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121 results for "chromatic sequence" in 23 films — see also sequence

FilmTheme nameInstanceTags
All This, and Heaven Too (1940)Underscoring (Agitated)0:07:52 - Henriette talks to Henry Fieldagitated | chromatic parallelism | chromatic sequence | conversing | distressed | establish character | leading lady | minister | principal | school | teacher

All This, and Heaven Too (1940)

The Duke (Maestoso)0:14:03 - Henriette enters the palacearriving | butler | calm | chromatic mediant | chromatic sequence | countermelody | establish place | establish setting | foreign key modulation | gentle | leading lady | noble | palace | sequential modulation | walking

All This, and Heaven Too (1940)

The Duchess (Agitato)0:22:02 - The Duchess argues with the Dukeagitated | arguing | chromatic scale | chromatic sequence | distressed | duchess | duke | establish character | leading lady | leading man | mode mixture | room

All This, and Heaven Too (1940)

Pleading0:22:41 - The Duchess pleads with the Duke to stayacceleration | agitated | arguing | chromatic sequence | distressed | duchess | duke | establish character | fragmentation | leading lady | leading man | parallelism | pleading | room

All This, and Heaven Too (1940)

Underscoring (Gentle)0:30:34 - Henriette puts Raynald in bedadvance plot | arguing | caring | child | chromatic sequence | duke | gentle | governess | illness | leading lady | leading man | mode mixture | room | tense | underscoring

All This, and Heaven Too (1940)

The Sick Room0:32:12 - The doctor talks to the Duke64 chord | advance plot | child | chromatic sequence | conversing | doctor | duke | fragmentation | gentle | governess | illness | leading lady | leading man | pedal tone | room

All This, and Heaven Too (1940)

Counting0:33:30 - Henriette counts tangerine slicesadvance plot | calm | child | chromatic sequence | conversing | counting | distracting | duke | governess | illness | leading lady | leading man | pc set | room | tense | wedge | zoom in

All This, and Heaven Too (1940)

The Duchess (Expressivo con Schmalzo)0:39:24 - The Duchess writes a letterangry | chromatic sequence | crying | despair | duchess | foreign key modulation | leading lady | mad scene | on-screen text | room | sequence | sequential modulation | writing

All This, and Heaven Too (1940)

Pleading (Extended)0:40:26 - The Abbe talks with the Duchess9th chord | angry | arguing | chromatic sequence | despair | duchess | fragmentation | leading lady | mad scene | oscillation | parallelism | priest | room

All This, and Heaven Too (1940)

Desperation (Very Emotional)0:41:00 - The Duchess pleads with the Abbeangry | arguing | chromatic scale | chromatic sequence | crying | despair | dissonant bass | illness | leading lady | mad scene | priest | room

All This, and Heaven Too (1940)

Raynald (Andante)0:41:36 - Henriette and the Duke by Raynald's bedside9th chord | 64 chord | augmented sixth chord | child | chromatic sequence | conversing | duke | governess | hopeful | illness | illness scene | leading lady | leading man | parallelism | room | solemn | somber

All This, and Heaven Too (1940)

Desperation (Very Emotional)1:01:26 - Henriette talks to the Dukearguing | chromatic sequence | conflict | dramatic | duke | governess | leading lady | leading man | room | trouble

All This, and Heaven Too (1940)

Pleading (Extended)1:01:39 - The Duke responds to Henriette9th chord | arguing | chromatic sequence | conflict | dramatic | duke | governess | leading lady | leading man | room | trouble

All This, and Heaven Too (1940)

Desperation (Very Emotional)1:02:00 - The Duke talks to Henriettearguing | chromatic scale | chromatic sequence | conflict | dissonant bass | dramatic | duke | governess | leading lady | leading man | room | trouble

All This, and Heaven Too (1940)

Henriette (Emotional)1:02:28 - The Duke talks to Henriettechromatic sequence | conflict | conversing | duke | governess | leading lady | leading man | mode mixture | romance | romantic | room

All This, and Heaven Too (1940)

Ascending1:03:57 - The Duke and Duchess ascendascending | ballroom | chromatic sequence | double exposure | duchess | duke | leading lady | leading man | mickey-mousing | montage | stairs | tense

All This, and Heaven Too (1940)

Isabelle1:07:33 - Isabelle criesadvance plot | augmented sixth chord | child | chromatic sequence | comforting | crying | governess | leading lady | room | sequence | serious | somber

All This, and Heaven Too (1940)

Falling Snow1:12:39 - Henriette watches the falling snow64 chord | advance plot | chromatic parallelism | chromatic scale | chromatic sequence | conversing | dissonant bass | duke | governess | leading lady | leading man | mickey-mousing | pedal tone | point-of-view shot | room | snow | snow globe | snowing | uneasy

All This, and Heaven Too (1940)

Pleading (Extended 2)1:19:43 - The Duchess pleads with the Duke9th chord | acceleration | arguing | chromatic sequence | conflict | desperate | duchess | duke | fragmentation | leading lady | leading man | parallelism | room

All This, and Heaven Too (1940)

Desperation (Very Emotional)1:20:06 - The Duchess threatens the Dukearguing | augmented triad | chromatic scale | chromatic sequence | conflict | desperate | dissonant bass | duchess | duke | leading lady | leading man | room | tense | threatening

All This, and Heaven Too (1940)

Desperation (Sempre Accelerando1:20:39 - The Duke and Duchess argueacceleration | arguing | augmented triad | chromatic scale | chromatic sequence | conflict | desperate | dissonant bass | duchess | duke | leading lady | leading man | panning shot | pc set | room | screaming | tense | threatening

All This, and Heaven Too (1940)

Spring Time1:24:18 - The children laughcheerful | child | chromatic sequence | conversing | create suspense | forest | governess | leading lady | walking

All This, and Heaven Too (1940)

Spring Time1:25:18 - The Duke talks with his children64 chord | advance plot | cheerful | child | chromatic sequence | common-tone diminished 7th | duke | forest | governess | leading lady | leading man | pedal tone | recognizing | relief

All This, and Heaven Too (1940)

Underscoring (Gentle)1:25:28 - Henriette smiles at the Dukeadvance plot | child | chromatic sequence | conversing | duke | foreign key modulation | forest | gentle | governess | leading lady | leading man | Neapolitan | tender | underscoring

All This, and Heaven Too (1940)

Raynald1:27:35 - Madame Gauthier talks about Raynald64 chord | advance plot | cheerful | chromatic sequence | conversing | deceptive resolution | duke | governess | leading lady | leading man | room | servant

All This, and Heaven Too (1940)

Spring Time1:30:41 - The children get out of the carriage64 chord | bright | cheerful | child | chromatic sequence | conversing | duke | governess | happy | leading lady | leading man | Neapolitan | palace | pentatonic | transition

All This, and Heaven Too (1940)

The Duchess (Agitato)1:34:41 - Henriette rushes away from the Duchesschattering | child | chromatic sequence | common-chord modulation | conflict | conversing | duchess | governess | leading lady | mode mixture | room | somber | worried

All This, and Heaven Too (1940)

Underscoring (Agitated)1:35:05 - Henriette with the childrenadvance plot | agitated | child | chromatic parallelism | chromatic scale | chromatic sequence | conversing | governess | leading lady | room | worried

All This, and Heaven Too (1940)

Spring Time (Harry Cohn Moto)1:35:26 - Henriette opens a giftadvance plot | cheerful | child | chromatic sequence | gift | governess | happy | leading lady | opening | pedal tone | room | tense | unwrapping

All This, and Heaven Too (1940)

Raynald (Dark)1:41:54 - Raynald talks with Henriettechild | chromatic sequence | conversing | crying | deceptive resolution | farewell scene | governess | leading lady | room | somber

All This, and Heaven Too (1940)

Henriette (Appassionato 2)1:46:00 - Henriette descends the staircase9th chord | 11th chord | added-note chord | anxious | chromatic sequence | common-tone diminished 7th | descending | excited | foreign key modulation | hurrying | leading lady | not mickey-moused | room | stairs | transition | walking

All This, and Heaven Too (1940)

Desperation (Tense)1:48:14 - The Duke talks with Henriettechromatic parallelism | chromatic sequence | conflict | conversing | dissonant bass | duke | leading lady | leading man | room | tense

All This, and Heaven Too (1940)

Henriette (Dark)1:52:57 - A police wagon approachesarresting | carriage | chromatic sequence | conflict | crowd | dark | landlady | leading lady | soldier | street | suspect
Angels With Dirty Faces (1938)Underscoring (Dramatic)NIF - not in filmchromatic parallelism | chromatic scale | chromatic sequence | conflict | cut from film | diminished 7th chord | dissonant bass | evading | following | gangster | leading man | linear chromaticism | setup | shop | street | underscoring | walking

Angels With Dirty Faces (1938)

Underscoring (Dramatic)0:40:50 - Gangsters shoot their own man in phone boothchromatic sequence | conflict | death | diminished 7th chord | falling | gangster | gun | gunshot | half-diminished 7th chord | leading man | mickey-mousing | murderer | polychord | shooting | shop | sneaking | tense | voice-exchange

Angels With Dirty Faces (1938)

Crowd rushing0:41:09 - Crowd rushes to the crime scenechromatic sequence | conflict | crowd | dissonant bass | hurrying | mickey-mousing | running | street | tense

Angels With Dirty Faces (1938)

Flyers1:12:27 - Montage of flyers for a public meeting42 chord | agitated | chromatic sequence | dissonant bass | dropping | flyer | flying | montage | montage

Angels With Dirty Faces (1938)

Pleading (Extended)1:21:00 - Jerry arrives on the scene9th chord | appoggiatura | arriving | chromatic sequence | circle of fifths | concerned | conflict | crowd | gun | gunshot | hurried | hurrying | leading lady | leading man | love interest | polychord | priest | pushing | street | yearning
Are These Our Children? (1931)Dreams (Transition 13) + Makes You Forget Your Troubles (Transition 13)NIF - not in film9th chord | added-note chord | chromatic sequence | common-tone diminished 7th | cut from film | dramatic | plagal cadence | somber
The Big Sleep (1946)The Big Sleep0:00:13 - Starring actors and main title9th chord | ABA structure | cast list | chromatic mediant | chromatic sequence | dark | heavy | leading lady | leading man | Neapolitan | opening title sequence | silhouette | smoke | smoking | starring list

The Big Sleep (1946)

Walking (Extended)0:15:03 - Marlowe walks across the streetadvance plot | calm | chromatic sequence | foreign key modulation | fragmentation | investigating | leading man | parallelism | pedal tone | private eye | street | walking

The Big Sleep (1946)

Hurrying0:19:26 - Geiger enters his houseantagonist | car | chromatic sequence | fragmentation | mysterious | parallelism | rain | street | tense | transition | walking

The Big Sleep (1946)

Action0:21:04 - Marlowe runs to the houseaction scene | antagonist | chromatic parallelism | chromatic scale | chromatic sequence | chromatic wedge | diminished 7th chord | dramatic | hurrying | leading man | pc set | private eye | running | street | tense | underscoring

The Big Sleep (1946)

Hurrying0:27:25 - Marlowe goes back to Geiger's housechromatic sequence | half-diminished 7th chord | investigating | investigation scene | leading man | mysterious | parallelism | private eye | street | walking

The Big Sleep (1946)

Girl Driver0:39:53 - Marlowe pays the lady cab driverbluesy | chromatic parallelism | chromatic sequence | flirting | investigation scene | leading man | love interest | private eye | seductive | street

The Big Sleep (1946)

Hurrying1:47:07 - Marlowe and Vivian make a planchromatic sequence | climax | fragmentation | hurrying | leading lady | leading man | love interest | parallelism | planning | private eye | room | tense
Caged (1950)Prison (Tragic)0:52:48 - Marie calls after her motheradded-note chord | augmented sixth chord | chromatic sequence | despair | dramatic | leading lady | mother | nurse | pleading | prison | prisoner | sigh gesture | tragic | turning point
His Greatest Gamble (1934)Russian Waltz0:30:05 - Philip arrives at Florence's home9th chord | arriving | calm | chromatic sequence | common-tone diminished 7th | establish setting | fugitive | leading man | mansion | mode mixture | on-screen music | piano | playing | pleasant | source music | waltz | wandering
City for Conquest (1940)Transition0:00:25 - Credits over a city skyline64 chord | calm | cast list | chromatic sequence | city | opening title sequence | skyline | suspension

City for Conquest (1940)

Tone Poem A (Main Title)0:00:36 - Credits over a city skyline13th chord | added-note chord | bold | cast list | chromatic sequence | city | Gershwinesque | opening title sequence | skyline

City for Conquest (1940)

Sidewalks of New York (Snake)0:02:35 - A montage of New York City scenes13th chord | 64 chord | altered dominant | bridge | chromatic sequence | city | conversing | countermelody | double exposure | Dutch angle | establish setting | foreign key modulation | fragmentation | grand | montage | old man | police | snake effect | soliloquy

City for Conquest (1940)

Shadow Waltz (Dark)0:33:22 - Peggy talks with Dannyboat | chromatic sequence | conversing | dark | leading lady | leading man | love scene | major 7th chord | octatonic | somber

City for Conquest (1940)

Boxing Poster0:38:48 - Montage of boxing scenesboxing | boxing ring | chromatic sequence | double exposure | fanfare | montage | poster | self-borrowing | triumphant

City for Conquest (1940)

Peggy runs0:47:31 - Peggy runs down the stairsboxer | chromatic parallelism | chromatic sequence | dancer | descending | leading lady | leading man | love scene | mickey-mousing | running | source and scoring overlap | street | tense

City for Conquest (1940)

Tone Poem A (Walking)0:48:32 - Danny and Peggy walk down the street11th chord | boxer | chromatic sequence | conversing | dancer | leading lady | leading man | love scene | romantic | street | walking

City for Conquest (1940)

Googi (Hysterical)1:14:42 - Cobb pleads for mercyaugmented triad | begging | car | car | chromatic sequence | criminal | driving | equal division of octave | gangster | manager | murder | murderer | murder scene | ominous | tense

City for Conquest (1940)

Tone Poem D (Dolce)1:28:33 - Gladys talks to Peggy9th chord | 11th chord | advance plot | blue note | chromatic sequence | comforting | common-tone diminished 7th | conversing | crying | friend | gentle | leading lady | mode mixture | newspaper | parallel fifths | room | sweet

City for Conquest (1940)

Tone Poem Transition 3NIF - not in filmacceleration | bold | chromatic parallelism | chromatic sequence | concert scene | cut from film | diminution | dominant 7th chord | exciting | foreign key modulation | fragmentation | polyrhythm

City for Conquest (1940)

Tone Poem A (Very Broad)1:34:24 - Peggy reacts to the music9th chord | 13th chord | audience | bold | Carnegie Hall | chromatic parallelism | chromatic scale | chromatic sequence | concert | concert hall | concert scene | conducting | conductor | deceptive resolution | dissonant bass | dramatic | Gershwinesque | leading lady | leading man | listening | musician | newspaper | newspaper stand | on-screen music | orchestra | playing | radio | romantic | source music | street | watching | zoom out

City for Conquest (1940)

Tone Poem A (Lento)1:35:02 - Orchestra playing9th chord | audience | Carnegie Hall | chromatic parallelism | chromatic sequence | concert | concert hall | concert scene | conducting | conductor | crying | leading lady | linear chromaticism | listening | musician | on-screen music | orchestra | playing | polychord | romantic | somber | source music | tender | watching

City for Conquest (1940)

Tone Poem DNIF - not in film9th chord | AABA structure | added-note chord | altered dominant | blue note | bluesy | chromatic parallelism | chromatic sequence | concert scene | countermelody | cut from film | mode mixture | parallelism

City for Conquest (1940)

Tone Poem A (Chorus)1:41:14 - Danny talks with Peggy9th chord | 11th chord | 13th chord | chromatic sequence | conversing | crying | ethereal | foreign key modulation | gentle | leading lady | leading man | love interest | love scene | optimistic | reunion | reuniting | romantic | shimmery | street | suspension | victim
Crime School (1938)Sue (Troubled)1:07:37 - Frankie is troubled about his sisteradvance plot | chromatic parallelism | chromatic sequence | conversing | gang | reformatory | teenager | thinking | troubled | worried
They Made Me a Criminal (1939)The Street0:14:31 - Newspaper boy on street64 chord | chromatic sequence | dark | newspaper | newspaper boy | selling | street | tense | transition
Dust Be My Destiny (1939)The Poster0:40:39 - Joe and Mabel see a sign for the trainchromatic sequence | comedy | comical | laughing | leading lady | leading man | runaway | sign | street

Dust Be My Destiny (1939)

Headlines1:03:23 - Headline about the robberyadvance plot | augmented triad | chromatic sequence | diner | dramatic | newspaper | newspaper boy | selling | street

Dust Be My Destiny (1939)

Dust Be My Destiny (Mysterioso)1:05:26 - Joe talks to Mikeadvance plot | chromatic parallelism | chromatic sequence | dark | leading man | linear chromaticism | newspaper editor | office | ominous | somber

Dust Be My Destiny (1939)

Gangsters walk1:10:26 - The gangsters walk to their carchromatic parallelism | chromatic scale | chromatic sequence | conflict | gangster | mickey-mousing | newspaper editor | street | tense | walking
Each Dawn I Die (1939)Creeping0:04:47 - Two men sneak up behind Frankchromatic scale | chromatic sequence | conflict | creeping | gangster | mickey-mousing | mysterious | pizzicato | sneaking | street | walking
Flamingo Road (1949)Titus 2 (Extended)0:30:27 - Field overhears people talking about Titusadvance plot | chromatic sequence | dark | leading man | mysterious | newspaper | parallelism | reading | self-borrowing | street | townsfolk

Flamingo Road (1949)

Titus 2 (Triste)0:34:10 - Field tells Lane he is getting marriedbreaking up | breakup | café | chromatic sequence | dark | leading lady | leading man | major 7th chord | mysterious | self-borrowing | somber | waitress

Flamingo Road (1949)

Titus 2 (Agitato)0:37:11 - Lane goes to confront Titusagitated | angry | chromatic sequence | hurrying | leading lady | self-borrowing | street | transition | walking
Her Kind of Man (1946)Speeding1:14:21 - Policeman drivingcar | chromatic parallelism | chromatic scale | chromatic sequence | climax | dramatic | driving | hurrying | leading lady | leading man | omnibus progression | police | reporter | rushing | singer | tense | wife | yelling

Her Kind of Man (1946)

Speeding1:16:29 - Candy tries to run awayarriving | capturing | car | chromatic parallelism | chromatic scale | chromatic sequence | climax | criminal | double-cross | dramatic | gambler | henchman | leading man | murder | murderer | omnibus progression | police | reporter | revenge | running | street | tense
I Was a Communist for the FBI (1951)Riot1:11:05 - Communists beat up Mattanger | attacking | chromatic parallelism | chromatic scale | chromatic sequence | communist | dramatic | fighting | interrogation | leading man | punching | undercover agent | whole-tone chord
In This Our Life (1942)Stanley B0:07:06 - Stanley talks with Petercar | chromatic scale | chromatic sequence | conversing | dissonant bass | establish character | fragmentation | leading lady | leading man | love interest | sultry

In This Our Life (1942)

Stanley (She Runs)0:07:32 - Stanley runs insidearriving | chromatic parallelism | chromatic sequence | diminution | establish character | hurried | leading lady | mickey-mousing | room | running | sequence | street

In This Our Life (1942)

Roy (In Love)0:13:39 - Roy is relieved64 chord | advance plot | calm | chromatic sequence | conversing | dissonant bass | leading lady | leading man | room | sequential modulation | whole-tone chord

In This Our Life (1942)

Stanley B (Poco Agitato)0:17:44 - Stanley packs her thingsadvance plot | agitated | chromatic sequence | fragmentation | leading lady | packing | room | tense

In This Our Life (1942)

Stanley B (Agitato)0:18:08 - Asa arrives in a caradvance plot | agitated | arriving | butler | chromatic scale | chromatic sequence | dissonant bass | father | half-diminished 7th chord | room | tense

In This Our Life (1942)

Stanley (She Runs)0:32:24 - Stanley talks to Petercar | chromatic parallelism | chromatic sequence | conversing | diminution | leading lady | leading man | playful | sequence | wedding | wedding

In This Our Life (1942)

Stanley B (Agitato)0:49:32 - Uncle Fitzroy asks about Stanleyagitated | altered dominant | arguing | chromatic scale | chromatic sequence | dissonant bass | father | leading lady | leading man | room | suicide | tense | turning point | uncle | whole-tone chord

In This Our Life (1942)

Stanley B (Slowly)0:52:05 - Roy at Stanley's bedside9th chord | advance plot | agitated | chromatic scale | chromatic sequence | conversing | dissonant bass | leading lady | room | sister | widow

In This Our Life (1942)

Stanley B (Valse Triste)0:53:17 - Stanley cries9th chord | advance plot | agitated | chromatic scale | chromatic sequence | conversing | leading lady | room | sister | widow

In This Our Life (1942)

Stanley B (Slowly)1:07:19 - Stanley talks to Craigadvance plot | anxious | chromatic sequence | dissonant bass | lawyer | leading lady | leading man | manipulating | office | tense

In This Our Life (1942)

Stanley B (Slowly Extended)1:26:39 - Stanley confesses9th chord | agitated | arguing | chromatic scale | chromatic sequence | climax | confessing | confession | criminal | crying | dissonant bass | father | lawyer | leading lady | leading man | lying | mother | room | suspect

In This Our Life (1942)

Stanley (Driving Away)1:29:06 - Craig goes to the phoneagitated | calling | chromatic parallelism | chromatic sequence | climax | diminished 7th chord | lawyer | leading man | pedal tone | room | telephone | walking

In This Our Life (1942)

Stanley B (Agitato)1:29:27 - Stanley runs insideagitated | butler | chromatic sequence | criminal | dissonant bass | half-diminished 7th chord | leading lady | room | running | street | transition

In This Our Life (1942)

Stanley + Stanley B (Rising Tension)1:33:49 - The police in hot pursuitchase scene | chasing | chromatic scale | chromatic sequence | climax | combination of themes | criminal | desperate | dissonant bass | dramatic | driving | fleeing | half-diminished 7th chord | leading lady | police | street | tense
The Informer (1935)The Informer (Lying)0:23:40 - Gypo lies about where he got the moneyadvance plot | antagonist | chromatic sequence | conversing | diminished 7th chord | dissonant bass | half-diminished 7th chord | leading lady | leading man | lying | octatonic | pub | Scotch snap | tense

The Informer (1935)

Dan and Mary (Descending)1:05:08 - Mary enters, looking for Danchromatic sequence | courtroom scene | dissonant bass | down | headquarters | hero | love interest | love theme | mickey-mousing | romantic | stairs | street | suspect | walking

The Informer (1935)

The Informer (Up the Stairs)1:21:35 - Gypo goes up the stairs64 chord | agitated | antagonist | chromatic sequence | fragmentation | hallway | hiding | leading man | mickey-mousing | running | sequence | stairs | tense | traitor | transition | up

The Informer (1935)

Katie (Dolcissimo)1:22:57 - Gypo talks to Katieantagonist | chromatic sequence | leading lady | leading man | love | love interest | love scene | romantic | room | traitor | yearning
The Letter (1940)Leslie B0:00:25 - Cast listcast list | changing meter | chromatic scale | chromatic sequence | harmonic sequence | main title | opening title sequence | romantic

The Letter (1940)

Letter (Sarcastic)0:15:10 - Robert comforts Leslieadvance plot | chromatic sequence | conversing | dissonant bass | home | leading lady | mysterious | sequence

The Letter (1940)

Letter (Sarcastic)0:19:45 - Robert looks at Lesliechromatic sequence | dissonant bass | glance | home | leading lady | longing | love scene | mysterious | sequence | staring

The Letter (1940)

Letter (Sarcastic)0:22:41 - Leslie and Howard leaveadvance plot | chromatic sequence | dissonant bass | home | lawyer | leading lady | leaving | mysterious | passionate | sequence

The Letter (1940)

Letter (Frantic)0:36:16 - Leslie admits to writing the letterchromatic sequence | deception | lawyer | leading lady | letter | lying | pivotal scene | prison | sequence | tense

The Letter (1940)

Leslie B (Screwyoso)0:37:34 - Howard talks to Leslieanxious | chromatic sequence | conversing | fearful | lawyer | leading lady | letter | pivotal scene | prison | sequence | tense

The Letter (1940)

Leslie (Plotting)0:39:32 - Howard and Leslie plot their next move9th chord | advance plot | buildup | changing meter | chromatic sequence | fragmentation | hospital | lawyer | leading lady | letter | minor-major 7th chord | ominous | oscillation | plotting | tense

The Letter (1940)

Law Office (The Plea)0:40:00 - Howard asks Leslie to be honest9th chord | advance plot | anxious | artwork in score | chromatic sequence | conversing | hospital | lawyer | leading lady | letter | refusing | tense

The Letter (1940)

Leslie B (Ethereal)0:52:33 - Howard and Leslie talkadvance plot | chromatic sequence | conversing | home | lawyer | leading lady | sequence | tense

The Letter (1940)

Leslie B (Ethereal)1:18:13 - Leslie confesses to Robertchromatic sequence | confessing | conflict | dramatic | home | husband | lawyer | leading lady | letter | murder | oscillation | recounting | sequence
Mildred Pierce (1945)Mildred (Sehr Dramatic)0:12:06 - Mildred arrives homeadvance plot | arriving | chromatic scale | chromatic sequence | dark | daughter | diminished 7th chord | dramatic | half-diminished 7th chord | heroine | imitation | leading lady | street | tense | tritone | worrying

Mildred Pierce (1945)

Mildred (Ominous)0:12:43 - The detectives talk to Mildredadvance plot | chromatic sequence | conversing | dark | detective | fragmentation | heroine | imitation | leading lady | ominous | room

Mildred Pierce (1945)

Work0:36:12 - Mildred works as a waitress64 chord | added-note chord | altered dominant | chromatic mediant | chromatic sequence | common-chord modulation | foreign key modulation | hectic | heroine | leading lady | montage | restaurant | rushing | self-borrowing | sequential modulation | serving | upbeat | voice-over | waitress | working

Mildred Pierce (1945)

Kay and Veda (Troubled)1:14:06 - Mildred and Monte arguearguing | breakup | chromatic scale | chromatic sequence | conflict | disagreement | fragmentation | heroine | leading lady | love interest | ominous | room | sinister | tense | whole-tone chord | whole-tone scale

Mildred Pierce (1945)

Kay and Veda (Troubled 2)1:21:34 - Veda looks at the divorce settlement checkantagonist | blackmail | chromatic scale | chromatic sequence | conflict | daughter | fragmentation | heroine | laughing | leading lady | mickey-mousing | mocking | room | troubled | ugly | whole-tone chord

Mildred Pierce (1945)

Kay and Veda (Agitato)1:22:22 - Veda and her mother argueagitated | antagonist | arguing | augmented sixth chord | blackmail | chromatic sequence | conflict | daughter | fragmentation | heroine | leading lady | room | tense

Mildred Pierce (1945)

Kay and Veda (Agitato)1:46:05 - Veda reveals that she is in love with Monte antagonist | augmented sixth chord | betrayal | betraying | chromatic scale | chromatic sequence | climax | dark | daughter | fragmentation | heroine | leading lady | revealing | room | tense

Mildred Pierce (1945)

Mildred (Ominous)1:48:41 - Mildred calls the policeantagonist | begging | chromatic sequence | daughter | fragmentation | heroine | imitation | leading lady | murderer | murder scene | ominous | room | tense
Out of the Fog (1941)Russian Barcarolle (Risoluto)0:00:27 - Cast listcast list | chromatic scale | chromatic sequence | dark | enharmonic respelling | folk-like | harbor | opening title sequence | sequence | tense
Kid Galahad (1937)Boxing poster0:00:41 - Boxing poster64 chord | augmentation | chromatic sequence | diminution | establish character | jaunty | poster | street | zoom in
We Are Not Alone (1939)Surprise Symphony (Lighting the House)0:23:40 - David lights candles in the houseadvance plot | boy | candle | child | chromatic sequence | classical music | dissonant bass | familiar tune | father | Haydn | helping | hero | home | lighting | positive | quotation | working
Is My Face Red? (1932)Sailing of the Olympic0:15:16 - William on the deck of a busy shipAB structure | advance plot | boat | bustling | chromatic sequence | crowd | hurried | leading man | metric dissonance | parallelism | searching | transcribed by ear

Is My Face Red? (1932)

Sailing of the Olympic (Commotion)0:16:39 - Four people talk at once to Mildredadvance plot | arguing | argument | boat | chromatic sequence | eavesdropping | hurried | leading lady | leading man | metric dissonance | parallelism | tense | transcribed by ear
We're Only Human (1935)The Informer (Up the Stairs)0:27:17 - Pete prepares to advance64 chord | action scene | agitated | bank | chromatic sequence | detective | dodging | fragmentation | gangster | gunshot | hiding | leading man | preparing | running | stinger | tense

We're Only Human (1935)

The Informer (Lying)0:27:51 - Danny prepares to advanceaction scene | bank | chromatic sequence | detective | diminished 7th chord | dissonant bass | gangster | half-diminished 7th chord | hiding | leading man | octatonic | preparing | sneaking | tense

We're Only Human (1935)

Katie (Dolcissimo)0:30:05 - Danny talks with Peteaction scene | bank | chromatic sequence | conversing | death | detective | dying | gangster | leading man | solemn | victim

We're Only Human (1935)

Game 11:01:21 - Driving in a carcar | car | chromatic sequence | climax | conflict | detective | dissonant bass | dramatic | driving | hurried | leading lady | leading man | pedal tone | reporter | rushing | victim | wipe
Caged (1950)Water Dripping + Caged (Tense)NIF - not in film9th chord | chromatic parallelism | chromatic sequence | combination of themes | cut from film | dark | dissonant bass | hysteria | isolation | leading lady | mad scene | melodic cell | mickey-mousing | mysterious | ostinato | prison | prisoner | sigh gesture | tense | uneasy | water effect