| Beyond the Forest (1949) | I’m in a Jam with Baby | 0:54:39 - Rosa walks down the street | advance plot | arriving | bouncer | club | crying | departing | jazz | leading lady | sentimental | sitting | source music | stranger |
| City for Conquest (1940) | Tone Poem A (End Cast) | 1:43:34 - End cast list | 13th chord | closing credits | end title sequence | jazz | not by Steiner | plagal cadence | syncopation | transcribed by ear | upbeat |
| Death of a Scoundrel (1956) | Bridget | 0:00:37 - Bridget arrives at her destination and talks to the butler looking for Mr. Sabourin | female | Gershwinesque | jazz |
Death of a Scoundrel (1956) | Bridget | 0:06:24 - Bridget begins to tell her story about Clementi | female | Gershwinesque | jazz |
Death of a Scoundrel (1956) | Bridget (Gershwin) | 0:16:46 - Clementi and Bridget talk in a bar, then Clementi is searched by the police to see if he had stolen a man's wallet | flashback | Gershwin | jazz | radio | source music |
Death of a Scoundrel (1956) | Bridget (Surprised) | 1:07:22 - Bridget is surprised when Clementi says he might marry Stephanie | flashback | jazz | sultry |
| Hell on Frisco Bay (1955) | Put 'Em in a Box, Tie 'Em with a Ribbon, and Throw 'Em in the Deep Blue Sea | 0:40:24 - A dance hall | advance plot | club | conversing | dancer | dancing | detective | jazz | jazz band | leading man | on-screen music | source music | upbeat |
Hell on Frisco Bay (1955) | How Many Hearts Have You Broken | 0:40:22 - A dance hall | advance plot | club | conversing | detective | drowning | fighting | gangster | interrogating | jazz | jazz band | leading man | mellow | on-screen music | source music |
Hell on Frisco Bay (1955) | It Had to Be You | 1:17:06 - Marcia sings at a club | advance plot | calm | club | jazz | leading lady | leading man | on-screen music | pianist | singer | singing | source music | wife |
| Her Kind of Man (1946) | It Had to Be You (Jazz Trumpet) | 0:00:44 - Music by Franz Waxman | 9th chord | bluesy | cast list | gambling | jazz | mode mixture | opening title sequence | roulette |
| I Was a Communist for the FBI (1951) | I'm in a Jam with Baby | 0:15:20 - Matt enters a bar | ABAB structure | advance plot | agent | arriving | bar | calling | conversing | customer | dialing | jazz | jukebox | leading man | source music | sultry | telephone | undercover agent | walking |
I Was a Communist for the FBI (1951) | (I'm Gonna Wait) A Little Bit Longer (For That Never-on-Time Baby of Mine) | 0:39:06 - Matt goes to a record shop | advance plot | agent | arguing | arriving | conversing | jazz | leading man | record player | record shop | shopkeeper | source music | undercover agent | upbeat | walking |
I Was a Communist for the FBI (1951) | Don'cha Go 'Way Mad | 0:42:08 - Matt talks to agents in a back room | advance plot | agent | conversing | jazz | planning | record player | record shop | sentimental | source music |
I Was a Communist for the FBI (1951) | Ice Cold Katy | 0:53:21 - Matt follows Eve | advance plot | arguing | communist | jazz | leading lady | leading man | source music | spy | street | teacher | undercover agent | upbeat |
| Illegal (1955) | I Gotta Right to Sing the Blues | 0:42:41 - Vic goes into Garland's office, where woman is playing the piano | jazz | on-screen music | piano | source music |
Illegal (1955) | Too Marvelous For Words | 0:53:06 - Angel sings and plays the piano | jazz | on-screen music | piano | source music |
| Key Largo (1948) | I Gotta Right to Sing the Blues | 0:04:21 - Frank speaks with people in the bar | conversing | establish character | gangster | hotel | jazz | leading man | moll | radio | sentimental | source music |
Key Largo (1948) | Gaye | 0:52:06 - Gaye awkwardly walks past Rocco | awkward | bluesy | boss | develop character | gangster | hotel | jazz | moll | sultry | walking |
Key Largo (1948) | Gaye Pours a Drink | 0:52:16 - Gaye pours herself a drink | alcohol | bluesy | boss | develop character | gangster | hotel | jazzy | moll | obsessive | pouring | shaking | sultry |
| Mildred Pierce (1945) | You Must Have Been a Beautiful Baby | 0:03:59 - Wally sees Mildred from the window | conversing | establish character | familiar tune | friend | heroine | jazz | leading lady | on-screen music | restaurant | source music | upbeat |
Mildred Pierce (1945) | Sweet Georgia Brown | 1:29:05 - Mildred confronts Wally | ABAC structure | advance plot | antagonist | club | conversing | daughter | heroine | jazz | leading lady | on-screen music | popular music | source music | upbeat |
Mildred Pierce (1945) | It Had to Be You | 1:30:25 - Mildred and Veda talk | ABAC structure | advance plot | antagonist | club | conversing | daughter | heroine | jazz | leading lady | on-screen music | popular music | source music | upbeat |
| Traveling Husbands (1931) | There's a Sob in My Heart (Dixieland) | 0:34:27 - Music is played in a night club | banjo | countermelody | dancing | Dixieland | double exposure | drums | improvisation | jazz | leading lady | montage | night club | popular song | salesman | source music | taxi | transcribed by ear | trombone | upbeat |
Traveling Husbands (1931) | Millie | 0:35:09 - Hot jazz is played in a night club | AABA structure | banjo | dancing | Dixieland | drums | jazz | leading lady | montage | night club | popular song | salesman | source music | taxi | transcribed by ear | trombone | upbeat |
| The Unfaithful (1947) | Stride Piano | 0:03:20 - Larry arrives at the party | establish character | jazz | lawyer | leading lady | on-screen music | party | sister | source music | upbeat |
| Is My Face Red? (1932) | Keyhole | 0:01:29 - Newspaper reads "The Keyhole to the City" | establish setting | jazz | keyhole | raucous | transcribed by ear | transition |
Is My Face Red? (1932) | Press Club | 0:02:41 - Man serving beer in a bar | bar | bartender | establish setting | jazz | server | serving | transcribed by ear | upbeat |
| State’s Attorney (1932) | Blues (Swinging) | 0:43:46 - Jazz musicians playing in a club | club | conversing | dancing | daughter | jazz | lawyer | leading man | love interest | music scene | on-screen music | source music | upbeat |
| Sing and Like It (1934) | Introduction | 0:00:10 - Title of the film | added-note chord | foreign key modulation | introduction | jazz | opening title sequence | starring list | title of film | transcribed by ear | upbeat |
Sing and Like It (1934) | Your Mother (Opening Title) | 0:00:21 - Cast list | AABA structure | added-note chord | augmented sixth chord | cast list | jazz | mode mixture | opening title sequence | radio | room | secondary dominant | source music | transcribed by ear | upbeat |
Sing and Like It (1934) | Indiana | 0:01:30 - Ruby changes the radio station | ABAC structure | boss | conversing | establish character | gangster | jazz | leading lady | leading man | listening | moll | radio | room | source music | upbeat |
Sing and Like It (1934) | Dinah | 0:02:34 - Ruby and Fenny listen to the radio | AABA structure | arguing | boss | conversing | establish character | gangster | gum | jazz | leading lady | leading man | listening | moll | radio | room | source music | upbeat |
Sing and Like It (1934) | It's Sunday Down in Caroline | 0:04:11 - Fenny prepares for a meeting | AABA structure | boss | conversing | establish character | gangster | jazz | laughing | leading lady | leading man | moll | plotting | radio | room | source music | upbeat |
| Hook, Line and Sinker (1930) | Whistling the Blues Away | 0:47:03 - People dancing at a party | AABA structure | ballroom | conversing | dancing | jazz | leading man | party | party | performing | upbeat |
Hook, Line and Sinker (1930) | Three Little Words | 0:56:38 - Wilbur and Mary talk | AABA structure | cash register | conversing | dancing | hotel | jazz | leading lady | leading man | love scene | party | performing | storm | upbeat |
Tag Search Results