)

Henriette (Molto Tranquillo 2)0:34:17 - Henriette comforts Raynaldadvance plot | augmented sixth chord | child | comforting | common-chord modulation | conversing | dark | delicate | duke | gentle | governess | illness | leading lady | leading man | mode mixture | parallel 63s | room | suspension

All This, and Heaven Too (1940)

Raynald (Dark)0:34:52 - Raynald talks with Henrietteadvance plot | child | comforting | conversing | dark | death | duke | foreign-key modulation | governess | illness | leading lady | leading man | room

All This, and Heaven Too (1940)

Lullaby0:35:08 - Henriette sings a lullabyadvance plot | calm | caring | child | duke | gentle | governess | illness | leading lady | leading man | lullaby | room | scored source music | singing

All This, and Heaven Too (1940)

Raynald (Lullaby)0:35:24 - Henriette talks to the Dukeadvance plot | calm | caring | child | conversing | duke | gentle | governess | illness | leading lady | leading man | lullaby | mode mixture | room

All This, and Heaven Too (1940)

Lullaby0:35:39 - Henriette sings a lullabyadvance plot | calm | caring | child | duke | gentle | governess | illness | leading lady | leading man | lullaby | room | scored source music | singing

All This, and Heaven Too (1940)

Henriette (Very Emotional)0:35:57 - The Duke thanks Henrietteadvance plot | calm | child | common-chord modulation | conversing | duke | gentle | governess | illness | leading lady | leading man | mode mixture | parallel 63s | room

All This, and Heaven Too (1940)

Lullaby (Morendo)0:36:25 - Henriette sings a lullabyadvance plot | calm | caring | child | chromatic mediant | duke | gentle | governess | illness | leading lady | leading man | room | singing

All This, and Heaven Too (1940)

The Prayer0:36:36 - The Abbe prays for Raynaldchild | common-chord modulation | duke | governess | hymn-like | illness | leading lady | leading man | parallelism | praying | priest | religious scene | room | sequence | somber

All This, and Heaven Too (1940)

Underscoring (Tense)0:37:37 - They rise from prayeradded-note chord | child | chromatic scale | chromatic wedge | conversing | deceptive resolution | duchess | duke | governess | illness | leading lady | leading man | leaving | priest | religious scene | room | somber | tense

All This, and Heaven Too (1940)

The Duchess (Agitato)0:38:09 - The Duchess argues with the doctorarguing | common-chord modulation | doctor | duchess | illness | leading lady | mode mixture | religious scene | room | syncopation | tense

All This, and Heaven Too (1940)

Raynald (Adagio)0:38:26 - The doctor takes Raynald's pulse9th chord | advance plot | caring | child | chromatic scale | conversing | doctor | duke | governess | governess | illness | leading lady | leading man | room | solemn

All This, and Heaven Too (1940)

Raynald (Triste)0:39:16 - The Duke talks to Henriette64 chord | advance plot | child | conversing | duke | governess | illness | leading lady | leading man | room | somber

All This, and Heaven Too (1940)

The Duchess (Expressivo con Schmalzo)0:39:24 - The Duchess writes a letterangry | chromatic sequence | crying | despair | duchess | foreign-key modulation | leading lady | mad scene | on-screen text | room | sequence | sequential modulation | writing

All This, and Heaven Too (1940)

Desperation0:39:54 - The Duchess writes a letterangry | chromatic scale | crying | despair | duchess | leading lady | mad scene | on-screen text | parallelism | room | writing

All This, and Heaven Too (1940)

Rushing0:40:15 - The Duchess rushes to the Abbeangry | arguing | augmented triad | despair | duchess | leading lady | mad scene | mickey-mousing | priest | room | turn figure

All This, and Heaven Too (1940)

Pleading (Extended)0:40:26 - The Abbe talks with the Duchess9th chord | angry | arguing | chromatic sequence | despair | duchess | fragmentation | leading lady | mad scene | oscillation | parallelism | priest | room

All This, and Heaven Too (1940)

Desperation (Very Emotional)0:41:00 - The Duchess pleads with the Abbeangry | arguing | chromatic scale | chromatic sequence | crying | despair | dissonant pass | illness | leading lady | mad scene | priest | room

All This, and Heaven Too (1940)

Raynald (Andante)0:41:36 - Henriette and the Duke by Raynald's bedside9th chord | 64 chord | augmented sixth chord | child | chromatic sequence | conversing | duke | governess | hopeful | illness | illness scene | leading lady | leading man | parallelism | room | solemn | somber

All This, and Heaven Too (1940)

Henriette (Ethereal)0:42:36 - Henriette asks to open the window9th chord | bright | child | conversing | duke | foreign-key modulation | governess | half-diminished 7th chord | hopeful | illness | illness scene | leading lady | leading man | room | sequence | timid

All This, and Heaven Too (1940)

Raynald (Ethereal)0:43:04 - Raynald by the window64 chord | child | conversing | duke | governess | hopeful | illness | illness scene | leading lady | leading man | pedal tone | room

All This, and Heaven Too (1940)

Rushing 20:43:14 - The Duchess rushes into the roomarguing | child | duchess | duke | governess | half-diminished 7th chord | hurried | illness | illness scene | leading lady | leading man | mickey-mousing | room | rushing

All This, and Heaven Too (1940)

Desperation (Furioso)0:43:28 - The Duchess rushes out of the roomangry | child | despair | dissonant bass | duchess | duke | governess | hurrying | illness | illness scene | leading lady | leading man | leaving | room

All This, and Heaven Too (1940)

Desperation (Calming)0:43:35 - Henriette closes the windowcalm | caring | child | dark | dissonant bass | duke | fragmentation | governess | hopeful | illness | illness scene | leading lady | leading man | room

All This, and Heaven Too (1940)

Raynald (Tranquillo)0:43:53 - Henriette puts Raynald in bedcalm | caring | child | duke | gentle | governess | illness | illness scene | leading lady | leading man | pedal tone | room

All This, and Heaven Too (1940)

Henriette (Appassionato)0:44:08 - Raynald plays outside64 chord | added-note chord | advance plot | child | common-tone diminished 7th | conversing | courtyard | duke | foreign-key modulation | governess | happy | leading lady | leading man | passionate | playing

All This, and Heaven Too (1940)

Raynald (Mysterioso)0:44:22 - Raynald talks with Henrietteadvance plot | child | conversing | courtyard | deceptive resolution | duke | governess | happy | leading lady | leading man | mysterious

All This, and Heaven Too (1940)

The Duchess (Molto Expressivo)0:44:33 - Henriette reads a letter from the Duchessadvance plot | common-chord modulation | governess | leading lady | letter | on-screen text | positive | reading | room

All This, and Heaven Too (1940)

The Duchess (Molto Screwieoso)0:44:50 - Henriette looks at a gift from the Duchess64 chord | advance plot | chromatic parallelism | distressed | gift | governess | leading lady | looking | opening | pedal tone | room | stinger

All This, and Heaven Too (1940)

Underscoring (Mysterious)0:46:43 - The Duchess stares at Henriettechromatic wedge | conversing | duchess | governess | leading lady | linear chromaticism | mysterious | pc set | room | transition | underscoring

All This, and Heaven Too (1940)

Raynald (Carriage)0:46:53 - Horses pulling a carriage64 chord | carriage | child | chromatic mediant | common-chord modulation | conversing | countermelody | foreign-key modulation | governess | horse | leading lady | mickey-mousing | mode mixture | pleasant | riding | street | traveling scene | trotting | upbeat

All This, and Heaven Too (1940)

Henriette (Very Emotional)0:49:01 - The Duke looks at Henrietteadvance plot | child | chromatic scale | common-chord modulation | common-tone diminished 7th chord | conversing | delicate | duke | gentle | governess | leading lady | leading man | looking | romance | romantic | room

All This, and Heaven Too (1940)

Armide0:49:21 - The opera housearriving | audience | child | concert scene | conversing | duke | governess | leading lady | leading man | opera | regal | source music | theater | upbeat | watching

All This, and Heaven Too (1940)

La Parisienne (The King)0:50:33 - The king entersarriving | audience | bowing | child | concert scene | duke | governess | king | leading lady | leading man | not by Steiner | patriotic music | regal | source music | theater | watching

All This, and Heaven Too (1940)

Plainte de Cloris0:51:08 - They listen to the musical prologueaudience | calm | child | classical music | concert scene | conversing | duke | governess | leading lady | leading man | listening | passionate | source music | theater

All This, and Heaven Too (1940)

Air pour La Jeunesse0:51:43 - A montage of people applaudingaudience | child | classical music | concert scene | dramatic | duke | governess | leading lady | leading man | listening | source music | theater | watching

All This, and Heaven Too (1940)

Fanfan la Tulipe0:51:48 - Henriette plays the harpsichordadvance plot | child | dancing | duke | folk music | governess | leading lady | leading man | on-screen music | playing | room | upbeat

All This, and Heaven Too (1940)

Louise0:52:39 - Louise hugs her fatheradded-note chord | advance plot | appoggiatura | child | conversing | duke | excited | governess | happy | hugging | leading lady | leading man | mode mixture | room

All This, and Heaven Too (1940)

The Duke (Lohengrin)0:52:53 - The Duke gives Louise his roseadvance plot | calm | child | conversing | countermelody | duke | fragmentation | governess | hugging | kind | leading lady | leading man | room | sequence

All This, and Heaven Too (1940)

Louise (Poco Animato)0:53:39 - Louise talks to Henrietteadvance plot | child | conversing | excited | governess | happy | leading lady | room | sequential modulation

All This, and Heaven Too (1940)

Henriette (Poco Animato)0:53:44 - Henriette puts out the lightsadvance plot | child | conversing | excited | fragmentation | governess | happy | leading lady | room | sequential modulation

All This, and Heaven Too (1940)

Henriette (Music Box)0:54:04 - Henriette puts Louise to bedadvance plot | augmented sixth chord | calm | child | common-tone diminished 7th chord | conversing | goodnight | governess | happy | leading lady | lullaby | mode mixture | music box | room

All This, and Heaven Too (1940)

Underscoring (Mysterious)0:56:57 - The Duchess entersadvance plot | child | conversing | governess | half-diminished 7th chord | leading lady | maid | mysterious | room | tense | trouble | underscoring

All This, and Heaven Too (1940)

The Duchess (Arguing)1:00:32 - Henriette leavesadded-note chord | arguing | conflict | dramatic | duchess | duke | governess | leading lady | leading man | linear chromaticism | listening | romantic | room | serious | trouble

All This, and Heaven Too (1940)

Underscoring (Dramatic)1:01:03 - Henriette packs her thingsarguing | conflict | dramatic | duke | governess | leading lady | leading man | room | trouble

All This, and Heaven Too (1940)

Desperation (Very Emotional)1:01:26 - Henriette talks to the Dukearguing | chromatic sequence | conflict | dramatic | duke | governess | leading lady | leading man | room | trouble

All This, and Heaven Too (1940)

Pleading (Extended)1:01:39 - The Duke responds to Henriette9th chord | arguing | chromatic sequence | conflict | dramatic | duke | governess | leading lady | leading man | room | trouble

All This, and Heaven Too (1940)

Desperation (Very Emotional)1:02:00 - The Duke talks to Henriettearguing | chromatic scale | chromatic sequence | conflict | dissonant bass | dramatic | duke | governess | leading lady | leading man | room | trouble

All This, and Heaven Too (1940)

Henriette (Emotional)1:02:28 - The Duke talks to Henriettechromatic sequence | conflict | conversing | duke | governess | leading lady | leading man | mode mixture | romance | romantic | room

All This, and Heaven Too (1940)

Henriette (Sweepingly)1:02:57 - Henriette with tears in her eyesadded-note chord | augmented sixth chord | chromatic mediant | conflict | conversing | deceptive resolution | duke | foreign-key modulation | governess | leading lady | leading man | mode mixture | pedal tone | romance | romantic | room

All This, and Heaven Too (1940)

Valse1:03:32 - Montage of newspaper clippingsadded-note chord | ballroom | cheerful | crowd | dancing | double exposure | duchess | duke | leading lady | leading man | mode mixture | montage | upbeat | waltz

All This, and Heaven Too (1940)

Invitation from the King1:03:46 - Invitation from the King11th chord | ballroom | bold | double exposure | duchess | duke | fanfare | leading lady | leading man | montage | pedal tone | walking

All This, and Heaven Too (1940)

Ascending1:03:57 - The Duke and Duchess ascendascending | ballroom | chromatic sequence | double exposure | duchess | duke | leading lady | leading man | mickey-mousing | montage | stairs | tense

All This, and Heaven Too (1940)

The Duchess (Tutti)1:04:02 - A concert programballroom | bold | carriage | duchess | duke | fanfare | leading lady | leading man | montage | riding | romantic | sequential modulation

All This, and Heaven Too (1940)

Invitation to the Dance1:04:19 - People waltzingadvance plot | ballroom | child | classical music | crowd | dancing | duchess | duke | leading lady | leading man | simulated source music | upbeat | waltz

All This, and Heaven Too (1940)

La Parisienne (The King)1:06:08 - The children watch from the balconyadvance plot | arriving | ballroom | child | crowd | governess | king | leading lady | march | patriotic tune | regal | simulated source music

All This, and Heaven Too (1940)

La Parisienne (Expressivo)1:06:51 - The children prayadvance plot | calm | child | governess | leading lady | mode mixture | praying | room

All This, and Heaven Too (1940)

Henriette (Goodnight)1:06:59 - Henriette puts the children to bedadvance plot | calm | child | fragmentation | goodnight | governess | leading lady | peaceful | pedal tone | room | tucking in

All This, and Heaven Too (1940)

Isabelle1:07:33 - Isabelle criesadvance plot | augmented sixth chord | child | chromatic sequence | comforting | crying | governess | leading lady | room | sequence | serious | somber

All This, and Heaven Too (1940)

Isabelle 21:08:44 - Isabelle talks to Henrietteadvance plot | child | comforting | countermelody | crying | governess | leading lady | room | serious | somber

All This, and Heaven Too (1940)

Henriette (Duet)1:09:26 - Isabelle talks to Henriette9th chord | advance plot | child | chromatic parallelism | comforting | crying | gentle | governess | leading lady | Neapolitan | room | sweet

All This, and Heaven Too (1940)

Henriette (Cello Solo)1:10:09 - Henriette comforts Isabelleadvance plot | child | comforting | crying | gentle | governess | leading lady | pedal tone | room

All This, and Heaven Too (1940)

The Duchess (Expressivo)1:10:42 - The Duke complains to Henrietteabrupt | advance plot | angry | chromatic parallelism | complaining | duke | governess | leading lady | leading man | room | sequential modulation

All This, and Heaven Too (1940)

Henriette (Transition)1:10:55 - The Duke talks to Henrietteadvance plot | calm | common-tone diminished 7th | conversing | duke | enharmonic modulation | governess | leading lady | leading man | room

All This, and Heaven Too (1940)

Henriette (Rubato)1:11:14 - The Duke talks to Henriette9th chord | added-note chord | advance plot | calm | conversing | duke | governess | leading lady | leading man | mode mixture | peaceful | room

All This, and Heaven Too (1940)

Henriette + Falling Snow1:12:16 - The Duke talks to Henrietteadvance plot | augmented triad | chromatic parallelism | combination of themes | conversing | duke | governess | leading lady | leading man | mickey-mousing | mode mixture | room | snow | snow globe | snowing | uneasy

All This, and Heaven Too (1940)

Falling Snow1:12:39 - Henriette watches the falling snow64 chord | advance plot | chromatic parallelism | chromatic scale | chromatic sequence | conversing | dissonant bass | duke | governess | leading lady | leading man | mickey-mousing | pedal tone | point-of-view shot | room | snow | snow globe | snowing | uneasy

All This, and Heaven Too (1940)

Henriette (Sad Waltz)1:12:55 - Henriette watches the people dancing9th chord | 64 chord | advance plot | ballroom | crowd | dancing | dissolve | governess | leading lady | pedal tone | point-of-view shot | room | somber | watching

All This, and Heaven Too (1940)

Underscoring (Dramatic)1:13:19 - Henriette watches the falling snowadvance plot | arriving | butler | dissonant bass | dramatic | duchess | duke | leading lady | leading man | outside | panning shot | pc set | point-of-view shot | room | sigh gesture | underscoring | watching

All This, and Heaven Too (1940)

The Duchess (Con Moto)1:13:45 - Henriette watches the Duke and Duchessadvance plot | dramatic | duchess | duke | leading lady | leading man | leaving | painful | point-of-view shot | room | sequential modulation | watching

All This, and Heaven Too (1940)

Henriette (Somber)1:15:09 - Henriette looks out the windowadvance plot | governess | leading lady | longing | pedal tone | room | somber

All This, and Heaven Too (1940)

Henriette (Quasi Agitato)1:17:45 - Henriette paces anxiouslyacceleration | advance plot | agitated | conflicted | dissonant bass | fragmentation | gift | governess | half-diminished 7th chord | leading lady | pacing | pondering | room | sequence | turbulent

All This, and Heaven Too (1940)

Henriette (Tristan)1:18:13 - Henriette opens a gift9th chord | advance plot | fragmentation | gift | governess | happy | leading lady | opening | pump-up modulation | room | snow globe

All This, and Heaven Too (1940)

Henriette + Falling Snow1:18:26 - Snow swirling in a snow globeadvance plot | calm | chromatic parallelism | combination of themes | deceptive resolution | gift | governess | leading lady | room | snow | snow globe | snowing | swirling

All This, and Heaven Too (1940)

Rushing1:19:33 - The Duchess rushes forwardangry | arguing | augmented triad | compound melody | conflict | desperate | duchess | duke | hurried | leading lady | leading man | room | rushing | turn figure

All This, and Heaven Too (1940)

Pleading (Extended 2)1:19:43 - The Duchess pleads with the Duke9th chord | acceleration | arguing | chromatic sequence | conflict | desperate | duchess | duke | fragmentation | leading lady | leading man | parallelism | room

All This, and Heaven Too (1940)

Desperation (Very Emotional)1:20:06 - The Duchess threatens the Dukearguing | augmented triad | chromatic scale | chromatic sequence | conflict | desperate | dissonant bass | duchess | duke | leading lady | leading man | room | tense | threatening

All This, and Heaven Too (1940)

Desperation (Sempre Accelerando1:20:39 - The Duke and Duchess argueacceleration | arguing | augmented triad | chromatic scale | chromatic sequence | conflict | desperate | dissonant bass | duchess | duke | leading lady | leading man | panning shot | pc set | room | screaming | tense | threatening

All This, and Heaven Too (1940)

Underscoring (Tense)1:20:55 - Henriette calms the children downcaretaker | child | conflict | crying | dissonant bass | governess | leading lady | pc set | room | tense

All This, and Heaven Too (1940)

Underscoring (Somber)1:21:26 - The Duke descends the stairschild | chromatic scale | conflict | conversing | crying gesture | descending | governess | leading lady | room | somber | tense

All This, and Heaven Too (1940)

The Duchess (Calm)1:22:05 - Henriette asks about the Duchesscalm | conflict | conversing | dissonant bass | duchess | duke | foreign key modulation | leading lady | leading man | room

All This, and Heaven Too (1940)

Henriette (Slowly)1:22:19 - The Duke bids farewell to Henriette64 chord | calm | conflict | conversing | deceptive resolution | duchess | duke | gentle | leading lady | leading man | mode mixture | room | sigh gesture

All This, and Heaven Too (1940)

The Duke (Dignified)1:23:09 - A carriage arrives at the chateauarriving | child | dignified | driver | governess | leading lady | noble | on-screen text | palace | transition

All This, and Heaven Too (1940)

All Hallows Eve1:23:22 - A forest scene at nightaugmented triad | child | chromatic parallelism | chromatic scale | conversing | create suspense | dissonant bass | forest | governess | Halloween | hiding | leading lady | ombra topic | on-screen text | pc set | pedal tone | scaring | scary | spooky | walking | whole-tone chord

All This, and Heaven Too (1940)

Spring Time1:24:18 - The children laughcheerful | child | chromatic sequence | conversing | create suspense | forest | governess | leading lady | walking

All This, and Heaven Too (1940)

Loti's Song1:24:31 - Apples roasting on a fire9th chord | child | chromatic mediant | chromatic parallelism | chromatic scale | cooking | create suspense | dissonant bass | forest | governess | leading lady | linear chromaticism | old man | pedal tone | scary | scored source music | singer | singing | split-third chord | spooky

All This, and Heaven Too (1940)

Creeping1:25:02 - A stranger approacheschild | chromatic parallelism | create suspense | creeping | diminished 7th chord | duke | forest | governess | leading lady | leading man | mickey-mousing | retardation | scary | sneaking | spooky

All This, and Heaven Too (1940)

Spring Time1:25:18 - The Duke talks with his childrenadvance plot | cheerful | child | duke | forest | governess | leading lady | leading man | recognizing | relief

All This, and Heaven Too (1940)

Underscoring (Gentle)1:25:28 - Henriette smiles at the Dukeadvance plot | child | conversing | duke | forest | gentle | governess | leading lady | leading man | tender | underscoring

All This, and Heaven Too (1940)

Henriette (All Hallows' Eve)1:25:46 - The Duke talks with Henrietteadvance plot | conversing | duke | forest | gentle | governess | leading lady | leading man | spooky | sweet | tender

All This, and Heaven Too (1940)

Spring Time (Grazioso)1:26:48 - The Duke talks with the servantsadvance plot | arriving | conversing | duke | gentle | governess | leading lady | leading man | light | room | servant

All This, and Heaven Too (1940)

Grazioso1:27:26 - Madame Gauthier talks about the childrenadvance plot | cheerful | conversing | duke | governess | leading lady | leading man | room | servant

All This, and Heaven Too (1940)

Raynald1:27:35 - Madame Gauthier talks about Raynaldadvance plot | cheerful | conversing | duke | governess | leading lady | leading man | room | servant

All This, and Heaven Too (1940)

Underscoring (Gentle)1:27:58 - The Duke talks to Henriette by the fireplaceadvance plot | conversing | duke | gentle | governess | leading lady | leading man | room

All This, and Heaven Too (1940)

Heaven Theme1:28:16 - Henriette tells the Duke about herselfduke | falling in love scene | gentle | governess | leading lady | leading man | room | storytelling

All This, and Heaven Too (1940)

Triste1:28:51 - Henriette talks about a mysteryduke | falling in love scene | governess | leading lady | leading man | room | somber | storytelling

All This, and Heaven Too (1940)

Henriette (Very Romantic)1:29:07 - Henriette talks with the Dukeconversing | duke | falling in love scene | gentle | governess | leading lady | leading man | romantic | room | sweet

All This, and Heaven Too (1940)

Spring Time1:30:22 - A carriage approaches the palacearriving | bright | carriage | chattering | cheerful | child | duke | governess | happy | leading lady | leading man | palace | riding | transition

All This, and Heaven Too (1940)

Raynald1:30:33 - The carriage arrivesarriving | bright | carriage | chattering | child | duke | governess | happy | leading lady | leading man | palace | riding | transition

All This, and Heaven Too (1940)

Spring Time1:30:41 - The children get out of the carriagebright | cheerful | child | conversing | duke | governess | happy | leading lady | leading man | palace | transition

All This, and Heaven Too (1940)

Raynald (Extended)1:30:51 - The children talk to Henriettebright | child | conversing | duke | governess | leading lady | leading man | palace | surprise | tense | transition

All This, and Heaven Too (1940)

Spring Time (Ominous)1:31:04 - The children enter the palacebright | cheerful | child | conversing | duke | governess | leading lady | leading man | ominous | palace | surprise | transition

All This, and Heaven Too (1940)

Henriette (Ominous)1:31:15 - Henriette talks to the Dukeconversing | duke | governess | hopeful | leading lady | leading man | love scene | ominous | palace | reassuring

All This, and Heaven Too (1940)

Henriette (Molto Expressivo)1:31:48 - The Duke talks to Henrietteconversing | duke | governess | leading lady | leading man | love scene | palace | reassuring | romantic | stinger | tender

All This, and Heaven Too (1940)

Henriette (Expressivo)1:32:32 - Henriette enters the palacegoverness | leading lady | love scene | ominous | palace | somber | walking

All This, and Heaven Too (1940)

The Duchess (Agitato)1:34:41 - Henriette rushes away from the Duchesschattering | child | conflict | conversing | duchess | governess | leading lady | room | somber | worried

All This, and Heaven Too (1940)

Underscoring (Agitated)1:35:05 - Henriette with the childrenadvance plot | agitated | child | conversing | governess | leading lady | room | worried

All This, and Heaven Too (1940)

Spring Time (Shimmery)1:35:12 - Henriette opens a giftadvance plot | cheerful | child | conversing | gift | governess | leading lady | light | opening | room

All This, and Heaven Too (1940)

The Duchess (Distracted)1:35:21 - Henriette opens a giftadvance plot | agitated | child | conversing | gift | governess | leading lady | opening | room | worried

All This, and Heaven Too (1940)

Spring Time (Harry Cohn Moto)1:35:26 - Henriette opens a giftadvance plot | cheerful | child | gift | governess | happy | leading lady | opening | room | tense | unwrapping

All This, and Heaven Too (1940)

Spring Time (Moderato)1:35:45 - Henriette opens a giftadvance plot | calm | child | gift | governess | leading lady | locket | opening | room | tender

All This, and Heaven Too (1940)

Henriette (Dolschissimo)1:36:07 - Henriette reads the locket inscriptionadvance plot | calm | child | conversing | crying | gift | governess | leading lady | locket | room | stinger | tender | tense

All This, and Heaven Too (1940)

Underscoring (Somber)1:37:35 - Henriette talks with the Dukeconversing | duke | governess | leading lady | leading man | love scene | room | somber | underscoring

All This, and Heaven Too (1940)

Expressivo1:38:15 - Henriette talks with the Dukeconversing | desperate | duke | governess | leading lady | leading man | love scene | romantic | room

All This, and Heaven Too (1940)

The Duchess (Tender)1:38:39 - Henriette talks with the Dukeconversing | duke | gentle | governess | leading lady | leading man | love scene | room | tender

All This, and Heaven Too (1940)

Desperation (Ethereal)1:38:54 - Henriette talks with the Dukeconversing | duke | ethereal | governess | leading lady | leading man | love scene | room

All This, and Heaven Too (1940)

Henriette (Sehr Delicatessen)1:39:12 - Henriette talks with the Dukecalm | conversing | duke | gentle | governess | leading lady | leading man | love scene | room | sweet | tender

All This, and Heaven Too (1940)

Henriette (Romantic)1:39:53 - The Duke reads the locket inscriptionconversing | crying | crying gesture | duke | gentle | governess | leading lady | leading man | love scene | romantic | room | tender

All This, and Heaven Too (1940)

Underscoring (Gentle)1:41:02 - Henriette talks with the childrenchild | conversing | farewell scene | gentle | governess | leading lady | room | tender | underscoring

All This, and Heaven Too (1940)

Raynald1:41:25 - Henriette says goodbye to the childrenchild | conversing | crying | farewell scene | gentle | governess | leading lady | room | tender

All This, and Heaven Too (1940)

Raynald (Dark)1:41:54 - Raynald talks with Henriettechild | conversing | crying | farewell scene | governess | leading lady | room | somber

All This, and Heaven Too (1940)

Lullaby (Tender)1:42:13 - Henriette says goodbye to the childrenchild | conversing | farewell scene | governess | leading lady | room | somber

All This, and Heaven Too (1940)

Henriette (Sweepingly)1:45:32 - Henriette reads a lettercheerful | leading lady | letter | pleasant | room | transition

All This, and Heaven Too (1940)

Henriette (Appassionato 2)1:46:00 - Henriette descends the staircaseanxious | descending | excited | hurrying | leading lady | not mickey-moused | room | stairs | transition | walking

All This, and Heaven Too (1940)

Henriette (Tristan)1:46:15 - Henriette greets the childrenarriving | child | duke | grand | greeting | leading lady | leading man | reunion scene | romantic | room

All This, and Heaven Too (1940)

Henriette (Meno)1:46:24 - Henriette talks with the childrenarriving | calm | child | duke | greeting | leading lady | leading man | reunion scene | room

All This, and Heaven Too (1940)

Henriette (Calm)1:46:38 - Henriette talks with the Dukecalm | child | conversing | duke | gentle | leading lady | leading man | reunion scene | room | uneasy

All This, and Heaven Too (1940)

Spring Time (Flowers)1:47:09 - The children give flowers to Henriettecheerful | child | conversing | leading lady | pleasant | reunion scene | room

All This, and Heaven Too (1940)

Henriette (Gossiping) + Spring Time (Gossiping)1:47:25 - Henriette's landlady talks to the Dukeawkward | child | combination of themes | duke | gossiper | gossiping | landlady | leading lady | leading man | mysterious | reunion scene | room | somber | tense | watching

All This, and Heaven Too (1940)

Henriette (Tense)1:47:51 - The Duke argues with Henriettearguing | conflict | duke | leading lady | leading man | room | tense

All This, and Heaven Too (1940)

The Duchess (Tense)1:48:04 - Henriette talks with the Dukearguing | conflict | duke | leading lady | leading man | room | tense

All This, and Heaven Too (1940)

Desperation (Tense)1:48:14 - The Duke talks with Henrietteconflict | conversing | duke | leading lady | leading man | room | tense

All This, and Heaven Too (1940)

Screwissimo1:48:47 - The Duke goes madconflict | conversing | creepy | disturbing | duke | leading lady | leading man | madness | ominous | room

All This, and Heaven Too (1940)

Desperation (Slow)1:48:58 - The Duke leavesconflict | duke | leading lady | leading man | leaving | ominous | room | tense

All This, and Heaven Too (1940)

The Murder1:51:56 - The Duke advances towards the Duchessapproaching | blur | climax | dark | duchess | duke | leading lady | leading man | menacing | murder | murdering | murder scene | ominous | room | strangling

All This, and Heaven Too (1940)

Desperation (Subito)1:52:22 - Soldiers climb the stairsascending | conflict | landlady | leading lady | not mickey-moused | room | soldier | suspect | tense

All This, and Heaven Too (1940)

The Duchess (Dramatic)1:52:48 - Soldiers confront Henrietteaccusing | arresting | conflict | landlady | leading lady | ominous | realizing | room | soldier | suspect | tense

All This, and Heaven Too (1940)

Henriette (Dark)1:52:57 - A police wagon approachesarresting | carriage | conflict | crowd | dark | landlady | leading lady | soldier | street | suspect

All This, and Heaven Too (1940)

Henriette (Grandioso) + Desperation (Grandioso)1:53:13 - The police wagon leavesarresting | bold | carriage | conflict | conversing | crowd | crying | dark | landlady | leading lady | ominous | soldier | street | suspect | tense | testifying

All This, and Heaven Too (1940)

Agitato 21:59:31 - Henriette is arrestedagitated | crowd | crying | double exposure | dramatic | fanfare | headline | leading lady | leaving | mob | montage | newspaper | soldier | street | suspect | yelling

All This, and Heaven Too (1940)

Henriette (Molto Moderato)2:04:10 - Women in prisondouble exposure | headline | leading lady | montage | newspaper | pacing | prison | prisoner | solemn | suspect | walking

All This, and Heaven Too (1940)

Heaven Theme (Expressivo)2:05:06 - Henry talks to Henrietteadvance plot | calm | conversing | gentle | leading lady | minister | pleasant | prison | prisoner | suspect

All This, and Heaven Too (1940)

Dolce2:05:51 - Henriette talks to Henryadvance plot | calm | conversing | gentle | leading lady | minister | pleasant | prison | prisoner | suspect

All This, and Heaven Too (1940)

Underscoring (Tense)2:06:17 - Henriette argues with Henryadvance plot | arguing | leading lady | minister | prison | prisoner | suspect | tense | underscoring

All This, and Heaven Too (1940)

Heaven Theme (Delicato)2:06:34 - Henry talks to Henrietteadvance plot | calm | conversing | gentle | leading lady | minister | pleasant | prison | prisoner | suspect

All This, and Heaven Too (1940)

Raynald (Delicato)2:06:46 - Henry talks to Henrietteadvance plot | conversing | delicate | leading lady | minister | prison | prisoner | suspect | tender | tense | worrying

All This, and Heaven Too (1940)

Heaven Theme (Dolce)2:06:58 - Henry talks to Henrietteadvance plot | conversing | gentle | leading lady | minister | prison | prisoner | suspect

All This, and Heaven Too (1940)

Henriette (The Truth)2:07:07 - Henry talks to Henrietteadvance plot | calm | conversing | leading lady | minister | prison | prisoner | suspect

All This, and Heaven Too (1940)

Henriette (Ostinato)2:10:09 - A carriage leavescarriage | crowd | dramatic | leading lady | mob | ominous | ostinato | prisoner | soldier | street | suspect | tense | transition | traveling

All This, and Heaven Too (1940)

Underscoring (Tense)2:10:17 - A carriage arrives at the palacearriving | carriage | leading lady | prisoner | soldier | street | suspect | tense | transition | traveling | underscoring

All This, and Heaven Too (1940)

The Duke (Maestoso)2:10:50 - Henriette enters the Duke's palacearriving | dark | hearing voices | leading lady | palace | prisoner | soldier | spooky | suspect | transition | uneasy

All This, and Heaven Too (1940)

Henriette (Ghostly)2:11:23 - Henriette hears voicesarriving | dark | hearing voices | leading lady | palace | prisoner | soldier | spooky | suspect | transition | uneasy

All This, and Heaven Too (1940)

Henriette (Serious)2:11:50 - Henriette arrives upstairsarriving | detective | hearing voices | leading lady | palace | prisoner | serious | soldier | solemn | somber | suspect | transition

All This, and Heaven Too (1940)

Crying2:12:15 - Pierre looks at Henriettecaretaker | crying | detective | devastated | leading lady | looking | palace | prisoner | soldier | somber | suspect | transition

All This, and Heaven Too (1940)

Henriette (Noble)2:13:19 - Henriette comes into the Duke's roomarriving | dark | death scene | detective | duke | dying | hopeful | leading lady | leading man | noble | prisoner | room | soldier | suspect

All This, and Heaven Too (1940)

Dying2:13:46 - The Duke in his death bedconversing | death bed | death scene | detective | duke | dying | leading lady | leading man | prisoner | questioning | room | sad | soldier | suspect

All This, and Heaven Too (1940)

Henriette (Duet)2:14:06 - A close-up on Henrietteconversing | death bed | death scene | detective | duke | dying | leading lady | leading man | prisoner | questioning | room | sad | soldier | suspect | tender

All This, and Heaven Too (1940)

Henriette (Funereal)2:14:27 - Henriette leaves the Dukeconversing | death bed | death scene | detective | duke | dying | funeral march | leading lady | leading man | prisoner | questioning | room | sad | soldier | suspect

All This, and Heaven Too (1940)

Henriette (Moderato Maestoso)2:16:29 - A hand signing a release formhopeful | leading lady | leaving | noble | prison | resolution | walking | writing

All This, and Heaven Too (1940)

The Duke (Gravestone)2:16:48 - The Duke's gravestonedeath | gentle | gravestone | graveyard | grieving | leading lady | resolution | somber | voice-over

All This, and Heaven Too (1940)

Heaven Theme (Expressivo)2:17:25 - Henriette leaves with Henry Fieldcomforting | death | gravestone | graveyard | grieving | hopeful | leading lady | minister | resolution | voice-over | wave

All This, and Heaven Too (1940)

Desperation (Mysterioso)2:17:47 - Henriette narrates her storychild | leading lady | mysterious | resolution | school | storytelling | student | teacher | tense

All This, and Heaven Too (1940)

The Duchess2:17:58 - Henriette narrates her storychild | leading lady | resolution | school | storytelling | student | teacher | tense

All This, and Heaven Too (1940)

Underscoring (Tense)2:18:09 - Children listening to Henriettechild | leading lady | resolution | school | storytelling | student | teacher | tense

All This, and Heaven Too (1940)

Columbia Gem of the Ocean2:18:19 - Children listening to Henriettechild | hopeful | leading lady | resolution | school | storytelling | student | teacher

All This, and Heaven Too (1940)

Henriette (Adagio)2:18:52 - A child begins cryingchild | crying | leading lady | resolution | school | somber | storytelling | student | teacher

All This, and Heaven Too (1940)

Henriette (Dolschissimo)2:21:00 - Henriette kisses a child on the cheekchild | conversing | gentle | leading lady | leaving | minister | resolution | school | student | sweet | teacher

All This, and Heaven Too (1940)

Heaven Theme (Resolution)2:21:31 - Henriette reacts to Henrygentle | leading lady | looking | minister | resolution | school | sweet | teacher

All This, and Heaven Too (1940)

Henriette + Falling Snow2:21:43 - Henriette sees the falling snowcombination of themes | hearing voices | leading lady | minister | resolution | school | snow | teacher | tense
The Amazing Dr. Clitterhouse (1938)Doctor Leaves0:57:38 - Dr. Clitterhouse leavesadvance plot | doctor | door | exiting | gangster | hero | leading lady | leading man | leaving | linear chromaticism | opening | room | tense | wedge | whole-tone chord

The Amazing Dr. Clitterhouse (1938)

Underscoring (Mysterious)0:57:58 - Dr. Clitterhouse talks with Joconversing | doctor | gangster | leading lady | leading man | love scene | mysterious | room | tense

The Amazing Dr. Clitterhouse (1938)

Jo0:58:18 - Dr. Clitterhouse talks with Jo13th chord | added-note chord | altered dominant | chromatic mediant | conversing | doctor | foreign key modulation | gangster | leading lady | leading man | love scene | room | sequence | tender

The Amazing Dr. Clitterhouse (1938)

Jo (At the Phone)0:59:24 - Rocks takes the phone apart9th chord | advance plot | antagonist | combination of themes | dark | gangster | leading lady | ominous | plotting | room | tense

The Amazing Dr. Clitterhouse (1938)

Underscoring (Tense)1:00:10 - Jo and Rocks quarreladvance plot | antagonist | arguing | dissonant bass | gangster | half-diminished 7th chord | leading lady | quarreling | room | tense

The Amazing Dr. Clitterhouse (1938)

The Poison Victim1:07:50 - Rocks is poisoneddissonant | doctor | gangster | leading lady | leading man | murder | murderer | murdering | murder scene | mysterious | office | parallel fifths | poison | poisoning | quartal chord | tense | tone cluster | tritone

The Amazing Dr. Clitterhouse (1938)

Poison1:08:46 - Rocks feels the effect of the poisonblur | chromatic parallelism | diminution | doctor | dreaming | drugs | ethereal | gangster | layering | leading lady | leading man | murder | murderer | murdering | murder scene | office | oscillation | ostinato | pc set | poison | poisoning | polychord | stinger | tone cluster

The Amazing Dr. Clitterhouse (1938)

Rocks struggles and falls1:09:52 - Rocks tries to get up, then collapseschromatic parallelism | chromatic scale | death | doctor | down | drugs | dying | falling | gangster | leading lady | leading man | murder | murderer | murder scene | office | oscillation | poison | rising | split-third chord | struggling | tense | up

The Amazing Dr. Clitterhouse (1938)

The Amazing Doctor (Funebre)1:10:07 - Dr. Clitterhouse talks with Jo9th chord | chromatic parallelism | dark | death | doctor | gangster | leading lady | leading man | murder | murderer | murder scene | office | pleading | realizing | tense
Angels With Dirty Faces (1938)Rocky and Laury (Not In Film 1)NIF - not in filmadded-note chord | altered dominant | augmented sixth chord | common-chord modulation | conversing | cut from film | establish character | following | gangster | leading lady | leading man | mode mixture | street | walking

Angels With Dirty Faces (1938)

Rocky and Laury (Not In Film 2)NIF - not in filmadded-note chord | altered dominant | augmented sixth chord | chromatic scale | conversing | cut from film | establish character | following | gangster | leading lady | leading man | street | walking

Angels With Dirty Faces (1938)

Rocky and Laury0:41:37 - Laury pushes her way through the crowdaltered dominant | arriving | close-up | conflict | heartbroken | leading lady | love interest | rushing | sentimental | shop

Angels With Dirty Faces (1938)

Underscoring (Romantic)1:01:43 - Rocky and Laury talkaltered dominant | conversing | dissonant bass | gangster | leading lady | leading man | linear chromaticism | love scene | romantic | room | underscoring

Angels With Dirty Faces (1938)

Rocky and Laury (Sentimental)1:01:59 - Rocky and Laury talkadded-note chord | altered dominant | conversing | gangster | leading lady | leading man | love scene | parallel period | romantic | room

Angels With Dirty Faces (1938)

Foxtrot1:02:20 - Rocky and Laury look out the windowadded-note chord | altered dominant | common-tone diminished 7th | dreaming | foxtrot | gangster | hoping | leading lady | leading man | looking | love scene | mode mixture | romantic | room

Angels With Dirty Faces (1938)

Saving Myself For You (I've Been)1:02:30 - Rocky and Laury at a night clubAABA structure | advance plot | cheerful | club | drinking | gambling | gangster | lawyer | leading lady | leading man | on-screen music | source music

Angels With Dirty Faces (1938)

Pleading1:11:08 - Laury pleads for Rocky9th chord | advance plot | appoggiatura | circle of fifths | common-chord modulation | crying | leading lady | leading man | love interest | pleading | priest | room | somber

Angels With Dirty Faces (1938)

Jerry1:11:35 - Jerry talks to Laury9th chord | advance plot | deceptive resolution | foreign key modulation | leading lady | leading man | love interest | memory | pleading | priest | room | tender

Angels With Dirty Faces (1938)

Pleading (Extended)1:21:00 - Jerry arrives on the scene9th chord | appoggiatura | arriving | chromatic sequence | circle of fifths | concerned | conflict | crowd | gun | gunshot | hurried | hurrying | leading lady | leading man | love interest | polychord | priest | pushing | street | yearning
Are These Our Children? (1931)Dreams B0:01:33 - Two young people in lovecommon-chord modulation | common-tone diminished 7th | conductor score | conversing | establish character | gentle | leading lady | leading man | lovers | love scene | snuggling | street

Are These Our Children? (1931)

Dreams0:02:11 - Eddie and Mary talk11th chord | AABA structure | conductor score | establish character | gentle | leading lady | leading man | leaving | lovers | love scene | mode mixture | street | waiting
Arsenic and Old Lace (1944)Underscoring (Comical)0:02:20 - Mortimer hides from the reporterschromatic parallelism | chromatic wedge | comical | disguise | establish character | hiding | leading lady | leading man | looking | marriage | office | reporter | underscoring | whole-tone chord

Arsenic and Old Lace (1944)

Here Comes the Bride (Modulating)0:03:34 - Hiding in a telephone boothadded-note chord | arguing | bystander | conversing | deceptive resolution | establish character | familiar tune | fragmentation | leading lady | leading man | marriage | office | pump-up modulation | running | rushed | rushing | self-borrowing | sequence

Arsenic and Old Lace (1944)

Hanging up0:03:53 - Mortimer hangs up the phonebystander | diminished 7th chord | establish character | hanging up | leading lady | leading man | marriage | mickey-mousing | office | rushed

Arsenic and Old Lace (1944)

The Old Maid0:04:17 - Mortimer talks to Elaineadded-note chord | arguing | conversing | enharmonic modulation | establish character | kissing | leading lady | leading man | marriage | mode mixture | office | parallel period | pedal tone | romantic | self-borrowing

Arsenic and Old Lace (1944)

Here Comes the Bride (Modulating)0:04:54 - Mortimer and Elaine rush offestablish character | familiar tune | foreign key modulation | leading lady | leading man | marriage | office | rushed | rushing | self-borrowing | sequence

Arsenic and Old Lace (1944)

Here Comes the Bride (Chinese)0:05:00 - Chinese girl turns aroundChinese | establish character | exotic | familiar tune | leading lady | leading man | marriage | office | open fifth | smiling | stereotype | winking

Arsenic and Old Lace (1944)

Here Comes the Bride (Comical)0:05:05 - Goofy man turns around9th chord | comical | common-tone diminished 7th | establish character | familiar tune | leading lady | leading man | marriage | office | smiling | winking

Arsenic and Old Lace (1944)

Rondo Alla Turca0:06:25 - Teddy plays the harpsichordaunt | brother | classical music | conversing | crazy person | establish character | harpsichord | leading lady | old man | on-screen music | playing | room | source music | upbeat | victim

Arsenic and Old Lace (1944)

The Aunts0:09:05 - Aunt Abby scurries across the roomaunt | crazy person | delicate | establish character | foreign key modulation | gentle | harmonic sequence | hurrying | leading lady | room | scurrying

Arsenic and Old Lace (1944)

Happy Land (Lento)0:09:11 - Reverend talks about the Brewster sistersadded-note chord | aunt | brother | calm | conversing | crazy person | establish character | familiar tune | gentle | kindness | leading lady | old man | room | victim

Arsenic and Old Lace (1944)

The Aunts0:12:26 - Reverend leavesadvance plot | aunt | cheerful | conversing | crazy person | delicate | foreign key modulation | gentle | harmonic sequence | leading lady | street

Arsenic and Old Lace (1944)

Happy Land (Lento)0:12:31 - The aunts talkadvance plot | aunt | brother | conversing | crazy person | familiar tune | foreign key modulation | gentle | leading lady | mysterious | plotting | room | sequence | tender | whole-tone chord | whole-tone scale

Arsenic and Old Lace (1944)

The Aunts (Grazioso Con Moto)0:13:16 - The aunts talkadvance plot | aunt | brother | cheerful | conversing | crazy person | delicate | foreign key modulation | gentle | harmonic sequence | leading lady | plotting | room

Arsenic and Old Lace (1944)

Happy Land (Grazioso)0:13:34 - The aunts talkadvance plot | aunt | conversing | leading lady | magical | plotting | room | whole-tone chord

Arsenic and Old Lace (1944)

Wind blowing0:13:48 - Wind blows the curtains at the windowadvance plot | aunt | blowing | chromatic parallelism | leading lady | looking | mysterious | room | wind | wind effect

Arsenic and Old Lace (1944)

The Aunts (Allegretto)0:13:52 - The aunts run to the windowadvance plot | aunt | cheerful | harmonic sequence | leading lady | mode mixture | pedal tone | room | running

Arsenic and Old Lace (1944)

Opens window0:13:59 - The aunts open the windowadvance plot | aunt | half-diminished 7th chord | leading lady | mickey-mousing | opening | raising | room | upbeat | window

Arsenic and Old Lace (1944)

Here Comes the Bride (Full)0:14:00 - Elaine appears in the windowaunt | bride | cheerful | chromatic mediant | common-chord modulation | conversing | crazy person | familiar tune | greeting | groom | leading lady | leading man | love | love scene | on-screen music | pleasant | room | score to source | source music | street | whistling

Arsenic and Old Lace (1944)

Here Comes the Bride (Modulating)0:14:10 - Mortimer calls to Elaineadded-note chord | aunt | bride | cemetery | conversing | deceptive resolution | driver | familiar tune | flirting | fragmentation | groom | hurrying | leading lady | leading man | love | love scene | pump-up modulation | rushed | rushing | sequence | source to score | street

Arsenic and Old Lace (1944)

Here Comes the Bride (Religioso)0:14:41 - Mortimer and Elaine in the cemetery64 chord | bride | calm | cemetery | conversing | familiar tune | flirting | groom | hymn-like | leading lady | leading man | love | love scene | religious | suspension

Arsenic and Old Lace (1944)

Chasing0:14:48 - Mortimer chases Elaine around a treebride | cemetery | chasing | comical | flirting | groom | leading lady | leading man | love | love scene | mickey-mousing | secondary dominant

Arsenic and Old Lace (1944)

Underscoring (Mysterious)0:14:51 - Mortimer flirts with Elainebride | cemetery | conversing | flirting | groom | leading lady | leading man | love | love scene | mysterious | underscoring | whole-tone chord

Arsenic and Old Lace (1944)

Here Comes the Bride (Appassionato)0:15:02 - The aunts peek out of the window64 chord | aunt | bride | cemetery | chromatic mediant | conversing | familiar tune | flirting | groom | inversion | kissing | leading lady | leading man | love | love scene | peeking | romantic

Arsenic and Old Lace (1944)

Here Comes the Bride (Church Bells)0:15:17 - Mortimer follows Elaine64 chord | bride | cemetery | chromatic mediant | conversing | familiar tune | flirting | foreign key modulation | groom | leading lady | leading man | love | love scene | parallelism | romantic

Arsenic and Old Lace (1944)

Here Comes the Bride (Appassionato)0:15:25 - Mortimer and Elaine kiss64 chord | bride | cemetery | conversing | familiar tune | groom | inversion | kissing | leading lady | leading man | love | love scene | romantic

Arsenic and Old Lace (1944)

Here Comes the Bride (Modulating)0:15:36 - Mortimer and Elaine talkadded-note chord | bride | cemetery | conversing | familiar tune | flirting | fragmentation | groom | hurried | leading lady | leading man | love | love scene | pump-up modulation | romantic | sequence

Arsenic and Old Lace (1944)

Here Comes the Bride (Appassionato)0:16:10 - Mortimer and Elaine kiss64 chord | bride | cemetery | embracing | familiar tune | groom | inversion | kissing | leading lady | leading man | love | love scene | romantic

Arsenic and Old Lace (1944)

Here Comes the Bride (Church Bells)0:16:22 - Mortimer and Elaine talk64 chord | bride | cemetery | chromatic mediant | conversing | familiar tune | flirting | foreign key modulation | groom | leading lady | leading man | love | love scene | parallelism | romantic

Arsenic and Old Lace (1944)

Chasing0:16:31 - Elaine runs offbride | groom | hurrying | leading lady | leading man | light | love | love scene | running | secondary dominant | street

Arsenic and Old Lace (1944)

Here Comes the Bride0:16:37 - Elaine whistlesbride | cheerful | familiar tune | groom | leading lady | leading man | love | love scene | on-screen music | source music | street | whistling

Arsenic and Old Lace (1944)

Here Comes the Bride0:17:02 - Mortimer whistlesaunt | cheerful | familiar tune | groom | leading lady | leading man | love | love scene | on-screen music | room | source music | whistling

Arsenic and Old Lace (1944)

Break the News to Mother0:18:44 - Teddy singsadvance plot | aunt | brother | cheerful | crazy person | familiar tune | groom | leading lady | leading man | on-screen music | room | singing | source music | war song

Arsenic and Old Lace (1944)

Jonathan0:18:54 - Jonathan Brewster's picture is shownadvance plot | aunt | conversing | diminished 7th chord | groom | leading lady | leading man | ominous | pc set | picture | room | sinister | stinger

Arsenic and Old Lace (1944)

Happy Land0:20:06 - Abby singsadvance plot | aunt | cheerful | familiar tune | groom | leading lady | leading man | on-screen music | room | score to source | sequence | singing | source music

Arsenic and Old Lace (1944)

Here Comes the Bride (Elaine Whistles)0:23:44 - Elaine whistles out of her windowagitated | bride | cheerful | chromatic scale | dark | diminished 7th chord | familiar tune | groom | leading lady | leading man | on-screen music | room | scored source music | source music | turning point | whistling

Arsenic and Old Lace (1944)

Here Comes the Bride (Running)0:23:58 - Mortimer runs to the door9th chord | 13th chord | aunt | bride | child | chromatic scale | crazy person | dark | familiar tune | groom | Halloween | intervallic expansion | leading lady | leading man | murderer | room | running | rushing | source music | source to score | trick-or-treating | turning point

Arsenic and Old Lace (1944)

Happy Land0:24:16 - Abby, Martha, and Mortimer in the kitchenadvance plot | aunt | cheerful | child | crazy person | familiar tune | groom | leading lady | leading man | murderer | on-screen music | room | singing | source music

Arsenic and Old Lace (1944)

Here Comes the Bride0:26:22 - Elaine whistles on the phoneadvance plot | bride | cheerful | familiar tune | groom | leading lady | leading man | on-screen music | room | source music | telephone | whistling

Arsenic and Old Lace (1944)

Here Comes the Bride0:31:04 - Elaine whistles in Mortimer's earadvance plot | bride | cheerful | familiar tune | groom | leading lady | leading man | on-screen music | room | source music | whistling

Arsenic and Old Lace (1944)

The Aunts0:39:01 - The aunts talkadvance plot | aunt | cleaning | conversing | crazy person | foreign key modulation | harmonic sequence | leading lady | murderer | room | upbeat

Arsenic and Old Lace (1944)

Happy Land (Screwyoso)0:39:06 - The aunts talkadded-note chord | advance plot | altered dominant | aunt | calm | cleaning | conversing | crazy person | familiar tune | hat | leading lady | murderer | ominous | room | stinger | suspension

Arsenic and Old Lace (1944)

Happy Land (String Quartet)0:39:28 - The aunts set the tableadvance plot | aunt | cleaning | conversing | crazy person | direct modulation | evaded cadence | familiar tune | hymn-like | leading lady | murderer | peaceful | room

Arsenic and Old Lace (1944)

The Aunts (Frightened)0:39:58 - The aunts see shadows at the dooraugmentation | aunt | conversing | crazy person | dark | establish character | fear | foreign key modulation | fragmentation | knocking | leading lady | murderer | mysterious | Neapolitan | ominous | parallel 63s | pedal tone | room | shadow | whispering

Arsenic and Old Lace (1944)

Home Sweet Home (Expressivo) + Scar0:41:42 - Abby talks to Jonathanaltered dominant | augmented triad | aunt | brother | combination of themes | conversing | convincing | crazy person | criminal | distortion | doctor | establish character | expressive | familiar tune | leading lady | leading man | murderer | mysterious | ominous | room

Arsenic and Old Lace (1944)

Underscoring (Tense)0:42:08 - Jonathan talks to the auntsaunt | brother | conversing | crazy person | criminal | doctor | establish character | leading lady | leading man | murderer | mysterious | parallelism | room | tense | underscoring

Arsenic and Old Lace (1944)

Scar (Face)0:42:29 - Jonathan talks about his scaraugmented triad | aunt | brother | chromatic parallelism | conversing | crazy person | criminal | doctor | establish character | fragmentation | leading lady | leading man | murderer | mysterious | pc set | polychord | room | scar | tense

Arsenic and Old Lace (1944)

Mysterioso Pizzicato0:42:41 - Martha talks about scary moviesaunt | brother | conversing | crazy person | criminal | dissonant bass | doctor | establish character | familiar tune | leading lady | leading man | murderer | mysterious | room | scar | silent film music

Arsenic and Old Lace (1944)

Underscoring (Tense)0:42:56 - Jonathan glares at Dr. Einsteinaunt | brother | conversing | crazy person | criminal | diminished 7th chord | doctor | establish character | leading lady | leading man | murderer | oscillation | room | scar | tense

Arsenic and Old Lace (1944)

Jonathan 20:43:08 - Jonathan talks about the operationaunt | brother | chromatic scale | chromatic wedge | crazy person | criminal | dark | dissonant bass | doctor | establish character | grabbing | leading lady | leading man | murderer | ominous | pc set | room | struggling | threatening

Arsenic and Old Lace (1944)

Scar0:43:20 - Dr. Einstein talks to the auntsaunt | brother | conversing | crazy person | criminal | dark | doctor | establish character | leading lady | leading man | murderer | ominous | pc set | polychord | room

Arsenic and Old Lace (1944)

Home Sweet Home (Ominous)0:43:28 - Dr. Einstein talks to the auntsadded-note chord | altered dominant | aunt | brother | conversing | crazy person | criminal | distortion | doctor | establish character | familiar tune | leading lady | leading man | murderer | room | split-fifth chord | tense

Arsenic and Old Lace (1944)

Home Sweet Home (Tranquillo)0:43:40 - Jonathan sits downaugmented triad | aunt | brother | calm | chromatic parallelism | conversing | crazy person | criminal | direct modulation | distortion | doctor | establish character | familiar tune | leading lady | leading man | murderer | pedal tone | room

Arsenic and Old Lace (1944)

The Aunts (Frightened)0:44:00 - The aunts go into the kitchenaugmentation | aunt | brother | conversing | crazy person | criminal | doctor | establish character | fear | foreign key modulation | fragmentation | leading lady | leading man | murderer | mysterious | Neapolitan | ominous | parallel 63s | pedal tone | room | walking | watching

Arsenic and Old Lace (1944)

The Aunts (Frightened)0:45:22 - The aunts peek through the kitchen windowaunt | brother | conversing | crazy person | criminal | doctor | establish character | face | fear | leading lady | leading man | murderer | mysterious | Neapolitan | ominous | parallel 63s | pedal tone | room | snooping | watching

Arsenic and Old Lace (1944)

Scar0:45:29 - Dr. Einstein describes how he will fix Jonathan's faceaunt | brother | conversing | crazy person | criminal | dark | doctor | establish character | face | leading lady | leading man | murderer | ominous | pc set | planning | polychord | room | wipe

Arsenic and Old Lace (1944)

Jonathan 20:49:12 - Jonathan threatens the auntsadvance plot | aunt | brother | chromatic scale | chromatic wedge | crazy person | criminal | dark | dissonant bass | doctor | fear | leading lady | leading man | murderer | ominous | pc set | room | threatening

Arsenic and Old Lace (1944)

Scar0:49:36 - Dr. Einstein calls to Jonathanadvance plot | aunt | brother | crazy person | criminal | dark | doctor | fear | leading lady | leading man | murderer | ominous | pc set | polychord | room | threatening

Arsenic and Old Lace (1944)

The Aunts (Grazioso Con Moto)0:52:20 - The aunts move through the kitchenadvance plot | aunt | calm | conversing | crazy person | foreign key modulation | harmonic sequence | leading lady | murderer | pleasant | room

Arsenic and Old Lace (1944)

Wind blowing 20:52:32 - The aunts walk to the windowadvance plot | aunt | blowing | chromatic parallelism | crazy person | half-diminished 7th chord | leading lady | looking | murderer | mysterious | room | wind | wind effect | window

Arsenic and Old Lace (1944)

Stinger0:52:41 - Jonathan suddenly appears at the windowadvance plot | aunt | brother | crazy person | dramatic | harsh | leading lady | leading man | murderer | opening | room | stinger | surprise | whole-tone chord | window

Arsenic and Old Lace (1944)

Jonathan 20:52:48 - Jonathan comes in the windowadvance plot | aunt | brother | chromatic scale | chromatic wedge | crazy person | dark | darkness | dissonant bass | doctor | intimidating | leading lady | leading man | murderer | ominous | pc set | room | staring | tense

Arsenic and Old Lace (1944)

Jonathan (Fragmented)0:53:35 - Jonathan and the doctor go up the stairsadvance plot | aunt | brother | conversing | crazy person | dark | darkness | doctor | fragmentation | intimidating | leading lady | leading man | murderer | ominous | pc set | room | tense

Arsenic and Old Lace (1944)

The Aunts0:53:55 - Aunt Abby goes to the front dooradvance plot | aunt | brother | calm | crazy person | darkness | harmonic sequence | leading lady | leading man | murderer | room | silhouette | staring | upbeat | walking

Arsenic and Old Lace (1944)

Underscoring (Mysterious)0:54:01 - Aunt Abby goes up the stairsadvance plot | aunt | brother | crazy person | darkness | intimidating | leading lady | leading man | murderer | mysterious | room | silhouette | staring | underscoring

Arsenic and Old Lace (1944)

The Aunts (Molto Misterioso)0:54:12 - Aunt Abby faces Jonathanadvance plot | aunt | brother | crazy person | darkness | foreign key modulation | fragmentation | intimidating | leading lady | leading man | murderer | mysterious | parallel 63s | pedal tone | room | staring | walking

Arsenic and Old Lace (1944)

Here Comes the Bride (Tense)0:58:28 - Elaine comes in the dooradvance plot | bride | calling | darkness | entering | familiar tune | half-diminished 7th chord | leading lady | room | sequence | sneaking | tense

Arsenic and Old Lace (1944)

Scar (Tense)0:58:39 - Close-up on Dr. Einstein's faceadvance plot | bride | brother | calling | close-up | crazy person | darkness | doctor | entering | fear | fragmentation | leading lady | leading man | murderer | polychord | room | sneaking | tense

Arsenic and Old Lace (1944)

Jonathan 20:58:55 - Jonathan emerges from the shadowsadvance plot | bride | brother | chromatic scale | chromatic wedge | conversing | crazy person | darkness | dissonant bass | doctor | fear | leading lady | leading man | murderer | pc set | questioning | room | sinister

Arsenic and Old Lace (1944)

Jonathan 2 (Ominous)1:00:36 - Jonathan backs Elaine into a corneradvance plot | anger | augmented triad | bride | brother | chromatic scale | crazy person | dissonant bass | doctor | fear | hurting | leading lady | leading man | murderer | ominous | polychord | questioning | room | stinger | tense | threatening

Arsenic and Old Lace (1944)

Underscoring (Dramatic)1:01:21 - They take Elaine into the cellar9th chord | aunt | bride | brother | chromatic scale | conflict | crazy person | darkness | diminished 7th chord | doctor | dramatic | fear | fighting | gagging | harmonic sequence | leading lady | leading man | metric dissonance | murderer | oscillation | room | running | self-borrowing | struggling | suspenseful | underscoring

Arsenic and Old Lace (1944)

Organ Stinger1:01:40 - Aunts emerge in black upstairsarguing | aunt | brother | conflict | crazy person | leading lady | leading man | murderer | ominous | room | stinger

Arsenic and Old Lace (1944)

The Aunts (Frightened)1:01:49 - Aunts talk to Jonathanarguing | aunt | brother | conflict | crazy person | fear | fragmentation | leading lady | leading man | murderer | Neapolitan | parallel 63s | pedal tone | room | tense

Arsenic and Old Lace (1944)

Happy Land1:19:56 - Mortimer with the taxi driveraunt | brother | calm | conversing | crazy person | doctor | driver | funeral | groom | hymn | leading lady | leading man | murderer | on-screen music | score to source | singing | source music | street

Arsenic and Old Lace (1944)

Happy Land1:22:17 - Mortimer talks with Elaine through her windowaunt | bride | calm | conversing | crazy person | doctor | funeral | groom | hymn | leading lady | leading man | murderer | singing | street

Arsenic and Old Lace (1944)

Happy Land (The End)1:57:05 - Mortimer carries Elaine awayaltered dominant | bride | countermelody | driver | end title sequence | familiar tune | groom | kissing | leading lady | leading man | resolution | street | The End | upbeat
Beyond the Forest (1949)Lewis (Moderato Expressivo)0:06:23 - Fishing in a streamcalm | canoe | doctor | establish character | friend | lake | leading lady | leading man | rowing | wife

Beyond the Forest (1949)

Lewis0:10:42 - The doctor in a canoecalm | canoe | departing | doctor | establish character | friend | lake | leading lady | leading man | noble | rowing | wife

Beyond the Forest (1949)

Moose0:11:22 - Moose enters the housecabin | conversing | establish character | exotic | friend | leading lady | liquor | wife | working

Beyond the Forest (1949)

Porcupine0:11:59 - A porcupine in a treecabin | climbing | comical | dying | establish character | falling | leading lady | porcupine | shooting | wife

Beyond the Forest (1949)

Drunk0:14:08 - Moose is drinkingadvance plot | cabin | collapsing | drinking | drunk | drunk effect | friend | leading lady | liquor | mickey-mousing | stumbling | wife

Beyond the Forest (1949)

Falling down0:14:27 - Moose falls on a bedadvance plot | cabin | collapsing | dramatic | falling | friend | leading lady | mickey-mousing | pushing | wife

Beyond the Forest (1949)

Underscoring (Mysterious)0:14:31 - Rosa grabs the keyadvance plot | cabin | friend | key | leading lady | mysterious | underscoring | walking | wife

Beyond the Forest (1949)

Running0:14:40 - Rosa runs to the lodgeadvance plot | leading lady | mickey-mousing | mysterious | ominous | outside | running | wife

Beyond the Forest (1949)

Rosa (Grazioso)0:15:01 - Rosa enters the lodgeadvance plot | arriving | cheerful | leading lady | room | wife | working

Beyond the Forest (1949)

Hurrying0:15:09 - Rosa lights a fireadvance plot | hurrying | leading lady | room | upbeat | wife | working

Beyond the Forest (1949)

Rosa (Grazioso)0:15:23 - Rosa gets a drinkadvance plot | hurrying | leading lady | room | upbeat | wife | working

Beyond the Forest (1949)

Hurrying0:15:35 - Rosa carries a drinkadvance plot | hurrying | leading lady | room | upbeat | wife | working

Beyond the Forest (1949)

Rosa (Sulking)0:28:33 - Rosa watches the trainadvance plot | leading lady | solemn | train | train station | walking | watching

Beyond the Forest (1949)

Chicago (Mink Coat)0:29:01 - Rosa sees Carol's mink coatadvance plot | conversing | familiar tune | jealousy | leading lady | popular tune | sentimental | train station

Beyond the Forest (1949)

Chicago (Carol)0:29:17 - Rosa meets Caroladvance plot | conversing | familiar tune | gentle | jealousy | leading lady | popular tune | train station

Beyond the Forest (1949)

Chicago (Jealous)0:29:33 - Rosa glares at Caroladvance plot | conversing | dark | familiar tune | jealousy | leading lady | popular tune | sentimental | train station

Beyond the Forest (1949)

Rosa (Turbulent)0:30:21 - Rosa checks her mailadvance plot | leading lady | mail | post office | reading | turbulent | upset

Beyond the Forest (1949)

Chicago (Mail)0:30:30 - Rosa reads her mailadvance plot | familiar tune | hurried | leading lady | mail | optimistic | popular tune | post office | reading

Beyond the Forest (1949)

Underscoring (Mysterious)0:30:40 - Rosa reacts to her mailadvance plot | crumpling | leading lady | mail | mysterious | post office | reading | underscoring

Beyond the Forest (1949)

Hurrying (Rather Slowly)0:30:48 - Rosa leaves the post officeadvance plot | child | departing | leading lady | mother | neighbor | post office | upset

Beyond the Forest (1949)

Courthouse (Agitato Quasi Rubato)0:31:12 - Rosa arrives homeadvance plot | angry | arriving | leading lady | room | upset | yelling

Beyond the Forest (1949)

Rosa (Sombre)0:32:36 - Rosa walks awayadvance plot | leading lady | room | somber | sulking | tense | upset | walking

Beyond the Forest (1949)

Sawmill0:32:53 - The sawmilladvance plot | factory | fire | industrious | leading lady | machinery effect | porch | sulking | watching

Beyond the Forest (1949)

Sawmill + Steam Whistle0:33:06 - Rosa on her porchadvance plot | combination of themes | factory | fire | harsh | industrious | leading lady | machinery effect | porch | sulking | watching | whistle effect

Beyond the Forest (1949)

Sawmill + Rosa0:33:25 - Rosa lies downadvance plot | combination of themes | factory | fire | leading lady | machinery effect | porch | sulking | upset | watching

Beyond the Forest (1949)

Underscoring (Gentle)0:33:36 - A car pulls upadvance plot | gentle | leading lady | porch | sleeping | underscoring | waking

Beyond the Forest (1949)

Insolence0:37:06 - Rosa argues with her maid Jennyadvance plot | cleaning | comical | kitchen | leading lady | maid | obeying | wife

Beyond the Forest (1949)

Chicago (Molto Expressivo)0:37:20 - Rosa sees the mink coatadvance plot | coat | contemplating | expressive | familiar tune | jealousy | leading lady | popular tune | room | wife

Beyond the Forest (1949)

Chicago (Misterioso)0:38:47 - Rosa lights a matchadvance plot | contemplating | dramatic | familiar tune | jealousy | leading lady | obsession | obsessive | passage of time | popular tune | room | smoking | tense | wife

Beyond the Forest (1949)

Rosa (Slower)0:39:05 - Rosa in bedadvance plot | calm | contemplating | dark | leading lady | leading man | panning shot | restlessness | room | smoking | wife

Beyond the Forest (1949)

Sawmill (Agitato)0:39:25 - Fire from the sawmilladvance plot | agitated | bedroom | factory | fire | leading lady | leading man | restlessness | wife | yelling

Beyond the Forest (1949)

Rosa (Molto Misterioso)0:41:50 - Rosa smokes in bedadvance plot | bedroom | contemplating | leading lady | leading man | mysterious | smoking | wife

Beyond the Forest (1949)

Running (Quasi Misterioso)0:42:06 - Rosa looks through the account bookadvance plot | leading lady | mysterious | ominous | reading | room | wife | writing

Beyond the Forest (1949)

Chicago0:43:37 - Rosa sewsadvance plot | arriving | familiar tune | leading lady | leading man | on-screen music | popular tune | room | score to source | sewing | singing | source and scoring overlap | source music | upbeat | wife

Beyond the Forest (1949)

Hurrying (Molto Agitato)0:44:13 - Rosa picks up the moneyfrantic | grabbing | hurried | leading lady | money | room | transition

Beyond the Forest (1949)

Chicago (City)0:44:28 - Downtown Chicagoarriving | bright | calling | calm | city | familiar tune | hotel | leading lady | phone book | popular tune | telephone | transition | traveling

Beyond the Forest (1949)

Rosa (Telephone)0:44:52 - Rosa makes a phone calladvance plot | calling | hotel | leading lady | mysterious | telephone | telephone effect

Beyond the Forest (1949)

Underscoring (Gentle)0:45:21 - Rosa sits downadvance plot | gentle | hotel | leading lady | underscoring | waiting

Beyond the Forest (1949)

Rosa (Moderato 2)0:45:30 - Rosa in her hotel roomadvance plot | calling | hotel | leading lady | somber | telephone | waiting | worrisome

Beyond the Forest (1949)

Flowers0:46:12 - Flowersadvance plot | cheerful | flower | leading lady | optimistic | street | walking

Beyond the Forest (1949)

Rosa (Slowly)0:47:08 - Rosa reads a magazineadvance plot | cut from film | leading lady | office | reading | receptionist | solemn | waiting

Beyond the Forest (1949)

Rosa (Solemn)0:48:04 - Rosa leaves the officedark | departing | leading lady | office | receptionist | somber | street | transition | walking

Beyond the Forest (1949)

Chicago (Somber)0:48:32 - Rosa sits in a coffee shopadvance plot | angry | audible thoughts | cafe | familiar tune | leading lady | popular tune | somber | thinking

Beyond the Forest (1949)

Chicago (Tense)0:49:00 - Rosa drinks coffeeadvance plot | angry | audible thoughts | cafe | familiar tune | leading lady | popular tune | tense | thinking

Beyond the Forest (1949)

Underscoring (Tense)0:49:07 - Rosa gets upadvance plot | cafe | conversing | hurrying | leading lady | tense | underscoring | waitress

Beyond the Forest (1949)

Rosa (She Runs)0:49:22 - Rosa runs to the phoneadvance plot | cafe | leading lady | optimistic | running | rushing | telephone

Beyond the Forest (1949)

Hurrying (Phone Call)0:49:32 - Rosa talks on the phoneadvance plot | cafe | conversing | leading lady | optimistic | telephone

Beyond the Forest (1949)

Rosa (Dejected)0:49:45 - Rosa hangs up the phoneadvance plot | cafe | crying | leading lady | somber | telephone

Beyond the Forest (1949)

I’m in a Jam with Baby0:54:39 - Rosa walks down the streetadvance plot | arriving | bouncer | club | crying | departing | jazz | leading lady | sentimental | sitting | source music | stranger

Beyond the Forest (1949)

Chicago (Agitato Molto Marcato)0:55:48 - Rosa runs through the streetsagitated | crazy person | crying | familiar tune | laughing | leading lady | mad scene | manic | popular tune | running | rushing | scaring | stranger | street | tense

Beyond the Forest (1949)

Rosa (Molto Tranquillo)0:57:36 - Lewis opens the doorarriving | calm | dark | doctor | leading lady | leading man | reunion scene | room | wife

Beyond the Forest (1949)

Lewis (Tender)0:58:28 - Lewis takes care of Rosacalm | conversing | doctor | kissing | leading lady | leading man | reunion scene | room | tender | wife

Beyond the Forest (1949)

Whisper While You’re Waltzing1:01:34 - People at a partyconversing | crowd | dance scene | doctor | eating | folk music | gentle | leading lady | leading man | on-screen music | party | playing | room | source music | waltz | wife

Beyond the Forest (1949)

For He’s a Jolly Good Fellow1:02:12 - Folk musiciansarriving | cake | cheerful | conversing | crowd | dance scene | doctor | familiar tune | leading lady | leading man | love interest | musician | on-screen music | party | playing | room | singing | source music | tuning | wife | wind

Beyond the Forest (1949)

The Arkansas Traveler1:02:55 - Folk musicianscrowd | dancer | dance scene | dancing | doctor | folk music | leading lady | leading man | love interest | musician | on-screen music | party | playing | room | singing | source music | square dance caller | square dance music | upbeat | wife

Beyond the Forest (1949)

Portland Fancy1:03:11 - People dancingcrowd | dancer | dance scene | dancing | doctor | folk music | leading lady | leading man | love interest | musician | on-screen music | party | playing | room | singing | source music | square dance caller | square dance music | upbeat | wife

Beyond the Forest (1949)

Devil’s Dream1:03:26 - People dancingcrowd | dancer | dance scene | dancing | doctor | folk music | leading lady | leading man | love interest | musician | on-screen music | party | playing | room | singing | source music | square dance caller | square dance music | upbeat | wife

Beyond the Forest (1949)

Little Brown Jug1:03:57 - People dancingcrowd | dancer | dance scene | dancing | doctor | folk music | leading lady | leading man | love interest | musician | on-screen music | party | playing | room | singing | source music | square dance caller | square dance music | upbeat | wife

Beyond the Forest (1949)

Varsovienne1:04:52 - Moose talks with Mr. Latimerconversing | dance scene | folk music | friend | friend | leading lady | leading man | love interest | on-screen music | party | plotting | proposal | room | sneaking | source music | square dance music | upbeat

Beyond the Forest (1949)

Underscoring (Dramatic)1:08:24 - Moose warns Rosaanger | dramatic | friend | harsh | leading lady | observing | room | stinger | turning point | underscoring | warning | warning

Beyond the Forest (1949)

Chicago (Harmonics)1:08:31 - Rosa reacts to Moose's warninganger | angry | contemplating | familiar tune | harsh | leading lady | ominous | popular tune | reacting | room | turning point

Beyond the Forest (1949)

Underscoring (Dramatic)1:08:36 - Rosa hits the tableanger | angry | contemplating | dramatic | harsh | hitting | leading lady | pounding | reacting | room | turning point | underscoring

Beyond the Forest (1949)

Rosa (Violent)1:08:54 - Rosa slowly turnsanger | angry | contemplating | harsh | leading lady | ominous | reacting | room | turning point

Beyond the Forest (1949)

Rosa (Violent) + Chicago1:09:01 - Rosa heads outsideanger | angry | combination of themes | contemplating | departing | familiar tune | harsh | leading lady | ominous | popular tune | reacting | room | turning point

Beyond the Forest (1949)

Rosa (Misterioso)1:09:23 - Rosa looks through the binocularsanger | binoculars | forest | friend | hunting | husband | leading lady | leading man | looking | murder scene | mysterious | ominous | tense | victim

Beyond the Forest (1949)

Chicago (Ominous)1:10:01 - Rosa puts down the binocularsaiming | anger | dark | familiar tune | forest | friend | husband | leading lady | leading man | murder scene | ominous | popular tune | victim

Beyond the Forest (1949)

Rosa (Ominous)1:10:14 - Rosa aims her gunaiming | anger | dark | forest | friend | harsh | husband | leading lady | leading man | murder scene | ominous | stinger | victim

Beyond the Forest (1949)

Chicago (Con Moto)1:11:06 - Rosa is relieved at the verdictcalm | conversing | courtroom | courtroom scene | expressive | familiar tune | hope | hopeful | husband | leading lady | leading man | love interest | murderer | popular tune | smiling | verdict

Beyond the Forest (1949)

Rosa (Sulking)1:12:32 - Rosa and Lewis at the funeralfuneral | graveyard | husband | leading lady | leading man | love interest | murderer | rain | solemn | sulking | victim | watching

Beyond the Forest (1949)

Rosa (Heavy)1:12:58 - Rosa and Lewis drive awayarriving | departing | dramatic | funeral | husband | leading lady | leading man | murderer | room | somber | transition | victim

Beyond the Forest (1949)

Lewis (Crescendo)1:13:15 - Rosa and Lewis at homearriving | calm | conversing | dark | dramatic | husband | leading lady | leading man | murderer | room | transition | victim | yelling

Beyond the Forest (1949)

Threat1:16:14 - Rosa lunges forwardadvance plot | dark | harsh | leading lady | lunging | murderer | ominous | room | staring | stinger | threatening | violent

Beyond the Forest (1949)

Underscoring (Mysterious)1:16:20 - Rosa stares out the windowadvance plot | departing | leading lady | maid | murderer | mysterious | plotting | room | street | underscoring | walking | watching

Beyond the Forest (1949)

Running (A Little Heavier)1:16:28 - Rosa heads downstairsadvance plot | hurrying | leading lady | murderer | mysterious | plotting | room | tense

Beyond the Forest (1949)

Rosa (Listesso)1:16:48 - Rosa takes the maid's thingsadvance plot | dark | disguise | dressing | harsh | leading lady | murderer | ominous | room | stealing | violent

Beyond the Forest (1949)

Rosa (On the Run)1:17:21 - Rosa approaches a busadvance plot | bus | disguise | doctor | leading lady | leading man | murderer | mysterious | office | patient | runaway | running away | sneaking | street | watching

Beyond the Forest (1949)

Rosa (Cello Solo)1:18:09 - Rosa sitting in a chairadvance plot | disguise | leading lady | leading man | murderer | mysterious | office | sitting

Beyond the Forest (1949)

The Cliff1:19:13 - Rosa looks out of the car windowaction scene | car | car | cliff | contemplating | descending | driving | leading lady | leading man | murderer | tense

Beyond the Forest (1949)

Chicago (Dark)1:19:25 - Rosa sitting in a caraction scene | car | car | cliff | conversing | descending | driving | familiar tune | leading lady | leading man | murderer | ominous | popular tune

Beyond the Forest (1949)

The Cliff (Car Stops)1:19:36 - Rosa sitting in a caraction scene | car | car | cliff | conversing | descending | driving | leading lady | leading man | murderer | tense

Beyond the Forest (1949)

Hurrying (Fleeing)1:19:50 - Rosa leaps out of the caraction scene | canyon | car | cliff | fleeing | leading lady | leading man | murderer | runaway | running | rushed

Beyond the Forest (1949)

Leaping1:19:56 - Rosa leaps off of a cliffaction scene | canyon | jumping | leading lady | murderer | runaway | rushed

Beyond the Forest (1949)

Rosa (Broadly)1:19:57 - Rosa rolls down a hillaction scene | canyon | dark | dramatic | falling | jumping | leading lady | leading man | murderer | runaway | tense

Beyond the Forest (1949)

Rosa (Molto Tranquillo 2)1:20:12 - Rosa in bedadvance plot | calm | leading lady | murderer | recovering | resting | room | sickness | sleeping | sultry | waking

Beyond the Forest (1949)

Chicago (Molto Tranquillo)1:20:35 - Rosa in bedadvance plot | banging | calm | familiar tune | leading lady | maid | murderer | popular tune | recovering | resting | room | sentimental | sickness

Beyond the Forest (1949)

Chicago (Molto Expressivo)1:20:43 - The maid in the kitchenadvance plot | familiar tune | leading lady | maid | murderer | popular tune | recovering | resting | room | sentimental | sickness | upbeat

Beyond the Forest (1949)

Rosa (Agitato Misterioso)1:22:49 - Rosa in bedagitated | fever | illness scene | leading lady | murderer | room | sickness | sweating | tense | walking

Beyond the Forest (1949)

Sawmill + Steam Whistle1:23:17 - Rosa opens the windowagitated | combination of themes | fever | illness scene | leading lady | machinery effect | mickey-mousing | murderer | opening | raising | room | sickness | sweating | tense | waiting | whistle effect

Beyond the Forest (1949)

Sawmill + Fever1:23:26 - Rosa rubs her forehead agitated | combination of themes | fever | illness scene | leading lady | machinery effect | maid | murderer | room | sickness | sickness effect | sweating | tense | waiting

Beyond the Forest (1949)

Rosa (Fever)1:23:41 - The maid sweepingbleak | drinking | fever | illness scene | leading lady | maid | murderer | oppressive | pounding | room | sickness | waiting

Beyond the Forest (1949)

Lewis (Triste 2)1:24:09 - Lewis walks insidearriving | calm | doctor | fever | illness scene | leading lady | leading man | murderer | room | sickness | solemn | street | waiting | walking

Beyond the Forest (1949)

Chicago1:27:10 - Rosa sings to herselfdelirious | familiar tune | fever | illness scene | leading lady | maid | murderer | on-screen music | popular tune | room | score to source | sickness | singing | source music

Beyond the Forest (1949)

Chicago (Echo Chambre)1:28:20 - Rosa prepares to leaveangry | arguing | climax | crazed | delirious | eerie | familiar tune | leading lady | mad | madness | mad scene | maid | murderer | popular tune | preparing | room | stumbling | unsettling | yelling

Beyond the Forest (1949)

Chicago (She Walks Down)1:29:25 - Rosa walks down the stairsclimax | dark | descending | familiar tune | leading lady | madness | mad scene | maid | mickey-mousing | murderer | popular tune | room | solemn | stairs | stumbling

Beyond the Forest (1949)

Sawmill1:29:51 - Rosa opens the dooragitated | climax | leading lady | machinery effect | madness | mad scene | maid | murderer | street | stumbling | tense | walking

Beyond the Forest (1949)

Sawmill + Steam Whistle1:30:02 - The maid makes a phone callagitated | climax | collapsing | combination of themes | cut from film | falling | leading lady | machinery effect | madness | mad scene | maid | murderer | street | stumbling | tense | walking | whistle effect

Beyond the Forest (1949)

Sawmill + Rosa (Stumbling)1:30:10 - Rosa struggles to her feetclimax | combination of themes | dark | leading lady | machinery effect | madness | mad scene | murderer | ominous | standing | street | stumbling | walking

Beyond the Forest (1949)

Rosa (Fever 2)1:30:23 - Rosa stumbles forwardclimax | dark | leading lady | madness | mad scene | murderer | ominous | street | stumbling | walking

Beyond the Forest (1949)

Sawmill + Steam Whistle1:30:36 - Darknessagitated | climax | combination of themes | leading lady | madness | mad scene | murderer | stumbling | tense | train | train station | walking | whistle effect

Beyond the Forest (1949)

Train1:30:52 - A locomotiveagitated | climax | cut from film | leading lady | madness | mad scene | murderer | stumbling | tense | train | train effect | train station | walking

Beyond the Forest (1949)

Train + Chicago (Shrill)1:30:54 - Rosa stumbles towards the trainagitated | climax | combination of themes | cut from film | familiar tune | leading lady | madness | mad scene | murderer | popular tune | shrill | stumbling | tense | train | train effect | train station | walking

Beyond the Forest (1949)

Train (Heating Up) + Chicago (Fragmented)1:31:05 - Rosa stumbles towards the trainagitated | climax | combination of themes | desperate | familiar tune | leading lady | madness | mad scene | murderer | popular tune | stumbling | tense | train | train effect | train station | walking

Beyond the Forest (1949)

Chicago1:31:21 - Rosa stumbles towards the trainclimax | desperate | familiar tune | leading lady | madness | mad scene | murderer | popular tune | stumbling | tense | train | train station | walking

Beyond the Forest (1949)

Chicago1:31:26 - The train leaves the stationagitated | climax | departing | familiar tune | leading lady | madness | mad scene | murderer | obsessive | popular tune | shrill | tense | train | train station

Beyond the Forest (1949)

Stinger1:31:51 - Rosa deadarriving | climax | dark | death | doctor | husband | leading lady | leading man | mad scene | murderer | solemn | stinger | train | train station | walking

Beyond the Forest (1949)

Rosa1:32:10 - Lewis arrivesarriving | checking | climax | dark | death | doctor | dramatic | husband | leading lady | leading man | mad scene | murderer | reacting | tender | train | train station
The Big Sleep (1946)Transition0:00:08 - Shadows of the main characters bold | half-diminished 7th chord | leading lady | leading man | opening title sequence | silhouette | smoke | smoking | starring list | transition | voice-exchange

The Big Sleep (1946)

The Big Sleep0:00:13 - Starring actors and main title9th chord | ABA structure | cast list | chromatic mediant | chromatic sequence | dark | heavy | leading lady | leading man | Neapolitan | opening title sequence | silhouette | smoke | smoking | starring list

The Big Sleep (1946)

Walking0:25:22 - Vivian walks down the halladvance plot | butler | calm | inserted scene | leading lady | leading man | not in score | parallelism | pedal tone | private eye | reused recording | room | walking

The Big Sleep (1946)

Marlowe (Grazioso)0:25:28 - Marlowe asks Vivian to help with Carmenadded-note chord | advance plot | butler | conversing | femme fatale | half-diminished 7th chord | inserted scene | leading lady | leading man | mysterious | not in score | private eye | reused recording | room

The Big Sleep (1946)

Walking0:32:10 - Marlowe walks to his officeadvance plot | arriving | calm | leading lady | leading man | parallelism | pedal tone | private eye | room | walking

The Big Sleep (1946)

Marlowe (Grazioso)0:32:29 - Marlowe talks with Vivianadvance plot | conversing | half-diminished 7th chord | leading lady | leading man | mysterious | private eye | room

The Big Sleep (1946)

Running0:47:40 - Vivian enters the apartment buildingchromatic parallelism | dissonant bass | hurrying | investigating | investigation scene | leading lady | leading man | mysterious | private eye | street | tense | walking

The Big Sleep (1946)

Marlowe (Determined)0:47:56 - Marlowe enters the apartment buildingarriving | ascending | bold | common-chord modulation | determined | fragmentation | heroic | investigating | investigation scene | leading lady | leading man | parallel 63s | parallelism | private eye | sequence | stairs | street | walking

The Big Sleep (1946)

Underscoring (Tense)0:51:31 - Joe reacts to the doorbell ringingblackmailer | chromatic parallelism | conflict | conversing | criminal | doorbell | gun | leading lady | leading man | mysterious | pc set | private eye | room | suspect | tense | tone cluster | underscoring | whole-tone chord

The Big Sleep (1946)

Sternwood (Threatening)0:51:52 - Carmen enters holding a gun on Brodyblackmailer | blue note | conflict | criminal | dark | dissonant bass | femme fatale | gun | leading lady | leading man | private eye | room | sinister | stinger | suspect | threatening | whole-tone chord

The Big Sleep (1946)

Underscoring (Dramatic)0:52:02 - Marlowe pushes Agnesblackmailer | chromatic parallelism | chromatic scale | conflict | criminal | diminished 7th chord | dramatic | falling | femme fatale | gun | leading lady | leading man | private eye | room | suspect | tense | tripping | underscoring

The Big Sleep (1946)

Carmen (Misterioso)0:52:18 - Joe gives the picture to Marloweblackmail | blackmailer | conflict | conversing | criminal | evidence | femme fatale | half-diminished 7th chord | leading lady | leading man | mysterious | private eye | room | suspect | whole-tone chord

The Big Sleep (1946)

Sternwood (Extended)0:52:29 - Carmen asks for her picture back9th chord | altered dominant | blackmail | chromatic parallelism | conflict | diminished 7th chord | evidence | femme fatale | flirting | leading lady | leading man | mysterious | pc set | private eye | room | seductive | whole-tone chord

The Big Sleep (1946)

Carmen (Violent)0:52:58 - Vivian and Carmen leaveblackmailer | conflict | criminal | dissonant bass | femme fatale | leading lady | leading man | leaving | mysterious | private eye | room | suspect | whole-tone | whole-tone chord

The Big Sleep (1946)

Slapping0:53:02 - Carmen slaps Joe with her purseblackmailer | conflict | criminal | dissonant bass | femme fatale | leading lady | leading man | mickey-mousing | private eye | room | slamming | slapping | suspect | tense | violence | whole-tone chord

The Big Sleep (1946)

Vivian + Marlowe (Ear Business)NIF - not in filmadvance plot | altered dominant | combination of themes | conversing | cut from film | deleted scene | deleted scene | leading lady | leading man | love interest | mysterious | private eye | romantic | room | thinking | whole-tone

The Big Sleep (1946)

I Guess I'll Have to Change My Plan1:00:50 - Vivian enters a restaurantABACA structure | arriving | club | conversing | falling in love scene | leading lady | leading man | love interest | pleasant | private eye | source music

The Big Sleep (1946)

The Blue Room1:02:15 - Vivan pays MarloweAABA structure | club | conversing | falling in love scene | leading lady | leading man | love interest | pleasant | private eye | source music

The Big Sleep (1946)

You Go to My Head1:04:25 - Vivian and Marlowe talk in a restaurantclub | conversing | falling in love scene | leading lady | leading man | love interest | pleasant | private eye | source music

The Big Sleep (1946)

And Her Tears Flowed Like Wine1:05:55 - Marlowe arrives at Mars's placeadvance plot | arriving | club | leading lady | leading man | love interest | musician | on-screen music | playing | private eye | singer | singing | source music | upbeat

The Big Sleep (1946)

I'm in a Jam With Baby1:10:53 - Marlowe talks to people at the partyadvance plot | club | gambler | gambling | leading lady | leading man | love interest | private eye | source music | upbeat

The Big Sleep (1946)

Liza (All the Clouds'll Roll Away)1:12:27 - Marlowe leaves the gambling jointAABA structure | conflict | criminal | investigating | leading lady | leading man | love interest | private eye | source music | street | upbeat

The Big Sleep (1946)

What Are You Doin' the Rest of Your Life1:14:35 - Marlowe and Vivian leaveconflict | conversing | leading lady | leading man | love interest | parallel double period | private eye | source music | street | upbeat

The Big Sleep (1946)

Driving1:14:54 - Marlowe and Vivian in the caraugmented sixth chord | car | car | driving | leading lady | leading man | love interest | love scene | mickey-mousing | oscillation | ostinato | private eye | tense

The Big Sleep (1946)

Vivian1:15:22 - Marlowe and Vivian talk9th chord | 13th chord | AABA structure | added-note chord | altered dominant | car | chromatic mediant | chromatic parallelism | common-tone dominant 7th | conversing | foreign key modulation | kissing | leading lady | leading man | love | love interest | love scene | Neapolitan | private eye | romantic | suspension

The Big Sleep (1946)

Questions1:16:16 - Marlowe and Vivian argueangry | car | chromatic parallelism | chromatic scale | conversing | leading lady | leading man | love interest | love scene | private eye | tense

The Big Sleep (1946)

Sternwood (Tense)1:16:26 - Marlowe asks about Eddie Marsaccusing | car | fragmentation | half-diminished 7th chord | leading lady | leading man | love interest | love scene | private eye | tense | whole-tone chord

The Big Sleep (1946)

Underscoring (Tense)1:16:43 - Marlowe and Vivian argueaccusing | car | chromatic parallelism | half-diminished 7th chord | leading lady | leading man | love interest | love scene | pedal tone | private eye | tense | underscoring

The Big Sleep (1946)

Marlowe (Mysterious Organ)1:21:42 - Marlowe speaks to waitressadvance plot | café | conversing | leading lady | leading man | love interest | mysterious | pc set | phone call | private eye | tense

The Big Sleep (1946)

Underscoring (Mysterious)1:21:57 - Marlowe speaks with Vivian on the phoneadvance plot | café | chromatic parallelism | conversing | leading lady | leading man | linear chromaticism | love interest | mysterious | phone call | private eye | stinger | tense | underscoring

The Big Sleep (1946)

Marlowe (Whole Tone)1:39:25 - Marlowe talks to Viviancaptive | conversing | leading lady | leading man | love interest | love scene | mysterious | private eye | room | tense | whole-tone | whole-tone chord | whole-tone scale

The Big Sleep (1946)

Marlowe (Phone Call)1:39:39 - Marlowe talks to Viviancaptive | conversing | leading lady | leading man | love interest | love scene | mysterious | private eye | room | sequence | tense | whole-tone chord

The Big Sleep (1946)

Carmen1:39:52 - Marlowe talks to Viviancaptive | conversing | half-diminished 7th chord | leading lady | leading man | love interest | love scene | musical clue | music reveals thoughts | mysterious | private eye | room | whole-tone chord

The Big Sleep (1946)

Vivian1:40:03 - Marlowe and Vivian kiss9th chord | 13th chord | AABA structure | added-note chord | altered dominant | captive | chromatic mediant | chromatic parallelism | common-tone dominant 7th | foreign key modulation | freeing | kissing | leading lady | leading man | love interest | love scene | Neapolitan | private eye | romantic | room | suspension

The Big Sleep (1946)

Questions1:40:44 - Vivian tries to free Marlowecaptive | chromatic parallelism | freeing | leading lady | leading man | love interest | love scene | private eye | room | tense

The Big Sleep (1946)

Marlowe (Misterioso)1:41:01 - Marlowe plans his escapeaction scene | leading lady | leading man | love interest | mysterious | planning | private eye | room | tense

The Big Sleep (1946)

Marlowe 21:41:18 - Marlowe goes outsideaction scene | chromatic scale | escaping | leading lady | leading man | love interest | mysterious | private eye | room | screaming | tense

The Big Sleep (1946)

Underscoring (Dramatic)1:41:36 - Marlowe runs to his car9th chord | action scene | criminal | diminution | dramatic | fragmentation | leading lady | leading man | linear chromaticism | love interest | outside | private eye | running | underscoring | whole-tone chord

The Big Sleep (1946)

Hostage + Marlowe (Fragment)1:42:34 - Canino brings Vivian out as a hostage64 chord | action scene | criminal | hostage | leading lady | leading man | love interest | ostinato | ostinato | outside | private eye | tense | tritone oscillation | walking

The Big Sleep (1946)

Underscoring (Dramatic)1:43:17 - Canino shootsaction scene | criminal | dramatic | gun | gunshot | hostage | leading lady | leading man | love interest | outside | private eye | shooting | underscoring

The Big Sleep (1946)

Marlowe rises1:43:19 - Marlowe risesaction scene | criminal | dramatic | hostage | leading lady | leading man | love interest | outside | pc set | private eye | rising

The Big Sleep (1946)

Canino's Death1:43:22 - Canino is shotaction scene | chromatic parallelism | criminal | death | dramatic | dying | falling | gun | gunshot | hostage | leading lady | leading man | love interest | mirroring | outside | pc set | private eye | retrograde | stumbling | tense

The Big Sleep (1946)

Underscoring (Tense)1:43:35 - Marlowe gets the keys to the handcuffsaction scene | chromatic parallelism | criminal | death | escaping | gun | hostage | leading lady | leading man | love interest | outside | pc set | private eye | tense | underscoring | whole-tone | whole-tone chord

The Big Sleep (1946)

Marlowe (Escaping)1:43:48 - Vivian takes off the handcuffsaction scene | distortion | escaping | leading lady | leading man | love interest | mysterious | outside | private eye | tense

The Big Sleep (1946)

Driving 21:43:54 - Marlowe and Vivian drive awaycar | conversing | driving | leading lady | leading man | love interest | love scene | ostinato | pc set | private eye | sequence | tense

The Big Sleep (1946)

Driving 2 + Vivian1:44:16 - Vivian tells Marlowe she loves him9th chord | 13th chord | car | chromatic parallelism | conversing | driving | leading lady | leading man | love | love interest | love scene | ostinato | private eye | romantic | suspension | tense

The Big Sleep (1946)

Driving 21:44:32 - Vivian and Marlowe talk in the carcar | conversing | driving | leading lady | leading man | love interest | love scene | ostinato | private eye | sequence | tense

The Big Sleep (1946)

Driving 2 + Vivian1:44:44 - Vivian and Marlowe talk in the carcar | conversing | driving | leading lady | leading man | love | love interest | love scene | ostinato | private eye | romantic | tense | whole-tone chord

The Big Sleep (1946)

Driving 21:44:51 - Vivian and Marlowe talk in the carcar | conversing | driving | leading lady | leading man | love interest | love scene | ostinato | pc set | private eye | tense | whole-tone chord

The Big Sleep (1946)

Driving 2 + Carmen1:45:06 - Marlowe talks about Carmencar | conversing | driving | leading lady | leading man | love interest | love scene | ostinato | private eye | tense | whole-tone chord

The Big Sleep (1946)

Driving 2 + Vivian1:45:21 - Marlowe tells Vivian he loves her9th chord | 13th chord | arriving | car | chromatic parallelism | conversing | driving | leading lady | leading man | love | love interest | love scene | ostinato | private eye | romantic | suspension | tense

The Big Sleep (1946)

Marlowe (Bold)1:45:44 - Marlowe and Vivian get out of the carbold | chromatic scale | heroic | leading lady | leading man | love interest | outside | private eye | transition | walking

The Big Sleep (1946)

Walking (Extended)1:45:45 - Marlowe and Vivian walk up to housefragmentation | leading lady | leading man | love interest | outside | parallelism | pedal tone | private eye | sequential modulation | tense | transition | walking

The Big Sleep (1946)

Hangs up phone1:47:07 - Marlowe hangs up the phoneclimax | hanging up | leading lady | leading man | love interest | mickey-mousing | mysterious | private eye | room

The Big Sleep (1946)

Hurrying1:47:07 - Marlowe and Vivian make a planchromatic sequence | climax | fragmentation | hurrying | leading lady | leading man | love interest | parallelism | planning | private eye | room | tense

The Big Sleep (1946)

Marlowe (Misterioso)1:47:26 - Marlowe drops a bulletclimax | fear | leading lady | leading man | love interest | mysterious | private eye | room | shaking | tense

The Big Sleep (1946)

Marlowe 21:47:31 - Car pulls up outsidechromatic scale | climax | fear | leading lady | leading man | love interest | mysterious | private eye | room | shaking | tense | tritone

The Big Sleep (1946)

Carmen (Drugged)1:48:08 - Marlowe watches men outsideclimax | criminal | fear | leading lady | leading man | love interest | mysterious | ominous | planning | private eye | room | tense | waiting

The Big Sleep (1946)

Mars Dies1:51:43 - Mars falls dead to the groundcriminal | death | dying | falling | leading lady | leading man | love interest | mysterious | ominous | private eye | resolution | room | stinger | tense | underscoring

The Big Sleep (1946)

Marlowe (Risoluto)1:52:01 - Marlowe walks to the phoneadded-note chord | bold | death | fragmentation | leading lady | leading man | love interest | mysterious | plotting | private eye | resolution | room | tense

The Big Sleep (1946)

Carmen (Tense)1:52:28 - Marlowe talks on the phoneconversing | leading lady | leading man | love interest | lying | mysterious | oscillation | pedal tone | phone call | private eye | resolution | room | tense | uneasy | whole-tone chord

The Big Sleep (1946)

Vivian1:52:48 - Marlowe talks to Vivian9th chord | 13th chord | chromatic parallelism | conversing | leading lady | leading man | love | love interest | Neapolitan | private eye | resolution | romantic | room

The Big Sleep (1946)

Vivian (Expressivo)1:53:20 - Marlowe pulls Vivian close9th chord | 13th chord | chromatic parallelism | conversing | foreign key modulation | leading lady | leading man | love | love interest | private eye | resolution | romantic | room | suspension
The Breaking Point (1950)Fishermen0:07:40 - Ship leaving the harborboat | boat | boating | calm | departing | fisherman | fishing | floozy | leading lady | leading man | montage | not by Steiner | sailor | tense | upbeat

The Breaking Point (1950)

Flor de Lis0:08:17 - A ship sailingart song | boat | boat | boating | conversing | establish setting | flirting | floozy | leading lady | leading man | not by Steiner | sailor | upbeat | working

The Breaking Point (1950)

En Mi Canto de Amor0:08:57 - A dock at nightarriving | art song | boat | conversing | docking | establish setting | flirting | floozy | harbor | leading lady | leading man | not by Steiner | sailor | source music | upbeat | working

The Breaking Point (1950)

Carmen, Carmela0:11:11 - Harry talks to Duncan in a barbar | conversing | criminal | establish setting | floozy | folk music | gambling | leading lady | leading man | musician | on-screen music | performing | pleasant | sailor | serenading | singing | source music

The Breaking Point (1950)

La Golondrina0:12:21 - Harry sits down with Leona in the baradvance plot | bar | calm | conversing | fisherman | flirting | floozy | folk music | leading lady | leading man | sailor | source music

The Breaking Point (1950)

Please Don’t Talk About Me When I’m Gone0:39:07 - Harry arrives at a baradvance plot | bar | bartender | criminal | dancing | floozy | jukebox | leading lady | leading man | on-screen music | sailor | singing | source music | upbeat

The Breaking Point (1950)

Ask Me No Questions0:40:46 - Harry talks to Duncanadvance plot | arguing | bar | bartender | conversing | criminal | floozy | jukebox | leading lady | leading man | mellow | sailor | source music

The Breaking Point (1950)

On an Ordinary Morning0:43:33 - Leona and Harry sit together in a baradvance plot | bar | conversing | floozy | jukebox | leading lady | leading man | mellow | sailor | source music | wife

The Breaking Point (1950)

Make Love With a Guitar0:46:27 - Harry and his wife come homeadvance plot | calm | child | conversing | drunk | leading lady | leading man | neighbor | on-screen music | sailor | source music | street | walking | wife

The Breaking Point (1950)

I Guess I’ll Have to Change My Plan1:00:26 - Harry in a restaurantadvance plot | bartender | conversing | floozy | leading lady | leading man | mellow | restaurant | sailor | source music

The Breaking Point (1950)

You Missed the Boat1:02:56 - Duncan talks to Harry in the restaurantadvance plot | conversing | criminal | floozy | leading lady | leading man | mellow | restaurant | sailor | source music

The Breaking Point (1950)

Don’t Take Your Love From Me1:05:42 - Harry arrives at Leona's apartmentadvance plot | conversing | floozy | leading lady | leading man | mellow | room | sailor | source music

The Breaking Point (1950)

The Breaking Point (Ethereal)1:34:41 - Harry recognizes Lucyboat | climax | comforting | conversing | crying | ethereal | leading lady | leading man | mixed meter | sailor | sweet | wife

The Breaking Point (1950)

The Breaking Point (Cellos)1:35:14 - Harry talks with Lucyboat | climax | comforting | conversing | crying | ethereal | leading lady | leading man | mixed meter | sailor | sweet | wife

The Breaking Point (1950)

Calm1:35:38 - Lucy leavesboat | climax | comforting | conversing | crying | ethereal | leading lady | leading man | sailor | sweet | wife

The Breaking Point (1950)

The Breaking Point (Triste)1:35:50 - Harry is carried out on a stretchercarrying | child | climax | crowd | crying | doctor | harbor | leading lady | leading man | sailor | somber | watching | wife

The Breaking Point (1950)

Leona1:36:26 - Leona watcheschild | climax | crowd | crying | doctor | harbor | leading lady | leading man | sailor | somber | watching | wife
Caged (1950)Marie (Main Title)NIF - not in filmcar | cut from film | dark | guard | leading lady | looking | opening title sequence | police car | prisoner | tense

Caged (1950)

PrisonNIF - not in filmconversing | cut from film | dark | exiting | guard | leading lady | opening title sequence | police car | prison | prisoner | underscoring

Caged (1950)

Marie0:08:04 - Marie poses for mugshotcamera | establish character | guard | leading lady | mugshot | photographer | photographing | prison | prisoner | somber

Caged (1950)

Isolation Ward0:08:54 - Edna lying in a bedconversing | dark | establish character | illness | isolation | leading lady | mysterious | ominous | prison | prisoner | rain | uneasy

Caged (1950)

Marie (Tragic)NIF - not in filmadvance plot | cut from film | guard | leading lady | prison | prisoner | standing | uneasy

Caged (1950)

SwimmyNIF - not in filmadvance plot | cut from film | disbelief | guard | leading lady | pregnancy | prison | prisoner | reacting | realization | tense

Caged (1950)

Molto ExpressivoNIF - not in filmadvance plot | arriving | cut from film | disbelief | guard | leading lady | pregnancy | prison | prisoner | realization | somber | stinger | tense | walking

Caged (1950)

Mrs. Benton (Not in Film)NIF - not in filmcomforting | crying | cut from film | disbelief | establish character | gentle | leading lady | office | pregnancy | prison | prisoner | realization | warden

Caged (1950)

CryingNIF - not in filmcomforting | crying | cut from film | dramatic | establish character | leading lady | office | pregnancy | prison | prisoner | warden

Caged (1950)

Mrs. Benton (Not in Film 2)NIF - not in filmcomforting | crying | cut from film | establish character | gentle | leading lady | office | pregnancy | prison | prisoner | warden

Caged (1950)

Marie 2 (Not in Film)NIF - not in filmconversing | cut from film | establish character | gentle | leading lady | office | pregnancy | prison | prisoner | warden

Caged (1950)

LullabyNIF - not in filmconversing | cut from film | establish character | gentle | leading lady | office | pregnancy | prison | prisoner | warden

Caged (1950)

Mrs. Benton (Not in Film 3)NIF - not in filmconversing | cut from film | establish character | gentle | guard | leading lady | office | pregnancy | prison | prisoner | reading | room | warden

Caged (1950)

Bird in a Cage0:30:00 - Inmates sleepingadvance plot | bed | crazy person | folk song | gentle | humming | leading lady | on-screen music | prison | prisoner | singing | source music

Caged (1950)

Underscoring (Tense)NIF - not in filmbed | crazy person | crying | cut from film | leading lady | mad scene | prison | prisoner | sleeping | tense | underscoring

Caged (1950)

MadnessNIF - not in filmagitated | bed | crazy person | crying | cut from film | leading lady | mad scene | prison | prisoner | sleeping | standing

Caged (1950)

Train Whistle HallucinationNIF - not in filmagitated | bed | breaking | crazy person | crying | cut from film | dramatic | glass | hallucinating | leading lady | mad scene | prison | prisoner | screaming | smashing

Caged (1950)

Caged (Not in Film)NIF - not in filmbed | crazy person | crying | cut from film | dark | glass | leading lady | mad scene | prison | prisoner

Caged (1950)

WailingNIF - not in filmagitated | bed | crazy person | crying | crying effect | cut from film | glass | leading lady | mad scene | prison | prisoner | wailing

Caged (1950)

Wailing + Train Whistle HallucinationNIF - not in filmagitated | bed | combination of themes | crazy person | crying | crying effect | cut from film | dramatic | glass | leading lady | mad scene | prison | prisoner | rushing | unlocking | wailing

Caged (1950)

Wailing (Ominous)NIF - not in filmbed | bleeding | blood | crazy person | crying | cut from film | dark | leading lady | mad scene | ominous | prison | prisoner | wailing

Caged (1950)

Prison Alarm0:32:00 - Ringing prison alarmagitated | alarm | alarm effect | bell | double exposure | dramatic | guard | leading lady | mickey-mousing | montage | montage | prison | prisoner | ringing | waking | yelling

Caged (1950)

Marie (Expressivo)0:32:12 - The prison laundryalarm | bell | double exposure | dramatic | guard | leading lady | montage | montage | prison | prisoner | ringing | roll call | working

Caged (1950)

Prison Alarm0:32:22 - Ringing prison alarmagitated | alarm | alarm effect | bell | double exposure | dramatic | eating | guard | leading lady | mickey-mousing | montage | montage | prison | prisoner | ringing | waking

Caged (1950)

Underscoring (Dramatic)0:32:30 - Marie in the prison cafeteriaalarm | alarm effect | bell | double exposure | dramatic | eating | fanning | guard | heat | leading lady | mickey-mousing | montage | montage | prison | prisoner | underscoring

Caged (1950)

Prison0:32:40 - Marie working in the prison laundrydouble exposure | dramatic | leading lady | montage | montage | prison | prisoner | working

Caged (1950)

Underscoring (Dramatic)0:32:47 - Marie working in the prison laundryalarm | alarm effect | bell | double exposure | dramatic | leading lady | mickey-mousing | montage | montage | pain | prison | prisoner | quick cuts | underscoring | working

Caged (1950)

Marie (Dark)0:32:55 - Marie's medical reportdark | double exposure | infirmary | leading lady | medical report | montage | montage | pain | prison | prisoner | working

Caged (1950)

Marie (Slowly)0:35:14 - Marie talks to Kittyadvance plot | conversing | friend | leading lady | prison | prisoner | sickness | solemn | uneasy

Caged (1950)

Underscoring (Subtle)0:36:52 - June gets dressed for her parole board hearingdressing | establish character | excited | friend | leading lady | prison | prisoner | tense | underscoring

Caged (1950)

June and Marie0:37:06 - June and Marie talkconversing | establish character | friend | hopeful | leading lady | noble | prison | prisoner

Caged (1950)

June0:37:27 - June and Marie talkconversing | establish character | friend | hopeful | leading lady | melancholy | prison | prisoner | somber

Caged (1950)

Underscoring (Dark)0:37:58 - June and Marie arguearguing | dark | establish character | friend | leading lady | prison | prisoner | underscoring

Caged (1950)

June (Triste)0:38:14 - June and Marie talkconversing | cut from film | establish character | friend | leading lady | melancholy | prison | prisoner | somber

Caged (1950)

June (Slowly)0:38:39 - Marie looks for Junearriving | conversing | establish character | friend | guard | leading lady | melancholy | prison | prisoner | somber

Caged (1950)

June (Adagio)0:39:34 - Inmates play cardscards | close-up | conversing | establish character | friend | leading lady | melancholy | playing | prison | prisoner | somber | underscoring | uneasy

Caged (1950)

June and Marie (Very Slow)0:39:59 - Marie helps Juneconsoling | dark | despair | establish character | friend | guard | helping | leading lady | prison | prisoner | somber

Caged (1950)

Harper0:40:20 - Harper walksdark | establish character | friend | guard | leading lady | mickey-mousing | prison | prisoner | tritone | walking

Caged (1950)

June (Dead)0:43:38 - Shot of June's hanging bodydark | death | death scene | friend | hanging | harsh | leading lady | prison | prisoner | suicide

Caged (1950)

Crying (Poco Agitato)0:44:27 - Mrs. Benton pacesbaby | childbirth | conversing | crying | doctor | infirmary | leading lady | mickey-mousing | operation scene | pacing | prison | prisoner | tense | uneasy | walking | warden

Caged (1950)

Marie (Tragic)0:44:36 - Mrs. Benton pacesbaby | childbirth | doctor | infirmary | leading lady | operation scene | pacing | prison | prisoner | tense | uneasy | warden | worrying

Caged (1950)

Marie0:44:54 - The doctor washes upbaby | childbirth | cleaning | conversing | doctor | infirmary | leading lady | operation scene | prison | prisoner | solemn | warden

Caged (1950)

Nursery0:49:22 - Marie goes to see her newborn babyadvance plot | baby | gentle | hopeful | leading lady | nurse | nursery | optimistic | prison | prisoner | walking

Caged (1950)

Lullaby0:49:51 - Marie holds her new babyadvance plot | baby | conversing | gentle | leading lady | nurse | nursery | prison | prisoner

Caged (1950)

Marie 20:50:22 - Marie holds her new babyadvance plot | baby | conversing | gentle | happy | leading lady | nurse | nursery | prison | prisoner

Caged (1950)

Marie (Dramatic)0:52:43 - Marie pleads with her mother to take the babydespair | dramatic | leading lady | mother | nurse | pleading | prison | prisoner | tragic | turning point

Caged (1950)

Prison (Tragic)0:52:48 - Marie calls after her motherdespair | dramatic | leading lady | mother | nurse | pleading | prison | prisoner | tragic | turning point
His Greatest Gamble (1934)Nocturne in E-flat Major0:36:29 - Philip looks for Aliceadvance plot | calm | conversing | daughter | fugitive | leading lady | leading man | mansion | nocturne | pleasant | searching | source music | wandering

His Greatest Gamble (1934)

Waltz in C-sharp Minor0:40:28 - Philip talks with Alice and Florenceadvance plot | conversing | daughter | ex-wife | fugitive | leading lady | leading man | mansion | serious | source music | waltz

His Greatest Gamble (1934)

Blue Ridge Moon0:53:16 - Philip talks with Aliceadvance plot | conversing | daughter | gentle | leading lady | love interest | mansion | popular music | radio | sentimental | source music | waltz

His Greatest Gamble (1934)

Morning Glory Waltz (Radio)0:57:06 - Philip talks with Alice9th chord | advance plot | conversing | daughter | fugitive | gentle | leading lady | leading man | mansion | mode mixture | radio | score to source | sentimental | source music | transcribed by ear | walking
City for Conquest (1940)Scales0:09:16 - Danny and Peggy go upstairsarguing | conversing | establish character | leading lady | leading man | mother | on-screen music | piano | room | source music | tedious | transcribed by ear

City for Conquest (1940)

Lullaby of Broadway0:17:00 - A sign for Rose Gardens Casinoboxer | conversing | crowd | dance band | dance hall | dancer | dance scene | dancing | leading lady | leading man | on-screen music | playing | popular music | source music | upbeat

City for Conquest (1940)

Latin For Manhattan0:18:29 - Peggy and Danny sit downAABA structure | blue note | boxer | conversing | crowd | dance band | dance hall | dancer | dance scene | dancing | leading lady | leading man | on-screen music | playing | popular music | source music | upbeat

City for Conquest (1940)

The Continental0:19:53 - Peggy dances with MurrayAABA structure | boxer | conversing | crowd | dance band | dance hall | dancer | dance scene | dancing | friend | leading lady | leading man | on-screen music | phrase extension | playing | popular music | source music | upbeat

City for Conquest (1940)

Jalousie0:20:39 - Danny sitting at a tableABAC structure | boxer | crowd | dance band | dance hall | dancer | dance scene | dancing | friend | leading lady | leading man | on-screen music | popular music | source music | upbeat

City for Conquest (1940)

I'm Just Wild About Harry0:21:28 - Peggy dances with MurrayABAC structure | crowd | dance band | dance hall | dancer | dance scene | dancing | leading lady | on-screen music | popular music | source music | upbeat

City for Conquest (1940)

Shadow Waltz0:21:46 - Peggy dances with MurrayABAC structure | conversing | crowd | dance band | dance hall | dancer | dance scene | dancing | leading lady | on-screen music | playing | popular music | source music | upbeat

City for Conquest (1940)

Fanfare0:22:58 - A trophy is brought outaward | bold | chromatic mediant | crowd | dance band | dance hall | dancer | dance scene | fanfare | leading lady | on-screen music | parallelism | presenting | source music | transcribed by ear | upbeat

City for Conquest (1940)

I'm Just Wild About Harry0:23:07 - Close-up of LilyABAC structure | award | boxer | conversing | crowd | dance band | dance hall | dancer | dance scene | friend | leading lady | leading man | on-screen music | popular music | source music | upbeat

City for Conquest (1940)

Shadow Waltz (Ethereal)0:24:48 - Peggy peeks out of her dooradded-note chord | advance plot | arriving | chromatic parallelism | chromatic wedge | common-tone diminished 7th | entering | gentle | leading lady | mysterious | parallelism | room | sneaking | source to score

City for Conquest (1940)

I'm Just Wild About Harry (Delicato)0:25:06 - Peggy calls Murray11th chord | added-note chord | advance plot | altered dominant | calling | common-tone diminished 7th | conversing | leading lady | mode mixture | pleasant | room | source to score | telephone | upbeat

City for Conquest (1940)

The Words Are in My Heart0:29:31 - Peggy dances with Murrayapplause | augmented triad | crowd | dance hall | dancer | dancing | double exposure | gentle | leading lady | montage | source music | waltz

City for Conquest (1940)

Original Rhumba0:29:38 - Peggy dances with Murrayapplause | crowd | dance hall | dancer | dancing | double exposure | leading lady | montage | rhumba | source music | upbeat

City for Conquest (1940)

Original Bolero0:29:43 - Peggy dances with Murrayapplause | bolero | chromatic mediant | crowd | dance hall | dancer | dancing | double exposure | leading lady | montage | source music | upbeat

City for Conquest (1940)

Jalousie0:29:51 - Peggy dances with Murrayadded-note chord | applause | crowd | dance hall | dancer | dancing | double exposure | leading lady | montage | source music | tango | upbeat

City for Conquest (1940)

Original Foxtrot0:29:57 - Peggy dances with Murrayapplause | common-tone diminished 7th | crowd | dance hall | dancer | dancing | double exposure | foxtrot | leading lady | montage | source music | upbeat

City for Conquest (1940)

Tone Poem A (Grazioso)0:30:04 - Danny shavesaltered dominant | common-chord modulation | conversing | delicate | fragmentation | gentle | leading lady | leading man | love scene | room | shaving

City for Conquest (1940)

Tone Poem A (Dolce)0:30:28 - Peggy talks to Danny9th chord | 11th chord | arguing | chromatic parallelism | common-chord modulation | conversing | flirting | gentle | leading lady | leading man | love scene | playful | room | shaving

City for Conquest (1940)

Peggy pokes Danny0:30:47 - Peggy pokes Danny11th chord | flirting | leading lady | leading man | love scene | mickey-mousing | playful | room | shaving | teasing

City for Conquest (1940)

Only Fooling0:30:54 - Peggy cleans Danny's facearguing | common-tone modulation | conversing | diminished 7th chord | flirting | leading lady | leading man | love scene | parallelism | playful | room | shaving

City for Conquest (1940)

Tone Poem A (Expressivo)0:31:00 - Peggy apologizes to Danny9th chord | added-note chord | appoggiatura | chromatic mediant | common-tone diminished 7th | conversing | foreign key modulation | kiss | kissing | leading lady | leading man | love scene | parallelism | romantic | room

City for Conquest (1940)

Tranquillo0:31:35 - Peggy and Danny on a boat9th chord | boat | conversing | delicate | gentle | leading lady | leading man | love scene

City for Conquest (1940)

Tone Poem A (Waltz)0:31:48 - Peggy and Danny talk about the future9th chord | 13th chord | added-note chord | boat | calm | common-chord modulation | conversing | deceptive resolution | foreign key modulation | leading lady | leading man | love scene | mode mixture | romantic

City for Conquest (1940)

Shadow Waltz (Dark)0:33:22 - Peggy talks with Dannyboat | chromatic sequence | conversing | dark | leading lady | leading man | love scene | major 7th chord | octatonic | somber

City for Conquest (1940)

I'm Just Wild About Harry (Foxtrot)0:33:35 - Peggy starts to leave9th chord | added-note chord | boat | calm | chromatic mediant | conversing | gentle | leading lady | leading man | love scene

City for Conquest (1940)

Tone Poem A (Dolcissimo)0:34:02 - Danny talks with Peggy9th chord | added-note chord | boat | common-tone diminished 7th | conversing | gentle | kissing | leading lady | leading man | love scene | romantic

City for Conquest (1940)

I'm Just Wild About Harry0:34:32 - Man operating a spotlightaudience | clapping | dancer | dancing | double exposure | leading lady | marquee | montage | source music | stage | upbeat

City for Conquest (1940)

In the Evening0:45:08 - Peggy in her dressing roomarguing | boxer | conflict | conversing | crying | dancer | dressing room | leading lady | leading man | parallel double period | punching | source music | upbeat

City for Conquest (1940)

A Girl Like You0:46:49 - Danny in Peggy's dressing roomboxer | conflict | crying | dancer | dressing room | leading lady | leading man | leaving | parallel double period | source music | upbeat

City for Conquest (1940)

Peggy runs0:47:31 - Peggy runs down the stairsboxer | chromatic parallelism | chromatic sequence | dancer | descending | leading lady | leading man | love scene | mickey-mousing | running | source and scoring overlap | street | tense

City for Conquest (1940)

Tone Poem A (Romantic)0:47:41 - Peggy talks with Dannyboxer | conversing | dancer | leading lady | leading man | love scene | street | tense

City for Conquest (1940)

Tone Poem A (Simplice)0:48:06 - Danny talks to Peggy9th chord | 13th chord | boxer | dancer | embracing | kissing | leading lady | leading man | love scene | romantic | street

City for Conquest (1940)

Tone Poem A (Walking)0:48:32 - Danny and Peggy walk down the street11th chord | boxer | chromatic sequence | conversing | dancer | leading lady | leading man | love scene | romantic | street | walking

City for Conquest (1940)

Tone Poem A (Molto Expressivo)0:48:44 - Danny talks with Peggy9th chord | 64 chord | appoggiatura | boxer | countermelody | dancer | embracing | kissing | leading lady | leading man | love scene | plagal cadence | romantic | sequence | street

City for Conquest (1940)

Adios Muchachos0:50:27 - Peggy arrives homeadvance plot | arriving | cheerful | conversing | dancer | leading lady | parallel double period | record player | room | source music | tango

City for Conquest (1940)

Adios Muchachos0:51:19 - Peggy talks with Murrayadvance plot | arriving | cheerful | conversing | dancer | leading lady | parallel double period | record player | room | source music | tango

City for Conquest (1940)

Corn Pickin'0:53:35 - People dancing the jitterbugAABA structure | advance plot | boxer | club | crowd | dance band | dancer | dancing | leading lady | leading man | on-screen music | source music | upbeat

City for Conquest (1940)

Japanese Sandman0:54:33 - Danny and Peggy at the danceadvance plot | boxer | club | crowd | dance band | dancer | dancing | leading lady | leading man | on-screen music | source music | upbeat

City for Conquest (1940)

Underscoring (Gentle)0:55:19 - A taxi approaches11th chord | appoggiatura | arriving | farewell scene | gentle | leading lady | leading man | source and scoring overlap | street | taxi | underscoring

City for Conquest (1940)

Tone Poem A (Farewell)0:55:31 - Peggy bids farewell to Danny9th chord | appoggiatura | augmented sixth chord | conversing | crying | embracing | enharmonic respelling | farewell scene | leading lady | leading man | leaving | mode mixture | plagal cadence | romantic | sentimental | street

City for Conquest (1940)

Garden of the Moon1:00:04 - Backstage at the Club MadridAABA structure | advance plot | conversing | dancer | dressing room | leading lady | preparing | source music | upbeat

City for Conquest (1940)

Piggy Wiggy Woo1:10:52 - Peggy criesadvance plot | conversing | crying | dancer | dressing room | leading lady | source music | upbeat

City for Conquest (1940)

Powder My Back1:23:34 - A burlesque marqueeadvance plot | conversing | dancer | dancing | leading lady | manager | on-screen music | phrase extension | singer | singing | source music | stage | upbeat

City for Conquest (1940)

Tone Poem A (Lento 2)1:28:11 - Peggy cries9th chord | advance plot | altered dominant | conversing | crying | foreign key modulation | friend | leading lady | room | sequence | somber

City for Conquest (1940)

Tone Poem D (Dolce)1:28:33 - Gladys talks to Peggy9th chord | 11th chord | advance plot | blue note | chromatic sequence | comforting | common-tone diminished 7th | conversing | crying | friend | gentle | leading lady | mode mixture | newspaper | parallel fifths | room | sweet

City for Conquest (1940)

Tone Poem A (Maestoso)1:29:11 - Peggy looks upadvance plot | friend | hopeful | leading lady | mode mixture | newspaper | reading | room | suspension

City for Conquest (1940)

Tone Poem A1:32:32 - Violins playing9th chord | 11th chord | 13th chord | audience | Carnegie Hall | concert | concert hall | concert scene | conducting | conductor | deceptive resolution | dramatic | Gershwinesque | leading lady | listening | musician | on-screen music | orchestra | playing | romantic | sentimental | sequence | source music | watching | zoom in

City for Conquest (1940)

Tone Poem A (Tutti)1:33:02 - Peggy watches from the audience9th chord | 11th chord | 13th chord | audience | bold | Carnegie Hall | concert | concert hall | concert scene | conducting | conductor | deceptive resolution | dramatic | fragmentation | Gershwinesque | leading lady | listening | musician | on-screen music | orchestra | playing | point-of-view shot | romantic | source music | watching | zoom in

City for Conquest (1940)

Tone Poem A (Very Broad)1:34:24 - Peggy reacts to the music9th chord | 13th chord | audience | bold | Carnegie Hall | chromatic parallelism | chromatic scale | chromatic sequence | concert | concert hall | concert scene | conducting | conductor | deceptive resolution | dissonant bass | dramatic | Gershwinesque | leading lady | leading man | listening | musician | newspaper | newspaper stand | on-screen music | orchestra | playing | radio | romantic | source music | street | watching | zoom out

City for Conquest (1940)

Tone Poem A (Lento)1:35:02 - Orchestra playing9th chord | audience | Carnegie Hall | chromatic parallelism | chromatic sequence | concert | concert hall | concert scene | conducting | conductor | crying | leading lady | linear chromaticism | listening | musician | on-screen music | orchestra | playing | polychord | romantic | somber | source music | tender | watching

City for Conquest (1940)

Tone Poem A (Grandioso)1:36:11 - Audience enjoying the performance9th chord | 13th chord | altered dominant | audience | bold | Carnegie Hall | concert | concert hall | concert scene | conducting | conductor | deceptive resolution | double exposure | dramatic | Gershwinesque | leading lady | leading man | listening | musician | on-screen music | orchestra | playing | romantic | sentimental | smiling | source music | watching

City for Conquest (1940)

Tone Poem A (Beoootiful)1:40:11 - Danny working at his newsstand9th chord | 11th chord | blur | conversing | dissonant bass | ethereal | gentle | into focus | leading lady | leading man | love scene | reunion | reuniting | shimmery | squinting | street | tone cluster | victim | whole-tone chord

City for Conquest (1940)

Tone Poem A (Chorus)1:41:14 - Danny talks with Peggy9th chord | 11th chord | 13th chord | chromatic sequence | conversing | crying | ethereal | foreign key modulation | gentle | leading lady | leading man | love interest | love scene | optimistic | reunion | reuniting | romantic | shimmery | street | suspension | victim
Crime School (1938)Underscoring (Mysterious)0:09:53 - Frankie sneaks in the houseconcern | conversing | dissonant bass | establish character | heroine | leading lady | mysterious | pedal tone | room | sister | sneaking | sneaky | teenager | underscoring | whole-tone chord | whole-tone scale

Crime School (1938)

Sue (Quasi Blues)0:11:08 - Sue talks to Frankiebluesy | chromatic parallelism | common-chord modulation | conversing | crying | establish character | foreign key modulation | Gershwinesque | heroine | leading lady | room | somber

Crime School (1938)

Sue (Minor)0:20:38 - Judge sentences boys to the reformatoryaugmented sixth chord | chromatic parallelism | courthouse | crying | dissonant bass | gang | heroine | judge | leading lady | leading man | sister | somber | stinger | teenager | trial

Crime School (1938)

Sue (Grazioso)1:13:10 - Sue and Mark talk in the kitchencheerful | conflict | conversing | cooking | happy | hero | heroine | kitchen | leading lady | leading man | mode mixture | secondary dominant

Crime School (1938)

Sue (Grazioso Mysterioso)1:13:38 - Frankie confronts Sue and Markcheerful | common-tone diminished 7th | conflict | conversing | deceptive resolution | dining | gun | happy | hero | heroine | leading lady | leading man | room | stick up | stinger | teenager | tone cluster | whole-tone chord

Crime School (1938)

Underscoring (Tense)1:14:26 - Mark talks to policemanchromatic scale | conflict | deceptive resolution | gun | hero | heroine | hiding | knocking | leading lady | leading man | lying | mode mixture | pedal tone | police | room | teenager | tense | underscoring

Crime School (1938)

Lights on1:15:26 - Sue turns the lights onconflict | hero | heroine | leading lady | leading man | light | mickey-mousing | room | tense | turning on
They Made Me a Criminal (1939)The Fugitive (Looking Around)0:25:11 - The young man sees Johnnie9th chord | deceptive resolution | establish character | foreign key modulation | leading lady | leading man | ranch | teenager | tired | walking

They Made Me a Criminal (1939)

The Fugitive (Arriving)0:25:42 - Johnnie arrives at the ranch9th chord | arriving | establish character | foreign key modulation | leading lady | leading man | ranch | teenager | tired

They Made Me a Criminal (1939)

Underscoring (Dramatic)0:26:48 - Peggy rushes to help Johnnie64 chord | dramatic | establish character | heroine | leading lady | mickey-mousing | ranch | running | rushing | underscoring

They Made Me a Criminal (1939)

Underscoring (Tender)0:26:58 - Peggy helps Johnnie9th chord | 64 chord | heroine | leading lady | leading man | lovers meet | mode mixture | nursing | room | tender | underscoring

They Made Me a Criminal (1939)

The Fugitive (Recovering)0:27:13 - Peggy takes care of Johnnie9th chord | foreign key modulation | heroine | leading lady | leading man | lovers meet | nursing | recovering | romance | room | sweet | waking

They Made Me a Criminal (1939)

Peggy (Dolce)0:28:20 - Peggy talks to Johnnie9th chord | 11th chord | 13th chord | deceptive resolution | foreign key modulation | heroine | kissing | leading lady | leading man | lovers meet | nursing | recovering | romance | room | sweet | tender

They Made Me a Criminal (1939)

The Fugitive (Apology)0:48:31 - Johnnie and Peggy talk9th chord | conversing | hero | leading lady | leading man | love scene | romantic | room | secondary dominant | tender

They Made Me a Criminal (1939)

Peggy (Delicatissimo)0:49:16 - Johnnie and Peggy kiss9th chord | 11th chord | 13th chord | hero | kissing | leading lady | leading man | love scene | romantic | room

They Made Me a Criminal (1939)

On the Make0:49:40 - Johnnie and Peggy drive in a carABAB structure | added-note chord | altered dominant | car | car | cheerful | conversing | driving | hero | leading lady | leading man | linear chromaticism | love scene | mode mixture | phrase extension | romantic | traveling

They Made Me a Criminal (1939)

On the Make (Extended)0:53:21 - Johnnie and Peggy drive in a carABAB structure | added-note chord | advance plot | altered dominant | car | car | cheerful | conversing | driving | hero | kissing | leading lady | leading man | linear chromaticism | mode mixture | phrase extension | romantic | traveling

They Made Me a Criminal (1939)

The Fugitive (Ashamed)1:03:55 - Johnnie tells them he can't fight9th chord | conflict | dark | foreign key modulation | harmonic sequence | leading lady | leading man | lying | room | somber | teenager

They Made Me a Criminal (1939)

On the Make (Dolce)1:05:13 - Peggy talks to Johnnieadded-note chord | altered dominant | arguing | conflict | leading lady | leading man | linear chromaticism | lying | room | tender

They Made Me a Criminal (1939)

Underscoring (Tense)1:05:52 - Johnny talks to Peggyconflict | dramatic | half-diminished 7th chord | harmonic sequence | leading lady | leading man | lying | room | tense | underscoring

They Made Me a Criminal (1939)

On the Make (Heartbreak)1:06:05 - Johnny talks to Peggy9th chord | arguing | conflict | dissonant bass | dramatic | leading lady | leading man | room | slamming | somber | tense

They Made Me a Criminal (1939)

On the Make (Crying)1:06:29 - Peggy cries after Johnnie leaves11th chord | conflict | crying | leading lady | leading man | room | somber

They Made Me a Criminal (1939)

Spirit of Independence1:14:53 - Johnnie marches into the ringarena | cheerful | excited | hero | leading lady | leading man | march | preparing | source music | sport scene | teenager

They Made Me a Criminal (1939)

Peggy (Waiting)1:24:39 - The detective talks to Johnniechromatic scale | climax | dark | detective | diminished 7th chord | dissonant | dissonant bass | leading lady | leading man | lying | ominous | room | waiting

They Made Me a Criminal (1939)

Lying1:25:16 - Johnnie lies to Peggy about where he's goingadded-note chord | augmented sixth chord | climax | common-chord modulation | detective | dissonant bass | foreign key modulation | leading lady | leading man | lying | minor-major 7th chord | room | turbulent

They Made Me a Criminal (1939)

On the Make (Appassionato)1:25:51 - Peggy wants to go with Johnnie9th chord | altered dominant | climax | detective | embracing | kissing | leading lady | leading man | leaving | linear chromaticism | mode mixture | pedal tone | romantic | room | sentimental | sigh gesture | tender
Deep Valley (1947)Joe0:01:29 - A dogcheerful | dog | establish character | friendly | leading lady | mother | opening | porch | room | running | upbeat | waking

Deep Valley (1947)

Joe (Poco Meno Expressivo)0:01:59 - Libby gets updog | dressing | establish character | leading lady | mother | room | scolding | upbeat | waking

Deep Valley (1947)

Drudge0:03:59 - Libby goes downstairsdescending | establish character | leading lady | room | somber | stairs | upset | walking

Deep Valley (1947)

Drudge (Kitchen)0:04:12 - Libby works in kitchencooking | dog | establish character | kitchen | leading lady | somber | upset

Deep Valley (1947)

Joe (Very Light)0:04:29 - Joe watches Libby workcheerful | cooking | dog | establish character | kitchen | leading lady | upbeat

Deep Valley (1947)

Drudge (Sentimentale)0:04:49 - Libby feeds Joecooking | dog | establish character | kitchen | leading lady | somber

Deep Valley (1947)

Libby0:06:09 - Libby returns to her workestablish character | father | kitchen | leading lady | serving | somber

Deep Valley (1947)

Libby (Rubato)0:08:13 - Libby at the kitchen tableestablish character | kitchen | leading lady | leaving | somber | tense

Deep Valley (1947)

Woods0:08:25 - Libby leaves the housecheerful | dog | establish character | forest | leading lady | playing | running | upbeat

Deep Valley (1947)

Squirrel0:09:26 - Libby feeds a squirrelcheerful | conversing | establish character | forest | leading lady | squirrel | upbeat

Deep Valley (1947)

Woods0:09:57 - Libby walks in the woodscheerful | cut from film | dog | establish character | forest | leading lady | upbeat | walking

Deep Valley (1947)

Homestead (Moderato)0:15:18 - Homestead in the distancebarnyard | dark | father | gentle | leading lady | mother | reading | room | transition

Deep Valley (1947)

Homestead (Sordini)0:16:14 - Ellie talks with Libbyadvance plot | calm | conversing | delicate | leading lady | memory | mother | past | room | sentimental

Deep Valley (1947)

Underscoring (Tense)0:17:06 - Ellie talks with Libbyadvance plot | conversing | dark | leading lady | mother | room | stinger | tense | underscoring

Deep Valley (1947)

Homestead (Triste)0:17:34 - Ellie talks with Libbyadvance plot | conversing | dark | leading lady | mother | room | tense

Deep Valley (1947)

Underscoring (Somber)0:17:55 - Libby talks with Ellieadvance plot | conversing | dark | leading lady | mother | room | somber | underscoring

Deep Valley (1947)

Homestead (Somber)0:18:26 - Ellie talks with Libbyadvance plot | conversing | dark | leading lady | mother | room | somber

Deep Valley (1947)

Joe (Running)0:19:24 - Libby arrives at the farmconversing | leading lady | lovers meet | running | rushed | street | upbeat

Deep Valley (1947)

Libby 2 (Slowly)0:19:39 - Jeff talks with Libbyarguing | crew | dog | father | leading lady | leading man | lovers meet | street | tense

Deep Valley (1947)

Running0:20:26 - Libby runs to Joeconvict | dog | leading lady | leading man | lovers meet | running | street | tense

Deep Valley (1947)

Love Theme0:20:35 - Libby meets Barryconvict | leading lady | leading man | lovers meet | meeting | romantic | street

Deep Valley (1947)

Underscoring (Tense)0:22:23 - Barry pumps waterboss | conflict | convict | father | guard | leading lady | leading man | mocking | pumping | street | tense | underscoring

Deep Valley (1947)

Turns, Hits, and Falls0:22:28 - Barry hits the guardboss | conflict | convict | dramatic | falling | father | guard | leading lady | leading man | mickey-mousing | punching | stinger | street | turning | violence

Deep Valley (1947)

Barry0:22:35 - Barry threatens the guardangry | arguing | boss | conflict | convict | dramatic | father | guard | leading lady | leading man | street | threatening | yelling

Deep Valley (1947)

Law (Subtle)0:22:45 - Barry looks at the guardarguing | boss | conflict | convict | father | guard | leading lady | leading man | street | tense | underscoring

Deep Valley (1947)

Love Theme (Molto Expressivo)0:23:07 - Libby watches them take Barryboss | conflict | convict | crying | father | guard | leading lady | leading man | somber | street | watching

Deep Valley (1947)

Barry (Misterioso)0:28:31 - Libby talks with Jeffadvance plot | boss | conversing | dark | leading lady | leading man | mysterious | room | somber

Deep Valley (1947)

Homestead (Morendo)0:29:17 - Jeff talks with Libbyadvance plot | boss | conversing | leading lady | leading man | room | somber

Deep Valley (1947)

Libby 30:29:40 - Close-up on Libbyadvance plot | boss | conversing | dance-like | hesitant | leading lady | leading man | room

Deep Valley (1947)

Libby (Stormy)0:29:58 - Libby pulls away from Jeff's graspadvance plot | boss | dark | leading lady | leading man | leaving | lightning | room | running | storm | thunder

Deep Valley (1947)

Libby 30:30:31 - Libby watches the stormadvance plot | arriving | boss | hesitant | leading lady | leading man | leaving | lightning | room | storm | thunder | watching

Deep Valley (1947)

Underscoring (Dramatic)0:31:10 - Close-up on Libbyarguing | conflict | crying | dark | dramatic | father | leading lady | lightning | room | storm | tense | thunder | underscoring

Deep Valley (1947)

Slap0:32:20 - Cliff slaps Libbyconflict | dramatic | father | leading lady | lightning | mickey-mousing | room | slapping | storm | thunder | violence

Deep Valley (1947)

Earthquake0:32:21 - An earthquake shakes the houseconflict | dramatic | earthquake | father | leading lady | lightning | mother | room | rushing | shaking | storm | thunder

Deep Valley (1947)

Libby (Dark)0:33:17 - Libby walks to her mother's roomconflict | conversing | dark | leading lady | lightning | mother | room | somber | storm | thunder | walking

Deep Valley (1947)

Libby (Slowly)0:34:53 - Libby leaves her motherconflict | dark | leading lady | leaving | lightning | mother | pleading | room | somber | storm | tense | thunder

Deep Valley (1947)

Triste (Stormy)0:35:16 - Shutters shaking in the windconflict | dark | leading lady | leaving | lightning | mother | pleading | room | somber | storm | thunder

Deep Valley (1947)

Libby 2 (Stormy)0:35:27 - Waves hitting the shoreconflict | construction site | crew | dark | leading lady | leaving | mother | pleading | storm | tense | waves | working

Deep Valley (1947)

Joe (Allegretto Grazioso)0:39:06 - Libby in the woodsadvance plot | dog | forest | happy | leading lady | running | upbeat | walking

Deep Valley (1947)

Love Theme (Full)0:39:50 - Libby in the cabinadvance plot | arriving | cabin | calm | dog | leading lady | noble

Deep Valley (1947)

Woods0:40:58 - Libby swimmingadvance plot | cheerful | convict | dog | forest | fugitive | leading lady | leading man | searching | swimming | upbeat

Deep Valley (1947)

Woods0:42:41 - Libby arrives at the cabinadvance plot | arriving | cabin | cheerful | convict | dog | fugitive | leading lady | leading man | upbeat

Deep Valley (1947)

Barry (Ferroce)0:42:50 - Libby sees Barryadvance plot | cabin | convict | dark | dog | fierce | fugitive | leading lady | leading man | threatening

Deep Valley (1947)

Barry (Slowly)0:45:50 - Barry watches Libbycabin | convict | dog | falling in love scene | fugitive | leading lady | leading man | uneasy | watching

Deep Valley (1947)

Joe (Calm)0:46:14 - Joe comes incabin | calm | convict | dog | falling in love scene | fugitive | leading lady | leading man | watching

Deep Valley (1947)

Love Theme (Full)0:46:30 - Barry and Libby by the lakecalm | conversing | convict | falling in love scene | forest | fugitive | laughing | leading lady | leading man | working

Deep Valley (1947)

Love Theme (Memory)0:46:53 - Barry and Libby by the lakeconversing | convict | falling in love scene | forest | fugitive | leading lady | leading man | memory | uneasy

Deep Valley (1947)

Breeze0:48:03 - Libby talks to Barryconversing | convict | ethereal | falling in love scene | forest | fugitive | leading lady | leading man | listening | magical | wind | wind effect

Deep Valley (1947)

Breeze + Love Theme0:48:14 - Barry talks to Libbycombination of themes | conversing | convict | ethereal | falling in love scene | forest | fugitive | leading lady | leading man | listening | magical | wind | wind effect

Deep Valley (1947)

Barry (Drunk)0:50:00 - Barry talks to Libbyconvict | drunk | falling in love scene | forest | fugitive | leading lady | leading man | story | storytelling | tense

Deep Valley (1947)

Barry0:50:33 - Barry talks to Libbyagitated | convict | falling in love scene | forest | fugitive | leading lady | leading man | story | storytelling

Deep Valley (1947)

Barry (Drunk)0:51:00 - Barry talks to Libbyconvict | drunk | falling in love scene | forest | fugitive | leading lady | leading man | story | storytelling | tense

Deep Valley (1947)

Barry (Dolce)0:51:17 - Barry talks to Libbyconvict | falling in love scene | forest | fugitive | leading lady | leading man | story | storytelling | sweet

Deep Valley (1947)

Kiss0:51:58 - Barry kisses Libbyconvict | dog | embracing | exciting | falling in love scene | forest | fugitive | kissing | leading lady | leading man | love interest | mickey-mousing | staring

Deep Valley (1947)

Deep Valley0:52:10 - Barry kisses Libby againconvict | dog | embracing | falling in love scene | forest | fugitive | gentle | kissing | leading lady | leading man | love interest | romantic | staring

Deep Valley (1947)

Deep Valley (Misterioso)0:54:57 - Libby starts to leavecabin | calm | conversing | convict | dog | fugitive | leading lady | leading man | love interest | love scene | planning

Deep Valley (1947)

Barry (Tense)0:55:38 - Barry unloads his guncabin | convict | destroying | fugitive | leading lady | leading man | love interest | love scene | mysterious | tense

Deep Valley (1947)

Deep Valley (Appassionato)0:55:51 - Barry and Libby embracecabin | cheerful | convict | embracing | fugitive | kissing | leading lady | leading man | love interest | love scene | romantic

Deep Valley (1947)

Deep Valley (Sostenuto)0:56:17 - Libby turns to leavecabin | convict | dog | fugitive | gentle | leading lady | leading man | leaving | love interest | love scene

Deep Valley (1947)

Libby (Molto Expressivo)0:57:13 - Libby looks at the homesteadleading lady | mother | mysterious | reconciliation scene | returning | room | somber | street

Deep Valley (1947)

Underscoring (Dramatic)1:02:02 - Libby in her roomadvance plot | arriving | dramatic | father | leading lady | police | room | searching | street | tense | underscoring | watching

Deep Valley (1947)

Law (Misterioso)1:02:41 - Libby looks out the windowadvance plot | father | leading lady | manhunt | mysterious | police | room | searching | street | tense

Deep Valley (1947)

Barry (Misterioso)1:02:50 - Libby runs to the dooradvance plot | leading lady | mother | mysterious | room | rushing | tense

Deep Valley (1947)

Law (Tense)1:02:57 - Libby goes down the stairsadvance plot | leading lady | mother | room | sneaking | tense

Deep Valley (1947)

Barry (Misterioso)1:03:09 - Ellie approachesadvance plot | leading lady | mother | mysterious | room | sneaking

Deep Valley (1947)

Libby 31:03:21 - Ellie talks with LIbbyadvance plot | conversing | hesitant | leading lady | lying | mother | room

Deep Valley (1947)

Libby (Stormy)1:03:40 - Ellie talks with Libbyadvance plot | conversing | hesitant | leading lady | lying | mother | room | tense

Deep Valley (1947)

Underscoring (Tense)1:03:52 - Libby sneaks awayadvance plot | leading lady | packing | room | rushing | tense | underscoring

Deep Valley (1947)

Barry (Contrary Motion)1:04:10 - Libby gathers thingsadvance plot | leading lady | mickey-mousing | packing | police | rolling | room | rushing | tense

Deep Valley (1947)

Barry (Molto Misterioso) + Love Theme1:06:04 - Sheriff drinks coffeeaction scene | convict | drinking | forest | fugitive | leading lady | leading man | love interest | mysterious | police | room | somber | walking

Deep Valley (1947)

Homestead (Lento)1:07:51 - Ellie and Cliff play cardsadvance plot | calm | cards | conversing | father | leading lady | mother | playing | room

Deep Valley (1947)

Homestead (Morendo)1:08:13 - Libby talks with her parentsadvance plot | conversing | father | leading lady | mother | room | somber

Deep Valley (1947)

Libby 31:08:56 - Jeff talks with Libbyadvance plot | conversing | hesitant | leading lady | leading man | room

Deep Valley (1947)

Libby (Stormy)1:09:20 - Jeff talks with Libbyadvance plot | conversing | hesitant | leading lady | leading man | room | tense

Deep Valley (1947)

Underscoring (Tense)1:09:40 - Jeff talks with Libbyadvance plot | conversing | leading lady | leading man | room | stinger | tense | underscoring

Deep Valley (1947)

Libby (Triste)1:10:09 - Libby reacts to the newsescape | leading lady | leading man | reacting | room | somber

Deep Valley (1947)

Libby (Worried)1:10:24 - Libby tosses and turns on her bedanxiety | anxious | escape | leading lady | restless effect | restlessness | room | tense | worry | worrying

Deep Valley (1947)

Libby (Agitated)1:10:36 - Libby gets up from her bedanxiety | anxious | escape | leading lady | restless effect | restlessness | room | tense | worry | worrying

Deep Valley (1947)

Underscoring (Tense)1:10:50 - Libby looks out the windowconvict | escape | fugitive | leading lady | leading man | looking | love interest | room | searching | tense | underscoring | yard

Deep Valley (1947)

Libby (Sneaking)1:11:05 - Libby hurries awayescape | leading lady | room | rushing | sneaking | sneaking effect | tense

Deep Valley (1947)

Deep Valley1:11:53 - Libby and Barry embraceconvict | escape | fugitive | joyous | leading lady | leading man | love interest | reuniting | yard

Deep Valley (1947)

Wind1:12:11 - Libby listens carefullyafraid | convict | escape | fear | fugitive | leading lady | leading man | love interest | mickey-mousing | wind | wind effect | worrying | yard

Deep Valley (1947)

Sneaking1:12:20 - Barry and Libby run to the shedconvict | escape | fugitive | leading lady | leading man | love interest | sneaking | sneaking effect | tense | yard

Deep Valley (1947)

Barry (Tense 2)1:15:38 - Barry drops his gunadvance plot | barn | conversing | convict | fugitive | leading lady | leading man | love interest | tense

Deep Valley (1947)

Barry (Tender)1:15:59 - Barry apologizes to Libbyadvance plot | apologizing | barn | convict | embracing | fugitive | leading lady | leading man | love interest | tender

Deep Valley (1947)

Deep Valley (Kiss)1:16:19 - Barry kisses Libbyadvance plot | barn | convict | crying | embracing | fugitive | kissing | leading lady | leading man | love interest | tender

Deep Valley (1947)

Deep Valley (Sostenuto)1:16:37 - Libby talks with Barryadvance plot | barn | calm | conversing | convict | fugitive | hopeful | leading lady | leading man | love interest

Deep Valley (1947)

Underscoring (Tense)1:17:04 - Barry picks up the gunadvance plot | barn | conversing | convict | fugitive | leading lady | leading man | love interest | tense | underscoring

Deep Valley (1947)

Deep Valley (Dolce)1:17:25 - Barry talks with Libbyadvance plot | barn | conversing | convict | fugitive | gentle | leading lady | leading man | love interest | tender

Deep Valley (1947)

Underscoring (Dramatic)1:17:55 - Barry hears a noiseadvance plot | barn | convict | dramatic | fugitive | leading lady | leading man | love interest | sneaking | stinger | tense | walking

Deep Valley (1947)

Drops gun1:18:35 - Libby drops the gun down a welladvance plot | dropping | gun | leading lady | mickey-mousing | tense | yard

Deep Valley (1947)

Deep Valley (Lonely)1:18:43 - Barry looks aroundadvance plot | barn | leading lady | leaving | lonely | yard

Deep Valley (1947)

Deep Valley (Misterioso)1:23:23 - Barry looks at Libbyadvance plot | barn | calm | convict | embracing | fugitive | kissing | leading lady | leading man | love interest | mysterious

Deep Valley (1947)

Underscoring (Dramatic)1:23:43 - Barry hears a noiseadvance plot | barn | convict | dramatic | fugitive | leading lady | leading man | love interest | rushing | tense | worrying

Deep Valley (1947)

Homestead (Walking)1:23:47 - Cliff on the porchadvance plot | arriving | calm | convict | father | fugitive | leading lady | leading man | love interest | porch

Deep Valley (1947)

Joe (Running)1:23:58 - Barry talks to Libbyadvance plot | barn | calm | conversing | convict | fugitive | leading lady | leading man | love interest

Deep Valley (1947)

Underscoring (Tense)1:24:11 - Libby talks to Barryadvance plot | barn | convict | fugitive | leading lady | leading man | love interest | tense | worrying

Deep Valley (1947)

Libby (Sneaking)1:24:14 - Libby talks to Barryadvance plot | barn | convict | fugitive | leading lady | leading man | love interest | tense | worrying | worrying effect

Deep Valley (1947)

Deep Valley1:24:39 - Libby talks to Barryadvance plot | barn | calm | convict | fugitive | hopeful | hoping | leading lady | leading man | love interest

Deep Valley (1947)

Barry (Misterioso)1:25:16 - Barry shavingadvance plot | arriving | convict | fugitive | leading lady | leading man | love interest | mysterious | street

Deep Valley (1947)

Barry (Misterioso)1:27:15 - Libby talks to Barryagitated | barn | conflict | convict | dark | father | fugitive | leading lady | leading man | love interest | mysterious | searching | worrying

Deep Valley (1947)

Underscoring (Tense)1:28:00 - Barry prepares to attackbarn | conflict | convict | dark | fugitive | leading lady | leading man | love interest | stinger | tense | waiting

Deep Valley (1947)

Deep Valley (Slowly)1:28:11 - Libby climbs the ladderbarn | conflict | convict | descending | fugitive | leading lady | leading man | love interest | tense | uneasy

Deep Valley (1947)

Libby 3 (Tense)1:28:28 - Libby comes down the ladderbarn | conflict | conversing | convict | father | fugitive | leading lady | leading man | love interest | tense | uneasy | walking

Deep Valley (1947)

Running (Extended)1:29:26 - Libby runs to the barnadvance plot | barn | convict | father | fugitive | hesitating | leading lady | leading man | love interest | mickey-mousing | running | tense | uneasy | yard

Deep Valley (1947)

Barry (Very Slowly)1:30:02 - Libby climbs the ladderadvance plot | arriving | barn | climbing | convict | fugitive | leading lady | leading man | love interest | somber | uneasy | walking

Deep Valley (1947)

Libby (Somber) + Barry (Somber)1:30:26 - Libby talks to Barryadvance plot | barn | combination of themes | comforting | convict | fugitive | leading lady | leading man | love interest | somber

Deep Valley (1947)

Deep Valley (Quasi Appassionato)1:30:51 - Barry looks at Libbyadvance plot | barn | comforting | conflicted | convict | fugitive | hopeful | leading lady | leading man | love interest

Deep Valley (1947)

Barry (Drunk)1:31:10 - Barry talks to Libbyadvance plot | anxious | anxious effect | barn | conversing | convict | fugitive | leading lady | leading man | love interest | worried | worrying

Deep Valley (1947)

Deep Valley (Delicato)1:31:30 - Barry embraces Libbyadvance plot | barn | comforting | convict | fugitive | hopeful | leading lady | leading man | love interest | street | tense

Deep Valley (1947)

Libby 2 (Molto Expressivo)1:33:40 - Ellie walks to the barnadvance plot | barn | convict | eavesdropping | fugitive | leading lady | leading man | love interest | mother | sneaking | tense | walking | yard

Deep Valley (1947)

Libby 2 (Misterioso)1:34:15 - Ellie climbs the ladderadvance plot | barn | climbing | convict | eavesdropping | fugitive | leading lady | leading man | love interest | mother | mysterious | sneaking | tense

Deep Valley (1947)

Rushing away1:36:01 - Libby rushes out of the barnbarn | climax | convict | descending | dramatic | fugitive | leading lady | leading man | love interest | mother | rushing | rushing effect | tense

Deep Valley (1947)

Libby 2 (Frantic)1:36:05 - Ellie calls after Libbybarn | begging | climax | convict | frantic | fugitive | leading lady | leading man | love interest | mother | pleading | tense

Deep Valley (1947)

Libby (Running)1:36:13 - Libby and Barry run out of the barnbarn | begging | climax | convict | father | frantic | fugitive | leading lady | leading man | love interest | mother | pleading | running | rushing | tense | yard

Deep Valley (1947)

Libby (Stormy)1:36:26 - Cliff looks for Elliebarn | climax | convict | crying | dark | father | fugitive | hiding | leading lady | leading man | love interest | mother | running | rushing | sneaking | tense | yard

Deep Valley (1947)

Barry (Drunk)1:36:39 - Barry steals a cararguing | car | climax | convict | dark | fighting | fugitive | leading lady | leading man | love interest | running | rushing | street | tense | yelling

Deep Valley (1947)

Barry1:36:57 - Jeff hits Barryarguing | attacking | car | climax | convict | dark | fighting | fugitive | leading lady | leading man | love interest | punching | street | tense | yelling

Deep Valley (1947)

Barry (Running)1:37:23 - Libby chases Barryarguing | car | chasing | climax | convict | crying | dramatic | driving | fleeing | fugitive | leading lady | leading man | love interest | running | street

Deep Valley (1947)

Molto Expressivo1:37:28 - Barry pushes Libby awayarguing | car | chasing | climax | convict | crying | dramatic | driving | falling | fleeing | fugitive | leading lady | leading man | love interest | running | street

Deep Valley (1947)

Deep Valley (Climactic)1:37:35 - Libby on the groundcar | chasing | climax | convict | crying | dramatic | driving | fleeing | fugitive | leading lady | leading man | love interest | street

Deep Valley (1947)

Fleeing1:38:08 - Barry makes a run for itchasing | climax | convict | dramatic | fleeing | forest | fugitive | leading lady | leading man | love interest | mickey-mousing | police | running | shooting | transcribed by ear

Deep Valley (1947)

Sneaking (Molto Rubato)1:40:51 - Libby runs to find Barrydeath scene | forest | leading lady | mysterious | resolution | running | tense

Deep Valley (1947)

Barry (Appassionato)1:41:02 - Libby arrives at the cabincabin | calling | death scene | leading lady | passionate | resolution | searching

Deep Valley (1947)

Molto Expressivo1:41:09 - Libby looks for Barrycalling | death scene | forest | leading lady | passionate | resolution | searching

Deep Valley (1947)

Barry (Dolce)1:41:24 - Libby finds Barryconvict | death scene | finding | forest | fugitive | gentle | leading lady | leading man | love interest | resolution | searching

Deep Valley (1947)

Deep Valley (Delicato 2)1:41:39 - Libby goes to Barrycomforting | convict | crying | death scene | delicate | dying | forest | fugitive | gentle | leading lady | leading man | love interest | resolution | reuniting | tender

Deep Valley (1947)

Deep Valley (Dying)1:42:30 - Barry talks to Libbycomforting | convict | crying | death scene | delicate | dying | forest | fugitive | gentle | leading lady | leading man | love interest | resolution | reuniting | tender

Deep Valley (1947)

Passing away1:43:19 - Barry diesconvict | death | death scene | delicate | dying | forest | fugitive | gentle | leading lady | leading man | love interest | mickey-mousing | resolution | tender

Deep Valley (1947)

Breeze1:43:22 - Libby looks at Barryconvict | crying | death | death scene | ethereal | forest | fugitive | leading lady | leading man | love interest | magical | resolution | wind effect

Deep Valley (1947)

Breeze + Love Theme1:43:32 - Libby embraces Barrycombination of themes | convict | crying | death | death scene | ethereal | forest | fugitive | leading lady | leading man | love interest | magical | resolution | wind effect

Deep Valley (1947)

Love Theme (Full)1:44:14 - Libby appears over the horizondog | forest | leading lady | peaceful | resolution | silhouette | walking

Deep Valley (1947)

Law (Working)1:44:28 - Libby looks at the worksitecalm | construction site | dog | leading lady | resolution | watching | worker | working

Deep Valley (1947)

Libby 3 + Law1:44:32 - Jeff talks to Libbycalm | combination of themes | conversing | dog | forest | leading lady | leading man | peaceful | resolution

Deep Valley (1947)

Deep Valley (Appassionato)1:44:57 - Libby looks off into the distancedog | forest | leading lady | leading man | passionate | resolution | watching

Deep Valley (1947)

Deep Valley (Sostenuto)1:45:05 - Jeff and Libby on the cliffsidedog | forest | leading lady | leading man | passionate | resolution | walking
Dust Be My Destiny (1939)Comedy fall0:13:08 - Joe falls over while milking the cowbarn | chromatic parallelism | chromatic scale | comical | falling | leading lady | leading man | lovers meet | mickey-mousing | prisoner

Dust Be My Destiny (1939)

Dust Be My Destiny (Playful)0:13:38 - Mabel talks to Joebarn | comical | common-tone diminished 7th | cow | laughing | leading lady | leading man | lovers meet | playful | prisoner | romantic

Dust Be My Destiny (1939)

Joe fights cow0:13:56 - Joe fights cow (off-screen)augmented triad | barn | chromatic parallelism | chromatic scale | comical | cow | diminished 7th chord | fighting | leading lady | leading man | lovers meet | mickey-mousing | prisoner

Dust Be My Destiny (1939)

Dust Be My Destiny (Laughing)0:14:07 - Mabel laughs at Joebarn | chromatic parallelism | comical | diminished 7th chord | laughing | leading lady | leading man | lovers meet | prisoner

Dust Be My Destiny (1939)

Laughing0:14:10 - Mabel laughs at Joebarn | chromatic parallelism | comical | diminished 7th chord | laughing | leading lady | leading man | lovers meet | mickey-mousing | prisoner

Dust Be My Destiny (1939)

Dust Be My Destiny (Agitated)0:14:22 - Joe argues with Mabelagitated | arguing | barn | fragmentation | leading lady | leading man | lovers meet | prisoner | sequence

Dust Be My Destiny (1939)

Underscoring (Tense)0:14:40 - Charlie entersbarn | leading lady | leading man | lovers meet | prisoner | stinger | tense | underscoring | villain | warden

Dust Be My Destiny (1939)

Dust Be My Destiny (Tense)0:14:53 - Joe talks to Charliebarn | dark | dissonant | leading lady | leading man | lovers meet | prisoner | tense | tritone | villain | warden

Dust Be My Destiny (1939)

Dust Be My Destiny (Pleading)0:17:41 - Mabel pleads for Joeadvance plot | intervallic expansion | leading lady | pleading | prison | sincere | warden

Dust Be My Destiny (1939)

Dust Be My Destiny (Medical Report)0:17:58 - Warden talks about Charlieadvance plot | leading lady | oppressive | parallelism | prison | warden

Dust Be My Destiny (1939)

Dust Be My Destiny (Expectant)0:18:08 - Mabel leavesadvance plot | expectant | gentle | guard | hopeful | leading lady | leading man | pedal tone | prison | prisoner | sweet

Dust Be My Destiny (1939)

Dust Be My Destiny (Denied)0:18:23 - Mabel talks to Joeconflict | deceptive resolution | denial | expectant | gentle | guard | hopeful | leading lady | leading man | prison | prisoner | stinger | sweet

Dust Be My Destiny (1939)

Dust Be My Destiny (Somber)0:18:36 - Mabel reactsconflict | inversion | leading lady | prison | sigh gesture | somber

Dust Be My Destiny (1939)

Underscoring (Romantic)0:21:46 - Mabel talks with Joebarn | leading lady | leading man | love scene | pedal tone | romantic | underscoring

Dust Be My Destiny (1939)

Dust Be My Destiny (In Love)0:22:04 - Mabel and Joe talk9th chord | added-note chord | barn | common-tone diminished 7th | leading lady | leading man | love scene | mode mixture | romantic | secondary dominant

Dust Be My Destiny (1939)

Dust Be My Destiny (Pensive)0:23:08 - Joe tells Mabel about his dreams11th chord | barn | chromatic mediant | dreaming | foreign key modulation | leading lady | leading man | love scene | mode mixture | pensive

Dust Be My Destiny (1939)

Dust Be My Destiny (Expressivo)0:23:38 - Joe and Mabel talk9th chord | added-note chord | augmented sixth chord | barn | common-tone diminished 7th | leading lady | leading man | love scene | mode mixture | romantic | secondary dominant | sequence

Dust Be My Destiny (1939)

Dust Be My Destiny (Ethereal)0:24:50 - Joe tells Mabel he loves herbarn | common-tone diminished 7th | deceptive resolution | inversion | kissing | leading lady | leading man | love scene | romantic

Dust Be My Destiny (1939)

Underscoring (Dark)0:25:03 - Charlie interrupts the loversbarn | chromatic scale | conflict | dark | diminished 7th chord | hexatonic scale | leading lady | leading man | underscoring | villain | warden

Dust Be My Destiny (1939)

Underscoring (Dramatic)0:25:23 - Charlie grabs Mabel's armbarn | chromatic scale | conflict | diminished 7th chord | dramatic | leading lady | leading man | underscoring | villain | warden

Dust Be My Destiny (1939)

Dust Be My Destiny (Fight)0:25:41 - Charlie and Joe fight42 chord | barn | chromatic parallelism | chromatic scale | chromatic wedge | conflict | dramatic | fighting | leading lady | leading man | linear chromaticism | mickey-mousing | octatonic scale | punching | villain | warden | whole-tone scale

Dust Be My Destiny (1939)

Dust Be My Destiny (Running Away)0:25:55 - Joe and Mabel run64 chord | barn | conflict | diminution | dramatic | leading lady | leading man | running | sequence

Dust Be My Destiny (1939)

Running0:26:05 - Joe and Mabel run9th chord | barn | conflict | dramatic | leading lady | leading man | mickey-mousing | octatonic | running

Dust Be My Destiny (1939)

Turning around0:26:13 - Joe and Mabel turn around64 chord | barn | death | dramatic | leading lady | leading man | mickey-mousing | prisoner | turning

Dust Be My Destiny (1939)

Dust Be My Destiny (Fateful Decision)0:26:17 - Joe and Mabel decide to run away togetherbarn | confused | deceptive resolution | fragmentation | hopeful | leading lady | leading man | mode mixture | runaway | turning point

Dust Be My Destiny (1939)

Running away0:26:45 - Joe and Mabel run awaybarn | conflict | diminished 7th chord | dramatic | leading lady | leading man | mickey-mousing | pedal tone | runaway | running

Dust Be My Destiny (1939)

Arriving0:26:52 - Joe and Mabel settle into their new situation9th chord | arriving | calm | dramatic | freedom | leading lady | leading man | runaway | settling down | street | traveling | traveling scene | truck

Dust Be My Destiny (1939)

Dust Be My Destiny (In Love)0:27:22 - Joe and Mabel talk9th chord | added-note chord | advance plot | common-tone diminished 7th | freedom | gentle | leading lady | leading man | mode mixture | runaway | secondary dominant | street | walking

Dust Be My Destiny (1939)

Dust Be My Destiny (Milkman)0:27:38 - Joe and Mabel talk to the milkmanadvance plot | comical | glass | leading lady | leading man | milk | milkman | pizzicato | street

Dust Be My Destiny (1939)

Dust Be My Destiny (A Hotel)0:28:47 - Joe mentions going to a hoteladvance plot | altered dominant | concerned | leading lady | leading man | street

Dust Be My Destiny (1939)

Here Comes the Bride (Modulating)0:29:02 - Joe and Mabel run to the courthouseadded-note chord | deceptive resolution | excited | familiar tune | foreign key modulation | fragmentation | leading lady | leading man | love scene | marriage | pump-up modulation | romance | romantic | running | sequence | street

Dust Be My Destiny (1939)

Dust Be My Destiny (Waiting)0:29:38 - Joe and Mabel talk about getting marriedadded-note chord | augmented sixth chord | chromatic mediant | common-tone diminished 7th | foreign key modulation | leading lady | leading man | love scene | romantic | street | waiting

Dust Be My Destiny (1939)

Dust Be My Destiny (Running Up and Down)0:30:12 - Man runs up the courthouse steps64 chord | chromatic parallelism | chromatic scale | courthouse | down | frantic | leading lady | leading man | love scene | mickey-mousing | mode mixture | producer | running | stairs | street | up

Dust Be My Destiny (1939)

Here Comes the Bride (Triple)0:30:31 - Man talks to Joe and Mabel9th chord | 64 chord | chromatic parallelism | courthouse | familiar tune | leading lady | leading man | love scene | marriage | producer | pump-up modulation | romantic | sequence | street

Dust Be My Destiny (1939)

Dust Be My Destiny (Got Each Other)0:30:49 - Mabel proclaims her love for Joecourthouse | leading lady | leading man | love scene | producer | romantic | street

Dust Be My Destiny (1939)

Fairy Music0:30:58 - Man takes their luggage64 chord | courthouse | happy | leading lady | leading man | love scene | producer | pump-up modulation | romantic | street

Dust Be My Destiny (1939)

Here Comes the Bride0:31:19 - Crowd sings and claps at a weddingcrowd | happy | leading lady | leading man | marriage | on-screen music | source music | theater | wedding

Dust Be My Destiny (1939)

Here Comes the Bride0:32:48 - Joe kisses Mabelcrowd | happy | leading lady | leading man | marriage | on-screen music | pianist | source music | theater | wedding

Dust Be My Destiny (1939)

In a Moment of Weakness0:33:37 - Mabel looks at her wedding ringdevelop character | happy | leading lady | leading man | radio | source music | theater

Dust Be My Destiny (1939)

Radio Fanfare0:34:20 - Mabel talks to Joechromatic mediant | develop character | happy | leading lady | leading man | radio | source music | theater

Dust Be My Destiny (1939)

Fleeing0:34:56 - Joe and Mabel fleealley | chromatic scale | danger | down | escape | fearful | fleeing | leading lady | leading man | linear chromaticism | mickey-mousing | police | runaway | running | street | suspenseful

Dust Be My Destiny (1939)

Agitato Risoluto0:35:11 - Joe and Mabel hide under the stairsagitated | alley | chromatic parallelism | concerned | danger | escape | hiding | leading lady | leading man | pedal tone | runaway | street

Dust Be My Destiny (1939)

Dust Be My Destiny (Injustice)0:35:25 - Joe and Mabel talk in the alley9th chord | alley | chromatic parallelism | escape | fearful | leading lady | leading man | runaway | street

Dust Be My Destiny (1939)

Dust Be My Destiny (Fear and Devotion)0:35:50 - Joe and Mabel decide to stick togetheralley | common-tone diminished 7th | devotion | dramatic | escape | fear | fragmentation | leading lady | leading man | love | mode mixture | obsessive | runaway | street

Dust Be My Destiny (1939)

Dust Be My Destiny (Travel Montage)0:36:28 - A speeding trainadded-note chord | foreign key modulation | frantic | hitch-hiking | leading lady | leading man | linear chromaticism | map | montage | pc set | runaway | sign | train | train | train whistle | traveling | traveling scene | truck | walking

Dust Be My Destiny (1939)

Dust Be My Destiny (Wandering)0:37:16 - Joe and Mabel walk down the roadcar | car horn | diminished 7th chord | leading lady | leading man | montage | oscillation | runaway | street | tired | traveling scene | walking

Dust Be My Destiny (1939)

Dust Be My Destiny (Weary)0:37:38 - They rest by the side of the roadchromatic parallelism | conflict | leading lady | leading man | resting | runaway | street | tired

Dust Be My Destiny (1939)

Underscoring (Dramatic)0:38:00 - Joe and Mabel argue9th chord | arguing | conflict | dissonant bass | dramatic | leading lady | leading man | runaway | street | underscoring

Dust Be My Destiny (1939)

Dust Be My Destiny0:38:38 - Joe and Mabel partcommon-tone diminished 7th | conflict | leading lady | leading man | leaving | runaway | somber | street

Dust Be My Destiny (1939)

Dust Be My Destiny (Parting Ways)0:38:56 - Joe and Mabel partaltered dominant | common-tone diminished 7th | conflict | dark | leading lady | leading man | leaving | mode mixture | pedal tone | runaway | somber | street

Dust Be My Destiny (1939)

Dust Be My Destiny (Running)0:39:33 - Mabel runs across the streetconflict | leading lady | leading man | mickey-mousing | runaway | running | somber | street | truck

Dust Be My Destiny (1939)

Dust Be My Destiny (Regret)0:39:53 - Joe walks away sadlyconflict | dark | leading lady | leading man | parallelism | pedal tone | runaway | somber | street

Dust Be My Destiny (1939)

Dust Be My Destiny (Reunited)0:40:03 - Joe runs to Mabel64 chord | altered dominant | foreign key modulation | joyful | leading lady | leading man | mickey-mousing | pump-up modulation | resolution | runaway | running | street

Dust Be My Destiny (1939)

The Poster0:40:39 - Joe and Mabel see a sign for the trainchromatic sequence | comedy | comical | laughing | leading lady | leading man | runaway | sign | street

Dust Be My Destiny (1939)

My Wild Irish Rose0:40:51 - Joe and Mabel in Nick's Dineraccompanied source music | altered dominant | common-chord modulation | diner | establish character | familiar tune | friend | happy | leading lady | leading man | mode mixture | parallel double period | popular song | radio | shopkeeper | singing | source music | ternary form

Dust Be My Destiny (1939)

Dust Be My Destiny (Irish Rose)0:42:25 - They go to work in the kitchendiner | establish character | friend | happy | leading lady | leading man | score to source | shopkeeper

Dust Be My Destiny (1939)

Dust Be My Destiny (Delicatessen)0:43:38 - Mabel and Nick talkcommon-tone diminished 7th | develop character | diner | friend | gentle | leading lady | leading man | secondary dominant | shopkeeper

Dust Be My Destiny (1939)

Dust Be My Destiny (In Love)0:43:51 - Mabel and Nick talk9th chord | develop character | diner | friend | gentle | leading lady | leading man | shopkeeper

Dust Be My Destiny (1939)

Dust Be My Destiny (Delicatessen)0:44:01 - Mabel and Nick talkcommon-tone diminished 7th | develop character | diner | friend | gentle | leading lady | leading man | secondary dominant | shopkeeper

Dust Be My Destiny (1939)

My Wild Irish Rose (Waltz)0:44:17 - Mabel and Nick talkdevelop character | diner | familiar tune | friend | gentle | leading lady | leading man | on-screen music | pedal tone | popular song | shopkeeper | singing | source music

Dust Be My Destiny (1939)

Dust Be My Destiny (Calm)0:44:32 - Mabel and Nick talkadded-note chord | altered dominant | develop character | diner | friend | gentle | leading lady | leading man | shopkeeper

Dust Be My Destiny (1939)

Dust Be My Destiny (Worried)0:46:02 - Mabel talks to the police11th chord | create suspense | leading lady | police | room | somber

Dust Be My Destiny (1939)

Whistling (Suspenseful)0:46:25 - Mabel looks out the windowanxious | cheerful | concerned | create suspense | harmonic sequence | leading lady | leading man | on-screen music | police | polytonality | room | scored source music | source music | whistling

Dust Be My Destiny (1939)

Underscoring (Dramatic)0:46:42 - Mabel yells to Joechromatic scale | create suspense | diminished 7th chord | dissonant bass | dramatic | escaping | gun | gunshot | leading lady | leading man | police | room | runaway | running | street | underscoring | yelling

Dust Be My Destiny (1939)

Joe runs and falls0:46:50 - Joe runs and fallschromatic scale | create suspense | diminished 7th chord | dissonant bass | dramatic | falling | leading lady | leading man | mickey-mousing | police | runaway | running | stinger | street

Dust Be My Destiny (1939)

Dust Be My Destiny (Jail Break)0:49:16 - Mabel looks up and sees Joechromatic wedge | dissonant bass | jail | jail break | leading lady | leading man | linear chromaticism | tense | warden

Dust Be My Destiny (1939)

Dust Be My Destiny (Stick Up)0:50:12 - Joe pulls out a gungun | half-diminished 7th chord | jail | jail break | leading lady | leading man | tense | warden

Dust Be My Destiny (1939)

Dust Be My Destiny (The Escape)0:50:26 - Joe and Mabel leave the jail64 chord | chromatic parallelism | dark | escaping | foreign key modulation | friend | hopeful | jail | jail break | leading lady | leading man | shopkeeper

Dust Be My Destiny (1939)

Dust Be My Destiny (Grandioso)0:50:50 - Joe and Mabel outside42 chord | 64 chord | deceptive resolution | escaping | friend | heroic | jail break | leading lady | leading man | pedal tone | shopkeeper | street | triumphant

Dust Be My Destiny (1939)

Stinger0:51:01 - They see approaching headlights42 chord | danger | friend | jail break | leading lady | leading man | ominous | shopkeeper | siren | stinger | street

Dust Be My Destiny (1939)

Speeding car0:51:08 - The car speeds offcar | chromatic scale | diminished 7th chord | dramatic | escape | friend | leading lady | leading man | mickey-mousing | shopkeeper | street | traveling

Dust Be My Destiny (1939)

Dust Be My Destiny (Thankful)0:51:24 - Joe, Mabel, and Nick talk in the caraugmented sixth chord | escape | friend | leading lady | leading man | shopkeeper | thankful | train station

Dust Be My Destiny (1939)

My Wild Irish Rose (Goodbye)0:51:35 - Joe and Mabel say goodbye to Nick9th chord | escape | familiar tune | foreign key modulation | friend | leading lady | leading man | linear chromaticism | mode mixture | popular song | shopkeeper | tender | train station

Dust Be My Destiny (1939)

My Wild Irish Rose (Grandioso)0:52:06 - Joe and Mabel leave on a train9th chord | 64 chord | calm | escape | familiar tune | friend | leading lady | leading man | popular song | shopkeeper | sweet | tender | train station | triumphant

Dust Be My Destiny (1939)

Dust Be My Destiny (Radio)0:52:28 - Mabel in an apartmentconflict | leading lady | leading man | popular song | radio | room | score to source | somber | source music

Dust Be My Destiny (1939)

Dust Be My Destiny (Arguing)0:55:00 - Mabel confronts Joeagitated | arguing | conflict | dark | leading lady | leading man | parallelism | pc set | pleading | room

Dust Be My Destiny (1939)

Dust Be My Destiny (Transformation)0:57:38 - Joe comes back to the apartmentdissonant bass | foreign key modulation | leading lady | leading man | linear chromaticism | love scene | mysterious | room | triumphant

Dust Be My Destiny (1939)

Dust Be My Destiny (Reunited)0:58:04 - Joe embraces Mabel9th chord | 64 chord | added-note chord | embracing | foreign key modulation | leading lady | leading man | love scene | romantic | room | triumphant

Dust Be My Destiny (1939)

Dust Be My Destiny (Dolceeessimo)1:08:53 - Joe and Mabel talkadvance plot | chromatic mediant | foreign key modulation | hopeful | intervallic expansion | leading lady | leading man | peaceful | room

Dust Be My Destiny (1939)

Dust Be My Destiny (Emergency Room)1:11:01 - The hospital waiting room64 chord | advance plot | concern | hospital | leading lady | pedal tone | police | reporter

Dust Be My Destiny (1939)

Dust Be My Destiny (Reunited)1:11:25 - Mabel embraces Joe after she meets him64 chord | advance plot | doctor | embracing | happy | hero | hospital | leading lady | leading man | nurse

Dust Be My Destiny (1939)

Dust Be My Destiny (Simply)1:11:50 - Mabel and Joe talkadvance plot | doctor | hero | hospital | leading lady | leading man | nurse | peaceful

Dust Be My Destiny (1939)

Dust Be My Destiny (Leaving Hospital)1:11:57 - Mabel and Joe start to leave11th chord | advance plot | hero | hospital | leading lady | leading man | peaceful | pedal tone | photographer | reporter

Dust Be My Destiny (1939)

Dust Be My Destiny (Appassionato)1:12:09 - Mabel and Joe hide from the reportersconflict | countermelody | hero | hiding | hospital | leading lady | leading man | passionate | underscoring

Dust Be My Destiny (1939)

Dust Be My Destiny (Cornered)1:12:21 - Mabel and Joe decide what to do9th chord | conflict | hero | hospital | inversion | leading lady | leading man | pedal tone | tense

Dust Be My Destiny (1939)

Dust Be My Destiny (Hiding)1:12:42 - Mabel talks with Joe about surrendering42 chord | conflict | diminished 7th chord | fragmentation | hero | hospital | leading lady | leading man | tense

Dust Be My Destiny (1939)

Dust Be My Destiny (Disagreement)1:12:59 - Mabel and Joe arguebright | conflict | dark | foreign key modulation | hero | hospital | leading lady | leading man

Dust Be My Destiny (1939)

Dust Be My Destiny (Appassionatissimo)1:13:14 - Joe makes a run for itchromatic parallelism | chromatic scale | climax | conflict | diminished 7th chord | dissonant bass | escaping | hospital | intervallic expansion | leading lady | leading man | runaway | sequence | tense

Dust Be My Destiny (1939)

Dust Be My Destiny (Tragico)1:13:35 - Mabel turns Joe in to the policeconfession | conflict | dark | hospital | leading lady | leading man | parallelism | pedal tone | suspect | tragic

Dust Be My Destiny (1939)

Dust Be My Destiny (Delicate)1:22:18 - Mabel rises to testify for Joecourtroom | crowd | delicate | judge | jury | leading lady | leading man | sequence | somber | suspect | trial

Dust Be My Destiny (1939)

Dust Be My Destiny (Religioso)1:22:41 - Mabel testifies for Joe11th chord | chromatic parallelism | common-tone diminished 7th | courtroom | crowd | diminished 7th chord | gentle | judge | jury | leading lady | leading man | loving | mode mixture | parallel double period | plagal cadence | sincere | suspect | tender | trial

Dust Be My Destiny (1939)

Dust Be My Destiny (Travel Montage)1:26:04 - Train approaches the screenadded-note chord | foreign key modulation | happy | leading lady | leading man | pc set | resolution | train | train | traveling

Dust Be My Destiny (1939)

Dust Be My Destiny (Train)1:26:17 - Joe and Mabel on the train11th chord | added-note chord | happy | leading lady | leading man | resolution | sequence | train | train | traveling

Dust Be My Destiny (1939)

Dust Be My Destiny (Hanging Hats)1:26:31 - Joe and Mabel toss their hats11th chord | chromatic mediant | foreign key modulation | happy | hat | hook | leading lady | leading man | mickey-mousing | resolution | throwing | train | traveling | whistle effect

Dust Be My Destiny (1939)

Dust Be My Destiny (The End)1:26:45 - "The End"closing credits | end title sequence | foreign key modulation | happy | leading lady | leading man | The End | train | traveling
Each Dawn I Die (1939)Frank (Released)1:28:49 - Frank is released9th chord | altered dominant | artwork in score | conclusion | embracing | friend | gentle | goodbye | leading lady | leading man | Neapolitan | passionate | peaceful

Each Dawn I Die (1939)

Freedom1:30:31 - Frank leaves the prisonartwork in score | chromatic mediant | conclusion | dissonant bass | freedom | hopeful | leading lady | leading man | optimistic | peaceful | The End | walking
Flamingo Road (1949)Vision of Salome0:02:12 - Exotic dancersannouncing | carnival | carny | dancer | dancing | establish setting | exotic | Gypsy minor scale | leading lady | mysterious | on-screen music | source music

Flamingo Road (1949)

Arabian Riff0:02:36 - Exotic dancersannouncing | carnival | carny | dancer | dancing | establish setting | exotic | leading lady | mysterious | on-screen music | source music

Flamingo Road (1949)

Vision of Salome0:03:12 - Two men arguearguing | carnival | carny | dancer | establish setting | exotic | Gypsy minor scale | leading lady | mysterious | on-screen music | source music

Flamingo Road (1949)

If I Could Be With You0:07:53 - Field hears music playingcarny | conversing | establish character | leading lady | leading man | on-screen music | parallel period | police | radio | room | sentimental | singer | singing | source music

Flamingo Road (1949)

Lane (Moderato Grazioso)NIF - not in filmconversing | cut from film | cut from film | leading lady | leading man | lovers meet | Picardy third | police | room

Flamingo Road (1949)

Underscoring (Lyrical)NIF - not in film9th chord | altered dominant | conversing | cut from film | cut from film | leading lady | leading man | lovers meet | police | room | underscoring

Flamingo Road (1949)

Lane (Poco Con Moto)NIF - not in filmconversing | cut from film | cut from film | deceptive resolution | leading lady | leading man | lovers meet | parallelism | police | room

Flamingo Road (1949)

Arabian Riff (Not in Film)NIF - not in filmconversing | cut from film | cut from film | deceptive resolution | leading lady | leading man | lovers meet | pedal tone | police | room | source to score

Flamingo Road (1949)

Underscoring (Lyrical)NIF - not in filmchromatic parallelism | conversing | cut from film | cut from film | leading lady | leading man | lovers meet | police | room | underscoring

Flamingo Road (1949)

LaneNIF - not in filmconversing | cut from film | cut from film | leading lady | leading man | lovers meet | mode mixture | police | room

Flamingo Road (1949)

If I Could Be With You (Timidly)NIF - not in filmchromatic parallelism | conversing | cut from film | cut from film | leading lady | leading man | lovers meet | police | room | source to score

Flamingo Road (1949)

If I Could Be With You (Lightly)NIF - not in filmaltered dominant | common-tone diminished 7th | cut from film | cut from film | flirting | leading lady | leading man | lovers meet | pedal tone | police | room

Flamingo Road (1949)

Lane (Not in Film)NIF - not in filmconversing | cut from film | cut from film | foreign key modulation | leading lady | leading man | lovers meet | mode mixture | police | room

Flamingo Road (1949)

TravelingNIF - not in filmadded-note chord | chromatic mediant | common-tone diminished 7th | cut from film | cut from film | deceptive resolution | leading lady | leading man | lovers meet | pedal tone | police | room

Flamingo Road (1949)

Put 'Em in a Box, Tie 'Em with a Ribbon, and Throw 'Em in the Deep Blue Sea0:12:05 - The Eagle CafeAABA structure | advance plot | conversing | leading lady | leading man | police | popular music | restaurant | source music | upbeat

Flamingo Road (1949)

Can't We Be Friends0:13:38 - Lane and Field at the cafeAABA structure | advance plot | conversing | leading lady | leading man | police | popular music | restaurant | sentimental | source music

Flamingo Road (1949)

Lane (Sentimentale)NIF - not in film9th chords | chromatic parallelism | conversing | cut from film | cut from film | falling in love scene | leading lady | leading man | police

Flamingo Road (1949)

Lane (Molto Expressivo)NIF - not in film11th chord | conversing | cut from film | cut from film | falling in love scene | leading lady | leading man | police

Flamingo Road (1949)

If I Could Be With You (Dolce)0:17:22 - Lane and Field talkconversing | falling in love scene | leading lady | leading man | love interest | pedal tone | police | porch | sentimental | source to score

Flamingo Road (1949)

Goodnight0:17:45 - Lane and Field talkblue note | conversing | falling in love scene | leading lady | leading man | love interest | peaceful | pedal tone | police | porch

Flamingo Road (1949)

Lane (Dolce)0:17:58 - Lane flirts with Fieldfalling in love scene | flirting | leading lady | leading man | love interest | pedal tone | playful | police | porch | sweet

Flamingo Road (1949)

If I Could Be With You (Ethereal)0:18:06 - Lane watches Field drive awaycommon-tone diminished 7th | falling in love scene | leading lady | leading man | leaving | love interest | pedal tone | police | porch | sentimental | source to score

Flamingo Road (1949)

Cheatin' on Me0:19:12 - Lane works at the caféAABA structure | advance plot | café | leading lady | leading man | leaving | police | source music | upbeat | waitress | working

Flamingo Road (1949)

If I Could Be With You0:26:58 - People gamble and danceclub | dancer | dance scene | dancing | fighting | gambling | leading lady | leading man | musician | on-screen music | playing | police | sentimental | sheriff | singer | singing | source music

Flamingo Road (1949)

DrivingNIF - not in filmcar | cut from film | driving | foreign key modulation | leading lady | leading man | love interest | love scene

Flamingo Road (1949)

Tranquillo0:29:07 - Lane and Field talk at the lakesideappoggiatura | conversing | lake | leading lady | leading man | love interest | love scene | romance | yearning

Flamingo Road (1949)

If I Could Be With You (Tenderly)0:29:32 - Lane and Field prepare to leave11th chord | 13th chord | altered dominant | common-tone diminished 7th | kissing | lake | leading lady | leading man | love interest | love scene | romance | romantic | secondary dominant | source to score

Flamingo Road (1949)

Lane0:30:02 - Lane and Field kiss in the moonlightadded-note chord | augmentation | kissing | lake | leading lady | leading man | love interest | love scene | pedal tone | romance | romantic

Flamingo Road (1949)

Titus 20:33:41 - Field sits downbreakup | café | conversing | dark | leading lady | leading man | mysterious | self-borrowing | waitress

Flamingo Road (1949)

Titus (Dark)0:33:56 - Field talks to Lanebreaking up | breakup | café | dark | leading lady | leading man | mysterious | self-borrowing | waitress

Flamingo Road (1949)

Titus 2 (Triste)0:34:10 - Field tells Lane he is getting marriedbreaking up | breakup | café | chromatic sequence | dark | leading lady | leading man | major 7th chord | mysterious | self-borrowing | somber | waitress

Flamingo Road (1949)

Underscoring (Tense)0:34:30 - Lane responds to Fieldbreaking up | breakup | café | leading lady | leading man | mysterious | tense | underscoring | waitress

Flamingo Road (1949)

If I Could Be With You (Triste)0:34:51 - Lane goes to the kitchenbreakup | café | dark | diminished 7th chord | foreign key modulation | leading lady | pondering | somber | waitress | working

Flamingo Road (1949)

Lane (Triste)0:35:13 - Lane comes back and Field is gonebreakup | café | dark | employer | firing | leading lady | somber | waitress

Flamingo Road (1949)

Titus (Ostinato)NIF - not in filmadvance plot | arguing | café | cut from film | cut from film | employer | leading lady | lying | ostinato | self-borrowing | waitress

Flamingo Road (1949)

Lane (Not in Film 2)NIF - not in film9th chord | advance plot | chromatic parallelism | conversing | cut from film | cut from film | leading lady | newspaper editor | office | whole-tone chord

Flamingo Road (1949)

Titus 2 (Not in Film)NIF - not in filmadvance plot | chromatic parallelism | conversing | cut from film | cut from film | leading lady | newspaper editor | office | self-borrowing

Flamingo Road (1949)

Titus 2 (Agitato)0:37:11 - Lane goes to confront Titusagitated | angry | chromatic sequence | hurrying | leading lady | self-borrowing | street | transition | walking

Flamingo Road (1949)

Agitato0:39:09 - Lane storms off angrilyagitated | angry | chromatic parallelism | chromatic scale | chromatic wedge | conflict | hurrying | leading lady | self-borrowing | sheriff | street | walking

Flamingo Road (1949)

Titus 2 (Walking)0:39:17 - Lane storms off angrilyagitated | angry | chromatic parallelism | conflict | diminished 7th chord | hurrying | leading lady | mickey-mousing | self-borrowing | sheriff | street | walking

Flamingo Road (1949)

Titus (Setup)0:39:31 - A car follows Laneconflict | dark | leading lady | police | self-borrowing | setup | street | walking

Flamingo Road (1949)

Titus + Agitato (Extended)0:39:55 - Police take Lane awayarresting | combination of themes | conflict | driving | leading lady | police | self-borrowing | street | tense | turbulent

Flamingo Road (1949)

Titus 2 (Maestoso)0:41:11 - Women enter the prison advance plot | dark | dramatic | leading lady | prison | prisoner | self-borrowing | walking

Flamingo Road (1949)

Lane (Lonely)0:41:27 - Lane talks to a fellow prisoneradvance plot | conversing | foreign key modulation | leading lady | lonely | prison | prisoner | reverse picardy | somber

Flamingo Road (1949)

Lane (Grazioso)0:41:46 - Lane talks to a fellow prisoneradvance plot | conversing | foreign key modulation | hopeful | leading lady | prison | prisoner | upbeat

Flamingo Road (1949)

Lane (Hopeful)0:41:58 - Lane talks to a fellow prisoneradvance plot | conversing | deceptive resolution | gentle | hopeful | leading lady | pedal tone | prison | prisoner

Flamingo Road (1949)

Lute Mae (A Reminiscence)0:42:04 - A female prisoner talks about Lute Mae's13th chord | added-note chord | advance plot | altered dominant | bluesy | conversing | countermelody | Gershwinesque | leading lady | prison | prisoner | self-borrowing

Flamingo Road (1949)

Lane (Fragmented)0:42:21 - Lane talks to a fellow prisoneradvance plot | conversing | fragmentation | leading lady | prison | prisoner | somber

Flamingo Road (1949)

If I Could Be With You (Slowly)0:43:04 - Lane lies in bedleading lady | montage | montage | prison | prisoner | staring | tragic

Flamingo Road (1949)

You Must Have Been a Beautiful Baby0:43:13 - A woman sings and plays the pianoadvance plot | conversing | employer | leading lady | on-screen music | room | sentimental | singer | singing | source music

Flamingo Road (1949)

The Blue Room0:44:58 - Lane dresses for workAABA structure | advance plot | club | conversing | leading lady | politician | sheriff | source music | upbeat | waitress

Flamingo Road (1949)

Titus (Angry)0:45:24 - Titus sees Laneadvance plot | anger | angry | club | dark | leading lady | noticing | ominous | politician | retrograde | self-borrowing | sheriff | sinister | waitress

Flamingo Road (1949)

Agitato (Angry)0:45:50 - Dan argues with Titusadvance plot | anger | angry | arguing | chromatic parallelism | chromatic scale | chromatic wedge | club | leading lady | politician | polychord | self-borrowing | sheriff | smashing | stinger | waitress

Flamingo Road (1949)

Jalousie0:46:06 - Woman dancesclub | conversing | dance scene | dancing | employer | leading lady | on-screen music | playing | sheriff | source music | upbeat | waitress

Flamingo Road (1949)

Drinking whiskey0:49:50 - Dan drinkschromatic parallelism | comical | distressed | drinking | leading lady | leading man | love interest | lovers meet | mickey-mousing | politician | quintal chord | room

Flamingo Road (1949)

Lane (Lento)0:50:04 - Dan meets Laneadded-note chord | conversing | countermelody | gentle | graceful | leading lady | leading man | love interest | lovers meet | politician | room

Flamingo Road (1949)

Lane (Chromatic)0:50:24 - Lane ties Dan's tie9th chord | chromatic parallelism | conversing | dark | gentle | leading lady | leading man | love interest | lovers meet | politician | room

Flamingo Road (1949)

Titus 2 (Agitato)0:50:41 - Lane ties Dan's tiechromatic parallelism | conversing | leading lady | leading man | love interest | lovers meet | mysterious | politician | room | self-borrowing

Flamingo Road (1949)

Indigestion0:50:48 - Lane complains of a hangoverchromatic parallelism | chromatic scale | comical | distressed | grumbling | leading lady | leading man | love interest | lovers meet | politician | room

Flamingo Road (1949)

Lane0:50:59 - Lane gives Dan his moneyconversing | delicate | gentle | leading lady | leading man | love interest | lovers meet | mode mixture | pleasant | politician | room

Flamingo Road (1949)

If I Could Be With You (Misterioso)0:51:15 - Lane asks Dan about Fieldchromatic parallelism | conversing | diminished 7th chord | leading lady | leading man | love interest | lovers meet | politician | room | uneasy

Flamingo Road (1949)

Molto Grazioso0:51:40 - Dan notices Laneconversing | delicate | flirting | leading lady | leading man | love interest | lovers meet | politician | room

Flamingo Road (1949)

Lute Mae (Quasi Blues)0:51:46 - Dan flirts with Lane13th chord | added-note chord | conversing | countermelody | flirting | flirty | leading lady | leading man | love interest | lovers meet | politician | room | self-borrowing | sultry | thematic transference

Flamingo Road (1949)

Slide whistle0:53:00 - Dan surprises Lute Maecomical | employer | leading lady | leading man | love interest | mickey-mousing | politician | room | surprising | transition

Flamingo Road (1949)

Lute Mae (Driving)0:53:02 - Lane drives Dan to the construction site13th chord | added-note chord | arriving | car | car | comical | common-chord modulation | driving | leading lady | leading man | love interest | politician | rushed | self-borrowing | transition | traveling

Flamingo Road (1949)

Lane (Bell-like)0:54:43 - Lane gives Dan some changefragmentation | gentle | giving | leading lady | leading man | love interest | love scene | politician | porch | receiving | sweet

Flamingo Road (1949)

Flamingo Road (Bluesy)0:55:00 - Dan buys some cold drinks9th chord | altered dominant | bluesy | flirting | foreshadowing | leading lady | leading man | love interest | love scene | mode mixture | parallelism | politician | porch | self-borrowing

Flamingo Road (1949)

Flamingo Road (Romantic)0:55:41 - Dan kisses Laneembracing | foreign key modulation | foreshadowing | kissing | leading lady | leading man | love interest | love scene | mode mixture | parallelism | politician | porch | romantic | self-borrowing

Flamingo Road (1949)

Through a Thousand Dreams0:56:41 - The Olympic City hotelclub | conversing | dance scene | dancing | dining | leading lady | leading man | love interest | on-screen music | politician | sentimental | sheriff | source music | wife

Flamingo Road (1949)

Don't Take Your Love From Me0:58:50 - Dan and Lane sit at a tableABAC structure | club | conversing | dance scene | leading lady | leading man | love interest | on-screen music | politician | sentimental | sheriff | source music | wife

Flamingo Road (1949)

If I Could Be With You0:59:52 - A woman sings with the dance bandclub | conversing | dance scene | dancing | dining | leading lady | leading man | love interest | on-screen music | politician | sentimental | sheriff | singer | singing | source music | wife

Flamingo Road (1949)

I Guess I'll Have to Change My Plan1:01:40 - Lane and Dan talk at their tableclub | conversing | dance scene | leading lady | leading man | love interest | politician | sentimental | sheriff | source music | wife

Flamingo Road (1949)

Lute Mae (Tenderly)1:03:37 - Dan is grateful for Lane's gift to him13th chord | added-note chord | advance plot | comical | common-chord modulation | conversing | embracing | happy | husband | leading lady | leading man | maid | room | self-borrowing | tender | wife

Flamingo Road (1949)

Flamingo Road (Tenderly)1:03:58 - Dan and Lane have teaadvance plot | conversing | gentle | husband | leading lady | leading man | mode mixture | room | self-borrowing | serving | tea | wife

Flamingo Road (1949)

Flamingo Road (Tense) + Titus1:04:16 - Titus enters the roomadvance plot | combination of themes | conversing | leading lady | leading man | politician | room | self-borrowing | sheriff | tense | whole-tone scale

Flamingo Road (1949)

Flamingo Road (Misterioso) + Titus1:04:33 - Titus talks to Danadvance plot | combination of themes | conversing | distortion | fragmentation | leading lady | leading man | mysterious | politician | room | self-borrowing | sequence | sheriff

Flamingo Road (1949)

Titus 2 (Threatening)1:04:45 - Titus threatens Laneadvance plot | chromatic parallelism | leading lady | room | self-borrowing | sheriff | threatening | threatening

Flamingo Road (1949)

Titus1:04:55 - Titus insults Laneadvance plot | dark | leading lady | leading man | ominous | politician | room | self-borrowing | sheriff | threatening

Flamingo Road (1949)

Titus 2 (Slowly)1:06:43 - Dan talks to Lane about Titusadvance plot | chromatic parallelism | leading lady | leading man | lying | room | self-borrowing | tense

Flamingo Road (1949)

Lute Mae (Tenderly)1:07:55 - Dan kisses Lane13th chord | added-note chord | bluesy | husband | kissing | leading lady | leading man | love scene | room | self-borrowing | tender | wife

Flamingo Road (1949)

Titus 2 (Buzzer)1:13:16 - Titus arrivesarriving | chromatic parallelism | dark | entering | leading lady | maid | ominous | politician | room | self-borrowing | sheriff | transition

Flamingo Road (1949)

Titus (Ostinato)1:17:09 - Dan looks at some papersbrooding | conflict | dark | hopeful | husband | leading lady | leading man | ominous | politician | room | self-borrowing | wife

Flamingo Road (1949)

Lane (Tragic)1:18:10 - Lane talks to Dan about Titusangry | anxious | conflict | conversing | husband | leading lady | leading man | ostinato | politician | room | tragic | wife

Flamingo Road (1949)

If I Could Be With You (Tragic)1:18:35 - Lane tells Dan about Fieldconfessing | conflict | diminished 7th chord | husband | leading lady | leading man | love | politician | room | tragic | wife

Flamingo Road (1949)

Flamingo Road (Agitato)1:18:50 - Dan gets upset with Lane9th chord | accusing | angry | augmented sixth chord | conflict | fragmentation | husband | leading lady | leading man | politician | quartal chord | room | self-borrowing | wife

Flamingo Road (1949)

Appassionato1:19:10 - Dan argues with Lanearguing | chromatic parallelism | conflict | diminished 7th chord | harmonic sequence | husband | leading lady | leading man | passionate | politician | room | wife | yearning

Flamingo Road (1949)

Flamingo Road (Molto Expressivo)1:19:32 - Dan leavesconflict | husband | leading lady | leading man | leaving | politician | room | self-borrowing | tragic | wife

Flamingo Road (1949)

Flamingo Road (Triste)1:19:43 - Lane watches Dan leavealtered dominant | conflict | husband | leading lady | leading man | politician | room | self-borrowing | somber | waiting | wife

Flamingo Road (1949)

Somber Phone Call1:19:54 - Dan calls Lane from the stationcalling | conflict | half-diminished 7th chord | husband | leading lady | leading man | politician | somber | tone cluster | train station | wife

Flamingo Road (1949)

Titus (Triste 2)1:20:10 - Dan and Lane talk on the phonecalling | conflict | husband | leading lady | leading man | politician | room | somber | train station | wife

Flamingo Road (1949)

Lane (Lonely)1:21:12 - Lane in her roomadvance plot | leading lady | lonely | mickey-mousing | pondering | rising | room | somber | waiting

Flamingo Road (1949)

Lane (Ominous)1:21:22 - A hand rings the doorbelladvance plot | leading lady | mysterious | ominous | pausing | pedal tone | ringing | room

Flamingo Road (1949)

Lane (Descending the Staircase)1:21:31 - Lane descends the stairsadvance plot | delicate | descending | leading lady | leading man | love interest | mickey-mousing | mysterious | parallelism | room | walking

Flamingo Road (1949)

If I Could Be With You (Triste)1:22:18 - Field enters the housedeath scene | diminished 7th chord | drunk | drunk | foreign key modulation | leading lady | leading man | love interest | room | somber | stumbling

Flamingo Road (1949)

Underscoring (Somber)1:22:33 - Field stumbles through the housechromatic parallelism | conversing | death scene | drunk | drunk | leading lady | leading man | love interest | room | somber | underscoring

Flamingo Road (1949)

If I Could Be With You (Drunk)1:22:58 - Field and Lane talk about their past lovearguing | chromatic parallelism | death scene | diminished 7th chord | drunk | leading lady | leading man | love interest | room | somber

Flamingo Road (1949)

Titus (Ostinato 2)1:23:34 - Field and Lane talk about Titus and Danarguing | dark | death scene | dramatic | leading lady | leading man | love interest | ominous | ostinato | room | self-borrowing

Flamingo Road (1949)

Flamingo Road (Andante)1:24:05 - Lane goes to get a drink for Fieldaltered dominant | chromatic parallelism | dark | death scene | gentle | gunshot | hopeful | leading lady | leading man | love interest | mode mixture | room | self-borrowing | suicide | walking | warm

Flamingo Road (1949)

If I Could Be With You (Dead)1:24:41 - Lane sees Field has committed suicideaugmentation | death scene | discovering | gunshot | leading lady | leading man | love interest | reacting | room | suicide | surprise | tragic | violent

Flamingo Road (1949)

Mob1:28:20 - A mob forms outside of Lane's homeadvance plot | angry | anxious | augmented triad | chromatic parallelism | chromatic scale | friend | leading lady | minor-major 7th chord | mob | mobbing | ostinato | polyrhythm | room | tense | whole-tone chord

Flamingo Road (1949)

Titus1:28:52 - Lane says Titus's nameadvance plot | conversing | dark | friend | leading lady | mob | ominous | room | self-borrowing | zoom in

Flamingo Road (1949)

Agitato (Angry)1:29:00 - Lane goes to confront Titusadvance plot | angry | car | chromatic parallelism | chromatic scale | chromatic wedge | dramatic | driving | leading lady | polychord | source and scoring overlap | tense

Flamingo Road (1949)

Titus (Fragmented) + Titus 2 (Fragmented)1:29:47 - Lane confronts Titusarguing | climax | club | combination of themes | dark | fragmentation | inversion | leading lady | motivic transformation | mysterious | ominous | retrograde | self-borrowing | sheriff

Flamingo Road (1949)

Titus (Rising Tension)1:30:09 - Lane confronts Titusarguing | climax | club | dark | half-diminished 7th chord | leading lady | ominous | self-borrowing | sequence | sheriff

Flamingo Road (1949)

Underscoring (Dramatic)1:30:24 - Lane pulls a gun on Titusarguing | climax | club | dark | demanding | dramatic | gun | leading lady | ominous | sheriff | stinger | threatening

Flamingo Road (1949)

Titus (Slowly)1:30:42 - Lane holds Titus at gunpointarguing | climax | club | dark | demanding | dramatic | gun | leading lady | ominous | self-borrowing | sheriff | telephone | threatening

Flamingo Road (1949)

Titus 2 (Ominous)1:30:55 - Titus pretends to make a phone callcalling | chromatic parallelism | climax | club | dark | deceiving | gun | leading lady | mysterious | self-borrowing | sheriff | telephone

Flamingo Road (1949)

Underscoring (Dramatic)1:31:15 - Titus attacks Laneattacking | breaking | chromatic parallelism | climax | club | dramatic | dropping | gun | leading lady | linear chromaticism | oscillation | sheriff | staggering | stinger | telephone | tense | throwing | underscoring

Flamingo Road (1949)

Breaking door1:31:19 - Titus throws the phone at Lanechromatic parallelism | climax | club | dramatic | gun | leading lady | mickey-mousing | sheriff | telephone | throwing

Flamingo Road (1949)

Lane staggers1:31:22 - Lane staggers after being hitclimax | club | dramatic | leading lady | mickey-mousing | oscillation | sheriff | staggering

Flamingo Road (1949)

Titus (Ostinato 3)1:31:25 - Titus holds a gun on Laneclimax | club | dramatic | fighting | gun | gunshot | leading lady | menacing | ostinato | self-borrowing | sequence | sheriff | struggling | tense | threatening

Flamingo Road (1949)

Titus (Climax)1:31:43 - Lane struggles with Tituschromatic parallelism | chromatic wedge | climax | club | dramatic | fighting | gun | gunshot | leading lady | major 7th chord | self-borrowing | sequence | sheriff | struggling | tense

Flamingo Road (1949)

Struggling1:31:47 - Close-up on the gunclimax | close up | club | dramatic | fighting | gun | gunshot | leading lady | major 7th chord | mickey-mousing | oscillation | sheriff | struggling | tense

Flamingo Road (1949)

Titus 2 (Sinks)1:31:50 - Titus collapses to the floorclimax | club | death | dying | falling | gun | gunshot | leading lady | self-borrowing | sequence | sheriff | sinking | tragic

Flamingo Road (1949)

Flamingo Road (Appassionato)1:32:54 - Dan visits Lane in prisoncrying | embracing | foreign key modulation | husband | joyous | kissing | leading lady | leading man | pedal tone | prison | resolution | reuniting | self-borrowing | wife

Flamingo Road (1949)

Flamingo Road (Dolce)1:33:08 - Dan and Lane embracecrying | dark | embracing | husband | kissing | leading lady | leading man | mode mixture | peaceful | prison | resolution | reuniting | self-borrowing | wife

Flamingo Road (1949)

Lute Mae (Delicato)1:33:28 - Lane smiles as Dan13th chord | added-note chord | crying | delicate | husband | kissing | leading lady | leading man | prison | resolution | reuniting | romance | self-borrowing | sentimental | wife

Flamingo Road (1949)

If I Could Be With You (Ecstatic)1:33:37 - Lane walks awayadded-note chord | altered dominant | artwork in score | chromatic parallelism | friend | husband | joyous | leading lady | leading man | leaving | prison | resolution | reuniting | romance | secondary dominant | The End | thematic transference | triumphant | wife
Hell on Frisco Bay (1955)Prison Gate0:01:25 - Steve exits the prison gateconductor score | establish character | friend | gate | leading lady | leading man | leaving | prison | serious | walking

Hell on Frisco Bay (1955)

Hell on Frisco Bay0:02:01 - Marcia embraces Steveconductor score | embracing | establish character | friend | gentle | leading lady | leading man | street

Hell on Frisco Bay (1955)

The Very Thought of You0:21:51 - Marcia singing at a clubclub | conductor score | establish character | familiar tune | investigator | leading lady | leading man | on-screen music | pianist | popular music | romantic | singer | singing | source music

Hell on Frisco Bay (1955)

Hell on Frisco Bay0:23:26 - Marcia talks to Steveclub | conductor score | conversing | establish character | investigator | leading lady | leading man | on-screen music | pianist | playing | popular music | sentimental | source music | source score

Hell on Frisco Bay (1955)

Hell on Frisco Bay0:24:44 - Steve packsadvance plot | conductor score | leading lady | leading man | packing | room | troubled

Hell on Frisco Bay (1955)

Hell on Frisco Bay0:25:00 - Marcia entersadvance plot | conductor score | entering | leading lady | leading man | room | sentimental

Hell on Frisco Bay (1955)

Hell on Frisco Bay0:25:14 - Marcia and Steve argueadvance plot | arguing | conductor score | leading lady | leading man | room | tense

Hell on Frisco Bay (1955)

Hell on Frisco Bay0:25:27 - Marcia and Steve talkadvance plot | agitated | conductor score | conversing | leading lady | leading man | room

Hell on Frisco Bay (1955)

Hell on Frisco Bay0:25:56 - Marcia and Steve talkadvance plot | conductor score | conversing | leading lady | leading man | room | somber

Hell on Frisco Bay (1955)

Walking0:26:31 - Marcia walks to the dooradvance plot | conductor score | gangster | hurried | leading lady | leading man | mickey-mousing | room | walking

Hell on Frisco Bay (1955)

Underscoring (Dramatic)0:27:50 - Steve fights Hammyaction scene | conductor score | dramatic | fighting | gangster | hurried | leading lady | leading man | room | strangling | tense | underscoring

Hell on Frisco Bay (1955)

Underscoring (Tense)0:28:03 - The gangsters leaveaction scene | conductor score | conversing | gangster | leading lady | leading man | leaving | room | tense | underscoring

Hell on Frisco Bay (1955)

Hell on Frisco Bay0:28:43 - Marcia talks to Steveaction scene | conductor score | conversing | leading lady | leading man | leaving | room | somber

Hell on Frisco Bay (1955)

Menace 20:28:55 - Marcia reacts to Steve's commentaction scene | conductor score | conversing | leading lady | leading man | leaving | room | upset

Hell on Frisco Bay (1955)

Steve1:01:01 - Steve talks to Marciaconductor score | conversing | entering | gentle | leading lady | leading man | love scene | room

Hell on Frisco Bay (1955)

Underscoring (Subtle)1:01:30 - Marcia talks to Steveconductor score | conversing | gentle | leading lady | leading man | love scene | room | underscoring

Hell on Frisco Bay (1955)

Hell on Frisco Bay1:01:41 - Steve talks to Marciaconductor score | conversing | leading lady | leading man | love scene | room | tense | underscoring

Hell on Frisco Bay (1955)

Hell on Frisco Bay1:01:53 - Marcia talks to Steveconductor score | conversing | leading lady | leading man | love scene | room | somber

Hell on Frisco Bay (1955)

Menace1:02:28 - Steve talks to Marciaconductor score | conversing | dark | leading lady | leading man | love scene | room

Hell on Frisco Bay (1955)

Hell on Frisco Bay1:02:45 - Marcia talks to Steveconductor score | conversing | leading lady | leading man | love scene | romantic | room | tender

Hell on Frisco Bay (1955)

Pleading1:03:30 - Marcia talks to Steveconductor score | conversing | leading lady | leading man | love scene | room | tender

Hell on Frisco Bay (1955)

Hell on Frisco Bay1:03:46 - Marcia talks to Steveconductor score | conversing | dark | leading lady | leading man | love scene | room | tender

Hell on Frisco Bay (1955)

It Had to Be You1:17:06 - Marcia sings at a clubadvance plot | calm | club | jazz | leading lady | leading man | on screen music | pianist | singer | singing | source music

Hell on Frisco Bay (1955)

Hell on Frisco Bay1:17:47 - Marcia and Steve talkadvance plot | calm | club | conductor score | conversing | leading lady | leading man | on-screen music | popular music | source music | source score

Hell on Frisco Bay (1955)

Hell on Frisco Bay1:18:13 - Marcia and Steve talkcalm | club | conductor score | conversing | leading lady | leading man | love scene | source to score

Hell on Frisco Bay (1955)

Underscoring (Dark)1:19:09 - Marcia and Steve talkclub | conductor score | conversing | dark | leading lady | leading man | love scene | ominous | underscoring

Hell on Frisco Bay (1955)

Hell on Frisco Bay1:19:28 - Marcia talks to Steveclub | conductor score | conversing | gentle | grand | leading lady | leading man | love scene

Hell on Frisco Bay (1955)

Hell on Frisco Bay1:28:48 - Marcia wakes up and answers the doorgentle | leading lady | room | turning point | waking

Hell on Frisco Bay (1955)

Kay1:29:11 - Steve enters with Kayarriving | entering | investigator | leading lady | leading man | love interest | room | somber | turning point | witness

Hell on Frisco Bay (1955)

Hell on Frisco Bay1:29:23 - Marcia calls the policeagitated | calling | investigator | leading lady | leading man | leaving | love interest | room | turning point | witness

Hell on Frisco Bay (1955)

Underscoring (Tense)1:29:55 - Marcia talks to Kayconversing | leading lady | love interest | room | tense | turning point | witness

Hell on Frisco Bay (1955)

Steve1:33:17 - Marcia looks for Steveaction scene | dock | dramatic | leading lady | running | tense

Hell on Frisco Bay (1955)

Amato1:33:23 - Amato takes Marcia hostageaction scene | dock | gangster | inspector | kidnapping | leading lady | leading man | ominous | tense

Hell on Frisco Bay (1955)

Amato1:34:01 - Steve confronts Amatoaction scene | dock | dramatic | gangster | inspector | kidnapping | leading lady | leading man | tense

Hell on Frisco Bay (1955)

Amato1:34:08 - Steve confronts Amatoaction scene | dock | dramatic | gangster | gun | gunshot | inspector | kidnapping | leading lady | leading man | shooting | tense

Hell on Frisco Bay (1955)

Underscoring (Tense)1:35:05 - The police arriveaction scene | arriving | conversing | dock | leading lady | police | tense | underscoring

Hell on Frisco Bay (1955)

Hell on Frisco Bay1:37:36 - Steve goes to his wifearriving | dock | gentle | inspector | leading lady | leading man | romantic

Hell on Frisco Bay (1955)

Hell on Frisco Bay1:37:52 - Steve and Marcia leave togetherdock | gentle | inspector | leading lady | leading man | peaceful | romantic | walking
Her Kind of Man (1946)Something to Remember You By0:07:16 - Georgia entersclub | dancer | dancing | leading lady | music scene | on-screen music | popular music | singer | singing | source music | stage | upbeat

Her Kind of Man (1946)

Something to Remember You By0:08:02 - Georgia singsclub | dancer | dancing | leading lady | leading man | music scene | on-screen music | popular music | sentimental | singer | singing | source music | stage

Her Kind of Man (1946)

It Had to Be You0:11:33 - Steve whistlesestablish character | gambler | leading lady | leading man | love interest | love scene | on-screen music | room | sentimental | singer | source music | whistling

Her Kind of Man (1946)

April in Paris0:12:48 - Steve enters Georgia's dressing roomconversing | establish character | gambler | kissing | leading lady | leading man | love interest | love scene | popular music | room | sentimental | singer | source music

Her Kind of Man (1946)

Underscoring (Dark [Waxman])0:17:02 - Steve fights Felixaction scene | arguing | conversing | criminal | dark | death | dramatic | gambler | gun | gunshot | leading lady | leading man | love interest | owner | punching | room | self-defense | shooting | singer | stinger | tense | underscoring

Her Kind of Man (1946)

It Had to Be You (Kissing)0:18:22 - Steve kisses Georgiaaction scene | gambler | kissing | leading lady | leading man | love interest | room | singer | source to score | tense

Her Kind of Man (1946)

Gay White Way0:19:54 - Georgia looks at her jewelryadvance plot | cheery | conversing | crew | dancer | jewelry | leading lady | love interest | manager | on-screen music | piano | source music | stage

Her Kind of Man (1946)

Speak to Me of Love0:28:06 - City skyline at nightbalcony | conversing | leading lady | leading man | love interest | love scene | on-screen music | record player | reporter | romantic | singing | source music

Her Kind of Man (1946)

It Had to Be You0:29:37 - Georgia and Donbalcony | cheery | conversing | gambler | leading lady | leading man | love interest | love scene | on-screen music | reporter | room | source music | whistling

Her Kind of Man (1946)

Too Many Tears0:41:11 - Saratoga Casinoadvance plot | club | conversing | crowd | gambler | leading lady | leading man | love interest | manager | on-screen music | source music | upbeat

Her Kind of Man (1946)

Underscoring (Somber)0:44:48 - Georgia leavesarguing | conflict | departing | gambler | leading lady | leading man | love interest | room | somber | underscoring

Her Kind of Man (1946)

My Darling0:45:05 - Georgia and Don in a restaurantconversing | crowd | leading lady | leading man | love interest | love scene | photograph | photographer | reporter | restaurant | romantic | source music | waiter

Her Kind of Man (1946)

Can't We Talk It Over0:45:42 - Georgia and Don in a photographadvance plot | club | conversing | crowd | dancing | husband | leading lady | newspaper | on-screen music | photograph | playing | source music | upbeat | waiter

Her Kind of Man (1946)

It Had to Be You0:47:09 - Georgia gets ready for bedadvance plot | cheery | gambler | leading lady | leading man | love interest | on-screen music | preparing | room | source music | waiting | whistling

Her Kind of Man (1946)

It Had to Be You (Passionate)0:47:50 - Georgia talks with Stevearguing | conversing | dark | gambler | kissing | leading lady | leading man | love interest | love scene | passionate | romantic | room | source to score | turbulent

Her Kind of Man (1946)

Here Comes the Bride0:49:40 - Steve proposes to Georgiaclassical music | criminal | familiar tune | gambler | henchman | leading lady | leading man | love interest | love scene | proposing | reporter | romantic | room | tense

Her Kind of Man (1946)

Body and Soul0:56:43 - Georgia singing in a night clubapplauding | club | conductor | crowd | leading lady | musician | music scene | on-screen music | performing | performing | romantic | score to source | singer | singing | source music | watching | wife

Her Kind of Man (1946)

Love Is Sweeping the Country0:58:02 - The crowd applaudsadvance plot | club | conversing | criminal | crowd | gambler | henchman | husband | leading lady | leading man | on-screen music | owner | performing | reporter | singer | sister | source music | upbeat | wife

Her Kind of Man (1946)

It Had to Be You (Sneaky)1:05:51 - Georgia hides Candyadvance plot | criminal | familiar tune | henchman | leading lady | leading man | mysterious | popular music | reporter | room | singer | sneaking | sneaky | source to score | wife

Her Kind of Man (1946)

It Had to Be You (Mysterious)1:07:50 - Don leavesadvance plot | arriving | car | car | criminal | driving | familiar tune | gambler | henchman | leading lady | leading man | murderer | mysterious | popular music | signaling | singer | street | warehouse | wife

Her Kind of Man (1946)

It Had to Be You1:09:05 - Georgia approaches the warehouseadvance plot | criminal | familiar tune | gambler | henchman | leading lady | leading man | murderer | neutral | popular music | score to source | singer | warehouse | whistling | wife

Her Kind of Man (1946)

It Had to Be You (Secret Rendezvous)1:09:09 - Georgia enters the warehouseadvance plot | arriving | conversing | embracing | familiar tune | gambler | kissing | leading lady | leading man | murderer | popular music | romantic | singer | source to score | uneasy | warehouse | wife

Her Kind of Man (1946)

It Had to Be You (Mysterious)1:11:11 - Georgia leavesadvance plot | departing | familiar tune | gambler | leading lady | leading man | murderer | mysterious | popular music | singer | warehouse | wife

Her Kind of Man (1946)

Underscoring (Dramatic [Steiner])1:14:17 - Cop looks at his watchclimax | conversing | criminal | double-cross | dramatic | henchman | leading lady | leading man | police | reporter | room | singer | stinger | telephone | tense | underscoring | watch | wife

Her Kind of Man (1946)

Speeding1:14:21 - Policeman drivingcar | climax | dramatic | driving | hurrying | leading lady | leading man | police | reporter | rushing | singer | tense | wife | yelling

Her Kind of Man (1946)

It Had to Be You (Tragic)1:17:10 - Georgia holds Steveclimax | comforting | conversing | corpse | cradling | criminal | crying | death | dying | familiar tune | gambler | henchman | leading lady | leading man | murderer | police | popular music | reporter | singer | street | tense | tragic | wife

Her Kind of Man (1946)

Water1:17:41 - Steve's corpsecorpse | criminal | death | flowing | gambler | henchman | leading lady | leading man | murderer | panning shot | police | reporter | resolution | singer | street | swirling | tense | tragic | voice-over | water | water effect | wife

Her Kind of Man (1946)

It Had to Be You (The End)1:18:02 - The Endcriminal | dark | death | dramatic | end title sequence | gambler | henchman | leading lady | leading man | murderer | police | reporter | singer | street | The End | tragic | wife
I Was a Communist for the FBI (1951)Undercover Agent (Ominous) + Family0:38:46 - Matt leaves his apartmentadvance plot | combination of themes | communist | dark | discovery | leading lady | letter | ominous | reacting | reading | self-borrowing | spy | street | teacher | tense | tritone

I Was a Communist for the FBI (1951)

Ice Cold Katy0:53:21 - Matt follows Eveadvance plot | arguing | communist | jazz | leading lady | leading man | source music | spy | street | teacher | undercover agent | upbeat

I Was a Communist for the FBI (1951)

Down the stairs0:57:47 - Eve sneaks down the stairscommunist | create suspense | descending | leading lady | leading man | mickey-mousing | sneaking | spy | staircase | stairs | teacher | tense | undercover agent

I Was a Communist for the FBI (1951)

Underscoring (Tense)0:57:54 - Matt and Eve go down the stairscommunist | create suspense | leading lady | leading man | sneaking | spy | staircase | stairs | teacher | tense | tritone | undercover agent | underscoring

I Was a Communist for the FBI (1951)

Sneaking0:58:02 - Matt and Eve sneak awaycommunist | create suspense | hiding | leading lady | leading man | mickey-mousing | running | sneaking | spy | staircase | stairs | teacher | tense | undercover agent

I Was a Communist for the FBI (1951)

Undercover Agent (Molto Misterioso)0:58:12 - The communists go upstairsascending | communist | create suspense | leading lady | leading man | sneaking | spy | staircase | stairs | teacher | tense | tritone | undercover agent

I Was a Communist for the FBI (1951)

FBI (Molto Marcato)0:59:03 - FBI man enters with a gunagent | arresting | communist | gun | leading lady | leading man | murder scene | noble | room | sneaking | spy | stinger | street | teacher | tense | undercover agent

I Was a Communist for the FBI (1951)

Undercover Agent (Misterioso)0:59:50 - Agent watchescar | communist | driving | escaping | leading lady | leading man | mysterious | spy | street | teacher | transition | undercover agent

I Was a Communist for the FBI (1951)

Jumps off stairs1:03:23 - Matt jumps off of the staircasecommunist | gun | gunshot | jumping | leading lady | leading man | mickey-mousing | shooting | shootout | shootout | spy | teacher | tense | train tracks | undercover agent

I Was a Communist for the FBI (1951)

Running and hiding1:03:28 - Matt runs and takes covercommunist | hiding | leading lady | leading man | mickey-mousing | running | shootout | shootout | spy | teacher | tense | train tracks | undercover agent

I Was a Communist for the FBI (1951)

Undercover Agent (Gunfight)1:03:34 - Train trackscommunist | diving | dramatic | gun | gunshot | hiding | leading lady | leading man | mickey-mousing | running | shooting | shootout | shootout | spy | teacher | tense | train tracks | undercover agent

I Was a Communist for the FBI (1951)

Running1:03:57 - Communist runscommunist | dramatic | leading lady | leading man | mickey-mousing | running | shootout | shootout | spy | teacher | tense | train tracks | undercover agent

I Was a Communist for the FBI (1951)

Commie is shot1:04:01 - Communist is shot and falls deadcommunist | death | dramatic | dying | falling | gun | gunshot | leading lady | leading man | mickey-mousing | shooting | shootout | shootout | spy | stinger | teacher | tense | train tracks | undercover agent
In This Our Life (1942)Roy0:02:59 - Roy descends a staircaseconversing | daughter | delicate | establish character | father | gentle | greeting | leading lady | maid | room

In This Our Life (1942)

Stanley Introduction0:06:35 - A car arrivesarriving | car | conversing | establish character | leading lady | leading man | love interest | stinger | tense

In This Our Life (1942)

Stanley0:06:56 - Stanley talks with Petercar | conversing | establish character | leading lady | leading man | love interest | sultry

In This Our Life (1942)

Stanley B0:07:06 - Stanley talks with Petercar | conversing | establish character | leading lady | leading man | love interest | sultry

In This Our Life (1942)

Stanley0:07:23 - Stanley drives awaycar | conversing | establish character | leading lady | leading man | love interest | sultry

In This Our Life (1942)

Stanley (She Runs)0:07:32 - Stanley runs insidearriving | establish character | hurried | leading lady | mickey-mousing | room | running | street

In This Our Life (1942)

Stanley (Rubato)0:11:58 - Stanley talks with Royconversing | establish character | leading lady | mysterious | room | sister | stinger

In This Our Life (1942)

Roy (Dolce)0:12:06 - Roy talks with Stanleyconversing | establish character | gentle | leading lady | room | sister | sweet

In This Our Life (1942)

Expressivo0:12:28 - Stanley talks with Royconversing | establish character | expressive | leading lady | room | sister

In This Our Life (1942)

Underscoring (Tense)0:12:41 - Stanley leavesestablish character | leading lady | room | sister | stinger | tense | watching

In This Our Life (1942)

Roy (Triste)0:12:54 - Roy walks up the stairsestablish character | gentle | leading lady | room | somber | walking

In This Our Life (1942)

Caring0:13:08 - Roy talks to Peteradvance plot | conversing | leading lady | leading man | packing | passionate | room | tender

In This Our Life (1942)

Stanley (Peter Lies)0:13:28 - Peter talks about his tripadvance plot | conversing | leading lady | leading man | lying | musical clue | packing | room | serious | somber

In This Our Life (1942)

Roy0:13:39 - Roy is relievedadvance plot | calm | conversing | leading lady | leading man | room

In This Our Life (1942)

Stanley (Divisi)0:13:57 - Roy helps Peter packadvance plot | conversing | leading lady | leading man | passionate | room

In This Our Life (1942)

Discussion0:14:09 - Roy talks with Peteradvance plot | conversing | leading lady | leading man | room | serious | somber

In This Our Life (1942)

Roy (Rubato)0:14:34 - Roy talks with Peteradvance plot | conversing | dark | leading lady | leading man | playful | room

In This Our Life (1942)

Pleadingly0:14:53 - Roy looks at Peteradvance plot | conversing | leading lady | leading man | room | yearning

In This Our Life (1942)

Roy (Lento)0:14:59 - Roy talks about their futureadvance plot | conversing | dark | embracing | leading lady | leading man | room | sweet

In This Our Life (1942)

Stanley B (Agitato)0:15:19 - Peter replies to Royadvance plot | agitated | arguing | leading lady | leading man | room | tense

In This Our Life (1942)

Roy (Morendo)0:15:43 - Roy responds to Peteradvance plot | conversing | embracing | leading lady | leading man | room | serious | somber

In This Our Life (1942)

Stanley (Maestoso)0:16:11 - Peter closes the dooradvance plot | brash | dark | leading lady | leading man | leaving | room | serious

In This Our Life (1942)

Stanley (Valse Triste)0:16:22 - Roy looks out the windowadvance plot | dark | leading lady | leading man | leaving | room | somber | waltz | watching | window

In This Our Life (1942)

Stanley B (Valse Triste)0:16:33 - Craig arrivesadvance plot | arriving | dark | leading lady | leading man | somber | street | waltz | watching | window

In This Our Life (1942)

Stanley (Valse Triste)0:16:44 - Craig comes insideadvance plot | dark | father | leading lady | leading man | room | somber | waltz

In This Our Life (1942)

Stanley Introduction0:16:56 - Craig talks with Asaadvance plot | conversing | father | fiancé | leading lady | room | tense | underscoring

In This Our Life (1942)

Stanley0:17:11 - Stanley comes down the stairsadvance plot | conversing | fiancé | kissing | leading lady | room | sultry

In This Our Life (1942)

Stanley B (Slowly)0:17:20 - Stanley talks with Craigadvance plot | conversing | dramatic | fiancé | kissing | leading lady | lying | room | sultry

In This Our Life (1942)

Stanley B (Poco Agitato)0:17:44 - Stanley packs her thingsadvance plot | agitated | leading lady | packing | room | tense

In This Our Life (1942)

Stanley (Packing)0:17:51 - Stanley packs her thingsadvance plot | agitated | leading lady | packing | room | tense

In This Our Life (1942)

Asa (Triste)0:21:45 - Asa arrives homearriving | conflict | father | leading lady | room | solemn | somber | tense

In This Our Life (1942)

Stanley (Con Moto)0:22:19 - Roy talks about Stanley's letterangry | bitter | conflict | conversing | father | leading lady | letter | room

In This Our Life (1942)

Roy (Risoluto)0:22:40 - Roy talks to Asaconflict | conversing | father | gentle | leading lady | room

In This Our Life (1942)

Expressivo (Extended)0:22:51 - Roy talks to Asaconflict | conversing | expressive | father | leading lady | room

In This Our Life (1942)

Roy (Grazioso)0:23:08 - Roy looks at herself in the mirrorconflict | conversing | father | leading lady | mysterious | room

In This Our Life (1942)

Caring0:23:19 - Asa talks to Royconflict | conversing | father | leading lady | room | sentimental | underscoring

In This Our Life (1942)

Asa (Ostinato)0:23:26 - Asa talks to Royconflict | conversing | dark | father | leading lady | room | serious

In This Our Life (1942)

Asa (Molto Expressivo)0:23:49 - Roy leavesconflict | dark | father | leading lady | leaving | room | somber

In This Our Life (1942)

South American Way0:24:06 - A spinning recordadvance plot | conversing | dancing | Latin-American | leading lady | leading man | love interest | popular music | record player | room | source music | upbeat

In This Our Life (1942)

Stanley0:28:32 - Roy walking in the parkadvance plot | dark | depressed | leading lady | leading man | park | sitting

In This Our Life (1942)

Roy (Rubato)0:29:00 - Roy talks to Craigadvance plot | conversing | leading lady | leading man | park | uneasy

In This Our Life (1942)

Pleadingly0:29:23 - Roy talks to Craigadvance plot | conversing | leading lady | leading man | park | uneasy

In This Our Life (1942)

Stanley (Morendo)0:29:32 - Craig talks with Royadvance plot | conversing | leading lady | leading man | park | somber

In This Our Life (1942)

Roy (Encouragement)0:29:56 - Roy tries to cheer Craig upadvance plot | conversing | encouraging | leading lady | leading man | park | uplifting

In This Our Life (1942)

Roy0:30:21 - Craig talks to Royadvance plot | conversing | gentle | leading lady | leading man | park | sweet

In This Our Life (1942)

Here Comes the Bride (A Little Shimmer)0:31:40 - A convertiblecar | courthouse | happy | leading lady | leading man | leaving | street | wedding | wedding

In This Our Life (1942)

Stanley (Stringy)0:32:14 - Stanley and Peter in the carcar | conversing | leading lady | leading man | sultry | wedding | wedding

In This Our Life (1942)

Stanley (She Runs)0:32:24 - Stanley talks to Petercar | conversing | leading lady | leading man | playful | wedding | wedding

In This Our Life (1942)

Stanley (Shimmery)0:32:33 - Stanley smilescar | kissing | leading lady | leading man | magical | wedding | wedding

In This Our Life (1942)

Java Jive0:32:41 - A dance halldance hall | dance scene | dancing | leading lady | leading man | on-screen music | popular music | source music | upbeat

In This Our Life (1942)

This Time the Dream's on Me0:33:03 - Stanley and Peter sit at a tableconversing | dance hall | dance scene | dancing | leading lady | leading man | on-screen music | popular music | source music | upbeat

In This Our Life (1942)

Flirting0:37:31 - Peter goes to Stanleyconversing | flirting | happy | leading lady | leading man | love scene | room

In This Our Life (1942)

Stanley (Grazioso)0:37:56 - Stanley talks to Peterconversing | flirting | happy | leading lady | leading man | love scene | pleasant | room | sultry

In This Our Life (1942)

Driving0:38:19 - Roy and Craig in a carcalm | car | conversing | driving | leading lady | leading man | love interest | love scene

In This Our Life (1942)

Driving + Love Theme0:39:07 - Roy and Craig in a carcalm | car | combination of themes | conversing | driving | leading lady | leading man | love interest | love scene | romantic

In This Our Life (1942)

Danger0:39:54 - A forest rangerconversing | danger | fire | forest ranger | leading lady | leading man | love interest | love scene | outdoors | tense

In This Our Life (1942)

Forest Fire0:40:10 - A forest fireconversing | dangerous | eerie | fire | leading lady | leading man | love interest | love scene | outdoors

In This Our Life (1942)

Love Theme (Molto Expressivo)0:40:44 - Roy and Craig sit on the groundartwork in score | calm | conversing | fire | leading lady | leading man | love interest | love scene | outdoors | romantic

In This Our Life (1942)

Blues in the Night0:42:47 - Stanley puts a record on the phonographarguing | blues | conflict | leading lady | leading man | record player | room | source music | upbeat

In This Our Life (1942)

Blues in the Night (Transition)0:43:37 - Craig's office doorarriving | assistant | calm | friend | leading lady | love scene | office | pleasant | source to score

In This Our Life (1942)

Roy (Expressivo)0:43:43 - Roy talks with Parryassistant | calm | conversing | friend | leading lady | love scene | office | pleasant

In This Our Life (1942)

Love Theme (Valse Sentimentale)0:44:06 - Roy and Craig embracecalm | conversing | leading lady | leading man | love scene | office | romantic | waltz

In This Our Life (1942)

Love Theme (Valse Sentimentale)0:46:31 - Roy talks with her uncleconversing | leading lady | leading man | love scene | pleasant | proposal | room | tender | uncle | waltz

In This Our Life (1942)

Funereal0:48:25 - Asa calls for the othersbad news | conversing | father | leading lady | leading man | room | solemn | stinger | turning point | uncle

In This Our Life (1942)

Underscoring (Somber)0:48:46 - Asa relates the bad newsbad news | conversing | father | leading lady | leading man | room | somber | turning point | uncle | underscoring

In This Our Life (1942)

Underscoring (Dark)0:49:21 - Asa tells them Peter committed suicideconversing | dark | father | leading lady | leading man | room | stinger | suicide | turning point | uncle | underscoring

In This Our Life (1942)

Stanley B (Agitato)0:49:32 - Uncle Fitzroy asks about Stanleyagitated | arguing | father | leading lady | leading man | room | suicide | tense | turning point | uncle

In This Our Life (1942)

Roy (Morendo 2)0:49:54 - Roy reacts to the bad newsconversing | father | leading lady | leading man | room | serious | somber | suicide | turning point | uncle

In This Our Life (1942)

Roy0:50:40 - Roy arrives at Stanley's apartmentadvance plot | arriving | friend | gentle | leading lady | room | sweet

In This Our Life (1942)

Underscoring (Gentle)0:50:58 - Roy talks with Bettyadvance plot | conversing | friend | gentle | leading lady | room | tender | underscoring

In This Our Life (1942)

Door opens0:51:37 - Betty opens the dooradvance plot | door | friend | gentle | leading lady | mickey-mousing | opening | room

In This Our Life (1942)

Caring0:51:39 - Roy greets Stanleyadvance plot | arriving | gentle | leading lady | room | sister | tender | widow

In This Our Life (1942)

Stanley (Peter Lies)0:51:55 - Roy at Stanley's bedsideadvance plot | conversing | gentle | leading lady | room | sister | widow

In This Our Life (1942)

Stanley B (Slowly)0:52:05 - Roy at Stanley's bedsideadvance plot | agitated | conversing | leading lady | room | sister | widow

In This Our Life (1942)

Stanley (Packing)0:52:23 - Roy at Stanley's bedsideadvance plot | conversing | gentle | leading lady | room | sister | tense | widow

In This Our Life (1942)

Stanley (Valse Triste)0:52:42 - Stanley talks to Royadvance plot | agitated | conversing | leading lady | room | sister | widow

In This Our Life (1942)

Stanley B (Valse Triste)0:52:48 - Stanley talks to Royadvance plot | agitated | conversing | leading lady | room | sister | widow

In This Our Life (1942)

Stanley (Valse Triste)0:52:56 - Stanley talks to Royadvance plot | agitated | conversing | leading lady | room | sister | widow

In This Our Life (1942)

Discussion0:53:04 - Stanley talks to Royadvance plot | agitated | conversing | leading lady | room | sister | widow

In This Our Life (1942)

Stanley B (Valse Triste)0:53:17 - Stanley criesadvance plot | agitated | conversing | leading lady | room | sister | widow

In This Our Life (1942)

Stanley (Valse Triste)0:53:23 - Roy comforts Stanleyadvance plot | comforting | crying | gentle | leading lady | room | sister | widow

In This Our Life (1942)

Stanley Introduction0:53:32 - Roy comforts Stanleyadvance plot | comforting | crying | leading lady | room | sister | tense | widow

In This Our Life (1942)

Stanley0:53:46 - Roy comforts Stanleyadvance plot | calm | comforting | leading lady | room | sister | widow

In This Our Life (1942)

Stanley (Morendo)0:53:56 - Roy puts Stanley to bedadvance plot | calm | comforting | leading lady | room | sister | widow

In This Our Life (1942)

Roy0:54:15 - Roy tucks Stanley inadvance plot | conversing | gentle | leading lady | room | sister | widow

In This Our Life (1942)

Blues in the Night0:54:51 - Stanley dressesadvance plot | blues | dressing | leading lady | record player | room | source music | upbeat | widow

In This Our Life (1942)

How Do I Know It's Sunday0:57:12 - Stanley starts a record playingadvance plot | conversing | crying | dancing | father | flirting | leading lady | leading man | popular music | record player | room | sister | source music | upbeat | widow

In This Our Life (1942)

Uncle Fitzroy1:04:26 - Uncle Fitzroy talks to Stanleyconflict | conversing | crying | dancing | flirting | leading lady | room | solemn | uncle | widow

In This Our Life (1942)

Anger1:04:56 - Stanley gets angryangry | arguing | conflict | leading lady | leaving | room | running | tense | uncle | upset | widow | yelling

In This Our Life (1942)

Underscoring (Tense)1:05:14 - Craig in his officeadvance plot | arriving | lawyer | leading lady | leading man | office | tense | underscoring

In This Our Life (1942)

Stanley Introduction (Extended 2)1:05:31 - Stanley in Craig's officeadvance plot | conversing | lawyer | leading lady | leading man | office | reading | uneasy

In This Our Life (1942)

Stanley (Extended)1:05:53 - Stanley talks to Craigadvance plot | conversing | lawyer | leading lady | leading man | office | solemn | uneasy

In This Our Life (1942)

Stanley B (Slowly)1:06:13 - Stanley talks to Craigadvance plot | conversing | lawyer | leading lady | leading man | office | uneasy

In This Our Life (1942)

Stanley (Triste)1:06:29 - Stanley talks to Craigadvance plot | conversing | lawyer | leading lady | leading man | office | uneasy

In This Our Life (1942)

Stanley (Misterioso)1:06:47 - Stanley hesitates at the dooradvance plot | hesitating | lawyer | leading lady | leading man | mysterious | office

In This Our Life (1942)

Stanley Introduction (Appassionato)1:07:01 - Stanley talks to Craigadvance plot | lawyer | leading lady | leading man | manipulating | office | passionate

In This Our Life (1942)

Stanley1:07:11 - Stanley talks to Craigadvance plot | lawyer | leading lady | leading man | manipulating | office | uneasy

In This Our Life (1942)

Stanley B (Slowly)1:07:19 - Stanley talks to Craigadvance plot | anxious | lawyer | leading lady | leading man | manipulating | office | tense

In This Our Life (1942)

Stanley (Dark)1:07:32 - Stanley leavesadvance plot | dark | lawyer | leading lady | leading man | manipulating | office | uneasy

In This Our Life (1942)

South American Way1:07:39 - Stanley in a baradvance plot | bar | bartender | dancing | drinking | jukebox | leading lady | upbeat | waiting

In This Our Life (1942)

Driving + Stanley1:08:53 - Stanley drivingcar | car | child | combination of themes | crime scene | criminal | driving | drunk | leading lady | mysterious | street | tense | uneasy | victim | walking

In This Our Life (1942)

Underscoring (Dramatic)1:09:01 - Stanley has an accidentcar | child | crashing | crime scene | criminal | dramatic | driving | drunk | leading lady | street | victim

In This Our Life (1942)

Car crash1:09:01 - Stanley hits two pedestriansaccident | car | car crash | crashing | crime scene | criminal | dramatic | driving | drunk | dying | falling | hit and run | leading lady | mickey-mousing | street | victim

In This Our Life (1942)

Turning around1:09:06 - Stanley turns aroundaccident | car | car crash | crime scene | criminal | dramatic | drunk | glaring | hit and run | leading lady | mickey-mousing | stinger | street | turning

In This Our Life (1942)

Driving1:09:12 - Stanley drives awayaccident | car | car | car crash | crime scene | criminal | driving | drunk | fleeing | hit and run | leading lady | mysterious | tense

In This Our Life (1942)

Underscoring (Tense)1:09:25 - Policemen approach the housearriving | conversing | criminal | investigation scene | leading lady | mysterious | police | room | tense | walking | watching

In This Our Life (1942)

Stanley1:09:49 - Policemen enter the housearriving | conversing | criminal | investigating | investigation scene | leading lady | mysterious | police | room | sneaking | tense | walking | watching

In This Our Life (1942)

Stanley Introduction (Extended 3)1:12:42 - Stanley talks with Royadvance plot | conversing | criminal | leading lady | lying | room | tense

In This Our Life (1942)

Stanley (Molto Expressivo)1:12:57 - Stanley talks with Royadvance plot | calm | conversing | criminal | leading lady | lying | room

In This Our Life (1942)

Roy (Triste 2)1:13:12 - Roy talks with Minervaadvance plot | conversing | leading lady | maid | mother | questioning | room | solemn | somber

In This Our Life (1942)

Minerva and Parry1:13:29 - Minerva talks with Royadvance plot | calm | conversing | leading lady | maid | mellow | mother | questioning | room | sentimental | solemn | spiritual

In This Our Life (1942)

Stanley (Packing)1:14:36 - Newspaper headline about the accidentarriving | conflict | conversing | headline | lawyer | leading lady | leading man | mysterious | newspaper | office

In This Our Life (1942)

Underscoring (Tense)1:15:04 - Craig refuses Parry's caseconflict | conversing | denying | lawyer | leading lady | leading man | office | ominous | refusing | tritone | underscoring

In This Our Life (1942)

Stanley (Molto Accell)1:15:15 - Craig talks about Stanleyanxious | conflict | conversing | defending | denying | lawyer | leading lady | leading man | office | refusing | tense

In This Our Life (1942)

Roy (Molto Modto)1:15:51 - Roy leavesangry | conflict | lawyer | leading lady | leading man | leaving | office

In This Our Life (1942)

You're a Lucky Guy1:16:20 - Stanley dancesadvance plot | arriving | conversing | criminal | dancing | drinking | leading lady | popular music | record player | room | source music | upbeat

In This Our Life (1942)

Autumn Nocturne1:17:45 - Stanley puts on a recordaccusing | arguing | conflict | criminal | defending | leading lady | lying | popular music | record player | room | sentimental | source music

In This Our Life (1942)

Underscoring (Tense)1:20:10 - Craig's car pulls up to the jailarriving | car | car | conflict | conversing | criminal | lawyer | leading lady | leading man | street | tense | underscoring | uneasy

In This Our Life (1942)

Stanley (Slowly 2)1:20:46 - Men playing checkerscheckers | conflict | criminal | dark | game | lawyer | leading lady | leading man | playing | prison | prisoner | somber | suspect | victim

In This Our Life (1942)

Underscoring (Somber)1:21:07 - Parry in his jail cellconflict | conversing | criminal | lawyer | leading lady | leading man | prison | prisoner | somber | suspect | underscoring | victim

In This Our Life (1942)

Minerva and Parry1:21:28 - Parry in his jail cellconflict | conversing | criminal | lawyer | leading lady | leading man | lying | prison | prisoner | somber | suspect | tender | testifying | victim

In This Our Life (1942)

Minerva and Parry (Triste)1:22:39 - Parry talks to Stanleyconflict | conversing | criminal | lawyer | leading lady | leading man | lying | prison | prisoner | solemn | somber | suspect | testifying | victim

In This Our Life (1942)

Stanley Introduction (Extended 4)1:23:09 - Stanley and Craig leave the jailcar | conflict | criminal | lawyer | leading lady | leading man | leaving | street | tense

In This Our Life (1942)

London Bridge is Falling Down (Molto Expressivo)1:23:33 - Craig talks to Stanleycar | children's song | conflict | conversing | criminal | familiar tune | lawyer | leading lady | leading man | somber

In This Our Life (1942)

London Bridge is Falling Down (Mysterious)1:23:45 - Craig and Stanley arguecar | children's song | conflict | conversing | criminal | familiar tune | lawyer | leading lady | leading man | lying | mysterious | ominous

In This Our Life (1942)

Stanley (Agitato)1:25:21 - Craig talks to Stanleyagitated | climax | conversing | criminal | father | lawyer | leading lady | leading man | mother | room | suspect

In This Our Life (1942)

Underscoring (Tense) + South American Way1:25:34 - Stanley reactsaccusing | climax | criminal | father | lawyer | leading lady | leading man | lying | mother | mysterious | ominous | remembered source music | remembering | room | source and scoring overlap | source music | suspect | tense | underscoring

In This Our Life (1942)

Stanley (Valse Triste)1:26:23 - Stanley confessesarguing | climax | confessing | confession | criminal | crying | dramatic | father | lawyer | leading lady | leading man | mother | room | suspect

In This Our Life (1942)

Stanley B (Slowly Extended)1:26:39 - Stanley confessesagitated | arguing | climax | confessing | confession | criminal | crying | father | lawyer | leading lady | leading man | lying | mother | room | suspect

In This Our Life (1942)

Expressivo (Extended 2)1:27:04 - Lavinia risesarguing | climax | criminal | emotional | father | lawyer | leading lady | leading man | mother | pleading | room | suspect

In This Our Life (1942)

Underscoring (Tense)1:27:23 - Stanley reactsclimax | conversing | criminal | father | lawyer | leading lady | leading man | mother | plotting | room | suspect | tense | underscoring

In This Our Life (1942)

Stanley (Extended)1:27:33 - Stanley goes upstairsclimax | conversing | criminal | crying | father | lawyer | leading lady | leading man | mother | room | somber | suspect | uneasy

In This Our Life (1942)

Love Theme (Gentle)1:27:58 - Roy talks to Craigaccusing | climax | conversing | criminal | crying | embracing | gentle | lawyer | leading lady | leading man | room | sneaking | tender

In This Our Life (1942)

Underscoring (Dramatic)1:28:57 - Stanley escapesclimax | criminal | dramatic | driving | escaping | lawyer | leading lady | leading man | room | underscoring | watching

In This Our Life (1942)

Driving1:29:17 - Stanley driving her carcriminal | driving | escaping | leading lady | street | tense | transition

In This Our Life (1942)

Stanley B (Agitato)1:29:27 - Stanley runs insideagitated | butler | criminal | leading lady | room | running | street | transition

In This Our Life (1942)

Stanley (Triste)1:29:42 - Stanley enters the houseagitated | criminal | leading lady | room | running | somber | tense | transition | uncle

In This Our Life (1942)

Anger (Agitato)1:31:34 - Stanley yells at her uncleagitated | angry | arguing | conflict | criminal | distressed | leading lady | room | uncle | yelling

In This Our Life (1942)

Maestoso1:31:51 - Stanley runs off cryingconflict | criminal | crying | departing | dramatic | leading lady | room | running | street | uncle | yelling

In This Our Life (1942)

Stanley B (Agitato Extended)1:32:15 - Stanley hides from the policeagitated | conflict | criminal | hiding | leading lady | mysterious | police | room | running | rushing | street

In This Our Life (1942)

Underscoring (Dramatic)1:32:30 - Stanley dashes through the gateconflict | criminal | dramatic | hiding | leading lady | police | running | rushing | street | underscoring

In This Our Life (1942)

Police (Chase)1:32:36 - Stanley runs for her carconflict | criminal | driving | fleeing | hiding | leading lady | police | running | rushing | street | tense

In This Our Life (1942)

Stanley (Chase)1:32:59 - The police chase after Stanleychase scene | chasing | climax | criminal | desperate | dramatic | driving | fleeing | leading lady | police | street | tense

In This Our Life (1942)

Stanley (Fleeing)1:33:12 - The police chase after Stanleychase scene | chasing | climax | criminal | desperate | dramatic | driving | fleeing | leading lady | police | street | tense

In This Our Life (1942)

Underscoring (Dramatic)1:33:29 - Two other policeman see Stanleychase scene | chasing | climax | criminal | dark | dramatic | driving | fleeing | leading lady | police | street | tense | underscoring | watching

In This Our Life (1942)

Stanley (Crying)1:33:37 - Stanley crying in her carchase scene | chasing | climax | criminal | crying | dark | dramatic | driving | fleeing | leading lady | police | somber | street | tense

In This Our Life (1942)

Stanley B (Rising Tension)1:33:49 - The police in hot pursuitchase scene | chasing | climax | combination of themes | criminal | desperate | dramatic | driving | fleeing | leading lady | police | street | tense

In This Our Life (1942)

Stanley (Desperate)1:34:02 - The police in hot pursuitchase scene | chasing | climax | criminal | crying | desperate | dramatic | driving | fleeing | leading lady | police | street | tense

In This Our Life (1942)

Underscoring (Dramatic)1:34:09 - Stanley's eyes in the rear-view mirrorchase scene | chasing | climax | criminal | crying | desperate | dramatic | driving | fleeing | leading lady | police | street | tense | underscoring

In This Our Life (1942)

Car crash 21:34:17 - Stanley's car crashesbrash | car | car crash | chase scene | climax | crashing | criminal | dramatic | driving | dying | falling | fire | leading lady | mickey-mousing | police | street | tense

In This Our Life (1942)

Stanley (Tragic)1:34:28 - Police run to Stanley's carbrash | car | car crash | chase scene | climax | criminal | dramatic | dying | fire | helping | leading lady | mournful | police | reporting | rescuing | rushing | somber | street | tragic

In This Our Life (1942)

Love Theme (Slowly)1:35:39 - Craig answers a phone callcomforting | conversing | leading lady | leading man | resolution | room | solemn | somber | tender | The End
The Informer (1935)Underscoring (Subtle)0:04:22 - Close-up on Katieestablish character | leading lady | linear chromaticism | mysterious | staring | street | underscoring

The Informer (1935)

Katie0:04:31 - Katie walks down the streetestablish character | foreign key modulation | leading lady | parallelism | seductive | staring | street | sultry | walking

The Informer (1935)

Match strike0:05:03 - Man strikes a match on the lamp postestablish character | leading lady | lighting | match | mickey-mousing | playful | street

The Informer (1935)

Underscoring (Tense)0:05:04 - Gypo sees the man and walks towards himestablish character | leading lady | leading man | mysterious | street | tense | underscoring | walking | whole-tone

The Informer (1935)

Blowing smoke0:05:16 - Man blows smoke into Katie's faceblowing | establish character | leading lady | mickey-mousing | mysterious | smoke | street | whole-tone

The Informer (1935)

Katie Calls Gypo0:05:38 - Katie says Gypo's nameconversing | diminished 7th chord | dissonant bass | establish character | leading lady | leading man | mickey-mousing | somber | staring | street

The Informer (1935)

Katie (Tired and Sad)0:05:49 - Katie talks to Gypoconversing | crying | diminished 7th chord | establish character | leading lady | leading man | parallelism | Scotch snap | sobbing gesture | somber | street

The Informer (1935)

Yankee Doodle (Octatonic)0:06:21 - Katie looks at the poster about a trip to AmericaAmerican | comical | conversing | dark | diminished 7th chord | establish character | leading lady | leading man | octatonic | parallelism | patriotic tune | source music | street

The Informer (1935)

Katie (Hurt)0:06:58 - Katie is upset with Gypo and walks away upsetagitated | chromatic scale | crying | establish character | leading lady | leading man | leaving | street | tritone | upset

The Informer (1935)

Katie (Triste)0:22:38 - Katie appears at the window64 chord | advance plot | antagonist | conversing | foreign key modulation | leading lady | leading man | parallelism | pub | sultry | watching

The Informer (1935)

Blood Money (Four Coins)0:23:15 - Bartender puts four coins on the tableadvance plot | antagonist | augmented triad | bartender | coin | counting | half-diminished 7th chord | leading lady | leading man | mickey-mousing | money | mysterious | placing | pub | tense

The Informer (1935)

The Informer (Lying)0:23:40 - Gypo lies about where he got the moneyadvance plot | antagonist | chromatic sequence | conversing | diminished 7th chord | dissonant bass | half-diminished 7th chord | leading lady | leading man | lying | octatonic | pub | Scotch snap | tense

The Informer (1935)

Blind Man + Blood Money0:24:45 - Blind man wanders in and Gypo gives him moneyadvance plot | antagonist | augmented triad | blind man | combination of themes | giving | leading lady | leading man | money | mysterious | ominous | street | walking

The Informer (1935)

The Informer (Bold)0:25:26 - Gypo storms off down the street64 chord | advance plot | antagonist | bold | determined | hurrying | leading lady | leading man | Scotch snap | street | walking

The Informer (1935)

Here Comes the Bride0:49:55 - Dream sequence of a voyage to America64 chord | advance plot | antagonist | boat | double exposure | dreaming | familiar tune | leading lady | leading man | pedal tone | romantic | ship | street | vision | wedding

The Informer (1935)

Katie (Mistaken Identity)0:52:34 - Gypo thinks he sees Katie, but it's someone elseadvance plot | antagonist | augmented sixth chord | hallucinating | hallucination | leading lady | leading man | party | sentimental | transcribed by ear

The Informer (1935)

The Informer (Drunk)1:03:23 - Gypo walks down the street drunkadvance plot | antagonist | drunk | leading lady | leading man | marching | rebel | street

The Informer (1935)

The Informer (Molto Agitato)1:03:45 - Katie worries for Gypoadvance plot | antagonist | chromatic parallelism | conversing | drunk | half-diminished 7th chord | leading lady | leading man | rebel | street

The Informer (1935)

The Wearin' o' the Green (Fighting)1:03:51 - Gypo struggles with the rebels64 chord | advance plot | antagonist | chromatic parallelism | conversing | dominant 7th chord | drunk | familiar tune | fighting | folk song | fragmentation | leading lady | leading man | reassuring | rebel | sequence | street | struggling | syncopation

The Informer (1935)

Blood Money (Ostinato)1:04:10 - The rebels overhear Gypo talking about the moneyadvance plot | antagonist | conversing | drunk | leading lady | leading man | money | mysterious | ostinato | rebel | street | whole-tone chord

The Informer (1935)

Katie (Tragic)1:04:39 - Katie is left alone on the streetadvance plot | appoggiatura | leading lady | minor-major 7th chord | money | somber | street | worrying

The Informer (1935)

Blood Money (Ostinato)1:22:00 - Gypo confesses to Katieantagonist | confessing |