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1339 results for "tense" in 48 films — see also agitated | change | intense | suspense | turbulent | turn | uneasy

FilmTheme nameInstanceTags
All This, and Heaven Too (1940)Henriette (Lento)0:10:20 - Henriette on a shipboat | dissonant bass | flashback | foreign key modulation | hopeful | leading lady | mysterious | pedal tone | storytelling | tense | traveling

All This, and Heaven Too (1940)

Pierre0:13:47 - Pierre introduces himselfadded-note chord | caretaker | conversing | deceptive resolution | introducing | leading lady | mode mixture | pedal tone | pleasant | street | tense | transition

All This, and Heaven Too (1940)

The Duke (Quasi Mysterioso)0:14:49 - Henriette hears the Duke and Duchess arguingarriving | butler | common-chord modulation | deceptive resolution | duchess | duke | establish setting | interrupting | leading lady | leading man | mysterious | room | tense

All This, and Heaven Too (1940)

Desperation (Furioso)0:22:53 - The Duchess curses the Dukeagitated | arguing | dissonant bass | distressed | duchess | duke | establish character | leading lady | leading man | parallelism | pleading | priest | room | tense

All This, and Heaven Too (1940)

Underscoring (Tense)NIF - not in filmadvance plot | child | chromatic wedge | conversing | cut from film | duchess | governess | leading lady | room | tense | underscoring

All This, and Heaven Too (1940)

RubatoNIF - not in film9th chord | added-note chord | advance plot | arguing | child | cut from film | deceptive resolution | duchess | governess | leading lady | room | tense

All This, and Heaven Too (1940)

Desperation (Very Dramatic)NIF - not in filmadvance plot | altered dominant | arguing | child | cut from film | duchess | governess | leading lady | room | tense

All This, and Heaven Too (1940)

Underscoring (Tense)0:30:19 - Henriette dresses Raynald9th chord | advance plot | arguing | caring | child | duke | governess | illness | leading lady | leading man | room | sequence | tense | underscoring

All This, and Heaven Too (1940)

Underscoring (Gentle)0:30:34 - Henriette puts Raynald in bedadvance plot | arguing | caring | child | chromatic sequence | duke | gentle | governess | illness | leading lady | leading man | mode mixture | room | tense | underscoring

All This, and Heaven Too (1940)

Counting0:33:30 - Henriette counts tangerine slicesadvance plot | calm | child | chromatic sequence | conversing | counting | distracting | duke | governess | illness | leading lady | leading man | pc set | room | tense | wedge | zoom in

All This, and Heaven Too (1940)

Underscoring (Tense)0:37:37 - They rise from prayeradded-note chord | child | chromatic scale | chromatic wedge | conversing | deceptive resolution | duchess | duke | governess | illness | leading lady | leading man | leaving | priest | religious scene | room | somber | tense

All This, and Heaven Too (1940)

The Duchess (Agitato)0:38:09 - The Duchess argues with the doctorarguing | common-chord modulation | doctor | duchess | illness | leading lady | mode mixture | religious scene | room | syncopation | tense

All This, and Heaven Too (1940)

Gossip0:55:36 - Scissors cut a newspaper clipping9th chord | advance plot | chromatic parallelism | cutting | dissonant bass | gossiper | gossiping | harsh | minor second | newspaper | room | scissors | tense

All This, and Heaven Too (1940)

Henriette (Mysterioso)0:56:02 - A newspaper clippingadvance plot | gossiper | gossiping | half-diminished 7th chord | mysterious | newspaper | room | tense

All This, and Heaven Too (1940)

Underscoring (Mysterious)0:56:57 - The Duchess entersadvance plot | child | conversing | governess | half-diminished 7th chord | leading lady | maid | mysterious | room | tense | trouble | underscoring

All This, and Heaven Too (1940)

Ascending1:03:57 - The Duke and Duchess ascendascending | ballroom | chromatic sequence | double exposure | duchess | duke | leading lady | leading man | mickey-mousing | montage | stairs | tense

All This, and Heaven Too (1940)

Desperation (Very Emotional)1:20:06 - The Duchess threatens the Dukearguing | augmented triad | chromatic scale | chromatic sequence | conflict | desperate | dissonant bass | duchess | duke | leading lady | leading man | room | tense | threatening

All This, and Heaven Too (1940)

Desperation (Sempre Accelerando1:20:39 - The Duke and Duchess argueacceleration | arguing | augmented triad | chromatic scale | chromatic sequence | conflict | desperate | dissonant bass | duchess | duke | leading lady | leading man | panning shot | pc set | room | screaming | tense | threatening

All This, and Heaven Too (1940)

Underscoring (Tense)1:20:55 - Henriette calms the children downcaretaker | child | conflict | crying | dissonant bass | governess | leading lady | pc set | room | tense

All This, and Heaven Too (1940)

Underscoring (Somber)1:21:26 - The Duke descends the stairschild | chromatic scale | conflict | conversing | crying gesture | descending | governess | leading lady | room | somber | tense

All This, and Heaven Too (1940)

Raynald (Mysterioso 3)1:30:51 - The children talk to Henriette9th chord | bright | child | chromatic parallelism | conversing | duke | governess | leading lady | leading man | palace | surprise | tense | transition

All This, and Heaven Too (1940)

Spring Time (Harry Cohn Moto)1:35:26 - Henriette opens a giftadvance plot | cheerful | child | chromatic sequence | gift | governess | happy | leading lady | opening | pedal tone | room | tense | unwrapping

All This, and Heaven Too (1940)

Henriette (Dolschissimo)1:36:07 - Henriette reads the locket inscription64 chord | advance plot | calm | child | chromatic mediant | conversing | crying | dissonant bass | foreign key modulation | gift | governess | leading lady | locket | mode mixture | room | stinger | tender | tense

All This, and Heaven Too (1940)

Gossip 21:47:20 - Henriette sees her landlady gossiping9th chord | chromatic parallelism | dissonant bass | duke | gossiper | gossiping | harsh | landlady | leading man | minor second | reunion scene | room | tense | watching

All This, and Heaven Too (1940)

Henriette (Gossiping) + Spring Time (Gossiping)1:47:25 - Henriette's landlady talks to the Dukeawkward | child | combination of themes | common-tone diminished 7th | diminished 7th chord | duke | gossiper | gossiping | landlady | leading lady | leading man | mysterious | parallelism | pedal tone | reunion scene | room | somber | tense | watching

All This, and Heaven Too (1940)

Henriette (Tense)1:47:51 - The Duke argues with Henriettearguing | conflict | diminished 7th chord | duke | fragmentation | leading lady | leading man | pedal tone | room | tense

All This, and Heaven Too (1940)

The Duchess (Tense)1:48:04 - Henriette talks with the Dukearguing | conflict | duke | leading lady | leading man | room | sequential modulation | tense

All This, and Heaven Too (1940)

Desperation (Tense)1:48:14 - The Duke talks with Henriettechromatic parallelism | chromatic sequence | conflict | conversing | dissonant bass | duke | leading lady | leading man | room | tense

All This, and Heaven Too (1940)

Desperation (Slow)1:48:58 - The Duke leaveschromatic scale | conflict | dissonant bass | duke | leading lady | leading man | leaving | ominous | room | tense

All This, and Heaven Too (1940)

Desperation (Subito)1:52:22 - Soldiers climb the stairs64 chord | ascending | conflict | landlady | leading lady | not mickey-moused | room | soldier | suspect | tense

All This, and Heaven Too (1940)

The Duchess (Dramatic)1:52:48 - Soldiers confront Henrietteaccusing | arresting | augmented sixth chord | conflict | landlady | leading lady | ominous | realizing | room | soldier | suspect | tense

All This, and Heaven Too (1940)

Henriette (Grandioso) + Desperation (Grandioso)1:53:13 - The police wagon leavesarresting | bold | carriage | conflict | conversing | crowd | crying | dark | dissonant bass | fragmentation | landlady | leading lady | ominous | soldier | street | suspect | tense | testifying

All This, and Heaven Too (1940)

Underscoring (Tense)2:06:17 - Henriette argues with Henryadvance plot | arguing | fragmentation | leading lady | minister | pedal tone | prison | prisoner | sequence | suspect | tense | underscoring

All This, and Heaven Too (1940)

Raynald (Delicato)2:06:46 - Henry talks to Henrietteadvance plot | conversing | delicate | leading lady | minister | mode change | prison | prisoner | suspect | tender | tense | worrying

All This, and Heaven Too (1940)

Henriette (Ostinato)2:10:09 - A carriage leavescarriage | crowd | dramatic | fragmentation | leading lady | mob | ominous | ostinato | prisoner | soldier | street | suspect | tense | transition | traveling

All This, and Heaven Too (1940)

Underscoring (Tense)2:10:17 - A carriage arrives at the palace9th chord | arriving | carriage | chromatic scale | leading lady | prisoner | soldier | street | suspect | tense | transition | traveling | underscoring

All This, and Heaven Too (1940)

Desperation (Mysterioso)2:17:47 - Henriette narrates her storychild | fragmentation | leading lady | mysterious | resolution | school | storytelling | student | teacher | tense

All This, and Heaven Too (1940)

The Duchess2:17:58 - Henriette narrates her storychild | common-chord modulation | leading lady | mode mixture | resolution | school | storytelling | student | teacher | tense

All This, and Heaven Too (1940)

Underscoring (Tense)2:18:09 - Children listening to Henriettechild | leading lady | resolution | school | storytelling | student | teacher | tense

All This, and Heaven Too (1940)

Henriette + Falling Snow2:21:43 - Henriette sees the falling snowaugmented triad | chromatic parallelism | combination of themes | hearing voices | leading lady | minister | mode mixture | resolution | school | snow | teacher | tense
The Amazing Dr. Clitterhouse (1938)Underscoring (Tense)0:45:45 - Criminals talk about the professor64 chord | altered dominant | conversing | crime | criminal | gangster | robbery | rooftop | tense | thief | underscoring

The Amazing Dr. Clitterhouse (1938)

Underscoring (Tense)0:47:04 - Doctor talks with the criminalsaugmented major 7th chord | chromatic parallelism | criminal | dissonant bass | doctor | examining | gangster | leading man | ostinato | pc set | robbery | rooftop | tense | thief | underscoring | walking | working

The Amazing Dr. Clitterhouse (1938)

Spiraling down0:47:38 - Doctor goes down the stairs9th chord | criminal | descending | diminished 7th chord | doctor | gangster | leading man | mickey-mousing | mysterious | robbery | spiraling | store | tense | thief | walking

The Amazing Dr. Clitterhouse (1938)

Underscoring (Dramatic)0:47:48 - Rocks opens the safebreaking in | criminal | diminished 7th chord | doctor | dramatic | enharmonic modulation | gangster | leading man | lock | opening | robbery | safe | safe-cracking | stinger | store | tense | thief | underscoring | unlocking | vault | wedge

The Amazing Dr. Clitterhouse (1938)

Flashlight0:48:20 - Doctor shines flashlight on Rocksanger | annoyance | criminal | doctor | flashlight | gangster | leading man | mickey-mousing | ominous | robbery | shining | store | tense | thief | whole-tone chord

The Amazing Dr. Clitterhouse (1938)

Rocks (Annoyed)0:48:25 - Rocks is annoyed by flashlightanger | angry | annoyance | criminal | doctor | flashlight | gangster | leading man | ominous | robbery | shining | store | tense | thief | tritone | whole-tone chord

The Amazing Dr. Clitterhouse (1938)

The Amazing Doctor (Giving Orders)0:48:32 - Doctor gives orders to the criminals64 chord | anger | annoyance | chromatic parallelism | commanding | criminal | doctor | fragmentation | gangster | leading man | ordering | pedal tone | robbery | sequence | store | tense | thief

The Amazing Dr. Clitterhouse (1938)

Locked in vault0:49:06 - Dr. Clitterhouse locked in safeanxious | chromatic parallelism | chromatic scale | criminal | doctor | double-cross | dramatic | gangster | leading man | murderer | murdering | panicking | polychord | pounding | robbery | safe | store | tense | thief | trapping | vault | yelling

The Amazing Dr. Clitterhouse (1938)

The Motor0:49:21 - Rocks starts the refrigeration motorantagonist | anxious | criminal | diminished 7th chord | doctor | double-cross | dramatic | gangster | gauge | leading man | lowering | machine | mickey-mousing | motor | murderer | murdering | ostinato | panicking | pedal tone | pounding | robbery | spinning | store | temperature | tense | thief | trapping | whirling | yelling

The Amazing Dr. Clitterhouse (1938)

The Amazing Doctor + The Motor0:49:36 - Dr. Clitterhouse in safeanxious | combination of themes | criminal | doctor | double-cross | dramatic | gangster | gauge | leading man | machine | motor | murderer | murdering | ostinato | panicking | pedal tone | robbery | spinning | store | tense | thief | trapping | whirling

The Amazing Dr. Clitterhouse (1938)

The Motor (Getting Colder)0:49:43 - The vault gets colderanxious | chromatic scale | criminal | dissonant bass | doctor | double-cross | dramatic | gangster | gauge | leading man | lowering | machine | motor | murderer | murdering | ostinato | panicking | pedal tone | pounding | robbery | spinning | store | temperature | tense | thief | trapping | whirling | yelling

The Amazing Dr. Clitterhouse (1938)

Rocks goes downstairs0:50:05 - Rocks goes down the stairsantagonist | anxious | criminal | descending | diminished 7th chord | double-cross | dramatic | gangster | mickey-mousing | murderer | robbery | stairs | store | temperature | tense | thief | walking

The Amazing Dr. Clitterhouse (1938)

The Amazing Doctor + The Motor0:50:11 - Butch comes backanxious | combination of themes | criminal | doctor | double-cross | dramatic | gangster | hurrying | leading man | motor | murderer | ostinato | robbery | store | temperature | tense | thief

The Amazing Dr. Clitterhouse (1938)

Rocks (Sneaking) + The Motor0:50:14 - Rocks sneaks around in the darkantagonist | anxious | combination of themes | criminal | diminished 7th chord | doctor | double-cross | dramatic | gangster | leading man | motor | murderer | ostinato | robbery | sneaking | store | temperature | tense | thief

The Amazing Dr. Clitterhouse (1938)

The Amazing Doctor + The Motor0:50:22 - Butch runs downstairsanxious | chromatic scale | combination of themes | criminal | double-cross | down | downstairs | dramatic | gangster | mickey-mousing | motor | ostinato | robbery | store | tense | thief | walking

The Amazing Dr. Clitterhouse (1938)

Butch goes downstairs0:50:22 - Butch runs downstairsanxious | chromatic scale | combination of themes | criminal | double-cross | down | downstairs | dramatic | gangster | mickey-mousing | robbery | store | tense | thief | walking

The Amazing Dr. Clitterhouse (1938)

The Amazing Doctor (Rocks) + Rocks (The Amazing Doctor)0:50:33 - Rocks goes out to the truckantagonist | anxious | combination of themes | criminal | dissonant bass | double-cross | dramatic | gangster | lying | murderer | pc set | robbery | street | tense | thief | tritone

The Amazing Dr. Clitterhouse (1938)

The Motor (Butch)0:50:45 - Butch searches for the doctoranxious | chromatic scale | criminal | dramatic | gangster | mickey-mousing | motor | ostinato | pedal tone | robbery | running | searching | store | tense | thief

The Amazing Dr. Clitterhouse (1938)

Butch runs0:50:46 - Butch runs to the windowanxious | criminal | dramatic | gangster | mickey-mousing | robbery | running | searching | sequence | store | tense | thief

The Amazing Dr. Clitterhouse (1938)

Butch runs back0:50:52 - Butch runs back from the windowanxious | chromatic scale | criminal | dramatic | gangster | mickey-mousing | robbery | running | searching | store | tense | thief

The Amazing Dr. Clitterhouse (1938)

The Amazing Doctor (Brass) + The Motor0:51:00 - Dr. Clitterhouse in the safeanxious | chromatic parallelism | chromatic scale | combination of themes | criminal | dramatic | gangster | knocking | motor | ostinato | panicking | robbery | store | tense | thief

The Amazing Dr. Clitterhouse (1938)

Lighting the Torch + The Motor0:51:05 - Butch prepares the torchanxious | chromatic scale | combination of themes | criminal | dramatic | fire | flame | gangster | hero | lighting | ostinato | preparing | rescuing | robbery | sequence | store | tense | thief | torch | working

The Amazing Dr. Clitterhouse (1938)

The Torch (Burning)0:51:12 - Butch opens safe with welder's torchanxious | burning | chromatic parallelism | criminal | dramatic | fire | flame | gangster | half-diminished 7th chord | hero | rescuing | robbery | sparks | store | tense | thief | torch

The Amazing Dr. Clitterhouse (1938)

The Torch0:51:17 - Torch breaks through the safe dooranxious | burning | criminal | cutting | dramatic | fire | flame | gangster | hero | pc set | rescuing | robbery | sparks | store | tense | thief | torch

The Amazing Dr. Clitterhouse (1938)

Camera panning0:51:39 - Camera pans to the watchmananxious | dramatic | guard | mickey-mousing | panning shot | robbery | store | tense | waking

The Amazing Dr. Clitterhouse (1938)

The Torch + The Motor (Watchman Crawling)0:51:41 - Watchman struggles to sound the alarmalarm | anxious | chromatic scale | crawling | dramatic | guard | mickey-mousing | motor | ostinato | pc set | robbery | store | struggle | tense

The Amazing Dr. Clitterhouse (1938)

Underscoring (Tense)0:52:15 - Policemen report the alarm9th chord | operator | reporting | robbery | room | telephone | tense

The Amazing Dr. Clitterhouse (1938)

The Torch (Off) + The Motor0:52:24 - Butch finishes opening safeanxious | burning | combination of themes | criminal | cutting | dissonant bass | dramatic | fire | flame | gangster | hero | motor | ostinato | pc set | rescuing | robbery | sparks | store | tense | thief | torch | turning off

The Amazing Dr. Clitterhouse (1938)

The Motor (Rescue)0:52:29 - Dr. Clitterhouse escapes from safeanxious | chromatic parallelism | chromatic scale | criminal | dramatic | escaping | gangster | hero | motor | ostinato | rescuing | robbery | store | tense | thief

The Amazing Dr. Clitterhouse (1938)

Doctor Leaves0:57:38 - Dr. Clitterhouse leavesadvance plot | doctor | door | exiting | gangster | hero | leading lady | leading man | leaving | linear chromaticism | opening | room | tense | wedge | whole-tone chord

The Amazing Dr. Clitterhouse (1938)

Rocks0:57:55 - Rocks has an ideaadvance plot | antagonist | gangster | plotting | room | tense

The Amazing Dr. Clitterhouse (1938)

Underscoring (Mysterious)0:57:58 - Dr. Clitterhouse talks with Joconversing | doctor | gangster | leading lady | leading man | love scene | mysterious | room | tense

The Amazing Dr. Clitterhouse (1938)

Jo (At the Phone)0:59:24 - Rocks takes the phone apart9th chord | advance plot | antagonist | combination of themes | dark | gangster | leading lady | ominous | plotting | room | tense

The Amazing Dr. Clitterhouse (1938)

Underscoring (Tense)1:00:10 - Jo and Rocks quarreladvance plot | antagonist | arguing | dissonant bass | gangster | half-diminished 7th chord | leading lady | quarreling | room | tense

The Amazing Dr. Clitterhouse (1938)

The Poison Victim1:07:50 - Rocks is poisoneddissonant | doctor | gangster | leading lady | leading man | murder | murderer | murdering | murder scene | mysterious | office | parallel fifths | poison | poisoning | quartal chord | tense | tone cluster | tritone

The Amazing Dr. Clitterhouse (1938)

Rocks struggles and falls1:09:52 - Rocks tries to get up, then collapseschromatic parallelism | chromatic scale | death | doctor | down | drugs | dying | falling | gangster | leading lady | leading man | murder | murderer | murder scene | office | oscillation | poison | rising | split-third chord | struggling | tense | up

The Amazing Dr. Clitterhouse (1938)

The Amazing Doctor (Funebre)1:10:07 - Dr. Clitterhouse talks with Jo9th chord | chromatic parallelism | dark | death | doctor | gangster | leading lady | leading man | murder | murderer | murder scene | office | pleading | realizing | tense

The Amazing Dr. Clitterhouse (1938)

The Amazing Doctor (Murder)1:10:49 - Montage of newspaper headlineschromatic parallelism | corpse | dark | dissonant bass | fingerprints | headlines | investigating | montage | morgue | mortician | murder | newspaper | police | printing press | tense | triadic transformation

The Amazing Dr. Clitterhouse (1938)

Rocks (Dead)1:11:10 - Rocks's mugshot and fingerprintsdark | fingerprints | investigating | montage | morgue | mortician | mug shot | murder | police | tense
Angels With Dirty Faces (1938)Closes door0:40:48 - Rocky shuts the phone booth doorclosing | conflict | door | gangster | leading man | mickey-mousing | shop | tense

Angels With Dirty Faces (1938)

Underscoring (Dramatic)0:40:50 - Gangsters shoot their own man in phone boothchromatic sequence | conflict | death | diminished 7th chord | falling | gangster | gun | gunshot | half-diminished 7th chord | leading man | mickey-mousing | murderer | polychord | shooting | shop | sneaking | tense | voice-exchange

Angels With Dirty Faces (1938)

Sneaking away0:41:02 - Rocky sneaks awayconflict | diminished 7th chord | gangster | leading man | mickey-mousing | shop | sneaking | tense

Angels With Dirty Faces (1938)

Crowd rushing0:41:09 - Crowd rushes to the crime scenechromatic sequence | conflict | crowd | dissonant bass | hurrying | mickey-mousing | running | street | tense

Angels With Dirty Faces (1938)

Underscoring (Tense)0:41:20 - Police car arrivesarriving | chromatic parallelism | chromatic scale | conflict | crowd | dissonant bass | half-diminished 7th chord | rushing | shop | street | tense | underscoring

Angels With Dirty Faces (1938)

Crowd0:41:46 - Hustling crowd chromatic parallelism | conflict | crowd | dissonant bass | rushing | street | tense

Angels With Dirty Faces (1938)

The Gangster (Elevator Music)0:42:40 - Elevator goes upadvance plot | chromatic parallelism | elevator | gangster | half-diminished 7th chord | lawyer | leading man | mickey-mousing | rising | room | tense

Angels With Dirty Faces (1938)

Underscoring (Dramatic)1:09:49 - Jerry talks to newspaper editorconversing | diminution | leading man | montage | montage | newspaper editor | newspaper office | parallelism | priest | sign | tense

Angels With Dirty Faces (1938)

Jerry (Hostage)1:25:07 - Rocky pushes Jerry augmented sixth chord | conflict | double-cross | gangster | hostage | leading man | mysterious | priest | pushing | street | tense

Angels With Dirty Faces (1938)

Underscoring (Dramatic)1:31:44 - Rocky punches a guardagitated | chromatic parallelism | chromatic scale | chromatic wedge | climax | fighting | gangster | half-diminished 7th chord | leading man | police | priest | prison | punching | tense | underscoring

Angels With Dirty Faces (1938)

Funebre1:32:03 - Jerry and Rocky walk down the hallclimax | dirge | execution chamber | gangster | leading man | marching | police | priest | prison | somber | tense | walking

Angels With Dirty Faces (1938)

Funebre (Sigh)1:33:19 - Rocky heads towards electric chairadded-note chord | climax | dirge | execution chamber | gangster | leading man | marching | priest | prison | sigh gesture | somber | tense | walking

Angels With Dirty Faces (1938)

Underscoring (Tense)1:33:36 - Rocky pleads for his lifebegging | climax | cowardice | crowd | crying | death | execution | execution chamber | gangster | leading man | pleading | police | priest | prison | shadow | tense | tone cluster | underscoring | wailing
Are These Our Children? (1931)Dreams (Andante)NIF - not in filmadded-note chord | cut from film | mode mixture | parallelism | quartal chord | tense | whole-tone chord

Are These Our Children? (1931)

Dreams (Risoluto)0:48:55 - Newspaper headlinesdouble exposure | fragmentation | headline | montage | mysterious | newspaper | sequential modulation | spinning | tense | thematic transformation

Are These Our Children? (1931)

Dreams (Transition 8B)NIF - not in filmadded-note chord | altered dominant | augmented triad | chromatic mediant | common-tone diminished 7th | cut from film | foreign key modulation | pedal tone | tense | turbulent

Are These Our Children? (1931)

Dreams (Allegro)1:15:33 - Newspaper headlinesaugmented triad | chromatic parallelism | double exposure | dramatic | fanfare | frantic | headline | montage | mother | newspaper | ostinato | spinning | tense | whole-tone chord | whole-tone scale

Are These Our Children? (1931)

Dreams (Minor) + Makes You Forget Your Troubles (Minor)1:15:51 - Newspaper headlinescombination of themes | conversing | double exposure | headline | minor-major 7th chord | montage | newspaper | police | preaching | priest | source to score | spinning | tense
Arsenic and Old Lace (1944)Sidewalks of New York (Misterioso)0:01:10 - New York City64 chord | added-note chord | card | city | establish place | familiar tune | mysterious | New York City | opening title sequence | tense

Arsenic and Old Lace (1944)

Underscoring (Tense)0:42:08 - Jonathan talks to the auntsaunt | brother | conversing | crazy person | criminal | doctor | establish character | leading lady | leading man | murderer | mysterious | parallelism | room | tense | underscoring

Arsenic and Old Lace (1944)

Scar (Face)0:42:29 - Jonathan talks about his scaraugmented triad | aunt | brother | chromatic parallelism | conversing | crazy person | criminal | doctor | establish character | fragmentation | leading lady | leading man | murderer | mysterious | pc set | polychord | room | scar | tense

Arsenic and Old Lace (1944)

Underscoring (Tense)0:42:56 - Jonathan glares at Dr. Einsteinaunt | brother | conversing | crazy person | criminal | diminished 7th chord | doctor | establish character | leading lady | leading man | murderer | oscillation | room | scar | tense

Arsenic and Old Lace (1944)

Home Sweet Home (Ominous)0:43:28 - Dr. Einstein talks to the auntsadded-note chord | altered dominant | aunt | brother | conversing | crazy person | criminal | distortion | doctor | establish character | familiar tune | leading lady | leading man | murderer | room | split-fifth chord | tense

Arsenic and Old Lace (1944)

Underscoring (Tense)0:49:45 - Jonathan follows Dr. Einsteinadvance plot | altered dominant | brother | conversing | crazy person | criminal | digging | dissonant bass | doctor | familiar tune | leading man | march | murderer | on-screen music | patriotic tune | pc set | plotting | room | source and scoring overlap | tense | tone cluster | whistling

Arsenic and Old Lace (1944)

When Johnny Comes Marching Home0:49:45 - Dr. Einstein spies on Teddyadvance plot | brother | crazy person | criminal | dark | digging | doctor | familiar tune | leading man | march | murderer | on-screen music | patriotic tune | room | source and scoring overlap | tense | whistling

Arsenic and Old Lace (1944)

The Aunts (Frightened)0:50:20 - Jonathan and Dr. Einstein talkadvance plot | brother | crazy person | criminal | digging | doctor | familiar tune | leading man | march | murderer | Neapolitan | on-screen music | parallel 63s | patriotic tune | pedal tone | plotting | room | source and scoring overlap | tense | whistling

Arsenic and Old Lace (1944)

Jonathan 20:52:48 - Jonathan comes in the windowadvance plot | aunt | brother | chromatic scale | chromatic wedge | crazy person | dark | darkness | dissonant bass | doctor | intimidating | leading lady | leading man | murderer | ominous | pc set | room | staring | tense

Arsenic and Old Lace (1944)

Jonathan (Fragmented)0:53:35 - Jonathan and the doctor go up the stairsadvance plot | aunt | brother | conversing | crazy person | dark | darkness | doctor | fragmentation | intimidating | leading lady | leading man | murderer | ominous | pc set | room | tense

Arsenic and Old Lace (1944)

Underscoring (Tense)0:54:30 - Jonathan goes up the stairsadvance plot | brother | crazy person | darkness | leading man | murderer | mysterious | room | sneaking | tense | tone cluster | underscoring | walking

Arsenic and Old Lace (1944)

Happy Land (Dirge)0:54:54 - Teddy looks for the body in the darkadvance plot | brother | corpse | crazy person | creaking | darkness | dirge | familiar tune | mysterious | opening | pc set | room | sneaking | tense | walking | whole-tone chord

Arsenic and Old Lace (1944)

Blows out match0:56:48 - Einstein blows out the matchadvance plot | blowing | brother | crazy person | darkness | doctor | extinguishing | leading man | match | mickey-mousing | murderer | room | tense | whole-tone scale

Arsenic and Old Lace (1944)

Underscoring (Tense)0:58:10 - Someone knocks at the dooradvance plot | brother | chromatic scale | conversing | corpse | crazy person | darkness | doctor | knocking | leading man | murderer | pc set | room | sequence | sneaking | tense | underscoring

Arsenic and Old Lace (1944)

Here Comes the Bride (Tense)0:58:28 - Elaine comes in the dooradvance plot | bride | calling | darkness | entering | familiar tune | half-diminished 7th chord | leading lady | room | sequence | sneaking | tense

Arsenic and Old Lace (1944)

Scar (Tense)0:58:39 - Close-up on Dr. Einstein's faceadvance plot | bride | brother | calling | close-up | crazy person | darkness | doctor | entering | fear | fragmentation | leading lady | leading man | murderer | polychord | room | sneaking | tense

Arsenic and Old Lace (1944)

Jonathan 2 (Ominous)1:00:36 - Jonathan backs Elaine into a corneradvance plot | anger | augmented triad | bride | brother | chromatic scale | crazy person | dissonant bass | doctor | fear | hurting | leading lady | leading man | murderer | ominous | polychord | questioning | room | stinger | tense | threatening

Arsenic and Old Lace (1944)

The Aunts (Frightened)1:01:49 - Aunts talk to Jonathanarguing | aunt | brother | conflict | crazy person | fear | fragmentation | leading lady | leading man | murderer | Neapolitan | parallel 63s | pedal tone | room | tense

Arsenic and Old Lace (1944)

The Victim1:30:11 - Mortimer tied up in a chairbrother | captive | conflict | crazy person | doctor | fear | leading man | murderer | ominous | parallel fifths | quartal chord | room | tense | tone cluster | torturing | tritone | victim

Arsenic and Old Lace (1944)

Knives1:31:05 - Mortimer looks at the knivesacceleration | brother | captive | chromatic parallelism | close-up | conflict | crazy person | diminution | doctor | fear | layering | leading man | murderer | ominous | oscillation | ostinato | pc set | polychord | room | tense | tone cluster | torturing | victim

Arsenic and Old Lace (1944)

Panic1:31:48 - Einstein agrees to do the torturealcohol | brother | captive | chromatic parallelism | chromatic scale | conflict | crazy person | doctor | dramatic | fear | leading man | murderer | oscillation | panicked | panicking | polychord | room | sequence | split-third chord | tense | torturing | victim

Arsenic and Old Lace (1944)

Scar (Fast)1:32:11 - Einstein finds some winealcohol | brother | captive | conflict | crazy person | doctor | dramatic | fear | hurrying | leading man | murderer | panicking | polychord | room | tense | torturing | victim

Arsenic and Old Lace (1944)

Underscoring (Tense)1:32:35 - They toast to Mortimeralcohol | brother | captive | clinking | conflict | crazy person | doctor | fear | glass effect | leading man | murderer | mysterious | pc set | polychord | room | tense | toasting | underscoring | victim
Beyond the Forest (1949)Train0:03:12 - A departing traindeparting | establish setting | mysterious | tense | train | train effect | train station | voice-over

Beyond the Forest (1949)

Train + Chicago0:03:20 - A departing trainaccompanied dialogue | combination of themes | departing | establish setting | familiar tune | mysterious | popular tune | tense | train | train effect | train station | voice-over

Beyond the Forest (1949)

Rosa (Maestoso)0:03:57 - Rosa's maidestablish setting | house | maid | tense | voice-over | walking | yard

Beyond the Forest (1949)

Courthouse0:04:14 - People in a courthousecourtroom | crowd | establish setting | tense | trial | voice-over | waiting | watching

Beyond the Forest (1949)

Lewis (Triste)0:23:53 - Lewis at homeadvance plot | arriving | doctor | leading man | room | tender | tense

Beyond the Forest (1949)

Rosa (Sombre)0:32:36 - Rosa walks awayadvance plot | leading lady | room | somber | sulking | tense | upset | walking

Beyond the Forest (1949)

Chicago (Misterioso)0:38:47 - Rosa lights a matchadvance plot | contemplating | dramatic | familiar tune | jealousy | leading lady | obsession | obsessive | passage of time | popular tune | room | smoking | tense | wife

Beyond the Forest (1949)

Chicago (Tense)0:49:00 - Rosa drinks coffeeadvance plot | angry | audible thoughts | cafe | familiar tune | leading lady | popular tune | tense | thinking

Beyond the Forest (1949)

Underscoring (Tense)0:49:07 - Rosa gets upadvance plot | cafe | conversing | hurrying | leading lady | tense | underscoring | waitress

Beyond the Forest (1949)

Chicago (Agitato Molto Marcato)0:55:48 - Rosa runs through the streetsagitated | crazy person | crying | familiar tune | laughing | leading lady | mad scene | manic | popular tune | running | rushing | scaring | stranger | street | tense

Beyond the Forest (1949)

Rosa (Misterioso)1:09:23 - Rosa looks through the binocularsanger | binoculars | forest | friend | hunting | husband | leading lady | leading man | looking | murder scene | mysterious | ominous | tense | victim

Beyond the Forest (1949)

Running (A Little Heavier)1:16:28 - Rosa heads downstairsadvance plot | hurrying | leading lady | murderer | mysterious | plotting | room | tense

Beyond the Forest (1949)

The Cliff1:19:13 - Rosa looks out of the car windowaction scene | car | car | cliff | contemplating | descending | driving | leading lady | leading man | murderer | tense

Beyond the Forest (1949)

The Cliff (Car Stops)1:19:36 - Rosa sitting in a caraction scene | car | car | cliff | conversing | descending | driving | leading lady | leading man | murderer | tense

Beyond the Forest (1949)

Rosa (Broadly)1:19:57 - Rosa rolls down a hillaction scene | canyon | dark | dramatic | falling | jumping | leading lady | leading man | murderer | runaway | tense

Beyond the Forest (1949)

Rosa (Agitato Misterioso)1:22:49 - Rosa in bedagitated | fever | illness scene | leading lady | murderer | room | sickness | sweating | tense | walking

Beyond the Forest (1949)

Sawmill + Steam Whistle1:23:17 - Rosa opens the windowagitated | combination of themes | fever | illness scene | leading lady | machinery effect | mickey-mousing | murderer | opening | raising | room | sickness | sweating | tense | waiting | whistle effect

Beyond the Forest (1949)

Sawmill + Fever1:23:26 - Rosa rubs her forehead agitated | combination of themes | fever | illness scene | leading lady | machinery effect | maid | murderer | room | sickness | sickness effect | sweating | tense | waiting

Beyond the Forest (1949)

Sawmill1:29:51 - Rosa opens the dooragitated | climax | leading lady | machinery effect | madness | mad scene | maid | murderer | street | stumbling | tense | walking

Beyond the Forest (1949)

Sawmill + Steam Whistle1:30:02 - The maid makes a phone callagitated | climax | collapsing | combination of themes | cut from film | falling | leading lady | machinery effect | madness | mad scene | maid | murderer | street | stumbling | tense | walking | whistle effect

Beyond the Forest (1949)

Sawmill + Steam Whistle1:30:36 - Darknessagitated | climax | combination of themes | leading lady | madness | mad scene | murderer | stumbling | tense | train | train station | walking | whistle effect

Beyond the Forest (1949)

Train1:30:52 - A locomotiveagitated | climax | cut from film | leading lady | madness | mad scene | murderer | stumbling | tense | train | train effect | train station | walking

Beyond the Forest (1949)

Train + Chicago (Shrill)1:30:54 - Rosa stumbles towards the trainagitated | climax | combination of themes | cut from film | familiar tune | leading lady | madness | mad scene | murderer | popular tune | shrill | stumbling | tense | train | train effect | train station | walking

Beyond the Forest (1949)

Train (Heating Up) + Chicago (Fragmented)1:31:05 - Rosa stumbles towards the trainagitated | climax | combination of themes | desperate | familiar tune | leading lady | madness | mad scene | murderer | popular tune | stumbling | tense | train | train effect | train station | walking

Beyond the Forest (1949)

Chicago1:31:21 - Rosa stumbles towards the trainclimax | desperate | familiar tune | leading lady | madness | mad scene | murderer | popular tune | stumbling | tense | train | train station | walking

Beyond the Forest (1949)

Chicago1:31:26 - The train leaves the stationagitated | climax | departing | familiar tune | leading lady | madness | mad scene | murderer | obsessive | popular tune | shrill | tense | train | train station
The Big Sleep (1946)Underscoring (Tense)0:01:01 - Sign for the Sternwood mansionarriving | butler | establish character | leading man | mansion | private eye | room | tense | underscoring

The Big Sleep (1946)

Underscoring (Tense)0:02:45 - Marlowe goes to meet Sternwood9th chord | altered dominant | butler | chromatic scale | establish character | leading man | private eye | room | tense | underscoring | walking

The Big Sleep (1946)

Underscoring (Tense)0:18:57 - Geiger enters car9th chord | antagonist | car | departing | oscillation | rain | street | tense | transition | underscoring

The Big Sleep (1946)

Marlowe (Agitato)0:19:05 - Marlowe gets in his caradded-note chord | car | following | leading man | mysterious | private eye | rain | street | tense | transition

The Big Sleep (1946)

Car0:19:13 - Car arrives at Geiger's housecar | driving | leading man | mysterious | private eye | rain | street | tense | transition

The Big Sleep (1946)

Hurrying0:19:26 - Geiger enters his houseantagonist | car | chromatic sequence | fragmentation | mysterious | parallelism | rain | street | tense | transition | walking

The Big Sleep (1946)

Marlowe (Misterioso)0:19:40 - Marlowe pulls up in his cararriving | car | half-diminished 7th chord | investigating | leading man | mysterious | private eye | rain | street | tense | transition

The Big Sleep (1946)

Marlowe 20:19:47 - Marlowe spies on the housecar | chromatic scale | investigating | investigation scene | leading man | mysterious | private eye | rain | street | tense | waiting

The Big Sleep (1946)

Running0:20:06 - Carmen runs to Geiger's housechromatic parallelism | dissonant bass | femme fatale | investigation scene | mysterious | rain | running | street | tense

The Big Sleep (1946)

Marlowe (Molto Misterioso)0:20:17 - Marlowe gets out to see the second carcar | investigating | investigation scene | leading man | mysterious | pedal tone | private eye | rain | street | tense | walking

The Big Sleep (1946)

Carmen0:20:39 - Marlowe sees Carmen's name on the car registrationcar | half-diminished 7th chord | investigating | investigation scene | leading man | mysterious | name on screen | oscillation | private eye | rain | street | tense | whole-tone chord

The Big Sleep (1946)

Action0:21:04 - Marlowe runs to the houseaction scene | antagonist | chromatic parallelism | chromatic scale | chromatic sequence | chromatic wedge | diminished 7th chord | dramatic | hurrying | leading man | pc set | private eye | running | street | tense | underscoring

The Big Sleep (1946)

Running down0:21:13 - Feet running down the stairsaction scene | antagonist | chromatic parallelism | chromatic scale | descending | dramatic | half-diminished 7th chord | hurrying | mickey-mousing | running | street | tense

The Big Sleep (1946)

WalkingNIF - not in filmdeleted scene | deleted scene | investigating | investigation | leading man | mysterious | parallelism | pedal tone | private eye | room | searching | tense

The Big Sleep (1946)

Underscoring (Tense)NIF - not in filmdeleted scene | deleted scene | investigating | investigation | leading man | mysterious | private eye | room | searching | tense

The Big Sleep (1946)

Carmen (Clues)NIF - not in filmclue | deleted scene | deleted scene | half-diminished 7th chord | investigating | investigation | key | leading man | mysterious | oscillation | private eye | room | searching | tense | whole-tone chord

The Big Sleep (1946)

Walking (Extended)NIF - not in filmdeleted scene | deleted scene | foreign key modulation | investigating | investigation | leading man | mysterious | parallelism | pedal tone | private eye | room | searching | tense | walking

The Big Sleep (1946)

Marlowe (Investigating)NIF - not in filmadded-note chord | deleted scene | deleted scene | dramatic | investigating | investigation | leading man | private eye | room | searching | sequential modulation | tense

The Big Sleep (1946)

Underscoring (Dramatic)NIF - not in filmdeleted scene | deleted scene | diminished 7th chord | dramatic | investigating | investigation | leading man | private eye | room | searching | tense

The Big Sleep (1946)

Underscoring (Dramatic)0:24:57 - Dead body on the floorcorpse | death | dramatic | femme fatale | investigating | investigation scene | leading man | private eye | room | searching | stinger | tense | underscoring

The Big Sleep (1946)

Carmen (Drugged)NIF - not in filmdeleted scene | femme fatale | helping | investigation | leading man | mysterious | oscillation | ostinato | private eye | room | tense | tritone oscillation | whole-tone chord

The Big Sleep (1946)

Turns light offNIF - not in filmdeleted scene | femme fatale | investigation | leading man | light | light switch | mysterious | private eye | room | tense | turning off | whole-tone chord

The Big Sleep (1946)

Walking (The Car)NIF - not in filmcar | deleted scene | driving | femme fatale | foreign key modulation | leading man | parallelism | pedal tone | private eye | room | sequential modulation | tense | transition

The Big Sleep (1946)

CarmenNIF - not in filmarriving | butler | chromatic mediant | deleted scene | femme fatale | leading man | private eye | room | tense | transition

The Big Sleep (1946)

Marlowe (Molto Misterioso)0:25:05 - Marlowe arrives at Carmen's housearriving | butler | departing | dissonant bass | femme fatale | inserted scene | leading man | not in score | private eye | reused recording | room | tense | transition

The Big Sleep (1946)

Marlowe 2 (Blood Stain)0:27:54 - Marlowe discovers that the body is missing11th chord | chromatic scale | investigating | investigation scene | leading man | private eye | room | tense

The Big Sleep (1946)

Underscoring (Tense)0:28:58 - Marlowe tries to crack the codeleading man | pc set | private eye | researching | room | tense | threat | transition | tritone | writing

The Big Sleep (1946)

Marlowe (Ear Music)0:38:26 - Marlowe talks with Agnesarguing | book shop | chromatic scale | fragmentation | investigation scene | leading man | private eye | secretary | tense | whole-tone chord

The Big Sleep (1946)

Hurrying0:38:45 - Marlowe walks to a cabcar | car | driver | hurrying | investigation scene | leading man | mysterious | private eye | taxi | tense | walking

The Big Sleep (1946)

Marlowe (Taxi)0:39:05 - Marlowe talks to the lady cab driver9th chord | car | car | chromatic scale | driver | driving | following | investigation scene | leading man | mysterious | private eye | taxi | tense

The Big Sleep (1946)

Station Wagon0:39:16 - Marlowe follows a station wagoncar | car | driver | driving | following | investigation scene | leading man | mysterious | private eye | taxi | tense

The Big Sleep (1946)

Walking 20:39:25 - Marlowe walks to the househalf-diminished 7th chord | investigating | investigation scene | leading man | mysterious | pc set | private eye | street | tense | walking

The Big Sleep (1946)

Hurrying0:39:41 - Marlowe walks back to the cabfragmentation | hurrying | investigation scene | leading man | mysterious | parallelism | private eye | sequence | street | tense | walking

The Big Sleep (1946)

Marlowe (Ear Music)0:46:52 - Marlowe thinksadvance plot | chromatic scale | fragmentation | leading man | mysterious | private eye | room | tense | thinking | whole-tone chord

The Big Sleep (1946)

Marlowe 2 (Waiting)0:47:11 - Marlowe waits in his car9th chord | car | driving | investigation scene | leading man | mysterious | private eye | tense | waiting

The Big Sleep (1946)

Car0:47:32 - Another car arrivesarriving | driving | investigation scene | leading man | mysterious | ostinato | private eye | street | tense | waiting

The Big Sleep (1946)

Running0:47:40 - Vivian enters the apartment buildingchromatic parallelism | dissonant bass | hurrying | investigating | investigation scene | leading lady | leading man | mysterious | private eye | street | tense | walking

The Big Sleep (1946)

Underscoring (Tense)0:51:31 - Joe reacts to the doorbell ringingblackmailer | chromatic parallelism | conflict | conversing | criminal | doorbell | gun | leading lady | leading man | mysterious | pc set | private eye | room | suspect | tense | tone cluster | underscoring | whole-tone chord

The Big Sleep (1946)

Underscoring (Dramatic)0:52:02 - Marlowe pushes Agnesblackmailer | chromatic parallelism | chromatic scale | conflict | criminal | diminished 7th chord | dramatic | falling | femme fatale | gun | leading lady | leading man | private eye | room | suspect | tense | tripping | underscoring

The Big Sleep (1946)

Slapping0:53:02 - Carmen slaps Joe with her purseblackmailer | conflict | criminal | dissonant bass | femme fatale | leading lady | leading man | mickey-mousing | private eye | room | slamming | slapping | suspect | tense | violence | whole-tone chord

The Big Sleep (1946)

Down the Stairs + The Chase + Marlowe (Action)0:56:39 - Marlowe chases the killerassassin | chase scene | chasing | chromatic parallelism | chromatic scale | descending | dissonant bass | dramatic | gun | gunshot | heroic | layering | leading man | murderer | private eye | room | running | stairs | tense

The Big Sleep (1946)

Underscoring (Dramatic)0:56:54 - Killer shoots at Marloweassassin | chase scene | chasing | chromatic scale | dramatic | leading man | murderer | pc set | private eye | running | shooting | street | tense | underscoring | whole-tone | whole-tone chord | whole-tone scale

The Big Sleep (1946)

Marlowe (Action)0:57:01 - Marlowe runs to his car64 chord | assassin | augmented sixth chord | chase scene | chasing | common-tone diminished 7th | dramatic | fragmentation | heroic | leading man | murderer | private eye | running | sequential modulation | street | tense

The Big Sleep (1946)

The Pursuit0:57:09 - Marlowe pursues killer in his carassassin | car | chase scene | chasing | chromatic scale | dissonant bass | driving | gun | hiding | leading man | murderer | ostinato | private eye | pursuing | street | syncopation | tense

The Big Sleep (1946)

Marlowe 2 (Dialing)0:59:47 - Marlowe walks to the phonecalling | chromatic scale | corpse | dialing | half-diminished 7th chord | investigating | investigation scene | leading man | mysterious | private eye | room | spinning | tense

The Big Sleep (1946)

Marlowe (Phone Call)NIF - not in filmadvance plot | bold | calling | cut from film | deleted scene | deleted scene | dialing | leading man | phone | private eye | room | sequence | tense | whole-tone chord

The Big Sleep (1946)

CarmenNIF - not in filmadvance plot | burning | calling | cut from film | deleted scene | deleted scene | half-diminished 7th chord | leading man | mysterious | phone | private eye | room | tense | whole-tone chord

The Big Sleep (1946)

Carmen (Clues)NIF - not in filmadvance plot | calling | cut from film | deleted scene | deleted scene | leading man | mysterious | phone | private eye | room | tense | whole-tone chord

The Big Sleep (1946)

Driving1:14:54 - Marlowe and Vivian in the caraugmented sixth chord | car | car | driving | leading lady | leading man | love interest | love scene | mickey-mousing | oscillation | ostinato | private eye | tense

The Big Sleep (1946)

Questions1:16:16 - Marlowe and Vivian argueangry | car | chromatic parallelism | chromatic scale | conversing | leading lady | leading man | love interest | love scene | private eye | tense

The Big Sleep (1946)

Sternwood (Tense)1:16:26 - Marlowe asks about Eddie Marsaccusing | car | fragmentation | half-diminished 7th chord | leading lady | leading man | love interest | love scene | private eye | tense | whole-tone chord

The Big Sleep (1946)

Underscoring (Tense)1:16:43 - Marlowe and Vivian argueaccusing | car | chromatic parallelism | half-diminished 7th chord | leading lady | leading man | love interest | love scene | pedal tone | private eye | tense | underscoring

The Big Sleep (1946)

Marlowe (Thinking)1:20:49 - Marlowe sits in a diner11th chord | added-note chord | advance plot | café | chromatic parallelism | fragmentation | leading man | mysterious | private eye | tense | thinking

The Big Sleep (1946)

Phone dialing1:21:07 - Marlowe dials a phone number11th chord | advance plot | café | dialing | leading man | mickey-mousing | mysterious | ostinato | phone call | private eye | telephone | tense

The Big Sleep (1946)

Underscoring (Mysterious)1:21:19 - Marlowe speaks on the phoneadvance plot | café | chromatic scale | conversing | leading man | mysterious | pc set | phone call | private eye | tense | underscoring

The Big Sleep (1946)

Marlowe (Mysterious Organ)1:21:42 - Marlowe speaks to waitressadvance plot | café | conversing | leading lady | leading man | love interest | mysterious | pc set | phone call | private eye | tense

The Big Sleep (1946)

Underscoring (Mysterious)1:21:57 - Marlowe speaks with Vivian on the phoneadvance plot | café | chromatic parallelism | conversing | leading lady | leading man | linear chromaticism | love interest | mysterious | phone call | private eye | stinger | tense | underscoring

The Big Sleep (1946)

Walking (Interrupted)1:22:27 - Marlowe walks down the streetinvestigating | investigation scene | leading man | parallelism | pedal tone | private eye | street | tense | walking

The Big Sleep (1946)

Marlowe (Investigating)1:22:38 - Marlowe looks at car registrationadded-note chord | investigating | investigation scene | leading man | mysterious | private eye | punching | sequence | street | tense

The Big Sleep (1946)

Jones1:23:24 - Jones entersadvance plot | chromatic parallelism | leading man | mysterious | parallelism | pedal tone | private eye | street | tense | walking

The Big Sleep (1946)

Jones (Eavesdropping)1:27:22 - Marlowe hears Jones talking to someonechromatic parallelism | eavesdropping | hallway | investigation scene | leading man | mysterious | parallelism | pedal tone | private eye | sneaking | tense

The Big Sleep (1946)

Underscoring (Tense)1:30:01 - Marlowe investigates the crime scenedark | death | death scene | dying | leading man | murder | private eye | room | tense | underscoring | victim

The Big Sleep (1946)

Underscoring (Tense)1:30:24 - Marlowe makes a phone callconversing | death scene | leading man | pc set | phone call | private eye | room | tense | underscoring | victim | whole-tone chord

The Big Sleep (1946)

Underscoring (Tense)1:31:48 - Marlowe talks to Agnes on the phoneconversing | death scene | informer | leading man | pc set | phone call | private eye | room | tense | underscoring

The Big Sleep (1946)

Door slam1:33:12 - Marlowe closes the car doorclosing | half-diminished 7th chord | hurried | informer | leading man | mickey-mousing | private eye | slamming | street | tense | traveling scene

The Big Sleep (1946)

Hurrying (Car)1:33:13 - Marlowe drives in a caradded-note chord | car | driving | hurried | leading man | parallelism | private eye | sequential modulation | street | tense | traveling scene

The Big Sleep (1946)

Underscoring (Tense)1:33:20 - Marlowe backs the car upcar | driving | leading man | private eye | street | tense | traveling scene | underscoring

The Big Sleep (1946)

Hurrying (Car)1:33:25 - Marlowe continues drivingadded-note chord | car | driving | fragmentation | hurried | leading man | parallelism | picardy third | private eye | sequential modulation | street | tense | traveling scene

The Big Sleep (1946)

Marlowe (Dramatic)1:33:37 - Marlowe looks at sign9th chord | altered dominant | car | dramatic | investigating | leading man | private eye | street | tense | traveling scene

The Big Sleep (1946)

Hurrying (Car)1:33:50 - Marlowe drives off the roadcar | chromatic scale | driving | fragmentation | hurried | leading man | private eye | sequence | street | tense | traveling scene

The Big Sleep (1946)

He skids1:33:53 - Marlowe's car skids to a stopcar | chromatic scale | leading man | mickey-mousing | private eye | skidding | street | tense | traveling scene

The Big Sleep (1946)

Underscoring (Tense)1:35:26 - Marlowe talks to two thugsconflict | criminal | investigating | leading man | lying | murderer | pc set | private eye | shop | tense | underscoring

The Big Sleep (1946)

Marlowe (Ear Music)1:36:04 - Marlowe talks to two thugsconflict | criminal | danger | fragmentation | investigating | leading man | lying | murderer | mysterious | private eye | shop | tense | whole-tone chord

The Big Sleep (1946)

Marlowe (Whole Tone)1:39:25 - Marlowe talks to Viviancaptive | conversing | leading lady | leading man | love interest | love scene | mysterious | private eye | room | tense | whole-tone | whole-tone chord | whole-tone scale

The Big Sleep (1946)

Marlowe (Phone Call)1:39:39 - Marlowe talks to Viviancaptive | conversing | leading lady | leading man | love interest | love scene | mysterious | private eye | room | sequence | tense | whole-tone chord

The Big Sleep (1946)

Questions1:40:44 - Vivian tries to free Marlowecaptive | chromatic parallelism | freeing | leading lady | leading man | love interest | love scene | private eye | room | tense

The Big Sleep (1946)

Marlowe (Misterioso)1:41:01 - Marlowe plans his escapeaction scene | leading lady | leading man | love interest | mysterious | planning | private eye | room | tense

The Big Sleep (1946)

Marlowe 21:41:18 - Marlowe goes outsideaction scene | chromatic scale | escaping | leading lady | leading man | love interest | mysterious | private eye | room | screaming | tense

The Big Sleep (1946)

Underscoring (Tense)1:41:55 - Thug looks for Marloweaction scene | criminal | diminished 7th chord | outside | sneaking | tense | underscoring

The Big Sleep (1946)

Marlowe (Shoots)1:42:07 - Marlowe shoots off to the sideaction scene | gun | gunshot | leading man | outside | private eye | shooting | tense

The Big Sleep (1946)

Running and jumping1:42:10 - Man runs awayaction scene | chromatic scale | criminal | fear | jumping | mickey-mousing | outside | running | tense

The Big Sleep (1946)

Marlowe (Echo)1:42:20 - Canino shoots at Marloweaction scene | criminal | gun | gunshot | half-diminished 7th chord | hiding | leading man | outside | private eye | shooting | tense

The Big Sleep (1946)

Hostage + Marlowe (Fragment)1:42:34 - Canino brings Vivian out as a hostage64 chord | action scene | criminal | hostage | leading lady | leading man | love interest | ostinato | ostinato | outside | private eye | tense | tritone oscillation | walking

The Big Sleep (1946)

Canino's Death1:43:22 - Canino is shotaction scene | chromatic parallelism | criminal | death | dramatic | dying | falling | gun | gunshot | hostage | leading lady | leading man | love interest | mirroring | outside | pc set | private eye | retrograde | stumbling | tense

The Big Sleep (1946)

Underscoring (Tense)1:43:35 - Marlowe gets the keys to the handcuffsaction scene | chromatic parallelism | criminal | death | escaping | gun | hostage | leading lady | leading man | love interest | outside | pc set | private eye | tense | underscoring | whole-tone | whole-tone chord

The Big Sleep (1946)

Marlowe (Escaping)1:43:48 - Vivian takes off the handcuffsaction scene | distortion | escaping | leading lady | leading man | love interest | mysterious | outside | private eye | tense

The Big Sleep (1946)

Driving 21:43:54 - Marlowe and Vivian drive awaycar | conversing | driving | leading lady | leading man | love interest | love scene | ostinato | pc set | private eye | sequence | tense

The Big Sleep (1946)

Driving 2 + Vivian1:44:16 - Vivian tells Marlowe she loves him9th chord | 13th chord | car | chromatic parallelism | conversing | driving | leading lady | leading man | love | love interest | love scene | ostinato | private eye | romantic | suspension | tense

The Big Sleep (1946)

Driving 21:44:32 - Vivian and Marlowe talk in the carcar | conversing | driving | leading lady | leading man | love interest | love scene | ostinato | private eye | sequence | tense

The Big Sleep (1946)

Driving 2 + Vivian1:44:44 - Vivian and Marlowe talk in the carcar | conversing | driving | leading lady | leading man | love | love interest | love scene | ostinato | private eye | romantic | tense | whole-tone chord

The Big Sleep (1946)

Driving 21:44:51 - Vivian and Marlowe talk in the carcar | conversing | driving | leading lady | leading man | love interest | love scene | ostinato | pc set | private eye | tense | whole-tone chord

The Big Sleep (1946)

Driving 2 + Carmen1:45:06 - Marlowe talks about Carmencar | conversing | driving | leading lady | leading man | love interest | love scene | ostinato | private eye | tense | whole-tone chord

The Big Sleep (1946)

Driving 2 + Vivian1:45:21 - Marlowe tells Vivian he loves her9th chord | 13th chord | arriving | car | chromatic parallelism | conversing | driving | leading lady | leading man | love | love interest | love scene | ostinato | private eye | romantic | suspension | tense

The Big Sleep (1946)

Walking (Extended)1:45:45 - Marlowe and Vivian walk up to housefragmentation | leading lady | leading man | love interest | outside | parallelism | pedal tone | private eye | sequential modulation | tense | transition | walking

The Big Sleep (1946)

Hurrying1:47:07 - Marlowe and Vivian make a planchromatic sequence | climax | fragmentation | hurrying | leading lady | leading man | love interest | parallelism | planning | private eye | room | tense

The Big Sleep (1946)

Marlowe (Misterioso)1:47:26 - Marlowe drops a bulletclimax | fear | leading lady | leading man | love interest | mysterious | private eye | room | shaking | tense

The Big Sleep (1946)

Marlowe 21:47:31 - Car pulls up outsidechromatic scale | climax | fear | leading lady | leading man | love interest | mysterious | private eye | room | shaking | tense | tritone

The Big Sleep (1946)

Carmen (Drugged)1:48:08 - Marlowe watches men outsideclimax | criminal | fear | leading lady | leading man | love interest | mysterious | ominous | planning | private eye | room | tense | waiting

The Big Sleep (1946)

Marlowe (Danger)1:48:32 - Men approach the houseclimax | fear | hiding | leading man | mysterious | ominous | pc set | planning | private eye | room | tense | tone cluster | underscoring | waiting

The Big Sleep (1946)

Marlowe (Misterioso)1:48:55 - Marlowe sneaks up behind Marsclimax | criminal | fear | hiding | leading man | mysterious | private eye | room | sneaking | tense

The Big Sleep (1946)

Marlowe 21:49:05 - Marlowe holds a gun on Marsclimax | criminal | fear | leading man | mysterious | ominous | private eye | room | sneaking | tense

The Big Sleep (1946)

Mars Dies1:51:43 - Mars falls dead to the groundcriminal | death | dying | falling | leading lady | leading man | love interest | mysterious | ominous | private eye | resolution | room | stinger | tense | underscoring

The Big Sleep (1946)

Marlowe (Risoluto)1:52:01 - Marlowe walks to the phoneadded-note chord | bold | death | fragmentation | leading lady | leading man | love interest | mysterious | plotting | private eye | resolution | room | tense

The Big Sleep (1946)

Carmen (Tense)1:52:28 - Marlowe talks on the phoneconversing | leading lady | leading man | love interest | lying | mysterious | oscillation | pedal tone | phone call | private eye | resolution | room | tense | uneasy | whole-tone chord
The Breaking Point (1950)Transition0:00:07 - Birds flyingbird | boat | calm | conductor score | harbor | opening title sequence | starring list | tense

The Breaking Point (1950)

Fishermen0:07:40 - Ship leaving the harborboat | boat | boating | calm | departing | fisherman | fishing | floozy | leading lady | leading man | montage | not by Steiner | sailor | tense | upbeat
Caged (1950)Police VanNIF - not in filmcar | cut from film | dark | driving | guard | opening title sequence | point-of-view shot | police car | prisoner | riding | siren effect | tense

Caged (1950)

Caged (Van Stops)NIF - not in filmcar | cut from film | dark | driving | guard | opening title sequence | police car | prisoner | riding | tense

Caged (1950)

Prisoners get outNIF - not in filmcar | cut from film | exiting | guard | opening title sequence | police car | prisoner | tense

Caged (1950)

Marie (Main Title)NIF - not in filmcar | cut from film | dark | guard | leading lady | looking | opening title sequence | police car | prisoner | tense

Caged (1950)

SwimmyNIF - not in filmadvance plot | cut from film | disbelief | guard | leading lady | pregnancy | prison | prisoner | reacting | realization | tense

Caged (1950)

Molto ExpressivoNIF - not in filmadvance plot | arriving | cut from film | disbelief | guard | leading lady | pregnancy | prison | prisoner | realization | somber | stinger | tense | walking

Caged (1950)

Underscoring (Tense)NIF - not in filmbed | crazy person | crying | cut from film | leading lady | mad scene | prison | prisoner | sleeping | tense | underscoring

Caged (1950)

Underscoring (Subtle)0:36:52 - June gets dressed for her parole board hearingdressing | establish character | excited | friend | leading lady | prison | prisoner | tense | underscoring

Caged (1950)

Swimmy (Poco Agitato)0:43:53 - Mrs. Benton on the phoneadvance plot | calling | cards | conversing | phone call | playing | prison | telephone | tense | warden

Caged (1950)

Crying (Poco Agitato)0:44:27 - Mrs. Benton pacesbaby | childbirth | conversing | crying | doctor | infirmary | leading lady | mickey-mousing | operation scene | pacing | prison | prisoner | tense | uneasy | walking | warden

Caged (1950)

Marie (Tragic)0:44:36 - Mrs. Benton pacesbaby | childbirth | doctor | infirmary | leading lady | operation scene | pacing | prison | prisoner | tense | uneasy | warden | worrying
City for Conquest (1940)Sidewalks of New York (Cop Grabs Bum)0:03:06 - Cop pushes old-timer9th chord | arguing | bridge | chromatic parallelism | chromatic scale | city | comical | establish setting | mickey-mousing | old man | police | pushing | rushing | tense

City for Conquest (1940)

Peggy runs0:47:31 - Peggy runs down the stairsboxer | chromatic parallelism | chromatic sequence | dancer | descending | leading lady | leading man | love scene | mickey-mousing | running | source and scoring overlap | street | tense

City for Conquest (1940)

Tone Poem A (Romantic)0:47:41 - Peggy talks with Dannyboxer | conversing | dancer | leading lady | leading man | love scene | street | tense

City for Conquest (1940)

Googi (The Car)1:13:38 - Googi in the carcar | car | conversing | criminal | diminished 7th chord | dissonant bass | driving | gangster | manager | murder scene | ominous | tense | trill

City for Conquest (1940)

Tone Poem A (Ominous)1:14:02 - Googi talks with the boxing managers9th chord | arguing | car | car | criminal | dissonant bass | driving | fragmentation | gangster | manager | murder scene | ominous | tense

City for Conquest (1940)

Shooting and dying1:14:23 - Googi shoots Dutchcar | car | criminal | dramatic | dying | gangster | gun | manager | mickey-mousing | murder | murderer | murdering | murder scene | shooting | stinger | tense

City for Conquest (1940)

Googi (The Car)1:14:32 - Googi threatens Cobbcar | car | criminal | diminished 7th chord | dissonant bass | driving | gangster | manager | murder | murderer | murder scene | ominous | tense | threatening | trill

City for Conquest (1940)

Googi (Hysterical)1:14:42 - Cobb pleads for mercyaugmented triad | begging | car | car | chromatic sequence | criminal | driving | equal division of octave | gangster | manager | murder | murderer | murder scene | ominous | tense

City for Conquest (1940)

Underscoring (Tense)1:14:48 - Googi threatens Cobbcar | car | chromatic parallelism | chromatic scale | criminal | dissonant bass | driving | gangster | manager | murder | murderer | murder scene | ominous | tense | threatening

City for Conquest (1940)

Slap1:14:53 - Googi slaps Cobbcar | car | chromatic parallelism | criminal | gangster | manager | mickey-mousing | murder | murderer | murder scene | ominous | pc set | slapping | tense

City for Conquest (1940)

Googi (Dead Man)1:15:09 - They pull out the dead mancar | chromatic scale | conversing | corpse | criminal | disposing | dock | gangster | manager | murderer | murder scene | ominous | ostinato | tense | whole-tone chord | working

City for Conquest (1940)

Gun falls1:15:13 - A gun falls to the groundcar | corpse | criminal | dock | dropping | gangster | gun | manager | mickey-mousing | murderer | murder scene | ominous | tense

City for Conquest (1940)

Googi (Molto Mysterioso e Screwyoso)1:15:19 - Cobb sees the guncar | chromatic parallelism | conversing | corpse | criminal | disposing | dissonant bass | dock | fragmentation | gangster | half-diminished 7th chord | manager | murderer | murder scene | ominous | ostinato | tense | tritone oscillation | working

City for Conquest (1940)

Kicks body1:15:22 - Googi kicks the body into the waterchromatic scale | corpse | criminal | dock | dropping | gangster | kicking | manager | mickey-mousing | murderer | murder scene | ominous | tense

City for Conquest (1940)

Throws gun away1:15:30 - Googi throws a gun in the watercriminal | dock | gangster | gun | manager | mickey-mousing | murderer | murder scene | ominous | tense | throwing

City for Conquest (1940)

Googi dies1:15:34 - Googi is shotchromatic parallelism | criminal | dock | dying | falling | gangster | gun | gunshot | half-diminished 7th chord | manager | mickey-mousing | murderer | murdering | murder scene | ominous | shooting | slumping | tense

City for Conquest (1940)

Tone Poem A (Death)1:15:39 - Googi diescriminal | diminished 7th chord | dissonant bass | dock | dying | falling | gangster | gun | gunshot | manager | murderer | murdering | murder scene | ominous | shooting | slumping | tense
Crime School (1938)Transition0:00:08 - Starring and cast list9th chord | cast list | dissonant bass | dominant pedal | dramatic | main title | opening title sequence | parallelism | starring list | tense | title of film

Crime School (1938)

Underscoring (Tense)0:08:20 - The kids confront the junk shop ownerattacking | chromatic scale | conflict | death | diminished 7th chord | dissonant bass | fighting | gang | mickey-mousing | ominous | ostinato | running | shop | shopkeeper | stairs | stinger | teenager | tense | underscoring | up

Crime School (1938)

Attacking0:08:27 - Spike attacks the junk shop ownerattacking | conflict | death | dramatic | fighting | gang | mickey-mousing | polychord | shop | shopkeeper | teenager | tense

Crime School (1938)

Running away0:09:32 - Kids run away from cops42 chord | chasing | chromatic scale | conflict | dramatic | fleeing | gang | mickey-mousing | police | running | street | teenager | tense

Crime School (1938)

Underscoring (Tense)0:09:40 - Spike is captured by the cops9th chord | arresting | capturing | conflict | dramatic | police | street | teenager | tense

Crime School (1938)

Underscoring (Tense)0:27:20 - Frankie is taken to the warden's officedevelop character | reformatory | teenager | tense | threatening | underscoring | warden | whip

Crime School (1938)

The Warden (Quasi Mysterioso)0:27:46 - Warden approaches Frankie with a whipchromatic parallelism | develop character | reformatory | rising | standing | teenager | tense | threatening | warden | whip

Crime School (1938)

Underscoring (Dramatic)0:28:01 - Frankie escapes from the warden's office9th chord | chromatic parallelism | dramatic | escape | escaping | half-diminished 7th chord | hiding | mickey-mousing | ostinato | reformatory | running | teenager | tense | throwing | tone cluster | warden | whole-tone scale

Crime School (1938)

Alarm0:28:16 - Alarm soundsalarm | blowing | escape | mickey-mousing | reformatory | sounding | tense | tone cluster | whistle

Crime School (1938)

Underscoring (Tense)0:28:21 - Boys wonder about the alarmalarm | chromatic parallelism | chromatic wedge | dissonant bass | escape | gang | pc set | reformatory | teenager | tense | whistle | wondering

Crime School (1938)

Searchlights0:28:27 - Boys wonder about the searchlightchromatic parallelism | escape | gang | mickey-mousing | reformatory | searchlight | teenager | tense | wondering

Crime School (1938)

Escaping0:28:32 - Frankie runs and hideschromatic parallelism | chromatic wedge | dissonant bass | dramatic | escape | escaping | hiding | mickey-mousing | police | reformatory | running | sequence | sneaking | teenager | tense | tone cluster

Crime School (1938)

Searchlights (Sneaking)0:28:47 - Frankie hides from the searchlightchromatic parallelism | dramatic | escape | escaping | hiding | jumping | mickey-mousing | police | reformatory | running | searchlight | sneaking | teenager | tense

Crime School (1938)

The Warden (Risoluto)0:29:03 - Warden looks for Frankiediminished 7th chord | dramatic | escape | looking | reformatory | searching | tense | warden

Crime School (1938)

Underscoring (Dramatic)0:29:09 - Frankie hides then runsbarbed wire fence | battle call | chromatic parallelism | chromatic scale | diminished 7th chord | dramatic | escape | escaping | gang | hiding | jumping | mickey-mousing | reformatory | running | teenager | tense

Crime School (1938)

Sue (Barbed Wire)0:29:18 - Frankie gets caught on barbed wireanguished | barbed wire fence | battle call | chromatic parallelism | chromatic scale | climbing | diminished 7th chord | dissonant bass | dramatic | escape | half-diminished 7th chord | pain | pc set | reformatory | struggling | teenager | tense

Crime School (1938)

The Warden (The Guards)0:29:34 - Warden's guards run to catch Frankie64 chord | anguished | barbed wire fence | battle call | capturing | chromatic parallelism | chromatic scale | dragging | dramatic | escape | falling | pc set | police | reformatory | running | sequence | teenager | tense | warden

Crime School (1938)

Dragging0:29:51 - Warden's guards drag Frankie through the rainaccented dissonance | anguished | capturing | chromatic parallelism | dissonant bass | dragging | dramatic | escape | kicking | mickey-mousing | police | reformatory | splashing | teenager | tense | warden

Crime School (1938)

The Warden (Capture)0:29:58 - Frankie is caught and dragged to the wardendragging | dramatic | escape | police | reformatory | teenager | tense | warden

Crime School (1938)

Underscoring (Dramatic)0:30:08 - Guards take Frankie insidebegging | chromatic scale | dissonant bass | dragging | dramatic | escape | fear | reformatory | teenager | tense | warden

Crime School (1938)

The Whip0:30:15 - The warden uses his whipbegging | dramatic | escape | fear | reformatory | teenager | tense | warden | whip | whipping

Crime School (1938)

Spots0:49:20 - Squirt has spots on his pajamas9th chord | chromatic parallelism | comedy | comical | conversing | gang | hero | leading man | mickey-mousing | paint | reformatory | spots | teenager | tense

Crime School (1938)

Unveiling the statue0:49:31 - Mark takes the veil off of the statue64 chord | chromatic parallelism | chromatic wedge | comedy | gang | hero | leading man | mickey-mousing | reformatory | teenager | tense | uncovering | unveiling

Crime School (1938)

Temperature rising0:54:53 - Close up of rising temperature gaugeaction scene | boiler room | danger | frantic | gang | gauge | heat | mechanical | mickey-mousing | reformatory | rising | teenager | temperature | tense | tone cluster | watching

Crime School (1938)

Temperature stable0:55:07 - Close up of stable temperature gaugeaction scene | boiler room | danger | frantic | gang | gauge | heat | mechanical | mickey-mousing | reformatory | teenager | temperature | tense | tone cluster | watching

Crime School (1938)

Temperature oscillating0:55:28 - Close up of oscillating temperature gaugeaction scene | boiler room | danger | frantic | gang | gauge | heat | mechanical | mickey-mousing | reformatory | teenager | temperature | tense | tone cluster | watching

Crime School (1938)

Boiler Overheating0:55:31 - Danger as the boiler gets really hotaction scene | arguing | boiler room | danger | frantic | gang | gauge | heat | hurrying | linear chromaticism | mechanical | pc set | reformatory | shoveling | teenager | temperature | tense | tone cluster | worker | working

Crime School (1938)

Gangster Blues (Explosion)0:56:04 - The boiler explodes13th chord | action scene | added-note chord | boiler room | collapsing | escaping | exploding | explosion | foreign key modulation | frantic | gang | mechanical | reformatory | running | sequence | teenager | tense | worker | yelling

Crime School (1938)

Running around0:56:37 - Boys run out of the buildingaction scene | chromatic parallelism | gang | linear chromaticism | mickey-mousing | reformatory | running | rushing | teenager | tense | worker

Crime School (1938)

Underscoring (Dramatic)0:56:50 - Mark goes to rescue Squirtaction scene | altered dominant | boiler room | chromatic parallelism | dissonant bass | dramatic | hero | leading man | linear chromaticism | reformatory | rushing | saving | teenager | tense | underscoring

Crime School (1938)

Going down0:57:05 - Mark descends into the boiler roomaction scene | descending | dramatic | hero | leading man | mickey-mousing | reformatory | stairs | teenager | tense

Crime School (1938)

Temperature rising 20:57:12 - The temperature gauge risesaction scene | altered dominant | boiler room | chromatic parallelism | danger | dramatic | gauge | heat | hero | leading man | mickey-mousing | reformatory | rising | teenager | temperature | tense

Crime School (1938)

Explosion0:57:21 - Mark pulls Squirt out of the boiler roomaction scene | ascending | boiler room | destruction | dissonant bass | dramatic | exploding | explosion | hero | leading man | mickey-mousing | reformatory | rising | stairs | teenager | tense | tone cluster

Crime School (1938)

Underscoring (Tense)1:06:17 - Spike talks to Frankie about his sisteradvance plot | anger | arguing | mysterious | pc set | reformatory | teenager | tense | underscoring

Crime School (1938)

Sue (Prison Moods)1:08:48 - Boys talk to Frankie about his sisteradvance plot | chromatic parallelism | dissonant | dissonant bass | distortion | gang | minor second | mysterious | plotting | reformatory | teenager | tense | tone cluster

Crime School (1938)

Underscoring (Tense)1:09:46 - Boys talk to Frankieadvance plot | chromatic parallelism | gang | gun | keys | mickey-mousing | mysterious | ominous | pc set | plotting | reformatory | teenager | tense | underscoring

Crime School (1938)

Keys1:09:50 - Spike tosses keys on bedadvance plot | dropping | gang | keys | mickey-mousing | mysterious | pc set | reformatory | teenager | tense | tossing

Crime School (1938)

Gun toss1:10:32 - Spike tosses gun on bedadvance plot | dropping | gang | gun | mickey-mousing | mysterious | pc set | reformatory | teenager | tense | tossing

Crime School (1938)

Underscoring (Tense)1:12:21 - Cooper talks with the wardenchromatic parallelism | escape | half-diminished 7th chord | phone call | plotting | police | reformatory | telephone | tense | warden

Crime School (1938)

Underscoring (Mysterious)1:12:35 - The boys walk through the cityescape | gang | mysterious | pedal tone | plotting | sneaking | street | teenager | tense

Crime School (1938)

Climbing ladder1:13:05 - Frankie climbs the ladderclimbing | escape | ladder | mickey-mousing | street | teenager | tense

Crime School (1938)

Sue (Sneaky)1:13:28 - Frankie sneaks in with his gunbreaking in | conflict | distortion | fragmentation | gun | room | sequence | sneaking | teenager | tense

Crime School (1938)

Underscoring (Tense)1:14:26 - Mark talks to policemanchromatic scale | conflict | deceptive resolution | gun | hero | heroine | hiding | knocking | leading lady | leading man | lying | mode mixture | pedal tone | police | room | teenager | tense | underscoring

Crime School (1938)

Lights on1:15:26 - Sue turns the lights onconflict | hero | heroine | leading lady | leading man | light | mickey-mousing | room | tense | turning on

Crime School (1938)

Resolution1:22:31 - Sue enters the room 42 chord | antagonist | calm | chromatic parallelism | chromatic scale | comical | conversing | hero | leading man | reformatory | resolution | resolution | tense | tritone
They Made Me a Criminal (1939)Transition0:00:07 - Starring listadded-note chord | chromatic parallelism | dissonant bass | dramatic | main title | opening title sequence | pedal tone | starring list | tense | title of film

They Made Me a Criminal (1939)

The Street0:14:31 - Newspaper boy on street64 chord | chromatic sequence | dark | newspaper | newspaper boy | selling | street | tense | transition

They Made Me a Criminal (1939)

Reading0:15:29 - Johnnie reads a newspaperadvance plot | chromatic scale | dissonant bass | leading man | newspaper | reading | room | tense | whole-tone chord

They Made Me a Criminal (1939)

Underscoring (Tense)0:28:51 - The sheriff comes inconflict | dark | diminished 7th chord | entering | fear | leading man | room | sheriff | surprise | tense | underscoring

They Made Me a Criminal (1939)

Underscoring (Dramatic)0:56:17 - Johnnie sees his picture in the paperangry | arguing | chromatic parallelism | dissonant bass | dramatic | fighting | half-diminished 7th chord | hero | leading man | mickey-mousing | photograph | ranch | teenager | tense | turning point | underscoring

They Made Me a Criminal (1939)

Underscoring (Tense)1:02:14 - Johnnie overhears the detectiveadvance plot | chromatic scale | detective | dissonant bass | hiding | leading man | ominous | room | tense | underscoring

They Made Me a Criminal (1939)

The Fugitive (Hiding)1:02:31 - Detective buys tickets to Johnnie's matchadvance plot | detective | hiding | leading man | pedal tone | room | suspenseful | tense

They Made Me a Criminal (1939)

Underscoring (Tense)1:05:52 - Johnny talks to Peggyconflict | dramatic | half-diminished 7th chord | harmonic sequence | leading lady | leading man | lying | room | tense | underscoring

They Made Me a Criminal (1939)

On the Make (Heartbreak)1:06:05 - Johnny talks to Peggy9th chord | arguing | conflict | dissonant bass | dramatic | leading lady | leading man | room | slamming | somber | tense
Death of a Scoundrel (1956)Up the Stairs 10:00:56 - Bridget walks up the stairsstairs | tense | up | upstairs

Death of a Scoundrel (1956)

Underscoring (Tense)0:03:02 - Detective enters the housetense | underscoring

Death of a Scoundrel (1956)

Underscoring (Tense)0:07:51 - Gerry walks to the door with a flashlightflashback | tense | underscoring

Death of a Scoundrel (1956)

Underscoring (Tense)0:09:38 - Zina talks to Clementiflashback | tense | underscoring

Death of a Scoundrel (1956)

Underscoring (Tense)0:12:54 - Gerry walks to the door with a flashlightflashback | tense | underscoring

Death of a Scoundrel (1956)

Underscoring (Tense)0:36:58 - Clementi tries to get his check backemergency | flashback | tense | underscoring

Death of a Scoundrel (1956)

Underscoring (Tense)0:37:44 - Clementi waits in the coffee shopflashback | tense | underscoring

Death of a Scoundrel (1956)

Clementi C (Sad)0:50:00 - Mr. Wilson learns his stock has tankedflashback | sad | stock tip | tense

Death of a Scoundrel (1956)

Clementi C (Underscoring)0:50:13 - Clementi offers to buy Mr. Wilson's companyflashback | tense | underscoring

Death of a Scoundrel (1956)

Stephanie (Uncertain)1:30:56 - Producer calls Clementi asking for Stephanie to be put back in the playflashback | tense | uncertainty

Death of a Scoundrel (1956)

Underscoring (Tense)1:39:11 - The police take Clementi to see Zina's dead bodydeath | flashback | tense | underscoring

Death of a Scoundrel (1956)

Underscoring (Tense)1:53:09 - Clementi rides in a cab, and the driver talks about him and the news about him not knowing that Clementi is the ridercabbie | flashback | taxi | tense | underscoring
Deep Valley (1947)Homestead (Dramatic)0:00:37 - A farmhousebarnyard | calm | cast list | farmhouse | opening title sequence | tense

Deep Valley (1947)

Libby (Rubato)0:08:13 - Libby at the kitchen tableestablish character | kitchen | leading lady | leaving | somber | tense

Deep Valley (1947)

Underscoring (Tense)0:17:06 - Ellie talks with Libbyadvance plot | conversing | dark | leading lady | mother | room | stinger | tense | underscoring

Deep Valley (1947)

Homestead (Triste)0:17:34 - Ellie talks with Libbyadvance plot | conversing | dark | leading lady | mother | room | tense

Deep Valley (1947)

Libby 2 (Slowly)0:19:39 - Jeff talks with Libbyarguing | crew | dog | father | leading lady | leading man | lovers meet | street | tense

Deep Valley (1947)

Running0:20:26 - Libby runs to Joeconvict | dog | leading lady | leading man | lovers meet | running | street | tense

Deep Valley (1947)

Underscoring (Tense)0:22:23 - Barry pumps waterboss | conflict | convict | father | guard | leading lady | leading man | mocking | pumping | street | tense | underscoring

Deep Valley (1947)

Law (Subtle)0:22:45 - Barry looks at the guardarguing | boss | conflict | convict | father | guard | leading lady | leading man | street | tense | underscoring

Deep Valley (1947)

Underscoring (Dramatic)0:31:10 - Close-up on Libbyarguing | conflict | crying | dark | dramatic | father | leading lady | lightning | room | storm | tense | thunder | underscoring

Deep Valley (1947)

Libby (Slowly)0:34:53 - Libby leaves her motherconflict | dark | leading lady | leaving | lightning | mother | pleading | room | somber | storm | tense | thunder

Deep Valley (1947)

Libby 2 (Stormy)0:35:27 - Waves hitting the shoreconflict | construction site | crew | dark | leading lady | leaving | mother | pleading | storm | tense | waves | working

Deep Valley (1947)

Libby 2 (Misterioso)0:37:32 - Cliff looks for Libbyadvance plot | calling | father | mysterious | room | searching | tense

Deep Valley (1947)

Underscoring (Tense)0:40:24 - Barry in the woodsadvance plot | convict | forest | fugitive | leading man | searching | tense | underscoring

Deep Valley (1947)

Barry (Hiding)0:40:45 - Barry hidesadvance plot | convict | forest | fugitive | leading man | mysterious | rushing | tense

Deep Valley (1947)

Barry (Dark)0:41:38 - Barry explores the cabinadvance plot | cabin | convict | fugitive | leading man | mysterious | searching | tense

Deep Valley (1947)

Barry (Drunk)0:50:00 - Barry talks to Libbyconvict | drunk | falling in love scene | forest | fugitive | leading lady | leading man | story | storytelling | tense

Deep Valley (1947)

Barry (Drunk)0:51:00 - Barry talks to Libbyconvict | drunk | falling in love scene | forest | fugitive | leading lady | leading man | story | storytelling | tense

Deep Valley (1947)

Barry (Tense)0:55:38 - Barry unloads his guncabin | convict | destroying | fugitive | leading lady | leading man | love interest | love scene | mysterious | tense

Deep Valley (1947)

Law (Molto Misterioso)0:57:01 - Men hunting for Barryforest | manhunt | mysterious | police | searching | tense | transition

Deep Valley (1947)

Underscoring (Dramatic)1:02:02 - Libby in her roomadvance plot | arriving | dramatic | father | leading lady | police | room | searching | street | tense | underscoring | watching

Deep Valley (1947)

Law (Misterioso)1:02:41 - Libby looks out the windowadvance plot | father | leading lady | manhunt | mysterious | police | room | searching | street | tense

Deep Valley (1947)

Barry (Misterioso)1:02:50 - Libby runs to the dooradvance plot | leading lady | mother | mysterious | room | rushing | tense

Deep Valley (1947)

Law (Tense)1:02:57 - Libby goes down the stairsadvance plot | leading lady | mother | room | sneaking | tense

Deep Valley (1947)

Libby (Stormy)1:03:40 - Ellie talks with Libbyadvance plot | conversing | hesitant | leading lady | lying | mother | room | tense

Deep Valley (1947)

Underscoring (Tense)1:03:52 - Libby sneaks awayadvance plot | leading lady | packing | room | rushing | tense | underscoring

Deep Valley (1947)

Barry (Contrary Motion)1:04:10 - Libby gathers thingsadvance plot | leading lady | mickey-mousing | packing | police | rolling | room | rushing | tense

Deep Valley (1947)

Underscoring (Dramatic)1:06:48 - Barry reacts to gunshotsaction scene | cabin | convict | dramatic | forest | fugitive | gunfight | hiding | leading man | loading | love interest | manhunt | police | shooting | stinger | tense | underscoring

Deep Valley (1947)

Law1:07:20 - Barry tries to escapeaction scene | cabin | convict | dramatic | fugitive | hiding | leading man | love interest | manhunt | police | retreating | shooting | tense

Deep Valley (1947)

Barry1:07:25 - Barry climbs out of a holeaction scene | cabin | climbing | convict | dramatic | escaping | fugitive | leading man | love interest | manhunt | police | tense

Deep Valley (1947)

Jumping down1:07:32 - Barry jumps off the roofaction scene | cabin | convict | dramatic | fugitive | jumping | leading man | love interest | manhunt | mickey-mousing | police | tense

Deep Valley (1947)

Law1:07:34 - Lawmen pursue after Barryaction scene | chasing | convict | dramatic | escaping | fanfare | forest | fugitive | leading man | love interest | manhunt | police | running | tense

Deep Valley (1947)

Libby (Stormy)1:09:20 - Jeff talks with Libbyadvance plot | conversing | hesitant | leading lady | leading man | room | tense

Deep Valley (1947)

Underscoring (Tense)1:09:40 - Jeff talks with Libbyadvance plot | conversing | leading lady | leading man | room | stinger | tense | underscoring

Deep Valley (1947)

Libby (Worried)1:10:24 - Libby tosses and turns on her bedanxiety | anxious | escape | leading lady | restless effect | restlessness | room | tense | worry | worrying

Deep Valley (1947)

Libby (Agitated)1:10:36 - Libby gets up from her bedanxiety | anxious | escape | leading lady | restless effect | restlessness | room | tense | worry | worrying

Deep Valley (1947)

Underscoring (Tense)1:10:50 - Libby looks out the windowconvict | escape | fugitive | leading lady | leading man | looking | love interest | room | searching | tense | underscoring | yard

Deep Valley (1947)

Libby (Sneaking)1:11:05 - Libby hurries awayescape | leading lady | room | rushing | sneaking | sneaking effect | tense

Deep Valley (1947)

Sneaking1:12:20 - Barry and Libby run to the shedconvict | escape | fugitive | leading lady | leading man | love interest | sneaking | sneaking effect | tense | yard

Deep Valley (1947)

Barry (Tense 2)1:15:38 - Barry drops his gunadvance plot | barn | conversing | convict | fugitive | leading lady | leading man | love interest | tense

Deep Valley (1947)

Underscoring (Tense)1:17:04 - Barry picks up the gunadvance plot | barn | conversing | convict | fugitive | leading lady | leading man | love interest | tense | underscoring

Deep Valley (1947)

Underscoring (Dramatic)1:17:55 - Barry hears a noiseadvance plot | barn | convict | dramatic | fugitive | leading lady | leading man | love interest | sneaking | stinger | tense | walking

Deep Valley (1947)

Drops gun1:18:35 - Libby drops the gun down a welladvance plot | dropping | gun | leading lady | mickey-mousing | tense | yard

Deep Valley (1947)

Underscoring (Dramatic)1:23:43 - Barry hears a noiseadvance plot | barn | convict | dramatic | fugitive | leading lady | leading man | love interest | rushing | tense | worrying

Deep Valley (1947)

Underscoring (Tense)1:24:11 - Libby talks to Barryadvance plot | barn | convict | fugitive | leading lady | leading man | love interest | tense | worrying

Deep Valley (1947)

Libby (Sneaking)1:24:14 - Libby talks to Barryadvance plot | barn | convict | fugitive | leading lady | leading man | love interest | tense | worrying | worrying effect

Deep Valley (1947)

Law (Tense)1:25:09 - Posse on the prowladvance plot | forest | police | tense | walking

Deep Valley (1947)

Underscoring (Tense)1:28:00 - Barry prepares to attackbarn | conflict | convict | dark | fugitive | leading lady | leading man | love interest | stinger | tense | waiting

Deep Valley (1947)

Deep Valley (Slowly)1:28:11 - Libby climbs the ladderbarn | conflict | convict | descending | fugitive | leading lady | leading man | love interest | tense | uneasy

Deep Valley (1947)

Libby 3 (Tense)1:28:28 - Libby comes down the ladderbarn | conflict | conversing | convict | father | fugitive | leading lady | leading man | love interest | tense | uneasy | walking

Deep Valley (1947)

Running (Extended)1:29:26 - Libby runs to the barnadvance plot | barn | convict | father | fugitive | hesitating | leading lady | leading man | love interest | mickey-mousing | running | tense | uneasy | yard

Deep Valley (1947)

Deep Valley (Delicato)1:31:30 - Barry embraces Libbyadvance plot | barn | comforting | convict | fugitive | hopeful | leading lady | leading man | love interest | street | tense

Deep Valley (1947)

Underscoring (Tense)1:33:08 - The Sheriff talks with Ellieadvance plot | conversing | evidence | mother | ominous | porch | sheriff | stinger | tense

Deep Valley (1947)

Libby 2 (Molto Expressivo)1:33:40 - Ellie walks to the barnadvance plot | barn | convict | eavesdropping | fugitive | leading lady | leading man | love interest | mother | sneaking | tense | walking | yard

Deep Valley (1947)

Libby 2 (Misterioso)1:34:15 - Ellie climbs the ladderadvance plot | barn | climbing | convict | eavesdropping | fugitive | leading lady | leading man | love interest | mother | mysterious | sneaking | tense

Deep Valley (1947)

Rushing away1:36:01 - Libby rushes out of the barnbarn | climax | convict | descending | dramatic | fugitive | leading lady | leading man | love interest | mother | rushing | rushing effect | tense

Deep Valley (1947)

Libby 2 (Frantic)1:36:05 - Ellie calls after Libbybarn | begging | climax | convict | frantic | fugitive | leading lady | leading man | love interest | mother | pleading | tense

Deep Valley (1947)

Libby (Running)1:36:13 - Libby and Barry run out of the barnbarn | begging | climax | convict | father | frantic | fugitive | leading lady | leading man | love interest | mother | pleading | running | rushing | tense | yard

Deep Valley (1947)

Libby (Stormy)1:36:26 - Cliff looks for Elliebarn | climax | convict | crying | dark | father | fugitive | hiding | leading lady | leading man | love interest | mother | running | rushing | sneaking | tense | yard

Deep Valley (1947)

Barry (Drunk)1:36:39 - Barry steals a cararguing | car | climax | convict | dark | fighting | fugitive | leading lady | leading man | love interest | running | rushing | street | tense | yelling

Deep Valley (1947)

Barry1:36:57 - Jeff hits Barryarguing | attacking | car | climax | convict | dark | fighting | fugitive | leading lady | leading man | love interest | punching | street | tense | yelling

Deep Valley (1947)

Barry (Not in Score)1:38:32 - The posse chases after Barrychasing | climax | convict | dramatic | fleeing | forest | fugitive | leading man | love interest | police | running | shooting | tense | transcribed by ear

Deep Valley (1947)

Underscoring (Tense)1:38:41 - Barry is shotclimax | convict | dramatic | falling | forest | fugitive | injury | leading man | love interest | police | stinger | tense | underscoring

Deep Valley (1947)

Law1:38:44 - The posse chases after Barrychasing | climax | convict | dramatic | fleeing | forest | fugitive | injury | leading man | love interest | police | running | tense

Deep Valley (1947)

Underscoring (Tense)1:39:09 - Barry hidesclimax | convict | forest | fugitive | hiding | injury | leading man | love interest | police | searching | tense | underscoring

Deep Valley (1947)

Law (Subtle)1:39:20 - The posse searches for Barryclimax | convict | forest | fugitive | hiding | injury | leading man | love interest | police | searching | tense

Deep Valley (1947)

Law1:39:28 - Barry crawls on the groundclimax | convict | forest | fugitive | hiding | injury | leading man | love interest | police | searching | tense

Deep Valley (1947)

Barry (Dark 2)1:39:35 - Barry hidesclimax | convict | forest | fugitive | hiding | injury | leading man | love interest | mysterious | police | tense

Deep Valley (1947)

Underscoring (Dramatic)1:40:00 - Barry hidesclimax | convict | forest | fugitive | hiding | injury | leading man | love interest | mysterious | police | searching | tense

Deep Valley (1947)

Law (Misterioso)1:40:10 - Barry hidesclimax | convict | forest | fugitive | hiding | injury | leading man | love interest | mysterious | searching | tense

Deep Valley (1947)

Barry (Misterioso 2)1:40:17 - Barry runsclimax | convict | forest | fugitive | hiding | injury | leading man | love interest | somber | stumbling | tense

Deep Valley (1947)

Sneaking (Molto Rubato)1:40:51 - Libby runs to find Barrydeath scene | forest | leading lady | mysterious | resolution | running | tense
Dust Be My Destiny (1939)Underscoring (Tense)0:14:40 - Charlie entersbarn | leading lady | leading man | lovers meet | prisoner | stinger | tense | underscoring | villain | warden

Dust Be My Destiny (1939)

Dust Be My Destiny (Tense)0:14:53 - Joe talks to Charliebarn | dark | dissonant | leading lady | leading man | lovers meet | prisoner | tense | tritone | villain | warden

Dust Be My Destiny (1939)

Underscoring (Tense)0:47:58 - Joe walks to the jail64 chord | friend | jail | jail break | leading man | runaway | shopkeeper | tense | underscoring | walking

Dust Be My Destiny (1939)

Dust Be My Destiny (Sordini)0:48:21 - Joe talks to the jailerchromatic parallelism | jail | jail break | leading man | major triad | mysterious | pedal tone | tense | warden

Dust Be My Destiny (1939)

Underscoring (Tense)0:48:34 - Joe talks to the jailerjail | jail break | leading man | pedal tone | tense | underscoring | warden

Dust Be My Destiny (1939)

Dust Be My Destiny (Trickery)0:48:45 - Joe talks to the jailerdistortion | friend | half-diminished 7th chord | jail | jail break | leading man | parallelism | passerby | shopkeeper | tense | warden

Dust Be My Destiny (1939)

Underscoring (Tense)0:49:05 - Joe enters the jail64 chord | jail | jail break | leading man | tense | underscoring | warden

Dust Be My Destiny (1939)

Dust Be My Destiny (Jail Break)0:49:16 - Mabel looks up and sees Joechromatic wedge | dissonant bass | jail | jail break | leading lady | leading man | linear chromaticism | tense | warden

Dust Be My Destiny (1939)

Dust Be My Destiny (Stick Up)0:50:12 - Joe pulls out a gungun | half-diminished 7th chord | jail | jail break | leading lady | leading man | tense | warden

Dust Be My Destiny (1939)

Patrol0:55:50 - Cop checks on a shopclock | crime scene | criminal | leading man | police | shopkeeper | street | tense

Dust Be My Destiny (1939)

Underscoring (Tense)1:09:28 - Mike is confronted by gangstersbribe | chromatic parallelism | conflict | gangster | linear chromaticism | newspaper editor | street | tense | underscoring

Dust Be My Destiny (1939)

Gangsters walk1:10:26 - The gangsters walk to their carchromatic parallelism | chromatic scale | chromatic sequence | conflict | gangster | mickey-mousing | newspaper editor | street | tense | walking

Dust Be My Destiny (1939)

Dust Be My Destiny (Cornered)1:12:21 - Mabel and Joe decide what to do9th chord | conflict | hero | hospital | inversion | leading lady | leading man | pedal tone | tense

Dust Be My Destiny (1939)

Dust Be My Destiny (Hiding)1:12:42 - Mabel talks with Joe about surrendering42 chord | conflict | diminished 7th chord | fragmentation | hero | hospital | leading lady | leading man | tense

Dust Be My Destiny (1939)

Dust Be My Destiny (Appassionatissimo)1:13:14 - Joe makes a run for itchromatic parallelism | chromatic scale | climax | conflict | diminished 7th chord | dissonant bass | escaping | hospital | intervallic expansion | leading lady | leading man | runaway | sequence | tense
Each Dawn I Die (1939)Underscoring (Tense)0:05:11 - Newspaper on the sidewalkconflict | dissonant bass | gangster | newspaper | reading | street | tense | underscoring | whole-tone | whole-tone chord

Each Dawn I Die (1939)

Montage0:22:54 - Montage showing the passing of timechromatic parallelism | clock | dramatic | linear chromaticism | mickey-mousing | montage | montage | prison | prisoner | tense | waiting | whole-tone chord
The FBI Story (1959)Conveyor Belt0:01:08 - Man asks his mother to buy insurance for her flightairport | conveyer belt | insurance | machine | tense

The FBI Story (1959)

Underscoring (Mysterious)0:09:11 - Agents question Jack's friendFBI | investigation | mysterious | tense | underscoring

The FBI Story (1959)

Underscoring (Tense)0:10:41 - Agent's search Jack's homeFBI | investigation | tense | underscoring

The FBI Story (1959)

Time Bomb 1 (Convicted)0:11:33 - Agents arrest JackFBI | investigation | tense | ticking

The FBI Story (1959)

Underscoring (Tense)0:35:56 - Klansmen threaten the newspaper manflashback | KKK | tense | underscoring

The FBI Story (1959)

Underscoring (Tense)0:41:28 - Men prepare to blow up an Indian houseexplosion | flashback | tense | underscoring

The FBI Story (1959)

Underscoring (Tense)0:49:50 - Chip walks to mail evidence to the FBIflashback | tense | underscoring

The FBI Story (1959)

Underscoring (Tense)1:17:17 - FBI agents waiting for Dillinger to get out of the movie theatreFBI | flashback | tense | underscoring

The FBI Story (1959)

Waiting1:19:08 - Lucy waits for a phone callflashback | tense | ticking | underscoring | waiting

The FBI Story (1959)

Underscoring (Dark)1:20:31 - Pretty Boy Floyd takes hostages to a cardark | dramatic | flashback | gangster | mobster | tense | underscoring

The FBI Story (1959)

Underscoring (Mysterious)1:49:23 - Gun boat and submarine on the ocean at nightflashback | mysterious | tense | underscoring

The FBI Story (1959)

Message1:54:21 - George listens to morse code ont he radioflashback | message | mickey-mousing | radio | tense

The FBI Story (1959)

Message1:55:02 - George listens to morse code on the radioflashback | message | mickey-mousing | radio | tense

The FBI Story (1959)

Warning1:55:33 - Mario warns of the incoming agentsflashback | radio | tense

The FBI Story (1959)

Message1:56:04 - George listens to morse code on the radioflashback | message | mickey-mousing | radio | tense

The FBI Story (1959)

Underscoring (Tense)2:00:10 - Men react to collapse of bridgeflashback | tense | underscoring

The FBI Story (1959)

Underscoring (Tense)2:24:44 - Chip listens to a radio reportagent | FBI | flashback | tense | underscoring

The FBI Story (1959)

Surveillance 1 (Misterioso)2:24:54 - Second man approaches restaurantcommunist | flashback | tense | underscoring

The FBI Story (1959)

Underscoring (Tense)2:25:31 - FBI agents communicate by radioflashback | radio | tense | underscoring
Flamingo Road (1949)Crime School0:00:08 - Starring list9th chord | dramatic | opening title sequence | parallelism | self-borrowing | starring list | tense

Flamingo Road (1949)

Underscoring (Tense)0:34:30 - Lane responds to Fieldbreaking up | breakup | café | leading lady | leading man | mysterious | tense | underscoring | waitress

Flamingo Road (1949)

Titus + Agitato (Extended)0:39:55 - Police take Lane awayarresting | combination of themes | conflict | driving | leading lady | police | self-borrowing | street | tense | turbulent

Flamingo Road (1949)

Flamingo Road (Tense)1:04:16 - Titus enters the roomadvance plot | combination of themes | conversing | leading lady | leading man | politician | room | self-borrowing | sheriff | tense | whole-tone scale

Flamingo Road (1949)

Titus 2 (Slowly)1:06:43 - Dan talks to Lane about Titusadvance plot | chromatic parallelism | leading lady | leading man | lying | room | self-borrowing | tense

Flamingo Road (1949)

Agitato (Angry)1:09:25 - Titus leavesadvance plot | agitated | angry | chromatic parallelism | chromatic scale | chromatic wedge | leading man | leaving | politician | polychord | sheriff | street | tense

Flamingo Road (1949)

Titus (Ominous)1:11:44 - Titus argues with Fieldarguing | bullying | conflict | drinking | leading man | mysterious | politician | room | self-borrowing | sheriff | tense

Flamingo Road (1949)

Underscoring (Tense)1:11:51 - Titus argues with Fieldarguing | bullying | conflict | drinking | leading man | politician | room | sheriff | tense | underscoring

Flamingo Road (1949)

Anger1:12:20 - Titus and Field face offangry | arguing | bullying | chromatic parallelism | chromatic wedge | conflict | leading man | pc set | politician | room | self-borrowing | sheriff | tense

Flamingo Road (1949)

Mob1:28:20 - A mob forms outside of Lane's homeadvance plot | angry | anxious | augmented triad | chromatic parallelism | chromatic scale | friend | leading lady | minor-major 7th chord | mob | mobbing | ostinato | polyrhythm | room | tense | whole-tone chord

Flamingo Road (1949)

Agitato (Angry)1:29:00 - Lane goes to confront Titusadvance plot | angry | car | chromatic parallelism | chromatic scale | chromatic wedge | dramatic | driving | leading lady | polychord | source and scoring overlap | tense

Flamingo Road (1949)

Underscoring (Dramatic)1:31:15 - Titus attacks Laneattacking | breaking | chromatic parallelism | climax | club | dramatic | dropping | gun | leading lady | linear chromaticism | oscillation | sheriff | staggering | stinger | telephone | tense | throwing | underscoring

Flamingo Road (1949)

Titus (Ostinato 3)1:31:25 - Titus holds a gun on Laneclimax | club | dramatic | fighting | gun | gunshot | leading lady | menacing | ostinato | self-borrowing | sequence | sheriff | struggling | tense | threatening

Flamingo Road (1949)

Titus (Climax)1:31:43 - Lane struggles with Tituschromatic parallelism | chromatic wedge | climax | club | dramatic | fighting | gun | gunshot | leading lady | major 7th chord | self-borrowing | sequence | sheriff | struggling | tense

Flamingo Road (1949)

Struggling1:31:47 - Close-up on the gunclimax | close-up | club | dramatic | fighting | gun | gunshot | leading lady | major 7th chord | mickey-mousing | oscillation | sheriff | struggling | tense
Hell on Frisco Bay (1955)Hell on Frisco Bay0:25:14 - Marcia and Steve argueadvance plot | arguing | conductor score | leading lady | leading man | room | tense

Hell on Frisco Bay (1955)

Underscoring (Dramatic)0:27:50 - Steve fights Hammyaction scene | conductor score | dramatic | fighting | gangster | hurried | leading lady | leading man | room | strangling | tense | underscoring

Hell on Frisco Bay (1955)

Underscoring (Tense)0:28:03 - The gangsters leaveaction scene | conductor score | conversing | gangster | leading lady | leading man | leaving | room | tense | underscoring

Hell on Frisco Bay (1955)

Underscoring (Tense)0:52:13 - Dan waits for Steveadvance plot | conductor score | friend | gangster | investigator | leading man | pacing | street | tense | underscoring | waiting

Hell on Frisco Bay (1955)

Steve runs0:52:55 - Steve runsadvance plot | conductor score | gangster | investigator | leading man | mickey-mousing | running | street | tense

Hell on Frisco Bay (1955)

Steve0:53:15 - Steve leavesaction scene | aiming | conductor score | dark | gangster | investigator | leading man | murderer | neutral | shooting | street | tense | walking

Hell on Frisco Bay (1955)

Climbing and jumping0:53:27 - Steve runs from Hammyaction scene | climbing | conductor score | hiding | hurried | investigator | jumping | leading man | mickey-mousing | street | tense

Hell on Frisco Bay (1955)

Menace0:53:30 - Hammy tries to escapeaction scene | conductor score | dramatic | escaping | fleeing | gangster | hurried | investigator | leading man | murderer | running | shooting | street | tense

Hell on Frisco Bay (1955)

Steve Arrives0:54:56 - Steve arrives at an apartmentarriving | conductor score | investigator | leading man | mickey-mousing | mysterious | street | tense | transition | walking

Hell on Frisco Bay (1955)

Menace0:58:13 - Bessie prepares to leavechase scene | conductor score | floozy | mysterious | preparing | room | tense | thinking

Hell on Frisco Bay (1955)

Sneaking and following0:58:30 - Bessie sneaks awaychase scene | conductor score | descending | floozy | following | hiding | investigator | leading man | mysterious | sneaking | street | tense

Hell on Frisco Bay (1955)

Menace0:58:48 - Bessie walks through the market | agitated | chase scene | conductor score | dramatic | floozy | gangster | hurrying | investigator | leading man | mysterious | street | tense | walking

Hell on Frisco Bay (1955)

Hell on Frisco Bay1:01:41 - Steve talks to Marciaconductor score | conversing | leading lady | leading man | love scene | room | tense | underscoring

Hell on Frisco Bay (1955)

Underscoring (Mysterious)1:24:05 - Amato calls detectiveadvance plot | calling | gangster | leading man | mysterious | room | statue | tense | underscoring

Hell on Frisco Bay (1955)

Menace1:24:38 - Amato talks to detectiveadvance plot | detective | gangster | leading man | mysterious | plotting | police station | tense

Hell on Frisco Bay (1955)

Underscoring (Tense)1:24:53 - Amato talks to detectiveadvance plot | detective | gangster | leading man | plotting | police station | tense

Hell on Frisco Bay (1955)

Amato1:25:21 - Amato sets up Lye and Kayadvance plot | betraying | detective | gangster | harsh | leading man | plotting | police station | tense

Hell on Frisco Bay (1955)

Anna1:25:41 - Amato looks at the statueadvance plot | gangster | leading man | looking | mysterious | religious | room | tense

Hell on Frisco Bay (1955)

Underscoring (Tense)1:29:55 - Marcia talks to Kayconversing | leading lady | love interest | room | tense | turning point | witness

Hell on Frisco Bay (1955)

Amato1:32:23 - Amato shoots Lyeaction scene | brash | gangster | gun | gunshot | leading man | murder | murdering | room | shooting | tense | violence | yelling

Hell on Frisco Bay (1955)

Steve1:33:17 - Marcia looks for Steveaction scene | dock | dramatic | leading lady | running | tense

Hell on Frisco Bay (1955)

Amato1:33:23 - Amato takes Marcia hostageaction scene | dock | gangster | inspector | kidnapping | leading lady | leading man | ominous | tense

Hell on Frisco Bay (1955)

Amato1:34:01 - Steve confronts Amatoaction scene | dock | dramatic | gangster | inspector | kidnapping | leading lady | leading man | tense

Hell on Frisco Bay (1955)

Amato1:34:08 - Steve confronts Amatoaction scene | dock | dramatic | gangster | gun | gunshot | inspector | kidnapping | leading lady | leading man | shooting | tense

Hell on Frisco Bay (1955)

Amato runs1:34:27 - Amato runs to his boataction scene | agitated | boat | dock | dramatic | following | gangster | inspector | leading man | running | tense

Hell on Frisco Bay (1955)

Boat Chase1:34:33 - Amato tries to escape in a boataction scene | agitated | boat | dock | dramatic | following | gangster | inspector | leading man | running | tense

Hell on Frisco Bay (1955)

Steve dives1:34:48 - Steve dives in the wateraction scene | agitated | diving | dock | dramatic | gangster | inspector | jumping | leading man | mickey-mousing | splashing | tense | water

Hell on Frisco Bay (1955)

Underscoring (Dramatic)1:34:53 - Steve climbs in the boataction scene | boat | dock | dramatic | driving | gangster | inspector | leading man | tense | underscoring

Hell on Frisco Bay (1955)

Menace1:34:57 - Steve and Amato fightaction scene | agitated | boat | dock | dramatic | fighting | gangster | inspector | leading man | tense

Hell on Frisco Bay (1955)

Underscoring (Tense)1:35:05 - The police arriveaction scene | arriving | conversing | dock | leading lady | police | tense | underscoring

Hell on Frisco Bay (1955)

Menace1:35:21 - Steve and Amato fightaction scene | agitated | boat | dock | dramatic | fighting | gangster | inspector | leading man | tense

Hell on Frisco Bay (1955)

Police running1:35:32 - The policemen runaction scene | agitated | dock | down | dramatic | mickey-mousing | police | running | tense

Hell on Frisco Bay (1955)

Underscoring (Dramatic)1:35:44 - The police boat leaves the dockaction scene | boat | departing | dock | dramatic | police | tense | underscoring

Hell on Frisco Bay (1955)

Amato1:35:47 - Steve and Amato fightaction scene | agitated | boat | dock | dramatic | fighting | gangster | inspector | leading man | tense

Hell on Frisco Bay (1955)

Amato1:35:56 - The police boat advancesaction scene | agitated | boat | dock | dramatic | fighting | gangster | inspector | leading man | tense | underscoring

Hell on Frisco Bay (1955)

Horn Call1:36:10 - The police boat advancesaction scene | battle call | boat | departing | dock | police | tense

Hell on Frisco Bay (1955)

Amato1:36:12 - Steve and Amato fightaction scene | agitated | boat | dock | dramatic | fighting | gangster | inspector | leading man | tense

Hell on Frisco Bay (1955)

Amato falls1:36:20 - Amato falls in the wateraction scene | boat | dock | dramatic | falling | fighting | gangster | inspector | leading man | mickey-mousing | punching | splashing | tense | water

Hell on Frisco Bay (1955)

Underscoring (Tense)1:36:23 - The boat approaches a wallaction scene | boat | dock | driving | inspector | leading man | tense | underscoring

Hell on Frisco Bay (1955)

Steve dives 21:36:27 - Steve dives in the wateraction scene | boat | diving | dock | inspector | jumping | leading man | mickey-mousing | splashing | tense | water

Hell on Frisco Bay (1955)

Steve Saves Amato1:36:42 - Steve and Amato swim to the police boatboat | dock | gangster | inspector | leading man | mickey-mousing | swimming | tense | water

Hell on Frisco Bay (1955)

Lifting up1:36:50 - Amato is brought onboardboat | dock | dramatic | gangster | inspector | leading man | lifting | mickey-mousing | police | raising | tense | up | water

Hell on Frisco Bay (1955)

Menace1:36:57 - The police boat leavesagitated | arriving | boat | dock | gangster | inspector | leading man | police | tense
Her Kind of Man (1946)Underscoring (Dark [Waxman])0:17:02 - Steve fights Felixaction scene | arguing | conversing | criminal | dark | death | dramatic | gambler | gun | gunshot | leading lady | leading man | love interest | owner | punching | room | self-defense | shooting | singer | stinger | tense | underscoring

Her Kind of Man (1946)

It Had to Be You (Kissing)0:18:22 - Steve kisses Georgiaaction scene | augmented triad | gambler | kissing | leading lady | leading man | love interest | minor-major 7th chord | room | singer | source to score | tense

Her Kind of Man (1946)

Underscoring (Dark [Waxman])0:18:32 - Candy entersaction scene | conversing | criminal | dark | gambler | henchman | leading man | owner | room | stinger | tense | underscoring

Her Kind of Man (1946)

Underscoring (Tense [Waxman])0:40:34 - Don punches Steveaction scene | boxing ring | criminal | fighting | gambler | henchman | leading man | punching | reporter | tense | underscoring

Her Kind of Man (1946)

Here Comes the Bride0:49:40 - Steve proposes to Georgiaclassical music | criminal | familiar tune | gambler | henchman | leading lady | leading man | love interest | love scene | proposing | reporter | romantic | room | tense

Her Kind of Man (1946)

Newspaper0:51:32 - A newspaper articleadvance plot | leading man | newspaper | reporter | room | tense | uneasy | writing

Her Kind of Man (1946)

Flashback0:53:57 - A man sweepingconversing | flashback | flashback | leading man | mysterious | reporter | reporting | room | storytelling | tense | waiter | witness

Her Kind of Man (1946)

Underscoring (Dramatic [Deutsch])0:54:59 - Cop takes a witnessdeparting | dramatic | leading man | letter | mysterious | police | police station | reporter | signature | tense | turning point | typing | underscoring | waiter | witness

Her Kind of Man (1946)

Burning paper0:55:22 - Burning paperburning | fire effect | leading man | mickey-mousing | reporter | room | tense | turning point

Her Kind of Man (1946)

Police Radio1:04:40 - Policeman on the radioaction scene | announcing | police | radio | radio effect | station | tense

Her Kind of Man (1946)

Candy1:11:27 - Candy approaches the warehouseadvance plot | arriving | criminal | gambler | henchman | leading man | murderer | pc set | tense | walking | warehouse

Her Kind of Man (1946)

It Had to Be You (Tense)1:11:43 - Steve talks to Candyadvance plot | conversing | criminal | familiar tune | gambler | henchman | leading man | murderer | popular music | tense | warehouse

Her Kind of Man (1946)

Underscoring (Tense [Steiner])1:12:07 - Steve talks to Candyadvance plot | arguing | chromatic parallelism | conversing | criminal | gambler | henchman | leading man | murderer | pedal tone | slapping | tense | underscoring | warehouse

Her Kind of Man (1946)

Underscoring (Dramatic [Steiner])1:14:17 - Cop looks at his watchclimax | conversing | criminal | double-cross | dramatic | henchman | leading lady | leading man | parallelism | police | reporter | room | singer | stinger | telephone | tense | underscoring | watch | wife

Her Kind of Man (1946)

Speeding1:14:21 - Policeman drivingcar | chromatic parallelism | chromatic scale | chromatic sequence | climax | dramatic | driving | hurrying | leading lady | leading man | omnibus progression | police | reporter | rushing | singer | tense | wife | yelling

Her Kind of Man (1946)

Underscoring (Tense [Steiner])1:15:00 - Candy in the alleyarriving | climax | criminal | double-cross | driving | gambler | henchman | hiding | husband | leading man | murderer | revenge | signaling | sneaking | street | syncopation | tense | underscoring | warehouse | widow

Her Kind of Man (1946)

Candy (Tragic)1:15:28 - Candy in the shadowschromatic scale | climax | conversing | criminal | double-cross | gambler | henchman | hiding | husband | leading man | murderer | revenge | sequence | street | tense | tragic | walking | widow

Her Kind of Man (1946)

Speeding1:16:29 - Candy tries to run awayarriving | capturing | car | chromatic parallelism | chromatic scale | chromatic sequence | climax | criminal | double-cross | dramatic | gambler | henchman | leading man | murder | murderer | omnibus progression | police | reporter | revenge | running | street | tense

Her Kind of Man (1946)

Candy (Agitato)1:16:53 - Don confronts Candyagitated | arguing | climax | confronting | criminal | double-cross | gambler | henchman | leading man | murder | murderer | pc set | police | reporter | revenge | sequence | street | tense

Her Kind of Man (1946)

It Had to Be You (Tragic)1:17:10 - Georgia holds Steve9th chord | augmented triad | climax | comforting | conversing | corpse | cradling | criminal | crying | death | dying | familiar tune | gambler | henchman | leading lady | leading man | murderer | police | popular music | reporter | singer | street | tense | tragic | wife

Her Kind of Man (1946)

Water1:17:41 - Steve's corpse9th chord | corpse | criminal | death | flowing | gambler | henchman | leading lady | leading man | murderer | panning shot | police | reporter | resolution | singer | street | swirling | tense | tragic | voice-over | water | water effect | wife
I Was a Communist for the FBI (1951)Underscoring (Tense)0:01:02 - Brooklyn Bridge9th chord | airport | bridge | mysterious | pc set | street | tense | transition | underscoring

I Was a Communist for the FBI (1951)

Undercover Agent (Marcia Misterioso)0:01:17 - Agent walks to the phoneagent | airport | arriving | calling | conversing | dialing | establish setting | march | mysterious | ostinato | polychord | sequence | telephone | tense | tone cluster | tritone oscillation | typewriter | typing | walking

I Was a Communist for the FBI (1951)

FBI0:02:10 - FBI buildingagent | chromatic mediant | conversing | establish setting | noble | office | oscillation | secretary | tense | triadic transformation | typing | working

I Was a Communist for the FBI (1951)

FBI (Extended)0:02:33 - Pittsburgh FBI office signagent | chromatic mediant | conversing | establish setting | noble | office | oscillation | tense | triadic transformation | typing | working

I Was a Communist for the FBI (1951)

Undercover Agent (Molto Misterioso)0:02:57 - Mason gets his assignmentagent | conversing | establish setting | map | march | mysterious | office | ostinato | planning | polychord | sequence | tense | tone cluster | tritone oscillation | working

I Was a Communist for the FBI (1951)

Communist (Pittsburgh)0:03:38 - Aerial view of Pittsburghaugmented triad | bridge | busy | chromatic parallelism | city | establish setting | factory | frantic | machinery effect | oscillation | ostinato | panning shot | sequential modulation | tense | tone cluster | train | voice-over | whistle

I Was a Communist for the FBI (1951)

Agitato Molto Misterioso0:38:32 - Matt notices that he has lost his letteradvance plot | chromatic parallelism | leading man | letter | mysterious | ostinato | pc set | polychord | reacting | room | searching | tense | undercover agent | whole-tone chord

I Was a Communist for the FBI (1951)

Undercover Agent (Ominous) + Family0:38:46 - Matt leaves his apartmentadvance plot | combination of themes | communist | dark | discovery | leading lady | letter | ominous | polychord | reacting | reading | self-borrowing | spy | street | teacher | tense | tritone oscillation

I Was a Communist for the FBI (1951)

Underscoring (Tense)0:57:39 - Communists watch apartmentcommunist | create suspense | sneaking | spy | street | tense | underscoring | walking | watching

I Was a Communist for the FBI (1951)

Down the stairs0:57:47 - Eve sneaks down the stairscommunist | create suspense | descending | leading lady | leading man | mickey-mousing | sneaking | spy | staircase | stairs | teacher | tense | undercover agent

I Was a Communist for the FBI (1951)

Underscoring (Tense)0:57:54 - Matt and Eve go down the stairscommunist | create suspense | leading lady | leading man | pc set | sneaking | spy | staircase | stairs | teacher | tense | tritone | undercover agent | underscoring

I Was a Communist for the FBI (1951)

Sneaking0:58:02 - Matt and Eve sneak awaychromatic scale | communist | create suspense | hiding | leading lady | leading man | mickey-mousing | pc set | running | sneaking | spy | staircase | stairs | teacher | tense | undercover agent

I Was a Communist for the FBI (1951)

Undercover Agent (Molto Misterioso)0:58:12 - The communists go upstairsascending | communist | create suspense | leading lady | leading man | ostinato | polychord | sequence | sneaking | spy | staircase | stairs | teacher | tense | tone cluster | tritone oscillation | undercover agent

I Was a Communist for the FBI (1951)

Turns on lights0:58:50 - Agent turns on the lightscommunist | create suspense | light | mickey-mousing | room | spy | tense | tritone | turning on

I Was a Communist for the FBI (1951)

Searching0:58:52 - The communists search the roomcommunist | create suspense | mickey-mousing | room | searching | sneaking | spy | tense

I Was a Communist for the FBI (1951)

FBI (Molto Marcato)0:59:03 - FBI man enters with a gunagent | arresting | communist | gun | leading lady | leading man | murder scene | noble | room | sneaking | spy | stinger | street | teacher | tense | undercover agent

I Was a Communist for the FBI (1951)

Undercover Agent (Tense)0:59:26 - FBI man holds gun on commie agentsacceleration | agent | arresting | communist | dark | dialing | gun | murder scene | room | spy | tense | tritone oscillation

I Was a Communist for the FBI (1951)

Jumps off stairs1:03:23 - Matt jumps off of the staircasecommunist | gun | gunshot | jumping | leading lady | leading man | mickey-mousing | shooting | shootout | shootout | spy | teacher | tense | tone cluster | train tracks | tritone | undercover agent

I Was a Communist for the FBI (1951)

Running and hiding1:03:28 - Matt runs and takes covercommunist | hiding | leading lady | leading man | mickey-mousing | running | shootout | shootout | spy | teacher | tense | train tracks | undercover agent

I Was a Communist for the FBI (1951)

Undercover Agent (Gunfight)1:03:34 - Train tracksaugmented triad | communist | dissonant bass | diving | dramatic | gun | gunshot | hiding | leading lady | leading man | mickey-mousing | minor-major 7th chord | polychord | running | shooting | shootout | shootout | spy | syncopation | teacher | tense | train tracks | tritone oscillation | undercover agent

I Was a Communist for the FBI (1951)

Running1:03:57 - Communist runscommunist | dramatic | leading lady | leading man | mickey-mousing | running | shootout | shootout | spy | teacher | tense | train tracks | undercover agent | whole-tone chord

I Was a Communist for the FBI (1951)

Commie is shot1:04:01 - Communist is shot and falls deadchromatic scale | communist | death | dramatic | dying | falling | gun | gunshot | leading lady | leading man | mickey-mousing | pc set | shooting | shootout | shootout | spy | stinger | teacher | tense | tone cluster | train tracks | undercover agent

I Was a Communist for the FBI (1951)

Undercover Agent (Risoluto)1:09:39 - FBI agents walk awayagent | interrogating | interrogation | leading man | mysterious | polychord | questioning | room | shallow focus | suspicion | tense | tritone oscillation | undercover agent

I Was a Communist for the FBI (1951)

Agitato Molto Misterioso1:10:18 - Communists interrogate Mattchromatic parallelism | chromatic scale | communist | interrogating | interrogation | leading man | mysterious | ostinato | pc set | questioning | room | shallow focus | suspicion | tense | undercover agent | whole-tone scale

I Was a Communist for the FBI (1951)

Undercover Agent1:10:36 - Communists interrogate Mattcommunist | interrogating | interrogation | leading man | mysterious | polychord | questioning | room | shallow focus | suspicion | tense | threatening | tritone oscillation | undercover agent

I Was a Communist for the FBI (1951)

Underscoring (Tense)1:10:41 - Communists interrogate Mattchromatic scale | communist | dark | interrogating | interrogation | leading man | questioning | room | shallow focus | suspicion | tense | threatening | undercover agent | underscoring

I Was a Communist for the FBI (1951)

Undercover Agent (Tuttissimo)1:10:54 - Communists interrogate Mattanger | anxiety | communist | interrogating | interrogation | leading man | questioning | shallow focus | suspicion | suspicion | tense | threatening | tritone oscillation | undercover agent

I Was a Communist for the FBI (1951)

Underscoring (Tense)1:11:00 - Communists interrogate Mattanger | communist | interrogating | interrogation | leading man | questioning | shallow focus | suspicion | suspicion | tense | threatening | undercover agent | underscoring | whole-tone chord
Illegal (1955)Underscoring (Dark)0:10:22 - Vic tries to stop the executiondark | death | execution | execution | phone call | tense | underscoring

Illegal (1955)

In a Hurry0:52:15 - Vic walks quickly through the streets with two mencrescendo | hero | rushing | tense | trills

Illegal (1955)

Underscoring (Tense)1:07:17 - Ray threatens Ellenstinger | suspense | tense | underscoring

Illegal (1955)

Ellen raises gun1:07:42 - Ellen raises gun to defend herselfgun | heroine | mickey-mousing | tense

Illegal (1955)

Underscoring (Tense)1:11:26 - Ellen is charged with murderstinger | tense | underscoring

Illegal (1955)

Underscoring (Dramatic)1:17:50 - Vic and Hinkel gather together some papersdramatic | hero | tense | underscoring
In This Our Life (1942)Stanley Introduction0:06:35 - A car arrives9th chord | arriving | car | chromatic scale | conversing | establish character | leading lady | leading man | love interest | stinger | tense

In This Our Life (1942)

Big Sweep0:12:41 - Stanley leavesaltered dominant | dramatic | establish character | leading lady | pc set | room | sister | stinger | tense | watching

In This Our Life (1942)

Stanley B (Agitato)0:15:19 - Peter replies to Royadvance plot | agitated | arguing | chromatic scale | dissonant bass | half-diminished 7th chord | leading lady | leading man | room | tense | whole-tone chord

In This Our Life (1942)

Stanley Introduction0:16:56 - Craig talks with Asa9th chord | advance plot | chromatic scale | conversing | father | fiancé | leading lady | room | tense | underscoring

In This Our Life (1942)

Stanley B (Poco Agitato)0:17:44 - Stanley packs her thingsadvance plot | agitated | chromatic sequence | fragmentation | leading lady | packing | room | tense

In This Our Life (1942)

Stanley (Packing)0:17:51 - Stanley packs her things9th chord | advance plot | agitated | appoggiatura | circle of fifths | leading lady | packing | room | tense

In This Our Life (1942)

Stanley B (Agitato)0:18:08 - Asa arrives in a caradvance plot | agitated | arriving | butler | chromatic scale | chromatic sequence | dissonant bass | father | half-diminished 7th chord | room | tense

In This Our Life (1942)

Asa (Triste)0:21:45 - Asa arrives home64 chord | arriving | common-tone diminished 7th | conflict | father | leading lady | room | solemn | somber | tense

In This Our Life (1942)

Stanley Introduction (Extended)0:36:41 - Peter goes home9th chord | arriving | car | chromatic scale | leading man | love scene | room | solemn | somber | tense

In This Our Life (1942)

Danger0:39:54 - A forest rangerconversing | danger | fire | forest ranger | leading lady | leading man | love interest | love scene | minor-major 7th chord | outdoors | tense

In This Our Life (1942)

Phone Call0:47:29 - Asa answers the phonebad news | conversing | dark | eerie | father | mysterious | pc set | phone call | room | telephone | tense | tone cluster | turning point

In This Our Life (1942)

Stanley B (Agitato)0:49:32 - Uncle Fitzroy asks about Stanleyagitated | altered dominant | arguing | chromatic scale | chromatic sequence | dissonant bass | father | leading lady | leading man | room | suicide | tense | turning point | uncle | whole-tone chord

In This Our Life (1942)

Stanley (Packing)0:52:23 - Roy at Stanley's bedside9th chord | advance plot | appoggiatura | conversing | gentle | leading lady | room | sister | tense | widow

In This Our Life (1942)

Stanley Introduction0:53:32 - Roy comforts Stanley9th chord | advance plot | chromatic scale | comforting | crying | leading lady | room | sister | tense | widow

In This Our Life (1942)

Anger1:04:56 - Stanley gets angryangry | arguing | chromatic scale | conflict | leading lady | leaving | minor-major 7th chord | pc set | room | running | tense | uncle | upset | widow | yelling

In This Our Life (1942)

Underscoring (Tense)1:05:14 - Craig in his officeadvance plot | arriving | augmented triad | lawyer | leading lady | leading man | office | pc set | pedal tone | tense | underscoring

In This Our Life (1942)

Stanley B (Slowly)1:07:19 - Stanley talks to Craigadvance plot | anxious | chromatic sequence | dissonant bass | lawyer | leading lady | leading man | manipulating | office | tense

In This Our Life (1942)

Fast Driving + Stanley1:08:53 - Stanley drivingcar | car | child | combination of themes | crime scene | criminal | driving | drunk | leading lady | mysterious | oscillation | street | tense | uneasy | victim | walking | whole-tone scale

In This Our Life (1942)

Fast Driving1:09:12 - Stanley drives awayaccident | car | car | car crash | crime scene | criminal | driving | drunk | fleeing | hit and run | leading lady | mysterious | oscillation | tense | whole-tone scale

In This Our Life (1942)

Police1:09:16 - A police car arrivesarriving | car | chromatic scale | driving | investigation scene | menacing | pedal tone | police | room | tense

In This Our Life (1942)

Underscoring (Tense)1:09:25 - Policemen approach the housearriving | chromatic parallelism | conversing | criminal | investigation scene | leading lady | mysterious | pedal tone | police | room | tense | walking | watching

In This Our Life (1942)

Stanley (Descending Staircase)1:09:49 - Policemen enter the housearriving | conversing | criminal | investigating | investigation scene | leading lady | mysterious | pc set | police | room | sneaking | tense | walking | watching

In This Our Life (1942)

Stanley Introduction (Extended 3)1:12:42 - Stanley talks with Roy9th chord | advance plot | conversing | criminal | leading lady | lying | room | tense

In This Our Life (1942)

Stanley (Molto Accell)1:15:15 - Craig talks about Stanleyanxious | conflict | conversing | defending | denying | half-diminished 7th chord | lawyer | leading lady | leading man | office | pc set | refusing | sigh gesture | tense

In This Our Life (1942)

Fast Driving (Tense)1:20:10 - Craig's car pulls up to the jailarriving | car | car | conflict | conversing | criminal | lawyer | leading lady | leading man | oscillation | pc set | street | tense | underscoring | uneasy

In This Our Life (1942)

Stanley Introduction (Extended 4)1:23:09 - Stanley and Craig leave the jail9th chord | car | conflict | criminal | lawyer | leading lady | leading man | leaving | street | tense

In This Our Life (1942)

Underscoring (Tense) + South American Way1:25:34 - Stanley reactsaccusing | climax | criminal | father | lawyer | leading lady | leading man | lying | mother | mysterious | ominous | remembered source music | remembering | room | source and scoring overlap | source music | suspect | tense | underscoring

In This Our Life (1942)

Big Sweep (Subtle)1:27:23 - Stanley reacts9th chord | climax | conversing | criminal | father | lawyer | leading lady | leading man | mother | pc set | plotting | room | suspect | tense | underscoring

In This Our Life (1942)

Fast Driving1:29:17 - Stanley driving her carcriminal | driving | escaping | leading lady | oscillation | street | tense | transition | whole-tone scale

In This Our Life (1942)

Stanley (Triste)1:29:42 - Stanley enters the house9th chord | agitated | appoggiatura | circle of fifths | criminal | leading lady | room | running | sigh gesture | somber | tense | transition | uncle

In This Our Life (1942)

Police (Chase)1:32:36 - Stanley runs for her carchromatic scale | conflict | criminal | dissonant bass | driving | fleeing | hiding | leading lady | ostinato | police | running | rushing | street | tense

In This Our Life (1942)

Stanley (Chase)1:32:59 - The police chase after Stanley9th chord | acceleration | chase scene | chasing | chromatic scale | climax | criminal | desperate | dramatic | driving | fleeing | fragmentation | leading lady | police | street | tense

In This Our Life (1942)

Stanley (Fleeing)1:33:12 - The police chase after Stanley64 chord | chase scene | chasing | chromatic mediant | climax | criminal | desperate | diminution | dramatic | driving | fleeing | leading lady | ostinato | police | sequential modulation | street | tense

In This Our Life (1942)

Underscoring (Dramatic)1:33:29 - Two other policeman see Stanleychase scene | chasing | chromatic scale | climax | criminal | dark | dramatic | driving | fleeing | half-diminished 7th chord | leading lady | pc set | police | street | tense | underscoring | watching

In This Our Life (1942)

Stanley (Crying)1:33:37 - Stanley crying in her car9th chord | appoggiatura | chase scene | chasing | climax | criminal | crying | dark | dramatic | driving | fleeing | harmonic sequence | leading lady | police | somber | street | tense

In This Our Life (1942)

Stanley + Stanley B (Rising Tension)1:33:49 - The police in hot pursuitchase scene | chasing | chromatic scale | chromatic sequence | climax | combination of themes | criminal | desperate | dissonant bass | dramatic | driving | fleeing | half-diminished 7th chord | leading lady | police | street | tense

In This Our Life (1942)

Stanley (Desperate)1:34:02 - The police in hot pursuit9th chord | chase scene | chasing | chromatic parallelism | climax | criminal | crying | desperate | dramatic | driving | fleeing | fragmentation | leading lady | police | street | tense

In This Our Life (1942)

Underscoring (Dramatic)1:34:09 - Stanley's eyes in the rear-view mirror9th chord | acceleration | chase scene | chasing | climax | criminal | crying | desperate | dissonant bass | dramatic | driving | fleeing | leading lady | pc set | police | street | tense | tone cluster | underscoring

In This Our Life (1942)

Car crash 21:34:17 - Stanley's car crashes9th chord | brash | car | car crash | chase scene | climax | crashing | criminal | dramatic | driving | dying | falling | fire | leading lady | mickey-mousing | police | street | tense

In This Our Life (1942)

Underscoring (Tense)1:35:22 - Policemen on the radioaltered dominant | calling | police | police station | reporting | resolution | room | solemn | somber | tense | underscoring
The Informer (1935)Rule, Britannia!0:02:32 - Close-up on the 20 pound reward on the posterBritish | dark | establish character | familiar tune | leading man | linear chromaticism | looking | mode change | patriotic tune | poster | source music | street | tense

The Informer (1935)

Underscoring (Tense)0:05:04 - Gypo sees the man and walks towards himestablish character | leading lady | leading man | mysterious | street | tense | underscoring | walking | whole-tone

The Informer (1935)

Running and hiding0:07:54 - Frankie runs and hides in the shadowschromatic scale | establish character | familiar tune | folk song | hero | hiding | mickey-mousing | running | soldier | street | tense

The Informer (1935)

The Wearin' o' the Green (Mysterious)0:08:57 - Frankie enters the Dunboy house to join the rebelsarriving | diminished 7th chord | dissonant bass | establish character | familiar tune | folk song | hero | Irish | leading man | mysterious | parallelism | room | street | tense

The Informer (1935)

Yankee Doodle (Fateful Decision)0:12:56 - Gypo has a vision of the wanted posterAmerican | contemplating | deciding | familiar tune | flashback | leading man | linear chromaticism | montage | mysterious | patriotic tune | pedal tone | pivotal scene | room | street | tense | vision

The Informer (1935)

Katie (Fateful Decision)0:13:48 - Gypo heads towards the British headquartersAmerican | church bell | contemplating | deciding | diminished 7th chord | familiar tune | leading man | mickey-mousing | mysterious | parallelism | patriotic tune | pedal tone | pivotal scene | police station | street | tense

The Informer (1935)

Blood Money (Extended)0:18:55 - British officer tosses money down on the tableantagonist | augmented triad | grabbing | leading man | money | mysterious | pivotal scene | police | police station | tense | tossing | tritone | whole-tone

The Informer (1935)

Blood Money (Counting Money)0:19:21 - Gypo closes the dooradvance plot | antagonist | counting | leading man | money | mysterious | street | tense | tritone

The Informer (1935)

Blood Money + Blind Man0:20:27 - Gypo looks at Frankie's poster againadvance plot | antagonist | combination of themes | leading man | looking | mysterious | poster | street | tense | whole-tone

The Informer (1935)

Blood Money (Whiskey)0:21:03 - Gypo takes his money out to pay the bartenderadvance plot | antagonist | bartender | leading man | money | mysterious | paying | pub | tense

The Informer (1935)

The Informer (Drinking)0:21:23 - Gypo takes a drinkadvance plot | antagonist | bartender | drinking | leading man | mysterious | octatonic | pub | Scotch snap | tense | tritone | whole-tone | whole-tone chord

The Informer (1935)

Blood Money (Worrying)0:21:57 - Gypo worries about what he has doneadvance plot | antagonist | augmented triad | drinking | hearing voices | leading man | mysterious | planning | pub | tense | thinking | tritone | whole-tone | worrying

The Informer (1935)

Blood Money (Four Coins)0:23:15 - Bartender puts four coins on the tableadvance plot | antagonist | augmented triad | bartender | coin | counting | half-diminished 7th chord | leading lady | leading man | mickey-mousing | money | mysterious | placing | pub | tense

The Informer (1935)

The Informer (Lying)0:23:40 - Gypo lies about where he got the moneyadvance plot | antagonist | chromatic sequence | conversing | diminished 7th chord | dissonant bass | half-diminished 7th chord | leading lady | leading man | lying | octatonic | pub | Scotch snap | tense

The Informer (1935)

Blood Money (Delicato)0:28:43 - Gypo drops four coins on the floorantagonist | augmented triad | coin | dropping | leading man | mickey-mousing | money | mourner | pivotal scene | room | staring | tense | whole-tone

The Informer (1935)

The Informer (Tense)0:29:21 - Gypo defends himselfantagonist | coin | leading man | money | mourner | mysterious | pivotal scene | room | Scotch snap | staring | tense | whole-tone | whole-tone chord

The Informer (1935)

The Informer (Walking Fast)0:30:13 - Gypo storms off down the street64 chord | advance plot | antagonist | chromatic parallelism | diminished 7th chord | hurrying | leading man | Scotch snap | street | tense | walking

The Informer (1935)

The Wearin' o' the Green (Headquarters)0:31:29 - Irish rebel headquarters64 chord | advance plot | deceptive resolution | dissonant bass | familiar tune | folk song | Irish | rebel | room | tense | waiting

The Informer (1935)

The Informer (Burning Poster) + Blood Money0:32:03 - Gypo in rebel headquartersadvance plot | antagonist | burning | combination of themes | diminished 7th chord | fire | headquarters | leading man | mickey-mousing | mysterious | octatonic | rebel | rising | room | Scotch snap | tense | tone cluster

The Informer (1935)

The Informer (Accused)0:38:40 - Rebel accuses Gypo of being the informer64 chord | advance plot | conversing | headquarters | parallelism | rebel | room | suspicion | tense

The Informer (1935)

Underscoring (Tense)0:39:05 - Rebels talk about Gypoadvance plot | conversing | half-diminished 7th chord | headquarters | rebel | room | tense | underscoring

The Informer (1935)

The Wearin' o' the Green (Bugle Call)0:39:25 - Rebels plan to watch Gypoadvance plot | conversing | familiar tune | folk song | headquarters | Irish | parallelism | rebel | room | tense

The Informer (1935)

The Irish Washerwoman (Pub) + Blood Money + The Wearin' o' the Green + The Informer0:44:52 - People celebrate in the pubadvance plot | antagonist | bar | chaotic | chromatic scale | close-up | combination of themes | crowd | dark | dissonant bass | excited | familiar tune | folk song | foreign key modulation | happy | heroic | Irish | layering | leading man | mob | mobbing | octatonic | parallelism | pedal tone | polytonality | rebel | serving | source to score | spying | tense | whole-tone | yelling | zoom in

The Informer (1935)

The Wearin' o' the Green (Somber)0:57:08 - Dan and Mary talk about the rebel organization64 chord | conversing | diminished 7th chord | familiar tune | folk song | hero | heroic | love interest | love scene | room | tense

The Informer (1935)

Underscoring (Tense)1:08:34 - Gypo accuses Peter64 chord | accusing | courtroom | courtroom scene | headquarters | mickey-mousing | room | stinger | suspect | tense

The Informer (1935)

Blood Money (Ostinato)1:17:10 - Gypo waits in his cell while the rebels draw strawsadvance plot | antagonist | dripping | escaping | gun | headquarters | leading man | mysterious | ostinato | prison | rebel | room | shooting | tense | traitor | whispering | worrying

The Informer (1935)

The Informer (Risoluto)1:20:12 - Rebels plan to catch Gypoadvance plot | arriving | headquarters | octatonic | planning | rebel | room | tense | whole-tone chord

The Informer (1935)

Underscoring (Dramatic)1:20:24 - Rebels plan how to catch Gypo9th chord | 64 chord | advance plot | bold | fanfare | headquarters | hurrying | planning | rebel | room | tense

The Informer (1935)

The Informer (Gypo Hides)1:20:38 - Gypo sees British soldiers marchingantagonist | hiding | leading man | marching | running | street | tense | traitor | transition

The Informer (1935)

Gypo runs away1:21:26 - Gypo runs and hidesagitated | antagonist | chromatic parallelism | diminished 7th chord | hiding | leading man | mickey-mousing | running | sequence | street | tense | traitor | transition

The Informer (1935)

The Informer (Up the Stairs)1:21:35 - Gypo goes up the stairs64 chord | agitated | antagonist | chromatic sequence | fragmentation | hallway | hiding | leading man | mickey-mousing | running | sequence | stairs | tense | traitor | transition | up

The Informer (1935)

Blood Money (Ostinato)1:22:00 - Gypo confesses to Katieantagonist | confessing | leading lady | leading man | love interest | love scene | money | ostinato | room | tense | traitor | whole-tone

The Informer (1935)

Katie (Allegro Appassionato)1:22:20 - Gypo talks to Katieantagonist | confessing | leading lady | leading man | love interest | love scene | room | sequence | tense | traitor

The Informer (1935)

Katie (Begging)1:24:42 - Katie pleads for Gypo64 chord | advance plot | begging | leading lady | love interest | rebel | room | sequence | serious | tense

The Informer (1935)

Begging1:25:13 - Katie pleads for Gypoadvance plot | begging | diminished 7th chord | dissonant bass | leading lady | love interest | pedal tone | rebel | room | sequence | serious | tense

The Informer (1935)

The Informer (Sympathetic)1:26:35 - Katie tells Dan where Gypo isadvance plot | eavesdropping | leading lady | love interest | main theme | rebel | room | spying | tense

The Informer (1935)

Begging 21:26:41 - Katie begs for Gypo's lifeadvance plot | anxiety | begging | chromatic scale | despair | leading lady | love interest | rebel | room | sequence | tense

The Informer (1935)

Katie (Furioso)1:26:55 - Katie becomes desperateadvance plot | anxiety | begging | chromatic parallelism | despair | dissonant bass | fragmentation | leading lady | love interest | rebel | room | sentence form | sequence | tense | whole-tone chord

The Informer (1935)

Blood Money (Ostinato)1:27:32 - Rebels come to capture Gypoantagonist | climax | leading man | mysterious | ostinato | rebel | room | sneaking | tense | traitor | whispering

The Informer (1935)

The Escape (The Fight)1:28:25 - Rebels shoot through the doorantagonist | augmented triad | chromatic parallelism | chromatic scale | climax | down | dramatic | escaping | falling | fighting | leading man | linear chromaticism | mickey-mousing | rebel | room | running | tense | traitor | whole-tone

The Informer (1935)

Blood Money (Tuttissimo)1:28:53 - Gypo stumbles into a churchantagonist | church | climax | dirge | dissonant bass | dominant pedal | dying | half-diminished 7th chord | leading man | mysterious | street | stumbling | tense | traitor | walking | whole-tone | whole-tone chord
Key Largo (1948)The Bus0:01:26 - The bus is pulled overagitated | bus | car | establish setting | police | street | tense | traveling

Key Largo (1948)

Bus Stops0:01:42 - The bus stopsbus | car | establish setting | police | stopping | street | tense

Key Largo (1948)

Largo Hotel0:02:34 - Frank arrives at the Largo hotelbus | establish setting | hotel | mode change | peaceful | stopping | tense

Key Largo (1948)

Largo Hotel (Quasi Misterioso)0:11:00 - Frank and Nora talk in the hotelconversing | establish character | hotel | leading lady | leading man | mysterious | tense

Key Largo (1948)

McCloud (Tense)0:14:56 - Nora and Frank talk about Georgeadvance plot | agitated | death | father | hotel | leading lady | leading man | memory | mode change | remembering | storytelling | tense | war

Key Largo (1948)

Wind0:18:21 - Frank helps prepare for the stormconversing | dock | falling in love scene | gangster | leading lady | leading man | storm | tense | wind

Key Largo (1948)

Tosses rope0:18:32 - Frank tosses the rope to Noradock | falling in love scene | leading lady | leading man | mickey-mousing | rope | tense | throwing

Key Largo (1948)

Rocco (Tense)0:26:13 - Curly talks with Roccoboss | conversing | dressing | establish character | gangster | hotel | tense | tremolo

Key Largo (1948)

Underscoring (Dramatic)0:33:17 - Mr. Temple rises to attack Roccoangry | arguing | attacking | boss | conflict | dramatic | father | gangster | hostage | hotel | laughing | leading lady | leading man | tense | underscoring

Key Largo (1948)

Falling0:33:38 - Mr. Temple falls to the groundangry | boss | conflict | dramatic | falling | father | gangster | hostage | hotel | landing | leading lady | leading man | mickey-mousing | tense

Key Largo (1948)

Underscoring (Dramatic)0:33:43 - Nora rises to attack Roccoangry | attacking | boss | conflict | dramatic | father | gangster | hitting | horror | hostage | hotel | kissing | leading lady | leading man | tense | underscoring | violence

Key Largo (1948)

Rocco 30:39:45 - Rocco looks at Noraboss | conflict | creepy | father | gangster | hostage | hotel | leading lady | leading man | mysterious | tense | watching

Key Largo (1948)

Rocco Whispers0:39:53 - Rocco whispers to Noraboss | conflict | creepy | father | gangster | hostage | hotel | leading lady | leading man | mickey-mousing | mysterious | tense | whisper effect | whispering

Key Largo (1948)

Rocco 30:40:06 - Rocco follows Noraboss | conflict | creepy | father | following | gangster | hostage | hotel | leading lady | leading man | mysterious | tense

Key Largo (1948)

Rocco Whispers0:40:10 - Rocco whispers to Noraboss | conflict | creepy | father | gangster | hostage | hotel | leading lady | leading man | mickey-mousing | mysterious | tense | whisper effect | whispering

Key Largo (1948)

Underscoring (Tense)0:46:30 - Rocco tells McCloud to shoot himboss | conflict | conversing | father | gangster | hostage | hotel | leading lady | leading man | moll | tense | underscoring

Key Largo (1948)

Rocco 3 (Shrill)0:46:38 - Rocco mocks McCloudboss | conflict | dangerous | father | gangster | gun | hostage | hotel | leading lady | leading man | moll | tense | threatening

Key Largo (1948)

Tension (Violent)0:46:44 - McCloud decides whether to shootboss | conflict | dangerous | father | gangster | gun | hostage | hotel | leading lady | leading man | moll | tense | threatening | violence | violent

Key Largo (1948)

Rocco + Tension0:46:48 - Rocco's grinning faceboss | combination of themes | conflict | dangerous | father | gangster | gun | hostage | hotel | leading lady | leading man | moll | staring | tense | threatening | violence | violent

Key Largo (1948)

Rocco 3 + Tension + Laughing0:46:53 - Gangsters laugh at McCloudboss | combination of themes | conflict | dangerous | father | gangster | gun | hostage | hotel | laughing | leading lady | leading man | mocking | moll | tense | violence | violent

Key Largo (1948)

Tosses gun0:47:06 - McCloud tosses the gun onto a chairboss | conflict | father | gangster | gun | hostage | hotel | leading lady | leading man | mickey-mousing | moll | tense | tossing | violence

Key Largo (1948)

Rocco 3 (Extended)0:47:08 - Mr. Temple asks for the gunboss | conflict | dangerous | father | gangster | gun | hostage | hotel | leading lady | leading man | moll | staring | tense | threatening | violence | violent

Key Largo (1948)

Scrambling0:47:31 - Deputy runs for the gun boss | conflict | dangerous | father | gangster | gun | hostage | hotel | leading lady | leading man | mickey-mousing | moll | running | scrambling | tense | violent

Key Largo (1948)

Underscoring (Dramatic)0:48:10 - Rocco shoots Deputy Sawyerboss | conflict | death | dramatic | father | fear | gangster | gun | gunshot | horror | hostage | hotel | leading lady | leading man | look of horror | moll | shooting | stinger | tense

Key Largo (1948)

Falling and dying0:48:19 - Deputy Sawyer falls dead off-screenboss | conflict | death | dramatic | dying | falling | father | gangster | gun | gunshot | hostage | hotel | leading lady | leading man | mickey-mousing | moll | tense

Key Largo (1948)

Ominous0:51:32 - Lights begin to go out in the hotelboss | conversing | dark | develop character | father | gangster | hostage | hotel | leading lady | leading man | menacing | moll | ominous | preparing | storm | tense

Key Largo (1948)

Moanin’ Low (Tense)0:59:24 - Gaye takes a drinkalcohol | boss | develop character | drinking | familiar tune | father | gangster | hostage | hotel | leading lady | leading man | moll | slapping | tense | whole-tone

Key Largo (1948)

Underscoring (Tense)0:59:37 - McCloud and Gaye exchange glancesboss | develop character | father | gangster | hostage | hotel | leading lady | leading man | moll | staring | tense | underscoring

Key Largo (1948)

Storm1:06:07 - Tree crashes through windowbeach | blowing | crashing | dramatic | hurricane | raining | storm | storm scene | tense

Key Largo (1948)

Tree falls1:06:28 - Stormy weather outsidebeach | dramatic | falling | hurricane | mickey-mousing | storm | storm scene | tense | tree

Key Largo (1948)

Shelter in the Storm1:06:41 - Storm continues outsidebeach | blowing | crashing | dramatic | hurricane | Indian | raining | sheltering | storm | storm scene | tense

Key Largo (1948)

Storm Subsides1:07:15 - Storm starts to die downbeach | blowing | calming | dramatic | hurricane | raining | storm | storm scene | tense

Key Largo (1948)

Rocco (Agitato)1:08:53 - Gangsters see that their boat is missingadvance plot | angry | announcing | boss | danger | discovering | gangster | hotel | stinger | tense | violent

Key Largo (1948)

Sheriff Leaves1:13:51 - Rocco waits for the sheriff to leaveboss | conflict | deception | gangster | hotel | leaving | nervous | police | tense

Key Largo (1948)

Underscoring (Dramatic)1:14:48 - Sheriff finds out that it is Sawyerconflict | corpse | discovering | dramatic | hotel | murder | realizing | sheriff | tense | underscoring

Key Largo (1948)

Rocco (Tense)1:15:03 - Rocco claims the Indians murdered Sawyerangry | boss | conflict | dock | gangster | lying | murder | police | tense | violent

Key Largo (1948)

Underscoring (Tense)1:15:37 - Sheriff approaches Indiansconflict | dock | Indian | searching | sheriff | tense | underscoring

Key Largo (1948)

Rocco 2 (Setup)1:15:43 - Indians run from the sheriffconflict | death | dock | fleeing | gun | gunshot | menacing | running | setup | sheriff | shooting | tense | violent

Key Largo (1948)

Underscoring (Tense)1:16:54 - Close-ups on McCloud and Roccoboss | gangster | hotel | investigation scene | leading man | staring | tense | underscoring

Key Largo (1948)

Rocco1:17:15 - Sheriff questions Roccoboss | gangster | hotel | investigation scene | menacing | police | questioning | tense

Key Largo (1948)

Rocco 3 (Tense)1:17:52 - Sheriff questions gangstergangster | hotel | investigation scene | police | questioning | tense

Key Largo (1948)

Underscoring (Tense)1:18:21 - Sheriff leavesboss | gangster | hotel | investigation scene | police | questioning | tense | underscoring

Key Largo (1948)

Rocco 21:18:34 - The policemen takes Sawyer's bodyboss | gangster | hotel | investigation scene | menacing | police | tense | violent | watching

Key Largo (1948)

Underscoring (Tense)1:18:47 - They all walk to another roomboss | father | gangster | hostage | hotel | investigation scene | leading lady | leading man | moll | obeying | tense | underscoring

Key Largo (1948)

Rocco (Tense)1:19:02 - Rocco welcomes new gangstersboss | conversing | friend | gangster | greeting | hotel | investigation scene | laughing | tense | underscoring

Key Largo (1948)

Underscoring (Tense)1:20:19 - Rocco speaks with Ziggyadvance plot | boss | gangster | giving | hotel | tense | underscoring

Key Largo (1948)

Rocco (Heavily)1:21:28 - Gangsters handle the counterfeit moneyadvance plot | brash | gangster | hotel | money | observing | tense | villain

Key Largo (1948)

Rocco 31:24:03 - Rocco approaches Noraadvance plot | boss | conversing | father | gangster | hotel | tense | violent

Key Largo (1948)

Rocco Whispers1:24:08 - Rocco whispers in Nora's earadvance plot | boss | gangster | hotel | leading lady | mysterious | tense | whisper effect | whispering

Key Largo (1948)

Walking1:24:21 - Gangsters go down the stairsadvance plot | gangster | hotel | mickey-mousing | tense | walking

Key Largo (1948)

Rocco (Packing Up)1:24:28 - Gangsters pack up their thingsadvance plot | boss | gangster | hotel | leaving | packing | preparing | tense

Key Largo (1948)

Underscoring (Tense)1:24:37 - Gaye watches Roccoadvance plot | boss | gangster | hotel | leaving | mysterious | packing | preparing | tense | underscoring

Key Largo (1948)

Moanin’ Low (Ominous)1:25:21 - Gaye hands Rocco's gun to McCloudadvance plot | boss | deceiving | deception | familiar tune | gangster | gun | hotel | moll | ominous | tense

Key Largo (1948)

Rocco (Tense)1:25:49 - Gangsters leave to board the boatadvance plot | boss | dock | father | gangster | hostage | leading lady | leading man | moll | tense | walking

Key Largo (1948)

Hurrying1:26:02 - Gangsters walk to the boatadvance plot | boss | dock | father | gangster | hostage | hurrying | leading lady | leading man | mickey-mousing | moll | tense | walking

Key Largo (1948)

Underscoring (Dramatic)1:26:10 - Gangsters board the boat with McCloudadvance plot | boarding | boss | dock | dramatic | gangster | hostage | leading lady | leading man | moll | storm | tense | underscoring | wind

Key Largo (1948)

Tension (The Boat)1:26:31 - McCloud tries to start the boatadvance plot | boat | boat | boss | dramatic | gangster | hostage | leading man | leaving | motor | sputtering | starting | stinger | tense

Key Largo (1948)

Rocco exits1:35:14 - Rocco exitsboat | boss | conflict | dramatic | exiting | gangster | gun | gunshot | leading man | mickey-mousing | shooting | tense

Key Largo (1948)

Rocco's Death1:35:17 - Rocco fallsboat | boss | conflict | death | dramatic | dying | falling | gangster | gun | gunshot | leading man | mickey-mousing | shooting | stinger | tense

Key Largo (1948)

Climbing down1:35:31 - McCloud climbs downboat | climbing | conflict | descending | leading man | mickey-mousing | mysterious | tense

Key Largo (1948)

Tension (The Boat 2)1:35:44 - McCloud steers the boatboat | conflict | hopeful | leading man | steering | tense
The Letter (1940)Letter0:00:08 - Bette Davismain title | opening title sequence | starring list | tense | yearning

The Letter (1940)

Leslie0:00:11 - The Letter9th chord | changing meter | main title | minor-major 7th chord | opening title sequence | oscillation | sequence | suspension | tense | title of film

The Letter (1940)

Leslie (Rubato)0:00:44 - Cast list9th chord | cast list | changing meter | main title | minor-major 7th chord | opening title sequence | oscillation | sequence | sequential modulation | suspension | tense

The Letter (1940)

Leslie (Revolver)0:03:43 - A pistol lies on the stepschanging meter | conversing | foreign key modulation | fragmentation | gun | harmonic sequence | home | leading lady | murderer | murder scene | oscillation | sequential modulation | servant | tense

The Letter (1940)

Native 20:04:12 - Leslie talks to the workersconversing | home | leading lady | murderer | murder scene | open fifth | pentatonic | servant | stinger | tense | underscoring

The Letter (1940)

Runners0:05:14 - Workers run through jungleaction scene | chromatic parallelism | dramatic | heroic | jungle | running | sequential modulation | servant | tense

The Letter (1940)

Underscoring (Tense)0:06:21 - Robert goes in the housearriving | chromatic scale | diminished 7th chord | home | husband | tense | transition | underscoring

The Letter (1940)

Underscoring (Tense)0:12:42 - Leslie gets upadvance plot | home | leading lady | recounting | tense | underscoring | whole-tone | whole-tone chord

The Letter (1940)

Leslie (The Story)0:13:14 - Leslie gives her storyadvance plot | changing meter | home | leading lady | lying | oscillation | recounting | tense | whole-tone chord

The Letter (1940)

Leslie (Risoluto)0:14:07 - Leslie continues her storyadvance plot | augmented triad | chromatic parallelism | dramatic | fragmentation | home | leading lady | pc set | polychord | recounting | sequence | tense

The Letter (1940)

Leslie (Tragic)0:14:31 - The scene of the crimeadvance plot | changing meter | composer reference | dramatic | home | leading lady | oscillation | point of view | recounting | sequence | sequential modulation | suspension | tense

The Letter (1940)

Murder0:18:36 - Leslie reacts to the mention of murderadvance plot | eating | home | leading lady | major 7th chord | murder | mysterious | oscillation | stinger | tense

The Letter (1940)

Leslie (The Story)0:22:26 - Leslie speaks with Howardadvance plot | changing meter | home | lawyer | leading lady | lying | oscillation | recounting | tense | whole-tone | whole-tone chord

The Letter (1940)

Leslie (Ominous)0:22:58 - The site of the murderadvance plot | augmentation | call and response | Chinese | dramatic | leading lady | leaving | mysterious | plantation | reveal | shadow | spying | stinger | tense | watching | widow

The Letter (1940)

Leslie (Mysterioso)0:30:04 - Howard in his officeadvance plot | augmented major 7th chord | lawyer | mysterious | office | oscillation | pc set | quartal chord | suspension | tense | thinking

The Letter (1940)

Leslie B (Screwyoso 2)0:30:23 - Howard grabs the letteradvance plot | lawyer | letter | mysterious | office | sequence | tense | thinking

The Letter (1940)

Waiting0:31:24 - Howard waits for Leslieadvance plot | lawyer | pacing | prison | tense | waiting | whole-tone chord

The Letter (1940)

Leslie (Tense)0:34:20 - Howard tells Leslie about the letter9th chord | altered dominant | chromatic parallelism | conversing | lawyer | leading lady | letter | pivotal scene | prison | sequence | suspenseful | tense

The Letter (1940)

Deception0:34:35 - Leslie lies about the letterchromatic scale | deception | lawyer | leading lady | letter | lying | pc set | pivotal scene | prison | tense

The Letter (1940)

Leslie (Rising) + Deception0:34:47 - Howard gives Leslie the letteraltered dominant | augmented triad | chromatic parallelism | combination of themes | deception | denying | lawyer | leading lady | letter | lying | oscillation | ostinato | pc set | pivotal scene | prison | reading | sequence | tense

The Letter (1940)

Leslie (Risoluto)0:35:11 - Leslie reacts angrily to the letterarguing | augmented triad | chromatic parallelism | deception | fragmentation | lawyer | leading lady | letter | lying | oscillation | pc set | pivotal scene | polychord | prison | sequence | tense

The Letter (1940)

Denial0:35:39 - Leslie denies writing the letteraugmented triad | chromatic parallelism | deception | lawyer | leading lady | letter | lying | pivotal scene | prison | tense

The Letter (1940)

Letter (Agitato)0:36:08 - Leslie talks to Howarddeception | lawyer | leading lady | letter | lying | pc set | pivotal scene | prison | sequence | tense

The Letter (1940)

Letter (Frantic)0:36:16 - Leslie admits to writing the letterchromatic sequence | deception | lawyer | leading lady | letter | lying | pivotal scene | prison | sequence | tense

The Letter (1940)

Underscoring (Tense)0:36:22 - Leslie explains why she wrote the letterdeception | lawyer | leading lady | letter | lying | pivotal scene | prison | tense | whole-tone chord

The Letter (1940)

Leslie (The Story)0:36:42 - Leslie lies to Howardchanging meter | deception | lawyer | leading lady | letter | lying | oscillation | pivotal scene | prison | tense | whole-tone chord

The Letter (1940)

Underscoring (Tense)0:36:53 - Howard takes out the letterdeception | denying | lawyer | leading lady | letter | ominous | pivotal scene | prison | tense | tritone | tritone | whole-tone | whole-tone chord

The Letter (1940)

Leslie (Risoluto)0:37:07 - Howard reads the letter to Leslieanxious | augmented triad | buildup | chromatic parallelism | fearful | fragmentation | lawyer | leading lady | letter | oscillation | pc set | pivotal scene | polychord | prison | reading | sequence | tense

The Letter (1940)

Leslie (Tragic)0:37:21 - Howard talks to Leslieanxious | changing meter | climax | conversing | fearful | lawyer | leading lady | letter | oscillation | pivotal scene | prison | sequence | sequential modulation | suspension | tense

The Letter (1940)

Leslie B (Screwyoso)0:37:34 - Howard talks to Leslieanxious | chromatic sequence | conversing | fearful | lawyer | leading lady | letter | pivotal scene | prison | sequence | tense

The Letter (1940)

Leslie (Shimmery 3)0:37:54 - Howard talks to Leslieanxious | conversing | fearful | lawyer | leading lady | letter | oscillation | pivotal scene | prison | sequence | sequential modulation | stinger | suspension | tense

The Letter (1940)

Collapse0:38:20 - Leslie collapsesanxious | collapsing | fainting | falling | fearful | half-diminished 7th chord | lawyer | leading lady | letter | mickey-mousing | pivotal scene | prison | suspension | tense

The Letter (1940)

Leslie B (Con Moto)0:39:25 - Leslie asks Howard about the letteradvance plot | conversing | hospital | lawyer | leading lady | letter | sequence | tense

The Letter (1940)

Leslie (Plotting)0:39:32 - Howard and Leslie plot their next move9th chord | advance plot | buildup | changing meter | chromatic sequence | fragmentation | hospital | lawyer | leading lady | letter | minor-major 7th chord | ominous | oscillation | plotting | tense

The Letter (1940)

Law Office (The Plea)0:40:00 - Howard asks Leslie to be honest9th chord | advance plot | anxious | artwork in score | chromatic sequence | conversing | hospital | lawyer | leading lady | letter | refusing | tense

The Letter (1940)

Leslie (Despair)0:40:33 - Leslie despairsadvance plot | anxious | changing meter | conversing | despair | dissonant bass | hospital | lawyer | leading lady | letter | oscillation | sequence | tense

The Letter (1940)

Leslie (Rising) + Deception0:40:57 - Leslie talks to Howardadvance plot | angry | augmented triad | chromatic parallelism | combination of themes | conversing | deception | hospital | lawyer | leading lady | letter | sequence | staring | tense

The Letter (1940)

Leslie (Uneasy)0:49:41 - They discuss the trialdinner | home | husband | lawyer | leading lady | oscillation | pc set | planning | tense | tone cluster | trial | whole-tone chord

The Letter (1940)

Leslie B (Ethereal)0:52:33 - Howard and Leslie talkadvance plot | chromatic sequence | conversing | home | lawyer | leading lady | sequence | tense

The Letter (1940)

Leslie (Tragic)0:52:55 - Howard and Leslie talkadvance plot | changing meter | conversing | home | lawyer | leading lady | oscillation | sequence | sequential modulation | suspension | tense

The Letter (1940)

Leslie B0:53:10 - Howard and Leslie talkadvance plot | conversing | home | lawyer | leading lady | sequence | tense

The Letter (1940)

Leslie (Screwyoso)0:53:35 - Howard and Leslie walk awaylawyer | leading lady | leaving | oscillation | plantation | sequence | tense | transition

The Letter (1940)

Chinese Shop0:55:30 - Howard and Leslie look aroundantagonist | Chinatown | Chinese | Chinese | exotic | exoticism | lawyer | layering | leading lady | Lydian mode | mirroring | mysterious | open fifth | parallel fifths | parallelism | polytonality | quintal chord | tense | transition | waiting | walking

The Letter (1940)

Mrs. Hammond (Mysterioso)0:56:29 - Howard and Leslie wait in the shopantagonist | Chinatown | Chinese | Chinese | exotic | lawyer | leading lady | mysterious | open fifth | parallel fifths | parallelism | pedal tone | pentatonic | shop | tense | transition | waiting

The Letter (1940)

Mrs. Hammond (Dagger)0:57:04 - Leslie looks at a Chinese daggerantagonist | Chinatown | Chinese | Chinese | dagger | exotic | lawyer | leading lady | mysterious | open fifth | parallel fifths | parallelism | pedal tone | pentatonic | polytonality | shop | tense | transition | waiting

The Letter (1940)

Glass Curtains0:59:08 - Mrs. Hammond enters through the glass curtainantagonist | Chinatown | Chinese | chromatic scale | conflict | curtain | entering | glass | lawyer | layering | leading lady | mirroring | mysterious | ostinato | parallelism | pc set | polyrhythm | shop | staring | tense | tinkling | tone cluster | waiting | whole-tone | whole-tone chord

The Letter (1940)

Mrs. Hammond + Glass Curtains1:00:13 - Leslie faces Mrs. Hammondantagonist | Chinatown | Chinese | Chinese | chromatic scale | combination of themes | conflict | conversing | curtain | glass | lawyer | layering | leading lady | mirroring | mysterious | ostinato | parallelism | paying | pc set | pentatonic | polyrhythm | shop | staring | tense | tinkling | tone cluster | waiting | whole-tone | whole-tone chord

The Letter (1940)

Leslie + Glass Curtains1:01:27 - Leslie removes her shawlantagonist | Chinatown | Chinese | Chinese | chromatic scale | combination of themes | conflict | conversing | curtain | glass | lawyer | layering | leading lady | mirroring | mysterious | oscillation | ostinato | parallelism | pc set | polyrhythm | sequence | shop | staring | tense | tinkling | tone cluster | waiting | whole-tone | whole-tone chord

The Letter (1940)

Leslie B + Glass Curtains1:01:57 - Leslie approaches Mrs. Hammondantagonist | Chinatown | Chinese | chromatic scale | combination of themes | conflict | confronting | curtain | glass | lawyer | layering | leading lady | mirroring | mysterious | ostinato | parallelism | pc set | polyrhythm | sequence | shop | staring | tense | tinkling | tone cluster | walking | whole-tone | whole-tone chord

The Letter (1940)

Glass Curtains1:02:21 - Leslie faces Mr. Hammondantagonist | Chinatown | Chinese | chromatic scale | conflict | confronting | curtain | glass | lawyer | layering | leading lady | mirroring | mysterious | ostinato | parallelism | pc set | polyrhythm | shop | staring | tense | tinkling | tone cluster | whole-tone | whole-tone chord

The Letter (1940)

Mrs. Hammond (Contempt) + Glass Curtains1:02:40 - Leslie stoops down to pick up the letterantagonist | Chinatown | Chinese | Chinese | chromatic scale | combination of themes | conflict | confronting | contempt | curtain | glass | lawyer | layering | leading lady | mirroring | mysterious | ostinato | parallelism | pc set | pentatonic | polyrhythm | shop | staring | stooping | tense | tinkling | tone cluster | whole-tone | whole-tone chord

The Letter (1940)

Leslie B (Dark) + Glass Curtains1:02:50 - Leslie looks at the letterantagonist | Chinatown | Chinese | chromatic scale | combination of themes | conflict | confronting | curtain | dark | glass | lawyer | layering | leading lady | mirroring | mysterious | ostinato | parallelism | pc set | polyrhythm | sequence | shop | staring | tense | tinkling | tone cluster | whole-tone | whole-tone chord

The Letter (1940)

Leslie (Restless)1:14:42 - Robert asks about the letterarguing | conflict | fragmentation | home | husband | lawyer | leading lady | lying | major 7th chord | sequence | tense

The Letter (1940)

Leslie (Wild)1:14:57 - Robert waits for a response9th chord | arguing | augmented major 7th chord | chromatic parallelism | conflict | distress | fragmentation | home | husband | lawyer | leading lady | lying | sequence | tense

The Letter (1940)

Distress1:15:08 - Robert confronts the lawyer9th chord | arguing | conflict | dissonant bass | distress | home | husband | lawyer | leading lady | tense

The Letter (1940)

Leslie (Molto Agitato)1:15:28 - Robert argues with Lesliearguing | chromatic parallelism | conflict | distress | home | husband | lawyer | leading lady | oscillation | pc set | sequence | tense

The Letter (1940)

Underscoring (Dramatic)1:15:45 - Robert asks to see the letterarguing | augmented triad | conflict | diminished 7th chord | dramatic | home | husband | lawyer | leading lady | letter | pc set | sequence | tense | underscoring

The Letter (1940)

Robert and Leslie (Tragic)1:16:14 - Leslie tells Howard to give Robert the letterconflict | home | husband | lawyer | leading lady | letter | love theme | reading | somber | tense

The Letter (1940)

Leslie (Rising) + Deception1:17:52 - Leslie confesses to Robertaugmented triad | chromatic parallelism | combination of themes | confessing | conflict | dramatic | home | husband | lawyer | leading lady | letter | oscillation | ostinato | recounting | sequence | tense

The Letter (1940)

Mrs. Hammond + Foxtrot No. 1 B1:21:15 - Leslie looks aroundadvance plot | Chinese | combination of themes | dagger | dance music | foxtrot | home | leading lady | looking | mysterious | open fifth | parallel fifths | pentatonic | polymeter | polytonality | source music | tense

The Letter (1940)

Leslie + Foxtrot No. 31:25:08 - Leslie looks out the windowadded-note chord | climax | combination of themes | common-chord modulation | dance music | foreign key modulation | foxtrot | home | lacework | leading lady | obsession | obsessive | oscillation | sequence | source music | tense | thinking

The Letter (1940)

Leslie (Ethereal)1:26:36 - Leslie and Robert look at each otherclimax | home | husband | leading lady | oscillation | pc set | pedal tone | staring | tense

The Letter (1940)

Underscoring (Tense)1:26:52 - Leslie talks to Robertclimax | conversing | home | husband | leading lady | staring | tense | underscoring

The Letter (1940)

Robert and Leslie (Tense)1:27:06 - Leslie talks to Robertchromatic mediant | climax | conversing | gentle | home | husband | leading lady | love theme | Neapolitan | suspension | tender | tense

The Letter (1940)

Deception (Lohengreenish)1:28:01 - Leslie reacts to Robert's forgivenesschromatic mediant | climax | conversing | diminished 7th chord | dissonant bass | home | husband | kissing | leading lady | ostinato | retardation | romantic | sequence | suspension | tense

The Letter (1940)

Policeman1:33:31 - A policeman comes to investigateantagonist | Chinese | climax | investigating | plantation | policeman | tense
Lightning Strikes Twice (1951)Trev (Screwy)0:18:19 - Trev hands a candle to Shellyactor | candle | conversing | establish character | leading lady | leading man | mysterious | room | suspect | tense | uneasy

Lightning Strikes Twice (1951)

Shelly (Concerned)0:18:30 - Shelly looks at Trevactor | candle | concerned | conversing | establish character | leading lady | leading man | room | suspect | tense | thinking

Lightning Strikes Twice (1951)

Fear0:19:42 - Shelly lies down in the darkactor | darkness | establish character | fear | leading lady | leading man | listening | room | suspect | tense | thinking

Lightning Strikes Twice (1951)

Shelly and TrevNIF - not in filmactor | blowing | candle | cut from film | establish character | leading lady | leading man | light | room | suspect | tense | turning off

Lightning Strikes Twice (1951)

Molto Agitato0:32:50 - String gets angryactor | anger | arguing | brother | conflict | dramatic | leading lady | priest | rancher | room | tense

Lightning Strikes Twice (1951)

Menace (Poco Meno)0:33:06 - String arguesactor | anger | arguing | brother | conflict | leading lady | priest | rancher | room | tense

Lightning Strikes Twice (1951)

Anger0:33:15 - String gets angryactor | anger | arguing | brother | conflict | crying | dramatic | leading lady | priest | rancher | room | tense | yelling

Lightning Strikes Twice (1951)

Father Paul0:33:25 - Liza comforts Stringactor | anger | brother | comforting | conflict | crying | dark | leading lady | priest | rancher | room | somber | tense

Lightning Strikes Twice (1951)

Fear (Vertigo)0:42:57 - Shelly talks with Trevactor | cliff | conversing | countryside | danger | falling in love scene | fear | heights | leading lady | leading man | love interest | suspect | tense | underscoring

Lightning Strikes Twice (1951)

Shelly (Expressivo) + Shelly 2 (Expressivo)0:43:13 - Shelly talks with Trevactor | calm | cliff | combination of themes | conversing | countryside | falling in love scene | leading lady | leading man | love interest | romance | suspect | tense

Lightning Strikes Twice (1951)

Underscoring (Tense)0:44:51 - Shelly talks with Trevactor | cliff | conversing | countryside | falling in love scene | leading lady | leading man | love interest | suspect | suspenseful | tense | underscoring

Lightning Strikes Twice (1951)

Fear0:46:12 - Shelly is scared and can't moveactor | cliff | clinging | countryside | dark | falling in love scene | fear | heights | leading lady | leading man | love interest | suspect | tense

Lightning Strikes Twice (1951)

Trev (Triste 2)0:46:33 - Trev climbs to help Shellyactor | cliff | climbing | countryside | danger | falling in love scene | helping | heroic | leading lady | leading man | love interest | rescue | rescuing | romantic | somber | suspect | tense

Lightning Strikes Twice (1951)

Rescue0:47:42 - Trev rescues Shellyactor | cliff | climbing | countryside | dramatic | falling in love scene | helping | leading lady | leading man | love interest | rescue | rescuing | suspect | tense | triumphant

Lightning Strikes Twice (1951)

Menace (Molto Misterioso)0:50:38 - Liza leaves the roomactor | car | leading lady | leaving | luggage | mysterious | packing | ranch | rancher | somber | tense | transition

Lightning Strikes Twice (1951)

Underscoring (Dark)1:02:38 - Harvey drivesactor | arriving | car | conflict | danger | dark | driving | friend | leading lady | love interest | ranch | stopping | tense | underscoring

Lightning Strikes Twice (1951)

Shelly (Worried)1:03:05 - Harvey gets out of the caractor | arriving | car | concerned | conflict | conversing | dark | friend | leading lady | love interest | ranch | tense | worried

Lightning Strikes Twice (1951)

Menace (Nightmare)1:05:38 - Trev tells Shelly of a recurring dreamactor | comforting | conversing | crying | dark | leading lady | leading man | love interest | love scene | ranch | solemn | suspect | tense

Lightning Strikes Twice (1951)

Shelly and Trev (Misterioso)1:09:40 - Shelly and Myra talkactor | advance plot | conversing | leading lady | mother | mysterious | owner | room | tense

Lightning Strikes Twice (1951)

Allargando1:10:03 - Shelly learns that Liza loves Trevactor | advance plot | concerned | conversing | dark | leading lady | mother | owner | room | tense

Lightning Strikes Twice (1951)

Pulls doorknob1:16:03 - Shelly pulls off the doorknobactor | danger | doorknob | husband | leading lady | leading man | love scene | mickey-mousing | mysterious | pulling | room | suspect | suspicion | tense

Lightning Strikes Twice (1951)

Menace (Expressivo)1:18:00 - Shelly is worriedactor | concern | danger | hearing voices | leading lady | mad scene | room | tense | worried | worrying

Lightning Strikes Twice (1951)

Mournful1:18:16 - Shelly is worriedactor | concern | cut from film | danger | hearing voices | leading lady | mad scene | room | tense | worried | worrying

Lightning Strikes Twice (1951)

Spider1:18:41 - Trev hits a spideractor | bug effect | fear | hitting | husband | leading lady | leading man | mad scene | room | running | scurrying | spider | suspect | tense

Lightning Strikes Twice (1951)

Menace (Poco Meno)1:21:41 - String calms downbrother | conversing | danger | murderer | rancher | room | tense | thematic transference | turning point

Lightning Strikes Twice (1951)

Anger (Extended)1:21:51 - String plans to leavebrother | conversing | murderer | plotting | rancher | room | tense | turning point | underscoring

Lightning Strikes Twice (1951)

Shelly (Molto Agitato)NIF - not in filmactor | agitated | arriving | car | cut from film | dark | driving | leading lady | ranch | tense | turning point

Lightning Strikes Twice (1951)

Menace (Tense)1:22:36 - Liza wanders through the househeadlights | murderer | rancher | room | tense | thinking | turning point | uneasy | wandering

Lightning Strikes Twice (1951)

Escape1:26:51 - Liza runs awayactor | brother | chasing | climax | dark | escaping | friend | husband | leading lady | leading man | murderer | ranch | rancher | room | tense

Lightning Strikes Twice (1951)

Trev runs1:27:01 - Trev runs after Lizachasing | climax | dramatic | husband | leading man | mickey-mousing | murderer | ranch | rancher | running | tense

Lightning Strikes Twice (1951)

Escape (Getaway)1:27:08 - Trev runs back insideactor | brother | chasing | climax | dramatic | escaping | friend | husband | leading lady | leading man | murderer | ranch | rancher | room | tense

Lightning Strikes Twice (1951)

Menace (The Chase)1:27:42 - Liza and String drive awaybrother | car | chasing | climax | countryside | dramatic | driving | escaping | frantic | motorcycle | murderer | police | rancher | speeding | tense

Lightning Strikes Twice (1951)

Menace (The Crash)1:28:30 - Liza drives off the hillbrother | car | car crash | climax | countryside | crashing | death | dramatic | dying | murderer | police | rancher | tense
Mildred Pierce (1945)Transition0:00:10 - Starring list and wave effect9th chord | bold | chromatic scale | dissonant bass | fanfare | mickey-mousing | opening title sequence | tense | title of film | water | wave

Mildred Pierce (1945)

Murdered Man0:10:06 - Wally discovers the bodyaction scene | corpse | dark | death | dramatic | friend | linear chromaticism | looking | mickey-mousing | murder | room | split-7th chord | telephone | tense | victim

Mildred Pierce (1945)

Phone rings0:10:16 - Phone ringsaction scene | death | friend | mickey-mousing | murder | ringing | room | split-7th chord | telephone | tense | victim

Mildred Pierce (1945)

Wally stands up and walks0:10:21 - Wally stands up to go to the phoneaction scene | friend | mickey-mousing | rising | room | standing | tense | up | victim | walking

Mildred Pierce (1945)

Wally sneaks0:10:37 - Wally sneaks down the hallaction scene | diminished 7th chord | friend | mickey-mousing | room | sneaking | tense | victim

Mildred Pierce (1945)

Underscoring (Tense)0:11:13 - Policemen investigate the sceneaction scene | altered dominant | beach | conversing | dissonant bass | friend | mysterious | police | searching | sequence | tense | underscoring | victim

Mildred Pierce (1945)

Mildred (Sehr Dramatic)0:12:06 - Mildred arrives homeadvance plot | arriving | chromatic scale | chromatic sequence | dark | daughter | diminished 7th chord | dramatic | half-diminished 7th chord | heroine | imitation | leading lady | street | tense | tritone | worrying

Mildred Pierce (1945)

Underscoring (Tense)0:13:03 - Mildred leaves with the detectivesadvance plot | conversing | detective | foreign key modulation | heroine | leading lady | murder | street | tense | underscoring

Mildred Pierce (1945)

Drink to Me Only With Thine Eyes0:16:07 - Cop whistles to himselfadvance plot | detective | familiar tune | heroine | leading lady | on-screen music | police | police station | source music | tense | ticking | whistling

Mildred Pierce (1945)

Mildred (Tense)0:28:43 - Mildred goes to open the dooradvance plot | fragmentation | heroine | leading lady | pedal tone | room | tense | walking

Mildred Pierce (1945)

Mazurka in B-Flat Major (Tense)0:38:47 - Veda plays a Chopin Mazurkaarguing | child | classical music | common-tone diminished 7th | conflict | familiar tune | half-diminished 7th chord | heroine | leading lady | on-screen music | playing | quotation | room | scored source music | source music | tense | upbeat | waltz

Mildred Pierce (1945)

Secret Revealed0:39:10 - Mildred argues with Vedaangry | arguing | child | chromatic parallelism | chromatic scale | chromatic wedge | conflict | harsh | heroine | leading lady | linear chromaticism | octatonic chord | room | tense

Mildred Pierce (1945)

Mildred (Appassionato)0:39:22 - Mildred argues with Vedaangry | arguing | child | chromatic scale | conflict | foreign key modulation | heroine | leading lady | raising | room | standing | tense | whole-tone scale

Mildred Pierce (1945)

Mildred raises Veda0:39:22 - Mildred lifts her daughter up by the armangry | arguing | child | conflict | heroine | leading lady | mickey-mousing | raising | room | standing | tense | whole-tone scale

Mildred Pierce (1945)

Mildred B (Angry)0:39:30 - Mildred argues with Veda11th chord | angry | arguing | child | conflict | fragmentation | heroine | leading lady | room | slapping | tense

Mildred Pierce (1945)

Kay and Veda (Troubled)NIF - not in filmaltered dominant | chromatic mediant | chromatic scale | common-chord modulation | cut from film | dissonant | dramatic | foreign key modulation | fragmentation | hopeful | mode mixture | sequence | tender | tense | tragic | turbulent | whole-tone chord | whole-tone scale

Mildred Pierce (1945)

Pneumonia0:54:25 - A doctor works on Kaychild | chromatic scale | dark | death scene | doctor | dying | ex-husband | heroine | illness | leading lady | mickey-mousing | nurse | oscillation | patient | pc set | room | sick person | somber | tense | treating | turning point | waiting | watching

Mildred Pierce (1945)

Kay and Veda (Dying)0:55:05 - Kay's family waits and watches11th chord | child | dark | death scene | doctor | dying | ex-husband | heroine | illness | leading lady | nurse | patient | room | sick person | somber | tense | treating | turning point | waiting | watching

Mildred Pierce (1945)

Pneumonia (Dying)0:55:24 - Kay passes away9th chord | child | chromatic parallelism | dark | death | death scene | doctor | dying | ex-husband | heroine | illness | leading lady | linear chromaticism | minor-major 7th chord | nurse | oscillation | patient | room | sick person | somber | tense | treating | turning point | waiting | watching

Mildred Pierce (1945)

It Can't Be Wrong (Troubled)1:04:30 - Bert interrupts Mildred and Monte's kissadvance plot | conversing | dark | ex-husband | familiar tune | heroine | leading lady | love interest | popular music | restaurant | source to score | suspension | tense | troubled

Mildred Pierce (1945)

Breaks glass1:05:35 - Bert slaps the glass out of Monte's handadvance plot | breaking | down | ex-husband | falling | glass | heroine | leading lady | love interest | mickey-mousing | restaurant | tense | throwing | violence

Mildred Pierce (1945)

It Can't Be Wrong (Uneasy)1:05:36 - Bert stares angrily at Monteadvance plot | dark | ex-husband | familiar tune | glaring | heroine | leading lady | leaving | love interest | pedal tone | popular music | restaurant | source to score | tense | uneasy

Mildred Pierce (1945)

Kay and Veda (Sly)1:13:55 - Mildred tells Monte to not see Vedaarguing | breakup | chromatic wedge | chromatic wedge | conflict | disagreement | heroine | leading lady | love interest | ominous | room | sinister | tense | whole-tone chord

Mildred Pierce (1945)

Kay and Veda (Troubled)1:14:06 - Mildred and Monte arguearguing | breakup | chromatic scale | chromatic sequence | conflict | disagreement | fragmentation | heroine | leading lady | love interest | ominous | room | sinister | tense | whole-tone chord | whole-tone scale

Mildred Pierce (1945)

Mildred (Agitato)1:14:37 - Mildred and Monte argueagitated | arguing | breakup | conflict | distortion | half-diminished 7th chord | heroine | leading lady | love interest | room | tense

Mildred Pierce (1945)

Underscoring (Tense)1:14:53 - Mildred and Monte argue9th chord | added-note chord | arguing | bitter | breakup | conflict | deceptive resolution | heroine | leading lady | love interest | room | tense | underscoring

Mildred Pierce (1945)

It Can't Be Wrong (Bitter)1:15:29 - Mildred writes Monte a checkarguing | bitter | breakup | conflict | dissonant bass | familiar tune | fragmentation | heroine | leading lady | love interest | mickey-mousing | popular music | room | source to score | tense

Mildred Pierce (1945)

Underscoring (Tense)1:18:34 - Veda tells her mother she is marriedantagonist | chromatic parallelism | chromatic wedge | conflict | conversing | daughter | diminished 7th chord | friend | heroine | leading lady | oscillation | reverse stinger | room | tense | underscoring

Mildred Pierce (1945)

Secret Revealed1:18:59 - Veda talks to her motherantagonist | chromatic parallelism | chromatic scale | chromatic wedge | conflict | conversing | daughter | fear | friend | heroine | leading lady | linear chromaticism | octatonic chord | room | surprise | tense

Mildred Pierce (1945)

Kay and Veda (Coy)1:19:11 - Veda talks to her motherantagonist | apologizing | chromatic parallelism | conflict | daughter | friend | heroine | leading lady | room | tense

Mildred Pierce (1945)

Mildred (Waltz Fantasy)1:19:18 - Mildred talks to Veda9th chord | antagonist | appoggiatura | chromatic parallelism | comforting | conflict | daughter | dream-like | friend | heroine | leading lady | room | tense

Mildred Pierce (1945)

Kay and Veda (Agitato)1:22:22 - Veda and her mother argueagitated | antagonist | arguing | augmented sixth chord | blackmail | chromatic sequence | conflict | daughter | fragmentation | heroine | leading lady | room | tense

Mildred Pierce (1945)

Mildred (Appassionato)1:23:00 - Veda expresses her disgust with her motherangry | antagonist | arguing | chromatic scale | conflict | daughter | foreign key modulation | heroine | insulting | leading lady | room | tense

Mildred Pierce (1945)

Mildred B (Angry 2)1:23:09 - Mildred gets angry at Vedaangry | antagonist | arguing | conflict | daughter | fragmentation | heroine | insulting | leading lady | room | tense

Mildred Pierce (1945)

Mildred (Vicious)1:23:21 - Veda insults her motherangry | antagonist | arguing | chromatic parallelism | chromatic wedge | conflict | daughter | heroine | insulting | leading lady | reverse stinger | room | tense | whole-tone chord

Mildred Pierce (1945)

Mildred B (Angry)1:23:38 - Mildred tears up Veda's check angry | antagonist | arguing | check | conflict | daughter | fighting | heroine | leading lady | pc set | room | slapping | tearing | tense | violence | yelling

Mildred Pierce (1945)

Mildred (Mad)1:43:19 - Mildred makes a phone callanger | angry | calling | dissonant bass | half-diminished 7th chord | heroine | leading lady | room | tense | turbulent | turning point | walking

Mildred Pierce (1945)

Kay and Veda (Coy 2)1:44:37 - Veda is brought in by the policeantagonist | chromatic parallelism | daughter | deceiving | deception | detective | entering | interrogating | interrogation | parallelism | police station | questioning | tense

Mildred Pierce (1945)

Secret Revealed1:45:37 - Mildred finds Veda and Monte togetherantagonist | chromatic parallelism | chromatic scale | chromatic wedge | climax | dark | daughter | discovering | kissing | linear chromaticism | reveal | room | stinger | tense

Mildred Pierce (1945)

Kay and Veda (Agitato)1:46:05 - Veda reveals that she is in love with Monte antagonist | augmented sixth chord | betrayal | betraying | chromatic scale | chromatic sequence | climax | dark | daughter | fragmentation | heroine | leading lady | revealing | room | tense

Mildred Pierce (1945)

Mildred B (Angry)1:48:06 - Veda confesses to Mildredangry | antagonist | confessing | confession | daughter | diminished 7th chord | fragmentation | heroine | leading lady | lying | murderer | murder scene | pc set | room | tense

Mildred Pierce (1945)

Mildred (Ominous)1:48:41 - Mildred calls the policeantagonist | begging | chromatic sequence | daughter | fragmentation | heroine | imitation | leading lady | murderer | murder scene | ominous | room | tense

Mildred Pierce (1945)

Underscoring (Tense)1:48:54 - Veda asks her mother not to turn her inantagonist | begging | daughter | foreign key modulation | heroine | leading lady | murderer | murder scene | room | tense | underscoring
The Life of Vergie Winters (1934)Lullaby (Agitated)1:01:27 - John and Laura argue about Joanagitated | arguing | common-tone diminished 7th | conflict | diminished 7th chord | direct modulation | fragmentation | harmonic sequence | leading man | octatonic scale | room | tense | transcribed by ear | wife

The Life of Vergie Winters (1934)

Lullaby (Adagio)1:03:02 - Joan reactsconflict | daughter | diminished 7th chord | direct modulation | dissonant bass | leading man | love interest | revealing | room | stinger | surprise | tense | wife

The Life of Vergie Winters (1934)

Lullaby (Doloroso)1:05:58 - John talks with his wife Laura9th chord | arguing | conflict | dark | leading man | leaving | reverse picardy | room | tense | wife

The Life of Vergie Winters (1934)

Lullaby (Passionate)1:09:39 - John and Vergie embrace9th chord | advance plot | embracing | leading lady | leading man | pedal tone | romantic | room | secret lover | tense

The Life of Vergie Winters (1934)

Lullaby (Very Ethereal)1:19:04 - Vergie exits the prisondaughter | dissonant bass | husband | leading lady | pedal tone | prison | prisoner | resolution | somber | suspect | tense | walking
Out of the Fog (1941)Transition0:00:08 - Starring list9th chord | deceptive resolution | harbor | opening title sequence | starring list | tense | transition

Out of the Fog (1941)

Russian Barcarolle (Risoluto)0:00:27 - Cast listcast list | chromatic scale | chromatic sequence | dark | enharmonic respelling | folk-like | harbor | opening title sequence | sequence | tense

Out of the Fog (1941)

Harbor Front0:01:11 - Goff descends a ladderboat | criminal | establish character | fire | harbor | leading man | sneaking | tense

Out of the Fog (1941)

Underscoring (Dark)0:20:11 - Jonah reactsarguing | boat | chef | conflict | conversing | criminal | dark | dock | extortion | father | fisherman | friend | leading man | stinger | tense | threatening | underscoring

Out of the Fog (1941)

Russian Barcarolle (Threatening)0:20:40 - Goff threatens Jonaharguing | boat | breaking | chef | conflict | conversing | criminal | dark | dock | extortion | father | fisherman | friend | leading man | tense | threatening | violence

Out of the Fog (1941)

Drab0:24:36 - Stella in bedadvance plot | father | ignoring | knocking | leading lady | room | smoking | somber | tense | thinking | whispering

Out of the Fog (1941)

Russian Barcarolle (Dark 2)0:27:12 - Jonah and Olaf reactarguing | chef | conflict | conversing | criminal | dark | dock | extortion | father | fisherman | friend | gun | leading man | stinger | tense | threatening

Out of the Fog (1941)

Animato0:27:43 - Goff pulls out a gunchef | conflict | conversing | criminal | dock | extortion | father | fisherman | foreign key modulation | friend | gun | leading man | tense | threatening

Out of the Fog (1941)

Underscoring (Tense)0:28:20 - Jonah and Olaf reactchef | conflict | conversing | criminal | dock | extortion | father | fisherman | friend | leading man | tense | threatening | underscoring

Out of the Fog (1941)

Gangster (Tense)0:41:05 - Stella kisses Goffbluesy | criminal | dock | embracing | kissing | leading lady | leading man | love scene | tense

Out of the Fog (1941)

Underscoring (Dramatic)0:45:13 - Goff entersarriving | conflict | conversing | criminal | dock | dramatic | father | fisherman | friend | leading man | tense

Out of the Fog (1941)

Russian Barcarolle (Fragmented)0:46:14 - Jonah calls for the coparguing | conflict | criminal | dock | extortion | father | fisherman | fragmentation | friend | leading man | police | tense | yelling

Out of the Fog (1941)

Underscoring (Tense)0:46:34 - Jonah accuses Goffarguing | conflict | conversing | criminal | dock | extortion | father | fisherman | friend | leading man | police | tense | underscoring

Out of the Fog (1941)

Russian Barcarolle (Fragmented)0:46:50 - Olaf accuses Goffconflict | conversing | criminal | departing | dock | extortion | father | fisherman | fragmentation | friend | leading man | police | tense

Out of the Fog (1941)

Russian Barcarolle (Death Threat)0:50:48 - Goff mocks Jonahconflict | criminal | dark | extortion | father | fisherman | leading man | mocking | street | tense | threatening | violence

Out of the Fog (1941)

Father and Daughter (Tender)0:51:32 - Maps of Cubaadvance plot | arriving | conversing | father | fisherman | leading lady | mirror shot | packing | room | tender | tense

Out of the Fog (1941)

Animato (Extended)1:07:04 - Jonah and Olaf help Georgearguing | boyfriend | conflict | criminal | dock | fisherman | friend | leading man | tense | violence

Out of the Fog (1941)

Speeding Car (Arriving)1:11:50 - A speeding caraction scene | car | dramatic | driving | fisherman | friend | rushed | rushing | street | tense

Out of the Fog (1941)

Speeding Car1:12:30 - A car racing down the streetaction scene | car | double exposure | dramatic | driving | leading lady | point-of-view shot | police | rushed | rushing | street | tense

Out of the Fog (1941)

Morgue1:12:37 - The morgueaction scene | arriving | conversing | corpse | death | fear | leading lady | morgue | ominous | police | tense

Out of the Fog (1941)

Speeding Car (Extended)1:13:32 - A car racing down the streetaction scene | car | crowd | double exposure | dramatic | driving | leading lady | minor-major 7th chord | point-of-view shot | police | questioning | reporter | rushed | rushing | street | tense
Kid Galahad (1937)Doublecross (Heated)1:16:02 - Nick arrives at the farmadvance plot | arguing | arriving | chromatic mediant | farm | leading man | manager | not by Steiner | sister | tense | transcribed by ear
The Unfaithful (1947)Tanner0:23:46 - Mrs. Tanner boards a trolleyadvance plot | altered dominant | antagonist | fragmentation | irregular meter | newspaper | pc set | quartal chord | reading | street | tense | traveling | trolley | widow

The Unfaithful (1947)

Underscoring (Tense)0:43:21 - Lady talks to Larryadvance plot | conversing | law office | lawyer | office | pedal tone | tense | underscoring

The Unfaithful (1947)

Unfaithful (Distressed)0:52:17 - The maid turns on a lamp9th chord | advance plot | arriving | foreign key modulation | forlorn | leading lady | maid | obsession | ostinato | pc set | room | tense

The Unfaithful (1947)

Unfaithful (Ominous)1:09:06 - Chris on the phoneadvance plot | lawyer | leading lady | monophonic | office | phone call | room | tense | thinking

The Unfaithful (1947)

Unfaithful (Rising)1:09:33 - The art shop is lockedlawyer | ostinato | parallelism | sequence | shop | tense | transition | worrying

The Unfaithful (1947)

Walking1:09:50 - Bob goes for a walkhusband | park | pedal tone | tense | transition | walking

The Unfaithful (1947)

Tanner1:10:47 - Men get out of the caraltered dominant | antagonist | arriving | foreshadowing | fragmentation | husband | irregular meter | pc set | quartal chord | street | tense | transition | walking

The Unfaithful (1947)

Unfaithful (Not in Film)NIF - not in filmacceleration | arguing | climax | cut from film | husband | Neapolitan | ostinato | room | sequential modulation | tense | wife
We Are Not Alone (1939)Transition0:00:18 - Book pages showing main castaugmented sixth chord | cast list | chromatic scale | linear chromaticism | main title | opening title sequence | tense

We Are Not Alone (1939)

Appassionato0:03:13 - Gerald is scolded by his motherantagonist | boy | child | chromatic parallelism | chromatic scale | deceptive resolution | dominant 7th chord | establish character | fragmentation | harmonic sequence | hero | home | linear chromaticism | mother | passionate | scolding | sequence | telling a story | tense

We Are Not Alone (1939)

I Do Like to Be Beside the Seaside0:17:49 - Exterior of a British dance hallABAC structure | conflict | doctor | familiar tune | helping | hero | heroine | score to source | source music | street | tense

We Are Not Alone (1939)

Surprise Symphony (Worried)0:22:57 - David hears Gerald cryingadvance plot | boy | child | classical music | dark | familiar tune | father | fragmentation | Haydn | hero | home | hurrying | mode mixture | quotation | tense

We Are Not Alone (1939)

Frohe Botschaft (Drifting)0:38:09 - Jessica tells Leni to leavealtered dominant | antagonist | chromatic parallelism | conflict | conversing | familiar tune | folk song | gentle | German | heroine | home | quotation | sinister | tense | whole-tone chord

We Are Not Alone (1939)

Underscoring (Dramatic)1:03:40 - Jessica takes Gerald outside 11th chord | antagonist | boy | child | conflict | dramatic | street | tense | underscoring | walking

We Are Not Alone (1939)

Underscoring (Tense)1:03:56 - The crowd outsideagitated | chromatic scale | conflict | confused | crowd | hero | linear chromaticism | metric dissonance | pedal tone | polychord | riot | rioting | street | tense | underscoring

We Are Not Alone (1939)

Underscoring (Tense)1:05:17 - David scolds Susan64 chord | antagonist | chromatic scale | conflict | conversing | foreign key modulation | hero | street | tense | underscoring

We Are Not Alone (1939)

Surprise Symphony (Window)1:05:40 - Susan sees Leni and David in the windowantagonist | classical music | conflict | familiar tune | Haydn | quotation | spying | street | tense | window

We Are Not Alone (1939)

Frohe Botschaft (Drifting)1:14:30 - David gives Leni money for her travels altered dominant | arrest | arresting | chromatic parallelism | conflict | conversing | dark | death | familiar tune | folk song | gentle | German | happy | hero | heroine | mode mixture | murder | police | quotation | sad | sweet | tense | train station | whole-tone chord

We Are Not Alone (1939)

Underscoring (Tense)1:15:25 - David is taken away by the police9th chord | added-note chord | arresting | conflict | hero | heroine | pedal tone | police | tense | train station | underscoring

We Are Not Alone (1939)

Frohe Botschaft (War Bulletin)1:22:12 - News bulletins about the trialadvance plot | announcing | familiar tune | fanfare | folk song | German | news | quotation | shop | sign | street | tense | window

We Are Not Alone (1939)

Surprise Symphony (Tense)1:31:42 - News bulletins about the trial9th chord | advance plot | announcing | classical music | dark | familiar tune | Haydn | main theme | quotation | shop | sign | street | tense | window

We Are Not Alone (1939)

Fainting1:40:41 - Leni faintsadded-note chord | fainting | falling | hero | heroine | love scene | mickey-mousing | prison | sequence | tense
White Heat (1949)Transition0:00:08 - Train coming out of a tunnelapproaching | opening title sequence | starring list | tense | train | train effect | tunnel

White Heat (1949)

Steam0:04:54 - Man gets burned by steam from trainburning | bursting | countryside | dramatic | establish character | falling | gangster | leading man | murderer | pain | robbery | steam | steam effect | stinger | tense | train | train engineer | victim | writhing

White Heat (1949)

Danger0:05:02 - Gangsters leap from the trainannouncer | countryside | dramatic | escaping | establish character | gangster | jumping | leading man | murderer | pain | radio | robbery | tense | train | train engineer | victim | writhing

White Heat (1949)

Cody0:05:35 - Gangsters listen to the radioannouncer | car | conversing | establish character | gangster | radio | street | tense

White Heat (1949)

Agitato0:05:43 - Big Ed plots against Codyagitated | conversing | establish character | gangster | plotting | street | tense | walking

White Heat (1949)

Big Ed0:06:00 - Big Ed talks to Codyarriving | dark | establish character | gangster | leading man | murderer | room | tense | victim

White Heat (1949)

Thinking0:06:23 - Cody walks across the roomestablish character | gangster | leading man | mother | murderer | room | tense | thinking | victim | walking

White Heat (1949)

Rushing0:10:49 - A gangster comes in the dooradvance plot | arguing | dark | gangster | leading lady | leading man | moll | mother | murderer | punching | room | storm | tense | victim | wind

White Heat (1949)

Plotting0:11:21 - Cody packs up money in a suitcaseconversing | dark | gangster | leading lady | leading man | love scene | moll | money | murderer | packing | room | tense | transition

White Heat (1949)

Speed0:16:46 - Sign for Milbanke Motelsarriving | car | dark | driving | gangster | leading man | murderer | self-borrowing | street | tense | transition

White Heat (1949)

Backing up0:17:00 - Cody backs uparriving | backing up | car | dark | driving | gangster | leading man | mickey-mousing | murderer | street | tense | transition

White Heat (1949)

Con Moto0:17:09 - Cody gets out of his carconflict | dramatic | gangster | leading man | murderer | opening | rushing | searching | street | tense

White Heat (1949)

Danger (Con Moto)0:17:39 - Cody argues with Vernaagitated | arguing | conflict | gangster | leading lady | leading man | moll | murderer | room | tense

White Heat (1949)

Verna falls0:18:05 - Verna falls off the chairagitated | chair | conflict | couch | falling | gangster | kicking | landing | leading lady | leading man | mickey-mousing | moll | murderer | room | tense

White Heat (1949)

Underscoring (Tense)0:18:58 - Agents pull up in a caradvance plot | agent | arriving | car | driving | street | tense

White Heat (1949)

Pursuit0:19:58 - Agents pursue Ma in their carsagent | car | chase scene | driving | following | mother | motor effect | pursuing | street | telephone | tense | uneasy

White Heat (1949)

Getaway0:21:01 - Ma speeds awayagent | car | chase scene | driving | following | mother | pursuing | street | tense | uneasy

White Heat (1949)

Pursuit (Tense)0:21:09 - Agents pursue Maagent | car | chase scene | driving | following | mother | motor effect | pursuing | street | telephone | tense | uneasy

White Heat (1949)

Underscoring (Dramatic)0:21:34 - Ma speeds ahead in her caragent | car | chase scene | dramatic | driving | escaping | mother | pursuing | street | tense | turning | underscoring

White Heat (1949)

Pursuit (Frantic)0:21:56 - Agents lose Maagent | car | chase scene | chasing | escaping | mother | pursuing | street | tense | underscoring

White Heat (1949)

Pursuit (Ominous)0:22:08 - Agents arrive at the moteladvance plot | agent | arriving | car | driving | motor effect | ominous | pursuing | street | telephone | tense

White Heat (1949)

Agents (Chase)0:22:33 - The agents notice Ma's caradvance plot | agent | car | looking | observing | panning shot | stinger | street | tense

White Heat (1949)

Pursuit0:22:38 - The agents drive awayadvance plot | agent | car | driving | motor effect | pursuing | street | tense

White Heat (1949)

Danger (Molto Agitato)0:23:25 - Evans points a gun at Codyaction scene | agent | agitated | arresting | dying | falling | gangster | gun | gunshot | leading man | murderer | shooting | street | tense | wound

White Heat (1949)

Agitato (Escaping)0:23:37 - Evans struggles on the groundaction scene | agent | agitated | car | dramatic | driving | escaping | gangster | gun | gunshot | leading lady | leading man | moll | mother | murderer | shooting | street | struggling | tense | wound

White Heat (1949)

Speed (Frantic)0:24:11 - The gangsters speed awaycar | chase scene | chasing | dramatic | frantic | leading lady | leading man | moll | mother | murderer | rushing | self-borrowing | speeding | street | tense

White Heat (1949)

Agents + Pursuit0:24:23 - Ernie chases the gangstersagent | car | chase scene | chasing | combination of themes | dramatic | frantic | motor effect | speeding | street | tense

White Heat (1949)

Speed (Frantic)0:24:26 - The gangsters speed awaycar | chase scene | chasing | dramatic | frantic | leading lady | leading man | moll | mother | murderer | self-borrowing | speeding | street | tense

White Heat (1949)

Agents + Pursuit0:24:37 - Ernie chases the gangstersagent | car | chase scene | chasing | combination of themes | dramatic | frantic | motor effect | speeding | street | tense

White Heat (1949)

Speed (Desperate)0:24:44 - The gangsters speed awaycar | chase scene | chasing | dramatic | frantic | leading lady | leading man | moll | mother | murderer | self-borrowing | speeding | street | tense

White Heat (1949)

Pursuit (Fleeing)0:24:50 - Ernie chases the gangstersagent | car | chase scene | chasing | dramatic | frantic | leading lady | leading man | moll | mother | motor effect | murderer | speeding | street | tense

White Heat (1949)

Agents + Pursuit (Rising)0:24:58 - Ernie chases the gangstersagent | car | chase scene | chasing | combination of themes | dramatic | frantic | leading lady | leading man | moll | mother | murderer | speeding | street | tense

White Heat (1949)

Speed (Desperate 2)0:25:03 - The gangsters speed awayagent | car | chase scene | chasing | dramatic | drive-in theater | frantic | leading lady | leading man | moll | mother | murderer | self-borrowing | speeding | tense

White Heat (1949)

Prison Fight0:37:48 - Hank sees Bo Creelaction scene | falling | fighting | gangster | guard | leading man | mickey-mousing | murderer | prison | prisoner | punching | tense | undercover agent

White Heat (1949)

Punching and falling0:38:03 - Hank punches inmateaction scene | dramatic | falling | gangster | guard | leading man | mickey-mousing | murderer | prison | prisoner | punching | tense | undercover agent

White Heat (1949)

Misterioso (Tense)0:40:12 - Hank looks aroundadvance plot | gangster | leading man | looking | murderer | mysterious | photograph | prison | prisoner | tense | undercover agent | underscoring

White Heat (1949)

Misterioso (Ominous)0:40:51 - The prisoners talkadvance plot | conversing | gangster | leading man | murderer | mysterious | ominous | prison | prisoner | tense | undercover agent | underscoring

White Heat (1949)

Whispering0:41:06 - The prisoner reads lipsadvance plot | gangster | leading man | listening | murderer | prison | prisoner | spying | tense | undercover agent | uneasy | whisper effect | whispering

White Heat (1949)

Thinking0:41:34 - Prisoners talk about moneyadvance plot | conversing | gangster | leading man | murderer | mysterious | prison | prisoner | tense | thinking | undercover agent

White Heat (1949)

Underscoring (Tense)0:42:03 - Ma talks to the gangstersadvance plot | conversing | gangster | leading lady | love interest | moll | mother | room | tense | underscoring

White Heat (1949)

Cody (Expressivo)0:42:17 - Ma talks to Big Edadvance plot | conversing | gangster | leading lady | love interest | moll | mother | room | tense

White Heat (1949)

Agitato0:42:32 - Verna leaves the roomadvance plot | agitated | conversing | departing | gangster | leading lady | love interest | moll | mother | room | tense | underscoring

White Heat (1949)

Big Ed0:42:41 - Big Ed leaves the roomadvance plot | gangster | leading lady | love interest | moll | mother | room | tense | walking

White Heat (1949)

Moll (Arguing)0:43:06 - Verna argues with Big Edanger | arguing | gangster | leading lady | love interest | love scene | moll | porch | tense | uneasy

White Heat (1949)

Trap0:44:53 - The crane moves over Cody's headattempted | crane | crashing | dramatic | dropping | falling | gangster | leading man | machine | machine effect | mickey-mousing | moving | murder | murderer | murder scene | prison | prisoner | saving | stinger | tense | trap | undercover agent

White Heat (1949)

Ma (Restless)0:49:34 - Cody walks back to workanxious | dramatic | gangster | leading man | mad scene | murderer | prison | prisoner | tense | thinking | threatening | working

White Heat (1949)

Underscoring (Tense)0:49:56 - Cody threatens Parkergangster | leading man | mad scene | murderer | prison | prisoner | tense | threatening | underscoring

White Heat (1949)

Madness0:50:16 - Cody hears voicesagitated | blur | falling | gangster | hallucinating | hallucination | headache | headache effect | hearing voices | leading man | machine | mad scene | murderer | pain | prison | prisoner | self-borrowing | tense | unsettled

White Heat (1949)

Headache0:50:31 - Heavy machineryagitated | crawling | falling | gangster | headache | headache effect | leading man | machine | mad scene | murderer | pain | prison | prisoner | self-borrowing | tense | unsettled

White Heat (1949)

Struggle0:50:50 - Cody crawls on the flooragitated | crawling | falling | gangster | headache | headache effect | helping | leading man | machine | mad scene | murderer | pain | prison | prisoner | self-borrowing | tense | undercover agent | unsettled

White Heat (1949)

Cody (Headache)0:51:15 - Hank helps Codycrawling | gangster | headache | helping | leading man | mad scene | murderer | pain | prison | prisoner | tense | undercover agent

White Heat (1949)

Underscoring (Tense)0:51:20 - Hank helps Codycrawling | gangster | headache | helping | leading man | mad scene | massaging | murderer | pain | prison | prisoner | tense | undercover agent | underscoring

White Heat (1949)

Cody rises0:51:40 - Hank helps Cody standgangster | headache | helping | leading man | mad scene | mickey-mousing | murderer | pain | prison | prisoner | rising | tense | undercover agent

White Heat (1949)

Cody (Recovering)0:51:52 - Cody's headache subsidesgangster | headache | leading man | mad scene | murderer | pain | prison | prisoner | tense | undercover agent | uneasy | waiting

White Heat (1949)

Misterioso (Straitjacket)1:04:07 - The warden talks with Codyconversing | doctor | gangster | guard | leading man | murderer | mysterious | prison | prison break | prisoner | straitjacket | tense | underscoring | warden

White Heat (1949)

Plotting (Tense)1:04:33 - Tommy brings food to Codycarrying | doctor | feeding | food | gangster | guard | leading man | murderer | mysterious | prison | prison break | prisoner | straitjacket | tense | warden

White Heat (1949)

Misterioso (Tense 2)1:04:48 - Tommy loosens Cody's straitjacketdoctor | gangster | guard | gun | leading man | loosening | murderer | mysterious | prison | prison break | prisoner | releasing | straitjacket | tense | untying | warden

White Heat (1949)

Cody (Pulls Gun)1:05:05 - Cody stands updoctor | dramatic | gangster | guard | gun | leading man | loosening | murderer | mysterious | prison | prison break | prisoner | releasing | straitjacket | tense | untying | warden

White Heat (1949)

Gathering1:05:39 - Inmates playing cardsconversing | doctor | dramatic | gangster | guard | leading man | murderer | prison | prison break | prisoner | self-borrowing | tense | walking

White Heat (1949)

Danger (Risoluto)1:06:24 - Cody forces the guard into a cellcommanding | doctor | gangster | guard | gun | leading man | murderer | prison | prison break | prisoner | pushing | tense | warden

White Heat (1949)

Trap1:06:47 - Cody kicks Parkercommanding | dramatic | gangster | guard | gun | kicking | leading man | murderer | prison | prison break | prisoner | revenge | tense | warden

White Heat (1949)

Plotting (Extended)1:07:13 - Cody forces men out at gunpointcommanding | dramatic | gangster | guard | gun | leading man | murderer | prison | prison break | prisoner | revenge | tense | warden

White Heat (1949)

Underscoring (Tense)1:07:57 - The car drives offcar | dramatic | escaping | fanfare | gangster | guard | gun | leading man | murderer | prison | prison break | prisoner | tense | warden

White Heat (1949)

Pursuit1:08:44 - The agents turn aroundagent | car | driving | leading man | police | prison break | rushing | street | tense | uneasy

White Heat (1949)

Cody 2 (Molto Misterioso)1:09:13 - Cody adjusts his hat in the mirrordressing | fugitive | gangster | hat | leading man | mirror | murderer | mysterious | prison break | room | tense

White Heat (1949)

Underscoring (Tense)1:13:20 - Big Ed walks up the stairsaction scene | dark | gangster | leading lady | love interest | moll | room | tense | underscoring | walking

White Heat (1949)

Danger (Agitato)1:13:33 - Verna sits upaction scene | anxiety | danger | gangster | leading lady | listening | love interest | moll | room | tense

White Heat (1949)

Underscoring (Tense)1:13:57 - Verna sneaks out of her bedroomaction scene | leading lady | moll | room | sneaking | tense | underscoring

White Heat (1949)

Plotting (Sneaking)1:14:09 - Verna sneaks down the stairsaction scene | descending | leading lady | mickey-mousing | moll | mysterious | room | sneaking | stairs | tense

White Heat (1949)

Underscoring (Tense)1:14:13 - Verna looks for a way outaction scene | leading lady | moll | room | sneaking | tense | underscoring

White Heat (1949)

Running to window1:14:22 - Verna runs to the windowaction scene | dramatic | leading lady | mickey-mousing | moll | opening | room | running | stinger | tense | window

White Heat (1949)

Underscoring (Dramatic)1:14:27 - Verna opens the windowaction scene | dramatic | leading lady | mickey-mousing | moll | room | running | stinger | tense | underscoring | window

White Heat (1949)

Jumping out window1:14:31 - Verna jumps out of the windowaction scene | descending | dramatic | jumping | leading lady | mickey-mousing | moll | tense | window | yard

White Heat (1949)

Madness (Agitato)1:15:59 - Cody looks at Vernaagitated | anger | death | gangster | leading lady | leading man | lying | moll | murderer | murder scene | staring | stinger | tense | yard

White Heat (1949)

Underscoring (Tense)1:16:28 - Big Ed creates a decoydecoy | gangster | gun | love interest | murder scene | preparing | room | tense | underscoring

White Heat (1949)

Underscoring (Mysterious)1:16:51 - Cody and Verna climb through the windowgangster | gun | leading lady | leading man | moll | murderer | murder scene | mysterious | room | sneaking | sneaking effect | tense | underscoring | window

White Heat (1949)

Fight1:26:51 - Hank attacks the gangsteraction scene | dramatic | fighting | fugitive | gangster | leading man | mickey-mousing | murderer | punching | tense | undercover agent | yard

White Heat (1949)

Underscoring (Tense)1:27:53 - Hank talks to Codyadvance plot | arguing | conversing | fugitive | gangster | leading man | murderer | tense | undercover agent | underscoring | yard

White Heat (1949)

Ma (Molto Expressivo)1:28:38 - Cody talks about his motheradvance plot | character mention | conversing | fugitive | gangster | leading man | memory | murderer | tense | undercover agent | uneasy | yard

White Heat (1949)

Plotting (Agitato)1:29:03 - Cody talks about his familyadvance plot | conversing | fugitive | gangster | insanity | leading man | memory | murderer | tense | undercover agent | uneasy | yard

White Heat (1949)

Cody (Climbing)1:29:15 - Cody talks about his pastadvance plot | conversing | fugitive | gangster | leading man | memory | murderer | tense | undercover agent | uneasy | yard

White Heat (1949)

Ma (Triste)1:29:29 - Cody talks about his motheradvance plot | character mention | conversing | fugitive | gangster | leading man | memory | murderer | tense | undercover agent | uneasy | yard

White Heat (1949)

Cody 3 (Molto Misterioso)1:31:42 - Hank works on the transmitteradvance plot | leading man | radio | tense | transmitter | undercover agent | working | yard

White Heat (1949)

Danger (Sneaky)1:31:56 - Hank puts the transmitter on the truckadvance plot | fugitive | gangster | hiding | leading lady | leading man | moll | murderer | sneaking | tense | transmitter | truck | undercover agent | yard

White Heat (1949)

Cody 3 (Tense)1:32:12 - Cody approaches the truckadvance plot | conversing | fugitive | gangster | leading lady | leading man | lying | moll | murderer | tense | transmitter | truck | undercover agent | yard

White Heat (1949)

Underscoring (Tense)1:33:58 - Hank talks to the gas station attendantadvance plot | conversing | fugitive | gangster | gas station | leading man | murderer | tense | truck | undercover agent | underscoring | worker | working

White Heat (1949)

Mirror1:34:10 - Hank writes a message on the mirroradvance plot | bathroom | dramatic | fanfare | gas station | leading man | message | mirror | rushing | tense | undercover agent | writing

White Heat (1949)

Underscoring (Tense)1:34:25 - Attendant fixes the truckadvance plot | conversing | fugitive | gangster | gas station | leading man | murderer | tense | underscoring | waiting | worker | working

White Heat (1949)

Mirror1:34:34 - Gangster goes to check on Hankadvance plot | bathroom | dramatic | fanfare | fugitive | gangster | gas station | hurrying | leading man | message | mirror | murderer | tense | undercover agent | worker | writing

White Heat (1949)

Message on the Mirror1:34:49 - Message on the washroom mirroradvance plot | bathroom | dramatic | fanfare | gas station | leading man | message | mirror | Morse code | radio effect | radio signal | tense | undercover agent | writing

White Heat (1949)

Bo Creel1:35:51 - Bo Creel comes outsideadvance plot | conversing | dark | fugitive | gangster | leading man | murderer | ominous | preparing | stinger | tense | truck | undercover agent | worker | working | yard

White Heat (1949)

Verna (Gum)1:36:15 - Verna spits out her gumadvance plot | conversing | fugitive | gangster | gum | kissing | leading lady | leading man | moll | murderer | preparing | spitting | tense | undercover agent | uneasy | worker | yard

White Heat (1949)

Danger1:36:32 - The gangsters hide in the truckadvance plot | fugitive | gangster | hiding | leading man | murderer | preparing | tense | truck | truck | undercover agent | worker

White Heat (1949)

Truck1:36:45 - The truck engine startsadvance plot | driving | fugitive | gangster | leading man | mickey-mousing | murderer | starting | tense | truck | truck | undercover agent | worker

White Heat (1949)

Agents (Message)1:37:03 - Gas station attendant goes to washroomconversing | gas station | message | mirror | police | radio | tense | transition | worker

White Heat (1949)

Pursuit (Antenna)1:37:17 - Policemen follow radio signal in their caragent | antenna | car | car | chase scene | electronic effect | pursuing | radio | radio effect | searching | speeding | street | tense

White Heat (1949)

Pursuit (Tracking)1:37:43 - Policemen pursue the truckagent | antenna | car | car | chase scene | map | police station | pursuing | radio | speeding | street | tense

White Heat (1949)

Agents + Pursuit (Antenna)1:37:59 - agent | chase scene | combination of themes | conversing | cut from film | police station | radio | tense

White Heat (1949)

Pursuit (Not Too Heavy)1:38:17 - Agents in car talking on radioagent | antenna | car | car | chase scene | pursuing | radio | speeding | tense

White Heat (1949)

Agents + Pursuit (Montage)1:38:33 - Police car in pursuitagent | antenna | car | car | chase scene | combination of themes | double exposure | electronic effect | montage | mysterious | police station | pursuing | radio | radio effect | speeding | street | tense

White Heat (1949)

Pursuit (Frantic)1:39:12 - Police car in pursuitagent | antenna | car | car | chase scene | double exposure | montage | police station | pursuing | radio | speeding | street | tense

White Heat (1949)

Underscoring (Tense)1:39:35 - Agents map coordinates of the truckagent | chase scene | map | mapping | police station | tense | underscoring

White Heat (1949)

Gate1:40:15 - The factory gate opensarriving | chase scene | closing | dark | driving | factory | fanfare | fugitive | gangster | gate | guard | leading man | murderer | opening | tense | truck | undercover agent

White Heat (1949)

Underscoring (Tense)1:40:42 - Truck pulls in to factoryarriving | chase scene | driving | factory | fugitive | gangster | leading man | murderer | tense | truck | undercover agent | underscoring

White Heat (1949)

Cody1:40:57 - Cody exits truckarriving | chase scene | dark | factory | fugitive | gangster | leading man | murderer | opening | tense | truck | undercover agent

White Heat (1949)

Rushing (Misterioso)1:41:01 - Cody emerges from the truckchase scene | dark | factory | fugitive | gangster | leading man | murderer | rushing | tense | truck | undercover agent

White Heat (1949)

Pursuit (Oscillator)1:41:16 - Transmitter on the truckagent | antenna | car | car | chase scene | electronic effect | mapping | pursuing | radio | radio effect | speeding | tense

White Heat (1949)

Agents (Extended)1:41:31 - Agents map coordinates of the truckagent | chase scene | map | mapping | police station | radio | tense

White Heat (1949)

Agents + Pursuit1:41:42 - Agents map coordinates of the truckagent | car | car | chase scene | combination of themes | pursuing | speeding | tense

White Heat (1949)

Plotting (Faster)1:41:49 - Gangsters enter the buildingaction scene | anxious | arriving | factory | fugitive | gangster | guard | hurrying | leading man | murderer | tense | undercover agent | working

White Heat (1949)

Underscoring (Tense)1:42:42 - Hank looks out the windowaction scene | factory | fugitive | gangster | guard | leading man | murderer | tense | undercover agent | underscoring | working

White Heat (1949)

Pursuit (Arriving)1:42:48 - Police cars rush to factoryaction scene | agent | car | factory | guard | police | pursuing | speeding | tense

White Heat (1949)

White Heat (Maestoso)1:43:03 - Police enter the factoryaction scene | agent | dramatic | factory | guard | police | running | rushing | tense

White Heat (1949)

Police Raid1:43:09 - Gangster acting as lookoutaction scene | arriving | factory | fugitive | gangster | leading man | looking | march | murderer | police | running | rushing | tense | undercover agent

White Heat (1949)

Crawling1:46:18 - Hank crawls on the flooraction scene | agent | crawling | dramatic | factory | fugitive | gangster | gun | leading man | mickey-mousing | murderer | rushing | tear gas | tense

White Heat (1949)

Agents (Tutti)1:46:31 - Agents watch men exitingaction scene | agent | aiming | dramatic | factory | gun | leading man | police | rushing | stopping | tear gas | tense

White Heat (1949)

T-Men (Escaping)1:46:36 - Hank escapesaction scene | agent | crawling | dark | escaping | factory | gun | leading man | police | reporting | tear gas | tense

White Heat (1949)

Danger (Extended)1:47:06 - Cody sends men outaction scene | agent | death | dying | factory | falling | fugitive | gangster | gun | gunshot | leading man | murderer | police | pushing | rushing | shooting | tense

White Heat (1949)

Underscoring (Dramatic)1:47:35 - Gangsters get off of ladderaction scene | agent | dramatic | factory | fugitive | gangster | hiding | leading man | murderer | police | rushing | tense | underscoring

White Heat (1949)

White Heat (Police Raid)1:47:47 - Police advance on the gangstersaction scene | advancing | agent | death | dramatic | dying | factory | falling | fugitive | gangster | gun | gunshot | hidiging | leading man | mickey-mousing | murder | murderer | police | raid | searching | shooting | shootout | tense

White Heat (1949)

Falling and dying1:48:09 - Gangster falls downaction scene | death | descending | dramatic | dying | factory | falling | gangster | gun | gunshot | mickey-mousing | police | raid | shootout | tense

White Heat (1949)

Prison Fight + Agents1:48:17 - Gangsters run up the stairsaction scene | agent | ascending | combination of themes | dramatic | factory | fleeing | fugitive | gangster | gun | gunshot | leading man | murderer | police | raid | running | rushing | shootout | stairs | tense

White Heat (1949)

Falling down stairs1:48:21 - Gangster falls down the stairsaction scene | death | descending | dramatic | dying | factory | falling | gangster | gun | mickey-mousing | police | raid | shootout | stairs | tense

White Heat (1949)

Prison Fight + Agents1:48:30 - Agents run up the stairsaction scene | agent | ascending | chasing | dramatic | factory | fugitive | gangster | leading man | murderer | police | raid | running | stairs | tense
The Woman in White (1948)Fosco0:04:40 - Walter hears a carriage approachingarriving | bold | carriage | conversing | establish character | fanfare | forest | leading man | tense

The Woman in White (1948)

The Carman's Whistle (Accompaniment)0:05:23 - Walter talks to a man in the carriagecarriage | conversing | establish character | forest | leading man | tense

The Woman in White (1948)

Underscoring (Tense)0:05:38 - Walter talks to a man in the carriagecarriage | conversing | establish character | forest | leading man | stinger | tense | underscoring

The Woman in White (1948)

Fosco0:05:43 - The carriage rolls awaycarriage | departing | establish character | fanfare | forest | leading man | tense

The Woman in White (1948)

The Carman's Whistle (Arriving) + Ann0:06:22 - The woman in white appearsarriving | calm | combination of themes | establish character | garden | leading lady | leading man | mansion | sneaking | tense | tremolo | walking

The Woman in White (1948)

Fosco (Molto Misterioso)0:19:16 - Fosco walks outsideadvance plot | garden | leading man | mysterious | room | tense | walking | watching

The Woman in White (1948)

Ann (Poco Agitato)0:20:03 - Walter sees Lauraconversing | establish character | garden | leading lady | leading man | mansion | tense | walking

The Woman in White (1948)

Ann (Poco Agitato)0:22:39 - Laura talks about a mysterious womanbutler | conversing | establish character | family | leading lady | leading man | mysterious | room | tense | walking

The Woman in White (1948)

Fosco0:22:53 - Closeup on Fosco's facebutler | conversing | establish character | family | leading lady | leading man | room | tense | walking

The Woman in White (1948)

The Carman's Whistle0:23:04 - Walter talks about the woman in whitebutler | conversing | establish character | family | leading lady | leading man | room | tense | walking

The Woman in White (1948)

Fosco0:23:42 - Fosco walks up the stairsbutler | establish character | leading man | pushing | room | rushing | tense | walking

The Woman in White (1948)

Ann (Misterioso)0:29:34 - Fosco sees Laura outsideadvance plot | conversing | leading lady | leading man | mysterious | room | tense | watching

The Woman in White (1948)

Ann0:40:45 - The woman in white talks to Walteradvance plot | conversing | garden | leading lady | leading man | mysterious | tense

The Woman in White (1948)

Hypnosis0:42:04 - The woman in white talks to Walteradvance plot | conversing | garden | leading lady | leading man | tense | underscoring

The Woman in White (1948)

Fosco (Misterioso)0:42:23 - The woman in white talks about Foscoadvance plot | conversing | garden | leading lady | leading man | tense

The Woman in White (1948)

Fosco (Slowly)0:43:36 - Walter and the woman in white approach the houseadvance plot | garden | leading lady | leading man | tense | walking

The Woman in White (1948)

Underscoring (Mysterious)0:45:40 - Laura enters the mansionbutler | conflict | conversing | cousin | fiancé | leading lady | mansion | mysterious | tense | underscoring

The Woman in White (1948)

Ann (Poco Agitato)0:46:06 - Walter talks to Marianarguing | conflict | cousin | leading lady | leading man | mansion | tense

The Woman in White (1948)

Hypnosis0:51:33 - The servants greet Marianadvance plot | arriving | butler | conversing | cousin | leading lady | mansion | servant | tense

The Woman in White (1948)

Fosco (Misterioso 2)0:51:57 - Marian learns that the countess is in the houseadvance plot | arriving | butler | conversing | cousin | leading lady | mansion | servant | stinger | tense

The Woman in White (1948)

Pavan (Agitato 2)0:58:59 - Laura enters Marian's roomadvance plot | conversing | cousin | greeting | leading lady | passionate | room | tense

The Woman in White (1948)

Asylum1:01:26 - Laura suffers from a headacheaching | advance plot | agitated | conversing | cousin | headache | illness | illness effect | leading lady | pain | room | somber | tense | victim

The Woman in White (1948)

Sneaking1:02:12 - Marian leaves wearing a cloakadvance plot | antagonist | conversing | cousin | criminal | eavesdropping | father | husband | leading lady | leading man | room | sneaking | somber | tense

The Woman in White (1948)

Fosco (Misterioso Slowly)1:04:48 - Count Fosco leaves the roomadvance plot | antagonist | conversing | cousin | criminal | eavesdropping | father | husband | leading lady | leading man | lightning | mysterious | room | sneaking | storm | tense

The Woman in White (1948)

Fosco1:12:05 - Fosco talks to the maidagitated | anger | antagonist | conflict | criminal | doctor | headache | husband | illness | leading lady | leading man | pain | room | searching | servant | tense | victim | walking

The Woman in White (1948)

Fosco (Molto Agitato)1:12:15 - Fosco walksagitated | anger | antagonist | conflict | criminal | dark | doctor | headache | husband | illness | leading lady | leading man | pain | room | rushing | searching | servant | tense | victim | walking

The Woman in White (1948)

Ann (Accelerando) + Fosco (Dark)1:12:47 - Fosco leavesagitated | anger | antagonist | combination of themes | conflict | conversing | criminal | departing | doctor | husband | leading man | room | rushing | searching | tense | walking

The Woman in White (1948)

Fosco (Screwy)1:13:05 - The countess enters quietlyadvance plot | arriving | helping | mysterious | room | sneaking | tense | time lapse | victim | wife

The Woman in White (1948)

Fosco (Sneaking)1:13:18 - The countess sneaks into Laura's roomadvance plot | helping | illness | leading lady | mysterious | room | servant | sleeping | sneaking | tense | victim | wife

The Woman in White (1948)

Adagio1:13:26 - The countess helps Lauraadvance plot | gentle | helping | illness | leading lady | room | servant | sleeping | tense | victim | whispering | wife

The Woman in White (1948)

Fosco (Sneaking)1:13:48 - The maid leavesadvance plot | departing | helping | illness | leading lady | mysterious | room | servant | sleeping | sneaking | tense | victim | wife

The Woman in White (1948)

Underscoring (Mysterious)1:13:57 - The countess looks aroundadvance plot | helping | illness | leading lady | mysterious | room | sleeping | sneaking | tense | underscoring | victim | wife

The Woman in White (1948)

Hypnosis (Misterioso con moto)1:16:57 - The countess talks to the woman in whiteconversing | death scene | leading lady | mysterious | room | tense | victim | wife

The Woman in White (1948)

Hypnosis1:18:17 - The woman in white hears Fosco's voicedeath scene | hearing voices | leading lady | madness | mysterious | room | tense | victim | wife

The Woman in White (1948)

Fosco (Misterioso)1:18:29 - The woman in white hears Sir Percival's voiceantagonist | arriving | criminal | death scene | hearing voices | husband | leading lady | madness | mysterious | room | screaming | shock | surprise | tense | victim | wife

The Woman in White (1948)

Appearing1:18:48 - The woman in white clutches her heartantagonist | criminal | death scene | dying | husband | leading lady | mickey-mousing | room | screaming | shock | surprise | tense | victim | wife

The Woman in White (1948)

Asylum + Ann + Hypnosis1:27:35 - Laura hears Count Fosco's voice in her headasylum | combination of themes | hearing voices | hypnosis | leading lady | mad scene | mysterious | sneaking | tense | victim

The Woman in White (1948)

Ann1:28:02 - Laura exchanges the keysasylum | hypnosis | key | leading lady | mad scene | mysterious | sneaking | tense | victim

The Woman in White (1948)

Hypnosis + Fosco1:30:32 - Count Fosco leavesantagonist | carriage | combination of themes | criminal | dark | husband | hypnotist | leading man | leaving | murderer | ominous | plotting | spy | spying | street | tense | transition

The Woman in White (1948)

Underscoring (Tense)1:39:05 - The butler entersadvance plot | butler | conversing | criminal | friend | leading lady | leading man | love interest | murderer | room | tense | underscoring

The Woman in White (1948)

Fosco (Dying)1:45:34 - The Countess picks up the necklacearriving | climax | criminal | death | dramatic | dying | falling | friend | knife | leading lady | leading man | love interest | murder | murderer | necklace | revenge | rising | room | stinger | tense | victim | violent | wife
The Public Defender (1931)Violence0:00:41 - Cast list and balancing scalesbalancing | cast list | diminished 7th chord | dramatic | main title | opening title sequence | tense | transcribed by ear | violence

The Public Defender (1931)

Crowd thronging0:01:17 - A crowd pressing towards a guarded doorarguing | chromatic scale | crowd | hurried | noise | street | tense | transcribed by ear | transition
Transgression (1931)Gong0:50:00 - Don Arturo is shotdeath | dying | gun | gunshot | leading lady | love interest | murder | murderer | murdering | murder scene | room | tense | victim
Is My Face Red? (1932)Steam whistle0:15:08 - A steam whistle blowsboat | chromatic scale | mickey-mousing | polychord | steam whistle | tense | transcribed by ear | transition

Is My Face Red? (1932)

Sailing of the Olympic (Argument)0:16:24 - Two people argueadvance plot | arguing | boat | eavesdropping | leading man | parallelism | tense | transcribed by ear

Is My Face Red? (1932)

Sailing of the Olympic (Commotion)0:16:39 - Four people talk at once to Mildredadvance plot | arguing | argument | boat | chromatic sequence | eavesdropping | hurried | leading lady | leading man | metric dissonance | parallelism | tense | transcribed by ear

Is My Face Red? (1932)

Sailing 20:21:30 - Boat cuts through the wavesboat | parallelism | sailing | sailor | tense | transcribed by ear | transition | waves | whole-tone
Men of America (1932)Cimarron B (Transition)0:02:19 - Smokey Joe fights the Indiansambush | chromatic mediant | cowboy | dramatic | establish character | establish setting | fragmentation | gun | gunshot | horse | Indian | leading man | prairie | riding | self-borrowing | shooting | stagecoach | tense | title card | transcribed by ear

Men of America (1932)

Symphony no. 5: IV0:26:35 - Car radio plays classical musicadvance plot | bold | car | conversing | criminal | radio | source music | tense
Penguin Pool Murder (1932)Penguin Pool Murder0:00:23 - Main title, starring list, and cast listcast list | chromatic parallelism | diminution | diving | double exposure | dramatic | hemiola | linear chromaticism | mysterious | opening title sequence | penguin | pool | starring list | swimming | tense | thematic transformation | through-composed | title of film | transcribed by ear | whirlpool | whole-tone | whole-tone chord

Penguin Pool Murder (1932)

Sea Creatures0:01:39 - A shark, an octopus, and a fishestablish setting | fish | mysterious | octopus | shark | swimming | tense | transcribed by ear | tritone | underwater | whole-tone
Secrets of the French Police (1932)La marseillaise (Distressed)0:01:00 - Cast listcast list | diminished 7th chord | drumroll | France | newspaper | on-screen music | opening title sequence | page turn | patriotic tune | source music | tense
Thirteen Women (1932)Drum Roll0:06:18 - June and May performcircus | death scene | fear | performer | preparing | source music | tense | trapeze

Thirteen Women (1932)

The Swami (Rising Tension)0:09:53 - The swami shrinks from Ursula's gazeantagonist | conversing | establish character | fate | fortune teller | leading lady | mysterious | parallelism | room | swami | tense | transcribed by ear

Thirteen Women (1932)

Ursula (Agitato)0:11:16 - Ursula tears up the horoscopeaccented dissonance | advance plot | agitated | antagonist | destroying | horoscope | leading lady | room | tearing | tense | transcribed by ear

Thirteen Women (1932)

Ursula (Exotic) + The Train0:23:07 - Helen points the gun at herself and criesantagonist | combination of themes | crying | exotic | exoticism | gun | Gypsy major scale | hypnotic | murderer | murder scene | pedal tone | suicide | tense | train | train | transcribed by ear | traveling | victim

Thirteen Women (1932)

Ursula (Suicide)0:24:18 - Helen commits suicideantagonist | chromaticism | committing suicide | dying | exotic | exoticism | gun | gunshot | hypnotic | murderer | murder scene | pc set | pedal tone | stinger | suicide | tense | train | train | transcribed by ear | traveling | victim
Don’t Turn ‘em Loose (1936)Gimpy Walk0:26:00 - Bob walksadvance plot | appoggiatura | gangster | imposter | leading man | oscillation | pacing | room | street | tense | walking

Don’t Turn ‘em Loose (1936)

Gimpy Walk0:26:12 - Bob walksadded-note chord | advance plot | gangster | imposter | leading man | oscillation | pacing | room | street | tense | walking

Don’t Turn ‘em Loose (1936)

Makes You Forget Your Troubles (Dream Sequence)0:39:59 - Bob (Bat) pulls a gun on Graceaugmented sixth chord | cheerful | confronting | fragmentation | frantic | gangster | gun | gunshot | half-diminished 7th chord | leading man | mirror shot | moll | murder | murderer | murder scene | popular music | reacting | room | screaming | sequence | shooting | simulated source music | source music | staring | tense | threatening | victim
We're Only Human (1935)Lullaby (Adagio)0:23:36 - Pete watches the car drive awayconflict | conversing | detective | diminished 7th chord | direct modulation | dissonant bass | food | leading lady | leading man | love interest | reacting | reporter | street | tense

We're Only Human (1935)

Gypo Runs Away0:27:09 - Pete and Danny hideaction scene | agitated | chromatic parallelism | detective | diminished 7th chord | gangster | hiding | leading man | street | tense

We're Only Human (1935)

The Informer (Up the Stairs)0:27:17 - Pete prepares to advance64 chord | action scene | agitated | bank | chromatic sequence | detective | dodging | fragmentation | gangster | gunshot | hiding | leading man | preparing | running | stinger | tense

We're Only Human (1935)

Blood Money (Four Coins)0:27:37 - Pete and Danny hideaction scene | bank | detective | gangster | half-diminished 7th chord | hiding | leading man | mysterious | preparing | sneaking | tense

We're Only Human (1935)

The Informer (Lying)0:27:51 - Danny prepares to advanceaction scene | bank | chromatic sequence | detective | diminished 7th chord | dissonant bass | gangster | half-diminished 7th chord | hiding | leading man | octatonic | preparing | sneaking | tense

We're Only Human (1935)

Kong 10:28:23 - Pete jumps on a criminalaction scene | bank | chromatic parallelism | detective | dramatic | fighting | gangster | jumping | leading man | pedal tone | punching | tense

We're Only Human (1935)

Kong 20:28:34 - Pete handcuffs a criminalaction scene | bank | detective | dramatic | fighting | gangster | leading man | mysterious | tense | whole-tone | whole-tone chord

We're Only Human (1935)

The Informer (Drinking)0:28:39 - Pete stands upaction scene | bank | detective | gangster | leading man | octatonic | standing | tense | whole-tone chord

We're Only Human (1935)

Blood Money (Extended)0:28:58 - Pete walks away with the criminalaction scene | arguing | augmented triad | bank | detective | gangster | leading man | mysterious | tense | tritone | whole-tone

We're Only Human (1935)

Katie (Begging)0:29:21 - Close up on Danny64 chord | action scene | bank | calling | detective | gangster | leading man | sequence | serious | tense | victim

We're Only Human (1935)

Begging0:29:35 - Pete talks with Dannyaction scene | arguing | bank | detective | diminished 7th chord | dissonant bass | gangster | leading man | pedal tone | sequence | serious | tense | victim

We're Only Human (1935)

Russian Waltz (Poco Agitato)1:02:12 - Getting out the carcar | chromatic scale | climax | conflict | dark | detective | leading lady | leading man | reporter | sneaking | tense | victim | yard

We're Only Human (1935)

Game 31:02:23 - Approaching the housechromatic parallelism | chromatic parallelism | climax | conflict | detective | leading lady | leading man | mysterious | pc set | reporter | sneaking | tense | victim | yard

We're Only Human (1935)

Russian Waltz (Pizzicato)1:02:55 - Spying on the houseclimax | conflict | detective | leading lady | leading man | mysterious | reporter | sneaking | tense | victim | yard

We're Only Human (1935)

Saroff1:03:07 - They arguearguing | chromatic scale | climax | conflict | detective | leading lady | leading man | mysterious | reporter | tense | victim | whole-tone | whole-tone chord | yard

We're Only Human (1935)

The Informer (Burning Poster) + Blood Money1:03:25 - A man falls to the groundclimax | conflict | crawling | detective | diminished 7th chord | dying | gunshot | leading lady | leading man | mysterious | octatonic | reporter | Scotch snap | shooting | tense | tone cluster | victim | yard

We're Only Human (1935)

The Wearin' o' the Green (Fighting)1:03:42 - Pete prepares to advancechromatic parallelism | climax | conflict | detective | dramatic | fragmentation | gunshot | leading lady | leading man | reporter | running | sequence | shooting | tense | underscoring | victim | yard

We're Only Human (1935)

The Informer (Tense)1:04:11 - Pete prepares to enter the houseclimax | conflict | detective | leading man | mysterious | Scotch snap | sneaking | tense | whole-tone | whole-tone chord | yard

We're Only Human (1935)

Game 41:04:54 - Pete crawls on the floorclimax | conflict | crawling | detective | gangster | leading man | murderer | room | tense | underscoring | whole-tone chord

We're Only Human (1935)

Game 51:05:03 - Pete prepares to shootchromatic parallelism | climax | conflict | detective | gangster | gunshot | leading man | murderer | pc set | pedal tone | room | shooting | sneaking | tense | underscoring | whole-tone chord

We're Only Human (1935)

Blood Money (Counting Money)1:05:25 - Pete looks at the fallen manclimax | conflict | detective | gangster | leading man | murderer | mysterious | room | sneaking | tense | tone cluster

We're Only Human (1935)

Game 61:05:34 - Pete dodges gunfireclimax | conflict | dark | detective | gangster | leading man | murderer | room | sneaking | taunting | tense | underscoring

We're Only Human (1935)

Game 71:05:48 - Pete runs up the stairs9th chord | climax | conflict | detective | dramatic | gangster | leading man | murderer | parallelism | pc set | pedal tone | room | running | rushing | tense | underscoring | whole-tone chord

We're Only Human (1935)

Game 81:05:55 - Pete advances slowlyarguing | chromatic scale | climax | conflict | detective | gangster | half-diminished 7th chord | hostage | leading man | murderer | pedal tone | polychord | room | sneaking | taunting | tense | tricking | underscoring
Another Face (1935)Russian Waltz (Meno) + The Iron Door0:02:11 - Gangsters talk with doctorchromatic scale | combination of themes | conversing | doctor | establish character | gangster | mysterious | nurse | office | pedal tone | tense

Another Face (1935)

Underscoring (Tense)0:02:30 - Gangster talks with nursechromatic parallelism | conversing | doctor | establish character | gangster | half-diminished 7th chord | nurse | office | tense | underscoring

Another Face (1935)

Zaroff (Molto Moderato) + The Iron Door0:02:43 - The gangsters departchromatic scale | combination of themes | conversing | departing | doctor | establish character | gangster | half-diminished 7th chord | mysterious | nurse | office | tense

Another Face (1935)

Courage + The Iron Door0:02:53 - Close up on the nursedramatic | establish character | gangster | headline | laughing | newspaper | nurse | office | pedal tone | reacting | reading | stinger | tense

Another Face (1935)

Underscoring (Mysterious)0:03:08 - Gangster smoking in chairaugmented triad | chromatic parallelism | establish character | gangster | office | smoking | tense | underscoring | waiting

Another Face (1935)

Russian Waltz (Poco Agitato)0:04:46 - Nurse argues with doctoradvance plot | arguing | blackmail | doctor | nurse | operating room | tense

Another Face (1935)

Zaroff (Poco Agitato)0:05:01 - Nurse argues with doctoradvance plot | arguing | blackmail | chromatic parallelism | doctor | half-diminished 7th chord | nurse | operating room | tense

Another Face (1935)

Courage (Hiding)0:05:09 - Doctor threatens nurseadvance plot | arguing | blackmail | doctor | nurse | operating room | tense | whole-tone chord
Without Honor (1949)Molto Misterioso0:05:03 - Jane walks to the dooradulterer | affair | conversing | establish character | leading lady | leading man | love interest | mysterious | room | tense

Without Honor (1949)

Twilight (Agitato)0:08:54 - Jane talks to Dennisadulterer | affair | arguing | breaking up | breakup | crying | death scene | kitchen | leading lady | leading man | love interest | mysterious | ominous | tense

Without Honor (1949)

Underscoring (Tense)0:10:30 - Jane looks at Dennis's bodyaddicent | adulterer | corpse | death | death scene | kitchen | knife | leading lady | leading man | love interest | reacting | skewer | tense | thinking | underscoring

Without Honor (1949)

Fingers0:10:54 - Jane's fingers start twitchingaddicent | adulterer | corpse | crazed | death | death scene | hand | kitchen | knife | leading lady | leading man | love interest | mysterious | reacting | skewer | tense | thinking | twitching

Without Honor (1949)

Underscoring (Tense)0:12:11 - Jane wipes blood off of the floorblood | death scene | kitchen | leading lady | ominous | tense | underscoring | washing

Without Honor (1949)

Underscoring (Tense)0:12:58 - Jane walks forwardadvance plot | leading lady | room | telephone | tense | thinking | underscoring

Without Honor (1949)

Underscoring (Tense)0:14:37 - Jane stares at herself in the mirroradvance plot | audible thoughts | blaming | crying | leading lady | mirror | room | tense | thinking | underscoring

Without Honor (1949)

Underscoring (Tense)0:15:21 - advance plot | calling | conversing | doorbell | fidgeting | leading lady | room | telephone | tense | underscoring | walking

Without Honor (1949)

Chromatic Clarinet0:16:42 - Jane talks to the girl scoutsadvance plot | child | leading lady | reacting | room | scout | tense | underscoring | walking

Without Honor (1949)

Underscoring (Tense)0:17:03 - Jane talks to the girl scoutsadvance plot | child | conversing | fidgeting | leading lady | room | scout | tense | underscoring

Without Honor (1949)

Underscoring (Dramatic)0:21:29 - Bill heads towards the laundry roomantagonist | brother | conflict | corpse | door | dramatic | kitchen | leading lady | leading man | reacting | rushing | tense | underscoring

Without Honor (1949)

Twilight (Tense)0:21:51 - Jane cleans off Bill's sleeveantagonist | brother | cleaning | conflict | conversing | corpse | door | kitchen | leading lady | leading man | opening | tense

Without Honor (1949)

Cleaning0:21:57 - Jane cleans off Bill's sleeveantagonist | brother | cleaning | cleaning effect | conflict | conversing | corpse | door | kitchen | leading lady | leading man | mickey-mousing | tense

Without Honor (1949)

Underscoring (Tense)0:22:07 - Bill tosses the towelantagonist | brother | conflict | conversing | corpse | door | kitchen | leading lady | leading man | tense | tossing | underscoring

Without Honor (1949)

Misterioso0:22:17 - Jane reactsantagonist | brother | conflict | kitchen | leading lady | leading man | mysterious | taunting | tense

Without Honor (1949)

Rubato0:22:34 - Bill talks with Janeantagonist | brother | conflict | dramatic | kitchen | leading lady | leading man | memory | rushing | taunting | tense

Without Honor (1949)

Tension0:22:52 - Jane gives Bill a drinkantagonist | brother | conflict | kitchen | leading lady | leading man | memory | taunting | tense | underscoring | uneasy

Without Honor (1949)

Valse Triste (Poco Appassionato)0:23:31 - Bill grabs Jane's armantagonist | brother | conflict | dramatic | grabbing | kitchen | leading lady | leading man | memory | reacting | recounting | tense | waltz

Without Honor (1949)

Underscoring (Tense)0:37:33 - Jane climbs out the windowaction scene | escaping | hiding | leading lady | running | tense | underscoring | window | yard

Without Honor (1949)

Jumping down0:37:38 - Jane jumps to the grouldaction scene | descending | jumping | leading lady | mickey-mousing | tense | window | yard

Without Honor (1949)

Good Humor Truck + Underscoring (Tense)0:37:46 - Jane runs to the road | action scene | combination of themes | escaping | hiding | ice cream truck | leading lady | running | scored source music | source music | street | tense | underscoring

Without Honor (1949)

Underscoring (Tense)0:38:12 - Jane gets sprayed by a hoseaction scene | bus | conversing | leading lady | neighbor | street | tense | underscoring

Without Honor (1949)

Misterioso (Molto Rubato)0:43:10 - Bill talks with Fredantagonist | brother | conflict | conversing | husband | leading lady | leading man | reveal | room | secret | tense | warning

Without Honor (1949)

Underscoring (Tense)0:49:48 - Bill talks to Fredantagonist | brother | conflict | conversing | husband | leading lady | leading man | reveal | room | secret | tense | thinking | wife

Without Honor (1949)

Tension (Molto Misterioso)0:50:03 - Bill stares at Janeanger | antagonist | brother | conflict | conversing | demanding | dramatic | husband | leading lady | leading man | reveal | room | secret | slapping | tense | wife

Without Honor (1949)

Agitation (Appassionato)0:52:28 - Jane criesagitated | antagonist | brother | climax | confessing | confession | crying | demanding | husband | leading lady | leading man | room | tense | wife

Without Honor (1949)

Underscoring (Dramatic)0:53:45 - Jane screamsantagonist | blood | brother | climax | confession | dramatic | handprint | husband | leading lady | leading man | room | screaming | tense | underscoring | wife

Without Honor (1949)

Desperation (The Scream)0:53:50 - They look at the bloody handprintantagonist | blood | brother | climax | confession | departing | dramatic | handprint | husband | investigating | leading lady | leading man | room | screaming | searching | tense | wife | yard

Without Honor (1949)

Appassionato 2 (Agitato)0:54:14 - Jane exits the houseclimax | leading lady | searching | tense | wandering | yard

Without Honor (1949)

Appassionato (Broad)0:54:27 - Bill talks on the phoneantagonist | brother | calling | climax | leading lady | leading man | room | searching | telephone | tense | wandering | yard

Without Honor (1949)

Desperation0:54:35 - The orchardclimax | leading lady | orchard | searching | tense

Without Honor (1949)

Twilight (Bloody Hand)0:54:40 - Jane looks around the orchardclimax | leading lady | orchard | searching | tense

Without Honor (1949)

Twilight (Molto Expressivo)0:54:55 - Jane is startledclimax | leading lady | orchard | searching | tense

Without Honor (1949)

Tension (Extended)0:58:12 - Mrs. Williams talks to Fred and Billantagonist | bathroom | brother | climax | conversing | forgiveness | husband | leading lady | leading man | razor blade | room | tense | wife

Without Honor (1949)

Valse Triste (Reeds)1:04:26 - Fred argues with Billantagonist | arguing | brother | husband | leading man | resolution | room | tense

Without Honor (1949)

Valse Triste (Triple Beguin)1:05:18 - Fred starts to leave for the hospitalantagonist | arguing | brother | fighting | husband | leading man | punching | resolution | tense | yard

Without Honor (1949)

Appassionato 2 (Broad)1:05:32 - Fred gets in his caranger | antagonist | brother | car | complaining | departing | dramatic | driving | husband | leading man | resolution | street | tense | yard

Without Honor (1949)

Valse Triste (Agitato)1:05:49 - Bill tries to stop Fredanger | antagonist | brother | car | chasing | complaining | departing | dramatic | driving | harsh | husband | leading man | resolution | running | street | tense | yelling
The Most Dangerous Game (1932)The Iron Door0:00:14 - Large iron doorcastle | cast list | door | door knocker | knocking | mysterious | opening | opening title sequence | statue | tense | title of film | zoom in | zoom out

The Most Dangerous Game (1932)

The Wreck0:07:15 - A sinking shipaction scene | captain | crew | leading man | ocean | ship | ship wreck | sinking | swimming | tense

The Most Dangerous Game (1932)

Swimming0:07:56 - Bob swims awayaction scene | beach | dramatic | escaping | leading man | mickey-mousing | ocean | ship wreck | swimming | tense

The Most Dangerous Game (1932)

Getting up0:08:51 - Bob rises to his feetbarking | beach | establish setting | leading man | looking | mickey-mousing | mysterious | rising | standing | tense

The Most Dangerous Game (1932)

Climbing0:08:58 - Bob climbs the rocksbeach | climbing | establish setting | leading man | mickey-mousing | tense

The Most Dangerous Game (1932)

The Approach0:09:31 - Bob approachesapproaching | establish setting | jungle | leading man | tense | walking

The Most Dangerous Game (1932)

Russian Waltz (Upstairs)0:26:51 - Eve goes up the stairsadvance plot | ascending | brother | castle | conversing | count | departing | drunk | leading lady | leading man | mickey-mousing | mute | mysterious | servant | source to score | stairs | tense | walking

The Most Dangerous Game (1932)

Zaroff (Stinger)0:27:05 - A closeup on Ivanadvance plot | brother | castle | close-up | conversing | count | drunk | leading lady | leading man | mute | mysterious | servant | stinger | tense

The Most Dangerous Game (1932)

Emotions0:29:42 - Eve comes inagitated | candle | castle | conversing | fear | leading lady | leading man | tense | turning point

The Most Dangerous Game (1932)

Emotions 20:29:59 - Eve talks with Bobagitated | candle | castle | conversing | fear | leading lady | leading man | tense | turning point

The Most Dangerous Game (1932)

Russian Waltz (Sneaking)0:30:29 - Bob and Eve sneak downstairscandle | castle | descending | leading lady | leading man | mysterious | sneaking | tense | turning point | walking

The Most Dangerous Game (1932)

The Approach (Sneaking)0:30:39 - Bob and Eve sneak downstairscandle | castle | descending | leading lady | leading man | mysterious | sneaking | tense | turning point | walking

The Most Dangerous Game (1932)

The Iron Door (Tense)0:36:27 - Zaroff looks at Bob's watchaction scene | castle | commanding | count | leading man | mute | prisoner | servant | shackles | stinger | tense | villain

The Most Dangerous Game (1932)

Walking0:36:42 - Zaroff walks to the dooraction scene | agitated | castle | closing | count | leading man | marching | mickey-mousing | mute | preparing | prisoner | servant | tense | villain | walking

The Most Dangerous Game (1932)

The Iron Door (Fangs and Claws)0:37:00 - Zaroff gives Bob a knifeaction scene | castle | commanding | count | giving | knife | leading man | mute | preparing | prisoner | servant | tense | threatening | villain

The Most Dangerous Game (1932)

Emotions (Agitato)0:37:04 - The iron dooraction scene | agitated | castle | descending | door | fear | leading lady | opening | running | rushing | screaming | tense

The Most Dangerous Game (1932)

Emotions 2 (Agitato)0:37:23 - Eve runs to Bobaction scene | agitated | arriving | castle | conversing | count | fear | leading lady | leading man | mute | prisoner | servant | tense | villain

The Most Dangerous Game (1932)

Russian Waltz (Meno) + The Iron Door0:37:30 - Zaroff talks about the gameaction scene | castle | combination of themes | conversing | count | leading lady | leading man | mute | prisoner | servant | tense | villain

The Most Dangerous Game (1932)

Underscoring (Tense)0:37:49 - Zaroff talks about the gameaction scene | castle | conversing | count | leading lady | leading man | mute | prisoner | servant | tense | underscoring | villain

The Most Dangerous Game (1932)

Zaroff (Molto Moderato) + The Iron Door0:38:01 - Zaroff talks about the gameaction scene | castle | combination of themes | conversing | count | leading lady | leading man | mute | prisoner | servant | tense | villain

The Most Dangerous Game (1932)

Courage + The Iron Door0:38:17 - Bob and Eve leaveaction scene | agitated | castle | combination of themes | count | departing | leading lady | leading man | mute | prisoner | servant | tense | villain

The Most Dangerous Game (1932)

Courage (Tone Cluster)0:41:32 - Bob builds a trapaction scene | jungle | knife | leading lady | leading man | mysterious | preparing | stinger | tense | trap | victim

The Most Dangerous Game (1932)

Russian Waltz (Poco Agitato)0:42:12 - The Count approachesaction scene | count | dark | hiding | hunting | jungle | knife | leading lady | leading man | sneaking | stalking | tense | trap | victim | villain | waiting | watching

The Most Dangerous Game (1932)

Zaroff (Poco Agitato)0:42:25 - Bob and Eve hide in a caveaction scene | agitated | count | hiding | hunting | jungle | knife | leading lady | leading man | sneaking | stalking | tense | trap | victim | villain | waiting | watching

The Most Dangerous Game (1932)

Courage (Hiding)0:42:33 - Bob and Eve watch and waitaction scene | combination of themes | count | hiding | hunting | jungle | knife | leading lady | leading man | mysterious | sneaking | stalking | tense | trap | victim | villain | waiting | watching

The Most Dangerous Game (1932)

The Count Approaches0:42:44 - The Count approaches slowlyaction scene | approaching | arrow | count | dark | hiding | hunting | jungle | knife | leading lady | leading man | shooting | sneaking | stalking | tense | trap | victim | villain | waiting | watching

The Most Dangerous Game (1932)

Emotions (Agitato Mysterioso)0:43:29 - Eve reacts to the arrowaction scene | agitated | count | hiding | hunting | jungle | knife | leading lady | leading man | sneaking | stalking | tense | victim | villain | waiting | watching

The Most Dangerous Game (1932)

Emotions 2 (Agitato Mysterioso)0:43:44 - Bob and Eve watch and waitaction scene | agitated | count | hiding | hunting | jungle | knife | leading lady | leading man | sneaking | stalking | tense | victim | villain | waiting | watching

The Most Dangerous Game (1932)

Courage (Allegro)0:44:26 - Bob prepare to leaveaction scene | agitated | departing | hiding | jungle | knife | leading lady | leading man | sneaking | tense | victim | waiting | watching

The Most Dangerous Game (1932)

Mysterioso Dramatico0:45:01 - Bob and Eve look for Zaroffaction scene | conversing | fanfare | heroic | jungle | leading lady | leading man | preparing | tense | victim | watching

The Most Dangerous Game (1932)

Russian Waltz (Low Brass)0:45:12 - Bob talks with Eveaction scene | conversing | jungle | leading lady | leading man | preparing | tense | victim | watching

The Most Dangerous Game (1932)

Emotions (Running Away)0:45:17 - Eve runs awayaction scene | agitated | chasing | fleeing | following | jungle | leading lady | leading man | running | tense | victim

The Most Dangerous Game (1932)

Emotions 2 (Running Away)0:45:34 - Eve jumps over a creviceaction scene | agitated | chasing | fleeing | following | jungle | leading lady | leading man | running | tense | victim

The Most Dangerous Game (1932)

Underscoring (Dramatic)0:45:41 - Bob catches Eveaction scene | agitated | catching | conversing | convincing | jungle | leading lady | leading man | tense | underscoring | victim

The Most Dangerous Game (1932)

The Approach (Quasi Mysterioso)0:46:16 - Bob jumps over the creviceaction scene | agitated | jungle | leading lady | leading man | plotting | preparing | tense | trap | victim |