| All This, and Heaven Too (1940) | Henriette (Very Emotional) | 0:49:01 - The Duke looks at Henriette | advance plot | child | conversing | delicate | duke | gentle | governess | leading lady | leading man | looking | romance | romantic | room |
All This, and Heaven Too (1940) | Henriette (Emotional) | 1:02:28 - The Duke talks to Henriette | conflict | conversing | duke | governess | leading lady | leading man | romance | romantic | room |
All This, and Heaven Too (1940) | Henriette (Sweepingly) | 1:02:57 - Henriette with tears in her eyes | conflict | conversing | duke | governess | leading lady | leading man | romance | romantic | room |
| They Made Me a Criminal (1939) | The Fugitive (Recovering) | 0:27:13 - Peggy takes care of Johnnie | 9th chord | foreign key modulation | heroine | leading lady | leading man | lovers meet | nursing | recovering | romance | room | sweet | waking |
They Made Me a Criminal (1939) | Peggy (Dolce) | 0:28:20 - Peggy talks to Johnnie | 9th chord | 11th chord | 13th chord | deceptive resolution | foreign key modulation | heroine | kissing | leading lady | leading man | lovers meet | nursing | recovering | romance | room | sweet | tender |
| Death of a Scoundrel (1956) | Clementi C (Waltz) | 0:41:38 - Clementi and Mrs. Ryan go outside to see the garden | elegant | flashback | garden | romance | waltz |
Death of a Scoundrel (1956) | Stephanie | 1:04:13 - Clementi and Stephanie talk outside at the party | flashback | romance |
Death of a Scoundrel (1956) | Stephanie | 1:08:52 - Stephanie goes to audition for the Broadway show | flashback | romance |
Death of a Scoundrel (1956) | Clementi C | 1:11:07 - Clementi talks to Edith at lunch | elegant | flashback | romance | waltz |
Death of a Scoundrel (1956) | Clementi A (Appassionato) | 1:23:21 - Clementi tells Stephanie that he loves her | flashback | proposal | romance |
Death of a Scoundrel (1956) | Clementi B (Romantic) | 1:23:45 - Clementi tells Stephanie that he loves her | flashback | proposal | romance |
Death of a Scoundrel (1956) | Clementi B | 1:38:01 - Zina and Clementi embrace and kiss in the hotel | flashback | gentle | lyrical | romance |
| Dust Be My Destiny (1939) | Here Comes the Bride (Modulating) | 0:29:02 - Joe and Mabel run to the courthouse | added-note chord | deceptive resolution | excited | familiar tune | foreign key modulation | fragmentation | leading lady | leading man | love scene | marriage | pump-up modulation | romance | romantic | running | sequence | street |
| The FBI Story (1959) | Lucy A | 0:17:57 - Chip and Lucy kiss | flashback | kissing | romance |
The FBI Story (1959) | Lucy B | 0:18:31 - Chip proposes to Lucy | flashback | proposal | romance |
The FBI Story (1959) | Lucy A (Meno) | 0:19:07 - Chip proposes to Lucy | flashback | proposal | romance |
The FBI Story (1959) | Lucy A (Refusal) | 0:19:25 - Lucy refuses Chip's proposal | concerned | disagreement | flashback | romance |
The FBI Story (1959) | Lucy A | 0:20:57 - Chip says he would give up anything to marry Lucy | flashback | kissing | romance |
The FBI Story (1959) | Lucy A (Rainstorm) | 0:24:07 - Chip and Lucy in the rain | flashback | rain | romance |
The FBI Story (1959) | Lucy A (Romantic) | 0:32:05 - Lucy tells Chip he can stay in the FBI | flashback | heroine | romance |
The FBI Story (1959) | Lucy A (Tender) | 0:49:14 - Chip and Lucy talk at home | embrace | flashback | heroine | kissing | romance |
The FBI Story (1959) | FBI March A (Romantic) | 1:48:23 - George and Ann exit a taxi together | FBI | flashback | romance |
| Flamingo Road (1949) | Tranquillo | 0:29:07 - Lane and Field talk at the lakeside | appoggiatura | conversing | lake | leading lady | leading man | love interest | love scene | romance | yearning |
Flamingo Road (1949) | If I Could Be With You (Tenderly) | 0:29:32 - Lane and Field prepare to leave | 11th chord | 13th chord | altered dominant | common-tone diminished 7th chord | kissing | lake | leading lady | leading man | love interest | love scene | romance | romantic | secondary dominant | source to score |
Flamingo Road (1949) | Lane | 0:30:02 - Lane and Field kiss in the moonlight | added-note chord | augmentation | kissing | lake | leading lady | leading man | love interest | love scene | pedal tone | romance | romantic |
Flamingo Road (1949) | Lute Mae (Delicato) | 1:33:28 - Lane smiles as Dan | 13th chord | added-note chord | crying | delicate | husband | kissing | leading lady | leading man | prison | resolution | reuniting | romance | self-borrowing | sentimental | wife |
Flamingo Road (1949) | If I Could Be With You (Ecstatic) | 1:33:37 - Lane walks away | added-note chord | altered dominant | artwork in score | chromatic parallelism | friend | husband | joyous | leading lady | leading man | leaving | prison | resolution | reuniting | romance | secondary dominant | The End | thematic transference | triumphant | wife |
| Key Largo (1948) | McCloud (Molto Expressivo) | 1:07:31 - McCloud wakes Nora after the storm | conversing | gentle | hotel | leading lady | leading man | love interest | love scene | resting | romance | waking | warm |
| Lightning Strikes Twice (1951) | Trev (Appassionato) | 0:38:59 - Trev enters the store and everyone notices him | combination of themes | hero | romance | store |
Lightning Strikes Twice (1951) | Shelly (Courageous) | 0:43:13 - Shelly speaks with Trev | heroine | romance |
Lightning Strikes Twice (1951) | Shelly (Aspiring) | 0:44:07 - Shelly tells Trev she believes he is innocent | hero | heroine | romance |
Lightning Strikes Twice (1951) | Shelly (Romantic) | 0:45:51 - Shelly says that she can prove Trev didn't kill his wife | hero | heroine | romance | underscoring |
Lightning Strikes Twice (1951) | Trev (Heroic) | 0:46:33 - Trev climbs to help Shelly | climbing | danger | hero | rescue | romance |
Lightning Strikes Twice (1951) | Trev + Shelly | 0:47:16 - Trev helps Shelly climb to safety | cliff | combination of themes | danger | hero | heroine | resue | romance |
Lightning Strikes Twice (1951) | Shelly 3 (Love) | 0:47:56 - Trev and Shelly kiss, then she continues on alone | hero | heroine | hugging | kissing | romance |
Lightning Strikes Twice (1951) | Trev (Love) | 1:06:09 - Trev tells Shelly that he is in love with her | hero | heroine | love | romance |
Lightning Strikes Twice (1951) | Shelly 3 (Tenderly) | 1:06:50 - Trev and Shelly embrace and kiss | hero | heroine | hugging | kissing | love | romance |
Lightning Strikes Twice (1951) | Shelly 3 (Excited) | 1:07:09 - Trev and Shelly kiss in the car then get out to | hero | heroine | kissing | love | romance |
Lightning Strikes Twice (1951) | Shelly 3 (Tranquillo) | 1:07:22 - Trev and Shelly talk outside the ranch | hero | heroine | love | romance |
Lightning Strikes Twice (1951) | Shelly (Expressivo) | 1:07:58 - Trev and Shelly kiss | hero | heroine | love | romance |
Lightning Strikes Twice (1951) | Shelly 3 (Tenderly) | 1:17:31 - Trev says that they are going to have to forget their past | hero | heroine | romance |
Lightning Strikes Twice (1951) | Shelly 3 | 1:17:51 - Shelly gets ready for bed | heroine | romance | undressing |
Lightning Strikes Twice (1951) | Liza (Lost Love) | 1:22:09 - Liza in a daze | dramatic | lost love | romance |
Lightning Strikes Twice (1951) | Trev (Dazed) | 1:22:19 - Liza in a daze | confusion | dramatic | lost love | romance |
| Mildred Pierce (1945) | First Kiss | 0:49:40 - Monte steals a kiss from Mildred | cheerful | falling in love scene | friend | heroine | kissing | leading lady | restaurant | romance |
| The Woman in White (1948) | The Self Banished | 0:34:22 - Walter apologizes to Laura | embracing | falling in love scene | garden | kissing | leading lady | leading man | romance | tender |
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