All This, and Heaven Too (1940) | Henriette (Carriage) | 0:13:05 - A carriage arrives | 64 chord | carriage | driver | leading lady | pleasant | street | transition | traveling | upbeat |
All This, and Heaven Too (1940) | Arriving | 0:13:14 - Henriette gets out of the carriage | arriving | augmented sixth chord | carriage | driver | enharmonic modulation | foreign key modulation | gentle | leading lady | pleasant | street | transition |
All This, and Heaven Too (1940) | Rubato (Carriage) | NIF - not in film | 9th chord | advance plot | carriage | child | cut from film | deceptive resolution | duchess | governess | leading lady | leaving | parallelism | passionate | street |
All This, and Heaven Too (1940) | Desperation (Carriage Starts) | NIF - not in film | added-note chord | advance plot | carriage | child | cut from film | duchess | gentle | governess | leading lady | leaving | pedal tone | street |
All This, and Heaven Too (1940) | Raynald (Carriage) | 0:46:53 - Horses pulling a carriage | 64 chord | carriage | child | chromatic mediant | common-chord modulation | conversing | countermelody | foreign key modulation | governess | horse | leading lady | mickey-mousing | mode mixture | pleasant | riding | street | traveling scene | trotting | upbeat |
All This, and Heaven Too (1940) | The Duchess (Tutti) | 1:04:02 - A concert program | ballroom | bold | carriage | duchess | duke | fanfare | leading lady | leading man | montage | riding | romantic | sequential modulation |
All This, and Heaven Too (1940) | Spring Time | 1:30:22 - A carriage approaches the palace | 64 chord | arriving | bright | carriage | chattering | cheerful | child | duke | foreign key modulation | governess | happy | leading lady | leading man | Neapolitan | palace | pedal tone | riding | transition |
All This, and Heaven Too (1940) | Raynald (Mysterioso 2) | 1:30:33 - The carriage arrives | arriving | bright | carriage | chattering | child | duke | governess | happy | leading lady | leading man | palace | riding | sequential modulation | transition |
All This, and Heaven Too (1940) | Henriette | 1:45:41 - A carriage arrives | arriving | carriage | child | duke | grand | leading man | pleasant | street | transition | traveling |
All This, and Heaven Too (1940) | Henriette (Dark) | 1:52:57 - A police wagon approaches | arresting | carriage | chromatic sequence | conflict | crowd | dark | landlady | leading lady | soldier | street | suspect |
All This, and Heaven Too (1940) | Henriette (Grandioso) + Desperation (Grandioso) | 1:53:13 - The police wagon leaves | arresting | bold | carriage | conflict | conversing | crowd | crying | dark | dissonant bass | fragmentation | landlady | leading lady | ominous | soldier | street | suspect | tense | testifying |
All This, and Heaven Too (1940) | Henriette (Ostinato) | 2:10:09 - A carriage leaves | carriage | crowd | dramatic | fragmentation | leading lady | mob | ominous | ostinato | prisoner | soldier | street | suspect | tense | transition | traveling |
All This, and Heaven Too (1940) | Underscoring (Tense) | 2:10:17 - A carriage arrives at the palace | 9th chord | arriving | carriage | chromatic scale | leading lady | prisoner | soldier | street | suspect | tense | transition | traveling | underscoring |
Lightning Strikes Twice (1951) | Father Paul (Carriage) | 0:35:13 - Priest riding in a carriage | added-note chord | arriving | carriage | dog | flashback | galloping | horse | leading man | mode mixture | mysterious | pedal tone | priest | ranch | suspect | traveling | upbeat | voice-over |
We Are Not Alone (1939) | Surprise Symphony (Galloping) | 0:32:07 - David arrives in a carriage | carriage | classical music | familiar tune | galloping | happy | Haydn | hero | horse | quotation | street | transition | traveling |
The Woman in White (1948) | Fosco | 0:04:40 - Walter hears a carriage approaching | arriving | bold | carriage | conversing | establish character | fanfare | forest | leading man | tense |
The Woman in White (1948) | The Carman's Whistle (Accompaniment) | 0:05:23 - Walter talks to a man in the carriage | carriage | conversing | establish character | forest | leading man | tense |
The Woman in White (1948) | Ann (Molto Misterioso) | 0:05:30 - Closeup on Count Fosco | carriage | conversing | establish character | forest | leading man | mysterious |
The Woman in White (1948) | Underscoring (Tense) | 0:05:38 - Walter talks to a man in the carriage | carriage | conversing | establish character | forest | leading man | stinger | tense | underscoring |
The Woman in White (1948) | Fosco | 0:05:43 - The carriage rolls away | carriage | departing | establish character | fanfare | forest | leading man | tense |
The Woman in White (1948) | Fosco (Ominous) | 0:35:03 - Fosco's carriage approaches | arriving | carriage | dark | garden | leading lady | leading man | ominous | transition |
The Woman in White (1948) | Pavan B | 0:50:44 - A carriage arrives | arriving | carriage | conversing | cousin | grand | headline | leading lady | mansion | montage | montage | newspaper | Renaissance music | servant | transition |
The Woman in White (1948) | Fosco (Con Moto) | 1:23:29 - Fosco arrives in his carriage | antagonist | arriving | carriage | criminal | dark | leading man | murderer | serious | street | transition | traveling |
The Woman in White (1948) | Hypnosis + Fosco | 1:30:32 - Count Fosco leaves | antagonist | carriage | combination of themes | criminal | dark | husband | hypnotist | leading man | leaving | murderer | ominous | plotting | spy | spying | street | tense | transition |