Tag Search

2395 results for "leading lady" in 54 films — see also heroine

Film	Theme name	Instance	Tags
All This, and Heaven Too (1940)	Agitato	0:06:49 - Henriette leaves the classroom	agitated \| appoggiatura \| chromatic scale \| distressed \| establish character \| hurrying \| leading lady \| leaving \| minister \| Neapolitan \| principal \| school \| teacher \| walking
All This, and Heaven Too (1940)	Molto Agitato	0:07:21 - Henriette talks to Miss Haines	agitated \| conversing \| dissonant bass \| distressed \| establish character \| foreign key modulation \| leading lady \| minister \| principal \| school \| suspension \| teacher
All This, and Heaven Too (1940)	Henry	0:07:41 - Henriette looks at Henry Field	establish character \| gentle \| hymn-like \| leading lady \| minister \| noble \| principal \| reassuring \| school \| secondary dominant \| teacher
All This, and Heaven Too (1940)	Underscoring (Agitated)	0:07:52 - Henriette talks to Henry Field	agitated \| chromatic parallelism \| chromatic sequence \| conversing \| distressed \| establish character \| leading lady \| minister \| principal \| school \| teacher
All This, and Heaven Too (1940)	Henriette (Moderato)	0:08:03 - Henriette talks to Henry Field	agitated \| conversing \| distressed \| establish character \| leading lady \| minister \| principal \| school \| secondary dominant \| teacher
All This, and Heaven Too (1940)	Henriette (Proud)	0:08:21 - Mr. Field encourages Henriette	added-note chord \| deceptive resolution \| establish character \| hopeful \| leading lady \| minister \| mode mixture \| mysterious \| pedal tone \| principal \| reassuring \| reverse picardy \| school \| student \| teacher
All This, and Heaven Too (1940)	The Duke	0:09:55 - Henriette tells the girls her story	establish place \| flashback \| gentle \| leading lady \| light \| peaceful \| school \| storytelling \| student \| teacher
All This, and Heaven Too (1940)	The Duke (Ocean Waves)	0:10:10 - Ocean waves	boat \| establish place \| flashback \| foreign key modulation \| gentle \| leading lady \| light \| peaceful \| storytelling \| student \| teacher \| traveling
All This, and Heaven Too (1940)	Henriette (Lento)	0:10:20 - Henriette on a ship	boat \| dissonant bass \| flashback \| foreign key modulation \| hopeful \| leading lady \| mysterious \| pedal tone \| storytelling \| tense \| traveling
All This, and Heaven Too (1940)	Henriette (Dolce)	0:12:43 - Henriette talks to Henry	64 chord \| boat \| chromatic mediant \| conversing \| deceptive resolution \| gentle \| leading lady \| leaving \| minister \| peaceful \| transition
All This, and Heaven Too (1940)	Henriette (Carriage)	0:13:05 - A carriage arrives	64 chord \| carriage \| driver \| leading lady \| pleasant \| street \| transition \| traveling \| upbeat
All This, and Heaven Too (1940)	Arriving	0:13:14 - Henriette gets out of the carriage	arriving \| augmented sixth chord \| carriage \| driver \| enharmonic modulation \| foreign key modulation \| gentle \| leading lady \| pleasant \| street \| transition
All This, and Heaven Too (1940)	Arriving 2	0:13:24 - Henriette walks to the front door	9th chord \| arriving \| caretaker \| deceptive resolution \| gentle \| leading lady \| pleasant \| secondary dominant \| street \| transition
All This, and Heaven Too (1940)	Ascending	0:13:37 - Henriette meets the caretaker	altered dominant \| caretaker \| conversing \| half-diminished 7th chord \| leading lady \| mysterious \| street \| transition \| underscoring
All This, and Heaven Too (1940)	Pierre	0:13:47 - Pierre introduces himself	added-note chord \| caretaker \| conversing \| deceptive resolution \| introducing \| leading lady \| mode mixture \| pedal tone \| pleasant \| street \| tense \| transition
All This, and Heaven Too (1940)	The Duke (Maestoso)	0:14:03 - Henriette enters the palace	arriving \| butler \| calm \| chromatic mediant \| chromatic sequence \| countermelody \| establish place \| establish setting \| foreign key modulation \| gentle \| leading lady \| noble \| palace \| sequential modulation \| walking
All This, and Heaven Too (1940)	The Duke (Quasi Mysterioso)	0:14:49 - Henriette hears the Duke and Duchess arguing	arriving \| butler \| common-chord modulation \| deceptive resolution \| duchess \| duke \| establish setting \| interrupting \| leading lady \| leading man \| mysterious \| room \| tense
All This, and Heaven Too (1940)	The Duchess (Agitato)	0:22:02 - The Duchess argues with the Duke	agitated \| arguing \| chromatic scale \| chromatic sequence \| distressed \| duchess \| duke \| establish character \| leading lady \| leading man \| mode mixture \| room
All This, and Heaven Too (1940)	Underscoring (Agitated)	0:22:23 - The Duke rebukes the Duchess	agitated \| arguing \| chromatic parallelism \| chromatic scale \| distressed \| dominant 7th chord \| duchess \| duke \| establish character \| leading lady \| leading man \| room
All This, and Heaven Too (1940)	Rushing	0:22:31 - The Duchess rushes after the Duke	agitated \| arguing \| augmented triad \| distressed \| duchess \| duke \| establish character \| leading lady \| leading man \| mickey-mousing \| rising \| room \| rushing \| turn figure
All This, and Heaven Too (1940)	Pleading	0:22:41 - The Duchess pleads with the Duke to stay	acceleration \| agitated \| arguing \| chromatic sequence \| distressed \| duchess \| duke \| establish character \| fragmentation \| leading lady \| leading man \| parallelism \| pleading \| room
All This, and Heaven Too (1940)	Desperation (Furioso)	0:22:53 - The Duchess curses the Duke	agitated \| arguing \| dissonant bass \| distressed \| duchess \| duke \| establish character \| leading lady \| leading man \| parallelism \| pleading \| priest \| room \| tense
All This, and Heaven Too (1940)	Fairy Tale	0:23:13 - Henriette reads a fairy tale	added-note chord \| book \| calm \| child \| delicate \| establish character \| fairy tale \| governess \| leading lady \| pentatonic \| pleasant \| room \| storytelling
All This, and Heaven Too (1940)	Fairy Godmother	0:23:28 - Henriette reads a fairy tale	9th chord \| altered dominant \| book \| calm \| child \| delicate \| establish character \| fairy tale \| foreign key modulation \| governess \| leading lady \| magical \| pleasant \| room \| storytelling
All This, and Heaven Too (1940)	Henriette (Fairy Tale)	0:23:50 - Henriette reads a fairy tale	book \| calm \| child \| countermelody \| delicate \| duke \| establish character \| fairy tale \| governess \| leading lady \| leading man \| magical \| pleasant \| room \| storytelling
All This, and Heaven Too (1940)	Illness	0:26:16 - The Duke asks about Raynald	advance plot \| delicate \| duke \| gentle \| governess \| leading lady \| leading man \| parallelism \| room \| worrying
All This, and Heaven Too (1940)	Henriette (Molto tranquillo)	0:26:30 - The Duke talks to Henriette	added-note chord \| advance plot \| conversing \| countermelody \| delicate \| duke \| gentle \| governess \| leading lady \| room \| worrying
All This, and Heaven Too (1940)	The War of the Roses	0:27:13 - Henriette plays the harpsichord	advance plot \| child \| children's song \| dancing \| governess \| leading lady \| on-screen music \| pleasant \| room \| singing \| source music
All This, and Heaven Too (1940)	The War of the Roses	0:28:23 - The girls sing	advance plot \| child \| children's song \| dancing \| governess \| leading lady \| on-screen music \| pleasant \| room \| singing \| source music
All This, and Heaven Too (1940)	Underscoring (Tense)	NIF - not in film	advance plot \| child \| chromatic wedge \| conversing \| cut from film \| duchess \| governess \| leading lady \| room \| tense \| underscoring
All This, and Heaven Too (1940)	Rubato	NIF - not in film	9th chord \| added-note chord \| advance plot \| arguing \| child \| cut from film \| deceptive resolution \| duchess \| governess \| leading lady \| room \| tense
All This, and Heaven Too (1940)	Desperation (Very Dramatic)	NIF - not in film	advance plot \| altered dominant \| arguing \| child \| cut from film \| duchess \| governess \| leading lady \| room \| tense
All This, and Heaven Too (1940)	Rubato (Carriage)	NIF - not in film	9th chord \| advance plot \| carriage \| child \| cut from film \| deceptive resolution \| duchess \| governess \| leading lady \| leaving \| parallelism \| passionate \| street
All This, and Heaven Too (1940)	Desperation (Carriage Starts)	NIF - not in film	added-note chord \| advance plot \| carriage \| child \| cut from film \| duchess \| gentle \| governess \| leading lady \| leaving \| pedal tone \| street
All This, and Heaven Too (1940)	Underscoring (Tense)	0:30:19 - Henriette dresses Raynald	9th chord \| advance plot \| arguing \| caring \| child \| duke \| governess \| illness \| leading lady \| leading man \| room \| sequence \| tense \| underscoring
All This, and Heaven Too (1940)	Underscoring (Gentle)	0:30:34 - Henriette puts Raynald in bed	advance plot \| arguing \| caring \| child \| chromatic sequence \| duke \| gentle \| governess \| illness \| leading lady \| leading man \| mode mixture \| room \| tense \| underscoring
All This, and Heaven Too (1940)	Romance	0:30:48 - Henriette talks with the Duke	added-note chord \| advance plot \| arguing \| child \| duke \| governess \| illness \| leading lady \| leading man \| romantic \| room \| sequence
All This, and Heaven Too (1940)	Henriette (Andante)	0:31:04 - The Duke apologizes to Henriette	9th chord \| 64 chord \| advance plot \| apologizing \| child \| conversing \| duke \| foreign key modulation \| governess \| illness \| leading lady \| leading man \| romantic \| room
All This, and Heaven Too (1940)	The Duke (Tranquillo)	0:31:41 - The doctor treats Raynald	advance plot \| caring \| child \| conversing \| doctor \| duke \| gentle \| governess \| illness \| leading lady \| leading man \| room \| somber
All This, and Heaven Too (1940)	The Sick Room	0:32:12 - The doctor talks to the Duke	64 chord \| advance plot \| child \| chromatic sequence \| conversing \| doctor \| duke \| fragmentation \| gentle \| governess \| illness \| leading lady \| leading man \| pedal tone \| room
All This, and Heaven Too (1940)	Raynald	0:32:53 - Henriette helps Raynald	advance plot \| caring \| child \| common-chord modulation \| conversing \| delicate \| duke \| gentle \| governess \| illness \| leading lady \| leading man \| room \| sweet
All This, and Heaven Too (1940)	Counting	0:33:30 - Henriette counts tangerine slices	advance plot \| calm \| child \| chromatic sequence \| conversing \| counting \| distracting \| duke \| governess \| illness \| leading lady \| leading man \| pc set \| room \| tense \| wedge \| zoom in
All This, and Heaven Too (1940)	Henriette (Molto Tranquillo 2)	0:34:17 - Henriette comforts Raynald	advance plot \| augmented sixth chord \| child \| comforting \| common-chord modulation \| conversing \| dark \| delicate \| duke \| gentle \| governess \| illness \| leading lady \| leading man \| mode mixture \| parallel 63s \| room \| suspension
All This, and Heaven Too (1940)	Raynald (Dark)	0:34:52 - Raynald talks with Henriette	advance plot \| child \| comforting \| conversing \| dark \| death \| duke \| foreign key modulation \| governess \| illness \| leading lady \| leading man \| room
All This, and Heaven Too (1940)	Lullaby	0:35:08 - Henriette sings a lullaby	advance plot \| calm \| caring \| child \| duke \| gentle \| governess \| illness \| leading lady \| leading man \| lullaby \| room \| scored source music \| singing
All This, and Heaven Too (1940)	Raynald (Lullaby)	0:35:24 - Henriette talks to the Duke	advance plot \| calm \| caring \| child \| conversing \| duke \| gentle \| governess \| illness \| leading lady \| leading man \| lullaby \| mode mixture \| room
All This, and Heaven Too (1940)	Lullaby	0:35:39 - Henriette sings a lullaby	advance plot \| calm \| caring \| child \| duke \| gentle \| governess \| illness \| leading lady \| leading man \| lullaby \| room \| scored source music \| singing
All This, and Heaven Too (1940)	Henriette (Very Emotional)	0:35:57 - The Duke thanks Henriette	advance plot \| calm \| child \| common-chord modulation \| conversing \| duke \| gentle \| governess \| illness \| leading lady \| leading man \| mode mixture \| parallel 63s \| room
All This, and Heaven Too (1940)	Lullaby (Morendo)	0:36:25 - Henriette sings a lullaby	advance plot \| calm \| caring \| child \| chromatic mediant \| duke \| gentle \| governess \| illness \| leading lady \| leading man \| room \| singing
All This, and Heaven Too (1940)	The Prayer	0:36:36 - The Abbe prays for Raynald	child \| common-chord modulation \| duke \| governess \| hymn-like \| illness \| leading lady \| leading man \| parallelism \| praying \| priest \| religious scene \| room \| sequence \| somber
All This, and Heaven Too (1940)	Underscoring (Tense)	0:37:37 - They rise from prayer	added-note chord \| child \| chromatic scale \| chromatic wedge \| conversing \| deceptive resolution \| duchess \| duke \| governess \| illness \| leading lady \| leading man \| leaving \| priest \| religious scene \| room \| somber \| tense
All This, and Heaven Too (1940)	The Duchess (Agitato)	0:38:09 - The Duchess argues with the doctor	arguing \| common-chord modulation \| doctor \| duchess \| illness \| leading lady \| mode mixture \| religious scene \| room \| syncopation \| tense
All This, and Heaven Too (1940)	Raynald (Adagio)	0:38:26 - The doctor takes Raynald's pulse	9th chord \| advance plot \| caring \| child \| chromatic scale \| conversing \| doctor \| duke \| governess \| governess \| illness \| leading lady \| leading man \| room \| solemn
All This, and Heaven Too (1940)	Raynald (Triste)	0:39:16 - The Duke talks to Henriette	64 chord \| advance plot \| child \| conversing \| duke \| governess \| illness \| leading lady \| leading man \| room \| somber
All This, and Heaven Too (1940)	The Duchess (Expressivo con Schmalzo)	0:39:24 - The Duchess writes a letter	angry \| chromatic sequence \| crying \| despair \| duchess \| foreign key modulation \| leading lady \| mad scene \| on-screen text \| room \| sequence \| sequential modulation \| writing
All This, and Heaven Too (1940)	Desperation	0:39:54 - The Duchess writes a letter	angry \| chromatic scale \| crying \| despair \| duchess \| leading lady \| mad scene \| on-screen text \| parallelism \| room \| writing
All This, and Heaven Too (1940)	Rushing	0:40:15 - The Duchess rushes to the Abbe	angry \| arguing \| augmented triad \| despair \| duchess \| leading lady \| mad scene \| mickey-mousing \| priest \| room \| turn figure
All This, and Heaven Too (1940)	Pleading (Extended)	0:40:26 - The Abbe talks with the Duchess	9th chord \| angry \| arguing \| chromatic sequence \| despair \| duchess \| fragmentation \| leading lady \| mad scene \| oscillation \| parallelism \| priest \| room
All This, and Heaven Too (1940)	Desperation (Very Emotional)	0:41:00 - The Duchess pleads with the Abbe	angry \| arguing \| chromatic scale \| chromatic sequence \| crying \| despair \| dissonant bass \| illness \| leading lady \| mad scene \| priest \| room
All This, and Heaven Too (1940)	Raynald (Andante)	0:41:36 - Henriette and the Duke by Raynald's bedside	9th chord \| 64 chord \| augmented sixth chord \| child \| chromatic sequence \| conversing \| duke \| governess \| hopeful \| illness \| illness scene \| leading lady \| leading man \| parallelism \| room \| solemn \| somber
All This, and Heaven Too (1940)	Henriette (Ethereal)	0:42:36 - Henriette asks to open the window	9th chord \| bright \| child \| conversing \| duke \| foreign key modulation \| governess \| half-diminished 7th chord \| hopeful \| illness \| illness scene \| leading lady \| leading man \| room \| sequence \| timid
All This, and Heaven Too (1940)	Raynald (Ethereal)	0:43:04 - Raynald by the window	64 chord \| child \| conversing \| duke \| governess \| hopeful \| illness \| illness scene \| leading lady \| leading man \| pedal tone \| room
All This, and Heaven Too (1940)	Rushing 2	0:43:14 - The Duchess rushes into the room	arguing \| child \| duchess \| duke \| governess \| half-diminished 7th chord \| hurried \| illness \| illness scene \| leading lady \| leading man \| mickey-mousing \| room \| rushing
All This, and Heaven Too (1940)	Desperation (Furioso)	0:43:28 - The Duchess rushes out of the room	angry \| child \| despair \| dissonant bass \| duchess \| duke \| governess \| hurrying \| illness \| illness scene \| leading lady \| leading man \| leaving \| room
All This, and Heaven Too (1940)	Desperation (Calming)	0:43:35 - Henriette closes the window	calm \| caring \| child \| dark \| dissonant bass \| duke \| fragmentation \| governess \| hopeful \| illness \| illness scene \| leading lady \| leading man \| room
All This, and Heaven Too (1940)	Raynald (Tranquillo)	0:43:53 - Henriette puts Raynald in bed	calm \| caring \| child \| duke \| gentle \| governess \| illness \| illness scene \| leading lady \| leading man \| pedal tone \| room
All This, and Heaven Too (1940)	Henriette (Appassionato)	0:44:08 - Raynald plays outside	64 chord \| added-note chord \| advance plot \| child \| common-tone diminished 7th \| conversing \| courtyard \| duke \| foreign key modulation \| governess \| happy \| leading lady \| leading man \| passionate \| playing
All This, and Heaven Too (1940)	Raynald (Mysterioso)	0:44:22 - Raynald talks with Henriette	advance plot \| child \| conversing \| courtyard \| deceptive resolution \| duke \| governess \| happy \| leading lady \| leading man \| mysterious
All This, and Heaven Too (1940)	The Duchess (Molto Expressivo)	0:44:33 - Henriette reads a letter from the Duchess	advance plot \| common-chord modulation \| governess \| leading lady \| letter \| on-screen text \| positive \| reading \| room
All This, and Heaven Too (1940)	The Duchess (Molto Screwieoso)	0:44:50 - Henriette looks at a gift from the Duchess	64 chord \| advance plot \| chromatic parallelism \| distressed \| gift \| governess \| leading lady \| looking \| opening \| pedal tone \| room \| stinger
All This, and Heaven Too (1940)	Underscoring (Mysterious)	0:46:43 - The Duchess stares at Henriette	chromatic wedge \| conversing \| duchess \| governess \| leading lady \| linear chromaticism \| mysterious \| pc set \| room \| transition \| underscoring
All This, and Heaven Too (1940)	Raynald (Carriage)	0:46:53 - Horses pulling a carriage	64 chord \| carriage \| child \| chromatic mediant \| common-chord modulation \| conversing \| countermelody \| foreign key modulation \| governess \| horse \| leading lady \| mickey-mousing \| mode mixture \| pleasant \| riding \| street \| traveling scene \| trotting \| upbeat
All This, and Heaven Too (1940)	Henriette (Very Emotional)	0:49:01 - The Duke looks at Henriette	advance plot \| child \| chromatic scale \| common-chord modulation \| common-tone diminished 7th \| conversing \| delicate \| duke \| gentle \| governess \| leading lady \| leading man \| looking \| romance \| romantic \| room
All This, and Heaven Too (1940)	Armide	0:49:21 - The opera house	arriving \| audience \| child \| concert scene \| conversing \| duke \| governess \| leading lady \| leading man \| opera \| regal \| source music \| theater \| upbeat \| watching
All This, and Heaven Too (1940)	La Parisienne (The King)	0:50:33 - The king enters	arriving \| audience \| bowing \| child \| concert scene \| duke \| governess \| king \| leading lady \| leading man \| not by Steiner \| patriotic tune \| regal \| source music \| theater \| watching
All This, and Heaven Too (1940)	Plainte de Cloris	0:51:08 - They listen to the musical prologue	audience \| calm \| child \| classical music \| concert scene \| conversing \| duke \| governess \| leading lady \| leading man \| listening \| passionate \| source music \| theater
All This, and Heaven Too (1940)	Air pour La Jeunesse	0:51:43 - A montage of people applauding	audience \| child \| classical music \| concert scene \| dramatic \| duke \| governess \| leading lady \| leading man \| listening \| source music \| theater \| watching
All This, and Heaven Too (1940)	Fanfan la Tulipe	0:51:48 - Henriette plays the harpsichord	advance plot \| child \| dancing \| duke \| folk music \| governess \| leading lady \| leading man \| on-screen music \| playing \| room \| upbeat
All This, and Heaven Too (1940)	Louise	0:52:39 - Louise hugs her father	added-note chord \| advance plot \| appoggiatura \| child \| conversing \| duke \| excited \| governess \| happy \| hugging \| leading lady \| leading man \| mode mixture \| room
All This, and Heaven Too (1940)	The Duke (Lohengrin)	0:52:53 - The Duke gives Louise his rose	advance plot \| calm \| child \| conversing \| countermelody \| duke \| fragmentation \| governess \| hugging \| kind \| leading lady \| leading man \| room \| sequence
All This, and Heaven Too (1940)	Louise (Poco Animato)	0:53:39 - Louise talks to Henriette	advance plot \| child \| conversing \| excited \| governess \| happy \| leading lady \| room \| sequential modulation
All This, and Heaven Too (1940)	Henriette (Poco Animato)	0:53:44 - Henriette puts out the lights	advance plot \| child \| conversing \| excited \| fragmentation \| governess \| happy \| leading lady \| room \| sequential modulation
All This, and Heaven Too (1940)	Henriette (Music Box)	0:54:04 - Henriette puts Louise to bed	advance plot \| augmented sixth chord \| calm \| child \| common-tone diminished 7th \| conversing \| goodnight \| governess \| happy \| leading lady \| lullaby \| mode mixture \| music box \| room
All This, and Heaven Too (1940)	Underscoring (Mysterious)	0:56:57 - The Duchess enters	advance plot \| child \| conversing \| governess \| half-diminished 7th chord \| leading lady \| maid \| mysterious \| room \| tense \| trouble \| underscoring
All This, and Heaven Too (1940)	The Duchess (Arguing)	1:00:32 - Henriette leaves	added-note chord \| arguing \| conflict \| dramatic \| duchess \| duke \| governess \| leading lady \| leading man \| linear chromaticism \| listening \| romantic \| room \| serious \| trouble
All This, and Heaven Too (1940)	Underscoring (Dramatic)	1:01:03 - Henriette packs her things	arguing \| conflict \| dramatic \| duke \| governess \| leading lady \| leading man \| room \| trouble
All This, and Heaven Too (1940)	Desperation (Very Emotional)	1:01:26 - Henriette talks to the Duke	arguing \| chromatic sequence \| conflict \| dramatic \| duke \| governess \| leading lady \| leading man \| room \| trouble
All This, and Heaven Too (1940)	Pleading (Extended)	1:01:39 - The Duke responds to Henriette	9th chord \| arguing \| chromatic sequence \| conflict \| dramatic \| duke \| governess \| leading lady \| leading man \| room \| trouble
All This, and Heaven Too (1940)	Desperation (Very Emotional)	1:02:00 - The Duke talks to Henriette	arguing \| chromatic scale \| chromatic sequence \| conflict \| dissonant bass \| dramatic \| duke \| governess \| leading lady \| leading man \| room \| trouble
All This, and Heaven Too (1940)	Henriette (Emotional)	1:02:28 - The Duke talks to Henriette	chromatic sequence \| conflict \| conversing \| duke \| governess \| leading lady \| leading man \| mode mixture \| romance \| romantic \| room
All This, and Heaven Too (1940)	Henriette (Sweepingly)	1:02:57 - Henriette with tears in her eyes	added-note chord \| augmented sixth chord \| chromatic mediant \| conflict \| conversing \| deceptive resolution \| duke \| foreign key modulation \| governess \| leading lady \| leading man \| mode mixture \| pedal tone \| romance \| romantic \| room
All This, and Heaven Too (1940)	Valse	1:03:32 - Montage of newspaper clippings	added-note chord \| ballroom \| cheerful \| crowd \| dancing \| double exposure \| duchess \| duke \| leading lady \| leading man \| mode mixture \| montage \| upbeat \| waltz
All This, and Heaven Too (1940)	Invitation from the King	1:03:46 - Invitation from the King	11th chord \| ballroom \| bold \| double exposure \| duchess \| duke \| fanfare \| leading lady \| leading man \| montage \| pedal tone \| walking
All This, and Heaven Too (1940)	Ascending	1:03:57 - The Duke and Duchess ascend	ascending \| ballroom \| chromatic sequence \| double exposure \| duchess \| duke \| leading lady \| leading man \| mickey-mousing \| montage \| stairs \| tense
All This, and Heaven Too (1940)	The Duchess (Tutti)	1:04:02 - A concert program	ballroom \| bold \| carriage \| duchess \| duke \| fanfare \| leading lady \| leading man \| montage \| riding \| romantic \| sequential modulation
All This, and Heaven Too (1940)	Invitation to the Dance	1:04:19 - People waltzing	advance plot \| ballroom \| child \| classical music \| crowd \| dancing \| duchess \| duke \| leading lady \| leading man \| simulated source music \| upbeat \| waltz
All This, and Heaven Too (1940)	La Parisienne (The King)	1:06:08 - The children watch from the balcony	advance plot \| arriving \| ballroom \| child \| crowd \| governess \| king \| leading lady \| march \| patriotic tune \| regal \| simulated source music
All This, and Heaven Too (1940)	La Parisienne (Expressivo)	1:06:51 - The children pray	advance plot \| calm \| child \| governess \| leading lady \| mode mixture \| praying \| room
All This, and Heaven Too (1940)	Henriette (Goodnight)	1:06:59 - Henriette puts the children to bed	advance plot \| calm \| child \| fragmentation \| goodnight \| governess \| leading lady \| peaceful \| pedal tone \| room \| tucking in
All This, and Heaven Too (1940)	Isabelle	1:07:33 - Isabelle cries	advance plot \| augmented sixth chord \| child \| chromatic sequence \| comforting \| crying \| governess \| leading lady \| room \| sequence \| serious \| somber
All This, and Heaven Too (1940)	Isabelle 2	1:08:44 - Isabelle talks to Henriette	advance plot \| child \| comforting \| countermelody \| crying \| governess \| leading lady \| room \| serious \| somber
All This, and Heaven Too (1940)	Henriette (Gentle)	1:09:26 - Isabelle talks to Henriette	9th chord \| advance plot \| child \| chromatic parallelism \| comforting \| crying \| gentle \| governess \| leading lady \| Neapolitan \| room \| sweet
All This, and Heaven Too (1940)	Henriette (Cello Solo)	1:10:09 - Henriette comforts Isabelle	advance plot \| child \| comforting \| crying \| gentle \| governess \| leading lady \| pedal tone \| room
All This, and Heaven Too (1940)	The Duchess (Expressivo)	1:10:42 - The Duke complains to Henriette	abrupt \| advance plot \| angry \| chromatic parallelism \| complaining \| duke \| governess \| leading lady \| leading man \| room \| sequential modulation
All This, and Heaven Too (1940)	Henriette (Transition)	1:10:55 - The Duke talks to Henriette	advance plot \| calm \| common-tone diminished 7th \| conversing \| duke \| enharmonic modulation \| governess \| leading lady \| leading man \| room
All This, and Heaven Too (1940)	Henriette (Rubato)	1:11:14 - The Duke talks to Henriette	9th chord \| added-note chord \| advance plot \| calm \| conversing \| duke \| governess \| leading lady \| leading man \| mode mixture \| peaceful \| room
All This, and Heaven Too (1940)	Henriette + Falling Snow	1:12:16 - The Duke talks to Henriette	advance plot \| augmented triad \| chromatic parallelism \| combination of themes \| conversing \| duke \| governess \| leading lady \| leading man \| mickey-mousing \| mode mixture \| room \| snow \| snow globe \| snowing \| uneasy
All This, and Heaven Too (1940)	Falling Snow	1:12:39 - Henriette watches the falling snow	64 chord \| advance plot \| chromatic parallelism \| chromatic scale \| chromatic sequence \| conversing \| dissonant bass \| duke \| governess \| leading lady \| leading man \| mickey-mousing \| pedal tone \| point-of-view shot \| room \| snow \| snow globe \| snowing \| uneasy
All This, and Heaven Too (1940)	Henriette (Sad Waltz)	1:12:55 - Henriette watches the people dancing	9th chord \| 64 chord \| advance plot \| ballroom \| crowd \| dancing \| dissolve \| governess \| leading lady \| pedal tone \| point-of-view shot \| room \| somber \| watching
All This, and Heaven Too (1940)	Underscoring (Dramatic)	1:13:19 - Henriette watches the falling snow	advance plot \| arriving \| butler \| dissonant bass \| dramatic \| duchess \| duke \| leading lady \| leading man \| outside \| panning shot \| pc set \| point-of-view shot \| room \| sigh gesture \| underscoring \| watching
All This, and Heaven Too (1940)	The Duchess (Con Moto)	1:13:45 - Henriette watches the Duke and Duchess	advance plot \| dramatic \| duchess \| duke \| leading lady \| leading man \| leaving \| painful \| point-of-view shot \| room \| sequential modulation \| watching
All This, and Heaven Too (1940)	Henriette (Somber)	1:15:09 - Henriette looks out the window	advance plot \| governess \| leading lady \| longing \| pedal tone \| room \| somber
All This, and Heaven Too (1940)	Henriette (Quasi Agitato)	1:17:45 - Henriette paces anxiously	acceleration \| advance plot \| agitated \| conflicted \| dissonant bass \| fragmentation \| gift \| governess \| half-diminished 7th chord \| leading lady \| pacing \| pondering \| room \| sequence \| turbulent
All This, and Heaven Too (1940)	Henriette (Tristan)	1:18:13 - Henriette opens a gift	9th chord \| advance plot \| fragmentation \| gift \| governess \| happy \| leading lady \| opening \| pump-up modulation \| room \| snow globe
All This, and Heaven Too (1940)	Henriette + Falling Snow	1:18:26 - Snow swirling in a snow globe	advance plot \| calm \| chromatic parallelism \| combination of themes \| deceptive resolution \| gift \| governess \| leading lady \| room \| snow \| snow globe \| snowing \| swirling
All This, and Heaven Too (1940)	Rushing	1:19:33 - The Duchess rushes forward	angry \| arguing \| augmented triad \| compound melody \| conflict \| desperate \| duchess \| duke \| hurried \| leading lady \| leading man \| room \| rushing \| turn figure
All This, and Heaven Too (1940)	Pleading (Extended 2)	1:19:43 - The Duchess pleads with the Duke	9th chord \| acceleration \| arguing \| chromatic sequence \| conflict \| desperate \| duchess \| duke \| fragmentation \| leading lady \| leading man \| parallelism \| room
All This, and Heaven Too (1940)	Desperation (Very Emotional)	1:20:06 - The Duchess threatens the Duke	arguing \| augmented triad \| chromatic scale \| chromatic sequence \| conflict \| desperate \| dissonant bass \| duchess \| duke \| leading lady \| leading man \| room \| tense \| threatening
All This, and Heaven Too (1940)	Desperation (Sempre Accelerando	1:20:39 - The Duke and Duchess argue	acceleration \| arguing \| augmented triad \| chromatic scale \| chromatic sequence \| conflict \| desperate \| dissonant bass \| duchess \| duke \| leading lady \| leading man \| panning shot \| pc set \| room \| screaming \| tense \| threatening
All This, and Heaven Too (1940)	Underscoring (Tense)	1:20:55 - Henriette calms the children down	caretaker \| child \| conflict \| crying \| dissonant bass \| governess \| leading lady \| pc set \| room \| tense
All This, and Heaven Too (1940)	Underscoring (Somber)	1:21:26 - The Duke descends the stairs	child \| chromatic scale \| conflict \| conversing \| crying gesture \| descending \| governess \| leading lady \| room \| somber \| tense
All This, and Heaven Too (1940)	The Duchess (Calm)	1:22:05 - Henriette asks about the Duchess	calm \| conflict \| conversing \| dissonant bass \| duchess \| duke \| foreign key modulation \| leading lady \| leading man \| room
All This, and Heaven Too (1940)	Henriette (Slowly)	1:22:19 - The Duke bids farewell to Henriette	64 chord \| calm \| conflict \| conversing \| deceptive resolution \| duchess \| duke \| gentle \| leading lady \| leading man \| mode mixture \| room \| sigh gesture
All This, and Heaven Too (1940)	The Duke (Dignified)	1:23:09 - A carriage arrives at the chateau	arriving \| child \| dignified \| driver \| governess \| leading lady \| noble \| on-screen text \| palace \| transition
All This, and Heaven Too (1940)	All Hallows Eve	1:23:22 - A forest scene at night	augmented triad \| child \| chromatic parallelism \| chromatic scale \| conversing \| create suspense \| dissonant bass \| forest \| governess \| Halloween \| hiding \| leading lady \| ombra topic \| on-screen text \| pc set \| pedal tone \| scaring \| scary \| spooky \| walking \| whole-tone chord
All This, and Heaven Too (1940)	Spring Time	1:24:18 - The children laugh	cheerful \| child \| chromatic sequence \| conversing \| create suspense \| forest \| governess \| leading lady \| walking
All This, and Heaven Too (1940)	Loti's Song	1:24:31 - Apples roasting on a fire	9th chord \| child \| chromatic mediant \| chromatic parallelism \| chromatic scale \| cooking \| create suspense \| dissonant bass \| forest \| governess \| leading lady \| linear chromaticism \| old man \| pedal tone \| scary \| scored source music \| singer \| singing \| split-third chord \| spooky
All This, and Heaven Too (1940)	Creeping	1:25:02 - A stranger approaches	child \| chromatic parallelism \| create suspense \| creeping \| diminished 7th chord \| duke \| forest \| governess \| leading lady \| leading man \| mickey-mousing \| retardation \| scary \| sneaking \| spooky
All This, and Heaven Too (1940)	Spring Time	1:25:18 - The Duke talks with his children	64 chord \| advance plot \| cheerful \| child \| chromatic sequence \| common-tone diminished 7th \| duke \| forest \| governess \| leading lady \| leading man \| pedal tone \| recognizing \| relief
All This, and Heaven Too (1940)	Underscoring (Gentle)	1:25:28 - Henriette smiles at the Duke	advance plot \| child \| chromatic sequence \| conversing \| duke \| foreign key modulation \| forest \| gentle \| governess \| leading lady \| leading man \| Neapolitan \| tender \| underscoring
All This, and Heaven Too (1940)	Henriette (All Hallows Eve)	1:25:46 - The Duke talks with Henriette	64 chord \| advance plot \| conversing \| deceptive resolution \| duke \| forest \| gentle \| governess \| leading lady \| leading man \| mode mixture \| spooky \| sweet \| tender \| whole-tone chord
All This, and Heaven Too (1940)	Underscoring (Tender)	1:26:48 - The Duke talks with the servants	11th chord \| 13th chord \| 64 chord \| added-note chord \| advance plot \| arriving \| common-tone diminished 7th \| conversing \| duke \| gentle \| governess \| leading lady \| leading man \| light \| pentatonic \| room \| servant
All This, and Heaven Too (1940)	Grazioso	1:27:26 - Madame Gauthier talks about the children	9th chord \| 64 chord \| added-note chord \| advance plot \| cheerful \| conversing \| duke \| governess \| leading lady \| leading man \| room \| servant
All This, and Heaven Too (1940)	Raynald	1:27:35 - Madame Gauthier talks about Raynald	64 chord \| advance plot \| cheerful \| chromatic sequence \| conversing \| deceptive resolution \| duke \| governess \| leading lady \| leading man \| room \| servant
All This, and Heaven Too (1940)	Underscoring (Gentle)	1:27:58 - The Duke talks to Henriette by the fireplace	advance plot \| conversing \| duke \| gentle \| governess \| leading lady \| leading man \| pedal tone \| room
All This, and Heaven Too (1940)	Heaven Theme	1:28:16 - Henriette tells the Duke about herself	added-note chord \| common-chord modulation \| duke \| falling in love scene \| gentle \| governess \| leading lady \| leading man \| room \| storytelling
All This, and Heaven Too (1940)	Triste	1:28:51 - Henriette talks about a mystery	duke \| falling in love scene \| governess \| leading lady \| leading man \| pedal tone \| room \| sigh gesture \| somber \| storytelling
All This, and Heaven Too (1940)	Henriette (Very Romantic)	1:29:07 - Henriette talks with the Duke	9th chord \| altered dominant \| augmented triad \| conversing \| duke \| falling in love scene \| gentle \| governess \| leading lady \| leading man \| pedal tone \| romantic \| room \| sweet
All This, and Heaven Too (1940)	Spring Time	1:30:22 - A carriage approaches the palace	64 chord \| arriving \| bright \| carriage \| chattering \| cheerful \| child \| duke \| foreign key modulation \| governess \| happy \| leading lady \| leading man \| Neapolitan \| palace \| pedal tone \| riding \| transition
All This, and Heaven Too (1940)	Raynald (Mysterioso 2)	1:30:33 - The carriage arrives	arriving \| bright \| carriage \| chattering \| child \| duke \| governess \| happy \| leading lady \| leading man \| palace \| riding \| sequential modulation \| transition
All This, and Heaven Too (1940)	Spring Time	1:30:41 - The children get out of the carriage	64 chord \| bright \| cheerful \| child \| chromatic sequence \| conversing \| duke \| governess \| happy \| leading lady \| leading man \| Neapolitan \| palace \| pentatonic \| transition
All This, and Heaven Too (1940)	Raynald (Mysterioso 3)	1:30:51 - The children talk to Henriette	9th chord \| bright \| child \| chromatic parallelism \| conversing \| duke \| governess \| leading lady \| leading man \| palace \| surprise \| tense \| transition
All This, and Heaven Too (1940)	Spring Time (Ominous)	1:31:04 - The children enter the palace	9th chord \| 64 chord \| augmented sixth chord \| bright \| cheerful \| child \| common-chord modulation \| conversing \| deceptive resolution \| diminished third chord \| duke \| governess \| leading lady \| leading man \| mode mixture \| ominous \| palace \| surprise \| transition
All This, and Heaven Too (1940)	Henriette (Ominous)	1:31:15 - Henriette talks to the Duke	9th chord \| 64 chord \| added-note chord \| conversing \| duke \| foreign key modulation \| governess \| hopeful \| leading lady \| leading man \| love scene \| ominous \| palace \| reassuring
All This, and Heaven Too (1940)	Henriette (Molto Expressivo)	1:31:48 - The Duke talks to Henriette	chromatic mediant \| chromatic parallelism \| conversing \| duke \| governess \| leading lady \| leading man \| love scene \| mode mixture \| Neapolitan \| palace \| pedal tone \| reassuring \| romantic \| sigh gesture \| stinger \| tender
All This, and Heaven Too (1940)	Henriette (Expressivo)	1:32:32 - Henriette enters the palace	dissonant bass \| governess \| leading lady \| love scene \| ominous \| palace \| somber \| walking
All This, and Heaven Too (1940)	The Duchess (Agitato)	1:34:41 - Henriette rushes away from the Duchess	chattering \| child \| chromatic sequence \| common-chord modulation \| conflict \| conversing \| duchess \| governess \| leading lady \| mode mixture \| room \| somber \| worried
All This, and Heaven Too (1940)	Underscoring (Agitated)	1:35:05 - Henriette with the children	advance plot \| agitated \| child \| chromatic parallelism \| chromatic scale \| chromatic sequence \| conversing \| governess \| leading lady \| room \| worried
All This, and Heaven Too (1940)	Spring Time (Shimmery)	1:35:12 - Henriette opens a gift	9th chord \| 64 chord \| added-note chord \| advance plot \| cheerful \| child \| conversing \| foreign key modulation \| gift \| governess \| leading lady \| light \| opening \| room
All This, and Heaven Too (1940)	The Duchess (Distracted)	1:35:21 - Henriette opens a gift	advance plot \| agitated \| child \| conversing \| gift \| governess \| leading lady \| opening \| room \| worried
All This, and Heaven Too (1940)	Spring Time (Harry Cohn Moto)	1:35:26 - Henriette opens a gift	advance plot \| cheerful \| child \| chromatic sequence \| gift \| governess \| happy \| leading lady \| opening \| pedal tone \| room \| tense \| unwrapping
All This, and Heaven Too (1940)	Spring Time (Moderato)	1:35:45 - Henriette opens a gift	9th chord \| 64 chord \| advance plot \| augmentation \| calm \| child \| chromatic mediant \| foreign key modulation \| gift \| governess \| leading lady \| locket \| opening \| parallelism \| room \| tender
All This, and Heaven Too (1940)	Henriette (Dolschissimo)	1:36:07 - Henriette reads the locket inscription	64 chord \| advance plot \| calm \| child \| chromatic mediant \| conversing \| crying \| dissonant bass \| foreign key modulation \| gift \| governess \| leading lady \| locket \| mode mixture \| room \| stinger \| tender \| tense
All This, and Heaven Too (1940)	Underscoring (Somber)	1:37:35 - Henriette talks with the Duke	chromatic scale \| conversing \| duke \| governess \| leading lady \| leading man \| love scene \| room \| somber \| underscoring
All This, and Heaven Too (1940)	Expressivo	1:38:15 - Henriette talks with the Duke	chromatic mediant \| conversing \| desperate \| duke \| foreign key modulation \| governess \| leading lady \| leading man \| love scene \| romantic \| room \| sequential modulation
All This, and Heaven Too (1940)	The Duchess (Tender)	1:38:39 - Henriette talks with the Duke	chromatic mediant \| conversing \| duke \| foreign key modulation \| gentle \| governess \| leading lady \| leading man \| love scene \| room \| sequential modulation \| tender
All This, and Heaven Too (1940)	Desperation (Ethereal)	1:38:54 - Henriette talks with the Duke	conversing \| duke \| ethereal \| governess \| leading lady \| leading man \| love scene \| parallelism \| room
All This, and Heaven Too (1940)	Henriette (Sehr Delicatessen)	1:39:12 - Henriette talks with the Duke	calm \| conversing \| duke \| gentle \| governess \| leading lady \| leading man \| love scene \| room \| sweet \| tender
All This, and Heaven Too (1940)	Henriette (Romantic)	1:39:53 - The Duke reads the locket inscription	9th chord \| chromatic mediant \| conversing \| crying \| crying gesture \| duke \| foreign key modulation \| gentle \| governess \| leading lady \| leading man \| love scene \| mode mixture \| romantic \| room \| sigh gesture \| tender
All This, and Heaven Too (1940)	Underscoring (Gentle)	1:41:02 - Henriette talks with the children	9th chord \| child \| conversing \| farewell scene \| gentle \| governess \| leading lady \| parallelism \| pedal tone \| room \| tender \| underscoring
All This, and Heaven Too (1940)	Raynald	1:41:25 - Henriette says goodbye to the children	child \| common-chord modulation \| conversing \| crying \| farewell scene \| foreign key modulation \| gentle \| governess \| leading lady \| room \| tender
All This, and Heaven Too (1940)	Raynald (Dark)	1:41:54 - Raynald talks with Henriette	child \| chromatic sequence \| conversing \| crying \| deceptive resolution \| farewell scene \| governess \| leading lady \| room \| somber
All This, and Heaven Too (1940)	Lullaby (Tender)	1:42:13 - Henriette says goodbye to the children	child \| conversing \| deceptive resolution \| farewell scene \| governess \| leading lady \| room \| somber
All This, and Heaven Too (1940)	Henriette (Sweepingly)	1:45:32 - Henriette reads a letter	cheerful \| leading lady \| letter \| pleasant \| room \| transition
All This, and Heaven Too (1940)	Henriette (Appassionato 2)	1:46:00 - Henriette descends the staircase	9th chord \| 11th chord \| added-note chord \| anxious \| chromatic sequence \| common-tone diminished 7th \| descending \| excited \| foreign key modulation \| hurrying \| leading lady \| not mickey-moused \| room \| stairs \| transition \| walking
All This, and Heaven Too (1940)	Henriette (Tristan)	1:46:15 - Henriette greets the children	9th chord \| arriving \| child \| duke \| fragmentation \| grand \| greeting \| leading lady \| leading man \| pump-up modulation \| reunion scene \| romantic \| room
All This, and Heaven Too (1940)	Henriette (Meno)	1:46:24 - Henriette talks with the children	arriving \| calm \| child \| duke \| greeting \| leading lady \| leading man \| mode mixture \| Neapolitan \| reunion scene \| room
All This, and Heaven Too (1940)	Henriette (Calm)	1:46:38 - Henriette talks with the Duke	calm \| child \| conversing \| duke \| gentle \| leading lady \| leading man \| reunion scene \| room \| uneasy
All This, and Heaven Too (1940)	Spring Time (Flowers)	1:47:09 - The children give flowers to Henriette	added-note chord \| cheerful \| child \| conversing \| leading lady \| pleasant \| reunion scene \| room \| sequential modulation
All This, and Heaven Too (1940)	Henriette (Gossiping) + Spring Time (Gossiping)	1:47:25 - Henriette's landlady talks to the Duke	awkward \| child \| combination of themes \| common-tone diminished 7th \| diminished 7th chord \| duke \| gossiper \| gossiping \| landlady \| leading lady \| leading man \| mysterious \| parallelism \| pedal tone \| reunion scene \| room \| somber \| tense \| watching
All This, and Heaven Too (1940)	Henriette (Tense)	1:47:51 - The Duke argues with Henriette	arguing \| conflict \| diminished 7th chord \| duke \| fragmentation \| leading lady \| leading man \| pedal tone \| room \| tense
All This, and Heaven Too (1940)	The Duchess (Tense)	1:48:04 - Henriette talks with the Duke	arguing \| conflict \| duke \| leading lady \| leading man \| room \| sequential modulation \| tense
All This, and Heaven Too (1940)	Desperation (Tense)	1:48:14 - The Duke talks with Henriette	chromatic parallelism \| chromatic sequence \| conflict \| conversing \| dissonant bass \| duke \| leading lady \| leading man \| room \| tense
All This, and Heaven Too (1940)	Screwissimo	1:48:47 - The Duke goes mad	chromatic scale \| conflict \| conversing \| creepy \| disturbing \| duke \| leading lady \| leading man \| madness \| ominous \| room \| whole-tone chord
All This, and Heaven Too (1940)	Desperation (Slow)	1:48:58 - The Duke leaves	chromatic scale \| conflict \| dissonant bass \| duke \| leading lady \| leading man \| leaving \| ominous \| room \| tense
All This, and Heaven Too (1940)	The Murder	1:51:56 - The Duke advances towards the Duchess	approaching \| blur \| chromatic scale \| climax \| dark \| diminished 7th chord \| duchess \| duke \| leading lady \| leading man \| menacing \| murder \| murdering \| murder scene \| ominous \| pc set \| room \| strangling
All This, and Heaven Too (1940)	Desperation (Subito)	1:52:22 - Soldiers climb the stairs	64 chord \| ascending \| conflict \| landlady \| leading lady \| not mickey-moused \| room \| soldier \| suspect \| tense
All This, and Heaven Too (1940)	The Duchess (Dramatic)	1:52:48 - Soldiers confront Henriette	accusing \| arresting \| augmented sixth chord \| conflict \| landlady \| leading lady \| ominous \| realizing \| room \| soldier \| suspect \| tense
All This, and Heaven Too (1940)	Henriette (Dark)	1:52:57 - A police wagon approaches	arresting \| carriage \| chromatic sequence \| conflict \| crowd \| dark \| landlady \| leading lady \| soldier \| street \| suspect
All This, and Heaven Too (1940)	Henriette (Grandioso) + Desperation (Grandioso)	1:53:13 - The police wagon leaves	arresting \| bold \| carriage \| conflict \| conversing \| crowd \| crying \| dark \| dissonant bass \| fragmentation \| landlady \| leading lady \| ominous \| soldier \| street \| suspect \| tense \| testifying
All This, and Heaven Too (1940)	Agitato 2	1:59:31 - Henriette is arrested	agitated \| crowd \| crying \| diminished 7th chord \| dissonant bass \| double exposure \| dramatic \| fanfare \| headline \| leading lady \| leaving \| mob \| montage \| newspaper \| soldier \| street \| suspect \| yelling
All This, and Heaven Too (1940)	Henriette (Molto Moderato)	2:04:10 - Women in prison	double exposure \| headline \| leading lady \| montage \| newspaper \| oscillation \| pacing \| prison \| prisoner \| solemn \| suspect \| walking
All This, and Heaven Too (1940)	Heaven Theme (Expressivo)	2:05:06 - Henry talks to Henriette	advance plot \| calm \| conversing \| gentle \| leading lady \| minister \| pleasant \| prison \| prisoner \| suspect \| suspension
All This, and Heaven Too (1940)	Dolce	2:05:51 - Henriette talks to Henry	9th chord \| 11th chord \| advance plot \| calm \| common-chord modulation \| conversing \| gentle \| leading lady \| minister \| pleasant \| prison \| prisoner \| suspect
All This, and Heaven Too (1940)	Underscoring (Tense)	2:06:17 - Henriette argues with Henry	advance plot \| arguing \| fragmentation \| leading lady \| minister \| pedal tone \| prison \| prisoner \| sequence \| suspect \| tense \| underscoring
All This, and Heaven Too (1940)	Heaven Theme (Delicato)	2:06:34 - Henry talks to Henriette	advance plot \| calm \| conversing \| gentle \| leading lady \| minister \| pleasant \| prison \| prisoner \| suspect
All This, and Heaven Too (1940)	Raynald (Delicato)	2:06:46 - Henry talks to Henriette	advance plot \| conversing \| delicate \| leading lady \| minister \| mode change \| prison \| prisoner \| suspect \| tender \| tense \| worrying
All This, and Heaven Too (1940)	Heaven Theme (Dolce)	2:06:58 - Henry talks to Henriette	advance plot \| conversing \| gentle \| leading lady \| minister \| prison \| prisoner \| suspect
All This, and Heaven Too (1940)	Henriette (The Truth)	2:07:07 - Henry talks to Henriette	advance plot \| calm \| conversing \| deceptive resolution \| leading lady \| minister \| prison \| prisoner \| suspect
All This, and Heaven Too (1940)	Henriette (Ostinato)	2:10:09 - A carriage leaves	carriage \| crowd \| dramatic \| fragmentation \| leading lady \| mob \| ominous \| ostinato \| prisoner \| soldier \| street \| suspect \| tense \| transition \| traveling
All This, and Heaven Too (1940)	Underscoring (Tense)	2:10:17 - A carriage arrives at the palace	9th chord \| arriving \| carriage \| chromatic scale \| leading lady \| prisoner \| soldier \| street \| suspect \| tense \| transition \| traveling \| underscoring
All This, and Heaven Too (1940)	The Duke (Maestoso)	2:10:50 - Henriette enters the Duke's palace	arriving \| countermelody \| dark \| hearing voices \| leading lady \| mode change \| palace \| prisoner \| soldier \| spooky \| suspect \| transition \| uneasy
All This, and Heaven Too (1940)	Henriette (Ghostly)	2:11:23 - Henriette hears voices	arriving \| chromatic parallelism \| dark \| dissonant bass \| hearing voices \| leading lady \| palace \| prisoner \| soldier \| spooky \| suspect \| transition \| uneasy
All This, and Heaven Too (1940)	Henriette (Serious)	2:11:50 - Henriette arrives upstairs	arriving \| detective \| hearing voices \| leading lady \| palace \| prisoner \| serious \| soldier \| solemn \| somber \| suspect \| transition \| whole-tone chord
All This, and Heaven Too (1940)	Crying	2:12:15 - Pierre looks at Henriette	64 chord \| caretaker \| chromatic scale \| crying \| detective \| devastated \| leading lady \| looking \| palace \| prisoner \| soldier \| somber \| suspect \| transition
All This, and Heaven Too (1940)	Henriette (Noble)	2:13:19 - Henriette comes into the Duke's room	arriving \| dark \| death scene \| detective \| duke \| dying \| hopeful \| leading lady \| leading man \| mode mixture \| noble \| prisoner \| room \| soldier \| suspect
All This, and Heaven Too (1940)	Dying	2:13:46 - The Duke in his death bed	chromatic scale \| conversing \| death bed \| death scene \| detective \| dissonant bass \| duke \| dying \| leading lady \| leading man \| prisoner \| questioning \| room \| sad \| soldier \| suspect
All This, and Heaven Too (1940)	Henriette (Duet)	2:14:06 - A close-up on Henriette	appoggiatura \| chromatic parallelism \| conversing \| death bed \| death scene \| deceptive resolution \| detective \| duke \| dying \| leading lady \| leading man \| mode mixture \| prisoner \| questioning \| room \| sad \| soldier \| suspect \| tender
All This, and Heaven Too (1940)	Henriette (Funereal)	2:14:27 - Henriette leaves the Duke	conversing \| death bed \| death scene \| detective \| duke \| dying \| funeral march \| leading lady \| leading man \| Neapolitan \| parallelism \| pedal tone \| prisoner \| questioning \| room \| sad \| sigh gesture \| soldier \| suspect
All This, and Heaven Too (1940)	Henriette (Moderato Maestoso)	2:16:29 - A hand signing a release form	9th chord \| chromatic mediant \| deceptive resolution \| hopeful \| leading lady \| leaving \| noble \| prison \| resolution \| walking \| writing
All This, and Heaven Too (1940)	The Duke (Gravestone)	2:16:48 - The Duke's gravestone	common-tone modulation \| death \| foreign key modulation \| gentle \| gravestone \| graveyard \| grieving \| leading lady \| resolution \| somber \| voice-over
All This, and Heaven Too (1940)	Heaven Theme (Expressivo)	2:17:25 - Henriette leaves with Henry Field	comforting \| death \| gravestone \| graveyard \| grieving \| hopeful \| leading lady \| minister \| resolution \| voice-over \| wave
All This, and Heaven Too (1940)	Desperation (Mysterioso)	2:17:47 - Henriette narrates her story	child \| fragmentation \| leading lady \| mysterious \| resolution \| school \| storytelling \| student \| teacher \| tense
All This, and Heaven Too (1940)	The Duchess	2:17:58 - Henriette narrates her story	child \| common-chord modulation \| leading lady \| mode mixture \| resolution \| school \| storytelling \| student \| teacher \| tense
All This, and Heaven Too (1940)	Underscoring (Tense)	2:18:09 - Children listening to Henriette	child \| leading lady \| resolution \| school \| storytelling \| student \| teacher \| tense
All This, and Heaven Too (1940)	Columbia Gem of the Ocean (Somber)	2:18:19 - Children listening to Henriette	9th chord \| child \| hopeful \| leading lady \| mode change \| resolution \| school \| storytelling \| student \| teacher
All This, and Heaven Too (1940)	Henriette (Adagio)	2:18:52 - A child begins crying	child \| chromatic mediant \| crying \| deceptive resolution \| leading lady \| resolution \| school \| somber \| storytelling \| student \| teacher
All This, and Heaven Too (1940)	Henriette (Dolschissimo)	2:21:00 - Henriette kisses a child on the cheek	9th chord \| 64 chord \| child \| chromatic mediant \| conversing \| foreign key modulation \| gentle \| leading lady \| leaving \| minister \| mode mixture \| resolution \| school \| student \| sweet \| teacher
All This, and Heaven Too (1940)	Heaven Theme (Resolution)	2:21:31 - Henriette reacts to Henry	gentle \| leading lady \| looking \| minister \| resolution \| school \| sweet \| teacher
All This, and Heaven Too (1940)	Henriette + Falling Snow	2:21:43 - Henriette sees the falling snow	augmented triad \| chromatic parallelism \| combination of themes \| hearing voices \| leading lady \| minister \| mode mixture \| resolution \| school \| snow \| teacher \| tense
The Amazing Dr. Clitterhouse (1938)	Doctor Leaves	0:57:38 - Dr. Clitterhouse leaves	advance plot \| doctor \| door \| exiting \| gangster \| hero \| leading lady \| leading man \| leaving \| linear chromaticism \| opening \| room \| tense \| wedge \| whole-tone chord
The Amazing Dr. Clitterhouse (1938)	Underscoring (Mysterious)	0:57:58 - Dr. Clitterhouse talks with Jo	conversing \| doctor \| gangster \| leading lady \| leading man \| love scene \| mysterious \| room \| tense
The Amazing Dr. Clitterhouse (1938)	Jo	0:58:18 - Dr. Clitterhouse talks with Jo	13th chord \| added-note chord \| altered dominant \| chromatic mediant \| conversing \| doctor \| foreign key modulation \| gangster \| leading lady \| leading man \| love scene \| room \| sequence \| tender
The Amazing Dr. Clitterhouse (1938)	Jo (At the Phone)	0:59:24 - Rocks takes the phone apart	9th chord \| advance plot \| antagonist \| combination of themes \| dark \| gangster \| leading lady \| ominous \| plotting \| room \| tense
The Amazing Dr. Clitterhouse (1938)	Underscoring (Tense)	1:00:10 - Jo and Rocks quarrel	advance plot \| antagonist \| arguing \| dissonant bass \| gangster \| half-diminished 7th chord \| leading lady \| quarreling \| room \| tense
The Amazing Dr. Clitterhouse (1938)	The Poison Victim	1:07:50 - Rocks is poisoned	dissonant \| doctor \| gangster \| leading lady \| leading man \| murder \| murderer \| murdering \| murder scene \| mysterious \| office \| parallel fifths \| poison \| poisoning \| quartal chord \| tense \| tone cluster \| tritone
The Amazing Dr. Clitterhouse (1938)	Poison	1:08:46 - Rocks feels the effect of the poison	blur \| chromatic parallelism \| diminution \| doctor \| dreaming \| drugs \| ethereal \| gangster \| layering \| leading lady \| leading man \| murder \| murderer \| murdering \| murder scene \| office \| oscillation \| ostinato \| pc set \| poison \| poisoning \| polychord \| stinger \| tone cluster
The Amazing Dr. Clitterhouse (1938)	Rocks struggles and falls	1:09:52 - Rocks tries to get up, then collapses	chromatic parallelism \| chromatic scale \| death \| doctor \| down \| drugs \| dying \| falling \| gangster \| leading lady \| leading man \| murder \| murderer \| murder scene \| office \| oscillation \| poison \| rising \| split-third chord \| struggling \| tense \| up
The Amazing Dr. Clitterhouse (1938)	The Amazing Doctor (Funebre)	1:10:07 - Dr. Clitterhouse talks with Jo	9th chord \| chromatic parallelism \| dark \| death \| doctor \| gangster \| leading lady \| leading man \| murder \| murderer \| murder scene \| office \| pleading \| realizing \| tense
Angels With Dirty Faces (1938)	Rocky and Laury (Not In Film 1)	NIF - not in film	added-note chord \| altered dominant \| augmented sixth chord \| common-chord modulation \| conversing \| cut from film \| establish character \| following \| gangster \| leading lady \| leading man \| mode mixture \| street \| walking
Angels With Dirty Faces (1938)	Rocky and Laury (Not In Film 2)	NIF - not in film	added-note chord \| altered dominant \| augmented sixth chord \| chromatic scale \| conversing \| cut from film \| establish character \| following \| gangster \| leading lady \| leading man \| street \| walking
Angels With Dirty Faces (1938)	Rocky and Laury	0:41:37 - Laury pushes her way through the crowd	altered dominant \| arriving \| close-up \| conflict \| heartbroken \| leading lady \| love interest \| rushing \| sentimental \| shop
Angels With Dirty Faces (1938)	Underscoring (Romantic)	1:01:43 - Rocky and Laury talk	altered dominant \| conversing \| dissonant bass \| gangster \| leading lady \| leading man \| linear chromaticism \| love scene \| romantic \| room \| underscoring
Angels With Dirty Faces (1938)	Rocky and Laury (Sentimental)	1:01:59 - Rocky and Laury talk	added-note chord \| altered dominant \| conversing \| gangster \| leading lady \| leading man \| love scene \| parallel period \| romantic \| room
Angels With Dirty Faces (1938)	Foxtrot	1:02:20 - Rocky and Laury look out the window	added-note chord \| altered dominant \| common-tone diminished 7th \| dreaming \| foxtrot \| gangster \| hoping \| leading lady \| leading man \| looking \| love scene \| mode mixture \| romantic \| room
Angels With Dirty Faces (1938)	Saving Myself For You (I've Been)	1:02:30 - Rocky and Laury at a night club	AABA structure \| advance plot \| cheerful \| club \| drinking \| gambling \| gangster \| lawyer \| leading lady \| leading man \| on-screen music \| source music
Angels With Dirty Faces (1938)	Pleading	1:11:08 - Laury pleads for Rocky	9th chord \| advance plot \| appoggiatura \| circle of fifths \| common-chord modulation \| crying \| leading lady \| leading man \| love interest \| pleading \| priest \| room \| somber
Angels With Dirty Faces (1938)	Jerry	1:11:35 - Jerry talks to Laury	9th chord \| advance plot \| deceptive resolution \| foreign key modulation \| leading lady \| leading man \| love interest \| memory \| pleading \| priest \| room \| tender
Angels With Dirty Faces (1938)	Pleading (Extended)	1:21:00 - Jerry arrives on the scene	9th chord \| appoggiatura \| arriving \| chromatic sequence \| circle of fifths \| concerned \| conflict \| crowd \| gun \| gunshot \| hurried \| hurrying \| leading lady \| leading man \| love interest \| polychord \| priest \| pushing \| street \| yearning
Are These Our Children? (1931)	Dreams B	0:01:33 - Two young people in love	common-chord modulation \| common-tone diminished 7th \| conductor score \| conversing \| establish character \| gentle \| leading lady \| leading man \| lovers \| love scene \| snuggling \| street
Are These Our Children? (1931)	Dreams	0:02:11 - Eddie and Mary talk	11th chord \| AABA structure \| conductor score \| establish character \| gentle \| leading lady \| leading man \| leaving \| lovers \| love scene \| mode mixture \| street \| waiting
Arsenic and Old Lace (1944)	Underscoring (Comical)	0:02:20 - Mortimer hides from the reporters	chromatic parallelism \| chromatic wedge \| comical \| disguise \| establish character \| hiding \| leading lady \| leading man \| looking \| marriage \| office \| reporter \| underscoring \| whole-tone chord
Arsenic and Old Lace (1944)	Here Comes the Bride (Modulating)	0:03:34 - Hiding in a telephone booth	added-note chord \| arguing \| bystander \| conversing \| deceptive resolution \| establish character \| familiar tune \| fragmentation \| leading lady \| leading man \| marriage \| office \| pump-up modulation \| running \| rushed \| rushing \| self-borrowing \| sequence
Arsenic and Old Lace (1944)	Hanging up	0:03:53 - Mortimer hangs up the phone	bystander \| diminished 7th chord \| establish character \| hanging up \| leading lady \| leading man \| marriage \| mickey-mousing \| office \| rushed
Arsenic and Old Lace (1944)	The Old Maid	0:04:17 - Mortimer talks to Elaine	added-note chord \| arguing \| conversing \| enharmonic modulation \| establish character \| kissing \| leading lady \| leading man \| marriage \| mode mixture \| office \| parallel period \| pedal tone \| romantic \| self-borrowing
Arsenic and Old Lace (1944)	Here Comes the Bride (Modulating)	0:04:54 - Mortimer and Elaine rush off	establish character \| familiar tune \| foreign key modulation \| leading lady \| leading man \| marriage \| office \| rushed \| rushing \| self-borrowing \| sequence
Arsenic and Old Lace (1944)	Here Comes the Bride (Chinese)	0:05:00 - Chinese girl turns around	Chinese \| establish character \| exotic \| familiar tune \| leading lady \| leading man \| marriage \| office \| open fifth \| smiling \| stereotype \| winking
Arsenic and Old Lace (1944)	Here Comes the Bride (Comical)	0:05:05 - Goofy man turns around	9th chord \| comical \| common-tone diminished 7th \| establish character \| familiar tune \| leading lady \| leading man \| marriage \| office \| smiling \| winking
Arsenic and Old Lace (1944)	Rondo Alla Turca	0:06:25 - Teddy plays the harpsichord	aunt \| brother \| classical music \| conversing \| crazy person \| establish character \| harpsichord \| leading lady \| old man \| on-screen music \| playing \| room \| source music \| upbeat \| victim
Arsenic and Old Lace (1944)	The Aunts	0:09:05 - Aunt Abby scurries across the room	aunt \| crazy person \| delicate \| establish character \| foreign key modulation \| gentle \| harmonic sequence \| hurrying \| leading lady \| room \| scurrying
Arsenic and Old Lace (1944)	Happy Land (Lento)	0:09:11 - Reverend talks about the Brewster sisters	added-note chord \| aunt \| brother \| calm \| conversing \| crazy person \| establish character \| familiar tune \| gentle \| kindness \| leading lady \| old man \| room \| victim
Arsenic and Old Lace (1944)	The Aunts	0:12:26 - Reverend leaves	advance plot \| aunt \| cheerful \| conversing \| crazy person \| delicate \| foreign key modulation \| gentle \| harmonic sequence \| leading lady \| street
Arsenic and Old Lace (1944)	Happy Land (Lento)	0:12:31 - The aunts talk	advance plot \| aunt \| brother \| conversing \| crazy person \| familiar tune \| foreign key modulation \| gentle \| leading lady \| mysterious \| plotting \| room \| sequence \| tender \| whole-tone chord \| whole-tone scale
Arsenic and Old Lace (1944)	The Aunts (Grazioso Con Moto)	0:13:16 - The aunts talk	advance plot \| aunt \| brother \| cheerful \| conversing \| crazy person \| delicate \| foreign key modulation \| gentle \| harmonic sequence \| leading lady \| plotting \| room
Arsenic and Old Lace (1944)	Happy Land (Grazioso)	0:13:34 - The aunts talk	advance plot \| aunt \| conversing \| leading lady \| magical \| plotting \| room \| whole-tone chord
Arsenic and Old Lace (1944)	Wind blowing	0:13:48 - Wind blows the curtains at the window	advance plot \| aunt \| blowing \| chromatic parallelism \| leading lady \| looking \| mysterious \| room \| wind \| wind effect
Arsenic and Old Lace (1944)	The Aunts (Allegretto)	0:13:52 - The aunts run to the window	advance plot \| aunt \| cheerful \| harmonic sequence \| leading lady \| mode mixture \| pedal tone \| room \| running
Arsenic and Old Lace (1944)	Opens window	0:13:59 - The aunts open the window	advance plot \| aunt \| half-diminished 7th chord \| leading lady \| mickey-mousing \| opening \| raising \| room \| upbeat \| window
Arsenic and Old Lace (1944)	Here Comes the Bride (Full)	0:14:00 - Elaine appears in the window	aunt \| bride \| cheerful \| chromatic mediant \| common-chord modulation \| conversing \| crazy person \| familiar tune \| greeting \| groom \| leading lady \| leading man \| love \| love scene \| on-screen music \| pleasant \| room \| score to source \| source music \| street \| whistling
Arsenic and Old Lace (1944)	Here Comes the Bride (Modulating)	0:14:10 - Mortimer calls to Elaine	added-note chord \| aunt \| bride \| cemetery \| conversing \| deceptive resolution \| driver \| familiar tune \| flirting \| fragmentation \| groom \| hurrying \| leading lady \| leading man \| love \| love scene \| pump-up modulation \| rushed \| rushing \| sequence \| source to score \| street
Arsenic and Old Lace (1944)	Here Comes the Bride (Religioso)	0:14:41 - Mortimer and Elaine in the cemetery	64 chord \| bride \| calm \| cemetery \| conversing \| familiar tune \| flirting \| groom \| hymn-like \| leading lady \| leading man \| love \| love scene \| religious \| suspension
Arsenic and Old Lace (1944)	Chasing	0:14:48 - Mortimer chases Elaine around a tree	bride \| cemetery \| chasing \| comical \| flirting \| groom \| leading lady \| leading man \| love \| love scene \| mickey-mousing \| secondary dominant
Arsenic and Old Lace (1944)	Underscoring (Mysterious)	0:14:51 - Mortimer flirts with Elaine	bride \| cemetery \| conversing \| flirting \| groom \| leading lady \| leading man \| love \| love scene \| mysterious \| underscoring \| whole-tone chord
Arsenic and Old Lace (1944)	Here Comes the Bride (Appassionato)	0:15:02 - The aunts peek out of the window	64 chord \| aunt \| bride \| cemetery \| chromatic mediant \| conversing \| familiar tune \| flirting \| groom \| inversion \| kissing \| leading lady \| leading man \| love \| love scene \| peeking \| romantic
Arsenic and Old Lace (1944)	Here Comes the Bride (Church Bells)	0:15:17 - Mortimer follows Elaine	64 chord \| bride \| cemetery \| chromatic mediant \| conversing \| familiar tune \| flirting \| foreign key modulation \| groom \| leading lady \| leading man \| love \| love scene \| parallelism \| romantic
Arsenic and Old Lace (1944)	Here Comes the Bride (Appassionato)	0:15:25 - Mortimer and Elaine kiss	64 chord \| bride \| cemetery \| conversing \| familiar tune \| groom \| inversion \| kissing \| leading lady \| leading man \| love \| love scene \| romantic
Arsenic and Old Lace (1944)	Here Comes the Bride (Modulating)	0:15:36 - Mortimer and Elaine talk	added-note chord \| bride \| cemetery \| conversing \| familiar tune \| flirting \| fragmentation \| groom \| hurried \| leading lady \| leading man \| love \| love scene \| pump-up modulation \| romantic \| sequence
Arsenic and Old Lace (1944)	Here Comes the Bride (Appassionato)	0:16:10 - Mortimer and Elaine kiss	64 chord \| bride \| cemetery \| embracing \| familiar tune \| groom \| inversion \| kissing \| leading lady \| leading man \| love \| love scene \| romantic
Arsenic and Old Lace (1944)	Here Comes the Bride (Church Bells)	0:16:22 - Mortimer and Elaine talk	64 chord \| bride \| cemetery \| chromatic mediant \| conversing \| familiar tune \| flirting \| foreign key modulation \| groom \| leading lady \| leading man \| love \| love scene \| parallelism \| romantic
Arsenic and Old Lace (1944)	Chasing	0:16:31 - Elaine runs off	bride \| groom \| hurrying \| leading lady \| leading man \| light \| love \| love scene \| running \| secondary dominant \| street
Arsenic and Old Lace (1944)	Here Comes the Bride	0:16:37 - Elaine whistles	bride \| cheerful \| familiar tune \| groom \| leading lady \| leading man \| love \| love scene \| on-screen music \| source music \| street \| whistling
Arsenic and Old Lace (1944)	Here Comes the Bride	0:17:02 - Mortimer whistles	aunt \| cheerful \| familiar tune \| groom \| leading lady \| leading man \| love \| love scene \| on-screen music \| room \| source music \| whistling
Arsenic and Old Lace (1944)	Break the News to Mother	0:18:44 - Teddy sings	advance plot \| aunt \| brother \| cheerful \| crazy person \| familiar tune \| groom \| leading lady \| leading man \| on-screen music \| room \| singing \| source music \| war song
Arsenic and Old Lace (1944)	Jonathan	0:18:54 - Jonathan Brewster's picture is shown	advance plot \| aunt \| conversing \| diminished 7th chord \| groom \| leading lady \| leading man \| ominous \| pc set \| picture \| room \| sinister \| stinger
Arsenic and Old Lace (1944)	Happy Land	0:20:06 - Abby sings	advance plot \| aunt \| cheerful \| familiar tune \| groom \| leading lady \| leading man \| on-screen music \| room \| score to source \| sequence \| singing \| source music
Arsenic and Old Lace (1944)	Here Comes the Bride (Elaine Whistles)	0:23:44 - Elaine whistles out of her window	agitated \| bride \| cheerful \| chromatic scale \| dark \| diminished 7th chord \| familiar tune \| groom \| leading lady \| leading man \| on-screen music \| room \| scored source music \| source music \| turning point \| whistling
Arsenic and Old Lace (1944)	Here Comes the Bride (Running)	0:23:58 - Mortimer runs to the door	9th chord \| 13th chord \| aunt \| bride \| child \| chromatic scale \| crazy person \| dark \| familiar tune \| groom \| Halloween \| intervallic expansion \| leading lady \| leading man \| murderer \| room \| running \| rushing \| source music \| source to score \| trick-or-treating \| turning point
Arsenic and Old Lace (1944)	Happy Land	0:24:16 - Abby, Martha, and Mortimer in the kitchen	advance plot \| aunt \| cheerful \| child \| crazy person \| familiar tune \| groom \| leading lady \| leading man \| murderer \| on-screen music \| room \| singing \| source music
Arsenic and Old Lace (1944)	Here Comes the Bride	0:26:22 - Elaine whistles on the phone	advance plot \| bride \| cheerful \| familiar tune \| groom \| leading lady \| leading man \| on-screen music \| room \| source music \| telephone \| whistling
Arsenic and Old Lace (1944)	Here Comes the Bride	0:31:04 - Elaine whistles in Mortimer's ear	advance plot \| bride \| cheerful \| familiar tune \| groom \| leading lady \| leading man \| on-screen music \| room \| source music \| whistling
Arsenic and Old Lace (1944)	The Aunts	0:39:01 - The aunts talk	advance plot \| aunt \| cleaning \| conversing \| crazy person \| foreign key modulation \| harmonic sequence \| leading lady \| murderer \| room \| upbeat
Arsenic and Old Lace (1944)	Happy Land (Screwyoso)	0:39:06 - The aunts talk	added-note chord \| advance plot \| altered dominant \| aunt \| calm \| cleaning \| conversing \| crazy person \| familiar tune \| hat \| leading lady \| murderer \| ominous \| room \| stinger \| suspension
Arsenic and Old Lace (1944)	Happy Land (String Quartet)	0:39:28 - The aunts set the table	advance plot \| aunt \| cleaning \| conversing \| crazy person \| direct modulation \| evaded cadence \| familiar tune \| hymn-like \| leading lady \| murderer \| peaceful \| room
Arsenic and Old Lace (1944)	The Aunts (Frightened)	0:39:58 - The aunts see shadows at the door	augmentation \| aunt \| conversing \| crazy person \| dark \| establish character \| fear \| foreign key modulation \| fragmentation \| knocking \| leading lady \| murderer \| mysterious \| Neapolitan \| ominous \| parallel 63s \| pedal tone \| room \| shadow \| whispering
Arsenic and Old Lace (1944)	Home Sweet Home (Expressivo) + Scar	0:41:42 - Abby talks to Jonathan	altered dominant \| augmented triad \| aunt \| brother \| combination of themes \| conversing \| convincing \| crazy person \| criminal \| distortion \| doctor \| establish character \| expressive \| familiar tune \| leading lady \| leading man \| murderer \| mysterious \| ominous \| room
Arsenic and Old Lace (1944)	Underscoring (Tense)	0:42:08 - Jonathan talks to the aunts	aunt \| brother \| conversing \| crazy person \| criminal \| doctor \| establish character \| leading lady \| leading man \| murderer \| mysterious \| parallelism \| room \| tense \| underscoring
Arsenic and Old Lace (1944)	Scar (Face)	0:42:29 - Jonathan talks about his scar	augmented triad \| aunt \| brother \| chromatic parallelism \| conversing \| crazy person \| criminal \| doctor \| establish character \| fragmentation \| leading lady \| leading man \| murderer \| mysterious \| pc set \| polychord \| room \| scar \| tense
Arsenic and Old Lace (1944)	Mysterioso Pizzicato	0:42:41 - Martha talks about scary movies	aunt \| brother \| conversing \| crazy person \| criminal \| dissonant bass \| doctor \| establish character \| familiar tune \| leading lady \| leading man \| murderer \| mysterious \| room \| scar \| silent film music
Arsenic and Old Lace (1944)	Underscoring (Tense)	0:42:56 - Jonathan glares at Dr. Einstein	aunt \| brother \| conversing \| crazy person \| criminal \| diminished 7th chord \| doctor \| establish character \| leading lady \| leading man \| murderer \| oscillation \| room \| scar \| tense
Arsenic and Old Lace (1944)	Jonathan 2	0:43:08 - Jonathan talks about the operation	aunt \| brother \| chromatic scale \| chromatic wedge \| crazy person \| criminal \| dark \| dissonant bass \| doctor \| establish character \| grabbing \| leading lady \| leading man \| murderer \| ominous \| pc set \| room \| struggling \| threatening
Arsenic and Old Lace (1944)	Scar	0:43:20 - Dr. Einstein talks to the aunts	aunt \| brother \| conversing \| crazy person \| criminal \| dark \| doctor \| establish character \| leading lady \| leading man \| murderer \| ominous \| pc set \| polychord \| room
Arsenic and Old Lace (1944)	Home Sweet Home (Ominous)	0:43:28 - Dr. Einstein talks to the aunts	added-note chord \| altered dominant \| aunt \| brother \| conversing \| crazy person \| criminal \| distortion \| doctor \| establish character \| familiar tune \| leading lady \| leading man \| murderer \| room \| split-fifth chord \| tense
Arsenic and Old Lace (1944)	Home Sweet Home (Tranquillo)	0:43:40 - Jonathan sits down	augmented triad \| aunt \| brother \| calm \| chromatic parallelism \| conversing \| crazy person \| criminal \| direct modulation \| distortion \| doctor \| establish character \| familiar tune \| leading lady \| leading man \| murderer \| pedal tone \| room
Arsenic and Old Lace (1944)	The Aunts (Frightened)	0:44:00 - The aunts go into the kitchen	augmentation \| aunt \| brother \| conversing \| crazy person \| criminal \| doctor \| establish character \| fear \| foreign key modulation \| fragmentation \| leading lady \| leading man \| murderer \| mysterious \| Neapolitan \| ominous \| parallel 63s \| pedal tone \| room \| walking \| watching
Arsenic and Old Lace (1944)	The Aunts (Frightened)	0:45:22 - The aunts peek through the kitchen window	aunt \| brother \| conversing \| crazy person \| criminal \| doctor \| establish character \| face \| fear \| leading lady \| leading man \| murderer \| mysterious \| Neapolitan \| ominous \| parallel 63s \| pedal tone \| room \| snooping \| watching
Arsenic and Old Lace (1944)	Scar	0:45:29 - Dr. Einstein describes how he will fix Jonathan's face	aunt \| brother \| conversing \| crazy person \| criminal \| dark \| doctor \| establish character \| face \| leading lady \| leading man \| murderer \| ominous \| pc set \| planning \| polychord \| room \| wipe
Arsenic and Old Lace (1944)	Jonathan 2	0:49:12 - Jonathan threatens the aunts	advance plot \| aunt \| brother \| chromatic scale \| chromatic wedge \| crazy person \| criminal \| dark \| dissonant bass \| doctor \| fear \| leading lady \| leading man \| murderer \| ominous \| pc set \| room \| threatening
Arsenic and Old Lace (1944)	Scar	0:49:36 - Dr. Einstein calls to Jonathan	advance plot \| aunt \| brother \| crazy person \| criminal \| dark \| doctor \| fear \| leading lady \| leading man \| murderer \| ominous \| pc set \| polychord \| room \| threatening
Arsenic and Old Lace (1944)	The Aunts (Grazioso Con Moto)	0:52:20 - The aunts move through the kitchen	advance plot \| aunt \| calm \| conversing \| crazy person \| foreign key modulation \| harmonic sequence \| leading lady \| murderer \| pleasant \| room
Arsenic and Old Lace (1944)	Wind blowing 2	0:52:32 - The aunts walk to the window	advance plot \| aunt \| blowing \| chromatic parallelism \| crazy person \| half-diminished 7th chord \| leading lady \| looking \| murderer \| mysterious \| room \| wind \| wind effect \| window
Arsenic and Old Lace (1944)	Stinger	0:52:41 - Jonathan suddenly appears at the window	advance plot \| aunt \| brother \| crazy person \| dramatic \| harsh \| leading lady \| leading man \| murderer \| opening \| room \| stinger \| surprise \| whole-tone chord \| window
Arsenic and Old Lace (1944)	Jonathan 2	0:52:48 - Jonathan comes in the window	advance plot \| aunt \| brother \| chromatic scale \| chromatic wedge \| crazy person \| dark \| darkness \| dissonant bass \| doctor \| intimidating \| leading lady \| leading man \| murderer \| ominous \| pc set \| room \| staring \| tense
Arsenic and Old Lace (1944)	Jonathan (Fragmented)	0:53:35 - Jonathan and the doctor go up the stairs	advance plot \| aunt \| brother \| conversing \| crazy person \| dark \| darkness \| doctor \| fragmentation \| intimidating \| leading lady \| leading man \| murderer \| ominous \| pc set \| room \| tense
Arsenic and Old Lace (1944)	The Aunts	0:53:55 - Aunt Abby goes to the front door	advance plot \| aunt \| brother \| calm \| crazy person \| darkness \| harmonic sequence \| leading lady \| leading man \| murderer \| room \| silhouette \| staring \| upbeat \| walking
Arsenic and Old Lace (1944)	Underscoring (Mysterious)	0:54:01 - Aunt Abby goes up the stairs	advance plot \| aunt \| brother \| crazy person \| darkness \| intimidating \| leading lady \| leading man \| murderer \| mysterious \| room \| silhouette \| staring \| underscoring
Arsenic and Old Lace (1944)	The Aunts (Molto Misterioso)	0:54:12 - Aunt Abby faces Jonathan	advance plot \| aunt \| brother \| crazy person \| darkness \| foreign key modulation \| fragmentation \| intimidating \| leading lady \| leading man \| murderer \| mysterious \| parallel 63s \| pedal tone \| room \| staring \| walking
Arsenic and Old Lace (1944)	Here Comes the Bride (Tense)	0:58:28 - Elaine comes in the door	advance plot \| bride \| calling \| darkness \| entering \| familiar tune \| half-diminished 7th chord \| leading lady \| room \| sequence \| sneaking \| tense
Arsenic and Old Lace (1944)	Scar (Tense)	0:58:39 - Close-up on Dr. Einstein's face	advance plot \| bride \| brother \| calling \| close-up \| crazy person \| darkness \| doctor \| entering \| fear \| fragmentation \| leading lady \| leading man \| murderer \| polychord \| room \| sneaking \| tense
Arsenic and Old Lace (1944)	Jonathan 2	0:58:55 - Jonathan emerges from the shadows	advance plot \| bride \| brother \| chromatic scale \| chromatic wedge \| conversing \| crazy person \| darkness \| dissonant bass \| doctor \| fear \| leading lady \| leading man \| murderer \| pc set \| questioning \| room \| sinister
Arsenic and Old Lace (1944)	Jonathan 2 (Ominous)	1:00:36 - Jonathan backs Elaine into a corner	advance plot \| anger \| augmented triad \| bride \| brother \| chromatic scale \| crazy person \| dissonant bass \| doctor \| fear \| hurting \| leading lady \| leading man \| murderer \| ominous \| polychord \| questioning \| room \| stinger \| tense \| threatening
Arsenic and Old Lace (1944)	Underscoring (Dramatic)	1:01:21 - They take Elaine into the cellar	9th chord \| aunt \| bride \| brother \| chromatic scale \| conflict \| crazy person \| darkness \| diminished 7th chord \| doctor \| dramatic \| fear \| fighting \| gagging \| harmonic sequence \| leading lady \| leading man \| metric dissonance \| murderer \| oscillation \| room \| running \| self-borrowing \| struggling \| suspenseful \| underscoring
Arsenic and Old Lace (1944)	Organ Stinger	1:01:40 - Aunts emerge in black upstairs	arguing \| aunt \| brother \| conflict \| crazy person \| leading lady \| leading man \| murderer \| ominous \| room \| stinger
Arsenic and Old Lace (1944)	The Aunts (Frightened)	1:01:49 - Aunts talk to Jonathan	arguing \| aunt \| brother \| conflict \| crazy person \| fear \| fragmentation \| leading lady \| leading man \| murderer \| Neapolitan \| parallel 63s \| pedal tone \| room \| tense
Arsenic and Old Lace (1944)	Happy Land	1:19:56 - Mortimer with the taxi driver	aunt \| brother \| calm \| conversing \| crazy person \| doctor \| driver \| funeral \| groom \| hymn \| leading lady \| leading man \| murderer \| on-screen music \| score to source \| singing \| source music \| street
Arsenic and Old Lace (1944)	Happy Land	1:22:17 - Mortimer talks with Elaine through her window	aunt \| bride \| calm \| conversing \| crazy person \| doctor \| funeral \| groom \| hymn \| leading lady \| leading man \| murderer \| singing \| street
Arsenic and Old Lace (1944)	Happy Land (The End)	1:57:05 - Mortimer carries Elaine away	altered dominant \| bride \| countermelody \| driver \| end title sequence \| familiar tune \| groom \| kissing \| leading lady \| leading man \| resolution \| street \| The End \| upbeat
Beyond the Forest (1949)	Lewis (Moderato Expressivo)	0:06:23 - Fishing in a stream	calm \| canoe \| doctor \| establish character \| friend \| lake \| leading lady \| leading man \| rowing \| wife
Beyond the Forest (1949)	Lewis	0:10:42 - The doctor in a canoe	calm \| canoe \| departing \| doctor \| establish character \| friend \| lake \| leading lady \| leading man \| noble \| rowing \| wife
Beyond the Forest (1949)	Moose	0:11:22 - Moose enters the house	cabin \| conversing \| establish character \| exotic \| friend \| leading lady \| liquor \| wife \| working
Beyond the Forest (1949)	Porcupine	0:11:59 - A porcupine in a tree	cabin \| climbing \| comical \| dying \| establish character \| falling \| leading lady \| porcupine \| shooting \| wife
Beyond the Forest (1949)	Drunk	0:14:08 - Moose is drinking	advance plot \| cabin \| collapsing \| drinking \| drunk \| drunk effect \| friend \| leading lady \| liquor \| mickey-mousing \| stumbling \| wife
Beyond the Forest (1949)	Falling down	0:14:27 - Moose falls on a bed	advance plot \| cabin \| collapsing \| dramatic \| falling \| friend \| leading lady \| mickey-mousing \| pushing \| wife
Beyond the Forest (1949)	Underscoring (Mysterious)	0:14:31 - Rosa grabs the key	advance plot \| cabin \| friend \| key \| leading lady \| mysterious \| underscoring \| walking \| wife
Beyond the Forest (1949)	Running	0:14:40 - Rosa runs to the lodge	advance plot \| leading lady \| mickey-mousing \| mysterious \| ominous \| outside \| running \| wife
Beyond the Forest (1949)	Rosa (Grazioso)	0:15:01 - Rosa enters the lodge	advance plot \| arriving \| cheerful \| leading lady \| room \| wife \| working
Beyond the Forest (1949)	Hurrying	0:15:09 - Rosa lights a fire	advance plot \| hurrying \| leading lady \| room \| upbeat \| wife \| working
Beyond the Forest (1949)	Rosa (Grazioso)	0:15:23 - Rosa gets a drink	advance plot \| hurrying \| leading lady \| room \| upbeat \| wife \| working
Beyond the Forest (1949)	Hurrying	0:15:35 - Rosa carries a drink	advance plot \| hurrying \| leading lady \| room \| upbeat \| wife \| working
Beyond the Forest (1949)	Rosa (Sulking)	0:28:33 - Rosa watches the train	advance plot \| leading lady \| solemn \| train \| train station \| walking \| watching
Beyond the Forest (1949)	Chicago (Mink Coat)	0:29:01 - Rosa sees Carol's mink coat	advance plot \| conversing \| familiar tune \| jealousy \| leading lady \| popular tune \| sentimental \| train station
Beyond the Forest (1949)	Chicago (Carol)	0:29:17 - Rosa meets Carol	advance plot \| conversing \| familiar tune \| gentle \| jealousy \| leading lady \| popular tune \| train station
Beyond the Forest (1949)	Chicago (Jealous)	0:29:33 - Rosa glares at Carol	advance plot \| conversing \| dark \| familiar tune \| jealousy \| leading lady \| popular tune \| sentimental \| train station
Beyond the Forest (1949)	Rosa (Turbulent)	0:30:21 - Rosa checks her mail	advance plot \| leading lady \| mail \| post office \| reading \| turbulent \| upset
Beyond the Forest (1949)	Chicago (Mail)	0:30:30 - Rosa reads her mail	advance plot \| familiar tune \| hurried \| leading lady \| mail \| optimistic \| popular tune \| post office \| reading
Beyond the Forest (1949)	Underscoring (Mysterious)	0:30:40 - Rosa reacts to her mail	advance plot \| crumpling \| leading lady \| mail \| mysterious \| post office \| reading \| underscoring
Beyond the Forest (1949)	Hurrying (Rather Slowly)	0:30:48 - Rosa leaves the post office	advance plot \| child \| departing \| leading lady \| mother \| neighbor \| post office \| upset
Beyond the Forest (1949)	Courthouse (Agitato Quasi Rubato)	0:31:12 - Rosa arrives home	advance plot \| angry \| arriving \| leading lady \| room \| upset \| yelling
Beyond the Forest (1949)	Rosa (Sombre)	0:32:36 - Rosa walks away	advance plot \| leading lady \| room \| somber \| sulking \| tense \| upset \| walking
Beyond the Forest (1949)	Sawmill	0:32:53 - The sawmill	advance plot \| factory \| fire \| industrious \| leading lady \| machinery effect \| porch \| sulking \| watching
Beyond the Forest (1949)	Sawmill + Steam Whistle	0:33:06 - Rosa on her porch	advance plot \| combination of themes \| factory \| fire \| harsh \| industrious \| leading lady \| machinery effect \| porch \| sulking \| watching \| whistle effect
Beyond the Forest (1949)	Sawmill + Rosa	0:33:25 - Rosa lies down	advance plot \| combination of themes \| factory \| fire \| leading lady \| machinery effect \| porch \| sulking \| upset \| watching
Beyond the Forest (1949)	Underscoring (Gentle)	0:33:36 - A car pulls up	advance plot \| gentle \| leading lady \| porch \| sleeping \| underscoring \| waking
Beyond the Forest (1949)	Insolence	0:37:06 - Rosa argues with her maid Jenny	advance plot \| cleaning \| comical \| kitchen \| leading lady \| maid \| obeying \| wife
Beyond the Forest (1949)	Chicago (Molto Expressivo)	0:37:20 - Rosa sees the mink coat	advance plot \| coat \| contemplating \| expressive \| familiar tune \| jealousy \| leading lady \| popular tune \| room \| wife
Beyond the Forest (1949)	Chicago (Misterioso)	0:38:47 - Rosa lights a match	advance plot \| contemplating \| dramatic \| familiar tune \| jealousy \| leading lady \| obsession \| obsessive \| passage of time \| popular tune \| room \| smoking \| tense \| wife
Beyond the Forest (1949)	Rosa (Slower)	0:39:05 - Rosa in bed	advance plot \| calm \| contemplating \| dark \| leading lady \| leading man \| panning shot \| restlessness \| room \| smoking \| wife
Beyond the Forest (1949)	Sawmill (Agitato)	0:39:25 - Fire from the sawmill	advance plot \| agitated \| bedroom \| factory \| fire \| leading lady \| leading man \| restlessness \| wife \| yelling
Beyond the Forest (1949)	Rosa (Molto Misterioso)	0:41:50 - Rosa smokes in bed	advance plot \| bedroom \| contemplating \| leading lady \| leading man \| mysterious \| smoking \| wife
Beyond the Forest (1949)	Running (Quasi Misterioso)	0:42:06 - Rosa looks through the account book	advance plot \| leading lady \| mysterious \| ominous \| reading \| room \| wife \| writing
Beyond the Forest (1949)	Chicago	0:43:37 - Rosa sews	advance plot \| arriving \| familiar tune \| leading lady \| leading man \| on-screen music \| popular tune \| room \| score to source \| sewing \| singing \| source and scoring overlap \| source music \| upbeat \| wife
Beyond the Forest (1949)	Hurrying (Molto Agitato)	0:44:13 - Rosa picks up the money	frantic \| grabbing \| hurried \| leading lady \| money \| room \| transition
Beyond the Forest (1949)	Chicago (City)	0:44:28 - Downtown Chicago	arriving \| bright \| calling \| calm \| city \| familiar tune \| hotel \| leading lady \| phone book \| popular tune \| telephone \| transition \| traveling
Beyond the Forest (1949)	Rosa (Telephone)	0:44:52 - Rosa makes a phone call	advance plot \| calling \| hotel \| leading lady \| mysterious \| telephone \| telephone effect
Beyond the Forest (1949)	Underscoring (Gentle)	0:45:21 - Rosa sits down	advance plot \| gentle \| hotel \| leading lady \| underscoring \| waiting
Beyond the Forest (1949)	Rosa (Moderato 2)	0:45:30 - Rosa in her hotel room	advance plot \| calling \| hotel \| leading lady \| somber \| telephone \| waiting \| worrisome
Beyond the Forest (1949)	Flowers	0:46:12 - Flowers	advance plot \| cheerful \| flower \| leading lady \| optimistic \| street \| walking
Beyond the Forest (1949)	Rosa (Slowly)	0:47:08 - Rosa reads a magazine	advance plot \| cut from film \| leading lady \| office \| reading \| receptionist \| solemn \| waiting
Beyond the Forest (1949)	Rosa (Solemn)	0:48:04 - Rosa leaves the office	dark \| departing \| leading lady \| office \| receptionist \| somber \| street \| transition \| walking
Beyond the Forest (1949)	Chicago (Somber)	0:48:32 - Rosa sits in a coffee shop	advance plot \| angry \| audible thoughts \| cafe \| familiar tune \| leading lady \| popular tune \| somber \| thinking
Beyond the Forest (1949)	Chicago (Tense)	0:49:00 - Rosa drinks coffee	advance plot \| angry \| audible thoughts \| cafe \| familiar tune \| leading lady \| popular tune \| tense \| thinking
Beyond the Forest (1949)	Underscoring (Tense)	0:49:07 - Rosa gets up	advance plot \| cafe \| conversing \| hurrying \| leading lady \| tense \| underscoring \| waitress
Beyond the Forest (1949)	Rosa (She Runs)	0:49:22 - Rosa runs to the phone	advance plot \| cafe \| leading lady \| optimistic \| running \| rushing \| telephone
Beyond the Forest (1949)	Hurrying (Phone Call)	0:49:32 - Rosa talks on the phone	advance plot \| cafe \| conversing \| leading lady \| optimistic \| telephone
Beyond the Forest (1949)	Rosa (Dejected)	0:49:45 - Rosa hangs up the phone	advance plot \| cafe \| crying \| leading lady \| somber \| telephone
Beyond the Forest (1949)	I’m in a Jam with Baby	0:54:39 - Rosa walks down the street	advance plot \| arriving \| bouncer \| club \| crying \| departing \| jazz \| leading lady \| sentimental \| sitting \| source music \| stranger
Beyond the Forest (1949)	Chicago (Agitato Molto Marcato)	0:55:48 - Rosa runs through the streets	agitated \| crazy person \| crying \| familiar tune \| laughing \| leading lady \| mad scene \| manic \| popular tune \| running \| rushing \| scaring \| stranger \| street \| tense
Beyond the Forest (1949)	Rosa (Molto Tranquillo)	0:57:36 - Lewis opens the door	arriving \| calm \| dark \| doctor \| leading lady \| leading man \| reunion scene \| room \| wife
Beyond the Forest (1949)	Lewis (Tender)	0:58:28 - Lewis takes care of Rosa	calm \| conversing \| doctor \| kissing \| leading lady \| leading man \| reunion scene \| room \| tender \| wife
Beyond the Forest (1949)	Whisper While You’re Waltzing	1:01:34 - People at a party	conversing \| crowd \| dance scene \| doctor \| eating \| folk music \| gentle \| leading lady \| leading man \| on-screen music \| party \| playing \| room \| source music \| waltz \| wife
Beyond the Forest (1949)	For He’s a Jolly Good Fellow	1:02:12 - Folk musicians	arriving \| cake \| cheerful \| conversing \| crowd \| dance scene \| doctor \| familiar tune \| leading lady \| leading man \| love interest \| musician \| on-screen music \| party \| playing \| room \| singing \| source music \| tuning \| wife \| wind
Beyond the Forest (1949)	The Arkansas Traveler	1:02:55 - Folk musicians	crowd \| dancer \| dance scene \| dancing \| doctor \| folk music \| leading lady \| leading man \| love interest \| musician \| on-screen music \| party \| playing \| room \| singing \| source music \| square dance caller \| square dance music \| upbeat \| wife
Beyond the Forest (1949)	Portland Fancy	1:03:11 - People dancing	crowd \| dancer \| dance scene \| dancing \| doctor \| folk music \| leading lady \| leading man \| love interest \| musician \| on-screen music \| party \| playing \| room \| singing \| source music \| square dance caller \| square dance music \| upbeat \| wife
Beyond the Forest (1949)	Devil’s Dream	1:03:26 - People dancing	crowd \| dancer \| dance scene \| dancing \| doctor \| folk music \| leading lady \| leading man \| love interest \| musician \| on-screen music \| party \| playing \| room \| singing \| source music \| square dance caller \| square dance music \| upbeat \| wife
Beyond the Forest (1949)	Little Brown Jug	1:03:57 - People dancing	crowd \| dancer \| dance scene \| dancing \| doctor \| folk music \| leading lady \| leading man \| love interest \| musician \| on-screen music \| party \| playing \| room \| singing \| source music \| square dance caller \| square dance music \| upbeat \| wife
Beyond the Forest (1949)	Varsovienne	1:04:52 - Moose talks with Mr. Latimer	conversing \| dance scene \| folk music \| friend \| friend \| leading lady \| leading man \| love interest \| on-screen music \| party \| plotting \| proposal \| room \| sneaking \| source music \| square dance music \| upbeat
Beyond the Forest (1949)	Underscoring (Dramatic)	1:08:24 - Moose warns Rosa	anger \| dramatic \| friend \| harsh \| leading lady \| observing \| room \| stinger \| turning point \| underscoring \| warning \| warning
Beyond the Forest (1949)	Chicago (Harmonics)	1:08:31 - Rosa reacts to Moose's warning	anger \| angry \| contemplating \| familiar tune \| harsh \| leading lady \| ominous \| popular tune \| reacting \| room \| turning point
Beyond the Forest (1949)	Underscoring (Dramatic)	1:08:36 - Rosa hits the table	anger \| angry \| contemplating \| dramatic \| harsh \| hitting \| leading lady \| pounding \| reacting \| room \| turning point \| underscoring
Beyond the Forest (1949)	Rosa (Violent)	1:08:54 - Rosa slowly turns	anger \| angry \| contemplating \| harsh \| leading lady \| ominous \| reacting \| room \| turning point
Beyond the Forest (1949)	Rosa (Violent) + Chicago	1:09:01 - Rosa heads outside	anger \| angry \| combination of themes \| contemplating \| departing \| familiar tune \| harsh \| leading lady \| ominous \| popular tune \| reacting \| room \| turning point
Beyond the Forest (1949)	Rosa (Misterioso)	1:09:23 - Rosa looks through the binoculars	anger \| binoculars \| forest \| friend \| hunting \| husband \| leading lady \| leading man \| looking \| murder scene \| mysterious \| ominous \| tense \| victim
Beyond the Forest (1949)	Chicago (Ominous)	1:10:01 - Rosa puts down the binoculars	aiming \| anger \| dark \| familiar tune \| forest \| friend \| husband \| leading lady \| leading man \| murder scene \| ominous \| popular tune \| victim
Beyond the Forest (1949)	Rosa (Ominous)	1:10:14 - Rosa aims her gun	aiming \| anger \| dark \| forest \| friend \| harsh \| husband \| leading lady \| leading man \| murder scene \| ominous \| stinger \| victim
Beyond the Forest (1949)	Chicago (Con Moto)	1:11:06 - Rosa is relieved at the verdict	calm \| conversing \| courtroom \| courtroom scene \| expressive \| familiar tune \| hope \| hopeful \| husband \| leading lady \| leading man \| love interest \| murderer \| popular tune \| smiling \| verdict
Beyond the Forest (1949)	Rosa (Sulking)	1:12:32 - Rosa and Lewis at the funeral	funeral \| graveyard \| husband \| leading lady \| leading man \| love interest \| murderer \| rain \| solemn \| sulking \| victim \| watching
Beyond the Forest (1949)	Rosa (Heavy)	1:12:58 - Rosa and Lewis drive away	arriving \| departing \| dramatic \| funeral \| husband \| leading lady \| leading man \| murderer \| room \| somber \| transition \| victim
Beyond the Forest (1949)	Lewis (Crescendo)	1:13:15 - Rosa and Lewis at home	arriving \| calm \| conversing \| dark \| dramatic \| husband \| leading lady \| leading man \| murderer \| room \| transition \| victim \| yelling
Beyond the Forest (1949)	Threat	1:16:14 - Rosa lunges forward	advance plot \| dark \| harsh \| leading lady \| lunging \| murderer \| ominous \| room \| staring \| stinger \| threatening \| violent
Beyond the Forest (1949)	Underscoring (Mysterious)	1:16:20 - Rosa stares out the window	advance plot \| departing \| leading lady \| maid \| murderer \| mysterious \| plotting \| room \| street \| underscoring \| walking \| watching
Beyond the Forest (1949)	Running (A Little Heavier)	1:16:28 - Rosa heads downstairs	advance plot \| hurrying \| leading lady \| murderer \| mysterious \| plotting \| room \| tense
Beyond the Forest (1949)	Rosa (Listesso)	1:16:48 - Rosa takes the maid's things	advance plot \| dark \| disguise \| dressing \| harsh \| leading lady \| murderer \| ominous \| room \| stealing \| violent
Beyond the Forest (1949)	Rosa (On the Run)	1:17:21 - Rosa approaches a bus	advance plot \| bus \| disguise \| doctor \| leading lady \| leading man \| murderer \| mysterious \| office \| patient \| runaway \| running away \| sneaking \| street \| watching
Beyond the Forest (1949)	Rosa (Cello Solo)	1:18:09 - Rosa sitting in a chair	advance plot \| disguise \| leading lady \| leading man \| murderer \| mysterious \| office \| sitting
Beyond the Forest (1949)	The Cliff	1:19:13 - Rosa looks out of the car window	action scene \| car \| car \| cliff \| contemplating \| descending \| driving \| leading lady \| leading man \| murderer \| tense
Beyond the Forest (1949)	Chicago (Dark)	1:19:25 - Rosa sitting in a car	action scene \| car \| car \| cliff \| conversing \| descending \| driving \| familiar tune \| leading lady \| leading man \| murderer \| ominous \| popular tune
Beyond the Forest (1949)	The Cliff (Car Stops)	1:19:36 - Rosa sitting in a car	action scene \| car \| car \| cliff \| conversing \| descending \| driving \| leading lady \| leading man \| murderer \| tense
Beyond the Forest (1949)	Hurrying (Fleeing)	1:19:50 - Rosa leaps out of the car	action scene \| canyon \| car \| cliff \| fleeing \| leading lady \| leading man \| murderer \| runaway \| running \| rushed
Beyond the Forest (1949)	Leaping	1:19:56 - Rosa leaps off of a cliff	action scene \| canyon \| jumping \| leading lady \| murderer \| runaway \| rushed
Beyond the Forest (1949)	Rosa (Broadly)	1:19:57 - Rosa rolls down a hill	action scene \| canyon \| dark \| dramatic \| falling \| jumping \| leading lady \| leading man \| murderer \| runaway \| tense
Beyond the Forest (1949)	Rosa (Molto Tranquillo 2)	1:20:12 - Rosa in bed	advance plot \| calm \| leading lady \| murderer \| recovering \| resting \| room \| sickness \| sleeping \| sultry \| waking
Beyond the Forest (1949)	Chicago (Molto Tranquillo)	1:20:35 - Rosa in bed	advance plot \| banging \| calm \| familiar tune \| leading lady \| maid \| murderer \| popular tune \| recovering \| resting \| room \| sentimental \| sickness
Beyond the Forest (1949)	Chicago (Molto Expressivo)	1:20:43 - The maid in the kitchen	advance plot \| familiar tune \| leading lady \| maid \| murderer \| popular tune \| recovering \| resting \| room \| sentimental \| sickness \| upbeat
Beyond the Forest (1949)	Rosa (Agitato Misterioso)	1:22:49 - Rosa in bed	agitated \| fever \| illness scene \| leading lady \| murderer \| room \| sickness \| sweating \| tense \| walking
Beyond the Forest (1949)	Sawmill + Steam Whistle	1:23:17 - Rosa opens the window	agitated \| combination of themes \| fever \| illness scene \| leading lady \| machinery effect \| mickey-mousing \| murderer \| opening \| raising \| room \| sickness \| sweating \| tense \| waiting \| whistle effect
Beyond the Forest (1949)	Sawmill + Fever	1:23:26 - Rosa rubs her forehead	agitated \| combination of themes \| fever \| illness scene \| leading lady \| machinery effect \| maid \| murderer \| room \| sickness \| sickness effect \| sweating \| tense \| waiting
Beyond the Forest (1949)	Rosa (Fever)	1:23:41 - The maid sweeping	bleak \| drinking \| fever \| illness scene \| leading lady \| maid \| murderer \| oppressive \| pounding \| room \| sickness \| waiting
Beyond the Forest (1949)	Lewis (Triste 2)	1:24:09 - Lewis walks inside	arriving \| calm \| doctor \| fever \| illness scene \| leading lady \| leading man \| murderer \| room \| sickness \| solemn \| street \| waiting \| walking
Beyond the Forest (1949)	Chicago	1:27:10 - Rosa sings to herself	delirious \| familiar tune \| fever \| illness scene \| leading lady \| maid \| murderer \| on-screen music \| popular tune \| room \| score to source \| sickness \| singing \| source music
Beyond the Forest (1949)	Chicago (Echo Chambre)	1:28:20 - Rosa prepares to leave	angry \| arguing \| climax \| crazed \| delirious \| eerie \| familiar tune \| leading lady \| mad \| madness \| mad scene \| maid \| murderer \| popular tune \| preparing \| room \| stumbling \| unsettling \| yelling
Beyond the Forest (1949)	Chicago (She Walks Down)	1:29:25 - Rosa walks down the stairs	climax \| dark \| descending \| familiar tune \| leading lady \| madness \| mad scene \| maid \| mickey-mousing \| murderer \| popular tune \| room \| solemn \| stairs \| stumbling
Beyond the Forest (1949)	Sawmill	1:29:51 - Rosa opens the door	agitated \| climax \| leading lady \| machinery effect \| madness \| mad scene \| maid \| murderer \| street \| stumbling \| tense \| walking
Beyond the Forest (1949)	Sawmill + Steam Whistle	1:30:02 - The maid makes a phone call	agitated \| climax \| collapsing \| combination of themes \| cut from film \| falling \| leading lady \| machinery effect \| madness \| mad scene \| maid \| murderer \| street \| stumbling \| tense \| walking \| whistle effect
Beyond the Forest (1949)	Sawmill + Rosa (Stumbling)	1:30:10 - Rosa struggles to her feet	climax \| combination of themes \| dark \| leading lady \| machinery effect \| madness \| mad scene \| murderer \| ominous \| standing \| street \| stumbling \| walking
Beyond the Forest (1949)	Rosa (Fever 2)	1:30:23 - Rosa stumbles forward	climax \| dark \| leading lady \| madness \| mad scene \| murderer \| ominous \| street \| stumbling \| walking
Beyond the Forest (1949)	Sawmill + Steam Whistle	1:30:36 - Darkness	agitated \| climax \| combination of themes \| leading lady \| madness \| mad scene \| murderer \| stumbling \| tense \| train \| train station \| walking \| whistle effect
Beyond the Forest (1949)	Train	1:30:52 - A locomotive	agitated \| climax \| cut from film \| leading lady \| madness \| mad scene \| murderer \| stumbling \| tense \| train \| train effect \| train station \| walking
Beyond the Forest (1949)	Train + Chicago (Shrill)	1:30:54 - Rosa stumbles towards the train	agitated \| climax \| combination of themes \| cut from film \| familiar tune \| leading lady \| madness \| mad scene \| murderer \| popular tune \| shrill \| stumbling \| tense \| train \| train effect \| train station \| walking
Beyond the Forest (1949)	Train (Heating Up) + Chicago (Fragmented)	1:31:05 - Rosa stumbles towards the train	agitated \| climax \| combination of themes \| desperate \| familiar tune \| leading lady \| madness \| mad scene \| murderer \| popular tune \| stumbling \| tense \| train \| train effect \| train station \| walking
Beyond the Forest (1949)	Chicago	1:31:21 - Rosa stumbles towards the train	climax \| desperate \| familiar tune \| leading lady \| madness \| mad scene \| murderer \| popular tune \| stumbling \| tense \| train \| train station \| walking
Beyond the Forest (1949)	Chicago	1:31:26 - The train leaves the station	agitated \| climax \| departing \| familiar tune \| leading lady \| madness \| mad scene \| murderer \| obsessive \| popular tune \| shrill \| tense \| train \| train station
Beyond the Forest (1949)	Stinger	1:31:51 - Rosa dead	arriving \| climax \| dark \| death \| doctor \| husband \| leading lady \| leading man \| mad scene \| murderer \| solemn \| stinger \| train \| train station \| walking
Beyond the Forest (1949)	Rosa	1:32:10 - Lewis arrives	arriving \| checking \| climax \| dark \| death \| doctor \| dramatic \| husband \| leading lady \| leading man \| mad scene \| murderer \| reacting \| tender \| train \| train station
The Big Sleep (1946)	Transition	0:00:08 - Shadows of the main characters	bold \| half-diminished 7th chord \| leading lady \| leading man \| opening title sequence \| silhouette \| smoke \| smoking \| starring list \| transition \| voice-exchange
The Big Sleep (1946)	The Big Sleep	0:00:13 - Starring actors and main title	9th chord \| ABA structure \| cast list \| chromatic mediant \| chromatic sequence \| dark \| heavy \| leading lady \| leading man \| Neapolitan \| opening title sequence \| silhouette \| smoke \| smoking \| starring list
The Big Sleep (1946)	Walking	0:25:22 - Vivian walks down the hall	advance plot \| butler \| calm \| inserted scene \| leading lady \| leading man \| not in score \| parallelism \| pedal tone \| private eye \| reused recording \| room \| walking
The Big Sleep (1946)	Marlowe (Grazioso)	0:25:28 - Marlowe asks Vivian to help with Carmen	added-note chord \| advance plot \| butler \| conversing \| femme fatale \| half-diminished 7th chord \| inserted scene \| leading lady \| leading man \| mysterious \| not in score \| private eye \| reused recording \| room
The Big Sleep (1946)	Walking	0:32:10 - Marlowe walks to his office	advance plot \| arriving \| calm \| leading lady \| leading man \| parallelism \| pedal tone \| private eye \| room \| walking
The Big Sleep (1946)	Marlowe (Grazioso)	0:32:29 - Marlowe talks with Vivian	advance plot \| conversing \| half-diminished 7th chord \| leading lady \| leading man \| mysterious \| private eye \| room
The Big Sleep (1946)	Running	0:47:40 - Vivian enters the apartment building	chromatic parallelism \| dissonant bass \| hurrying \| investigating \| investigation scene \| leading lady \| leading man \| mysterious \| private eye \| street \| tense \| walking
The Big Sleep (1946)	Marlowe (Determined)	0:47:56 - Marlowe enters the apartment building	arriving \| ascending \| bold \| common-chord modulation \| determined \| fragmentation \| heroic \| investigating \| investigation scene \| leading lady \| leading man \| parallel 63s \| parallelism \| private eye \| sequence \| stairs \| street \| walking
The Big Sleep (1946)	Underscoring (Tense)	0:51:31 - Joe reacts to the doorbell ringing	blackmailer \| chromatic parallelism \| conflict \| conversing \| criminal \| doorbell \| gun \| leading lady \| leading man \| mysterious \| pc set \| private eye \| room \| suspect \| tense \| tone cluster \| underscoring \| whole-tone chord
The Big Sleep (1946)	Sternwood (Threatening)	0:51:52 - Carmen enters holding a gun on Brody	blackmailer \| blue note \| conflict \| criminal \| dark \| dissonant bass \| femme fatale \| gun \| leading lady \| leading man \| private eye \| room \| sinister \| stinger \| suspect \| threatening \| whole-tone chord
The Big Sleep (1946)	Underscoring (Dramatic)	0:52:02 - Marlowe pushes Agnes	blackmailer \| chromatic parallelism \| chromatic scale \| conflict \| criminal \| diminished 7th chord \| dramatic \| falling \| femme fatale \| gun \| leading lady \| leading man \| private eye \| room \| suspect \| tense \| tripping \| underscoring
The Big Sleep (1946)	Carmen (Misterioso)	0:52:18 - Joe gives the picture to Marlowe	blackmail \| blackmailer \| conflict \| conversing \| criminal \| evidence \| femme fatale \| half-diminished 7th chord \| leading lady \| leading man \| mysterious \| private eye \| room \| suspect \| whole-tone chord
The Big Sleep (1946)	Sternwood (Extended)	0:52:29 - Carmen asks for her picture back	9th chord \| altered dominant \| blackmail \| chromatic parallelism \| conflict \| diminished 7th chord \| evidence \| femme fatale \| flirting \| leading lady \| leading man \| mysterious \| pc set \| private eye \| room \| seductive \| whole-tone chord
The Big Sleep (1946)	Carmen (Violent)	0:52:58 - Vivian and Carmen leave	blackmailer \| conflict \| criminal \| dissonant bass \| femme fatale \| leading lady \| leading man \| leaving \| mysterious \| private eye \| room \| suspect \| whole-tone \| whole-tone chord
The Big Sleep (1946)	Slapping	0:53:02 - Carmen slaps Joe with her purse	blackmailer \| conflict \| criminal \| dissonant bass \| femme fatale \| leading lady \| leading man \| mickey-mousing \| private eye \| room \| slamming \| slapping \| suspect \| tense \| violence \| whole-tone chord
The Big Sleep (1946)	Vivian + Marlowe (Ear Business)	NIF - not in film	advance plot \| altered dominant \| combination of themes \| conversing \| cut from film \| deleted scene \| deleted scene \| leading lady \| leading man \| love interest \| mysterious \| private eye \| romantic \| room \| thinking \| whole-tone
The Big Sleep (1946)	I Guess I'll Have to Change My Plan	1:00:50 - Vivian enters a restaurant	ABACA structure \| arriving \| club \| conversing \| falling in love scene \| leading lady \| leading man \| love interest \| pleasant \| private eye \| source music
The Big Sleep (1946)	The Blue Room	1:02:15 - Vivan pays Marlowe	AABA structure \| club \| conversing \| falling in love scene \| leading lady \| leading man \| love interest \| pleasant \| private eye \| source music
The Big Sleep (1946)	You Go to My Head	1:04:25 - Vivian and Marlowe talk in a restaurant	club \| conversing \| falling in love scene \| leading lady \| leading man \| love interest \| pleasant \| private eye \| source music
The Big Sleep (1946)	And Her Tears Flowed Like Wine	1:05:55 - Marlowe arrives at Mars's place	advance plot \| arriving \| club \| leading lady \| leading man \| love interest \| musician \| on-screen music \| playing \| private eye \| singer \| singing \| source music \| upbeat
The Big Sleep (1946)	I'm in a Jam With Baby	1:10:53 - Marlowe talks to people at the party	advance plot \| club \| gambler \| gambling \| leading lady \| leading man \| love interest \| private eye \| source music \| upbeat
The Big Sleep (1946)	Liza (All the Clouds'll Roll Away)	1:12:27 - Marlowe leaves the gambling joint	AABA structure \| conflict \| criminal \| investigating \| leading lady \| leading man \| love interest \| private eye \| source music \| street \| upbeat
The Big Sleep (1946)	What Are You Doin' the Rest of Your Life	1:14:35 - Marlowe and Vivian leave	conflict \| conversing \| leading lady \| leading man \| love interest \| parallel double period \| private eye \| source music \| street \| upbeat
The Big Sleep (1946)	Driving	1:14:54 - Marlowe and Vivian in the car	augmented sixth chord \| car \| car \| driving \| leading lady \| leading man \| love interest \| love scene \| mickey-mousing \| oscillation \| ostinato \| private eye \| tense
The Big Sleep (1946)	Vivian	1:15:22 - Marlowe and Vivian talk	9th chord \| 13th chord \| AABA structure \| added-note chord \| altered dominant \| car \| chromatic mediant \| chromatic parallelism \| common-tone dominant 7th \| conversing \| foreign key modulation \| kissing \| leading lady \| leading man \| love \| love interest \| love scene \| Neapolitan \| private eye \| romantic \| suspension
The Big Sleep (1946)	Questions	1:16:16 - Marlowe and Vivian argue	angry \| car \| chromatic parallelism \| chromatic scale \| conversing \| leading lady \| leading man \| love interest \| love scene \| private eye \| tense
The Big Sleep (1946)	Sternwood (Tense)	1:16:26 - Marlowe asks about Eddie Mars	accusing \| car \| fragmentation \| half-diminished 7th chord \| leading lady \| leading man \| love interest \| love scene \| private eye \| tense \| whole-tone chord
The Big Sleep (1946)	Underscoring (Tense)	1:16:43 - Marlowe and Vivian argue	accusing \| car \| chromatic parallelism \| half-diminished 7th chord \| leading lady \| leading man \| love interest \| love scene \| pedal tone \| private eye \| tense \| underscoring
The Big Sleep (1946)	Marlowe (Mysterious Organ)	1:21:42 - Marlowe speaks to waitress	advance plot \| café \| conversing \| leading lady \| leading man \| love interest \| mysterious \| pc set \| phone call \| private eye \| tense
The Big Sleep (1946)	Underscoring (Mysterious)	1:21:57 - Marlowe speaks with Vivian on the phone	advance plot \| café \| chromatic parallelism \| conversing \| leading lady \| leading man \| linear chromaticism \| love interest \| mysterious \| phone call \| private eye \| stinger \| tense \| underscoring
The Big Sleep (1946)	Marlowe (Whole Tone)	1:39:25 - Marlowe talks to Vivian	captive \| conversing \| leading lady \| leading man \| love interest \| love scene \| mysterious \| private eye \| room \| tense \| whole-tone \| whole-tone chord \| whole-tone scale
The Big Sleep (1946)	Marlowe (Phone Call)	1:39:39 - Marlowe talks to Vivian	captive \| conversing \| leading lady \| leading man \| love interest \| love scene \| mysterious \| private eye \| room \| sequence \| tense \| whole-tone chord
The Big Sleep (1946)	Carmen	1:39:52 - Marlowe talks to Vivian	captive \| conversing \| half-diminished 7th chord \| leading lady \| leading man \| love interest \| love scene \| musical clue \| music reveals thoughts \| mysterious \| private eye \| room \| whole-tone chord
The Big Sleep (1946)	Vivian	1:40:03 - Marlowe and Vivian kiss	9th chord \| 13th chord \| AABA structure \| added-note chord \| altered dominant \| captive \| chromatic mediant \| chromatic parallelism \| common-tone dominant 7th \| foreign key modulation \| freeing \| kissing \| leading lady \| leading man \| love interest \| love scene \| Neapolitan \| private eye \| romantic \| room \| suspension
The Big Sleep (1946)	Questions	1:40:44 - Vivian tries to free Marlowe	captive \| chromatic parallelism \| freeing \| leading lady \| leading man \| love interest \| love scene \| private eye \| room \| tense
The Big Sleep (1946)	Marlowe (Misterioso)	1:41:01 - Marlowe plans his escape	action scene \| leading lady \| leading man \| love interest \| mysterious \| planning \| private eye \| room \| tense
The Big Sleep (1946)	Marlowe 2	1:41:18 - Marlowe goes outside	action scene \| chromatic scale \| escaping \| leading lady \| leading man \| love interest \| mysterious \| private eye \| room \| screaming \| tense
The Big Sleep (1946)	Underscoring (Dramatic)	1:41:36 - Marlowe runs to his car	9th chord \| action scene \| criminal \| diminution \| dramatic \| fragmentation \| leading lady \| leading man \| linear chromaticism \| love interest \| outside \| private eye \| running \| underscoring \| whole-tone chord
The Big Sleep (1946)	Hostage + Marlowe (Fragment)	1:42:34 - Canino brings Vivian out as a hostage	64 chord \| action scene \| criminal \| hostage \| leading lady \| leading man \| love interest \| ostinato \| ostinato \| outside \| private eye \| tense \| tritone oscillation \| walking
The Big Sleep (1946)	Underscoring (Dramatic)	1:43:17 - Canino shoots	action scene \| criminal \| dramatic \| gun \| gunshot \| hostage \| leading lady \| leading man \| love interest \| outside \| private eye \| shooting \| underscoring
The Big Sleep (1946)	Marlowe rises	1:43:19 - Marlowe rises	action scene \| criminal \| dramatic \| hostage \| leading lady \| leading man \| love interest \| outside \| pc set \| private eye \| rising
The Big Sleep (1946)	Canino's Death	1:43:22 - Canino is shot	action scene \| chromatic parallelism \| criminal \| death \| dramatic \| dying \| falling \| gun \| gunshot \| hostage \| leading lady \| leading man \| love interest \| mirroring \| outside \| pc set \| private eye \| retrograde \| stumbling \| tense
The Big Sleep (1946)	Underscoring (Tense)	1:43:35 - Marlowe gets the keys to the handcuffs	action scene \| chromatic parallelism \| criminal \| death \| escaping \| gun \| hostage \| leading lady \| leading man \| love interest \| outside \| pc set \| private eye \| tense \| underscoring \| whole-tone \| whole-tone chord
The Big Sleep (1946)	Marlowe (Escaping)	1:43:48 - Vivian takes off the handcuffs	action scene \| distortion \| escaping \| leading lady \| leading man \| love interest \| mysterious \| outside \| private eye \| tense
The Big Sleep (1946)	Driving 2	1:43:54 - Marlowe and Vivian drive away	car \| conversing \| driving \| leading lady \| leading man \| love interest \| love scene \| ostinato \| pc set \| private eye \| sequence \| tense
The Big Sleep (1946)	Driving 2 + Vivian	1:44:16 - Vivian tells Marlowe she loves him	9th chord \| 13th chord \| car \| chromatic parallelism \| conversing \| driving \| leading lady \| leading man \| love \| love interest \| love scene \| ostinato \| private eye \| romantic \| suspension \| tense
The Big Sleep (1946)	Driving 2	1:44:32 - Vivian and Marlowe talk in the car	car \| conversing \| driving \| leading lady \| leading man \| love interest \| love scene \| ostinato \| private eye \| sequence \| tense
The Big Sleep (1946)	Driving 2 + Vivian	1:44:44 - Vivian and Marlowe talk in the car	car \| conversing \| driving \| leading lady \| leading man \| love \| love interest \| love scene \| ostinato \| private eye \| romantic \| tense \| whole-tone chord
The Big Sleep (1946)	Driving 2	1:44:51 - Vivian and Marlowe talk in the car	car \| conversing \| driving \| leading lady \| leading man \| love interest \| love scene \| ostinato \| pc set \| private eye \| tense \| whole-tone chord
The Big Sleep (1946)	Driving 2 + Carmen	1:45:06 - Marlowe talks about Carmen	car \| conversing \| driving \| leading lady \| leading man \| love interest \| love scene \| ostinato \| private eye \| tense \| whole-tone chord
The Big Sleep (1946)	Driving 2 + Vivian	1:45:21 - Marlowe tells Vivian he loves her	9th chord \| 13th chord \| arriving \| car \| chromatic parallelism \| conversing \| driving \| leading lady \| leading man \| love \| love interest \| love scene \| ostinato \| private eye \| romantic \| suspension \| tense
The Big Sleep (1946)	Marlowe (Bold)	1:45:44 - Marlowe and Vivian get out of the car	bold \| chromatic scale \| heroic \| leading lady \| leading man \| love interest \| outside \| private eye \| transition \| walking
The Big Sleep (1946)	Walking (Extended)	1:45:45 - Marlowe and Vivian walk up to house	fragmentation \| leading lady \| leading man \| love interest \| outside \| parallelism \| pedal tone \| private eye \| sequential modulation \| tense \| transition \| walking
The Big Sleep (1946)	Hangs up phone	1:47:07 - Marlowe hangs up the phone	climax \| hanging up \| leading lady \| leading man \| love interest \| mickey-mousing \| mysterious \| private eye \| room
The Big Sleep (1946)	Hurrying	1:47:07 - Marlowe and Vivian make a plan	chromatic sequence \| climax \| fragmentation \| hurrying \| leading lady \| leading man \| love interest \| parallelism \| planning \| private eye \| room \| tense
The Big Sleep (1946)	Marlowe (Misterioso)	1:47:26 - Marlowe drops a bullet	climax \| fear \| leading lady \| leading man \| love interest \| mysterious \| private eye \| room \| shaking \| tense
The Big Sleep (1946)	Marlowe 2	1:47:31 - Car pulls up outside	chromatic scale \| climax \| fear \| leading lady \| leading man \| love interest \| mysterious \| private eye \| room \| shaking \| tense \| tritone
The Big Sleep (1946)	Carmen (Drugged)	1:48:08 - Marlowe watches men outside	climax \| criminal \| fear \| leading lady \| leading man \| love interest \| mysterious \| ominous \| planning \| private eye \| room \| tense \| waiting
The Big Sleep (1946)	Mars Dies	1:51:43 - Mars falls dead to the ground	criminal \| death \| dying \| falling \| leading lady \| leading man \| love interest \| mysterious \| ominous \| private eye \| resolution \| room \| stinger \| tense \| underscoring
The Big Sleep (1946)	Marlowe (Risoluto)	1:52:01 - Marlowe walks to the phone	added-note chord \| bold \| death \| fragmentation \| leading lady \| leading man \| love interest \| mysterious \| plotting \| private eye \| resolution \| room \| tense
The Big Sleep (1946)	Carmen (Tense)	1:52:28 - Marlowe talks on the phone	conversing \| leading lady \| leading man \| love interest \| lying \| mysterious \| oscillation \| pedal tone \| phone call \| private eye \| resolution \| room \| tense \| uneasy \| whole-tone chord
The Big Sleep (1946)	Vivian	1:52:48 - Marlowe talks to Vivian	9th chord \| 13th chord \| chromatic parallelism \| conversing \| leading lady \| leading man \| love \| love interest \| Neapolitan \| private eye \| resolution \| romantic \| room
The Big Sleep (1946)	Vivian (Expressivo)	1:53:20 - Marlowe pulls Vivian close	9th chord \| 13th chord \| chromatic parallelism \| conversing \| foreign key modulation \| leading lady \| leading man \| love \| love interest \| private eye \| resolution \| romantic \| room \| suspension
The Breaking Point (1950)	Fishermen	0:07:40 - Ship leaving the harbor	boat \| boat \| boating \| calm \| common-tone diminished 7th \| departing \| fisherman \| fishing \| floozy \| leading lady \| leading man \| montage \| not by Steiner \| sailor \| tense \| transcribed by ear \| upbeat
The Breaking Point (1950)	Flor de Lis	0:08:17 - A ship sailing	art song \| boat \| boat \| boating \| conversing \| establish setting \| flirting \| floozy \| leading lady \| leading man \| not by Steiner \| sailor \| upbeat \| working
The Breaking Point (1950)	En Mi Canto de Amor	0:08:57 - A dock at night	arriving \| art song \| boat \| conversing \| docking \| establish setting \| flirting \| floozy \| harbor \| leading lady \| leading man \| not by Steiner \| sailor \| source music \| upbeat \| working
The Breaking Point (1950)	Carmen, Carmela	0:11:11 - Harry talks to Duncan in a bar	AABA structure \| bar \| conversing \| criminal \| establish setting \| floozy \| folk music \| gambling \| leading lady \| leading man \| musician \| on-screen music \| performing \| pleasant \| sailor \| serenading \| singing \| source music
The Breaking Point (1950)	La Golondrina	0:12:21 - Harry sits down with Leona in the bar	advance plot \| bar \| calm \| conversing \| fisherman \| flirting \| floozy \| folk music \| leading lady \| leading man \| sailor \| source music
The Breaking Point (1950)	Please Don't Talk About Me When I'm Gone	0:39:07 - Harry arrives at a bar	AABA structure \| advance plot \| bar \| bartender \| criminal \| dancing \| floozy \| jukebox \| leading lady \| leading man \| on-screen music \| sailor \| singing \| source music \| upbeat
The Breaking Point (1950)	Ask Me No Questions	0:40:46 - Harry talks to Duncan	advance plot \| arguing \| bar \| bartender \| conversing \| criminal \| floozy \| jukebox \| leading lady \| leading man \| mellow \| sailor \| source music
The Breaking Point (1950)	On an Ordinary Morning	0:43:33 - Leona and Harry sit together in a bar	advance plot \| bar \| conversing \| floozy \| jukebox \| leading lady \| leading man \| mellow \| sailor \| source music \| wife
The Breaking Point (1950)	Make Love With a Guitar	0:46:27 - A boy plays the accordion	advance plot \| calm \| child \| conversing \| drunk \| leading lady \| leading man \| neighbor \| on-screen music \| sailor \| source music \| street \| walking \| wife
The Breaking Point (1950)	I Guess I'll Have to Change My Plan	1:00:26 - Harry in a restaurant	ABACA structure \| advance plot \| bartender \| conversing \| floozy \| leading lady \| leading man \| mellow \| restaurant \| sailor \| source music
The Breaking Point (1950)	You Missed the Boat	1:02:56 - Duncan talks to Harry in the restaurant	advance plot \| conversing \| criminal \| floozy \| leading lady \| leading man \| mellow \| restaurant \| sailor \| source music
The Breaking Point (1950)	Don't Take Your Love From Me	1:05:42 - Harry arrives at Leona's apartment	ABAC structure \| advance plot \| conversing \| floozy \| leading lady \| leading man \| mellow \| room \| sailor \| source music
The Breaking Point (1950)	The Breaking Point (Ethereal)	1:34:41 - Harry recognizes Lucy	9th chord \| boat \| climax \| comforting \| conversing \| crying \| ethereal \| leading lady \| leading man \| mixed meter \| mode mixture \| sailor \| sweet \| wife
The Breaking Point (1950)	The Breaking Point (Cellos)	1:35:14 - Harry talks with Lucy	boat \| climax \| comforting \| conversing \| crying \| ethereal \| foreign key modulation \| leading lady \| leading man \| mixed meter \| sailor \| sweet \| wife
The Breaking Point (1950)	Calm	1:35:38 - Lucy leaves	augmented triad \| boat \| climax \| comforting \| conversing \| crying \| ethereal \| leading lady \| leading man \| pedal tone \| sailor \| sweet \| wife
The Breaking Point (1950)	The Breaking Point (Triste)	1:35:50 - Harry is carried out on a stretcher	carrying \| child \| climax \| crowd \| crying \| deceptive resolution \| doctor \| harbor \| leading lady \| leading man \| sailor \| somber \| watching \| wife
The Breaking Point (1950)	Leona	1:36:26 - Leona watches	9th chord \| 11th chord \| 13th chord \| augmented sixth chord \| child \| chromatic parallelism \| climax \| crowd \| crying \| doctor \| harbor \| leading lady \| leading man \| sailor \| somber \| watching \| wife
Caged (1950)	Marie (Main Title)	NIF - not in film	augmented sixth chord \| car \| cut from film \| dark \| guard \| leading lady \| looking \| opening title sequence \| police car \| prisoner \| tense
Caged (1950)	Prison	NIF - not in film	9th chord \| augmented sixth chord \| conversing \| cut from film \| dark \| exiting \| guard \| leading lady \| opening title sequence \| police car \| prison \| prisoner \| suspension \| underscoring
Caged (1950)	Marie	0:08:04 - Marie poses for mugshot	augmented sixth chord \| camera \| dissonant bass \| establish character \| guard \| leading lady \| mug shot \| photographer \| photographing \| prison \| prisoner \| sigh gesture \| somber
Caged (1950)	Isolation Ward	0:08:54 - Edna lying in a bed	9th chord \| conversing \| dark \| dissonant bass \| establish character \| illness \| isolation \| leading lady \| mysterious \| ominous \| oscillation \| prison \| prisoner \| rain \| uneasy
Caged (1950)	Marie (Tragic)	NIF - not in film	advance plot \| augmented sixth chord \| cut from film \| dissonant bass \| foreign key modulation \| guard \| leading lady \| pc set \| prison \| prisoner \| standing \| uneasy
Caged (1950)	Swimmy	NIF - not in film	advance plot \| chromatic parallelism \| chromatic scale \| cut from film \| disbelief \| dissonant bass \| fragmentation \| guard \| leading lady \| pregnancy \| prison \| prisoner \| reacting \| realization \| tense
Caged (1950)	Molto Expressivo	NIF - not in film	9th chord \| advance plot \| arriving \| cut from film \| disbelief \| foreign key modulation \| guard \| leading lady \| pregnancy \| prison \| prisoner \| realization \| somber \| stinger \| tense \| walking
Caged (1950)	Mrs. Benton (Not in Film)	NIF - not in film	9th chord \| added-note chord \| altered dominant \| augmented sixth chord \| comforting \| common-tone modulation \| crying \| cut from film \| disbelief \| establish character \| gentle \| leading lady \| mode mixture \| office \| pregnancy \| prison \| prisoner \| realization \| warden
Caged (1950)	Crying	NIF - not in film	comforting \| crying \| cut from film \| deceptive resolution \| dramatic \| establish character \| leading lady \| office \| pregnancy \| prison \| prisoner \| sequential modulation \| warden
Caged (1950)	Mrs. Benton (Not in Film 2)	NIF - not in film	comforting \| crying \| cut from film \| establish character \| foreign key modulation \| gentle \| leading lady \| mode mixture \| office \| pregnancy \| prison \| prisoner \| warden
Caged (1950)	Marie 2 (Not in Film)	NIF - not in film	added-note chord \| conversing \| cut from film \| establish character \| gentle \| leading lady \| office \| pregnancy \| prison \| prisoner \| warden
Caged (1950)	Lullaby	NIF - not in film	9th chord \| added-note chord \| conversing \| cut from film \| establish character \| gentle \| leading lady \| office \| pregnancy \| prison \| prisoner \| sequential modulation \| warden
Caged (1950)	Mrs. Benton (Not in Film 3)	NIF - not in film	altered dominant \| chromatic mediant \| conversing \| cut from film \| establish character \| gentle \| guard \| leading lady \| mode mixture \| office \| pregnancy \| prison \| prisoner \| reading \| room \| sigh gesture \| warden
Caged (1950)	Bird in a Cage	0:30:00 - Inmates sleeping	advance plot \| bed \| crazy person \| folk song \| gentle \| humming \| leading lady \| on-screen music \| prison \| prisoner \| singing \| source music
Caged (1950)	Underscoring (Tense)	NIF - not in film	bed \| crazy person \| crying \| cut from film \| leading lady \| mad scene \| oscillation \| prison \| prisoner \| sleeping \| tense \| underscoring
Caged (1950)	Madness	NIF - not in film	agitated \| bed \| chromatic scale \| crazy person \| crying \| cut from film \| leading lady \| mad scene \| ostinato \| prison \| prisoner \| sleeping \| standing
Caged (1950)	Train Whistle Hallucination	NIF - not in film	acceleration \| agitated \| bed \| breaking \| chromatic parallelism \| chromatic scale \| crazy person \| crying \| cut from film \| diminished 7th chord \| dramatic \| glass \| hallucinating \| leading lady \| mad scene \| ostinato \| pedal tone \| polychord \| prison \| prisoner \| screaming \| smashing
Caged (1950)	Caged (Not in Film)	NIF - not in film	bed \| crazy person \| crying \| cut from film \| dark \| glass \| leading lady \| mad scene \| pc set \| prison \| prisoner
Caged (1950)	Wailing	NIF - not in film	agitated \| bed \| crazy person \| crying \| crying effect \| cut from film \| glass \| leading lady \| mad scene \| ostinato \| pc set \| prison \| prisoner \| wailing
Caged (1950)	Wailing + Train Whistle Hallucination	NIF - not in film	acceleration \| agitated \| bed \| chromatic parallelism \| chromatic scale \| combination of themes \| crazy person \| crying \| crying effect \| cut from film \| diminished 7th chord \| dramatic \| glass \| leading lady \| mad scene \| ostinato \| pedal tone \| polychord \| prison \| prisoner \| rushing \| unlocking \| wailing
Caged (1950)	Wailing (Ominous)	NIF - not in film	bed \| bleeding \| blood \| crazy person \| crying \| cut from film \| dark \| leading lady \| mad scene \| ominous \| ostinato \| prison \| prisoner \| tritone \| wailing \| whole-tone chord
Caged (1950)	Prison Alarm	0:32:00 - Ringing prison alarm	agitated \| alarm \| alarm effect \| bell \| double exposure \| dramatic \| guard \| leading lady \| mickey-mousing \| montage \| montage \| prison \| prisoner \| ringing \| waking \| whole-tone chord \| whole-tone scale \| yelling
Caged (1950)	Marie (Expressivo)	0:32:12 - The prison laundry	alarm \| augmented sixth chord \| augmented triad \| bell \| double exposure \| dramatic \| guard \| leading lady \| metric displacement \| montage \| montage \| prison \| prisoner \| ringing \| roll call \| working
Caged (1950)	Prison Alarm	0:32:22 - Ringing prison alarm	agitated \| alarm \| alarm effect \| bell \| double exposure \| dramatic \| eating \| guard \| leading lady \| mickey-mousing \| montage \| montage \| prison \| prisoner \| ringing \| waking \| whole-tone chord
Caged (1950)	Underscoring (Dramatic)	0:32:30 - Marie in the prison cafeteria	alarm \| alarm effect \| bell \| chromatic parallelism \| double exposure \| dramatic \| eating \| fanning \| guard \| heat \| leading lady \| mickey-mousing \| montage \| montage \| pc set \| prison \| prisoner \| underscoring \| whole-tone scale
Caged (1950)	Prison	0:32:40 - Marie working in the prison laundry	9th chord \| double exposure \| dramatic \| leading lady \| montage \| montage \| prison \| prisoner \| suspension \| working
Caged (1950)	Underscoring (Dramatic)	0:32:47 - Marie working in the prison laundry	alarm \| alarm effect \| augmented sixth chord \| bell \| chromatic scale \| double exposure \| dramatic \| leading lady \| mickey-mousing \| montage \| montage \| pain \| prison \| prisoner \| quick cuts \| underscoring \| working
Caged (1950)	Marie (Dark)	0:32:55 - Marie's medical report	augmented sixth chord \| dark \| double exposure \| infirmary \| leading lady \| medical report \| montage \| montage \| pain \| prison \| prisoner \| working
Caged (1950)	Marie (Slowly)	0:35:14 - Marie talks to Kitty	advance plot \| augmented sixth chord \| chromatic mediant \| conversing \| foreign key modulation \| friend \| leading lady \| oscillation \| pc set \| prison \| prisoner \| sickness \| sigh gesture \| solemn \| uneasy
Caged (1950)	Underscoring (Subtle)	0:36:52 - June gets dressed for her parole board hearing	dressing \| establish character \| excited \| friend \| leading lady \| prison \| prisoner \| sequential modulation \| tense \| underscoring
Caged (1950)	June and Marie	0:37:06 - June and Marie talk	conversing \| establish character \| foreign key modulation \| friend \| hopeful \| leading lady \| noble \| prison \| prisoner
Caged (1950)	June	0:37:27 - June and Marie talk	11th chord \| 13th chord \| conversing \| establish character \| foreign key modulation \| friend \| hopeful \| leading lady \| melancholy \| prison \| prisoner \| sequence \| somber
Caged (1950)	Underscoring (Dark)	0:37:58 - June and Marie argue	arguing \| dark \| dissonant bass \| establish character \| friend \| leading lady \| prison \| prisoner \| underscoring
Caged (1950)	June (Triste)	0:38:14 - June and Marie talk	common-tone diminished 7th \| conversing \| cut from film \| establish character \| friend \| leading lady \| melancholy \| prison \| prisoner \| somber
Caged (1950)	June (Slowly)	0:38:39 - Marie looks for June	arriving \| chromatic mediant \| conversing \| deceptive resolution \| establish character \| friend \| guard \| leading lady \| melancholy \| minor-major 7th chord \| prison \| prisoner \| somber
Caged (1950)	June (Adagio)	0:39:34 - Inmates play cards	cards \| chromatic mediant \| chromatic scale \| close-up \| conversing \| establish character \| foreign key modulation \| friend \| leading lady \| melancholy \| playing \| prison \| prisoner \| somber \| underscoring \| uneasy
Caged (1950)	June and Marie (Very Slow)	0:39:59 - Marie helps June	9th chord \| consoling \| dark \| despair \| establish character \| friend \| guard \| helping \| leading lady \| prison \| prisoner \| somber \| whole-tone chord
Caged (1950)	Harper	0:40:20 - Harper walks	dark \| establish character \| friend \| guard \| leading lady \| mickey-mousing \| prison \| prisoner \| tritone oscillation \| walking \| whole-tone chord
Caged (1950)	June (Dead)	0:43:38 - Shot of June's hanging body	common-tone diminished 7th \| dark \| death \| death scene \| friend \| hanging \| harsh \| leading lady \| prison \| prisoner \| suicide
Caged (1950)	Crying (Poco Agitato)	0:44:27 - Mrs. Benton paces	baby \| childbirth \| conversing \| crying \| doctor \| infirmary \| leading lady \| mickey-mousing \| operation scene \| oscillation \| pacing \| prison \| prisoner \| tense \| triadic transformation \| uneasy \| walking \| warden
Caged (1950)	Marie (Tragic)	0:44:36 - Mrs. Benton paces	baby \| childbirth \| doctor \| foreign key modulation \| infirmary \| leading lady \| operation scene \| pacing \| prison \| prisoner \| tense \| uneasy \| warden \| worrying
Caged (1950)	Marie	0:44:54 - The doctor washes up	baby \| childbirth \| cleaning \| conversing \| doctor \| infirmary \| leading lady \| operation scene \| prison \| prisoner \| sigh gesture \| solemn \| warden
Caged (1950)	Nursery	0:49:22 - Marie goes to see her newborn baby	added-note chord \| advance plot \| baby \| gentle \| hopeful \| leading lady \| nurse \| nursery \| optimistic \| prison \| prisoner \| walking
Caged (1950)	Lullaby	0:49:51 - Marie holds her new baby	9th chord \| added-note chord \| advance plot \| altered dominant \| baby \| conversing \| gentle \| leading lady \| nurse \| nursery \| prison \| prisoner \| sequential modulation
Caged (1950)	Marie 2	0:50:22 - Marie holds her new baby	advance plot \| baby \| conversing \| gentle \| happy \| leading lady \| mode mixture \| nurse \| nursery \| prison \| prisoner \| sigh gesture
Caged (1950)	Marie (Dramatic)	0:52:43 - Marie pleads with her mother to take the baby	9th chord \| altered dominant \| chromatic scale \| chromatic wedge \| despair \| dramatic \| leading lady \| mother \| nurse \| pleading \| prison \| prisoner \| tragic \| turning point
Caged (1950)	Prison (Tragic)	0:52:48 - Marie calls after her mother	added-note chord \| augmented sixth chord \| chromatic sequence \| despair \| dramatic \| leading lady \| mother \| nurse \| pleading \| prison \| prisoner \| sigh gesture \| tragic \| turning point
His Greatest Gamble (1934)	Nocturne in E-flat Major	0:36:29 - Philip looks for Alice	advance plot \| calm \| conversing \| daughter \| fugitive \| leading lady \| leading man \| mansion \| nocturne \| pleasant \| searching \| source music \| wandering
His Greatest Gamble (1934)	Waltz in C-sharp Minor	0:40:28 - Philip talks with Alice and Florence	advance plot \| conversing \| daughter \| ex-wife \| fugitive \| leading lady \| leading man \| mansion \| serious \| source music \| waltz
His Greatest Gamble (1934)	Blue Ridge Moon	0:53:16 - Philip talks with Alice	advance plot \| conversing \| daughter \| gentle \| leading lady \| love interest \| mansion \| popular music \| radio \| sentimental \| source music \| waltz
His Greatest Gamble (1934)	Morning Glory Waltz (Radio)	0:57:06 - Philip talks with Alice	9th chord \| advance plot \| conversing \| daughter \| fugitive \| gentle \| leading lady \| leading man \| mansion \| mode mixture \| radio \| score to source \| sentimental \| source music \| transcribed by ear \| walking
City for Conquest (1940)	Scales	0:09:16 - Danny and Peggy go upstairs	arguing \| conversing \| establish character \| leading lady \| leading man \| mother \| on-screen music \| piano \| room \| source music \| tedious \| transcribed by ear
City for Conquest (1940)	Lullaby of Broadway	0:17:00 - A sign for Rose Gardens Casino	boxer \| conversing \| crowd \| dance band \| dance hall \| dancer \| dance scene \| dancing \| leading lady \| leading man \| on-screen music \| playing \| popular music \| source music \| upbeat
City for Conquest (1940)	Latin For Manhattan	0:18:29 - Peggy and Danny sit down	AABA structure \| blue note \| boxer \| conversing \| crowd \| dance band \| dance hall \| dancer \| dance scene \| dancing \| leading lady \| leading man \| on-screen music \| playing \| popular music \| source music \| upbeat
City for Conquest (1940)	The Continental	0:19:53 - Peggy dances with Murray	AABA structure \| boxer \| conversing \| crowd \| dance band \| dance hall \| dancer \| dance scene \| dancing \| friend \| leading lady \| leading man \| on-screen music \| phrase extension \| playing \| popular music \| source music \| upbeat
City for Conquest (1940)	Jalousie	0:20:39 - Danny sitting at a table	ABAC structure \| boxer \| crowd \| dance band \| dance hall \| dancer \| dance scene \| dancing \| friend \| leading lady \| leading man \| on-screen music \| popular music \| source music \| upbeat
City for Conquest (1940)	I'm Just Wild About Harry	0:21:28 - Peggy dances with Murray	ABAC structure \| crowd \| dance band \| dance hall \| dancer \| dance scene \| dancing \| leading lady \| on-screen music \| popular music \| source music \| upbeat
City for Conquest (1940)	Shadow Waltz	0:21:46 - Peggy dances with Murray	ABAC structure \| conversing \| crowd \| dance band \| dance hall \| dancer \| dance scene \| dancing \| leading lady \| on-screen music \| playing \| popular music \| source music \| upbeat
City for Conquest (1940)	Fanfare	0:22:58 - A trophy is brought out	award \| bold \| chromatic mediant \| crowd \| dance band \| dance hall \| dancer \| dance scene \| fanfare \| leading lady \| on-screen music \| parallelism \| presenting \| source music \| transcribed by ear \| upbeat
City for Conquest (1940)	I'm Just Wild About Harry	0:23:07 - Close-up of Lily	ABAC structure \| award \| boxer \| conversing \| crowd \| dance band \| dance hall \| dancer \| dance scene \| friend \| leading lady \| leading man \| on-screen music \| popular music \| source music \| upbeat
City for Conquest (1940)	Shadow Waltz (Ethereal)	0:24:48 - Peggy peeks out of her door	added-note chord \| advance plot \| arriving \| chromatic parallelism \| chromatic wedge \| common-tone diminished 7th \| entering \| gentle \| leading lady \| mysterious \| parallelism \| room \| sneaking \| source to score
City for Conquest (1940)	I'm Just Wild About Harry (Delicato)	0:25:06 - Peggy calls Murray	11th chord \| added-note chord \| advance plot \| altered dominant \| calling \| common-tone diminished 7th \| conversing \| leading lady \| mode mixture \| pleasant \| room \| source to score \| telephone \| upbeat
City for Conquest (1940)	The Words Are in My Heart	0:29:31 - Peggy dances with Murray	applause \| augmented triad \| crowd \| dance hall \| dancer \| dancing \| double exposure \| gentle \| leading lady \| montage \| source music \| waltz
City for Conquest (1940)	Original Rhumba	0:29:38 - Peggy dances with Murray	applause \| crowd \| dance hall \| dancer \| dancing \| double exposure \| leading lady \| montage \| rhumba \| source music \| upbeat
City for Conquest (1940)	Original Bolero	0:29:43 - Peggy dances with Murray	applause \| bolero \| chromatic mediant \| crowd \| dance hall \| dancer \| dancing \| double exposure \| leading lady \| montage \| source music \| upbeat
City for Conquest (1940)	Jalousie	0:29:51 - Peggy dances with Murray	added-note chord \| applause \| crowd \| dance hall \| dancer \| dancing \| double exposure \| leading lady \| montage \| source music \| tango \| upbeat
City for Conquest (1940)	Original Foxtrot	0:29:57 - Peggy dances with Murray	applause \| common-tone diminished 7th \| crowd \| dance hall \| dancer \| dancing \| double exposure \| foxtrot \| leading lady \| montage \| source music \| upbeat
City for Conquest (1940)	Tone Poem A (Grazioso)	0:30:04 - Danny shaves	altered dominant \| common-chord modulation \| conversing \| delicate \| fragmentation \| gentle \| leading lady \| leading man \| love scene \| room \| shaving
City for Conquest (1940)	Tone Poem A (Dolce)	0:30:28 - Peggy talks to Danny	9th chord \| 11th chord \| arguing \| chromatic parallelism \| common-chord modulation \| conversing \| flirting \| gentle \| leading lady \| leading man \| love scene \| playful \| room \| shaving
City for Conquest (1940)	Peggy pokes Danny	0:30:47 - Peggy pokes Danny	11th chord \| flirting \| leading lady \| leading man \| love scene \| mickey-mousing \| playful \| room \| shaving \| teasing
City for Conquest (1940)	Only Fooling	0:30:54 - Peggy cleans Danny's face	arguing \| common-tone modulation \| conversing \| diminished 7th chord \| flirting \| leading lady \| leading man \| love scene \| parallelism \| playful \| room \| shaving
City for Conquest (1940)	Tone Poem A (Expressivo)	0:31:00 - Peggy apologizes to Danny	9th chord \| added-note chord \| appoggiatura \| chromatic mediant \| common-tone diminished 7th \| conversing \| foreign key modulation \| kiss \| kissing \| leading lady \| leading man \| love scene \| parallelism \| romantic \| room
City for Conquest (1940)	Tranquillo	0:31:35 - Peggy and Danny on a boat	9th chord \| boat \| conversing \| delicate \| gentle \| leading lady \| leading man \| love scene
City for Conquest (1940)	Tone Poem A (Waltz)	0:31:48 - Peggy and Danny talk about the future	9th chord \| 13th chord \| added-note chord \| boat \| calm \| common-chord modulation \| conversing \| deceptive resolution \| foreign key modulation \| leading lady \| leading man \| love scene \| mode mixture \| romantic
City for Conquest (1940)	Shadow Waltz (Dark)	0:33:22 - Peggy talks with Danny	boat \| chromatic sequence \| conversing \| dark \| leading lady \| leading man \| love scene \| major 7th chord \| octatonic \| somber
City for Conquest (1940)	I'm Just Wild About Harry (Foxtrot)	0:33:35 - Peggy starts to leave	9th chord \| added-note chord \| boat \| calm \| chromatic mediant \| conversing \| gentle \| leading lady \| leading man \| love scene
City for Conquest (1940)	Tone Poem A (Dolcissimo)	0:34:02 - Danny talks with Peggy	9th chord \| added-note chord \| boat \| common-tone diminished 7th \| conversing \| gentle \| kissing \| leading lady \| leading man \| love scene \| romantic
City for Conquest (1940)	I'm Just Wild About Harry	0:34:32 - Man operating a spotlight	audience \| clapping \| dancer \| dancing \| double exposure \| leading lady \| marquee \| montage \| source music \| stage \| upbeat
City for Conquest (1940)	In the Evening	0:45:08 - Peggy in her dressing room	arguing \| boxer \| conflict \| conversing \| crying \| dancer \| dressing room \| leading lady \| leading man \| parallel double period \| punching \| source music \| upbeat
City for Conquest (1940)	A Girl Like You	0:46:49 - Danny in Peggy's dressing room	boxer \| conflict \| crying \| dancer \| dressing room \| leading lady \| leading man \| leaving \| parallel double period \| source music \| upbeat
City for Conquest (1940)	Peggy runs	0:47:31 - Peggy runs down the stairs	boxer \| chromatic parallelism \| chromatic sequence \| dancer \| descending \| leading lady \| leading man \| love scene \| mickey-mousing \| running \| source and scoring overlap \| street \| tense
City for Conquest (1940)	Tone Poem A (Romantic)	0:47:41 - Peggy talks with Danny	boxer \| conversing \| dancer \| leading lady \| leading man \| love scene \| street \| tense
City for Conquest (1940)	Tone Poem A (Simplice)	0:48:06 - Danny talks to Peggy	9th chord \| 13th chord \| boxer \| dancer \| embracing \| kissing \| leading lady \| leading man \| love scene \| romantic \| street
City for Conquest (1940)	Tone Poem A (Walking)	0:48:32 - Danny and Peggy walk down the street	11th chord \| boxer \| chromatic sequence \| conversing \| dancer \| leading lady \| leading man \| love scene \| romantic \| street \| walking
City for Conquest (1940)	Tone Poem A (Molto Expressivo)	0:48:44 - Danny talks with Peggy	9th chord \| 64 chord \| appoggiatura \| boxer \| countermelody \| dancer \| embracing \| kissing \| leading lady \| leading man \| love scene \| plagal cadence \| romantic \| sequence \| street
City for Conquest (1940)	Adios Muchachos	0:50:27 - Peggy arrives home	advance plot \| arriving \| cheerful \| conversing \| dancer \| leading lady \| parallel double period \| record player \| room \| source music \| tango
City for Conquest (1940)	Adios Muchachos	0:51:19 - Peggy talks with Murray	advance plot \| arriving \| cheerful \| conversing \| dancer \| leading lady \| parallel double period \| record player \| room \| source music \| tango
City for Conquest (1940)	Corn Pickin'	0:53:35 - People dancing the jitterbug	AABA structure \| advance plot \| boxer \| club \| crowd \| dance band \| dancer \| dancing \| leading lady \| leading man \| on-screen music \| source music \| upbeat
City for Conquest (1940)	Japanese Sandman	0:54:33 - Danny and Peggy at the dance	advance plot \| boxer \| club \| crowd \| dance band \| dancer \| dancing \| leading lady \| leading man \| on-screen music \| source music \| upbeat
City for Conquest (1940)	Underscoring (Gentle)	0:55:19 - A taxi approaches	11th chord \| appoggiatura \| arriving \| farewell scene \| gentle \| leading lady \| leading man \| source and scoring overlap \| street \| taxi \| underscoring
City for Conquest (1940)	Tone Poem A (Farewell)	0:55:31 - Peggy bids farewell to Danny	9th chord \| appoggiatura \| augmented sixth chord \| conversing \| crying \| embracing \| enharmonic respelling \| farewell scene \| leading lady \| leading man \| leaving \| mode mixture \| plagal cadence \| romantic \| sentimental \| street
City for Conquest (1940)	Garden of the Moon	1:00:04 - Backstage at the Club Madrid	AABA structure \| advance plot \| conversing \| dancer \| dressing room \| leading lady \| preparing \| source music \| upbeat
City for Conquest (1940)	Piggy Wiggy Woo	1:10:52 - Peggy cries	advance plot \| conversing \| crying \| dancer \| dressing room \| leading lady \| source music \| upbeat
City for Conquest (1940)	Powder My Back	1:23:34 - A burlesque marquee	advance plot \| conversing \| dancer \| dancing \| leading lady \| manager \| on-screen music \| phrase extension \| singer \| singing \| source music \| stage \| upbeat
City for Conquest (1940)	Tone Poem A (Lento 2)	1:28:11 - Peggy cries	9th chord \| advance plot \| altered dominant \| conversing \| crying \| foreign key modulation \| friend \| leading lady \| room \| sequence \| somber
City for Conquest (1940)	Tone Poem D (Dolce)	1:28:33 - Gladys talks to Peggy	9th chord \| 11th chord \| advance plot \| blue note \| chromatic sequence \| comforting \| common-tone diminished 7th \| conversing \| crying \| friend \| gentle \| leading lady \| mode mixture \| newspaper \| parallel fifths \| room \| sweet
City for Conquest (1940)	Tone Poem A (Maestoso)	1:29:11 - Peggy looks up	advance plot \| friend \| hopeful \| leading lady \| mode mixture \| newspaper \| reading \| room \| suspension
City for Conquest (1940)	Tone Poem A	1:32:32 - Violins playing	9th chord \| 11th chord \| 13th chord \| audience \| Carnegie Hall \| concert \| concert hall \| concert scene \| conducting \| conductor \| deceptive resolution \| dramatic \| Gershwinesque \| leading lady \| listening \| musician \| on-screen music \| orchestra \| playing \| romantic \| sentimental \| sequence \| source music \| watching \| zoom in
City for Conquest (1940)	Tone Poem A (Tutti)	1:33:02 - Peggy watches from the audience	9th chord \| 11th chord \| 13th chord \| audience \| bold \| Carnegie Hall \| concert \| concert hall \| concert scene \| conducting \| conductor \| deceptive resolution \| dramatic \| fragmentation \| Gershwinesque \| leading lady \| listening \| musician \| on-screen music \| orchestra \| playing \| point-of-view shot \| romantic \| source music \| watching \| zoom in
City for Conquest (1940)	Tone Poem A (Very Broad)	1:34:24 - Peggy reacts to the music	9th chord \| 13th chord \| audience \| bold \| Carnegie Hall \| chromatic parallelism \| chromatic scale \| chromatic sequence \| concert \| concert hall \| concert scene \| conducting \| conductor \| deceptive resolution \| dissonant bass \| dramatic \| Gershwinesque \| leading lady \| leading man \| listening \| musician \| newspaper \| newspaper stand \| on-screen music \| orchestra \| playing \| radio \| romantic \| source music \| street \| watching \| zoom out
City for Conquest (1940)	Tone Poem A (Lento)	1:35:02 - Orchestra playing	9th chord \| audience \| Carnegie Hall \| chromatic parallelism \| chromatic sequence \| concert \| concert hall \| concert scene \| conducting \| conductor \| crying \| leading lady \| linear chromaticism \| listening \| musician \| on-screen music \| orchestra \| playing \| polychord \| romantic \| somber \| source music \| tender \| watching
City for Conquest (1940)	Tone Poem A (Grandioso)	1:36:11 - Audience enjoying the performance	9th chord \| 13th chord \| altered dominant \| audience \| bold \| Carnegie Hall \| concert \| concert hall \| concert scene \| conducting \| conductor \| deceptive resolution \| double exposure \| dramatic \| Gershwinesque \| leading lady \| leading man \| listening \| musician \| on-screen music \| orchestra \| playing \| romantic \| sentimental \| smiling \| source music \| watching
City for Conquest (1940)	Tone Poem A (Beoootiful)	1:40:11 - Danny working at his newsstand	9th chord \| 11th chord \| blur \| conversing \| dissonant bass \| ethereal \| gentle \| into focus \| leading lady \| leading man \| love scene \| reunion \| reuniting \| shimmery \| squinting \| street \| tone cluster \| victim \| whole-tone chord
City for Conquest (1940)	Tone Poem A (Chorus)	1:41:14 - Danny talks with Peggy	9th chord \| 11th chord \| 13th chord \| chromatic sequence \| conversing \| crying \| ethereal \| foreign key modulation \| gentle \| leading lady \| leading man \| love interest \| love scene \| optimistic \| reunion \| reuniting \| romantic \| shimmery \| street \| suspension \| victim
Crime School (1938)	Underscoring (Mysterious)	0:09:53 - Frankie sneaks in the house	concern \| conversing \| dissonant bass \| establish character \| heroine \| leading lady \| mysterious \| pedal tone \| room \| sister \| sneaking \| sneaky \| teenager \| underscoring \| whole-tone chord \| whole-tone scale
Crime School (1938)	Sue (Quasi Blues)	0:11:08 - Sue talks to Frankie	bluesy \| chromatic parallelism \| common-chord modulation \| conversing \| crying \| establish character \| foreign key modulation \| Gershwinesque \| heroine \| leading lady \| room \| somber
Crime School (1938)	Sue (Minor)	0:20:38 - Judge sentences boys to the reformatory	augmented sixth chord \| chromatic parallelism \| courthouse \| crying \| dissonant bass \| gang \| heroine \| judge \| leading lady \| leading man \| sister \| somber \| stinger \| teenager \| trial
Crime School (1938)	Sue (Grazioso)	1:13:10 - Sue and Mark talk in the kitchen	cheerful \| conflict \| conversing \| cooking \| happy \| hero \| heroine \| kitchen \| leading lady \| leading man \| mode mixture \| secondary dominant
Crime School (1938)	Sue (Grazioso Mysterioso)	1:13:38 - Frankie confronts Sue and Mark	cheerful \| common-tone diminished 7th \| conflict \| conversing \| deceptive resolution \| dining \| gun \| happy \| hero \| heroine \| leading lady \| leading man \| room \| stick up \| stinger \| teenager \| tone cluster \| whole-tone chord
Crime School (1938)	Underscoring (Tense)	1:14:26 - Mark talks to policeman	chromatic scale \| conflict \| deceptive resolution \| gun \| hero \| heroine \| hiding \| knocking \| leading lady \| leading man \| lying \| mode mixture \| pedal tone \| police \| room \| teenager \| tense \| underscoring
Crime School (1938)	Lights on	1:15:26 - Sue turns the lights on	conflict \| hero \| heroine \| leading lady \| leading man \| light \| mickey-mousing \| room \| tense \| turning on
They Made Me a Criminal (1939)	The Fugitive (Looking Around)	0:25:11 - The young man sees Johnnie	9th chord \| deceptive resolution \| establish character \| foreign key modulation \| leading lady \| leading man \| ranch \| teenager \| tired \| walking
They Made Me a Criminal (1939)	The Fugitive (Arriving)	0:25:42 - Johnnie arrives at the ranch	9th chord \| arriving \| establish character \| foreign key modulation \| leading lady \| leading man \| ranch \| teenager \| tired
They Made Me a Criminal (1939)	Underscoring (Dramatic)	0:26:48 - Peggy rushes to help Johnnie	64 chord \| dramatic \| establish character \| heroine \| leading lady \| mickey-mousing \| ranch \| running \| rushing \| underscoring
They Made Me a Criminal (1939)	Underscoring (Tender)	0:26:58 - Peggy helps Johnnie	9th chord \| 64 chord \| heroine \| leading lady \| leading man \| lovers meet \| mode mixture \| nursing \| room \| tender \| underscoring
They Made Me a Criminal (1939)	The Fugitive (Recovering)	0:27:13 - Peggy takes care of Johnnie	9th chord \| foreign key modulation \| heroine \| leading lady \| leading man \| lovers meet \| nursing \| recovering \| romance \| room \| sweet \| waking
They Made Me a Criminal (1939)	Peggy (Dolce)	0:28:20 - Peggy talks to Johnnie	9th chord \| 11th chord \| 13th chord \| deceptive resolution \| foreign key modulation \| heroine \| kissing \| leading lady \| leading man \| lovers meet \| nursing \| recovering \| romance \| room \| sweet \| tender
They Made Me a Criminal (1939)	The Fugitive (Apology)	0:48:31 - Johnnie and Peggy talk	9th chord \| conversing \| hero \| leading lady \| leading man \| love scene \| romantic \| room \| secondary dominant \| tender
They Made Me a Criminal (1939)	Peggy (Delicatissimo)	0:49:16 - Johnnie and Peggy kiss	9th chord \| 11th chord \| 13th chord \| hero \| kissing \| leading lady \| leading man \| love scene \| romantic \| room
They Made Me a Criminal (1939)	On the Make	0:49:40 - Johnnie and Peggy drive in a car	ABAB structure \| added-note chord \| altered dominant \| car \| car \| cheerful \| conversing \| driving \| hero \| leading lady \| leading man \| linear chromaticism \| love scene \| mode mixture \| phrase extension \| romantic \| traveling
They Made Me a Criminal (1939)	On the Make (Extended)	0:53:21 - Johnnie and Peggy drive in a car	ABAB structure \| added-note chord \| advance plot \| altered dominant \| car \| car \| cheerful \| conversing \| driving \| hero \| kissing \| leading lady \| leading man \| linear chromaticism \| mode mixture \| phrase extension \| romantic \| traveling
They Made Me a Criminal (1939)	The Fugitive (Ashamed)	1:03:55 - Johnnie tells them he can't fight	9th chord \| conflict \| dark \| foreign key modulation \| harmonic sequence \| leading lady \| leading man \| lying \| room \| somber \| teenager
They Made Me a Criminal (1939)	On the Make (Dolce)	1:05:13 - Peggy talks to Johnnie	added-note chord \| altered dominant \| arguing \| conflict \| leading lady \| leading man \| linear chromaticism \| lying \| room \| tender
They Made Me a Criminal (1939)	Underscoring (Tense)	1:05:52 - Johnny talks to Peggy	conflict \| dramatic \| half-diminished 7th chord \| harmonic sequence \| leading lady \| leading man \| lying \| room \| tense \| underscoring
They Made Me a Criminal (1939)	On the Make (Heartbreak)	1:06:05 - Johnny talks to Peggy	9th chord \| arguing \| conflict \| dissonant bass \| dramatic \| leading lady \| leading man \| room \| slamming \| somber \| tense
They Made Me a Criminal (1939)	On the Make (Crying)	1:06:29 - Peggy cries after Johnnie leaves	11th chord \| conflict \| crying \| leading lady \| leading man \| room \| somber
They Made Me a Criminal (1939)	Spirit of Independence	1:14:53 - Johnnie marches into the ring	arena \| cheerful \| excited \| hero \| leading lady \| leading man \| march \| preparing \| source music \| sport scene \| teenager
They Made Me a Criminal (1939)	Peggy (Waiting)	1:24:39 - The detective talks to Johnnie	chromatic scale \| climax \| dark \| detective \| diminished 7th chord \| dissonant \| dissonant bass \| leading lady \| leading man \| lying \| ominous \| room \| waiting
They Made Me a Criminal (1939)	Lying	1:25:16 - Johnnie lies to Peggy about where he's going	added-note chord \| augmented sixth chord \| climax \| common-chord modulation \| detective \| dissonant bass \| foreign key modulation \| leading lady \| leading man \| lying \| minor-major 7th chord \| room \| turbulent
They Made Me a Criminal (1939)	On the Make (Appassionato)	1:25:51 - Peggy wants to go with Johnnie	9th chord \| altered dominant \| climax \| detective \| embracing \| kissing \| leading lady \| leading man \| leaving \| linear chromaticism \| mode mixture \| pedal tone \| romantic \| room \| sentimental \| sigh gesture \| tender
Deep Valley (1947)	Joe	0:01:29 - A dog	cheerful \| dog \| establish character \| friendly \| leading lady \| mother \| opening \| porch \| room \| running \| upbeat \| waking
Deep Valley (1947)	Joe (Poco Meno Expressivo)	0:01:59 - Libby gets up	dog \| dressing \| establish character \| leading lady \| mother \| room \| scolding \| upbeat \| waking
Deep Valley (1947)	Drudge	0:03:59 - Libby goes downstairs	descending \| establish character \| leading lady \| room \| somber \| stairs \| upset \| walking
Deep Valley (1947)	Drudge (Kitchen)	0:04:12 - Libby works in kitchen	cooking \| dog \| establish character \| kitchen \| leading lady \| somber \| upset
Deep Valley (1947)	Joe (Very Light)	0:04:29 - Joe watches Libby work	cheerful \| cooking \| dog \| establish character \| kitchen \| leading lady \| upbeat
Deep Valley (1947)	Drudge (Sentimentale)	0:04:49 - Libby feeds Joe	cooking \| dog \| establish character \| kitchen \| leading lady \| somber
Deep Valley (1947)	Libby	0:06:09 - Libby returns to her work	establish character \| father \| kitchen \| leading lady \| serving \| somber
Deep Valley (1947)	Libby (Rubato)	0:08:13 - Libby at the kitchen table	establish character \| kitchen \| leading lady \| leaving \| somber \| tense
Deep Valley (1947)	Woods	0:08:25 - Libby leaves the house	cheerful \| dog \| establish character \| forest \| leading lady \| playing \| running \| upbeat
Deep Valley (1947)	Squirrel	0:09:26 - Libby feeds a squirrel	cheerful \| conversing \| establish character \| forest \| leading lady \| squirrel \| upbeat
Deep Valley (1947)	Woods	0:09:57 - Libby walks in the woods	cheerful \| cut from film \| dog \| establish character \| forest \| leading lady \| upbeat \| walking
Deep Valley (1947)	Homestead (Moderato)	0:15:18 - Homestead in the distance	barnyard \| dark \| father \| gentle \| leading lady \| mother \| reading \| room \| transition
Deep Valley (1947)	Homestead (Sordini)	0:16:14 - Ellie talks with Libby	advance plot \| calm \| conversing \| delicate \| leading lady \| memory \| mother \| past \| room \| sentimental
Deep Valley (1947)	Underscoring (Tense)	0:17:06 - Ellie talks with Libby	advance plot \| conversing \| dark \| leading lady \| mother \| room \| stinger \| tense \| underscoring
Deep Valley (1947)	Homestead (Triste)	0:17:34 - Ellie talks with Libby	advance plot \| conversing \| dark \| leading lady \| mother \| room \| tense
Deep Valley (1947)	Underscoring (Somber)	0:17:55 - Libby talks with Ellie	advance plot \| conversing \| dark \| leading lady \| mother \| room \| somber \| underscoring
Deep Valley (1947)	Homestead (Somber)	0:18:26 - Ellie talks with Libby	advance plot \| conversing \| dark \| leading lady \| mother \| room \| somber
Deep Valley (1947)	Joe (Running)	0:19:24 - Libby arrives at the farm	conversing \| leading lady \| lovers meet \| running \| rushed \| street \| upbeat
Deep Valley (1947)	Libby 2 (Slowly)	0:19:39 - Jeff talks with Libby	arguing \| crew \| dog \| father \| leading lady \| leading man \| lovers meet \| street \| tense
Deep Valley (1947)	Running	0:20:26 - Libby runs to Joe	convict \| dog \| leading lady \| leading man \| lovers meet \| running \| street \| tense
Deep Valley (1947)	Love Theme	0:20:35 - Libby meets Barry	convict \| leading lady \| leading man \| lovers meet \| meeting \| romantic \| street
Deep Valley (1947)	Underscoring (Tense)	0:22:23 - Barry pumps water	boss \| conflict \| convict \| father \| guard \| leading lady \| leading man \| mocking \| pumping \| street \| tense \| underscoring
Deep Valley (1947)	Turns, Hits, and Falls	0:22:28 - Barry hits the guard	boss \| conflict \| convict \| dramatic \| falling \| father \| guard \| leading lady \| leading man \| mickey-mousing \| punching \| stinger \| street \| turning \| violence
Deep Valley (1947)	Barry	0:22:35 - Barry threatens the guard	angry \| arguing \| boss \| conflict \| convict \| dramatic \| father \| guard \| leading lady \| leading man \| street \| threatening \| yelling
Deep Valley (1947)	Law (Subtle)	0:22:45 - Barry looks at the guard	arguing \| boss \| conflict \| convict \| father \| guard \| leading lady \| leading man \| street \| tense \| underscoring
Deep Valley (1947)	Love Theme (Molto Expressivo)	0:23:07 - Libby watches them take Barry	boss \| conflict \| convict \| crying \| father \| guard \| leading lady \| leading man \| somber \| street \| watching
Deep Valley (1947)	Barry (Misterioso)	0:28:31 - Libby talks with Jeff	advance plot \| boss \| conversing \| dark \| leading lady \| leading man \| mysterious \| room \| somber
Deep Valley (1947)	Homestead (Morendo)	0:29:17 - Jeff talks with Libby	advance plot \| boss \| conversing \| leading lady \| leading man \| room \| somber
Deep Valley (1947)	Libby 3	0:29:40 - Close-up on Libby	advance plot \| boss \| conversing \| dance-like \| hesitant \| leading lady \| leading man \| room
Deep Valley (1947)	Libby (Stormy)	0:29:58 - Libby pulls away from Jeff's grasp	advance plot \| boss \| dark \| leading lady \| leading man \| leaving \| lightning \| room \| running \| storm \| thunder
Deep Valley (1947)	Libby 3	0:30:31 - Libby watches the storm	advance plot \| arriving \| boss \| hesitant \| leading lady \| leading man \| leaving \| lightning \| room \| storm \| thunder \| watching
Deep Valley (1947)	Underscoring (Dramatic)	0:31:10 - Close-up on Libby	arguing \| conflict \| crying \| dark \| dramatic \| father \| leading lady \| lightning \| room \| storm \| tense \| thunder \| underscoring
Deep Valley (1947)	Slap	0:32:20 - Cliff slaps Libby	conflict \| dramatic \| father \| leading lady \| lightning \| mickey-mousing \| room \| slapping \| storm \| thunder \| violence
Deep Valley (1947)	Earthquake	0:32:21 - An earthquake shakes the house	conflict \| dramatic \| earthquake \| father \| leading lady \| lightning \| mother \| room \| rushing \| shaking \| storm \| thunder
Deep Valley (1947)	Libby (Dark)	0:33:17 - Libby walks to her mother's room	conflict \| conversing \| dark \| leading lady \| lightning \| mother \| room \| somber \| storm \| thunder \| walking
Deep Valley (1947)	Libby (Slowly)	0:34:53 - Libby leaves her mother	conflict \| dark \| leading lady \| leaving \| lightning \| mother \| pleading \| room \| somber \| storm \| tense \| thunder
Deep Valley (1947)	Triste (Stormy)	0:35:16 - Shutters shaking in the wind	conflict \| dark \| leading lady \| leaving \| lightning \| mother \| pleading \| room \| somber \| storm \| thunder
Deep Valley (1947)	Libby 2 (Stormy)	0:35:27 - Waves hitting the shore	conflict \| construction site \| crew \| dark \| leading lady \| leaving \| mother \| pleading \| storm \| tense \| waves \| working
Deep Valley (1947)	Joe (Allegretto Grazioso)	0:39:06 - Libby in the woods	advance plot \| dog \| forest \| happy \| leading lady \| running \| upbeat \| walking
Deep Valley (1947)	Love Theme (Full)	0:39:50 - Libby in the cabin	advance plot \| arriving \| cabin \| calm \| dog \| leading lady \| noble
Deep Valley (1947)	Woods	0:40:58 - Libby swimming	advance plot \| cheerful \| convict \| dog \| forest \| fugitive \| leading lady \| leading man \| searching \| swimming \| upbeat
Deep Valley (1947)	Woods	0:42:41 - Libby arrives at the cabin	advance plot \| arriving \| cabin \| cheerful \| convict \| dog \| fugitive \| leading lady \| leading man \| upbeat
Deep Valley (1947)	Barry (Ferroce)	0:42:50 - Libby sees Barry	advance plot \| cabin \| convict \| dark \| dog \| fierce \| fugitive \| leading lady \| leading man \| threatening
Deep Valley (1947)	Barry (Slowly)	0:45:50 - Barry watches Libby	cabin \| convict \| dog \| falling in love scene \| fugitive \| leading lady \| leading man \| uneasy \| watching
Deep Valley (1947)	Joe (Calm)	0:46:14 - Joe comes in	cabin \| calm \| convict \| dog \| falling in love scene \| fugitive \| leading lady \| leading man \| watching
Deep Valley (1947)	Love Theme (Full)	0:46:30 - Barry and Libby by the lake	calm \| conversing \| convict \| falling in love scene \| forest \| fugitive \| laughing \| leading lady \| leading man \| working
Deep Valley (1947)	Love Theme (Memory)	0:46:53 - Barry and Libby by the lake	conversing \| convict \| falling in love scene \| forest \| fugitive \| leading lady \| leading man \| memory \| uneasy
Deep Valley (1947)	Breeze	0:48:03 - Libby talks to Barry	conversing \| convict \| ethereal \| falling in love scene \| forest \| fugitive \| leading lady \| leading man \| listening \| magical \| wind \| wind effect
Deep Valley (1947)	Breeze + Love Theme	0:48:14 - Barry talks to Libby	combination of themes \| conversing \| convict \| ethereal \| falling in love scene \| forest \| fugitive \| leading lady \| leading man \| listening \| magical \| wind \| wind effect
Deep Valley (1947)	Barry (Drunk)	0:50:00 - Barry talks to Libby	convict \| drunk \| falling in love scene \| forest \| fugitive \| leading lady \| leading man \| story \| storytelling \| tense
Deep Valley (1947)	Barry	0:50:33 - Barry talks to Libby	agitated \| convict \| falling in love scene \| forest \| fugitive \| leading lady \| leading man \| story \| storytelling
Deep Valley (1947)	Barry (Drunk)	0:51:00 - Barry talks to Libby	convict \| drunk \| falling in love scene \| forest \| fugitive \| leading lady \| leading man \| story \| storytelling \| tense
Deep Valley (1947)	Barry (Dolce)	0:51:17 - Barry talks to Libby	convict \| falling in love scene \| forest \| fugitive \| leading lady \| leading man \| story \| storytelling \| sweet
Deep Valley (1947)	Kiss	0:51:58 - Barry kisses Libby	convict \| dog \| embracing \| exciting \| falling in love scene \| forest \| fugitive \| kissing \| leading lady \| leading man \| love interest \| mickey-mousing \| staring
Deep Valley (1947)	Deep Valley	0:52:10 - Barry kisses Libby again	convict \| dog \| embracing \| falling in love scene \| forest \| fugitive \| gentle \| kissing \| leading lady \| leading man \| love interest \| romantic \| staring
Deep Valley (1947)	Deep Valley (Misterioso)	0:54:57 - Libby starts to leave	cabin \| calm \| conversing \| convict \| dog \| fugitive \| leading lady \| leading man \| love interest \| love scene \| planning
Deep Valley (1947)	Barry (Tense)	0:55:38 - Barry unloads his gun	cabin \| convict \| destroying \| fugitive \| leading lady \| leading man \| love interest \| love scene \| mysterious \| tense
Deep Valley (1947)	Deep Valley (Appassionato)	0:55:51 - Barry and Libby embrace	cabin \| cheerful \| convict \| embracing \| fugitive \| kissing \| leading lady \| leading man \| love interest \| love scene \| romantic
Deep Valley (1947)	Deep Valley (Sostenuto)	0:56:17 - Libby turns to leave	cabin \| convict \| dog \| fugitive \| gentle \| leading lady \| leading man \| leaving \| love interest \| love scene
Deep Valley (1947)	Libby (Molto Expressivo)	0:57:13 - Libby looks at the homestead	leading lady \| mother \| mysterious \| reconciliation scene \| returning \| room \| somber \| street
Deep Valley (1947)	Underscoring (Dramatic)	1:02:02 - Libby in her room	advance plot \| arriving \| dramatic \| father \| leading lady \| police \| room \| searching \| street \| tense \| underscoring \| watching
Deep Valley (1947)	Law (Misterioso)	1:02:41 - Libby looks out the window	advance plot \| father \| leading lady \| manhunt \| mysterious \| police \| room \| searching \| street \| tense
Deep Valley (1947)	Barry (Misterioso)	1:02:50 - Libby runs to the door	advance plot \| leading lady \| mother \| mysterious \| room \| rushing \| tense
Deep Valley (1947)	Law (Tense)	1:02:57 - Libby goes down the stairs	advance plot \| leading lady \| mother \| room \| sneaking \| tense
Deep Valley (1947)	Barry (Misterioso)	1:03:09 - Ellie approaches	advance plot \| leading lady \| mother \| mysterious \| room \| sneaking
Deep Valley (1947)	Libby 3	1:03:21 - Ellie talks with LIbby	advance plot \| conversing \| hesitant \| leading lady \| lying \| mother \| room
Deep Valley (1947)	Libby (Stormy)	1:03:40 - Ellie talks with Libby	advance plot \| conversing \| hesitant \| leading lady \| lying \| mother \| room \| tense
Deep Valley (1947)	Underscoring (Tense)	1:03:52 - Libby sneaks away	advance plot \| leading lady \| packing \| room \| rushing \| tense \| underscoring
Deep Valley (1947)	Barry (Contrary Motion)	1:04:10 - Libby gathers things	advance plot \| leading lady \| mickey-mousing \| packing \| police \| rolling \| room \| rushing \| tense
Deep Valley (1947)	Barry (Molto Misterioso) + Love Theme	1:06:04 - Sheriff drinks coffee	action scene \| convict \| drinking \| forest \| fugitive \| leading lady \| leading man \| love interest \| mysterious \| police \| room \| somber \| walking
Deep Valley (1947)	Homestead (Lento)	1:07:51 - Ellie and Cliff play cards	advance plot \| calm \| cards \| conversing \| father \| leading lady \| mother \| playing \| room
Deep Valley (1947)	Homestead (Morendo)	1:08:13 - Libby talks with her parents	advance plot \| conversing \| father \| leading lady \| mother \| room \| somber
Deep Valley (1947)	Libby 3	1:08:56 - Jeff talks with Libby	advance plot \| conversing \| hesitant \| leading lady \| leading man \| room
Deep Valley (1947)	Libby (Stormy)	1:09:20 - Jeff talks with Libby	advance plot \| conversing \| hesitant \| leading lady \| leading man \| room \| tense
Deep Valley (1947)	Underscoring (Tense)	1:09:40 - Jeff talks with Libby	advance plot \| conversing \| leading lady \| leading man \| room \| stinger \| tense \| underscoring
Deep Valley (1947)	Libby (Triste)	1:10:09 - Libby reacts to the news	escape \| leading lady \| leading man \| reacting \| room \| somber
Deep Valley (1947)	Libby (Worried)	1:10:24 - Libby tosses and turns on her bed	anxiety \| anxious \| escape \| leading lady \| restless effect \| restlessness \| room \| tense \| worry \| worrying
Deep Valley (1947)	Libby (Agitated)	1:10:36 - Libby gets up from her bed	anxiety \| anxious \| escape \| leading lady \| restless effect \| restlessness \| room \| tense \| worry \| worrying
Deep Valley (1947)	Underscoring (Tense)	1:10:50 - Libby looks out the window	convict \| escape \| fugitive \| leading lady \| leading man \| looking \| love interest \| room \| searching \| tense \| underscoring \| yard
Deep Valley (1947)	Libby (Sneaking)	1:11:05 - Libby hurries away	escape \| leading lady \| room \| rushing \| sneaking \| sneaking effect \| tense
Deep Valley (1947)	Deep Valley	1:11:53 - Libby and Barry embrace	convict \| escape \| fugitive \| joyous \| leading lady \| leading man \| love interest \| reuniting \| yard
Deep Valley (1947)	Wind	1:12:11 - Libby listens carefully	afraid \| convict \| escape \| fear \| fugitive \| leading lady \| leading man \| love interest \| mickey-mousing \| wind \| wind effect \| worrying \| yard
Deep Valley (1947)	Sneaking	1:12:20 - Barry and Libby run to the shed	convict \| escape \| fugitive \| leading lady \| leading man \| love interest \| sneaking \| sneaking effect \| tense \| yard
Deep Valley (1947)	Barry (Tense 2)	1:15:38 - Barry drops his gun	advance plot \| barn \| conversing \| convict \| fugitive \| leading lady \| leading man \| love interest \| tense
Deep Valley (1947)	Barry (Tender)	1:15:59 - Barry apologizes to Libby	advance plot \| apologizing \| barn \| convict \| embracing \| fugitive \| leading lady \| leading man \| love interest \| tender
Deep Valley (1947)	Deep Valley (Kiss)	1:16:19 - Barry kisses Libby	advance plot \| barn \| convict \| crying \| embracing \| fugitive \| kissing \| leading lady \| leading man \| love interest \| tender
Deep Valley (1947)	Deep Valley (Sostenuto)	1:16:37 - Libby talks with Barry	advance plot \| barn \| calm \| conversing \| convict \| fugitive \| hopeful \| leading lady \| leading man \| love interest
Deep Valley (1947)	Underscoring (Tense)	1:17:04 - Barry picks up the gun	advance plot \| barn \| conversing \| convict \| fugitive \| leading lady \| leading man \| love interest \| tense \| underscoring
Deep Valley (1947)	Deep Valley (Dolce)	1:17:25 - Barry talks with Libby	advance plot \| barn \| conversing \| convict \| fugitive \| gentle \| leading lady \| leading man \| love interest \| tender
Deep Valley (1947)	Underscoring (Dramatic)	1:17:55 - Barry hears a noise	advance plot \| barn \| convict \| dramatic \| fugitive \| leading lady \| leading man \| love interest \| sneaking \| stinger \| tense \| walking
Deep Valley (1947)	Drops gun	1:18:35 - Libby drops the gun down a well	advance plot \| dropping \| gun \| leading lady \| mickey-mousing \| tense \| yard
Deep Valley (1947)	Deep Valley (Lonely)	1:18:43 - Barry looks around	advance plot \| barn \| leading lady \| leaving \| lonely \| yard
Deep Valley (1947)	Deep Valley (Misterioso)	1:23:23 - Barry looks at Libby	advance plot \| barn \| calm \| convict \| embracing \| fugitive \| kissing \| leading lady \| leading man \| love interest \| mysterious
Deep Valley (1947)	Underscoring (Dramatic)	1:23:43 - Barry hears a noise	advance plot \| barn \| convict \| dramatic \| fugitive \| leading lady \| leading man \| love interest \| rushing \| tense \| worrying
Deep Valley (1947)	Homestead (Walking)	1:23:47 - Cliff on the porch	advance plot \| arriving \| calm \| convict \| father \| fugitive \| leading lady \| leading man \| love interest \| porch
Deep Valley (1947)	Joe (Running)	1:23:58 - Barry talks to Libby	advance plot \| barn \| calm \| conversing \| convict \| fugitive \| leading lady \| leading man \| love interest
Deep Valley (1947)	Underscoring (Tense)	1:24:11 - Libby talks to Barry	advance plot \| barn \| convict \| fugitive \| leading lady \| leading man \| love interest \| tense \| worrying
Deep Valley (1947)	Libby (Sneaking)	1:24:14 - Libby talks to Barry	advance plot \| barn \| convict \| fugitive \| leading lady \| leading man \| love interest \| tense \| worrying \| worrying effect
Deep Valley (1947)	Deep Valley	1:24:39 - Libby talks to Barry	advance plot \| barn \| calm \| convict \| fugitive \| hopeful \| hoping \| leading lady \| leading man \| love interest
Deep Valley (1947)	Barry (Misterioso)	1:25:16 - Barry shaving	advance plot \| arriving \| convict \| fugitive \| leading lady \| leading man \| love interest \| mysterious \| street
Deep Valley (1947)	Barry (Misterioso)	1:27:15 - Libby talks to Barry	agitated \| barn \| conflict \| convict \| dark \| father \| fugitive \| leading lady \| leading man \| love interest \| mysterious \| searching \| worrying
Deep Valley (1947)	Underscoring (Tense)	1:28:00 - Barry prepares to attack	barn \| conflict \| convict \| dark \| fugitive \| leading lady \| leading man \| love interest \| stinger \| tense \| waiting
Deep Valley (1947)	Deep Valley (Slowly)	1:28:11 - Libby climbs the ladder	barn \| conflict \| convict \| descending \| fugitive \| leading lady \| leading man \| love interest \| tense \| uneasy
Deep Valley (1947)	Libby 3 (Tense)	1:28:28 - Libby comes down the ladder	barn \| conflict \| conversing \| convict \| father \| fugitive \| leading lady \| leading man \| love interest \| tense \| uneasy \| walking
Deep Valley (1947)	Running (Extended)	1:29:26 - Libby runs to the barn	advance plot \| barn \| convict \| father \| fugitive \| hesitating \| leading lady \| leading man \| love interest \| mickey-mousing \| running \| tense \| uneasy \| yard
Deep Valley (1947)	Barry (Very Slowly)	1:30:02 - Libby climbs the ladder	advance plot \| arriving \| barn \| climbing \| convict \| fugitive \| leading lady \| leading man \| love interest \| somber \| uneasy \| walking
Deep Valley (1947)	Libby (Somber) + Barry (Somber)	1:30:26 - Libby talks to Barry	advance plot \| barn \| combination of themes \| comforting \| convict \| fugitive \| leading lady \| leading man \| love interest \| somber
Deep Valley (1947)	Deep Valley (Quasi Appassionato)	1:30:51 - Barry looks at Libby	advance plot \| barn \| comforting \| conflicted \| convict \| fugitive \| hopeful \| leading lady \| leading man \| love interest
Deep Valley (1947)	Barry (Drunk)	1:31:10 - Barry talks to Libby	advance plot \| anxious \| anxious effect \| barn \| conversing \| convict \| fugitive \| leading lady \| leading man \| love interest \| worried \| worrying
Deep Valley (1947)	Deep Valley (Delicato)	1:31:30 - Barry embraces Libby	advance plot \| barn \| comforting \| convict \| fugitive \| hopeful \| leading lady \| leading man \| love interest \| street \| tense
Deep Valley (1947)	Libby 2 (Molto Expressivo)	1:33:40 - Ellie walks to the barn	advance plot \| barn \| convict \| eavesdropping \| fugitive \| leading lady \| leading man \| love interest \| mother \| sneaking \| tense \| walking \| yard
Deep Valley (1947)	Libby 2 (Misterioso)	1:34:15 - Ellie climbs the ladder	advance plot \| barn \| climbing \| convict \| eavesdropping \| fugitive \| leading lady \| leading man \| love interest \| mother \| mysterious \| sneaking \| tense
Deep Valley (1947)	Rushing away	1:36:01 - Libby rushes out of the barn	barn \| climax \| convict \| descending \| dramatic \| fugitive \| leading lady \| leading man \| love interest \| mother \| rushing \| rushing effect \| tense
Deep Valley (1947)	Libby 2 (Frantic)	1:36:05 - Ellie calls after Libby	barn \| begging \| climax \| convict \| frantic \| fugitive \| leading lady \| leading man \| love interest \| mother \| pleading \| tense
Deep Valley (1947)	Libby (Running)	1:36:13 - Libby and Barry run out of the barn	barn \| begging \| climax \| convict \| father \| frantic \| fugitive \| leading lady \| leading man \| love interest \| mother \| pleading \| running \| rushing \| tense \| yard
Deep Valley (1947)	Libby (Stormy)	1:36:26 - Cliff looks for Ellie	barn \| climax \| convict \| crying \| dark \| father \| fugitive \| hiding \| leading lady \| leading man \| love interest \| mother \| running \| rushing \| sneaking \| tense \| yard
Deep Valley (1947)	Barry (Drunk)	1:36:39 - Barry steals a car	arguing \| car \| climax \| convict \| dark \| fighting \| fugitive \| leading lady \| leading man \| love interest \| running \| rushing \| street \| tense \| yelling
Deep Valley (1947)	Barry	1:36:57 - Jeff hits Barry	arguing \| attacking \| car \| climax \| convict \| dark \| fighting \| fugitive \| leading lady \| leading man \| love interest \| punching \| street \| tense \| yelling
Deep Valley (1947)	Barry (Running)	1:37:23 - Libby chases Barry	arguing \| car \| chasing \| climax \| convict \| crying \| dramatic \| driving \| fleeing \| fugitive \| leading lady \| leading man \| love interest \| running \| street
Deep Valley (1947)	Molto Expressivo	1:37:28 - Barry pushes Libby away	arguing \| car \| chasing \| climax \| convict \| crying \| dramatic \| driving \| falling \| fleeing \| fugitive \| leading lady \| leading man \| love interest \| running \| street
Deep Valley (1947)	Deep Valley (Climactic)	1:37:35 - Libby on the ground	car \| chasing \| climax \| convict \| crying \| dramatic \| driving \| fleeing \| fugitive \| leading lady \| leading man \| love interest \| street
Deep Valley (1947)	Fleeing	1:38:08 - Barry makes a run for it	chasing \| climax \| convict \| dramatic \| fleeing \| forest \| fugitive \| leading lady \| leading man \| love interest \| mickey-mousing \| police \| running \| shooting \| transcribed by ear
Deep Valley (1947)	Sneaking (Molto Rubato)	1:40:51 - Libby runs to find Barry	death scene \| forest \| leading lady \| mysterious \| resolution \| running \| tense
Deep Valley (1947)	Barry (Appassionato)	1:41:02 - Libby arrives at the cabin	cabin \| calling \| death scene \| leading lady \| passionate \| resolution \| searching
Deep Valley (1947)	Molto Expressivo	1:41:09 - Libby looks for Barry	calling \| death scene \| forest \| leading lady \| passionate \| resolution \| searching
Deep Valley (1947)	Barry (Dolce)	1:41:24 - Libby finds Barry	convict \| death scene \| finding \| forest \| fugitive \| gentle \| leading lady \| leading man \| love interest \| resolution \| searching
Deep Valley (1947)	Deep Valley (Delicato 2)	1:41:39 - Libby goes to Barry	comforting \| convict \| crying \| death scene \| delicate \| dying \| forest \| fugitive \| gentle \| leading lady \| leading man \| love interest \| resolution \| reuniting \| tender
Deep Valley (1947)	Deep Valley (Dying)	1:42:30 - Barry talks to Libby	comforting \| convict \| crying \| death scene \| delicate \| dying \| forest \| fugitive \| gentle \| leading lady \| leading man \| love interest \| resolution \| reuniting \| tender
Deep Valley (1947)	Passing away	1:43:19 - Barry dies	convict \| death \| death scene \| delicate \| dying \| forest \| fugitive \| gentle \| leading lady \| leading man \| love interest \| mickey-mousing \| resolution \| tender
Deep Valley (1947)	Breeze	1:43:22 - Libby looks at Barry	convict \| crying \| death \| death scene \| ethereal \| forest \| fugitive \| leading lady \| leading man \| love interest \| magical \| resolution \| wind effect
Deep Valley (1947)	Breeze + Love Theme	1:43:32 - Libby embraces Barry	combination of themes \| convict \| crying \| death \| death scene \| ethereal \| forest \| fugitive \| leading lady \| leading man \| love interest \| magical \| resolution \| wind effect
Deep Valley (1947)	Love Theme (Full)	1:44:14 - Libby appears over the horizon	dog \| forest \| leading lady \| peaceful \| resolution \| silhouette \| walking
Deep Valley (1947)	Law (Working)	1:44:28 - Libby looks at the worksite	calm \| construction site \| dog \| leading lady \| resolution \| watching \| worker \| working
Deep Valley (1947)	Libby 3 + Law	1:44:32 - Jeff talks to Libby	calm \| combination of themes \| conversing \| dog \| forest \| leading lady \| leading man \| peaceful \| resolution
Deep Valley (1947)	Deep Valley (Appassionato)	1:44:57 - Libby looks off into the distance	dog \| forest \| leading lady \| leading man \| passionate \| resolution \| watching
Deep Valley (1947)	Deep Valley (Sostenuto)	1:45:05 - Jeff and Libby on the cliffside	dog \| forest \| leading lady \| leading man \| passionate \| resolution \| walking
Dust Be My Destiny (1939)	Comedy fall	0:13:08 - Joe falls over while milking the cow	barn \| chromatic parallelism \| chromatic scale \| comical \| falling \| leading lady \| leading man \| lovers meet \| mickey-mousing \| prisoner
Dust Be My Destiny (1939)	Dust Be My Destiny (Playful)	0:13:38 - Mabel talks to Joe	barn \| comical \| common-tone diminished 7th \| cow \| laughing \| leading lady \| leading man \| lovers meet \| playful \| prisoner \| romantic
Dust Be My Destiny (1939)	Joe fights cow	0:13:56 - Joe fights cow (off-screen)	augmented triad \| barn \| chromatic parallelism \| chromatic scale \| comical \| cow \| diminished 7th chord \| fighting \| leading lady \| leading man \| lovers meet \| mickey-mousing \| prisoner
Dust Be My Destiny (1939)	Dust Be My Destiny (Laughing)	0:14:07 - Mabel laughs at Joe	barn \| chromatic parallelism \| comical \| diminished 7th chord \| laughing \| leading lady \| leading man \| lovers meet \| prisoner
Dust Be My Destiny (1939)	Laughing	0:14:10 - Mabel laughs at Joe	barn \| chromatic parallelism \| comical \| diminished 7th chord \| laughing \| leading lady \| leading man \| lovers meet \| mickey-mousing \| prisoner
Dust Be My Destiny (1939)	Dust Be My Destiny (Agitated)	0:14:22 - Joe argues with Mabel	agitated \| arguing \| barn \| fragmentation \| leading lady \| leading man \| lovers meet \| prisoner \| sequence
Dust Be My Destiny (1939)	Underscoring (Tense)	0:14:40 - Charlie enters	barn \| leading lady \| leading man \| lovers meet \| prisoner \| stinger \| tense \| underscoring \| villain \| warden
Dust Be My Destiny (1939)	Dust Be My Destiny (Tense)	0:14:53 - Joe talks to Charlie	barn \| dark \| dissonant \| leading lady \| leading man \| lovers meet \| prisoner \| tense \| tritone \| villain \| warden
Dust Be My Destiny (1939)	Dust Be My Destiny (Pleading)	0:17:41 - Mabel pleads for Joe	advance plot \| intervallic expansion \| leading lady \| pleading \| prison \| sincere \| warden
Dust Be My Destiny (1939)	Dust Be My Destiny (Medical Report)	0:17:58 - Warden talks about Charlie	advance plot \| leading lady \| oppressive \| parallelism \| prison \| warden
Dust Be My Destiny (1939)	Dust Be My Destiny (Expectant)	0:18:08 - Mabel leaves	advance plot \| expectant \| gentle \| guard \| hopeful \| leading lady \| leading man \| pedal tone \| prison \| prisoner \| sweet
Dust Be My Destiny (1939)	Dust Be My Destiny (Denied)	0:18:23 - Mabel talks to Joe	conflict \| deceptive resolution \| denial \| expectant \| gentle \| guard \| hopeful \| leading lady \| leading man \| prison \| prisoner \| stinger \| sweet
Dust Be My Destiny (1939)	Dust Be My Destiny (Somber)	0:18:36 - Mabel reacts	conflict \| inversion \| leading lady \| prison \| sigh gesture \| somber
Dust Be My Destiny (1939)	Underscoring (Romantic)	0:21:46 - Mabel talks with Joe	barn \| leading lady \| leading man \| love scene \| pedal tone \| romantic \| underscoring
Dust Be My Destiny (1939)	Dust Be My Destiny (In Love)	0:22:04 - Mabel and Joe talk	9th chord \| added-note chord \| barn \| common-tone diminished 7th \| leading lady \| leading man \| love scene \| mode mixture \| romantic \| secondary dominant
Dust Be My Destiny (1939)	Dust Be My Destiny (Pensive)	0:23:08 - Joe tells Mabel about his dreams	11th chord \| barn \| chromatic mediant \| dreaming \| foreign key modulation \| leading lady \| leading man \| love scene \| mode mixture \| pensive
Dust Be My Destiny (1939)	Dust Be My Destiny (Expressivo)	0:23:38 - Joe and Mabel talk	9th chord \| added-note chord \| augmented sixth chord \| barn \| common-tone diminished 7th \| leading lady \| leading man \| love scene \| mode mixture \| romantic \| secondary dominant \| sequence
Dust Be My Destiny (1939)	Dust Be My Destiny (Ethereal)	0:24:50 - Joe tells Mabel he loves her	barn \| common-tone diminished 7th \| deceptive resolution \| inversion \| kissing \| leading lady \| leading man \| love scene \| romantic
Dust Be My Destiny (1939)	Underscoring (Dark)	0:25:03 - Charlie interrupts the lovers	barn \| chromatic scale \| conflict \| dark \| diminished 7th chord \| hexatonic scale \| leading lady \| leading man \| underscoring \| villain \| warden
Dust Be My Destiny (1939)	Underscoring (Dramatic)	0:25:23 - Charlie grabs Mabel's arm	barn \| chromatic scale \| conflict \| diminished 7th chord \| dramatic \| leading lady \| leading man \| underscoring \| villain \| warden
Dust Be My Destiny (1939)	Dust Be My Destiny (Fight)	0:25:41 - Charlie and Joe fight	42 chord \| barn \| chromatic parallelism \| chromatic scale \| chromatic wedge \| conflict \| dramatic \| fighting \| leading lady \| leading man \| linear chromaticism \| mickey-mousing \| octatonic scale \| punching \| villain \| warden \| whole-tone scale
Dust Be My Destiny (1939)	Dust Be My Destiny (Running Away)	0:25:55 - Joe and Mabel run	64 chord \| barn \| conflict \| diminution \| dramatic \| leading lady \| leading man \| running \| sequence
Dust Be My Destiny (1939)	Running	0:26:05 - Joe and Mabel run	9th chord \| barn \| conflict \| dramatic \| leading lady \| leading man \| mickey-mousing \| octatonic \| running
Dust Be My Destiny (1939)	Turning around	0:26:13 - Joe and Mabel turn around	64 chord \| barn \| death \| dramatic \| leading lady \| leading man \| mickey-mousing \| prisoner \| turning
Dust Be My Destiny (1939)	Dust Be My Destiny (Fateful Decision)	0:26:17 - Joe and Mabel decide to run away together	barn \| confused \| deceptive resolution \| fragmentation \| hopeful \| leading lady \| leading man \| mode mixture \| runaway \| turning point
Dust Be My Destiny (1939)	Running away	0:26:45 - Joe and Mabel run away	barn \| conflict \| diminished 7th chord \| dramatic \| leading lady \| leading man \| mickey-mousing \| pedal tone \| runaway \| running
Dust Be My Destiny (1939)	Arriving	0:26:52 - Joe and Mabel settle into their new situation	9th chord \| arriving \| calm \| dramatic \| freedom \| leading lady \| leading man \| runaway \| settling down \| street \| traveling \| traveling scene \| truck
Dust Be My Destiny (1939)	Dust Be My Destiny (In Love)	0:27:22 - Joe and Mabel talk	9th chord \| added-note chord \| advance plot \| common-tone diminished 7th \| freedom \| gentle \| leading lady \| leading man \| mode mixture \| runaway \| secondary dominant \| street \| walking
Dust Be My Destiny (1939)	Dust Be My Destiny (Milkman)	0:27:38 - Joe and Mabel talk to the milkman	advance plot \| comical \| glass \| leading lady \| leading man \| milk \| milkman \| pizzicato \| street
Dust Be My Destiny (1939)	Dust Be My Destiny (A Hotel)	0:28:47 - Joe mentions going to a hotel	advance plot \| altered dominant \| concerned \| leading lady \| leading man \| street
Dust Be My Destiny (1939)	Here Comes the Bride (Modulating)	0:29:02 - Joe and Mabel run to the courthouse	added-note chord \| deceptive resolution \| excited \| familiar tune \| foreign key modulation \| fragmentation \| leading lady \| leading man \| love scene \| marriage \| pump-up modulation \| romance \| romantic \| running \| sequence \| street
Dust Be My Destiny (1939)	Dust Be My Destiny (Waiting)	0:29:38 - Joe and Mabel talk about getting married	added-note chord \| augmented sixth chord \| chromatic mediant \| common-tone diminished 7th \| foreign key modulation \| leading lady \| leading man \| love scene \| romantic \| street \| waiting
Dust Be My Destiny (1939)	Dust Be My Destiny (Running Up and Down)	0:30:12 - Man runs up the courthouse steps	64 chord \| chromatic parallelism \| chromatic scale \| courthouse \| down \| frantic \| leading lady \| leading man \| love scene \| mickey-mousing \| mode mixture \| producer \| running \| stairs \| street \| up
Dust Be My Destiny (1939)	Here Comes the Bride (Triple)	0:30:31 - Man talks to Joe and Mabel	9th chord \| 64 chord \| chromatic parallelism \| courthouse \| familiar tune \| leading lady \| leading man \| love scene \| marriage \| producer \| pump-up modulation \| romantic \| sequence \| street
Dust Be My Destiny (1939)	Dust Be My Destiny (Got Each Other)	0:30:49 - Mabel proclaims her love for Joe	courthouse \| leading lady \| leading man \| love scene \| producer \| romantic \| street
Dust Be My Destiny (1939)	Fairy Music	0:30:58 - Man takes their luggage	64 chord \| courthouse \| happy \| leading lady \| leading man \| love scene \| producer \| pump-up modulation \| romantic \| street
Dust Be My Destiny (1939)	Here Comes the Bride	0:31:19 - Crowd sings and claps at a wedding	crowd \| happy \| leading lady \| leading man \| marriage \| on-screen music \| source music \| theater \| wedding
Dust Be My Destiny (1939)	Here Comes the Bride	0:32:48 - Joe kisses Mabel	crowd \| happy \| leading lady \| leading man \| marriage \| on-screen music \| pianist \| source music \| theater \| wedding
Dust Be My Destiny (1939)	In a Moment of Weakness	0:33:37 - Mabel looks at her wedding ring	develop character \| happy \| leading lady \| leading man \| radio \| source music \| theater
Dust Be My Destiny (1939)	Radio Fanfare	0:34:20 - Mabel talks to Joe	chromatic mediant \| develop character \| happy \| leading lady \| leading man \| radio \| source music \| theater
Dust Be My Destiny (1939)	Fleeing	0:34:56 - Joe and Mabel flee	alley \| chromatic scale \| danger \| down \| escape \| fearful \| fleeing \| leading lady \| leading man \| linear chromaticism \| mickey-mousing \| police \| runaway \| running \| street \| suspenseful
Dust Be My Destiny (1939)	Agitato Risoluto	0:35:11 - Joe and Mabel hide under the stairs	agitated \| alley \| chromatic parallelism \| concerned \| danger \| escape \| hiding \| leading lady \| leading man \| pedal tone \| runaway \| street
Dust Be My Destiny (1939)	Dust Be My Destiny (Injustice)	0:35:25 - Joe and Mabel talk in the alley	9th chord \| alley \| chromatic parallelism \| escape \| fearful \| leading lady \| leading man \| runaway \| street
Dust Be My Destiny (1939)	Dust Be My Destiny (Fear and Devotion)	0:35:50 - Joe and Mabel decide to stick together	alley \| common-tone diminished 7th \| devotion \| dramatic \| escape \| fear \| fragmentation \| leading lady \| leading man \| love \| mode mixture \| obsessive \| runaway \| street
Dust Be My Destiny (1939)	Dust Be My Destiny (Travel Montage)	0:36:28 - A speeding train	added-note chord \| foreign key modulation \| frantic \| hitch-hiking \| leading lady \| leading man \| linear chromaticism \| map \| montage \| pc set \| runaway \| sign \| train \| train \| train whistle \| traveling \| traveling scene \| truck \| walking
Dust Be My Destiny (1939)	Dust Be My Destiny (Wandering)	0:37:16 - Joe and Mabel walk down the road	car \| car horn \| diminished 7th chord \| leading lady \| leading man \| montage \| oscillation \| runaway \| street \| tired \| traveling scene \| walking
Dust Be My Destiny (1939)	Dust Be My Destiny (Weary)	0:37:38 - They rest by the side of the road	chromatic parallelism \| conflict \| leading lady \| leading man \| resting \| runaway \| street \| tired
Dust Be My Destiny (1939)	Underscoring (Dramatic)	0:38:00 - Joe and Mabel argue	9th chord \| arguing \| conflict \| dissonant bass \| dramatic \| leading lady \| leading man \| runaway \| street \| underscoring
Dust Be My Destiny (1939)	Dust Be My Destiny	0:38:38 - Joe and Mabel part	common-tone diminished 7th \| conflict \| leading lady \| leading man \| leaving \| runaway \| somber \| street
Dust Be My Destiny (1939)	Dust Be My Destiny (Parting Ways)	0:38:56 - Joe and Mabel part	altered dominant \| common-tone diminished 7th \| conflict \| dark \| leading lady \| leading man \| leaving \| mode mixture \| pedal tone \| runaway \| somber \| street
Dust Be My Destiny (1939)	Dust Be My Destiny (Running)	0:39:33 - Mabel runs across the street	conflict \| leading lady \| leading man \| mickey-mousing \| runaway \| running \| somber \| street \| truck
Dust Be My Destiny (1939)	Dust Be My Destiny (Regret)	0:39:53 - Joe walks away sadly	conflict \| dark \| leading lady \| leading man \| parallelism \| pedal tone \| runaway \| somber \| street
Dust Be My Destiny (1939)	Dust Be My Destiny (Reunited)	0:40:03 - Joe runs to Mabel	64 chord \| altered dominant \| foreign key modulation \| joyful \| leading lady \| leading man \| mickey-mousing \| pump-up modulation \| resolution \| runaway \| running \| street
Dust Be My Destiny (1939)	The Poster	0:40:39 - Joe and Mabel see a sign for the train	chromatic sequence \| comedy \| comical \| laughing \| leading lady \| leading man \| runaway \| sign \| street
Dust Be My Destiny (1939)	My Wild Irish Rose	0:40:51 - Joe and Mabel in Nick's Diner	accompanied source music \| altered dominant \| common-chord modulation \| diner \| establish character \| familiar tune \| friend \| happy \| leading lady \| leading man \| mode mixture \| parallel double period \| popular song \| radio \| shopkeeper \| singing \| source music \| ternary form
Dust Be My Destiny (1939)	Dust Be My Destiny (Irish Rose)	0:42:25 - They go to work in the kitchen	diner \| establish character \| friend \| happy \| leading lady \| leading man \| score to source \| shopkeeper
Dust Be My Destiny (1939)	Dust Be My Destiny (Delicatessen)	0:43:38 - Mabel and Nick talk	common-tone diminished 7th \| develop character \| diner \| friend \| gentle \| leading lady \| leading man \| secondary dominant \| shopkeeper
Dust Be My Destiny (1939)	Dust Be My Destiny (In Love)	0:43:51 - Mabel and Nick talk	9th chord \| develop character \| diner \| friend \| gentle \| leading lady \| leading man \| shopkeeper
Dust Be My Destiny (1939)	Dust Be My Destiny (Delicatessen)	0:44:01 - Mabel and Nick talk	common-tone diminished 7th \| develop character \| diner \| friend \| gentle \| leading lady \| leading man \| secondary dominant \| shopkeeper
Dust Be My Destiny (1939)	My Wild Irish Rose (Waltz)	0:44:17 - Mabel and Nick talk	develop character \| diner \| familiar tune \| friend \| gentle \| leading lady \| leading man \| on-screen music \| pedal tone \| popular song \| shopkeeper \| singing \| source music
Dust Be My Destiny (1939)	Dust Be My Destiny (Calm)	0:44:32 - Mabel and Nick talk	added-note chord \| altered dominant \| develop character \| diner \| friend \| gentle \| leading lady \| leading man \| shopkeeper
Dust Be My Destiny (1939)	Dust Be My Destiny (Worried)	0:46:02 - Mabel talks to the police	11th chord \| create suspense \| leading lady \| police \| room \| somber
Dust Be My Destiny (1939)	Whistling (Suspenseful)	0:46:25 - Mabel looks out the window	anxious \| cheerful \| concerned \| create suspense \| harmonic sequence \| leading lady \| leading man \| on-screen music \| police \| polytonality \| room \| scored source music \| source music \| whistling
Dust Be My Destiny (1939)	Underscoring (Dramatic)	0:46:42 - Mabel yells to Joe	chromatic scale \| create suspense \| diminished 7th chord \| dissonant bass \| dramatic \| escaping \| gun \| gunshot \| leading lady \| leading man \| police \| room \| runaway \| running \| street \| underscoring \| yelling
Dust Be My Destiny (1939)	Joe runs and falls	0:46:50 - Joe runs and falls	chromatic scale \| create suspense \| diminished 7th chord \| dissonant bass \| dramatic \| falling \| leading lady \| leading man \| mickey-mousing \| police \| runaway \| running \| stinger \| street
Dust Be My Destiny (1939)	Dust Be My Destiny (Jail Break)	0:49:16 - Mabel looks up and sees Joe	chromatic wedge \| dissonant bass \| jail \| jail break \| leading lady \| leading man \| linear chromaticism \| tense \| warden
Dust Be My Destiny (1939)	Dust Be My Destiny (Stick Up)	0:50:12 - Joe pulls out a gun	gun \| half-diminished 7th chord \| jail \| jail break \| leading lady \| leading man \| tense \| warden
Dust Be My Destiny (1939)	Dust Be My Destiny (The Escape)	0:50:26 - Joe and Mabel leave the jail	64 chord \| chromatic parallelism \| dark \| escaping \| foreign key modulation \| friend \| hopeful \| jail \| jail break \| leading lady \| leading man \| shopkeeper
Dust Be My Destiny (1939)	Dust Be My Destiny (Grandioso)	0:50:50 - Joe and Mabel outside	42 chord \| 64 chord \| deceptive resolution \| escaping \| friend \| heroic \| jail break \| leading lady \| leading man \| pedal tone \| shopkeeper \| street \| triumphant
Dust Be My Destiny (1939)	Stinger	0:51:01 - They see approaching headlights	42 chord \| danger \| friend \| jail break \| leading lady \| leading man \| ominous \| shopkeeper \| siren \| stinger \| street
Dust Be My Destiny (1939)	Speeding car	0:51:08 - The car speeds off	car \| chromatic scale \| diminished 7th chord \| dramatic \| escape \| friend \| leading lady \| leading man \| mickey-mousing \| shopkeeper \| street \| traveling
Dust Be My Destiny (1939)	Dust Be My Destiny (Thankful)	0:51:24 - Joe, Mabel, and Nick talk in the car	augmented sixth chord \| escape \| friend \| leading lady \| leading man \| shopkeeper \| thankful \| train station
Dust Be My Destiny (1939)	My Wild Irish Rose (Goodbye)	0:51:35 - Joe and Mabel say goodbye to Nick	9th chord \| escape \| familiar tune \| foreign key modulation \| friend \| leading lady \| leading man \| linear chromaticism \| mode mixture \| popular song \| shopkeeper \| tender \| train station
Dust Be My Destiny (1939)	My Wild Irish Rose (Grandioso)	0:52:06 - Joe and Mabel leave on a train	9th chord \| 64 chord \| calm \| escape \| familiar tune \| friend \| leading lady \| leading man \| popular song \| shopkeeper \| sweet \| tender \| train station \| triumphant
Dust Be My Destiny (1939)	Dust Be My Destiny (Radio)	0:52:28 - Mabel in an apartment	conflict \| leading lady \| leading man \| popular song \| radio \| room \| score to source \| somber \| source music
Dust Be My Destiny (1939)	Dust Be My Destiny (Arguing)	0:55:00 - Mabel confronts Joe	agitated \| arguing \| conflict \| dark \| leading lady \| leading man \| parallelism \| pc set \| pleading \| room
Dust Be My Destiny (1939)	Dust Be My Destiny (Transformation)	0:57:38 - Joe comes back to the apartment	dissonant bass \| foreign key modulation \| leading lady \| leading man \| linear chromaticism \| love scene \| mysterious \| room \| triumphant
Dust Be My Destiny (1939)	Dust Be My Destiny (Reunited)	0:58:04 - Joe embraces Mabel	9th chord \| 64 chord \| added-note chord \| embracing \| foreign key modulation \| leading lady \| leading man \| love scene \| romantic \| room \| triumphant
Dust Be My Destiny (1939)	Dust Be My Destiny (Dolceeessimo)	1:08:53 - Joe and Mabel talk	advance plot \| chromatic mediant \| foreign key modulation \| hopeful \| intervallic expansion \| leading lady \| leading man \| peaceful \| room
Dust Be My Destiny (1939)	Dust Be My Destiny (Emergency Room)	1:11:01 - The hospital waiting room	64 chord \| advance plot \| concern \| hospital \| leading lady \| pedal tone \| police \| reporter
Dust Be My Destiny (1939)	Dust Be My Destiny (Reunited)	1:11:25 - Mabel embraces Joe after she meets him	64 chord \| advance plot \| doctor \| embracing \| happy \| hero \| hospital \| leading lady \| leading man \| nurse
Dust Be My Destiny (1939)	Dust Be My Destiny (Simply)	1:11:50 - Mabel and Joe talk	advance plot \| doctor \| hero \| hospital \| leading lady \| leading man \| nurse \| peaceful
Dust Be My Destiny (1939)	Dust Be My Destiny (Leaving Hospital)	1:11:57 - Mabel and Joe start to leave	11th chord \| advance plot \| hero \| hospital \| leading lady \| leading man \| peaceful \| pedal tone \| photographer \| reporter
Dust Be My Destiny (1939)	Dust Be My Destiny (Appassionato)	1:12:09 - Mabel and Joe hide from the reporters	conflict \| countermelody \| hero \| hiding \| hospital \| leading lady \| leading man \| passionate \| underscoring
Dust Be My Destiny (1939)	Dust Be My Destiny (Cornered)	1:12:21 - Mabel and Joe decide what to do	9th chord \| conflict \| hero \| hospital \| inversion \| leading lady \| leading man \| pedal tone \| tense
Dust Be My Destiny (1939)	Dust Be My Destiny (Hiding)	1:12:42 - Mabel talks with Joe about surrendering	42 chord \| conflict \| diminished 7th chord \| fragmentation \| hero \| hospital \| leading lady \| leading man \| tense
Dust Be My Destiny (1939)	Dust Be My Destiny (Disagreement)	1:12:59 - Mabel and Joe argue	bright \| conflict \| dark \| foreign key modulation \| hero \| hospital \| leading lady \| leading man
Dust Be My Destiny (1939)	Dust Be My Destiny (Appassionatissimo)	1:13:14 - Joe makes a run for it	chromatic parallelism \| chromatic scale \| climax \| conflict \| diminished 7th chord \| dissonant bass \| escaping \| hospital \| intervallic expansion \| leading lady \| leading man \| runaway \| sequence \| tense
Dust Be My Destiny (1939)	Dust Be My Destiny (Tragico)	1:13:35 - Mabel turns Joe in to the police	confession \| conflict \| dark \| hospital \| leading lady \| leading man \| parallelism \| pedal tone \| suspect \| tragic
Dust Be My Destiny (1939)	Dust Be My Destiny (Delicate)	1:22:18 - Mabel rises to testify for Joe	courtroom \| crowd \| delicate \| judge \| jury \| leading lady \| leading man \| sequence \| somber \| suspect \| trial
Dust Be My Destiny (1939)	Dust Be My Destiny (Religioso)	1:22:41 - Mabel testifies for Joe	11th chord \| chromatic parallelism \| common-tone diminished 7th \| courtroom \| crowd \| diminished 7th chord \| gentle \| judge \| jury \| leading lady \| leading man \| loving \| mode mixture \| parallel double period \| plagal cadence \| sincere \| suspect \| tender \| trial
Dust Be My Destiny (1939)	Dust Be My Destiny (Travel Montage)	1:26:04 - Train approaches the screen	added-note chord \| foreign key modulation \| happy \| leading lady \| leading man \| pc set \| resolution \| train \| train \| traveling
Dust Be My Destiny (1939)	Dust Be My Destiny (Train)	1:26:17 - Joe and Mabel on the train	11th chord \| added-note chord \| happy \| leading lady \| leading man \| resolution \| sequence \| train \| train \| traveling
Dust Be My Destiny (1939)	Dust Be My Destiny (Hanging Hats)	1:26:31 - Joe and Mabel toss their hats	11th chord \| chromatic mediant \| foreign key modulation \| happy \| hat \| hook \| leading lady \| leading man \| mickey-mousing \| resolution \| throwing \| train \| traveling \| whistle effect
Dust Be My Destiny (1939)	Dust Be My Destiny (The End)	1:26:45 - "The End"	closing credits \| end title sequence \| foreign key modulation \| happy \| leading lady \| leading man \| The End \| train \| traveling
Each Dawn I Die (1939)	Frank (Released)	1:28:49 - Frank is released	9th chord \| altered dominant \| artwork in score \| conclusion \| embracing \| friend \| gentle \| goodbye \| leading lady \| leading man \| Neapolitan \| passionate \| peaceful
Each Dawn I Die (1939)	Freedom	1:30:31 - Frank leaves the prison	artwork in score \| chromatic mediant \| conclusion \| dissonant bass \| freedom \| hopeful \| leading lady \| leading man \| optimistic \| peaceful \| The End \| walking
Flamingo Road (1949)	Vision of Salome	0:02:12 - Exotic dancers	announcing \| carnival \| carny \| dancer \| dancing \| establish setting \| exotic \| Gypsy minor scale \| leading lady \| mysterious \| on-screen music \| source music
Flamingo Road (1949)	Arabian Riff	0:02:36 - Exotic dancers	announcing \| carnival \| carny \| dancer \| dancing \| establish setting \| exotic \| leading lady \| mysterious \| on-screen music \| source music
Flamingo Road (1949)	Vision of Salome	0:03:12 - Two men argue	arguing \| carnival \| carny \| dancer \| establish setting \| exotic \| Gypsy minor scale \| leading lady \| mysterious \| on-screen music \| source music
Flamingo Road (1949)	If I Could Be With You	0:07:53 - Field hears music playing	carny \| conversing \| establish character \| leading lady \| leading man \| on-screen music \| parallel period \| police \| radio \| room \| sentimental \| singer \| singing \| source music
Flamingo Road (1949)	Lane (Moderato Grazioso)	NIF - not in film	conversing \| cut from film \| cut from film \| leading lady \| leading man \| lovers meet \| picardy third \| police \| room
Flamingo Road (1949)	Underscoring (Lyrical)	NIF - not in film	9th chord \| altered dominant \| conversing \| cut from film \| cut from film \| leading lady \| leading man \| lovers meet \| police \| room \| underscoring
Flamingo Road (1949)	Lane (Poco Con Moto)	NIF - not in film	conversing \| cut from film \| cut from film \| deceptive resolution \| leading lady \| leading man \| lovers meet \| parallelism \| police \| room
Flamingo Road (1949)	Arabian Riff (Not in Film)	NIF - not in film	conversing \| cut from film \| cut from film \| deceptive resolution \| leading lady \| leading man \| lovers meet \| pedal tone \| police \| room \| source to score
Flamingo Road (1949)	Underscoring (Lyrical)	NIF - not in film	chromatic parallelism \| conversing \| cut from film \| cut from film \| leading lady \| leading man \| lovers meet \| police \| room \| underscoring
Flamingo Road (1949)	Lane	NIF - not in film	conversing \| cut from film \| cut from film \| leading lady \| leading man \| lovers meet \| mode mixture \| police \| room
Flamingo Road (1949)	If I Could Be With You (Timidly)	NIF - not in film	chromatic parallelism \| conversing \| cut from film \| cut from film \| leading lady \| leading man \| lovers meet \| police \| room \| source to score
Flamingo Road (1949)	If I Could Be With You (Lightly)	NIF - not in film	altered dominant \| common-tone diminished 7th \| cut from film \| cut from film \| flirting \| leading lady \| leading man \| lovers meet \| pedal tone \| police \| room
Flamingo Road (1949)	Lane (Not in Film)	NIF - not in film	conversing \| cut from film \| cut from film \| foreign key modulation \| leading lady \| leading man \| lovers meet \| mode mixture \| police \| room
Flamingo Road (1949)	Traveling	NIF - not in film	added-note chord \| chromatic mediant \| common-tone diminished 7th \| cut from film \| cut from film \| deceptive resolution \| leading lady \| leading man \| lovers meet \| pedal tone \| police \| room
Flamingo Road (1949)	Put 'Em in a Box, Tie 'Em with a Ribbon, and Throw 'Em in the Deep Blue Sea	0:12:05 - The Eagle Cafe	AABA structure \| advance plot \| conversing \| leading lady \| leading man \| police \| popular music \| restaurant \| source music \| upbeat
Flamingo Road (1949)	Can't We Be Friends	0:13:38 - Lane and Field at the cafe	AABA structure \| advance plot \| conversing \| leading lady \| leading man \| police \| popular music \| restaurant \| sentimental \| source music
Flamingo Road (1949)	Lane (Sentimentale)	NIF - not in film	9th chord \| chromatic parallelism \| conversing \| cut from film \| cut from film \| falling in love scene \| leading lady \| leading man \| police
Flamingo Road (1949)	Lane (Molto Expressivo)	NIF - not in film	11th chord \| conversing \| cut from film \| cut from film \| falling in love scene \| leading lady \| leading man \| police
Flamingo Road (1949)	If I Could Be With You (Dolce)	0:17:22 - Lane and Field talk	conversing \| falling in love scene \| leading lady \| leading man \| love interest \| pedal tone \| police \| porch \| sentimental \| source to score
Flamingo Road (1949)	Goodnight	0:17:45 - Lane and Field talk	blue note \| conversing \| falling in love scene \| leading lady \| leading man \| love interest \| peaceful \| pedal tone \| police \| porch
Flamingo Road (1949)	Lane (Dolce)	0:17:58 - Lane flirts with Field	falling in love scene \| flirting \| leading lady \| leading man \| love interest \| pedal tone \| playful \| police \| porch \| sweet
Flamingo Road (1949)	If I Could Be With You (Ethereal)	0:18:06 - Lane watches Field drive away	common-tone diminished 7th \| falling in love scene \| leading lady \| leading man \| leaving \| love interest \| pedal tone \| police \| porch \| sentimental \| source to score
Flamingo Road (1949)	Cheatin' on Me	0:19:12 - Lane works at the café	AABA structure \| advance plot \| café \| leading lady \| leading man \| leaving \| police \| source music \| upbeat \| waitress \| working
Flamingo Road (1949)	If I Could Be With You	0:26:58 - People gamble and dance	club \| dancer \| dance scene \| dancing \| fighting \| gambling \| leading lady \| leading man \| musician \| on-screen music \| playing \| police \| sentimental \| sheriff \| singer \| singing \| source music
Flamingo Road (1949)	Driving	NIF - not in film	car \| cut from film \| driving \| foreign key modulation \| leading lady \| leading man \| love interest \| love scene
Flamingo Road (1949)	Tranquillo	0:29:07 - Lane and Field talk at the lakeside	appoggiatura \| conversing \| lake \| leading lady \| leading man \| love interest \| love scene \| romance \| yearning
Flamingo Road (1949)	If I Could Be With You (Tenderly)	0:29:32 - Lane and Field prepare to leave	11th chord \| 13th chord \| altered dominant \| common-tone diminished 7th \| kissing \| lake \| leading lady \| leading man \| love interest \| love scene \| romance \| romantic \| secondary dominant \| source to score
Flamingo Road (1949)	Lane (Ethereal)	0:30:02 - Lane and Field kiss in the moonlight	added-note chord \| augmentation \| kissing \| lake \| leading lady \| leading man \| love interest \| love scene \| pedal tone \| romance \| romantic
Flamingo Road (1949)	Titus 2	0:33:41 - Field sits down	breakup \| café \| conversing \| dark \| leading lady \| leading man \| mysterious \| self-borrowing \| waitress
Flamingo Road (1949)	Titus (Dark)	0:33:56 - Field talks to Lane	breaking up \| breakup \| café \| dark \| leading lady \| leading man \| mysterious \| self-borrowing \| waitress
Flamingo Road (1949)	Titus 2 (Triste)	0:34:10 - Field tells Lane he is getting married	breaking up \| breakup \| café \| chromatic sequence \| dark \| leading lady \| leading man \| major 7th chord \| mysterious \| self-borrowing \| somber \| waitress
Flamingo Road (1949)	Underscoring (Tense)	0:34:30 - Lane responds to Field	breaking up \| breakup \| café \| leading lady \| leading man \| mysterious \| tense \| underscoring \| waitress
Flamingo Road (1949)	If I Could Be With You (Triste)	0:34:51 - Lane goes to the kitchen	breakup \| café \| dark \| diminished 7th chord \| foreign key modulation \| leading lady \| pondering \| somber \| waitress \| working
Flamingo Road (1949)	Lane (Triste)	0:35:13 - Lane comes back and Field is gone	breakup \| café \| dark \| employer \| firing \| leading lady \| somber \| waitress
Flamingo Road (1949)	Titus (Ostinato)	NIF - not in film	advance plot \| arguing \| café \| cut from film \| cut from film \| employer \| leading lady \| lying \| ostinato \| self-borrowing \| waitress
Flamingo Road (1949)	Lane (Not in Film 2)	NIF - not in film	9th chord \| advance plot \| chromatic parallelism \| conversing \| cut from film \| cut from film \| leading lady \| newspaper editor \| office \| whole-tone chord
Flamingo Road (1949)	Titus 2 (Not in Film)	NIF - not in film	advance plot \| chromatic parallelism \| conversing \| cut from film \| cut from film \| leading lady \| newspaper editor \| office \| self-borrowing
Flamingo Road (1949)	Titus 2 (Agitato)	0:37:11 - Lane goes to confront Titus	agitated \| angry \| chromatic sequence \| hurrying \| leading lady \| self-borrowing \| street \| transition \| walking
Flamingo Road (1949)	Agitato	0:39:09 - Lane storms off angrily	agitated \| angry \| chromatic parallelism \| chromatic scale \| chromatic wedge \| conflict \| hurrying \| leading lady \| self-borrowing \| sheriff \| street \| walking
Flamingo Road (1949)	Titus 2 (Walking)	0:39:17 - Lane storms off angrily	agitated \| angry \| chromatic parallelism \| conflict \| diminished 7th chord \| hurrying \| leading lady \| mickey-mousing \| self-borrowing \| sheriff \| street \| walking
Flamingo Road (1949)	Titus (Setup)	0:39:31 - A car follows Lane	conflict \| dark \| leading lady \| police \| self-borrowing \| setup \| street \| walking
Flamingo Road (1949)	Titus + Agitato (Extended)	0:39:55 - Police take Lane away	arresting \| combination of themes \| conflict \| driving \| leading lady \| police \| self-borrowing \| street \| tense \| turbulent
Flamingo Road (1949)	Titus 2 (Maestoso)	0:41:11 - Women enter the prison	advance plot \| dark \| dramatic \| leading lady \| prison \| prisoner \| self-borrowing \| walking
Flamingo Road (1949)	Lane (Lonely)	0:41:27 - Lane talks to a fellow prisoner	advance plot \| conversing \| foreign key modulation \| leading lady \| lonely \| prison \| prisoner \| reverse picardy \| somber
Flamingo Road (1949)	Lane (Grazioso)	0:41:46 - Lane talks to a fellow prisoner	advance plot \| conversing \| foreign key modulation \| hopeful \| leading lady \| prison \| prisoner \| upbeat
Flamingo Road (1949)	Lane (Hopeful)	0:41:58 - Lane talks to a fellow prisoner	advance plot \| conversing \| deceptive resolution \| gentle \| hopeful \| leading lady \| pedal tone \| prison \| prisoner
Flamingo Road (1949)	Lute Mae (A Reminiscence)	0:42:04 - A female prisoner talks about Lute Mae's	13th chord \| added-note chord \| advance plot \| altered dominant \| bluesy \| conversing \| countermelody \| Gershwinesque \| leading lady \| prison \| prisoner \| self-borrowing
Flamingo Road (1949)	Lane (Fragmented)	0:42:21 - Lane talks to a fellow prisoner	advance plot \| conversing \| fragmentation \| leading lady \| prison \| prisoner \| somber
Flamingo Road (1949)	If I Could Be With You (Slowly)	0:43:04 - Lane lies in bed	leading lady \| montage \| montage \| prison \| prisoner \| staring \| tragic
Flamingo Road (1949)	You Must Have Been a Beautiful Baby	0:43:13 - A woman sings and plays the piano	advance plot \| conversing \| employer \| leading lady \| on-screen music \| room \| sentimental \| singer \| singing \| source music
Flamingo Road (1949)	The Blue Room	0:44:58 - Lane dresses for work	AABA structure \| advance plot \| club \| conversing \| leading lady \| politician \| sheriff \| source music \| upbeat \| waitress
Flamingo Road (1949)	Titus (Angry)	0:45:24 - Titus sees Lane	advance plot \| anger \| angry \| club \| dark \| leading lady \| noticing \| ominous \| politician \| retrograde \| self-borrowing \| sheriff \| sinister \| waitress
Flamingo Road (1949)	Agitato (Angry)	0:45:50 - Dan argues with Titus	advance plot \| anger \| angry \| arguing \| chromatic parallelism \| chromatic scale \| chromatic wedge \| club \| leading lady \| politician \| polychord \| self-borrowing \| sheriff \| smashing \| stinger \| waitress
Flamingo Road (1949)	Jalousie	0:46:06 - Woman dances	club \| conversing \| dance scene \| dancing \| employer \| leading lady \| on-screen music \| playing \| sheriff \| source music \| upbeat \| waitress
Flamingo Road (1949)	Drinking whiskey	0:49:50 - Dan drinks	chromatic parallelism \| comical \| distressed \| drinking \| leading lady \| leading man \| love interest \| lovers meet \| mickey-mousing \| politician \| quintal chord \| room
Flamingo Road (1949)	Lane (Lento)	0:50:04 - Dan meets Lane	added-note chord \| conversing \| countermelody \| gentle \| graceful \| leading lady \| leading man \| love interest \| lovers meet \| politician \| room
Flamingo Road (1949)	Lane (Chromatic)	0:50:24 - Lane ties Dan's tie	9th chord \| chromatic parallelism \| conversing \| dark \| gentle \| leading lady \| leading man \| love interest \| lovers meet \| politician \| room
Flamingo Road (1949)	Titus 2 (Agitato)	0:50:41 - Lane ties Dan's tie	chromatic parallelism \| conversing \| leading lady \| leading man \| love interest \| lovers meet \| mysterious \| politician \| room \| self-borrowing
Flamingo Road (1949)	Indigestion	0:50:48 - Lane complains of a hangover	chromatic parallelism \| chromatic scale \| comical \| distressed \| grumbling \| leading lady \| leading man \| love interest \| lovers meet \| politician \| room
Flamingo Road (1949)	Lane	0:50:59 - Lane gives Dan his money	conversing \| delicate \| gentle \| leading lady \| leading man \| love interest \| lovers meet \| mode mixture \| pleasant \| politician \| room
Flamingo Road (1949)	If I Could Be With You (Misterioso)	0:51:15 - Lane asks Dan about Field	chromatic parallelism \| conversing \| diminished 7th chord \| leading lady \| leading man \| love interest \| lovers meet \| politician \| room \| uneasy
Flamingo Road (1949)	Molto Grazioso	0:51:40 - Dan notices Lane	conversing \| delicate \| flirting \| leading lady \| leading man \| love interest \| lovers meet \| politician \| room
Flamingo Road (1949)	Lute Mae (Quasi Blues)	0:51:46 - Dan flirts with Lane	13th chord \| added-note chord \| conversing \| countermelody \| flirting \| flirty \| leading lady \| leading man \| love interest \| lovers meet \| politician \| room \| self-borrowing \| sultry \| thematic transference
Flamingo Road (1949)	Slide whistle	0:53:00 - Dan surprises Lute Mae	comical \| employer \| leading lady \| leading man \| love interest \| mickey-mousing \| politician \| room \| surprising \| transition
Flamingo Road (1949)	Lute Mae (Driving)	0:53:02 - Lane drives Dan to the construction site	13th chord \| added-note chord \| arriving \| car \| car \| comical \| common-chord modulation \| driving \| leading lady \| leading man \| love interest \| politician \| rushed \| self-borrowing \| transition \| traveling
Flamingo Road (1949)	Lane (Bell-like)	0:54:43 - Lane gives Dan some change	fragmentation \| gentle \| giving \| leading lady \| leading man \| love interest \| love scene \| politician \| porch \| receiving \| sweet
Flamingo Road (1949)	Flamingo Road (Bluesy)	0:55:00 - Dan buys some cold drinks	9th chord \| altered dominant \| bluesy \| flirting \| foreshadowing \| leading lady \| leading man \| love interest \| love scene \| mode mixture \| parallelism \| politician \| porch \| self-borrowing
Flamingo Road (1949)	Flamingo Road (Romantic)	0:55:41 - Dan kisses Lane	embracing \| foreign key modulation \| foreshadowing \| kissing \| leading lady \| leading man \| love interest \| love scene \| mode mixture \| parallelism \| politician \| porch \| romantic \| self-borrowing
Flamingo Road (1949)	Through a Thousand Dreams	0:56:41 - The Olympic City hotel	club \| conversing \| dance scene \| dancing \| dining \| leading lady \| leading man \| love interest \| on-screen music \| politician \| sentimental \| sheriff \| source music \| wife
Flamingo Road (1949)	Don't Take Your Love From Me	0:58:50 - Dan and Lane sit at a table	ABAC structure \| club \| conversing \| dance scene \| leading lady \| leading man \| love interest \| on-screen music \| politician \| sentimental \| sheriff \| source music \| wife
Flamingo Road (1949)	If I Could Be With You	0:59:52 - A woman sings with the dance band	club \| conversing \| dance scene \| dancing \| dining \| leading lady \| leading man \| love interest \| on-screen music \| politician \| sentimental \| sheriff \| singer \| singing \| source music \| wife
Flamingo Road (1949)	I Guess I'll Have to Change My Plan	1:01:40 - Lane and Dan talk at their table	club \| conversing \| dance scene \| leading lady \| leading man \| love interest \| politician \| sentimental \| sheriff \| source music \| wife
Flamingo Road (1949)	Lute Mae (Tenderly)	1:03:37 - Dan is grateful for Lane's gift to him	13th chord \| added-note chord \| advance plot \| comical \| common-chord modulation \| conversing \| embracing \| happy \| husband \| leading lady \| leading man \| maid \| room \| self-borrowing \| tender \| wife
Flamingo Road (1949)	Flamingo Road (Tenderly)	1:03:58 - Dan and Lane have tea	advance plot \| conversing \| gentle \| husband \| leading lady \| leading man \| mode mixture \| room \| self-borrowing \| serving \| tea \| wife
Flamingo Road (1949)	Flamingo Road (Tense)	1:04:16 - Titus enters the room	advance plot \| combination of themes \| conversing \| leading lady \| leading man \| politician \| room \| self-borrowing \| sheriff \| tense \| whole-tone scale
Flamingo Road (1949)	Flamingo Road (Misterioso)	1:04:33 - Titus talks to Dan	advance plot \| combination of themes \| conversing \| distortion \| fragmentation \| leading lady \| leading man \| mysterious \| politician \| room \| self-borrowing \| sequence \| sheriff
Flamingo Road (1949)	Titus 2 (Threatening)	1:04:45 - Titus threatens Lane	advance plot \| chromatic parallelism \| leading lady \| room \| self-borrowing \| sheriff \| threatening \| threatening
Flamingo Road (1949)	Titus	1:04:55 - Titus insults Lane	advance plot \| dark \| leading lady \| leading man \| ominous \| politician \| room \| self-borrowing \| sheriff \| threatening
Flamingo Road (1949)	Titus 2 (Slowly)	1:06:43 - Dan talks to Lane about Titus	advance plot \| chromatic parallelism \| leading lady \| leading man \| lying \| room \| self-borrowing \| tense
Flamingo Road (1949)	Lute Mae (Tenderly)	1:07:55 - Dan kisses Lane	13th chord \| added-note chord \| bluesy \| husband \| kissing \| leading lady \| leading man \| love scene \| room \| self-borrowing \| tender \| wife
Flamingo Road (1949)	Titus 2 (Buzzer)	1:13:16 - Titus arrives	arriving \| chromatic parallelism \| dark \| entering \| leading lady \| maid \| ominous \| politician \| room \| self-borrowing \| sheriff \| transition
Flamingo Road (1949)	Titus (Ostinato)	1:17:09 - Dan looks at some papers	brooding \| conflict \| dark \| hopeful \| husband \| leading lady \| leading man \| ominous \| politician \| room \| self-borrowing \| wife
Flamingo Road (1949)	Lane (Tragic)	1:18:10 - Lane talks to Dan about Titus	angry \| anxious \| conflict \| conversing \| husband \| leading lady \| leading man \| ostinato \| politician \| room \| tragic \| wife
Flamingo Road (1949)	If I Could Be With You (Tragic)	1:18:35 - Lane tells Dan about Field	confessing \| conflict \| diminished 7th chord \| husband \| leading lady \| leading man \| love \| politician \| room \| tragic \| wife
Flamingo Road (1949)	Flamingo Road (Agitato)	1:18:50 - Dan gets upset with Lane	9th chord \| accusing \| angry \| augmented sixth chord \| conflict \| fragmentation \| husband \| leading lady \| leading man \| politician \| quartal chord \| room \| self-borrowing \| wife
Flamingo Road (1949)	Appassionato	1:19:10 - Dan argues with Lane	arguing \| chromatic parallelism \| conflict \| diminished 7th chord \| harmonic sequence \| husband \| leading lady \| leading man \| passionate \| politician \| room \| wife \| yearning
Flamingo Road (1949)	Flamingo Road (Molto Expressivo)	1:19:32 - Dan leaves	conflict \| husband \| leading lady \| leading man \| leaving \| politician \| room \| self-borrowing \| tragic \| wife
Flamingo Road (1949)	Flamingo Road (Triste)	1:19:43 - Lane watches Dan leave	altered dominant \| conflict \| husband \| leading lady \| leading man \| politician \| room \| self-borrowing \| somber \| waiting \| wife
Flamingo Road (1949)	Somber Phone Call	1:19:54 - Dan calls Lane from the station	calling \| conflict \| half-diminished 7th chord \| husband \| leading lady \| leading man \| politician \| somber \| tone cluster \| train station \| wife
Flamingo Road (1949)	Titus (Triste 2)	1:20:10 - Dan and Lane talk on the phone	calling \| conflict \| husband \| leading lady \| leading man \| politician \| room \| somber \| train station \| wife
Flamingo Road (1949)	Lane (Lonely)	1:21:12 - Lane in her room	advance plot \| leading lady \| lonely \| mickey-mousing \| pondering \| rising \| room \| somber \| waiting
Flamingo Road (1949)	Lane (Ominous)	1:21:22 - A hand rings the doorbell	advance plot \| leading lady \| mysterious \| ominous \| pausing \| pedal tone \| ringing \| room
Flamingo Road (1949)	Lane (Descending the Staircase)	1:21:31 - Lane descends the stairs	advance plot \| delicate \| descending \| leading lady \| leading man \| love interest \| mickey-mousing \| mysterious \| parallelism \| room \| walking
Flamingo Road (1949)	If I Could Be With You (Triste)	1:22:18 - Field enters the house	death scene \| diminished 7th chord \| drunk \| drunk \| foreign key modulation \| leading lady \| leading man \| love interest \| room \| somber \| stumbling
Flamingo Road (1949)	Underscoring (Somber)	1:22:33 - Field stumbles through the house	chromatic parallelism \| conversing \| death scene \| drunk \| drunk \| leading lady \| leading man \| love interest \| room \| somber \| underscoring
Flamingo Road (1949)	If I Could Be With You (Drunk)	1:22:58 - Field and Lane talk about their past love	arguing \| chromatic parallelism \| death scene \| diminished 7th chord \| drunk \| leading lady \| leading man \| love interest \| room \| somber
Flamingo Road (1949)	Titus (Ostinato 2)	1:23:34 - Field and Lane talk about Titus and Dan	arguing \| dark \| death scene \| dramatic \| leading lady \| leading man \| love interest \| ominous \| ostinato \| room \| self-borrowing
Flamingo Road (1949)	Flamingo Road (Andante)	1:24:05 - Lane goes to get a drink for Field	altered dominant \| chromatic parallelism \| dark \| death scene \| gentle \| gunshot \| hopeful \| leading lady \| leading man \| love interest \| mode mixture \| room \| self-borrowing \| suicide \| walking \| warm
Flamingo Road (1949)	If I Could Be With You (Dead)	1:24:41 - Lane sees Field has committed suicide	augmentation \| death scene \| discovering \| gunshot \| leading lady \| leading man \| love interest \| reacting \| room \| suicide \| surprise \| tragic \| violent
Flamingo Road (1949)	Mob	1:28:20 - A mob forms outside of Lane's home	advance plot \| angry \| anxious \| augmented triad \| chromatic parallelism \| chromatic scale \| friend \| leading lady \| minor-major 7th chord \| mob \| mobbing \| ostinato \| polyrhythm \| room \| tense \| whole-tone chord
Flamingo Road (1949)	Titus	1:28:52 - Lane says Titus's name	advance plot \| conversing \| dark \| friend \| leading lady \| mob \| ominous \| room \| self-borrowing \| zoom in
Flamingo Road (1949)	Agitato (Angry)	1:29:00 - Lane goes to confront Titus	advance plot \| angry \| car \| chromatic parallelism \| chromatic scale \| chromatic wedge \| dramatic \| driving \| leading lady \| polychord \| source and scoring overlap \| tense
Flamingo Road (1949)	The Girl With the Spanish Drawl	1:29:10 - Lane arrives at Lute Mae's	arriving \| climax \| club \| dancer \| dancing \| leading lady \| musician \| on-screen music \| playing \| source and scoring overlap \| source music \| upbeat
Flamingo Road (1949)	Titus (Fragmented) + Titus 2 (Fragmented)	1:29:47 - Lane confronts Titus	arguing \| climax \| club \| combination of themes \| dark \| fragmentation \| inversion \| leading lady \| motivic transformation \| mysterious \| ominous \| retrograde \| self-borrowing \| sheriff
Flamingo Road (1949)	Titus (Rising Tension)	1:30:09 - Lane confronts Titus	arguing \| climax \| club \| dark \| half-diminished 7th chord \| leading lady \| ominous \| self-borrowing \| sequence \| sheriff
Flamingo Road (1949)	Underscoring (Dramatic)	1:30:24 - Lane pulls a gun on Titus	arguing \| climax \| club \| dark \| demanding \| dramatic \| gun \| leading lady \| ominous \| sheriff \| stinger \| threatening
Flamingo Road (1949)	Titus (Slowly)	1:30:42 - Lane holds Titus at gunpoint	arguing \| climax \| club \| dark \| demanding \| dramatic \| gun \| leading lady \| ominous \| self-borrowing \| sheriff \| telephone \| threatening
Flamingo Road (1949)	Titus 2 (Ominous)	1:30:55 - Titus pretends to make a phone call	calling \| chromatic parallelism \| climax \| club \| dark \| deceiving \| gun \| leading lady \| mysterious \| self-borrowing \| sheriff \| telephone
Flamingo Road (1949)	Underscoring (Dramatic)	1:31:15 - Titus attacks Lane	attacking \| breaking \| chromatic parallelism \| climax \| club \| dramatic \| dropping \| gun \| leading lady \| linear chromaticism \| oscillation \| sheriff \| staggering \| stinger \| telephone \| tense \| throwing \| underscoring
Flamingo Road (1949)	Breaking door	1:31:19 - Titus throws the phone at Lane	chromatic parallelism \| climax \| club \| dramatic \| gun \| leading lady \| mickey-mousing \| sheriff \| telephone \| throwing
Flamingo Road (1949)	Lane staggers	1:31:22 - Lane staggers after being hit	climax \| club \| dramatic \| leading lady \| mickey-mousing \| oscillation \| sheriff \| staggering
Flamingo Road (1949)	Titus (Ostinato 3)	1:31:25 - Titus holds a gun on Lane	climax \| club \| dramatic \| fighting \| gun \| gunshot \| leading lady \| menacing \| ostinato \| self-borrowing \| sequence \| sheriff \| struggling \| tense \| threatening
Flamingo Road (1949)	Titus (Climax)	1:31:43 - Lane struggles with Titus	chromatic parallelism \| chromatic wedge \| climax \| club \| dramatic \| fighting \| gun \| gunshot \| leading lady \| major 7th chord \| self-borrowing \| sequence \| sheriff \| struggling \| tense
Flamingo Road (1949)	Struggling	1:31:47 - Close-up on the gun	climax \| close-up \| club \| dramatic \| fighting \| gun \| gunshot \| leading lady \| major 7th chord \| mickey-mousing \| oscillation \| sheriff \| struggling \| tense
Flamingo Road (1949)	Titus 2 (Sinks)	1:31:50 - Titus collapses to the floor	climax \| club \| death \| dying \| falling \| gun \| gunshot \| leading lady \| self-borrowing \| sequence \| sheriff \| sinking \| tragic
Flamingo Road (1949)	Flamingo Road (Appassionato)	1:32:54 - Dan visits Lane in prison	crying \| embracing \| foreign key modulation \| husband \| joyous \| kissing \| leading lady \| leading man \| pedal tone \| prison \| resolution \| reuniting \| self-borrowing \| wife
Flamingo Road (1949)	Flamingo Road (Dolce)	1:33:08 - Dan and Lane embrace	crying \| dark \| embracing \| husband \| kissing \| leading lady \| leading man \| mode mixture \| peaceful \| prison \| resolution \| reuniting \| self-borrowing \| wife
Flamingo Road (1949)	Lute Mae (Delicato)	1:33:28 - Lane smiles as Dan	13th chord \| added-note chord \| crying \| delicate \| husband \| kissing \| leading lady \| leading man \| prison \| resolution \| reuniting \| romance \| self-borrowing \| sentimental \| wife
Flamingo Road (1949)	If I Could Be With You (Ecstatic)	1:33:37 - Lane walks away	added-note chord \| altered dominant \| artwork in score \| chromatic parallelism \| friend \| husband \| joyous \| leading lady \| leading man \| leaving \| prison \| resolution \| reuniting \| romance \| secondary dominant \| The End \| thematic transference \| triumphant \| wife
Hell on Frisco Bay (1955)	Prison Gate	0:01:25 - Steve exits the prison gate	conductor score \| establish character \| friend \| gate \| leading lady \| leading man \| leaving \| prison \| serious \| walking
Hell on Frisco Bay (1955)	Hell on Frisco Bay	0:02:01 - Marcia embraces Steve	conductor score \| embracing \| establish character \| friend \| gentle \| leading lady \| leading man \| street
Hell on Frisco Bay (1955)	The Very Thought of You	0:21:51 - Marcia singing at a club	club \| conductor score \| establish character \| familiar tune \| investigator \| leading lady \| leading man \| on-screen music \| pianist \| popular music \| romantic \| singer \| singing \| source music
Hell on Frisco Bay (1955)	Hell on Frisco Bay	0:23:26 - Marcia talks to Steve	club \| conductor score \| conversing \| establish character \| investigator \| leading lady \| leading man \| on-screen music \| pianist \| playing \| popular music \| sentimental \| source music \| source score
Hell on Frisco Bay (1955)	Hell on Frisco Bay	0:24:44 - Steve packs	advance plot \| conductor score \| leading lady \| leading man \| packing \| room \| troubled
Hell on Frisco Bay (1955)	Hell on Frisco Bay	0:25:00 - Marcia enters	advance plot \| conductor score \| entering \| leading lady \| leading man \| room \| sentimental
Hell on Frisco Bay (1955)	Hell on Frisco Bay	0:25:14 - Marcia and Steve argue	advance plot \| arguing \| conductor score \| leading lady \| leading man \| room \| tense
Hell on Frisco Bay (1955)	Hell on Frisco Bay	0:25:27 - Marcia and Steve talk	advance plot \| agitated \| conductor score \| conversing \| leading lady \| leading man \| room
Hell on Frisco Bay (1955)	Hell on Frisco Bay	0:25:56 - Marcia and Steve talk	advance plot \| conductor score \| conversing \| leading lady \| leading man \| room \| somber
Hell on Frisco Bay (1955)	Walking	0:26:31 - Marcia walks to the door	advance plot \| conductor score \| gangster \| hurried \| leading lady \| leading man \| mickey-mousing \| room \| walking
Hell on Frisco Bay (1955)	Underscoring (Dramatic)	0:27:50 - Steve fights Hammy	action scene \| conductor score \| dramatic \| fighting \| gangster \| hurried \| leading lady \| leading man \| room \| strangling \| tense \| underscoring
Hell on Frisco Bay (1955)	Underscoring (Tense)	0:28:03 - The gangsters leave	action scene \| conductor score \| conversing \| gangster \| leading lady \| leading man \| leaving \| room \| tense \| underscoring
Hell on Frisco Bay (1955)	Hell on Frisco Bay	0:28:43 - Marcia talks to Steve	action scene \| conductor score \| conversing \| leading lady \| leading man \| leaving \| room \| somber
Hell on Frisco Bay (1955)	Menace 2	0:28:55 - Marcia reacts to Steve's comment	action scene \| conductor score \| conversing \| leading lady \| leading man \| leaving \| room \| upset
Hell on Frisco Bay (1955)	Steve	1:01:01 - Steve talks to Marcia	conductor score \| conversing \| entering \| gentle \| leading lady \| leading man \| love scene \| room
Hell on Frisco Bay (1955)	Underscoring (Subtle)	1:01:30 - Marcia talks to Steve	conductor score \| conversing \| gentle \| leading lady \| leading man \| love scene \| room \| underscoring
Hell on Frisco Bay (1955)	Hell on Frisco Bay	1:01:41 - Steve talks to Marcia	conductor score \| conversing \| leading lady \| leading man \| love scene \| room \| tense \| underscoring
Hell on Frisco Bay (1955)	Hell on Frisco Bay	1:01:53 - Marcia talks to Steve	conductor score \| conversing \| leading lady \| leading man \| love scene \| room \| somber
Hell on Frisco Bay (1955)	Menace	1:02:28 - Steve talks to Marcia	conductor score \| conversing \| dark \| leading lady \| leading man \| love scene \| room
Hell on Frisco Bay (1955)	Hell on Frisco Bay	1:02:45 - Marcia talks to Steve	conductor score \| conversing \| leading lady \| leading man \| love scene \| romantic \| room \| tender
Hell on Frisco Bay (1955)	Pleading	1:03:30 - Marcia talks to Steve	conductor score \| conversing \| leading lady \| leading man \| love scene \| room \| tender
Hell on Frisco Bay (1955)	Hell on Frisco Bay	1:03:46 - Marcia talks to Steve	conductor score \| conversing \| dark \| leading lady \| leading man \| love scene \| room \| tender
Hell on Frisco Bay (1955)	It Had to Be You	1:17:06 - Marcia sings at a club	advance plot \| calm \| club \| jazz \| leading lady \| leading man \| on screen music \| pianist \| singer \| singing \| source music
Hell on Frisco Bay (1955)	Hell on Frisco Bay	1:17:47 - Marcia and Steve talk	advance plot \| calm \| club \| conductor score \| conversing \| leading lady \| leading man \| on-screen music \| popular music \| source music \| source score
Hell on Frisco Bay (1955)	Hell on Frisco Bay	1:18:13 - Marcia and Steve talk	calm \| club \| conductor score \| conversing \| leading lady \| leading man \| love scene \| source to score
Hell on Frisco Bay (1955)	Underscoring (Dark)	1:19:09 - Marcia and Steve talk	club \| conductor score \| conversing \| dark \| leading lady \| leading man \| love scene \| ominous \| underscoring
Hell on Frisco Bay (1955)	Hell on Frisco Bay	1:19:28 - Marcia talks to Steve	club \| conductor score \| conversing \| gentle \| grand \| leading lady \| leading man \| love scene
Hell on Frisco Bay (1955)	Hell on Frisco Bay	1:28:48 - Marcia wakes up and answers the door	gentle \| leading lady \| room \| turning point \| waking
Hell on Frisco Bay (1955)	Kay	1:29:11 - Steve enters with Kay	arriving \| entering \| investigator \| leading lady \| leading man \| love interest \| room \| somber \| turning point \| witness
Hell on Frisco Bay (1955)	Hell on Frisco Bay	1:29:23 - Marcia calls the police	agitated \| calling \| investigator \| leading lady \| leading man \| leaving \| love interest \| room \| turning point \| witness
Hell on Frisco Bay (1955)	Underscoring (Tense)	1:29:55 - Marcia talks to Kay	conversing \| leading lady \| love interest \| room \| tense \| turning point \| witness
Hell on Frisco Bay (1955)	Steve	1:33:17 - Marcia looks for Steve	action scene \| dock \| dramatic \| leading lady \| running \| tense
Hell on Frisco Bay (1955)	Amato	1:33:23 - Amato takes Marcia hostage	action scene \| dock \| gangster \| inspector \| kidnapping \| leading lady \| leading man \| ominous \| tense
Hell on Frisco Bay (1955)	Amato	1:34:01 - Steve confronts Amato	action scene \| dock \| dramatic \| gangster \| inspector \| kidnapping \| leading lady \| leading man \| tense
Hell on Frisco Bay (1955)	Amato	1:34:08 - Steve confronts Amato	action scene \| dock \| dramatic \| gangster \| gun \| gunshot \| inspector \| kidnapping \| leading lady \| leading man \| shooting \| tense
Hell on Frisco Bay (1955)	Underscoring (Tense)	1:35:05 - The police arrive	action scene \| arriving \| conversing \| dock \| leading lady \| police \| tense \| underscoring
Hell on Frisco Bay (1955)	Hell on Frisco Bay	1:37:36 - Steve goes to his wife	arriving \| dock \| gentle \| inspector \| leading lady \| leading man \| romantic
Hell on Frisco Bay (1955)	Hell on Frisco Bay	1:37:52 - Steve and Marcia leave together	dock \| gentle \| inspector \| leading lady \| leading man \| peaceful \| romantic \| walking
Her Kind of Man (1946)	Something to Remember You By	0:07:16 - Georgia enters	AABA structure \| club \| dancer \| dancing \| leading lady \| music scene \| on-screen music \| popular music \| singer \| singing \| source music \| stage \| upbeat
Her Kind of Man (1946)	Something to Remember You By	0:08:02 - Georgia sings	AABA structure \| club \| dancer \| dancing \| leading lady \| leading man \| music scene \| on-screen music \| popular music \| sentimental \| singer \| singing \| source music \| stage
Her Kind of Man (1946)	It Had to Be You	0:12:33 - Steve whistles	establish character \| gambler \| leading lady \| leading man \| love interest \| love scene \| on-screen music \| room \| sentimental \| singer \| source music \| whistling
Her Kind of Man (1946)	April in Paris	0:12:48 - Steve enters Georgia's dressing room	AABA structure \| conversing \| establish character \| gambler \| kissing \| leading lady \| leading man \| love interest \| love scene \| popular music \| room \| sentimental \| singer \| source music
Her Kind of Man (1946)	Underscoring (Dark [Waxman])	0:17:02 - Steve fights Felix	action scene \| arguing \| conversing \| criminal \| dark \| death \| dramatic \| gambler \| gun \| gunshot \| leading lady \| leading man \| love interest \| owner \| punching \| room \| self-defense \| shooting \| singer \| stinger \| tense \| underscoring
Her Kind of Man (1946)	It Had to Be You (Kissing)	0:18:22 - Steve kisses Georgia	action scene \| augmented triad \| gambler \| kissing \| leading lady \| leading man \| love interest \| minor-major 7th chord \| room \| singer \| source to score \| tense
Her Kind of Man (1946)	Gay White Way	0:19:54 - Georgia looks at her jewelry	advance plot \| cheery \| conversing \| crew \| dancer \| jewelry \| leading lady \| love interest \| manager \| on-screen music \| piano \| source music \| stage
Her Kind of Man (1946)	Speak to Me of Love	0:28:06 - City skyline at night	balcony \| conversing \| leading lady \| leading man \| love interest \| love scene \| on-screen music \| record player \| reporter \| romantic \| singing \| source music
Her Kind of Man (1946)	It Had to Be You	0:29:37 - Georgia and Don	balcony \| cheery \| conversing \| gambler \| leading lady \| leading man \| love interest \| love scene \| on-screen music \| reporter \| room \| source music \| whistling
Her Kind of Man (1946)	Too Many Tears	0:41:11 - Saratoga Casino	AABA structure \| advance plot \| club \| conversing \| crowd \| gambler \| leading lady \| leading man \| love interest \| manager \| on-screen music \| source music \| upbeat
Her Kind of Man (1946)	It Had to Be You (Somber)	0:44:48 - Georgia leaves	9th chord \| arguing \| conflict \| departing \| gambler \| leading lady \| leading man \| love interest \| room \| somber \| underscoring
Her Kind of Man (1946)	My Darling	0:45:05 - Georgia and Don in a restaurant	conversing \| crowd \| leading lady \| leading man \| love interest \| love scene \| photograph \| photographer \| reporter \| restaurant \| romantic \| source music \| waiter
Her Kind of Man (1946)	Can't We Talk It Over	0:45:42 - Georgia and Don in a photograph	advance plot \| club \| conversing \| crowd \| dancing \| husband \| leading lady \| newspaper \| on-screen music \| photograph \| playing \| source music \| upbeat \| waiter
Her Kind of Man (1946)	It Had to Be You	0:47:09 - Georgia gets ready for bed	advance plot \| cheery \| gambler \| leading lady \| leading man \| love interest \| on-screen music \| preparing \| room \| source music \| waiting \| whistling
Her Kind of Man (1946)	It Had to Be You (Passionate)	0:47:50 - Georgia talks with Steve	arguing \| conversing \| dark \| gambler \| kissing \| leading lady \| leading man \| love interest \| love scene \| passionate \| romantic \| room \| sequence \| source to score \| turbulent
Her Kind of Man (1946)	Here Comes the Bride	0:49:40 - Steve proposes to Georgia	classical music \| criminal \| familiar tune \| gambler \| henchman \| leading lady \| leading man \| love interest \| love scene \| proposing \| reporter \| romantic \| room \| tense
Her Kind of Man (1946)	Body and Soul	0:56:43 - Georgia sings in a night club	AABA structure \| applauding \| club \| conductor \| crowd \| leading lady \| musician \| music scene \| on-screen music \| performing \| performing \| romantic \| score to source \| singer \| singing \| source music \| watching \| wife
Her Kind of Man (1946)	Love Is Sweeping the Country	0:58:02 - The crowd applauds	advance plot \| club \| conversing \| criminal \| crowd \| gambler \| henchman \| husband \| leading lady \| leading man \| on-screen music \| owner \| performing \| reporter \| singer \| sister \| source music \| upbeat \| wife
Her Kind of Man (1946)	It Had to Be You (Sneaky)	1:05:51 - Georgia hides Candy	advance plot \| criminal \| familiar tune \| henchman \| leading lady \| leading man \| mysterious \| popular music \| reporter \| room \| singer \| sneaking \| sneaky \| source to score \| wife
Her Kind of Man (1946)	It Had to Be You (Mysterious)	1:07:50 - Don leaves	advance plot \| arriving \| car \| car \| criminal \| driving \| familiar tune \| gambler \| henchman \| leading lady \| leading man \| murderer \| mysterious \| popular music \| signaling \| singer \| street \| warehouse \| wife
Her Kind of Man (1946)	It Had to Be You	1:09:05 - Georgia approaches the warehouse	advance plot \| criminal \| familiar tune \| gambler \| henchman \| leading lady \| leading man \| murderer \| neutral \| popular music \| score to source \| singer \| warehouse \| whistling \| wife
Her Kind of Man (1946)	It Had to Be You (Secret Rendezvous)	1:09:09 - Georgia enters the warehouse	advance plot \| arriving \| conversing \| embracing \| familiar tune \| gambler \| kissing \| leading lady \| leading man \| murderer \| popular music \| romantic \| singer \| source to score \| uneasy \| warehouse \| wife
Her Kind of Man (1946)	It Had to Be You (Mysterious)	1:11:11 - Georgia leaves	advance plot \| departing \| familiar tune \| gambler \| leading lady \| leading man \| murderer \| mysterious \| popular music \| singer \| warehouse \| wife
Her Kind of Man (1946)	Underscoring (Dramatic [Steiner])	1:14:17 - Cop looks at his watch	climax \| conversing \| criminal \| double-cross \| dramatic \| henchman \| leading lady \| leading man \| parallelism \| police \| reporter \| room \| singer \| stinger \| telephone \| tense \| underscoring \| watch \| wife
Her Kind of Man (1946)	Speeding	1:14:21 - Policeman driving	car \| chromatic parallelism \| chromatic scale \| chromatic sequence \| climax \| dramatic \| driving \| hurrying \| leading lady \| leading man \| omnibus progression \| police \| reporter \| rushing \| singer \| tense \| wife \| yelling
Her Kind of Man (1946)	It Had to Be You (Tragic)	1:17:10 - Georgia holds Steve	9th chord \| augmented triad \| climax \| comforting \| conversing \| corpse \| cradling \| criminal \| crying \| death \| dying \| familiar tune \| gambler \| henchman \| leading lady \| leading man \| murderer \| police \| popular music \| reporter \| singer \| street \| tense \| tragic \| wife
Her Kind of Man (1946)	Water	1:17:41 - Steve's corpse	9th chord \| corpse \| criminal \| death \| flowing \| gambler \| henchman \| leading lady \| leading man \| murderer \| panning shot \| police \| reporter \| resolution \| singer \| street \| swirling \| tense \| tragic \| voice-over \| water \| water effect \| wife
Her Kind of Man (1946)	It Had to Be You (The End)	1:18:02 - The End	added-note chord \| criminal \| dark \| death \| dramatic \| end title sequence \| gambler \| henchman \| leading lady \| leading man \| mode mixture \| murderer \| police \| reporter \| singer \| street \| The End \| tragic \| wife
I Was a Communist for the FBI (1951)	Undercover Agent (Ominous) + Family	0:38:46 - Matt leaves his apartment	advance plot \| combination of themes \| communist \| dark \| discovery \| leading lady \| letter \| ominous \| polychord \| reacting \| reading \| self-borrowing \| spy \| street \| teacher \| tense \| tritone oscillation
I Was a Communist for the FBI (1951)	Ice Cold Katy	0:53:21 - Matt follows Eve	advance plot \| arguing \| communist \| jazz \| leading lady \| leading man \| source music \| spy \| street \| teacher \| undercover agent \| upbeat
I Was a Communist for the FBI (1951)	Down the stairs	0:57:47 - Eve sneaks down the stairs	communist \| create suspense \| descending \| leading lady \| leading man \| mickey-mousing \| sneaking \| spy \| staircase \| stairs \| teacher \| tense \| undercover agent
I Was a Communist for the FBI (1951)	Underscoring (Tense)	0:57:54 - Matt and Eve go down the stairs	communist \| create suspense \| leading lady \| leading man \| pc set \| sneaking \| spy \| staircase \| stairs \| teacher \| tense \| tritone \| undercover agent \| underscoring
I Was a Communist for the FBI (1951)	Sneaking	0:58:02 - Matt and Eve sneak away	chromatic scale \| communist \| create suspense \| hiding \| leading lady \| leading man \| mickey-mousing \| pc set \| running \| sneaking \| spy \| staircase \| stairs \| teacher \| tense \| undercover agent
I Was a Communist for the FBI (1951)	Undercover Agent (Molto Misterioso)	0:58:12 - The communists go upstairs	ascending \| communist \| create suspense \| leading lady \| leading man \| ostinato \| polychord \| sequence \| sneaking \| spy \| staircase \| stairs \| teacher \| tense \| tone cluster \| tritone oscillation \| undercover agent
I Was a Communist for the FBI (1951)	FBI (Molto Marcato)	0:59:03 - FBI man enters with a gun	agent \| arresting \| communist \| gun \| leading lady \| leading man \| murder scene \| noble \| room \| sneaking \| spy \| stinger \| street \| teacher \| tense \| undercover agent
I Was a Communist for the FBI (1951)	Undercover Agent (Misterioso)	0:59:50 - Agent watches	car \| communist \| driving \| escaping \| leading lady \| leading man \| mysterious \| polychord \| spy \| street \| teacher \| transition \| tritone oscillation \| undercover agent
I Was a Communist for the FBI (1951)	Jumps off stairs	1:03:23 - Matt jumps off of the staircase	communist \| gun \| gunshot \| jumping \| leading lady \| leading man \| mickey-mousing \| shooting \| shootout \| shootout \| spy \| teacher \| tense \| tone cluster \| train tracks \| tritone \| undercover agent
I Was a Communist for the FBI (1951)	Running and hiding	1:03:28 - Matt runs and takes cover	communist \| hiding \| leading lady \| leading man \| mickey-mousing \| running \| shootout \| shootout \| spy \| teacher \| tense \| train tracks \| undercover agent
I Was a Communist for the FBI (1951)	Undercover Agent (Gunfight)	1:03:34 - Train tracks	augmented triad \| communist \| dissonant bass \| diving \| dramatic \| gun \| gunshot \| hiding \| leading lady \| leading man \| mickey-mousing \| minor-major 7th chord \| polychord \| running \| shooting \| shootout \| shootout \| spy \| syncopation \| teacher \| tense \| train tracks \| tritone oscillation \| undercover agent
I Was a Communist for the FBI (1951)	Running	1:03:57 - Communist runs	communist \| dramatic \| leading lady \| leading man \| mickey-mousing \| running \| shootout \| shootout \| spy \| teacher \| tense \| train tracks \| undercover agent \| whole-tone chord
I Was a Communist for the FBI (1951)	Commie is shot	1:04:01 - Communist is shot and falls dead	chromatic scale \| communist \| death \| dramatic \| dying \| falling \| gun \| gunshot \| leading lady \| leading man \| mickey-mousing \| pc set \| shooting \| shootout \| shootout \| spy \| stinger \| teacher \| tense \| tone cluster \| train tracks \| undercover agent
In This Our Life (1942)	Roy	0:02:59 - Roy descends a staircase	64 chord \| conversing \| daughter \| delicate \| establish character \| father \| foreign key modulation \| gentle \| greeting \| leading lady \| maid \| room
In This Our Life (1942)	Stanley Introduction	0:06:35 - A car arrives	9th chord \| arriving \| car \| chromatic scale \| conversing \| establish character \| leading lady \| leading man \| love interest \| stinger \| tense
In This Our Life (1942)	Stanley	0:06:56 - Stanley talks with Peter	9th chord \| appoggiatura \| car \| circle of fifths \| conversing \| establish character \| leading lady \| leading man \| love interest \| sultry
In This Our Life (1942)	Stanley B	0:07:06 - Stanley talks with Peter	car \| chromatic scale \| chromatic sequence \| conversing \| dissonant bass \| establish character \| fragmentation \| leading lady \| leading man \| love interest \| sultry
In This Our Life (1942)	Stanley	0:07:23 - Stanley drives away	9th chord \| appoggiatura \| car \| circle of fifths \| conversing \| establish character \| leading lady \| leading man \| love interest \| sultry
In This Our Life (1942)	Stanley (She Runs)	0:07:32 - Stanley runs inside	arriving \| chromatic parallelism \| chromatic sequence \| diminution \| establish character \| hurried \| leading lady \| mickey-mousing \| room \| running \| sequence \| street
In This Our Life (1942)	Stanley (Rubato)	0:11:58 - Stanley talks with Roy	conversing \| establish character \| leading lady \| mysterious \| pc set \| room \| sister \| stinger
In This Our Life (1942)	Roy (Dolce)	0:12:06 - Roy talks with Stanley	added-note chord \| altered dominant \| conversing \| establish character \| gentle \| half-diminished 7th chord \| leading lady \| room \| sequence \| sister \| sweet
In This Our Life (1942)	Expressivo	0:12:28 - Stanley talks with Roy	chromatic scale \| conversing \| establish character \| expressive \| leading lady \| plagal cadence \| retardation \| room \| sister
In This Our Life (1942)	Big Sweep	0:12:41 - Stanley leaves	altered dominant \| dramatic \| establish character \| leading lady \| pc set \| room \| sister \| stinger \| tense \| watching
In This Our Life (1942)	Roy (Triste)	0:12:54 - Roy walks up the stairs	9th chord \| altered dominant \| countermelody \| establish character \| foreign key modulation \| gentle \| leading lady \| room \| somber \| walking
In This Our Life (1942)	Caring	0:13:08 - Roy talks to Peter	9th chord \| advance plot \| chromatic parallelism \| conversing \| leading lady \| leading man \| packing \| parallelism \| passionate \| room \| tender
In This Our Life (1942)	Stanley (Peter Lies)	0:13:28 - Peter talks about his trip	9th chord \| advance plot \| appoggiatura \| conversing \| leading lady \| leading man \| lying \| musical clue \| packing \| room \| serious \| somber
In This Our Life (1942)	Roy (In Love)	0:13:39 - Roy is relieved	64 chord \| advance plot \| calm \| chromatic sequence \| conversing \| dissonant bass \| leading lady \| leading man \| room \| sequential modulation \| whole-tone chord
In This Our Life (1942)	Discussion	0:13:57 - Roy talks with Peter	9th chord \| advance plot \| altered dominant \| conversing \| leading lady \| leading man \| passionate \| reverse picardy \| room \| serious \| somber
In This Our Life (1942)	Roy (Rubato)	0:14:34 - Roy talks with Peter	9th chord \| advance plot \| chromatic parallelism \| conversing \| dark \| fragmentation \| leading lady \| leading man \| major 7th chord \| playful \| room
In This Our Life (1942)	Pleadingly	0:14:53 - Roy looks at Peter	advance plot \| altered dominant \| common-tone dominant 7th \| conversing \| leading lady \| leading man \| room \| yearning
In This Our Life (1942)	Roy (Lento)	0:14:59 - Roy talks about their future	64 chord \| advance plot \| common-chord modulation \| conversing \| dark \| deceptive resolution \| dissonant bass \| embracing \| leading lady \| leading man \| room \| sweet
In This Our Life (1942)	Stanley B (Agitato)	0:15:19 - Peter replies to Roy	advance plot \| agitated \| arguing \| chromatic scale \| dissonant bass \| half-diminished 7th chord \| leading lady \| leading man \| room \| tense \| whole-tone chord
In This Our Life (1942)	Roy (Morendo)	0:15:43 - Roy responds to Peter	added-note chord \| advance plot \| augmented sixth chord \| conversing \| embracing \| leading lady \| leading man \| room \| serious \| somber
In This Our Life (1942)	Stanley (Maestoso)	0:16:11 - Peter closes the door	advance plot \| brash \| dark \| half-diminished 7th chord \| leading lady \| leading man \| leaving \| room \| serious
In This Our Life (1942)	Stanley (Valse Triste)	0:16:22 - Roy looks out the window	9th chord \| advance plot \| altered dominant \| appoggiatura \| circle of fifths \| dark \| leading lady \| leading man \| leaving \| room \| somber \| waltz \| watching \| window
In This Our Life (1942)	Stanley B (Valse Triste)	0:16:33 - Craig arrives	9th chord \| advance plot \| arriving \| dark \| dissonant bass \| leading lady \| leading man \| somber \| street \| waltz \| watching \| window
In This Our Life (1942)	Stanley	0:16:44 - Craig comes inside	9th chord \| advance plot \| appoggiatura \| circle of fifths \| dark \| father \| leading lady \| leading man \| room \| somber \| waltz
In This Our Life (1942)	Stanley Introduction	0:16:56 - Craig talks with Asa	9th chord \| advance plot \| chromatic scale \| conversing \| father \| fiancé \| leading lady \| room \| tense \| underscoring
In This Our Life (1942)	Stanley	0:17:11 - Stanley comes down the stairs	9th chord \| advance plot \| appoggiatura \| circle of fifths \| conversing \| fiancé \| kissing \| leading lady \| room \| sultry
In This Our Life (1942)	Stanley B (Slowly)	0:17:20 - Stanley talks with Craig	advance plot \| conversing \| dramatic \| fiancé \| half-diminished 7th chord \| kissing \| leading lady \| lying \| room \| sultry
In This Our Life (1942)	Stanley B (Poco Agitato)	0:17:44 - Stanley packs her things	advance plot \| agitated \| chromatic sequence \| fragmentation \| leading lady \| packing \| room \| tense
In This Our Life (1942)	Stanley (Packing)	0:17:51 - Stanley packs her things	9th chord \| advance plot \| agitated \| appoggiatura \| circle of fifths \| leading lady \| packing \| room \| tense
In This Our Life (1942)	Asa (Triste)	0:21:45 - Asa arrives home	64 chord \| arriving \| common-tone diminished 7th \| conflict \| father \| leading lady \| room \| solemn \| somber \| tense
In This Our Life (1942)	Stanley (Con Moto)	0:22:19 - Roy talks about Stanley's letter	13th chord \| angry \| bitter \| chromatic scale \| conflict \| conversing \| father \| half-diminished 7th chord \| leading lady \| letter \| parallelism \| pc set \| room
In This Our Life (1942)	Roy (Risoluto)	0:22:40 - Roy talks to Asa	64 chord \| chromatic parallelism \| conflict \| conversing \| deceptive resolution \| father \| gentle \| leading lady \| room
In This Our Life (1942)	Expressivo	0:22:51 - Roy talks to Asa	altered dominant \| chromatic scale \| conflict \| conversing \| expressive \| father \| leading lady \| plagal cadence \| retardation \| room
In This Our Life (1942)	Big Sweep (Turn)	0:23:03 - Roy looks in the mirror	altered dominant \| conflict \| conversing \| expressive \| father \| leading lady \| room
In This Our Life (1942)	Roy (Grazioso)	0:23:08 - Roy looks in the mirror	9th chord \| conflict \| conversing \| countermelody \| father \| foreign key modulation \| leading lady \| mysterious \| room
In This Our Life (1942)	Caring	0:23:19 - Asa talks to Roy	9th chord \| chromatic parallelism \| conflict \| conversing \| father \| leading lady \| room \| sentimental \| underscoring
In This Our Life (1942)	Asa (Ostinato)	0:23:26 - Asa talks to Roy	chromatic parallelism \| conflict \| conversing \| dark \| father \| leading lady \| ostinato \| room \| sequential modulation \| serious \| whole-tone chord
In This Our Life (1942)	Asa (Molto Expressivo)	0:23:49 - Roy leaves	64 chord \| added-note chord \| conflict \| dark \| father \| leading lady \| leaving \| mode mixture \| pedal tone \| reverse picardy \| room \| somber
In This Our Life (1942)	South American Way	0:24:06 - A spinning record	AABA structure \| advance plot \| conversing \| dancing \| Latin-American \| leading lady \| leading man \| love interest \| popular music \| record player \| room \| source music \| upbeat
In This Our Life (1942)	Stanley (Gloomy)	0:28:32 - Roy walking in the park	9th chord \| advance plot \| altered dominant \| appoggiatura \| chromatic parallelism \| dark \| depressed \| leading lady \| leading man \| park \| sigh gesture \| sitting \| tritone substitution
In This Our Life (1942)	Roy (Rubato)	0:29:00 - Roy talks to Craig	9th chord \| advance plot \| chromatic parallelism \| conversing \| fragmentation \| leading lady \| leading man \| major 7th chord \| park \| uneasy
In This Our Life (1942)	Pleadingly	0:29:23 - Roy talks to Craig	advance plot \| altered dominant \| common-tone dominant 7th \| conversing \| leading lady \| leading man \| park \| uneasy
In This Our Life (1942)	Stanley (Morendo)	0:29:32 - Craig talks with Roy	9th chord \| advance plot \| appoggiatura \| chromatic parallelism \| conversing \| harmonic sequence \| leading lady \| leading man \| park \| somber
In This Our Life (1942)	Roy (Encouragement)	0:29:56 - Roy tries to cheer Craig up	9th chord \| advance plot \| common-chord modulation \| conversing \| encouraging \| leading lady \| leading man \| park \| sequential modulation \| uplifting
In This Our Life (1942)	Roy (Tender)	0:30:21 - Craig talks to Roy	64 chord \| advance plot \| conversing \| deceptive resolution \| gentle \| leading lady \| leading man \| mode mixture \| park \| sweet
In This Our Life (1942)	Here Comes the Bride (A Little Shimmer)	0:31:40 - A convertible	9th chord \| 11th chord \| 64 chord \| car \| courthouse \| deceptive resolution \| happy \| leading lady \| leading man \| leaving \| pump-up modulation \| sequential modulation \| street \| wedding \| wedding
In This Our Life (1942)	Stanley (Stringy)	0:32:14 - Stanley and Peter in the car	9th chord \| appoggiatura \| car \| circle of fifths \| conversing \| leading lady \| leading man \| sultry \| wedding \| wedding
In This Our Life (1942)	Stanley (She Runs)	0:32:24 - Stanley talks to Peter	car \| chromatic parallelism \| chromatic sequence \| conversing \| diminution \| leading lady \| leading man \| playful \| sequence \| wedding \| wedding
In This Our Life (1942)	Stanley (Shimmery)	0:32:33 - Stanley smiles	added-note chord \| car \| kissing \| leading lady \| leading man \| magical \| polychord \| wedding \| wedding
In This Our Life (1942)	Java Jive	0:32:41 - A dance hall	dance hall \| dance scene \| dancing \| leading lady \| leading man \| on-screen music \| popular music \| source music \| upbeat
In This Our Life (1942)	This Time the Dream's on Me	0:33:03 - Stanley and Peter sit at a table	AABA structure \| conversing \| dance hall \| dance scene \| dancing \| leading lady \| leading man \| on-screen music \| popular music \| source music \| upbeat
In This Our Life (1942)	Flirting	0:37:31 - Peter goes to Stanley	9th chord \| 64 chord \| conversing \| flirting \| happy \| leading lady \| leading man \| love scene \| mode mixture \| room
In This Our Life (1942)	Stanley (Grazioso)	0:37:56 - Stanley talks to Peter	9th chord \| added-note chord \| appoggiatura \| circle of fifths \| conversing \| flirting \| happy \| leading lady \| leading man \| love scene \| pleasant \| room \| sultry
In This Our Life (1942)	Driving	0:38:19 - Roy and Craig in a car	9th chord \| calm \| car \| conversing \| driving \| leading lady \| leading man \| love interest \| love scene \| oscillation
In This Our Life (1942)	Driving + Love Theme	0:39:07 - Roy and Craig in a car	9th chord \| altered dominant \| calm \| car \| combination of themes \| conversing \| driving \| iii chord \| leading lady \| leading man \| love interest \| love scene \| oscillation \| pedal tone \| romantic \| suspension
In This Our Life (1942)	Danger	0:39:54 - A forest ranger	conversing \| danger \| fire \| forest ranger \| leading lady \| leading man \| love interest \| love scene \| minor-major 7th chord \| outdoors \| tense
In This Our Life (1942)	Forest Fire	0:40:10 - A forest fire	conversing \| dangerous \| diminished 7th chord \| eerie \| fire \| leading lady \| leading man \| love interest \| love scene \| outdoors \| pc set \| polychord
In This Our Life (1942)	Love Theme	0:40:44 - Roy and Craig sit on the ground	9th chord \| altered dominant \| artwork in score \| calm \| conversing \| fire \| iii chord \| leading lady \| leading man \| love interest \| love scene \| outdoors \| romantic \| suspension
In This Our Life (1942)	Blues in the Night	0:42:47 - Stanley puts a record on the phonograph	arguing \| blue note \| blues \| conflict \| leading lady \| leading man \| record player \| room \| source music \| upbeat
In This Our Life (1942)	Blues in the Night (Transition)	0:43:37 - Craig's office door	9th chord \| arriving \| assistant \| calm \| friend \| leading lady \| love scene \| office \| pleasant \| source to score
In This Our Life (1942)	Roy (Expressivo)	0:43:43 - Roy talks with Parry	64 chord \| assistant \| calm \| conversing \| deceptive resolution \| friend \| leading lady \| love scene \| office \| pleasant
In This Our Life (1942)	Love Theme (Valse Sentimentale)	0:44:06 - Roy and Craig embrace	9th chord \| altered dominant \| calm \| conversing \| iii chord \| leading lady \| leading man \| love scene \| office \| romantic \| waltz
In This Our Life (1942)	Love Theme (Valse Sentimentale)	0:46:31 - Roy talks with her uncle	9th chord \| altered dominant \| conversing \| iii chord \| leading lady \| leading man \| love scene \| pleasant \| proposal \| room \| tender \| uncle \| waltz
In This Our Life (1942)	Funereal	0:48:25 - Asa calls for the others	bad news \| conversing \| father \| leading lady \| leading man \| room \| solemn \| stinger \| turning point \| uncle
In This Our Life (1942)	Underscoring (Somber)	0:48:46 - Asa relates the bad news	9th chord \| bad news \| conversing \| deceptive resolution \| father \| leading lady \| leading man \| room \| sigh gesture \| somber \| turning point \| uncle \| underscoring
In This Our Life (1942)	Underscoring (Dark)	0:49:21 - Asa tells them Peter committed suicide	conversing \| dark \| father \| leading lady \| leading man \| room \| stinger \| suicide \| triadic transformation \| turning point \| uncle \| underscoring
In This Our Life (1942)	Stanley B (Agitato)	0:49:32 - Uncle Fitzroy asks about Stanley	agitated \| altered dominant \| arguing \| chromatic scale \| chromatic sequence \| dissonant bass \| father \| leading lady \| leading man \| room \| suicide \| tense \| turning point \| uncle \| whole-tone chord
In This Our Life (1942)	Roy (Morendo 2)	0:49:54 - Roy reacts to the bad news	added-note chord \| appoggiatura \| augmented sixth chord \| conversing \| father \| leading lady \| leading man \| mode change \| room \| serious \| somber \| suicide \| turning point \| uncle
In This Our Life (1942)	Roy (Delicate)	0:50:40 - Roy arrives at Stanley's apartment	advance plot \| arriving \| deceptive resolution \| foreign key modulation \| friend \| gentle \| leading lady \| room \| sweet
In This Our Life (1942)	Underscoring (Gentle)	0:50:58 - Roy talks with Betty	added-note chord \| advance plot \| chromatic parallelism \| conversing \| friend \| gentle \| leading lady \| parallelism \| room \| tender \| underscoring \| whole-tone chord
In This Our Life (1942)	Door opens	0:51:37 - Betty opens the door	advance plot \| door \| friend \| gentle \| leading lady \| mickey-mousing \| opening \| room \| whole-tone chord
In This Our Life (1942)	Caring	0:51:39 - Roy greets Stanley	9th chord \| advance plot \| arriving \| chromatic parallelism \| gentle \| leading lady \| room \| sister \| tender \| widow
In This Our Life (1942)	Stanley (Peter Lies)	0:51:55 - Roy at Stanley's bedside	9th chord \| advance plot \| appoggiatura \| conversing \| gentle \| leading lady \| room \| sister \| widow
In This Our Life (1942)	Stanley B (Slowly)	0:52:05 - Roy at Stanley's bedside	9th chord \| advance plot \| agitated \| chromatic scale \| chromatic sequence \| conversing \| dissonant bass \| leading lady \| room \| sister \| widow
In This Our Life (1942)	Stanley (Packing)	0:52:23 - Roy at Stanley's bedside	9th chord \| advance plot \| appoggiatura \| conversing \| gentle \| leading lady \| room \| sister \| tense \| widow
In This Our Life (1942)	Stanley (Valse Triste)	0:52:42 - Stanley talks to Roy	9th chord \| advance plot \| agitated \| altered dominant \| appoggiatura \| circle of fifths \| conversing \| leading lady \| room \| sister \| widow
In This Our Life (1942)	Stanley B (Valse Triste)	0:52:48 - Stanley talks to Roy	9th chord \| advance plot \| agitated \| conversing \| dissonant bass \| leading lady \| room \| sister \| widow
In This Our Life (1942)	Stanley	0:52:56 - Stanley talks to Roy	9th chord \| advance plot \| agitated \| appoggiatura \| circle of fifths \| conversing \| leading lady \| room \| sister \| widow
In This Our Life (1942)	Discussion	0:53:04 - Stanley talks to Roy	9th chord \| advance plot \| agitated \| altered dominant \| conversing \| leading lady \| room \| sister \| whole-tone chord \| widow
In This Our Life (1942)	Stanley B (Valse Triste)	0:53:17 - Stanley cries	9th chord \| advance plot \| agitated \| chromatic scale \| chromatic sequence \| conversing \| leading lady \| room \| sister \| widow
In This Our Life (1942)	Stanley	0:53:23 - Roy comforts Stanley	9th chord \| advance plot \| appoggiatura \| circle of fifths \| comforting \| crying \| gentle \| leading lady \| room \| sister \| widow
In This Our Life (1942)	Stanley Introduction	0:53:32 - Roy comforts Stanley	9th chord \| advance plot \| chromatic scale \| comforting \| crying \| leading lady \| room \| sister \| tense \| widow
In This Our Life (1942)	Stanley	0:53:46 - Roy comforts Stanley	9th chord \| advance plot \| appoggiatura \| calm \| circle of fifths \| comforting \| leading lady \| room \| sister \| widow
In This Our Life (1942)	Stanley (Morendo)	0:53:56 - Roy puts Stanley to bed	9th chord \| advance plot \| calm \| comforting \| harmonic sequence \| leading lady \| room \| sister \| widow
In This Our Life (1942)	Roy (Tender)	0:54:15 - Roy tucks Stanley in	64 chord \| advance plot \| augmented sixth chord \| conversing \| foreign key modulation \| gentle \| leading lady \| room \| sister \| widow
In This Our Life (1942)	Blues in the Night	0:54:51 - Stanley dresses	advance plot \| blues \| dressing \| leading lady \| record player \| room \| source music \| upbeat \| widow
In This Our Life (1942)	How Do I Know It's Sunday	0:57:12 - Stanley starts a record playing	AABA structure \| advance plot \| conversing \| crying \| dancing \| father \| flirting \| leading lady \| leading man \| popular music \| record player \| room \| sister \| source music \| upbeat \| widow
In This Our Life (1942)	Uncle Fitzroy	1:04:26 - Uncle Fitzroy talks to Stanley	augmented sixth chord \| conflict \| conversing \| crying \| dancing \| flirting \| leading lady \| room \| solemn \| uncle \| whole-tone chord \| widow
In This Our Life (1942)	Anger	1:04:56 - Stanley gets angry	angry \| arguing \| chromatic scale \| conflict \| leading lady \| leaving \| minor-major 7th chord \| pc set \| room \| running \| tense \| uncle \| upset \| widow \| yelling
In This Our Life (1942)	Underscoring (Tense)	1:05:14 - Craig in his office	advance plot \| arriving \| augmented triad \| lawyer \| leading lady \| leading man \| office \| pc set \| pedal tone \| tense \| underscoring
In This Our Life (1942)	Stanley Introduction (Extended 2)	1:05:31 - Stanley in Craig's office	9th chord \| advance plot \| chromatic scale \| conversing \| lawyer \| leading lady \| leading man \| office \| reading \| uneasy \| whole-tone chord
In This Our Life (1942)	Stanley (Extended)	1:05:53 - Stanley talks to Craig	9th chord \| advance plot \| appoggiatura \| circle of fifths \| conversing \| lawyer \| leading lady \| leading man \| office \| solemn \| uneasy
In This Our Life (1942)	Stanley B (Slowly)	1:06:13 - Stanley talks to Craig	9th chord \| advance plot \| chromatic parallelism \| chromatic scale \| conversing \| dissonant bass \| lawyer \| leading lady \| leading man \| office \| uneasy
In This Our Life (1942)	Stanley (Triste)	1:06:29 - Stanley talks to Craig	9th chord \| advance plot \| appoggiatura \| circle of fifths \| conversing \| lawyer \| leading lady \| leading man \| office \| uneasy
In This Our Life (1942)	Stanley (Misterioso)	1:06:47 - Stanley hesitates at the door	advance plot \| fragmentation \| hesitating \| lawyer \| leading lady \| leading man \| mysterious \| office \| pc set
In This Our Life (1942)	Stanley Introduction	1:07:01 - Stanley talks to Craig	9th chord \| advance plot \| chromatic scale \| lawyer \| leading lady \| leading man \| manipulating \| office \| passionate
In This Our Life (1942)	Stanley	1:07:11 - Stanley talks to Craig	9th chord \| advance plot \| appoggiatura \| circle of fifths \| lawyer \| leading lady \| leading man \| manipulating \| office \| uneasy
In This Our Life (1942)	Stanley B (Slowly)	1:07:19 - Stanley talks to Craig	advance plot \| anxious \| chromatic sequence \| dissonant bass \| lawyer \| leading lady \| leading man \| manipulating \| office \| tense
In This Our Life (1942)	Stanley (Dark)	1:07:32 - Stanley leaves	9th chord \| advance plot \| dark \| lawyer \| leading lady \| leading man \| manipulating \| office \| uneasy
In This Our Life (1942)	South American Way	1:07:39 - Stanley in a bar	advance plot \| bar \| bartender \| dancing \| drinking \| jukebox \| leading lady \| upbeat \| waiting
In This Our Life (1942)	Fast Driving + Stanley	1:08:53 - Stanley driving	car \| car \| child \| combination of themes \| crime scene \| criminal \| driving \| drunk \| leading lady \| mysterious \| oscillation \| street \| tense \| uneasy \| victim \| walking \| whole-tone scale
In This Our Life (1942)	Underscoring (Dramatic)	1:09:01 - Stanley has an accident	car \| child \| chromatic scale \| crashing \| crime scene \| criminal \| dramatic \| driving \| drunk \| leading lady \| pc set \| street \| victim \| whole-tone chord \| whole-tone scale
In This Our Life (1942)	Car crash	1:09:01 - Stanley hits two pedestrians	accident \| car \| car crash \| crashing \| crime scene \| criminal \| dramatic \| driving \| drunk \| dying \| falling \| hit and run \| leading lady \| mickey-mousing \| street \| victim \| whole-tone chord \| whole-tone scale
In This Our Life (1942)	Turning around	1:09:06 - Stanley turns around	accident \| car \| car crash \| chromatic scale \| crime scene \| criminal \| dramatic \| drunk \| glaring \| hit and run \| leading lady \| mickey-mousing \| pc set \| stinger \| street \| turning
In This Our Life (1942)	Fast Driving	1:09:12 - Stanley drives away	accident \| car \| car \| car crash \| crime scene \| criminal \| driving \| drunk \| fleeing \| hit and run \| leading lady \| mysterious \| oscillation \| tense \| whole-tone scale
In This Our Life (1942)	Underscoring (Tense)	1:09:25 - Policemen approach the house	arriving \| chromatic parallelism \| conversing \| criminal \| investigation scene \| leading lady \| mysterious \| pedal tone \| police \| room \| tense \| walking \| watching
In This Our Life (1942)	Stanley (Descending Staircase)	1:09:49 - Policemen enter the house	arriving \| conversing \| criminal \| investigating \| investigation scene \| leading lady \| mysterious \| pc set \| police \| room \| sneaking \| tense \| walking \| watching
In This Our Life (1942)	Stanley Introduction (Extended 3)	1:12:42 - Stanley talks with Roy	9th chord \| advance plot \| conversing \| criminal \| leading lady \| lying \| room \| tense
In This Our Life (1942)	Stanley (Molto Expressivo)	1:12:57 - Stanley talks with Roy	13th chord \| advance plot \| augmented sixth chord \| calm \| chromatic parallelism \| conversing \| criminal \| leading lady \| lying \| room
In This Our Life (1942)	Roy (Triste 2)	1:13:12 - Roy talks with Minerva	advance plot \| conversing \| leading lady \| maid \| mother \| questioning \| room \| solemn \| somber
In This Our Life (1942)	Minerva and Parry	1:13:29 - Minerva talks with Roy	9th chord \| 11th chord \| advance plot \| blue note \| calm \| chromatic mediant \| common-tone diminished 7th \| conversing \| foreign key modulation \| leading lady \| maid \| mellow \| mother \| questioning \| room \| sentimental \| solemn \| spiritual
In This Our Life (1942)	Stanley (Packing)	1:14:36 - Newspaper headline about the accident	9th chord \| appoggiatura \| arriving \| circle of fifths \| conflict \| conversing \| headline \| lawyer \| leading lady \| leading man \| mysterious \| newspaper \| office
In This Our Life (1942)	Underscoring (Tense)	1:15:04 - Craig refuses Parry's case	conflict \| conversing \| denying \| lawyer \| leading lady \| leading man \| office \| ominous \| refusing \| tritone oscillation \| underscoring
In This Our Life (1942)	Stanley (Molto Accell)	1:15:15 - Craig talks about Stanley	anxious \| conflict \| conversing \| defending \| denying \| half-diminished 7th chord \| lawyer \| leading lady \| leading man \| office \| pc set \| refusing \| sigh gesture \| tense
In This Our Life (1942)	Roy (Molto Moderato)	1:15:51 - Roy leaves	added-note chord \| angry \| conflict \| half-diminished 7th chord \| lawyer \| leading lady \| leading man \| leaving \| office
In This Our Life (1942)	You're a Lucky Guy	1:16:20 - Stanley dances	AABA structure \| advance plot \| arriving \| conversing \| criminal \| dancing \| drinking \| leading lady \| popular music \| record player \| room \| source music \| upbeat
In This Our Life (1942)	Autumn Nocturne	1:17:45 - Stanley puts on a record	AABA structure \| accusing \| arguing \| conflict \| criminal \| defending \| leading lady \| lying \| popular music \| record player \| room \| sentimental \| source music
In This Our Life (1942)	Fast Driving (Tense)	1:20:10 - Craig's car pulls up to the jail	arriving \| car \| car \| conflict \| conversing \| criminal \| lawyer \| leading lady \| leading man \| oscillation \| pc set \| street \| tense \| underscoring \| uneasy
In This Our Life (1942)	Stanley (Slowly 2)	1:20:46 - Men playing checkers	checkers \| conflict \| criminal \| dark \| diminished 7th chord \| dissonant bass \| game \| lawyer \| leading lady \| leading man \| playing \| prison \| prisoner \| somber \| suspect \| victim
In This Our Life (1942)	Underscoring (Somber)	1:21:07 - Parry in his jail cell	9th chord \| conflict \| conversing \| criminal \| diminished 7th chord \| lawyer \| leading lady \| leading man \| prison \| prisoner \| sigh gesture \| somber \| suspect \| underscoring \| victim
In This Our Life (1942)	Minerva and Parry	1:21:28 - Parry in his jail cell	9th chord \| 11th chord \| blue note \| chromatic mediant \| common-tone diminished 7th \| conflict \| conversing \| criminal \| foreign key modulation \| lawyer \| leading lady \| leading man \| lying \| prison \| prisoner \| somber \| suspect \| tender \| testifying \| victim
In This Our Life (1942)	Minerva and Parry (Triste)	1:22:39 - Parry talks to Stanley	64 chord \| conflict \| conversing \| criminal \| lawyer \| leading lady \| leading man \| lying \| mode change \| prison \| prisoner \| solemn \| somber \| suspect \| testifying \| victim
In This Our Life (1942)	Stanley Introduction (Extended 4)	1:23:09 - Stanley and Craig leave the jail	9th chord \| car \| conflict \| criminal \| lawyer \| leading lady \| leading man \| leaving \| street \| tense
In This Our Life (1942)	London Bridge is Falling Down (Molto Expressivo)	1:23:33 - Craig talks to Stanley	car \| children's song \| conflict \| conversing \| criminal \| familiar tune \| lawyer \| leading lady \| leading man \| somber
In This Our Life (1942)	London Bridge is Falling Down (Mysterious)	1:23:45 - Craig and Stanley argue	9th chord \| car \| children's song \| conflict \| conversing \| criminal \| familiar tune \| lawyer \| leading lady \| leading man \| lying \| mysterious \| ominous
In This Our Life (1942)	Stanley (Agitato)	1:25:21 - Craig talks to Stanley	agitated \| climax \| conversing \| criminal \| father \| lawyer \| leading lady \| leading man \| mother \| pc set \| room \| suspect
In This Our Life (1942)	Underscoring (Tense) + South American Way	1:25:34 - Stanley reacts	accusing \| climax \| criminal \| father \| lawyer \| leading lady \| leading man \| lying \| mother \| mysterious \| ominous \| remembered source music \| remembering \| room \| source and scoring overlap \| source music \| suspect \| tense \| underscoring
In This Our Life (1942)	Stanley (Valse Triste)	1:26:23 - Stanley confesses	9th chord \| altered dominant \| appoggiatura \| arguing \| circle of fifths \| climax \| confessing \| confession \| criminal \| crying \| dramatic \| father \| lawyer \| leading lady \| leading man \| mother \| room \| suspect \| whole-tone chord
In This Our Life (1942)	Stanley B (Slowly Extended)	1:26:39 - Stanley confesses	9th chord \| agitated \| arguing \| chromatic scale \| chromatic sequence \| climax \| confessing \| confession \| criminal \| crying \| dissonant bass \| father \| lawyer \| leading lady \| leading man \| lying \| mother \| room \| suspect
In This Our Life (1942)	Expressivo (Extended)	1:27:04 - Lavinia rises	added-note chord \| arguing \| chromatic scale \| climax \| criminal \| emotional \| father \| lawyer \| leading lady \| leading man \| mother \| pleading \| retardation \| room \| suspect
In This Our Life (1942)	Big Sweep (Subtle)	1:27:23 - Stanley reacts	9th chord \| climax \| conversing \| criminal \| father \| lawyer \| leading lady \| leading man \| mother \| pc set \| plotting \| room \| suspect \| tense \| underscoring
In This Our Life (1942)	Stanley (Extended)	1:27:33 - Stanley goes upstairs	9th chord \| appoggiatura \| circle of fifths \| climax \| conversing \| criminal \| crying \| father \| lawyer \| leading lady \| leading man \| mother \| room \| somber \| suspect \| uneasy
In This Our Life (1942)	Love Theme (Gentle)	1:27:58 - Roy talks to Craig	9th chord \| accusing \| altered dominant \| climax \| conversing \| criminal \| crying \| embracing \| gentle \| iii chord \| lawyer \| leading lady \| leading man \| room \| sneaking \| tender
In This Our Life (1942)	Big Sweep	1:28:57 - Stanley escapes	11th chord \| altered dominant \| climax \| criminal \| dramatic \| driving \| escaping \| lawyer \| leading lady \| leading man \| pc set \| room \| underscoring \| watching
In This Our Life (1942)	Fast Driving	1:29:17 - Stanley driving her car	criminal \| driving \| escaping \| leading lady \| oscillation \| street \| tense \| transition \| whole-tone scale
In This Our Life (1942)	Stanley B (Agitato)	1:29:27 - Stanley runs inside	agitated \| butler \| chromatic sequence \| criminal \| dissonant bass \| half-diminished 7th chord \| leading lady \| room \| running \| street \| transition
In This Our Life (1942)	Stanley (Triste)	1:29:42 - Stanley enters the house	9th chord \| agitated \| appoggiatura \| circle of fifths \| criminal \| leading lady \| room \| running \| sigh gesture \| somber \| tense \| transition \| uncle
In This Our Life (1942)	Anger (Agitato)	1:31:34 - Stanley yells at her uncle	agitated \| angry \| arguing \| conflict \| criminal \| distressed \| leading lady \| minor-major 7th chord \| oscillation \| room \| uncle \| yelling
In This Our Life (1942)	Maestoso	1:31:51 - Stanley runs off crying	conflict \| criminal \| crying \| departing \| dissonant bass \| dramatic \| leading lady \| polychord \| room \| running \| street \| uncle \| yelling
In This Our Life (1942)	Stanley B (Very Agitated)	1:32:15 - Stanley hides from the police	agitated \| chromatic scale \| conflict \| criminal \| dissonant bass \| fragmentation \| hiding \| leading lady \| mysterious \| police \| room \| running \| rushing \| street
In This Our Life (1942)	Underscoring (Dramatic)	1:32:30 - Stanley dashes through the gate	conflict \| criminal \| dramatic \| hiding \| leading lady \| police \| running \| rushing \| street \| underscoring
In This Our Life (1942)	Police (Chase)	1:32:36 - Stanley runs for her car	chromatic scale \| conflict \| criminal \| dissonant bass \| driving \| fleeing \| hiding \| leading lady \| ostinato \| police \| running \| rushing \| street \| tense
In This Our Life (1942)	Stanley (Chase)	1:32:59 - The police chase after Stanley	9th chord \| acceleration \| chase scene \| chasing \| chromatic scale \| climax \| criminal \| desperate \| dramatic \| driving \| fleeing \| fragmentation \| leading lady \| police \| street \| tense
In This Our Life (1942)	Stanley (Fleeing)	1:33:12 - The police chase after Stanley	64 chord \| chase scene \| chasing \| chromatic mediant \| climax \| criminal \| desperate \| diminution \| dramatic \| driving \| fleeing \| leading lady \| ostinato \| police \| sequential modulation \| street \| tense
In This Our Life (1942)	Underscoring (Dramatic)	1:33:29 - Two other policeman see Stanley	chase scene \| chasing \| chromatic scale \| climax \| criminal \| dark \| dramatic \| driving \| fleeing \| half-diminished 7th chord \| leading lady \| pc set \| police \| street \| tense \| underscoring \| watching
In This Our Life (1942)	Stanley (Crying)	1:33:37 - Stanley crying in her car	9th chord \| appoggiatura \| chase scene \| chasing \| climax \| criminal \| crying \| dark \| dramatic \| driving \| fleeing \| harmonic sequence \| leading lady \| police \| somber \| street \| tense
In This Our Life (1942)	Stanley + Stanley B (Rising Tension)	1:33:49 - The police in hot pursuit	chase scene \| chasing \| chromatic scale \| chromatic sequence \| climax \| combination of themes \| criminal \| desperate \| dissonant bass \| dramatic \| driving \| fleeing \| half-diminished 7th chord \| leading lady \| police \| street \| tense
In This Our Life (1942)	Stanley (Desperate)	1:34:02 - The police in hot pursuit	9th chord \| chase scene \| chasing \| chromatic parallelism \| climax \| criminal \| crying \| desperate \| dramatic \| driving \| fleeing \| fragmentation \| leading lady \| police \| street \| tense
In This Our Life (1942)	Underscoring (Dramatic)	1:34:09 - Stanley's eyes in the rear-view mirror	9th chord \| acceleration \| chase scene \| chasing \| climax \| criminal \| crying \| desperate \| dissonant bass \| dramatic \| driving \| fleeing \| leading lady \| pc set \| police \| street \| tense \| tone cluster \| underscoring
In This Our Life (1942)	Car crash 2	1:34:17 - Stanley's car crashes	9th chord \| brash \| car \| car crash \| chase scene \| climax \| crashing \| criminal \| dramatic \| driving \| dying \| falling \| fire \| leading lady \| mickey-mousing \| police \| street \| tense
In This Our Life (1942)	Stanley (Tragic)	1:34:28 - Police run to Stanley's car	9th chord \| added-note chord \| appoggiatura \| brash \| car \| car crash \| chase scene \| climax \| criminal \| dramatic \| dying \| fire \| half-diminished 7th chord \| helping \| leading lady \| mournful \| police \| reporting \| rescuing \| rushing \| sigh gesture \| somber \| street \| tragic
In This Our Life (1942)	Love Theme (Slowly)	1:35:39 - Craig answers a phone call	comforting \| conversing \| leading lady \| leading man \| resolution \| room \| solemn \| somber \| tender \| The End
The Informer (1935)	Underscoring (Subtle)	0:04:22 - Close-up on Katie	establish character \| leading lady \| linear chromaticism \| mysterious \| staring \| street \| underscoring
The Informer (1935)	Katie	0:04:31 - Katie walks down the street	establish character \| foreign key modulation \| leading lady \| parallelism \| seductive \| staring \| street \| sultry \| walking
The Informer (1935)	Match strike	0:05:03 - Man strikes a match on the lamp post	establish character \| leading lady \| lighting \| match \| mickey-mousing \| playful \| street
The Informer (1935)	Underscoring (Tense)	0:05:04 - Gypo sees the man and walks towards him	establish character \| leading lady \| leading man \| mysterious \| street \| tense \| underscoring \| walking \| whole-tone
The Informer (1935)	Blowing smoke	0:05:16 - Man blows smoke into Katie's face	blowing \| establish character \| leading lady \| mickey-mousing \| mysterious \| smoke \| street \| whole-tone
The Informer (1935)	Katie Calls Gypo	0:05:38 - Katie says Gypo's name	conversing \| diminished 7th chord \| dissonant bass \| establish character \| leading lady \| leading man \| mickey-mousing \| somber \| staring \| street
The Informer (1935)	Katie (Tired and Sad)	0:05:49 - Katie talks to Gypo	conversing \| crying \| diminished 7th chord \| establish character \| leading lady \| leading man \| parallelism \| Scotch snap \| sobbing gesture \| somber \| street
The Informer (1935)	Yankee Doodle (Octatonic)	0:06:21 - Katie looks at the poster about a trip to America	American \| comical \| conversing \| dark \| diminished 7th chord \| establish character \| leading lady \| leading man \| octatonic \| parallelism \| patriotic tune \| source music \| street
The Informer (1935)	Katie (Hurt)	0:06:58 - Katie is upset with Gypo and walks away upset	agitated \| chromatic scale \| crying \| establish character \| leading lady \| leading man \| leaving \| street \| tritone \| upset
The Informer (1935)	Katie (Triste)	0:22:38 - Katie appears at the window	64 chord \| advance plot \| antagonist \| conversing \| foreign key modulation \| leading lady \| leading man \| parallelism \| pub \| sultry \| watching
The Informer (1935)	Blood Money (Four Coins)	0:23:15 - Bartender puts four coins on the table	advance plot \| antagonist \| augmented triad \| bartender \| coin \| counting \| half-diminished 7th chord \| leading lady \| leading man \| mickey-mousing \| money \| mysterious \| placing \| pub \| tense
The Informer (1935)	The Informer (Lying)	0:23:40 - Gypo lies about where he got the money	advance plot \| antagonist \| chromatic sequence \| conversing \| diminished 7th chord \| dissonant bass \| half-diminished 7th chord \| leading lady \| leading man \| lying \| octatonic \| pub \| Scotch snap \| tense
The Informer (1935)	Blind Man + Blood Money	0:24:45 - Blind man wanders in and Gypo gives him money	advance plot \| antagonist \| augmented triad \| blind man \| combination of themes \| giving \| leading lady \| leading man \| money \| mysterious \| ominous \| street \| walking
The Informer (1935)	The Informer (Bold)	0:25:26 - Gypo storms off down the street	64 chord \| advance plot \| antagonist \| bold \| determined \| hurrying \| leading lady \| leading man \| Scotch snap \| street \| walking
The Informer (1935)	Here Comes the Bride	0:49:55 - Dream sequence of a voyage to America	64 chord \| advance plot \| antagonist \| boat \| double exposure \| dreaming \| familiar tune \| leading lady \| leading man \| pedal tone \| romantic \| ship \| street \| vision \| wedding
The Informer (1935)	Katie (Mistaken Identity)	0:52:34 - Gypo thinks he sees Katie, but it's someone else	advance plot \| antagonist \| augmented sixth chord \| hallucinating \| hallucination \| leading lady \| leading man \| party \| sentimental \| transcribed by ear
The Informer (1935)	The Informer (Drunk)	1:03:23 - Gypo walks down the street drunk	advance plot \| antagonist \| drunk \| leading lady \| leading man \| marching \| rebel \| street
The Informer (1935)	The Informer (Molto Agitato)	1:03:45 - Katie worries for Gypo	advance plot \| antagonist \| chromatic parallelism \| conversing \| drunk \| half-diminished 7th chord \| leading lady \| leading man \| rebel \| street
The Informer (1935)	The Wearin' o' the Green (Fighting)	1:03:51 - Gypo struggles with the rebels	64 chord \| advance plot \| antagonist \| chromatic parallelism \| conversing \| dominant 7th chord \| drunk \| familiar tune \| fighting \| folk song \| fragmentation \| leading lady \| leading man \| reassuring \| rebel \| sequence \| street \| struggling \| syncopation
The Informer (1935)	Blood Money (Ostinato)	1:04:10 - The rebels overhear Gypo talking about the money	advance plot \| antagonist \| conversing \| drunk \| leading lady \| leading man \| money \| mysterious \| ostinato \| rebel \| street \| whole-tone chord
The Informer (1935)	Katie (Tragic)	1:04:39 - Katie is left alone on the street	advance plot \| appoggiatura \| leading lady \| minor-major 7th chord \| money \| somber \| street \| worrying
The Informer (1935)	Blood Money (Ostinato)	1:22:00 - Gypo confesses to Katie	antagonist \| confessing \| leading lady \| leading man \| love interest \| love scene \| money \| ostinato \| room \| tense \| traitor \| whole-tone
The Informer (1935)	Katie (Allegro Appassionato)	1:22:20 - Gypo talks to Katie	antagonist \| confessing \| leading lady \| leading man \| love interest \| love scene \| room \| sequence \| tense \| traitor
The Informer (1935)	By the Fire	1:22:36 - Gypo rests by the fire	antagonist \| half-diminished 7th chord \| leading lady \| leading man \| love interest \| love scene \| romantic \| room \| suspension \| traitor \| yearning
The Informer (1935)	Katie (Dolcissimo)	1:22:57 - Gypo talks to Katie	antagonist \| chromatic sequence \| leading lady \| leading man \| love \| love interest \| love scene \| romantic \| room \| traitor \| yearning
The Informer (1935)	Katie (Begging)	1:24:42 - Katie pleads for Gypo	64 chord \| advance plot \| begging \| leading lady \| love interest \| rebel \| room \| sequence \| serious \| tense
The Informer (1935)	Begging	1:25:13 - Katie pleads for Gypo	advance plot \| begging \| diminished 7th chord \| dissonant bass \| leading lady \| love interest \| pedal tone \| rebel \| room \| sequence \| serious \| tense
The Informer (1935)	The Informer (Begging)	1:25:50 - Katie pleads for Gypo	advance plot \| begging \| dramatic \| leading lady \| love interest \| main theme \| rebel \| room
The Informer (1935)	Dan and Mary (Begging)	1:25:53 - Katie talks to Mary about loving Gypo	advance plot \| begging \| gentle \| leading lady \| love interest \| rebel \| room \| sequence \| tender
The Informer (1935)	The Informer (Sympathetic)	1:26:35 - Katie tells Dan where Gypo is	advance plot \| eavesdropping \| leading lady \| love interest \| main theme \| rebel \| room \| spying \| tense
The Informer (1935)	Begging 2	1:26:41 - Katie begs for Gypo's life	advance plot \| anxiety \| begging \| chromatic scale \| despair \| leading lady \| love interest \| rebel \| room \| sequence \| tense
The Informer (1935)	Katie (Furioso)	1:26:55 - Katie becomes desperate	advance plot \| anxiety \| begging \| chromatic parallelism \| despair \| dissonant bass \| fragmentation \| leading lady \| love interest \| rebel \| room \| sentence form \| sequence \| tense \| whole-tone chord
Key Largo (1948)	Largo Hotel (Quasi Misterioso)	0:11:00 - Frank and Nora talk in the hotel	conversing \| establish character \| hotel \| leading lady \| leading man \| mysterious \| tense
Key Largo (1948)	Rocco 2	0:11:30 - Frank and Nora talk about Rocco	conversing \| establish character \| harsh \| hotel \| leading lady \| leading man
Key Largo (1948)	McCloud	0:11:41 - Nora talks about her husband George	conversing \| establish character \| heroic \| hotel \| leading lady \| leading man \| memorializing \| noble
Key Largo (1948)	Rocco 2 (Subito)	0:12:07 - Nora sees Curly	dangerous \| establish character \| gangster \| hotel \| leading lady \| mysterious \| watching
Key Largo (1948)	McCloud (Misterioso)	0:12:13 - Nora walks downstairs	establish character \| gangster \| hotel \| leading lady \| mysterious \| walking \| watching
Key Largo (1948)	Underscoring (Somber)	0:13:51 - Frank talks with Mr. Temple	advance plot \| conversing \| father \| hotel \| leading lady \| leading man \| prelude \| somber \| underscoring
Key Largo (1948)	McCloud (Noble)	0:14:28 - Frank talks about George and the war	advance plot \| death \| father \| heroic \| hotel \| leading lady \| leading man \| memory \| noble \| remembering \| storytelling \| war
Key Largo (1948)	McCloud (Tense)	0:14:56 - Nora and Frank talk about George	advance plot \| agitated \| death \| father \| hotel \| leading lady \| leading man \| memory \| mode change \| remembering \| storytelling \| tense \| war
Key Largo (1948)	McCloud (Molto Expressivo)	0:15:36 - Frank and Mr. Temple talk about George	advance plot \| death \| father \| hotel \| leading lady \| leading man \| memory \| remembering \| somber \| storytelling \| tender \| war
Key Largo (1948)	Burial Place	0:16:11 - Frank talks about George's burial place	advance plot \| death \| father \| hotel \| hymn \| leading lady \| leading man \| memory \| remembering \| somber \| storytelling \| tender \| war
Key Largo (1948)	McCloud (Bugle Call) + Taps	0:16:31 - Mr. Temple asks Frank about George's burial place	advance plot \| bugle call \| combination of themes \| death \| father \| heroic \| hotel \| leading lady \| leading man \| memory \| noble \| remembering \| somber \| storytelling \| taps \| war
Key Largo (1948)	McCloud (Broad)	0:17:00 - Nora and Frank go outside	advance plot \| bright \| death \| father \| hotel \| leading lady \| leading man \| memory \| remembering \| somber \| storytelling \| tender \| walking \| war
Key Largo (1948)	Nora	0:17:32 - Nora and Frank walk to the boat	conversing \| dock \| falling in love scene \| leading lady \| leading man \| romantic \| triadic \| wind
Key Largo (1948)	Nora (Nervous)	0:17:53 - Nora sees the gangsters	conversing \| dock \| falling in love scene \| gangster \| leading lady \| leading man \| nervous \| wind
Key Largo (1948)	Wind	0:18:21 - Frank helps prepare for the storm	conversing \| dock \| falling in love scene \| gangster \| leading lady \| leading man \| storm \| tense \| wind
Key Largo (1948)	Tosses rope	0:18:32 - Frank tosses the rope to Nora	dock \| falling in love scene \| leading lady \| leading man \| mickey-mousing \| rope \| tense \| throwing
Key Largo (1948)	Nora (Con Moto)	0:18:40 - Nora smiles at Frank	dock \| falling in love scene \| leading lady \| leading man \| romantic \| smiling \| watching
Key Largo (1948)	Tosses rope 2	0:18:47 - Frank tosses the rope to Nora	dock \| falling in love scene \| leading lady \| leading man \| mickey-mousing \| romantic \| rope \| throwing
Key Largo (1948)	Seminoles	0:19:11 - Seminole Indians arrive	advance plot \| arriving \| boat \| conversing \| dock \| Indian \| Indian \| leading lady \| leading man \| rowing \| serious
Key Largo (1948)	Seminoles (Grandma)	0:19:46 - Elderly Indian woman talks to Nora	advance plot \| arriving \| boat \| conversing \| dock \| grandmother \| Indian \| Indian \| leading lady \| leading man \| old woman \| serious \| smoking
Key Largo (1948)	Seminoles (Brothers)	0:20:29 - Nora talks with Seminole Indians	advance plot \| arriving \| boat \| conversing \| dock \| Indian \| Indian \| leading lady \| leading man \| serious
Key Largo (1948)	McCloud (Noble)	0:21:22 - Nora and Frank talk about her life	advance plot \| heroic \| hotel \| leading lady \| leading man \| memory \| noble \| remembering \| storytelling
Key Largo (1948)	Rocco 3 (Misterioso)	0:28:45 - Sawyer starts moaning in the other room	boss \| conflict \| gangster \| gun \| hostage \| hotel \| leading lady \| leading man \| menacing \| mysterious \| threatening
Key Largo (1948)	Rocco (Cut From Film)	NIF - not in film	boss \| conversing \| cut from film \| cut from film \| father \| gangster \| hostage \| hotel \| leading lady \| leading man
Key Largo (1948)	Rocco 2 (Cut From Film)	NIF - not in film	boss \| conversing \| cut from film \| cut from film \| father \| gangster \| hostage \| hotel \| leading lady \| leading man
Key Largo (1948)	Rocco 3 (Cut from Film)	NIF - not in film	boss \| conversing \| cut from film \| cut from film \| father \| gangster \| hostage \| hotel \| leading lady \| leading man
Key Largo (1948)	Tension	NIF - not in film	boss \| conversing \| cut from film \| cut from film \| father \| gangster \| hostage \| hotel \| leading lady \| leading man
Key Largo (1948)	Rocco (Tense 2)	NIF - not in film	boss \| conversing \| cut from film \| cut from film \| father \| gangster \| hostage \| hotel \| leading lady \| leading man
Key Largo (1948)	Rocco 2 (Misterioso)	NIF - not in film	boss \| conversing \| cut from film \| cut from film \| father \| gangster \| hostage \| hotel \| leading lady \| leading man
Key Largo (1948)	Rocco 3 (Cut From Film 2)	NIF - not in film	boss \| conversing \| cut from film \| cut from film \| father \| gangster \| hostage \| hotel \| leading lady \| leading man
Key Largo (1948)	McCloud (Cut From Film)	NIF - not in film	boss \| conversing \| cut from film \| cut from film \| father \| gangster \| hostage \| hotel \| leading lady \| leading man
Key Largo (1948)	Rocco 2 (Slowly) + McCloud (Tritone)	0:32:57 - McCloud quotes FDR	angry \| boss \| combination of themes \| conflict \| conversing \| father \| gangster \| hostage \| hotel \| leading lady \| leading man \| mysterious \| quoting \| stinger
Key Largo (1948)	Underscoring (Dramatic)	0:33:17 - Mr. Temple rises to attack Rocco	angry \| arguing \| attacking \| boss \| conflict \| dramatic \| father \| gangster \| hostage \| hotel \| laughing \| leading lady \| leading man \| tense \| underscoring
Key Largo (1948)	Falling	0:33:38 - Mr. Temple falls to the ground	angry \| boss \| conflict \| dramatic \| falling \| father \| gangster \| hostage \| hotel \| landing \| leading lady \| leading man \| mickey-mousing \| tense
Key Largo (1948)	Underscoring (Dramatic)	0:33:43 - Nora rises to attack Rocco	angry \| attacking \| boss \| conflict \| dramatic \| father \| gangster \| hitting \| horror \| hostage \| hotel \| kissing \| leading lady \| leading man \| tense \| underscoring \| violence
Key Largo (1948)	Rocco 2	0:33:53 - Rocco talks to Nora	boss \| conflict \| dangerous \| father \| gangster \| hostage \| hotel \| leading lady \| leading man \| mysterious \| threatening
Key Largo (1948)	McCloud (Tragic)	0:34:05 - McCloud and Nora help Mr. Temple up	boss \| conflict \| father \| gangster \| helping \| hostage \| hotel \| leading lady \| leading man \| mode change \| solemn \| somber
Key Largo (1948)	Rocco 3	0:39:45 - Rocco looks at Nora	boss \| conflict \| creepy \| father \| gangster \| hostage \| hotel \| leading lady \| leading man \| mysterious \| tense \| watching
Key Largo (1948)	Rocco Whispers	0:39:53 - Rocco whispers to Nora	boss \| conflict \| creepy \| father \| gangster \| hostage \| hotel \| leading lady \| leading man \| mickey-mousing \| mysterious \| tense \| whisper effect \| whispering
Key Largo (1948)	Rocco 3	0:40:06 - Rocco follows Nora	boss \| conflict \| creepy \| father \| following \| gangster \| hostage \| hotel \| leading lady \| leading man \| mysterious \| tense
Key Largo (1948)	Rocco Whispers	0:40:10 - Rocco whispers to Nora	boss \| conflict \| creepy \| father \| gangster \| hostage \| hotel \| leading lady \| leading man \| mickey-mousing \| mysterious \| tense \| whisper effect \| whispering
Key Largo (1948)	Underscoring (Dramatic)	0:40:21 - Nora spits in Rocco's face	angry \| boss \| conflict \| father \| gangster \| hostage \| hotel \| leading lady \| leading man \| spitting \| staring \| stinger \| underscoring
Key Largo (1948)	McCloud (Dissonant)	0:40:25 - McCloud walks over to Nora	angry \| boss \| conflict \| dramatic \| father \| gangster \| hostage \| hotel \| leading lady \| leading man \| protecting
Key Largo (1948)	Rocco 3 (Angry)	0:40:32 - Rocco gets angry	angry \| boss \| conflict \| dramatic \| father \| gangster \| hostage \| hotel \| leading lady \| leading man \| stinger \| taunting
Key Largo (1948)	Rocco 2 (Agitato)	0:46:26 - Look of horror on Gaye's face	boss \| conflict \| father \| fear \| gangster \| horror \| hostage \| hotel \| leading lady \| leading man \| look of horror \| moll \| stinger \| watching
Key Largo (1948)	Underscoring (Tense)	0:46:30 - Rocco tells McCloud to shoot him	boss \| conflict \| conversing \| father \| gangster \| hostage \| hotel \| leading lady \| leading man \| moll \| tense \| underscoring
Key Largo (1948)	Rocco 3 (Shrill)	0:46:38 - Rocco mocks McCloud	boss \| conflict \| dangerous \| father \| gangster \| gun \| hostage \| hotel \| leading lady \| leading man \| moll \| tense \| threatening
Key Largo (1948)	Tension (Violent)	0:46:44 - McCloud decides whether to shoot	boss \| conflict \| dangerous \| father \| gangster \| gun \| hostage \| hotel \| leading lady \| leading man \| moll \| tense \| threatening \| violence \| violent
Key Largo (1948)	Rocco + Tension	0:46:48 - Rocco's grinning face	boss \| combination of themes \| conflict \| dangerous \| father \| gangster \| gun \| hostage \| hotel \| leading lady \| leading man \| moll \| staring \| tense \| threatening \| violence \| violent
Key Largo (1948)	Rocco 3 + Tension + Laughing	0:46:53 - Gangsters laugh at McCloud	boss \| combination of themes \| conflict \| dangerous \| father \| gangster \| gun \| hostage \| hotel \| laughing \| leading lady \| leading man \| mocking \| moll \| tense \| violence \| violent
Key Largo (1948)	Tosses gun	0:47:06 - McCloud tosses the gun onto a chair	boss \| conflict \| father \| gangster \| gun \| hostage \| hotel \| leading lady \| leading man \| mickey-mousing \| moll \| tense \| tossing \| violence
Key Largo (1948)	Rocco 3 (Extended)	0:47:08 - Mr. Temple asks for the gun	boss \| conflict \| dangerous \| father \| gangster \| gun \| hostage \| hotel \| leading lady \| leading man \| moll \| staring \| tense \| threatening \| violence \| violent
Key Largo (1948)	McCloud (Triste)	0:47:23 - Rocco mocks McCloud	boss \| conflict \| conversing \| father \| gangster \| gun \| hostage \| hotel \| leading lady \| leading man \| mode change \| moll \| serious \| somber
Key Largo (1948)	Scrambling	0:47:31 - Deputy runs for the gun	boss \| conflict \| dangerous \| father \| gangster \| gun \| hostage \| hotel \| leading lady \| leading man \| mickey-mousing \| moll \| running \| scrambling \| tense \| violent
Key Largo (1948)	Rocco (Conflict)	0:47:39 - Gaye looks terrified	boss \| conflict \| danger \| father \| fear \| gangster \| gun \| horror \| hostage \| hotel \| leading lady \| leading man \| look of horror \| moll \| staring \| stinger \| threatening \| violence
Key Largo (1948)	Underscoring (Dramatic)	0:48:10 - Rocco shoots Deputy Sawyer	boss \| conflict \| death \| dramatic \| father \| fear \| gangster \| gun \| gunshot \| horror \| hostage \| hotel \| leading lady \| leading man \| look of horror \| moll \| shooting \| stinger \| tense
Key Largo (1948)	Falling and dying	0:48:19 - Deputy Sawyer falls dead off-screen	boss \| conflict \| death \| dramatic \| dying \| falling \| father \| gangster \| gun \| gunshot \| hostage \| hotel \| leading lady \| leading man \| mickey-mousing \| moll \| tense
Key Largo (1948)	Ominous	0:51:32 - Lights begin to go out in the hotel	boss \| conversing \| dark \| develop character \| father \| gangster \| hostage \| hotel \| leading lady \| leading man \| menacing \| moll \| ominous \| preparing \| storm \| tense
Key Largo (1948)	Expressivo	0:52:37 - Mr. Temple is helped down the stairs	advance plot \| boss \| father \| gangster \| gentle \| helping \| hostage \| hotel \| leading lady \| leading man \| noble \| stairs
Key Largo (1948)	Rocco 2 (Menacing)	0:52:59 - Rocco stares at McCloud and Nora	advance plot \| boss \| dark \| father \| gangster \| hostage \| hotel \| leading lady \| leading man \| menacing \| staring
Key Largo (1948)	Moanin’ Low	0:56:55 - Gaye sings "Moanin' Low"	awkward \| blues \| bluesy \| boss \| develop character \| father \| gangster \| hostage \| hotel \| leading lady \| leading man \| moll \| nervous \| on-screen music \| singer \| singing \| source music
Key Largo (1948)	Moanin’ Low (Quasi Appassionato)	0:58:38 - McCloud gets a drink for Gaye	alcohol \| bluesy \| boss \| crying \| develop character \| familiar tune \| father \| gangster \| helping \| hostage \| hotel \| leading lady \| leading man \| moll \| somber \| source to score
Key Largo (1948)	Moanin’ Low (Tense)	0:59:24 - Gaye takes a drink	alcohol \| boss \| develop character \| drinking \| familiar tune \| father \| gangster \| hostage \| hotel \| leading lady \| leading man \| moll \| slapping \| tense \| whole-tone
Key Largo (1948)	Underscoring (Tense)	0:59:37 - McCloud and Gaye exchange glances	boss \| develop character \| father \| gangster \| hostage \| hotel \| leading lady \| leading man \| moll \| staring \| tense \| underscoring
Key Largo (1948)	Rocco Pacing	1:02:01 - Rocco paces back and forth	boss \| develop character \| father \| gangster \| hostage \| hotel \| leading lady \| leading man \| moll \| nervous \| ominous \| pacing \| sinister \| walking
Key Largo (1948)	Rocco 3 (Nervous)	1:02:52 - Rocco yells at Gaye	arguing \| boss \| dark \| develop character \| father \| gangster \| hostage \| hotel \| leading lady \| leading man \| menacing \| moll
Key Largo (1948)	McCloud (Molto Expressivo)	1:07:31 - McCloud wakes Nora after the storm	conversing \| gentle \| hotel \| leading lady \| leading man \| love interest \| love scene \| resting \| romance \| waking \| warm
Key Largo (1948)	McCloud (Delicato)	1:08:14 - McCloud talks with Nora	conversing \| delicate \| father \| gentle \| hotel \| leading lady \| leading man \| love interest \| love scene \| warm
Key Largo (1948)	Underscoring (Tense)	1:18:47 - They all walk to another room	boss \| father \| gangster \| hostage \| hotel \| investigation scene \| leading lady \| leading man \| moll \| obeying \| tense \| underscoring
Key Largo (1948)	Rocco Whispers	1:24:08 - Rocco whispers in Nora's ear	advance plot \| boss \| gangster \| hotel \| leading lady \| mysterious \| tense \| whisper effect \| whispering
Key Largo (1948)	McCloud (Slowly)	1:24:14 - McCloud and Nora exchange glances	advance plot \| hotel \| leading lady \| leading man \| looking \| love interest \| somber
Key Largo (1948)	Rocco (Leaving)	1:25:33 - Gangsters leave the hotel with McCloud	advance plot \| boss \| father \| gangster \| hostage \| hotel \| leading lady \| leading man \| leaving \| moll \| ominous \| walking
Key Largo (1948)	Rocco (Tense)	1:25:49 - Gangsters leave to board the boat	advance plot \| boss \| dock \| father \| gangster \| hostage \| leading lady \| leading man \| moll \| tense \| walking
Key Largo (1948)	Hurrying	1:26:02 - Gangsters walk to the boat	advance plot \| boss \| dock \| father \| gangster \| hostage \| hurrying \| leading lady \| leading man \| mickey-mousing \| moll \| tense \| walking
Key Largo (1948)	Underscoring (Dramatic)	1:26:10 - Gangsters board the boat with McCloud	advance plot \| boarding \| boss \| dock \| dramatic \| gangster \| hostage \| leading lady \| leading man \| moll \| storm \| tense \| underscoring \| wind
Key Largo (1948)	Underscoring (Somber)	1:27:42 - Nora and Gaye enter the hotel	advance plot \| conversing \| hotel \| leading lady \| moll \| somber \| underscoring \| walking
Key Largo (1948)	McCloud (Tense)	1:27:56 - Mr. Temple tries to make a phone call	advance plot \| conversing \| father \| hotel \| leading lady \| moll \| somber
Key Largo (1948)	Moanin’ Low (Triste)	1:38:30 - Gaye leaves	familiar tune \| father \| hotel \| leading lady \| moll \| resolution \| somber \| thinking \| waiting
Key Largo (1948)	Relief	1:38:40 - Nora answers the phone	answering \| hopeful \| hotel \| leading lady \| leading man \| relieved \| resolution \| telephone
Key Largo (1948)	McCloud (Tenderly)	1:39:12 - Nora tells her father the good news	father \| hopeful \| hoping \| hotel \| leading lady \| light \| opening \| relieved \| resolution \| sunlight \| thinking \| window
The Letter (1940)	Leslie (Shimmery)	0:02:57 - Leslie stands over the dead body	cloud \| death \| half-diminished 7th chord \| home \| leading lady \| moon \| murder \| murderer \| murder scene \| mysterious \| oscillation \| parallelism \| plantation \| sequence \| suspension \| watching
The Letter (1940)	Leslie (Revolver)	0:03:43 - A pistol lies on the steps	changing meter \| conversing \| foreign key modulation \| fragmentation \| gun \| harmonic sequence \| home \| leading lady \| murderer \| murder scene \| oscillation \| sequential modulation \| servant \| tense
The Letter (1940)	Native 2	0:04:12 - Leslie talks to the workers	conversing \| home \| leading lady \| murderer \| murder scene \| open fifth \| pentatonic \| servant \| stinger \| tense \| underscoring
The Letter (1940)	Leslie (Mysterioissimo)	0:04:42 - A shadow appears	circle of fifths \| common-chord modulation \| foreign key modulation \| fragmentation \| home \| leading lady \| light \| looking \| murder scene \| mysterious \| oscillation \| parallel fifths \| servant \| turning on
The Letter (1940)	Leslie (Lacework)	0:04:55 - Worker picks up Leslie's lacework	changing meter \| crying \| foreign key modulation \| home \| leading lady \| murder scene \| mysterious \| oscillation \| sequence \| sequential modulation
The Letter (1940)	Underscoring (Tense)	0:12:42 - Leslie gets up	advance plot \| home \| leading lady \| recounting \| tense \| underscoring \| whole-tone \| whole-tone chord
The Letter (1940)	Leslie (The Story)	0:13:14 - Leslie gives her story	advance plot \| changing meter \| home \| leading lady \| lying \| oscillation \| recounting \| tense \| whole-tone chord
The Letter (1940)	Leslie (Rising) + Deception	0:13:28 - Leslie continues her story	advance plot \| augmented triad \| chromatic parallelism \| combination of themes \| crying \| dramatic \| emotional \| home \| leading lady \| oscillation \| ostinato \| passionate \| pc set \| recounting \| sequence
The Letter (1940)	Leslie (Risoluto)	0:14:07 - Leslie continues her story	advance plot \| augmented triad \| chromatic parallelism \| dramatic \| fragmentation \| home \| leading lady \| pc set \| polychord \| recounting \| sequence \| tense
The Letter (1940)	Leslie (Tragic)	0:14:31 - The scene of the crime	advance plot \| changing meter \| composer reference \| dramatic \| home \| leading lady \| oscillation \| point of view \| recounting \| sequence \| sequential modulation \| suspension \| tense
The Letter (1940)	Leslie B (Screwyoso)	0:14:42 - The bottom of the stairs	advance plot \| common-chord modulation \| dramatic \| emotional \| home \| leading lady \| point of view \| recounting \| sequence
The Letter (1940)	Letter (Sarcastic)	0:15:10 - Robert comforts Leslie	advance plot \| chromatic sequence \| conversing \| dissonant bass \| home \| leading lady \| mysterious \| sequence
The Letter (1940)	Robert and Leslie	0:15:28 - Robert comforts Leslie	advance plot \| appoggiatura \| comforting \| crying \| gentle \| home \| leading lady \| love theme \| murder \| pedal tone \| sigh gesture \| suspension
The Letter (1940)	Murder	0:18:36 - Leslie reacts to the mention of murder	advance plot \| eating \| home \| leading lady \| major 7th chord \| murder \| mysterious \| oscillation \| stinger \| tense
The Letter (1940)	Leslie (Shimmery 2)	0:18:55 - Leslie stares at the full moon	changing meter \| home \| leading lady \| love scene \| moon \| mysterious \| oscillation \| sequence \| sequential modulation \| staring \| suspension
The Letter (1940)	Leslie B (Appassionato)	0:19:26 - Leslie closes the blinds	changing meter \| dramatic \| emotional \| home \| leading lady \| linear chromaticism \| love scene \| sequence \| walking
The Letter (1940)	Letter (Sarcastic)	0:19:45 - Robert looks at Leslie	chromatic sequence \| dissonant bass \| glance \| home \| leading lady \| longing \| love scene \| mysterious \| sequence \| staring
The Letter (1940)	Robert and Leslie	0:20:07 - Leslie looks in the drawer	appoggiatura \| embracing \| home \| husband \| leading lady \| love scene \| love theme \| pedal tone \| romantic \| sigh gesture \| suspension
The Letter (1940)	Kiss	0:20:33 - Robert kisses Leslie	home \| husband \| kissing \| leading lady \| love scene \| romantic \| suspension
The Letter (1940)	Leslie (Delicato)	0:21:46 - Men admire needlepoint	advance plot \| changing meter \| conversing \| delicate \| foreign key modulation \| gentle \| home \| lacework \| lawyer \| leading lady \| minor-major 7th chord \| oscillation \| polychord \| sequence
The Letter (1940)	Leslie (The Story)	0:22:26 - Leslie speaks with Howard	advance plot \| changing meter \| home \| lawyer \| leading lady \| lying \| oscillation \| recounting \| tense \| whole-tone \| whole-tone chord
The Letter (1940)	Letter (Sarcastic)	0:22:41 - Leslie and Howard leave	advance plot \| chromatic sequence \| dissonant bass \| home \| lawyer \| leading lady \| leaving \| mysterious \| passionate \| sequence
The Letter (1940)	Leslie (Ominous)	0:22:58 - The site of the murder	advance plot \| augmentation \| call and response \| Chinese \| dramatic \| leading lady \| leaving \| mysterious \| plantation \| reveal \| shadow \| spying \| stinger \| tense \| watching \| widow
The Letter (1940)	Leslie (Walking)	0:30:58 - Leslie in jail	64 chord \| advance plot \| chromatic parallelism \| fragmentation \| leading lady \| mysterious \| oscillation \| prison \| walking
The Letter (1940)	Leslie (Tense)	0:34:20 - Howard tells Leslie about the letter	9th chord \| altered dominant \| chromatic parallelism \| conversing \| lawyer \| leading lady \| letter \| pivotal scene \| prison \| sequence \| suspenseful \| tense
The Letter (1940)	Deception	0:34:35 - Leslie lies about the letter	chromatic scale \| deception \| lawyer \| leading lady \| letter \| lying \| pc set \| pivotal scene \| prison \| tense
The Letter (1940)	Leslie (Rising) + Deception	0:34:47 - Howard gives Leslie the letter	altered dominant \| augmented triad \| chromatic parallelism \| combination of themes \| deception \| denying \| lawyer \| leading lady \| letter \| lying \| oscillation \| ostinato \| pc set \| pivotal scene \| prison \| reading \| sequence \| tense
The Letter (1940)	Leslie (Risoluto)	0:35:11 - Leslie reacts angrily to the letter	arguing \| augmented triad \| chromatic parallelism \| deception \| fragmentation \| lawyer \| leading lady \| letter \| lying \| oscillation \| pc set \| pivotal scene \| polychord \| prison \| sequence \| tense
The Letter (1940)	Denial	0:35:39 - Leslie denies writing the letter	augmented triad \| chromatic parallelism \| deception \| lawyer \| leading lady \| letter \| lying \| pivotal scene \| prison \| tense
The Letter (1940)	Letter (Agitato)	0:36:08 - Leslie talks to Howard	deception \| lawyer \| leading lady \| letter \| lying \| pc set \| pivotal scene \| prison \| sequence \| tense
The Letter (1940)	Letter (Frantic)	0:36:16 - Leslie admits to writing the letter	chromatic sequence \| deception \| lawyer \| leading lady \| letter \| lying \| pivotal scene \| prison \| sequence \| tense
The Letter (1940)	Underscoring (Tense)	0:36:22 - Leslie explains why she wrote the letter	deception \| lawyer \| leading lady \| letter \| lying \| pivotal scene \| prison \| tense \| whole-tone chord
The Letter (1940)	Leslie (The Story)	0:36:42 - Leslie lies to Howard	changing meter \| deception \| lawyer \| leading lady \| letter \| lying \| oscillation \| pivotal scene \| prison \| tense \| whole-tone chord
The Letter (1940)	Underscoring (Tense)	0:36:53 - Howard takes out the letter	deception \| denying \| lawyer \| leading lady \| letter \| ominous \| pivotal scene \| prison \| tense \| tritone \| tritone \| whole-tone \| whole-tone chord
The Letter (1940)	Leslie (Risoluto)	0:37:07 - Howard reads the letter to Leslie	anxious \| augmented triad \| buildup \| chromatic parallelism \| fearful \| fragmentation \| lawyer \| leading lady \| letter \| oscillation \| pc set \| pivotal scene \| polychord \| prison \| reading \| sequence \| tense
The Letter (1940)	Leslie (Tragic)	0:37:21 - Howard talks to Leslie	anxious \| changing meter \| climax \| conversing \| fearful \| lawyer \| leading lady \| letter \| oscillation \| pivotal scene \| prison \| sequence \| sequential modulation \| suspension \| tense
The Letter (1940)	Leslie B (Screwyoso)	0:37:34 - Howard talks to Leslie	anxious \| chromatic sequence \| conversing \| fearful \| lawyer \| leading lady \| letter \| pivotal scene \| prison \| sequence \| tense
The Letter (1940)	Leslie (Shimmery 3)	0:37:54 - Howard talks to Leslie	anxious \| conversing \| fearful \| lawyer \| leading lady \| letter \| oscillation \| pivotal scene \| prison \| sequence \| sequential modulation \| stinger \| suspension \| tense
The Letter (1940)	Collapse	0:38:20 - Leslie collapses	anxious \| collapsing \| fainting \| falling \| fearful \| half-diminished 7th chord \| lawyer \| leading lady \| letter \| mickey-mousing \| pivotal scene \| prison \| suspension \| tense
The Letter (1940)	Leslie (Triste)	0:38:57 - Howard helps Leslie recover	advance plot \| calm \| conversing \| hospital \| lawyer \| leading lady \| oscillation \| sequence \| sequential modulation \| suspension
The Letter (1940)	Leslie B (Con Moto)	0:39:25 - Leslie asks Howard about the letter	advance plot \| conversing \| hospital \| lawyer \| leading lady \| letter \| sequence \| tense
The Letter (1940)	Leslie (Plotting)	0:39:32 - Howard and Leslie plot their next move	9th chord \| advance plot \| buildup \| changing meter \| chromatic sequence \| fragmentation \| hospital \| lawyer \| leading lady \| letter \| minor-major 7th chord \| ominous \| oscillation \| plotting \| tense
The Letter (1940)	Law Office (The Plea)	0:40:00 - Howard asks Leslie to be honest	9th chord \| advance plot \| anxious \| artwork in score \| chromatic sequence \| conversing \| hospital \| lawyer \| leading lady \| letter \| refusing \| tense
The Letter (1940)	Leslie (Despair)	0:40:33 - Leslie despairs	advance plot \| anxious \| changing meter \| conversing \| despair \| dissonant bass \| hospital \| lawyer \| leading lady \| letter \| oscillation \| sequence \| tense
The Letter (1940)	Leslie (Rising) + Deception	0:40:57 - Leslie talks to Howard	advance plot \| angry \| augmented triad \| chromatic parallelism \| combination of themes \| conversing \| deception \| hospital \| lawyer \| leading lady \| letter \| sequence \| staring \| tense
The Letter (1940)	Robert and Leslie	0:41:12 - Howard says he will help Leslie	advance plot \| appoggiatura \| calm \| chromatic mediant \| crying \| deception \| hospital \| lawyer \| leading lady \| letter \| love theme \| sigh gesture \| somber \| suspension \| tender
The Letter (1940)	Robert and Leslie (Triste)	0:42:17 - Leslie and Howard talk about her husband	advance plot \| appoggiatura \| calm \| chromatic mediant \| crying \| hospital \| lawyer \| leading lady \| letter \| love theme \| resolution \| sigh gesture \| somber \| suspension \| tender
The Letter (1940)	Sociable	0:48:42 - People having dinner	ABA structure \| cheerful \| conversing \| deceptive resolution \| dinner \| Dorian mode \| foreign key modulation \| happy \| home \| husband \| lacework \| lawyer \| leading lady \| party \| whole-tone chord
The Letter (1940)	Leslie (Uneasy)	0:49:41 - They discuss the trial	dinner \| home \| husband \| lawyer \| leading lady \| oscillation \| pc set \| planning \| tense \| tone cluster \| trial \| whole-tone chord
The Letter (1940)	Sociable (Ending)	0:49:58 - Pleasant conversation	cheerful \| conversing \| dinner \| foreign key modulation \| happy \| home \| husband \| lawyer \| leading lady \| reverse picardy
The Letter (1940)	Lento Mysterioso	0:50:37 - Leslie and Howard alone	advance plot \| altered dominant \| home \| lawyer \| leading lady \| mysterious \| planning \| sad \| upper pedal tone \| whole-tone chord
The Letter (1940)	Underscoring (Tense)	0:51:14 - Leslie talks to Howard	advance plot \| altered dominant \| dark \| foreign key modulation \| home \| lawyer \| leading lady \| planning
The Letter (1940)	Leslie (Ominous)	0:51:41 - Howard gets up to leave	advance plot \| call and response \| diminished 7th chord \| dissonant bass \| home \| lawyer \| leading lady \| ominous \| stretto imitation \| thinking
The Letter (1940)	Mrs. Hammond	0:51:49 - Howard and Leslie alone	advance plot \| Chinese \| home \| lawyer \| leading lady \| mysterious \| open fifth \| pacing \| parallel fifths \| pentatonic \| waiting
The Letter (1940)	Leslie (Lacework 2)	0:52:07 - Leslie does her lacework	advance plot \| changing meter \| conversing \| foreign key modulation \| home \| lacework \| lawyer \| leading lady \| mysterious \| oscillation \| sequence
The Letter (1940)	Leslie B (Ethereal)	0:52:33 - Howard and Leslie talk	advance plot \| chromatic sequence \| conversing \| home \| lawyer \| leading lady \| sequence \| tense
The Letter (1940)	Leslie (Tragic)	0:52:55 - Howard and Leslie talk	advance plot \| changing meter \| conversing \| home \| lawyer \| leading lady \| oscillation \| sequence \| sequential modulation \| suspension \| tense
The Letter (1940)	Leslie B	0:53:10 - Howard and Leslie talk	advance plot \| conversing \| home \| lawyer \| leading lady \| sequence \| tense
The Letter (1940)	Leslie (Leaving)	0:53:20 - Howard and Leslie leave the house	added-note chord \| fragmentation \| lawyer \| leading lady \| leaving \| mysterious \| plantation \| sequence \| sequential modulation \| transition
The Letter (1940)	Leslie (Screwyoso)	0:53:35 - Howard and Leslie walk away	lawyer \| leading lady \| leaving \| oscillation \| plantation \| sequence \| tense \| transition
The Letter (1940)	Mrs. Hammond (Grandioso)	0:53:54 - Leslie approaches the car	antagonist \| Chinese \| Chinese \| driving \| lawyer \| leading lady \| mysterious \| open fifth \| parallel fifths \| pedal tone \| pentatonic \| plantation \| transition
The Letter (1940)	Chinese Quarter	0:54:15 - The car enters the Chinese Quarter	antagonist \| Chinatown \| Chinese \| Chinese \| driving \| exotic \| exoticism \| lawyer \| leading lady \| open fifth \| parallel fifths \| parallelism \| pentatonic \| setting \| transition
The Letter (1940)	Chinese Shop	0:55:30 - Howard and Leslie look around	antagonist \| Chinatown \| Chinese \| Chinese \| exotic \| exoticism \| lawyer \| layering \| leading lady \| Lydian mode \| mirroring \| mysterious \| open fifth \| parallel fifths \| parallelism \| polytonality \| quintal chord \| tense \| transition \| waiting \| walking
The Letter (1940)	Mrs. Hammond (Mysterioso)	0:56:29 - Howard and Leslie wait in the shop	antagonist \| Chinatown \| Chinese \| Chinese \| exotic \| lawyer \| leading lady \| mysterious \| open fifth \| parallel fifths \| parallelism \| pedal tone \| pentatonic \| shop \| tense \| transition \| waiting
The Letter (1940)	Mrs. Hammond (Dagger)	0:57:04 - Leslie looks at a Chinese dagger	antagonist \| Chinatown \| Chinese \| Chinese \| dagger \| exotic \| lawyer \| leading lady \| mysterious \| open fifth \| parallel fifths \| parallelism \| pedal tone \| pentatonic \| polytonality \| shop \| tense \| transition \| waiting
The Letter (1940)	Mrs. Hammond (Slowly)	0:57:27 - Howard and Leslie walk into the back room	antagonist \| Chinatown \| Chinese \| Chinese \| conflict \| lawyer \| leading lady \| mysterious \| pentatonic \| quintal chord \| shop \| walking
The Letter (1940)	Glass Curtains	0:59:08 - Mrs. Hammond enters through the glass curtain	antagonist \| Chinatown \| Chinese \| chromatic scale \| conflict \| curtain \| entering \| glass \| lawyer \| layering \| leading lady \| mirroring \| mysterious \| ostinato \| parallelism \| pc set \| polyrhythm \| shop \| staring \| tense \| tinkling \| tone cluster \| waiting \| whole-tone \| whole-tone chord
The Letter (1940)	Mrs. Hammond + Glass Curtains	1:00:13 - Leslie faces Mrs. Hammond	antagonist \| Chinatown \| Chinese \| Chinese \| chromatic scale \| combination of themes \| conflict \| conversing \| curtain \| glass \| lawyer \| layering \| leading lady \| mirroring \| mysterious \| ostinato \| parallelism \| paying \| pc set \| pentatonic \| polyrhythm \| shop \| staring \| tense \| tinkling \| tone cluster \| waiting \| whole-tone \| whole-tone chord
The Letter (1940)	Leslie + Glass Curtains	1:01:27 - Leslie removes her shawl	antagonist \| Chinatown \| Chinese \| Chinese \| chromatic scale \| combination of themes \| conflict \| conversing \| curtain \| glass \| lawyer \| layering \| leading lady \| mirroring \| mysterious \| oscillation \| ostinato \| parallelism \| pc set \| polyrhythm \| sequence \| shop \| staring \| tense \| tinkling \| tone cluster \| waiting \| whole-tone \| whole-tone chord
The Letter (1940)	Leslie B + Glass Curtains	1:01:57 - Leslie approaches Mrs. Hammond	antagonist \| Chinatown \| Chinese \| chromatic scale \| combination of themes \| conflict \| confronting \| curtain \| glass \| lawyer \| layering \| leading lady \| mirroring \| mysterious \| ostinato \| parallelism \| pc set \| polyrhythm \| sequence \| shop \| staring \| tense \| tinkling \| tone cluster \| walking \| whole-tone \| whole-tone chord
The Letter (1940)	Glass Curtains	1:02:21 - Leslie faces Mr. Hammond	antagonist \| Chinatown \| Chinese \| chromatic scale \| conflict \| confronting \| curtain \| glass \| lawyer \| layering \| leading lady \| mirroring \| mysterious \| ostinato \| parallelism \| pc set \| polyrhythm \| shop \| staring \| tense \| tinkling \| tone cluster \| whole-tone \| whole-tone chord
The Letter (1940)	Mrs. Hammond (Contempt) + Glass Curtains	1:02:40 - Leslie stoops down to pick up the letter	antagonist \| Chinatown \| Chinese \| Chinese \| chromatic scale \| combination of themes \| conflict \| confronting \| contempt \| curtain \| glass \| lawyer \| layering \| leading lady \| mirroring \| mysterious \| ostinato \| parallelism \| pc set \| pentatonic \| polyrhythm \| shop \| staring \| stooping \| tense \| tinkling \| tone cluster \| whole-tone \| whole-tone chord
The Letter (1940)	Leslie B (Dark) + Glass Curtains	1:02:50 - Leslie looks at the letter	antagonist \| Chinatown \| Chinese \| chromatic scale \| combination of themes \| conflict \| confronting \| curtain \| dark \| glass \| lawyer \| layering \| leading lady \| mirroring \| mysterious \| ostinato \| parallelism \| pc set \| polyrhythm \| sequence \| shop \| staring \| tense \| tinkling \| tone cluster \| whole-tone \| whole-tone chord
The Letter (1940)	Mrs. Hammond (Solemn) + Glass Curtains	1:03:08 - Leslie and Howard leave	antagonist \| Chinatown \| Chinese \| Chinese \| chromatic scale \| combination of themes \| conflict \| curtain \| glass \| lawyer \| layering \| leading lady \| mirroring \| mysterious \| ostinato \| parallelism \| pc set \| pentatonic \| polyrhythm \| shop \| solemn \| staring \| tinkling \| tone cluster \| whole-tone \| whole-tone chord
The Letter (1940)	Mrs. Hammond (Bitter)	1:08:54 - Leslie sees Mrs. Hammond in the courtroom	11th chord \| antagonist \| Chinese \| Chinese \| chromatic parallelism \| confronting \| courtroom \| dark \| husband \| leading lady \| trial
The Letter (1940)	Sociable	1:09:09 - Leslie and Robert meet with friends	64 chord \| celebrating \| dinner music \| drinking \| foreign key modulation \| happy \| home \| husband \| lawyer \| leading lady \| party \| pump-up modulation \| reverse picardy
The Letter (1940)	Leslie (Restless)	1:14:42 - Robert asks about the letter	arguing \| conflict \| fragmentation \| home \| husband \| lawyer \| leading lady \| lying \| major 7th chord \| sequence \| tense
The Letter (1940)	Leslie (Wild)	1:14:57 - Robert waits for a response	9th chord \| arguing \| augmented major 7th chord \| chromatic parallelism \| conflict \| distress \| fragmentation \| home \| husband \| lawyer \| leading lady \| lying \| sequence \| tense
The Letter (1940)	Distress	1:15:08 - Robert confronts the lawyer	9th chord \| arguing \| conflict \| dissonant bass \| distress \| home \| husband \| lawyer \| leading lady \| tense
The Letter (1940)	Leslie (Molto Agitato)	1:15:28 - Robert argues with Leslie	arguing \| chromatic parallelism \| conflict \| distress \| home \| husband \| lawyer \| leading lady \| oscillation \| pc set \| sequence \| tense
The Letter (1940)	Underscoring (Dramatic)	1:15:45 - Robert asks to see the letter	arguing \| augmented triad \| conflict \| diminished 7th chord \| dramatic \| home \| husband \| lawyer \| leading lady \| letter \| pc set \| sequence \| tense \| underscoring
The Letter (1940)	Robert and Leslie (Tragic)	1:16:14 - Leslie tells Howard to give Robert the letter	conflict \| home \| husband \| lawyer \| leading lady \| letter \| love theme \| reading \| somber \| tense
The Letter (1940)	Leslie (Confession)	1:16:36 - Leslie confesses to Robert	confessing \| conflict \| dark \| half-diminished 7th chord \| home \| husband \| lawyer \| leading lady \| letter \| ostinato \| recounting \| sequence \| serious \| tritone \| tritone oscillation
The Letter (1940)	Mrs. Hammond (Confession)	1:17:35 - Leslie confesses to Robert	Chinese \| confessing \| conflict \| home \| husband \| lawyer \| leading lady \| letter \| open fifth \| parallel fifths \| parallelism \| pentatonic \| recounting \| serious \| somber \| tritone oscillation
The Letter (1940)	Leslie (Rising) + Deception	1:17:52 - Leslie confesses to Robert	augmented triad \| chromatic parallelism \| combination of themes \| confessing \| conflict \| dramatic \| home \| husband \| lawyer \| leading lady \| letter \| oscillation \| ostinato \| recounting \| sequence \| tense
The Letter (1940)	Leslie (Tragic)	1:17:59 - Leslie confesses to Robert	changing meter \| confessing \| conflict \| dramatic \| home \| husband \| lawyer \| leading lady \| letter \| murder \| oscillation \| recounting \| sequence \| sequential modulation \| suspension
The Letter (1940)	Leslie B (Ethereal)	1:18:13 - Leslie confesses to Robert	chromatic sequence \| confessing \| conflict \| dramatic \| home \| husband \| lawyer \| leading lady \| letter \| murder \| oscillation \| recounting \| sequence
The Letter (1940)	Leslie (Dramatic)	1:18:32 - Leslie confesses to Robert	confessing \| conflict \| crying \| dramatic \| half-diminished 7th chord \| home \| husband \| lawyer \| leading lady \| letter \| murder \| oscillation \| recounting \| sequence
The Letter (1940)	Robert and Leslie (Mournful)	1:19:00 - Robert cries after hearing the confession	conflict \| crying \| crying gesture \| home \| husband \| lawyer \| leading lady \| letter \| love theme \| mournful \| murder \| pedal tone \| retardation \| sad \| suspension
The Letter (1940)	Foxtrot No. 1	1:19:49 - Leslie getting ready for the party	9th chord \| advance plot \| calm \| dance music \| foxtrot \| home \| leading lady \| sitting \| source music
The Letter (1940)	Mrs. Hammond + Foxtrot No. 1	1:20:02 - Ong is seen in the mirror	advance plot \| antagonist \| calm \| combination of themes \| dagger \| dance music \| dropping \| foxtrot \| home \| leading lady \| mysterious \| open fifth \| parallel fifths \| pentatonic \| source music
The Letter (1940)	Foxtrot No. 1 B	1:20:05 - Leslie getting ready for the party	added-note chord \| advance plot \| calm \| dance music \| foxtrot \| home \| leading lady \| source music \| walking
The Letter (1940)	Leslie (Guilty) + Foxtrot No. 1	1:20:53 - Leslie looks at the full moon	advance plot \| combination of themes \| dagger \| dramatic \| home \| leading lady \| looking \| moon \| oscillation \| polytonality \| stinger \| suspension
The Letter (1940)	Mrs. Hammond + Foxtrot No. 1 B	1:21:15 - Leslie looks around	advance plot \| Chinese \| combination of themes \| dagger \| dance music \| foxtrot \| home \| leading lady \| looking \| mysterious \| open fifth \| parallel fifths \| pentatonic \| polymeter \| polytonality \| source music \| tense
The Letter (1940)	Foxtrot No.1 C	1:21:36 - Leslie goes to the party	added-note chord \| altered dominant \| calm \| conversing \| dance music \| dancing \| foreign key modulation \| foxtrot \| friend \| leading lady \| party \| party \| plagal cadence \| source music
The Letter (1940)	Foxtrot No. 2	1:22:12 - Leslie joins the party	9th chord \| AABA structure \| altered dominant \| conversing \| dance music \| dancing \| foxtrot \| friend \| happy \| husband \| leading lady \| party \| party \| pump-up modulation \| secondary dominant \| source music
The Letter (1940)	Foxtrot No. 3	1:23:25 - Robert talks to friends at the party	9th chord \| added-note chord \| common-tone diminished 7th \| contrasting period \| conversing \| dance music \| drinking \| foxtrot \| friend \| happy \| husband \| leading lady \| party \| party \| source music
The Letter (1940)	Leslie + Foxtrot No. 3	1:25:08 - Leslie looks out the window	added-note chord \| climax \| combination of themes \| common-chord modulation \| dance music \| foreign key modulation \| foxtrot \| home \| lacework \| leading lady \| obsession \| obsessive \| oscillation \| sequence \| source music \| tense \| thinking
The Letter (1940)	Leslie (Distraught)	1:25:39 - Leslie cries	augmented sixth chord \| climax \| crying \| dramatic \| emotional \| foreign key modulation \| home \| leading lady \| oscillation \| sequence
The Letter (1940)	Underscoring (Dark)	NIF - not in film	climax \| dark \| home \| lacework \| leading lady \| leaving \| pedal tone
The Letter (1940)	Underscoring (Mysterious)	1:26:07 - Leslie talks to Robert	climax \| conversing \| home \| husband \| leading lady \| mysterious \| open fifth \| oscillation \| pedal tone \| staring \| underscoring
The Letter (1940)	Leslie (Ethereal)	1:26:36 - Leslie and Robert look at each other	climax \| home \| husband \| leading lady \| oscillation \| pc set \| pedal tone \| staring \| tense
The Letter (1940)	Underscoring (Tense)	1:26:52 - Leslie talks to Robert	climax \| conversing \| home \| husband \| leading lady \| staring \| tense \| underscoring
The Letter (1940)	Robert and Leslie (Tense)	1:27:06 - Leslie talks to Robert	chromatic mediant \| climax \| conversing \| gentle \| home \| husband \| leading lady \| love theme \| Neapolitan \| suspension \| tender \| tense
The Letter (1940)	Deception (Lohengreenish)	1:28:01 - Leslie reacts to Robert's forgiveness	chromatic mediant \| climax \| conversing \| diminished 7th chord \| dissonant bass \| home \| husband \| kissing \| leading lady \| ostinato \| retardation \| romantic \| sequence \| suspension \| tense
The Letter (1940)	Leslie (Very Slow)	1:29:01 - Leslie rejects Robert	augmented sixth chord \| changing meter \| climax \| enharmonic respelling \| home \| leading lady \| oscillation \| sequence \| somber \| stern \| weeping
The Letter (1940)	Mrs. Hammond (Dirge)	1:29:32 - Leslie heads towards the door	Chinese \| climax \| dark \| dirge \| home \| leading lady \| parallelism \| somber \| walking
The Letter (1940)	Mrs. Hammond (Missing Dagger)	1:29:49 - Leslie opens the door	Chinese \| climax \| dagger \| door \| gentle \| home \| leading lady \| mysterious \| open fifth \| opening \| parallel fifths \| parallelism \| pentatonic
The Letter (1940)	Leslie (Climactic)	1:30:02 - Leslie sees that the knife is gone	climax \| dagger \| door \| home \| leading lady \| looking \| oscillation \| passionate \| sequence
The Letter (1940)	Shadow	1:30:30 - Leslie leaves the house	chromatic parallelism \| climax \| leading lady \| major triad \| mysterious \| plantation \| polychord \| shadow \| walking
The Letter (1940)	Native (Climactic)	1:30:42 - Leslie walks through her garden	climax \| crying \| Dorian mode \| exoticism \| gamelan \| Indonesian music \| leading lady \| mysterious \| panning shot \| parallelism \| plantation \| setting \| somber \| walking
The Letter (1940)	Deception (Appassionato)	1:31:18 - Close-up of Leslie	climax \| crying \| leading lady \| mysterious \| pc set \| Phrygian mode \| plantation \| somber \| walking
The Letter (1940)	Leslie (The Moon)	1:31:36 - Leslie sees the moon go behind a cloud	climax \| cloud \| crying \| dramatic \| half-diminished 7th chord \| leading lady \| looking \| moon \| oscillation \| pc set \| plantation \| sequence
The Letter (1940)	Mrs. Hammond (Ambush)	1:31:55 - Leslie moves through the gate	Aeolian mode \| antagonist \| Chinese \| climax \| dark \| leading lady \| mysterious \| open fifth \| parallel fifths \| parallelism \| pentatonic \| plantation \| walking
The Letter (1940)	Leslie (Deliberate)	1:32:48 - Mrs. Hammond approaches Leslie with a knife	antagonist \| changing meter \| Chinese \| climax \| dagger \| leading lady \| oscillation \| plantation \| somber \| walking
The Letter (1940)	Mrs. Hammond (Revenge)	1:33:01 - Mrs. Hammond stabs Leslie	64 chord \| antagonist \| Chinese \| Chinese \| climax \| dagger \| leading lady \| murder \| open fifth \| parallel fifths \| parallelism \| pentatonic \| plantation \| somber \| walking
The Letter (1940)	Leslie (Reckoning)	1:33:42 - Mrs. Hammond walks away	11th chord \| antagonist \| augmentation \| body \| changing meter \| Chinese \| climax \| death \| leading lady \| moon \| oscillation \| plantation \| policeman \| somber \| suspension
Lightning Strikes Twice (1951)	Trev	0:07:18 - Myra talks about finding Trev	actor \| conversing \| establish character \| father \| gentle \| hotel \| leading lady \| mother \| owner
Lightning Strikes Twice (1951)	Shelly	0:07:42 - Shelly wakes up	actor \| calm \| establish character \| leading lady \| owner \| room \| waking
Lightning Strikes Twice (1951)	Shelly (Traveling) + Shelly 2	0:10:13 - Shelly drives through desert	actor \| bright \| car \| cheerful \| combination of themes \| desert \| double exposure \| driving \| leading lady \| map \| montage \| motor effect \| traveling \| traveling scene \| wheel \| zoom in
Lightning Strikes Twice (1951)	Menace (Ominous)	0:17:50 - Newspaper headline about Trev	actor \| conversing \| dark \| establish character \| headline \| leading lady \| leading man \| newspaper \| ominous \| room \| suspect
Lightning Strikes Twice (1951)	Trev (Screwy)	0:18:19 - Trev hands a candle to Shelly	actor \| candle \| conversing \| establish character \| leading lady \| leading man \| mysterious \| room \| suspect \| tense \| uneasy
Lightning Strikes Twice (1951)	Shelly (Concerned)	0:18:30 - Shelly looks at Trev	actor \| candle \| concerned \| conversing \| establish character \| leading lady \| leading man \| room \| suspect \| tense \| thinking
Lightning Strikes Twice (1951)	Shelly 2 (Worried)	0:18:41 - Shelly walks to her room	actor \| candle \| concerned \| establish character \| leading lady \| room \| walking \| worried
Lightning Strikes Twice (1951)	Shelly 3	0:18:52 - Shelly puts down her candle	actor \| candle \| concerned \| establish character \| leading lady \| leading man \| room \| suspect \| unpacking \| walking \| worried
Lightning Strikes Twice (1951)	Shelly 2 (Misterioso)	0:19:14 - Shelly gets ready for bed	actor \| candle \| concerned \| establish character \| leading lady \| leading man \| preparing \| room \| suspect \| thinking \| thoughtful \| worried
Lightning Strikes Twice (1951)	Blows out candle	0:19:35 - Shelly blows out a candle	actor \| blowing \| candle \| establish character \| leading lady \| light \| mickey-mousing \| mysterious \| room \| turning off
Lightning Strikes Twice (1951)	Fear	0:19:42 - Shelly lies down in the dark	actor \| darkness \| establish character \| fear \| leading lady \| leading man \| listening \| room \| suspect \| tense \| thinking
Lightning Strikes Twice (1951)	Shelly and Trev	NIF - not in film	actor \| blowing \| candle \| cut from film \| establish character \| leading lady \| leading man \| light \| room \| suspect \| tense \| turning off
Lightning Strikes Twice (1951)	Shelly and Trev (Smile)	0:20:20 - Shelly looks at Trev	actor \| calm \| establish character \| leading lady \| leading man \| looking \| morning \| peaceful \| room \| sleeping \| smiling \| staring \| suspect \| thinking \| waking
Lightning Strikes Twice (1951)	Shelly and Trev (Molto Expressivo)	0:23:31 - Shelly makes a promise	actor \| conversing \| countryside \| departing \| horse \| leading lady \| leading man \| promise \| somber \| suspect \| transition
Lightning Strikes Twice (1951)	Shelly (Traveling) + Shelly 2 (Allegretto)	0:23:40 - Shelly travels to Tumblewood Ranch	actor \| arriving \| bright \| car \| cheerful \| combination of themes \| countryside \| cut from film \| desert \| driving \| horse \| leading lady \| leading man \| ranch \| suspect \| transition \| traveling \| walking
Lightning Strikes Twice (1951)	Shelly + Shelly 2 (Molto Misterioso)	0:24:05 - Shelly looks around the ranch	actor \| arriving \| calm \| combination of themes \| leading lady \| mysterious \| ranch \| transition \| walking
Lightning Strikes Twice (1951)	Shelly 2 (Dolce)	0:24:34 - Shelly walks around the ranch	actor \| arriving \| brother \| calm \| conversing \| leading lady \| ranch \| rancher \| transition \| walking
Lightning Strikes Twice (1951)	Shelly 3 (Dolce)	0:24:43 - Shelly sees Liza	actor \| arriving \| brother \| calm \| conversing \| feeding \| goat \| leading lady \| ranch \| rancher \| transition \| watching
Lightning Strikes Twice (1951)	Molto Agitato	0:32:50 - String gets angry	actor \| anger \| arguing \| brother \| conflict \| dramatic \| leading lady \| priest \| rancher \| room \| tense
Lightning Strikes Twice (1951)	Menace (Poco Meno)	0:33:06 - String argues	actor \| anger \| arguing \| brother \| conflict \| leading lady \| priest \| rancher \| room \| tense
Lightning Strikes Twice (1951)	Anger	0:33:15 - String gets angry	actor \| anger \| arguing \| brother \| conflict \| crying \| dramatic \| leading lady \| priest \| rancher \| room \| tense \| yelling
Lightning Strikes Twice (1951)	Father Paul	0:33:25 - Liza comforts String	actor \| anger \| brother \| comforting \| conflict \| crying \| dark \| leading lady \| priest \| rancher \| room \| somber \| tense
Lightning Strikes Twice (1951)	Chiapanecas	0:33:40 - People dancing outside	actor \| advance plot \| congregation \| conversing \| dancer \| dancing \| leading lady \| Mexican \| on-screen music \| performer \| playing \| priest \| ranch \| source music \| upbeat
Lightning Strikes Twice (1951)	Trev (Triste)	0:38:59 - Trev enters the store	actor \| advance plot \| arriving \| leading lady \| leading man \| looking \| somber \| staring \| store \| suspect \| watching \| whispering \| worker
Lightning Strikes Twice (1951)	Searching	0:40:06 - Shelly looks for Trev	actor \| advance plot \| agitated \| leading lady \| rancher \| searching \| street \| walking
Lightning Strikes Twice (1951)	Trev (Misterioso)	0:40:30 - Shelly and Liza talk	actor \| advance plot \| conversing \| glass \| leading lady \| mysterious \| rancher \| street \| underscoring \| uneasy \| walking
Lightning Strikes Twice (1951)	Shelly (Gallop)	0:40:52 - Shelly riding on a horse	actor \| arriving \| countryside \| galloping \| galloping effect \| horse \| leading lady \| riding \| transition \| upbeat
Lightning Strikes Twice (1951)	Shelly (Dolce) + Shelly 2	0:41:00 - Shelly gets off of her horse	actor \| arriving \| calm \| combination of themes \| horse \| leading lady \| ranch \| transition \| walking \| worker
Lightning Strikes Twice (1951)	Shelly and Trev (Tenderly)	0:41:54 - Pedro tells Shelly where Trev is	actor \| advance plot \| conversing \| friend \| gentle \| leading lady \| ranch \| tender \| worker
Lightning Strikes Twice (1951)	Shelly (Gallop 2) + Shelly 2	0:42:19 - Shelly riding on a horse	actor \| arriving \| calm \| combination of themes \| countryside \| galloping \| galloping effect \| horse \| leading lady \| riding \| transition \| traveling \| upbeat
Lightning Strikes Twice (1951)	Shelly (Legato) + Shelly 2 (Legato)	0:42:32 - Shelly gets off of her horse	actor \| arriving \| calm \| combination of themes \| countryside \| hiking \| horse \| leading lady \| leading man \| love interest \| suspect \| transition \| walking
Lightning Strikes Twice (1951)	Stumbling	0:42:50 - Shelly slips on a rock and almost falls	actor \| cliff \| countryside \| danger \| dramatic \| falling in love scene \| leading lady \| leading man \| love interest \| mickey-mousing \| slipping \| stumbling \| suspect
Lightning Strikes Twice (1951)	Fear (Vertigo)	0:42:57 - Shelly talks with Trev	actor \| cliff \| conversing \| countryside \| danger \| falling in love scene \| fear \| heights \| leading lady \| leading man \| love interest \| suspect \| tense \| underscoring
Lightning Strikes Twice (1951)	Shelly (Expressivo) + Shelly 2 (Expressivo)	0:43:13 - Shelly talks with Trev	actor \| calm \| cliff \| combination of themes \| conversing \| countryside \| falling in love scene \| leading lady \| leading man \| love interest \| romance \| suspect \| tense
Lightning Strikes Twice (1951)	Shelly 2 (Dolce)	0:43:38 - Shelly talks with Trev	actor \| cliff \| conversing \| countryside \| falling in love scene \| leading lady \| leading man \| love interest \| romance \| romantic \| suspect
Lightning Strikes Twice (1951)	Shelly 3 (Appassionato)	0:43:47 - Shelly talks with Trev	actor \| cliff \| conversing \| countryside \| falling in love scene \| leading lady \| leading man \| love interest \| romance \| romantic \| suspect
Lightning Strikes Twice (1951)	Shelly 2 (Dolcissimo)	0:44:07 - Shelly looks at Trev	actor \| cliff \| conversing \| countryside \| falling in love scene \| gentle \| leading lady \| leading man \| love interest \| romance \| romantic \| suspect
Lightning Strikes Twice (1951)	Underscoring (Tense)	0:44:51 - Shelly talks with Trev	actor \| cliff \| conversing \| countryside \| falling in love scene \| leading lady \| leading man \| love interest \| suspect \| suspenseful \| tense \| underscoring
Lightning Strikes Twice (1951)	Shelly and Trev (Taken Aback)	0:45:08 - Shelly reacts to Trev's question	actor \| arguing \| cliff \| countryside \| falling in love scene \| leading lady \| leading man \| love interest \| reacting \| somber \| suspect
Lightning Strikes Twice (1951)	Shelly (Menacing)	0:45:23 - Shelly talks with Trev	actor \| arguing \| cliff \| countryside \| falling in love scene \| leading lady \| leading man \| love interest \| menacing \| reacting \| suspect
Lightning Strikes Twice (1951)	Shelly 2 (Romantic)	0:45:51 - Shelly talks with Trev	actor \| cliff \| conversing \| countryside \| departing \| falling in love scene \| gentle \| leading lady \| leading man \| love interest \| romantic \| suspect \| underscoring
Lightning Strikes Twice (1951)	Stumbling 2	0:46:03 - Shelly starts back along path	actor \| cliff \| climbing \| countryside \| danger \| dramatic \| falling in love scene \| hiking \| leading lady \| leading man \| love interest \| slipping \| stumbling \| suspect
Lightning Strikes Twice (1951)	Rock falls	0:46:09 - A rock falls on the path	actor \| cliff \| countryside \| danger \| dramatic \| falling \| falling in love scene \| leading lady \| leading man \| love interest \| mickey-mousing \| rock \| suspect
Lightning Strikes Twice (1951)	Fear	0:46:12 - Shelly is scared and can't move	actor \| cliff \| clinging \| countryside \| dark \| falling in love scene \| fear \| heights \| leading lady \| leading man \| love interest \| suspect \| tense
Lightning Strikes Twice (1951)	Trev (Triste 2)	0:46:33 - Trev climbs to help Shelly	actor \| cliff \| climbing \| countryside \| danger \| falling in love scene \| helping \| heroic \| leading lady \| leading man \| love interest \| rescue \| rescuing \| romantic \| somber \| suspect \| tense
Lightning Strikes Twice (1951)	Rescue	0:47:42 - Trev rescues Shelly	actor \| cliff \| climbing \| countryside \| dramatic \| falling in love scene \| helping \| leading lady \| leading man \| love interest \| rescue \| rescuing \| suspect \| tense \| triumphant
Lightning Strikes Twice (1951)	Shelly and Trev (Appassionato)	0:47:56 - Trev embraces Shelly	actor \| cliff \| countryside \| falling in love scene \| hugging \| kissing \| leading lady \| leading man \| love interest \| romantic \| suspect
Lightning Strikes Twice (1951)	Shelly (Molto Expressivo)	0:48:29 - Shelly packs her bags	actor \| gentle \| leading lady \| luggage \| packing \| ranch \| transition
Lightning Strikes Twice (1951)	Menace (Molto Misterioso)	0:50:38 - Liza leaves the room	actor \| car \| leading lady \| leaving \| luggage \| mysterious \| packing \| ranch \| rancher \| somber \| tense \| transition
Lightning Strikes Twice (1951)	Shelly (Traveling) + Shelly 2 (Allegretto)	0:51:09 - Shelly drives away from the Tumble Moon ranch	actor \| car \| combination of themes \| driving \| leading lady \| luggage \| ranch \| rancher \| transition \| traveling \| upbeat
Lightning Strikes Twice (1951)	Shelly 2 (Dolce)	0:51:36 - Shelly arrives at the Nolan ranch	actor \| arriving \| calm \| leading lady \| ranch \| transition \| walking
Lightning Strikes Twice (1951)	Shelly 3 (Dolce)	0:51:45 - Shelly walks to the ranch house	actor \| arriving \| butler \| calm \| conversing \| leading lady \| ranch \| stinger \| transition \| waiting \| walking
Lightning Strikes Twice (1951)	Shelly and Trev (Expressivo)	0:52:14 - Shelly sees Trev's portrait	actor \| butler \| leading lady \| looking \| portrait \| ranch \| solemn \| transition \| waiting
Lightning Strikes Twice (1951)	Underneath a Western Sky	0:56:48 - A chuckwagon dinner	actor \| advance plot \| calm \| campfire \| chuckwagon \| conversing \| cowboy song \| crowd \| drinking \| eating \| father \| flirting \| food \| friend \| leading lady \| love interest \| mother \| on-screen music \| owner \| playing \| ranch \| source music
Lightning Strikes Twice (1951)	Too Much Love	0:59:02 - Shelly looks at Trev's portrait	actor \| advance plot \| calm \| conversing \| flirting \| friend \| leading lady \| love interest \| party \| popular music \| portrait \| ranch \| source music
Lightning Strikes Twice (1951)	Mi Caballero	1:00:08 - People dancing outside	actor \| advance plot \| crowd \| dancing \| friend \| Latin American \| leading lady \| love interest \| on-screen music \| party \| playing \| ranch \| source music \| upbeat
Lightning Strikes Twice (1951)	Underscoring (Dark)	1:02:38 - Harvey drives	actor \| arriving \| car \| conflict \| danger \| dark \| driving \| friend \| leading lady \| love interest \| ranch \| stopping \| tense \| underscoring
Lightning Strikes Twice (1951)	Shelly (Worried)	1:03:05 - Harvey gets out of the car	actor \| arriving \| car \| concerned \| conflict \| conversing \| dark \| friend \| leading lady \| love interest \| ranch \| tense \| worried
Lightning Strikes Twice (1951)	Slipping	1:03:21 - Shelly slips	actor \| car \| conflict \| dark \| friend \| leading lady \| love interest \| mickey-mousing \| ranch \| slipping \| stumbling
Lightning Strikes Twice (1951)	Shelly (Agitato)	1:03:34 - Shelly runs away	actor \| agitated \| calm \| conflict \| embracing \| escaping \| friend \| hurrying \| leading lady \| leading man \| love interest \| ranch \| reuniting \| suspect
Lightning Strikes Twice (1951)	Emotion	1:05:10 - Shelly cries	actor \| comforting \| conversing \| crying \| leading lady \| leading man \| love interest \| love scene \| ranch \| somber \| suspect
Lightning Strikes Twice (1951)	Menace (Nightmare)	1:05:38 - Trev tells Shelly of a recurring dream	actor \| comforting \| conversing \| crying \| dark \| leading lady \| leading man \| love interest \| love scene \| ranch \| solemn \| suspect \| tense
Lightning Strikes Twice (1951)	Trev (Tenderly)	1:06:09 - Trev kisses Shelly	actor \| crying \| embracing \| gentle \| kissing \| leading lady \| leading man \| love interest \| love scene \| marriage \| proposal \| ranch \| romantic \| suspect
Lightning Strikes Twice (1951)	Shelly and Trev (Tenderly)	1:06:50 - Trev and Shelly embrace	actor \| conversing \| embracing \| kissing \| leading lady \| leading man \| love interest \| love scene \| marriage \| proposal \| ranch \| romantic \| suspect
Lightning Strikes Twice (1951)	Shelly and Trev (Ecstatic)	1:07:09 - A car pulls up the ranch	actor \| arriving \| driving \| embracing \| kissing \| leading lady \| leading man \| love interest \| love scene \| ranch \| romantic \| suspect
Lightning Strikes Twice (1951)	Shelly and Trev (Molto Tranquillo)	1:07:22 - Trev and Shelly get out of the car	actor \| calm \| conversing \| embracing \| leading lady \| leading man \| love interest \| love scene \| ranch \| romantic \| suspect
Lightning Strikes Twice (1951)	Shelly (Peaceful) + Shelly 2 (Peaceful)	1:07:58 - Trev and Shelly embrace	actor \| calm \| combination of themes \| conversing \| embracing \| kissing \| leading lady \| leading man \| love interest \| love scene \| mother \| owner \| ranch \| romantic \| room \| suspect
Lightning Strikes Twice (1951)	Shelly and Trev (Misterioso)	1:09:40 - Shelly and Myra talk	actor \| advance plot \| conversing \| leading lady \| mother \| mysterious \| owner \| room \| tense
Lightning Strikes Twice (1951)	Allargando	1:10:03 - Shelly learns that Liza loves Trev	actor \| advance plot \| concerned \| conversing \| dark \| leading lady \| mother \| owner \| room \| tense
Lightning Strikes Twice (1951)	Ave Maria (Religioso)	1:10:24 - Justice of the Peace sign	actor \| chapel \| classical \| familiar tune \| justice of the peace \| leading lady \| leading man \| love interest \| marrying \| religious \| ring \| Schubert \| source music \| suspect \| tender \| wedding \| wedding
Lightning Strikes Twice (1951)	El Pregon de Santiago	1:11:53 - Johnny plays the guitar and sings	actor \| Cuban \| friend \| guitar \| husband \| leading lady \| leading man \| on-screen music \| party \| performer \| room \| serenading \| singing \| suspect \| upbeat
Lightning Strikes Twice (1951)	La Paloma	1:12:40 - Johnny sings briefly	actor \| friend \| guitar \| husband \| leading lady \| leading man \| Mexican \| on-screen music \| party \| performer \| room \| serenading \| singing \| suspect \| upbeat
Lightning Strikes Twice (1951)	Pulls doorknob	1:16:03 - Shelly pulls off the doorknob	actor \| danger \| doorknob \| husband \| leading lady \| leading man \| love scene \| mickey-mousing \| mysterious \| pulling \| room \| suspect \| suspicion \| tense
Lightning Strikes Twice (1951)	Mournful (Quasi Misterioso)	1:16:09 - Trev talks with Shelly	actor \| calm \| conversing \| fear \| husband \| leading lady \| leading man \| love scene \| room \| suspect \| suspicion \| worrying
Lightning Strikes Twice (1951)	Shelly and Trev (Dolce)	1:16:52 - Trev embraces Shelly	actor \| calm \| conversing \| embracing \| happy \| husband \| leading lady \| leading man \| love scene \| relief \| room \| suspect
Lightning Strikes Twice (1951)	Shelly (Molto Grazioso) + Shelly 2	1:17:01 - Shelly smiles at Trev	actor \| calm \| conversing \| embracing \| happy \| husband \| leading lady \| leading man \| love scene \| room \| suspect
Lightning Strikes Twice (1951)	Underscoring (Somber)	1:17:15 - Trev stares at Shelly	actor \| dark \| husband \| leading lady \| leading man \| love scene \| reacting \| room \| somber \| suspect \| underscoring
Lightning Strikes Twice (1951)	Shelly and Trev (Tenderly)	1:17:31 - Trev and Shelly embrace	actor \| conversing \| embracing \| husband \| kissing \| leading lady \| leading man \| love scene \| romantic \| room \| solemn \| suspect
Lightning Strikes Twice (1951)	Shelly and Trev (Smile)	1:17:51 - Shelly gets ready for bed	actor \| husband \| leading lady \| leading man \| love scene \| romantic \| room \| suspect \| undressing
Lightning Strikes Twice (1951)	Menace (Expressivo)	1:18:00 - Shelly is worried	actor \| concern \| danger \| hearing voices \| leading lady \| mad scene \| room \| tense \| worried \| worrying
Lightning Strikes Twice (1951)	Mournful	1:18:16 - Shelly is worried	actor \| concern \| cut from film \| danger \| hearing voices \| leading lady \| mad scene \| room \| tense \| worried \| worrying
Lightning Strikes Twice (1951)	Menace (Molto Misterioso)	1:18:21 - Shelly panics	actor \| concerned \| crying \| hearing voices \| leading lady \| mad scene \| panicking \| room \| violence \| worried \| worrying
Lightning Strikes Twice (1951)	Spider	1:18:41 - Trev hits a spider	actor \| bug effect \| fear \| hitting \| husband \| leading lady \| leading man \| mad scene \| room \| running \| scurrying \| spider \| suspect \| tense
Lightning Strikes Twice (1951)	Mournful (Scared)	1:18:45 - Shelly is afraid of Trev	actor \| crying \| fear \| husband \| leading lady \| leading man \| mad scene \| room \| somber \| suspect \| worrying
Lightning Strikes Twice (1951)	Afraid	1:19:02 - Shelly leaves Trev in fear	actor \| crying \| dramatic \| escaping \| fanfare \| fear \| husband \| leading lady \| leading man \| mad scene \| room \| self-borrowing \| stinger \| suspect \| worrying
Lightning Strikes Twice (1951)	Shelly (Escaping)	1:19:17 - Shelly flees from Trev	actor \| dramatic \| escaping \| fear \| fleeing \| husband \| leading lady \| leading man \| mad scene \| room \| running \| suspect \| unlocking
Lightning Strikes Twice (1951)	Shelly 2 (Fleeing)	1:19:32 - Shelly runs to the car	actor \| chasing \| dramatic \| driving \| fear \| fleeing \| husband \| leading lady \| leading man \| mad scene \| ranch \| running \| running effect \| suspect
Lightning Strikes Twice (1951)	Shelly (Fleeing)	1:19:41 - Trev sees Shelly drive away	actor \| dramatic \| driving \| fear \| fleeing \| husband \| leading lady \| leading man \| mad scene \| ranch \| running effect \| suspect
Lightning Strikes Twice (1951)	Shelly (Molto Agitato)	NIF - not in film	actor \| agitated \| arriving \| car \| cut from film \| dark \| driving \| leading lady \| ranch \| tense \| turning point
Lightning Strikes Twice (1951)	Menace (Expressivo)	1:22:56 - Liza looks out the window	actor \| arriving \| car \| dark \| leading lady \| looking \| menacing \| murderer \| obsessive \| ranch \| rancher \| room \| turning point \| watching \| worrying
Lightning Strikes Twice (1951)	Shelly (Frantic)	NIF - not in film	actor \| conflict \| crying \| cut from film \| dark \| frantic \| leading lady \| murderer \| rancher \| room
Lightning Strikes Twice (1951)	Menace (Frantic)	NIF - not in film	actor \| arguing \| conflict \| cut from film \| dark \| frantic \| leading lady \| murderer \| rancher \| room
Lightning Strikes Twice (1951)	Menace (Attack)	NIF - not in film	actor \| attacking \| attempted murder \| conflict \| cut from film \| dark \| frantic \| leading lady \| murderer \| rancher \| room \| strangling
Lightning Strikes Twice (1951)	Shelly (Attack)	NIF - not in film	actor \| arriving \| attacking \| attempted murder \| conflict \| cut from film \| dark \| frantic \| friend \| husband \| leading lady \| leading man \| murderer \| rancher \| room \| rushing \| strangling
Lightning Strikes Twice (1951)	Shelly 2 (Attack)	NIF - not in film	actor \| arriving \| attacking \| attempted murder \| conflict \| cut from film \| dark \| frantic \| friend \| husband \| leading lady \| leading man \| murderer \| rancher \| room \| rushing \| strangling
Lightning Strikes Twice (1951)	Shelly 3 (Attack)	NIF - not in film	actor \| arriving \| attacking \| attempted murder \| conflict \| cut from film \| dark \| frantic \| friend \| husband \| leading lady \| leading man \| murderer \| rancher \| room \| rushing \| strangling
Lightning Strikes Twice (1951)	Trev (Realization)	1:26:36 - Close-up on Trev's face	actor \| anger \| chasing \| climax \| close-up \| dark \| friend \| husband \| leading lady \| leading man \| menacing \| murderer \| rancher \| realizing \| room \| zoom in
Lightning Strikes Twice (1951)	Underscoring (Dramatic)	1:26:47 - Trev runs after Liza	actor \| anger \| chasing \| climax \| dramatic \| friend \| husband \| leading lady \| leading man \| murderer \| rancher \| room \| running \| underscoring
Lightning Strikes Twice (1951)	Escape	1:26:51 - Liza runs away	actor \| brother \| chasing \| climax \| dark \| escaping \| friend \| husband \| leading lady \| leading man \| murderer \| ranch \| rancher \| room \| tense
Lightning Strikes Twice (1951)	Escape (Getaway)	1:27:08 - Trev runs back inside	actor \| brother \| chasing \| climax \| dramatic \| escaping \| friend \| husband \| leading lady \| leading man \| murderer \| ranch \| rancher \| room \| tense
Mildred Pierce (1945)	Mildred (Pier)	0:02:15 - Santa Monica pier at night	chromatic parallelism \| dock \| establish character \| fragmentation \| heroine \| leading lady \| mickey-mousing \| pedal tone \| pondering \| sequence \| somber \| walking \| water \| wave
Mildred Pierce (1945)	Mildred (Tragic)	0:02:42 - Mildred walks out onto the dock	altered dominant \| dock \| establish character \| half-diminished 7th chord \| heroine \| leading lady \| mickey-mousing \| pondering \| sequence \| somber \| suicide \| tragic \| water \| wave
Mildred Pierce (1945)	Waves rumbling	0:03:15 - Policeman convinces Mildred not to jump	conversing \| dock \| establish character \| heroine \| leading lady \| mickey-mousing \| police \| somber \| suicide \| water \| wave
Mildred Pierce (1945)	You Must Have Been a Beautiful Baby	0:03:59 - Wally sees Mildred from the window	conversing \| establish character \| familiar tune \| friend \| heroine \| jazz \| leading lady \| on-screen music \| restaurant \| source music \| upbeat
Mildred Pierce (1945)	Mildred (Sehr Dramatic)	0:12:06 - Mildred arrives home	advance plot \| arriving \| chromatic scale \| chromatic sequence \| dark \| daughter \| diminished 7th chord \| dramatic \| half-diminished 7th chord \| heroine \| imitation \| leading lady \| street \| tense \| tritone \| worrying
Mildred Pierce (1945)	Mildred (Ominous)	0:12:43 - The detectives talk to Mildred	advance plot \| chromatic sequence \| conversing \| dark \| detective \| fragmentation \| heroine \| imitation \| leading lady \| ominous \| room
Mildred Pierce (1945)	Underscoring (Tense)	0:13:03 - Mildred leaves with the detectives	advance plot \| conversing \| detective \| foreign key modulation \| heroine \| leading lady \| murder \| street \| tense \| underscoring
Mildred Pierce (1945)	Hall of Justice	0:13:35 - The Los Angeles Hall of Justice	advance plot \| arriving \| bold \| detective \| entering \| heroine \| justice \| leading lady \| parallelism \| pedal tone \| police \| police station \| walking
Mildred Pierce (1945)	Mildred sits	0:14:11 - Mildred sits down	advance plot \| heroine \| leading lady \| mickey-mousing \| mysterious \| police station \| sitting
Mildred Pierce (1945)	Drink to Me Only With Thine Eyes	0:16:07 - Cop whistles to himself	advance plot \| detective \| familiar tune \| heroine \| leading lady \| on-screen music \| police \| police station \| source music \| tense \| ticking \| whistling
Mildred Pierce (1945)	Flashback starts	0:20:16 - Flashback to the past	double exposure \| establish character \| flashback \| gentle \| heroine \| leading lady \| mickey-mousing \| street
Mildred Pierce (1945)	Bert	0:20:18 - Bert comes home	9th chord \| added-note chord \| arriving \| common-chord modulation \| cooking \| establish character \| flashback \| gentle \| heroine \| husband \| leading lady \| mode mixture \| room \| self-borrowing \| street
Mildred Pierce (1945)	Bert (Triste)	0:24:26 - Bert and Mildred separate	augmented sixth chord \| breaking up \| crying \| establish character \| fragmentation \| heroine \| husband \| leading lady \| leaving \| Neapolitan \| pedal tone \| room \| somber
Mildred Pierce (1945)	Waltz Brillante	0:26:39 - Veda plays the piano	advance plot \| child \| classical music \| conversing \| dancing \| familiar tune \| gentle \| heroine \| leading lady \| on-screen music \| parallel period \| playing \| room \| source music \| waltz
Mildred Pierce (1945)	Waltz Brillante	0:27:21 - Veda plays the piano	advance plot \| child \| classical music \| conversing \| familiar tune \| gentle \| heroine \| leading lady \| on-screen music \| playing \| room \| source music \| waltz
Mildred Pierce (1945)	Kay and Veda (Ashamed)	0:28:13 - Mildred overhears Veda complaining about her new dress	advance plot \| child \| heroine \| leading lady \| Neapolitan \| room \| sigh gesture \| somber \| watching
Mildred Pierce (1945)	Mildred (Lonely)	0:28:20 - Mildred looks through her desk	advance plot \| bill \| flashback \| foreign key modulation \| gun \| heroine \| leading lady \| lonely \| mode mixture \| photograph \| room \| somber \| voice-over \| writing
Mildred Pierce (1945)	Mildred (Tense)	0:28:43 - Mildred goes to open the door	advance plot \| fragmentation \| heroine \| leading lady \| pedal tone \| room \| tense \| walking
Mildred Pierce (1945)	Mildred (Delicate)	0:32:04 - Mildred walks up the stairs	advance plot \| gentle \| heroine \| leading lady \| parallelism \| pedal tone \| room \| up \| walking
Mildred Pierce (1945)	Kay and Veda (Dolce)	0:32:13 - Mildred and Veda talk about Kay	added-note chord \| advance plot \| child \| conversing \| heroine \| leading lady \| mode mixture \| room \| sleeping \| sweet
Mildred Pierce (1945)	Kay and Veda (Coy)	0:32:32 - Veda talks to her mother	advance plot \| child \| chromatic parallelism \| conversing \| heroine \| leading lady \| parallelism \| room \| sleeping \| uneasy
Mildred Pierce (1945)	Mildred (Waltz Fantasy)	0:32:38 - Veda fantasizes about her mother marrying Wally	9th chord \| advance plot \| appoggiatura \| child \| chromatic parallelism \| dreaming \| fantasy \| greed \| heroine \| leading lady \| room \| uneasy
Mildred Pierce (1945)	Mildred (Dark)	0:32:58 - Mildred scolds Veda	advance plot \| child \| dark \| heroine \| leading lady \| room \| scolding
Mildred Pierce (1945)	Kay and Veda (Deception)	0:33:08 - Veda lies to her mother	64 chord \| advance plot \| child \| chromatic parallelism \| deceiving \| deception \| heroine \| leading lady \| room \| selfishness \| unstable \| whole-tone
Mildred Pierce (1945)	Mildred (Risoluto)	0:33:23 - Mildred resolves to give her daughter nice things	64 chord \| advance plot \| child \| determined \| heroic \| heroine \| leading lady \| noble \| promising \| resolved \| room
Mildred Pierce (1945)	Kay and Veda (Dolce Foxtrot)	0:33:37 - Mildred puts Veda to bed	64 chord \| added-note chord \| advance plot \| child \| chromatic parallelism \| dark \| heroine \| leading lady \| mode mixture \| optimistic \| promising \| room \| tragic
Mildred Pierce (1945)	Mildred (Desperate)	0:34:05 - Mildred looks for a job	applying \| depressed \| enharmonic reinterpretation \| foreign key modulation \| heroine \| leading lady \| montage \| searching \| street \| voice-over \| walking
Mildred Pierce (1945)	Work	0:36:12 - Mildred works as a waitress	64 chord \| added-note chord \| altered dominant \| chromatic mediant \| chromatic sequence \| common-chord modulation \| foreign key modulation \| hectic \| heroine \| leading lady \| montage \| restaurant \| rushing \| self-borrowing \| sequential modulation \| serving \| upbeat \| voice-over \| waitress \| working
Mildred Pierce (1945)	Mildred (Hopeful)	0:36:42 - Mildred bakes some pies	cooking \| heroine \| hopeful \| kitchen \| leading lady \| montage \| optimistic \| restaurant \| success \| voice-over \| waitress \| working
Mildred Pierce (1945)	The Maid	0:36:57 - Mildred's maid in the kitchen	9th chord \| advance plot \| comical \| conversing \| cooking \| heroine \| kitchen \| leading lady \| maid \| sequence \| working
Mildred Pierce (1945)	Work (Singing Lesson)	0:37:17 - Veda sings	added-note chord \| child \| double exposure \| heroine \| leading lady \| montage \| on-screen music \| room \| scored source music \| self-borrowing \| singing \| upbeat \| voice-over \| working
Mildred Pierce (1945)	Ballet Lesson	0:37:25 - Kay dances	9th chord \| 11th chord \| ballet \| child \| dancing \| double exposure \| graceful \| heroine \| leading lady \| montage \| pleasant \| room \| voice-over
Mildred Pierce (1945)	South American Way	0:37:36 - Veda sings and plays while Kay dances	child \| dancing \| heroine \| leading lady \| music scene \| on-screen music \| playing \| popular music \| room \| sequence \| singing \| source music \| upbeat
Mildred Pierce (1945)	Mazurka in B-Flat Major (Tense)	0:38:47 - Veda plays a Chopin Mazurka	arguing \| child \| classical music \| common-tone diminished 7th \| conflict \| familiar tune \| half-diminished 7th chord \| heroine \| leading lady \| on-screen music \| playing \| quotation \| room \| scored source music \| source music \| tense \| upbeat \| waltz
Mildred Pierce (1945)	Secret Revealed	0:39:10 - Mildred argues with Veda	angry \| arguing \| child \| chromatic parallelism \| chromatic scale \| chromatic wedge \| conflict \| harsh \| heroine \| leading lady \| linear chromaticism \| octatonic chord \| room \| tense
Mildred Pierce (1945)	Mildred (Appassionato)	0:39:22 - Mildred argues with Veda	angry \| arguing \| child \| chromatic scale \| conflict \| foreign key modulation \| heroine \| leading lady \| raising \| room \| standing \| tense \| whole-tone scale
Mildred Pierce (1945)	Mildred raises Veda	0:39:22 - Mildred lifts her daughter up by the arm	angry \| arguing \| child \| conflict \| heroine \| leading lady \| mickey-mousing \| raising \| room \| standing \| tense \| whole-tone scale
Mildred Pierce (1945)	Mildred B (Angry)	0:39:30 - Mildred argues with Veda	11th chord \| angry \| arguing \| child \| conflict \| fragmentation \| heroine \| leading lady \| room \| slapping \| tense
Mildred Pierce (1945)	Mildred (Regretful)	0:39:37 - Mildred regrets slapping Veda	apologizing \| child \| chromatic mediant \| conflict \| foreign key modulation \| heroine \| hopeful \| leading lady \| mode mixture \| Neapolitan \| regretting \| room \| somber \| tritone
Mildred Pierce (1945)	Kay and Veda (Hopeful)	0:40:09 - Veda asks if they are going to be rich	child \| conflict \| foreign key modulation \| greed \| heroine \| hopeful \| leading lady \| room
Mildred Pierce (1945)	Work (Excited)	0:42:35 - Mildred and Wally leave	9th chord \| added-note chord \| excited \| excitement \| friend \| heroine \| leading lady \| leaving \| room \| self-borrowing \| shadow \| transition \| work
Mildred Pierce (1945)	Beach House	0:42:49 - Mildred and Wally drive up to the beach house	9th chord \| arriving \| beach house \| driving \| friend \| heroine \| leading lady \| ocean \| peaceful \| transition \| water \| wave
Mildred Pierce (1945)	Walking	0:42:58 - Mildred and Wally walk to the house	added-note chord \| arriving \| beach house \| excited \| friend \| heroine \| leading lady \| mickey-mousing \| ocean \| parallelism \| transition \| walking
Mildred Pierce (1945)	Bert (Sentimentale)	0:48:03 - Mildred watches her children leave	heroine \| husband \| leading lady \| leaving \| oscillation \| room \| serious \| somber \| thinking \| transition \| whole-tone chord
Mildred Pierce (1945)	Work (Molto Grazioso)	0:48:16 - Mildred works at her restaurant	cheerful \| common-tone diminished 7th \| friend \| heroine \| ladder \| leading lady \| legs \| pedal tone \| restaurant \| self-borrowing \| transition \| working
Mildred Pierce (1945)	First Kiss	0:49:40 - Monte steals a kiss from Mildred	cheerful \| common-tone diminished 7th \| falling in love scene \| friend \| heroine \| kissing \| leading lady \| restaurant \| romance
Mildred Pierce (1945)	Walking	0:49:48 - Driving to the beach house	9th chord \| beach house \| cheerful \| driving \| falling in love scene \| friend \| heroine \| leading lady \| parallelism \| room \| traveling \| walking
Mildred Pierce (1945)	Opens closet	0:49:57 - Mildred slides open a door	9th chord \| cheerful \| falling in love scene \| heroine \| leading lady \| love interest \| mickey-mousing \| opening \| room \| sliding
Mildred Pierce (1945)	Disrobes	0:50:47 - Monte takes off Mildred's robe	beach house \| cheerful \| disrobing \| dissonant bass \| falling \| falling in love scene \| flirting \| heroine \| leading lady \| love interest \| mickey-mousing \| robe
Mildred Pierce (1945)	Bathing Suit	0:50:49 - Monte looks at Mildred in her bathing suit	9th chord \| attraction \| beach house \| cheerful \| dissonant bass \| falling in love scene \| flirting \| foreign key modulation \| heroine \| leading lady \| love interest \| mickey-mousing
Mildred Pierce (1945)	Mildred (Frolicking)	0:51:01 - Mildred runs to the beach	9th chord \| beach \| cheerful \| falling in love scene \| flirting \| foreign key modulation \| frolicking \| heroine \| jaunty \| leading lady \| love interest \| running \| tritone
Mildred Pierce (1945)	Frolicking in the Surf	0:51:05 - Monte and Mildred run to the water	9th chord \| 64 chord \| beach \| falling in love scene \| foreign key modulation \| frolicking \| heroine \| jaunty \| leading lady \| love interest \| mickey-mousing \| playful \| running \| splashing \| swimming \| water \| waves
Mildred Pierce (1945)	Waves	0:51:11 - Waves crash onto the beach	64 chord \| beach \| calm \| falling in love scene \| heroine \| leading lady \| love interest \| mickey-mousing \| rolling \| splashing \| waves
Mildred Pierce (1945)	It Can't Be Wrong	0:51:16 - Monte plays a record for Mildred	AABA structure \| conversing \| heroine \| kissing \| leading lady \| love interest \| love scene \| popular music \| record \| record player \| romantic \| room \| score to source borrowing \| source music
Mildred Pierce (1945)	Kay and Veda (Misterioso)	0:54:01 - Bert tells Mildred that Kay is sick	bad news \| conversing \| dark \| death scene \| distress \| ex-husband \| heroine \| leading lady \| mysterious \| ominous \| stinger \| street \| turning point \| whole-tone scale
Mildred Pierce (1945)	Bert (Dark)	0:54:14 - Bert and Mildred rush off to see Kay	bad news \| conversing \| dark \| death scene \| distress \| ex-husband \| heroine \| leading lady \| leaving \| street \| turning point
Mildred Pierce (1945)	Pneumonia	0:54:25 - A doctor works on Kay	child \| chromatic scale \| dark \| death scene \| doctor \| dying \| ex-husband \| heroine \| illness \| leading lady \| mickey-mousing \| nurse \| oscillation \| patient \| pc set \| room \| sick person \| somber \| tense \| treating \| turning point \| waiting \| watching
Mildred Pierce (1945)	Kay and Veda (Dying)	0:55:05 - Kay's family waits and watches	11th chord \| child \| dark \| death scene \| doctor \| dying \| ex-husband \| heroine \| illness \| leading lady \| nurse \| patient \| room \| sick person \| somber \| tense \| treating \| turning point \| waiting \| watching
Mildred Pierce (1945)	Pneumonia (Dying)	0:55:24 - Kay passes away	9th chord \| child \| chromatic parallelism \| dark \| death \| death scene \| doctor \| dying \| ex-husband \| heroine \| illness \| leading lady \| linear chromaticism \| minor-major 7th chord \| nurse \| oscillation \| patient \| room \| sick person \| somber \| tense \| treating \| turning point \| waiting \| watching
Mildred Pierce (1945)	Mildred (Mourning)	0:56:07 - Mildred mourns Kay's death	9th chord \| augmented sixth chord \| child \| death \| death scene \| doctor \| ex-husband \| heroine \| leading lady \| mourning \| nurse \| patient \| room \| sick person \| somber \| turning point
Mildred Pierce (1945)	Kay and Veda (Tenderly)	0:56:34 - Veda and Mildred mourn for Kay	added-note chord \| calm \| child \| death \| death scene \| ex-husband \| heroine \| hopeful \| leading lady \| mode mixture \| mourning \| plagal cadence \| room \| somber \| turning point
Mildred Pierce (1945)	T'Ain't No Good	0:57:37 - Mildred at the opening of her restaurant	advance plot \| antagonist \| busy \| conversing \| daughter \| dining \| friend \| guest \| heroine \| leading lady \| popular music \| restaurant \| serving \| source music \| upbeat \| working
Mildred Pierce (1945)	While You're Away	0:59:47 - Monte arrives at the restaurant	ABAC structure \| advance plot \| antagonist \| busy \| conversing \| daughter \| dining \| friend \| guest \| heroine \| leading lady \| love interest \| parallel double period \| popular music \| restaurant \| serving \| source music \| upbeat \| working
Mildred Pierce (1945)	Please Think of Me	1:01:54 - Monte dances with Veda	antagonist \| celebrating \| dance scene \| dancing \| daughter \| friend \| heroine \| jukebox \| leading lady \| love interest \| on-screen music \| popular music \| restaurant \| singing \| source music \| upbeat
Mildred Pierce (1945)	Mildred (Sorrow)	1:03:41 - Monte asks about Kay	advance plot \| conversing \| heroine \| leading lady \| love interest \| minor-major 7th chord \| mode mixture \| restaurant \| somber
Mildred Pierce (1945)	It Can't Be Wrong (Romantic)	1:04:11 - Monte kisses Mildred	advance plot \| chromatic mediant \| door \| ex-husband \| familiar tune \| foreign key modulation \| heroine \| interrupting \| kissing \| leading lady \| love interest \| mode mixture \| popular music \| restaurant \| romantic \| slamming \| source to score \| stinger
Mildred Pierce (1945)	It Can't Be Wrong (Troubled)	1:04:30 - Bert interrupts Mildred and Monte's kiss	advance plot \| conversing \| dark \| ex-husband \| familiar tune \| heroine \| leading lady \| love interest \| popular music \| restaurant \| source to score \| suspension \| tense \| troubled
Mildred Pierce (1945)	Bert (Regretful)	1:04:43 - Bert tells Mildred about the divorce	9th chord \| advance plot \| chromatic mediant \| common-chord modulation \| conversing \| divorce \| ex-husband \| heroine \| leading lady \| love interest \| regretting \| restaurant \| somber
Mildred Pierce (1945)	Breaks glass	1:05:35 - Bert slaps the glass out of Monte's hand	advance plot \| breaking \| down \| ex-husband \| falling \| glass \| heroine \| leading lady \| love interest \| mickey-mousing \| restaurant \| tense \| throwing \| violence
Mildred Pierce (1945)	It Can't Be Wrong (Uneasy)	1:05:36 - Bert stares angrily at Monte	advance plot \| dark \| ex-husband \| familiar tune \| glaring \| heroine \| leading lady \| leaving \| love interest \| pedal tone \| popular music \| restaurant \| source to score \| tense \| uneasy
Mildred Pierce (1945)	Flashback ends	1:05:49 - Screen wipe back to the present day	advance plot \| flashback \| heroine \| leading lady \| mickey-mousing \| police station \| wipe
Mildred Pierce (1945)	Mildred (Sweepingly)	1:08:09 - Mildred greets customers	happy \| heroine \| leading lady \| montage \| restaurant \| smiling \| voice-over \| working
Mildred Pierce (1945)	French One-Step	1:08:14 - Veda at a polo match	added-note chord \| antagonist \| cheering \| common-tone diminished 7th \| daughter \| field \| heroine \| leading lady \| love interest \| montage \| playing \| polo \| secondary dominant \| sports \| upbeat \| voice-over \| watching
Mildred Pierce (1945)	How Sweet You Are	1:08:28 - Veda dances at a club	ABAB structure \| advance plot \| club \| conversing \| dance music \| dancing \| heroine \| leading lady \| love interest \| on-screen music \| relaxed \| source music
Mildred Pierce (1945)	Kay and Veda (Subtle)	1:09:27 - bill; photograph; gun	advance plot \| augmented sixth chord \| conversing \| friend \| heroine \| leading lady \| mode mixture \| room \| subtle \| voice-over
Mildred Pierce (1945)	Kay and Veda (Excited)	1:13:21 - Veda drives away in her new car	added-note chord \| advance plot \| altered dominant \| car \| child \| deceptive resolution \| driving \| excited \| happy \| heroine \| kissing \| leading lady \| love interest \| room \| running
Mildred Pierce (1945)	Kay and Veda (Sly)	1:13:55 - Mildred tells Monte to not see Veda	arguing \| breakup \| chromatic wedge \| chromatic wedge \| conflict \| disagreement \| heroine \| leading lady \| love interest \| ominous \| room \| sinister \| tense \| whole-tone chord
Mildred Pierce (1945)	Kay and Veda (Troubled)	1:14:06 - Mildred and Monte argue	arguing \| breakup \| chromatic scale \| chromatic sequence \| conflict \| disagreement \| fragmentation \| heroine \| leading lady \| love interest \| ominous \| room \| sinister \| tense \| whole-tone chord \| whole-tone scale
Mildred Pierce (1945)	Mildred (Agitato)	1:14:37 - Mildred and Monte argue	agitated \| arguing \| breakup \| conflict \| distortion \| half-diminished 7th chord \| heroine \| leading lady \| love interest \| room \| tense
Mildred Pierce (1945)	Underscoring (Tense)	1:14:53 - Mildred and Monte argue	9th chord \| added-note chord \| arguing \| bitter \| breakup \| conflict \| deceptive resolution \| heroine \| leading lady \| love interest \| room \| tense \| underscoring
Mildred Pierce (1945)	It Can't Be Wrong (Bitter)	1:15:29 - Mildred writes Monte a check	arguing \| bitter \| breakup \| conflict \| dissonant bass \| familiar tune \| fragmentation \| heroine \| leading lady \| love interest \| mickey-mousing \| popular music \| room \| source to score \| tense
Mildred Pierce (1945)	Closes blinds	1:15:59 - Mildred closes the blinds	blinds \| breakup \| closing \| conflict \| down \| heroine \| leading lady \| mickey-mousing \| room \| somber \| window
Mildred Pierce (1945)	Mildred (Angry)	1:18:21 - Mildred walks out of an argument	9th chord \| aggressive \| angry \| arriving \| chromatic parallelism \| conflict \| heroine \| hurrying \| leading lady \| leaving \| Neapolitan \| room \| walking
Mildred Pierce (1945)	Underscoring (Tense)	1:18:34 - Veda tells her mother she is married	antagonist \| chromatic parallelism \| chromatic wedge \| conflict \| conversing \| daughter \| diminished 7th chord \| friend \| heroine \| leading lady \| oscillation \| reverse stinger \| room \| tense \| underscoring
Mildred Pierce (1945)	Secret Revealed	1:18:59 - Veda talks to her mother	antagonist \| chromatic parallelism \| chromatic scale \| chromatic wedge \| conflict \| conversing \| daughter \| fear \| friend \| heroine \| leading lady \| linear chromaticism \| octatonic chord \| room \| surprise \| tense
Mildred Pierce (1945)	Kay and Veda (Coy)	1:19:11 - Veda talks to her mother	antagonist \| apologizing \| chromatic parallelism \| conflict \| daughter \| friend \| heroine \| leading lady \| room \| tense
Mildred Pierce (1945)	Mildred (Waltz Fantasy)	1:19:18 - Mildred talks to Veda	9th chord \| antagonist \| appoggiatura \| chromatic parallelism \| comforting \| conflict \| daughter \| dream-like \| friend \| heroine \| leading lady \| room \| tense
Mildred Pierce (1945)	Mildred (Tenderly)	1:19:37 - Wally talks about a settlement	antagonist \| chromatic parallelism \| conflict \| conversing \| daughter \| fragmentation \| friend \| heroine \| leading lady \| pedal tone \| room \| tender
Mildred Pierce (1945)	Kay and Veda (Troubled 2)	1:21:34 - Veda looks at the divorce settlement check	antagonist \| blackmail \| chromatic scale \| chromatic sequence \| conflict \| daughter \| fragmentation \| heroine \| laughing \| leading lady \| mickey-mousing \| mocking \| room \| troubled \| ugly \| whole-tone chord
Mildred Pierce (1945)	Kay and Veda (Agitato)	1:22:22 - Veda and her mother argue	agitated \| antagonist \| arguing \| augmented sixth chord \| blackmail \| chromatic sequence \| conflict \| daughter \| fragmentation \| heroine \| leading lady \| room \| tense
Mildred Pierce (1945)	Kay and Veda (Ominous)	1:22:43 - Veda argues with her mother	antagonist \| arguing \| conflict \| dark \| daughter \| heroine \| insulting \| leading lady \| ominous \| room \| ugly
Mildred Pierce (1945)	Mildred (Appassionato)	1:23:00 - Veda expresses her disgust with her mother	angry \| antagonist \| arguing \| chromatic scale \| conflict \| daughter \| foreign key modulation \| heroine \| insulting \| leading lady \| room \| tense
Mildred Pierce (1945)	Mildred B (Angry 2)	1:23:09 - Mildred gets angry at Veda	angry \| antagonist \| arguing \| conflict \| daughter \| fragmentation \| heroine \| insulting \| leading lady \| room \| tense
Mildred Pierce (1945)	Mildred (Vicious)	1:23:21 - Veda insults her mother	angry \| antagonist \| arguing \| chromatic parallelism \| chromatic wedge \| conflict \| daughter \| heroine \| insulting \| leading lady \| reverse stinger \| room \| tense \| whole-tone chord
Mildred Pierce (1945)	Mildred B (Angry)	1:23:38 - Mildred tears up Veda's check	angry \| antagonist \| arguing \| check \| conflict \| daughter \| fighting \| heroine \| leading lady \| pc set \| room \| slapping \| tearing \| tense \| violence \| yelling
Mildred Pierce (1945)	Stunned Reaction	1:23:44 - Mildred is stunned after Veda slaps her	angry \| antagonist \| conflict \| daughter \| dramatic \| heroine \| leading lady \| pc set \| room \| staring \| stunned \| violence
Mildred Pierce (1945)	Mildred (Tragic)	1:24:04 - Veda watches her daughter leave	altered dominant \| angry \| ascending \| conflict \| heroine \| leading lady \| leaving \| mickey-mousing \| octatonic scale \| room \| stern
Mildred Pierce (1945)	Rushing train	1:24:15 - A rushing train	double exposure \| excited \| heroine \| leading lady \| mickey-mousing \| train \| train \| transition \| traveling
Mildred Pierce (1945)	Oceana Roll	1:27:46 - Veda sings at a restaurant	advance plot \| antagonist \| cheerful \| club \| dancing \| daughter \| ex-husband \| heroine \| leading lady \| on-screen music \| playing \| popular music \| singing \| source music
Mildred Pierce (1945)	Sweet Georgia Brown	1:29:05 - Mildred confronts Wally	ABAC structure \| advance plot \| antagonist \| club \| conversing \| daughter \| heroine \| jazz \| leading lady \| on-screen music \| popular music \| source music \| upbeat
Mildred Pierce (1945)	It Had to Be You	1:30:25 - Mildred and Veda talk	ABAC structure \| advance plot \| antagonist \| club \| conversing \| daughter \| heroine \| jazz \| leading lady \| on-screen music \| popular music \| source music \| upbeat
Mildred Pierce (1945)	Work (Montage)	1:34:44 - Montage of Mildred and Monte's marriage	added-note chord \| cheerful \| deceptive resolution \| ex-husband \| glass \| heroine \| leading lady \| love interest \| mickey-mousing \| mode mixture \| montage \| newspaper \| self-borrowing \| shadow
Mildred Pierce (1945)	Glasses clink	1:35:44 - Mildred and Monte clink glasses together	cheerful \| clinking \| glass \| heroine \| leading lady \| love interest \| mickey-mousing \| montage
Mildred Pierce (1945)	Bert (Somber)	1:37:06 - Bert talks with Mildred in her new house	advance plot \| augmented sixth chord \| conversing \| ex-husband \| heroine \| leading lady \| pedal tone \| room \| somber
Mildred Pierce (1945)	Mildred stands and walks to window	1:38:02 - Mildred stands up and goes to the window	advance plot \| delicate \| graceful \| heroine \| leading lady \| mickey-mousing \| peaceful \| rising \| room \| standing \| up \| walking
Mildred Pierce (1945)	Kay and Veda (Returning Home)	1:38:10 - Mildred looks at Veda through the window	advance plot \| chromatic mediant \| conversing \| daughter \| deceptive resolution \| emotional \| foreign key modulation \| happy \| heroine \| leading lady \| loving \| mode mixture \| mother \| room \| warm \| watching
Mildred Pierce (1945)	Mildred (Happy Homecoming)	1:38:50 - Mildred and her daughter embrace	added-note chord \| advance plot \| apologizing \| chromatic mediant \| daughter \| embracing \| foreign key modulation \| forgiveness \| happy \| heroine \| leading lady \| loving \| mode mixture \| mother \| returning \| reuniting \| room \| warm
Mildred Pierce (1945)	Bert (Tenderly)	1:39:33 - Mildred thanks Bert	advance plot \| ex-husband \| gentle \| heroine \| leading lady \| mother \| room \| sweet \| thanking
Mildred Pierce (1945)	It Can't Be Wrong (Molto Misterioso)	1:42:42 - Mildred learns that Monte has betrayed her	9th chord \| bankruptcy \| betrayal \| dark \| familiar tune \| friend \| heroine \| leading lady \| love theme \| memory \| mysterious \| pc set \| popular music \| realizing \| room \| somber \| turning point \| whole-tone chord
Mildred Pierce (1945)	Mildred (Mad)	1:43:19 - Mildred makes a phone call	anger \| angry \| calling \| dissonant bass \| half-diminished 7th chord \| heroine \| leading lady \| room \| tense \| turbulent \| turning point \| walking
Mildred Pierce (1945)	Hopes Crushed	1:43:38 - Mildred realizes Monte has left her	chromatic scale \| dark \| dissonant bass \| heroine \| leading lady \| lost hope \| mickey-mousing \| realizing \| room \| tritone \| turning point
Mildred Pierce (1945)	Mildred (Revenge)	1:43:57 - Mildred drives to the beach house	car \| chromatic scale \| common-tone diminished 7th \| dark \| dissonant bass \| dramatic \| driving \| flashback ends \| gun \| heroine \| leading lady \| pc set \| street \| transition
Mildred Pierce (1945)	Mildred (Waltz Fantasy)	1:44:53 - Mildred tells Veda not to confess	9th chord \| appoggiatura \| chromatic parallelism \| detective \| harsh \| heroine \| interrogating \| interrogation \| leading lady \| pleading \| police station
Mildred Pierce (1945)	Mildred B (Twist)	1:45:20 - Mildred walks into the beach house	arriving \| climax \| dark \| flashback \| heroine \| leading lady \| room
Mildred Pierce (1945)	Mildred (Ominous)	1:45:25 - Mildred walks downstairs	arriving \| climax \| dark \| fragmentation \| half-diminished 7th chord \| heroine \| imitation \| leading lady \| ominous \| room
Mildred Pierce (1945)	Kay and Veda (Agitato)	1:46:05 - Veda reveals that she is in love with Monte	antagonist \| augmented sixth chord \| betrayal \| betraying \| chromatic scale \| chromatic sequence \| climax \| dark \| daughter \| fragmentation \| heroine \| leading lady \| revealing \| room \| tense
Mildred Pierce (1945)	Kay and Veda (Very Slow)	1:46:22 - Mildred reacts to Veda's betrayal	antagonist \| betrayal \| climax \| contemplating \| dark \| daughter \| gun \| heroine \| leading lady \| ominous \| parallel 63s \| room
Mildred Pierce (1945)	Mildred (Tragic)	1:46:43 - Mildred runs away	altered dominant \| antagonist \| arguing \| betrayal \| chromatic scale \| climax \| daughter \| dramatic \| emotional \| half-diminished 7th chord \| heroine \| leading lady \| room \| running \| sequence
Mildred Pierce (1945)	Mildred (Breakdown)	1:47:11 - Mildred tries to start her car	9th chord \| climax \| crying \| dramatic \| emotional \| foreign key modulation \| heroine \| leading lady \| leaving \| street
Mildred Pierce (1945)	Kay and Veda (Ominous)	1:47:42 - Mildred rushes in to check on Veda	antagonist \| confessing \| dark \| daughter \| heroine \| leading lady \| lying \| murder \| murderer \| murder scene \| ominous \| room
Mildred Pierce (1945)	Mildred B (Angry)	1:48:06 - Veda confesses to Mildred	angry \| antagonist \| confessing \| confession \| daughter \| diminished 7th chord \| fragmentation \| heroine \| leading lady \| lying \| murderer \| murder scene \| pc set \| room \| tense
Mildred Pierce (1945)	Kay and Veda (Troubled)	1:48:22 - Veda pleads for help to escape	antagonist \| begging \| chromatic scale \| confessing \| daughter \| distressed \| fragmentation \| frantic \| heroine \| leading lady \| murderer \| murder scene \| room \| sequence \| whole-tone chord
Mildred Pierce (1945)	Mildred (Ominous)	1:48:41 - Mildred calls the police	antagonist \| begging \| chromatic sequence \| daughter \| fragmentation \| heroine \| imitation \| leading lady \| murderer \| murder scene \| ominous \| room \| tense
Mildred Pierce (1945)	Underscoring (Tense)	1:48:54 - Veda asks her mother not to turn her in	antagonist \| begging \| daughter \| foreign key modulation \| heroine \| leading lady \| murderer \| murder scene \| room \| tense \| underscoring
Mildred Pierce (1945)	Kay and Veda (Returning Home 2)	1:49:17 - Veda convinces her mother to not report her	antagonist \| crying \| daughter \| heroine \| leading lady \| loving \| mode mixture \| mother \| murderer \| murder scene \| reverse picardy \| room \| sacrificing \| tender \| warm
Mildred Pierce (1945)	Kay and Veda (Triste)	1:49:37 - Veda is led out by the police	antagonist \| conversing \| daughter \| defeat \| detective \| heroine \| leading lady \| leaving \| mother \| murderer \| police station \| resigned \| resolution \| sigh gesture \| somber
Mildred Pierce (1945)	Mildred (The End)	1:50:07 - Mildred leaves with Bert	added-note chord \| ex-husband \| heroine \| leading lady \| leaving \| pedal tone \| police station \| resolution \| triumphant
The Life of Vergie Winters (1934)	Lullaby + Funeral March	0:02:32 - Vergie in her jail cell	classical music \| combination of themes \| funeral \| funeral march \| leading lady \| plagal cadence \| pondering \| prison \| prisoner \| sequence \| somber \| source music \| suspect \| watching
The Life of Vergie Winters (1934)	Lullaby (Slowly)	0:04:07 - Vergie working in a shop window	64 chord \| establish character \| leading lady \| peaceful \| plagal cadence \| shop \| working
The Life of Vergie Winters (1934)	Lullaby (Hospital Scene)	0:27:51 - The sign for a hospital	advance plot \| calm \| child \| childbirth \| conversing \| fragmentation \| hospital \| leading lady \| lullaby \| peaceful \| plagal cadence
The Life of Vergie Winters (1934)	Semper Fidelis	0:30:32 - A march is played outside	advance plot \| celebrating \| cheering \| child \| common-chord modulation \| conversing \| crowd \| gossiper \| leading lady \| leading man \| march \| patriotic tune \| politician \| source music \| spouse \| street \| upbeat
The Life of Vergie Winters (1934)	Lullaby (Not in Score)	0:32:18 - Vergie and John look at a baby picture	AABA structure \| calm \| common-chord modulation \| conversing \| cuddling \| leading lady \| leading man \| love interest \| love scene \| lullaby \| peaceful \| room \| score to source \| secret love \| transcribed by ear
The Life of Vergie Winters (1934)	Lullaby (Park)	0:36:28 - Nurse and baby in the park	AABA structure \| added-note chord \| advance plot \| calm \| child \| common-chord modulation \| conversing \| leading lady \| lullaby \| nurse \| park \| peaceful \| waiting
The Life of Vergie Winters (1934)	Stars and Stripes Forever (Allegro)	0:46:04 - Newspaper montage	64 chord \| added-note chord \| gentle \| leading lady \| leading man \| love interest \| montage \| patriotic tune \| pedal tone \| politician \| soldier
The Life of Vergie Winters (1934)	Lullaby (Joan)	0:50:31 - Joan enters Vergie's shop	advance plot \| child \| conversing \| daughter \| distortion \| entering \| foreign key modulation \| fragmentation \| gentle \| harmonic sequence \| leading lady \| meeting \| mother \| octatonic scale \| reunion \| secret \| shop \| timid
The Life of Vergie Winters (1934)	Underscoring (Gentle)	0:51:06 - Joan talks with Vergie	9th chord \| advance plot \| altered dominant \| augmented sixth chord \| child \| chromatic parallelism \| conversing \| daughter \| foreign key modulation \| gentle \| half-diminished 7th chord \| leading lady \| mother \| reunion \| secret \| shop \| timid
The Life of Vergie Winters (1934)	Lullaby (Delicato)	0:51:39 - Joan talks with Vergie	9th chord \| advance plot \| child \| conversing \| daughter \| gentle \| leading lady \| mother \| parallel 63s \| reunion \| secret \| shop
The Life of Vergie Winters (1934)	Underscoring (Gentle)	0:51:52 - Vergie gives Joan a fan	9th chord \| advance plot \| child \| conversing \| daughter \| gentle \| leading lady \| mother \| reunion \| secret \| shop
The Life of Vergie Winters (1934)	Lullaby (Solo Violin)	0:52:06 - Vergie gets a ribbon for Joan	advance plot \| child \| common-chord modulation \| conversing \| daughter \| fragmentation \| gentle \| leading lady \| mother \| reunion \| secret \| shop
The Life of Vergie Winters (1934)	Lullaby (Strings)	0:52:30 - Vergie puts a ribbon in Joan's hair	advance plot \| child \| chromatic mediant \| conversing \| countermelody \| daughter \| direct modulation \| gentle \| leading lady \| mode mixture \| mother \| pedal tone \| reunion \| secret \| shop
The Life of Vergie Winters (1934)	Lullaby (Sentimental)	0:53:43 - Vergie talks with John by the lake	conversing \| leading lady \| leading man \| love scene \| outside \| pedal tone \| secret love \| secret lover \| tender
The Life of Vergie Winters (1934)	Lullaby (Flowing)	0:53:59 - John talks with Vergie by the lake	altered dominant \| conversing \| diminished 7th chord \| happy \| leading lady \| leading man \| love scene \| outside \| pedal tone \| reassuring \| secret love \| secret lover
The Life of Vergie Winters (1934)	Lullaby (Somber)	0:54:14 - Vergie listens to John	altered dominant \| conversing \| leading lady \| leading man \| love scene \| outside \| secret love \| secret lover \| somber
The Life of Vergie Winters (1934)	Lullaby (Quasi Appassionato)	0:54:24 - John expresses his love for Vergie	conversing \| direct modulation \| dissonant bass \| fragmentation \| half-diminished 7th chord \| leading lady \| leading man \| love scene \| outside \| passionate \| secret love \| secret lover
The Life of Vergie Winters (1934)	Lullaby (Poco Con Moto)	0:54:53 - Joan and Vergie talk about the future	13th chord \| altered dominant \| conversing \| dissonant bass \| gentle \| leading lady \| leading man \| longing \| love scene \| outside \| pedal tone \| secret love \| secret lover \| sigh gesture
The Life of Vergie Winters (1934)	A Boy and a Girl	1:07:00 - John and Vergie listen to the radio	advance plot \| altered dominant \| common-chord modulation \| conversing \| leading lady \| leading man \| listening \| room \| secret lover \| sentimental \| simulated source music \| source to score \| transcribed by ear
The Life of Vergie Winters (1934)	Lullaby (Dolce)	1:08:00 - Vergie talks with John	9th chord \| advance plot \| common-chord modulation \| conversing \| leading lady \| leading man \| room \| score to source \| secret lover \| tender
The Life of Vergie Winters (1934)	Lullaby (Cello Solo)	1:08:38 - Vergie talks with John	added-note chord \| advance plot \| common-chord modulation \| confident \| hopeful \| hoping \| leading lady \| leading man \| room \| secret lover \| sweet \| warm
The Life of Vergie Winters (1934)	Lullaby (Passionate)	1:09:39 - John and Vergie embrace	9th chord \| advance plot \| embracing \| leading lady \| leading man \| pedal tone \| romantic \| room \| secret lover \| tense
The Life of Vergie Winters (1934)	Lullaby + Here Comes the Bride	1:10:07 - Vergie imagines the wedding	added-note chord \| bride \| calm \| chromatic mediant \| combination of themes \| common-chord modulation \| daughter \| double exposure \| familiar tune \| groom \| leading lady \| leading man \| peaceful \| secret lover \| ternary form \| transcribed by ear \| walking \| wedding \| wedding \| wedding music
The Life of Vergie Winters (1934)	Lullaby (Dark)	1:17:11 - Newspaper headline about John's murder	dark \| leading lady \| secret lover \| serious \| transition
The Life of Vergie Winters (1934)	Lullaby (Ending) + Funeral March (Ending)	1:18:06 - Vergie in her jail cell	classical music \| combination of themes \| crying \| funeral \| funeral march \| leading lady \| prisoner \| somber \| suspect
The Life of Vergie Winters (1934)	Lullaby (Very Ethereal)	1:19:04 - Vergie exits the prison	daughter \| dissonant bass \| husband \| leading lady \| pedal tone \| prison \| prisoner \| resolution \| somber \| suspect \| tense \| walking
Rockabye (1932)	Improvised Lullaby	0:11:04 - Elizabeth sings a lullaby	advance plot \| calm \| daughter \| doll \| leading lady \| lullaby \| mother \| on-screen music \| room \| singing \| source music
Rockabye (1932)	Sleep, My Sweet	0:11:20 - Judy sings with her daughter	advance plot \| calm \| daughter \| humming \| leading lady \| lullaby \| mother \| on-screen music \| room \| score to source \| singing \| source music
Rockabye (1932)	Out of the Blue	0:33:38 - People at a party	advance plot \| calm \| club \| conversing \| friend \| leading lady \| on-screen music \| pianist \| playing \| playwright \| singer \| singing \| source music
Rockabye (1932)	Till the Real Thing Comes My Way	0:33:55 - Judy at the party	advance plot \| club \| conversing \| dancing \| friend \| leading lady \| love interest \| on-screen music \| pianist \| playing \| playwright \| source music \| upbeat
Rockabye (1932)	Out of the Blue (Piano Improvisation)	0:35:57 - Judy and Jacobs talk	AABA structure \| advance plot \| calm \| club \| conversing \| leading lady \| love interest \| on-screen music \| playwright \| score to source borrowing \| source music
Rockabye (1932)	Till the Real Thing Comes My Way	0:39:24 - Judy sings a song	AABA structure \| advance plot \| club \| dancing \| leading lady \| love interest \| on-screen music \| pianist \| singing \| source music \| upbeat
Rockabye (1932)	Till the Real Thing Comes My Way	0:40:21 - Judy sings on top of a truck	advance plot \| leading lady \| love interest \| on-screen music \| pianist \| singing \| source music \| street \| upbeat
Rockabye (1932)	You've Got What Gets Me	0:55:05 - Judy at a party	ABAB structure \| advance plot \| celebrating \| cheerful \| leading lady \| maid \| mother \| party \| source music
Rockabye (1932)	Rockin' Chair	0:59:16 - Judy talks to her manager	AABA structure \| advance plot \| conversing \| drinking \| leading lady \| manager \| party \| somber \| source music
Rockabye (1932)	Till the Real Thing Comes My Way	1:01:37 - Judy sings at a party	advance plot \| cheerful \| leading lady \| love interest \| on-screen music \| party \| playwright \| singing \| source music
Out of the Fog (1941)	Stella Runs	0:11:35 - Stella runs out of the restaurant	boyfriend \| criminal \| departing \| dock \| emotional \| establish character \| evaded cadence \| leading lady \| leading man \| restaurant \| running \| transcribed by ear \| watching
Out of the Fog (1941)	Stella and George	0:11:54 - George talks to Stella	AABA structure \| arguing \| boyfriend \| conversing \| dock \| establish character \| leading lady \| romantic \| transcribed by ear
Out of the Fog (1941)	Underscoring (Subtle)	0:13:05 - A boy runs in	arguing \| boyfriend \| conversing \| dock \| establish character \| leading lady \| underscoring \| uneasy
Out of the Fog (1941)	Stella and George (Tender)	0:13:24 - George talks to Stella	boyfriend \| conversing \| crying \| departing \| dock \| establish character \| evaded cadence \| leading lady \| tender \| transcribed by ear
Out of the Fog (1941)	Drab	0:24:36 - Stella in bed	advance plot \| father \| ignoring \| knocking \| leading lady \| room \| smoking \| somber \| tense \| thinking \| whispering
Out of the Fog (1941)	Trade Winds	0:28:40 - Stella enters a drugstore	AABA structure \| advance plot \| child \| conversing \| criminal \| leading lady \| leading man \| popular music \| shopping \| source music \| store \| upbeat \| worker
Out of the Fog (1941)	South American Way	0:30:00 - Stella listens to the radio	advance plot \| conversing \| leading lady \| mother \| popular music \| radio \| room \| source music \| upbeat
Out of the Fog (1941)	Father and Daughter	0:33:12 - Jonah talks to Stella	advance plot \| conversing \| crying \| father \| gentle \| hugging \| leading lady \| mode mixture \| room \| tender
Out of the Fog (1941)	Comparsa Negra No.1	0:35:38 - People dancing in a conga line	ABAC structure \| bartender \| club \| conversing \| criminal \| crowd \| dancer \| dance scene \| dancing \| eating \| Latin music \| leading lady \| leading man \| musician \| on-screen music \| parallel double period \| playing \| source music \| upbeat
Out of the Fog (1941)	No Digas	0:37:46 - Cuban dancers and musicians	AABA structure \| bartender \| club \| conversing \| criminal \| crowd \| dancer \| dance scene \| dancing \| Latin music \| leading lady \| leading man \| musician \| on-screen music \| playing \| source music \| upbeat
Out of the Fog (1941)	Gangster	0:39:07 - Stella and Goff at the harbor	AABA structure \| blue note \| bluesy \| conversing \| criminal \| dock \| leading lady \| leading man \| love scene \| sultry
Out of the Fog (1941)	Russian Barcarolle (Ominous)	0:40:09 - Stella talks to Goff	conversing \| criminal \| dock \| leading lady \| leading man \| love scene \| ominous
Out of the Fog (1941)	Underscoring (Dark)	0:40:27 - Stella reacts	criminal \| dark \| dock \| leading lady \| leading man \| love scene \| reacting \| stinger \| walking
Out of the Fog (1941)	Gangster	0:40:37 - Goff calls after Stella	blue note \| bluesy \| conversing \| criminal \| dock \| leading lady \| leading man \| love scene \| sultry
Out of the Fog (1941)	Russian Barcarolle (Tense)	0:40:54 - Goff talks to Stella	conversing \| criminal \| dark \| dock \| leading lady \| leading man \| love scene
Out of the Fog (1941)	Underscoring (Dramatic)	0:41:03 - Stella slaps Goff	criminal \| dock \| dramatic \| leading lady \| leading man \| love scene \| reacting \| slapping \| stinger \| underscoring
Out of the Fog (1941)	Gangster (Tense)	0:41:05 - Stella kisses Goff	bluesy \| criminal \| dock \| embracing \| kissing \| leading lady \| leading man \| love scene \| tense
Out of the Fog (1941)	Stella and George (Extended)	0:41:45 - George talks to Stella	arguing \| boyfriend \| conversing \| foreign key modulation \| leading lady \| love scene \| room \| tender
Out of the Fog (1941)	Father and Daughter (Tender)	0:51:32 - Maps of Cuba	advance plot \| arriving \| conversing \| father \| fisherman \| leading lady \| mirror shot \| packing \| room \| tender \| tense
Out of the Fog (1941)	Drab (Extended)	0:51:50 - Stella talks with her father	advance plot \| conversing \| father \| fisherman \| foreign key modulation \| leading lady \| packing \| room \| sequence \| somber \| uneasy
Out of the Fog (1941)	Russian Barcarolle (Dark)	0:52:49 - Jonah reacts	advance plot \| conversing \| dark \| father \| fisherman \| leading lady \| room
Out of the Fog (1941)	Drab	0:53:05 - Stella talks with her father	advance plot \| conversing \| father \| fisherman \| leading lady \| room \| sequence \| somber \| uneasy
Out of the Fog (1941)	Russian Barcarolle (Troubled)	0:53:43 - Stella talks with her father	advance plot \| bold \| conversing \| dark \| father \| fisherman \| leading lady \| ominous \| room
Out of the Fog (1941)	Father and Daughter (Short)	0:54:23 - Stella and Jonah embrace	advance plot \| conversing \| departing \| father \| fisherman \| leading lady \| room \| tender
Out of the Fog (1941)	Speeding Car	1:12:30 - A car racing down the street	action scene \| car \| double exposure \| dramatic \| driving \| leading lady \| point-of-view shot \| police \| rushed \| rushing \| street \| tense
Out of the Fog (1941)	Morgue	1:12:37 - The morgue	action scene \| arriving \| conversing \| corpse \| death \| fear \| leading lady \| morgue \| ominous \| police \| tense
Out of the Fog (1941)	Russian Barcarolle (Dead)	1:13:15 - Stella sees Goff's body	action scene \| arguing \| corpse \| crying \| dark \| death \| fear \| leading lady \| morgue \| ominous \| police
Out of the Fog (1941)	Speeding Car (Extended)	1:13:32 - A car racing down the street	action scene \| car \| crowd \| double exposure \| dramatic \| driving \| leading lady \| minor-major 7th chord \| point-of-view shot \| police \| questioning \| reporter \| rushed \| rushing \| street \| tense
Out of the Fog (1941)	Russian Barcarolle (Ethereal)	1:23:47 - Jonah talks to Stella	conversing \| dock \| ethereal \| father \| fisherman \| leading lady \| peaceful \| resolution \| walking
Out of the Fog (1941)	Russian Barcarolle (Tango)	1:24:07 - Stella and Jonah walk away	chromatic mediant \| conversing \| dock \| exotic \| father \| fisherman \| foreign key modulation \| leading lady \| peaceful \| pedal tone \| resolution \| street \| tango \| walking
Out of the Fog (1941)	Russian Barcarolle (The End)	1:24:24 - The dock at night	conversing \| dock \| end title sequence \| father \| fisherman \| grand \| leading lady \| peaceful \| perfect authentic cadence \| resolution \| street \| The End \| walking
Kid Galahad (1937)	Swing for Sale	0:04:26 - Dancing at a party	AABA structure \| crowd \| dancing \| establish character \| leading lady \| leading man \| manager \| party \| partying \| source music \| transcribed by ear \| upbeat
Kid Galahad (1937)	The Ring	0:06:38 - People at a party	AABA structure \| crowd \| establish character \| leading lady \| leading man \| manager \| party \| partying \| source music \| transcribed by ear \| upbeat
Kid Galahad (1937)	Stride Piano Improvisation 1	0:08:50 - People at a party	blues scale \| crowd \| dancing \| establish character \| leading lady \| leading man \| manager \| on-screen music \| party \| source music \| stride piano \| transcribed by ear \| upbeat
Kid Galahad (1937)	The Prizefighter and the Lady	0:09:36 - Ward helps Louise	AABA structure \| crowd \| dancing \| establish character \| leading lady \| leading man \| manager \| on-screen music \| party \| source music \| stride piano \| transcribed by ear \| upbeat
Kid Galahad (1937)	Stride Piano Improvisation 2	0:13:24 - People dance at a party	crowd \| dancing \| establish character \| leading lady \| leading man \| manager \| party \| partying \| source music \| transcribed by ear \| upbeat
Kid Galahad (1937)	The Escape	0:33:23 - Nick punches man on street	advance plot \| boxer \| car \| hurried \| hurrying \| leading lady \| leading man \| not by Steiner \| street \| transcribed by ear
Kid Galahad (1937)	The Moon Is In Tears Tonight (Love's Sorrow)	0:53:05 - Ward professes his love for Marie	conversing \| heartbroken \| leading lady \| leading man \| love scene \| newspaper \| not by Steiner \| romantic \| room \| transcribed by ear
Kid Galahad (1937)	The Split Up	0:56:59 - Louise and Nick break up	appoggiatura \| conversing \| heartbroken \| leading lady \| love scene \| manager \| not by Steiner \| romantic \| room \| transcribed by ear
Kid Galahad (1937)	The Moon Is In Tears Tonight (Tender)	0:57:14 - Louise thinks of Ward	conversing \| leading lady \| love scene \| manager \| not by Steiner \| room \| tender \| transcribed by ear
Kid Galahad (1937)	The Split Up	0:57:45 - Louise says goodbye to Nick	appoggiatura \| conversing \| heartbroken \| leading lady \| love scene \| manager \| not by Steiner \| romantic \| room \| transcribed by ear
Kid Galahad (1937)	The Moon Is in Tears Tonight	1:08:40 - Louise sings in a night club	leading lady \| music scene \| night club \| on-screen music \| playing music \| sentimental \| singing \| source music \| transcribed by ear
Kid Galahad (1937)	Sand In My Shoes	1:10:15 - Ward, Marie, and Louise talk in the club	advance plot \| cheerful \| conversing \| dancing \| leading lady \| leading man \| night club \| on-screen music \| sister \| source music \| transcribed by ear
Kid Galahad (1937)	Kid Galahad (Tender)	1:39:15 - Nick speaks his final words	9th chord \| 64 chord \| added-note chord \| appoggiatura \| climax \| death \| dying \| fanfare \| foreign key modulation \| leading lady \| leading man \| manager \| mode mixture \| pedal tone \| room \| sister \| somber \| stretto imitation
Traveling Husbands (1931)	Someone	0:16:31 - Music is played in a hotel ballroom	advance plot \| cheerful \| dancing \| hotel \| leading lady \| popular song \| salesman \| source music \| transcribed by ear
Traveling Husbands (1931)	Bicycle Built for Two	0:20:51 - Music is played in a bar room	AABC structure \| advance plot \| bar \| calm \| conversing \| eating \| leading lady \| popular song \| source music \| transcribed by ear
Traveling Husbands (1931)	Sidewalks of New York	0:21:01 - Music is played in a bar room	advance plot \| bar \| calm \| conversing \| eating \| leading lady \| popular song \| source music \| transcribed by ear
Traveling Husbands (1931)	There's a Sob in My Heart (Strings)	0:23:03 - Music is played in a night club	AABA structure \| dance scene \| dancing \| leading lady \| night club \| popular song \| source music \| transcribed by ear \| upbeat
Traveling Husbands (1931)	Dance	0:26:27 - Music is played in a night club	AB structure \| dance scene \| dancing \| Latin-American \| leading lady \| night club \| salesman \| source music \| tango \| transcribed by ear \| upbeat
Traveling Husbands (1931)	There's a Sob in My Heart (Radio Dance Band)	0:32:46 - Music is played on the radio	AABA structure \| chromatic mediant \| comedy \| dancing \| leading lady \| popular song \| radio \| room \| salesman \| source music \| transcribed by ear \| upbeat
Traveling Husbands (1931)	There's a Sob in My Heart (Dixieland)	0:34:27 - Music is played in a night club	banjo \| countermelody \| dancing \| Dixieland \| double exposure \| drums \| improvisation \| jazz \| leading lady \| montage \| night club \| popular song \| salesman \| source music \| taxi \| transcribed by ear \| trombone \| upbeat
Traveling Husbands (1931)	Hello Beautiful	0:35:04 - Music is played in a taxi	AABA structure \| banjo \| dancing \| drums \| leading lady \| montage \| night club \| popular song \| salesman \| source music \| taxi \| transcribed by ear \| trombone \| upbeat
Traveling Husbands (1931)	Millie	0:35:09 - Hot jazz is played in a night club	AABA structure \| banjo \| dancing \| Dixieland \| drums \| jazz \| leading lady \| montage \| night club \| popular song \| salesman \| source music \| taxi \| transcribed by ear \| trombone \| upbeat
Traveling Husbands (1931)	There's a Sob in My Heart (Arabian)	0:38:56 - Music is played on the radio	advance plot \| Arabian \| dancing \| exoticism \| leading lady \| popular song \| radio \| romantic \| room \| salesman \| source music \| transcribed by ear
Traveling Husbands (1931)	Chimes	0:49:36 - A tune is played on church bells	advance plot \| calm \| church bell \| leading lady \| leading man \| room \| salesman \| source music \| transcribed by ear \| waiting
Traveling Husbands (1931)	Chimes 2	0:51:50 - A tune is played on church bells	advance plot \| calm \| church bell \| leading lady \| leading man \| room \| salesman \| source music \| transcribed by ear \| waiting
Traveling Husbands (1931)	There's a Sob in My Heart (Slow Waltz)	0:57:47 - Music is played on the radio	AABA structure \| advance plot \| arguing \| calm \| leading lady \| leading man \| mode mixture \| popular song \| radio \| room \| salesman \| source music \| transcribed by ear
Traveling Husbands (1931)	Ring Around the Rosy	1:09:30 - Men sing and dance	children's song \| dancing \| exciting \| leading lady \| leading man \| on-screen music \| resolution \| room \| salesman \| singing \| source music \| transcribed by ear
Traveling Husbands (1931)	There's a Sob in My Heart (Sentimental)	1:10:39 - People are sad as the radio plays	AABA structure \| altered dominant \| augmented sixth chord \| countermelody \| crying \| leading lady \| leading man \| popular song \| radio \| resolution \| room \| salesman \| sentimental \| somber \| transcribed by ear
The Unfaithful (1947)	Chris	0:01:26 - Chris arrives at home	9th chord \| arriving \| Beverly Hills \| calm \| establish character \| foreign key modulation \| house \| leading lady
The Unfaithful (1947)	Chris 2	0:01:40 - Chris runs through the house	establish character \| graceful \| joyful \| leading lady \| room \| running
The Unfaithful (1947)	Unfaithful (Chris)	0:01:46 - Chris answers the phone	establish character \| foreshadowing \| leading lady \| mode change \| peaceful \| room
The Unfaithful (1947)	Stride Piano	0:03:20 - Larry arrives at the party	establish character \| jazz \| lawyer \| leading lady \| on-screen music \| party \| sister \| source music \| upbeat
The Unfaithful (1947)	Deep Night	0:05:47 - Roger argues with Paula	AABA structure \| antagonist \| arguing \| establish character \| lawyer \| leading lady \| on-screen music \| party \| sister \| somber \| source music
The Unfaithful (1947)	Chris	0:07:27 - Chris drives home	9th chord \| calm \| car \| driving \| leading lady \| street \| transition
The Unfaithful (1947)	Chris 2 (Minor)	0:07:37 - Chris arrives home	9th chord \| antagonist \| car \| cheerful \| dark \| driving \| house \| leading lady \| sequential modulation \| suspension \| transition
The Unfaithful (1947)	Chris (Dark)	0:07:46 - Chris continues driving	9th chord \| advance plot \| antagonist \| calm \| danger \| dissonant bass \| foreign key modulation \| house \| leading lady \| ominous \| sequential modulation \| shadow \| tritone \| tritone oscillation \| walking
The Unfaithful (1947)	Danger	0:08:19 - A man in the shadows	advance plot \| antagonist \| danger \| fear \| house \| leading lady \| monophonic \| shadow \| sinister \| walking
The Unfaithful (1947)	Unfaithful (Attack)	0:08:40 - The man attacks Chris	advance plot \| antagonist \| attacking \| chromatic scale \| criminal \| danger \| fighting \| house \| leading lady \| ostinato \| pc set \| sequence \| shadow \| sinister \| victim \| whole-tone
The Unfaithful (1947)	Chris screams	0:08:53 - Chris screams	advance plot \| antagonist \| criminal \| danger \| house \| leading lady \| mickey-mousing \| pc set \| screaming \| shadow \| sinister \| victim
The Unfaithful (1947)	Unfaithful (Somber)	0:22:24 - Bob comforts Chris	9th chord \| augmented sixth chord \| comfort \| comforting \| common-chord modulation \| husband \| leading lady \| love scene \| mode mixture \| ostinato \| pedal tone \| room \| somber \| victim
The Unfaithful (1947)	Unfaithful (Tragic)	0:24:34 - Mrs. Tanner walks down the street	advance plot \| antagonist \| husband \| leading lady \| newspaper \| ostinato \| panicked \| panicking \| pedal tone \| police station \| street \| transition \| trolley \| victim \| widow
The Unfaithful (1947)	Oh But I Do	0:32:27 - Ladies talk at a restaurant	AABA structure \| advance plot \| calm \| conversing \| husband \| lawyer \| leading lady \| on-screen music \| restaurant \| sister \| source music \| transition \| victim
The Unfaithful (1947)	Deep Night	0:35:15 - Larry, Chris, and Bob at a restaurant	AABA structure \| advance plot \| calm \| conversing \| husband \| lawyer \| leading lady \| on-screen music \| restaurant \| source music \| transition \| victim
The Unfaithful (1947)	Chris	0:43:45 - Chris pulls up in a cab	9th chord \| added-note chord \| driving \| foreign key modulation \| law office \| leading lady \| office \| peaceful \| spinning \| transition
The Unfaithful (1947)	Chris 2	0:43:56 - Chris goes to Larry's office	9th chord \| law office \| leading lady \| office \| peaceful \| pedal tone \| sequential modulation \| transition \| walking
The Unfaithful (1947)	Unfaithful (Dramatic)	0:44:05 - Chris goes to Larry's office	advance plot \| arriving \| fanfare \| heroic \| law office \| leading lady \| mode mixture \| office
The Unfaithful (1947)	Unfaithful (Ostinato)	0:50:56 - Chris leaves Larry's office	advance plot \| exiting \| law office \| lawyer \| leading lady \| office \| pedal tone \| somber
The Unfaithful (1947)	Unfaithful (Drone)	0:51:08 - Chris enters the art shop	advance plot \| arriving \| leading lady \| ostinato \| shop \| shopkeeper \| somber
The Unfaithful (1947)	Stinger	0:52:10 - Chris reacts	advance plot \| leading lady \| shop \| shopkeeper \| stinger \| surprise \| suspenseful \| zoom in
The Unfaithful (1947)	Unfaithful (Distressed)	0:52:17 - The maid turns on a lamp	9th chord \| advance plot \| arriving \| foreign key modulation \| forlorn \| leading lady \| maid \| obsession \| ostinato \| pc set \| room \| tense
The Unfaithful (1947)	Unfaithful (Agitated)	0:53:11 - Chris sees the place where the body was	advance plot \| distressed \| fearful \| leading lady \| obsession \| ostinato \| room \| sequential modulation \| staring
The Unfaithful (1947)	Attorney (Doorbell)	0:53:31 - Chris takes off her jacket	advance plot \| arriving \| enharmonic respelling \| heroic \| lawyer \| leading lady \| room \| stinger \| surprise
The Unfaithful (1947)	Unfaithful (Somber 2)	1:00:01 - Chris thinks	9th chord \| advance plot \| altered dominant \| augmented sixth chord \| chromatic mediant \| common-chord modulation \| conversing \| foreign key modulation \| husband \| leading lady \| mode mixture \| ostinato \| room \| somber \| tender
The Unfaithful (1947)	Unfaithful (Ominous)	1:09:06 - Chris on the phone	advance plot \| lawyer \| leading lady \| monophonic \| office \| phone call \| room \| tense \| thinking
White Heat (1949)	Moll	0:06:40 - Verna sleeps	calm \| establish character \| gangster \| leading lady \| leading man \| moll \| murderer \| room \| sleeping \| snoring \| waking
White Heat (1949)	Verna	0:06:56 - Verna gets up	arguing \| bluesy \| complaining \| dark \| establish character \| gangster \| leading lady \| leading man \| moll \| mother \| murderer \| rising \| room \| victim \| waking
White Heat (1949)	Rushing	0:10:49 - A gangster comes in the door	advance plot \| arguing \| dark \| gangster \| leading lady \| leading man \| moll \| mother \| murderer \| punching \| room \| storm \| tense \| victim \| wind
White Heat (1949)	Plotting	0:11:21 - Cody packs up money in a suitcase	conversing \| dark \| gangster \| leading lady \| leading man \| love scene \| moll \| money \| murderer \| packing \| room \| tense \| transition
White Heat (1949)	Verna (Molto Expressivo)	0:11:38 - Verna embraces Cody	bluesy \| conversing \| dark \| embracing \| flirting \| gangster \| kissing \| leading lady \| leading man \| love scene \| moll \| money \| mother \| murderer \| room \| victim \| waltz
White Heat (1949)	Underscoring (Dark)	0:12:14 - Zuckie pleads with Cody	conversing \| dark \| death \| funereal \| gangster \| leading lady \| leading man \| moll \| mother \| murderer \| murder scene \| pleading \| room \| underscoring \| victim
White Heat (1949)	Zuckie's Death	0:12:29 - Cody ignores Zuckie	crying \| dark \| death \| departing \| funereal \| gangster \| leading lady \| leading man \| moaning \| moll \| mother \| murderer \| murder scene \| pleading \| room \| somber \| victim
White Heat (1949)	Plotting (Extended)	0:12:45 - Ma warns Cody that Zuckie may talk	dark \| death \| gangster \| leading lady \| leading man \| moll \| mother \| murderer \| murder scene \| mysterious \| plotting \| victim \| warning \| yard
White Heat (1949)	Underscoring (Dramatic)	0:12:57 - Cody orders Cotton to shoot Zuckie	commanding \| dark \| death \| dramatic \| gangster \| gun \| leading lady \| leading man \| moll \| mother \| murderer \| murder scene \| stinger \| underscoring \| victim \| yard
White Heat (1949)	Plotting (Ugly)	0:13:06 - Cotton goes to kill Zuckie	dark \| death \| gangster \| gun \| leading lady \| leading man \| moll \| mother \| murderer \| murder scene \| mysterious \| victim \| walking \| yard
White Heat (1949)	Zuckie's Death	0:13:32 - Gangsters get in the car	dark \| death \| departing \| funereal \| gangster \| gun \| leading lady \| leading man \| moll \| mother \| murderer \| murder scene \| somber \| victim \| walking \| yard
White Heat (1949)	Cody (Molto Marcato)	0:13:59 - Cody walks to the car	bold \| dark \| departing \| gangster \| leading lady \| leading man \| moll \| mother \| murderer \| murder scene \| victim \| violent \| walking \| yard
White Heat (1949)	Driving	0:14:09 - The gangsters drive away	dark \| departing \| driving \| gangster \| leading lady \| leading man \| menacing \| moll \| mother \| murderer \| rushing \| self-borrowing \| street \| transition
White Heat (1949)	Danger (Con Moto)	0:17:39 - Cody argues with Verna	agitated \| arguing \| conflict \| gangster \| leading lady \| leading man \| moll \| murderer \| room \| tense
White Heat (1949)	Verna falls	0:18:05 - Verna falls off the chair	agitated \| chair \| conflict \| couch \| falling \| gangster \| kicking \| landing \| leading lady \| leading man \| mickey-mousing \| moll \| murderer \| room \| tense
White Heat (1949)	Danger (Escaping)	0:23:32 - Verna and Ma rush out	action scene \| agent \| dramatic \| escaping \| gangster \| leading lady \| leading man \| moll \| mother \| murderer \| room \| rushing \| street \| wound
White Heat (1949)	Agitato (Escaping)	0:23:37 - Evans struggles on the ground	action scene \| agent \| agitated \| car \| dramatic \| driving \| escaping \| gangster \| gun \| gunshot \| leading lady \| leading man \| moll \| mother \| murderer \| shooting \| street \| struggling \| tense \| wound
White Heat (1949)	Driving (Extended)	0:23:46 - The gangsters speed away	action scene \| agent \| car \| chasing \| dark \| dramatic \| gangster \| leading lady \| leading man \| menacing \| moll \| mother \| murderer \| speeding \| street \| wound
White Heat (1949)	Speed (Frantic)	0:24:11 - The gangsters speed away	car \| chase scene \| chasing \| dramatic \| frantic \| leading lady \| leading man \| moll \| mother \| murderer \| rushing \| self-borrowing \| speeding \| street \| tense
White Heat (1949)	Speed (Frantic)	0:24:26 - The gangsters speed away	car \| chase scene \| chasing \| dramatic \| frantic \| leading lady \| leading man \| moll \| mother \| murderer \| self-borrowing \| speeding \| street \| tense
White Heat (1949)	Speed (Desperate)	0:24:44 - The gangsters speed away	car \| chase scene \| chasing \| dramatic \| frantic \| leading lady \| leading man \| moll \| mother \| murderer \| self-borrowing \| speeding \| street \| tense
White Heat (1949)	Pursuit (Fleeing)	0:24:50 - Ernie chases the gangsters	agent \| car \| chase scene \| chasing \| dramatic \| frantic \| leading lady \| leading man \| moll \| mother \| motor effect \| murderer \| speeding \| street \| tense
White Heat (1949)	Agents + Pursuit (Rising)	0:24:58 - Ernie chases the gangsters	agent \| car \| chase scene \| chasing \| combination of themes \| dramatic \| frantic \| leading lady \| leading man \| moll \| mother \| murderer \| speeding \| street \| tense
White Heat (1949)	Speed (Desperate 2)	0:25:03 - The gangsters speed away	agent \| car \| chase scene \| chasing \| dramatic \| drive-in theater \| frantic \| leading lady \| leading man \| moll \| mother \| murderer \| self-borrowing \| speeding \| tense
White Heat (1949)	Plotting (Mysterious)	0:29:13 - Verna and Ma leave the police station	agent \| leading lady \| leading man \| moll \| mother \| mysterious \| police station \| transition \| walking
White Heat (1949)	Underscoring (Tense)	0:42:03 - Ma talks to the gangsters	advance plot \| conversing \| gangster \| leading lady \| love interest \| moll \| mother \| room \| tense \| underscoring
White Heat (1949)	Cody (Expressivo)	0:42:17 - Ma talks to Big Ed	advance plot \| conversing \| gangster \| leading lady \| love interest \| moll \| mother \| room \| tense
White Heat (1949)	Agitato	0:42:32 - Verna leaves the room	advance plot \| agitated \| conversing \| departing \| gangster \| leading lady \| love interest \| moll \| mother \| room \| tense \| underscoring
White Heat (1949)	Big Ed	0:42:41 - Big Ed leaves the room	advance plot \| gangster \| leading lady \| love interest \| moll \| mother \| room \| tense \| walking
White Heat (1949)	Underscoring (Dramatic)	0:42:52 - Big Ed talks to Verna	advance plot \| anger \| angry \| arguing \| dramatic \| gangster \| leading lady \| love interest \| moll \| porch \| underscoring
White Heat (1949)	Moll (Arguing)	0:43:06 - Verna argues with Big Ed	anger \| arguing \| gangster \| leading lady \| love interest \| love scene \| moll \| porch \| tense \| uneasy
White Heat (1949)	Verna (Slowly)	0:43:41 - Verna kisses Big Ed	betrayal \| bluesy \| gangster \| kissing \| leading lady \| love interest \| love scene \| moll \| mother \| porch \| romantic \| spying \| sultry
White Heat (1949)	Five O'Clock Whistle	1:11:01 - Verna watches Ed	advance plot \| conversing \| gangster \| leading lady \| love interest \| moll \| popular music \| radio \| room \| source music \| upbeat
White Heat (1949)	Underscoring (Tense)	1:13:20 - Big Ed walks up the stairs	action scene \| dark \| gangster \| leading lady \| love interest \| moll \| room \| tense \| underscoring \| walking
White Heat (1949)	Danger (Agitato)	1:13:33 - Verna sits up	action scene \| anxiety \| danger \| gangster \| leading lady \| listening \| love interest \| moll \| room \| tense
White Heat (1949)	Underscoring (Tense)	1:13:57 - Verna sneaks out of her bedroom	action scene \| leading lady \| moll \| room \| sneaking \| tense \| underscoring
White Heat (1949)	Plotting (Sneaking)	1:14:09 - Verna sneaks down the stairs	action scene \| descending \| leading lady \| mickey-mousing \| moll \| mysterious \| room \| sneaking \| stairs \| tense
White Heat (1949)	Underscoring (Tense)	1:14:13 - Verna looks for a way out	action scene \| leading lady \| moll \| room \| sneaking \| tense \| underscoring
White Heat (1949)	Running to window	1:14:22 - Verna runs to the window	action scene \| dramatic \| leading lady \| mickey-mousing \| moll \| opening \| room \| running \| stinger \| tense \| window
White Heat (1949)	Underscoring (Dramatic)	1:14:27 - Verna opens the window	action scene \| dramatic \| leading lady \| mickey-mousing \| moll \| room \| running \| stinger \| tense \| underscoring \| window
White Heat (1949)	Jumping out window	1:14:31 - Verna jumps out of the window	action scene \| descending \| dramatic \| jumping \| leading lady \| mickey-mousing \| moll \| tense \| window \| yard
White Heat (1949)	Madness (Agitato)	1:15:59 - Cody looks at Verna	agitated \| anger \| death \| gangster \| leading lady \| leading man \| lying \| moll \| murderer \| murder scene \| staring \| stinger \| tense \| yard
White Heat (1949)	Cody (Malevolent)	1:16:18 - Cody pushes Verna	dark \| gangster \| gun \| leading lady \| leading man \| moll \| murderer \| murder scene \| pushing \| yard
White Heat (1949)	Underscoring (Mysterious)	1:16:51 - Cody and Verna climb through the window	gangster \| gun \| leading lady \| leading man \| moll \| murderer \| murder scene \| mysterious \| room \| sneaking \| sneaking effect \| tense \| underscoring \| window
White Heat (1949)	Verna (Uneasy)	1:18:05 - Big Ed kisses Verna	dark \| drinking \| embracing \| gangster \| gun \| kissing \| leading lady \| leading man \| love interest \| moll \| murderer \| murder scene \| room \| somber \| spying \| waiting
White Heat (1949)	Big Ed's Death	1:18:41 - Big Ed runs	dark \| death \| dramatic \| dying \| falling \| gangster \| gun \| gunshot \| leading lady \| leading man \| love interest \| mickey-mousing \| moll \| murder \| murderer \| murder scene \| room \| running \| rushing \| shooting \| violence
White Heat (1949)	Underscoring (Dramatic)	1:19:20 - Big Ed's body falls down the stairs	dark \| death \| dramatic \| falling \| fugitive \| gangster \| leading lady \| leading man \| love interest \| mickey-mousing \| moll \| murderer \| murder scene \| panning shot \| room \| stairs \| staring \| statue \| stinger \| undercover agent \| underscoring \| watching
White Heat (1949)	Panning	1:19:32 - Camera pans to the group	beans \| dramatic \| fugitive \| gangster \| leading lady \| leading man \| love interest \| mickey-mousing \| moll \| murderer \| panning shot \| room \| throwing \| transition \| undercover agent \| waiting
White Heat (1949)	Danger (Sneaky)	1:31:56 - Hank puts the transmitter on the truck	advance plot \| fugitive \| gangster \| hiding \| leading lady \| leading man \| moll \| murderer \| sneaking \| tense \| transmitter \| truck \| undercover agent \| yard
White Heat (1949)	Cody 3 (Tense)	1:32:12 - Cody approaches the truck	advance plot \| conversing \| fugitive \| gangster \| leading lady \| leading man \| lying \| moll \| murderer \| tense \| transmitter \| truck \| undercover agent \| yard
White Heat (1949)	Verna (Gum)	1:36:15 - Verna spits out her gum	advance plot \| conversing \| fugitive \| gangster \| gum \| kissing \| leading lady \| leading man \| moll \| murderer \| preparing \| spitting \| tense \| undercover agent \| uneasy \| worker \| yard
The Woman in White (1948)	Appearing	0:02:54 - The woman in white appears	appearing \| establish character \| forest \| leading lady \| leading man \| magical \| magical effect \| mickey-mousing \| mysterious
The Woman in White (1948)	Ann	0:03:00 - The woman in white talks to Walter	calling \| conversing \| establish character \| forest \| leading lady \| leading man \| mysterious
The Woman in White (1948)	Ann 2	0:03:15 - The woman in white talks to Walter	calm \| conversing \| establish character \| forest \| leading lady \| leading man
The Woman in White (1948)	The Carman's Whistle (Rubato)	0:03:23 - Walter talks to the woman in white	calm \| conversing \| establish character \| forest \| leading lady \| leading man
The Woman in White (1948)	The Carman's Whistle (Accompaniment)	0:03:29 - Walter talks to the woman in white	calm \| conversing \| establish character \| forest \| leading lady \| leading man
The Woman in White (1948)	Ann (Quasi Misterioso)	0:03:36 - Walter talks to the woman in white	conversing \| establish character \| forest \| leading lady \| leading man \| mysterious
The Woman in White (1948)	Ann (Poco Agitato)	0:03:55 - The woman in white talks to Walter	agitated \| conversing \| establish character \| forest \| leading lady \| leading man
The Woman in White (1948)	Ann 2	0:04:13 - The woman in white talks to Walter	conversing \| establish character \| forest \| gentle \| leading lady \| leading man \| warm
The Woman in White (1948)	The Carman's Whistle (Accompaniment)	0:04:26 - The woman in white talks to Walter	conversing \| establish character \| forest \| leading lady \| leading man \| mysterious
The Woman in White (1948)	The Carman's Whistle (Arriving) + Ann	0:06:22 - The woman in white appears	arriving \| calm \| combination of themes \| establish character \| garden \| leading lady \| leading man \| mansion \| sneaking \| tense \| tremolo \| walking
The Woman in White (1948)	Limmeridge	0:06:41 - Walter arrives at the mansion	arriving \| bold \| butler \| establish character \| leading lady \| leading man \| mansion
The Woman in White (1948)	Underscoring (Gentle)	0:06:56 - Walter meets Marian	arriving \| butler \| establish character \| gentle \| leading lady \| leading man \| mansion \| underscoring
The Woman in White (1948)	Limmeridge 2	0:19:36 - Walter walks outside	establish character \| garden \| leading lady \| leading man \| mansion \| noble \| walking \| watching
The Woman in White (1948)	Ann (Poco Agitato)	0:20:03 - Walter sees Laura	conversing \| establish character \| garden \| leading lady \| leading man \| mansion \| tense \| walking
The Woman in White (1948)	Laura	0:21:27 - Walter talks with Laura	butler \| conversing \| establish character \| family \| gentle \| leading lady \| leading man \| refined \| room \| walking
The Woman in White (1948)	Laura (Harp Countermelody)	0:22:03 - The Fairlies sit at the table	butler \| conversing \| establish character \| family \| gentle \| leading lady \| leading man \| refined \| room \| walking
The Woman in White (1948)	Ann (Poco Agitato)	0:22:39 - Laura talks about a mysterious woman	butler \| conversing \| establish character \| family \| leading lady \| leading man \| mysterious \| room \| tense \| walking
The Woman in White (1948)	Fosco	0:22:53 - Closeup on Fosco's face	butler \| conversing \| establish character \| family \| leading lady \| leading man \| room \| tense \| walking
The Woman in White (1948)	The Carman's Whistle	0:23:04 - Walter talks about the woman in white	butler \| conversing \| establish character \| family \| leading lady \| leading man \| room \| tense \| walking
The Woman in White (1948)	Underscoring (Mysterious)	0:23:16 - Fosco gets up to leave	butler \| conversing \| establish character \| family \| leading lady \| leading man \| mysterious \| room \| walking
The Woman in White (1948)	Pavan (Harpsichord)	0:26:05 - Laura plays the harpsichord	advance plot \| butler \| conversing \| family \| gentle \| harpsichord \| leading lady \| leading man \| on-screen music \| playing \| Renaissance music \| room \| source music
The Woman in White (1948)	Improvisation	0:28:47 - A monkey plays the harpsichord	advance plot \| conversing \| harpsichord \| leading lady \| leading man \| monkey \| on-screen music \| playing \| room \| source music \| startled
The Woman in White (1948)	Ann (Misterioso)	0:29:34 - Fosco sees Laura outside	advance plot \| conversing \| leading lady \| leading man \| mysterious \| room \| tense \| watching
The Woman in White (1948)	Limmeridge	0:30:46 - Marian talks to Walter	advance plot \| conversing \| cousin \| leading lady \| leading man \| noble \| refined \| room
The Woman in White (1948)	Fairlie (Expressivo)	0:30:58 - Marian talks to Walter	advance plot \| conversing \| cousin \| gentle \| leading lady \| leading man \| refined \| room
The Woman in White (1948)	Fosco (Spying)	0:31:31 - Fosco spies on Laura and Walter	advance plot \| garden \| leading lady \| leading man \| mysterious \| point-of-view shot \| snooping \| spying \| watching
The Woman in White (1948)	Pavan (Garden)	0:33:09 - Marian talks to Fosco	arguing \| conversing \| cousin \| falling in love scene \| garden \| instrument effect \| leading lady \| leading man \| mysterious \| Renaissance music \| somber \| watching
The Woman in White (1948)	Pavan (Agitato)	0:33:43 - Walter argues with Laura	agitated \| arguing \| argument \| falling in love scene \| garden \| leading lady \| leading man
The Woman in White (1948)	The Self Banished	0:34:22 - Walter apologizes to Laura	embracing \| falling in love scene \| garden \| kissing \| leading lady \| leading man \| romance \| tender
The Woman in White (1948)	Laura runs	0:34:56 - Laura runs off	falling in love scene \| garden \| hurried \| leading lady \| leading man \| mickey-mousing \| running \| rushing
The Woman in White (1948)	Fosco (Ominous)	0:35:03 - Fosco's carriage approaches	arriving \| carriage \| dark \| garden \| leading lady \| leading man \| ominous \| transition
The Woman in White (1948)	Laura (Harp Countermelody)	0:36:14 - Laura runs inside	advance plot \| arriving \| fiancé \| gentle \| leading lady \| leading man \| mansion \| running
The Woman in White (1948)	Underscoring (Mysterious)	0:36:22 - Laura greets Sir Percival	advance plot \| conversing \| fiancé \| leading lady \| mansion \| mysterious \| underscoring
The Woman in White (1948)	The Self Banished (Slowly)	0:36:40 - Laura leaves with Sir Percival	advance plot \| calm \| cousin \| fiancé \| leading lady \| mansion \| walking
The Woman in White (1948)	The Self Banished (Con Moto)	0:36:48 - Marian walks outside	advance plot \| agitated \| calm \| cousin \| leading lady \| leading man \| mansion \| walking
The Woman in White (1948)	Underscoring (Mysterious)	0:38:37 - Marian talks to Walter	advance plot \| bad news \| conversing \| cousin \| dark \| garden \| leading lady \| leading man \| mysterious \| stinger \| underscoring
The Woman in White (1948)	The Self Banished (Somber)	0:39:27 - Marian talks to Walter	advance plot \| bad news \| conversing \| cousin \| garden \| gentle \| heartbroken \| leading lady \| leading man \| somber
The Woman in White (1948)	The Carman's Whistle (Accompaniment)	0:39:58 - Walter wanders the grounds	advance plot \| crying \| garden \| gentle \| leading lady \| leading man \| listening \| walking \| wandering
The Woman in White (1948)	Ann 2	0:40:33 - Walter talks to the woman in white	advance plot \| conversing \| crying \| garden \| gentle \| leading lady \| leading man \| remembering \| tender
The Woman in White (1948)	Ann	0:40:45 - The woman in white talks to Walter	advance plot \| conversing \| garden \| leading lady \| leading man \| mysterious \| tense
The Woman in White (1948)	Ann 2	0:41:22 - The woman in white talks to Walter	advance plot \| conversing \| garden \| gentle \| leading lady \| leading man \| tender
The Woman in White (1948)	Ann (Quasi Misterioso)	0:41:28 - The woman in white talks to Walter	advance plot \| conversing \| garden \| leading lady \| leading man \| mysterious
The Woman in White (1948)	Ann 2	0:41:49 - The woman in white talks to Walter	advance plot \| conversing \| garden \| gentle \| leading lady \| leading man \| tender
The Woman in White (1948)	Hypnosis	0:42:04 - The woman in white talks to Walter	advance plot \| conversing \| garden \| leading lady \| leading man \| tense \| underscoring
The Woman in White (1948)	Fosco (Misterioso)	0:42:23 - The woman in white talks about Fosco	advance plot \| conversing \| garden \| leading lady \| leading man \| tense
The Woman in White (1948)	Ann (Molto Misterioso)	0:42:52 - Walter talks to the woman in white	advance plot \| agitated \| conversing \| garden \| leading lady \| leading man \| mysterious
The Woman in White (1948)	Underscoring (Dark)	0:43:00 - The woman in white talks to Walter	advance plot \| conversing \| dark \| garden \| leading lady \| leading man \| ominous \| stinger \| underscoring
The Woman in White (1948)	Ann	0:43:08 - The woman in white talks to Walter	advance plot \| agitated \| conversing \| garden \| leading lady \| leading man \| mysterious
The Woman in White (1948)	Ann 2	0:43:17 - The woman in white talks to Walter	advance plot \| conversing \| garden \| leading lady \| leading man \| tender
The Woman in White (1948)	The Carman's Whistle (Rubato)	0:43:24 - The woman in white talks to Walter	advance plot \| conversing \| garden \| leading lady \| leading man \| tender
The Woman in White (1948)	The Carman's Whistle (Accompaniment)	0:43:31 - The woman in white talks to Walter	advance plot \| conversing \| garden \| gentle \| leading lady \| leading man
The Woman in White (1948)	Fosco (Slowly)	0:43:36 - Walter and the woman in white approach the house	advance plot \| garden \| leading lady \| leading man \| tense \| walking
The Woman in White (1948)	Appearing	0:43:56 - The woman in white runs from Fosco	advance plot \| garden \| leading lady \| leading man \| magical \| mysterious \| running
The Woman in White (1948)	Ann	0:43:58 - The woman in white runs away	advance plot \| garden \| leading lady \| leading man \| mysterious \| running
The Woman in White (1948)	Underscoring (Mysterious)	0:45:40 - Laura enters the mansion	butler \| conflict \| conversing \| cousin \| fiancé \| leading lady \| mansion \| mysterious \| tense \| underscoring
The Woman in White (1948)	Ann (Poco Agitato)	0:46:06 - Walter talks to Marian	arguing \| conflict \| cousin \| leading lady \| leading man \| mansion \| tense
The Woman in White (1948)	Fairlie (Moderato)	0:46:16 - Marian argues with Walter	agitated \| arguing \| conflict \| cousin \| leading lady \| leading man \| mansion
The Woman in White (1948)	Ann (Agitato Quasi Misterioso)	0:46:28 - Walter argues with Marian	arguing \| butler \| conflict \| cousin \| leading lady \| leading man \| mansion \| mysterious \| stinger
The Woman in White (1948)	The Self Banished (Tenderly)	0:46:47 - Marion talks to Walter	butler \| conflict \| conversing \| cousin \| fiancé \| gentle \| leading lady \| leading man \| mansion \| tender
The Woman in White (1948)	Ann (Molto Marcato)	0:50:03 - Walter storms out of the room	angry \| antagonist \| butler \| conflict \| cousin \| departing \| fiancé \| leading lady \| leading man \| mansion
The Woman in White (1948)	Pavan B	0:50:44 - A carriage arrives	arriving \| carriage \| conversing \| cousin \| grand \| headline \| leading lady \| mansion \| montage \| montage \| newspaper \| Renaissance music \| servant \| transition
The Woman in White (1948)	Fairlie (Meno)	0:51:08 - Marian looks at Limmeridge House	advance plot \| arriving \| conversing \| cousin \| gentle \| leading lady \| mansion \| servant \| warm
The Woman in White (1948)	Hypnosis	0:51:33 - The servants greet Marian	advance plot \| arriving \| butler \| conversing \| cousin \| leading lady \| mansion \| servant \| tense
The Woman in White (1948)	Fosco (Misterioso 2)	0:51:57 - Marian learns that the countess is in the house	advance plot \| arriving \| butler \| conversing \| cousin \| leading lady \| mansion \| servant \| stinger \| tense
The Woman in White (1948)	Pavan (Garden 2)	0:55:17 - Marian talks to Mr. Fairlie	advance plot \| conversing \| cousin \| father \| leading lady \| room \| somber
The Woman in White (1948)	Laura (At Dinner)	0:55:43 - Sitting at the dining table	advance plot \| antagonist \| butler \| cigarette \| conversing \| cousin \| eating \| happy \| husband \| leading lady \| light \| mansion \| monkey \| servant \| smoking \| somber
The Woman in White (1948)	Underscoring (Mysterious)	0:56:12 - Sir Percival and a monkey	advance plot \| antagonist \| butler \| cigarette \| conversing \| cousin \| husband \| leading lady \| mansion \| monkey \| mysterious \| servant \| smoking \| stinger \| underscoring
The Woman in White (1948)	Ann (Misterioso Rubato)	0:58:22 - The countess excuses herself	advance plot \| antagonist \| butler \| conversing \| cousin \| departing \| husband \| leading lady \| mansion \| mysterious \| servant \| somber
The Woman in White (1948)	Fosco (Spying)	0:58:37 - Marian writes in her journal	advance plot \| cousin \| journal \| leading lady \| mysterious \| room \| somber \| thinking \| voice-over \| writing
The Woman in White (1948)	Pavan (Agitato 2)	0:58:59 - Laura enters Marian's room	advance plot \| conversing \| cousin \| greeting \| leading lady \| passionate \| room \| tense
The Woman in White (1948)	The Self Banished (Somber)	0:59:47 - Marian talks to Laura	advance plot \| conversing \| cousin \| gentle \| leading lady \| room \| somber
The Woman in White (1948)	The Self Banished (Tenderly)	1:00:22 - Laura talks to Marian	advance plot \| conversing \| cousin \| leading lady \| room \| tender
The Woman in White (1948)	Pavan (Distressed)	1:00:51 - Laura talks to Marian	advance plot \| agitated \| conversing \| cousin \| distressed \| leading lady \| room
The Woman in White (1948)	Pavan (Agitato)	1:01:02 - Laura talks to Marian	advance plot \| agitated \| conversing \| cousin \| leading lady \| room
The Woman in White (1948)	Asylum	1:01:26 - Laura suffers from a headache	aching \| advance plot \| agitated \| conversing \| cousin \| headache \| illness \| illness effect \| leading lady \| pain \| room \| somber \| tense \| victim
The Woman in White (1948)	Asylum (Molto Expressivo)	1:01:37 - Laura talks to Marian	advance plot \| calm \| conversing \| cousin \| headache \| illness \| leading lady \| pain \| recovering \| recovery \| room \| victim
The Woman in White (1948)	Pavan (Slow)	1:01:49 - Marian closes the door	advance plot \| cousin \| departing \| leading lady \| room \| somber \| victim
The Woman in White (1948)	Sneaking	1:02:12 - Marian leaves wearing a cloak	advance plot \| antagonist \| conversing \| cousin \| criminal \| eavesdropping \| father \| husband \| leading lady \| leading man \| room \| sneaking \| somber \| tense
The Woman in White (1948)	Fosco (Misterioso Slowly)	1:04:48 - Count Fosco leaves the room	advance plot \| antagonist \| conversing \| cousin \| criminal \| eavesdropping \| father \| husband \| leading lady \| leading man \| lightning \| mysterious \| room \| sneaking \| storm \| tense
The Woman in White (1948)	Pavan (Basses)	1:05:32 - Marian gets dressed	advance plot \| antagonist \| cousin \| criminal \| dressing \| leading lady \| leading man \| mysterious \| room \| shadow \| somber \| stinger \| surprising
The Woman in White (1948)	Fosco (Misterioso Moderato)	1:08:24 - Fosco is startled by a noise	antagonist \| butler \| conflict \| conversing \| cousin \| criminal \| leading lady \| leading man \| mysterious \| room
The Woman in White (1948)	Fosco (Marcato)	1:08:44 - Fosco talks to the servant	antagonist \| arguing \| butler \| confining \| conflict \| conversing \| cousin \| criminal \| dark \| leading lady \| leading man \| mysterious \| prisoner \| room
The Woman in White (1948)	Underscoring (Dramatic)	1:09:11 - Marian is locked in	antagonist \| confining \| conflict \| conversing \| cousin \| criminal \| dark \| dramatic \| husband \| leading lady \| leading man \| prisoner \| room \| underscoring
The Woman in White (1948)	Asylum (Dark)	1:09:26 - Fosco talks to Sir Percival	aching \| antagonist \| conflict \| conversing \| criminal \| dark \| headache \| husband \| illness \| leading lady \| leading man \| pain \| plotting \| prisoner \| room
The Woman in White (1948)	Asylum (Dolce)	1:09:46 - Laura senses someone in the room	advance plot \| appearing \| calm \| conversing \| headache \| illness \| leading lady \| pain \| room \| superimposed shot \| victim
The Woman in White (1948)	Ann (Poco Agitato)	1:09:55 - The woman in white talks to Laura	advance plot \| agitated \| calm \| conversing \| gentle \| headache \| illness \| leading lady \| pain \| room \| superimposed shot \| victim
The Woman in White (1948)	Appearing	1:10:28 - The woman in white disappears	advance plot \| antagonist \| criminal \| doctor \| hiding \| husband \| leading lady \| leading man \| magical \| mysterious \| room \| running \| superimposed shot \| victim
The Woman in White (1948)	Ann (Poco Agitato)	1:11:46 - Laura mentions the woman in white	agitated \| antagonist \| conflict \| conversing \| criminal \| doctor \| headache \| husband \| illness \| leading lady \| leading man \| pain \| room \| servant \| victim
The Woman in White (1948)	Fosco	1:12:05 - Fosco talks to the maid	agitated \| anger \| antagonist \| conflict \| criminal \| doctor \| headache \| husband \| illness \| leading lady \| leading man \| pain \| room \| searching \| servant \| tense \| victim \| walking
The Woman in White (1948)	Fosco (Molto Agitato)	1:12:15 - Fosco walks	agitated \| anger \| antagonist \| conflict \| criminal \| dark \| doctor \| headache \| husband \| illness \| leading lady \| leading man \| pain \| room \| rushing \| searching \| servant \| tense \| victim \| walking
The Woman in White (1948)	Fosco (Sneaking)	1:13:18 - The countess sneaks into Laura's room	advance plot \| helping \| illness \| leading lady \| mysterious \| room \| servant \| sleeping \| sneaking \| tense \| victim \| wife
The Woman in White (1948)	Adagio	1:13:26 - The countess helps Laura	advance plot \| gentle \| helping \| illness \| leading lady \| room \| servant \| sleeping \| tense \| victim \| whispering \| wife
The Woman in White (1948)	Fosco (Sneaking)	1:13:48 - The maid leaves	advance plot \| departing \| helping \| illness \| leading lady \| mysterious \| room \| servant \| sleeping \| sneaking \| tense \| victim \| wife
The Woman in White (1948)	Underscoring (Mysterious)	1:13:57 - The countess looks around	advance plot \| helping \| illness \| leading lady \| mysterious \| room \| sleeping \| sneaking \| tense \| underscoring \| victim \| wife
The Woman in White (1948)	Ann (Waltz)	1:14:30 - The countess opens a secret door	advance plot \| foreshadowing \| helping \| leading lady \| room \| secret passageway \| sneaking \| tender \| victim \| waltz \| wife
The Woman in White (1948)	Ann (Lyrical)	1:15:15 - The countess approaches the woman in white	advance plot \| gentle \| helping \| leading lady \| lyrical \| room \| sleeping \| sneaking \| victim \| wife
The Woman in White (1948)	Ann 2	1:15:31 - The countess tends to the woman in white	advance plot \| gentle \| helping \| leading lady \| room \| sleeping \| sneaking \| stinger \| tender \| victim \| wife
The Woman in White (1948)	Hypnosis (Misterioso con moto)	1:16:57 - The countess talks to the woman in white	conversing \| death scene \| leading lady \| mysterious \| room \| tense \| victim \| wife
The Woman in White (1948)	Ann 2	1:17:48 - The woman in white talks to Laura	conversing \| death scene \| gentle \| leading lady \| room \| tender \| victim \| wife
The Woman in White (1948)	Ann	1:17:56 - The woman in white talks to Laura	conversing \| death scene \| leading lady \| mysterious \| room \| victim \| wife
The Woman in White (1948)	Hypnosis	1:18:17 - The woman in white hears Fosco's voice	death scene \| hearing voices \| leading lady \| madness \| mysterious \| room \| tense \| victim \| wife
The Woman in White (1948)	Fosco (Misterioso)	1:18:29 - The woman in white hears Sir Percival's voice	antagonist \| arriving \| criminal \| death scene \| hearing voices \| husband \| leading lady \| madness \| mysterious \| room \| screaming \| shock \| surprise \| tense \| victim \| wife
The Woman in White (1948)	Appearing	1:18:48 - The woman in white clutches her heart	antagonist \| criminal \| death scene \| dying \| husband \| leading lady \| mickey-mousing \| room \| screaming \| shock \| surprise \| tense \| victim \| wife
The Woman in White (1948)	Ann (Dead)	1:18:55 - The woman in white lies dead	antagonist \| conversing \| criminal \| dark \| death scene \| dying \| husband \| leading lady \| murderer \| room \| somber \| victim \| wife
The Woman in White (1948)	Ann (Slowly)	1:19:46 - The countess enters	angry \| antagonist \| criminal \| dark \| death scene \| glaring \| husband \| leading lady \| room \| shaking \| victim \| wife
The Woman in White (1948)	Come, Sweet Death (Funeral)	1:20:13 - Mourners at a funeral	cemetery \| church \| cousin \| crowd \| funeral \| funeral \| husband \| leading lady \| leading man \| mourning \| priest \| reading \| somber \| victim
The Woman in White (1948)	Ann (Misterioso)	1:21:57 - Marian talks to Walter	cemetery \| cousin \| crying \| funeral \| funeral \| leading lady \| leading man \| mysterious \| somber \| spying
The Woman in White (1948)	Pavan (Misterioso)	1:23:21 - Marian and Walter leave	cousin \| dark \| forest \| leading lady \| leading man \| leaving \| serious \| spy \| spying \| transition
The Woman in White (1948)	Asylum + Ann	1:24:50 - Close-up on Count Fosco	antagonist \| asylum \| combination of themes \| criminal \| dark \| husband \| hypnosis \| hypnotist \| hypnotizing \| leading lady \| leading man \| lighting change \| mad scene \| murderer \| mysterious \| thematic transference \| victim
The Woman in White (1948)	Asylum + Ann + Hypnosis	1:25:26 - Laura looks at Sir Percival	antagonist \| asylum \| combination of themes \| criminal \| dark \| husband \| hypnosis \| hypnotist \| hypnotizing \| leading lady \| leading man \| mad scene \| murderer \| mysterious \| victim
The Woman in White (1948)	Pavan (Distressed)	1:25:43 - Laura confronts Sir Percival	antagonist \| arguing \| asylum \| criminal \| dark \| husband \| hypnosis \| hypnotist \| leading lady \| leading man \| mad scene \| murderer \| victim
The Woman in White (1948)	Asylum + Ann + Hypnosis	1:26:10 - Count Fosco hypnotizes Laura	antagonist \| asylum \| combination of themes \| criminal \| dark \| husband \| hypnosis \| hypnotist \| hypnotizing \| leading lady \| leading man \| mad scene \| murderer \| shrill \| staring \| victim
The Woman in White (1948)	Ann	1:26:55 - Laura speaks to Count Fosco	antagonist \| asylum \| criminal \| husband \| hypnosis \| hypnotist \| hypnotizing \| leading lady \| leading man \| mad scene \| murderer \| mysterious \| staring \| victim
The Woman in White (1948)	Ann (Waltz)	1:27:14 - Laura dashes away	antagonist \| asylum \| conversing \| criminal \| husband \| hypnosis \| hypnotist \| leading lady \| leading man \| leaving \| mad scene \| murderer \| nurse \| tender \| victim
The Woman in White (1948)	Asylum + Ann + Hypnosis	1:27:35 - Laura hears Count Fosco's voice in her head	asylum \| combination of themes \| hearing voices \| hypnosis \| leading lady \| mad scene \| mysterious \| sneaking \| tense \| victim
The Woman in White (1948)	Ann	1:28:02 - Laura exchanges the keys	asylum \| hypnosis \| key \| leading lady \| mad scene \| mysterious \| sneaking \| tense \| victim
The Woman in White (1948)	Ann 2	1:28:39 - The nurse takes Laura to her room	antagonist \| asylum \| criminal \| husband \| hypnosis \| hypnotist \| leading lady \| leading man \| leaving \| mad scene \| murderer \| nurse \| tender \| victim \| walking
The Woman in White (1948)	Pavan (Garden)	1:31:13 - Walter talks with Marian	conversing \| criminal \| friend \| husband \| leading lady \| leading man \| love scene \| murderer \| noble \| room \| spy \| spying
The Woman in White (1948)	Underscoring (Dramatic)	1:31:28 - Marian sees Sir Percival spying on them	conversing \| dramatic \| friend \| leading lady \| leading man \| love scene \| lyrical \| room \| stinger \| underscoring
The Woman in White (1948)	The Self Banished	1:31:42 - Walter Kisses Marian	conversing \| embracing \| friend \| gentle \| kissing \| leading lady \| leading man \| leaving \| love interest \| love scene \| romantic \| room \| thematic transference
The Woman in White (1948)	Ann (Sleeping)	1:34:27 - Laura in her bed in the asylum	asylum \| comedy \| dark \| key \| leading lady \| mysterious \| patient \| sleeping \| victim \| wife \| worker \| working
The Woman in White (1948)	Appearing	1:34:51 - Laura emerges from her room	asylum \| escape \| escaping \| hiding \| leading lady \| magical \| mickey-mousing \| mysterious \| patient \| sneaking \| victim \| wife
The Woman in White (1948)	Ann	1:34:57 - Laura sneaks down the hallway	asylum \| escape \| escaping \| hiding \| leading lady \| mysterious \| patient \| sneaking \| victim \| wife
The Woman in White (1948)	Appearing	1:35:26 - Laura takes a key	asylum \| escape \| escaping \| hiding \| key \| leading lady \| mickey-mousing \| mysterious \| patient \| sneaking \| victim \| wife
The Woman in White (1948)	Ann	1:35:32 - Laura heads for the exit	asylum \| escape \| escaping \| hiding \| key \| leading lady \| mysterious \| patient \| sneaking \| victim \| wife
The Woman in White (1948)	Appearing	1:35:44 - Laura appears outside	asylum \| escape \| escaping \| leading lady \| mickey-mousing \| mysterious \| patient \| sneaking \| street \| victim \| wife
The Woman in White (1948)	Ann	1:35:51 - Laura exits the asylum gate	asylum \| escape \| escaping \| leading lady \| mysterious \| patient \| sneaking \| street \| victim \| wife
The Woman in White (1948)	Ann 2	1:36:07 - Laura asks a man for help	asking \| escape \| gentle \| leading lady \| patient \| street \| tender \| victim \| wife
The Woman in White (1948)	Underscoring (Dramatic)	1:36:15 - Laura screams when she sees Sir Percival	conflict \| criminal \| dramatic \| hitting \| husband \| leading lady \| leading man \| murderer \| patient \| screaming \| street \| struggling \| underscoring \| victim \| wife
The Woman in White (1948)	Fight	1:36:33 - Walter fights the spy	conflict \| criminal \| dramatic \| fighting \| husband \| leading lady \| leading man \| murderer \| patient \| punching \| spy \| street \| victim \| wife
The Woman in White (1948)	Fosco (Dark)	1:36:50 - Sir Percival on the ground	conflict \| criminal \| dark \| husband \| leading lady \| leading man \| murderer \| ominous \| patient \| spy \| street \| victim \| walking \| wife
The Woman in White (1948)	Pavan (Distressed)	1:37:17 - Walter reads a note from Marian	advance plot \| dark \| leading lady \| leading man \| note \| patient \| reading \| room \| victim \| wife
The Woman in White (1948)	Fosco (Molto Moderato)	1:38:43 - Fosco looks at Marian	advance plot \| criminal \| friend \| leading lady \| leading man \| love interest \| menacing \| murderer \| pacing \| room \| somber
The Woman in White (1948)	Underscoring (Tense)	1:39:05 - The butler enters	advance plot \| butler \| conversing \| criminal \| friend \| leading lady \| leading man \| love interest \| murderer \| room \| tense \| underscoring
The Woman in White (1948)	Fosco (Molto Moderato)	1:39:33 - Fosco talks to Marian	advance plot \| conversing \| criminal \| friend \| leading lady \| leading man \| love interest \| menacing \| murderer \| room \| somber
The Woman in White (1948)	Underscoring (Tense)	1:44:06 - The countess enters	climax \| conversing \| criminal \| dark \| friend \| leading lady \| leading man \| love interest \| murderer \| necklace \| ominous \| room \| transcribed by ear \| wife
The Woman in White (1948)	Ann (Not in Score)	1:44:24 - Count Fosco talks to the Countess	climax \| conversing \| criminal \| friend \| leading lady \| leading man \| love interest \| murderer \| mysterious \| necklace \| room \| transcribed by ear \| wife
The Woman in White (1948)	Fosco (Screwy)	1:44:42 - The Countess walks across the room	climax \| criminal \| friend \| leading lady \| leading man \| love interest \| murderer \| mysterious \| necklace \| room \| sneaking \| walking \| wife
The Woman in White (1948)	Fosco (Sneaking)	1:44:51 - The Countess walks across the room	climax \| criminal \| friend \| leading lady \| leading man \| love interest \| murderer \| mysterious \| necklace \| room \| sneaking \| walking \| wife
The Woman in White (1948)	Adagio	1:45:00 - The Countess picks up a knife	climax \| conversing \| criminal \| friend \| knife \| leading lady \| leading man \| love interest \| murderer \| necklace \| room \| somber \| wife
The Woman in White (1948)	Fosco (Soft)	1:45:18 - The Count talks to Marian	arriving \| climax \| conversing \| criminal \| friend \| leading lady \| leading man \| love interest \| murderer \| mysterious \| necklace \| room \| wife
The Woman in White (1948)	Stabbing	1:45:23 - The Countess stabs Count Fosco	climax \| criminal \| dramatic \| dropping \| friend \| knife \| leading lady \| leading man \| love interest \| mickey-mousing \| murder \| murderer \| murdering \| necklace \| revenge \| room \| stabbing \| violent \| wife
The Woman in White (1948)	Fosco (Dying)	1:45:34 - The Countess picks up the necklace	arriving \| climax \| criminal \| death \| dramatic \| dying \| falling \| friend \| knife \| leading lady \| leading man \| love interest \| murder \| murderer \| necklace \| revenge \| rising \| room \| stinger \| tense \| victim \| violent \| wife
The Woman in White (1948)	Ann (Quasi Misterioso)	1:46:05 - Various close-ups	climax \| criminal \| death \| dying \| friend \| knife \| leading lady \| leading man \| love interest \| murder \| murderer \| necklace \| revenge \| room \| somber \| victim \| watching \| wife
The Woman in White (1948)	Ann (Waltz 2)	1:46:13 - A close-up on the Countess	criminal \| death \| embracing \| friend \| leading lady \| leading man \| love interest \| murder \| murderer \| necklace \| reacting \| resolution \| revenge \| room \| tender \| victim \| waltz \| wife
The Woman in White (1948)	The Self Banished (The End)	1:47:51 - Walter with the children	book \| child \| conversing \| embracing \| father \| greeting \| husband \| kissing \| leading lady \| leading man \| mother \| resolution \| tender \| The End \| voice-over \| wife \| yard
Transgression (1931)	Main Title	0:00:15 - Title of film, starring list, cast list	AABA structure \| altered dominant \| cast list \| gentle \| happy \| harmonic sequence \| leading lady \| mode mixture \| opening title sequence \| plagal cadence \| pleasant \| running \| starring list \| title of film \| transcribed by ear
Transgression (1931)	Dance	0:08:10 - Elsie and Don Arturo at a club	AB structure \| calm \| club \| conversing \| establish character \| leading lady \| love interest \| sophisticated \| source music \| tango
Transgression (1931)	Waltz	0:18:26 - People at a party	advance plot \| calm \| club \| gambling \| leading lady \| linear chromaticism \| love interest \| parallel double period \| sophisticated \| source music \| waltz
Transgression (1931)	Igualada	0:23:20 - Elsie and Don Arturo talking	calm \| club \| conversing \| dance scene \| dancing \| leading lady \| love interest \| sophisticated \| source music \| tango
Transgression (1931)	Igualada	0:24:58 - Elsie and Don Arturo dancing	calm \| club \| conversing \| dance scene \| dancing \| leading lady \| love interest \| sophisticated \| source music \| tango
Transgression (1931)	There's a Sob In My Heart (Ballroom)	0:28:18 - Robert arrives at the party	AABA structure \| augmented sixth chord \| calm \| club \| conversing \| dancing \| husband \| leading lady \| party \| self-borrowing \| sophisticated \| source music
Transgression (1931)	Flute Solo	0:43:22 - Don Arturo opens the door	calm \| conversing \| leading lady \| love interest \| love scene \| room \| source music
Transgression (1931)	Serenade	0:44:16 - Elsie and Don Arturo talking	ABAC structure \| calm \| conversing \| embracing \| kissing \| leading lady \| love interest \| love scene \| romantic \| room \| source music
Transgression (1931)	Gong	0:50:00 - Don Arturo is shot	death \| dying \| gun \| gunshot \| leading lady \| love interest \| murder \| murderer \| murdering \| murder scene \| room \| tense \| victim
Transgression (1931)	Main Title (Ending)	1:09:15 - The End	embracing \| end title sequence \| gentle \| happy \| husband \| leading lady \| pleasant \| The End \| transcribed by ear
Is My Face Red? (1932)	Sailing of the Olympic (Commotion)	0:16:39 - Four people talk at once to Mildred	advance plot \| arguing \| argument \| boat \| chromatic sequence \| eavesdropping \| hurried \| leading lady \| leading man \| metric dissonance \| parallelism \| tense \| transcribed by ear
Is My Face Red? (1932)	Mildred Waltz	0:19:03 - Mildred talks with William	ABA structure \| altered dominant \| augmented sixth chord \| boat \| calm \| conversing \| diminished 7th chord \| leading lady \| leading man \| lovers meet \| transcribed by ear
Is My Face Red? (1932)	Mildred Waltz	0:20:18 - Mildred has a drink with William	ABA structure \| advance plot \| altered dominant \| augmented sixth chord \| boat \| calm \| diminished 7th chord \| drinking \| leading lady \| leading man \| transcribed by ear
Is My Face Red? (1932)	Sidewalks of New York (Lights)	0:21:04 - New York City skyline	calm \| diminished 7th chord \| drinking \| leading lady \| leading man \| New York \| octatonic \| popular music \| setting \| transcribed by ear \| transition
Is My Face Red? (1932)	Mildred Waltz (Tipsy)	0:21:09 - Mildred is drunk	advance plot \| altered dominant \| augmented triad \| boat \| drinking \| drunk \| leading lady \| leading man \| transcribed by ear
Is My Face Red? (1932)	Mildred Waltz	0:21:43 - Mildred talks with William	advance plot \| augmented sixth chord \| boat \| calm \| conversing \| diminished 7th chord \| leading lady \| leading man \| transcribed by ear
Is My Face Red? (1932)	Hurrying	0:22:00 - Mildred and William hurry off	advance plot \| boat \| hurried \| hurrying \| jumping \| leading lady \| leading man \| transcribed by ear \| up
Is My Face Red? (1932)	Mildred Waltz (Rushing)	0:22:05 - Mildred and William leave	advance plot \| boat \| hurried \| hurrying \| leading lady \| leading man \| mode mixture \| Neapolitan \| transcribed by ear
Is My Face Red? (1932)	Scenes Metropolitaine	0:43:51 - Montage of activities in the city	ABCA structure \| augmented triad \| boat \| boxing \| Chinatown \| diminished 7th chord \| excited \| gambling \| leading lady \| leading man \| metric dissonance \| montage \| New York \| night club \| parallelism \| transcribed by ear \| transition \| whole-tone
Is My Face Red? (1932)	Mildred Waltz	0:44:47 - Mildred and William ride in a motorboat	ABA structure \| advance plot \| boat \| calm \| leading lady \| leading man \| sailing \| transcribed by ear
Is My Face Red? (1932)	Comin' Thro' the Rye	0:46:54 - A man exercises to music on a boat	advance plot \| boat \| calm \| exercising \| leading lady \| leading man \| source music \| transcribed by ear
Is My Face Red? (1932)	Guilty	0:47:40 - A radio orchestra plays on a soundstage	advance plot \| band \| broadcast \| calm \| dance music \| leading lady \| leading man \| on-screen music \| radio \| source music \| stage \| transcribed by ear \| walking
Ladies of the Jury (1932)	El Capitan March	0:28:41 - Jurors deliberate	advance plot \| conversing \| juror \| jury room \| leading lady \| march \| radio \| source music \| upbeat
Ladies of the Jury (1932)	There's a Sob in My Heart (Radio)	0:45:27 - Jurors deliberate	AABA structure \| advance plot \| conversing \| dancing \| juror \| jury room \| leading lady \| radio \| self-borrowing \| sentimental \| source music
Secrets of the French Police (1932)	Valse Lente	0:10:24 - A man and a flower girl talk in a cafe	AB structure \| advance plot \| cheerful \| conversing \| flower \| leading lady \| leading man \| restaurant
Secrets of the French Police (1932)	Berceuse	0:13:09 - The flower girl talks with her father	advance plot \| conversing \| father \| leading lady \| restaurant \| somber \| waltz
State’s Attorney (1932)	Blues (Piano)	0:18:14 - People talking in a club	advance plot \| blue note \| club \| conversing \| gangster \| leading lady \| leading man \| mistress \| score to source \| source music \| upbeat
The Roadhouse Murder (1932)	Lady With a Past Fox Trot	0:35:34 - Chick and Mary talking	AABA structure \| cheerful \| conversing \| dancing \| diner \| girlfriend \| leading lady \| leading man \| love scene \| on-screen music \| reporter \| romantic \| self-borrowing \| source music
Thirteen Women (1932)	The Swami	0:07:16 - The swami	Aeolian mode \| antagonist \| conversing \| establish character \| fortune \| fortune teller \| leading lady \| parallelism \| predicting \| room \| somber \| swami \| transcribed by ear
Thirteen Women (1932)	Thirteen Women (Destiny)	0:07:52 - Ursula talks to the swami	antagonist \| common-chord modulation \| conversing \| destiny \| establish character \| fortune teller \| harmonic sequence \| leading lady \| predicting \| relative key \| room \| somber \| swami \| transcribed by ear
Thirteen Women (1932)	The Swami (Past Life)	0:08:18 - The swami talks to Ursula	antagonist \| chromaticism \| chromatic parallelism \| conversing \| establish character \| fortune teller \| leading lady \| room \| somber \| swami \| transcribed by ear
Thirteen Women (1932)	Ursula (Romance)	0:08:37 - The swami kisses Ursula	antagonist \| embracing \| establish character \| fortune teller \| kissing \| leading lady \| romantic \| room \| secondary dominant \| swami \| transcribed by ear \| waltz
Thirteen Women (1932)	Ursula (Horoscope)	0:08:56 - The swami talks to Ursula	antagonist \| conversing \| establish character \| fate \| fortune teller \| leading lady \| mysterious \| predicting \| quintal chord \| room \| somber \| swami \| transcribed by ear
Thirteen Women (1932)	Ursula (Fate)	0:09:11 - The swami predicts Ursula's fate	antagonist \| conversing \| dark \| establish character \| fate \| fortune teller \| half-diminished 7th chord \| leading lady \| mickey-mousing \| mysterious \| predicting \| room \| somber \| stinger \| swami \| train whistle \| transcribed by ear
Thirteen Women (1932)	The Swami (Rising Tension)	0:09:53 - The swami shrinks from Ursula's gaze	antagonist \| conversing \| establish character \| fate \| fortune teller \| leading lady \| mysterious \| parallelism \| room \| swami \| tense \| transcribed by ear
Thirteen Women (1932)	Ursula (Hypnotic)	0:10:05 - Ursula hypnotizes the swami	antagonist \| diminished 7th chord \| establish character \| fortune teller \| hypnotic \| hypnotizing \| leading lady \| mysterious \| room \| seductive \| sleeping \| swami \| transcribed by ear
Thirteen Women (1932)	The Swami (Sleeping)	0:10:46 - Ursula leaves the swami	antagonist \| establish character \| fortune teller \| leading lady \| mysterious \| room \| sleeping \| swami \| transcribed by ear \| whole-tone \| whole-tone chord
Thirteen Women (1932)	Ursula (Horoscope)	0:10:57 - Ursula looks at the horoscope	advance plot \| antagonist \| appoggiatura \| horoscope \| leading lady \| march-like \| mysterious \| reading \| room \| transcribed by ear
Thirteen Women (1932)	Ursula (Agitato)	0:11:16 - Ursula tears up the horoscope	accented dissonance \| advance plot \| agitated \| antagonist \| destroying \| horoscope \| leading lady \| room \| tearing \| tense \| transcribed by ear
Thirteen Women (1932)	Ursula (Dark)	0:11:28 - Ursula reads a horoscope	64 chord \| advance plot \| antagonist \| dark \| funeral march \| horoscope \| leading lady \| reading \| room \| transcribed by ear
Thirteen Women (1932)	Ursula (Exotic)	0:11:45 - Ursula forges the swami's signature	advance plot \| antagonist \| dark \| exotic \| exoticism \| forging \| Gypsy major scale \| horoscope \| leading lady \| mysterious \| ostinato \| room \| signing \| transcribed by ear
Thirteen Women (1932)	Ursula (Exotic)	0:32:54 - Burns enters the house	advance plot \| entering \| exotic \| exoticism \| Gypsy major scale \| leading lady \| love interest \| ostinato \| room \| transcribed by ear
Thirteen Women (1932)	Ursula (Romance 2)	0:33:10 - Burns kisses Ursula	9th chord \| advance plot \| kissing \| leading lady \| love interest \| Neapolitan \| romantic \| room \| secondary dominant \| transcribed by ear \| waltz
Thirteen Women (1932)	Ursula (Mysterious Waltz)	0:33:37 - Ursula talks to Burns	64 chord \| advance plot \| chromatic parallelism \| conversing \| half-diminished 7th chord \| leading lady \| love interest \| mode mixture \| romantic \| room \| transcribed by ear \| waltz
Thirteen Women (1932)	Ursula (Exotic 2)	0:33:52 - Ursula talks to Burns	advance plot \| conversing \| dark \| exotic \| exoticism \| Gypsy major scale \| leading lady \| love interest \| mysterious \| ostinato \| room \| transcribed by ear
Thirteen Women (1932)	Ursula (Exotic)	0:34:06 - Ursula argues with Burns	advance plot \| arguing \| dark \| exotic \| exoticism \| Gypsy major scale \| leading lady \| love interest \| mysterious \| ostinato \| room \| transcribed by ear
Thirteen Women (1932)	Ursula (The End)	0:59:03 - Ursula jumps to her death	chromatic scale \| climax \| dark \| dramatic \| dying \| jumping \| leading lady \| murderer \| The End \| train \| transcribed by ear
Before Dawn (1933)	Wedding March	0:59:55 - Two lovers kissing and The End	detective \| familiar tune \| fanfare \| kissing \| leading lady \| leading man \| plagal cadence \| resolution \| romantic \| secondary dominant \| transcribed by ear \| triumphant
Blind Adventure (1933)	When You're Far Away	0:26:45 - Rose and Richard crash a party	AABA structure \| advance plot \| conversing \| leading lady \| leading man \| lying \| party \| popular song \| romantic \| source music
Blind Adventure (1933)	Marcellene	0:32:12 - Rose and Richard go downstairs	ABAC structure \| advance plot \| calm \| conversing \| leading lady \| leading man \| lying \| party \| popular song \| source music
Headline Shooter (1933)	You Can Depend on Me	0:05:21 - Bathing beauties walk past	AABA structure \| announcing \| beauty contestant \| conversing \| drunk \| establish character \| filming \| film staff \| leading lady \| leading man \| modeling \| on-screen music \| pageant \| photographer \| pleasant \| radio announcer \| source music
Headline Shooter (1933)	Tell Me is It Love?	0:21:50 - Bill and Jane at a bar	advance plot \| bar \| conversing \| drunk \| leading lady \| leading man \| parallel double period \| pleasant \| source music
Headline Shooter (1933)	Isn't This a Night For Love	0:22:10 - Bill and Jane talk at a bar	AABA structure \| advance plot \| bar \| conversing \| leading lady \| leading man \| romantic \| source music
Headline Shooter (1933)	Come Easy, Go Easy, Love	0:46:07 - Bill talks to reporters	AABA structure \| advance plot \| calm \| conversing \| fiancé \| leading lady \| leading man \| reporter \| restaurant \| source music
Sing and Like It (1934)	Indiana	0:01:30 - Ruby changes the radio station	ABAC structure \| boss \| conversing \| establish character \| gangster \| jazz \| leading lady \| leading man \| listening \| moll \| radio \| room \| source music \| upbeat
Sing and Like It (1934)	Dinah	0:02:34 - Ruby and Fenny listen to the radio	AABA structure \| arguing \| boss \| conversing \| establish character \| gangster \| gum \| jazz \| leading lady \| leading man \| listening \| moll \| radio \| room \| source music \| upbeat
Sing and Like It (1934)	It's Sunday Down in Caroline	0:04:11 - Fenny prepares for a meeting	AABA structure \| boss \| conversing \| establish character \| gangster \| jazz \| laughing \| leading lady \| leading man \| moll \| plotting \| radio \| room \| source music \| upbeat
Sing and Like It (1934)	Your Mother	0:10:15 - Annie sings on stage	AABA structure \| ballad \| boss \| crying \| gangster \| leading lady \| listening \| musician \| music scene \| on-screen music \| piano \| robbery \| score to source \| sentimental \| singer \| singing \| source music \| stage \| stealing
Sing and Like It (1934)	Your Mother	0:13:55 - Annie sings on stage	AABA structure \| ballad \| boss \| crying \| gangster \| leading lady \| listening \| musician \| music scene \| on-screen music \| piano \| sentimental \| singer \| singing \| source music \| stage
Sing and Like It (1934)	Your Mother	0:23:01 - Call board for a dress rehearsal	AABA structure \| arguing \| ballad \| boss \| conversing \| gangster \| leading lady \| listening \| musician \| music scene \| on-screen music \| piano \| sentimental \| singer \| singing \| source music \| stage
Sing and Like It (1934)	Liebesträume	0:34:46 - Ruby enters the room	advance plot \| calm \| classical music \| conversing \| gangster \| leading lady \| moll \| musician \| on-screen music \| piano \| playing \| room \| secondary dominant \| source music
Sing and Like It (1934)	Your Mother	0:35:20 - Toots plays the piano	advance plot \| ballad \| gangster \| leading lady \| moll \| musician \| on-screen music \| piano \| playing \| room \| sentimental \| singing \| source music \| teasing \| tone cluster
Sing and Like It (1934)	Liebesträume	0:35:31 - Toots plays the piano	advance plot \| calm \| classical music \| conversing \| gangster \| leading lady \| moll \| musician \| on-screen music \| piano \| playing \| room \| secondary dominant \| source music
Sing and Like It (1934)	Hearts and Flowers	0:36:11 - Toots plays the piano	advance plot \| conversing \| gangster \| leading lady \| moll \| musician \| on-screen music \| parallel period \| piano \| playing \| popular song \| room \| sentimental \| source music
Sing and Like It (1934)	Your Mother	0:44:50 - Annie sings with a tenor	AABA structure \| actor \| advance plot \| ballad \| boss \| gangster \| leading lady \| on-screen music \| piano \| sentimental \| singer \| singing \| source music \| stage
Sing and Like It (1934)	King Kong March	0:58:31 - Annie's name in lights	9th chord \| 11th chord \| 13th chord \| added-note chord \| advance plot \| arriving \| binary form \| boss \| common-tone diminished 7th \| critic \| crowd \| dressing room \| fanfare \| fanfare \| gangster \| leading lady \| lobby \| mode mixture \| neon lights \| parallelism \| self-borrowing \| singer \| street \| theater \| worker
Sing and Like It (1934)	Your Mother	1:04:54 - A man conducts the pit orchestra	AABA structure \| ballad \| boss \| conducting \| conductor \| critic \| crowd \| crying \| dancing \| gangster \| gun \| leading lady \| moll \| musical \| musician \| music scene \| on-screen music \| performer \| performing \| playing \| sentimental \| singer \| singing \| source music \| theater \| threatening \| watching
Sing and Like It (1934)	Your Mother (Curtain Call)	1:07:57 - The audience applauds	AABA structure \| applauding \| boss \| bowing \| cheering \| conducting \| conductor \| critic \| crowd \| gangster \| leading lady \| moll \| musical \| musician \| music scene \| on-screen music \| performer \| playing \| secondary dominant \| singer \| source music \| theater \| transcribed by ear \| upbeat
Sing and Like It (1934)	Makes You Forget Your Troubles	1:08:27 - A man pours champagne	AABA structure \| announcing \| boss \| celebrating \| common-tone diminished 7th \| conversing \| crowd \| drinking \| gangster \| leading lady \| moll \| party \| party \| room \| singer \| source music \| upbeat
Sing and Like It (1934)	At Sunset	1:09:46 - The crowd leaves the party	boss \| conversing \| gangster \| leading lady \| moll \| parallel double period \| party \| party \| room \| sentimental \| singer \| source music
Gridiron Flash (1934)	Swing it Sister	0:21:09 - Eddie at a party	conversing \| friend \| leading lady \| leading man \| party \| popular music \| room \| upbeat
Gridiron Flash (1934)	Gridiron Flash	1:02:36 - The scoreboard	added-note chord \| athlete \| celebrating \| countermelody \| crowd \| football \| football game \| leading lady \| leading man \| march \| resolution \| The End \| upbeat
Hat, Coat, and Glove (1934)	Tonight is Mine	0:11:24 - Dorothea plays the piano	advance plot \| conversing \| leading lady \| leading man \| mode mixture \| on-screen music \| piano \| playing \| pleasant \| room \| source music
Hat, Coat, and Glove (1934)	Wonderful	0:39:29 - Robert tells Dorothea goodbye	11th chord \| ABAC structure \| added-note chord \| advance plot \| calm \| club \| common-tone diminished 7th \| conversing \| lawyer \| leading lady \| leading man \| meeting \| self-borrowing \| source music \| transcribed by ear
Murder on the Blackboard (1934)	Scale	0:28:06 - Hildegarde whistles	advance plot \| detective \| leading lady \| leading man \| major scale \| music notes \| neutral \| on-screen music \| school \| singing \| sleuth \| source music
Murder on the Blackboard (1934)	The Clue	0:28:13 - Hildegarde whistles	advance plot \| detective \| leading lady \| leading man \| music notes \| neutral \| on-screen music \| school \| sleuth \| source music \| whistling
Murder on the Blackboard (1934)	The Clue	0:32:55 - Hildegarde whistles	advance plot \| leading lady \| leading man \| neutral \| on-screen music \| school \| sleuth \| source music \| whistling
Murder on the Blackboard (1934)	The Clue	0:40:59 - Hildegarde whistles	advance plot \| leading lady \| neutral \| on-screen music \| school \| school principal \| sleuth \| source music \| whistling
Murder on the Blackboard (1934)	The Clue	0:56:42 - Hildegarde whistles	advance plot \| detective \| hospital \| leading lady \| neutral \| on-screen music \| professor \| sleuth \| source music \| victim \| whistling
Murder on the Blackboard (1934)	The Clue	1:08:29 - Hildegarde whistles	advance plot \| café \| detective \| leading lady \| leading man \| neutral \| on-screen music \| sleuth \| source music \| whistling
Star of Midnight (1935)	Midnight in Manhattan (Exotic)	0:09:14 - Clay and Donna in the audience	advance plot \| altered dominant \| conversing \| countermelody \| exotic \| exotic \| leading lady \| leading man \| mode mixture \| on-screen music \| score to source \| source music \| theater
Star of Midnight (1935)	What a Night	0:37:08 - Clay in a restaurant	ABAC structure \| advance plot \| conversing \| detective \| leading lady \| leading man \| producer \| restaurant \| sentimental \| source music
Star of Midnight (1935)	If This Isn't Love	0:46:25 - Clay talks with Donna	ABAC structure \| advance plot \| conversing \| detective \| leading lady \| leading man \| restaurant \| sentimental \| source music
Star of Midnight (1935)	Midnight in Manhattan (Restaurant)	0:55:00 - Detective talks on the phone	advance plot \| conversing \| detective \| leading lady \| leading man \| parallel double period \| restaurant \| score to source \| sentimental \| source music
Star of Midnight (1935)	Midnight in Manhattan B	0:55:55 - Clay and Donna talk in a restaurant	advance plot \| conversing \| detective \| leading lady \| leading man \| restaurant \| sentimental \| source music \| suspension
Star of Midnight (1935)	I'm in Love All Over Again	0:58:13 - Clay and Donna talk with Mr. Classon	AABA structure \| advance plot \| conversing \| detective \| leading lady \| leading man \| restaurant \| sentimental \| source music
Star of Midnight (1935)	Improvisation	1:00:53 - Clay plays the piano	advance plot \| detective \| leading lady \| leading man \| piano \| playing \| room \| source music
Star of Midnight (1935)	Midnight in Manhattan (Phonograph)	1:14:27 - Clay plays a record on the phonograph	advance plot \| conversing \| detective \| leading lady \| leading man \| parallel double period \| phonograph \| room \| score to source \| sentimental \| source music
Star of Midnight (1935)	Midnight in Manhattan (Phonograph)	1:19:18 - Clay goes to answer the door	advance plot \| conversing \| detective \| leading lady \| leading man \| phonograph \| room \| score to source \| sentimental \| source music
Star of Midnight (1935)	Midnight in Manhattan (Phonograph)	1:20:25 - Clay goes to answer the door	advance plot \| conversing \| detective \| leading lady \| leading man \| phonograph \| room \| score to source \| sentimental \| source music
Star of Midnight (1935)	Midnight in Manhattan (Phonograph)	1:21:40 - Clay enters the room	advance plot \| conversing \| detective \| leading lady \| leading man \| murderer \| phonograph \| room \| score to source \| sentimental \| source music
We're Only Human (1935)	Silver Lining	0:13:56 - Pete and Sally in a restaurant	conversing \| date \| detective \| flirting \| gentle \| leading lady \| leading man \| love interest \| love scene \| reporter \| restaurant \| source music
We're Only Human (1935)	Old Lavender (Gentle)	0:22:34 - A man scoops up some pasta	64 chord \| advance plot \| altered dominant \| buying \| detective \| food \| leading lady \| leading man \| love interest \| ordering \| peaceful \| pedal tone \| reporter \| store \| worker \| working
We're Only Human (1935)	Old Lavender	0:22:44 - Packaged-up food	9th chord \| added-note chord \| advance plot \| altered dominant \| buying \| common-chord modulation \| detective \| direct modulation \| food \| harmonic sequence \| leading lady \| leading man \| light \| love interest \| optimistic \| ordering \| reporter \| store \| worker \| working
We're Only Human (1935)	Old Lavender (Celeste Solo)	0:23:14 - Pete and Sally buying food	advance plot \| buying \| detective \| direct modulation \| food \| leading lady \| leading man \| love interest \| ordering \| peaceful \| reporter \| store \| street \| worker \| working
We're Only Human (1935)	Lullaby (Adagio)	0:23:36 - Pete watches the car drive away	conflict \| conversing \| detective \| diminished 7th chord \| direct modulation \| dissonant bass \| food \| leading lady \| leading man \| love interest \| reacting \| reporter \| street \| tense
We're Only Human (1935)	Isn't This a Night For Love (Moonlight)	0:23:59 - Pete and Sally having dinner	AABA structure \| conversing \| date \| detective \| dinner \| leading lady \| leading man \| love interest \| love scene \| reporter \| romantic \| room \| source music
We're Only Human (1935)	Isn't This a Night For Love (Dance Band)	0:33:11 - Pete walks into a diner	AABA structure \| advance plot \| arguing \| conversing \| detective \| diner \| leading lady \| leading man \| reporter \| sentimental \| source music
We're Only Human (1935)	Midnight in Manhattan (Warm)	0:36:50 - Mary and Pete in a restaurant	advance plot \| altered dominant \| arguing \| conversing \| detective \| leading lady \| leading man \| mode mixture \| Neapolitan \| reporter \| restaurant \| sentimental \| source music
We're Only Human (1935)	Mildred Waltz	0:46:46 - Pete looks at police sketches	ABA structure \| advance plot \| altered dominant \| augmented sixth chord \| calm \| conversing \| detective \| diminished 7th chord \| leading lady \| leading man \| reporter \| room
We're Only Human (1935)	Waiting	0:47:49 - Sally leaves	advance plot \| calm \| conversing \| departing \| detective \| leading lady \| leading man \| reporter \| room
We're Only Human (1935)	Kong 3	1:01:06 - Pete leaves	car \| chromatic parallelism \| climax \| conflict \| departing \| detective \| diminished 7th chord \| dramatic \| hurried \| leading lady \| leading man \| pedal tone \| reporter \| rushing \| sequence \| street \| victim
We're Only Human (1935)	Game 1	1:01:21 - Driving in a car	car \| car \| chromatic sequence \| climax \| conflict \| detective \| dissonant bass \| dramatic \| driving \| hurried \| leading lady \| leading man \| pedal tone \| reporter \| rushing \| victim \| wipe
We're Only Human (1935)	Game 2	1:01:56 - Witness threatens to kill the criminals	acceleration \| arguing \| car \| car \| chromatic parallelism \| climax \| conflict \| detective \| dramatic \| driving \| hurried \| leading lady \| leading man \| pedal tone \| reporter \| rushing \| threat \| threatening \| victim
We're Only Human (1935)	Russian Waltz (Poco Agitato)	1:02:12 - Getting out the car	car \| chromatic scale \| climax \| conflict \| dark \| detective \| leading lady \| leading man \| reporter \| sneaking \| tense \| victim \| yard
We're Only Human (1935)	Game 3	1:02:23 - Approaching the house	chromatic parallelism \| chromatic parallelism \| climax \| conflict \| detective \| leading lady \| leading man \| mysterious \| pc set \| reporter \| sneaking \| tense \| victim \| yard
We're Only Human (1935)	Russian Waltz (Pizzicato)	1:02:55 - Spying on the house	climax \| conflict \| detective \| leading lady \| leading man \| mysterious \| reporter \| sneaking \| tense \| victim \| yard
We're Only Human (1935)	Saroff	1:03:07 - They argue	arguing \| chromatic scale \| climax \| conflict \| detective \| leading lady \| leading man \| mysterious \| reporter \| tense \| victim \| whole-tone \| whole-tone chord \| yard
We're Only Human (1935)	Lost Patrol 1	1:03:12 - A man runs	climax \| conflict \| detective \| dramatic \| fleeing \| frantic \| gunshot \| leading lady \| leading man \| reporter \| running \| shooting \| victim \| whole-tone \| whole-tone chord \| yard
We're Only Human (1935)	The Informer (Burning Poster) + Blood Money	1:03:25 - A man falls to the ground	climax \| conflict \| crawling \| detective \| diminished 7th chord \| dying \| gunshot \| leading lady \| leading man \| mysterious \| octatonic \| reporter \| Scotch snap \| shooting \| tense \| tone cluster \| victim \| yard
We're Only Human (1935)	The Wearin' o' the Green (Fighting)	1:03:42 - Pete prepares to advance	chromatic parallelism \| climax \| conflict \| detective \| dramatic \| fragmentation \| gunshot \| leading lady \| leading man \| reporter \| running \| sequence \| shooting \| tense \| underscoring \| victim \| yard
We're Only Human (1935)	Isn't This a Night For Love (The End)	1:08:36 - Pete kisses Sally	9th chord \| altered dominant \| car \| detective \| end title sequence \| kissing \| leading lady \| leading man \| love interest \| mode mixture \| reporter \| resolution \| romantic \| The End \| transcribed by ear
Girl of the Rio (1932)	Querida	0:06:40 - Don Jose admires a woman	ABAC structure \| arriving \| celebrity \| conversing \| crowd \| establish character \| laughing \| leading lady \| leading man \| night club \| on-screen music \| performing \| romantic \| singer \| singing \| source music \| Spanish
Girl of the Rio (1932)	Yo Con tu Amor	0:12:26 - Don Jose talks with Dolores	advance plot \| celebrity \| conversing \| flirting \| leading lady \| leading man \| night club \| parallel double period \| romantic \| singer \| source music \| Spanish
Girl of the Rio (1932)	Was it Wrong?	0:15:41 - Johnny rolls a pair of dice	conversing \| crowd \| dancing \| flirting \| leading lady \| leading man \| love interest \| lovers meet \| night club \| on-screen music \| performing \| romantic \| singer \| source music \| syncopation \| terrace \| upbeat
Girl of the Rio (1932)	Baile	0:23:15 - A close-up on Dolores	advance plot \| conversing \| dancing \| departing \| leading lady \| manager \| on-screen music \| performing \| room \| singer \| source music \| upbeat
Girl of the Rio (1932)	Querida	0:38:14 - Dolores sings and plays the guitar	ABAC structure \| advance plot \| conversing \| crowd \| leading lady \| night club \| on-screen music \| plotting \| prison \| romantic \| singer \| singing \| source music \| terrace \| whistling
Girl of the Rio (1932)	Querida	0:48:40 - Dolores sees Johnny	ABAC structure \| conversing \| gentle \| guard \| leading lady \| leading man \| love interest \| love scene \| romantic \| singer \| terrace
Without Honor (1949)	Twilight (Violin Solo)	0:02:44 - Jane in the kitchen	cooking \| doorbell \| establish setting \| food \| kitchen \| leading lady \| somber
Without Honor (1949)	Expressivo	0:03:57 - Jane talks with Dennis	adulterer \| affair \| conversing \| establish character \| leading lady \| leading man \| love interest \| room \| uneasy
Without Honor (1949)	Ecstatic	0:04:07 - Jane talks with Dennis	adulterer \| affair \| conversing \| establish character \| excited \| leading lady \| leading man \| love interest \| room
Without Honor (1949)	Ecstatic (Molto Expressivo)	0:04:21 - Jane talks with Dennis	adulterer \| affair \| conversing \| establish character \| excited \| leading lady \| leading man \| love interest \| room
Without Honor (1949)	Appassionato 2	0:04:37 - Jane talks with Dennis	adulterer \| affair \| conversing \| establish character \| leading lady \| leading man \| love interest \| room \| uneasy
Without Honor (1949)	Molto Misterioso	0:05:03 - Jane walks to the door	adulterer \| affair \| conversing \| establish character \| leading lady \| leading man \| love interest \| mysterious \| room \| tense
Without Honor (1949)	Dog	0:05:12 - Jane finds the dog	adulterer \| affair \| conversing \| dog \| establish character \| leading lady \| leading man \| light \| love interest \| mysterious \| playful \| room
Without Honor (1949)	Tempo di Gavotte	0:05:30 - Jane talks with Dennis	adulterer \| affair \| conversing \| establish character \| leading lady \| leading man \| light \| love interest \| playful \| room
Without Honor (1949)	Twilight (Triste)	NIF - not in film	adulterer \| affair \| conversing \| cut from film \| establish character \| leading lady \| leading man \| love interest \| room
Without Honor (1949)	Appassionato 2 (Molto Agitato)	NIF - not in film	adulterer \| affair \| conversing \| cut from film \| establish character \| leading lady \| leading man \| love interest \| room
Without Honor (1949)	Twilight (Poco Agitato)	NIF - not in film	adulterer \| affair \| conversing \| cut from film \| establish character \| leading lady \| leading man \| love interest \| room
Without Honor (1949)	Molto Expressivo	NIF - not in film	adulterer \| affair \| conversing \| cut from film \| establish character \| leading lady \| leading man \| love interest \| room
Without Honor (1949)	Twilight (Misterioso)	NIF - not in film	adulterer \| affair \| conversing \| cut from film \| establish character \| leading lady \| leading man \| love interest \| room
Without Honor (1949)	Triste	0:07:37 - Dennis tells Jane their relationship is over	adulterer \| affair \| breaking up \| breakup \| crying \| death scene \| kitchen \| leading lady \| leading man \| love interest \| somber
Without Honor (1949)	Appassionato 2 (Agitato)	0:07:57 - Jane tells Dennis she still loves him	adulterer \| affair \| arguing \| breaking up \| breakup \| crying \| death scene \| kitchen \| leading lady \| leading man \| love interest \| passionate \| somber
Without Honor (1949)	Appassionato (Broad)	0:08:11 - Jane cries	adulterer \| affair \| arguing \| breaking up \| breakup \| crying \| death scene \| kitchen \| leading lady \| leading man \| love interest \| passionate \| somber
Without Honor (1949)	Desperation	0:08:20 - Jane talks to Dennis	adulterer \| affair \| arguing \| breaking up \| breakup \| crying \| death scene \| dramatic \| kitchen \| leading lady \| leading man \| love interest \| underscoring
Without Honor (1949)	Appassionato (Molto Expressivo)	0:08:35 - Jane cries	adulterer \| affair \| arguing \| breaking up \| breakup \| crying \| death scene \| kitchen \| leading lady \| leading man \| love interest \| passionate \| somber
Without Honor (1949)	Twilight (Agitato)	0:08:54 - Jane talks to Dennis	adulterer \| affair \| arguing \| breaking up \| breakup \| crying \| death scene \| kitchen \| leading lady \| leading man \| love interest \| mysterious \| ominous \| tense
Without Honor (1949)	Underscoring (Agitated)	0:09:10 - Jane threatens to kill herself	adulterer \| affair \| arguing \| breaking up \| breakup \| crying \| dark \| death scene \| dramatic \| kitchen \| leading lady \| leading man \| love interest \| suicide \| underscoring
Without Honor (1949)	Underscoring (Dramatic)	0:09:23 - Jane and Dennis struggle	addicent \| adulterer \| death \| death scene \| dramatic \| fighting \| kitchen \| knife \| leading lady \| leading man \| love interest \| skewer \| struggling \| underscoring
Without Honor (1949)	Twilight (Maestoso)	0:09:36 - Dennis on the ground	addicent \| adulterer \| death \| death scene \| dramatic \| dying \| kitchen \| knife \| leading lady \| leading man \| love interest \| ominous \| reacting \| skewer \| standing \| struggling
Without Honor (1949)	Twilight (Washing Machine)	0:10:14 - Dennis by the washing machine	addicent \| adulterer \| death \| death scene \| dramatic \| dying \| kitchen \| knife \| leading lady \| leading man \| love interest \| motor effect \| ominous \| reacting \| skewer \| struggling \| washing machine
Without Honor (1949)	Underscoring (Tense)	0:10:30 - Jane looks at Dennis's body	addicent \| adulterer \| corpse \| death \| death scene \| kitchen \| knife \| leading lady \| leading man \| love interest \| reacting \| skewer \| tense \| thinking \| underscoring
Without Honor (1949)	Fingers	0:10:54 - Jane's fingers start twitching	addicent \| adulterer \| corpse \| crazed \| death \| death scene \| hand \| kitchen \| knife \| leading lady \| leading man \| love interest \| mysterious \| reacting \| skewer \| tense \| thinking \| twitching
Without Honor (1949)	Twilight (Bloody Hand)	0:11:04 - Blood on Jane's hand	addicent \| adulterer \| blood \| dark \| death \| death scene \| hand \| kitchen \| leading lady \| leading man \| love interest \| reacting \| thinking \| washing
Without Honor (1949)	Twilight (Molto Expressivo)	0:11:25 - Jane tries to get the blood off her hand	addicent \| adulterer \| blood \| death \| death scene \| hand \| kitchen \| leading lady \| leading man \| love interest \| somber \| washing
Without Honor (1949)	Twilight (Dark)	0:11:59 - Jane closes the door to the laundry room	blood \| dark \| death scene \| kitchen \| leading lady \| washing
Without Honor (1949)	Underscoring (Tense)	0:12:11 - Jane wipes blood off of the floor	blood \| death scene \| kitchen \| leading lady \| ominous \| tense \| underscoring \| washing
Without Honor (1949)	Here Comes the Bride (Misterioso)	0:12:40 - Jane's wedding picture	advance plot \| audible thoughts \| leading lady \| mysterious \| photograph \| room \| thinking
Without Honor (1949)	Underscoring (Tense)	0:12:58 - Jane walks forward	advance plot \| leading lady \| room \| telephone \| tense \| thinking \| underscoring
Without Honor (1949)	Agitation	0:13:26 - Jane puts down the phone	advance plot \| agitated \| leading lady \| preparing \| room \| telephone \| thinking \| underscoring
Without Honor (1949)	Appassionato 2 (Molto Agitato)	0:13:39 - Jane changes her clothes	advance plot \| agitated \| changing \| clothes \| leading lady \| room
Without Honor (1949)	Twilight (Molto Agitato)	0:14:01 - Jane looks in the mirror	advance plot \| agitated \| changing \| clothes \| leading lady \| room
Without Honor (1949)	Appassionato 2 (Listesso)	0:14:15 - Jane puts on lipstick	advance plot \| agitated \| changing \| leading lady \| mirror \| room
Without Honor (1949)	Appassionato (Broad)	0:14:20 - Jane puts on a necklace	advance plot \| agitated \| changing \| leading lady \| mirror \| room
Without Honor (1949)	Desperation (Wedding Ring)	0:14:29 - Jane tries to take off her wedding ring	advance plot \| changing \| dramatic \| leading lady \| mirror \| ring \| room \| underscoring
Without Honor (1949)	Underscoring (Tense)	0:14:37 - Jane stares at herself in the mirror	advance plot \| audible thoughts \| blaming \| crying \| leading lady \| mirror \| room \| tense \| thinking \| underscoring
Without Honor (1949)	Underscoring (Tense)	0:15:21 -	advance plot \| calling \| conversing \| doorbell \| fidgeting \| leading lady \| room \| telephone \| tense \| underscoring \| walking
Without Honor (1949)	Girl Scouts	0:15:50 - Girl scouts at the door	advance plot \| child \| conversing \| leading lady \| light \| room \| scout
Without Honor (1949)	Twilight (Very Slow)	0:16:06 - Jane stops suddenly	advance plot \| child \| dark \| door \| leading lady \| ominous \| room \| scout \| walking
Without Honor (1949)	Girl Scouts (Mysterious)	0:16:31 - The girl scouts offer to help	advance plot \| child \| conversing \| leading lady \| mysterious \| room \| scout
Without Honor (1949)	Chromatic Clarinet	0:16:42 - Jane talks to the girl scouts	advance plot \| child \| leading lady \| reacting \| room \| scout \| tense \| underscoring \| walking
Without Honor (1949)	Underscoring (Dramatic)	0:16:50 - Jane brings her purse	advance plot \| child \| dramatic \| leading lady \| reacting \| room \| scout \| walking
Without Honor (1949)	Underscoring (Tense)	0:17:03 - Jane talks to the girl scouts	advance plot \| child \| conversing \| fidgeting \| leading lady \| room \| scout \| tense \| underscoring
Without Honor (1949)	Girl Scouts (Extended)	0:17:22 - The girl scouts leave	advance plot \| child \| leading lady \| light \| reacting \| room \| scout \| thinking \| underscoring \| walking
Without Honor (1949)	Twilight (Adagio)	0:17:41 - Jane walks	advance plot \| dark \| leading lady \| ominous \| reacting \| room \| thinking \| walking
Without Honor (1949)	Unidentified dance tune	0:19:04 - Bill turns on the radio	advance plot \| antagonist \| brother \| conversing \| leading lady \| leading man \| popular music \| reacting \| room \| source music \| upbeat
Without Honor (1949)	Underscoring (Dramatic)	0:21:29 - Bill heads towards the laundry room	antagonist \| brother \| conflict \| corpse \| door \| dramatic \| kitchen \| leading lady \| leading man \| reacting \| rushing \| tense \| underscoring
Without Honor (1949)	Twilight (Tense)	0:21:51 - Jane cleans off Bill's sleeve	antagonist \| brother \| cleaning \| conflict \| conversing \| corpse \| door \| kitchen \| leading lady \| leading man \| opening \| tense
Without Honor (1949)	Cleaning	0:21:57 - Jane cleans off Bill's sleeve	antagonist \| brother \| cleaning \| cleaning effect \| conflict \| conversing \| corpse \| door \| kitchen \| leading lady \| leading man \| mickey-mousing \| tense
Without Honor (1949)	Underscoring (Tense)	0:22:07 - Bill tosses the towel	antagonist \| brother \| conflict \| conversing \| corpse \| door \| kitchen \| leading lady \| leading man \| tense \| tossing \| underscoring
Without Honor (1949)	Misterioso	0:22:17 - Jane reacts	antagonist \| brother \| conflict \| kitchen \| leading lady \| leading man \| mysterious \| taunting \| tense
Without Honor (1949)	Rubato	0:22:34 - Bill talks with Jane	antagonist \| brother \| conflict \| dramatic \| kitchen \| leading lady \| leading man \| memory \| rushing \| taunting \| tense
Without Honor (1949)	Tension	0:22:52 - Jane gives Bill a drink	antagonist \| brother \| conflict \| kitchen \| leading lady \| leading man \| memory \| taunting \| tense \| underscoring \| uneasy
Without Honor (1949)	Valse Triste	0:23:06 - Bill talks with Jane	antagonist \| brother \| conflict \| kitchen \| leading lady \| leading man \| memory \| recounting \| somber \| uneasy \| waltz
Without Honor (1949)	Valse Triste (Poco Appassionato)	0:23:31 - Bill grabs Jane's arm	antagonist \| brother \| conflict \| dramatic \| grabbing \| kitchen \| leading lady \| leading man \| memory \| reacting \| recounting \| tense \| waltz
Without Honor (1949)	Jerks hand	0:23:41 - Jane jerks her arm away	antagonist \| brother \| conflict \| dramatic \| escaping \| kitchen \| leading lady \| leading man \| mickey-mousing \| reacting \| stinger
Without Honor (1949)	Valse Triste (Misterioso)	NIF - not in film	antagonist \| brother \| conflict \| cut from film \| kitchen \| leading lady \| leading man
Without Honor (1949)	Valse Triste (Ominous)	0:24:46 - Bill looks at Jane	antagonist \| brother \| conflict \| leading lady \| leading man \| ominous \| reacting \| room \| solemn \| taunting
Without Honor (1949)	Grabs her	0:25:40 - Bill grabs Jane and kisses her	antagonist \| brother \| conflict \| dramatic \| grabbing \| kissing \| leading lady \| leading man \| room \| slapping \| turning
Without Honor (1949)	Tunes Radio	0:26:26 - Bill turns on the radio	antagonist \| brother \| conflict \| conversing \| leading lady \| leading man \| radio \| room \| source music \| upbeat
Without Honor (1949)	Unidentified dance tune 2	0:27:06 - Bill turns on the radio	antagonist \| brother \| conflict \| leading lady \| leading man \| popular music \| radio \| reacting \| room \| source music \| taunting \| upbeat
Without Honor (1949)	First Call	0:27:58 - Jane looks at Bill	antagonist \| brother \| bugle call \| conflict \| leading lady \| leading man \| radio \| room \| source music \| taunting \| upbeat
Without Honor (1949)	Unidentified dance tune 3	0:28:30 - Bill tunes the radio	antagonist \| brother \| conflict \| leading lady \| leading man \| popular music \| radio \| room \| source music \| taunting \| upbeat
Without Honor (1949)	Liszt Waltz	0:29:28 - Bill talks to Jane	antagonist \| arriving \| brother \| calm \| classical music \| conflict \| conversing \| leading lady \| leading man \| radio \| room \| source music \| taunting \| wife \| zoom in
Without Honor (1949)	Prelude in D-Flat Major, Op. 28, No. 15 "Raindrop"	0:33:17 - Mrs. Williams talks to Jane	antagonist \| brother \| calm \| classical music \| conflict \| conversing \| leading lady \| leading man \| radio \| room \| source music \| wife
Without Honor (1949)	Unidentified dance tune 4	0:34:19 - Bill tunes the radio	antagonist \| brother \| calling \| conflict \| conversing \| dialing \| leading lady \| leading man \| popular music \| radio \| room \| source music \| telephone \| upbeat \| wandering \| wife
Without Honor (1949)	Underscoring (Tense)	0:37:33 - Jane climbs out the window	action scene \| escaping \| hiding \| leading lady \| running \| tense \| underscoring \| window \| yard
Without Honor (1949)	Jumping down	0:37:38 - Jane jumps to the grould	action scene \| descending \| jumping \| leading lady \| mickey-mousing \| tense \| window \| yard
Without Honor (1949)	Good Humor Truck + Underscoring (Tense)	0:37:46 - Jane runs to the road	\| action scene \| combination of themes \| escaping \| hiding \| ice cream truck \| leading lady \| running \| scored source music \| source music \| street \| tense \| underscoring
Without Honor (1949)	Underscoring (Tense)	0:38:12 - Jane gets sprayed by a hose	action scene \| bus \| conversing \| leading lady \| neighbor \| street \| tense \| underscoring
Without Honor (1949)	Chasing bus	0:38:22 - Jane runs after the bus	action scene \| bus \| chasing \| dramatic \| falling \| leading lady \| mickey-mousing \| running \| street
Without Honor (1949)	Appassionato 2 (Dramatic)	0:38:33 - Jane tries to catch the bus	action scene \| bus \| chasing \| dramatic \| leading lady \| street \| waving
Without Honor (1949)	Twilight (Rubato)	0:39:03 - Jane stands in the road	action scene \| car \| husband \| leading lady \| leading man \| solemn \| street \| walking
Without Honor (1949)	Misterioso (Molto Rubato)	0:43:10 - Bill talks with Fred	antagonist \| brother \| conflict \| conversing \| husband \| leading lady \| leading man \| reveal \| room \| secret \| tense \| warning
Without Honor (1949)	Expressivo (Slowly)	0:43:25 - Jane walks slowly past	conflict \| conversing \| leading lady \| reveal \| room \| secret \| solemn \| wife
Without Honor (1949)	Chromatic Clarinet	0:43:47 - Jane walks slowly over	conflict \| conversing \| leading lady \| reveal \| room \| secret \| solemn \| wife
Without Honor (1949)	Triste (Appassionato)	0:47:41 - Mrs. Williams talks to Jane	conflict \| conversing \| leading lady \| reveal \| revealing \| room \| secret \| solemn \| wife \| yelling
Without Honor (1949)	Desperation (Triste)	0:48:15 - Jane sinks down slowly	conflict \| conversing \| descending \| leading lady \| realizing \| reveal \| room \| secret \| sinking \| sitting \| solemn \| wife
Without Honor (1949)	Appassionato (Molto Expressivo)	0:48:38 - Mrs. Williams talks to Jane	conflict \| denying \| expressive \| leading lady \| reveal \| room \| secret \| wife
Without Honor (1949)	Twilight (Ethereal)	0:48:53 - Jane talks about love	conflict \| denying \| ethereal \| leading lady \| reveal \| room \| secret \| wife
Without Honor (1949)	Valse Triste (Andante Doloroso)	0:49:07 - Fred enters	antagonist \| brother \| conflict \| entering \| husband \| leading lady \| leading man \| reacting \| reveal \| room \| secret \| somber \| thinking \| wife
Without Honor (1949)	Underscoring (Tense)	0:49:48 - Bill talks to Fred	antagonist \| brother \| conflict \| conversing \| husband \| leading lady \| leading man \| reveal \| room \| secret \| tense \| thinking \| wife
Without Honor (1949)	Tension (Molto Misterioso)	0:50:03 - Bill stares at Jane	anger \| antagonist \| brother \| conflict \| conversing \| demanding \| dramatic \| husband \| leading lady \| leading man \| reveal \| room \| secret \| slapping \| tense \| wife
Without Honor (1949)	Agitation (Appassionato)	0:52:28 - Jane cries	agitated \| antagonist \| brother \| climax \| confessing \| confession \| crying \| demanding \| husband \| leading lady \| leading man \| room \| tense \| wife
Without Honor (1949)	Confession	0:52:54 - Jane confesses	agitated \| antagonist \| brother \| climax \| confessing \| confession \| crying \| husband \| leading lady \| leading man \| room \| wife
Without Honor (1949)	Appassionato 2	0:53:24 - Jane laughs	antagonist \| brother \| climax \| confession \| crying \| husband \| laughing \| leading lady \| leading man \| passionate \| room \| wife
Without Honor (1949)	Underscoring (Dramatic)	0:53:45 - Jane screams	antagonist \| blood \| brother \| climax \| confession \| dramatic \| handprint \| husband \| leading lady \| leading man \| room \| screaming \| tense \| underscoring \| wife
Without Honor (1949)	Desperation (The Scream)	0:53:50 - They look at the bloody handprint	antagonist \| blood \| brother \| climax \| confession \| departing \| dramatic \| handprint \| husband \| investigating \| leading lady \| leading man \| room \| screaming \| searching \| tense \| wife \| yard
Without Honor (1949)	Appassionato 2 (Agitato)	0:54:14 - Jane exits the house	climax \| leading lady \| searching \| tense \| wandering \| yard
Without Honor (1949)	Appassionato (Broad)	0:54:27 - Bill talks on the phone	antagonist \| brother \| calling \| climax \| leading lady \| leading man \| room \| searching \| telephone \| tense \| wandering \| yard
Without Honor (1949)	Desperation	0:54:35 - The orchard	climax \| leading lady \| orchard \| searching \| tense
Without Honor (1949)	Twilight (Bloody Hand)	0:54:40 - Jane looks around the orchard	climax \| leading lady \| orchard \| searching \| tense
Without Honor (1949)	Twilight (Molto Expressivo)	0:54:55 - Jane is startled	climax \| leading lady \| orchard \| searching \| tense
Without Honor (1949)	Twilight (Resolution)	0:55:26 - Jane walks out of the orchard	antagonist \| brother \| calm \| child \| conversing \| husband \| leading lady \| leading man \| orchard \| resolution \| scout \| street
Without Honor (1949)	Doloroso	0:57:10 - Mrs. Williams talks to Jane	antagonist \| apologizing \| brother \| climax \| conversing \| husband \| leading lady \| leading man \| room \| solemn \| wife
Without Honor (1949)	Twilight (Somber)	0:57:48 - Mrs. Williams forgives Jane	antagonist \| bathroom \| brother \| climax \| forgiveness \| husband \| leading lady \| leading man \| razor blade \| room \| somber \| thinking \| wife
Without Honor (1949)	Tension (Extended)	0:58:12 - Mrs. Williams talks to Fred and Bill	antagonist \| bathroom \| brother \| climax \| conversing \| forgiveness \| husband \| leading lady \| leading man \| razor blade \| room \| tense \| wife
Without Honor (1949)	Valse Triste (Suicide)	0:58:33 - Jane stares in the mirror	antagonist \| attempted suicide \| bathroom \| brother \| climax \| conversing \| husband \| knocking \| leading lady \| leading man \| razor blade \| room \| somber \| suicide \| wife
Without Honor (1949)	Valse Triste (Molto Appassionato)	0:58:58 - Jane stares down	antagonist \| attempted suicide \| bathroom \| brother \| climax \| conversing \| dramatic \| husband \| knocking \| leading lady \| leading man \| razor blade \| room \| suicide \| wife
Without Honor (1949)	Appassionato 2 (Molto Expressivo)	0:59:06 - Jane cuts her wrist	antagonist \| attempted suicide \| bathroom \| breaking \| brother \| climax \| committing suicide \| conversing \| cutting \| dramatic \| entering \| grabbing \| husband \| knocking \| leading lady \| leading man \| razor blade \| room \| running \| suicide \| wife \| yelling
Without Honor (1949)	Twilight (Rubato)	0:59:24 - Mrs. Williams helps Jane	antagonist \| attempted suicide \| brother \| climax \| doctor \| helping \| husband \| leading lady \| leading man \| razor blade \| room \| serious \| somber \| struggling \| suicide \| wife
The Most Dangerous Game (1932)	Piano Noise	0:23:59 - Martin falls on the piano	brother \| castle \| count \| drunk \| establish character \| leading lady \| leading man \| neutral \| on-screen music \| source music \| stumbling
The Most Dangerous Game (1932)	Russian Waltz	0:24:22 - Zaroff plays the piano	brother \| castle \| conversing \| count \| dog \| drunk \| establish character \| leading lady \| leading man \| on-screen music \| piano \| playing \| recounting \| score to source \| somber \| source music \| warning
The Most Dangerous Game (1932)	Russian Waltz (Upstairs)	0:26:51 - Eve goes up the stairs	advance plot \| ascending \| brother \| castle \| conversing \| count \| departing \| drunk \| leading lady \| leading man \| mickey-mousing \| mute \| mysterious \| servant \| source to score \| stairs \| tense \| walking
The Most Dangerous Game (1932)	Zaroff (Stinger)	0:27:05 - A closeup on Ivan	advance plot \| brother \| castle \| close-up \| conversing \| count \| drunk \| leading lady \| leading man \| mute \| mysterious \| servant \| stinger \| tense
The Most Dangerous Game (1932)	Russian Waltz (Zoom In)	0:27:16 - Zaroff looks up at Eve	advance plot \| brother \| castle \| close-up \| conversing \| count \| departing \| drunk \| frantic \| leading lady \| leading man \| mute \| ominous \| servant \| stinger \| zoom in
The Most Dangerous Game (1932)	Russian Waltz (Whole Tone) + The Iron Door	0:29:10 - Bob wakes up	barking \| bed \| castle \| combination of themes \| door \| knocking \| leading lady \| leading man \| mysterious \| opening \| sleeping \| turning point \| waking
The Most Dangerous Game (1932)	Underscoring (Mysterious)	0:29:31 - Bob gets up	barking \| castle \| leading lady \| leading man \| mysterious \| rising \| turning point \| underscoring
The Most Dangerous Game (1932)	Emotions	0:29:42 - Eve comes in	agitated \| candle \| castle \| conversing \| fear \| leading lady \| leading man \| tense \| turning point
The Most Dangerous Game (1932)	Emotions 2	0:29:59 - Eve talks with Bob	agitated \| candle \| castle \| conversing \| fear \| leading lady \| leading man \| tense \| turning point
The Most Dangerous Game (1932)	The Iron Door (Mysterioso)	0:30:12 - Bob talks with Eve	candle \| castle \| conversing \| foreshadowing \| leading lady \| leading man \| mysterious \| stinger \| turning point
The Most Dangerous Game (1932)	Russian Waltz (Sneaking)	0:30:29 - Bob and Eve sneak downstairs	candle \| castle \| descending \| leading lady \| leading man \| mysterious \| sneaking \| tense \| turning point \| walking
The Most Dangerous Game (1932)	The Approach (Sneaking)	0:30:39 - Bob and Eve sneak downstairs	candle \| castle \| descending \| leading lady \| leading man \| mysterious \| sneaking \| tense \| turning point \| walking
The Most Dangerous Game (1932)	Zaroff (Very Mysterious)	0:30:58 - Bob and Eve enter the trophy room	candle \| castle \| descending \| leading lady \| leading man \| mickey-mousing \| mysterious \| sneaking \| turning point \| walking
The Most Dangerous Game (1932)	Russian Waltz (Adagio) + The Iron Door	0:31:06 - Bob and Eve descend the stairs	candle \| castle \| dark \| descending \| leading lady \| leading man \| ominous \| searching \| sneaking \| turning point \| walking
The Most Dangerous Game (1932)	Zaroff (Sneaking)	0:31:29 - Bob and Eve look around	candle \| castle \| descending \| leading lady \| leading man \| mysterious \| searching \| sneaking \| turning point \| walking
The Most Dangerous Game (1932)	Decapitated Head	0:31:35 - Eve sees a decapitated head	candle \| castle \| dramatic \| head \| jump scare \| leading lady \| leading man \| screaming \| stinger \| turning point
The Most Dangerous Game (1932)	Emotions (Agitato)	0:37:04 - The iron door	action scene \| agitated \| castle \| descending \| door \| fear \| leading lady \| opening \| running \| rushing \| screaming \| tense
The Most Dangerous Game (1932)	Emotions 2 (Agitato)	0:37:23 - Eve runs to Bob	action scene \| agitated \| arriving \| castle \| conversing \| count \| fear \| leading lady \| leading man \| mute \| prisoner \| servant \| tense \| villain
The Most Dangerous Game (1932)	Russian Waltz (Meno) + The Iron Door	0:37:30 - Zaroff talks about the game	action scene \| castle \| combination of themes \| conversing \| count \| leading lady \| leading man \| mute \| prisoner \| servant \| tense \| villain
The Most Dangerous Game (1932)	Underscoring (Tense)	0:37:49 - Zaroff talks about the game	action scene \| castle \| conversing \| count \| leading lady \| leading man \| mute \| prisoner \| servant \| tense \| underscoring \| villain
The Most Dangerous Game (1932)	Zaroff (Molto Moderato) + The Iron Door	0:38:01 - Zaroff talks about the game	action scene \| castle \| combination of themes \| conversing \| count \| leading lady \| leading man \| mute \| prisoner \| servant \| tense \| villain
The Most Dangerous Game (1932)	Courage + The Iron Door	0:38:17 - Bob and Eve leave	action scene \| agitated \| castle \| combination of themes \| count \| departing \| leading lady \| leading man \| mute \| prisoner \| servant \| tense \| villain
The Most Dangerous Game (1932)	Russian Waltz (Maestoso)	0:38:32 - Bob and Eve are taken to the jungle	action scene \| conversing \| fanfare \| jungle \| leading lady \| leading man \| mute \| ominous \| preparing \| prisoner \| releasing \| servant \| walking
The Most Dangerous Game (1932)	Emotions (Dramatic)	0:39:00 - Bob and Eve take one last look back	action scene \| dramatic \| jungle \| leading lady \| leading man \| looking \| walking
The Most Dangerous Game (1932)	Courage (Tone Cluster)	0:41:32 - Bob builds a trap	action scene \| jungle \| knife \| leading lady \| leading man \| mysterious \| preparing \| stinger \| tense \| trap \| victim
The Most Dangerous Game (1932)	Russian Waltz (Poco Agitato)	0:42:12 - The Count approaches	action scene \| count \| dark \| hiding \| hunting \| jungle \| knife \| leading lady \| leading man \| sneaking \| stalking \| tense \| trap \| victim \| villain \| waiting \| watching
The Most Dangerous Game (1932)	Zaroff (Poco Agitato)	0:42:25 - Bob and Eve hide in a cave	action scene \| agitated \| count \| hiding \| hunting \| jungle \| knife \| leading lady \| leading man \| sneaking \| stalking \| tense \| trap \| victim \| villain \| waiting \| watching
The Most Dangerous Game (1932)	Courage (Hiding)	0:42:33 - Bob and Eve watch and wait	action scene \| combination of themes \| count \| hiding \| hunting \| jungle \| knife \| leading lady \| leading man \| mysterious \| sneaking \| stalking \| tense \| trap \| victim \| villain \| waiting \| watching
The Most Dangerous Game (1932)	The Count Approaches	0:42:44 - The Count approaches slowly	action scene \| approaching \| arrow \| count \| dark \| hiding \| hunting \| jungle \| knife \| leading lady \| leading man \| shooting \| sneaking \| stalking \| tense \| trap \| victim \| villain \| waiting \| watching
The Most Dangerous Game (1932)	Tree falling	0:43:14 - A tree falls	action scene \| arrow \| count \| dark \| dramatic \| falling \| jungle \| knife \| leading lady \| leading man \| mickey-mousing \| shooting \| trap \| victim \| villain
The Most Dangerous Game (1932)	Emotions (Agitato Mysterioso)	0:43:29 - Eve reacts to the arrow	action scene \| agitated \| count \| hiding \| hunting \| jungle \| knife \| leading lady \| leading man \| sneaking \| stalking \| tense \| victim \| villain \| waiting \| watching
The Most Dangerous Game (1932)	Emotions 2 (Agitato Mysterioso)	0:43:44 - Bob and Eve watch and wait	action scene \| agitated \| count \| hiding \| hunting \| jungle \| knife \| leading lady \| leading man \| sneaking \| stalking \| tense \| victim \| villain \| waiting \| watching
The Most Dangerous Game (1932)	Zaroff (Hunting) + The Iron Door	0:43:48 - Zaroff talks to Bob	action scene \| combination of themes \| count \| dark \| hiding \| hunting \| jungle \| knife \| leading lady \| leading man \| mysterious \| sneaking \| stalking \| victim \| villain \| waiting \| watching
The Most Dangerous Game (1932)	Russian Waltz (Andante)	0:44:07 - Close up on Zaroff	action scene \| count \| dark \| departing \| hiding \| jungle \| knife \| leading lady \| leading man \| ominous \| sneaking \| victim \| villain \| waiting \| watching
The Most Dangerous Game (1932)	Courage (Allegro)	0:44:26 - Bob prepare to leave	action scene \| agitated \| departing \| hiding \| jungle \| knife \| leading lady \| leading man \| sneaking \| tense \| victim \| waiting \| watching
The Most Dangerous Game (1932)	Courage (Moderato)	0:44:51 - Bob tells Eve to come out	action scene \| calm \| hiding \| jungle \| knife \| leading lady \| leading man \| sneaking \| unsettled \| victim \| waiting \| watching
The Most Dangerous Game (1932)	Mysterioso Dramatico	0:45:01 - Bob and Eve look for Zaroff	action scene \| conversing \| fanfare \| heroic \| jungle \| leading lady \| leading man \| preparing \| tense \| victim \| watching
The Most Dangerous Game (1932)	Russian Waltz (Low Brass)	0:45:12 - Bob talks with Eve	action scene \| conversing \| jungle \| leading lady \| leading man \| preparing \| tense \| victim \| watching
The Most Dangerous Game (1932)	Emotions (Running Away)	0:45:17 - Eve runs away	action scene \| agitated \| chasing \| fleeing \| following \| jungle \| leading lady \| leading man \| running \| tense \| victim
The Most Dangerous Game (1932)	Emotions 2 (Running Away)	0:45:34 - Eve jumps over a crevice	action scene \| agitated \| chasing \| fleeing \| following \| jungle \| leading lady \| leading man \| running \| tense \| victim
The Most Dangerous Game (1932)	Underscoring (Dramatic)	0:45:41 - Bob catches Eve	action scene \| agitated \| catching \| conversing \| convincing \| jungle \| leading lady \| leading man \| tense \| underscoring \| victim
The Most Dangerous Game (1932)	Russian Waltz (Fog Hollow) + The Iron Door	0:45:46 - Bob and Eve see Fog Hollow	action scene \| combination of themes \| fog \| jungle \| leading lady \| leading man \| ominous \| preparing \| victim
The Most Dangerous Game (1932)	Rock Falling	0:46:09 - A rock falls into a crevice	action scene \| dramatic \| falling \| jungle \| leading lady \| leading man \| mickey-mousing \| rock \| splashing \| stinger \| tumbling \| victim
The Most Dangerous Game (1932)	The Approach (Quasi Mysterioso)	0:46:16 - Bob jumps over the crevice	action scene \| agitated \| jungle \| leading lady \| leading man \| plotting \| preparing \| tense \| trap \| victim \| working
The Most Dangerous Game (1932)	Zaroff (Hiding)	0:46:48 - Bob and Eve hide from Zaroff	action scene \| combination of themes \| count \| hiding \| jungle \| leading lady \| leading man \| preparing \| sneaking \| tense \| trap \| victim \| villain
The Most Dangerous Game (1932)	The Iron Door (Trembling)	0:47:20 - A branch trembles	action scene \| approaching \| count \| gun \| hiding \| hunting \| jungle \| leading lady \| leading man \| shaking \| shooting \| tense \| trap \| trembling \| trembling effect \| tricking \| victim \| villain
The Most Dangerous Game (1932)	Zaroff (Allegro)	0:47:43 - The Count approaches	action scene \| approaching \| count \| dark \| gun \| hiding \| hunting \| jungle \| leading lady \| leading man \| shaking \| shooting \| tense \| trap \| trembling \| tricking \| victim \| villain
The Most Dangerous Game (1932)	Trap Falling	0:47:47 - The trap collapses	action scene \| count \| dramatic \| falling \| gun \| jumping \| jungle \| leading lady \| leading man \| mickey-mousing \| stinger \| trap \| victim \| villain
The Most Dangerous Game (1932)	Zaroff (Deliberate)	0:47:51 - Bob and Eve scramble away	action scene \| count \| dark \| escaping \| gun \| hiding \| hunting \| jungle \| leading lady \| leading man \| pursuing \| running \| scrambling \| tense \| victim \| villain
The Most Dangerous Game (1932)	The Fog	0:48:02 - Bob and Eve in the fog	action scene \| count \| dark \| escaping \| gun \| hunting \| jungle \| leading lady \| leading man \| pursuing \| running \| tense \| victim \| villain
The Most Dangerous Game (1932)	Russian Waltz (Tense)	0:48:21 - The Count talks to Bob	action scene \| conversing \| count \| dark \| gun \| jungle \| leading lady \| leading man \| taunting \| tense \| victim \| villain
The Most Dangerous Game (1932)	The Iron Door (Horn Call)	0:48:50 - Zaroff blows his hunting horn	action scene \| count \| dark \| horn \| horn call \| jungle \| leading lady \| leading man \| playing \| scored source music \| score to source \| source music \| tense \| victim \| villain
The Most Dangerous Game (1932)	The Chase (Quasi Mysterioso)	0:49:16 - Bob and Eve in the fog	barking \| castle \| chase scene \| chasing \| dog \| dramatic \| fog \| jungle \| leading lady \| leading man \| preparing \| running \| servant \| tense \| victim
The Most Dangerous Game (1932)	Courage + Russian Waltz + Iron Door	0:49:23 - Bob and Eve running away	chase scene \| combination of themes \| dark \| dramatic \| fog \| jungle \| leading lady \| leading man \| ominous \| preparing \| running \| victim
The Most Dangerous Game (1932)	The Approach (Risoluto)	0:49:30 - Bob creates a spear trap	chase scene \| dramatic \| fanfare \| jungle \| leading lady \| leading man \| preparing \| spear \| trap \| victim
The Most Dangerous Game (1932)	The Chase (Tremolo) + The Iron Door (Horn Call)	0:49:40 - The Count blows his hunting horn	chase scene \| chasing \| combination of themes \| count \| dog \| dramatic \| fog \| horn \| jungle \| leading lady \| leading man \| playing \| running \| scored source music \| score to source \| servant \| source music \| tense \| victim \| villain
The Most Dangerous Game (1932)	The Chase + Courage	0:50:01 - Bob and Eve stumbling through the fog	chase scene \| combination of themes \| dramatic \| fog \| jungle \| leading lady \| leading man \| running \| stumbling \| tense \| victim
The Most Dangerous Game (1932)	The Chase (Tense) + The Iron Door (Horn Call)	0:50:16 - Bob and Eve in the water	barking \| chase scene \| chasing \| combination of themes \| dog \| dramatic \| fog \| jungle \| leading lady \| leading man \| running \| scored source music \| servant \| source music \| stumbling \| tense \| victim
The Most Dangerous Game (1932)	The Chase (Allegro)	0:51:09 - Count Zaroff running	agitated \| chase scene \| chasing \| count \| dark \| dog \| dramatic \| fanfare \| fog \| jungle \| leading lady \| leading man \| running \| servant \| stumbling \| victim \| villain
The Most Dangerous Game (1932)	Russian Waltz (Chasing)	0:51:28 - Count Zaroff in pursuit	agitated \| chase scene \| chasing \| count \| dark \| dog \| dramatic \| fog \| jungle \| leading lady \| leading man \| running \| servant \| victim \| villain
The Most Dangerous Game (1932)	The Approach (Fear)	0:51:35 - Bob and Eve stop	agitated \| chase scene \| crocodile \| dark \| dramatic \| fear \| jungle \| leading lady \| leading man \| running \| stopping \| victim
The Most Dangerous Game (1932)	The Crocodile + Courage	0:51:36 - A crocodile	chase scene \| combination of themes \| crocodile \| dark \| jungle \| leading lady \| leading man \| running \| stumbling \| victim
The Most Dangerous Game (1932)	The Chase + Russian Waltz (Augmented)	0:52:02 - Dogs running through the swamp	agitated \| barking \| chase scene \| chasing \| combination of themes \| count \| dog \| dramatic \| jungle \| leading lady \| leading man \| ominous \| running \| servant \| victim \| villain
The Most Dangerous Game (1932)	The Chase (Furioso)	0:52:13 - Eve runs towards a log	agitated \| barking \| chase scene \| chasing \| count \| dark \| dog \| dramatic \| falling \| jungle \| leading lady \| leading man \| log \| mickey-mousing \| running \| servant \| victim \| villain
The Most Dangerous Game (1932)	The Iron Door (Slow)	0:52:19 - Eve falls on a log	chase scene \| chasing \| dark \| jungle \| leading lady \| leading man \| log \| ominous \| running \| standing \| victim
The Most Dangerous Game (1932)	Emotions (Allegro)	0:52:24 - Eve and Bob run over the log	agitated \| barking \| chase scene \| chasing \| dog \| jungle \| leading lady \| leading man \| log \| running \| tense \| victim
The Most Dangerous Game (1932)	Emotions 2 (Allegro)	0:52:39 - Eve and Bob climb a tree	agitated \| barking \| chase scene \| chasing \| climbing \| dog \| jungle \| leading lady \| leading man \| running \| tense \| tree \| victim
The Most Dangerous Game (1932)	Zaroff (Heavy)	0:52:45 - The dogs bark up the tree	agitated \| barking \| chase scene \| chasing \| climbing \| count \| dark \| dog \| jungle \| leading lady \| leading man \| running \| servant \| tense \| tree \| victim \| villain
The Most Dangerous Game (1932)	Russian Waltz (Dark)	0:52:53 - Eve and Bob hiding in a tree	agitated \| barking \| chase scene \| count \| dark \| dog \| hiding \| jungle \| leading lady \| leading man \| servant \| tense \| tree \| victim \| villain
The Most Dangerous Game (1932)	The Approach	0:52:59 - Eve and Bob hiding in a tree	agitated \| barking \| chase scene \| count \| dark \| dog \| hiding \| jungle \| leading lady \| leading man \| servant \| tense \| tree \| victim \| villain
The Most Dangerous Game (1932)	The Chase (Accelerando) + The Iron Door	0:53:02 - The dogs bark up the tree	agitated \| barking \| chase scene \| chasing \| combination of themes \| count \| dark \| dog \| escaping \| hiding \| jumping \| jungle \| leading lady \| leading man \| lifting \| log \| mickey-mousing \| running \| servant \| tense \| tree \| victim \| villain \| vine
The Most Dangerous Game (1932)	The Chase + The Iron Door	0:53:33 - Bob and Eve run along a clifftop	chase scene \| cliff \| combination of themes \| dramatic \| jungle \| leading lady \| leading man \| running \| tense \| victim
The Most Dangerous Game (1932)	The Approach (Risoluto)	0:53:38 - Bob and Eve hide in the trees	barking \| chase scene \| cliff \| climbing \| cutting \| dog \| dramatic \| hiding \| jumping \| jungle \| leading lady \| leading man \| running \| tense \| victim
The Most Dangerous Game (1932)	The Chase (Running) + The Iron Door	0:54:08 - Bob runs through the jungle	chase scene \| chasing \| close-up \| combination of themes \| count \| dramatic \| jungle \| leading lady \| leading man \| point-of-view shot \| running \| servant \| tense \| victim \| villain
The Most Dangerous Game (1932)	Zaroff (Running)	0:54:15 - A close-up on Zaroff	chase scene \| chasing \| close-up \| count \| dramatic \| jungle \| leading lady \| leading man \| point-of-view shot \| running \| servant \| tense \| victim \| villain
The Most Dangerous Game (1932)	The Waterfall	0:54:20 - Rushing water	chase scene \| chasing \| dog \| falling \| flowing \| jungle \| leading lady \| leading man \| mickey-mousing \| planning \| river \| running \| shirt \| splashing \| tense \| trap \| victim \| water effect \| waterfall
The Most Dangerous Game (1932)	Courage + Russian Waltz + Iron Door	0:54:46 - Bob and Eve run towards the waterfall	chase scene \| chasing \| combination of themes \| dramatic \| jungle \| leading lady \| leading man \| preparing \| river \| tense \| victim \| waterfall
The Most Dangerous Game (1932)	The Approach (Risoluto)	0:54:59 - Count Zaroff by the river	chase scene \| chasing \| count \| dramatic \| hiding \| jungle \| leading lady \| leading man \| river \| servant \| tense \| victim \| villain \| waterfall
The Most Dangerous Game (1932)	The Chase (Tremolo) + The Iron Door (Horn Call)	0:55:08 - Count Zaroff approaching the waterfall	chase scene \| chasing \| combination of themes \| count \| dramatic \| hiding \| jungle \| leading lady \| leading man \| river \| servant \| tense \| victim \| villain \| waterfall
The Most Dangerous Game (1932)	Dog attacking	0:55:19 - A dog rushes at Bob	attacking \| climax \| count \| dog \| dramatic \| fighting \| jungle \| leading lady \| leading man \| mickey-mousing \| river \| servant \| tense \| victim \| villain \| waterfall
The Most Dangerous Game (1932)	Zaroff (Dog Fight)	0:55:24 - Bob fights a dog	attacking \| climax \| count \| dog \| dramatic \| fighting \| jungle \| leading lady \| leading man \| river \| servant \| tense \| victim \| villain \| waterfall
The Most Dangerous Game (1932)	Russian Waltz (Dog Fight)	0:55:33 - A barking dog	attacking \| climax \| count \| dog \| dramatic \| fighting \| jungle \| leading lady \| leading man \| river \| servant \| tense \| victim \| villain \| waterfall
The Most Dangerous Game (1932)	Dog falling 2	0:55:37 - Bob kills the dog	attacking \| climax \| count \| dog \| dramatic \| falling \| fighting \| jungle \| leading lady \| leading man \| mickey-mousing \| river \| servant \| tense \| victim \| villain \| waterfall
The Most Dangerous Game (1932)	Dog attacking	0:55:42 - A dog rushes at Bob	attacking \| climax \| count \| dog \| dramatic \| fighting \| jungle \| leading lady \| leading man \| mickey-mousing \| river \| running \| servant \| tense \| victim \| villain \| waterfall
The Most Dangerous Game (1932)	Falling off cliff	0:55:47 - Bob and the dog fall off the cliff	climax \| count \| death \| dog \| dramatic \| dying \| falling \| gun \| gunshot \| jungle \| leading lady \| leading man \| mickey-mousing \| river \| servant \| shooting \| tense \| victim \| villain \| waterfall
The Most Dangerous Game (1932)	Emotions	0:55:59 - Eve reacts to Bob's fall	capturing \| climax \| count \| dramatic \| jungle \| leading lady \| reacting \| river \| servant \| tense \| victim \| villain \| watch \| waterfall
The Most Dangerous Game (1932)	Russian Waltz (Moderato Quasi Maestoso)	0:56:11 - Zaroff looks at his watch	capturing \| climax \| count \| dramatic \| jungle \| leading lady \| river \| servant \| tense \| victim \| villain \| watch \| waterfall
The Most Dangerous Game (1932)	Zaroff (Risolutissimo) + The Iron Door	0:56:17 - Eve is captured	capturing \| climax \| close-up \| combination of themes \| count \| jungle \| leading lady \| ominous \| river \| servant \| victim \| villain \| walking \| waterfall
The Most Dangerous Game (1932)	The Iron Door (Climax)	0:56:25 - A close-up on Eve	climax \| close-up \| count \| jungle \| leading lady \| ominous \| reacting \| river \| servant \| victim \| villain \| waterfall
The Most Dangerous Game (1932)	Emotions (Agitato)	1:00:32 - Bob is almost hit by a knife	castle \| count \| death \| dodging \| dramatic \| escaping \| gun \| knife \| leading lady \| leading man \| preparing \| running \| servant \| tense \| victim \| villain
The Most Dangerous Game (1932)	Emotions 2 (Agitato)	1:00:45 - Bob and Eve escaping	arrow \| castle \| count \| death \| dramatic \| escaping \| gun \| leading lady \| leading man \| rising \| running \| tense \| victim \| villain
The Most Dangerous Game (1932)	Russian Waltz (Meno) + The Iron Door	1:00:50 - The Count rises	castle \| combination of themes \| dark \| death \| escaping \| gun \| knife \| leading lady \| leading man \| rising \| running \| servant \| victim
The Most Dangerous Game (1932)	Underscoring (Tense)	1:01:01 - Tartar throws a knife	castle \| death \| escaping \| gun \| gunshot \| knife \| leading lady \| leading man \| servant \| shooting \| tense \| throwing \| victim
The Most Dangerous Game (1932)	Underscoring (Dramatic)	1:01:05 - Tartar falls dead to the ground	castle \| corpse \| death \| dramatic \| dying \| escaping \| falling \| gun \| gunshot \| knife \| leading lady \| leading man \| servant \| underscoring \| victim
The Most Dangerous Game (1932)	Zaroff (Risoluto)	1:01:10 - Zaroff at the window	arrow \| boat \| castle \| count \| dramatic \| escaping \| leading lady \| leading man \| rising \| tense \| victim \| villain
The Most Dangerous Game (1932)	Russian Waltz (The Window)	1:01:15 - Zaroff at the window	arrow \| boat \| castle \| count \| dramatic \| escaping \| fanfare \| leading lady \| leading man \| rising \| tense \| victim \| villain
The Most Dangerous Game (1932)	Courage (Allegro con Fuoco) + The Iron Door	1:01:23 - The boat leaves the dock	arrow \| boat \| castle \| count \| death \| dramatic \| dying \| escaping \| leading lady \| leading man \| motor effect \| preparing \| tense \| victim \| villain
The Most Dangerous Game (1932)	Russian Waltz (Impossible)	1:01:37 - Zaroff collapses	arrow \| boat \| castle \| collapsing \| count \| dark \| death \| dying \| falling \| leading lady \| leading man \| mickey-mousing \| victim \| villain
The Most Dangerous Game (1932)	Underscoring (Dramatic)	1:01:44 - Dogs barking	barking \| boat \| castle \| count \| death \| dog \| dramatic \| dying \| leading lady \| leading man \| tense \| underscoring \| victim \| villain
The Most Dangerous Game (1932)	Falling out of window	1:01:53 - Zaroff falls out of the window	boat \| castle \| count \| death \| dramatic \| dying \| escaping \| falling \| leading lady \| leading man \| mickey-mousing \| tense \| victim \| villain
The Most Dangerous Game (1932)	Russian Waltz (Climax)	1:01:55 - The boat speeding away	boat \| castle \| dark \| death \| escaping \| fanfare \| leading lady \| leading man \| victim
Caged (1950)	Caged (Waiting)	0:56:52 - Marie waits by the parole office	advance plot \| announcing \| dissonant bass \| fidgeting \| guard \| leading lady \| prison \| prisoner \| running \| shadow \| sigh gesture \| tense \| waiting
Caged (1950)	Prison Alarm (The Scream)	1:00:42 - Marie covers her ears	alarm \| alarm effect \| anxiety \| chromatic parallelism \| chromatic scale \| dramatic \| fidgeting \| guard \| hysteria \| leading lady \| mad scene \| prison \| prisoner \| screaming \| tense \| tone cluster \| whole-tone chord
Caged (1950)	Hysteria	1:00:55 - Marie runs down the hall	alarm \| anxiety \| chromatic parallelism \| chromatic scale \| dissonant bass \| dramatic \| escaping \| guard \| hysteria \| leading lady \| mad scene \| pc set \| polychord \| prison \| prisoner \| running \| tense
Caged (1950)	Falling	1:01:18 - Marie falls to the ground	diminished 7th chord \| dramatic \| falling \| guard \| leading lady \| mad scene \| mickey-mousing \| octatonic scale \| prison \| prisoner \| throwing
Caged (1950)	Marie 2 (Melancholy)	1:01:25 - Marie returns to her cell	conversing \| guard \| leading lady \| mad scene \| melancholy \| prison \| prisoner \| returning \| solemn
Caged (1950)	Jingle Bells	1:08:01 - Woman plays harmonica	advance plot \| Christmas \| conversing \| guard \| harmonica \| leading lady \| listening \| on-screen music \| playing \| prison \| prisoner \| source music \| upbeat \| warden
Caged (1950)	Bird in a Cage	1:08:07 - Woman plays harmonica	advance plot \| Christmas \| conversing \| dancing \| guard \| harmonica \| leading lady \| listening \| on-screen music \| playing \| prison \| prisoner \| singing \| source music \| upbeat \| warden
Caged (1950)	Marie (Misterioso)	1:17:04 - Shadows on a staircase	augmented sixth chord \| descending \| guard \| leading lady \| mad scene \| prison \| prisoner \| shadow \| solemn \| solitary \| walking
Caged (1950)	Isolation Ward (Dark)	1:17:27 - Shadows on Marie's face	dark \| departing \| dissonant bass \| guard \| isolation \| leading lady \| mad scene \| mysterious \| ominous \| oscillation \| polychord \| prison \| prisoner \| shadow \| solitary \| staring \| uneasy \| walking
Caged (1950)	Water Dripping	1:17:52 - Marie in solitary	audible thoughts \| dark \| dripping \| guard \| hysteria \| isolation \| leading lady \| mad scene \| melodic cell \| mickey-mousing \| mysterious \| pacing \| pc set \| prison \| prisoner \| tense \| thinking \| uneasy \| water \| water effect
Caged (1950)	Water Dripping + Caged (Tense)	NIF - not in film	9th chord \| chromatic parallelism \| chromatic sequence \| combination of themes \| cut from film \| dark \| dissonant bass \| hysteria \| isolation \| leading lady \| mad scene \| melodic cell \| mickey-mousing \| mysterious \| ostinato \| prison \| prisoner \| sigh gesture \| tense \| uneasy \| water effect
Caged (1950)	Water Dripping (Molto Expressivo)	1:18:15 - Marie in solitary	9th chord \| crying \| dissonant bass \| dripping \| hysteria \| isolation \| leading lady \| mad scene \| mickey-mousing \| mickey-mousing \| minor-major 7th chord \| mysterious \| prison \| prisoner \| tense \| uneasy \| water \| water effect \| wipe \| yelling
Caged (1950)	Harper Whistles	1:19:30 - Harper whistles	advance plot \| guard \| leading lady \| neutral \| on-screen music \| prison \| source music \| telephone \| waiting \| whistling
Caged (1950)	He Leadeth Me	1:27:53 - Women in prison	advance plot \| calm \| conversing \| crying \| hymn \| leading lady \| prison \| prisoner \| singing \| source music
Caged (1950)	Rock of Ages	1:30:31 - Women in prison	advance plot \| calm \| conversing \| guard \| hymn \| leading lady \| prison \| prisoner \| singing \| source music \| watching
Caged (1950)	Underscoring (Dramatic)	1:32:09 - Superintendent office door	advance plot \| bold \| conversing \| leading lady \| leaving \| mode mixture \| prison \| prisoner \| unpacking \| walking
Caged (1950)	Underscoring (Tense)	1:32:21 - Marie unpacks her belongings	advance plot \| chromatic parallelism \| leading lady \| leaving \| prison \| prisoner \| tense \| underscoring \| unpacking \| whole-tone chord
Caged (1950)	Molto Expressivo (Rubato)	1:32:37 - Marie checks out	advance plot \| chromatic parallelism \| conversing \| guard \| leading lady \| leaving \| prison \| prisoner \| solemn \| underscoring
Caged (1950)	Marie (Checking Out)	1:32:47 - Marie opens an envelope	advance plot \| chromatic parallelism \| chromatic wedge \| dramatic \| guard \| leading lady \| leaving \| looking \| polychord \| prison \| prisoner \| ring \| solemn \| throwing
Caged (1950)	Molto Expressivo (Slowly)	1:32:59 - Marie's mugshot	advance plot \| leading lady \| leaving \| looking \| mode mixture \| mug shot \| Neapolitan \| prison \| prisoner \| solemn \| throwing \| warden
Caged (1950)	Molto Expressivo (Con Moto)	1:34:42 - Marie leaves Mrs. Benton's office	climax \| dramatic \| ex-convict \| guard \| leading lady \| leaving \| prison \| prisoner \| stinger \| uneasy \| warden
Caged (1950)	Molto Expressivo (Quasi Blues)	1:35:01 - Marie leaves the prison	added-note chord \| bluesy \| bluesy \| car \| climax \| ex-convict \| freedom \| leading lady \| leaving \| prison \| smoking \| street \| warden \| watching
Lightning Strikes Twice (1951)	Father Paul (Slow)	1:29:00 - Shelly and Myra wait for the news	actor \| bell effect \| car crash \| countryside \| death \| funereal \| leading lady \| mother \| owner \| police \| resolution \| somber \| waiting
Lightning Strikes Twice (1951)	Liza (Triste)	1:29:20 - Father Paul climbs up	actor \| arriving \| car crash \| climbing \| countryside \| death \| husband \| leading lady \| leading man \| mother \| owner \| police \| priest \| resolution \| somber
Lightning Strikes Twice (1951)	Shelly and Trev (Appassionato 2)	1:29:33 - Trev and Shelly embrace	actor \| calm \| comforting \| countryside \| departing \| driving \| embracing \| husband \| kissing \| leading lady \| leading man \| mother \| owner \| peace \| peaceful \| police \| priest \| resolution \| smiling
Lightning Strikes Twice (1951)	Shelly (The End) + Shelly 2 (The End)	1:30:00 - Trev and Shelly drive away together	actor \| calm \| comforting \| countryside \| driving \| embracing \| end title sequence \| husband \| leading lady \| leading man \| peace \| peaceful \| resolution \| resolved \| The End
All This, and Heaven Too (1940)	Henriette (Resolution) + Falling Snow (Resolution)	2:22:03 - Henry talks to Henriette	9th chord \| chromatic parallelism \| combination of themes \| conversing \| diminished third chord \| gentle \| leading lady \| minister \| mode mixture \| promising \| resolution \| school \| snow \| teacher
All This, and Heaven Too (1940)	Henriette (The End)	2:22:31 - The End	countermelody \| deceptive resolution \| end title sequence \| grand \| leading lady \| looking \| minister \| mode mixture \| plagal cadence \| school \| snow \| teacher \| The End
Mara Maru (1952)	Misterioso	0:12:16 - Gregory talks to Stella	arguing \| conversing \| establish character \| leading lady \| leading man \| mysterious \| room \| stinger \| tense
Mara Maru (1952)	Underscoring (Tense)	0:12:54 - Gregory talks to Stella	arguing \| conversing \| establish character \| leading lady \| leading man \| room \| tense \| underscoring
Mara Maru (1952)	Lovers	0:13:15 - Stella talks to Gregory	conversing \| establish character \| leading lady \| leading man \| room \| sentimental
Mara Maru (1952)	Appassionato	0:13:27 - Stella argues with Gregory	arguing \| conversing \| establish character \| leading lady \| leading man \| passionate \| room
Mara Maru (1952)	Stella (Molto Expressivo)	0:13:53 - Gregory grabs Stella's arm	conversing \| embracing \| establish character \| leading lady \| leading man \| romantic \| room \| waltz
Mara Maru (1952)	Gregory (Quasi Misterioso)	0:38:51 - Stella talks to Benedict	\| advance plot \| antagonist \| conversing \| leading lady \| mysterious \| room
Mara Maru (1952)	Lovers	0:39:18 - Stella talks to Benedict	\| advance plot \| antagonist \| conversing \| leading lady \| room \| sentimental
Mara Maru (1952)	Appassionato	0:39:32 - Benedict talks to Stella	\| advance plot \| antagonist \| conversing \| leading lady \| passionate \| room
Mara Maru (1952)	Stella	0:56:49 - Stella appears as a reflection in the window	conversing \| leading lady \| leading man \| love interest \| love scene \| reflection shot \| relfection \| romantic \| sailing \| ship \| ship
Mara Maru (1952)	Appassionato (Molto Expressivo)	0:58:03 - Gregory takes Stella's arm	conversing \| leading lady \| leading man \| love interest \| love scene \| passionate \| sailing \| ship \| ship
Mara Maru (1952)	Ortega	0:58:27 - Gregory talks to Stella about Ortega	conversing \| cross \| leading lady \| leading man \| love interest \| love scene \| mysterious \| sailing \| ship \| ship \| tense
Mara Maru (1952)	Grabbing	0:58:53 - Gregory talks to Stella	conversing \| leading lady \| leading man \| love interest \| love scene \| sailing \| ship \| ship \| tense
Mara Maru (1952)	Benedict	0:59:00 - Benedict enters	antagonist \| conversing \| dramatic \| leading lady \| leading man \| love interest \| love scene \| sailing \| ship \| ship \| tense
Mara Maru (1952)	Sailing (Extended)	0:59:29 - The churning sea	antagonist \| conversing \| leading lady \| love interest \| ocean \| panning shot \| sailing \| ship \| ship \| transition \| uneasy
Mara Maru (1952)	Dropping anchor	1:00:18 - The anchor drops	action scene \| anchor \| antagonist \| bodyguard \| captain \| dramatic \| dropping \| falling \| leading lady \| leading man \| love interest \| mickey-mousing \| private eye \| ship \| ship
Mara Maru (1952)	Gregory (Heroic)	1:00:31 - Gregory gets ready to dive	action scene \| antagonist \| bodyguard \| captain \| conversing \| diving suit \| heroic \| leading lady \| leading man \| love interest \| preparing \| private eye \| ship \| ship \| tense \| worker \| working
Mara Maru (1952)	Descending	1:00:51 - Gregory descends the ladder	action scene \| antagonist \| bodyguard \| bubbles \| captain \| close-up \| dark \| descending \| diver \| diving \| diving suit \| heavy \| leading lady \| leading man \| love interest \| ocean \| private eye \| ship \| ship \| stinger \| suspenseful \| underwater \| worker \| working
Mara Maru (1952)	Walking underwater	1:01:46 - Gregory walks on the ocean floor	action scene \| antagonist \| bodyguard \| captain \| close-up \| diver \| diving \| leading lady \| leading man \| love interest \| mickey-mousing \| ocean \| private eye \| ship \| ship \| suspenseful \| swimming \| tense \| underwater \| walking \| worker
Mara Maru (1952)	Underwater (Walking)	1:02:03 - Gregory walks underwater	action scene \| antagonist \| bodyguard \| captain \| diver \| diving \| leading lady \| leading man \| love interest \| ocean \| point-of-view shot \| private eye \| ship \| ship \| suspenseful \| swimming \| tense \| underwater \| walking \| worker
Mara Maru (1952)	Benedict (Sabotage)	1:02:14 - Ranier sneaks away	action scene \| antagonist \| bodyguard \| captain \| close-up \| diver \| diving \| leading lady \| leading man \| love interest \| mysterious \| ocean \| private eye \| radio \| sabotaging \| saboteur \| ship \| ship \| sneaking \| suspenseful \| swimming \| traitor \| underscoring \| underwater \| worker
Mara Maru (1952)	Underwater (Dramatic)	1:02:42 - Manuelo talks to Benedict	action scene \| antagonist \| bodyguard \| captain \| conversing \| dark \| diver \| diving \| leading lady \| leading man \| love interest \| ocean \| private eye \| ship \| ship \| suspenseful \| swimming \| traitor \| underwater \| worker \| working
Mara Maru (1952)	Surfacing	1:02:55 - Gregory rises from the water	action scene \| antagonist \| assisting \| bodyguard \| breaking \| captain \| diver \| heroic \| hopeful \| leading lady \| leading man \| love interest \| mickey-mousing \| ocean \| private eye \| radio \| rising \| sabotaging \| saboteur \| ship \| ship \| sneaking \| surfacing \| traitor \| underwater \| worker \| working
Mara Maru (1952)	On Deck (Minor)	1:03:17 - Gregory boards the ship	action scene \| antagonist \| assisting \| bodyguard \| captain \| dark \| diver \| leading lady \| leading man \| love interest \| ominous \| private eye \| radio \| rising \| sabotaging \| saboteur \| ship \| ship \| sneaking \| surfacing \| traitor \| worker \| working
Mara Maru (1952)	Benedict (Misterioso)	1:06:32 - Benedict talks with Stella	antagonist \| conversing \| leading lady \| love interest \| mysterious \| plotting \| reveal character \| ship \| ship \| tense \| turning point
Mara Maru (1952)	Benedict (Bored to Death)	1:07:34 - Benedict threatens to kill Gregory	antagonist \| conversing \| dark \| leading lady \| love interest \| mysterious \| ominous \| plotting \| reveal character \| ship \| ship \| stinger \| tense \| threat \| turning point
Mara Maru (1952)	Appassionato (Tenderly 2)	1:07:51 - Stella approaches	arguing \| captain \| conversing \| leading lady \| leading man \| love interest \| love scene \| rushing \| sailing \| ship \| ship \| uneasy \| walking \| warning
Mara Maru (1952)	Appassionato (Extended)	1:08:25 - Stella talks with Gregory	arguing \| captain \| conversing \| leading lady \| leading man \| love interest \| love scene \| passionate \| sailing \| ship \| ship \| warning
Mara Maru (1952)	Stella	1:09:02 - Stella tells Gregory she loves him	arguing \| captain \| embracing \| leading lady \| leading man \| love interest \| love scene \| romantic \| sailing \| ship \| ship
Mara Maru (1952)	Dropping anchor	1:11:18 - The anchor drops	action scene \| anchor \| antogonist \| dramatic \| dropping \| falling \| leading lady \| love interest \| mickey-mousing \| private eye \| ship \| ship
Mara Maru (1952)	Benedict (Poco Accellerando)	1:11:34 - Benedict goes outside	action scene \| antogonist \| captain \| departing \| diver \| leading lady \| leading man \| love interest \| private eye \| ship \| ship \| turbulent \| walking \| worker
Mara Maru (1952)	Appassionato (Molto Expressivo)	1:11:48 - Crew on deck of the ship	action scene \| antogonist \| arguing \| captain \| conversing \| diver \| diving suit \| leading lady \| leading man \| love interest \| passionate \| preparing \| private eye \| ship \| ship \| worker
Mara Maru (1952)	Gregory (Close-Up)	1:12:20 - A close-up of Gregory	action scene \| antogonist \| captain \| close-up \| diver \| diving suit \| dramatic \| leading lady \| leading man \| looking \| love interest \| preparing \| private eye \| ship \| ship \| tense \| worker
Mara Maru (1952)	Descending	1:12:27 - Gregory descends into the water	action scene \| antogonist \| bubbles \| captain \| close-up \| dark \| descending \| diver \| diving \| diving suit \| heavy \| leading lady \| leading man \| love interest \| ocean \| point-of-view shot \| private eye \| ship \| ship \| suspenseful \| underwater \| worker \| working
Mara Maru (1952)	Tugging	1:16:39 - Gregory tugs at the air hose	action scene \| antogonist \| beam \| boat \| captain \| dark \| diver \| diving \| diving suit \| dramatic \| hose \| leading lady \| leading man \| love interest \| mickey-mousing \| ocean \| private eye \| pulling \| rain \| raining \| ship \| storm \| treasure \| tugging \| underwater \| worker \| working \| yelling
Mara Maru (1952)	Gauge rising	1:16:54 - Rising air pressure on a gauge	action scene \| antogonist \| boat \| captain \| diver \| dramatic \| gauge \| leading lady \| leading man \| love interest \| mickey-mousing \| private eye \| rain \| raining \| rising \| ship \| storm \| tense \| worker
Mara Maru (1952)	Gauge falling	1:17:42 - Falling air pressure on a gauge	action scene \| antogonist \| boat \| captain \| descending \| diver \| dramatic \| falling \| gauge \| leading lady \| leading man \| love interest \| mickey-mousing \| private eye \| rain \| relief \| ship \| storm \| worker
Mara Maru (1952)	Gregory (Signaling)	1:18:19 - Gregory signals to come up	action scene \| antogonist \| boat \| captain \| carrying \| dark \| diver \| diving \| diving suit \| fanfare \| leading lady \| leading man \| love interest \| ocean \| private eye \| rain \| ship \| signaling \| storm \| swimming \| treasure \| underwater \| wind \| worker
Mara Maru (1952)	Surfacing	1:18:26 - Gregory rises to the surface	action scene \| antogonist \| assisting \| boat \| captain \| close-up \| diver \| diving suit \| heroic \| hopeful \| leading lady \| leading man \| love interest \| mickey-mousing \| ocean \| private eye \| rain \| rising \| ship \| storm \| surfacing \| treasure \| underwater \| wind \| worker \| working \| yelling
Mara Maru (1952)	On Deck	1:18:55 - Gregory emerges from the water	action scene \| antogonist \| assisting \| boat \| captain \| conversing \| diver \| diving suit \| heroic \| hopeful \| leading lady \| leading man \| love interest \| private eye \| rain \| ship \| storm \| treasure \| triumphant \| wind \| worker \| working \| yelling
Mara Maru (1952)	Underscoring (Dramatic)	1:19:10 - Gregory falls to the deck floor	action scene \| antogonist \| boat \| captain \| diver \| diving suit \| dramatic \| falling \| leading lady \| leading man \| love interest \| private eye \| rain \| ship \| storm \| treasure \| underscoring \| wind \| worker \| yelling
Mara Maru (1952)	Underscoring (Dramatic)	1:19:37 - The cross in a treasure chest	action scene \| antogonist \| breaking \| captain \| cross \| dark \| diver \| dramatic \| dropping \| leading lady \| leading man \| love interest \| private eye \| rain \| reveal \| ship \| storm \| throwing \| treasure \| underscoring \| wind \| worker \| yelling
Mara Maru (1952)	Cross (Distorted)	1:19:49 - The cross is revealed	action scene \| antogonist \| arguing \| captain \| cross \| dark \| diver \| hymn-like \| leading lady \| leading man \| love interest \| private eye \| rain \| ship \| storm \| tense \| treasure \| wind \| worker \| yelling
Mara Maru (1952)	Underscoring (Tense)	1:20:01 - Benedict grabs the cross	action scene \| antogonist \| arguing \| captain \| cross \| diver \| dramatic \| falling \| leading lady \| leading man \| love interest \| ordering \| private eye \| punching \| rain \| ship \| storm \| tense \| treasure \| underscoring \| wind \| worker
Mara Maru (1952)	Underscoring (Dramatic)	1:20:13 - Fortuno grabs Gregory	action scene \| antogonist \| captain \| cross \| diver \| dramatic \| leading lady \| leading man \| love interest \| private eye \| rain \| ship \| storm \| tense \| treasure \| underscoring \| wind \| worker \| yelling
Mara Maru (1952)	Rushing	1:20:29 - Benedict runs in to check the compass	action scene \| antogonist \| captain \| cross \| diver \| dramatic \| hurrying \| leading lady \| leading man \| love interest \| private eye \| rain \| running \| rushing \| rushing effect \| ship \| storm \| tense \| treasure \| wind \| worker \| yelling
Mara Maru (1952)	Underscoring (Tense)	1:21:01 - Gregory gives orders	action scene \| antogonist \| captain \| cross \| diver \| dramatic \| fanfare \| leading lady \| leading man \| love interest \| ordering \| private eye \| rain \| ship \| storm \| tense \| treasure \| wind \| worker \| yelling
Mara Maru (1952)	Very Stormy	1:21:22 - A waves splashes onboard	action scene \| antogonist \| captain \| cross \| diver \| dramatic \| leading lady \| leading man \| love interest \| private eye \| rain \| ship \| storm \| tense \| treasure \| walking \| wave \| wave effect \| wind \| worker
Mara Maru (1952)	Gregory + Raising Anchor	1:21:31 - The anchor is raised	action scene \| anchor \| antogonist \| captain \| combination of themes \| diver \| dramatic \| leading lady \| leading man \| love interest \| mickey-mousing \| private eye \| rising \| ship \| ship \| worker
Mara Maru (1952)	Gregory (Determined)	1:21:45 - Gregory goes to the wheelhouse	action scene \| antogonist \| captain \| conversing \| determined \| diver \| leading lady \| leading man \| love interest \| private eye \| rain \| sailing \| ship \| storm \| walking \| wind \| worker
Mara Maru (1952)	Stella (Appassionato)	1:22:28 - Gregory talks to Stella	captain \| conversing \| leading lady \| leading man \| love interest \| love scene \| rain \| romantic \| ship \| storm \| wind
Mara Maru (1952)	Hurrying	1:23:36 - People running from the boat	antogonist \| chase scene \| chasing \| cross \| escaping \| fleeing \| frantic \| hurrying \| leading lady \| leading man \| love interest \| private eye \| rain \| rock \| running \| ship \| ship wreck \| storm \| wave \| wind \| worker
Mara Maru (1952)	The Escape	1:23:42 - People running from the boat	antogonist \| chase scene \| chasing \| corpse \| cross \| dark \| death \| dramatic \| escaping \| fleeing \| frantic \| gun \| gunshot \| hurrying \| leading lady \| leading man \| love interest \| mickey-mousing \| murder \| murderer \| private eye \| rain \| rock \| running \| ship \| ship wreck \| shooting \| stinger \| storm \| wind \| worker
Mara Maru (1952)	The Wind	1:24:04 - Wind rushing through the trees	chase scene \| chasing \| cross \| dramatic \| escaping \| fleeing \| frantic \| gun \| hurrying \| jungle \| leading lady \| leading man \| love interest \| rain \| running \| storm \| wind \| wind effect \| worker
Mara Maru (1952)	Gregory (Running)	1:24:20 - Gregory runs from Benedict	chase scene \| chasing \| cross \| dramatic \| escaping \| fleeing \| frantic \| gun \| heroic \| hurrying \| jungle \| leading lady \| leading man \| love interest \| rain \| running \| running effect \| storm \| wind \| worker
Mara Maru (1952)	Underscoring (Dramatic)	1:24:27 - Gregory runs from Benedict	chase scene \| chasing \| cross \| dramatic \| escaping \| fleeing \| frantic \| gun \| hurrying \| jungle \| leading lady \| leading man \| love interest \| rain \| running \| rushing effect \| storm \| wind \| worker
Mara Maru (1952)	The Wind	1:24:31 - Gregory runs from Benedict	chase scene \| chasing \| cross \| dramatic \| escaping \| fleeing \| frantic \| gun \| hurrying \| jungle \| leading lady \| leading man \| love interest \| rain \| running \| storm \| wind \| wind effect \| worker
Mara Maru (1952)	Struggling 2 (Escape)	1:25:17 - Gregory emerges from the jungle	calm \| chase scene \| cross \| escaping \| jungle \| leading lady \| leading man \| love interest \| tense \| walking \| wind \| worker
Mara Maru (1952)	Cross	1:26:54 - Manuelo holds the cross	arguing \| calm \| cross \| hut \| hymn-like \| leading lady \| leading man \| love interest \| religious \| turning point \| worker
Mara Maru (1952)	Cross (Tense)	1:27:07 - Gregory grabs Manuelo	arguing \| cross \| falling \| hut \| hymn-like \| leading lady \| leading man \| love interest \| religious \| slapping \| tense \| turning point \| worker
Mara Maru (1952)	Cross (Maestoso)	1:27:18 - Gregory slaps Manuelo	arguing \| cross \| hut \| hymn-like \| leading lady \| leading man \| love interest \| majestic \| reacting \| slapping \| tense \| turning point \| worker
Mara Maru (1952)	Underscoring (Tense)	1:27:44 - Gregory follows after Manuelo	arguing \| following \| hut \| jungle \| leading lady \| leading man \| love interest \| searching \| tense \| thinking \| turning point \| underscoring
Mara Maru (1952)	Benedict	1:31:19 - Benedict arrives at the church	antagonist \| arriving \| bodyguard \| car \| departing \| driver \| leading lady \| love interest \| murderer \| mysterious \| spying \| street \| tense \| transition \| watching
Mara Maru (1952)	Mara Maru (Ethereal)	1:36:15 - Gregory meets Stella and Manuelo	arriving \| catacomb \| cave \| leading lady \| leading man \| love interest \| martyr \| mysterious \| reacting \| resolution \| solemn \| tunnel \| victim \| worker
Mara Maru (1952)	Gregory (Expressivo)	1:36:22 - Stella and Gregory look at each other	catacomb \| cave \| comforting \| conversing \| corpse \| cross \| death \| dying \| leading lady \| leading man \| love interest \| martyr \| resolution \| solemn \| somber \| tunnel \| victim \| worker
Mara Maru (1952)	Cross (Cello Solo)	1:36:55 - Manuelo mourns Ortega's death	catacomb \| cave \| corpse \| cross \| crying \| death \| hymn-like \| leading lady \| leading man \| looking \| love interest \| martyr \| reacting \| resolution \| solemn \| somber \| thinking \| tunnel \| victim \| worker
Mara Maru (1952)	The End	1:37:33 - Gregory gives the cross to Manuelo	catacomb \| cave \| corpse \| cross \| crying \| death \| deciding \| departing \| end title sequence \| fade-out \| leading lady \| leading man \| looking \| love interest \| map \| martyr \| reacting \| redmption \| religious \| religious \| resolution \| The End \| thinking \| triumphant \| tunnel \| victim \| worker

Tag Search Results