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177 results for "fragmentation" in 26 films — see also division | explosion

FilmTheme nameInstanceTags
All This, and Heaven Too (1940)Pleading0:22:41 - The Duchess pleads with the Duke to stayacceleration | agitated | arguing | chromatic sequence | distressed | duchess | duke | establish character | fragmentation | leading lady | leading man | parallelism | pleading | room

All This, and Heaven Too (1940)

The Sick Room0:32:12 - The doctor talks to the Duke64 chord | advance plot | child | chromatic sequence | conversing | doctor | duke | fragmentation | gentle | governess | illness | leading lady | leading man | pedal tone | room

All This, and Heaven Too (1940)

Pleading (Extended)0:40:26 - The Abbe talks with the Duchess9th chord | angry | arguing | chromatic sequence | despair | duchess | fragmentation | leading lady | mad scene | oscillation | parallelism | priest | room

All This, and Heaven Too (1940)

Desperation (Calming)0:43:35 - Henriette closes the windowcalm | caring | child | dark | dissonant bass | duke | fragmentation | governess | hopeful | illness | illness scene | leading lady | leading man | room

All This, and Heaven Too (1940)

The Duke (Lohengrin)0:52:53 - The Duke gives Louise his roseadvance plot | calm | child | conversing | countermelody | duke | fragmentation | governess | hugging | kind | leading lady | leading man | room | sequence

All This, and Heaven Too (1940)

Henriette (Poco Animato)0:53:44 - Henriette puts out the lightsadvance plot | child | conversing | excited | fragmentation | governess | happy | leading lady | room | sequential modulation

All This, and Heaven Too (1940)

Henriette (Goodnight)1:06:59 - Henriette puts the children to bedadvance plot | calm | child | fragmentation | goodnight | governess | leading lady | peaceful | pedal tone | room | tucking in

All This, and Heaven Too (1940)

The Duchess (The Letter)1:14:48 - A letter is pushed under the door9th chord | advance plot | agitated | chromatic parallelism | conflicted | deceptive resolution | duke | fragmentation | leading man | letter | pacing | pondering | room | turbulent

All This, and Heaven Too (1940)

Henriette (Quasi Agitato)1:17:45 - Henriette paces anxiouslyacceleration | advance plot | agitated | conflicted | dissonant bass | fragmentation | gift | governess | half-diminished 7th chord | leading lady | pacing | pondering | room | sequence | turbulent

All This, and Heaven Too (1940)

Henriette (Tristan)1:18:13 - Henriette opens a gift9th chord | advance plot | fragmentation | gift | governess | happy | leading lady | opening | pump-up modulation | room | snow globe

All This, and Heaven Too (1940)

Pleading (Extended 2)1:19:43 - The Duchess pleads with the Duke9th chord | acceleration | arguing | chromatic sequence | conflict | desperate | duchess | duke | fragmentation | leading lady | leading man | parallelism | room

All This, and Heaven Too (1940)

Henriette (Tristan)1:46:15 - Henriette greets the children9th chord | arriving | child | duke | fragmentation | grand | greeting | leading lady | leading man | pump-up modulation | reunion scene | romantic | room

All This, and Heaven Too (1940)

Henriette (Tense)1:47:51 - The Duke argues with Henriettearguing | conflict | diminished 7th chord | duke | fragmentation | leading lady | leading man | pedal tone | room | tense

All This, and Heaven Too (1940)

Henriette (Grandioso) + Desperation (Grandioso)1:53:13 - The police wagon leavesarresting | bold | carriage | conflict | conversing | crowd | crying | dark | dissonant bass | fragmentation | landlady | leading lady | ominous | soldier | street | suspect | tense | testifying

All This, and Heaven Too (1940)

Underscoring (Tense)2:06:17 - Henriette argues with Henryadvance plot | arguing | fragmentation | leading lady | minister | pedal tone | prison | prisoner | sequence | suspect | tense | underscoring

All This, and Heaven Too (1940)

Henriette (Ostinato)2:10:09 - A carriage leavescarriage | crowd | dramatic | fragmentation | leading lady | mob | ominous | ostinato | prisoner | soldier | street | suspect | tense | transition | traveling

All This, and Heaven Too (1940)

Desperation (Mysterioso)2:17:47 - Henriette narrates her storychild | fragmentation | leading lady | mysterious | resolution | school | storytelling | student | teacher | tense
The Amazing Dr. Clitterhouse (1938)Signature0:00:00 - Warner Bros. shieldbold | chromatic mediant | fanfare | fragmentation | main title | metric dissonance | opening title sequence | WB shield

The Amazing Dr. Clitterhouse (1938)

The Amazing Doctor (Meeting)0:21:30 - Dr. Clitterhouse is taken upstairs64 chord | advance plot | chromatic parallelism | conversing | doctor | fragmentation | gangster | leading man | lobby | mysterious | pedal tone | sequence | thief

The Amazing Dr. Clitterhouse (1938)

The Amazing Doctor (Comical)0:46:08 - Doctor examines a criminal64 chord | chromatic parallelism | comical | criminal | doctor | examining | fragmentation | gangster | leading man | pedal tone | robbery | rooftop | sequence | thief | underscoring

The Amazing Dr. Clitterhouse (1938)

The Amazing Doctor (Giving Orders)0:48:32 - Doctor gives orders to the criminals64 chord | anger | annoyance | chromatic parallelism | commanding | criminal | doctor | fragmentation | gangster | leading man | ordering | pedal tone | robbery | sequence | store | tense | thief
Angels With Dirty Faces (1938)The Gangster (Triste)1:23:57 - Rocky uses Jerry as a hostage9th chord | building | chromatic parallelism | conflict | coughing | dark | double-cross | foreign key modulation | fragmentation | gangster | hostage | leading man | linear chromaticism | major 7th chord | menacing | polychord | priest | smoke | somber | street | tear gas | walking
Are These Our Children? (1931)Dreams (Marcia Maestoso)0:08:58 - Eddie dreamsapplauding | common-chord modulation | double exposure | dreaming | dream sequence | fragmentation | leading man | meter change | montage | reciting | thematic transformation | transcribed by ear | triumphant

Are These Our Children? (1931)

Makes You Forget Your Troubles (Dream Sequence)0:20:51 - Eddie dreamsadvance plot | augmented sixth chord | cheerful | double exposure | dreaming | dream sequence | eating | fragmentation | frantic | half-diminished 7th chord | humming | leading man | room | scored source music | sequence | source music

Are These Our Children? (1931)

Dreams (Dream Sequence)0:27:44 - Time passesdouble exposure | dream sequence | fragmentation | hectic | montage | transcribed by ear

Are These Our Children? (1931)

Dreams (Con Espressione)NIF - not in filmcut from film | diminished 7th chord | enharmonic modulation | fragmentation | thematic transformation

Are These Our Children? (1931)

Dreams (Montage)0:29:57 - Eddie drinksangry | diminished 7th chord | double exposure | dreaming | dream sequence | drinking | fragmentation | gun | hectic | leading man | montage | pedal tone | room | sequence

Are These Our Children? (1931)

Makes You Forget Your Troubles (Listesso Tempo)0:30:13 - Eddie commits a crimeangry | chromatic scale | double exposure | dreaming | dream sequence | fragmentation | hectic | leading man | montage | room

Are These Our Children? (1931)

Dreams (Newspaper Montage 2)NIF - not in filmcut from film | dissonant bass | fragmentation | sequence | thematic transformation

Are These Our Children? (1931)

Dreams (Risoluto)0:48:55 - Newspaper headlinesdouble exposure | fragmentation | headline | montage | mysterious | newspaper | sequential modulation | spinning | tense | thematic transformation

Are These Our Children? (1931)

Dreams (Risoluto 2)0:53:55 - Newspaper headlinesadvance plot | arresting | dark | detective | double exposure | fragmentation | friend | headline | leading man | love interest | murderer | newspaper | ominous | room | sequential modulation | spinning | thematic transformation | underscoring
Arsenic and Old Lace (1944)Here Comes the Bride (Modulating)0:03:34 - Hiding in a telephone boothadded-note chord | arguing | bystander | conversing | deceptive resolution | establish character | familiar tune | fragmentation | leading lady | leading man | marriage | office | pump-up modulation | running | rushed | rushing | self-borrowing | sequence

Arsenic and Old Lace (1944)

Sidewalks of New York (Walking)0:05:30 - Cops patrol the neighborhood64 chord | calm | establish setting | familiar tune | fragmentation | police | street | walking

Arsenic and Old Lace (1944)

Here Comes the Bride (Modulating)0:14:10 - Mortimer calls to Elaineadded-note chord | aunt | bride | cemetery | conversing | deceptive resolution | driver | familiar tune | flirting | fragmentation | groom | hurrying | leading lady | leading man | love | love scene | pump-up modulation | rushed | rushing | sequence | source to score | street

Arsenic and Old Lace (1944)

Here Comes the Bride (Modulating)0:15:36 - Mortimer and Elaine talkadded-note chord | bride | cemetery | conversing | familiar tune | flirting | fragmentation | groom | hurried | leading lady | leading man | love | love scene | pump-up modulation | romantic | sequence

Arsenic and Old Lace (1944)

Here Comes the Bride (Modulating 2)NIF - not in filmadded-note chord | cut from film | deceptive resolution | familiar tune | fragmentation | love scene | pump-up modulation | sequence

Arsenic and Old Lace (1944)

The Aunts (Frightened)0:39:58 - The aunts see shadows at the dooraugmentation | aunt | conversing | crazy person | dark | establish character | fear | foreign key modulation | fragmentation | knocking | leading lady | murderer | mysterious | Neapolitan | ominous | parallel 63s | pedal tone | room | shadow | whispering

Arsenic and Old Lace (1944)

Scar (Face)0:42:29 - Jonathan talks about his scaraugmented triad | aunt | brother | chromatic parallelism | conversing | crazy person | criminal | doctor | establish character | fragmentation | leading lady | leading man | murderer | mysterious | pc set | polychord | room | scar | tense

Arsenic and Old Lace (1944)

The Aunts (Frightened)0:44:00 - The aunts go into the kitchenaugmentation | aunt | brother | conversing | crazy person | criminal | doctor | establish character | fear | foreign key modulation | fragmentation | leading lady | leading man | murderer | mysterious | Neapolitan | ominous | parallel 63s | pedal tone | room | walking | watching

Arsenic and Old Lace (1944)

Jonathan (Fragmented)0:53:35 - Jonathan and the doctor go up the stairsadvance plot | aunt | brother | conversing | crazy person | dark | darkness | doctor | fragmentation | intimidating | leading lady | leading man | murderer | ominous | pc set | room | tense

Arsenic and Old Lace (1944)

The Aunts (Molto Misterioso)0:54:12 - Aunt Abby faces Jonathanadvance plot | aunt | brother | crazy person | darkness | foreign key modulation | fragmentation | intimidating | leading lady | leading man | murderer | mysterious | parallel 63s | pedal tone | room | staring | walking

Arsenic and Old Lace (1944)

Scar (Tense)0:58:39 - Close-up on Dr. Einstein's faceadvance plot | bride | brother | calling | close-up | crazy person | darkness | doctor | entering | fear | fragmentation | leading lady | leading man | murderer | polychord | room | sneaking | tense

Arsenic and Old Lace (1944)

The Aunts (Frightened)1:01:49 - Aunts talk to Jonathanarguing | aunt | brother | conflict | crazy person | fear | fragmentation | leading lady | leading man | murderer | Neapolitan | parallel 63s | pedal tone | room | tense
The Big Sleep (1946)Walking (Extended)0:15:03 - Marlowe walks across the streetadvance plot | calm | chromatic sequence | foreign key modulation | fragmentation | investigating | leading man | parallelism | pedal tone | private eye | street | walking

The Big Sleep (1946)

Hurrying0:19:26 - Geiger enters his houseantagonist | car | chromatic sequence | fragmentation | mysterious | parallelism | rain | street | tense | transition | walking

The Big Sleep (1946)

Marlowe (Risoluto)0:24:39 - Marlowe searches for cluesadded-note chord | chromatic parallelism | fragmentation | investigating | investigation scene | leading man | private eye | resolved | room | searching

The Big Sleep (1946)

Marlowe (Ear Music)0:38:26 - Marlowe talks with Agnesarguing | book shop | chromatic scale | fragmentation | investigation scene | leading man | private eye | secretary | tense | whole-tone chord

The Big Sleep (1946)

Hurrying0:39:41 - Marlowe walks back to the cabfragmentation | hurrying | investigation scene | leading man | mysterious | parallelism | private eye | sequence | street | tense | walking

The Big Sleep (1946)

Marlowe (Ear Music)0:46:52 - Marlowe thinksadvance plot | chromatic scale | fragmentation | leading man | mysterious | private eye | room | tense | thinking | whole-tone chord

The Big Sleep (1946)

Marlowe (Determined)0:47:56 - Marlowe enters the apartment buildingarriving | ascending | bold | common-chord modulation | determined | fragmentation | heroic | investigating | investigation scene | leading lady | leading man | parallel 63s | parallelism | private eye | sequence | stairs | street | walking

The Big Sleep (1946)

Marlowe (Action)0:57:01 - Marlowe runs to his car64 chord | assassin | augmented sixth chord | chase scene | chasing | common-tone diminished 7th | dramatic | fragmentation | heroic | leading man | murderer | private eye | running | sequential modulation | street | tense

The Big Sleep (1946)

Marlowe (Ear Business)0:59:42 - Marlowe pulls on his earadded-note chord | corpse | fragmentation | investigating | investigation scene | leading man | mysterious | private eye | room | thinking

The Big Sleep (1946)

Sternwood (Tense)1:16:26 - Marlowe asks about Eddie Marsaccusing | car | fragmentation | half-diminished 7th chord | leading lady | leading man | love interest | love scene | private eye | tense | whole-tone chord

The Big Sleep (1946)

You!NIF - not in filmadvance plot | chromatic scale | conversing | cut from film | femme fatale | fragmentation | leading man | private eye | room | tone cluster

The Big Sleep (1946)

Marlowe (Thinking)1:20:49 - Marlowe sits in a diner11th chord | added-note chord | advance plot | café | chromatic parallelism | fragmentation | leading man | mysterious | private eye | tense | thinking

The Big Sleep (1946)

Walking (Hesitant)1:26:55 - Marlowe walks into a buildingfragmentation | hallway | investigation scene | leading man | neutral | pain | parallelism | pedal tone | private eye | sequential modulation | walking

The Big Sleep (1946)

Marlowe (Risoluto)1:30:12 - Marlowe makes a phone calladded-note chord | bold | conversing | death scene | fragmentation | leading man | phone call | private eye | room | victim

The Big Sleep (1946)

Hurrying (Car)1:33:25 - Marlowe continues drivingadded-note chord | car | driving | fragmentation | hurried | leading man | parallelism | picardy third | private eye | sequential modulation | street | tense | traveling scene

The Big Sleep (1946)

Hurrying (Car)1:33:50 - Marlowe drives off the roadcar | chromatic scale | driving | fragmentation | hurried | leading man | private eye | sequence | street | tense | traveling scene

The Big Sleep (1946)

Marlowe (Ear Music)1:36:04 - Marlowe talks to two thugsconflict | criminal | danger | fragmentation | investigating | leading man | lying | murderer | mysterious | private eye | shop | tense | whole-tone chord

The Big Sleep (1946)

Underscoring (Dramatic)1:41:36 - Marlowe runs to his car9th chord | action scene | criminal | diminution | dramatic | fragmentation | leading lady | leading man | linear chromaticism | love interest | outside | private eye | running | underscoring | whole-tone chord

The Big Sleep (1946)

Walking (Extended)1:45:45 - Marlowe and Vivian walk up to housefragmentation | leading lady | leading man | love interest | outside | parallelism | pedal tone | private eye | sequential modulation | tense | transition | walking

The Big Sleep (1946)

Hurrying1:47:07 - Marlowe and Vivian make a planchromatic sequence | climax | fragmentation | hurrying | leading lady | leading man | love interest | parallelism | planning | private eye | room | tense

The Big Sleep (1946)

Marlowe (Risoluto)1:52:01 - Marlowe walks to the phoneadded-note chord | bold | death | fragmentation | leading lady | leading man | love interest | mysterious | plotting | private eye | resolution | room | tense
Caged (1950)SignatureNIF - not in filmadded-note chord | bold | chromatic mediant | chromatic scale | cut from film | dissonant bass | fragmentation | opening title sequence | oscillation

Caged (1950)

Signature0:00:00 - WB logoadded-note chord | bold | chromatic mediant | chromatic scale | dissonant bass | fanfare | fragmentation | opening title sequence | oscillation | WB shield

Caged (1950)

SwimmyNIF - not in filmadvance plot | chromatic parallelism | chromatic scale | cut from film | disbelief | dissonant bass | fragmentation | guard | leading lady | pregnancy | prison | prisoner | reacting | realization | tense

Caged (1950)

AgitatoNIF - not in filmagitated | chromatic parallelism | chromatic scale | cut from film | fragmentation | mad scene | ostinato | pc set | prison | whole-tone chord
City for Conquest (1940)Sidewalks of New York (Montage)0:02:18 - A montage of New York City scenesadded-note chord | boat | bridge | car | chromatic parallelism | city | conversing | Dutch angle | establish setting | excited | fragmentation | montage | old man | panning shot | police | pump-up modulation | soliloquy | train

City for Conquest (1940)

Sidewalks of New York (Snake)0:02:35 - A montage of New York City scenes13th chord | 64 chord | altered dominant | bridge | chromatic sequence | city | conversing | countermelody | double exposure | Dutch angle | establish setting | foreign key modulation | fragmentation | grand | montage | old man | police | snake effect | soliloquy

City for Conquest (1940)

Sidewalks of New York (Soliloquy 2)0:05:44 - Old-timer talks to a stone carver9th chord | 13th chord | bluesy | child | chromatic parallelism | conversing | establish character | fragmentation | love | old man | romantic | sentimental | soliloquy | street | worker

City for Conquest (1940)

Tone Poem A (Grazioso)0:30:04 - Danny shavesaltered dominant | common-chord modulation | conversing | delicate | fragmentation | gentle | leading lady | leading man | love scene | room | shaving

City for Conquest (1940)

Tone Poem A (Ominous)1:14:02 - Googi talks with the boxing managers9th chord | arguing | car | car | criminal | dissonant bass | driving | fragmentation | gangster | manager | murder scene | ominous | tense

City for Conquest (1940)

Googi (Molto Mysterioso e Screwyoso)1:15:19 - Cobb sees the guncar | chromatic parallelism | conversing | corpse | criminal | disposing | dissonant bass | dock | fragmentation | gangster | half-diminished 7th chord | manager | murderer | murder scene | ominous | ostinato | tense | tritone oscillation | working

City for Conquest (1940)

Tone Poem A (Tutti)1:33:02 - Peggy watches from the audience9th chord | 11th chord | 13th chord | audience | bold | Carnegie Hall | concert | concert hall | concert scene | conducting | conductor | deceptive resolution | dramatic | fragmentation | Gershwinesque | leading lady | listening | musician | on-screen music | orchestra | playing | point-of-view shot | romantic | source music | watching | zoom in

City for Conquest (1940)

Tone Poem Transition 11:33:15 - The conductor9th chord | added-note chord | audience | Carnegie Hall | common-tone diminished 7th | concert | concert hall | concert scene | conducting | conductor | dissonant bass | Dutch angle | excited | fragmentation | listening | musician | on-screen music | orchestra | playing | source music | watching

City for Conquest (1940)

Tone Poem Train Whistle1:33:40 - The wind section playsadded-note chord | bold | Carnegie Hall | concert | concert hall | concert scene | conducting | conductor | dissonant bass | excited | fragmentation | Gershwinesque | musician | on-screen music | orchestra | pc set | playing | pump-up modulation | source music

City for Conquest (1940)

Tone Poem Transition 3NIF - not in filmacceleration | bold | chromatic parallelism | chromatic sequence | concert scene | cut from film | diminution | dominant 7th chord | exciting | foreign key modulation | fragmentation | polyrhythm

City for Conquest (1940)

Tone Poem Train Whistle1:35:50 - Danny listens to the radioadded-note chord | bold | concert | concert scene | dissonant bass | excited | fragmentation | Gershwinesque | leading man | listening | on-screen music | pc set | pump-up modulation | radio | source music | street
Crime School (1938)Sue (Whispering)1:10:38 - Frankie hears voicesanxious | fragmentation | gun | hearing voices | insanity | mad scene | mental breakdown | ostinato | pc set | reformatory | sequence | sound mass | teenager | tone cluster | whispering | worrying

Crime School (1938)

Sue (Sneaky)1:13:28 - Frankie sneaks in with his gunbreaking in | conflict | distortion | fragmentation | gun | room | sequence | sneaking | teenager | tense

Crime School (1938)

Sue (Allegretto)1:24:18 - Boys talk about Sue9th chord | chromatic parallelism | conversing | courthouse | fragmentation | gang | optimistic | resolution | sequence | teenager
Dust Be My Destiny (1939)Dust Be My Destiny (Agitated)0:14:22 - Joe argues with Mabelagitated | arguing | barn | fragmentation | leading lady | leading man | lovers meet | prisoner | sequence

Dust Be My Destiny (1939)

Dust Be My Destiny (Fateful Decision)0:26:17 - Joe and Mabel decide to run away togetherbarn | confused | deceptive resolution | fragmentation | hopeful | leading lady | leading man | mode mixture | runaway | turning point

Dust Be My Destiny (1939)

Here Comes the Bride (Modulating)0:29:02 - Joe and Mabel run to the courthouseadded-note chord | deceptive resolution | excited | familiar tune | foreign key modulation | fragmentation | leading lady | leading man | love scene | marriage | pump-up modulation | romance | romantic | running | sequence | street

Dust Be My Destiny (1939)

Dust Be My Destiny (Fear and Devotion)0:35:50 - Joe and Mabel decide to stick togetheralley | common-tone diminished 7th | devotion | dramatic | escape | fear | fragmentation | leading lady | leading man | love | mode mixture | obsessive | runaway | street

Dust Be My Destiny (1939)

Dust Be My Destiny (Hiding)0:47:35 - Nick talks with Joe42 chord | advance plot | anxious | diminished 7th chord | diner | fragmentation | friend | hiding | leading man | money | runaway | shopkeeper | suspense

Dust Be My Destiny (1939)

Dust Be My Destiny (Heroic)0:59:42 - Joe takes pictures of the robbery42 chord | action scene | bank | chromatic scale | criminal | crowd | dramatic | fragmentation | gangster | leading man | photographer | retrograde | shopkeeper | street

Dust Be My Destiny (1939)

Dust Be My Destiny (Heroic)1:10:32 - Joe heroically wrestles away the steering wheelaction scene | chromatic scale | dramatic | fighting | fragmentation | gangster | hero | leading man | newspaper editor | retrograde | street

Dust Be My Destiny (1939)

Dust Be My Destiny (Hiding)1:12:42 - Mabel talks with Joe about surrendering42 chord | conflict | diminished 7th chord | fragmentation | hero | hospital | leading lady | leading man | tense
Each Dawn I Die (1939)Underscoring (Dramatic)0:04:55 - Frank is pushed into a carcar | chromatic scale | conflict | diminished 7th chord | dissonant bass | dramatic | fragmentation | gangster | gun | hero | kidnapping | leading man | pushing | reporter | street | underscoring | violence
Flamingo Road (1949)Lane (Fragmented)0:42:21 - Lane talks to a fellow prisoneradvance plot | conversing | fragmentation | leading lady | prison | prisoner | somber

Flamingo Road (1949)

Lane (Bell-like)0:54:43 - Lane gives Dan some changefragmentation | gentle | giving | leading lady | leading man | love interest | love scene | politician | porch | receiving | sweet

Flamingo Road (1949)

Flamingo Road (Misterioso)1:04:33 - Titus talks to Danadvance plot | combination of themes | conversing | distortion | fragmentation | leading lady | leading man | mysterious | politician | room | self-borrowing | sequence | sheriff

Flamingo Road (1949)

Flamingo Road (Agitato)1:18:50 - Dan gets upset with Lane9th chord | accusing | angry | augmented sixth chord | conflict | fragmentation | husband | leading lady | leading man | politician | quartal chord | room | self-borrowing | wife

Flamingo Road (1949)

Titus (Fragmented) + Titus 2 (Fragmented)1:29:47 - Lane confronts Titusarguing | climax | club | combination of themes | dark | fragmentation | inversion | leading lady | motivic transformation | mysterious | ominous | retrograde | self-borrowing | sheriff
In This Our Life (1942)Stanley B0:07:06 - Stanley talks with Petercar | chromatic scale | chromatic sequence | conversing | dissonant bass | establish character | fragmentation | leading lady | leading man | love interest | sultry

In This Our Life (1942)

Roy (Rubato)0:14:34 - Roy talks with Peter9th chord | advance plot | chromatic parallelism | conversing | dark | fragmentation | leading lady | leading man | major 7th chord | playful | room

In This Our Life (1942)

Stanley B (Poco Agitato)0:17:44 - Stanley packs her thingsadvance plot | agitated | chromatic sequence | fragmentation | leading lady | packing | room | tense

In This Our Life (1942)

Roy (Rubato)0:29:00 - Roy talks to Craig9th chord | advance plot | chromatic parallelism | conversing | fragmentation | leading lady | leading man | major 7th chord | park | uneasy

In This Our Life (1942)

Stanley (Misterioso)1:06:47 - Stanley hesitates at the dooradvance plot | fragmentation | hesitating | lawyer | leading lady | leading man | mysterious | office | pc set

In This Our Life (1942)

Stanley B (Very Agitated)1:32:15 - Stanley hides from the policeagitated | chromatic scale | conflict | criminal | dissonant bass | fragmentation | hiding | leading lady | mysterious | police | room | running | rushing | street

In This Our Life (1942)

Stanley (Chase)1:32:59 - The police chase after Stanley9th chord | acceleration | chase scene | chasing | chromatic scale | climax | criminal | desperate | dramatic | driving | fleeing | fragmentation | leading lady | police | street | tense

In This Our Life (1942)

Stanley (Desperate)1:34:02 - The police in hot pursuit9th chord | chase scene | chasing | chromatic parallelism | climax | criminal | crying | desperate | dramatic | driving | fleeing | fragmentation | leading lady | police | street | tense
The Informer (1935)The Wearin' o' the Green (Fighting)1:03:51 - Gypo struggles with the rebels64 chord | advance plot | antagonist | chromatic parallelism | conversing | dominant 7th chord | drunk | familiar tune | fighting | folk song | fragmentation | leading lady | leading man | reassuring | rebel | sequence | street | struggling | syncopation

The Informer (1935)

The Informer (Up the Stairs)1:21:35 - Gypo goes up the stairs64 chord | agitated | antagonist | chromatic sequence | fragmentation | hallway | hiding | leading man | mickey-mousing | running | sequence | stairs | tense | traitor | transition | up

The Informer (1935)

Katie (Furioso)1:26:55 - Katie becomes desperateadvance plot | anxiety | begging | chromatic parallelism | despair | dissonant bass | fragmentation | leading lady | love interest | rebel | room | sentence form | sequence | tense | whole-tone chord
The Letter (1940)Leslie (Revolver)0:03:43 - A pistol lies on the stepschanging meter | conversing | foreign key modulation | fragmentation | gun | harmonic sequence | home | leading lady | murderer | murder scene | oscillation | sequential modulation | servant | tense

The Letter (1940)

Leslie (Mysterioissimo)0:04:42 - A shadow appearscircle of fifths | common-chord modulation | foreign key modulation | fragmentation | home | leading lady | light | looking | murder scene | mysterious | oscillation | parallel fifths | servant | turning on

The Letter (1940)

Leslie (Risoluto)0:14:07 - Leslie continues her storyadvance plot | augmented triad | chromatic parallelism | dramatic | fragmentation | home | leading lady | pc set | polychord | recounting | sequence | tense

The Letter (1940)

Leslie (Walking)0:30:58 - Leslie in jail64 chord | advance plot | chromatic parallelism | fragmentation | leading lady | mysterious | oscillation | prison | walking

The Letter (1940)

Leslie (Risoluto)0:35:11 - Leslie reacts angrily to the letterarguing | augmented triad | chromatic parallelism | deception | fragmentation | lawyer | leading lady | letter | lying | oscillation | pc set | pivotal scene | polychord | prison | sequence | tense

The Letter (1940)

Leslie (Risoluto)0:37:07 - Howard reads the letter to Leslieanxious | augmented triad | buildup | chromatic parallelism | fearful | fragmentation | lawyer | leading lady | letter | oscillation | pc set | pivotal scene | polychord | prison | reading | sequence | tense

The Letter (1940)

Leslie (Plotting)0:39:32 - Howard and Leslie plot their next move9th chord | advance plot | buildup | changing meter | chromatic sequence | fragmentation | hospital | lawyer | leading lady | letter | minor-major 7th chord | ominous | oscillation | plotting | tense

The Letter (1940)

Leslie (Leaving)0:53:20 - Howard and Leslie leave the houseadded-note chord | fragmentation | lawyer | leading lady | leaving | mysterious | plantation | sequence | sequential modulation | transition

The Letter (1940)

Leslie (Restless)1:14:42 - Robert asks about the letterarguing | conflict | fragmentation | home | husband | lawyer | leading lady | lying | major 7th chord | sequence | tense

The Letter (1940)

Leslie (Wild)1:14:57 - Robert waits for a response9th chord | arguing | augmented major 7th chord | chromatic parallelism | conflict | distress | fragmentation | home | husband | lawyer | leading lady | lying | sequence | tense

The Letter (1940)

Leslie (Fast) + Foxtrot No. 31:34:18 - Leslie's laceworkcalm | combination of themes | dance music | fragmentation | lacework | oscillation | plantation | pump-up modulation | resolution | sequence | source music
Mildred Pierce (1945)Mildred (Pier)0:02:15 - Santa Monica pier at nightchromatic parallelism | dock | establish character | fragmentation | heroine | leading lady | mickey-mousing | pedal tone | pondering | sequence | somber | walking | water | wave

Mildred Pierce (1945)

Mildred (Ominous)0:12:43 - The detectives talk to Mildredadvance plot | chromatic sequence | conversing | dark | detective | fragmentation | heroine | imitation | leading lady | ominous | room

Mildred Pierce (1945)

Bert (Triste)0:24:26 - Bert and Mildred separateaugmented sixth chord | breaking up | crying | establish character | fragmentation | heroine | husband | leading lady | leaving | Neapolitan | pedal tone | room | somber

Mildred Pierce (1945)

Mildred (Tense)0:28:43 - Mildred goes to open the dooradvance plot | fragmentation | heroine | leading lady | pedal tone | room | tense | walking

Mildred Pierce (1945)

Mildred B (Angry)0:39:30 - Mildred argues with Veda11th chord | angry | arguing | child | conflict | fragmentation | heroine | leading lady | room | slapping | tense

Mildred Pierce (1945)

Kay and Veda (Troubled)NIF - not in filmaltered dominant | chromatic mediant | chromatic scale | common-chord modulation | cut from film | dissonant | dramatic | foreign key modulation | fragmentation | hopeful | mode mixture | sequence | tender | tense | tragic | turbulent | whole-tone chord | whole-tone scale

Mildred Pierce (1945)

Kay and Veda (Troubled)1:14:06 - Mildred and Monte arguearguing | breakup | chromatic scale | chromatic sequence | conflict | disagreement | fragmentation | heroine | leading lady | love interest | ominous | room | sinister | tense | whole-tone chord | whole-tone scale

Mildred Pierce (1945)

It Can't Be Wrong (Bitter)1:15:29 - Mildred writes Monte a checkarguing | bitter | breakup | conflict | dissonant bass | familiar tune | fragmentation | heroine | leading lady | love interest | mickey-mousing | popular music | room | source to score | tense

Mildred Pierce (1945)

Mildred (Tenderly)1:19:37 - Wally talks about a settlementantagonist | chromatic parallelism | conflict | conversing | daughter | fragmentation | friend | heroine | leading lady | pedal tone | room | tender

Mildred Pierce (1945)

Kay and Veda (Troubled 2)1:21:34 - Veda looks at the divorce settlement checkantagonist | blackmail | chromatic scale | chromatic sequence | conflict | daughter | fragmentation | heroine | laughing | leading lady | mickey-mousing | mocking | room | troubled | ugly | whole-tone chord

Mildred Pierce (1945)

Kay and Veda (Agitato)1:22:22 - Veda and her mother argueagitated | antagonist | arguing | augmented sixth chord | blackmail | chromatic sequence | conflict | daughter | fragmentation | heroine | leading lady | room | tense

Mildred Pierce (1945)

Mildred B (Angry 2)1:23:09 - Mildred gets angry at Vedaangry | antagonist | arguing | conflict | daughter | fragmentation | heroine | insulting | leading lady | room | tense

Mildred Pierce (1945)

Mildred (Ominous)1:45:25 - Mildred walks downstairsarriving | climax | dark | fragmentation | half-diminished 7th chord | heroine | imitation | leading lady | ominous | room

Mildred Pierce (1945)

Kay and Veda (Agitato)1:46:05 - Veda reveals that she is in love with Monte antagonist | augmented sixth chord | betrayal | betraying | chromatic scale | chromatic sequence | climax | dark | daughter | fragmentation | heroine | leading lady | revealing | room | tense

Mildred Pierce (1945)

Mildred B (Angry)1:48:06 - Veda confesses to Mildredangry | antagonist | confessing | confession | daughter | diminished 7th chord | fragmentation | heroine | leading lady | lying | murderer | murder scene | pc set | room | tense

Mildred Pierce (1945)

Kay and Veda (Troubled)1:48:22 - Veda pleads for help to escapeantagonist | begging | chromatic scale | confessing | daughter | distressed | fragmentation | frantic | heroine | leading lady | murderer | murder scene | room | sequence | whole-tone chord

Mildred Pierce (1945)

Mildred (Ominous)1:48:41 - Mildred calls the policeantagonist | begging | chromatic sequence | daughter | fragmentation | heroine | imitation | leading lady | murderer | murder scene | ominous | room | tense
The Life of Vergie Winters (1934)Lullaby (Hospital Scene)0:27:51 - The sign for a hospitaladvance plot | calm | child | childbirth | conversing | fragmentation | hospital | leading lady | lullaby | peaceful | plagal cadence

The Life of Vergie Winters (1934)

Lullaby (Joan)0:50:31 - Joan enters Vergie's shopadvance plot | child | conversing | daughter | distortion | entering | foreign key modulation | fragmentation | gentle | harmonic sequence | leading lady | meeting | mother | octatonic scale | reunion | secret | shop | timid

The Life of Vergie Winters (1934)

Lullaby (Solo Violin)0:52:06 - Vergie gets a ribbon for Joanadvance plot | child | common-chord modulation | conversing | daughter | fragmentation | gentle | leading lady | mother | reunion | secret | shop

The Life of Vergie Winters (1934)

Lullaby (Quasi Appassionato)0:54:24 - John expresses his love for Vergieconversing | direct modulation | dissonant bass | fragmentation | half-diminished 7th chord | leading lady | leading man | love scene | outside | passionate | secret love | secret lover

The Life of Vergie Winters (1934)

Lullaby (Agitated)1:01:27 - John and Laura argue about Joanagitated | arguing | common-tone diminished 7th | conflict | diminished 7th chord | direct modulation | fragmentation | harmonic sequence | leading man | octatonic scale | room | tense | transcribed by ear | wife

The Life of Vergie Winters (1934)

Old Lavender (Allegretto)1:04:31 - Ranny reacts to the revelationchromatic mediant | conflict | conversing | daughter | foreign key modulation | fragmentation | leading man | light | love interest | mode mixture | optimistic | pedal tone | room | wife

The Life of Vergie Winters (1934)

Lullaby (Allegro)1:18:34 - Newspaper headlinebold | conversing | daughter | dissonant bass | fragmentation | husband | montage | pedal tone | prison | waiting
Out of the Fog (1941)Russian Barcarolle (Fragmented)0:46:14 - Jonah calls for the coparguing | conflict | criminal | dock | extortion | father | fisherman | fragmentation | friend | leading man | police | tense | yelling

Out of the Fog (1941)

Russian Barcarolle (Fragmented)0:46:50 - Olaf accuses Goffconflict | conversing | criminal | departing | dock | extortion | father | fisherman | fragmentation | friend | leading man | police | tense

Out of the Fog (1941)

Russian Barcarolle (Fragmented 2)1:07:35 - A boat in the fogconflict | criminal | dark | fisherman | fragmentation | friend | leading man | menacing | ominous | sea | traveling
Kid Galahad (1937)Kid Galahad (Montage)0:46:47 - Montage of newspaper headlines64 chord | advance plot | appoggiatura | boxer | boxing | boxing ring | cheering | chromatic parallelism | fanfare | fragmentation | harmonic sequence | heroic | leading man | montage | newspaper
The Unfaithful (1947)Tanner0:23:46 - Mrs. Tanner boards a trolleyadvance plot | altered dominant | antagonist | fragmentation | irregular meter | newspaper | pc set | quartal chord | reading | street | tense | traveling | trolley | widow

The Unfaithful (1947)

Tanner1:10:47 - Men get out of the caraltered dominant | antagonist | arriving | foreshadowing | fragmentation | husband | irregular meter | pc set | quartal chord | street | tense | transition | walking

The Unfaithful (1947)

Unfaithful (Risoluto)1:14:27 - Bob arrives homeangry | arriving | car | driving | fragmentation | house | husband | monophonic | transition

The Unfaithful (1947)

Unfaithful (Rising Anger)1:15:35 - Bob walksangry | chromatic scale | fragmentation | half-diminished 7th chord | husband | intense | meandering | oscillation | ostinato | room | transition | walking

The Unfaithful (1947)

Tanner (Headlines)1:24:17 - Chris is suspected of murderaltered dominant | chromatic scale | climax | fragmentation | friend | hurrying | montage | newspaper | newspaper boy | panicked | police station | polychord | polytonality | quartal chord | radio | reporter | room | rushing | street | surprise | tritone oscillation | widow

The Unfaithful (1947)

Tanner1:25:44 - Mrs. Tanner testifiesaltered dominant | climax | courtroom | dramatic | fragmentation | hurrying | irregular meter | montage | prosecuting | quartal chord | rushing | testifying | witness

The Unfaithful (1947)

Unfaithful (Dolce)1:46:08 - Bob talks with Chrisaltered dominant | chromatic mediant | common-chord modulation | conversing | foreign key modulation | fragmentation | hopeful | husband | lawyer | mode mixture | ostinato | peaceful | pedal tone | plagal cadence | resolution | resolution | romantic | room | triumphant | wife
We Are Not Alone (1939)Surprise Symphony (Glissando)0:02:20 - David rides his bike homebicycle | classical music | establish character | familiar tune | fragmentation | glissando | Haydn | hero | playful | quotation | score to source | sequence | source music | street

We Are Not Alone (1939)

Appassionato0:03:13 - Gerald is scolded by his motherantagonist | boy | child | chromatic parallelism | chromatic scale | deceptive resolution | dominant 7th chord | establish character | fragmentation | harmonic sequence | hero | home | linear chromaticism | mother | passionate | scolding | sequence | telling a story | tense

We Are Not Alone (1939)

Playful0:04:39 - David asks his son to find a catboy | child | establish character | father | foreign key modulation | fragmentation | hero | home | playful | sequence | step modulation

We Are Not Alone (1939)

Surprise Symphony (Innocent)0:06:36 - Gerald runs inside9th chord | boy | child | classical music | comforting | common-tone diminished 7th | establish character | familiar tune | father | foreign key modulation | fragmentation | Haydn | hero | home | innocent | mode mixture | nagging | parallel fifths | playful | quotation | step modulation | tritone | Wagner

We Are Not Alone (1939)

Tommy (Recovering)0:09:17 - David tells Tommy he is allergic to cats11th chord | boy | cat | cheerful | doctor | establish character | fragmentation | hero | office | playful | sequence

We Are Not Alone (1939)

Surprise Symphony (Not Afraid)0:11:24 - David sets Leni's wristchromatic scale | classical music | delicate | doctor | establish character | familiar tune | foreign key modulation | fragmentation | Haydn | hero | heroine | quotation | room | somber

We Are Not Alone (1939)

Surprise Symphony (Quasi Rubato)0:12:46 - David treats Leni's legclassical music | doctor | establish character | familiar tune | fragmentation | gentle | Haydn | hero | heroine | parallelism | playful | quotation | room

We Are Not Alone (1939)

Surprise Symphony (Humbly)0:13:10 - David treats Leni's legclassical music | common-tone diminished 7th | doctor | establish character | familiar tune | fragmentation | gentle | Haydn | hero | heroine | hymn-like | quotation | room | sweet

We Are Not Alone (1939)

Surprise Symphony (Glissando)0:22:35 - David rides home on his bikeadvance plot | bicycle | classical music | familiar tune | fragmentation | glissando | happy | Haydn | hero | home | peaceful | quotation | sequence | walking

We Are Not Alone (1939)

Surprise Symphony (Worried)0:22:57 - David hears Gerald cryingadvance plot | boy | child | classical music | dark | familiar tune | father | fragmentation | Haydn | hero | home | hurrying | mode mixture | quotation | tense

We Are Not Alone (1939)

Surprise Symphony (Fixing the Lights)0:23:27 - David tries to fix the lights11th chord | advance plot | boy | child | classical music | familiar tune | father | foreign key modulation | fragmentation | Haydn | helping | hero | home | mysterious | playful | quotation | working

We Are Not Alone (1939)

Frohe Botschaft (Crying)0:45:45 - Leni kisses Gerald9th chord | 64 chord | advance plot | antagonist | boy | child | crying | deceptive resolution | familiar tune | folk song | fragmentation | German | heroine | home | leaving | mode mixture | mother | quotation | room | sequence | somber | tritone

We Are Not Alone (1939)

Frohe Botschaft (Triste)0:51:10 - David talks to Leni9th chord | added-note chord | advance plot | conversing | deceptive resolution | familiar tune | folk song | foreign key modulation | fragmentation | German | hero | heroine | home | quotation | room | somber

We Are Not Alone (1939)

Surprise Symphony (Allegretto)1:14:16 - David helps Leni buy a ticketadvance plot | classical music | conversing | familiar tune | fragmentation | gentle | Haydn | hero | heroine | optimistic | pedal tone | quotation | sequence | sweet | train station

We Are Not Alone (1939)

Celebre Romance (Love)1:37:12 - David and Leni express their love for each otherclassical music | conversing | familiar tune | fragmentation | guard | hero | heroine | love scene | prison | quotation | romantic | Rubinstein

We Are Not Alone (1939)

Surprise Symphony (Semplice)1:41:10 - Guards help Leniadvance plot | augmented triad | classical music | conversing | delicate | familiar tune | fragmentation | Haydn | helping | hero | heroine | lullaby | prison | quotation

We Are Not Alone (1939)

Frohe Botschaft (6th chime)NIF - not in filmconclusion | cut from film | eerie | familiar tune | folk song | fragmentation | German | ominous | quotation | tone cluster

We Are Not Alone (1939)

Frohe Botschaft (Fading Away)1:50:19 - Susan looks surprisedantagonist | boy | child | conclusion | death | eerie | familiar tune | folk song | fragmentation | German | home | ominous | quotation | room | tone cluster
Is My Face Red? (1932)Strolling the Deck (Argument)0:16:14 - Camera moves from one window to anotheradvance plot | boat | cheerful | eavesdropping | fragmentation | leading man | parallelism | searching | transcribed by ear
Men of America (1932)Cimarron B (Transition)0:02:19 - Smokey Joe fights the Indiansambush | chromatic mediant | cowboy | dramatic | establish character | establish setting | fragmentation | gun | gunshot | horse | Indian | leading man | prairie | riding | self-borrowing | shooting | stagecoach | tense | title card | transcribed by ear
Star of Midnight (1935)Midnight in Manhattan (Montage)0:54:11 - Feet walkingbus | chromatic parallelism | fragmentation | hurried | montage | pedal tone | street | transcribed by ear | traveling | walking
Don’t Turn ‘em Loose (1936)Makes You Forget Your Troubles (Dream Sequence)0:39:59 - Bob (Bat) pulls a gun on Graceaugmented sixth chord | cheerful | confronting | fragmentation | frantic | gangster | gun | gunshot | half-diminished 7th chord | leading man | mirror shot | moll | murder | murderer | murder scene | popular music | reacting | room | screaming | sequence | shooting | simulated source music | source music | staring | tense | threatening | victim
We're Only Human (1935)The Informer (Up the Stairs)0:27:17 - Pete prepares to advance64 chord | action scene | agitated | bank | chromatic sequence | detective | dodging | fragmentation | gangster | gunshot | hiding | leading man | preparing | running | stinger | tense

We're Only Human (1935)

The Wearin' o' the Green (Fighting)1:03:42 - Pete prepares to advancechromatic parallelism | climax | conflict | detective | dramatic | fragmentation | gunshot | leading lady | leading man | reporter | running | sequence | shooting | tense | underscoring | victim | yard