| All This, and Heaven Too (1940) | Henriette | 0:00:28 - Cast list | 64 chord | added-note chord | cast list | chromatic mediant | countermelody | deceptive resolution | diminished third chord | foreign key modulation | mode mixture | opening title sequence | pedal tone | pleasant | romantic | sentence form | suspension |
All This, and Heaven Too (1940) | The Duke (Maestoso) | 0:14:03 - Henriette enters the palace | arriving | butler | calm | chromatic mediant | chromatic sequence | countermelody | establish place | establish setting | foreign key modulation | gentle | leading lady | noble | palace | sequential modulation | walking |
All This, and Heaven Too (1940) | Henriette (Fairy Tale) | 0:23:50 - Henriette reads a fairy tale | book | calm | child | countermelody | delicate | duke | establish character | fairy tale | governess | leading lady | leading man | magical | pleasant | room | storytelling |
All This, and Heaven Too (1940) | Henriette (Molto tranquillo) | 0:26:30 - The Duke talks to Henriette | added-note chord | advance plot | conversing | countermelody | delicate | duke | gentle | governess | leading lady | room | worrying |
All This, and Heaven Too (1940) | Counting | 0:33:30 - Henriette counts tangerine slices | advance plot | calm | child | chromatic sequence | conversing | counting | distracting | duke | governess | illness | leading lady | leading man | pc set | room | tense | wedge | zoom in |
All This, and Heaven Too (1940) | Raynald (Carriage) | 0:46:53 - Horses pulling a carriage | 64 chord | carriage | child | chromatic mediant | common-chord modulation | conversing | countermelody | foreign key modulation | governess | horse | leading lady | mickey-mousing | mode mixture | pleasant | riding | street | traveling scene | trotting | upbeat |
All This, and Heaven Too (1940) | The Duke (Lohengrin) | 0:52:53 - The Duke gives Louise his rose | advance plot | calm | child | conversing | countermelody | duke | fragmentation | governess | hugging | kind | leading lady | leading man | room | sequence |
All This, and Heaven Too (1940) | Isabelle 2 | 1:08:44 - Isabelle talks to Henriette | advance plot | child | comforting | countermelody | crying | governess | leading lady | room | serious | somber |
All This, and Heaven Too (1940) | The Duke (Maestoso) | 2:10:50 - Henriette enters the Duke's palace | arriving | countermelody | dark | hearing voices | leading lady | mode change | palace | prisoner | soldier | spooky | suspect | transition | uneasy |
| Arsenic and Old Lace (1944) | Happy Land (The End) | 1:57:05 - Mortimer carries Elaine away | altered dominant | bride | countermelody | driver | end title sequence | familiar tune | groom | kissing | leading lady | leading man | resolution | street | The End | upbeat |
Arsenic and Old Lace (1944) | Happy Land (March) | 1:57:20 - Cast list | cast list | countermelody | end title sequence | transcribed by ear | upbeat |
| Beyond the Forest (1949) | Sawmill | 0:02:00 - A sawmill | countryside | establish setting | industrious | machinery | machinery effect | sawmill | voice-over |
Beyond the Forest (1949) | Sawmill + Steam Whistle | 0:02:15 - A sawmill | combination of themes | countryside | establish setting | harsh | industrious | machinery | machinery effect | sawmill | steam whistle | voice-over | whistle | whistle effect |
Beyond the Forest (1949) | Underscoring (Mysterious) | 0:05:09 - A fish in a stream | countryside | doctor | establish setting | fish | fishing | flashback | leading man | mysterious | underscoring | voice-over |
| City for Conquest (1940) | Tone Poem D (Main Title) | 0:01:00 - Credits over a city skyline | 9th chord | 64 chord | added-note chord | blue note | bluesy | cast list | city | countermelody | mode mixture | opening title sequence | sentimental | skyline |
City for Conquest (1940) | Tone Poem B + Train | 0:01:19 - Sign for the Williamsburg Bridge | 9th chord | added-note chord | bridge | busy | chromatic parallelism | city | combination of themes | countermelody | hurried | Mixolydian mode | old man | police | train | transition | traveling |
City for Conquest (1940) | Sidewalks of New York (Snake) | 0:02:35 - A montage of New York City scenes | 13th chord | 64 chord | altered dominant | bridge | chromatic sequence | city | conversing | countermelody | double exposure | Dutch angle | establish setting | foreign key modulation | fragmentation | grand | montage | old man | police | snake effect | soliloquy |
City for Conquest (1940) | Tone Poem A (Molto Expressivo) | 0:48:44 - Danny talks with Peggy | 9th chord | 64 chord | appoggiatura | boxer | countermelody | dancer | embracing | kissing | leading lady | leading man | love scene | plagal cadence | romantic | sequence | street |
City for Conquest (1940) | Tone Poem C | NIF - not in film | 9th chord | bluesy | concert scene | countermelody | cut from film | enharmonic modulation | enharmonic respelling | mode mixture | sus chord |
City for Conquest (1940) | Tone Poem D | NIF - not in film | 9th chord | AABA structure | added-note chord | altered dominant | blue note | bluesy | chromatic parallelism | chromatic sequence | concert scene | countermelody | cut from film | mode mixture | parallelism |
City for Conquest (1940) | Sidewalks of New York (Soliloquy) | 1:42:56 - Old timer talks to himself | altered dominant | chromatic parallelism | conversing | countermelody | old man | resolution | sentimental | soliloquy |
| They Made Me a Criminal (1939) | Traveling | 0:22:25 - Johnnie becomes a fugitive | 9th chord | added-note chord | altered dominant | countryside | double exposure | dramatic | leading man | map | mickey-mousing | money | montage | montage | purchasing | street | traveling | walking |
They Made Me a Criminal (1939) | The Fugitive (Traveling) | 0:22:51 - Johnnie's plodding feet | chromatic scale | chromatic wedge | countryside | desert | dissonant bass | dramatic | leading man | linear chromaticism | map | mickey-mousing | money | montage | montage | traveling | walking | whole-tone | whole-tone chord |
| Dust Be My Destiny (1939) | Dust Be My Destiny (Appassionato) | 1:12:09 - Mabel and Joe hide from the reporters | conflict | countermelody | hero | hiding | hospital | leading lady | leading man | passionate | underscoring |
| Each Dawn I Die (1939) | Each Dawn B (Augmented) | 0:00:36 - Cast list | augmentation | bleak | cast list | countermelody | dark | diminished 7th chord | main title | opening title sequence | prison |
| Flamingo Road (1949) | Lute Mae | 0:01:26 - Lute Mae's Roadhouse | 13th chord | added-note chord | altered dominant | bluesy | club | countermelody | dancing | eating | establish setting | musician | on-screen music | playing | self-borrowing | simulated source music | voice-over |
Flamingo Road (1949) | Lute Mae (A Reminiscence) | 0:42:04 - A female prisoner talks about Lute Mae's | 13th chord | added-note chord | advance plot | altered dominant | bluesy | conversing | countermelody | Gershwinesque | leading lady | prison | prisoner | self-borrowing |
Flamingo Road (1949) | Lute Mae (Not in Film) | NIF - not in film | 13th chord | added-note chord | altered dominant | common-chord modulation | countermelody | cut from film | cut from film | deceptive resolution | lovers meet | self-borrowing |
Flamingo Road (1949) | Lane (Lento) | 0:50:04 - Dan meets Lane | added-note chord | conversing | countermelody | gentle | graceful | leading lady | leading man | love interest | lovers meet | politician | room |
Flamingo Road (1949) | Lute Mae (Quasi Blues) | 0:51:46 - Dan flirts with Lane | 13th chord | added-note chord | conversing | countermelody | flirting | flirty | leading lady | leading man | love interest | lovers meet | politician | room | self-borrowing | sultry | thematic transference |
| I Was a Communist for the FBI (1951) | Battle Hymn of the Republic (The End) | 1:22:16 - Dick looks at his dad | brother | conversing | countermelody | end title sequence | leading man | love | patriotic | patriotic tune | plagal cadence | resolution | reuniting | son | The End | undercover agent |
| In This Our Life (1942) | Roy (Triste) | 0:12:54 - Roy walks up the stairs | 9th chord | altered dominant | countermelody | establish character | foreign key modulation | gentle | leading lady | room | somber | walking |
In This Our Life (1942) | Roy (Grazioso) | 0:23:08 - Roy looks in the mirror | 9th chord | conflict | conversing | countermelody | father | foreign key modulation | leading lady | mysterious | room |
| The Informer (1935) | The Informer (Walking) | 0:01:44 - Gypo walks down the street | countermelody | establish character | leading man | mickey-mousing | mysterious | poster | Scotch snap | street | walking |
The Informer (1935) | Blood Money (Counting Money) | 0:19:21 - Gypo closes the door | advance plot | antagonist | counting | leading man | money | mysterious | street | tense | tritone |
The Informer (1935) | Blood Money (Four Coins) | 0:23:15 - Bartender puts four coins on the table | advance plot | antagonist | augmented triad | bartender | coin | counting | half-diminished 7th chord | leading lady | leading man | mickey-mousing | money | mysterious | placing | pub | tense |
| Lightning Strikes Twice (1951) | Shelly 2 (Worried) | 0:18:41 - Shelly walks to her room | actor | candle | concerned | countermelody | establish character | leading lady | room | walking | worried |
Lightning Strikes Twice (1951) | Shelly and Trev (Molto Expressivo) | 0:23:31 - Shelly makes a promise | actor | conversing | countryside | departing | horse | leading lady | leading man | promise | somber | suspect | transition |
Lightning Strikes Twice (1951) | Shelly (Traveling) + Shelly 2 (Allegretto) | 0:23:40 - Shelly travels to Tumblewood Ranch | actor | added-note chord | arriving | bright | car | cheerful | combination of themes | countryside | cut from film | desert | driving | horse | leading lady | leading man | ostinato | ranch | sequential modulation | suspect | transition | traveling | walking |
Lightning Strikes Twice (1951) | Shelly 2 (Dolce) | 0:24:34 - Shelly walks around the ranch | 9th chord | actor | arriving | brother | calm | conversing | countermelody | leading lady | ranch | rancher | transition | walking |
Lightning Strikes Twice (1951) | Shelly (Gallop) | 0:40:52 - Shelly riding on a horse | actor | arriving | countryside | galloping | galloping effect | horse | leading lady | riding | transition | upbeat |
Lightning Strikes Twice (1951) | Shelly (Gallop 2) + Shelly 2 | 0:42:19 - Shelly riding on a horse | actor | arriving | calm | combination of themes | countryside | galloping | galloping effect | horse | leading lady | riding | transition | traveling | upbeat |
Lightning Strikes Twice (1951) | Shelly (Legato) + Shelly 2 (Legato) | 0:42:32 - Shelly gets off of her horse | actor | arriving | calm | combination of themes | countryside | hiking | horse | leading lady | leading man | love interest | suspect | transition | walking |
Lightning Strikes Twice (1951) | Stumbling | 0:42:50 - Shelly slips on a rock and almost falls | actor | cliff | countryside | danger | dramatic | falling in love scene | leading lady | leading man | love interest | mickey-mousing | slipping | stumbling | suspect |
Lightning Strikes Twice (1951) | Fear (Vertigo) | 0:42:57 - Shelly talks with Trev | actor | cliff | conversing | countryside | danger | falling in love scene | fear | heights | leading lady | leading man | love interest | suspect | tense | underscoring |
Lightning Strikes Twice (1951) | Shelly (Expressivo) + Shelly 2 (Expressivo) | 0:43:13 - Shelly talks with Trev | actor | calm | cliff | combination of themes | conversing | countryside | falling in love scene | leading lady | leading man | love interest | romance | suspect | tense |
Lightning Strikes Twice (1951) | Shelly 2 (Dolce) | 0:43:38 - Shelly talks with Trev | actor | cliff | conversing | countryside | falling in love scene | leading lady | leading man | love interest | romance | romantic | suspect |
Lightning Strikes Twice (1951) | Shelly 3 (Appassionato) | 0:43:47 - Shelly talks with Trev | actor | cliff | conversing | countryside | falling in love scene | leading lady | leading man | love interest | romance | romantic | suspect |
Lightning Strikes Twice (1951) | Shelly 2 (Dolcissimo) | 0:44:07 - Shelly looks at Trev | actor | cliff | conversing | countryside | falling in love scene | gentle | leading lady | leading man | love interest | romance | romantic | suspect |
Lightning Strikes Twice (1951) | Underscoring (Tense) | 0:44:51 - Shelly talks with Trev | actor | cliff | conversing | countryside | falling in love scene | leading lady | leading man | love interest | suspect | suspenseful | tense | underscoring |
Lightning Strikes Twice (1951) | Shelly and Trev (Taken Aback) | 0:45:08 - Shelly reacts to Trev's question | actor | arguing | cliff | countryside | falling in love scene | leading lady | leading man | love interest | reacting | somber | suspect |
Lightning Strikes Twice (1951) | Shelly (Menacing) | 0:45:23 - Shelly talks with Trev | actor | arguing | cliff | countryside | falling in love scene | leading lady | leading man | love interest | menacing | reacting | suspect |
Lightning Strikes Twice (1951) | Shelly 2 (Romantic) | 0:45:51 - Shelly talks with Trev | actor | cliff | conversing | countryside | departing | falling in love scene | gentle | leading lady | leading man | love interest | romantic | suspect | underscoring |
Lightning Strikes Twice (1951) | Stumbling 2 | 0:46:03 - Shelly starts back along path | actor | cliff | climbing | countryside | danger | dramatic | falling in love scene | hiking | leading lady | leading man | love interest | slipping | stumbling | suspect |
Lightning Strikes Twice (1951) | Rock falls | 0:46:09 - A rock falls on the path | actor | cliff | countryside | danger | dramatic | falling | falling in love scene | leading lady | leading man | love interest | mickey-mousing | rock | suspect |
Lightning Strikes Twice (1951) | Fear | 0:46:12 - Shelly is scared and can't move | actor | cliff | clinging | countryside | dark | falling in love scene | fear | heights | leading lady | leading man | love interest | suspect | tense |
Lightning Strikes Twice (1951) | Trev (Triste 2) | 0:46:33 - Trev climbs to help Shelly | actor | cliff | climbing | countryside | danger | falling in love scene | helping | heroic | leading lady | leading man | love interest | rescue | rescuing | romantic | somber | suspect | tense |
Lightning Strikes Twice (1951) | Rescue | 0:47:42 - Trev rescues Shelly | actor | cliff | climbing | countryside | dramatic | falling in love scene | helping | leading lady | leading man | love interest | rescue | rescuing | suspect | tense | triumphant |
Lightning Strikes Twice (1951) | Shelly and Trev (Appassionato) | 0:47:56 - Trev embraces Shelly | actor | cliff | countryside | falling in love scene | hugging | kissing | leading lady | leading man | love interest | romantic | suspect |
Lightning Strikes Twice (1951) | Menace (The Chase) | 1:27:42 - Liza and String drive away | brother | car | chasing | climax | countryside | dramatic | driving | escaping | frantic | motorcycle | murderer | police | rancher | speeding | tense |
Lightning Strikes Twice (1951) | Menace (The Crash) | 1:28:30 - Liza drives off the hill | brother | car | car crash | climax | countryside | crashing | death | dramatic | dying | murderer | police | rancher | tense |
| The Life of Vergie Winters (1934) | Lullaby (Strings) | 0:52:30 - Vergie puts a ribbon in Joan's hair | advance plot | child | chromatic mediant | conversing | countermelody | daughter | direct modulation | gentle | leading lady | mode mixture | mother | pedal tone | reunion | secret | shop |
| Kid Galahad (1937) | The Moon Is In Tears Tonight (The Kid) | 0:50:05 - Louise looks at her Kid Galahad scrapbook | advance plot | cheerful | countermelody | not by Steiner | organizing | parallelism | room | scrapbook | sister | transcribed by ear |
Kid Galahad (1937) | Heart's Affair (Arriving) | 0:58:30 - A newspaper headline | arriving | countermelody | farm | leading man | love scene | mode mixture | newspaper | playful | reading | sister | transcribed by ear |
| Traveling Husbands (1931) | There's a Sob in My Heart (Dixieland) | 0:34:27 - Music is played in a night club | banjo | countermelody | dancing | Dixieland | double exposure | drums | improvisation | jazz | leading lady | montage | night club | popular song | salesman | source music | taxi | transcribed by ear | trombone | upbeat |
Traveling Husbands (1931) | There's a Sob in My Heart (Sentimental) | 1:10:39 - People are sad as the radio plays | AABA structure | altered dominant | augmented sixth chord | countermelody | crying | leading lady | leading man | popular song | radio | resolution | room | salesman | sentimental | somber | transcribed by ear |
| We Are Not Alone (1939) | Surprise Symphony (Calm) | 0:12:01 - David's treatment is successful | calm | classical music | countermelody | deceptive resolution | doctor | establish character | familiar tune | Haydn | hero | heroine | quotation | room |
| White Heat (1949) | White Heat | 0:00:16 - Main title over an approaching train | cast list | countryside | dark | dramatic | opening title sequence | starring list | title of film | train | tunnel |
White Heat (1949) | White Heat (Maestoso) | 0:00:48 - Cast list and an aerial view of the city | cast list | countryside | dark | dramatic | opening title sequence |
White Heat (1949) | Steam | 0:04:54 - Man gets burned by steam from train | burning | bursting | countryside | dramatic | establish character | falling | gangster | leading man | murderer | pain | robbery | steam | steam effect | stinger | tense | train | train engineer | victim | writhing |
White Heat (1949) | Danger | 0:05:02 - Gangsters leap from the train | announcer | countryside | dramatic | escaping | establish character | gangster | jumping | leading man | murderer | pain | radio | robbery | tense | train | train engineer | victim | writhing |
| Hold ‘Em Jail (1932) | Bide-More Alma Mater | 0:00:46 - Cast list and prison sign | cast list | cheerful | common-chord modulation | common-tone diminished 7th | countermelody | establish place | opening title sequence | transcribed by ear | upbeat |
| Is My Face Red? (1932) | Sidewalks of New York (Harbor) | 0:20:07 - New York City skyline | calm | countermelody | New York | parallelism | popular music | setting | transcribed by ear | transition | traveling |
| Gridiron Flash (1934) | Gridiron Flash | 0:00:24 - Cast list | added-note chord | cast list | countermelody | march | opening title sequence | starring list | title of film | upbeat |
Gridiron Flash (1934) | Gridiron Flash | 0:33:51 - Sports montage | countermelody | fanfare | football | football game | headline | montage | newspaper | playing | upbeat |
Gridiron Flash (1934) | Gridiron Flash | 0:45:19 - Eddie in his room | added-note chord | advance plot | cheering | countermelody | leading man | march | room | upbeat |
Gridiron Flash (1934) | Gridiron Flash | 1:02:36 - The scoreboard | added-note chord | athlete | celebrating | countermelody | crowd | football | football game | leading lady | leading man | march | resolution | The End | upbeat |
| Star of Midnight (1935) | Midnight in Manhattan (Tango) | 0:08:56 - Dancers in a Broadway show | advance plot | countermelody | dancer | dancing | energetic | mode mixture | Neapolitan | on-screen music | pit orchestra | score to source | source music | syncopation | tango | theater |
Star of Midnight (1935) | Midnight in Manhattan (Exotic) | 0:09:14 - Clay and Donna in the audience | advance plot | altered dominant | conversing | countermelody | exotic | exotic | leading lady | leading man | mode mixture | on-screen music | score to source | source music | theater |
| The Most Dangerous Game (1932) | Zaroff | 0:13:51 - Bob looks at Zaroff | castle | count | establish character | leading man | mute | ominous | servant | staring | walking | watching |
The Most Dangerous Game (1932) | Centaur | 0:13:56 - Bob sees a centaur on the tapestry | castle | count | establish character | jump scare | leading man | mute | ominous | servant | staring | stinger | tapestry |
The Most Dangerous Game (1932) | Zaroff (Staring) | 0:14:08 - The Count watches Bob | castle | count | establish character | leading man | mute | ominous | servant | staring | walking | watching |
The Most Dangerous Game (1932) | Piano Noise | 0:23:59 - Martin falls on the piano | brother | castle | count | drunk | establish character | leading lady | leading man | neutral | on-screen music | source music | stumbling |
The Most Dangerous Game (1932) | Russian Waltz | 0:24:22 - Zaroff plays the piano | brother | castle | conversing | count | dog | drunk | establish character | leading lady | leading man | on-screen music | piano | playing | recounting | score to source | somber | source music | warning |
The Most Dangerous Game (1932) | Russian Waltz (Upstairs) | 0:26:51 - Eve goes up the stairs | advance plot | ascending | brother | castle | conversing | count | departing | drunk | leading lady | leading man | mickey-mousing | mute | mysterious | servant | source to score | stairs | tense | walking |
The Most Dangerous Game (1932) | Zaroff (Stinger) | 0:27:05 - A closeup on Ivan | advance plot | brother | castle | close-up | conversing | count | drunk | leading lady | leading man | mute | mysterious | servant | stinger | tense |
The Most Dangerous Game (1932) | Russian Waltz (Zoom In) | 0:27:16 - Zaroff looks up at Eve | advance plot | brother | castle | close-up | conversing | count | departing | drunk | frantic | leading lady | leading man | mute | ominous | servant | stinger | zoom in |
The Most Dangerous Game (1932) | The Iron Door (Tense) | 0:36:27 - Zaroff looks at Bob's watch | action scene | castle | commanding | count | leading man | mute | prisoner | servant | shackles | stinger | tense | villain |
The Most Dangerous Game (1932) | Walking | 0:36:42 - Zaroff walks to the door | action scene | agitated | castle | closing | count | leading man | marching | mickey-mousing | mute | preparing | prisoner | servant | tense | villain | walking |
The Most Dangerous Game (1932) | The Iron Door (Fangs and Claws) | 0:37:00 - Zaroff gives Bob a knife | action scene | castle | commanding | count | giving | knife | leading man | mute | preparing | prisoner | servant | tense | threatening | villain |
The Most Dangerous Game (1932) | Emotions 2 (Agitato) | 0:37:23 - Eve runs to Bob | action scene | agitated | arriving | castle | conversing | count | fear | leading lady | leading man | mute | prisoner | servant | tense | villain |
The Most Dangerous Game (1932) | Russian Waltz (Meno) + The Iron Door | 0:37:30 - Zaroff talks about the game | action scene | castle | combination of themes | conversing | count | leading lady | leading man | mute | prisoner | servant | tense | villain |
The Most Dangerous Game (1932) | Underscoring (Tense) | 0:37:49 - Zaroff talks about the game | action scene | castle | conversing | count | leading lady | leading man | mute | prisoner | servant | tense | underscoring | villain |
The Most Dangerous Game (1932) | Zaroff (Molto Moderato) + The Iron Door | 0:38:01 - Zaroff talks about the game | action scene | castle | combination of themes | conversing | count | leading lady | leading man | mute | prisoner | servant | tense | villain |
The Most Dangerous Game (1932) | Courage + The Iron Door | 0:38:17 - Bob and Eve leave | action scene | agitated | castle | combination of themes | count | departing | leading lady | leading man | mute | prisoner | servant | tense | villain |
The Most Dangerous Game (1932) | Zaroff (Slowly) + Russian Waltz + The Iron Door | 0:39:04 - Zaroff stares at Bob and Eve | action scene | combination of themes | count | jungle | ominous | smoking | staring | villain | watching |
The Most Dangerous Game (1932) | Russian Waltz (Poco Agitato) | 0:42:12 - The Count approaches | action scene | count | dark | hiding | hunting | jungle | knife | leading lady | leading man | sneaking | stalking | tense | trap | victim | villain | waiting | watching |
The Most Dangerous Game (1932) | Zaroff (Poco Agitato) | 0:42:25 - Bob and Eve hide in a cave | action scene | agitated | count | hiding | hunting | jungle | knife | leading lady | leading man | sneaking | stalking | tense | trap | victim | villain | waiting | watching |
The Most Dangerous Game (1932) | Courage (Hiding) | 0:42:33 - Bob and Eve watch and wait | action scene | combination of themes | count | hiding | hunting | jungle | knife | leading lady | leading man | mysterious | sneaking | stalking | tense | trap | victim | villain | waiting | watching |
The Most Dangerous Game (1932) | The Count Approaches | 0:42:44 - The Count approaches slowly | action scene | approaching | arrow | count | dark | hiding | hunting | jungle | knife | leading lady | leading man | shooting | sneaking | stalking | tense | trap | victim | villain | waiting | watching |
The Most Dangerous Game (1932) | Tree falling | 0:43:14 - A tree falls | action scene | arrow | count | dark | dramatic | falling | jungle | knife | leading lady | leading man | mickey-mousing | shooting | trap | victim | villain |
The Most Dangerous Game (1932) | Emotions (Agitato Mysterioso) | 0:43:29 - Eve reacts to the arrow | action scene | agitated | count | hiding | hunting | jungle | knife | leading lady | leading man | sneaking | stalking | tense | victim | villain | waiting | watching |
The Most Dangerous Game (1932) | Emotions 2 (Agitato Mysterioso) | 0:43:44 - Bob and Eve watch and wait | action scene | agitated | count | hiding | hunting | jungle | knife | leading lady | leading man | sneaking | stalking | tense | victim | villain | waiting | watching |
The Most Dangerous Game (1932) | Zaroff (Hunting) + The Iron Door | 0:43:48 - Zaroff talks to Bob | action scene | combination of themes | count | dark | hiding | hunting | jungle | knife | leading lady | leading man | mysterious | sneaking | stalking | victim | villain | waiting | watching |
The Most Dangerous Game (1932) | Russian Waltz (Andante) | 0:44:07 - Close up on Zaroff | action scene | count | dark | departing | hiding | jungle | knife | leading lady | leading man | ominous | sneaking | victim | villain | waiting | watching |
The Most Dangerous Game (1932) | Zaroff (Hiding) | 0:46:48 - Bob and Eve hide from Zaroff | action scene | combination of themes | count | hiding | jungle | leading lady | leading man | preparing | sneaking | tense | trap | victim | villain |
The Most Dangerous Game (1932) | The Iron Door (Trembling) | 0:47:20 - A branch trembles | action scene | approaching | count | gun | hiding | hunting | jungle | leading lady | leading man | shaking | shooting | tense | trap | trembling | trembling effect | tricking | victim | villain |
The Most Dangerous Game (1932) | Zaroff (Allegro) | 0:47:43 - The Count approaches | action scene | approaching | count | dark | gun | hiding | hunting | jungle | leading lady | leading man | shaking | shooting | tense | trap | trembling | tricking | victim | villain |
The Most Dangerous Game (1932) | Trap Falling | 0:47:47 - The trap collapses | action scene | count | dramatic | falling | gun | jumping | jungle | leading lady | leading man | mickey-mousing | stinger | trap | victim | villain |
The Most Dangerous Game (1932) | Zaroff (Deliberate) | 0:47:51 - Bob and Eve scramble away | action scene | count | dark | escaping | gun | hiding | hunting | jungle | leading lady | leading man | pursuing | running | scrambling | tense | victim | villain |
The Most Dangerous Game (1932) | The Fog | 0:48:02 - Bob and Eve in the fog | action scene | count | dark | escaping | gun | hunting | jungle | leading lady | leading man | pursuing | running | tense | victim | villain |
The Most Dangerous Game (1932) | Russian Waltz (Tense) | 0:48:21 - The Count talks to Bob | action scene | conversing | count | dark | gun | jungle | leading lady | leading man | taunting | tense | victim | villain |
The Most Dangerous Game (1932) | The Iron Door (Horn Call) | 0:48:50 - Zaroff blows his hunting horn | action scene | count | dark | horn | horn call | jungle | leading lady | leading man | playing | scored source music | score to source | source music | tense | victim | villain |
The Most Dangerous Game (1932) | The Chase (Tremolo) + The Iron Door (Horn Call) | 0:49:40 - The Count blows his hunting horn | chase scene | chasing | combination of themes | count | dog | dramatic | fog | horn | jungle | leading lady | leading man | playing | running | scored source music | score to source | servant | source music | tense | victim | villain |
The Most Dangerous Game (1932) | Zaroff (Chasing) | 0:50:39 - The dogs chase after Bob and Eve | barking | chase scene | chasing | count | dog | dramatic | jungle | running | servant | tense | villain |
The Most Dangerous Game (1932) | The Chase (Allegro) | 0:51:09 - Count Zaroff running | agitated | chase scene | chasing | count | dark | dog | dramatic | fanfare | fog | jungle | leading lady | leading man | running | servant | stumbling | victim | villain |
The Most Dangerous Game (1932) | Russian Waltz (Chasing) | 0:51:28 - Count Zaroff in pursuit | agitated | chase scene | chasing | count | dark | dog | dramatic | fog | jungle | leading lady | leading man | running | servant | victim | villain |
The Most Dangerous Game (1932) | The Chase + Russian Waltz (Augmented) | 0:52:02 - Dogs running through the swamp | agitated | barking | chase scene | chasing | combination of themes | count | dog | dramatic | jungle | leading lady | leading man | ominous | running | servant | victim | villain |
The Most Dangerous Game (1932) | The Chase (Furioso) | 0:52:13 - Eve runs towards a log | agitated | barking | chase scene | chasing | count | dark | dog | dramatic | falling | jungle | leading lady | leading man | log | mickey-mousing | running | servant | victim | villain |
The Most Dangerous Game (1932) | Zaroff (Heavy) | 0:52:45 - The dogs bark up the tree | agitated | barking | chase scene | chasing | climbing | count | dark | dog | jungle | leading lady | leading man | running | servant | tense | tree | victim | villain |
The Most Dangerous Game (1932) | Russian Waltz (Dark) | 0:52:53 - Eve and Bob hiding in a tree | agitated | barking | chase scene | count | dark | dog | hiding | jungle | leading lady | leading man | servant | tense | tree | victim | villain |
The Most Dangerous Game (1932) | The Approach | 0:52:59 - Eve and Bob hiding in a tree | agitated | barking | chase scene | count | dark | dog | hiding | jungle | leading lady | leading man | servant | tense | tree | victim | villain |
The Most Dangerous Game (1932) | The Chase (Accelerando) + The Iron Door | 0:53:02 - The dogs bark up the tree | agitated | barking | chase scene | chasing | combination of themes | count | dark | dog | escaping | hiding | jumping | jungle | leading lady | leading man | lifting | log | mickey-mousing | running | servant | tense | tree | victim | villain | vine |
The Most Dangerous Game (1932) | Zaroff (Allegro con Fuoco) | 0:53:24 - Zaroff looks up at the tree | agitated | barking | chase scene | chasing | count | dark | dog | jungle | running | searching | servant | tense | tree | villain |
The Most Dangerous Game (1932) | Zaroff (Climbing) | 0:53:55 - Zaroff climbs to the top of the cliff | chase scene | chasing | cliff | climbing | count | dramatic | fanfare | jungle | servant | tense | villain |
The Most Dangerous Game (1932) | The Chase (Running) + The Iron Door | 0:54:08 - Bob runs through the jungle | chase scene | chasing | close-up | combination of themes | count | dramatic | jungle | leading lady | leading man | point-of-view shot | running | servant | tense | victim | villain |
The Most Dangerous Game (1932) | Zaroff (Running) | 0:54:15 - A close-up on Zaroff | chase scene | chasing | close-up | count | dramatic | jungle | leading lady | leading man | point-of-view shot | running | servant | tense | victim | villain |
The Most Dangerous Game (1932) | The Approach (Risoluto) | 0:54:59 - Count Zaroff by the river | chase scene | chasing | count | dramatic | hiding | jungle | leading lady | leading man | river | servant | tense | victim | villain | waterfall |
The Most Dangerous Game (1932) | The Chase (Tremolo) + The Iron Door (Horn Call) | 0:55:08 - Count Zaroff approaching the waterfall | chase scene | chasing | combination of themes | count | dramatic | hiding | jungle | leading lady | leading man | river | servant | tense | victim | villain | waterfall |
The Most Dangerous Game (1932) | Dog attacking | 0:55:19 - A dog rushes at Bob | attacking | climax | count | dog | dramatic | fighting | jungle | leading lady | leading man | mickey-mousing | river | servant | tense | victim | villain | waterfall |
The Most Dangerous Game (1932) | Zaroff (Dog Fight) | 0:55:24 - Bob fights a dog | attacking | climax | count | dog | dramatic | fighting | jungle | leading lady | leading man | river | servant | tense | victim | villain | waterfall |
The Most Dangerous Game (1932) | Russian Waltz (Dog Fight) | 0:55:33 - A barking dog | attacking | climax | count | dog | dramatic | fighting | jungle | leading lady | leading man | river | servant | tense | victim | villain | waterfall |
The Most Dangerous Game (1932) | Dog falling 2 | 0:55:37 - Bob kills the dog | attacking | climax | count | dog | dramatic | falling | fighting | jungle | leading lady | leading man | mickey-mousing | river | servant | tense | victim | villain | waterfall |
The Most Dangerous Game (1932) | Dog attacking | 0:55:42 - A dog rushes at Bob | attacking | climax | count | dog | dramatic | fighting | jungle | leading lady | leading man | mickey-mousing | river | running | servant | tense | victim | villain | waterfall |
The Most Dangerous Game (1932) | Falling off cliff | 0:55:47 - Bob and the dog fall off the cliff | climax | count | death | dog | dramatic | dying | falling | gun | gunshot | jungle | leading lady | leading man | mickey-mousing | river | servant | shooting | tense | victim | villain | waterfall |
The Most Dangerous Game (1932) | The Iron Door (Meno) | 0:55:50 - Zaroff reacts to Bob's fall | climax | count | dramatic | jungle | murderer | reacting | river | tense | villain | waterfall |
The Most Dangerous Game (1932) | Emotions | 0:55:59 - Eve reacts to Bob's fall | capturing | climax | count | dramatic | jungle | leading lady | reacting | river | servant | tense | victim | villain | watch | waterfall |
The Most Dangerous Game (1932) | Russian Waltz (Moderato Quasi Maestoso) | 0:56:11 - Zaroff looks at his watch | capturing | climax | count | dramatic | jungle | leading lady | river | servant | tense | victim | villain | watch | waterfall |
The Most Dangerous Game (1932) | Zaroff (Risolutissimo) + The Iron Door | 0:56:17 - Eve is captured | capturing | climax | close-up | combination of themes | count | jungle | leading lady | ominous | river | servant | victim | villain | walking | waterfall |
The Most Dangerous Game (1932) | The Iron Door (Climax) | 0:56:25 - A close-up on Eve | climax | close-up | count | jungle | leading lady | ominous | reacting | river | servant | victim | villain | waterfall |
The Most Dangerous Game (1932) | Piano Improvisation | 0:56:39 - The Count plays the piano | calm | castle | count | listening | on-screen music | piano | playing | servant | source music | transition | villain |
The Most Dangerous Game (1932) | Russian Waltz (Grandioso) | 0:57:09 - The Count plays the piano | advance plot | calm | castle | count | entering | leading man | on-screen music | piano | playing | sneaking | source music | victim | villain |
The Most Dangerous Game (1932) | Bob leaping | 0:58:57 - Bob leaps at Zaroff | action scene | castle | count | dramatic | fighting | gun | jumping | leading man | leaping | tense | victim | villain |
The Most Dangerous Game (1932) | Zaroff (Allegro Furioso) | 0:58:57 - Bob fights Zaroff | action scene | castle | count | dog | dramatic | fighting | gun | leading man | tense | victim | villain |
The Most Dangerous Game (1932) | Russian Waltz (The Fight) | 0:59:04 - Bob fights Zaroff | action scene | castle | count | dramatic | fighting | gun | leading man | tense | victim | villain |
The Most Dangerous Game (1932) | Zaroff (The Fight) | 0:59:06 - Zaroff's gun | action scene | castle | count | dramatic | fighting | gun | leading man | tense | victim | villain |
The Most Dangerous Game (1932) | Underscoring (Dramatic) | 0:59:18 - Bob fights Zaroff | action scene | castle | count | dramatic | fighting | leading man | servant | tense | underscoring | victim | villain |
The Most Dangerous Game (1932) | Zaroff (The Fight 2) | 0:59:22 - Zaroff's servant attacks | action scene | castle | count | dramatic | fighting | leading man | servant | tense | victim | villain |
The Most Dangerous Game (1932) | Russian Waltz (The Fight 2) | 0:59:27 - Bob fights Zaroff's servant | action scene | castle | count | dramatic | fighting | leading man | servant | tense | victim | villain |
The Most Dangerous Game (1932) | The Iron Door (The Fight) | 0:59:36 - Bob fights Zaroff's servant | action scene | castle | count | dramatic | fighting | leading man | servant | tense | victim | villain |
The Most Dangerous Game (1932) | The Count rises | 0:59:46 - The Count slowly rises | action scene | arrow | breaking | castle | count | death | dramatic | dying | fighting | killing | leading man | rising | servant | sneaking | tense | victim | villain |
The Most Dangerous Game (1932) | Zaroff (Slow) | 1:00:03 - Bob kills Zaroff's servant | action scene | arrow | castle | corpse | count | death | dramatic | leading man | preparing | servant | tense | victim | villain |
The Most Dangerous Game (1932) | The Iron Door (Allegro Furioso) | 1:00:07 - Bob attacks Zaroff | action scene | arrow | castle | corpse | count | death | dramatic | dying | fighting | killing | leading man | servant | stabbing | tense | victim | villain |
The Most Dangerous Game (1932) | Russian Waltz (Stabbed in Back) | NIF - not in film | arrow | castle | corpse | count | cut from film | death | dying | killing | leading man | servant | stabbing | victim | villain |
The Most Dangerous Game (1932) | Emotions (Agitato) | 1:00:32 - Bob is almost hit by a knife | castle | count | death | dodging | dramatic | escaping | gun | knife | leading lady | leading man | preparing | running | servant | tense | victim | villain |
The Most Dangerous Game (1932) | Emotions 2 (Agitato) | 1:00:45 - Bob and Eve escaping | arrow | castle | count | death | dramatic | escaping | gun | leading lady | leading man | rising | running | tense | victim | villain |
The Most Dangerous Game (1932) | Zaroff (Risoluto) | 1:01:10 - Zaroff at the window | arrow | boat | castle | count | dramatic | escaping | leading lady | leading man | rising | tense | victim | villain |
The Most Dangerous Game (1932) | Russian Waltz (The Window) | 1:01:15 - Zaroff at the window | arrow | boat | castle | count | dramatic | escaping | fanfare | leading lady | leading man | rising | tense | victim | villain |
The Most Dangerous Game (1932) | Courage (Allegro con Fuoco) + The Iron Door | 1:01:23 - The boat leaves the dock | arrow | boat | castle | count | death | dramatic | dying | escaping | leading lady | leading man | motor effect | preparing | tense | victim | villain |
The Most Dangerous Game (1932) | Russian Waltz (Impossible) | 1:01:37 - Zaroff collapses | arrow | boat | castle | collapsing | count | dark | death | dying | falling | leading lady | leading man | mickey-mousing | victim | villain |
The Most Dangerous Game (1932) | Underscoring (Dramatic) | 1:01:44 - Dogs barking | barking | boat | castle | count | death | dog | dramatic | dying | leading lady | leading man | tense | underscoring | victim | villain |
The Most Dangerous Game (1932) | Falling out of window | 1:01:53 - Zaroff falls out of the window | boat | castle | count | death | dramatic | dying | escaping | falling | leading lady | leading man | mickey-mousing | tense | victim | villain |
| Lightning Strikes Twice (1951) | Jalopy | 1:28:41 - Old jalopy drives along | bystander | car | car crash | climax | comical | countryside | death | driving |
Lightning Strikes Twice (1951) | Aftermath | 1:28:48 - Man gets out of the jalopy | approaching | brother | bystander | car | car crash | climax | countryside | death | murderer | police | rancher | solemn |
Lightning Strikes Twice (1951) | Father Paul (Slow) | 1:29:00 - Shelly and Myra wait for the news | actor | bell effect | car crash | countryside | death | funereal | leading lady | mother | owner | police | resolution | somber | waiting |
Lightning Strikes Twice (1951) | Liza (Triste) | 1:29:20 - Father Paul climbs up | actor | arriving | car crash | climbing | countryside | death | husband | leading lady | leading man | mother | owner | police | priest | resolution | somber |
Lightning Strikes Twice (1951) | Shelly and Trev (Appassionato 2) | 1:29:33 - Trev and Shelly embrace | actor | calm | comforting | countryside | departing | driving | embracing | husband | kissing | leading lady | leading man | mother | owner | peace | peaceful | police | priest | resolution | smiling |
Lightning Strikes Twice (1951) | Shelly (The End) + Shelly 2 (The End) | 1:30:00 - Trev and Shelly drive away together | actor | calm | comforting | countryside | driving | embracing | end title sequence | husband | leading lady | leading man | peace | peaceful | resolution | resolved | The End |
| All This, and Heaven Too (1940) | Henriette (The End) | 2:22:31 - The End | countermelody | deceptive resolution | end title sequence | grand | leading lady | looking | minister | mode mixture | plagal cadence | school | snow | teacher | The End |
| Half Shot at Sunrise (1930) | Whistling the Blues Away (Waltz) | 0:27:06 - Tommy, Annette, and Gilbert dance | car | countermelody | dancing | dramatic | leading lady | leading man | love interest | park | soldier | song and dance scene | source to score | waltz |
| Roar of the Dragon (1932) | The Rider (Tense) | 0:03:39 - | anxious | Countryside | frantic | galloping | heroic |
Roar of the Dragon (1932) | The Rider | 0:04:22 - | anxious | Countryside | frantic | heroic | Village |
Roar of the Dragon (1932) | The Telegraph | 0:04:53 - | aggressive | confused | Countryside | fearful | mickey-mousing | oppressive | Telegraph Office |
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