| All This, and Heaven Too (1940) | Henriette (Molto Moderato) | 2:04:10 - Women in prison | double exposure | headline | leading lady | montage | newspaper | oscillation | pacing | prison | prisoner | solemn | suspect | walking |
All This, and Heaven Too (1940) | Heaven Theme (Expressivo) | 2:05:06 - Henry talks to Henriette | advance plot | calm | conversing | gentle | leading lady | minister | pleasant | prison | prisoner | suspect | suspension |
All This, and Heaven Too (1940) | Dolce | 2:05:51 - Henriette talks to Henry | 9th chord | 11th chord | advance plot | calm | common-chord modulation | conversing | gentle | leading lady | minister | pleasant | prison | prisoner | suspect |
All This, and Heaven Too (1940) | Underscoring (Tense) | 2:06:17 - Henriette argues with Henry | advance plot | arguing | fragmentation | leading lady | minister | pedal tone | prison | prisoner | sequence | suspect | tense | underscoring |
All This, and Heaven Too (1940) | Heaven Theme (Delicato) | 2:06:34 - Henry talks to Henriette | advance plot | calm | conversing | gentle | leading lady | minister | pleasant | prison | prisoner | suspect |
All This, and Heaven Too (1940) | Raynald (Delicato) | 2:06:46 - Henry talks to Henriette | advance plot | conversing | delicate | leading lady | minister | mode change | prison | prisoner | suspect | tender | tense | worrying |
All This, and Heaven Too (1940) | Heaven Theme (Dolce) | 2:06:58 - Henry talks to Henriette | advance plot | conversing | gentle | leading lady | minister | prison | prisoner | suspect |
All This, and Heaven Too (1940) | Henriette (The Truth) | 2:07:07 - Henry talks to Henriette | advance plot | calm | conversing | deceptive resolution | leading lady | minister | prison | prisoner | suspect |
All This, and Heaven Too (1940) | Henriette (Ostinato) | 2:10:09 - A carriage leaves | carriage | crowd | dramatic | fragmentation | leading lady | mob | ominous | ostinato | prisoner | soldier | street | suspect | tense | transition | traveling |
All This, and Heaven Too (1940) | Underscoring (Tense) | 2:10:17 - A carriage arrives at the palace | 9th chord | arriving | carriage | chromatic scale | leading lady | prisoner | soldier | street | suspect | tense | transition | traveling | underscoring |
All This, and Heaven Too (1940) | The Duke (Maestoso) | 2:10:50 - Henriette enters the Duke's palace | arriving | countermelody | dark | hearing voices | leading lady | mode change | palace | prisoner | soldier | spooky | suspect | transition | uneasy |
All This, and Heaven Too (1940) | Henriette (Ghostly) | 2:11:23 - Henriette hears voices | arriving | chromatic parallelism | dark | dissonant bass | hearing voices | leading lady | palace | prisoner | soldier | spooky | suspect | transition | uneasy |
All This, and Heaven Too (1940) | Henriette (Serious) | 2:11:50 - Henriette arrives upstairs | arriving | detective | hearing voices | leading lady | palace | prisoner | serious | soldier | solemn | somber | suspect | transition | whole-tone chord |
All This, and Heaven Too (1940) | Crying | 2:12:15 - Pierre looks at Henriette | 64 chord | caretaker | chromatic scale | crying | detective | devastated | leading lady | looking | palace | prisoner | soldier | somber | suspect | transition |
All This, and Heaven Too (1940) | Henriette (Noble) | 2:13:19 - Henriette comes into the Duke's room | arriving | dark | death scene | detective | duke | dying | hopeful | leading lady | leading man | mode mixture | noble | prisoner | room | soldier | suspect |
All This, and Heaven Too (1940) | Dying | 2:13:46 - The Duke in his death bed | chromatic scale | conversing | death bed | death scene | detective | dissonant bass | duke | dying | leading lady | leading man | prisoner | questioning | room | sad | soldier | suspect |
All This, and Heaven Too (1940) | Henriette (Duet) | 2:14:06 - A close-up on Henriette | appoggiatura | chromatic parallelism | conversing | death bed | death scene | deceptive resolution | detective | duke | dying | leading lady | leading man | mode mixture | prisoner | questioning | room | sad | soldier | suspect | tender |
All This, and Heaven Too (1940) | Henriette (Funereal) | 2:14:27 - Henriette leaves the Duke | conversing | death bed | death scene | detective | duke | dying | funeral march | leading lady | leading man | Neapolitan | parallelism | pedal tone | prisoner | questioning | room | sad | sigh gesture | soldier | suspect |
| Angels With Dirty Faces (1938) | The Gangster (Reformatory) | 0:05:04 - Sign: "Society for Juvenile Delinquents" | establish character | main title | Neapolitan | prisoner | reformatory | serious | sign | somber | teenager |
Angels With Dirty Faces (1938) | The Gangster (Fingerprints) | 0:06:17 - Montage of juvenile detention and prison life | digging | dramatic | establish character | fingerprints | foreign key modulation | headline | leading man | main title | marching | montage | mug shot | newspaper | prison | prisoner | reformatory | sequence | serious | working |
Angels With Dirty Faces (1938) | Underscoring (Mysterious) | 0:07:26 - Rocky talks with his lawyer | advance plot | conversing | dark | dissonant bass | gangster | lawyer | leading man | mysterious | prison | prisoner | underscoring |
Angels With Dirty Faces (1938) | The Gangster (Maestoso) | 0:08:07 - Discharge papers from the penitentiary | common-chord modulation | common-tone diminished 7th | ledger | main title | marching | mickey-mousing | montage | prison | prisoner | serious | solemn | transition | writing |
| Are These Our Children? (1931) | Dreams (Eddie’s Prayer) | 1:22:14 - Eddie behind bars | added-note chord | climax | crying | dramatic | jail | leading man | murderer | praying | prisoner | religious | sacred |
| Caged (1950) | Caged (Main Title) | NIF - not in film | car | chromatic scale | cut from film | dark | dissonant bass | driving | guard | opening title sequence | oscillation | police car | prisoner | riding | sigh gesture | title of film |
Caged (1950) | Police Van | NIF - not in film | car | cut from film | dark | diminished 7th chord | dissonant bass | driving | guard | opening title sequence | oscillation | point-of-view shot | police car | polychord | prisoner | riding | siren effect | tense | whole-tone chord |
Caged (1950) | Caged (Van Stops) | NIF - not in film | car | chromatic parallelism | cut from film | dark | dissonant bass | driving | guard | opening title sequence | police car | prisoner | riding | tense |
Caged (1950) | Prisoners get out | NIF - not in film | car | cut from film | exiting | guard | opening title sequence | pc set | police car | prisoner | quartal chord | tense | whole-tone chord |
Caged (1950) | Marie (Main Title) | NIF - not in film | augmented sixth chord | car | cut from film | dark | guard | leading lady | looking | opening title sequence | police car | prisoner | tense |
Caged (1950) | Prison | NIF - not in film | 9th chord | augmented sixth chord | conversing | cut from film | dark | exiting | guard | leading lady | opening title sequence | police car | prison | prisoner | suspension | underscoring |
Caged (1950) | Caged | 0:00:08 - Title of film | car | cast list | chromatic scale | dark | dissonant bass | driving | guard | opening title sequence | point-of-view shot | police car | prisoner | title of film |
Caged (1950) | Marie | 0:08:04 - Marie poses for mugshot | augmented sixth chord | camera | dissonant bass | establish character | guard | leading lady | mug shot | photographer | photographing | prison | prisoner | sigh gesture | somber |
Caged (1950) | Isolation Ward | 0:08:54 - Edna lying in a bed | 9th chord | conversing | dark | dissonant bass | establish character | illness | isolation | leading lady | mysterious | ominous | oscillation | prison | prisoner | rain | uneasy |
Caged (1950) | Marie (Tragic) | NIF - not in film | advance plot | augmented sixth chord | cut from film | dissonant bass | foreign key modulation | guard | leading lady | pc set | prison | prisoner | standing | uneasy |
Caged (1950) | Swimmy | NIF - not in film | advance plot | chromatic parallelism | chromatic scale | cut from film | disbelief | dissonant bass | fragmentation | guard | leading lady | pregnancy | prison | prisoner | reacting | realization | tense |
Caged (1950) | Molto Expressivo | NIF - not in film | 9th chord | advance plot | arriving | cut from film | disbelief | foreign key modulation | guard | leading lady | pregnancy | prison | prisoner | realization | somber | stinger | tense | walking |
Caged (1950) | Mrs. Benton (Not in Film) | NIF - not in film | 9th chord | added-note chord | altered dominant | augmented sixth chord | comforting | common-tone modulation | crying | cut from film | disbelief | establish character | gentle | leading lady | mode mixture | office | pregnancy | prison | prisoner | realization | warden |
Caged (1950) | Crying | NIF - not in film | comforting | crying | cut from film | deceptive resolution | dramatic | establish character | leading lady | office | pregnancy | prison | prisoner | sequential modulation | warden |
Caged (1950) | Mrs. Benton (Not in Film 2) | NIF - not in film | comforting | crying | cut from film | establish character | foreign key modulation | gentle | leading lady | mode mixture | office | pregnancy | prison | prisoner | warden |
Caged (1950) | Marie 2 (Not in Film) | NIF - not in film | added-note chord | conversing | cut from film | establish character | gentle | leading lady | office | pregnancy | prison | prisoner | warden |
Caged (1950) | Lullaby | NIF - not in film | 9th chord | added-note chord | conversing | cut from film | establish character | gentle | leading lady | office | pregnancy | prison | prisoner | sequential modulation | warden |
Caged (1950) | Mrs. Benton (Not in Film 3) | NIF - not in film | altered dominant | chromatic mediant | conversing | cut from film | establish character | gentle | guard | leading lady | mode mixture | office | pregnancy | prison | prisoner | reading | room | sigh gesture | warden |
Caged (1950) | Bird in a Cage | 0:30:00 - Inmates sleeping | advance plot | bed | crazy person | folk song | gentle | humming | leading lady | on-screen music | prison | prisoner | singing | source music |
Caged (1950) | Underscoring (Tense) | NIF - not in film | bed | crazy person | crying | cut from film | leading lady | mad scene | oscillation | prison | prisoner | sleeping | tense | underscoring |
Caged (1950) | Madness | NIF - not in film | agitated | bed | chromatic scale | crazy person | crying | cut from film | leading lady | mad scene | ostinato | prison | prisoner | sleeping | standing |
Caged (1950) | Train Whistle Hallucination | NIF - not in film | acceleration | agitated | bed | breaking | chromatic parallelism | chromatic scale | crazy person | crying | cut from film | diminished 7th chord | dramatic | glass | hallucinating | leading lady | mad scene | ostinato | pedal tone | polychord | prison | prisoner | screaming | smashing |
Caged (1950) | Caged (Not in Film) | NIF - not in film | bed | crazy person | crying | cut from film | dark | glass | leading lady | mad scene | pc set | prison | prisoner |
Caged (1950) | Wailing | NIF - not in film | agitated | bed | crazy person | crying | crying effect | cut from film | glass | leading lady | mad scene | ostinato | pc set | prison | prisoner | wailing |
Caged (1950) | Wailing + Train Whistle Hallucination | NIF - not in film | acceleration | agitated | bed | chromatic parallelism | chromatic scale | combination of themes | crazy person | crying | crying effect | cut from film | diminished 7th chord | dramatic | glass | leading lady | mad scene | ostinato | pedal tone | polychord | prison | prisoner | rushing | unlocking | wailing |
Caged (1950) | Wailing (Ominous) | NIF - not in film | bed | bleeding | blood | crazy person | crying | cut from film | dark | leading lady | mad scene | ominous | ostinato | prison | prisoner | tritone | wailing | whole-tone chord |
Caged (1950) | Prison Alarm | 0:32:00 - Ringing prison alarm | agitated | alarm | alarm effect | bell | double exposure | dramatic | guard | leading lady | mickey-mousing | montage | montage | prison | prisoner | ringing | waking | whole-tone chord | whole-tone scale | yelling |
Caged (1950) | Marie (Expressivo) | 0:32:12 - The prison laundry | alarm | augmented sixth chord | augmented triad | bell | double exposure | dramatic | guard | leading lady | metric displacement | montage | montage | prison | prisoner | ringing | roll call | working |
Caged (1950) | Prison Alarm | 0:32:22 - Ringing prison alarm | agitated | alarm | alarm effect | bell | double exposure | dramatic | eating | guard | leading lady | mickey-mousing | montage | montage | prison | prisoner | ringing | waking | whole-tone chord |
Caged (1950) | Underscoring (Dramatic) | 0:32:30 - Marie in the prison cafeteria | alarm | alarm effect | bell | chromatic parallelism | double exposure | dramatic | eating | fanning | guard | heat | leading lady | mickey-mousing | montage | montage | pc set | prison | prisoner | underscoring | whole-tone scale |
Caged (1950) | Prison | 0:32:40 - Marie working in the prison laundry | 9th chord | double exposure | dramatic | leading lady | montage | montage | prison | prisoner | suspension | working |
Caged (1950) | Underscoring (Dramatic) | 0:32:47 - Marie working in the prison laundry | alarm | alarm effect | augmented sixth chord | bell | chromatic scale | double exposure | dramatic | leading lady | mickey-mousing | montage | montage | pain | prison | prisoner | quick cuts | underscoring | working |
Caged (1950) | Marie (Dark) | 0:32:55 - Marie's medical report | augmented sixth chord | dark | double exposure | infirmary | leading lady | medical report | montage | montage | pain | prison | prisoner | working |
Caged (1950) | Marie (Slowly) | 0:35:14 - Marie talks to Kitty | advance plot | augmented sixth chord | chromatic mediant | conversing | foreign key modulation | friend | leading lady | oscillation | pc set | prison | prisoner | sickness | sigh gesture | solemn | uneasy |
Caged (1950) | Underscoring (Subtle) | 0:36:52 - June gets dressed for her parole board hearing | dressing | establish character | excited | friend | leading lady | prison | prisoner | sequential modulation | tense | underscoring |
Caged (1950) | June and Marie | 0:37:06 - June and Marie talk | conversing | establish character | foreign key modulation | friend | hopeful | leading lady | noble | prison | prisoner |
Caged (1950) | June | 0:37:27 - June and Marie talk | 11th chord | 13th chord | conversing | establish character | foreign key modulation | friend | hopeful | leading lady | melancholy | prison | prisoner | sequence | somber |
Caged (1950) | Underscoring (Dark) | 0:37:58 - June and Marie argue | arguing | dark | dissonant bass | establish character | friend | leading lady | prison | prisoner | underscoring |
Caged (1950) | June (Triste) | 0:38:14 - June and Marie talk | common-tone diminished 7th | conversing | cut from film | establish character | friend | leading lady | melancholy | prison | prisoner | somber |
Caged (1950) | June (Slowly) | 0:38:39 - Marie looks for June | arriving | chromatic mediant | conversing | deceptive resolution | establish character | friend | guard | leading lady | melancholy | minor-major 7th chord | prison | prisoner | somber |
Caged (1950) | June (Adagio) | 0:39:34 - Inmates play cards | cards | chromatic mediant | chromatic scale | close-up | conversing | establish character | foreign key modulation | friend | leading lady | melancholy | playing | prison | prisoner | somber | underscoring | uneasy |
Caged (1950) | June and Marie (Very Slow) | 0:39:59 - Marie helps June | 9th chord | consoling | dark | despair | establish character | friend | guard | helping | leading lady | prison | prisoner | somber | whole-tone chord |
Caged (1950) | Harper | 0:40:20 - Harper walks | dark | establish character | friend | guard | leading lady | mickey-mousing | prison | prisoner | tritone oscillation | walking | whole-tone chord |
Caged (1950) | June (Dead) | 0:43:38 - Shot of June's hanging body | common-tone diminished 7th | dark | death | death scene | friend | hanging | harsh | leading lady | prison | prisoner | suicide |
Caged (1950) | Crying (Poco Agitato) | 0:44:27 - Mrs. Benton paces | baby | childbirth | conversing | crying | doctor | infirmary | leading lady | mickey-mousing | operation scene | oscillation | pacing | prison | prisoner | tense | triadic transformation | uneasy | walking | warden |
Caged (1950) | Marie (Tragic) | 0:44:36 - Mrs. Benton paces | baby | childbirth | doctor | foreign key modulation | infirmary | leading lady | operation scene | pacing | prison | prisoner | tense | uneasy | warden | worrying |
Caged (1950) | Marie | 0:44:54 - The doctor washes up | baby | childbirth | cleaning | conversing | doctor | infirmary | leading lady | operation scene | prison | prisoner | sigh gesture | solemn | warden |
Caged (1950) | Nursery | 0:49:22 - Marie goes to see her newborn baby | added-note chord | advance plot | baby | gentle | hopeful | leading lady | nurse | nursery | optimistic | prison | prisoner | walking |
Caged (1950) | Lullaby | 0:49:51 - Marie holds her new baby | 9th chord | added-note chord | advance plot | altered dominant | baby | conversing | gentle | leading lady | nurse | nursery | prison | prisoner | sequential modulation |
Caged (1950) | Marie 2 | 0:50:22 - Marie holds her new baby | advance plot | baby | conversing | gentle | happy | leading lady | mode mixture | nurse | nursery | prison | prisoner | sigh gesture |
Caged (1950) | Marie (Dramatic) | 0:52:43 - Marie pleads with her mother to take the baby | 9th chord | altered dominant | chromatic scale | chromatic wedge | despair | dramatic | leading lady | mother | nurse | pleading | prison | prisoner | tragic | turning point |
Caged (1950) | Prison (Tragic) | 0:52:48 - Marie calls after her mother | added-note chord | augmented sixth chord | chromatic sequence | despair | dramatic | leading lady | mother | nurse | pleading | prison | prisoner | sigh gesture | tragic | turning point |
| His Greatest Gamble (1934) | The Chase 1 | 0:29:26 - Philip escapes from prison | augmented triad | dark | escaping | frantic | leading man | montage | montage | prisoner | sequence | train | transcribed by ear | traveling | whole-tone scale |
His Greatest Gamble (1934) | The Chase 2 | 0:29:44 - Montage of Philip's escape | boat | dark | frantic | leading man | montage | montage | parallelism | prisoner | transcribed by ear | traveling |
| Dust Be My Destiny (1939) | Mysterioso | 0:02:00 - Warden talks to Joe | conversing | drone | establish character | leading man | mysterious | parallelism | polytonality | prison | prisoner | warden |
Dust Be My Destiny (1939) | Dust Be My Destiny (Injustice) | 0:02:29 - Joe reacts to the warden | 9th chord | 64 chord | agitated | chromatic parallelism | conversing | dramatic | establish character | injustice | leading man | prison | prisoner | warden |
Dust Be My Destiny (1939) | Marching | 0:10:10 - Inmates marching | establish location | leading man | march | marching | parallelism | pedal tone | prison | prisoner | somber |
Dust Be My Destiny (1939) | Charlie | 0:10:58 - Charlie talks to inmates | conversing | dark | drunk | establish character | leading man | polychord | prison | prisoner | warden |
Dust Be My Destiny (1939) | Hiccough | 0:11:35 - Charlie hiccups | comical | drunk | establish character | hiccuping | leading man | mickey-mousing | prison | prisoner | warden |
Dust Be My Destiny (1939) | Cow | 0:11:39 - Man calls Charlie a cow | comical | cow | drunk | establish character | leading man | mickey-mousing | mooing | prison | prisoner | stinger | warden |
Dust Be My Destiny (1939) | Charlie (Extended) | 0:11:41 - Charlie talks to inmates | chromatic parallelism | dark | drunk | establish character | leading man | prison | prisoner | sequence | slapping | stinger | warden |
Dust Be My Destiny (1939) | Marching | 0:12:27 - Inmates marching | establish character | march | marching | pedal tone | prison | prisoner | somber |
Dust Be My Destiny (1939) | Comedy fall | 0:13:08 - Joe falls over while milking the cow | barn | chromatic parallelism | chromatic scale | comical | falling | leading lady | leading man | lovers meet | mickey-mousing | prisoner |
Dust Be My Destiny (1939) | Underscoring (Humorous) | 0:13:13 - Joe talks to the cow | barn | chromatic parallelism | comical | conversing | cow | diminished triad | dissonant bass | leading man | lovers meet | prisoner | underscoring |
Dust Be My Destiny (1939) | Dust Be My Destiny (Playful) | 0:13:38 - Mabel talks to Joe | barn | comical | common-tone diminished 7th | cow | laughing | leading lady | leading man | lovers meet | playful | prisoner | romantic |
Dust Be My Destiny (1939) | Joe fights cow | 0:13:56 - Joe fights cow (off-screen) | augmented triad | barn | chromatic parallelism | chromatic scale | comical | cow | diminished 7th chord | fighting | leading lady | leading man | lovers meet | mickey-mousing | prisoner |
Dust Be My Destiny (1939) | Dust Be My Destiny (Laughing) | 0:14:07 - Mabel laughs at Joe | barn | chromatic parallelism | comical | diminished 7th chord | laughing | leading lady | leading man | lovers meet | prisoner |
Dust Be My Destiny (1939) | Laughing | 0:14:10 - Mabel laughs at Joe | barn | chromatic parallelism | comical | diminished 7th chord | laughing | leading lady | leading man | lovers meet | mickey-mousing | prisoner |
Dust Be My Destiny (1939) | Dust Be My Destiny (Agitated) | 0:14:22 - Joe argues with Mabel | agitated | arguing | barn | fragmentation | leading lady | leading man | lovers meet | prisoner | sequence |
Dust Be My Destiny (1939) | Underscoring (Tense) | 0:14:40 - Charlie enters | barn | leading lady | leading man | lovers meet | prisoner | stinger | tense | underscoring | villain | warden |
Dust Be My Destiny (1939) | Dust Be My Destiny (Tense) | 0:14:53 - Joe talks to Charlie | barn | dark | dissonant | leading lady | leading man | lovers meet | prisoner | tense | tritone | villain | warden |
Dust Be My Destiny (1939) | Dust Be My Destiny (Expectant) | 0:18:08 - Mabel leaves | advance plot | expectant | gentle | guard | hopeful | leading lady | leading man | pedal tone | prison | prisoner | sweet |
Dust Be My Destiny (1939) | Dust Be My Destiny (Denied) | 0:18:23 - Mabel talks to Joe | conflict | deceptive resolution | denial | expectant | gentle | guard | hopeful | leading lady | leading man | prison | prisoner | stinger | sweet |
Dust Be My Destiny (1939) | Turning around | 0:26:13 - Joe and Mabel turn around | 64 chord | barn | death | dramatic | leading lady | leading man | mickey-mousing | prisoner | turning |
| Each Dawn I Die (1939) | Walking | 0:22:22 - Man paces back and forth in the prison yard | advance plot | anxious | crazed | mickey-mousing | mysterious | pacing | pc set | prison | prisoner | walking |
Each Dawn I Die (1939) | Montage | 0:22:54 - Montage showing the passing of time | chromatic parallelism | clock | dramatic | linear chromaticism | mickey-mousing | montage | montage | prison | prisoner | tense | waiting | whole-tone chord |
Each Dawn I Die (1939) | Don’t Give Up the Ship | 0:26:47 - Prison orchestra plays | arriving | entering | military band | murder scene | on-screen music | orchestra | parallel double period | patriotic | prison | prisoner | source music |
Each Dawn I Die (1939) | Wings Over the Navy | 0:28:04 - Prisoners watch a movie | dying | film music | knife | movie | murdering | murder scene | patriotic | prison | prisoner | source music | watching |
Each Dawn I Die (1939) | Calendar Pages | 0:59:53 - Pages falling from a calendar | calendar | chromatic parallelism | diminished 7th chord | falling | leading man | mickey-mousing | montage | montage | mysterious | prisoner | sequence |
Each Dawn I Die (1939) | Clock ticking | 1:03:50 - Prisoners waiting | anxious | clock | leading man | mickey-mousing | montage | montage | polychord | prisoner | ticking | waiting |
Each Dawn I Die (1939) | Frank (Parole Denied) | 1:07:58 - Frank's parole is denied | 9th chord | common-tone diminished 7th | dark | despair | foreign key modulation | half-diminished 7th chord | hopeful | leading man | letter | prison | prisoner | reading | sigh gesture | solemn | turning point |
| Flamingo Road (1949) | Titus 2 (Maestoso) | 0:41:11 - Women enter the prison | advance plot | dark | dramatic | leading lady | prison | prisoner | self-borrowing | walking |
Flamingo Road (1949) | Lane (Lonely) | 0:41:27 - Lane talks to a fellow prisoner | advance plot | conversing | foreign key modulation | leading lady | lonely | prison | prisoner | reverse picardy | somber |
Flamingo Road (1949) | Lane (Grazioso) | 0:41:46 - Lane talks to a fellow prisoner | advance plot | conversing | foreign key modulation | hopeful | leading lady | prison | prisoner | upbeat |
Flamingo Road (1949) | Lane (Hopeful) | 0:41:58 - Lane talks to a fellow prisoner | advance plot | conversing | deceptive resolution | gentle | hopeful | leading lady | pedal tone | prison | prisoner |
Flamingo Road (1949) | Lute Mae (A Reminiscence) | 0:42:04 - A female prisoner talks about Lute Mae's | 13th chord | added-note chord | advance plot | altered dominant | bluesy | conversing | countermelody | Gershwinesque | leading lady | prison | prisoner | self-borrowing |
Flamingo Road (1949) | Lane (Fragmented) | 0:42:21 - Lane talks to a fellow prisoner | advance plot | conversing | fragmentation | leading lady | prison | prisoner | somber |
Flamingo Road (1949) | If I Could Be With You (Slowly) | 0:43:04 - Lane lies in bed | leading lady | montage | montage | prison | prisoner | staring | tragic |
| Illegal (1955) | Funeral | 0:09:54 - Clary marches to his execution | execution | execution | priest | prison | prisoner |
| In This Our Life (1942) | Stanley (Slowly 2) | 1:20:46 - Men playing checkers | checkers | conflict | criminal | dark | diminished 7th chord | dissonant bass | game | lawyer | leading lady | leading man | playing | prison | prisoner | somber | suspect | victim |
In This Our Life (1942) | Underscoring (Somber) | 1:21:07 - Parry in his jail cell | 9th chord | conflict | conversing | criminal | diminished 7th chord | lawyer | leading lady | leading man | prison | prisoner | sigh gesture | somber | suspect | underscoring | victim |
In This Our Life (1942) | Minerva and Parry | 1:21:28 - Parry in his jail cell | 9th chord | 11th chord | blue note | chromatic mediant | common-tone diminished 7th | conflict | conversing | criminal | foreign key modulation | lawyer | leading lady | leading man | lying | prison | prisoner | somber | suspect | tender | testifying | victim |
In This Our Life (1942) | Minerva and Parry (Triste) | 1:22:39 - Parry talks to Stanley | 64 chord | conflict | conversing | criminal | lawyer | leading lady | leading man | lying | mode change | prison | prisoner | solemn | somber | suspect | testifying | victim |
| Lightning Strikes Twice (1951) | Menace | 0:01:23 - Priest in a prison | arriving | conversing | dark | establish character | funeral march | funereal | guard | leading man | priest | prison | prisoner | solemn | somber | walking | warden |
Lightning Strikes Twice (1951) | Liza | 0:02:55 - Trev is released from death row | calm | conversing | deceptive resolution | establish character | guard | hopeful | leading man | priest | prison | prisoner | relief | reprieve | Scotch snap | walking | warden | whole-tone chord |
| The Life of Vergie Winters (1934) | Lullaby + Funeral March | 0:02:32 - Vergie in her jail cell | classical music | combination of themes | funeral | funeral march | leading lady | plagal cadence | pondering | prison | prisoner | sequence | somber | source music | suspect | watching |
The Life of Vergie Winters (1934) | Lullaby (Ending) + Funeral March (Ending) | 1:18:06 - Vergie in her jail cell | classical music | combination of themes | crying | funeral | funeral march | leading lady | prisoner | somber | suspect |
The Life of Vergie Winters (1934) | Lullaby (Very Ethereal) | 1:19:04 - Vergie exits the prison | daughter | dissonant bass | husband | leading lady | pedal tone | prison | prisoner | resolution | somber | suspect | tense | walking |
| White Heat (1949) | T-Men (Molto Misterioso) | 0:35:30 - Cody walks away | courtroom | courtroom scene | dramatic | gangster | judge | leading man | murderer | prison | prisoner | stinger | undercover agent | walking |
White Heat (1949) | Prison | 0:35:40 - The prison walls | conversing | dark | leading man | ominous | prison | prisoner | transition | undercover agent |
White Heat (1949) | Prison Fight | 0:37:48 - Hank sees Bo Creel | action scene | falling | fighting | gangster | guard | leading man | mickey-mousing | murderer | prison | prisoner | punching | tense | undercover agent |
White Heat (1949) | Punching and falling | 0:38:03 - Hank punches inmate | action scene | dramatic | falling | gangster | guard | leading man | mickey-mousing | murderer | prison | prisoner | punching | tense | undercover agent |
White Heat (1949) | Misterioso (Tense) | 0:40:12 - Hank looks around | advance plot | gangster | leading man | looking | murderer | mysterious | photograph | prison | prisoner | tense | undercover agent | underscoring |
White Heat (1949) | T-Men (Expressivo) | 0:40:26 - Hank looks at the photograph | advance plot | conversing | gangster | leading man | murderer | photograph | prison | prisoner | undercover agent | uneasy |
White Heat (1949) | Jumping on bed | 0:40:41 - Hank jumps up on his bed | advance plot | ascending | gangster | jumping | leading man | mickey-mousing | murderer | prison | prisoner | undercover agent | uneasy |
White Heat (1949) | Misterioso (Ominous) | 0:40:51 - The prisoners talk | advance plot | conversing | gangster | leading man | murderer | mysterious | ominous | prison | prisoner | tense | undercover agent | underscoring |
White Heat (1949) | Whispering | 0:41:06 - The prisoner reads lips | advance plot | gangster | leading man | listening | murderer | prison | prisoner | spying | tense | undercover agent | uneasy | whisper effect | whispering |
White Heat (1949) | Thinking | 0:41:34 - Prisoners talk about money | advance plot | conversing | gangster | leading man | murderer | mysterious | prison | prisoner | tense | thinking | undercover agent |
White Heat (1949) | Underscoring (Mysterious) | 0:44:42 - Parker sneaks | gangster | leading man | murderer | murder scene | mysterious | prison | prisoner | sneaking | undercover agent | underscoring | working |
White Heat (1949) | Trap | 0:44:53 - The crane moves over Cody's head | attempted | crane | crashing | dramatic | dropping | falling | gangster | leading man | machine | machine effect | mickey-mousing | moving | murder | murderer | murder scene | prison | prisoner | saving | stinger | tense | trap | undercover agent |
White Heat (1949) | Ma (Restless) | 0:49:34 - Cody walks back to work | anxious | dramatic | gangster | leading man | mad scene | murderer | prison | prisoner | tense | thinking | threatening | working |
White Heat (1949) | Underscoring (Tense) | 0:49:56 - Cody threatens Parker | gangster | leading man | mad scene | murderer | prison | prisoner | tense | threatening | underscoring |
White Heat (1949) | Madness | 0:50:16 - Cody hears voices | agitated | blur | falling | gangster | hallucinating | hallucination | headache | headache effect | hearing voices | leading man | machine | mad scene | murderer | pain | prison | prisoner | self-borrowing | tense | unsettled |
White Heat (1949) | Headache | 0:50:31 - Heavy machinery | agitated | crawling | falling | gangster | headache | headache effect | leading man | machine | mad scene | murderer | pain | prison | prisoner | self-borrowing | tense | unsettled |
White Heat (1949) | Struggle | 0:50:50 - Cody crawls on the floor | agitated | crawling | falling | gangster | headache | headache effect | helping | leading man | machine | mad scene | murderer | pain | prison | prisoner | self-borrowing | tense | undercover agent | unsettled |
White Heat (1949) | Cody (Headache) | 0:51:15 - Hank helps Cody | crawling | gangster | headache | helping | leading man | mad scene | murderer | pain | prison | prisoner | tense | undercover agent |
White Heat (1949) | Underscoring (Tense) | 0:51:20 - Hank helps Cody | crawling | gangster | headache | helping | leading man | mad scene | massaging | murderer | pain | prison | prisoner | tense | undercover agent | underscoring |
White Heat (1949) | Cody rises | 0:51:40 - Hank helps Cody stand | gangster | headache | helping | leading man | mad scene | mickey-mousing | murderer | pain | prison | prisoner | rising | tense | undercover agent |
White Heat (1949) | Cody (Recovering) | 0:51:52 - Cody's headache subsides | gangster | headache | leading man | mad scene | murderer | pain | prison | prisoner | tense | undercover agent | uneasy | waiting |
White Heat (1949) | Misterioso (Straitjacket) | 1:04:07 - The warden talks with Cody | conversing | doctor | gangster | guard | leading man | murderer | mysterious | prison | prison break | prisoner | straitjacket | tense | underscoring | warden |
White Heat (1949) | Plotting (Tense) | 1:04:33 - Tommy brings food to Cody | carrying | doctor | feeding | food | gangster | guard | leading man | murderer | mysterious | prison | prison break | prisoner | straitjacket | tense | warden |
White Heat (1949) | Misterioso (Tense 2) | 1:04:48 - Tommy loosens Cody's straitjacket | doctor | gangster | guard | gun | leading man | loosening | murderer | mysterious | prison | prison break | prisoner | releasing | straitjacket | tense | untying | warden |
White Heat (1949) | Cody (Pulls Gun) | 1:05:05 - Cody stands up | doctor | dramatic | gangster | guard | gun | leading man | loosening | murderer | mysterious | prison | prison break | prisoner | releasing | straitjacket | tense | untying | warden |
White Heat (1949) | Danger (Tense) | 1:05:23 - Cody forces the doctor out at gunpoint | doctor | down | dramatic | gangster | guard | gun | leading man | murderer | prison | prison break | prisoner | stinger | warden |
White Heat (1949) | Gathering | 1:05:39 - Inmates playing cards | conversing | doctor | dramatic | gangster | guard | leading man | murderer | prison | prison break | prisoner | self-borrowing | tense | walking |
White Heat (1949) | Cody (Violent) | 1:06:11 - Cody shoves the doctor | commanding | doctor | dramatic | gangster | guard | gun | leading man | murderer | prison | prison break | prisoner | pushing | stinger | violent |
White Heat (1949) | Danger (Risoluto) | 1:06:24 - Cody forces the guard into a cell | commanding | doctor | gangster | guard | gun | leading man | murderer | prison | prison break | prisoner | pushing | tense | warden |
White Heat (1949) | Cody 3 | 1:06:43 - Cody forces men out at gunpoint | commanding | doctor | dramatic | gangster | guard | gun | kicking | leading man | murderer | prison | prison break | prisoner | warden |
White Heat (1949) | Trap | 1:06:47 - Cody kicks Parker | commanding | dramatic | gangster | guard | gun | kicking | leading man | murderer | prison | prison break | prisoner | revenge | tense | warden |
White Heat (1949) | Plotting (Extended) | 1:07:13 - Cody forces men out at gunpoint | commanding | dramatic | gangster | guard | gun | leading man | murderer | prison | prison break | prisoner | revenge | tense | warden |
White Heat (1949) | Prison Break | 1:07:19 - Cody and men go outside | dramatic | escaping | gangster | guard | gun | leading man | murderer | prison | prison break | prisoner | rushing | self-borrowing | warden |
White Heat (1949) | Underscoring (Dramatic) | 1:07:29 - Cody commands the men | car | dramatic | escaping | gangster | guard | gun | leading man | murderer | prison | prison break | prisoner | underscoring | warden |
White Heat (1949) | Danger (Tense) | 1:07:49 - The men get in the car | car | dramatic | escaping | fanfare | gangster | guard | gun | leading man | motor effect | murderer | prison | prison break | prisoner | underscoring | warden |
White Heat (1949) | Underscoring (Tense) | 1:07:57 - The car drives off | car | dramatic | escaping | fanfare | gangster | guard | gun | leading man | murderer | prison | prison break | prisoner | tense | warden |
White Heat (1949) | Cody (Prison Gate) | 1:08:17 - The prison gates open | car | dramatic | escaping | gangster | gate | guard | gun | leading man | mickey-mousing | murderer | prison | prison break | prisoner | warden |
| The Woman in White (1948) | Fosco (Marcato) | 1:08:44 - Fosco talks to the servant | antagonist | arguing | butler | confining | conflict | conversing | cousin | criminal | dark | leading lady | leading man | mysterious | prisoner | room |
The Woman in White (1948) | Underscoring (Dramatic) | 1:09:11 - Marian is locked in | antagonist | confining | conflict | conversing | cousin | criminal | dark | dramatic | husband | leading lady | leading man | prisoner | room | underscoring |
The Woman in White (1948) | Asylum (Dark) | 1:09:26 - Fosco talks to Sir Percival | aching | antagonist | conflict | conversing | criminal | dark | headache | husband | illness | leading lady | leading man | pain | plotting | prisoner | room |
| Three Who Loved (1931) | Old Folks At Home | 0:46:00 - Phil paces in a jail cell | advance plot | jail | leading man | on-screen music | playing | prisoner | somber | source music |
| Hell’s Highway (1932) | Hikin' Jerry | 0:00:14 - Main titles and newspaper headlines | call and response | establish setting | guard | headline | montage | newspaper | opening title sequence | prison | prisoner | singing | solemn | source music | transcribed by ear | working |
Hell’s Highway (1932) | John Henry | 0:06:08 - Men working on a chain gang | advance plot | guard | on-screen music | pentatonic | prison | prisoner | singing | solemn | source music | transcribed by ear | working |
Hell’s Highway (1932) | Willie, the Weeper | 0:13:52 - Men singing in prison | advance plot | blue note | guard | on-screen music | prison | prisoner | singing | solemn | source music | spiritual | transcribed by ear |
Hell’s Highway (1932) | The Load is Heavy | 0:17:26 - Men singing in prison | advance plot | barbershop | cheerful | guard | on-screen music | prison | prisoner | singing | source music | transcribed by ear |
Hell’s Highway (1932) | Frankie and Johnny | 0:27:11 - Men singing in prison | advance plot | calm | guard | on-screen music | prison | prisoner | singing | source music | transcribed by ear |
Hell’s Highway (1932) | Tuning of Violin | 0:47:34 - A man tunes a violin | advance plot | calm | guard | on-screen music | playing | prison | prisoner | source music | tuning | violin |
| Hold ‘Em Jail (1932) | A Moment in the Dark | 0:14:05 - Curley turns on the radio | AABA structure | advance plot | comic | goofing around | office | prisoner | radio | source music | upbeat |
Hold ‘Em Jail (1932) | Ain't That the Way it Goes | 0:14:53 - Spider and Curley look around | AABA structure | advance plot | comic | conversing | goofing around | love interest | office | prisoner | radio | source music | upbeat |
Hold ‘Em Jail (1932) | I'm Just a Vagabond Lover | 0:17:00 - Curley talks to Barbara | ABAC structure | advance plot | comic | conversing | goofing around | love interest | office | prisoner | radio | sentimental | source music |
Hold ‘Em Jail (1932) | I'm Wrapped Up in You | 0:18:18 - Spider dances with Violet | advance plot | comic | conversing | dancing | goofing around | love interest | office | prisoner | radio | source music | upbeat |
Hold ‘Em Jail (1932) | Improvisation | 0:39:35 - Violet plays the piano and sings | advance plot | comic | comical | conversing | office | on-screen music | playing | prisoner | singing | source music |
Hold ‘Em Jail (1932) | Improvisation | 0:40:44 - Violet plays the piano and sings | advance plot | comic | comical | conversing | office | on-screen music | playing | prisoner | singing | source music |
Hold ‘Em Jail (1932) | Improvisation | 0:41:43 - Violet plays the piano and sings | advance plot | comic | comical | conversing | office | on-screen music | playing | prisoner | singing | source music |
Hold ‘Em Jail (1932) | Chopsticks | 0:42:09 - Violet and Spider play a piano duet | advance plot | comic | comical | office | on-screen music | playing | prisoner | source music |
Hold ‘Em Jail (1932) | Improvisation | 0:42:44 - Violet plays the piano and sings | advance plot | comic | comical | office | on-screen music | playing | prisoner | singing | source music |
Hold ‘Em Jail (1932) | Eldorania | 0:59:14 - A doctor tends to Spider's leg | advance plot | athlete | comic | conversing | doctor | field | plotting | prisoner | referee | relative key | source music | treating | upbeat |
Hold ‘Em Jail (1932) | El Capitan March | 1:01:51 - Spider makes Whitey sign a confession | advance plot | comic | criminal | field | plotting | prisoner | source music | upbeat |
Hold ‘Em Jail (1932) | Bide-More Alma Mater | 1:04:44 - Bidemore celebrates their victory | celebrating | comic | crowd | field | love interest | politician | prisoner | resolution | source music | upbeat | warden |
Hold ‘Em Jail (1932) | The Prisoner's Song | 1:05:19 - Spider talks to Violet | comic | conversing | field | prisoner | resolution | source music | upbeat |
| Don’t Turn ‘em Loose (1936) | Crestwood C | 0:00:27 - Cast list | cast list | guard | Lydian mode | mysterious | opening title sequence | parallelism | prison | prisoner | transcribed by ear |
| The Most Dangerous Game (1932) | The Iron Door (Tense) | 0:36:27 - Zaroff looks at Bob's watch | action scene | castle | commanding | count | leading man | mute | prisoner | servant | shackles | stinger | tense | villain |
The Most Dangerous Game (1932) | Walking | 0:36:42 - Zaroff walks to the door | action scene | agitated | castle | closing | count | leading man | marching | mickey-mousing | mute | preparing | prisoner | servant | tense | villain | walking |
The Most Dangerous Game (1932) | The Iron Door (Fangs and Claws) | 0:37:00 - Zaroff gives Bob a knife | action scene | castle | commanding | count | giving | knife | leading man | mute | preparing | prisoner | servant | tense | threatening | villain |
The Most Dangerous Game (1932) | Emotions 2 (Agitato) | 0:37:23 - Eve runs to Bob | action scene | agitated | arriving | castle | conversing | count | fear | leading lady | leading man | mute | prisoner | servant | tense | villain |
The Most Dangerous Game (1932) | Russian Waltz (Meno) + The Iron Door | 0:37:30 - Zaroff talks about the game | action scene | castle | combination of themes | conversing | count | leading lady | leading man | mute | prisoner | servant | tense | villain |
The Most Dangerous Game (1932) | Underscoring (Tense) | 0:37:49 - Zaroff talks about the game | action scene | castle | conversing | count | leading lady | leading man | mute | prisoner | servant | tense | underscoring | villain |
The Most Dangerous Game (1932) | Zaroff (Molto Moderato) + The Iron Door | 0:38:01 - Zaroff talks about the game | action scene | castle | combination of themes | conversing | count | leading lady | leading man | mute | prisoner | servant | tense | villain |
The Most Dangerous Game (1932) | Courage + The Iron Door | 0:38:17 - Bob and Eve leave | action scene | agitated | castle | combination of themes | count | departing | leading lady | leading man | mute | prisoner | servant | tense | villain |
The Most Dangerous Game (1932) | Russian Waltz (Maestoso) | 0:38:32 - Bob and Eve are taken to the jungle | action scene | conversing | fanfare | jungle | leading lady | leading man | mute | ominous | preparing | prisoner | releasing | servant | walking |
| Caged (1950) | Underscoring (Dark) | 0:56:40 - Kitty and Harper | advance plot | chromatic parallelism | dark | guard | low-angle shot | pc set | pedal tone | prison | prisoner | shadow | threatening | underscoring |
Caged (1950) | Caged (Waiting) | 0:56:52 - Marie waits by the parole office | advance plot | announcing | dissonant bass | fidgeting | guard | leading lady | prison | prisoner | running | shadow | sigh gesture | tense | waiting |
Caged (1950) | Prison Alarm (The Scream) | 1:00:42 - Marie covers her ears | alarm | alarm effect | anxiety | chromatic parallelism | chromatic scale | dramatic | fidgeting | guard | hysteria | leading lady | mad scene | prison | prisoner | screaming | tense | tone cluster | whole-tone chord |
Caged (1950) | Hysteria | 1:00:55 - Marie runs down the hall | alarm | anxiety | chromatic parallelism | chromatic scale | dissonant bass | dramatic | escaping | guard | hysteria | leading lady | mad scene | pc set | polychord | prison | prisoner | running | tense |
Caged (1950) | Falling | 1:01:18 - Marie falls to the ground | diminished 7th chord | dramatic | falling | guard | leading lady | mad scene | mickey-mousing | octatonic scale | prison | prisoner | throwing |
Caged (1950) | Marie 2 (Melancholy) | 1:01:25 - Marie returns to her cell | conversing | guard | leading lady | mad scene | melancholy | prison | prisoner | returning | solemn |
Caged (1950) | Jingle Bells | 1:08:01 - Woman plays harmonica | advance plot | Christmas | conversing | guard | harmonica | leading lady | listening | on-screen music | playing | prison | prisoner | source music | upbeat | warden |
Caged (1950) | Bird in a Cage | 1:08:07 - Woman plays harmonica | advance plot | Christmas | conversing | dancing | guard | harmonica | leading lady | listening | on-screen music | playing | prison | prisoner | singing | source music | upbeat | warden |
Caged (1950) | Marie (Misterioso) | 1:17:04 - Shadows on a staircase | augmented sixth chord | descending | guard | leading lady | mad scene | prison | prisoner | shadow | solemn | solitary | walking |
Caged (1950) | Isolation Ward (Dark) | 1:17:27 - Shadows on Marie's face | dark | departing | dissonant bass | guard | isolation | leading lady | mad scene | mysterious | ominous | oscillation | polychord | prison | prisoner | shadow | solitary | staring | uneasy | walking |
Caged (1950) | Water Dripping | 1:17:52 - Marie in solitary | audible thoughts | dark | dripping | guard | hysteria | isolation | leading lady | mad scene | melodic cell | mickey-mousing | mysterious | pacing | pc set | prison | prisoner | tense | thinking | uneasy | water | water effect |
Caged (1950) | Water Dripping + Caged (Tense) | NIF - not in film | 9th chord | chromatic parallelism | chromatic sequence | combination of themes | cut from film | dark | dissonant bass | hysteria | isolation | leading lady | mad scene | melodic cell | mickey-mousing | mysterious | ostinato | prison | prisoner | sigh gesture | tense | uneasy | water effect |
Caged (1950) | Water Dripping (Molto Expressivo) | 1:18:15 - Marie in solitary | 9th chord | crying | dissonant bass | dripping | hysteria | isolation | leading lady | mad scene | mickey-mousing | mickey-mousing | minor-major 7th chord | mysterious | prison | prisoner | tense | uneasy | water | water effect | wipe | yelling |
Caged (1950) | He Leadeth Me | 1:27:53 - Women in prison | advance plot | calm | conversing | crying | hymn | leading lady | prison | prisoner | singing | source music |
Caged (1950) | Rock of Ages | 1:30:31 - Women in prison | advance plot | calm | conversing | guard | hymn | leading lady | prison | prisoner | singing | source music | watching |
Caged (1950) | Underscoring (Dramatic) | 1:32:09 - Superintendent office door | advance plot | bold | conversing | leading lady | leaving | mode mixture | prison | prisoner | unpacking | walking |
Caged (1950) | Underscoring (Tense) | 1:32:21 - Marie unpacks her belongings | advance plot | chromatic parallelism | leading lady | leaving | prison | prisoner | tense | underscoring | unpacking | whole-tone chord |
Caged (1950) | Molto Expressivo (Rubato) | 1:32:37 - Marie checks out | advance plot | chromatic parallelism | conversing | guard | leading lady | leaving | prison | prisoner | solemn | underscoring |
Caged (1950) | Marie (Checking Out) | 1:32:47 - Marie opens an envelope | advance plot | chromatic parallelism | chromatic wedge | dramatic | guard | leading lady | leaving | looking | polychord | prison | prisoner | ring | solemn | throwing |
Caged (1950) | Molto Expressivo (Slowly) | 1:32:59 - Marie's mugshot | advance plot | leading lady | leaving | looking | mode mixture | mug shot | Neapolitan | prison | prisoner | solemn | throwing | warden |
Caged (1950) | Molto Expressivo (Con Moto) | 1:34:42 - Marie leaves Mrs. Benton's office | climax | dramatic | ex-convict | guard | leading lady | leaving | prison | prisoner | stinger | uneasy | warden |
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