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1349 results for "tense" in 49 films — see also agitated | change | intense | suspense | turbulent | turn | uneasy

Film	Theme name	Instance	Tags
All This, and Heaven Too (1940)	Henriette (Lento)	0:10:20 - Henriette on a ship	boat \| dissonant bass \| flashback \| foreign key modulation \| hopeful \| leading lady \| mysterious \| pedal tone \| storytelling \| tense \| traveling
All This, and Heaven Too (1940)	Pierre	0:13:47 - Pierre introduces himself	added-note chord \| caretaker \| conversing \| deceptive resolution \| introducing \| leading lady \| mode mixture \| pedal tone \| pleasant \| street \| tense \| transition
All This, and Heaven Too (1940)	The Duke (Quasi Mysterioso)	0:14:49 - Henriette hears the Duke and Duchess arguing	arriving \| butler \| common-chord modulation \| deceptive resolution \| duchess \| duke \| establish setting \| interrupting \| leading lady \| leading man \| mysterious \| room \| tense
All This, and Heaven Too (1940)	Desperation (Furioso)	0:22:53 - The Duchess curses the Duke	agitated \| arguing \| dissonant bass \| distressed \| duchess \| duke \| establish character \| leading lady \| leading man \| parallelism \| pleading \| priest \| room \| tense
All This, and Heaven Too (1940)	Underscoring (Tense)	NIF - not in film	advance plot \| child \| chromatic wedge \| conversing \| cut from film \| duchess \| governess \| leading lady \| room \| tense \| underscoring
All This, and Heaven Too (1940)	Rubato	NIF - not in film	9th chord \| added-note chord \| advance plot \| arguing \| child \| cut from film \| deceptive resolution \| duchess \| governess \| leading lady \| room \| tense
All This, and Heaven Too (1940)	Desperation (Very Dramatic)	NIF - not in film	advance plot \| altered dominant \| arguing \| child \| cut from film \| duchess \| governess \| leading lady \| room \| tense
All This, and Heaven Too (1940)	Underscoring (Tense)	0:30:19 - Henriette dresses Raynald	9th chord \| advance plot \| arguing \| caring \| child \| duke \| governess \| illness \| leading lady \| leading man \| room \| sequence \| tense \| underscoring
All This, and Heaven Too (1940)	Underscoring (Gentle)	0:30:34 - Henriette puts Raynald in bed	advance plot \| arguing \| caring \| child \| chromatic sequence \| duke \| gentle \| governess \| illness \| leading lady \| leading man \| mode mixture \| room \| tense \| underscoring
All This, and Heaven Too (1940)	Counting	0:33:30 - Henriette counts tangerine slices	advance plot \| calm \| child \| chromatic sequence \| conversing \| counting \| distracting \| duke \| governess \| illness \| leading lady \| leading man \| pc set \| room \| tense \| wedge \| zoom in
All This, and Heaven Too (1940)	Underscoring (Tense)	0:37:37 - They rise from prayer	added-note chord \| child \| chromatic scale \| chromatic wedge \| conversing \| deceptive resolution \| duchess \| duke \| governess \| illness \| leading lady \| leading man \| leaving \| priest \| religious scene \| room \| somber \| tense
All This, and Heaven Too (1940)	The Duchess (Agitato)	0:38:09 - The Duchess argues with the doctor	arguing \| common-chord modulation \| doctor \| duchess \| illness \| leading lady \| mode mixture \| religious scene \| room \| syncopation \| tense
All This, and Heaven Too (1940)	Gossip	0:55:36 - Scissors cut a newspaper clipping	9th chord \| advance plot \| chromatic parallelism \| cutting \| dissonant bass \| gossiper \| gossiping \| harsh \| minor second \| newspaper \| room \| scissors \| tense
All This, and Heaven Too (1940)	Henriette (Mysterioso)	0:56:02 - A newspaper clipping	advance plot \| gossiper \| gossiping \| half-diminished 7th chord \| mysterious \| newspaper \| room \| tense
All This, and Heaven Too (1940)	Underscoring (Mysterious)	0:56:57 - The Duchess enters	advance plot \| child \| conversing \| governess \| half-diminished 7th chord \| leading lady \| maid \| mysterious \| room \| tense \| trouble \| underscoring
All This, and Heaven Too (1940)	Ascending	1:03:57 - The Duke and Duchess ascend	ascending \| ballroom \| chromatic sequence \| double exposure \| duchess \| duke \| leading lady \| leading man \| mickey-mousing \| montage \| stairs \| tense
All This, and Heaven Too (1940)	Desperation (Very Emotional)	1:20:06 - The Duchess threatens the Duke	arguing \| augmented triad \| chromatic scale \| chromatic sequence \| conflict \| desperate \| dissonant bass \| duchess \| duke \| leading lady \| leading man \| room \| tense \| threatening
All This, and Heaven Too (1940)	Desperation (Sempre Accelerando	1:20:39 - The Duke and Duchess argue	acceleration \| arguing \| augmented triad \| chromatic scale \| chromatic sequence \| conflict \| desperate \| dissonant bass \| duchess \| duke \| leading lady \| leading man \| panning shot \| pc set \| room \| screaming \| tense \| threatening
All This, and Heaven Too (1940)	Underscoring (Tense)	1:20:55 - Henriette calms the children down	caretaker \| child \| conflict \| crying \| dissonant bass \| governess \| leading lady \| pc set \| room \| tense
All This, and Heaven Too (1940)	Underscoring (Somber)	1:21:26 - The Duke descends the stairs	child \| chromatic scale \| conflict \| conversing \| crying gesture \| descending \| governess \| leading lady \| room \| somber \| tense
All This, and Heaven Too (1940)	Raynald (Mysterioso 3)	1:30:51 - The children talk to Henriette	9th chord \| bright \| child \| chromatic parallelism \| conversing \| duke \| governess \| leading lady \| leading man \| palace \| surprise \| tense \| transition
All This, and Heaven Too (1940)	Spring Time (Harry Cohn Moto)	1:35:26 - Henriette opens a gift	advance plot \| cheerful \| child \| chromatic sequence \| gift \| governess \| happy \| leading lady \| opening \| pedal tone \| room \| tense \| unwrapping
All This, and Heaven Too (1940)	Henriette (Dolschissimo)	1:36:07 - Henriette reads the locket inscription	64 chord \| advance plot \| calm \| child \| chromatic mediant \| conversing \| crying \| dissonant bass \| foreign key modulation \| gift \| governess \| leading lady \| locket \| mode mixture \| room \| stinger \| tender \| tense
All This, and Heaven Too (1940)	Gossip 2	1:47:20 - Henriette sees her landlady gossiping	9th chord \| chromatic parallelism \| dissonant bass \| duke \| gossiper \| gossiping \| harsh \| landlady \| leading man \| minor second \| reunion scene \| room \| tense \| watching
All This, and Heaven Too (1940)	Henriette (Gossiping) + Spring Time (Gossiping)	1:47:25 - Henriette's landlady talks to the Duke	awkward \| child \| combination of themes \| common-tone diminished 7th \| diminished 7th chord \| duke \| gossiper \| gossiping \| landlady \| leading lady \| leading man \| mysterious \| parallelism \| pedal tone \| reunion scene \| room \| somber \| tense \| watching
All This, and Heaven Too (1940)	Henriette (Tense)	1:47:51 - The Duke argues with Henriette	arguing \| conflict \| diminished 7th chord \| duke \| fragmentation \| leading lady \| leading man \| pedal tone \| room \| tense
All This, and Heaven Too (1940)	The Duchess (Tense)	1:48:04 - Henriette talks with the Duke	arguing \| conflict \| duke \| leading lady \| leading man \| room \| sequential modulation \| tense
All This, and Heaven Too (1940)	Desperation (Tense)	1:48:14 - The Duke talks with Henriette	chromatic parallelism \| chromatic sequence \| conflict \| conversing \| dissonant bass \| duke \| leading lady \| leading man \| room \| tense
All This, and Heaven Too (1940)	Desperation (Slow)	1:48:58 - The Duke leaves	chromatic scale \| conflict \| dissonant bass \| duke \| leading lady \| leading man \| leaving \| ominous \| room \| tense
All This, and Heaven Too (1940)	Desperation (Subito)	1:52:22 - Soldiers climb the stairs	64 chord \| ascending \| conflict \| landlady \| leading lady \| not mickey-moused \| room \| soldier \| suspect \| tense
All This, and Heaven Too (1940)	The Duchess (Dramatic)	1:52:48 - Soldiers confront Henriette	accusing \| arresting \| augmented sixth chord \| conflict \| landlady \| leading lady \| ominous \| realizing \| room \| soldier \| suspect \| tense
All This, and Heaven Too (1940)	Henriette (Grandioso) + Desperation (Grandioso)	1:53:13 - The police wagon leaves	arresting \| bold \| carriage \| conflict \| conversing \| crowd \| crying \| dark \| dissonant bass \| fragmentation \| landlady \| leading lady \| ominous \| soldier \| street \| suspect \| tense \| testifying
All This, and Heaven Too (1940)	Underscoring (Tense)	2:06:17 - Henriette argues with Henry	advance plot \| arguing \| fragmentation \| leading lady \| minister \| pedal tone \| prison \| prisoner \| sequence \| suspect \| tense \| underscoring
All This, and Heaven Too (1940)	Raynald (Delicato)	2:06:46 - Henry talks to Henriette	advance plot \| conversing \| delicate \| leading lady \| minister \| mode change \| prison \| prisoner \| suspect \| tender \| tense \| worrying
All This, and Heaven Too (1940)	Henriette (Ostinato)	2:10:09 - A carriage leaves	carriage \| crowd \| dramatic \| fragmentation \| leading lady \| mob \| ominous \| ostinato \| prisoner \| soldier \| street \| suspect \| tense \| transition \| traveling
All This, and Heaven Too (1940)	Underscoring (Tense)	2:10:17 - A carriage arrives at the palace	9th chord \| arriving \| carriage \| chromatic scale \| leading lady \| prisoner \| soldier \| street \| suspect \| tense \| transition \| traveling \| underscoring
All This, and Heaven Too (1940)	Desperation (Mysterioso)	2:17:47 - Henriette narrates her story	child \| fragmentation \| leading lady \| mysterious \| resolution \| school \| storytelling \| student \| teacher \| tense
All This, and Heaven Too (1940)	The Duchess	2:17:58 - Henriette narrates her story	child \| common-chord modulation \| leading lady \| mode mixture \| resolution \| school \| storytelling \| student \| teacher \| tense
All This, and Heaven Too (1940)	Underscoring (Tense)	2:18:09 - Children listening to Henriette	child \| leading lady \| resolution \| school \| storytelling \| student \| teacher \| tense
All This, and Heaven Too (1940)	Henriette + Falling Snow	2:21:43 - Henriette sees the falling snow	augmented triad \| chromatic parallelism \| combination of themes \| hearing voices \| leading lady \| minister \| mode mixture \| resolution \| school \| snow \| teacher \| tense
The Amazing Dr. Clitterhouse (1938)	Underscoring (Tense)	0:45:45 - Criminals talk about the professor	64 chord \| altered dominant \| conversing \| crime \| criminal \| gangster \| robbery \| rooftop \| tense \| thief \| underscoring
The Amazing Dr. Clitterhouse (1938)	Underscoring (Tense)	0:47:04 - Doctor talks with the criminals	augmented major 7th chord \| chromatic parallelism \| criminal \| dissonant bass \| doctor \| examining \| gangster \| leading man \| ostinato \| pc set \| robbery \| rooftop \| tense \| thief \| underscoring \| walking \| working
The Amazing Dr. Clitterhouse (1938)	Spiraling down	0:47:38 - Doctor goes down the stairs	9th chord \| criminal \| descending \| diminished 7th chord \| doctor \| gangster \| leading man \| mickey-mousing \| mysterious \| robbery \| spiraling \| store \| tense \| thief \| walking
The Amazing Dr. Clitterhouse (1938)	Underscoring (Dramatic)	0:47:48 - Rocks opens the safe	breaking in \| criminal \| diminished 7th chord \| doctor \| dramatic \| enharmonic modulation \| gangster \| leading man \| lock \| opening \| robbery \| safe \| safe-cracking \| stinger \| store \| tense \| thief \| underscoring \| unlocking \| vault \| wedge
The Amazing Dr. Clitterhouse (1938)	Flashlight	0:48:20 - Doctor shines flashlight on Rocks	anger \| annoyance \| criminal \| doctor \| flashlight \| gangster \| leading man \| mickey-mousing \| ominous \| robbery \| shining \| store \| tense \| thief \| whole-tone chord
The Amazing Dr. Clitterhouse (1938)	Rocks (Annoyed)	0:48:25 - Rocks is annoyed by flashlight	anger \| angry \| annoyance \| criminal \| doctor \| flashlight \| gangster \| leading man \| ominous \| robbery \| shining \| store \| tense \| thief \| tritone \| whole-tone chord
The Amazing Dr. Clitterhouse (1938)	The Amazing Doctor (Giving Orders)	0:48:32 - Doctor gives orders to the criminals	64 chord \| anger \| annoyance \| chromatic parallelism \| commanding \| criminal \| doctor \| fragmentation \| gangster \| leading man \| ordering \| pedal tone \| robbery \| sequence \| store \| tense \| thief
The Amazing Dr. Clitterhouse (1938)	Locked in vault	0:49:06 - Dr. Clitterhouse locked in safe	anxious \| chromatic parallelism \| chromatic scale \| criminal \| doctor \| double-cross \| dramatic \| gangster \| leading man \| murderer \| murdering \| panicking \| polychord \| pounding \| robbery \| safe \| store \| tense \| thief \| trapping \| vault \| yelling
The Amazing Dr. Clitterhouse (1938)	The Motor	0:49:21 - Rocks starts the refrigeration motor	antagonist \| anxious \| criminal \| diminished 7th chord \| doctor \| double-cross \| dramatic \| gangster \| gauge \| leading man \| lowering \| machine \| mickey-mousing \| motor \| murderer \| murdering \| ostinato \| panicking \| pedal tone \| pounding \| robbery \| spinning \| store \| temperature \| tense \| thief \| trapping \| whirling \| yelling
The Amazing Dr. Clitterhouse (1938)	The Amazing Doctor + The Motor	0:49:36 - Dr. Clitterhouse in safe	anxious \| combination of themes \| criminal \| doctor \| double-cross \| dramatic \| gangster \| gauge \| leading man \| machine \| motor \| murderer \| murdering \| ostinato \| panicking \| pedal tone \| robbery \| spinning \| store \| tense \| thief \| trapping \| whirling
The Amazing Dr. Clitterhouse (1938)	The Motor (Getting Colder)	0:49:43 - The vault gets colder	anxious \| chromatic scale \| criminal \| dissonant bass \| doctor \| double-cross \| dramatic \| gangster \| gauge \| leading man \| lowering \| machine \| motor \| murderer \| murdering \| ostinato \| panicking \| pedal tone \| pounding \| robbery \| spinning \| store \| temperature \| tense \| thief \| trapping \| whirling \| yelling
The Amazing Dr. Clitterhouse (1938)	Rocks goes downstairs	0:50:05 - Rocks goes down the stairs	antagonist \| anxious \| criminal \| descending \| diminished 7th chord \| double-cross \| dramatic \| gangster \| mickey-mousing \| murderer \| robbery \| stairs \| store \| temperature \| tense \| thief \| walking
The Amazing Dr. Clitterhouse (1938)	The Amazing Doctor + The Motor	0:50:11 - Butch comes back	anxious \| combination of themes \| criminal \| doctor \| double-cross \| dramatic \| gangster \| hurrying \| leading man \| motor \| murderer \| ostinato \| robbery \| store \| temperature \| tense \| thief
The Amazing Dr. Clitterhouse (1938)	Rocks (Sneaking) + The Motor	0:50:14 - Rocks sneaks around in the dark	antagonist \| anxious \| combination of themes \| criminal \| diminished 7th chord \| doctor \| double-cross \| dramatic \| gangster \| leading man \| motor \| murderer \| ostinato \| robbery \| sneaking \| store \| temperature \| tense \| thief
The Amazing Dr. Clitterhouse (1938)	The Amazing Doctor + The Motor	0:50:22 - Butch runs downstairs	anxious \| chromatic scale \| combination of themes \| criminal \| double-cross \| down \| downstairs \| dramatic \| gangster \| mickey-mousing \| motor \| ostinato \| robbery \| store \| tense \| thief \| walking
The Amazing Dr. Clitterhouse (1938)	Butch goes downstairs	0:50:22 - Butch runs downstairs	anxious \| chromatic scale \| combination of themes \| criminal \| double-cross \| down \| downstairs \| dramatic \| gangster \| mickey-mousing \| robbery \| store \| tense \| thief \| walking
The Amazing Dr. Clitterhouse (1938)	The Amazing Doctor (Rocks) + Rocks (The Amazing Doctor)	0:50:33 - Rocks goes out to the truck	antagonist \| anxious \| combination of themes \| criminal \| dissonant bass \| double-cross \| dramatic \| gangster \| lying \| murderer \| pc set \| robbery \| street \| tense \| thief \| tritone
The Amazing Dr. Clitterhouse (1938)	The Motor (Butch)	0:50:45 - Butch searches for the doctor	anxious \| chromatic scale \| criminal \| dramatic \| gangster \| mickey-mousing \| motor \| ostinato \| pedal tone \| robbery \| running \| searching \| store \| tense \| thief
The Amazing Dr. Clitterhouse (1938)	Butch runs	0:50:46 - Butch runs to the window	anxious \| criminal \| dramatic \| gangster \| mickey-mousing \| robbery \| running \| searching \| sequence \| store \| tense \| thief
The Amazing Dr. Clitterhouse (1938)	Butch runs back	0:50:52 - Butch runs back from the window	anxious \| chromatic scale \| criminal \| dramatic \| gangster \| mickey-mousing \| robbery \| running \| searching \| store \| tense \| thief
The Amazing Dr. Clitterhouse (1938)	The Amazing Doctor (Brass) + The Motor	0:51:00 - Dr. Clitterhouse in the safe	anxious \| chromatic parallelism \| chromatic scale \| combination of themes \| criminal \| dramatic \| gangster \| knocking \| motor \| ostinato \| panicking \| robbery \| store \| tense \| thief
The Amazing Dr. Clitterhouse (1938)	Lighting the Torch + The Motor	0:51:05 - Butch prepares the torch	anxious \| chromatic scale \| combination of themes \| criminal \| dramatic \| fire \| flame \| gangster \| hero \| lighting \| ostinato \| preparing \| rescuing \| robbery \| sequence \| store \| tense \| thief \| torch \| working
The Amazing Dr. Clitterhouse (1938)	The Torch (Burning)	0:51:12 - Butch opens safe with welder's torch	anxious \| burning \| chromatic parallelism \| criminal \| dramatic \| fire \| flame \| gangster \| half-diminished 7th chord \| hero \| rescuing \| robbery \| sparks \| store \| tense \| thief \| torch
The Amazing Dr. Clitterhouse (1938)	The Torch	0:51:17 - Torch breaks through the safe door	anxious \| burning \| criminal \| cutting \| dramatic \| fire \| flame \| gangster \| hero \| pc set \| rescuing \| robbery \| sparks \| store \| tense \| thief \| torch
The Amazing Dr. Clitterhouse (1938)	Camera panning	0:51:39 - Camera pans to the watchman	anxious \| dramatic \| guard \| mickey-mousing \| panning shot \| robbery \| store \| tense \| waking
The Amazing Dr. Clitterhouse (1938)	The Torch + The Motor (Watchman Crawling)	0:51:41 - Watchman struggles to sound the alarm	alarm \| anxious \| chromatic scale \| crawling \| dramatic \| guard \| mickey-mousing \| motor \| ostinato \| pc set \| robbery \| store \| struggle \| tense
The Amazing Dr. Clitterhouse (1938)	Underscoring (Tense)	0:52:15 - Policemen report the alarm	9th chord \| operator \| reporting \| robbery \| room \| telephone \| tense
The Amazing Dr. Clitterhouse (1938)	The Torch (Off) + The Motor	0:52:24 - Butch finishes opening safe	anxious \| burning \| combination of themes \| criminal \| cutting \| dissonant bass \| dramatic \| fire \| flame \| gangster \| hero \| motor \| ostinato \| pc set \| rescuing \| robbery \| sparks \| store \| tense \| thief \| torch \| turning off
The Amazing Dr. Clitterhouse (1938)	The Motor (Rescue)	0:52:29 - Dr. Clitterhouse escapes from safe	anxious \| chromatic parallelism \| chromatic scale \| criminal \| dramatic \| escaping \| gangster \| hero \| motor \| ostinato \| rescuing \| robbery \| store \| tense \| thief
The Amazing Dr. Clitterhouse (1938)	Doctor Leaves	0:57:38 - Dr. Clitterhouse leaves	advance plot \| doctor \| door \| exiting \| gangster \| hero \| leading lady \| leading man \| leaving \| linear chromaticism \| opening \| room \| tense \| wedge \| whole-tone chord
The Amazing Dr. Clitterhouse (1938)	Rocks	0:57:55 - Rocks has an idea	advance plot \| antagonist \| gangster \| plotting \| room \| tense
The Amazing Dr. Clitterhouse (1938)	Underscoring (Mysterious)	0:57:58 - Dr. Clitterhouse talks with Jo	conversing \| doctor \| gangster \| leading lady \| leading man \| love scene \| mysterious \| room \| tense
The Amazing Dr. Clitterhouse (1938)	Jo (At the Phone)	0:59:24 - Rocks takes the phone apart	9th chord \| advance plot \| antagonist \| combination of themes \| dark \| gangster \| leading lady \| ominous \| plotting \| room \| tense
The Amazing Dr. Clitterhouse (1938)	Underscoring (Tense)	1:00:10 - Jo and Rocks quarrel	advance plot \| antagonist \| arguing \| dissonant bass \| gangster \| half-diminished 7th chord \| leading lady \| quarreling \| room \| tense
The Amazing Dr. Clitterhouse (1938)	The Poison Victim	1:07:50 - Rocks is poisoned	dissonant \| doctor \| gangster \| leading lady \| leading man \| murder \| murderer \| murdering \| murder scene \| mysterious \| office \| parallel fifths \| poison \| poisoning \| quartal chord \| tense \| tone cluster \| tritone
The Amazing Dr. Clitterhouse (1938)	Rocks struggles and falls	1:09:52 - Rocks tries to get up, then collapses	chromatic parallelism \| chromatic scale \| death \| doctor \| down \| drugs \| dying \| falling \| gangster \| leading lady \| leading man \| murder \| murderer \| murder scene \| office \| oscillation \| poison \| rising \| split-third chord \| struggling \| tense \| up
The Amazing Dr. Clitterhouse (1938)	The Amazing Doctor (Funebre)	1:10:07 - Dr. Clitterhouse talks with Jo	9th chord \| chromatic parallelism \| dark \| death \| doctor \| gangster \| leading lady \| leading man \| murder \| murderer \| murder scene \| office \| pleading \| realizing \| tense
The Amazing Dr. Clitterhouse (1938)	The Amazing Doctor (Murder)	1:10:49 - Montage of newspaper headlines	chromatic parallelism \| corpse \| dark \| dissonant bass \| fingerprints \| headlines \| investigating \| montage \| morgue \| mortician \| murder \| newspaper \| police \| printing press \| tense \| triadic transformation
The Amazing Dr. Clitterhouse (1938)	Rocks (Dead)	1:11:10 - Rocks's mugshot and fingerprints	dark \| fingerprints \| investigating \| montage \| morgue \| mortician \| mug shot \| murder \| police \| tense
Angels With Dirty Faces (1938)	Closes door	0:40:48 - Rocky shuts the phone booth door	closing \| conflict \| door \| gangster \| leading man \| mickey-mousing \| shop \| tense
Angels With Dirty Faces (1938)	Underscoring (Dramatic)	0:40:50 - Gangsters shoot their own man in phone booth	chromatic sequence \| conflict \| death \| diminished 7th chord \| falling \| gangster \| gun \| gunshot \| half-diminished 7th chord \| leading man \| mickey-mousing \| murderer \| polychord \| shooting \| shop \| sneaking \| tense \| voice-exchange
Angels With Dirty Faces (1938)	Sneaking away	0:41:02 - Rocky sneaks away	conflict \| diminished 7th chord \| gangster \| leading man \| mickey-mousing \| shop \| sneaking \| tense
Angels With Dirty Faces (1938)	Crowd rushing	0:41:09 - Crowd rushes to the crime scene	chromatic sequence \| conflict \| crowd \| dissonant bass \| hurrying \| mickey-mousing \| running \| street \| tense
Angels With Dirty Faces (1938)	Underscoring (Tense)	0:41:20 - Police car arrives	arriving \| chromatic parallelism \| chromatic scale \| conflict \| crowd \| dissonant bass \| half-diminished 7th chord \| rushing \| shop \| street \| tense \| underscoring
Angels With Dirty Faces (1938)	Crowd	0:41:46 - Hustling crowd	chromatic parallelism \| conflict \| crowd \| dissonant bass \| rushing \| street \| tense
Angels With Dirty Faces (1938)	The Gangster (Elevator Music)	0:42:40 - Elevator goes up	advance plot \| chromatic parallelism \| elevator \| gangster \| half-diminished 7th chord \| lawyer \| leading man \| mickey-mousing \| rising \| room \| tense
Angels With Dirty Faces (1938)	Underscoring (Dramatic)	1:09:49 - Jerry talks to newspaper editor	conversing \| diminution \| leading man \| montage \| montage \| newspaper editor \| newspaper office \| parallelism \| priest \| sign \| tense
Angels With Dirty Faces (1938)	Jerry (Hostage)	1:25:07 - Rocky pushes Jerry	augmented sixth chord \| conflict \| double-cross \| gangster \| hostage \| leading man \| mysterious \| priest \| pushing \| street \| tense
Angels With Dirty Faces (1938)	Underscoring (Dramatic)	1:31:44 - Rocky punches a guard	agitated \| chromatic parallelism \| chromatic scale \| chromatic wedge \| climax \| fighting \| gangster \| half-diminished 7th chord \| leading man \| police \| priest \| prison \| punching \| tense \| underscoring
Angels With Dirty Faces (1938)	Funebre	1:32:03 - Jerry and Rocky walk down the hall	climax \| dirge \| execution chamber \| gangster \| leading man \| marching \| police \| priest \| prison \| somber \| tense \| walking
Angels With Dirty Faces (1938)	Funebre (Sigh)	1:33:19 - Rocky heads towards electric chair	added-note chord \| climax \| dirge \| execution chamber \| gangster \| leading man \| marching \| priest \| prison \| sigh gesture \| somber \| tense \| walking
Angels With Dirty Faces (1938)	Underscoring (Tense)	1:33:36 - Rocky pleads for his life	begging \| climax \| cowardice \| crowd \| crying \| death \| execution \| execution chamber \| gangster \| leading man \| pleading \| police \| priest \| prison \| shadow \| tense \| tone cluster \| underscoring \| wailing
Are These Our Children? (1931)	Dreams (Andante)	NIF - not in film	added-note chord \| cut from film \| mode mixture \| parallelism \| quartal chord \| tense \| whole-tone chord
Are These Our Children? (1931)	Dreams (Risoluto)	0:48:55 - Newspaper headlines	double exposure \| fragmentation \| headline \| montage \| mysterious \| newspaper \| sequential modulation \| spinning \| tense \| thematic transformation
Are These Our Children? (1931)	Dreams (Transition 8)	NIF - not in film	added-note chord \| altered dominant \| augmented triad \| chromatic mediant \| common-tone diminished 7th \| cut from film \| foreign key modulation \| pedal tone \| tense \| turbulent
Are These Our Children? (1931)	Dreams (Allegro)	1:15:33 - Newspaper headlines	augmented triad \| chromatic parallelism \| double exposure \| dramatic \| fanfare \| frantic \| headline \| montage \| mother \| newspaper \| ostinato \| spinning \| tense \| whole-tone chord \| whole-tone scale
Are These Our Children? (1931)	Dreams (Minor) + Makes You Forget Your Troubles (Minor)	1:15:51 - Newspaper headlines	combination of themes \| conversing \| double exposure \| headline \| minor-major 7th chord \| montage \| newspaper \| police \| preaching \| priest \| source to score \| spinning \| tense
Arsenic and Old Lace (1944)	Sidewalks of New York (Misterioso)	0:01:10 - New York City	64 chord \| added-note chord \| card \| city \| establish place \| familiar tune \| mysterious \| New York City \| opening title sequence \| tense
Arsenic and Old Lace (1944)	Underscoring (Tense)	0:42:08 - Jonathan talks to the aunts	aunt \| brother \| conversing \| crazy person \| criminal \| doctor \| establish character \| leading lady \| leading man \| murderer \| mysterious \| parallelism \| room \| tense \| underscoring
Arsenic and Old Lace (1944)	Scar (Face)	0:42:29 - Jonathan talks about his scar	augmented triad \| aunt \| brother \| chromatic parallelism \| conversing \| crazy person \| criminal \| doctor \| establish character \| fragmentation \| leading lady \| leading man \| murderer \| mysterious \| pc set \| polychord \| room \| scar \| tense
Arsenic and Old Lace (1944)	Underscoring (Tense)	0:42:56 - Jonathan glares at Dr. Einstein	aunt \| brother \| conversing \| crazy person \| criminal \| diminished 7th chord \| doctor \| establish character \| leading lady \| leading man \| murderer \| oscillation \| room \| scar \| tense
Arsenic and Old Lace (1944)	Home Sweet Home (Ominous)	0:43:28 - Dr. Einstein talks to the aunts	added-note chord \| altered dominant \| aunt \| brother \| conversing \| crazy person \| criminal \| distortion \| doctor \| establish character \| familiar tune \| leading lady \| leading man \| murderer \| room \| split-fifth chord \| tense
Arsenic and Old Lace (1944)	Underscoring (Tense)	0:49:45 - Jonathan follows Dr. Einstein	advance plot \| altered dominant \| brother \| conversing \| crazy person \| criminal \| digging \| dissonant bass \| doctor \| familiar tune \| leading man \| march \| murderer \| on-screen music \| patriotic tune \| pc set \| plotting \| room \| source and scoring overlap \| tense \| tone cluster \| whistling
Arsenic and Old Lace (1944)	When Johnny Comes Marching Home	0:49:45 - Dr. Einstein spies on Teddy	advance plot \| brother \| crazy person \| criminal \| dark \| digging \| doctor \| familiar tune \| leading man \| march \| murderer \| on-screen music \| patriotic tune \| room \| source and scoring overlap \| tense \| whistling
Arsenic and Old Lace (1944)	The Aunts (Frightened)	0:50:20 - Jonathan and Dr. Einstein talk	advance plot \| brother \| crazy person \| criminal \| digging \| doctor \| familiar tune \| leading man \| march \| murderer \| Neapolitan \| on-screen music \| parallel 63s \| patriotic tune \| pedal tone \| plotting \| room \| source and scoring overlap \| tense \| whistling
Arsenic and Old Lace (1944)	Jonathan 2	0:52:48 - Jonathan comes in the window	advance plot \| aunt \| brother \| chromatic scale \| chromatic wedge \| crazy person \| dark \| darkness \| dissonant bass \| doctor \| intimidating \| leading lady \| leading man \| murderer \| ominous \| pc set \| room \| staring \| tense
Arsenic and Old Lace (1944)	Jonathan (Fragmented)	0:53:35 - Jonathan and the doctor go up the stairs	advance plot \| aunt \| brother \| conversing \| crazy person \| dark \| darkness \| doctor \| fragmentation \| intimidating \| leading lady \| leading man \| murderer \| ominous \| pc set \| room \| tense
Arsenic and Old Lace (1944)	Underscoring (Tense)	0:54:30 - Jonathan goes up the stairs	advance plot \| brother \| crazy person \| darkness \| leading man \| murderer \| mysterious \| room \| sneaking \| tense \| tone cluster \| underscoring \| walking
Arsenic and Old Lace (1944)	Happy Land (Dirge)	0:54:54 - Teddy looks for the body in the dark	advance plot \| brother \| corpse \| crazy person \| creaking \| darkness \| dirge \| familiar tune \| mysterious \| opening \| pc set \| room \| sneaking \| tense \| walking \| whole-tone chord
Arsenic and Old Lace (1944)	Blows out match	0:56:48 - Einstein blows out the match	advance plot \| blowing \| brother \| crazy person \| darkness \| doctor \| extinguishing \| leading man \| match \| mickey-mousing \| murderer \| room \| tense \| whole-tone scale
Arsenic and Old Lace (1944)	Underscoring (Tense)	0:58:10 - Someone knocks at the door	advance plot \| brother \| chromatic scale \| conversing \| corpse \| crazy person \| darkness \| doctor \| knocking \| leading man \| murderer \| pc set \| room \| sequence \| sneaking \| tense \| underscoring
Arsenic and Old Lace (1944)	Here Comes the Bride (Tense)	0:58:28 - Elaine comes in the door	advance plot \| bride \| calling \| darkness \| entering \| familiar tune \| half-diminished 7th chord \| leading lady \| room \| sequence \| sneaking \| tense
Arsenic and Old Lace (1944)	Scar (Tense)	0:58:39 - Close-up on Dr. Einstein's face	advance plot \| bride \| brother \| calling \| close-up \| crazy person \| darkness \| doctor \| entering \| fear \| fragmentation \| leading lady \| leading man \| murderer \| polychord \| room \| sneaking \| tense
Arsenic and Old Lace (1944)	Jonathan 2 (Ominous)	1:00:36 - Jonathan backs Elaine into a corner	advance plot \| anger \| augmented triad \| bride \| brother \| chromatic scale \| crazy person \| dissonant bass \| doctor \| fear \| hurting \| leading lady \| leading man \| murderer \| ominous \| polychord \| questioning \| room \| stinger \| tense \| threatening
Arsenic and Old Lace (1944)	The Aunts (Frightened)	1:01:49 - Aunts talk to Jonathan	arguing \| aunt \| brother \| conflict \| crazy person \| fear \| fragmentation \| leading lady \| leading man \| murderer \| Neapolitan \| parallel 63s \| pedal tone \| room \| tense
Arsenic and Old Lace (1944)	The Victim	1:30:11 - Mortimer tied up in a chair	brother \| captive \| conflict \| crazy person \| doctor \| fear \| leading man \| murderer \| ominous \| parallel fifths \| quartal chord \| room \| tense \| tone cluster \| torturing \| tritone \| victim
Arsenic and Old Lace (1944)	Knives	1:31:05 - Mortimer looks at the knives	acceleration \| brother \| captive \| chromatic parallelism \| close-up \| conflict \| crazy person \| diminution \| doctor \| fear \| layering \| leading man \| murderer \| ominous \| oscillation \| ostinato \| pc set \| polychord \| room \| tense \| tone cluster \| torturing \| victim
Arsenic and Old Lace (1944)	Panic	1:31:48 - Einstein agrees to do the torture	alcohol \| brother \| captive \| chromatic parallelism \| chromatic scale \| conflict \| crazy person \| doctor \| dramatic \| fear \| leading man \| murderer \| oscillation \| panicked \| panicking \| polychord \| room \| sequence \| split-third chord \| tense \| torturing \| victim
Arsenic and Old Lace (1944)	Scar (Fast)	1:32:11 - Einstein finds some wine	alcohol \| brother \| captive \| conflict \| crazy person \| doctor \| dramatic \| fear \| hurrying \| leading man \| murderer \| panicking \| polychord \| room \| tense \| torturing \| victim
Arsenic and Old Lace (1944)	Underscoring (Tense)	1:32:35 - They toast to Mortimer	alcohol \| brother \| captive \| clinking \| conflict \| crazy person \| doctor \| fear \| glass effect \| leading man \| murderer \| mysterious \| pc set \| polychord \| room \| tense \| toasting \| underscoring \| victim
Beyond the Forest (1949)	Train	0:03:12 - A departing train	departing \| establish setting \| mysterious \| tense \| train \| train effect \| train station \| voice-over
Beyond the Forest (1949)	Train + Chicago	0:03:20 - A departing train	accompanied dialogue \| combination of themes \| departing \| establish setting \| familiar tune \| mysterious \| popular tune \| tense \| train \| train effect \| train station \| voice-over
Beyond the Forest (1949)	Rosa (Maestoso)	0:03:57 - Rosa's maid	establish setting \| house \| maid \| tense \| voice-over \| walking \| yard
Beyond the Forest (1949)	Courthouse	0:04:14 - People in a courthouse	courtroom \| crowd \| establish setting \| tense \| trial \| voice-over \| waiting \| watching
Beyond the Forest (1949)	Lewis (Triste)	0:23:53 - Lewis at home	advance plot \| arriving \| doctor \| leading man \| room \| tender \| tense
Beyond the Forest (1949)	Rosa (Sombre)	0:32:36 - Rosa walks away	advance plot \| leading lady \| room \| somber \| sulking \| tense \| upset \| walking
Beyond the Forest (1949)	Chicago (Misterioso)	0:38:47 - Rosa lights a match	advance plot \| contemplating \| dramatic \| familiar tune \| jealousy \| leading lady \| obsession \| obsessive \| passage of time \| popular tune \| room \| smoking \| tense \| wife
Beyond the Forest (1949)	Chicago (Tense)	0:49:00 - Rosa drinks coffee	advance plot \| angry \| audible thoughts \| cafe \| familiar tune \| leading lady \| popular tune \| tense \| thinking
Beyond the Forest (1949)	Underscoring (Tense)	0:49:07 - Rosa gets up	advance plot \| cafe \| conversing \| hurrying \| leading lady \| tense \| underscoring \| waitress
Beyond the Forest (1949)	Chicago (Agitato Molto Marcato)	0:55:48 - Rosa runs through the streets	agitated \| crazy person \| crying \| familiar tune \| laughing \| leading lady \| mad scene \| manic \| popular tune \| running \| rushing \| scaring \| stranger \| street \| tense
Beyond the Forest (1949)	Rosa (Misterioso)	1:09:23 - Rosa looks through the binoculars	anger \| binoculars \| forest \| friend \| hunting \| husband \| leading lady \| leading man \| looking \| murder scene \| mysterious \| ominous \| tense \| victim
Beyond the Forest (1949)	Running (A Little Heavier)	1:16:28 - Rosa heads downstairs	advance plot \| hurrying \| leading lady \| murderer \| mysterious \| plotting \| room \| tense
Beyond the Forest (1949)	The Cliff	1:19:13 - Rosa looks out of the car window	action scene \| car \| car \| cliff \| contemplating \| descending \| driving \| leading lady \| leading man \| murderer \| tense
Beyond the Forest (1949)	The Cliff (Car Stops)	1:19:36 - Rosa sitting in a car	action scene \| car \| car \| cliff \| conversing \| descending \| driving \| leading lady \| leading man \| murderer \| tense
Beyond the Forest (1949)	Rosa (Broadly)	1:19:57 - Rosa rolls down a hill	action scene \| canyon \| dark \| dramatic \| falling \| jumping \| leading lady \| leading man \| murderer \| runaway \| tense
Beyond the Forest (1949)	Rosa (Agitato Misterioso)	1:22:49 - Rosa in bed	agitated \| fever \| illness scene \| leading lady \| murderer \| room \| sickness \| sweating \| tense \| walking
Beyond the Forest (1949)	Sawmill + Steam Whistle	1:23:17 - Rosa opens the window	agitated \| combination of themes \| fever \| illness scene \| leading lady \| machinery effect \| mickey-mousing \| murderer \| opening \| raising \| room \| sickness \| sweating \| tense \| waiting \| whistle effect
Beyond the Forest (1949)	Sawmill + Fever	1:23:26 - Rosa rubs her forehead	agitated \| combination of themes \| fever \| illness scene \| leading lady \| machinery effect \| maid \| murderer \| room \| sickness \| sickness effect \| sweating \| tense \| waiting
Beyond the Forest (1949)	Sawmill	1:29:51 - Rosa opens the door	agitated \| climax \| leading lady \| machinery effect \| madness \| mad scene \| maid \| murderer \| street \| stumbling \| tense \| walking
Beyond the Forest (1949)	Sawmill + Steam Whistle	1:30:02 - The maid makes a phone call	agitated \| climax \| collapsing \| combination of themes \| cut from film \| falling \| leading lady \| machinery effect \| madness \| mad scene \| maid \| murderer \| street \| stumbling \| tense \| walking \| whistle effect
Beyond the Forest (1949)	Sawmill + Steam Whistle	1:30:36 - Darkness	agitated \| climax \| combination of themes \| leading lady \| madness \| mad scene \| murderer \| stumbling \| tense \| train \| train station \| walking \| whistle effect
Beyond the Forest (1949)	Train	1:30:52 - A locomotive	agitated \| climax \| cut from film \| leading lady \| madness \| mad scene \| murderer \| stumbling \| tense \| train \| train effect \| train station \| walking
Beyond the Forest (1949)	Train + Chicago (Shrill)	1:30:54 - Rosa stumbles towards the train	agitated \| climax \| combination of themes \| cut from film \| familiar tune \| leading lady \| madness \| mad scene \| murderer \| popular tune \| shrill \| stumbling \| tense \| train \| train effect \| train station \| walking
Beyond the Forest (1949)	Train (Heating Up) + Chicago (Fragmented)	1:31:05 - Rosa stumbles towards the train	agitated \| climax \| combination of themes \| desperate \| familiar tune \| leading lady \| madness \| mad scene \| murderer \| popular tune \| stumbling \| tense \| train \| train effect \| train station \| walking
Beyond the Forest (1949)	Chicago	1:31:21 - Rosa stumbles towards the train	climax \| desperate \| familiar tune \| leading lady \| madness \| mad scene \| murderer \| popular tune \| stumbling \| tense \| train \| train station \| walking
Beyond the Forest (1949)	Chicago	1:31:26 - The train leaves the station	agitated \| climax \| departing \| familiar tune \| leading lady \| madness \| mad scene \| murderer \| obsessive \| popular tune \| shrill \| tense \| train \| train station
The Big Sleep (1946)	Underscoring (Tense)	0:01:01 - Sign for the Sternwood mansion	arriving \| butler \| establish character \| leading man \| mansion \| private eye \| room \| tense \| underscoring
The Big Sleep (1946)	Underscoring (Tense)	0:02:45 - Marlowe goes to meet Sternwood	9th chord \| altered dominant \| butler \| chromatic scale \| establish character \| leading man \| private eye \| room \| tense \| underscoring \| walking
The Big Sleep (1946)	Underscoring (Tense)	0:18:57 - Geiger enters car	9th chord \| antagonist \| car \| departing \| oscillation \| rain \| street \| tense \| transition \| underscoring
The Big Sleep (1946)	Marlowe (Agitato)	0:19:05 - Marlowe gets in his car	added-note chord \| car \| following \| leading man \| mysterious \| private eye \| rain \| street \| tense \| transition
The Big Sleep (1946)	Car	0:19:13 - Car arrives at Geiger's house	car \| driving \| leading man \| mysterious \| private eye \| rain \| street \| tense \| transition
The Big Sleep (1946)	Hurrying	0:19:26 - Geiger enters his house	antagonist \| car \| chromatic sequence \| fragmentation \| mysterious \| parallelism \| rain \| street \| tense \| transition \| walking
The Big Sleep (1946)	Marlowe (Misterioso)	0:19:40 - Marlowe pulls up in his car	arriving \| car \| half-diminished 7th chord \| investigating \| leading man \| mysterious \| private eye \| rain \| street \| tense \| transition
The Big Sleep (1946)	Marlowe 2	0:19:47 - Marlowe spies on the house	car \| chromatic scale \| investigating \| investigation scene \| leading man \| mysterious \| private eye \| rain \| street \| tense \| waiting
The Big Sleep (1946)	Running	0:20:06 - Carmen runs to Geiger's house	chromatic parallelism \| dissonant bass \| femme fatale \| investigation scene \| mysterious \| rain \| running \| street \| tense
The Big Sleep (1946)	Marlowe (Molto Misterioso)	0:20:17 - Marlowe gets out to see the second car	car \| investigating \| investigation scene \| leading man \| mysterious \| pedal tone \| private eye \| rain \| street \| tense \| walking
The Big Sleep (1946)	Carmen	0:20:39 - Marlowe sees Carmen's name on the car registration	car \| half-diminished 7th chord \| investigating \| investigation scene \| leading man \| mysterious \| name on screen \| oscillation \| private eye \| rain \| street \| tense \| whole-tone chord
The Big Sleep (1946)	Action	0:21:04 - Marlowe runs to the house	action scene \| antagonist \| chromatic parallelism \| chromatic scale \| chromatic sequence \| chromatic wedge \| diminished 7th chord \| dramatic \| hurrying \| leading man \| pc set \| private eye \| running \| street \| tense \| underscoring
The Big Sleep (1946)	Running down	0:21:13 - Feet running down the stairs	action scene \| antagonist \| chromatic parallelism \| chromatic scale \| descending \| dramatic \| half-diminished 7th chord \| hurrying \| mickey-mousing \| running \| street \| tense
The Big Sleep (1946)	Walking	NIF - not in film	deleted scene \| deleted scene \| investigating \| investigation \| leading man \| mysterious \| parallelism \| pedal tone \| private eye \| room \| searching \| tense
The Big Sleep (1946)	Underscoring (Tense)	NIF - not in film	deleted scene \| deleted scene \| investigating \| investigation \| leading man \| mysterious \| private eye \| room \| searching \| tense
The Big Sleep (1946)	Carmen (Clues)	NIF - not in film	clue \| deleted scene \| deleted scene \| half-diminished 7th chord \| investigating \| investigation \| key \| leading man \| mysterious \| oscillation \| private eye \| room \| searching \| tense \| whole-tone chord
The Big Sleep (1946)	Walking (Extended)	NIF - not in film	deleted scene \| deleted scene \| foreign key modulation \| investigating \| investigation \| leading man \| mysterious \| parallelism \| pedal tone \| private eye \| room \| searching \| tense \| walking
The Big Sleep (1946)	Marlowe (Investigating)	NIF - not in film	added-note chord \| deleted scene \| deleted scene \| dramatic \| investigating \| investigation \| leading man \| private eye \| room \| searching \| sequential modulation \| tense
The Big Sleep (1946)	Underscoring (Dramatic)	NIF - not in film	deleted scene \| deleted scene \| diminished 7th chord \| dramatic \| investigating \| investigation \| leading man \| private eye \| room \| searching \| tense
The Big Sleep (1946)	Underscoring (Dramatic)	0:24:57 - Dead body on the floor	corpse \| death \| dramatic \| femme fatale \| investigating \| investigation scene \| leading man \| private eye \| room \| searching \| stinger \| tense \| underscoring
The Big Sleep (1946)	Carmen (Drugged)	NIF - not in film	deleted scene \| femme fatale \| helping \| investigation \| leading man \| mysterious \| oscillation \| ostinato \| private eye \| room \| tense \| tritone oscillation \| whole-tone chord
The Big Sleep (1946)	Turns light off	NIF - not in film	deleted scene \| femme fatale \| investigation \| leading man \| light \| light switch \| mysterious \| private eye \| room \| tense \| turning off \| whole-tone chord
The Big Sleep (1946)	Walking (The Car)	NIF - not in film	car \| deleted scene \| driving \| femme fatale \| foreign key modulation \| leading man \| parallelism \| pedal tone \| private eye \| room \| sequential modulation \| tense \| transition
The Big Sleep (1946)	Carmen	NIF - not in film	arriving \| butler \| chromatic mediant \| deleted scene \| femme fatale \| leading man \| private eye \| room \| tense \| transition
The Big Sleep (1946)	Marlowe (Molto Misterioso)	0:25:05 - Marlowe arrives at Carmen's house	arriving \| butler \| departing \| dissonant bass \| femme fatale \| inserted scene \| leading man \| not in score \| private eye \| reused recording \| room \| tense \| transition
The Big Sleep (1946)	Marlowe 2 (Blood Stain)	0:27:54 - Marlowe discovers that the body is missing	11th chord \| chromatic scale \| investigating \| investigation scene \| leading man \| private eye \| room \| tense
The Big Sleep (1946)	Underscoring (Tense)	0:28:58 - Marlowe tries to crack the code	leading man \| pc set \| private eye \| researching \| room \| tense \| threat \| transition \| tritone \| writing
The Big Sleep (1946)	Marlowe (Ear Music)	0:38:26 - Marlowe talks with Agnes	arguing \| book shop \| chromatic scale \| fragmentation \| investigation scene \| leading man \| private eye \| secretary \| tense \| whole-tone chord
The Big Sleep (1946)	Hurrying	0:38:45 - Marlowe walks to a cab	car \| car \| driver \| hurrying \| investigation scene \| leading man \| mysterious \| private eye \| taxi \| tense \| walking
The Big Sleep (1946)	Marlowe (Taxi)	0:39:05 - Marlowe talks to the lady cab driver	9th chord \| car \| car \| chromatic scale \| driver \| driving \| following \| investigation scene \| leading man \| mysterious \| private eye \| taxi \| tense
The Big Sleep (1946)	Station Wagon	0:39:16 - Marlowe follows a station wagon	car \| car \| driver \| driving \| following \| investigation scene \| leading man \| mysterious \| private eye \| taxi \| tense
The Big Sleep (1946)	Walking 2	0:39:25 - Marlowe walks to the house	half-diminished 7th chord \| investigating \| investigation scene \| leading man \| mysterious \| pc set \| private eye \| street \| tense \| walking
The Big Sleep (1946)	Hurrying	0:39:41 - Marlowe walks back to the cab	fragmentation \| hurrying \| investigation scene \| leading man \| mysterious \| parallelism \| private eye \| sequence \| street \| tense \| walking
The Big Sleep (1946)	Marlowe (Ear Music)	0:46:52 - Marlowe thinks	advance plot \| chromatic scale \| fragmentation \| leading man \| mysterious \| private eye \| room \| tense \| thinking \| whole-tone chord
The Big Sleep (1946)	Marlowe 2 (Waiting)	0:47:11 - Marlowe waits in his car	9th chord \| car \| driving \| investigation scene \| leading man \| mysterious \| private eye \| tense \| waiting
The Big Sleep (1946)	Car	0:47:32 - Another car arrives	arriving \| driving \| investigation scene \| leading man \| mysterious \| ostinato \| private eye \| street \| tense \| waiting
The Big Sleep (1946)	Running	0:47:40 - Vivian enters the apartment building	chromatic parallelism \| dissonant bass \| hurrying \| investigating \| investigation scene \| leading lady \| leading man \| mysterious \| private eye \| street \| tense \| walking
The Big Sleep (1946)	Underscoring (Tense)	0:51:31 - Joe reacts to the doorbell ringing	blackmailer \| chromatic parallelism \| conflict \| conversing \| criminal \| doorbell \| gun \| leading lady \| leading man \| mysterious \| pc set \| private eye \| room \| suspect \| tense \| tone cluster \| underscoring \| whole-tone chord
The Big Sleep (1946)	Underscoring (Dramatic)	0:52:02 - Marlowe pushes Agnes	blackmailer \| chromatic parallelism \| chromatic scale \| conflict \| criminal \| diminished 7th chord \| dramatic \| falling \| femme fatale \| gun \| leading lady \| leading man \| private eye \| room \| suspect \| tense \| tripping \| underscoring
The Big Sleep (1946)	Slapping	0:53:02 - Carmen slaps Joe with her purse	blackmailer \| conflict \| criminal \| dissonant bass \| femme fatale \| leading lady \| leading man \| mickey-mousing \| private eye \| room \| slamming \| slapping \| suspect \| tense \| violence \| whole-tone chord
The Big Sleep (1946)	Down the Stairs + The Chase + Marlowe (Action)	0:56:39 - Marlowe chases the killer	assassin \| chase scene \| chasing \| chromatic parallelism \| chromatic scale \| descending \| dissonant bass \| dramatic \| gun \| gunshot \| heroic \| layering \| leading man \| murderer \| private eye \| room \| running \| stairs \| tense
The Big Sleep (1946)	Underscoring (Dramatic)	0:56:54 - Killer shoots at Marlowe	assassin \| chase scene \| chasing \| chromatic scale \| dramatic \| leading man \| murderer \| pc set \| private eye \| running \| shooting \| street \| tense \| underscoring \| whole-tone \| whole-tone chord \| whole-tone scale
The Big Sleep (1946)	Marlowe (Action)	0:57:01 - Marlowe runs to his car	64 chord \| assassin \| augmented sixth chord \| chase scene \| chasing \| common-tone diminished 7th \| dramatic \| fragmentation \| heroic \| leading man \| murderer \| private eye \| running \| sequential modulation \| street \| tense
The Big Sleep (1946)	The Pursuit	0:57:09 - Marlowe pursues killer in his car	assassin \| car \| chase scene \| chasing \| chromatic scale \| dissonant bass \| driving \| gun \| hiding \| leading man \| murderer \| ostinato \| private eye \| pursuing \| street \| syncopation \| tense
The Big Sleep (1946)	Marlowe 2 (Dialing)	0:59:47 - Marlowe walks to the phone	calling \| chromatic scale \| corpse \| dialing \| half-diminished 7th chord \| investigating \| investigation scene \| leading man \| mysterious \| private eye \| room \| spinning \| tense
The Big Sleep (1946)	Marlowe (Phone Call)	NIF - not in film	advance plot \| bold \| calling \| cut from film \| deleted scene \| deleted scene \| dialing \| leading man \| phone \| private eye \| room \| sequence \| tense \| whole-tone chord
The Big Sleep (1946)	Carmen	NIF - not in film	advance plot \| burning \| calling \| cut from film \| deleted scene \| deleted scene \| half-diminished 7th chord \| leading man \| mysterious \| phone \| private eye \| room \| tense \| whole-tone chord
The Big Sleep (1946)	Carmen (Clues)	NIF - not in film	advance plot \| calling \| cut from film \| deleted scene \| deleted scene \| leading man \| mysterious \| phone \| private eye \| room \| tense \| whole-tone chord
The Big Sleep (1946)	Driving	1:14:54 - Marlowe and Vivian in the car	augmented sixth chord \| car \| car \| driving \| leading lady \| leading man \| love interest \| love scene \| mickey-mousing \| oscillation \| ostinato \| private eye \| tense
The Big Sleep (1946)	Questions	1:16:16 - Marlowe and Vivian argue	angry \| car \| chromatic parallelism \| chromatic scale \| conversing \| leading lady \| leading man \| love interest \| love scene \| private eye \| tense
The Big Sleep (1946)	Sternwood (Tense)	1:16:26 - Marlowe asks about Eddie Mars	accusing \| car \| fragmentation \| half-diminished 7th chord \| leading lady \| leading man \| love interest \| love scene \| private eye \| tense \| whole-tone chord
The Big Sleep (1946)	Underscoring (Tense)	1:16:43 - Marlowe and Vivian argue	accusing \| car \| chromatic parallelism \| half-diminished 7th chord \| leading lady \| leading man \| love interest \| love scene \| pedal tone \| private eye \| tense \| underscoring
The Big Sleep (1946)	Marlowe (Thinking)	1:20:49 - Marlowe sits in a diner	11th chord \| added-note chord \| advance plot \| café \| chromatic parallelism \| fragmentation \| leading man \| mysterious \| private eye \| tense \| thinking
The Big Sleep (1946)	Phone dialing	1:21:07 - Marlowe dials a phone number	11th chord \| advance plot \| café \| dialing \| leading man \| mickey-mousing \| mysterious \| ostinato \| phone call \| private eye \| telephone \| tense
The Big Sleep (1946)	Underscoring (Mysterious)	1:21:19 - Marlowe speaks on the phone	advance plot \| café \| chromatic scale \| conversing \| leading man \| mysterious \| pc set \| phone call \| private eye \| tense \| underscoring
The Big Sleep (1946)	Marlowe (Mysterious Organ)	1:21:42 - Marlowe speaks to waitress	advance plot \| café \| conversing \| leading lady \| leading man \| love interest \| mysterious \| pc set \| phone call \| private eye \| tense
The Big Sleep (1946)	Underscoring (Mysterious)	1:21:57 - Marlowe speaks with Vivian on the phone	advance plot \| café \| chromatic parallelism \| conversing \| leading lady \| leading man \| linear chromaticism \| love interest \| mysterious \| phone call \| private eye \| stinger \| tense \| underscoring
The Big Sleep (1946)	Walking (Interrupted)	1:22:27 - Marlowe walks down the street	investigating \| investigation scene \| leading man \| parallelism \| pedal tone \| private eye \| street \| tense \| walking
The Big Sleep (1946)	Marlowe (Investigating)	1:22:38 - Marlowe looks at car registration	added-note chord \| investigating \| investigation scene \| leading man \| mysterious \| private eye \| punching \| sequence \| street \| tense
The Big Sleep (1946)	Jones	1:23:24 - Jones enters	advance plot \| chromatic parallelism \| leading man \| mysterious \| parallelism \| pedal tone \| private eye \| street \| tense \| walking
The Big Sleep (1946)	Jones (Eavesdropping)	1:27:22 - Marlowe hears Jones talking to someone	chromatic parallelism \| eavesdropping \| hallway \| investigation scene \| leading man \| mysterious \| parallelism \| pedal tone \| private eye \| sneaking \| tense
The Big Sleep (1946)	Underscoring (Tense)	1:30:01 - Marlowe investigates the crime scene	dark \| death \| death scene \| dying \| leading man \| murder \| private eye \| room \| tense \| underscoring \| victim
The Big Sleep (1946)	Underscoring (Tense)	1:30:24 - Marlowe makes a phone call	conversing \| death scene \| leading man \| pc set \| phone call \| private eye \| room \| tense \| underscoring \| victim \| whole-tone chord
The Big Sleep (1946)	Underscoring (Tense)	1:31:48 - Marlowe talks to Agnes on the phone	conversing \| death scene \| informer \| leading man \| pc set \| phone call \| private eye \| room \| tense \| underscoring
The Big Sleep (1946)	Door slam	1:33:12 - Marlowe closes the car door	closing \| half-diminished 7th chord \| hurried \| informer \| leading man \| mickey-mousing \| private eye \| slamming \| street \| tense \| traveling scene
The Big Sleep (1946)	Hurrying (Car)	1:33:13 - Marlowe drives in a car	added-note chord \| car \| driving \| hurried \| leading man \| parallelism \| private eye \| sequential modulation \| street \| tense \| traveling scene
The Big Sleep (1946)	Underscoring (Tense)	1:33:20 - Marlowe backs the car up	car \| driving \| leading man \| private eye \| street \| tense \| traveling scene \| underscoring
The Big Sleep (1946)	Hurrying (Car)	1:33:25 - Marlowe continues driving	added-note chord \| car \| driving \| fragmentation \| hurried \| leading man \| parallelism \| picardy third \| private eye \| sequential modulation \| street \| tense \| traveling scene
The Big Sleep (1946)	Marlowe (Dramatic)	1:33:37 - Marlowe looks at sign	9th chord \| altered dominant \| car \| dramatic \| investigating \| leading man \| private eye \| street \| tense \| traveling scene
The Big Sleep (1946)	Hurrying (Car)	1:33:50 - Marlowe drives off the road	car \| chromatic scale \| driving \| fragmentation \| hurried \| leading man \| private eye \| sequence \| street \| tense \| traveling scene
The Big Sleep (1946)	He skids	1:33:53 - Marlowe's car skids to a stop	car \| chromatic scale \| leading man \| mickey-mousing \| private eye \| skidding \| street \| tense \| traveling scene
The Big Sleep (1946)	Underscoring (Tense)	1:35:26 - Marlowe talks to two thugs	conflict \| criminal \| investigating \| leading man \| lying \| murderer \| pc set \| private eye \| shop \| tense \| underscoring
The Big Sleep (1946)	Marlowe (Ear Music)	1:36:04 - Marlowe talks to two thugs	conflict \| criminal \| danger \| fragmentation \| investigating \| leading man \| lying \| murderer \| mysterious \| private eye \| shop \| tense \| whole-tone chord
The Big Sleep (1946)	Marlowe (Whole Tone)	1:39:25 - Marlowe talks to Vivian	captive \| conversing \| leading lady \| leading man \| love interest \| love scene \| mysterious \| private eye \| room \| tense \| whole-tone \| whole-tone chord \| whole-tone scale
The Big Sleep (1946)	Marlowe (Phone Call)	1:39:39 - Marlowe talks to Vivian	captive \| conversing \| leading lady \| leading man \| love interest \| love scene \| mysterious \| private eye \| room \| sequence \| tense \| whole-tone chord
The Big Sleep (1946)	Questions	1:40:44 - Vivian tries to free Marlowe	captive \| chromatic parallelism \| freeing \| leading lady \| leading man \| love interest \| love scene \| private eye \| room \| tense
The Big Sleep (1946)	Marlowe (Misterioso)	1:41:01 - Marlowe plans his escape	action scene \| leading lady \| leading man \| love interest \| mysterious \| planning \| private eye \| room \| tense
The Big Sleep (1946)	Marlowe 2	1:41:18 - Marlowe goes outside	action scene \| chromatic scale \| escaping \| leading lady \| leading man \| love interest \| mysterious \| private eye \| room \| screaming \| tense
The Big Sleep (1946)	Underscoring (Tense)	1:41:55 - Thug looks for Marlowe	action scene \| criminal \| diminished 7th chord \| outside \| sneaking \| tense \| underscoring
The Big Sleep (1946)	Marlowe (Shoots)	1:42:07 - Marlowe shoots off to the side	action scene \| gun \| gunshot \| leading man \| outside \| private eye \| shooting \| tense
The Big Sleep (1946)	Running and jumping	1:42:10 - Man runs away	action scene \| chromatic scale \| criminal \| fear \| jumping \| mickey-mousing \| outside \| running \| tense
The Big Sleep (1946)	Marlowe (Echo)	1:42:20 - Canino shoots at Marlowe	action scene \| criminal \| gun \| gunshot \| half-diminished 7th chord \| hiding \| leading man \| outside \| private eye \| shooting \| tense
The Big Sleep (1946)	Hostage + Marlowe (Fragment)	1:42:34 - Canino brings Vivian out as a hostage	64 chord \| action scene \| criminal \| hostage \| leading lady \| leading man \| love interest \| ostinato \| ostinato \| outside \| private eye \| tense \| tritone oscillation \| walking
The Big Sleep (1946)	Canino's Death	1:43:22 - Canino is shot	action scene \| chromatic parallelism \| criminal \| death \| dramatic \| dying \| falling \| gun \| gunshot \| hostage \| leading lady \| leading man \| love interest \| mirroring \| outside \| pc set \| private eye \| retrograde \| stumbling \| tense
The Big Sleep (1946)	Underscoring (Tense)	1:43:35 - Marlowe gets the keys to the handcuffs	action scene \| chromatic parallelism \| criminal \| death \| escaping \| gun \| hostage \| leading lady \| leading man \| love interest \| outside \| pc set \| private eye \| tense \| underscoring \| whole-tone \| whole-tone chord
The Big Sleep (1946)	Marlowe (Escaping)	1:43:48 - Vivian takes off the handcuffs	action scene \| distortion \| escaping \| leading lady \| leading man \| love interest \| mysterious \| outside \| private eye \| tense
The Big Sleep (1946)	Driving 2	1:43:54 - Marlowe and Vivian drive away	car \| conversing \| driving \| leading lady \| leading man \| love interest \| love scene \| ostinato \| pc set \| private eye \| sequence \| tense
The Big Sleep (1946)	Driving 2 + Vivian	1:44:16 - Vivian tells Marlowe she loves him	9th chord \| 13th chord \| car \| chromatic parallelism \| conversing \| driving \| leading lady \| leading man \| love \| love interest \| love scene \| ostinato \| private eye \| romantic \| suspension \| tense
The Big Sleep (1946)	Driving 2	1:44:32 - Vivian and Marlowe talk in the car	car \| conversing \| driving \| leading lady \| leading man \| love interest \| love scene \| ostinato \| private eye \| sequence \| tense
The Big Sleep (1946)	Driving 2 + Vivian	1:44:44 - Vivian and Marlowe talk in the car	car \| conversing \| driving \| leading lady \| leading man \| love \| love interest \| love scene \| ostinato \| private eye \| romantic \| tense \| whole-tone chord
The Big Sleep (1946)	Driving 2	1:44:51 - Vivian and Marlowe talk in the car	car \| conversing \| driving \| leading lady \| leading man \| love interest \| love scene \| ostinato \| pc set \| private eye \| tense \| whole-tone chord
The Big Sleep (1946)	Driving 2 + Carmen	1:45:06 - Marlowe talks about Carmen	car \| conversing \| driving \| leading lady \| leading man \| love interest \| love scene \| ostinato \| private eye \| tense \| whole-tone chord
The Big Sleep (1946)	Driving 2 + Vivian	1:45:21 - Marlowe tells Vivian he loves her	9th chord \| 13th chord \| arriving \| car \| chromatic parallelism \| conversing \| driving \| leading lady \| leading man \| love \| love interest \| love scene \| ostinato \| private eye \| romantic \| suspension \| tense
The Big Sleep (1946)	Walking (Extended)	1:45:45 - Marlowe and Vivian walk up to house	fragmentation \| leading lady \| leading man \| love interest \| outside \| parallelism \| pedal tone \| private eye \| sequential modulation \| tense \| transition \| walking
The Big Sleep (1946)	Hurrying	1:47:07 - Marlowe and Vivian make a plan	chromatic sequence \| climax \| fragmentation \| hurrying \| leading lady \| leading man \| love interest \| parallelism \| planning \| private eye \| room \| tense
The Big Sleep (1946)	Marlowe (Misterioso)	1:47:26 - Marlowe drops a bullet	climax \| fear \| leading lady \| leading man \| love interest \| mysterious \| private eye \| room \| shaking \| tense
The Big Sleep (1946)	Marlowe 2	1:47:31 - Car pulls up outside	chromatic scale \| climax \| fear \| leading lady \| leading man \| love interest \| mysterious \| private eye \| room \| shaking \| tense \| tritone
The Big Sleep (1946)	Carmen (Drugged)	1:48:08 - Marlowe watches men outside	climax \| criminal \| fear \| leading lady \| leading man \| love interest \| mysterious \| ominous \| planning \| private eye \| room \| tense \| waiting
The Big Sleep (1946)	Marlowe (Danger)	1:48:32 - Men approach the house	climax \| fear \| hiding \| leading man \| mysterious \| ominous \| pc set \| planning \| private eye \| room \| tense \| tone cluster \| underscoring \| waiting
The Big Sleep (1946)	Marlowe (Misterioso)	1:48:55 - Marlowe sneaks up behind Mars	climax \| criminal \| fear \| hiding \| leading man \| mysterious \| private eye \| room \| sneaking \| tense
The Big Sleep (1946)	Marlowe 2	1:49:05 - Marlowe holds a gun on Mars	climax \| criminal \| fear \| leading man \| mysterious \| ominous \| private eye \| room \| sneaking \| tense
The Big Sleep (1946)	Mars Dies	1:51:43 - Mars falls dead to the ground	criminal \| death \| dying \| falling \| leading lady \| leading man \| love interest \| mysterious \| ominous \| private eye \| resolution \| room \| stinger \| tense \| underscoring
The Big Sleep (1946)	Marlowe (Risoluto)	1:52:01 - Marlowe walks to the phone	added-note chord \| bold \| death \| fragmentation \| leading lady \| leading man \| love interest \| mysterious \| plotting \| private eye \| resolution \| room \| tense
The Big Sleep (1946)	Carmen (Tense)	1:52:28 - Marlowe talks on the phone	conversing \| leading lady \| leading man \| love interest \| lying \| mysterious \| oscillation \| pedal tone \| phone call \| private eye \| resolution \| room \| tense \| uneasy \| whole-tone chord
The Breaking Point (1950)	Transition	0:00:07 - Birds flying	bird \| boat \| calm \| chromatic scale \| conductor score \| harbor \| opening title sequence \| sequential modulation \| starring list \| tense
The Breaking Point (1950)	Fishermen	0:07:40 - Ship leaving the harbor	boat \| boat \| boating \| calm \| common-tone diminished 7th \| departing \| fisherman \| fishing \| floozy \| leading lady \| leading man \| montage \| not by Steiner \| sailor \| tense \| transcribed by ear \| upbeat
Caged (1950)	Police Van	NIF - not in film	car \| cut from film \| dark \| diminished 7th chord \| dissonant bass \| driving \| guard \| opening title sequence \| oscillation \| point-of-view shot \| police car \| polychord \| prisoner \| riding \| siren effect \| tense \| whole-tone chord
Caged (1950)	Caged (Van Stops)	NIF - not in film	car \| chromatic parallelism \| cut from film \| dark \| dissonant bass \| driving \| guard \| opening title sequence \| police car \| prisoner \| riding \| tense
Caged (1950)	Prisoners get out	NIF - not in film	car \| cut from film \| exiting \| guard \| opening title sequence \| pc set \| police car \| prisoner \| quartal chord \| tense \| whole-tone chord
Caged (1950)	Marie (Main Title)	NIF - not in film	augmented sixth chord \| car \| cut from film \| dark \| guard \| leading lady \| looking \| opening title sequence \| police car \| prisoner \| tense
Caged (1950)	Swimmy	NIF - not in film	advance plot \| chromatic parallelism \| chromatic scale \| cut from film \| disbelief \| dissonant bass \| fragmentation \| guard \| leading lady \| pregnancy \| prison \| prisoner \| reacting \| realization \| tense
Caged (1950)	Molto Expressivo	NIF - not in film	9th chord \| advance plot \| arriving \| cut from film \| disbelief \| foreign key modulation \| guard \| leading lady \| pregnancy \| prison \| prisoner \| realization \| somber \| stinger \| tense \| walking
Caged (1950)	Underscoring (Tense)	NIF - not in film	bed \| crazy person \| crying \| cut from film \| leading lady \| mad scene \| oscillation \| prison \| prisoner \| sleeping \| tense \| underscoring
Caged (1950)	Underscoring (Subtle)	0:36:52 - June gets dressed for her parole board hearing	dressing \| establish character \| excited \| friend \| leading lady \| prison \| prisoner \| sequential modulation \| tense \| underscoring
Caged (1950)	Swimmy (Poco Agitato)	0:43:53 - Mrs. Benton on the phone	advance plot \| calling \| cards \| chromatic parallelism \| conversing \| dissonant bass \| phone call \| playing \| prison \| telephone \| tense \| warden
Caged (1950)	Crying (Poco Agitato)	0:44:27 - Mrs. Benton paces	baby \| childbirth \| conversing \| crying \| doctor \| infirmary \| leading lady \| mickey-mousing \| operation scene \| oscillation \| pacing \| prison \| prisoner \| tense \| triadic transformation \| uneasy \| walking \| warden
Caged (1950)	Marie (Tragic)	0:44:36 - Mrs. Benton paces	baby \| childbirth \| doctor \| foreign key modulation \| infirmary \| leading lady \| operation scene \| pacing \| prison \| prisoner \| tense \| uneasy \| warden \| worrying
City for Conquest (1940)	Sidewalks of New York (Cop Grabs Bum)	0:03:06 - Cop pushes old-timer	9th chord \| arguing \| bridge \| chromatic parallelism \| chromatic scale \| city \| comical \| establish setting \| mickey-mousing \| old man \| police \| pushing \| rushing \| tense
City for Conquest (1940)	Peggy runs	0:47:31 - Peggy runs down the stairs	boxer \| chromatic parallelism \| chromatic sequence \| dancer \| descending \| leading lady \| leading man \| love scene \| mickey-mousing \| running \| source and scoring overlap \| street \| tense
City for Conquest (1940)	Tone Poem A (Romantic)	0:47:41 - Peggy talks with Danny	boxer \| conversing \| dancer \| leading lady \| leading man \| love scene \| street \| tense
City for Conquest (1940)	Googi (The Car)	1:13:38 - Googi in the car	car \| car \| conversing \| criminal \| diminished 7th chord \| dissonant bass \| driving \| gangster \| manager \| murder scene \| ominous \| tense \| trill
City for Conquest (1940)	Tone Poem A (Ominous)	1:14:02 - Googi talks with the boxing managers	9th chord \| arguing \| car \| car \| criminal \| dissonant bass \| driving \| fragmentation \| gangster \| manager \| murder scene \| ominous \| tense
City for Conquest (1940)	Shooting and dying	1:14:23 - Googi shoots Dutch	car \| car \| criminal \| dramatic \| dying \| gangster \| gun \| manager \| mickey-mousing \| murder \| murderer \| murdering \| murder scene \| shooting \| stinger \| tense
City for Conquest (1940)	Googi (The Car)	1:14:32 - Googi threatens Cobb	car \| car \| criminal \| diminished 7th chord \| dissonant bass \| driving \| gangster \| manager \| murder \| murderer \| murder scene \| ominous \| tense \| threatening \| trill
City for Conquest (1940)	Googi (Hysterical)	1:14:42 - Cobb pleads for mercy	augmented triad \| begging \| car \| car \| chromatic sequence \| criminal \| driving \| equal division of octave \| gangster \| manager \| murder \| murderer \| murder scene \| ominous \| tense
City for Conquest (1940)	Underscoring (Tense)	1:14:48 - Googi threatens Cobb	car \| car \| chromatic parallelism \| chromatic scale \| criminal \| dissonant bass \| driving \| gangster \| manager \| murder \| murderer \| murder scene \| ominous \| tense \| threatening
City for Conquest (1940)	Slap	1:14:53 - Googi slaps Cobb	car \| car \| chromatic parallelism \| criminal \| gangster \| manager \| mickey-mousing \| murder \| murderer \| murder scene \| ominous \| pc set \| slapping \| tense
City for Conquest (1940)	Googi (Dead Man)	1:15:09 - They pull out the dead man	car \| chromatic scale \| conversing \| corpse \| criminal \| disposing \| dock \| gangster \| manager \| murderer \| murder scene \| ominous \| ostinato \| tense \| whole-tone chord \| working
City for Conquest (1940)	Gun falls	1:15:13 - A gun falls to the ground	car \| corpse \| criminal \| dock \| dropping \| gangster \| gun \| manager \| mickey-mousing \| murderer \| murder scene \| ominous \| tense
City for Conquest (1940)	Googi (Molto Mysterioso e Screwyoso)	1:15:19 - Cobb sees the gun	car \| chromatic parallelism \| conversing \| corpse \| criminal \| disposing \| dissonant bass \| dock \| fragmentation \| gangster \| half-diminished 7th chord \| manager \| murderer \| murder scene \| ominous \| ostinato \| tense \| tritone oscillation \| working
City for Conquest (1940)	Kicks body	1:15:22 - Googi kicks the body into the water	chromatic scale \| corpse \| criminal \| dock \| dropping \| gangster \| kicking \| manager \| mickey-mousing \| murderer \| murder scene \| ominous \| tense
City for Conquest (1940)	Throws gun away	1:15:30 - Googi throws a gun in the water	criminal \| dock \| gangster \| gun \| manager \| mickey-mousing \| murderer \| murder scene \| ominous \| tense \| throwing
City for Conquest (1940)	Googi dies	1:15:34 - Googi is shot	chromatic parallelism \| criminal \| dock \| dying \| falling \| gangster \| gun \| gunshot \| half-diminished 7th chord \| manager \| mickey-mousing \| murderer \| murdering \| murder scene \| ominous \| shooting \| slumping \| tense
City for Conquest (1940)	Tone Poem A (Death)	1:15:39 - Googi dies	criminal \| diminished 7th chord \| dissonant bass \| dock \| dying \| falling \| gangster \| gun \| gunshot \| manager \| murderer \| murdering \| murder scene \| ominous \| shooting \| slumping \| tense
Crime School (1938)	Transition	0:00:08 - Starring and cast list	9th chord \| cast list \| dissonant bass \| dominant pedal \| dramatic \| main title \| opening title sequence \| parallelism \| starring list \| tense \| title of film
Crime School (1938)	Underscoring (Tense)	0:08:20 - The kids confront the junk shop owner	attacking \| chromatic scale \| conflict \| death \| diminished 7th chord \| dissonant bass \| fighting \| gang \| mickey-mousing \| ominous \| ostinato \| running \| shop \| shopkeeper \| stairs \| stinger \| teenager \| tense \| underscoring \| up
Crime School (1938)	Attacking	0:08:27 - Spike attacks the junk shop owner	attacking \| conflict \| death \| dramatic \| fighting \| gang \| mickey-mousing \| polychord \| shop \| shopkeeper \| teenager \| tense
Crime School (1938)	Running away	0:09:32 - Kids run away from cops	42 chord \| chasing \| chromatic scale \| conflict \| dramatic \| fleeing \| gang \| mickey-mousing \| police \| running \| street \| teenager \| tense
Crime School (1938)	Underscoring (Tense)	0:09:40 - Spike is captured by the cops	9th chord \| arresting \| capturing \| conflict \| dramatic \| police \| street \| teenager \| tense
Crime School (1938)	Underscoring (Tense)	0:27:20 - Frankie is taken to the warden's office	develop character \| reformatory \| teenager \| tense \| threatening \| underscoring \| warden \| whip
Crime School (1938)	The Warden (Quasi Mysterioso)	0:27:46 - Warden approaches Frankie with a whip	chromatic parallelism \| develop character \| reformatory \| rising \| standing \| teenager \| tense \| threatening \| warden \| whip
Crime School (1938)	Underscoring (Dramatic)	0:28:01 - Frankie escapes from the warden's office	9th chord \| chromatic parallelism \| dramatic \| escape \| escaping \| half-diminished 7th chord \| hiding \| mickey-mousing \| ostinato \| reformatory \| running \| teenager \| tense \| throwing \| tone cluster \| warden \| whole-tone scale
Crime School (1938)	Alarm	0:28:16 - Alarm sounds	alarm \| blowing \| escape \| mickey-mousing \| reformatory \| sounding \| tense \| tone cluster \| whistle
Crime School (1938)	Underscoring (Tense)	0:28:21 - Boys wonder about the alarm	alarm \| chromatic parallelism \| chromatic wedge \| dissonant bass \| escape \| gang \| pc set \| reformatory \| teenager \| tense \| whistle \| wondering
Crime School (1938)	Searchlights	0:28:27 - Boys wonder about the searchlight	chromatic parallelism \| escape \| gang \| mickey-mousing \| reformatory \| searchlight \| teenager \| tense \| wondering
Crime School (1938)	Escaping	0:28:32 - Frankie runs and hides	chromatic parallelism \| chromatic wedge \| dissonant bass \| dramatic \| escape \| escaping \| hiding \| mickey-mousing \| police \| reformatory \| running \| sequence \| sneaking \| teenager \| tense \| tone cluster
Crime School (1938)	Searchlights (Sneaking)	0:28:47 - Frankie hides from the searchlight	chromatic parallelism \| dramatic \| escape \| escaping \| hiding \| jumping \| mickey-mousing \| police \| reformatory \| running \| searchlight \| sneaking \| teenager \| tense
Crime School (1938)	The Warden (Risoluto)	0:29:03 - Warden looks for Frankie	diminished 7th chord \| dramatic \| escape \| looking \| reformatory \| searching \| tense \| warden
Crime School (1938)	Underscoring (Dramatic)	0:29:09 - Frankie hides then runs	barbed wire fence \| battle call \| chromatic parallelism \| chromatic scale \| diminished 7th chord \| dramatic \| escape \| escaping \| gang \| hiding \| jumping \| mickey-mousing \| reformatory \| running \| teenager \| tense
Crime School (1938)	Sue (Barbed Wire)	0:29:18 - Frankie gets caught on barbed wire	anguished \| barbed wire fence \| battle call \| chromatic parallelism \| chromatic scale \| climbing \| diminished 7th chord \| dissonant bass \| dramatic \| escape \| half-diminished 7th chord \| pain \| pc set \| reformatory \| struggling \| teenager \| tense
Crime School (1938)	The Warden (The Guards)	0:29:34 - Warden's guards run to catch Frankie	64 chord \| anguished \| barbed wire fence \| battle call \| capturing \| chromatic parallelism \| chromatic scale \| dragging \| dramatic \| escape \| falling \| pc set \| police \| reformatory \| running \| sequence \| teenager \| tense \| warden
Crime School (1938)	Dragging	0:29:51 - Warden's guards drag Frankie through the rain	accented dissonance \| anguished \| capturing \| chromatic parallelism \| dissonant bass \| dragging \| dramatic \| escape \| kicking \| mickey-mousing \| police \| reformatory \| splashing \| teenager \| tense \| warden
Crime School (1938)	The Warden (Capture)	0:29:58 - Frankie is caught and dragged to the warden	dragging \| dramatic \| escape \| police \| reformatory \| teenager \| tense \| warden
Crime School (1938)	Underscoring (Dramatic)	0:30:08 - Guards take Frankie inside	begging \| chromatic scale \| dissonant bass \| dragging \| dramatic \| escape \| fear \| reformatory \| teenager \| tense \| warden
Crime School (1938)	The Whip	0:30:15 - The warden uses his whip	begging \| dramatic \| escape \| fear \| reformatory \| teenager \| tense \| warden \| whip \| whipping
Crime School (1938)	Spots	0:49:20 - Squirt has spots on his pajamas	9th chord \| chromatic parallelism \| comedy \| comical \| conversing \| gang \| hero \| leading man \| mickey-mousing \| paint \| reformatory \| spots \| teenager \| tense
Crime School (1938)	Unveiling the statue	0:49:31 - Mark takes the veil off of the statue	64 chord \| chromatic parallelism \| chromatic wedge \| comedy \| gang \| hero \| leading man \| mickey-mousing \| reformatory \| teenager \| tense \| uncovering \| unveiling
Crime School (1938)	Temperature rising	0:54:53 - Close up of rising temperature gauge	action scene \| boiler room \| danger \| frantic \| gang \| gauge \| heat \| mechanical \| mickey-mousing \| reformatory \| rising \| teenager \| temperature \| tense \| tone cluster \| watching
Crime School (1938)	Temperature stable	0:55:07 - Close up of stable temperature gauge	action scene \| boiler room \| danger \| frantic \| gang \| gauge \| heat \| mechanical \| mickey-mousing \| reformatory \| teenager \| temperature \| tense \| tone cluster \| watching
Crime School (1938)	Temperature oscillating	0:55:28 - Close up of oscillating temperature gauge	action scene \| boiler room \| danger \| frantic \| gang \| gauge \| heat \| mechanical \| mickey-mousing \| reformatory \| teenager \| temperature \| tense \| tone cluster \| watching
Crime School (1938)	Boiler Overheating	0:55:31 - Danger as the boiler gets really hot	action scene \| arguing \| boiler room \| danger \| frantic \| gang \| gauge \| heat \| hurrying \| linear chromaticism \| mechanical \| pc set \| reformatory \| shoveling \| teenager \| temperature \| tense \| tone cluster \| worker \| working
Crime School (1938)	Gangster Blues (Explosion)	0:56:04 - The boiler explodes	13th chord \| action scene \| added-note chord \| boiler room \| collapsing \| escaping \| exploding \| explosion \| foreign key modulation \| frantic \| gang \| mechanical \| reformatory \| running \| sequence \| teenager \| tense \| worker \| yelling
Crime School (1938)	Running around	0:56:37 - Boys run out of the building	action scene \| chromatic parallelism \| gang \| linear chromaticism \| mickey-mousing \| reformatory \| running \| rushing \| teenager \| tense \| worker
Crime School (1938)	Underscoring (Dramatic)	0:56:50 - Mark goes to rescue Squirt	action scene \| altered dominant \| boiler room \| chromatic parallelism \| dissonant bass \| dramatic \| hero \| leading man \| linear chromaticism \| reformatory \| rushing \| saving \| teenager \| tense \| underscoring
Crime School (1938)	Going down	0:57:05 - Mark descends into the boiler room	action scene \| descending \| dramatic \| hero \| leading man \| mickey-mousing \| reformatory \| stairs \| teenager \| tense
Crime School (1938)	Temperature rising 2	0:57:12 - The temperature gauge rises	action scene \| altered dominant \| boiler room \| chromatic parallelism \| danger \| dramatic \| gauge \| heat \| hero \| leading man \| mickey-mousing \| reformatory \| rising \| teenager \| temperature \| tense
Crime School (1938)	Explosion	0:57:21 - Mark pulls Squirt out of the boiler room	action scene \| ascending \| boiler room \| destruction \| dissonant bass \| dramatic \| exploding \| explosion \| hero \| leading man \| mickey-mousing \| reformatory \| rising \| stairs \| teenager \| tense \| tone cluster
Crime School (1938)	Underscoring (Tense)	1:06:17 - Spike talks to Frankie about his sister	advance plot \| anger \| arguing \| mysterious \| pc set \| reformatory \| teenager \| tense \| underscoring
Crime School (1938)	Sue (Prison Moods)	1:08:48 - Boys talk to Frankie about his sister	advance plot \| chromatic parallelism \| dissonant \| dissonant bass \| distortion \| gang \| minor second \| mysterious \| plotting \| reformatory \| teenager \| tense \| tone cluster
Crime School (1938)	Underscoring (Tense)	1:09:46 - Boys talk to Frankie	advance plot \| chromatic parallelism \| gang \| gun \| keys \| mickey-mousing \| mysterious \| ominous \| pc set \| plotting \| reformatory \| teenager \| tense \| underscoring
Crime School (1938)	Keys	1:09:50 - Spike tosses keys on bed	advance plot \| dropping \| gang \| keys \| mickey-mousing \| mysterious \| pc set \| reformatory \| teenager \| tense \| tossing
Crime School (1938)	Gun toss	1:10:32 - Spike tosses gun on bed	advance plot \| dropping \| gang \| gun \| mickey-mousing \| mysterious \| pc set \| reformatory \| teenager \| tense \| tossing
Crime School (1938)	Underscoring (Tense)	1:12:21 - Cooper talks with the warden	chromatic parallelism \| escape \| half-diminished 7th chord \| phone call \| plotting \| police \| reformatory \| telephone \| tense \| warden
Crime School (1938)	Underscoring (Mysterious)	1:12:35 - The boys walk through the city	escape \| gang \| mysterious \| pedal tone \| plotting \| sneaking \| street \| teenager \| tense
Crime School (1938)	Climbing ladder	1:13:05 - Frankie climbs the ladder	climbing \| escape \| ladder \| mickey-mousing \| street \| teenager \| tense
Crime School (1938)	Sue (Sneaky)	1:13:28 - Frankie sneaks in with his gun	breaking in \| conflict \| distortion \| fragmentation \| gun \| room \| sequence \| sneaking \| teenager \| tense
Crime School (1938)	Underscoring (Tense)	1:14:26 - Mark talks to policeman	chromatic scale \| conflict \| deceptive resolution \| gun \| hero \| heroine \| hiding \| knocking \| leading lady \| leading man \| lying \| mode mixture \| pedal tone \| police \| room \| teenager \| tense \| underscoring
Crime School (1938)	Lights on	1:15:26 - Sue turns the lights on	conflict \| hero \| heroine \| leading lady \| leading man \| light \| mickey-mousing \| room \| tense \| turning on
Crime School (1938)	Resolution	1:22:31 - Sue enters the room	42 chord \| antagonist \| calm \| chromatic parallelism \| chromatic scale \| comical \| conversing \| hero \| leading man \| reformatory \| resolution \| resolution \| tense \| tritone
They Made Me a Criminal (1939)	Transition	0:00:07 - Starring list	added-note chord \| chromatic parallelism \| dissonant bass \| dramatic \| main title \| opening title sequence \| pedal tone \| starring list \| tense \| title of film
They Made Me a Criminal (1939)	The Street	0:14:31 - Newspaper boy on street	64 chord \| chromatic sequence \| dark \| newspaper \| newspaper boy \| selling \| street \| tense \| transition
They Made Me a Criminal (1939)	Reading	0:15:29 - Johnnie reads a newspaper	advance plot \| chromatic scale \| dissonant bass \| leading man \| newspaper \| reading \| room \| tense \| whole-tone chord
They Made Me a Criminal (1939)	Underscoring (Tense)	0:28:51 - The sheriff comes in	conflict \| dark \| diminished 7th chord \| entering \| fear \| leading man \| room \| sheriff \| surprise \| tense \| underscoring
They Made Me a Criminal (1939)	Underscoring (Dramatic)	0:56:17 - Johnnie sees his picture in the paper	angry \| arguing \| chromatic parallelism \| dissonant bass \| dramatic \| fighting \| half-diminished 7th chord \| hero \| leading man \| mickey-mousing \| photograph \| ranch \| teenager \| tense \| turning point \| underscoring
They Made Me a Criminal (1939)	Underscoring (Tense)	1:02:14 - Johnnie overhears the detective	advance plot \| chromatic scale \| detective \| dissonant bass \| hiding \| leading man \| ominous \| room \| tense \| underscoring
They Made Me a Criminal (1939)	The Fugitive (Hiding)	1:02:31 - Detective buys tickets to Johnnie's match	advance plot \| detective \| hiding \| leading man \| pedal tone \| room \| suspenseful \| tense
They Made Me a Criminal (1939)	Underscoring (Tense)	1:05:52 - Johnny talks to Peggy	conflict \| dramatic \| half-diminished 7th chord \| harmonic sequence \| leading lady \| leading man \| lying \| room \| tense \| underscoring
They Made Me a Criminal (1939)	On the Make (Heartbreak)	1:06:05 - Johnny talks to Peggy	9th chord \| arguing \| conflict \| dissonant bass \| dramatic \| leading lady \| leading man \| room \| slamming \| somber \| tense
Death of a Scoundrel (1956)	Up the Stairs 1	0:00:56 - Bridget walks up the stairs	stairs \| tense \| up \| upstairs
Death of a Scoundrel (1956)	Underscoring (Tense)	0:03:02 - Detective enters the house	tense \| underscoring
Death of a Scoundrel (1956)	Underscoring (Tense)	0:07:51 - Gerry walks to the door with a flashlight	flashback \| tense \| underscoring
Death of a Scoundrel (1956)	Underscoring (Tense)	0:09:38 - Zina talks to Clementi	flashback \| tense \| underscoring
Death of a Scoundrel (1956)	Underscoring (Tense)	0:12:54 - Gerry walks to the door with a flashlight	flashback \| tense \| underscoring
Death of a Scoundrel (1956)	Underscoring (Tense)	0:36:58 - Clementi tries to get his check back	emergency \| flashback \| tense \| underscoring
Death of a Scoundrel (1956)	Underscoring (Tense)	0:37:44 - Clementi waits in the coffee shop	flashback \| tense \| underscoring
Death of a Scoundrel (1956)	Clementi C (Sad)	0:50:00 - Mr. Wilson learns his stock has tanked	flashback \| sad \| stock tip \| tense
Death of a Scoundrel (1956)	Clementi C (Underscoring)	0:50:13 - Clementi offers to buy Mr. Wilson's company	flashback \| tense \| underscoring
Death of a Scoundrel (1956)	Stephanie (Uncertain)	1:30:56 - Producer calls Clementi asking for Stephanie to be put back in the play	flashback \| tense \| uncertainty
Death of a Scoundrel (1956)	Underscoring (Tense)	1:39:11 - The police take Clementi to see Zina's dead body	death \| flashback \| tense \| underscoring
Death of a Scoundrel (1956)	Underscoring (Tense)	1:53:09 - Clementi rides in a cab, and the driver talks about him and the news about him not knowing that Clementi is the rider	cabbie \| flashback \| taxi \| tense \| underscoring
Deep Valley (1947)	Homestead (Dramatic)	0:00:37 - A farmhouse	barnyard \| calm \| cast list \| farmhouse \| opening title sequence \| tense
Deep Valley (1947)	Libby (Rubato)	0:08:13 - Libby at the kitchen table	establish character \| kitchen \| leading lady \| leaving \| somber \| tense
Deep Valley (1947)	Underscoring (Tense)	0:17:06 - Ellie talks with Libby	advance plot \| conversing \| dark \| leading lady \| mother \| room \| stinger \| tense \| underscoring
Deep Valley (1947)	Homestead (Triste)	0:17:34 - Ellie talks with Libby	advance plot \| conversing \| dark \| leading lady \| mother \| room \| tense
Deep Valley (1947)	Libby 2 (Slowly)	0:19:39 - Jeff talks with Libby	arguing \| crew \| dog \| father \| leading lady \| leading man \| lovers meet \| street \| tense
Deep Valley (1947)	Running	0:20:26 - Libby runs to Joe	convict \| dog \| leading lady \| leading man \| lovers meet \| running \| street \| tense
Deep Valley (1947)	Underscoring (Tense)	0:22:23 - Barry pumps water	boss \| conflict \| convict \| father \| guard \| leading lady \| leading man \| mocking \| pumping \| street \| tense \| underscoring
Deep Valley (1947)	Law (Subtle)	0:22:45 - Barry looks at the guard	arguing \| boss \| conflict \| convict \| father \| guard \| leading lady \| leading man \| street \| tense \| underscoring
Deep Valley (1947)	Underscoring (Dramatic)	0:31:10 - Close-up on Libby	arguing \| conflict \| crying \| dark \| dramatic \| father \| leading lady \| lightning \| room \| storm \| tense \| thunder \| underscoring
Deep Valley (1947)	Libby (Slowly)	0:34:53 - Libby leaves her mother	conflict \| dark \| leading lady \| leaving \| lightning \| mother \| pleading \| room \| somber \| storm \| tense \| thunder
Deep Valley (1947)	Libby 2 (Stormy)	0:35:27 - Waves hitting the shore	conflict \| construction site \| crew \| dark \| leading lady \| leaving \| mother \| pleading \| storm \| tense \| waves \| working
Deep Valley (1947)	Libby 2 (Misterioso)	0:37:32 - Cliff looks for Libby	advance plot \| calling \| father \| mysterious \| room \| searching \| tense
Deep Valley (1947)	Underscoring (Tense)	0:40:24 - Barry in the woods	advance plot \| convict \| forest \| fugitive \| leading man \| searching \| tense \| underscoring
Deep Valley (1947)	Barry (Hiding)	0:40:45 - Barry hides	advance plot \| convict \| forest \| fugitive \| leading man \| mysterious \| rushing \| tense
Deep Valley (1947)	Barry (Dark)	0:41:38 - Barry explores the cabin	advance plot \| cabin \| convict \| fugitive \| leading man \| mysterious \| searching \| tense
Deep Valley (1947)	Barry (Drunk)	0:50:00 - Barry talks to Libby	convict \| drunk \| falling in love scene \| forest \| fugitive \| leading lady \| leading man \| story \| storytelling \| tense
Deep Valley (1947)	Barry (Drunk)	0:51:00 - Barry talks to Libby	convict \| drunk \| falling in love scene \| forest \| fugitive \| leading lady \| leading man \| story \| storytelling \| tense
Deep Valley (1947)	Barry (Tense)	0:55:38 - Barry unloads his gun	cabin \| convict \| destroying \| fugitive \| leading lady \| leading man \| love interest \| love scene \| mysterious \| tense
Deep Valley (1947)	Law (Molto Misterioso)	0:57:01 - Men hunting for Barry	forest \| manhunt \| mysterious \| police \| searching \| tense \| transition
Deep Valley (1947)	Underscoring (Dramatic)	1:02:02 - Libby in her room	advance plot \| arriving \| dramatic \| father \| leading lady \| police \| room \| searching \| street \| tense \| underscoring \| watching
Deep Valley (1947)	Law (Misterioso)	1:02:41 - Libby looks out the window	advance plot \| father \| leading lady \| manhunt \| mysterious \| police \| room \| searching \| street \| tense
Deep Valley (1947)	Barry (Misterioso)	1:02:50 - Libby runs to the door	advance plot \| leading lady \| mother \| mysterious \| room \| rushing \| tense
Deep Valley (1947)	Law (Tense)	1:02:57 - Libby goes down the stairs	advance plot \| leading lady \| mother \| room \| sneaking \| tense
Deep Valley (1947)	Libby (Stormy)	1:03:40 - Ellie talks with Libby	advance plot \| conversing \| hesitant \| leading lady \| lying \| mother \| room \| tense
Deep Valley (1947)	Underscoring (Tense)	1:03:52 - Libby sneaks away	advance plot \| leading lady \| packing \| room \| rushing \| tense \| underscoring
Deep Valley (1947)	Barry (Contrary Motion)	1:04:10 - Libby gathers things	advance plot \| leading lady \| mickey-mousing \| packing \| police \| rolling \| room \| rushing \| tense
Deep Valley (1947)	Underscoring (Dramatic)	1:06:48 - Barry reacts to gunshots	action scene \| cabin \| convict \| dramatic \| forest \| fugitive \| gunfight \| hiding \| leading man \| loading \| love interest \| manhunt \| police \| shooting \| stinger \| tense \| underscoring
Deep Valley (1947)	Law	1:07:20 - Barry tries to escape	action scene \| cabin \| convict \| dramatic \| fugitive \| hiding \| leading man \| love interest \| manhunt \| police \| retreating \| shooting \| tense
Deep Valley (1947)	Barry	1:07:25 - Barry climbs out of a hole	action scene \| cabin \| climbing \| convict \| dramatic \| escaping \| fugitive \| leading man \| love interest \| manhunt \| police \| tense
Deep Valley (1947)	Jumping down	1:07:32 - Barry jumps off the roof	action scene \| cabin \| convict \| dramatic \| fugitive \| jumping \| leading man \| love interest \| manhunt \| mickey-mousing \| police \| tense
Deep Valley (1947)	Law	1:07:34 - Lawmen pursue after Barry	action scene \| chasing \| convict \| dramatic \| escaping \| fanfare \| forest \| fugitive \| leading man \| love interest \| manhunt \| police \| running \| tense
Deep Valley (1947)	Libby (Stormy)	1:09:20 - Jeff talks with Libby	advance plot \| conversing \| hesitant \| leading lady \| leading man \| room \| tense
Deep Valley (1947)	Underscoring (Tense)	1:09:40 - Jeff talks with Libby	advance plot \| conversing \| leading lady \| leading man \| room \| stinger \| tense \| underscoring
Deep Valley (1947)	Libby (Worried)	1:10:24 - Libby tosses and turns on her bed	anxiety \| anxious \| escape \| leading lady \| restless effect \| restlessness \| room \| tense \| worry \| worrying
Deep Valley (1947)	Libby (Agitated)	1:10:36 - Libby gets up from her bed	anxiety \| anxious \| escape \| leading lady \| restless effect \| restlessness \| room \| tense \| worry \| worrying
Deep Valley (1947)	Underscoring (Tense)	1:10:50 - Libby looks out the window	convict \| escape \| fugitive \| leading lady \| leading man \| looking \| love interest \| room \| searching \| tense \| underscoring \| yard
Deep Valley (1947)	Libby (Sneaking)	1:11:05 - Libby hurries away	escape \| leading lady \| room \| rushing \| sneaking \| sneaking effect \| tense
Deep Valley (1947)	Sneaking	1:12:20 - Barry and Libby run to the shed	convict \| escape \| fugitive \| leading lady \| leading man \| love interest \| sneaking \| sneaking effect \| tense \| yard
Deep Valley (1947)	Barry (Tense 2)	1:15:38 - Barry drops his gun	advance plot \| barn \| conversing \| convict \| fugitive \| leading lady \| leading man \| love interest \| tense
Deep Valley (1947)	Underscoring (Tense)	1:17:04 - Barry picks up the gun	advance plot \| barn \| conversing \| convict \| fugitive \| leading lady \| leading man \| love interest \| tense \| underscoring
Deep Valley (1947)	Underscoring (Dramatic)	1:17:55 - Barry hears a noise	advance plot \| barn \| convict \| dramatic \| fugitive \| leading lady \| leading man \| love interest \| sneaking \| stinger \| tense \| walking
Deep Valley (1947)	Drops gun	1:18:35 - Libby drops the gun down a well	advance plot \| dropping \| gun \| leading lady \| mickey-mousing \| tense \| yard
Deep Valley (1947)	Underscoring (Dramatic)	1:23:43 - Barry hears a noise	advance plot \| barn \| convict \| dramatic \| fugitive \| leading lady \| leading man \| love interest \| rushing \| tense \| worrying
Deep Valley (1947)	Underscoring (Tense)	1:24:11 - Libby talks to Barry	advance plot \| barn \| convict \| fugitive \| leading lady \| leading man \| love interest \| tense \| worrying
Deep Valley (1947)	Libby (Sneaking)	1:24:14 - Libby talks to Barry	advance plot \| barn \| convict \| fugitive \| leading lady \| leading man \| love interest \| tense \| worrying \| worrying effect
Deep Valley (1947)	Law (Tense)	1:25:09 - Posse on the prowl	advance plot \| forest \| police \| tense \| walking
Deep Valley (1947)	Underscoring (Tense)	1:28:00 - Barry prepares to attack	barn \| conflict \| convict \| dark \| fugitive \| leading lady \| leading man \| love interest \| stinger \| tense \| waiting
Deep Valley (1947)	Deep Valley (Slowly)	1:28:11 - Libby climbs the ladder	barn \| conflict \| convict \| descending \| fugitive \| leading lady \| leading man \| love interest \| tense \| uneasy
Deep Valley (1947)	Libby 3 (Tense)	1:28:28 - Libby comes down the ladder	barn \| conflict \| conversing \| convict \| father \| fugitive \| leading lady \| leading man \| love interest \| tense \| uneasy \| walking
Deep Valley (1947)	Running (Extended)	1:29:26 - Libby runs to the barn	advance plot \| barn \| convict \| father \| fugitive \| hesitating \| leading lady \| leading man \| love interest \| mickey-mousing \| running \| tense \| uneasy \| yard
Deep Valley (1947)	Deep Valley (Delicato)	1:31:30 - Barry embraces Libby	advance plot \| barn \| comforting \| convict \| fugitive \| hopeful \| leading lady \| leading man \| love interest \| street \| tense
Deep Valley (1947)	Underscoring (Tense)	1:33:08 - The Sheriff talks with Ellie	advance plot \| conversing \| evidence \| mother \| ominous \| porch \| sheriff \| stinger \| tense
Deep Valley (1947)	Libby 2 (Molto Expressivo)	1:33:40 - Ellie walks to the barn	advance plot \| barn \| convict \| eavesdropping \| fugitive \| leading lady \| leading man \| love interest \| mother \| sneaking \| tense \| walking \| yard
Deep Valley (1947)	Libby 2 (Misterioso)	1:34:15 - Ellie climbs the ladder	advance plot \| barn \| climbing \| convict \| eavesdropping \| fugitive \| leading lady \| leading man \| love interest \| mother \| mysterious \| sneaking \| tense
Deep Valley (1947)	Rushing away	1:36:01 - Libby rushes out of the barn	barn \| climax \| convict \| descending \| dramatic \| fugitive \| leading lady \| leading man \| love interest \| mother \| rushing \| rushing effect \| tense
Deep Valley (1947)	Libby 2 (Frantic)	1:36:05 - Ellie calls after Libby	barn \| begging \| climax \| convict \| frantic \| fugitive \| leading lady \| leading man \| love interest \| mother \| pleading \| tense
Deep Valley (1947)	Libby (Running)	1:36:13 - Libby and Barry run out of the barn	barn \| begging \| climax \| convict \| father \| frantic \| fugitive \| leading lady \| leading man \| love interest \| mother \| pleading \| running \| rushing \| tense \| yard
Deep Valley (1947)	Libby (Stormy)	1:36:26 - Cliff looks for Ellie	barn \| climax \| convict \| crying \| dark \| father \| fugitive \| hiding \| leading lady \| leading man \| love interest \| mother \| running \| rushing \| sneaking \| tense \| yard
Deep Valley (1947)	Barry (Drunk)	1:36:39 - Barry steals a car	arguing \| car \| climax \| convict \| dark \| fighting \| fugitive \| leading lady \| leading man \| love interest \| running \| rushing \| street \| tense \| yelling
Deep Valley (1947)	Barry	1:36:57 - Jeff hits Barry	arguing \| attacking \| car \| climax \| convict \| dark \| fighting \| fugitive \| leading lady \| leading man \| love interest \| punching \| street \| tense \| yelling
Deep Valley (1947)	Barry (Not in Score)	1:38:32 - The posse chases after Barry	chasing \| climax \| convict \| dramatic \| fleeing \| forest \| fugitive \| leading man \| love interest \| police \| running \| shooting \| tense \| transcribed by ear
Deep Valley (1947)	Underscoring (Tense)	1:38:41 - Barry is shot	climax \| convict \| dramatic \| falling \| forest \| fugitive \| injury \| leading man \| love interest \| police \| stinger \| tense \| underscoring
Deep Valley (1947)	Law	1:38:44 - The posse chases after Barry	chasing \| climax \| convict \| dramatic \| fleeing \| forest \| fugitive \| injury \| leading man \| love interest \| police \| running \| tense
Deep Valley (1947)	Underscoring (Tense)	1:39:09 - Barry hides	climax \| convict \| forest \| fugitive \| hiding \| injury \| leading man \| love interest \| police \| searching \| tense \| underscoring
Deep Valley (1947)	Law (Subtle)	1:39:20 - The posse searches for Barry	climax \| convict \| forest \| fugitive \| hiding \| injury \| leading man \| love interest \| police \| searching \| tense
Deep Valley (1947)	Law	1:39:28 - Barry crawls on the ground	climax \| convict \| forest \| fugitive \| hiding \| injury \| leading man \| love interest \| police \| searching \| tense
Deep Valley (1947)	Barry (Dark 2)	1:39:35 - Barry hides	climax \| convict \| forest \| fugitive \| hiding \| injury \| leading man \| love interest \| mysterious \| police \| tense
Deep Valley (1947)	Underscoring (Dramatic)	1:40:00 - Barry hides	climax \| convict \| forest \| fugitive \| hiding \| injury \| leading man \| love interest \| mysterious \| police \| searching \| tense
Deep Valley (1947)	Law (Misterioso)	1:40:10 - Barry hides	climax \| convict \| forest \| fugitive \| hiding \| injury \| leading man \| love interest \| mysterious \| searching \| tense
Deep Valley (1947)	Barry (Misterioso 2)	1:40:17 - Barry runs	climax \| convict \| forest \| fugitive \| hiding \| injury \| leading man \| love interest \| somber \| stumbling \| tense
Deep Valley (1947)	Sneaking (Molto Rubato)	1:40:51 - Libby runs to find Barry	death scene \| forest \| leading lady \| mysterious \| resolution \| running \| tense
Dust Be My Destiny (1939)	Underscoring (Tense)	0:14:40 - Charlie enters	barn \| leading lady \| leading man \| lovers meet \| prisoner \| stinger \| tense \| underscoring \| villain \| warden
Dust Be My Destiny (1939)	Dust Be My Destiny (Tense)	0:14:53 - Joe talks to Charlie	barn \| dark \| dissonant \| leading lady \| leading man \| lovers meet \| prisoner \| tense \| tritone \| villain \| warden
Dust Be My Destiny (1939)	Underscoring (Tense)	0:47:58 - Joe walks to the jail	64 chord \| friend \| jail \| jail break \| leading man \| runaway \| shopkeeper \| tense \| underscoring \| walking
Dust Be My Destiny (1939)	Dust Be My Destiny (Sordini)	0:48:21 - Joe talks to the jailer	chromatic parallelism \| jail \| jail break \| leading man \| major triad \| mysterious \| pedal tone \| tense \| warden
Dust Be My Destiny (1939)	Underscoring (Tense)	0:48:34 - Joe talks to the jailer	jail \| jail break \| leading man \| pedal tone \| tense \| underscoring \| warden
Dust Be My Destiny (1939)	Dust Be My Destiny (Trickery)	0:48:45 - Joe talks to the jailer	distortion \| friend \| half-diminished 7th chord \| jail \| jail break \| leading man \| parallelism \| passerby \| shopkeeper \| tense \| warden
Dust Be My Destiny (1939)	Underscoring (Tense)	0:49:05 - Joe enters the jail	64 chord \| jail \| jail break \| leading man \| tense \| underscoring \| warden
Dust Be My Destiny (1939)	Dust Be My Destiny (Jail Break)	0:49:16 - Mabel looks up and sees Joe	chromatic wedge \| dissonant bass \| jail \| jail break \| leading lady \| leading man \| linear chromaticism \| tense \| warden
Dust Be My Destiny (1939)	Dust Be My Destiny (Stick Up)	0:50:12 - Joe pulls out a gun	gun \| half-diminished 7th chord \| jail \| jail break \| leading lady \| leading man \| tense \| warden
Dust Be My Destiny (1939)	Patrol	0:55:50 - Cop checks on a shop	clock \| crime scene \| criminal \| leading man \| police \| shopkeeper \| street \| tense
Dust Be My Destiny (1939)	Underscoring (Tense)	1:09:28 - Mike is confronted by gangsters	bribe \| chromatic parallelism \| conflict \| gangster \| linear chromaticism \| newspaper editor \| street \| tense \| underscoring
Dust Be My Destiny (1939)	Gangsters walk	1:10:26 - The gangsters walk to their car	chromatic parallelism \| chromatic scale \| chromatic sequence \| conflict \| gangster \| mickey-mousing \| newspaper editor \| street \| tense \| walking
Dust Be My Destiny (1939)	Dust Be My Destiny (Cornered)	1:12:21 - Mabel and Joe decide what to do	9th chord \| conflict \| hero \| hospital \| inversion \| leading lady \| leading man \| pedal tone \| tense
Dust Be My Destiny (1939)	Dust Be My Destiny (Hiding)	1:12:42 - Mabel talks with Joe about surrendering	42 chord \| conflict \| diminished 7th chord \| fragmentation \| hero \| hospital \| leading lady \| leading man \| tense
Dust Be My Destiny (1939)	Dust Be My Destiny (Appassionatissimo)	1:13:14 - Joe makes a run for it	chromatic parallelism \| chromatic scale \| climax \| conflict \| diminished 7th chord \| dissonant bass \| escaping \| hospital \| intervallic expansion \| leading lady \| leading man \| runaway \| sequence \| tense
Each Dawn I Die (1939)	Underscoring (Tense)	0:05:11 - Newspaper on the sidewalk	conflict \| dissonant bass \| gangster \| newspaper \| reading \| street \| tense \| underscoring \| whole-tone \| whole-tone chord
Each Dawn I Die (1939)	Montage	0:22:54 - Montage showing the passing of time	chromatic parallelism \| clock \| dramatic \| linear chromaticism \| mickey-mousing \| montage \| montage \| prison \| prisoner \| tense \| waiting \| whole-tone chord
The FBI Story (1959)	Conveyor Belt	0:01:08 - Man asks his mother to buy insurance for her flight	airport \| conveyer belt \| insurance \| machine \| tense
The FBI Story (1959)	Underscoring (Mysterious)	0:09:11 - Agents question Jack's friend	FBI \| investigation \| mysterious \| tense \| underscoring
The FBI Story (1959)	Underscoring (Tense)	0:10:41 - Agent's search Jack's home	FBI \| investigation \| tense \| underscoring
The FBI Story (1959)	Time Bomb 1 (Convicted)	0:11:33 - Agents arrest Jack	FBI \| investigation \| tense \| ticking
The FBI Story (1959)	Underscoring (Tense)	0:35:56 - Klansmen threaten the newspaper man	flashback \| KKK \| tense \| underscoring
The FBI Story (1959)	Underscoring (Tense)	0:41:28 - Men prepare to blow up an Indian house	explosion \| flashback \| tense \| underscoring
The FBI Story (1959)	Underscoring (Tense)	0:49:50 - Chip walks to mail evidence to the FBI	flashback \| tense \| underscoring
The FBI Story (1959)	Underscoring (Tense)	1:17:17 - FBI agents waiting for Dillinger to get out of the movie theatre	FBI \| flashback \| tense \| underscoring
The FBI Story (1959)	Waiting	1:19:08 - Lucy waits for a phone call	flashback \| tense \| ticking \| underscoring \| waiting
The FBI Story (1959)	Underscoring (Dark)	1:20:31 - Pretty Boy Floyd takes hostages to a car	dark \| dramatic \| flashback \| gangster \| mobster \| tense \| underscoring
The FBI Story (1959)	Underscoring (Mysterious)	1:49:23 - Gun boat and submarine on the ocean at night	flashback \| mysterious \| tense \| underscoring
The FBI Story (1959)	Message	1:54:21 - George listens to morse code ont he radio	flashback \| message \| mickey-mousing \| radio \| tense
The FBI Story (1959)	Message	1:55:02 - George listens to morse code on the radio	flashback \| message \| mickey-mousing \| radio \| tense
The FBI Story (1959)	Warning	1:55:33 - Mario warns of the incoming agents	flashback \| radio \| tense
The FBI Story (1959)	Message	1:56:04 - George listens to morse code on the radio	flashback \| message \| mickey-mousing \| radio \| tense
The FBI Story (1959)	Underscoring (Tense)	2:00:10 - Men react to collapse of bridge	flashback \| tense \| underscoring
The FBI Story (1959)	Underscoring (Tense)	2:24:44 - Chip listens to a radio report	agent \| FBI \| flashback \| tense \| underscoring
The FBI Story (1959)	Surveillance 1 (Misterioso)	2:24:54 - Second man approaches restaurant	communist \| flashback \| tense \| underscoring
The FBI Story (1959)	Underscoring (Tense)	2:25:31 - FBI agents communicate by radio	flashback \| radio \| tense \| underscoring
Flamingo Road (1949)	Crime School	0:00:08 - Starring list	9th chord \| dramatic \| opening title sequence \| parallelism \| self-borrowing \| starring list \| tense
Flamingo Road (1949)	Underscoring (Tense)	0:34:30 - Lane responds to Field	breaking up \| breakup \| café \| leading lady \| leading man \| mysterious \| tense \| underscoring \| waitress
Flamingo Road (1949)	Titus + Agitato (Extended)	0:39:55 - Police take Lane away	arresting \| combination of themes \| conflict \| driving \| leading lady \| police \| self-borrowing \| street \| tense \| turbulent
Flamingo Road (1949)	Flamingo Road (Tense)	1:04:16 - Titus enters the room	advance plot \| combination of themes \| conversing \| leading lady \| leading man \| politician \| room \| self-borrowing \| sheriff \| tense \| whole-tone scale
Flamingo Road (1949)	Titus 2 (Slowly)	1:06:43 - Dan talks to Lane about Titus	advance plot \| chromatic parallelism \| leading lady \| leading man \| lying \| room \| self-borrowing \| tense
Flamingo Road (1949)	Agitato (Angry)	1:09:25 - Titus leaves	advance plot \| agitated \| angry \| chromatic parallelism \| chromatic scale \| chromatic wedge \| leading man \| leaving \| politician \| polychord \| sheriff \| street \| tense
Flamingo Road (1949)	Titus (Ominous)	1:11:44 - Titus argues with Field	arguing \| bullying \| conflict \| drinking \| leading man \| mysterious \| politician \| room \| self-borrowing \| sheriff \| tense
Flamingo Road (1949)	Underscoring (Tense)	1:11:51 - Titus argues with Field	arguing \| bullying \| conflict \| drinking \| leading man \| politician \| room \| sheriff \| tense \| underscoring
Flamingo Road (1949)	Anger	1:12:20 - Titus and Field face off	angry \| arguing \| bullying \| chromatic parallelism \| chromatic wedge \| conflict \| leading man \| pc set \| politician \| room \| self-borrowing \| sheriff \| tense
Flamingo Road (1949)	Mob	1:28:20 - A mob forms outside of Lane's home	advance plot \| angry \| anxious \| augmented triad \| chromatic parallelism \| chromatic scale \| friend \| leading lady \| minor-major 7th chord \| mob \| mobbing \| ostinato \| polyrhythm \| room \| tense \| whole-tone chord
Flamingo Road (1949)	Agitato (Angry)	1:29:00 - Lane goes to confront Titus	advance plot \| angry \| car \| chromatic parallelism \| chromatic scale \| chromatic wedge \| dramatic \| driving \| leading lady \| polychord \| source and scoring overlap \| tense
Flamingo Road (1949)	Underscoring (Dramatic)	1:31:15 - Titus attacks Lane	attacking \| breaking \| chromatic parallelism \| climax \| club \| dramatic \| dropping \| gun \| leading lady \| linear chromaticism \| oscillation \| sheriff \| staggering \| stinger \| telephone \| tense \| throwing \| underscoring
Flamingo Road (1949)	Titus (Ostinato 3)	1:31:25 - Titus holds a gun on Lane	climax \| club \| dramatic \| fighting \| gun \| gunshot \| leading lady \| menacing \| ostinato \| self-borrowing \| sequence \| sheriff \| struggling \| tense \| threatening
Flamingo Road (1949)	Titus (Climax)	1:31:43 - Lane struggles with Titus	chromatic parallelism \| chromatic wedge \| climax \| club \| dramatic \| fighting \| gun \| gunshot \| leading lady \| major 7th chord \| self-borrowing \| sequence \| sheriff \| struggling \| tense
Flamingo Road (1949)	Struggling	1:31:47 - Close-up on the gun	climax \| close-up \| club \| dramatic \| fighting \| gun \| gunshot \| leading lady \| major 7th chord \| mickey-mousing \| oscillation \| sheriff \| struggling \| tense
Hell on Frisco Bay (1955)	Hell on Frisco Bay	0:25:14 - Marcia and Steve argue	advance plot \| arguing \| conductor score \| leading lady \| leading man \| room \| tense
Hell on Frisco Bay (1955)	Underscoring (Dramatic)	0:27:50 - Steve fights Hammy	action scene \| conductor score \| dramatic \| fighting \| gangster \| hurried \| leading lady \| leading man \| room \| strangling \| tense \| underscoring
Hell on Frisco Bay (1955)	Underscoring (Tense)	0:28:03 - The gangsters leave	action scene \| conductor score \| conversing \| gangster \| leading lady \| leading man \| leaving \| room \| tense \| underscoring
Hell on Frisco Bay (1955)	Underscoring (Tense)	0:52:13 - Dan waits for Steve	advance plot \| conductor score \| friend \| gangster \| investigator \| leading man \| pacing \| street \| tense \| underscoring \| waiting
Hell on Frisco Bay (1955)	Steve runs	0:52:55 - Steve runs	advance plot \| conductor score \| gangster \| investigator \| leading man \| mickey-mousing \| running \| street \| tense
Hell on Frisco Bay (1955)	Steve	0:53:15 - Steve leaves	action scene \| aiming \| conductor score \| dark \| gangster \| investigator \| leading man \| murderer \| neutral \| shooting \| street \| tense \| walking
Hell on Frisco Bay (1955)	Climbing and jumping	0:53:27 - Steve runs from Hammy	action scene \| climbing \| conductor score \| hiding \| hurried \| investigator \| jumping \| leading man \| mickey-mousing \| street \| tense
Hell on Frisco Bay (1955)	Menace	0:53:30 - Hammy tries to escape	action scene \| conductor score \| dramatic \| escaping \| fleeing \| gangster \| hurried \| investigator \| leading man \| murderer \| running \| shooting \| street \| tense
Hell on Frisco Bay (1955)	Steve Arrives	0:54:56 - Steve arrives at an apartment	arriving \| conductor score \| investigator \| leading man \| mickey-mousing \| mysterious \| street \| tense \| transition \| walking
Hell on Frisco Bay (1955)	Menace	0:58:13 - Bessie prepares to leave	chase scene \| conductor score \| floozy \| mysterious \| preparing \| room \| tense \| thinking
Hell on Frisco Bay (1955)	Sneaking and following	0:58:30 - Bessie sneaks away	chase scene \| conductor score \| descending \| floozy \| following \| hiding \| investigator \| leading man \| mysterious \| sneaking \| street \| tense
Hell on Frisco Bay (1955)	Menace	0:58:48 - Bessie walks through the market	\| agitated \| chase scene \| conductor score \| dramatic \| floozy \| gangster \| hurrying \| investigator \| leading man \| mysterious \| street \| tense \| walking
Hell on Frisco Bay (1955)	Hell on Frisco Bay	1:01:41 - Steve talks to Marcia	conductor score \| conversing \| leading lady \| leading man \| love scene \| room \| tense \| underscoring
Hell on Frisco Bay (1955)	Underscoring (Mysterious)	1:24:05 - Amato calls detective	advance plot \| calling \| gangster \| leading man \| mysterious \| room \| statue \| tense \| underscoring
Hell on Frisco Bay (1955)	Menace	1:24:38 - Amato talks to detective	advance plot \| detective \| gangster \| leading man \| mysterious \| plotting \| police station \| tense
Hell on Frisco Bay (1955)	Underscoring (Tense)	1:24:53 - Amato talks to detective	advance plot \| detective \| gangster \| leading man \| plotting \| police station \| tense
Hell on Frisco Bay (1955)	Amato	1:25:21 - Amato sets up Lye and Kay	advance plot \| betraying \| detective \| gangster \| harsh \| leading man \| plotting \| police station \| tense
Hell on Frisco Bay (1955)	Anna	1:25:41 - Amato looks at the statue	advance plot \| gangster \| leading man \| looking \| mysterious \| religious \| room \| tense
Hell on Frisco Bay (1955)	Underscoring (Tense)	1:29:55 - Marcia talks to Kay	conversing \| leading lady \| love interest \| room \| tense \| turning point \| witness
Hell on Frisco Bay (1955)	Amato	1:32:23 - Amato shoots Lye	action scene \| brash \| gangster \| gun \| gunshot \| leading man \| murder \| murdering \| room \| shooting \| tense \| violence \| yelling
Hell on Frisco Bay (1955)	Steve	1:33:17 - Marcia looks for Steve	action scene \| dock \| dramatic \| leading lady \| running \| tense
Hell on Frisco Bay (1955)	Amato	1:33:23 - Amato takes Marcia hostage	action scene \| dock \| gangster \| inspector \| kidnapping \| leading lady \| leading man \| ominous \| tense
Hell on Frisco Bay (1955)	Amato	1:34:01 - Steve confronts Amato	action scene \| dock \| dramatic \| gangster \| inspector \| kidnapping \| leading lady \| leading man \| tense
Hell on Frisco Bay (1955)	Amato	1:34:08 - Steve confronts Amato	action scene \| dock \| dramatic \| gangster \| gun \| gunshot \| inspector \| kidnapping \| leading lady \| leading man \| shooting \| tense
Hell on Frisco Bay (1955)	Amato runs	1:34:27 - Amato runs to his boat	action scene \| agitated \| boat \| dock \| dramatic \| following \| gangster \| inspector \| leading man \| running \| tense
Hell on Frisco Bay (1955)	Boat Chase	1:34:33 - Amato tries to escape in a boat	action scene \| agitated \| boat \| dock \| dramatic \| following \| gangster \| inspector \| leading man \| running \| tense
Hell on Frisco Bay (1955)	Steve dives	1:34:48 - Steve dives in the water	action scene \| agitated \| diving \| dock \| dramatic \| gangster \| inspector \| jumping \| leading man \| mickey-mousing \| splashing \| tense \| water
Hell on Frisco Bay (1955)	Underscoring (Dramatic)	1:34:53 - Steve climbs in the boat	action scene \| boat \| dock \| dramatic \| driving \| gangster \| inspector \| leading man \| tense \| underscoring
Hell on Frisco Bay (1955)	Menace	1:34:57 - Steve and Amato fight	action scene \| agitated \| boat \| dock \| dramatic \| fighting \| gangster \| inspector \| leading man \| tense
Hell on Frisco Bay (1955)	Underscoring (Tense)	1:35:05 - The police arrive	action scene \| arriving \| conversing \| dock \| leading lady \| police \| tense \| underscoring
Hell on Frisco Bay (1955)	Menace	1:35:21 - Steve and Amato fight	action scene \| agitated \| boat \| dock \| dramatic \| fighting \| gangster \| inspector \| leading man \| tense
Hell on Frisco Bay (1955)	Police running	1:35:32 - The policemen run	action scene \| agitated \| dock \| down \| dramatic \| mickey-mousing \| police \| running \| tense
Hell on Frisco Bay (1955)	Underscoring (Dramatic)	1:35:44 - The police boat leaves the dock	action scene \| boat \| departing \| dock \| dramatic \| police \| tense \| underscoring
Hell on Frisco Bay (1955)	Amato	1:35:47 - Steve and Amato fight	action scene \| agitated \| boat \| dock \| dramatic \| fighting \| gangster \| inspector \| leading man \| tense
Hell on Frisco Bay (1955)	Amato	1:35:56 - The police boat advances	action scene \| agitated \| boat \| dock \| dramatic \| fighting \| gangster \| inspector \| leading man \| tense \| underscoring
Hell on Frisco Bay (1955)	Horn Call	1:36:10 - The police boat advances	action scene \| battle call \| boat \| departing \| dock \| police \| tense
Hell on Frisco Bay (1955)	Amato	1:36:12 - Steve and Amato fight	action scene \| agitated \| boat \| dock \| dramatic \| fighting \| gangster \| inspector \| leading man \| tense
Hell on Frisco Bay (1955)	Amato falls	1:36:20 - Amato falls in the water	action scene \| boat \| dock \| dramatic \| falling \| fighting \| gangster \| inspector \| leading man \| mickey-mousing \| punching \| splashing \| tense \| water
Hell on Frisco Bay (1955)	Underscoring (Tense)	1:36:23 - The boat approaches a wall	action scene \| boat \| dock \| driving \| inspector \| leading man \| tense \| underscoring
Hell on Frisco Bay (1955)	Steve dives 2	1:36:27 - Steve dives in the water	action scene \| boat \| diving \| dock \| inspector \| jumping \| leading man \| mickey-mousing \| splashing \| tense \| water
Hell on Frisco Bay (1955)	Steve Saves Amato	1:36:42 - Steve and Amato swim to the police boat	boat \| dock \| gangster \| inspector \| leading man \| mickey-mousing \| swimming \| tense \| water
Hell on Frisco Bay (1955)	Lifting up	1:36:50 - Amato is brought onboard	boat \| dock \| dramatic \| gangster \| inspector \| leading man \| lifting \| mickey-mousing \| police \| raising \| tense \| up \| water
Hell on Frisco Bay (1955)	Menace	1:36:57 - The police boat leaves	agitated \| arriving \| boat \| dock \| gangster \| inspector \| leading man \| police \| tense
Her Kind of Man (1946)	Underscoring (Dark [Waxman])	0:17:02 - Steve fights Felix	action scene \| arguing \| conversing \| criminal \| dark \| death \| dramatic \| gambler \| gun \| gunshot \| leading lady \| leading man \| love interest \| owner \| punching \| room \| self-defense \| shooting \| singer \| stinger \| tense \| underscoring
Her Kind of Man (1946)	It Had to Be You (Kissing)	0:18:22 - Steve kisses Georgia	action scene \| augmented triad \| gambler \| kissing \| leading lady \| leading man \| love interest \| minor-major 7th chord \| room \| singer \| source to score \| tense
Her Kind of Man (1946)	Underscoring (Dark [Waxman])	0:18:32 - Candy enters	action scene \| conversing \| criminal \| dark \| gambler \| henchman \| leading man \| owner \| room \| stinger \| tense \| underscoring
Her Kind of Man (1946)	Underscoring (Tense [Waxman])	0:40:34 - Don punches Steve	action scene \| boxing ring \| criminal \| fighting \| gambler \| henchman \| leading man \| punching \| reporter \| tense \| underscoring
Her Kind of Man (1946)	Here Comes the Bride	0:49:40 - Steve proposes to Georgia	classical music \| criminal \| familiar tune \| gambler \| henchman \| leading lady \| leading man \| love interest \| love scene \| proposing \| reporter \| romantic \| room \| tense
Her Kind of Man (1946)	Newspaper	0:51:32 - A newspaper article	advance plot \| leading man \| newspaper \| reporter \| room \| tense \| uneasy \| writing
Her Kind of Man (1946)	Flashback	0:53:57 - A man sweeping	conversing \| flashback \| flashback \| leading man \| mysterious \| reporter \| reporting \| room \| storytelling \| tense \| waiter \| witness
Her Kind of Man (1946)	Underscoring (Dramatic [Deutsch])	0:54:59 - Cop takes a witness	departing \| dramatic \| leading man \| letter \| mysterious \| police \| police station \| reporter \| signature \| tense \| turning point \| typing \| underscoring \| waiter \| witness
Her Kind of Man (1946)	Burning paper	0:55:22 - Burning paper	burning \| fire effect \| leading man \| mickey-mousing \| reporter \| room \| tense \| turning point
Her Kind of Man (1946)	Police Radio	1:04:40 - Policeman on the radio	action scene \| announcing \| police \| radio \| radio effect \| station \| tense
Her Kind of Man (1946)	Candy	1:11:27 - Candy approaches the warehouse	advance plot \| arriving \| criminal \| gambler \| henchman \| leading man \| murderer \| pc set \| tense \| walking \| warehouse
Her Kind of Man (1946)	It Had to Be You (Tense)	1:11:43 - Steve talks to Candy	advance plot \| conversing \| criminal \| familiar tune \| gambler \| henchman \| leading man \| murderer \| popular music \| tense \| warehouse
Her Kind of Man (1946)	Underscoring (Tense [Steiner])	1:12:07 - Steve talks to Candy	advance plot \| arguing \| chromatic parallelism \| conversing \| criminal \| gambler \| henchman \| leading man \| murderer \| pedal tone \| slapping \| tense \| underscoring \| warehouse
Her Kind of Man (1946)	Underscoring (Dramatic [Steiner])	1:14:17 - Cop looks at his watch	climax \| conversing \| criminal \| double-cross \| dramatic \| henchman \| leading lady \| leading man \| parallelism \| police \| reporter \| room \| singer \| stinger \| telephone \| tense \| underscoring \| watch \| wife
Her Kind of Man (1946)	Speeding	1:14:21 - Policeman driving	car \| chromatic parallelism \| chromatic scale \| chromatic sequence \| climax \| dramatic \| driving \| hurrying \| leading lady \| leading man \| omnibus progression \| police \| reporter \| rushing \| singer \| tense \| wife \| yelling
Her Kind of Man (1946)	Underscoring (Tense [Steiner])	1:15:00 - Candy in the alley	arriving \| climax \| criminal \| double-cross \| driving \| gambler \| henchman \| hiding \| husband \| leading man \| murderer \| revenge \| signaling \| sneaking \| street \| syncopation \| tense \| underscoring \| warehouse \| widow
Her Kind of Man (1946)	Candy (Tragic)	1:15:28 - Candy in the shadows	chromatic scale \| climax \| conversing \| criminal \| double-cross \| gambler \| henchman \| hiding \| husband \| leading man \| murderer \| revenge \| sequence \| street \| tense \| tragic \| walking \| widow
Her Kind of Man (1946)	Speeding	1:16:29 - Candy tries to run away	arriving \| capturing \| car \| chromatic parallelism \| chromatic scale \| chromatic sequence \| climax \| criminal \| double-cross \| dramatic \| gambler \| henchman \| leading man \| murder \| murderer \| omnibus progression \| police \| reporter \| revenge \| running \| street \| tense
Her Kind of Man (1946)	Candy (Agitato)	1:16:53 - Don confronts Candy	agitated \| arguing \| climax \| confronting \| criminal \| double-cross \| gambler \| henchman \| leading man \| murder \| murderer \| pc set \| police \| reporter \| revenge \| sequence \| street \| tense
Her Kind of Man (1946)	It Had to Be You (Tragic)	1:17:10 - Georgia holds Steve	9th chord \| augmented triad \| climax \| comforting \| conversing \| corpse \| cradling \| criminal \| crying \| death \| dying \| familiar tune \| gambler \| henchman \| leading lady \| leading man \| murderer \| police \| popular music \| reporter \| singer \| street \| tense \| tragic \| wife
Her Kind of Man (1946)	Water	1:17:41 - Steve's corpse	9th chord \| corpse \| criminal \| death \| flowing \| gambler \| henchman \| leading lady \| leading man \| murderer \| panning shot \| police \| reporter \| resolution \| singer \| street \| swirling \| tense \| tragic \| voice-over \| water \| water effect \| wife
I Was a Communist for the FBI (1951)	Underscoring (Tense)	0:01:02 - Brooklyn Bridge	9th chord \| airport \| bridge \| mysterious \| pc set \| street \| tense \| transition \| underscoring
I Was a Communist for the FBI (1951)	Undercover Agent (Marcia Misterioso)	0:01:17 - Agent walks to the phone	agent \| airport \| arriving \| calling \| conversing \| dialing \| establish setting \| march \| mysterious \| ostinato \| polychord \| sequence \| telephone \| tense \| tone cluster \| tritone oscillation \| typewriter \| typing \| walking
I Was a Communist for the FBI (1951)	FBI	0:02:10 - FBI building	agent \| chromatic mediant \| conversing \| establish setting \| noble \| office \| oscillation \| secretary \| tense \| triadic transformation \| typing \| working
I Was a Communist for the FBI (1951)	FBI (Extended)	0:02:33 - Pittsburgh FBI office sign	agent \| chromatic mediant \| conversing \| establish setting \| noble \| office \| oscillation \| tense \| triadic transformation \| typing \| working
I Was a Communist for the FBI (1951)	Undercover Agent (Molto Misterioso)	0:02:57 - Mason gets his assignment	agent \| conversing \| establish setting \| map \| march \| mysterious \| office \| ostinato \| planning \| polychord \| sequence \| tense \| tone cluster \| tritone oscillation \| working
I Was a Communist for the FBI (1951)	Communist (Pittsburgh)	0:03:38 - Aerial view of Pittsburgh	augmented triad \| bridge \| busy \| chromatic parallelism \| city \| establish setting \| factory \| frantic \| machinery effect \| oscillation \| ostinato \| panning shot \| sequential modulation \| tense \| tone cluster \| train \| voice-over \| whistle
I Was a Communist for the FBI (1951)	Agitato Molto Misterioso	0:38:32 - Matt notices that he has lost his letter	advance plot \| chromatic parallelism \| leading man \| letter \| mysterious \| ostinato \| pc set \| polychord \| reacting \| room \| searching \| tense \| undercover agent \| whole-tone chord
I Was a Communist for the FBI (1951)	Undercover Agent (Ominous) + Family	0:38:46 - Matt leaves his apartment	advance plot \| combination of themes \| communist \| dark \| discovery \| leading lady \| letter \| ominous \| polychord \| reacting \| reading \| self-borrowing \| spy \| street \| teacher \| tense \| tritone oscillation
I Was a Communist for the FBI (1951)	Underscoring (Tense)	0:57:39 - Communists watch apartment	communist \| create suspense \| sneaking \| spy \| street \| tense \| underscoring \| walking \| watching
I Was a Communist for the FBI (1951)	Down the stairs	0:57:47 - Eve sneaks down the stairs	communist \| create suspense \| descending \| leading lady \| leading man \| mickey-mousing \| sneaking \| spy \| staircase \| stairs \| teacher \| tense \| undercover agent
I Was a Communist for the FBI (1951)	Underscoring (Tense)	0:57:54 - Matt and Eve go down the stairs	communist \| create suspense \| leading lady \| leading man \| pc set \| sneaking \| spy \| staircase \| stairs \| teacher \| tense \| tritone \| undercover agent \| underscoring
I Was a Communist for the FBI (1951)	Sneaking	0:58:02 - Matt and Eve sneak away	chromatic scale \| communist \| create suspense \| hiding \| leading lady \| leading man \| mickey-mousing \| pc set \| running \| sneaking \| spy \| staircase \| stairs \| teacher \| tense \| undercover agent
I Was a Communist for the FBI (1951)	Undercover Agent (Molto Misterioso)	0:58:12 - The communists go upstairs	ascending \| communist \| create suspense \| leading lady \| leading man \| ostinato \| polychord \| sequence \| sneaking \| spy \| staircase \| stairs \| teacher \| tense \| tone cluster \| tritone oscillation \| undercover agent
I Was a Communist for the FBI (1951)	Turns on lights	0:58:50 - Agent turns on the lights	communist \| create suspense \| light \| mickey-mousing \| room \| spy \| tense \| tritone \| turning on
I Was a Communist for the FBI (1951)	Searching	0:58:52 - The communists search the room	communist \| create suspense \| mickey-mousing \| room \| searching \| sneaking \| spy \| tense
I Was a Communist for the FBI (1951)	FBI (Molto Marcato)	0:59:03 - FBI man enters with a gun	agent \| arresting \| communist \| gun \| leading lady \| leading man \| murder scene \| noble \| room \| sneaking \| spy \| stinger \| street \| teacher \| tense \| undercover agent
I Was a Communist for the FBI (1951)	Undercover Agent (Tense)	0:59:26 - FBI man holds gun on commie agents	acceleration \| agent \| arresting \| communist \| dark \| dialing \| gun \| murder scene \| room \| spy \| tense \| tritone oscillation
I Was a Communist for the FBI (1951)	Jumps off stairs	1:03:23 - Matt jumps off of the staircase	communist \| gun \| gunshot \| jumping \| leading lady \| leading man \| mickey-mousing \| shooting \| shootout \| shootout \| spy \| teacher \| tense \| tone cluster \| train tracks \| tritone \| undercover agent
I Was a Communist for the FBI (1951)	Running and hiding	1:03:28 - Matt runs and takes cover	communist \| hiding \| leading lady \| leading man \| mickey-mousing \| running \| shootout \| shootout \| spy \| teacher \| tense \| train tracks \| undercover agent
I Was a Communist for the FBI (1951)	Undercover Agent (Gunfight)	1:03:34 - Train tracks	augmented triad \| communist \| dissonant bass \| diving \| dramatic \| gun \| gunshot \| hiding \| leading lady \| leading man \| mickey-mousing \| minor-major 7th chord \| polychord \| running \| shooting \| shootout \| shootout \| spy \| syncopation \| teacher \| tense \| train tracks \| tritone oscillation \| undercover agent
I Was a Communist for the FBI (1951)	Running	1:03:57 - Communist runs	communist \| dramatic \| leading lady \| leading man \| mickey-mousing \| running \| shootout \| shootout \| spy \| teacher \| tense \| train tracks \| undercover agent \| whole-tone chord
I Was a Communist for the FBI (1951)	Commie is shot	1:04:01 - Communist is shot and falls dead	chromatic scale \| communist \| death \| dramatic \| dying \| falling \| gun \| gunshot \| leading lady \| leading man \| mickey-mousing \| pc set \| shooting \| shootout \| shootout \| spy \| stinger \| teacher \| tense \| tone cluster \| train tracks \| undercover agent
I Was a Communist for the FBI (1951)	Undercover Agent (Risoluto)	1:09:39 - FBI agents walk away	agent \| interrogating \| interrogation \| leading man \| mysterious \| polychord \| questioning \| room \| shallow focus \| suspicion \| tense \| tritone oscillation \| undercover agent
I Was a Communist for the FBI (1951)	Agitato Molto Misterioso	1:10:18 - Communists interrogate Matt	chromatic parallelism \| chromatic scale \| communist \| interrogating \| interrogation \| leading man \| mysterious \| ostinato \| pc set \| questioning \| room \| shallow focus \| suspicion \| tense \| undercover agent \| whole-tone scale
I Was a Communist for the FBI (1951)	Undercover Agent	1:10:36 - Communists interrogate Matt	communist \| interrogating \| interrogation \| leading man \| mysterious \| polychord \| questioning \| room \| shallow focus \| suspicion \| tense \| threatening \| tritone oscillation \| undercover agent
I Was a Communist for the FBI (1951)	Underscoring (Tense)	1:10:41 - Communists interrogate Matt	chromatic scale \| communist \| dark \| interrogating \| interrogation \| leading man \| questioning \| room \| shallow focus \| suspicion \| tense \| threatening \| undercover agent \| underscoring
I Was a Communist for the FBI (1951)	Undercover Agent (Tuttissimo)	1:10:54 - Communists interrogate Matt	anger \| anxiety \| communist \| interrogating \| interrogation \| leading man \| questioning \| shallow focus \| suspicion \| suspicion \| tense \| threatening \| tritone oscillation \| undercover agent
I Was a Communist for the FBI (1951)	Underscoring (Tense)	1:11:00 - Communists interrogate Matt	anger \| communist \| interrogating \| interrogation \| leading man \| questioning \| shallow focus \| suspicion \| suspicion \| tense \| threatening \| undercover agent \| underscoring \| whole-tone chord
Illegal (1955)	Underscoring (Dark)	0:10:22 - Vic tries to stop the execution	dark \| death \| execution \| execution \| phone call \| tense \| underscoring
Illegal (1955)	In a Hurry	0:52:15 - Vic walks quickly through the streets with two men	crescendo \| hero \| rushing \| tense \| trills
Illegal (1955)	Underscoring (Tense)	1:07:17 - Ray threatens Ellen	stinger \| suspense \| tense \| underscoring
Illegal (1955)	Ellen raises gun	1:07:42 - Ellen raises gun to defend herself	gun \| heroine \| mickey-mousing \| tense
Illegal (1955)	Underscoring (Tense)	1:11:26 - Ellen is charged with murder	stinger \| tense \| underscoring
Illegal (1955)	Underscoring (Dramatic)	1:17:50 - Vic and Hinkel gather together some papers	dramatic \| hero \| tense \| underscoring
In This Our Life (1942)	Stanley Introduction	0:06:35 - A car arrives	9th chord \| arriving \| car \| chromatic scale \| conversing \| establish character \| leading lady \| leading man \| love interest \| stinger \| tense
In This Our Life (1942)	Big Sweep	0:12:41 - Stanley leaves	altered dominant \| dramatic \| establish character \| leading lady \| pc set \| room \| sister \| stinger \| tense \| watching
In This Our Life (1942)	Stanley B (Agitato)	0:15:19 - Peter replies to Roy	advance plot \| agitated \| arguing \| chromatic scale \| dissonant bass \| half-diminished 7th chord \| leading lady \| leading man \| room \| tense \| whole-tone chord
In This Our Life (1942)	Stanley Introduction	0:16:56 - Craig talks with Asa	9th chord \| advance plot \| chromatic scale \| conversing \| father \| fiancé \| leading lady \| room \| tense \| underscoring
In This Our Life (1942)	Stanley B (Poco Agitato)	0:17:44 - Stanley packs her things	advance plot \| agitated \| chromatic sequence \| fragmentation \| leading lady \| packing \| room \| tense
In This Our Life (1942)	Stanley (Packing)	0:17:51 - Stanley packs her things	9th chord \| advance plot \| agitated \| appoggiatura \| circle of fifths \| leading lady \| packing \| room \| tense
In This Our Life (1942)	Stanley B (Agitato)	0:18:08 - Asa arrives in a car	advance plot \| agitated \| arriving \| butler \| chromatic scale \| chromatic sequence \| dissonant bass \| father \| half-diminished 7th chord \| room \| tense
In This Our Life (1942)	Asa (Triste)	0:21:45 - Asa arrives home	64 chord \| arriving \| common-tone diminished 7th \| conflict \| father \| leading lady \| room \| solemn \| somber \| tense
In This Our Life (1942)	Stanley Introduction (Extended)	0:36:41 - Peter goes home	9th chord \| arriving \| car \| chromatic scale \| leading man \| love scene \| room \| solemn \| somber \| tense
In This Our Life (1942)	Danger	0:39:54 - A forest ranger	conversing \| danger \| fire \| forest ranger \| leading lady \| leading man \| love interest \| love scene \| minor-major 7th chord \| outdoors \| tense
In This Our Life (1942)	Phone Call	0:47:29 - Asa answers the phone	bad news \| conversing \| dark \| eerie \| father \| mysterious \| pc set \| phone call \| room \| telephone \| tense \| tone cluster \| turning point
In This Our Life (1942)	Stanley B (Agitato)	0:49:32 - Uncle Fitzroy asks about Stanley	agitated \| altered dominant \| arguing \| chromatic scale \| chromatic sequence \| dissonant bass \| father \| leading lady \| leading man \| room \| suicide \| tense \| turning point \| uncle \| whole-tone chord
In This Our Life (1942)	Stanley (Packing)	0:52:23 - Roy at Stanley's bedside	9th chord \| advance plot \| appoggiatura \| conversing \| gentle \| leading lady \| room \| sister \| tense \| widow
In This Our Life (1942)	Stanley Introduction	0:53:32 - Roy comforts Stanley	9th chord \| advance plot \| chromatic scale \| comforting \| crying \| leading lady \| room \| sister \| tense \| widow
In This Our Life (1942)	Anger	1:04:56 - Stanley gets angry	angry \| arguing \| chromatic scale \| conflict \| leading lady \| leaving \| minor-major 7th chord \| pc set \| room \| running \| tense \| uncle \| upset \| widow \| yelling
In This Our Life (1942)	Underscoring (Tense)	1:05:14 - Craig in his office	advance plot \| arriving \| augmented triad \| lawyer \| leading lady \| leading man \| office \| pc set \| pedal tone \| tense \| underscoring
In This Our Life (1942)	Stanley B (Slowly)	1:07:19 - Stanley talks to Craig	advance plot \| anxious \| chromatic sequence \| dissonant bass \| lawyer \| leading lady \| leading man \| manipulating \| office \| tense
In This Our Life (1942)	Fast Driving + Stanley	1:08:53 - Stanley driving	car \| car \| child \| combination of themes \| crime scene \| criminal \| driving \| drunk \| leading lady \| mysterious \| oscillation \| street \| tense \| uneasy \| victim \| walking \| whole-tone scale
In This Our Life (1942)	Fast Driving	1:09:12 - Stanley drives away	accident \| car \| car \| car crash \| crime scene \| criminal \| driving \| drunk \| fleeing \| hit and run \| leading lady \| mysterious \| oscillation \| tense \| whole-tone scale
In This Our Life (1942)	Police	1:09:16 - A police car arrives	arriving \| car \| chromatic scale \| driving \| investigation scene \| menacing \| pedal tone \| police \| room \| tense
In This Our Life (1942)	Underscoring (Tense)	1:09:25 - Policemen approach the house	arriving \| chromatic parallelism \| conversing \| criminal \| investigation scene \| leading lady \| mysterious \| pedal tone \| police \| room \| tense \| walking \| watching
In This Our Life (1942)	Stanley (Descending Staircase)	1:09:49 - Policemen enter the house	arriving \| conversing \| criminal \| investigating \| investigation scene \| leading lady \| mysterious \| pc set \| police \| room \| sneaking \| tense \| walking \| watching
In This Our Life (1942)	Stanley Introduction (Extended 3)	1:12:42 - Stanley talks with Roy	9th chord \| advance plot \| conversing \| criminal \| leading lady \| lying \| room \| tense
In This Our Life (1942)	Stanley (Molto Accell)	1:15:15 - Craig talks about Stanley	anxious \| conflict \| conversing \| defending \| denying \| half-diminished 7th chord \| lawyer \| leading lady \| leading man \| office \| pc set \| refusing \| sigh gesture \| tense
In This Our Life (1942)	Fast Driving (Tense)	1:20:10 - Craig's car pulls up to the jail	arriving \| car \| car \| conflict \| conversing \| criminal \| lawyer \| leading lady \| leading man \| oscillation \| pc set \| street \| tense \| underscoring \| uneasy
In This Our Life (1942)	Stanley Introduction (Extended 4)	1:23:09 - Stanley and Craig leave the jail	9th chord \| car \| conflict \| criminal \| lawyer \| leading lady \| leading man \| leaving \| street \| tense
In This Our Life (1942)	Underscoring (Tense) + South American Way	1:25:34 - Stanley reacts	accusing \| climax \| criminal \| father \| lawyer \| leading lady \| leading man \| lying \| mother \| mysterious \| ominous \| remembered source music \| remembering \| room \| source and scoring overlap \| source music \| suspect \| tense \| underscoring
In This Our Life (1942)	Big Sweep (Subtle)	1:27:23 - Stanley reacts	9th chord \| climax \| conversing \| criminal \| father \| lawyer \| leading lady \| leading man \| mother \| pc set \| plotting \| room \| suspect \| tense \| underscoring
In This Our Life (1942)	Fast Driving	1:29:17 - Stanley driving her car	criminal \| driving \| escaping \| leading lady \| oscillation \| street \| tense \| transition \| whole-tone scale
In This Our Life (1942)	Stanley (Triste)	1:29:42 - Stanley enters the house	9th chord \| agitated \| appoggiatura \| circle of fifths \| criminal \| leading lady \| room \| running \| sigh gesture \| somber \| tense \| transition \| uncle
In This Our Life (1942)	Police (Chase)	1:32:36 - Stanley runs for her car	chromatic scale \| conflict \| criminal \| dissonant bass \| driving \| fleeing \| hiding \| leading lady \| ostinato \| police \| running \| rushing \| street \| tense
In This Our Life (1942)	Stanley (Chase)	1:32:59 - The police chase after Stanley	9th chord \| acceleration \| chase scene \| chasing \| chromatic scale \| climax \| criminal \| desperate \| dramatic \| driving \| fleeing \| fragmentation \| leading lady \| police \| street \| tense
In This Our Life (1942)	Stanley (Fleeing)	1:33:12 - The police chase after Stanley	64 chord \| chase scene \| chasing \| chromatic mediant \| climax \| criminal \| desperate \| diminution \| dramatic \| driving \| fleeing \| leading lady \| ostinato \| police \| sequential modulation \| street \| tense
In This Our Life (1942)	Underscoring (Dramatic)	1:33:29 - Two other policeman see Stanley	chase scene \| chasing \| chromatic scale \| climax \| criminal \| dark \| dramatic \| driving \| fleeing \| half-diminished 7th chord \| leading lady \| pc set \| police \| street \| tense \| underscoring \| watching
In This Our Life (1942)	Stanley (Crying)	1:33:37 - Stanley crying in her car	9th chord \| appoggiatura \| chase scene \| chasing \| climax \| criminal \| crying \| dark \| dramatic \| driving \| fleeing \| harmonic sequence \| leading lady \| police \| somber \| street \| tense
In This Our Life (1942)	Stanley + Stanley B (Rising Tension)	1:33:49 - The police in hot pursuit	chase scene \| chasing \| chromatic scale \| chromatic sequence \| climax \| combination of themes \| criminal \| desperate \| dissonant bass \| dramatic \| driving \| fleeing \| half-diminished 7th chord \| leading lady \| police \| street \| tense
In This Our Life (1942)	Stanley (Desperate)	1:34:02 - The police in hot pursuit	9th chord \| chase scene \| chasing \| chromatic parallelism \| climax \| criminal \| crying \| desperate \| dramatic \| driving \| fleeing \| fragmentation \| leading lady \| police \| street \| tense
In This Our Life (1942)	Underscoring (Dramatic)	1:34:09 - Stanley's eyes in the rear-view mirror	9th chord \| acceleration \| chase scene \| chasing \| climax \| criminal \| crying \| desperate \| dissonant bass \| dramatic \| driving \| fleeing \| leading lady \| pc set \| police \| street \| tense \| tone cluster \| underscoring
In This Our Life (1942)	Car crash 2	1:34:17 - Stanley's car crashes	9th chord \| brash \| car \| car crash \| chase scene \| climax \| crashing \| criminal \| dramatic \| driving \| dying \| falling \| fire \| leading lady \| mickey-mousing \| police \| street \| tense
In This Our Life (1942)	Underscoring (Tense)	1:35:22 - Policemen on the radio	altered dominant \| calling \| police \| police station \| reporting \| resolution \| room \| solemn \| somber \| tense \| underscoring
The Informer (1935)	Rule, Britannia!	0:02:32 - Close-up on the 20 pound reward on the poster	British \| dark \| establish character \| familiar tune \| leading man \| linear chromaticism \| looking \| mode change \| patriotic tune \| poster \| source music \| street \| tense
The Informer (1935)	Underscoring (Tense)	0:05:04 - Gypo sees the man and walks towards him	establish character \| leading lady \| leading man \| mysterious \| street \| tense \| underscoring \| walking \| whole-tone
The Informer (1935)	Running and hiding	0:07:54 - Frankie runs and hides in the shadows	chromatic scale \| establish character \| familiar tune \| folk song \| hero \| hiding \| mickey-mousing \| running \| soldier \| street \| tense
The Informer (1935)	The Wearin' o' the Green (Mysterious)	0:08:57 - Frankie enters the Dunboy house to join the rebels	arriving \| diminished 7th chord \| dissonant bass \| establish character \| familiar tune \| folk song \| hero \| Irish \| leading man \| mysterious \| parallelism \| room \| street \| tense
The Informer (1935)	Yankee Doodle (Fateful Decision)	0:12:56 - Gypo has a vision of the wanted poster	American \| contemplating \| deciding \| familiar tune \| flashback \| leading man \| linear chromaticism \| montage \| mysterious \| patriotic tune \| pedal tone \| pivotal scene \| room \| street \| tense \| vision
The Informer (1935)	Katie (Fateful Decision)	0:13:48 - Gypo heads towards the British headquarters	American \| church bell \| contemplating \| deciding \| diminished 7th chord \| familiar tune \| leading man \| mickey-mousing \| mysterious \| parallelism \| patriotic tune \| pedal tone \| pivotal scene \| police station \| street \| tense
The Informer (1935)	Blood Money (Extended)	0:18:55 - British officer tosses money down on the table	antagonist \| augmented triad \| grabbing \| leading man \| money \| mysterious \| pivotal scene \| police \| police station \| tense \| tossing \| tritone \| whole-tone
The Informer (1935)	Blood Money (Counting Money)	0:19:21 - Gypo closes the door	advance plot \| antagonist \| counting \| leading man \| money \| mysterious \| street \| tense \| tritone
The Informer (1935)	Blood Money + Blind Man	0:20:27 - Gypo looks at Frankie's poster again	advance plot \| antagonist \| combination of themes \| leading man \| looking \| mysterious \| poster \| street \| tense \| whole-tone
The Informer (1935)	Blood Money (Whiskey)	0:21:03 - Gypo takes his money out to pay the bartender	advance plot \| antagonist \| bartender \| leading man \| money \| mysterious \| paying \| pub \| tense
The Informer (1935)	The Informer (Drinking)	0:21:23 - Gypo takes a drink	advance plot \| antagonist \| bartender \| drinking \| leading man \| mysterious \| octatonic \| pub \| Scotch snap \| tense \| tritone \| whole-tone \| whole-tone chord
The Informer (1935)	Blood Money (Worrying)	0:21:57 - Gypo worries about what he has done	advance plot \| antagonist \| augmented triad \| drinking \| hearing voices \| leading man \| mysterious \| planning \| pub \| tense \| thinking \| tritone \| whole-tone \| worrying
The Informer (1935)	Blood Money (Four Coins)	0:23:15 - Bartender puts four coins on the table	advance plot \| antagonist \| augmented triad \| bartender \| coin \| counting \| half-diminished 7th chord \| leading lady \| leading man \| mickey-mousing \| money \| mysterious \| placing \| pub \| tense
The Informer (1935)	The Informer (Lying)	0:23:40 - Gypo lies about where he got the money	advance plot \| antagonist \| chromatic sequence \| conversing \| diminished 7th chord \| dissonant bass \| half-diminished 7th chord \| leading lady \| leading man \| lying \| octatonic \| pub \| Scotch snap \| tense
The Informer (1935)	Blood Money (Delicato)	0:28:43 - Gypo drops four coins on the floor	antagonist \| augmented triad \| coin \| dropping \| leading man \| mickey-mousing \| money \| mourner \| pivotal scene \| room \| staring \| tense \| whole-tone
The Informer (1935)	The Informer (Tense)	0:29:21 - Gypo defends himself	antagonist \| coin \| leading man \| money \| mourner \| mysterious \| pivotal scene \| room \| Scotch snap \| staring \| tense \| whole-tone \| whole-tone chord
The Informer (1935)	The Informer (Walking Fast)	0:30:13 - Gypo storms off down the street	64 chord \| advance plot \| antagonist \| chromatic parallelism \| diminished 7th chord \| hurrying \| leading man \| Scotch snap \| street \| tense \| walking
The Informer (1935)	The Wearin' o' the Green (Headquarters)	0:31:29 - Irish rebel headquarters	64 chord \| advance plot \| deceptive resolution \| dissonant bass \| familiar tune \| folk song \| Irish \| rebel \| room \| tense \| waiting
The Informer (1935)	The Informer (Burning Poster) + Blood Money	0:32:03 - Gypo in rebel headquarters	advance plot \| antagonist \| burning \| combination of themes \| diminished 7th chord \| fire \| headquarters \| leading man \| mickey-mousing \| mysterious \| octatonic \| rebel \| rising \| room \| Scotch snap \| tense \| tone cluster
The Informer (1935)	The Informer (Accused)	0:38:40 - Rebel accuses Gypo of being the informer	64 chord \| advance plot \| conversing \| headquarters \| parallelism \| rebel \| room \| suspicion \| tense
The Informer (1935)	Underscoring (Tense)	0:39:05 - Rebels talk about Gypo	advance plot \| conversing \| half-diminished 7th chord \| headquarters \| rebel \| room \| tense \| underscoring
The Informer (1935)	The Wearin' o' the Green (Bugle Call)	0:39:25 - Rebels plan to watch Gypo	advance plot \| conversing \| familiar tune \| folk song \| headquarters \| Irish \| parallelism \| rebel \| room \| tense
The Informer (1935)	The Irish Washerwoman (Pub) + Blood Money + The Wearin' o' the Green + The Informer	0:44:52 - People celebrate in the pub	advance plot \| antagonist \| bar \| chaotic \| chromatic scale \| close-up \| combination of themes \| crowd \| dark \| dissonant bass \| excited \| familiar tune \| folk song \| foreign key modulation \| happy \| heroic \| Irish \| layering \| leading man \| mob \| mobbing \| octatonic \| parallelism \| pedal tone \| polytonality \| rebel \| serving \| source to score \| spying \| tense \| whole-tone \| yelling \| zoom in
The Informer (1935)	The Wearin' o' the Green (Somber)	0:57:08 - Dan and Mary talk about the rebel organization	64 chord \| conversing \| diminished 7th chord \| familiar tune \| folk song \| hero \| heroic \| love interest \| love scene \| room \| tense
The Informer (1935)	Underscoring (Tense)	1:08:34 - Gypo accuses Peter	64 chord \| accusing \| courtroom \| courtroom scene \| headquarters \| mickey-mousing \| room \| stinger \| suspect \| tense
The Informer (1935)	Blood Money (Ostinato)	1:17:10 - Gypo waits in his cell while the rebels draw straws	advance plot \| antagonist \| dripping \| escaping \| gun \| headquarters \| leading man \| mysterious \| ostinato \| prison \| rebel \| room \| shooting \| tense \| traitor \| whispering \| worrying
The Informer (1935)	The Informer (Risoluto)	1:20:12 - Rebels plan to catch Gypo	advance plot \| arriving \| headquarters \| octatonic \| planning \| rebel \| room \| tense \| whole-tone chord
The Informer (1935)	Underscoring (Dramatic)	1:20:24 - Rebels plan how to catch Gypo	9th chord \| 64 chord \| advance plot \| bold \| fanfare \| headquarters \| hurrying \| planning \| rebel \| room \| tense
The Informer (1935)	The Informer (Gypo Hides)	1:20:38 - Gypo sees British soldiers marching	antagonist \| hiding \| leading man \| marching \| running \| street \| tense \| traitor \| transition
The Informer (1935)	Gypo runs away	1:21:26 - Gypo runs and hides	agitated \| antagonist \| chromatic parallelism \| diminished 7th chord \| hiding \| leading man \| mickey-mousing \| running \| sequence \| street \| tense \| traitor \| transition
The Informer (1935)	The Informer (Up the Stairs)	1:21:35 - Gypo goes up the stairs	64 chord \| agitated \| antagonist \| chromatic sequence \| fragmentation \| hallway \| hiding \| leading man \| mickey-mousing \| running \| sequence \| stairs \| tense \| traitor \| transition \| up
The Informer (1935)	Blood Money (Ostinato)	1:22:00 - Gypo confesses to Katie	antagonist \| confessing \| leading lady \| leading man \| love interest \| love scene \| money \| ostinato \| room \| tense \| traitor \| whole-tone
The Informer (1935)	Katie (Allegro Appassionato)	1:22:20 - Gypo talks to Katie	antagonist \| confessing \| leading lady \| leading man \| love interest \| love scene \| room \| sequence \| tense \| traitor
The Informer (1935)	Katie (Begging)	1:24:42 - Katie pleads for Gypo	64 chord \| advance plot \| begging \| leading lady \| love interest \| rebel \| room \| sequence \| serious \| tense
The Informer (1935)	Begging	1:25:13 - Katie pleads for Gypo	advance plot \| begging \| diminished 7th chord \| dissonant bass \| leading lady \| love interest \| pedal tone \| rebel \| room \| sequence \| serious \| tense
The Informer (1935)	The Informer (Sympathetic)	1:26:35 - Katie tells Dan where Gypo is	advance plot \| eavesdropping \| leading lady \| love interest \| main theme \| rebel \| room \| spying \| tense
The Informer (1935)	Begging 2	1:26:41 - Katie begs for Gypo's life	advance plot \| anxiety \| begging \| chromatic scale \| despair \| leading lady \| love interest \| rebel \| room \| sequence \| tense
The Informer (1935)	Katie (Furioso)	1:26:55 - Katie becomes desperate	advance plot \| anxiety \| begging \| chromatic parallelism \| despair \| dissonant bass \| fragmentation \| leading lady \| love interest \| rebel \| room \| sentence form \| sequence \| tense \| whole-tone chord
The Informer (1935)	Blood Money (Ostinato)	1:27:32 - Rebels come to capture Gypo	antagonist \| climax \| leading man \| mysterious \| ostinato \| rebel \| room \| sneaking \| tense \| traitor \| whispering
The Informer (1935)	The Escape (The Fight)	1:28:25 - Rebels shoot through the door	antagonist \| augmented triad \| chromatic parallelism \| chromatic scale \| climax \| down \| dramatic \| escaping \| falling \| fighting \| leading man \| linear chromaticism \| mickey-mousing \| rebel \| room \| running \| tense \| traitor \| whole-tone
The Informer (1935)	Blood Money (Tuttissimo)	1:28:53 - Gypo stumbles into a church	antagonist \| church \| climax \| dirge \| dissonant bass \| dominant pedal \| dying \| half-diminished 7th chord \| leading man \| mysterious \| street \| stumbling \| tense \| traitor \| walking \| whole-tone \| whole-tone chord
Key Largo (1948)	The Bus	0:01:26 - The bus is pulled over	agitated \| bus \| car \| establish setting \| police \| street \| tense \| traveling
Key Largo (1948)	Bus Stops	0:01:42 - The bus stops	bus \| car \| establish setting \| police \| stopping \| street \| tense
Key Largo (1948)	Largo Hotel	0:02:34 - Frank arrives at the Largo hotel	bus \| establish setting \| hotel \| mode change \| peaceful \| stopping \| tense
Key Largo (1948)	Largo Hotel (Quasi Misterioso)	0:11:00 - Frank and Nora talk in the hotel	conversing \| establish character \| hotel \| leading lady \| leading man \| mysterious \| tense
Key Largo (1948)	McCloud (Tense)	0:14:56 - Nora and Frank talk about George	advance plot \| agitated \| death \| father \| hotel \| leading lady \| leading man \| memory \| mode change \| remembering \| storytelling \| tense \| war
Key Largo (1948)	Wind	0:18:21 - Frank helps prepare for the storm	conversing \| dock \| falling in love scene \| gangster \| leading lady \| leading man \| storm \| tense \| wind
Key Largo (1948)	Tosses rope	0:18:32 - Frank tosses the rope to Nora	dock \| falling in love scene \| leading lady \| leading man \| mickey-mousing \| rope \| tense \| throwing
Key Largo (1948)	Rocco (Tense)	0:26:13 - Curly talks with Rocco	boss \| conversing \| dressing \| establish character \| gangster \| hotel \| tense \| tremolo
Key Largo (1948)	Underscoring (Dramatic)	0:33:17 - Mr. Temple rises to attack Rocco	angry \| arguing \| attacking \| boss \| conflict \| dramatic \| father \| gangster \| hostage \| hotel \| laughing \| leading lady \| leading man \| tense \| underscoring
Key Largo (1948)	Falling	0:33:38 - Mr. Temple falls to the ground	angry \| boss \| conflict \| dramatic \| falling \| father \| gangster \| hostage \| hotel \| landing \| leading lady \| leading man \| mickey-mousing \| tense
Key Largo (1948)	Underscoring (Dramatic)	0:33:43 - Nora rises to attack Rocco	angry \| attacking \| boss \| conflict \| dramatic \| father \| gangster \| hitting \| horror \| hostage \| hotel \| kissing \| leading lady \| leading man \| tense \| underscoring \| violence
Key Largo (1948)	Rocco 3	0:39:45 - Rocco looks at Nora	boss \| conflict \| creepy \| father \| gangster \| hostage \| hotel \| leading lady \| leading man \| mysterious \| tense \| watching
Key Largo (1948)	Rocco Whispers	0:39:53 - Rocco whispers to Nora	boss \| conflict \| creepy \| father \| gangster \| hostage \| hotel \| leading lady \| leading man \| mickey-mousing \| mysterious \| tense \| whisper effect \| whispering
Key Largo (1948)	Rocco 3	0:40:06 - Rocco follows Nora	boss \| conflict \| creepy \| father \| following \| gangster \| hostage \| hotel \| leading lady \| leading man \| mysterious \| tense
Key Largo (1948)	Rocco Whispers	0:40:10 - Rocco whispers to Nora	boss \| conflict \| creepy \| father \| gangster \| hostage \| hotel \| leading lady \| leading man \| mickey-mousing \| mysterious \| tense \| whisper effect \| whispering
Key Largo (1948)	Underscoring (Tense)	0:46:30 - Rocco tells McCloud to shoot him	boss \| conflict \| conversing \| father \| gangster \| hostage \| hotel \| leading lady \| leading man \| moll \| tense \| underscoring
Key Largo (1948)	Rocco 3 (Shrill)	0:46:38 - Rocco mocks McCloud	boss \| conflict \| dangerous \| father \| gangster \| gun \| hostage \| hotel \| leading lady \| leading man \| moll \| tense \| threatening
Key Largo (1948)	Tension (Violent)	0:46:44 - McCloud decides whether to shoot	boss \| conflict \| dangerous \| father \| gangster \| gun \| hostage \| hotel \| leading lady \| leading man \| moll \| tense \| threatening \| violence \| violent
Key Largo (1948)	Rocco + Tension	0:46:48 - Rocco's grinning face	boss \| combination of themes \| conflict \| dangerous \| father \| gangster \| gun \| hostage \| hotel \| leading lady \| leading man \| moll \| staring \| tense \| threatening \| violence \| violent
Key Largo (1948)	Rocco 3 + Tension + Laughing	0:46:53 - Gangsters laugh at McCloud	boss \| combination of themes \| conflict \| dangerous \| father \| gangster \| gun \| hostage \| hotel \| laughing \| leading lady \| leading man \| mocking \| moll \| tense \| violence \| violent
Key Largo (1948)	Tosses gun	0:47:06 - McCloud tosses the gun onto a chair	boss \| conflict \| father \| gangster \| gun \| hostage \| hotel \| leading lady \| leading man \| mickey-mousing \| moll \| tense \| tossing \| violence
Key Largo (1948)	Rocco 3 (Extended)	0:47:08 - Mr. Temple asks for the gun	boss \| conflict \| dangerous \| father \| gangster \| gun \| hostage \| hotel \| leading lady \| leading man \| moll \| staring \| tense \| threatening \| violence \| violent
Key Largo (1948)	Scrambling	0:47:31 - Deputy runs for the gun	boss \| conflict \| dangerous \| father \| gangster \| gun \| hostage \| hotel \| leading lady \| leading man \| mickey-mousing \| moll \| running \| scrambling \| tense \| violent
Key Largo (1948)	Underscoring (Dramatic)	0:48:10 - Rocco shoots Deputy Sawyer	boss \| conflict \| death \| dramatic \| father \| fear \| gangster \| gun \| gunshot \| horror \| hostage \| hotel \| leading lady \| leading man \| look of horror \| moll \| shooting \| stinger \| tense
Key Largo (1948)	Falling and dying	0:48:19 - Deputy Sawyer falls dead off-screen	boss \| conflict \| death \| dramatic \| dying \| falling \| father \| gangster \| gun \| gunshot \| hostage \| hotel \| leading lady \| leading man \| mickey-mousing \| moll \| tense
Key Largo (1948)	Ominous	0:51:32 - Lights begin to go out in the hotel	boss \| conversing \| dark \| develop character \| father \| gangster \| hostage \| hotel \| leading lady \| leading man \| menacing \| moll \| ominous \| preparing \| storm \| tense
Key Largo (1948)	Moanin’ Low (Tense)	0:59:24 - Gaye takes a drink	alcohol \| boss \| develop character \| drinking \| familiar tune \| father \| gangster \| hostage \| hotel \| leading lady \| leading man \| moll \| slapping \| tense \| whole-tone
Key Largo (1948)	Underscoring (Tense)	0:59:37 - McCloud and Gaye exchange glances	boss \| develop character \| father \| gangster \| hostage \| hotel \| leading lady \| leading man \| moll \| staring \| tense \| underscoring
Key Largo (1948)	Storm	1:06:07 - Tree crashes through window	beach \| blowing \| crashing \| dramatic \| hurricane \| raining \| storm \| storm scene \| tense
Key Largo (1948)	Tree falls	1:06:28 - Stormy weather outside	beach \| dramatic \| falling \| hurricane \| mickey-mousing \| storm \| storm scene \| tense \| tree
Key Largo (1948)	Shelter in the Storm	1:06:41 - Storm continues outside	beach \| blowing \| crashing \| dramatic \| hurricane \| Indian \| raining \| sheltering \| storm \| storm scene \| tense
Key Largo (1948)	Storm Subsides	1:07:15 - Storm starts to die down	beach \| blowing \| calming \| dramatic \| hurricane \| raining \| storm \| storm scene \| tense
Key Largo (1948)	Rocco (Agitato)	1:08:53 - Gangsters see that their boat is missing	advance plot \| angry \| announcing \| boss \| danger \| discovering \| gangster \| hotel \| stinger \| tense \| violent
Key Largo (1948)	Sheriff Leaves	1:13:51 - Rocco waits for the sheriff to leave	boss \| conflict \| deception \| gangster \| hotel \| leaving \| nervous \| police \| tense
Key Largo (1948)	Underscoring (Dramatic)	1:14:48 - Sheriff finds out that it is Sawyer	conflict \| corpse \| discovering \| dramatic \| hotel \| murder \| realizing \| sheriff \| tense \| underscoring
Key Largo (1948)	Rocco (Tense)	1:15:03 - Rocco claims the Indians murdered Sawyer	angry \| boss \| conflict \| dock \| gangster \| lying \| murder \| police \| tense \| violent
Key Largo (1948)	Underscoring (Tense)	1:15:37 - Sheriff approaches Indians	conflict \| dock \| Indian \| searching \| sheriff \| tense \| underscoring
Key Largo (1948)	Rocco 2 (Setup)	1:15:43 - Indians run from the sheriff	conflict \| death \| dock \| fleeing \| gun \| gunshot \| menacing \| running \| setup \| sheriff \| shooting \| tense \| violent
Key Largo (1948)	Underscoring (Tense)	1:16:54 - Close-ups on McCloud and Rocco	boss \| gangster \| hotel \| investigation scene \| leading man \| staring \| tense \| underscoring
Key Largo (1948)	Rocco	1:17:15 - Sheriff questions Rocco	boss \| gangster \| hotel \| investigation scene \| menacing \| police \| questioning \| tense
Key Largo (1948)	Rocco 3 (Tense)	1:17:52 - Sheriff questions gangster	gangster \| hotel \| investigation scene \| police \| questioning \| tense
Key Largo (1948)	Underscoring (Tense)	1:18:21 - Sheriff leaves	boss \| gangster \| hotel \| investigation scene \| police \| questioning \| tense \| underscoring
Key Largo (1948)	Rocco 2	1:18:34 - The policemen takes Sawyer's body	boss \| gangster \| hotel \| investigation scene \| menacing \| police \| tense \| violent \| watching
Key Largo (1948)	Underscoring (Tense)	1:18:47 - They all walk to another room	boss \| father \| gangster \| hostage \| hotel \| investigation scene \| leading lady \| leading man \| moll \| obeying \| tense \| underscoring
Key Largo (1948)	Rocco (Tense)	1:19:02 - Rocco welcomes new gangsters	boss \| conversing \| friend \| gangster \| greeting \| hotel \| investigation scene \| laughing \| tense \| underscoring
Key Largo (1948)	Underscoring (Tense)	1:20:19 - Rocco speaks with Ziggy	advance plot \| boss \| gangster \| giving \| hotel \| tense \| underscoring
Key Largo (1948)	Rocco (Heavily)	1:21:28 - Gangsters handle the counterfeit money	advance plot \| brash \| gangster \| hotel \| money \| observing \| tense \| villain
Key Largo (1948)	Rocco 3	1:24:03 - Rocco approaches Nora	advance plot \| boss \| conversing \| father \| gangster \| hotel \| tense \| violent
Key Largo (1948)	Rocco Whispers	1:24:08 - Rocco whispers in Nora's ear	advance plot \| boss \| gangster \| hotel \| leading lady \| mysterious \| tense \| whisper effect \| whispering
Key Largo (1948)	Walking	1:24:21 - Gangsters go down the stairs	advance plot \| gangster \| hotel \| mickey-mousing \| tense \| walking
Key Largo (1948)	Rocco (Packing Up)	1:24:28 - Gangsters pack up their things	advance plot \| boss \| gangster \| hotel \| leaving \| packing \| preparing \| tense
Key Largo (1948)	Underscoring (Tense)	1:24:37 - Gaye watches Rocco	advance plot \| boss \| gangster \| hotel \| leaving \| mysterious \| packing \| preparing \| tense \| underscoring
Key Largo (1948)	Moanin’ Low (Ominous)	1:25:21 - Gaye hands Rocco's gun to McCloud	advance plot \| boss \| deceiving \| deception \| familiar tune \| gangster \| gun \| hotel \| moll \| ominous \| tense
Key Largo (1948)	Rocco (Tense)	1:25:49 - Gangsters leave to board the boat	advance plot \| boss \| dock \| father \| gangster \| hostage \| leading lady \| leading man \| moll \| tense \| walking
Key Largo (1948)	Hurrying	1:26:02 - Gangsters walk to the boat	advance plot \| boss \| dock \| father \| gangster \| hostage \| hurrying \| leading lady \| leading man \| mickey-mousing \| moll \| tense \| walking
Key Largo (1948)	Underscoring (Dramatic)	1:26:10 - Gangsters board the boat with McCloud	advance plot \| boarding \| boss \| dock \| dramatic \| gangster \| hostage \| leading lady \| leading man \| moll \| storm \| tense \| underscoring \| wind
Key Largo (1948)	Tension (The Boat)	1:26:31 - McCloud tries to start the boat	advance plot \| boat \| boat \| boss \| dramatic \| gangster \| hostage \| leading man \| leaving \| motor \| sputtering \| starting \| stinger \| tense
Key Largo (1948)	Rocco exits	1:35:14 - Rocco exits	boat \| boss \| conflict \| dramatic \| exiting \| gangster \| gun \| gunshot \| leading man \| mickey-mousing \| shooting \| tense
Key Largo (1948)	Rocco's Death	1:35:17 - Rocco falls	boat \| boss \| conflict \| death \| dramatic \| dying \| falling \| gangster \| gun \| gunshot \| leading man \| mickey-mousing \| shooting \| stinger \| tense
Key Largo (1948)	Climbing down	1:35:31 - McCloud climbs down	boat \| climbing \| conflict \| descending \| leading man \| mickey-mousing \| mysterious \| tense
Key Largo (1948)	Tension (The Boat 2)	1:35:44 - McCloud steers the boat	boat \| conflict \| hopeful \| leading man \| steering \| tense
The Letter (1940)	Letter	0:00:08 - Bette Davis	main title \| opening title sequence \| starring list \| tense \| yearning
The Letter (1940)	Leslie	0:00:11 - The Letter	9th chord \| changing meter \| main title \| minor-major 7th chord \| opening title sequence \| oscillation \| sequence \| suspension \| tense \| title of film
The Letter (1940)	Leslie (Rubato)	0:00:44 - Cast list	9th chord \| cast list \| changing meter \| main title \| minor-major 7th chord \| opening title sequence \| oscillation \| sequence \| sequential modulation \| suspension \| tense
The Letter (1940)	Leslie (Revolver)	0:03:43 - A pistol lies on the steps	changing meter \| conversing \| foreign key modulation \| fragmentation \| gun \| harmonic sequence \| home \| leading lady \| murderer \| murder scene \| oscillation \| sequential modulation \| servant \| tense
The Letter (1940)	Native 2	0:04:12 - Leslie talks to the workers	conversing \| home \| leading lady \| murderer \| murder scene \| open fifth \| pentatonic \| servant \| stinger \| tense \| underscoring
The Letter (1940)	Runners	0:05:14 - Workers run through jungle	action scene \| chromatic parallelism \| dramatic \| heroic \| jungle \| running \| sequential modulation \| servant \| tense
The Letter (1940)	Underscoring (Tense)	0:06:21 - Robert goes in the house	arriving \| chromatic scale \| diminished 7th chord \| home \| husband \| tense \| transition \| underscoring
The Letter (1940)	Underscoring (Tense)	0:12:42 - Leslie gets up	advance plot \| home \| leading lady \| recounting \| tense \| underscoring \| whole-tone \| whole-tone chord
The Letter (1940)	Leslie (The Story)	0:13:14 - Leslie gives her story	advance plot \| changing meter \| home \| leading lady \| lying \| oscillation \| recounting \| tense \| whole-tone chord
The Letter (1940)	Leslie (Risoluto)	0:14:07 - Leslie continues her story	advance plot \| augmented triad \| chromatic parallelism \| dramatic \| fragmentation \| home \| leading lady \| pc set \| polychord \| recounting \| sequence \| tense
The Letter (1940)	Leslie (Tragic)	0:14:31 - The scene of the crime	advance plot \| changing meter \| composer reference \| dramatic \| home \| leading lady \| oscillation \| point of view \| recounting \| sequence \| sequential modulation \| suspension \| tense
The Letter (1940)	Murder	0:18:36 - Leslie reacts to the mention of murder	advance plot \| eating \| home \| leading lady \| major 7th chord \| murder \| mysterious \| oscillation \| stinger \| tense
The Letter (1940)	Leslie (The Story)	0:22:26 - Leslie speaks with Howard	advance plot \| changing meter \| home \| lawyer \| leading lady \| lying \| oscillation \| recounting \| tense \| whole-tone \| whole-tone chord
The Letter (1940)	Leslie (Ominous)	0:22:58 - The site of the murder	advance plot \| augmentation \| call and response \| Chinese \| dramatic \| leading lady \| leaving \| mysterious \| plantation \| reveal \| shadow \| spying \| stinger \| tense \| watching \| widow
The Letter (1940)	Leslie (Mysterioso)	0:30:04 - Howard in his office	advance plot \| augmented major 7th chord \| lawyer \| mysterious \| office \| oscillation \| pc set \| quartal chord \| suspension \| tense \| thinking
The Letter (1940)	Leslie B (Screwyoso 2)	0:30:23 - Howard grabs the letter	advance plot \| lawyer \| letter \| mysterious \| office \| sequence \| tense \| thinking
The Letter (1940)	Waiting	0:31:24 - Howard waits for Leslie	advance plot \| lawyer \| pacing \| prison \| tense \| waiting \| whole-tone chord
The Letter (1940)	Leslie (Tense)	0:34:20 - Howard tells Leslie about the letter	9th chord \| altered dominant \| chromatic parallelism \| conversing \| lawyer \| leading lady \| letter \| pivotal scene \| prison \| sequence \| suspenseful \| tense
The Letter (1940)	Deception	0:34:35 - Leslie lies about the letter	chromatic scale \| deception \| lawyer \| leading lady \| letter \| lying \| pc set \| pivotal scene \| prison \| tense
The Letter (1940)	Leslie (Rising) + Deception	0:34:47 - Howard gives Leslie the letter	altered dominant \| augmented triad \| chromatic parallelism \| combination of themes \| deception \| denying \| lawyer \| leading lady \| letter \| lying \| oscillation \| ostinato \| pc set \| pivotal scene \| prison \| reading \| sequence \| tense
The Letter (1940)	Leslie (Risoluto)	0:35:11 - Leslie reacts angrily to the letter	arguing \| augmented triad \| chromatic parallelism \| deception \| fragmentation \| lawyer \| leading lady \| letter \| lying \| oscillation \| pc set \| pivotal scene \| polychord \| prison \| sequence \| tense
The Letter (1940)	Denial	0:35:39 - Leslie denies writing the letter	augmented triad \| chromatic parallelism \| deception \| lawyer \| leading lady \| letter \| lying \| pivotal scene \| prison \| tense
The Letter (1940)	Letter (Agitato)	0:36:08 - Leslie talks to Howard	deception \| lawyer \| leading lady \| letter \| lying \| pc set \| pivotal scene \| prison \| sequence \| tense
The Letter (1940)	Letter (Frantic)	0:36:16 - Leslie admits to writing the letter	chromatic sequence \| deception \| lawyer \| leading lady \| letter \| lying \| pivotal scene \| prison \| sequence \| tense
The Letter (1940)	Underscoring (Tense)	0:36:22 - Leslie explains why she wrote the letter	deception \| lawyer \| leading lady \| letter \| lying \| pivotal scene \| prison \| tense \| whole-tone chord
The Letter (1940)	Leslie (The Story)	0:36:42 - Leslie lies to Howard	changing meter \| deception \| lawyer \| leading lady \| letter \| lying \| oscillation \| pivotal scene \| prison \| tense \| whole-tone chord
The Letter (1940)	Underscoring (Tense)	0:36:53 - Howard takes out the letter	deception \| denying \| lawyer \| leading lady \| letter \| ominous \| pivotal scene \| prison \| tense \| tritone \| tritone \| whole-tone \| whole-tone chord
The Letter (1940)	Leslie (Risoluto)	0:37:07 - Howard reads the letter to Leslie	anxious \| augmented triad \| buildup \| chromatic parallelism \| fearful \| fragmentation \| lawyer \| leading lady \| letter \| oscillation \| pc set \| pivotal scene \| polychord \| prison \| reading \| sequence \| tense
The Letter (1940)	Leslie (Tragic)	0:37:21 - Howard talks to Leslie	anxious \| changing meter \| climax \| conversing \| fearful \| lawyer \| leading lady \| letter \| oscillation \| pivotal scene \| prison \| sequence \| sequential modulation \| suspension \| tense
The Letter (1940)	Leslie B (Screwyoso)	0:37:34 - Howard talks to Leslie	anxious \| chromatic sequence \| conversing \| fearful \| lawyer \| leading lady \| letter \| pivotal scene \| prison \| sequence \| tense
The Letter (1940)	Leslie (Shimmery 3)	0:37:54 - Howard talks to Leslie	anxious \| conversing \| fearful \| lawyer \| leading lady \| letter \| oscillation \| pivotal scene \| prison \| sequence \| sequential modulation \| stinger \| suspension \| tense
The Letter (1940)	Collapse	0:38:20 - Leslie collapses	anxious \| collapsing \| fainting \| falling \| fearful \| half-diminished 7th chord \| lawyer \| leading lady \| letter \| mickey-mousing \| pivotal scene \| prison \| suspension \| tense
The Letter (1940)	Leslie B (Con Moto)	0:39:25 - Leslie asks Howard about the letter	advance plot \| conversing \| hospital \| lawyer \| leading lady \| letter \| sequence \| tense
The Letter (1940)	Leslie (Plotting)	0:39:32 - Howard and Leslie plot their next move	9th chord \| advance plot \| buildup \| changing meter \| chromatic sequence \| fragmentation \| hospital \| lawyer \| leading lady \| letter \| minor-major 7th chord \| ominous \| oscillation \| plotting \| tense
The Letter (1940)	Law Office (The Plea)	0:40:00 - Howard asks Leslie to be honest	9th chord \| advance plot \| anxious \| artwork in score \| chromatic sequence \| conversing \| hospital \| lawyer \| leading lady \| letter \| refusing \| tense
The Letter (1940)	Leslie (Despair)	0:40:33 - Leslie despairs	advance plot \| anxious \| changing meter \| conversing \| despair \| dissonant bass \| hospital \| lawyer \| leading lady \| letter \| oscillation \| sequence \| tense
The Letter (1940)	Leslie (Rising) + Deception	0:40:57 - Leslie talks to Howard	advance plot \| angry \| augmented triad \| chromatic parallelism \| combination of themes \| conversing \| deception \| hospital \| lawyer \| leading lady \| letter \| sequence \| staring \| tense
The Letter (1940)	Leslie (Uneasy)	0:49:41 - They discuss the trial	dinner \| home \| husband \| lawyer \| leading lady \| oscillation \| pc set \| planning \| tense \| tone cluster \| trial \| whole-tone chord
The Letter (1940)	Leslie B (Ethereal)	0:52:33 - Howard and Leslie talk	advance plot \| chromatic sequence \| conversing \| home \| lawyer \| leading lady \| sequence \| tense
The Letter (1940)	Leslie (Tragic)	0:52:55 - Howard and Leslie talk	advance plot \| changing meter \| conversing \| home \| lawyer \| leading lady \| oscillation \| sequence \| sequential modulation \| suspension \| tense
The Letter (1940)	Leslie B	0:53:10 - Howard and Leslie talk	advance plot \| conversing \| home \| lawyer \| leading lady \| sequence \| tense
The Letter (1940)	Leslie (Screwyoso)	0:53:35 - Howard and Leslie walk away	lawyer \| leading lady \| leaving \| oscillation \| plantation \| sequence \| tense \| transition
The Letter (1940)	Chinese Shop	0:55:30 - Howard and Leslie look around	antagonist \| Chinatown \| Chinese \| Chinese \| exotic \| exoticism \| lawyer \| layering \| leading lady \| Lydian mode \| mirroring \| mysterious \| open fifth \| parallel fifths \| parallelism \| polytonality \| quintal chord \| tense \| transition \| waiting \| walking
The Letter (1940)	Mrs. Hammond (Mysterioso)	0:56:29 - Howard and Leslie wait in the shop	antagonist \| Chinatown \| Chinese \| Chinese \| exotic \| lawyer \| leading lady \| mysterious \| open fifth \| parallel fifths \| parallelism \| pedal tone \| pentatonic \| shop \| tense \| transition \| waiting
The Letter (1940)	Mrs. Hammond (Dagger)	0:57:04 - Leslie looks at a Chinese dagger	antagonist \| Chinatown \| Chinese \| Chinese \| dagger \| exotic \| lawyer \| leading lady \| mysterious \| open fifth \| parallel fifths \| parallelism \| pedal tone \| pentatonic \| polytonality \| shop \| tense \| transition \| waiting
The Letter (1940)	Glass Curtains	0:59:08 - Mrs. Hammond enters through the glass curtain	antagonist \| Chinatown \| Chinese \| chromatic scale \| conflict \| curtain \| entering \| glass \| lawyer \| layering \| leading lady \| mirroring \| mysterious \| ostinato \| parallelism \| pc set \| polyrhythm \| shop \| staring \| tense \| tinkling \| tone cluster \| waiting \| whole-tone \| whole-tone chord
The Letter (1940)	Mrs. Hammond + Glass Curtains	1:00:13 - Leslie faces Mrs. Hammond	antagonist \| Chinatown \| Chinese \| Chinese \| chromatic scale \| combination of themes \| conflict \| conversing \| curtain \| glass \| lawyer \| layering \| leading lady \| mirroring \| mysterious \| ostinato \| parallelism \| paying \| pc set \| pentatonic \| polyrhythm \| shop \| staring \| tense \| tinkling \| tone cluster \| waiting \| whole-tone \| whole-tone chord
The Letter (1940)	Leslie + Glass Curtains	1:01:27 - Leslie removes her shawl	antagonist \| Chinatown \| Chinese \| Chinese \| chromatic scale \| combination of themes \| conflict \| conversing \| curtain \| glass \| lawyer \| layering \| leading lady \| mirroring \| mysterious \| oscillation \| ostinato \| parallelism \| pc set \| polyrhythm \| sequence \| shop \| staring \| tense \| tinkling \| tone cluster \| waiting \| whole-tone \| whole-tone chord
The Letter (1940)	Leslie B + Glass Curtains	1:01:57 - Leslie approaches Mrs. Hammond	antagonist \| Chinatown \| Chinese \| chromatic scale \| combination of themes \| conflict \| confronting \| curtain \| glass \| lawyer \| layering \| leading lady \| mirroring \| mysterious \| ostinato \| parallelism \| pc set \| polyrhythm \| sequence \| shop \| staring \| tense \| tinkling \| tone cluster \| walking \| whole-tone \| whole-tone chord
The Letter (1940)	Glass Curtains	1:02:21 - Leslie faces Mr. Hammond	antagonist \| Chinatown \| Chinese \| chromatic scale \| conflict \| confronting \| curtain \| glass \| lawyer \| layering \| leading lady \| mirroring \| mysterious \| ostinato \| parallelism \| pc set \| polyrhythm \| shop \| staring \| tense \| tinkling \| tone cluster \| whole-tone \| whole-tone chord
The Letter (1940)	Mrs. Hammond (Contempt) + Glass Curtains	1:02:40 - Leslie stoops down to pick up the letter	antagonist \| Chinatown \| Chinese \| Chinese \| chromatic scale \| combination of themes \| conflict \| confronting \| contempt \| curtain \| glass \| lawyer \| layering \| leading lady \| mirroring \| mysterious \| ostinato \| parallelism \| pc set \| pentatonic \| polyrhythm \| shop \| staring \| stooping \| tense \| tinkling \| tone cluster \| whole-tone \| whole-tone chord
The Letter (1940)	Leslie B (Dark) + Glass Curtains	1:02:50 - Leslie looks at the letter	antagonist \| Chinatown \| Chinese \| chromatic scale \| combination of themes \| conflict \| confronting \| curtain \| dark \| glass \| lawyer \| layering \| leading lady \| mirroring \| mysterious \| ostinato \| parallelism \| pc set \| polyrhythm \| sequence \| shop \| staring \| tense \| tinkling \| tone cluster \| whole-tone \| whole-tone chord
The Letter (1940)	Leslie (Restless)	1:14:42 - Robert asks about the letter	arguing \| conflict \| fragmentation \| home \| husband \| lawyer \| leading lady \| lying \| major 7th chord \| sequence \| tense
The Letter (1940)	Leslie (Wild)	1:14:57 - Robert waits for a response	9th chord \| arguing \| augmented major 7th chord \| chromatic parallelism \| conflict \| distress \| fragmentation \| home \| husband \| lawyer \| leading lady \| lying \| sequence \| tense
The Letter (1940)	Distress	1:15:08 - Robert confronts the lawyer	9th chord \| arguing \| conflict \| dissonant bass \| distress \| home \| husband \| lawyer \| leading lady \| tense
The Letter (1940)	Leslie (Molto Agitato)	1:15:28 - Robert argues with Leslie	arguing \| chromatic parallelism \| conflict \| distress \| home \| husband \| lawyer \| leading lady \| oscillation \| pc set \| sequence \| tense
The Letter (1940)	Underscoring (Dramatic)	1:15:45 - Robert asks to see the letter	arguing \| augmented triad \| conflict \| diminished 7th chord \| dramatic \| home \| husband \| lawyer \| leading lady \| letter \| pc set \| sequence \| tense \| underscoring
The Letter (1940)	Robert and Leslie (Tragic)	1:16:14 - Leslie tells Howard to give Robert the letter	conflict \| home \| husband \| lawyer \| leading lady \| letter \| love theme \| reading \| somber \| tense
The Letter (1940)	Leslie (Rising) + Deception	1:17:52 - Leslie confesses to Robert	augmented triad \| chromatic parallelism \| combination of themes \| confessing \| conflict \| dramatic \| home \| husband \| lawyer \| leading lady \| letter \| oscillation \| ostinato \| recounting \| sequence \| tense
The Letter (1940)	Mrs. Hammond + Foxtrot No. 1 B	1:21:15 - Leslie looks around	advance plot \| Chinese \| combination of themes \| dagger \| dance music \| foxtrot \| home \| leading lady \| looking \| mysterious \| open fifth \| parallel fifths \| pentatonic \| polymeter \| polytonality \| source music \| tense
The Letter (1940)	Leslie + Foxtrot No. 3	1:25:08 - Leslie looks out the window	added-note chord \| climax \| combination of themes \| common-chord modulation \| dance music \| foreign key modulation \| foxtrot \| home \| lacework \| leading lady \| obsession \| obsessive \| oscillation \| sequence \| source music \| tense \| thinking
The Letter (1940)	Leslie (Ethereal)	1:26:36 - Leslie and Robert look at each other	climax \| home \| husband \| leading lady \| oscillation \| pc set \| pedal tone \| staring \| tense
The Letter (1940)	Underscoring (Tense)	1:26:52 - Leslie talks to Robert	climax \| conversing \| home \| husband \| leading lady \| staring \| tense \| underscoring
The Letter (1940)	Robert and Leslie (Tense)	1:27:06 - Leslie talks to Robert	chromatic mediant \| climax \| conversing \| gentle \| home \| husband \| leading lady \| love theme \| Neapolitan \| suspension \| tender \| tense
The Letter (1940)	Deception (Lohengreenish)	1:28:01 - Leslie reacts to Robert's forgiveness	chromatic mediant \| climax \| conversing \| diminished 7th chord \| dissonant bass \| home \| husband \| kissing \| leading lady \| ostinato \| retardation \| romantic \| sequence \| suspension \| tense
The Letter (1940)	Policeman	1:33:31 - A policeman comes to investigate	antagonist \| Chinese \| climax \| investigating \| plantation \| policeman \| tense
Lightning Strikes Twice (1951)	Trev (Screwy)	0:18:19 - Trev hands a candle to Shelly	actor \| candle \| chromatic scale \| conversing \| establish character \| leading lady \| leading man \| mysterious \| room \| suspect \| tense \| uneasy \| whole-tone chord
Lightning Strikes Twice (1951)	Shelly (Concerned)	0:18:30 - Shelly looks at Trev	actor \| candle \| concerned \| conversing \| establish character \| leading lady \| leading man \| room \| sigh gesture \| suspect \| tense \| thinking
Lightning Strikes Twice (1951)	Fear	0:19:42 - Shelly lies down in the dark	actor \| chromatic parallelism \| darkness \| establish character \| fear \| leading lady \| leading man \| listening \| room \| suspect \| tense \| thinking \| whole-tone chord
Lightning Strikes Twice (1951)	Shelly and Trev	NIF - not in film	9th chord \| actor \| blowing \| candle \| cut from film \| establish character \| leading lady \| leading man \| light \| room \| suspect \| suspension \| tense \| turning off
Lightning Strikes Twice (1951)	Molto Agitato	0:32:50 - String gets angry	actor \| anger \| arguing \| brother \| chromatic parallelism \| chromatic scale \| chromatic wedge \| conflict \| dramatic \| half-diminished 7th chord \| leading lady \| oscillation \| pc set \| priest \| rancher \| room \| tense
Lightning Strikes Twice (1951)	Menace (Poco Meno)	0:33:06 - String argues	actor \| anger \| arguing \| brother \| chromatic parallelism \| conflict \| diminished 7th chord \| leading lady \| priest \| rancher \| room \| tense
Lightning Strikes Twice (1951)	Anger	0:33:15 - String gets angry	actor \| anger \| arguing \| brother \| conflict \| crying \| dramatic \| leading lady \| oscillation \| priest \| rancher \| room \| tense \| tone cluster \| whole-tone chord \| yelling
Lightning Strikes Twice (1951)	Father Paul	0:33:25 - Liza comforts String	actor \| anger \| brother \| comforting \| conflict \| crying \| dark \| leading lady \| priest \| rancher \| room \| somber \| tense
Lightning Strikes Twice (1951)	Fear (Vertigo)	0:42:57 - Shelly talks with Trev	actor \| cliff \| conversing \| countryside \| danger \| falling in love scene \| fear \| heights \| leading lady \| leading man \| love interest \| suspect \| tense \| underscoring
Lightning Strikes Twice (1951)	Shelly (Expressivo) + Shelly 2 (Expressivo)	0:43:13 - Shelly talks with Trev	actor \| calm \| cliff \| combination of themes \| conversing \| countryside \| falling in love scene \| leading lady \| leading man \| love interest \| romance \| suspect \| tense
Lightning Strikes Twice (1951)	Underscoring (Tense)	0:44:51 - Shelly talks with Trev	actor \| cliff \| conversing \| countryside \| falling in love scene \| leading lady \| leading man \| love interest \| suspect \| suspenseful \| tense \| underscoring
Lightning Strikes Twice (1951)	Fear	0:46:12 - Shelly is scared and can't move	actor \| cliff \| clinging \| countryside \| dark \| falling in love scene \| fear \| heights \| leading lady \| leading man \| love interest \| suspect \| tense
Lightning Strikes Twice (1951)	Trev (Triste 2)	0:46:33 - Trev climbs to help Shelly	actor \| cliff \| climbing \| countryside \| danger \| falling in love scene \| helping \| heroic \| leading lady \| leading man \| love interest \| rescue \| rescuing \| romantic \| somber \| suspect \| tense
Lightning Strikes Twice (1951)	Rescue	0:47:42 - Trev rescues Shelly	actor \| cliff \| climbing \| countryside \| dramatic \| falling in love scene \| helping \| leading lady \| leading man \| love interest \| rescue \| rescuing \| suspect \| tense \| triumphant
Lightning Strikes Twice (1951)	Menace (Molto Misterioso)	0:50:38 - Liza leaves the room	actor \| car \| leading lady \| leaving \| luggage \| mysterious \| packing \| ranch \| rancher \| somber \| tense \| transition
Lightning Strikes Twice (1951)	Underscoring (Dark)	1:02:38 - Harvey drives	actor \| arriving \| car \| conflict \| danger \| dark \| driving \| friend \| leading lady \| love interest \| ranch \| stopping \| tense \| underscoring
Lightning Strikes Twice (1951)	Shelly (Worried)	1:03:05 - Harvey gets out of the car	actor \| arriving \| car \| concerned \| conflict \| conversing \| dark \| friend \| leading lady \| love interest \| ranch \| tense \| worried
Lightning Strikes Twice (1951)	Menace (Nightmare)	1:05:38 - Trev tells Shelly of a recurring dream	actor \| comforting \| conversing \| crying \| dark \| leading lady \| leading man \| love interest \| love scene \| ranch \| solemn \| suspect \| tense
Lightning Strikes Twice (1951)	Shelly and Trev (Misterioso)	1:09:40 - Shelly and Myra talk	actor \| advance plot \| conversing \| leading lady \| mother \| mysterious \| owner \| room \| tense
Lightning Strikes Twice (1951)	Allargando	1:10:03 - Shelly learns that Liza loves Trev	actor \| advance plot \| concerned \| conversing \| dark \| leading lady \| mother \| owner \| room \| tense
Lightning Strikes Twice (1951)	Pulls doorknob	1:16:03 - Shelly pulls off the doorknob	actor \| danger \| doorknob \| husband \| leading lady \| leading man \| love scene \| mickey-mousing \| mysterious \| pulling \| room \| suspect \| suspicion \| tense
Lightning Strikes Twice (1951)	Menace (Expressivo)	1:18:00 - Shelly is worried	actor \| concern \| danger \| hearing voices \| leading lady \| mad scene \| room \| tense \| worried \| worrying
Lightning Strikes Twice (1951)	Mournful	1:18:16 - Shelly is worried	actor \| concern \| cut from film \| danger \| hearing voices \| leading lady \| mad scene \| room \| tense \| worried \| worrying
Lightning Strikes Twice (1951)	Spider	1:18:41 - Trev hits a spider	actor \| bug effect \| fear \| hitting \| husband \| leading lady \| leading man \| mad scene \| room \| running \| scurrying \| spider \| suspect \| tense
Lightning Strikes Twice (1951)	Menace (Poco Meno)	1:21:41 - String calms down	brother \| conversing \| danger \| murderer \| rancher \| room \| tense \| thematic transference \| turning point
Lightning Strikes Twice (1951)	Anger (Extended)	1:21:51 - String plans to leave	brother \| conversing \| murderer \| plotting \| rancher \| room \| tense \| turning point \| underscoring
Lightning Strikes Twice (1951)	Shelly (Molto Agitato)	NIF - not in film	actor \| agitated \| arriving \| car \| cut from film \| dark \| driving \| leading lady \| ranch \| tense \| turning point
Lightning Strikes Twice (1951)	Menace (Tense)	1:22:36 - Liza wanders through the house	headlights \| murderer \| rancher \| room \| tense \| thinking \| turning point \| uneasy \| wandering
Lightning Strikes Twice (1951)	Escape	1:26:51 - Liza runs away	actor \| brother \| chasing \| climax \| dark \| escaping \| friend \| husband \| leading lady \| leading man \| murderer \| ranch \| rancher \| room \| tense
Lightning Strikes Twice (1951)	Trev runs	1:27:01 - Trev runs after Liza	chasing \| climax \| dramatic \| husband \| leading man \| mickey-mousing \| murderer \| ranch \| rancher \| running \| tense
Lightning Strikes Twice (1951)	Escape (Getaway)	1:27:08 - Trev runs back inside	actor \| brother \| chasing \| climax \| dramatic \| escaping \| friend \| husband \| leading lady \| leading man \| murderer \| ranch \| rancher \| room \| tense
Lightning Strikes Twice (1951)	Menace (The Chase)	1:27:42 - Liza and String drive away	brother \| car \| chasing \| climax \| countryside \| dramatic \| driving \| escaping \| frantic \| motorcycle \| murderer \| police \| rancher \| speeding \| tense
Lightning Strikes Twice (1951)	Menace (The Crash)	1:28:30 - Liza drives off the hill	brother \| car \| car crash \| climax \| countryside \| crashing \| death \| dramatic \| dying \| murderer \| police \| rancher \| tense
Mildred Pierce (1945)	Transition	0:00:10 - Starring list and wave effect	9th chord \| bold \| chromatic scale \| dissonant bass \| fanfare \| mickey-mousing \| opening title sequence \| tense \| title of film \| water \| wave
Mildred Pierce (1945)	Murdered Man	0:10:06 - Wally discovers the body	action scene \| corpse \| dark \| death \| dramatic \| friend \| linear chromaticism \| looking \| mickey-mousing \| murder \| room \| split-7th chord \| telephone \| tense \| victim
Mildred Pierce (1945)	Phone rings	0:10:16 - Phone rings	action scene \| death \| friend \| mickey-mousing \| murder \| ringing \| room \| split-7th chord \| telephone \| tense \| victim
Mildred Pierce (1945)	Wally stands up and walks	0:10:21 - Wally stands up to go to the phone	action scene \| friend \| mickey-mousing \| rising \| room \| standing \| tense \| up \| victim \| walking
Mildred Pierce (1945)	Wally sneaks	0:10:37 - Wally sneaks down the hall	action scene \| diminished 7th chord \| friend \| mickey-mousing \| room \| sneaking \| tense \| victim
Mildred Pierce (1945)	Underscoring (Tense)	0:11:13 - Policemen investigate the scene	action scene \| altered dominant \| beach \| conversing \| dissonant bass \| friend \| mysterious \| police \| searching \| sequence \| tense \| underscoring \| victim
Mildred Pierce (1945)	Mildred (Sehr Dramatic)	0:12:06 - Mildred arrives home	advance plot \| arriving \| chromatic scale \| chromatic sequence \| dark \| daughter \| diminished 7th chord \| dramatic \| half-diminished 7th chord \| heroine \| imitation \| leading lady \| street \| tense \| tritone \| worrying
Mildred Pierce (1945)	Underscoring (Tense)	0:13:03 - Mildred leaves with the detectives	advance plot \| conversing \| detective \| foreign key modulation \| heroine \| leading lady \| murder \| street \| tense \| underscoring
Mildred Pierce (1945)	Drink to Me Only With Thine Eyes	0:16:07 - Cop whistles to himself	advance plot \| detective \| familiar tune \| heroine \| leading lady \| on-screen music \| police \| police station \| source music \| tense \| ticking \| whistling
Mildred Pierce (1945)	Mildred (Tense)	0:28:43 - Mildred goes to open the door	advance plot \| fragmentation \| heroine \| leading lady \| pedal tone \| room \| tense \| walking
Mildred Pierce (1945)	Mazurka in B-Flat Major (Tense)	0:38:47 - Veda plays a Chopin Mazurka	arguing \| child \| classical music \| common-tone diminished 7th \| conflict \| familiar tune \| half-diminished 7th chord \| heroine \| leading lady \| on-screen music \| playing \| quotation \| room \| scored source music \| source music \| tense \| upbeat \| waltz
Mildred Pierce (1945)	Secret Revealed	0:39:10 - Mildred argues with Veda	angry \| arguing \| child \| chromatic parallelism \| chromatic scale \| chromatic wedge \| conflict \| harsh \| heroine \| leading lady \| linear chromaticism \| octatonic chord \| room \| tense
Mildred Pierce (1945)	Mildred (Appassionato)	0:39:22 - Mildred argues with Veda	angry \| arguing \| child \| chromatic scale \| conflict \| foreign key modulation \| heroine \| leading lady \| raising \| room \| standing \| tense \| whole-tone scale
Mildred Pierce (1945)	Mildred raises Veda	0:39:22 - Mildred lifts her daughter up by the arm	angry \| arguing \| child \| conflict \| heroine \| leading lady \| mickey-mousing \| raising \| room \| standing \| tense \| whole-tone scale
Mildred Pierce (1945)	Mildred B (Angry)	0:39:30 - Mildred argues with Veda	11th chord \| angry \| arguing \| child \| conflict \| fragmentation \| heroine \| leading lady \| room \| slapping \| tense
Mildred Pierce (1945)	Kay and Veda (Troubled)	NIF - not in film	altered dominant \| chromatic mediant \| chromatic scale \| common-chord modulation \| cut from film \| dissonant \| dramatic \| foreign key modulation \| fragmentation \| hopeful \| mode mixture \| sequence \| tender \| tense \| tragic \| turbulent \| whole-tone chord \| whole-tone scale
Mildred Pierce (1945)	Pneumonia	0:54:25 - A doctor works on Kay	child \| chromatic scale \| dark \| death scene \| doctor \| dying \| ex-husband \| heroine \| illness \| leading lady \| mickey-mousing \| nurse \| oscillation \| patient \| pc set \| room \| sick person \| somber \| tense \| treating \| turning point \| waiting \| watching
Mildred Pierce (1945)	Kay and Veda (Dying)	0:55:05 - Kay's family waits and watches	11th chord \| child \| dark \| death scene \| doctor \| dying \| ex-husband \| heroine \| illness \| leading lady \| nurse \| patient \| room \| sick person \| somber \| tense \| treating \| turning point \| waiting \| watching
Mildred Pierce (1945)	Pneumonia (Dying)	0:55:24 - Kay passes away	9th chord \| child \| chromatic parallelism \| dark \| death \| death scene \| doctor \| dying \| ex-husband \| heroine \| illness \| leading lady \| linear chromaticism \| minor-major 7th chord \| nurse \| oscillation \| patient \| room \| sick person \| somber \| tense \| treating \| turning point \| waiting \| watching
Mildred Pierce (1945)	It Can't Be Wrong (Troubled)	1:04:30 - Bert interrupts Mildred and Monte's kiss	advance plot \| conversing \| dark \| ex-husband \| familiar tune \| heroine \| leading lady \| love interest \| popular music \| restaurant \| source to score \| suspension \| tense \| troubled
Mildred Pierce (1945)	Breaks glass	1:05:35 - Bert slaps the glass out of Monte's hand	advance plot \| breaking \| down \| ex-husband \| falling \| glass \| heroine \| leading lady \| love interest \| mickey-mousing \| restaurant \| tense \| throwing \| violence
Mildred Pierce (1945)	It Can't Be Wrong (Uneasy)	1:05:36 - Bert stares angrily at Monte	advance plot \| dark \| ex-husband \| familiar tune \| glaring \| heroine \| leading lady \| leaving \| love interest \| pedal tone \| popular music \| restaurant \| source to score \| tense \| uneasy
Mildred Pierce (1945)	Kay and Veda (Sly)	1:13:55 - Mildred tells Monte to not see Veda	arguing \| breakup \| chromatic wedge \| chromatic wedge \| conflict \| disagreement \| heroine \| leading lady \| love interest \| ominous \| room \| sinister \| tense \| whole-tone chord
Mildred Pierce (1945)	Kay and Veda (Troubled)	1:14:06 - Mildred and Monte argue	arguing \| breakup \| chromatic scale \| chromatic sequence \| conflict \| disagreement \| fragmentation \| heroine \| leading lady \| love interest \| ominous \| room \| sinister \| tense \| whole-tone chord \| whole-tone scale
Mildred Pierce (1945)	Mildred (Agitato)	1:14:37 - Mildred and Monte argue	agitated \| arguing \| breakup \| conflict \| distortion \| half-diminished 7th chord \| heroine \| leading lady \| love interest \| room \| tense
Mildred Pierce (1945)	Underscoring (Tense)	1:14:53 - Mildred and Monte argue	9th chord \| added-note chord \| arguing \| bitter \| breakup \| conflict \| deceptive resolution \| heroine \| leading lady \| love interest \| room \| tense \| underscoring
Mildred Pierce (1945)	It Can't Be Wrong (Bitter)	1:15:29 - Mildred writes Monte a check	arguing \| bitter \| breakup \| conflict \| dissonant bass \| familiar tune \| fragmentation \| heroine \| leading lady \| love interest \| mickey-mousing \| popular music \| room \| source to score \| tense
Mildred Pierce (1945)	Underscoring (Tense)	1:18:34 - Veda tells her mother she is married	antagonist \| chromatic parallelism \| chromatic wedge \| conflict \| conversing \| daughter \| diminished 7th chord \| friend \| heroine \| leading lady \| oscillation \| reverse stinger \| room \| tense \| underscoring
Mildred Pierce (1945)	Secret Revealed	1:18:59 - Veda talks to her mother	antagonist \| chromatic parallelism \| chromatic scale \| chromatic wedge \| conflict \| conversing \| daughter \| fear \| friend \| heroine \| leading lady \| linear chromaticism \| octatonic chord \| room \| surprise \| tense
Mildred Pierce (1945)	Kay and Veda (Coy)	1:19:11 - Veda talks to her mother	antagonist \| apologizing \| chromatic parallelism \| conflict \| daughter \| friend \| heroine \| leading lady \| room \| tense
Mildred Pierce (1945)	Mildred (Waltz Fantasy)	1:19:18 - Mildred talks to Veda	9th chord \| antagonist \| appoggiatura \| chromatic parallelism \| comforting \| conflict \| daughter \| dream-like \| friend \| heroine \| leading lady \| room \| tense
Mildred Pierce (1945)	Kay and Veda (Agitato)	1:22:22 - Veda and her mother argue	agitated \| antagonist \| arguing \| augmented sixth chord \| blackmail \| chromatic sequence \| conflict \| daughter \| fragmentation \| heroine \| leading lady \| room \| tense
Mildred Pierce (1945)	Mildred (Appassionato)	1:23:00 - Veda expresses her disgust with her mother	angry \| antagonist \| arguing \| chromatic scale \| conflict \| daughter \| foreign key modulation \| heroine \| insulting \| leading lady \| room \| tense
Mildred Pierce (1945)	Mildred B (Angry 2)	1:23:09 - Mildred gets angry at Veda	angry \| antagonist \| arguing \| conflict \| daughter \| fragmentation \| heroine \| insulting \| leading lady \| room \| tense
Mildred Pierce (1945)	Mildred (Vicious)	1:23:21 - Veda insults her mother	angry \| antagonist \| arguing \| chromatic parallelism \| chromatic wedge \| conflict \| daughter \| heroine \| insulting \| leading lady \| reverse stinger \| room \| tense \| whole-tone chord
Mildred Pierce (1945)	Mildred B (Angry)	1:23:38 - Mildred tears up Veda's check	angry \| antagonist \| arguing \| check \| conflict \| daughter \| fighting \| heroine \| leading lady \| pc set \| room \| slapping \| tearing \| tense \| violence \| yelling
Mildred Pierce (1945)	Mildred (Mad)	1:43:19 - Mildred makes a phone call	anger \| angry \| calling \| dissonant bass \| half-diminished 7th chord \| heroine \| leading lady \| room \| tense \| turbulent \| turning point \| walking
Mildred Pierce (1945)	Kay and Veda (Coy 2)	1:44:37 - Veda is brought in by the police	antagonist \| chromatic parallelism \| daughter \| deceiving \| deception \| detective \| entering \| interrogating \| interrogation \| parallelism \| police station \| questioning \| tense
Mildred Pierce (1945)	Secret Revealed	1:45:37 - Mildred finds Veda and Monte together	antagonist \| chromatic parallelism \| chromatic scale \| chromatic wedge \| climax \| dark \| daughter \| discovering \| kissing \| linear chromaticism \| reveal \| room \| stinger \| tense
Mildred Pierce (1945)	Kay and Veda (Agitato)	1:46:05 - Veda reveals that she is in love with Monte	antagonist \| augmented sixth chord \| betrayal \| betraying \| chromatic scale \| chromatic sequence \| climax \| dark \| daughter \| fragmentation \| heroine \| leading lady \| revealing \| room \| tense
Mildred Pierce (1945)	Mildred B (Angry)	1:48:06 - Veda confesses to Mildred	angry \| antagonist \| confessing \| confession \| daughter \| diminished 7th chord \| fragmentation \| heroine \| leading lady \| lying \| murderer \| murder scene \| pc set \| room \| tense
Mildred Pierce (1945)	Mildred (Ominous)	1:48:41 - Mildred calls the police	antagonist \| begging \| chromatic sequence \| daughter \| fragmentation \| heroine \| imitation \| leading lady \| murderer \| murder scene \| ominous \| room \| tense
Mildred Pierce (1945)	Underscoring (Tense)	1:48:54 - Veda asks her mother not to turn her in	antagonist \| begging \| daughter \| foreign key modulation \| heroine \| leading lady \| murderer \| murder scene \| room \| tense \| underscoring
The Life of Vergie Winters (1934)	Lullaby (Agitated)	1:01:27 - John and Laura argue about Joan	agitated \| arguing \| common-tone diminished 7th \| conflict \| diminished 7th chord \| direct modulation \| fragmentation \| harmonic sequence \| leading man \| octatonic scale \| room \| tense \| transcribed by ear \| wife
The Life of Vergie Winters (1934)	Lullaby (Adagio)	1:03:02 - Joan reacts	conflict \| daughter \| diminished 7th chord \| direct modulation \| dissonant bass \| leading man \| love interest \| revealing \| room \| stinger \| surprise \| tense \| wife
The Life of Vergie Winters (1934)	Lullaby (Doloroso)	1:05:58 - John talks with his wife Laura	9th chord \| arguing \| conflict \| dark \| leading man \| leaving \| reverse picardy \| room \| tense \| wife
The Life of Vergie Winters (1934)	Lullaby (Passionate)	1:09:39 - John and Vergie embrace	9th chord \| advance plot \| embracing \| leading lady \| leading man \| pedal tone \| romantic \| room \| secret lover \| tense
The Life of Vergie Winters (1934)	Lullaby (Very Ethereal)	1:19:04 - Vergie exits the prison	daughter \| dissonant bass \| husband \| leading lady \| pedal tone \| prison \| prisoner \| resolution \| somber \| suspect \| tense \| walking
Out of the Fog (1941)	Transition	0:00:08 - Starring list	9th chord \| deceptive resolution \| harbor \| opening title sequence \| starring list \| tense \| transition
Out of the Fog (1941)	Russian Barcarolle (Risoluto)	0:00:27 - Cast list	cast list \| chromatic scale \| chromatic sequence \| dark \| enharmonic respelling \| folk-like \| harbor \| opening title sequence \| sequence \| tense
Out of the Fog (1941)	Harbor Front	0:01:11 - Goff descends a ladder	boat \| criminal \| establish character \| fire \| harbor \| leading man \| sneaking \| tense
Out of the Fog (1941)	Underscoring (Dark)	0:20:11 - Jonah reacts	arguing \| boat \| chef \| conflict \| conversing \| criminal \| dark \| dock \| extortion \| father \| fisherman \| friend \| leading man \| stinger \| tense \| threatening \| underscoring
Out of the Fog (1941)	Russian Barcarolle (Threatening)	0:20:40 - Goff threatens Jonah	arguing \| boat \| breaking \| chef \| conflict \| conversing \| criminal \| dark \| dock \| extortion \| father \| fisherman \| friend \| leading man \| tense \| threatening \| violence
Out of the Fog (1941)	Drab	0:24:36 - Stella in bed	advance plot \| father \| ignoring \| knocking \| leading lady \| room \| smoking \| somber \| tense \| thinking \| whispering
Out of the Fog (1941)	Russian Barcarolle (Dark 2)	0:27:12 - Jonah and Olaf react	arguing \| chef \| conflict \| conversing \| criminal \| dark \| dock \| extortion \| father \| fisherman \| friend \| gun \| leading man \| stinger \| tense \| threatening
Out of the Fog (1941)	Animato	0:27:43 - Goff pulls out a gun	chef \| conflict \| conversing \| criminal \| dock \| extortion \| father \| fisherman \| foreign key modulation \| friend \| gun \| leading man \| tense \| threatening
Out of the Fog (1941)	Underscoring (Tense)	0:28:20 - Jonah and Olaf react	chef \| conflict \| conversing \| criminal \| dock \| extortion \| father \| fisherman \| friend \| leading man \| tense \| threatening \| underscoring
Out of the Fog (1941)	Gangster (Tense)	0:41:05 - Stella kisses Goff	bluesy \| criminal \| dock \| embracing \| kissing \| leading lady \| leading man \| love scene \| tense
Out of the Fog (1941)	Underscoring (Dramatic)	0:45:13 - Goff enters	arriving \| conflict \| conversing \| criminal \| dock \| dramatic \| father \| fisherman \| friend \| leading man \| tense
Out of the Fog (1941)	Russian Barcarolle (Fragmented)	0:46:14 - Jonah calls for the cop	arguing \| conflict \| criminal \| dock \| extortion \| father \| fisherman \| fragmentation \| friend \| leading man \| police \| tense \| yelling
Out of the Fog (1941)	Underscoring (Tense)	0:46:34 - Jonah accuses Goff	arguing \| conflict \| conversing \| criminal \| dock \| extortion \| father \| fisherman \| friend \| leading man \| police \| tense \| underscoring
Out of the Fog (1941)	Russian Barcarolle (Fragmented)	0:46:50 - Olaf accuses Goff	conflict \| conversing \| criminal \| departing \| dock \| extortion \| father \| fisherman \| fragmentation \| friend \| leading man \| police \| tense
Out of the Fog (1941)	Russian Barcarolle (Death Threat)	0:50:48 - Goff mocks Jonah	conflict \| criminal \| dark \| extortion \| father \| fisherman \| leading man \| mocking \| street \| tense \| threatening \| violence
Out of the Fog (1941)	Father and Daughter (Tender)	0:51:32 - Maps of Cuba	advance plot \| arriving \| conversing \| father \| fisherman \| leading lady \| mirror shot \| packing \| room \| tender \| tense
Out of the Fog (1941)	Animato (Extended)	1:07:04 - Jonah and Olaf help George	arguing \| boyfriend \| conflict \| criminal \| dock \| fisherman \| friend \| leading man \| tense \| violence
Out of the Fog (1941)	Speeding Car (Arriving)	1:11:50 - A speeding car	action scene \| car \| dramatic \| driving \| fisherman \| friend \| rushed \| rushing \| street \| tense
Out of the Fog (1941)	Speeding Car	1:12:30 - A car racing down the street	action scene \| car \| double exposure \| dramatic \| driving \| leading lady \| point-of-view shot \| police \| rushed \| rushing \| street \| tense
Out of the Fog (1941)	Morgue	1:12:37 - The morgue	action scene \| arriving \| conversing \| corpse \| death \| fear \| leading lady \| morgue \| ominous \| police \| tense
Out of the Fog (1941)	Speeding Car (Extended)	1:13:32 - A car racing down the street	action scene \| car \| crowd \| double exposure \| dramatic \| driving \| leading lady \| minor-major 7th chord \| point-of-view shot \| police \| questioning \| reporter \| rushed \| rushing \| street \| tense
Kid Galahad (1937)	Doublecross (Heated)	1:16:02 - Nick arrives at the farm	advance plot \| arguing \| arriving \| chromatic mediant \| farm \| leading man \| manager \| not by Steiner \| sister \| tense \| transcribed by ear
The Unfaithful (1947)	Tanner	0:23:46 - Mrs. Tanner boards a trolley	advance plot \| altered dominant \| antagonist \| fragmentation \| irregular meter \| newspaper \| pc set \| quartal chord \| reading \| street \| tense \| traveling \| trolley \| widow
The Unfaithful (1947)	Underscoring (Tense)	0:43:21 - Lady talks to Larry	advance plot \| conversing \| law office \| lawyer \| office \| pedal tone \| tense \| underscoring
The Unfaithful (1947)	Unfaithful (Distressed)	0:52:17 - The maid turns on a lamp	9th chord \| advance plot \| arriving \| foreign key modulation \| forlorn \| leading lady \| maid \| obsession \| ostinato \| pc set \| room \| tense
The Unfaithful (1947)	Unfaithful (Ominous)	1:09:06 - Chris on the phone	advance plot \| lawyer \| leading lady \| monophonic \| office \| phone call \| room \| tense \| thinking
The Unfaithful (1947)	Unfaithful (Rising)	1:09:33 - The art shop is locked	lawyer \| ostinato \| parallelism \| sequence \| shop \| tense \| transition \| worrying
The Unfaithful (1947)	Walking	1:09:50 - Bob goes for a walk	husband \| park \| pedal tone \| tense \| transition \| walking
The Unfaithful (1947)	Tanner	1:10:47 - Men get out of the car	altered dominant \| antagonist \| arriving \| foreshadowing \| fragmentation \| husband \| irregular meter \| pc set \| quartal chord \| street \| tense \| transition \| walking
The Unfaithful (1947)	Unfaithful (Not in Film)	NIF - not in film	acceleration \| arguing \| climax \| cut from film \| husband \| Neapolitan \| ostinato \| room \| sequential modulation \| tense \| wife
We Are Not Alone (1939)	Transition	0:00:18 - Book pages showing main cast	augmented sixth chord \| cast list \| chromatic scale \| linear chromaticism \| main title \| opening title sequence \| tense
We Are Not Alone (1939)	Appassionato	0:03:13 - Gerald is scolded by his mother	antagonist \| boy \| child \| chromatic parallelism \| chromatic scale \| deceptive resolution \| dominant 7th chord \| establish character \| fragmentation \| harmonic sequence \| hero \| home \| linear chromaticism \| mother \| passionate \| scolding \| sequence \| telling a story \| tense
We Are Not Alone (1939)	I Do Like to Be Beside the Seaside	0:17:49 - Exterior of a British dance hall	ABAC structure \| conflict \| doctor \| familiar tune \| helping \| hero \| heroine \| score to source \| source music \| street \| tense
We Are Not Alone (1939)	Surprise Symphony (Worried)	0:22:57 - David hears Gerald crying	advance plot \| boy \| child \| classical music \| dark \| familiar tune \| father \| fragmentation \| Haydn \| hero \| home \| hurrying \| mode mixture \| quotation \| tense
We Are Not Alone (1939)	Frohe Botschaft (Drifting)	0:38:09 - Jessica tells Leni to leave	altered dominant \| antagonist \| chromatic parallelism \| conflict \| conversing \| familiar tune \| folk song \| gentle \| German \| heroine \| home \| quotation \| sinister \| tense \| whole-tone chord
We Are Not Alone (1939)	Underscoring (Dramatic)	1:03:40 - Jessica takes Gerald outside	11th chord \| antagonist \| boy \| child \| conflict \| dramatic \| street \| tense \| underscoring \| walking
We Are Not Alone (1939)	Underscoring (Tense)	1:03:56 - The crowd outside	agitated \| chromatic scale \| conflict \| confused \| crowd \| hero \| linear chromaticism \| metric dissonance \| pedal tone \| polychord \| riot \| rioting \| street \| tense \| underscoring
We Are Not Alone (1939)	Underscoring (Tense)	1:05:17 - David scolds Susan	64 chord \| antagonist \| chromatic scale \| conflict \| conversing \| foreign key modulation \| hero \| street \| tense \| underscoring
We Are Not Alone (1939)	Surprise Symphony (Window)	1:05:40 - Susan sees Leni and David in the window	antagonist \| classical music \| conflict \| familiar tune \| Haydn \| quotation \| spying \| street \| tense \| window
We Are Not Alone (1939)	Frohe Botschaft (Drifting)	1:14:30 - David gives Leni money for her travels	altered dominant \| arrest \| arresting \| chromatic parallelism \| conflict \| conversing \| dark \| death \| familiar tune \| folk song \| gentle \| German \| happy \| hero \| heroine \| mode mixture \| murder \| police \| quotation \| sad \| sweet \| tense \| train station \| whole-tone chord
We Are Not Alone (1939)	Underscoring (Tense)	1:15:25 - David is taken away by the police	9th chord \| added-note chord \| arresting \| conflict \| hero \| heroine \| pedal tone \| police \| tense \| train station \| underscoring
We Are Not Alone (1939)	Frohe Botschaft (War Bulletin)	1:22:12 - News bulletins about the trial	advance plot \| announcing \| familiar tune \| fanfare \| folk song \| German \| news \| quotation \| shop \| sign \| street \| tense \| window
We Are Not Alone (1939)	Surprise Symphony (Tense)	1:31:42 - News bulletins about the trial	9th chord \| advance plot \| announcing \| classical music \| dark \| familiar tune \| Haydn \| main theme \| quotation \| shop \| sign \| street \| tense \| window
We Are Not Alone (1939)	Fainting	1:40:41 - Leni faints	added-note chord \| fainting \| falling \| hero \| heroine \| love scene \| mickey-mousing \| prison \| sequence \| tense
White Heat (1949)	Transition	0:00:08 - Train coming out of a tunnel	approaching \| opening title sequence \| starring list \| tense \| train \| train effect \| tunnel
White Heat (1949)	Steam	0:04:54 - Man gets burned by steam from train	burning \| bursting \| countryside \| dramatic \| establish character \| falling \| gangster \| leading man \| murderer \| pain \| robbery \| steam \| steam effect \| stinger \| tense \| train \| train engineer \| victim \| writhing
White Heat (1949)	Danger	0:05:02 - Gangsters leap from the train	announcer \| countryside \| dramatic \| escaping \| establish character \| gangster \| jumping \| leading man \| murderer \| pain \| radio \| robbery \| tense \| train \| train engineer \| victim \| writhing
White Heat (1949)	Cody	0:05:35 - Gangsters listen to the radio	announcer \| car \| conversing \| establish character \| gangster \| radio \| street \| tense
White Heat (1949)	Agitato	0:05:43 - Big Ed plots against Cody	agitated \| conversing \| establish character \| gangster \| plotting \| street \| tense \| walking
White Heat (1949)	Big Ed	0:06:00 - Big Ed talks to Cody	arriving \| dark \| establish character \| gangster \| leading man \| murderer \| room \| tense \| victim
White Heat (1949)	Thinking	0:06:23 - Cody walks across the room	establish character \| gangster \| leading man \| mother \| murderer \| room \| tense \| thinking \| victim \| walking
White Heat (1949)	Rushing	0:10:49 - A gangster comes in the door	advance plot \| arguing \| dark \| gangster \| leading lady \| leading man \| moll \| mother \| murderer \| punching \| room \| storm \| tense \| victim \| wind
White Heat (1949)	Plotting	0:11:21 - Cody packs up money in a suitcase	conversing \| dark \| gangster \| leading lady \| leading man \| love scene \| moll \| money \| murderer \| packing \| room \| tense \| transition
White Heat (1949)	Speed	0:16:46 - Sign for Milbanke Motels	arriving \| car \| dark \| driving \| gangster \| leading man \| murderer \| self-borrowing \| street \| tense \| transition
White Heat (1949)	Backing up	0:17:00 - Cody backs up	arriving \| backing up \| car \| dark \| driving \| gangster \| leading man \| mickey-mousing \| murderer \| street \| tense \| transition
White Heat (1949)	Con Moto	0:17:09 - Cody gets out of his car	conflict \| dramatic \| gangster \| leading man \| murderer \| opening \| rushing \| searching \| street \| tense
White Heat (1949)	Danger (Con Moto)	0:17:39 - Cody argues with Verna	agitated \| arguing \| conflict \| gangster \| leading lady \| leading man \| moll \| murderer \| room \| tense
White Heat (1949)	Verna falls	0:18:05 - Verna falls off the chair	agitated \| chair \| conflict \| couch \| falling \| gangster \| kicking \| landing \| leading lady \| leading man \| mickey-mousing \| moll \| murderer \| room \| tense
White Heat (1949)	Underscoring (Tense)	0:18:58 - Agents pull up in a car	advance plot \| agent \| arriving \| car \| driving \| street \| tense
White Heat (1949)	Pursuit	0:19:58 - Agents pursue Ma in their cars	agent \| car \| chase scene \| driving \| following \| mother \| motor effect \| pursuing \| street \| telephone \| tense \| uneasy
White Heat (1949)	Getaway	0:21:01 - Ma speeds away	agent \| car \| chase scene \| driving \| following \| mother \| pursuing \| street \| tense \| uneasy
White Heat (1949)	Pursuit (Tense)	0:21:09 - Agents pursue Ma	agent \| car \| chase scene \| driving \| following \| mother \| motor effect \| pursuing \| street \| telephone \| tense \| uneasy
White Heat (1949)	Underscoring (Dramatic)	0:21:34 - Ma speeds ahead in her car	agent \| car \| chase scene \| dramatic \| driving \| escaping \| mother \| pursuing \| street \| tense \| turning \| underscoring
White Heat (1949)	Pursuit (Frantic)	0:21:56 - Agents lose Ma	agent \| car \| chase scene \| chasing \| escaping \| mother \| pursuing \| street \| tense \| underscoring
White Heat (1949)	Pursuit (Ominous)	0:22:08 - Agents arrive at the motel	advance plot \| agent \| arriving \| car \| driving \| motor effect \| ominous \| pursuing \| street \| telephone \| tense
White Heat (1949)	Agents (Chase)	0:22:33 - The agents notice Ma's car	advance plot \| agent \| car \| looking \| observing \| panning shot \| stinger \| street \| tense
White Heat (1949)	Pursuit	0:22:38 - The agents drive away	advance plot \| agent \| car \| driving \| motor effect \| pursuing \| street \| tense
White Heat (1949)	Danger (Molto Agitato)	0:23:25 - Evans points a gun at Cody	action scene \| agent \| agitated \| arresting \| dying \| falling \| gangster \| gun \| gunshot \| leading man \| murderer \| shooting \| street \| tense \| wound
White Heat (1949)	Agitato (Escaping)	0:23:37 - Evans struggles on the ground	action scene \| agent \| agitated \| car \| dramatic \| driving \| escaping \| gangster \| gun \| gunshot \| leading lady \| leading man \| moll \| mother \| murderer \| shooting \| street \| struggling \| tense \| wound
White Heat (1949)	Speed (Frantic)	0:24:11 - The gangsters speed away	car \| chase scene \| chasing \| dramatic \| frantic \| leading lady \| leading man \| moll \| mother \| murderer \| rushing \| self-borrowing \| speeding \| street \| tense
White Heat (1949)	Agents + Pursuit	0:24:23 - Ernie chases the gangsters	agent \| car \| chase scene \| chasing \| combination of themes \| dramatic \| frantic \| motor effect \| speeding \| street \| tense
White Heat (1949)	Speed (Frantic)	0:24:26 - The gangsters speed away	car \| chase scene \| chasing \| dramatic \| frantic \| leading lady \| leading man \| moll \| mother \| murderer \| self-borrowing \| speeding \| street \| tense
White Heat (1949)	Agents + Pursuit	0:24:37 - Ernie chases the gangsters	agent \| car \| chase scene \| chasing \| combination of themes \| dramatic \| frantic \| motor effect \| speeding \| street \| tense
White Heat (1949)	Speed (Desperate)	0:24:44 - The gangsters speed away	car \| chase scene \| chasing \| dramatic \| frantic \| leading lady \| leading man \| moll \| mother \| murderer \| self-borrowing \| speeding \| street \| tense
White Heat (1949)	Pursuit (Fleeing)	0:24:50 - Ernie chases the gangsters	agent \| car \| chase scene \| chasing \| dramatic \| frantic \| leading lady \| leading man \| moll \| mother \| motor effect \| murderer \| speeding \| street \| tense
White Heat (1949)	Agents + Pursuit (Rising)	0:24:58 - Ernie chases the gangsters	agent \| car \| chase scene \| chasing \| combination of themes \| dramatic \| frantic \| leading lady \| leading man \| moll \| mother \| murderer \| speeding \| street \| tense
White Heat (1949)	Speed (Desperate 2)	0:25:03 - The gangsters speed away	agent \| car \| chase scene \| chasing \| dramatic \| drive-in theater \| frantic \| leading lady \| leading man \| moll \| mother \| murderer \| self-borrowing \| speeding \| tense
White Heat (1949)	Prison Fight	0:37:48 - Hank sees Bo Creel	action scene \| falling \| fighting \| gangster \| guard \| leading man \| mickey-mousing \| murderer \| prison \| prisoner \| punching \| tense \| undercover agent
White Heat (1949)	Punching and falling	0:38:03 - Hank punches inmate	action scene \| dramatic \| falling \| gangster \| guard \| leading man \| mickey-mousing \| murderer \| prison \| prisoner \| punching \| tense \| undercover agent
White Heat (1949)	Misterioso (Tense)	0:40:12 - Hank looks around	advance plot \| gangster \| leading man \| looking \| murderer \| mysterious \| photograph \| prison \| prisoner \| tense \| undercover agent \| underscoring
White Heat (1949)	Misterioso (Ominous)	0:40:51 - The prisoners talk	advance plot \| conversing \| gangster \| leading man \| murderer \| mysterious \| ominous \| prison \| prisoner \| tense \| undercover agent \| underscoring
White Heat (1949)	Whispering	0:41:06 - The prisoner reads lips	advance plot \| gangster \| leading man \| listening \| murderer \| prison \| prisoner \| spying \| tense \| undercover agent \| uneasy \| whisper effect \| whispering
White Heat (1949)	Thinking	0:41:34 - Prisoners talk about money	advance plot \| conversing \| gangster \| leading man \| murderer \| mysterious \| prison \| prisoner \| tense \| thinking \| undercover agent
White Heat (1949)	Underscoring (Tense)	0:42:03 - Ma talks to the gangsters	advance plot \| conversing \| gangster \| leading lady \| love interest \| moll \| mother \| room \| tense \| underscoring
White Heat (1949)	Cody (Expressivo)	0:42:17 - Ma talks to Big Ed	advance plot \| conversing \| gangster \| leading lady \| love interest \| moll \| mother \| room \| tense
White Heat (1949)	Agitato	0:42:32 - Verna leaves the room	advance plot \| agitated \| conversing \| departing \| gangster \| leading lady \| love interest \| moll \| mother \| room \| tense \| underscoring
White Heat (1949)	Big Ed	0:42:41 - Big Ed leaves the room	advance plot \| gangster \| leading lady \| love interest \| moll \| mother \| room \| tense \| walking
White Heat (1949)	Moll (Arguing)	0:43:06 - Verna argues with Big Ed	anger \| arguing \| gangster \| leading lady \| love interest \| love scene \| moll \| porch \| tense \| uneasy
White Heat (1949)	Trap	0:44:53 - The crane moves over Cody's head	attempted \| crane \| crashing \| dramatic \| dropping \| falling \| gangster \| leading man \| machine \| machine effect \| mickey-mousing \| moving \| murder \| murderer \| murder scene \| prison \| prisoner \| saving \| stinger \| tense \| trap \| undercover agent
White Heat (1949)	Ma (Restless)	0:49:34 - Cody walks back to work	anxious \| dramatic \| gangster \| leading man \| mad scene \| murderer \| prison \| prisoner \| tense \| thinking \| threatening \| working
White Heat (1949)	Underscoring (Tense)	0:49:56 - Cody threatens Parker	gangster \| leading man \| mad scene \| murderer \| prison \| prisoner \| tense \| threatening \| underscoring
White Heat (1949)	Madness	0:50:16 - Cody hears voices	agitated \| blur \| falling \| gangster \| hallucinating \| hallucination \| headache \| headache effect \| hearing voices \| leading man \| machine \| mad scene \| murderer \| pain \| prison \| prisoner \| self-borrowing \| tense \| unsettled
White Heat (1949)	Headache	0:50:31 - Heavy machinery	agitated \| crawling \| falling \| gangster \| headache \| headache effect \| leading man \| machine \| mad scene \| murderer \| pain \| prison \| prisoner \| self-borrowing \| tense \| unsettled
White Heat (1949)	Struggle	0:50:50 - Cody crawls on the floor	agitated \| crawling \| falling \| gangster \| headache \| headache effect \| helping \| leading man \| machine \| mad scene \| murderer \| pain \| prison \| prisoner \| self-borrowing \| tense \| undercover agent \| unsettled
White Heat (1949)	Cody (Headache)	0:51:15 - Hank helps Cody	crawling \| gangster \| headache \| helping \| leading man \| mad scene \| murderer \| pain \| prison \| prisoner \| tense \| undercover agent
White Heat (1949)	Underscoring (Tense)	0:51:20 - Hank helps Cody	crawling \| gangster \| headache \| helping \| leading man \| mad scene \| massaging \| murderer \| pain \| prison \| prisoner \| tense \| undercover agent \| underscoring
White Heat (1949)	Cody rises	0:51:40 - Hank helps Cody stand	gangster \| headache \| helping \| leading man \| mad scene \| mickey-mousing \| murderer \| pain \| prison \| prisoner \| rising \| tense \| undercover agent
White Heat (1949)	Cody (Recovering)	0:51:52 - Cody's headache subsides	gangster \| headache \| leading man \| mad scene \| murderer \| pain \| prison \| prisoner \| tense \| undercover agent \| uneasy \| waiting
White Heat (1949)	Misterioso (Straitjacket)	1:04:07 - The warden talks with Cody	conversing \| doctor \| gangster \| guard \| leading man \| murderer \| mysterious \| prison \| prison break \| prisoner \| straitjacket \| tense \| underscoring \| warden
White Heat (1949)	Plotting (Tense)	1:04:33 - Tommy brings food to Cody	carrying \| doctor \| feeding \| food \| gangster \| guard \| leading man \| murderer \| mysterious \| prison \| prison break \| prisoner \| straitjacket \| tense \| warden
White Heat (1949)	Misterioso (Tense 2)	1:04:48 - Tommy loosens Cody's straitjacket	doctor \| gangster \| guard \| gun \| leading man \| loosening \| murderer \| mysterious \| prison \| prison break \| prisoner \| releasing \| straitjacket \| tense \| untying \| warden
White Heat (1949)	Cody (Pulls Gun)	1:05:05 - Cody stands up	doctor \| dramatic \| gangster \| guard \| gun \| leading man \| loosening \| murderer \| mysterious \| prison \| prison break \| prisoner \| releasing \| straitjacket \| tense \| untying \| warden
White Heat (1949)	Gathering	1:05:39 - Inmates playing cards	conversing \| doctor \| dramatic \| gangster \| guard \| leading man \| murderer \| prison \| prison break \| prisoner \| self-borrowing \| tense \| walking
White Heat (1949)	Danger (Risoluto)	1:06:24 - Cody forces the guard into a cell	commanding \| doctor \| gangster \| guard \| gun \| leading man \| murderer \| prison \| prison break \| prisoner \| pushing \| tense \| warden
White Heat (1949)	Trap	1:06:47 - Cody kicks Parker	commanding \| dramatic \| gangster \| guard \| gun \| kicking \| leading man \| murderer \| prison \| prison break \| prisoner \| revenge \| tense \| warden
White Heat (1949)	Plotting (Extended)	1:07:13 - Cody forces men out at gunpoint	commanding \| dramatic \| gangster \| guard \| gun \| leading man \| murderer \| prison \| prison break \| prisoner \| revenge \| tense \| warden
White Heat (1949)	Underscoring (Tense)	1:07:57 - The car drives off	car \| dramatic \| escaping \| fanfare \| gangster \| guard \| gun \| leading man \| murderer \| prison \| prison break \| prisoner \| tense \| warden
White Heat (1949)	Pursuit	1:08:44 - The agents turn around	agent \| car \| driving \| leading man \| police \| prison break \| rushing \| street \| tense \| uneasy
White Heat (1949)	Cody 2 (Molto Misterioso)	1:09:13 - Cody adjusts his hat in the mirror	dressing \| fugitive \| gangster \| hat \| leading man \| mirror \| murderer \| mysterious \| prison break \| room \| tense
White Heat (1949)	Underscoring (Tense)	1:13:20 - Big Ed walks up the stairs	action scene \| dark \| gangster \| leading lady \| love interest \| moll \| room \| tense \| underscoring \| walking
White Heat (1949)	Danger (Agitato)	1:13:33 - Verna sits up	action scene \| anxiety \| danger \| gangster \| leading lady \| listening \| love interest \| moll \| room \| tense
White Heat (1949)	Underscoring (Tense)	1:13:57 - Verna sneaks out of her bedroom	action scene \| leading lady \| moll \| room \| sneaking \| tense \| underscoring
White Heat (1949)	Plotting (Sneaking)	1:14:09 - Verna sneaks down the stairs	action scene \| descending \| leading lady \| mickey-mousing \| moll \| mysterious \| room \| sneaking \| stairs \| tense
White Heat (1949)	Underscoring (Tense)	1:14:13 - Verna looks for a way out	action scene \| leading lady \| moll \| room \| sneaking \| tense \| underscoring
White Heat (1949)	Running to window	1:14:22 - Verna runs to the window	action scene \| dramatic \| leading lady \| mickey-mousing \| moll \| opening \| room \| running \| stinger \| tense \| window
White Heat (1949)	Underscoring (Dramatic)	1:14:27 - Verna opens the window	action scene \| dramatic \| leading lady \| mickey-mousing \| moll \| room \| running \| stinger \| tense \| underscoring \| window
White Heat (1949)	Jumping out window	1:14:31 - Verna jumps out of the window	action scene \| descending \| dramatic \| jumping \| leading lady \| mickey-mousing \| moll \| tense \| window \| yard
White Heat (1949)	Madness (Agitato)	1:15:59 - Cody looks at Verna	agitated \| anger \| death \| gangster \| leading lady \| leading man \| lying \| moll \| murderer \| murder scene \| staring \| stinger \| tense \| yard
White Heat (1949)	Underscoring (Tense)	1:16:28 - Big Ed creates a decoy	decoy \| gangster \| gun \| love interest \| murder scene \| preparing \| room \| tense \| underscoring
White Heat (1949)	Underscoring (Mysterious)	1:16:51 - Cody and Verna climb through the window	gangster \| gun \| leading lady \| leading man \| moll \| murderer \| murder scene \| mysterious \| room \| sneaking \| sneaking effect \| tense \| underscoring \| window
White Heat (1949)	Fight	1:26:51 - Hank attacks the gangster	action scene \| dramatic \| fighting \| fugitive \| gangster \| leading man \| mickey-mousing \| murderer \| punching \| tense \| undercover agent \| yard
White Heat (1949)	Underscoring (Tense)	1:27:53 - Hank talks to Cody	advance plot \| arguing \| conversing \| fugitive \| gangster \| leading man \| murderer \| tense \| undercover agent \| underscoring \| yard
White Heat (1949)	Ma (Molto Expressivo)	1:28:38 - Cody talks about his mother	advance plot \| character mention \| conversing \| fugitive \| gangster \| leading man \| memory \| murderer \| tense \| undercover agent \| uneasy \| yard
White Heat (1949)	Plotting (Agitato)	1:29:03 - Cody talks about his family	advance plot \| conversing \| fugitive \| gangster \| insanity \| leading man \| memory \| murderer \| tense \| undercover agent \| uneasy \| yard
White Heat (1949)	Cody (Climbing)	1:29:15 - Cody talks about his past	advance plot \| conversing \| fugitive \| gangster \| leading man \| memory \| murderer \| tense \| undercover agent \| uneasy \| yard
White Heat (1949)	Ma (Triste)	1:29:29 - Cody talks about his mother	advance plot \| character mention \| conversing \| fugitive \| gangster \| leading man \| memory \| murderer \| tense \| undercover agent \| uneasy \| yard
White Heat (1949)	Cody 3 (Molto Misterioso)	1:31:42 - Hank works on the transmitter	advance plot \| leading man \| radio \| tense \| transmitter \| undercover agent \| working \| yard
White Heat (1949)	Danger (Sneaky)	1:31:56 - Hank puts the transmitter on the truck	advance plot \| fugitive \| gangster \| hiding \| leading lady \| leading man \| moll \| murderer \| sneaking \| tense \| transmitter \| truck \| undercover agent \| yard
White Heat (1949)	Cody 3 (Tense)	1:32:12 - Cody approaches the truck	advance plot \| conversing \| fugitive \| gangster \| leading lady \| leading man \| lying \| moll \| murderer \| tense \| transmitter \| truck \| undercover agent \| yard
White Heat (1949)	Underscoring (Tense)	1:33:58 - Hank talks to the gas station attendant	advance plot \| conversing \| fugitive \| gangster \| gas station \| leading man \| murderer \| tense \| truck \| undercover agent \| underscoring \| worker \| working
White Heat (1949)	Mirror	1:34:10 - Hank writes a message on the mirror	advance plot \| bathroom \| dramatic \| fanfare \| gas station \| leading man \| message \| mirror \| rushing \| tense \| undercover agent \| writing
White Heat (1949)	Underscoring (Tense)	1:34:25 - Attendant fixes the truck	advance plot \| conversing \| fugitive \| gangster \| gas station \| leading man \| murderer \| tense \| underscoring \| waiting \| worker \| working
White Heat (1949)	Mirror	1:34:34 - Gangster goes to check on Hank	advance plot \| bathroom \| dramatic \| fanfare \| fugitive \| gangster \| gas station \| hurrying \| leading man \| message \| mirror \| murderer \| tense \| undercover agent \| worker \| writing
White Heat (1949)	Message on the Mirror	1:34:49 - Message on the washroom mirror	advance plot \| bathroom \| dramatic \| fanfare \| gas station \| leading man \| message \| mirror \| Morse code \| radio effect \| radio signal \| tense \| undercover agent \| writing
White Heat (1949)	Bo Creel	1:35:51 - Bo Creel comes outside	advance plot \| conversing \| dark \| fugitive \| gangster \| leading man \| murderer \| ominous \| preparing \| stinger \| tense \| truck \| undercover agent \| worker \| working \| yard
White Heat (1949)	Verna (Gum)	1:36:15 - Verna spits out her gum	advance plot \| conversing \| fugitive \| gangster \| gum \| kissing \| leading lady \| leading man \| moll \| murderer \| preparing \| spitting \| tense \| undercover agent \| uneasy \| worker \| yard
White Heat (1949)	Danger	1:36:32 - The gangsters hide in the truck	advance plot \| fugitive \| gangster \| hiding \| leading man \| murderer \| preparing \| tense \| truck \| truck \| undercover agent \| worker
White Heat (1949)	Truck	1:36:45 - The truck engine starts	advance plot \| driving \| fugitive \| gangster \| leading man \| mickey-mousing \| murderer \| starting \| tense \| truck \| truck \| undercover agent \| worker
White Heat (1949)	Agents (Message)	1:37:03 - Gas station attendant goes to washroom	conversing \| gas station \| message \| mirror \| police \| radio \| tense \| transition \| worker
White Heat (1949)	Pursuit (Antenna)	1:37:17 - Policemen follow radio signal in their car	agent \| antenna \| car \| car \| chase scene \| electronic effect \| pursuing \| radio \| radio effect \| searching \| speeding \| street \| tense
White Heat (1949)	Pursuit (Tracking)	1:37:43 - Policemen pursue the truck	agent \| antenna \| car \| car \| chase scene \| map \| police station \| pursuing \| radio \| speeding \| street \| tense
White Heat (1949)	Agents + Pursuit (Antenna)	1:37:59 -	agent \| chase scene \| combination of themes \| conversing \| cut from film \| police station \| radio \| tense
White Heat (1949)	Pursuit (Not Too Heavy)	1:38:17 - Agents in car talking on radio	agent \| antenna \| car \| car \| chase scene \| pursuing \| radio \| speeding \| tense
White Heat (1949)	Agents + Pursuit (Montage)	1:38:33 - Police car in pursuit	agent \| antenna \| car \| car \| chase scene \| combination of themes \| double exposure \| electronic effect \| montage \| mysterious \| police station \| pursuing \| radio \| radio effect \| speeding \| street \| tense
White Heat (1949)	Pursuit (Frantic)	1:39:12 - Police car in pursuit	agent \| antenna \| car \| car \| chase scene \| double exposure \| montage \| police station \| pursuing \| radio \| speeding \| street \| tense
White Heat (1949)	Underscoring (Tense)	1:39:35 - Agents map coordinates of the truck	agent \| chase scene \| map \| mapping \| police station \| tense \| underscoring
White Heat (1949)	Gate	1:40:15 - The factory gate opens	arriving \| chase scene \| closing \| dark \| driving \| factory \| fanfare \| fugitive \| gangster \| gate \| guard \| leading man \| murderer \| opening \| tense \| truck \| undercover agent
White Heat (1949)	Underscoring (Tense)	1:40:42 - Truck pulls in to factory	arriving \| chase scene \| driving \| factory \| fugitive \| gangster \| leading man \| murderer \| tense \| truck \| undercover agent \| underscoring
White Heat (1949)	Cody	1:40:57 - Cody exits truck	arriving \| chase scene \| dark \| factory \| fugitive \| gangster \| leading man \| murderer \| opening \| tense \| truck \| undercover agent
White Heat (1949)	Rushing (Misterioso)	1:41:01 - Cody emerges from the truck	chase scene \| dark \| factory \| fugitive \| gangster \| leading man \| murderer \| rushing \| tense \| truck \| undercover agent
White Heat (1949)	Pursuit (Oscillator)	1:41:16 - Transmitter on the truck	agent \| antenna \| car \| car \| chase scene \| electronic effect \| mapping \| pursuing \| radio \| radio effect \| speeding \| tense
White Heat (1949)	Agents (Extended)	1:41:31 - Agents map coordinates of the truck	agent \| chase scene \| map \| mapping \| police station \| radio \| tense
White Heat (1949)	Agents + Pursuit	1:41:42 - Agents map coordinates of the truck	agent \| car \| car \| chase scene \| combination of themes \| pursuing \| speeding \| tense
White Heat (1949)	Plotting (Faster)	1:41:49 - Gangsters enter the building	action scene \| anxious \| arriving \| factory \| fugitive \| gangster \| guard \| hurrying \| leading man \| murderer \| tense \| undercover agent \| working
White Heat (1949)	Underscoring (Tense)	1:42:42 - Hank looks out the window	action scene \| factory \| fugitive \| gangster \| guard \| leading man \| murderer \| tense \| undercover agent \| underscoring \| working
White Heat (1949)	Pursuit (Arriving)	1:42:48 - Police cars rush to factory	action scene \| agent \| car \| factory \| guard \| police \| pursuing \| speeding \| tense
White Heat (1949)	White Heat (Maestoso)	1:43:03 - Police enter the factory	action scene \| agent \| dramatic \| factory \| guard \| police \| running \| rushing \| tense
White Heat (1949)	Police Raid	1:43:09 - Gangster acting as lookout	action scene \| arriving \| factory \| fugitive \| gangster \| leading man \| looking \| march \| murderer \| police \| running \| rushing \| tense \| undercover agent
White Heat (1949)	Crawling	1:46:18 - Hank crawls on the floor	action scene \| agent \| crawling \| dramatic \| factory \| fugitive \| gangster \| gun \| leading man \| mickey-mousing \| murderer \| rushing \| tear gas \| tense
White Heat (1949)	Agents (Tutti)	1:46:31 - Agents watch men exiting	action scene \| agent \| aiming \| dramatic \| factory \| gun \| leading man \| police \| rushing \| stopping \| tear gas \| tense
White Heat (1949)	T-Men (Escaping)	1:46:36 - Hank escapes	action scene \| agent \| crawling \| dark \| escaping \| factory \| gun \| leading man \| police \| reporting \| tear gas \| tense
White Heat (1949)	Danger (Extended)	1:47:06 - Cody sends men out	action scene \| agent \| death \| dying \| factory \| falling \| fugitive \| gangster \| gun \| gunshot \| leading man \| murderer \| police \| pushing \| rushing \| shooting \| tense
White Heat (1949)	Underscoring (Dramatic)	1:47:35 - Gangsters get off of ladder	action scene \| agent \| dramatic \| factory \| fugitive \| gangster \| hiding \| leading man \| murderer \| police \| rushing \| tense \| underscoring
White Heat (1949)	White Heat (Police Raid)	1:47:47 - Police advance on the gangsters	action scene \| advancing \| agent \| death \| dramatic \| dying \| factory \| falling \| fugitive \| gangster \| gun \| gunshot \| hidiging \| leading man \| mickey-mousing \| murder \| murderer \| police \| raid \| searching \| shooting \| shootout \| tense
White Heat (1949)	Falling and dying	1:48:09 - Gangster falls down	action scene \| death \| descending \| dramatic \| dying \| factory \| falling \| gangster \| gun \| gunshot \| mickey-mousing \| police \| raid \| shootout \| tense
White Heat (1949)	Prison Fight + Agents	1:48:17 - Gangsters run up the stairs	action scene \| agent \| ascending \| combination of themes \| dramatic \| factory \| fleeing \| fugitive \| gangster \| gun \| gunshot \| leading man \| murderer \| police \| raid \| running \| rushing \| shootout \| stairs \| tense
White Heat (1949)	Falling down stairs	1:48:21 - Gangster falls down the stairs	action scene \| death \| descending \| dramatic \| dying \| factory \| falling \| gangster \| gun \| mickey-mousing \| police \| raid \| shootout \| stairs \| tense
White Heat (1949)	Prison Fight + Agents	1:48:30 - Agents run up the stairs	action scene \| agent \| ascending \| chasing \| dramatic \| factory \| fugitive \| gangster \| leading man \| murderer \| police \| raid \| running \| stairs \| tense
The Woman in White (1948)	Fosco	0:04:40 - Walter hears a carriage approaching	arriving \| bold \| carriage \| conversing \| establish character \| fanfare \| forest \| leading man \| tense
The Woman in White (1948)	The Carman's Whistle (Accompaniment)	0:05:23 - Walter talks to a man in the carriage	carriage \| conversing \| establish character \| forest \| leading man \| tense
The Woman in White (1948)	Underscoring (Tense)	0:05:38 - Walter talks to a man in the carriage	carriage \| conversing \| establish character \| forest \| leading man \| stinger \| tense \| underscoring
The Woman in White (1948)	Fosco	0:05:43 - The carriage rolls away	carriage \| departing \| establish character \| fanfare \| forest \| leading man \| tense
The Woman in White (1948)	The Carman's Whistle (Arriving) + Ann	0:06:22 - The woman in white appears	arriving \| calm \| combination of themes \| establish character \| garden \| leading lady \| leading man \| mansion \| sneaking \| tense \| tremolo \| walking
The Woman in White (1948)	Fosco (Molto Misterioso)	0:19:16 - Fosco walks outside	advance plot \| garden \| leading man \| mysterious \| room \| tense \| walking \| watching
The Woman in White (1948)	Ann (Poco Agitato)	0:20:03 - Walter sees Laura	conversing \| establish character \| garden \| leading lady \| leading man \| mansion \| tense \| walking
The Woman in White (1948)	Ann (Poco Agitato)	0:22:39 - Laura talks about a mysterious woman	butler \| conversing \| establish character \| family \| leading lady \| leading man \| mysterious \| room \| tense \| walking
The Woman in White (1948)	Fosco	0:22:53 - Closeup on Fosco's face	butler \| conversing \| establish character \| family \| leading lady \| leading man \| room \| tense \| walking
The Woman in White (1948)	The Carman's Whistle	0:23:04 - Walter talks about the woman in white	butler \| conversing \| establish character \| family \| leading lady \| leading man \| room \| tense \| walking
The Woman in White (1948)	Fosco	0:23:42 - Fosco walks up the stairs	butler \| establish character \| leading man \| pushing \| room \| rushing \| tense \| walking
The Woman in White (1948)	Ann (Misterioso)	0:29:34 - Fosco sees Laura outside	advance plot \| conversing \| leading lady \| leading man \| mysterious \| room \| tense \| watching
The Woman in White (1948)	Ann	0:40:45 - The woman in white talks to Walter	advance plot \| conversing \| garden \| leading lady \| leading man \| mysterious \| tense
The Woman in White (1948)	Hypnosis	0:42:04 - The woman in white talks to Walter	advance plot \| conversing \| garden \| leading lady \| leading man \| tense \| underscoring
The Woman in White (1948)	Fosco (Misterioso)	0:42:23 - The woman in white talks about Fosco	advance plot \| conversing \| garden \| leading lady \| leading man \| tense
The Woman in White (1948)	Fosco (Slowly)	0:43:36 - Walter and the woman in white approach the house	advance plot \| garden \| leading lady \| leading man \| tense \| walking
The Woman in White (1948)	Underscoring (Mysterious)	0:45:40 - Laura enters the mansion	butler \| conflict \| conversing \| cousin \| fiancé \| leading lady \| mansion \| mysterious \| tense \| underscoring
The Woman in White (1948)	Ann (Poco Agitato)	0:46:06 - Walter talks to Marian	arguing \| conflict \| cousin \| leading lady \| leading man \| mansion \| tense
The Woman in White (1948)	Hypnosis	0:51:33 - The servants greet Marian	advance plot \| arriving \| butler \| conversing \| cousin \| leading lady \| mansion \| servant \| tense
The Woman in White (1948)	Fosco (Misterioso 2)	0:51:57 - Marian learns that the countess is in the house	advance plot \| arriving \| butler \| conversing \| cousin \| leading lady \| mansion \| servant \| stinger \| tense
The Woman in White (1948)	Pavan (Agitato 2)	0:58:59 - Laura enters Marian's room	advance plot \| conversing \| cousin \| greeting \| leading lady \| passionate \| room \| tense
The Woman in White (1948)	Asylum	1:01:26 - Laura suffers from a headache	aching \| advance plot \| agitated \| conversing \| cousin \| headache \| illness \| illness effect \| leading lady \| pain \| room \| somber \| tense \| victim
The Woman in White (1948)	Sneaking	1:02:12 - Marian leaves wearing a cloak	advance plot \| antagonist \| conversing \| cousin \| criminal \| eavesdropping \| father \| husband \| leading lady \| leading man \| room \| sneaking \| somber \| tense
The Woman in White (1948)	Fosco (Misterioso Slowly)	1:04:48 - Count Fosco leaves the room	advance plot \| antagonist \| conversing \| cousin \| criminal \| eavesdropping \| father \| husband \| leading lady \| leading man \| lightning \| mysterious \| room \| sneaking \| storm \| tense
The Woman in White (1948)	Fosco	1:12:05 - Fosco talks to the maid	agitated \| anger \| antagonist \| conflict \| criminal \| doctor \| headache \| husband \| illness \| leading lady \| leading man \| pain \| room \| searching \| servant \| tense \| victim \| walking
The Woman in White (1948)	Fosco (Molto Agitato)	1:12:15 - Fosco walks	agitated \| anger \| antagonist \| conflict \| criminal \| dark \| doctor \| headache \| husband \| illness \| leading lady \| leading man \| pain \| room \| rushing \| searching \| servant \| tense \| victim \| walking
The Woman in White (1948)	Ann (Accelerando) + Fosco (Dark)	1:12:47 - Fosco leaves	agitated \| anger \| antagonist \| combination of themes \| conflict \| conversing \| criminal \| departing \| doctor \| husband \| leading man \| room \| rushing \| searching \| tense \| walking
The Woman in White (1948)	Fosco (Screwy)	1:13:05 - The countess enters quietly	advance plot \| arriving \| helping \| mysterious \| room \| sneaking \| tense \| time lapse \| victim \| wife
The Woman in White (1948)	Fosco (Sneaking)	1:13:18 - The countess sneaks into Laura's room	advance plot \| helping \| illness \| leading lady \| mysterious \| room \| servant \| sleeping \| sneaking \| tense \| victim \| wife
The Woman in White (1948)	Adagio	1:13:26 - The countess helps Laura	advance plot \| gentle \| helping \| illness \| leading lady \| room \| servant \| sleeping \| tense \| victim \| whispering \| wife
The Woman in White (1948)	Fosco (Sneaking)	1:13:48 - The maid leaves	advance plot \| departing \| helping \| illness \| leading lady \| mysterious \| room \| servant \| sleeping \| sneaking \| tense \| victim \| wife
The Woman in White (1948)	Underscoring (Mysterious)	1:13:57 - The countess looks around	advance plot \| helping \| illness \| leading lady \| mysterious \| room \| sleeping \| sneaking \| tense \| underscoring \| victim \| wife
The Woman in White (1948)	Hypnosis (Misterioso con moto)	1:16:57 - The countess talks to the woman in white	conversing \| death scene \| leading lady \| mysterious \| room \| tense \| victim \| wife
The Woman in White (1948)	Hypnosis	1:18:17 - The woman in white hears Fosco's voice	death scene \| hearing voices \| leading lady \| madness \| mysterious \| room \| tense \| victim \| wife
The Woman in White (1948)	Fosco (Misterioso)	1:18:29 - The woman in white hears Sir Percival's voice	antagonist \| arriving \| criminal \| death scene \| hearing voices \| husband \| leading lady \| madness \| mysterious \| room \| screaming \| shock \| surprise \| tense \| victim \| wife
The Woman in White (1948)	Appearing	1:18:48 - The woman in white clutches her heart	antagonist \| criminal \| death scene \| dying \| husband \| leading lady \| mickey-mousing \| room \| screaming \| shock \| surprise \| tense \| victim \| wife
The Woman in White (1948)	Asylum + Ann + Hypnosis	1:27:35 - Laura hears Count Fosco's voice in her head	asylum \| combination of themes \| hearing voices \| hypnosis \| leading lady \| mad scene \| mysterious \| sneaking \| tense \| victim
The Woman in White (1948)	Ann	1:28:02 - Laura exchanges the keys	asylum \| hypnosis \| key \| leading lady \| mad scene \| mysterious \| sneaking \| tense \| victim
The Woman in White (1948)	Hypnosis + Fosco	1:30:32 - Count Fosco leaves	antagonist \| carriage \| combination of themes \| criminal \| dark \| husband \| hypnotist \| leading man \| leaving \| murderer \| ominous \| plotting \| spy \| spying \| street \| tense \| transition
The Woman in White (1948)	Underscoring (Tense)	1:39:05 - The butler enters	advance plot \| butler \| conversing \| criminal \| friend \| leading lady \| leading man \| love interest \| murderer \| room \| tense \| underscoring
The Woman in White (1948)	Fosco (Dying)	1:45:34 - The Countess picks up the necklace	arriving \| climax \| criminal \| death \| dramatic \| dying \| falling \| friend \| knife \| leading lady \| leading man \| love interest \| murder \| murderer \| necklace \| revenge \| rising \| room \| stinger \| tense \| victim \| violent \| wife
The Public Defender (1931)	Violence	0:00:41 - Cast list and balancing scales	balancing \| cast list \| diminished 7th chord \| dramatic \| main title \| opening title sequence \| tense \| transcribed by ear \| violence
The Public Defender (1931)	Crowd thronging	0:01:17 - A crowd pressing towards a guarded door	arguing \| chromatic scale \| crowd \| hurried \| noise \| street \| tense \| transcribed by ear \| transition
Transgression (1931)	Gong	0:50:00 - Don Arturo is shot	death \| dying \| gun \| gunshot \| leading lady \| love interest \| murder \| murderer \| murdering \| murder scene \| room \| tense \| victim
Is My Face Red? (1932)	Steam whistle	0:15:08 - A steam whistle blows	boat \| chromatic scale \| mickey-mousing \| polychord \| steam whistle \| tense \| transcribed by ear \| transition
Is My Face Red? (1932)	Sailing of the Olympic (Argument)	0:16:24 - Two people argue	advance plot \| arguing \| boat \| eavesdropping \| leading man \| parallelism \| tense \| transcribed by ear
Is My Face Red? (1932)	Sailing of the Olympic (Commotion)	0:16:39 - Four people talk at once to Mildred	advance plot \| arguing \| argument \| boat \| chromatic sequence \| eavesdropping \| hurried \| leading lady \| leading man \| metric dissonance \| parallelism \| tense \| transcribed by ear
Is My Face Red? (1932)	Sailing 2	0:21:30 - Boat cuts through the waves	boat \| parallelism \| sailing \| sailor \| tense \| transcribed by ear \| transition \| waves \| whole-tone
Men of America (1932)	Cimarron B (Transition)	0:02:19 - Smokey Joe fights the Indians	ambush \| chromatic mediant \| cowboy \| dramatic \| establish character \| establish setting \| fragmentation \| gun \| gunshot \| horse \| Indian \| leading man \| prairie \| riding \| self-borrowing \| shooting \| stagecoach \| tense \| title card \| transcribed by ear
Men of America (1932)	Symphony no. 5: IV	0:26:35 - Car radio plays classical music	advance plot \| bold \| car \| conversing \| criminal \| radio \| source music \| tense
Penguin Pool Murder (1932)	Penguin Pool Murder	0:00:23 - Main title, starring list, and cast list	cast list \| chromatic parallelism \| diminution \| diving \| double exposure \| dramatic \| hemiola \| linear chromaticism \| mysterious \| opening title sequence \| penguin \| pool \| starring list \| swimming \| tense \| thematic transformation \| through-composed \| title of film \| transcribed by ear \| whirlpool \| whole-tone \| whole-tone chord
Penguin Pool Murder (1932)	Sea Creatures	0:01:39 - A shark, an octopus, and a fish	establish setting \| fish \| mysterious \| octopus \| shark \| swimming \| tense \| transcribed by ear \| tritone \| underwater \| whole-tone
Secrets of the French Police (1932)	La marseillaise (Distressed)	0:01:00 - Cast list	cast list \| diminished 7th chord \| drumroll \| France \| newspaper \| on-screen music \| opening title sequence \| page turn \| patriotic tune \| source music \| tense
Thirteen Women (1932)	Drum Roll	0:06:18 - June and May perform	circus \| death scene \| fear \| performer \| preparing \| source music \| tense \| trapeze
Thirteen Women (1932)	The Swami (Rising Tension)	0:09:53 - The swami shrinks from Ursula's gaze	antagonist \| conversing \| establish character \| fate \| fortune teller \| leading lady \| mysterious \| parallelism \| room \| swami \| tense \| transcribed by ear
Thirteen Women (1932)	Ursula (Agitato)	0:11:16 - Ursula tears up the horoscope	accented dissonance \| advance plot \| agitated \| antagonist \| destroying \| horoscope \| leading lady \| room \| tearing \| tense \| transcribed by ear
Thirteen Women (1932)	Ursula (Exotic) + The Train	0:23:07 - Helen points the gun at herself and cries	antagonist \| combination of themes \| crying \| exotic \| exoticism \| gun \| Gypsy major scale \| hypnotic \| murderer \| murder scene \| pedal tone \| suicide \| tense \| train \| train \| transcribed by ear \| traveling \| victim
Thirteen Women (1932)	Ursula (Suicide)	0:24:18 - Helen commits suicide	antagonist \| chromaticism \| committing suicide \| dying \| exotic \| exoticism \| gun \| gunshot \| hypnotic \| murderer \| murder scene \| pc set \| pedal tone \| stinger \| suicide \| tense \| train \| train \| transcribed by ear \| traveling \| victim
Don’t Turn ‘em Loose (1936)	Gimpy Walk	0:26:00 - Bob walks	advance plot \| appoggiatura \| gangster \| imposter \| leading man \| oscillation \| pacing \| room \| street \| tense \| walking
Don’t Turn ‘em Loose (1936)	Gimpy Walk	0:26:12 - Bob walks	added-note chord \| advance plot \| gangster \| imposter \| leading man \| oscillation \| pacing \| room \| street \| tense \| walking
Don’t Turn ‘em Loose (1936)	Makes You Forget Your Troubles (Dream Sequence)	0:39:59 - Bob (Bat) pulls a gun on Grace	augmented sixth chord \| cheerful \| confronting \| fragmentation \| frantic \| gangster \| gun \| gunshot \| half-diminished 7th chord \| leading man \| mirror shot \| moll \| murder \| murderer \| murder scene \| popular music \| reacting \| room \| screaming \| sequence \| shooting \| simulated source music \| source music \| staring \| tense \| threatening \| victim
We're Only Human (1935)	Lullaby (Adagio)	0:23:36 - Pete watches the car drive away	conflict \| conversing \| detective \| diminished 7th chord \| direct modulation \| dissonant bass \| food \| leading lady \| leading man \| love interest \| reacting \| reporter \| street \| tense
We're Only Human (1935)	Gypo Runs Away	0:27:09 - Pete and Danny hide	action scene \| agitated \| chromatic parallelism \| detective \| diminished 7th chord \| gangster \| hiding \| leading man \| street \| tense
We're Only Human (1935)	The Informer (Up the Stairs)	0:27:17 - Pete prepares to advance	64 chord \| action scene \| agitated \| bank \| chromatic sequence \| detective \| dodging \| fragmentation \| gangster \| gunshot \| hiding \| leading man \| preparing \| running \| stinger \| tense
We're Only Human (1935)	Blood Money (Four Coins)	0:27:37 - Pete and Danny hide	action scene \| bank \| detective \| gangster \| half-diminished 7th chord \| hiding \| leading man \| mysterious \| preparing \| sneaking \| tense
We're Only Human (1935)	The Informer (Lying)	0:27:51 - Danny prepares to advance	action scene \| bank \| chromatic sequence \| detective \| diminished 7th chord \| dissonant bass \| gangster \| half-diminished 7th chord \| hiding \| leading man \| octatonic \| preparing \| sneaking \| tense
We're Only Human (1935)	Kong 1	0:28:23 - Pete jumps on a criminal	action scene \| bank \| chromatic parallelism \| detective \| dramatic \| fighting \| gangster \| jumping \| leading man \| pedal tone \| punching \| tense
We're Only Human (1935)	Kong 2	0:28:34 - Pete handcuffs a criminal	action scene \| bank \| detective \| dramatic \| fighting \| gangster \| leading man \| mysterious \| tense \| whole-tone \| whole-tone chord
We're Only Human (1935)	The Informer (Drinking)	0:28:39 - Pete stands up	action scene \| bank \| detective \| gangster \| leading man \| octatonic \| standing \| tense \| whole-tone chord
We're Only Human (1935)	Blood Money (Extended)	0:28:58 - Pete walks away with the criminal	action scene \| arguing \| augmented triad \| bank \| detective \| gangster \| leading man \| mysterious \| tense \| tritone \| whole-tone
We're Only Human (1935)	Katie (Begging)	0:29:21 - Close up on Danny	64 chord \| action scene \| bank \| calling \| detective \| gangster \| leading man \| sequence \| serious \| tense \| victim
We're Only Human (1935)	Begging	0:29:35 - Pete talks with Danny	action scene \| arguing \| bank \| detective \| diminished 7th chord \| dissonant bass \| gangster \| leading man \| pedal tone \| sequence \| serious \| tense \| victim
We're Only Human (1935)	Russian Waltz (Poco Agitato)	1:02:12 - Getting out the car	car \| chromatic scale \| climax \| conflict \| dark \| detective \| leading lady \| leading man \| reporter \| sneaking \| tense \| victim \| yard
We're Only Human (1935)	Game 3	1:02:23 - Approaching the house	chromatic parallelism \| chromatic parallelism \| climax \| conflict \| detective \| leading lady \| leading man \| mysterious \| pc set \| reporter \| sneaking \| tense \| victim \| yard
We're Only Human (1935)	Russian Waltz (Pizzicato)	1:02:55 - Spying on the house	climax \| conflict \| detective \| leading lady \| leading man \| mysterious \| reporter \| sneaking \| tense \| victim \| yard
We're Only Human (1935)	Saroff	1:03:07 - They argue	arguing \| chromatic scale \| climax \| conflict \| detective \| leading lady \| leading man \| mysterious \| reporter \| tense \| victim \| whole-tone \| whole-tone chord \| yard
We're Only Human (1935)	The Informer (Burning Poster) + Blood Money	1:03:25 - A man falls to the ground	climax \| conflict \| crawling \| detective \| diminished 7th chord \| dying \| gunshot \| leading lady \| leading man \| mysterious \| octatonic \| reporter \| Scotch snap \| shooting \| tense \| tone cluster \| victim \| yard
We're Only Human (1935)	The Wearin' o' the Green (Fighting)	1:03:42 - Pete prepares to advance	chromatic parallelism \| climax \| conflict \| detective \| dramatic \| fragmentation \| gunshot \| leading lady \| leading man \| reporter \| running \| sequence \| shooting \| tense \| underscoring \| victim \| yard
We're Only Human (1935)	The Informer (Tense)	1:04:11 - Pete prepares to enter the house	climax \| conflict \| detective \| leading man \| mysterious \| Scotch snap \| sneaking \| tense \| whole-tone \| whole-tone chord \| yard
We're Only Human (1935)	Game 4	1:04:54 - Pete crawls on the floor	climax \| conflict \| crawling \| detective \| gangster \| leading man \| murderer \| room \| tense \| underscoring \| whole-tone chord
We're Only Human (1935)	Game 5	1:05:03 - Pete prepares to shoot	chromatic parallelism \| climax \| conflict \| detective \| gangster \| gunshot \| leading man \| murderer \| pc set \| pedal tone \| room \| shooting \| sneaking \| tense \| underscoring \| whole-tone chord
We're Only Human (1935)	Blood Money (Counting Money)	1:05:25 - Pete looks at the fallen man	climax \| conflict \| detective \| gangster \| leading man \| murderer \| mysterious \| room \| sneaking \| tense \| tone cluster
We're Only Human (1935)	Game 6	1:05:34 - Pete dodges gunfire	climax \| conflict \| dark \| detective \| gangster \| leading man \| murderer \| room \| sneaking \| taunting \| tense \| underscoring
We're Only Human (1935)	Game 7	1:05:48 - Pete runs up the stairs	9th chord \| climax \| conflict \| detective \| dramatic \| gangster \| leading man \| murderer \| parallelism \| pc set \| pedal tone \| room \| running \| rushing \| tense \| underscoring \| whole-tone chord
We're Only Human (1935)	Game 8	1:05:55 - Pete advances slowly	arguing \| chromatic scale \| climax \| conflict \| detective \| gangster \| half-diminished 7th chord \| hostage \| leading man \| murderer \| pedal tone \| polychord \| room \| sneaking \| taunting \| tense \| tricking \| underscoring
Another Face (1935)	Russian Waltz (Meno) + The Iron Door	0:02:11 - Gangsters talk with doctor	chromatic scale \| combination of themes \| conversing \| doctor \| establish character \| gangster \| mysterious \| nurse \| office \| pedal tone \| tense
Another Face (1935)	Underscoring (Tense)	0:02:30 - Gangster talks with nurse	chromatic parallelism \| conversing \| doctor \| establish character \| gangster \| half-diminished 7th chord \| nurse \| office \| tense \| underscoring
Another Face (1935)	Zaroff (Molto Moderato) + The Iron Door	0:02:43 - The gangsters depart	chromatic scale \| combination of themes \| conversing \| departing \| doctor \| establish character \| gangster \| half-diminished 7th chord \| mysterious \| nurse \| office \| tense
Another Face (1935)	Courage + The Iron Door	0:02:53 - Close up on the nurse	dramatic \| establish character \| gangster \| headline \| laughing \| newspaper \| nurse \| office \| pedal tone \| reacting \| reading \| stinger \| tense
Another Face (1935)	Underscoring (Mysterious)	0:03:08 - Gangster smoking in chair	augmented triad \| chromatic parallelism \| establish character \| gangster \| office \| smoking \| tense \| underscoring \| waiting
Another Face (1935)	Russian Waltz (Poco Agitato)	0:04:46 - Nurse argues with doctor	advance plot \| arguing \| blackmail \| doctor \| nurse \| operating room \| tense
Another Face (1935)	Zaroff (Poco Agitato)	0:05:01 - Nurse argues with doctor	advance plot \| arguing \| blackmail \| chromatic parallelism \| doctor \| half-diminished 7th chord \| nurse \| operating room \| tense
Another Face (1935)	Courage (Hiding)	0:05:09 - Doctor threatens nurse	advance plot \| arguing \| blackmail \| doctor \| nurse \| operating room \| tense \| whole-tone chord
Without Honor (1949)	Molto Misterioso	0:05:03 - Jane walks to the door	adulterer \| affair \| conversing \| establish character \| leading lady \| leading man \| love interest \| mysterious \| room \| tense
Without Honor (1949)	Twilight (Agitato)	0:08:54 - Jane talks to Dennis	adulterer \| affair \| arguing \| breaking up \| breakup \| crying \| death scene \| kitchen \| leading lady \| leading man \| love interest \| mysterious \| ominous \| tense
Without Honor (1949)	Underscoring (Tense)	0:10:30 - Jane looks at Dennis's body	addicent \| adulterer \| corpse \| death \| death scene \| kitchen \| knife \| leading lady \| leading man \| love interest \| reacting \| skewer \| tense \| thinking \| underscoring
Without Honor (1949)	Fingers	0:10:54 - Jane's fingers start twitching	addicent \| adulterer \| corpse \| crazed \| death \| death scene \| hand \| kitchen \| knife \| leading lady \| leading man \| love interest \| mysterious \| reacting \| skewer \| tense \| thinking \| twitching
Without Honor (1949)	Underscoring (Tense)	0:12:11 - Jane wipes blood off of the floor	blood \| death scene \| kitchen \| leading lady \| ominous \| tense \| underscoring \| washing
Without Honor (1949)	Underscoring (Tense)	0:12:58 - Jane walks forward	advance plot \| leading lady \| room \| telephone \| tense \| thinking \| underscoring
Without Honor (1949)	Underscoring (Tense)	0:14:37 - Jane stares at herself in the mirror	advance plot \| audible thoughts \| blaming \| crying \| leading lady \| mirror \| room \| tense \| thinking \| underscoring
Without Honor (1949)	Fidgeting	0:15:21 -	advance plot \| calling \| conversing \| doorbell \| fidgeting \| leading lady \| room \| telephone \| tense \| underscoring \| walking
Without Honor (1949)	Chromatic Clarinet	0:16:42 - Jane talks to the girl scouts	advance plot \| child \| leading lady \| reacting \| room \| scout \| tense \| underscoring \| walking
Without Honor (1949)	Fidgeting	0:17:03 - Jane talks to the girl scouts	advance plot \| child \| conversing \| fidgeting \| leading lady \| room \| scout \| tense \| underscoring
Without Honor (1949)	Underscoring (Dramatic)	0:21:29 - Bill heads towards the laundry room	antagonist \| brother \| conflict \| corpse \| door \| dramatic \| kitchen \| leading lady \| leading man \| reacting \| rushing \| tense \| underscoring
Without Honor (1949)	Twilight (Tense)	0:21:51 - Jane cleans off Bill's sleeve	antagonist \| brother \| cleaning \| conflict \| conversing \| corpse \| door \| kitchen \| leading lady \| leading man \| opening \| tense
Without Honor (1949)	Cleaning	0:21:57 - Jane cleans off Bill's sleeve	antagonist \| brother \| cleaning \| cleaning effect \| conflict \| conversing \| corpse \| door \| kitchen \| leading lady \| leading man \| mickey-mousing \| tense
Without Honor (1949)	Underscoring (Tense)	0:22:07 - Bill tosses the towel	antagonist \| brother \| conflict \| conversing \| corpse \| door \| kitchen \| leading lady \| leading man \| tense \| tossing \| underscoring
Without Honor (1949)	Misterioso	0:22:17 - Jane reacts	antagonist \| brother \| conflict \| kitchen \| leading lady \| leading man \| mysterious \| taunting \| tense
Without Honor (1949)	Rubato	0:22:34 - Bill talks with Jane	antagonist \| brother \| conflict \| dramatic \| kitchen \| leading lady \| leading man \| memory \| rushing \| taunting \| tense
Without Honor (1949)	Tension	0:22:52 - Jane gives Bill a drink	antagonist \| brother \| conflict \| kitchen \| leading lady \| leading man \| memory \| taunting \| tense \| underscoring \| uneasy
Without Honor (1949)	Valse Triste (Poco Appassionato)	0:23:31 - Bill grabs Jane's arm	antagonist \| brother \| conflict \| dramatic \| grabbing \| kitchen \| leading lady \| leading man \| memory \| reacting \| recounting \| tense \| waltz
Without Honor (1949)	Underscoring (Tense)	0:37:33 - Jane climbs out the window	action scene \| escaping \| hiding \| leading lady \| running \| tense \| underscoring \| window \| yard
Without Honor (1949)	Jumping down	0:37:38 - Jane jumps to the ground	action scene \| descending \| jumping \| leading lady \| mickey-mousing \| tense \| window \| yard
Without Honor (1949)	Lullaby + Underscoring (Tense)	0:37:46 - Jane runs to the road	\| action scene \| combination of themes \| escaping \| hiding \| ice cream truck \| leading lady \| running \| scored source music \| source music \| street \| tense \| underscoring
Without Honor (1949)	Underscoring (Tense)	0:38:12 - Jane gets sprayed by a hose	action scene \| bus \| conversing \| leading lady \| neighbor \| street \| tense \| underscoring
Without Honor (1949)	Misterioso (Molto Rubato)	0:43:10 - Bill talks with Fred	antagonist \| brother \| conflict \| conversing \| husband \| leading lady \| leading man \| reveal \| room \| secret \| tense \| warning
Without Honor (1949)	Underscoring (Tense)	0:49:48 - Bill talks to Fred	antagonist \| brother \| conflict \| conversing \| husband \| leading lady \| leading man \| reveal \| room \| secret \| tense \| thinking \| wife
Without Honor (1949)	Tension (Molto Misterioso)	0:50:03 - Bill stares at Jane	anger \| antagonist \| brother \| conflict \| conversing \| demanding \| dramatic \| husband \| leading lady \| leading man \| reveal \| room \| secret \| slapping \| tense \| wife
Without Honor (1949)	Agitation (Appassionato)	0:52:28 - Jane cries	agitated \| antagonist \| brother \| climax \| confessing \| confession \| crying \| demanding \| husband \| leading lady \| leading man \| room \| tense \| wife
Without Honor (1949)	Underscoring (Dramatic)	0:53:45 - Jane screams	antagonist \| blood \| brother \| climax \| confession \| dramatic \| handprint \| husband \| leading lady \| leading man \| room \| screaming \| tense \| underscoring \| wife
Without Honor (1949)	Desperation (The Scream)	0:53:50 - They look at the bloody handprint	antagonist \| blood \| brother \| climax \| confession \| departing \| dramatic \| handprint \| husband \| investigating \| leading lady \| leading man \| room \| screaming \| searching \| tense \| wife \| yard
Without Honor (1949)	Appassionato 2 (Agitato)	0:54:14 - Jane exits the house	climax \| leading lady \| searching \| tense \| wandering \| yard
Without Honor (1949)	Appassionato (Broad)	0:54:27 - Bill talks on the phone	antagonist \| brother \| calling \| climax \| leading lady \| leading man \| room \| searching \| telephone \| tense \| wandering \| yard
Without Honor (1949)	Desperation	0:54:35 - The orchard	climax \| leading lady \| orchard \| searching \| tense
Without Honor (1949)	Twilight (Bloody Hand)	0:54:40 - Jane looks around the orchard	climax \| leading lady \| orchard \| searching \| tense
Without Honor (1949)	Twilight (Molto Expressivo)	0:54:55 - Jane is startled	climax \| leading lady \| orchard \| searching \| tense
Without Honor (1949)	Tension (Extended)	0:58:12 - Mrs. Williams talks to Fred and Bill	antagonist \| bathroom \| brother \| climax \| conversing \| forgiveness \| husband \| leading lady \| leading man \| razor blade \| room \| tense \| wife
Without Honor (1949)	Valse Triste (Reeds)	1:04:26 - Fred argues with Bill	antagonist \| arguing \| brother \| husband \| leading man \| resolution \| room \| tense
Without Honor (1949)	Valse Triste (Triple Beguin)	1:05:18 - Fred starts to leave for the hospital	antagonist \| arguing \| brother \| fighting \| husband \| leading man \| punching \| resolution \| tense \| yard
Without Honor (1949)	Appassionato 2 (Broad)	1:05:32 - Fred gets in his car	anger \| antagonist \| brother \| car \| complaining \| departing \| dramatic \| driving \| husband \| leading man \| resolution \| street \| tense \| yard
Without Honor (1949)	Valse Triste (Agitato)	1:05:49 - Bill tries to stop Fred	anger \| antagonist \| brother \| car \| chasing \| complaining \| departing \| dramatic \| driving \| harsh \| husband \| leading man \| resolution \| running \| street \| tense \| yelling
The Most Dangerous Game (1932)	The Iron Door	0:00:14 - Large iron door	castle \| cast list \| door \| door knocker \| knocking \| mysterious \| opening \| opening title sequence \| statue \| tense \| title of film \| zoom in \| zoom out
The Most Dangerous Game (1932)	The Wreck	0:07:15 - A sinking ship	action scene \| captain \| crew \| leading man \| ocean \| ship \| ship wreck \| sinking \| swimming \| tense
The Most Dangerous Game (1932)	Swimming	0:07:56 - Bob swims away	action scene \| beach \| dramatic \| escaping \| leading man \| mickey-mousing \| ocean \| ship wreck \| swimming \| tense
The Most Dangerous Game (1932)	Getting up	0:08:51 - Bob rises to his feet	barking \| beach \| establish setting \| leading man \| looking \| mickey-mousing \| mysterious \| rising \| standing \| tense
The Most Dangerous Game (1932)	Climbing	0:08:58 - Bob climbs the rocks	beach \| climbing \| establish setting \| leading man \| mickey-mousing \| tense
The Most Dangerous Game (1932)	The Approach	0:09:31 - Bob approaches	approaching \| establish setting \| jungle \| leading man \| tense \| walking
The Most Dangerous Game (1932)	Russian Waltz (Upstairs)	0:26:51 - Eve goes up the stairs	advance plot \| ascending \| brother \| castle \| conversing \| count \| departing \| drunk \| leading lady \| leading man \| mickey-mousing \| mute \| mysterious \| servant \| source to score \| stairs \| tense \| walking
The Most Dangerous Game (1932)	Zaroff (Stinger)	0:27:05 - A closeup on Ivan	advance plot \| brother \| castle \| close-up \| conversing \| count \| drunk \| leading lady \| leading man \| mute \| mysterious \| servant \| stinger \| tense
The Most Dangerous Game (1932)	Emotions	0:29:42 - Eve comes in	agitated \| candle \| castle \| conversing \| fear \| leading lady \| leading man \| tense \| turning point
The Most Dangerous Game (1932)	Emotions 2	0:29:59 - Eve talks with Bob	agitated \| candle \| castle \| conversing \| fear \| leading lady \| leading man \| tense \| turning point
The Most Dangerous Game (1932)	Russian Waltz (Sneaking)	0:30:29 - Bob and Eve sneak downstairs	candle \| castle \| descending \| leading lady \| leading man \| mysterious \| sneaking \| tense \| turning point \| walking
The Most Dangerous Game (1932)	The Approach (Sneaking)	0:30:39 - Bob and Eve sneak downstairs	candle \| castle \| descending \| leading lady \| leading man \| mysterious \| sneaking \| tense \| turning point \| walking
The Most Dangerous Game (1932)	The Iron Door (Tense)	0:36:27 - Zaroff looks at Bob's watch	action scene \| castle \| commanding \| count \| leading man \| mute \| prisoner \| servant \| shackles \| stinger \| tense \| villain
The Most Dangerous Game (1932)	Walking	0:36:42 - Zaroff walks to the door	action scene \| agitated \| castle \| closing \| count \| leading man \| marching \| mickey-mousing \| mute \| preparing \| prisoner \| servant \| tense \| villain \| walking
The Most Dangerous Game (1932)	The Iron Door (Fangs and Claws)	0:37:00 - Zaroff gives Bob a knife	action scene \| castle \| commanding \| count \| giving \| knife \| leading man \| mute \| preparing \| prisoner \| servant \| tense \| threatening \| villain
The Most Dangerous Game (1932)	Emotions (Agitato)	0:37:04 - The iron door	action scene \| agitated \| castle \| descending \| door \| fear \| leading lady \| opening \| running \| rushing \| screaming \| tense
The Most Dangerous Game (1932)	Emotions 2 (Agitato)	0:37:23 - Eve runs to Bob	action scene \| agitated \| arriving \| castle \| conversing \| count \| fear \| leading lady \| leading man \| mute \| prisoner \| servant \| tense \| villain
The Most Dangerous Game (1932)	Russian Waltz (Meno) + The Iron Door	0:37:30 - Zaroff talks about the game	action scene \| castle \| combination of themes \| conversing \| count \| leading lady \| leading man \| mute \| prisoner \| servant \| tense \| villain
The Most Dangerous Game (1932)	Underscoring (Tense)	0:37:49 - Zaroff talks about the game	action scene \| castle \| conversing \| count \| leading lady \| leading man \| mute \| prisoner \| servant \| tense \| underscoring \| villain
The Most Dangerous Game (1932)	Zaroff (Molto Moderato) + The Iron Door	0:38:01 - Zaroff talks about the game	action scene \| castle \| combination of themes \| conversing \| count \| leading lady \| leading man \| mute \| prisoner \| servant \| tense \| villain
The Most Dangerous Game (1932)	Courage + The Iron Door	0:38:17 - Bob and Eve leave	action scene \| agitated \| castle \| combination of themes \| count \| departing \| leading lady \| leading man \| mute \| prisoner \| servant \| tense \| villain
The Most Dangerous Game (1932)	Courage (Tone Cluster)	0:41:32 - Bob builds a trap	action scene \| jungle \| knife \| leading lady \| leading man \| mysterious \| preparing \| stinger \| tense \| trap \| victim
The Most Dangerous Game (1932)	Russian Waltz (Poco Agitato)	0:42:12 - The Count approaches	action scene \| count \| dark \| hiding \| hunting \| jungle \| knife \| leading lady \| leading man \| sneaking \| stalking \| tense \| trap \| victim \| villain \| waiting \| watching
The Most Dangerous Game (1932)	Zaroff (Poco Agitato)	0:42:25 - Bob and Eve hide in a cave	action scene \| agitated \| count \| hiding \| hunting \| jungle \| knife \| leading lady \| leading man \| sneaking \| stalking \| tense \| trap \| victim \| villain \| waiting \| watching
The Most Dangerous Game (1932)	Courage (Hiding)	0:42:33 - Bob and Eve watch and wait	action scene \| combination of themes \| count \| hiding \| hunting \| jungle \| knife \| leading lady \| leading man \| mysterious \| sneaking \| stalking \| tense \| trap \| victim \| villain \| waiting \| watching
The Most Dangerous Game (1932)	The Count Approaches	0:42:44 - The Count approaches slowly	action scene \| approaching \| arrow \| count \| dark \| hiding \| hunting \| jungle \| knife \| leading lady \| leading man \| shooting \| sneaking \| stalking \| tense \| trap \| victim \| villain \| waiting \| watching
The Most Dangerous Game (1932)	Emotions (Agitato Mysterioso)	0:43:29 - Eve reacts to the arrow	action scene \| agitated \| count \| hiding \| hunting \| jungle \| knife \| leading lady \| leading man \| sneaking \| stalking \| tense \| victim \| villain \| waiting \| watching
The Most Dangerous Game (1932)	Emotions 2 (Agitato Mysterioso)	0:43:44 - Bob and Eve watch and wait	action scene \| agitated \| count \| hiding \| hunting \| jungle \| knife \| leading lady \| leading man \| sneaking \| stalking \| tense \| victim \| villain \| waiting \| watching
The Most Dangerous Game (1932)	Courage (Allegro)	0:44:26 - Bob prepare to leave	action scene \| agitated \| departing \| hiding \| jungle \| knife \| leading lady \| leading man \| sneaking \| tense \| victim \| waiting \| watching
The Most Dangerous Game (1932)	Mysterioso Dramatico	0:45:01 - Bob and Eve look for Zaroff	action scene \| conversing \| fanfare \| heroic \| jungle \| leading lady \| leading man \| preparing \| tense \| victim \| watching
The Most Dangerous Game (1932)	Russian Waltz (Low Brass)	0:45:12 - Bob talks with Eve	action scene \| conversing \| jungle \| leading lady \| leading man \| preparing \| tense \| victim \| watching
The Most Dangerous Game (1932)	Emotions (Running Away)	0:45:17 - Eve runs away	action scene \| agitated \| chasing \|

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