| The Amazing Dr. Clitterhouse (1938) | The Amazing Doctor (Murder) | 1:10:49 - Montage of newspaper headlines | chromatic parallelism | corpse | dark | dissonant bass | fingerprints | headlines | investigating | montage | morgue | mortician | murder | newspaper | police | printing press | tense | triadic transformation |
The Amazing Dr. Clitterhouse (1938) | Rocks (Dead) | 1:11:10 - Rocks's mugshot and fingerprints | dark | fingerprints | investigating | montage | morgue | mortician | mug shot | murder | police | tense |
| Angels With Dirty Faces (1938) | The Chase | 0:04:21 - Cops chase boys through the train yard | chase scene | chasing | chromatic parallelism | chromatic scale | diminished 7th chord | dramatic | escaping | half-diminished 7th chord | mickey-mousing | police | polychord | running | street | teenager | whole-tone chord |
Angels With Dirty Faces (1938) | Underscoring (Dramatic) | 1:16:29 - Rocky shoots Mac and Frazier | agitated | attacking | casino | chaos | chasing | chromatic parallelism | chromatic scale | climbing | conflict | crowd | death | dissonant bass | dramatic | dying | escaping | falling | fighting | gangster | gun | gunshot | half-diminished 7th chord | hurrying | jumping | landing | lawyer | leading man | mickey-mousing | pedal tone | police | rooftop | room | running | sequence | shooting | sneaking | sneaky | street | tone cluster | underscoring |
Angels With Dirty Faces (1938) | Underscoring (Dramatic) | 1:19:00 - Rocky is trapped in a building | 42 chord | agitated | chromatic parallelism | chromatic scale | conflict | dissonant bass | dramatic | escaping | fleeing | gangster | half-diminished 7th chord | leading man | major 7th chord | police | running | sequence | stairwell | tone cluster | underscoring |
Angels With Dirty Faces (1938) | Tear Gas | 1:19:48 - Tear gas spreads throughout the room | agitated | breaking | breaking | breathing | building | chromatic parallelism | chromatic scale | conflict | dissonant bass | dramatic | gangster | gun | gunshot | hurrying | leading man | mickey-mousing | pedal tone | police | quartal chord | running | shooting | smoke | street | tear gas | throwing | window |
Angels With Dirty Faces (1938) | Machine Gun | 1:20:24 - Policeman shoots at Rocky with machine gun | agitated | building | chromatic parallelism | conflict | death | dramatic | falling | gangster | gun | gunshot | hiding | leading man | police | polychord | shooting | street | underscoring |
Angels With Dirty Faces (1938) | Underscoring (Dramatic) | 1:20:39 - Policemen shoot tear gas in through the window | agitated | appoggiatura | building | conflict | dramatic | gangster | gun | gunshot | leading man | mickey-mousing | police | shooting | street | tone cluster | underscoring |
Angels With Dirty Faces (1938) | Launching tear gas | 1:20:51 - Policemen shoot tear gas in through the window | agitated | building | conflict | dramatic | gangster | gun | gunshot | launching | leading man | mickey-mousing | police | shooting | street | tear gas | tone cluster |
Angels With Dirty Faces (1938) | Tear Gas (Desperate) | 1:21:40 - Rocky tries to hold off the cops | agitated | building | chromatic parallelism | chromatic scale | conflict | dissonant bass | dramatic | gangster | gun | gunshot | leading man | mickey-mousing | pedal tone | police | priest | quartal chord | shooting | smoke | staggering | street | tear gas |
Angels With Dirty Faces (1938) | Underscoring (Dramatic) | 1:25:20 - Rocky throws his gun | capturing | chromatic scale | conflict | dissonant bass | dramatic | gangster | gun | leading man | police | sequence | street | throwing | underscoring |
Angels With Dirty Faces (1938) | The Gangster (Captured) | 1:25:31 - Rocky is captured | capturing | conflict | gangster | leading man | police | somber | street | taunting |
Angels With Dirty Faces (1938) | Jerry (Upset) | 1:31:40 - Jerry follows Rocky out of his cell | agitated | climax | conversing | gangster | leading man | police | priest | prison |
Angels With Dirty Faces (1938) | Underscoring (Dramatic) | 1:31:44 - Rocky punches a guard | agitated | chromatic parallelism | chromatic scale | chromatic wedge | climax | fighting | gangster | half-diminished 7th chord | leading man | police | priest | prison | punching | tense | underscoring |
Angels With Dirty Faces (1938) | The Gangster (Funebre) | 1:31:55 - Rocky is taken away | 64 chord | climax | gangster | leading man | police | priest | prison | pushing | somber |
Angels With Dirty Faces (1938) | Funebre | 1:32:03 - Jerry and Rocky walk down the hall | climax | dirge | execution chamber | gangster | leading man | marching | police | priest | prison | somber | tense | walking |
Angels With Dirty Faces (1938) | Underscoring (Tense) | 1:33:36 - Rocky pleads for his life | begging | climax | cowardice | crowd | crying | death | execution | execution chamber | gangster | leading man | pleading | police | priest | prison | shadow | tense | tone cluster | underscoring | wailing |
| Are These Our Children? (1931) | Dreams (Minor) + Makes You Forget Your Troubles (Minor) | 1:15:51 - Newspaper headlines | combination of themes | conversing | double exposure | headline | minor-major 7th chord | montage | newspaper | police | preaching | priest | source to score | spinning | tense |
| Arsenic and Old Lace (1944) | Sidewalks of New York (Walking) | 0:05:30 - Cops patrol the neighborhood | 64 chord | calm | establish setting | familiar tune | fragmentation | police | street | walking |
| Caged (1950) | Caged (Main Title) | NIF - not in film | car | chromatic scale | cut from film | dark | dissonant bass | driving | guard | opening title sequence | oscillation | police car | prisoner | riding | sigh gesture | title of film |
Caged (1950) | Police Van | NIF - not in film | car | cut from film | dark | diminished 7th chord | dissonant bass | driving | guard | opening title sequence | oscillation | point-of-view shot | police car | polychord | prisoner | riding | siren effect | tense | whole-tone chord |
Caged (1950) | Caged (Van Stops) | NIF - not in film | car | chromatic parallelism | cut from film | dark | dissonant bass | driving | guard | opening title sequence | police car | prisoner | riding | tense |
Caged (1950) | Prisoners get out | NIF - not in film | car | cut from film | exiting | guard | opening title sequence | pc set | police car | prisoner | quartal chord | tense | whole-tone chord |
Caged (1950) | Marie (Main Title) | NIF - not in film | augmented sixth chord | car | cut from film | dark | guard | leading lady | looking | opening title sequence | police car | prisoner | tense |
Caged (1950) | Prison | NIF - not in film | 9th chord | augmented sixth chord | conversing | cut from film | dark | exiting | guard | leading lady | opening title sequence | police car | prison | prisoner | suspension | underscoring |
Caged (1950) | Caged | 0:00:08 - Title of film | car | cast list | chromatic scale | dark | dissonant bass | driving | guard | opening title sequence | point-of-view shot | police car | prisoner | title of film |
| City for Conquest (1940) | Train | 0:01:09 - An elevated train approaches | added-note chord | bridge | busy | city | hurried | mickey-mousing | old man | ostinato | police | pump-up modulation | train | transition | traveling |
City for Conquest (1940) | Tone Poem B + Train | 0:01:19 - Sign for the Williamsburg Bridge | 9th chord | added-note chord | bridge | busy | chromatic parallelism | city | combination of themes | countermelody | hurried | Mixolydian mode | old man | police | train | transition | traveling |
City for Conquest (1940) | Sidewalks of New York (Soliloquy) | 0:01:33 - A cop tells a man to keep moving | 9th chord | 13th chord | bridge | chromatic parallelism | city | conversing | establish place | establish setting | old man | police | soliloquy | uneasy |
City for Conquest (1940) | Sidewalks of New York (City Struck) | 0:02:03 - Old-timer talks with cop | 9th chord | bridge | chromatic scale | city | conversing | establish setting | excited | old man | police | soliloquy |
City for Conquest (1940) | Sidewalks of New York (Montage) | 0:02:18 - A montage of New York City scenes | added-note chord | boat | bridge | car | chromatic parallelism | city | conversing | Dutch angle | establish setting | excited | fragmentation | montage | old man | panning shot | police | pump-up modulation | soliloquy | train |
City for Conquest (1940) | Sidewalks of New York (Snake) | 0:02:35 - A montage of New York City scenes | 13th chord | 64 chord | altered dominant | bridge | chromatic sequence | city | conversing | countermelody | double exposure | Dutch angle | establish setting | foreign key modulation | fragmentation | grand | montage | old man | police | snake effect | soliloquy |
City for Conquest (1940) | Sidewalks of New York (Soliloquy) | 0:02:50 - Old-timer talks with cop | 9th chord | 13th chord | arguing | bluesy | bridge | chromatic parallelism | city | establish setting | old man | police | sentimental | soliloquy |
City for Conquest (1940) | Sidewalks of New York (Cop Grabs Bum) | 0:03:06 - Cop pushes old-timer | 9th chord | arguing | bridge | chromatic parallelism | chromatic scale | city | comical | establish setting | mickey-mousing | old man | police | pushing | rushing | tense |
| Crime School (1938) | Running away | 0:09:32 - Kids run away from cops | 42 chord | chasing | chromatic scale | conflict | dramatic | fleeing | gang | mickey-mousing | police | running | street | teenager | tense |
Crime School (1938) | Underscoring (Tense) | 0:09:40 - Spike is captured by the cops | 9th chord | arresting | capturing | conflict | dramatic | police | street | teenager | tense |
Crime School (1938) | Sue (Policeman) | 0:12:34 - Cop comes to the house | advance plot | building | mysterious | police |
Crime School (1938) | Policeman walks up stairs | 0:12:47 - Cop walks up the stairs to Sue's flat | advance plot | ascending | building | mickey-mousing | mysterious | police | quartal chord | up |
Crime School (1938) | The Patrol Wagon | 0:21:41 - Boys get loaded into the patrol wagon | car | chromatic parallelism | cut from film | dissonant bass | pedal tone | police car | traveling |
Crime School (1938) | The Warden | 0:23:15 - Warden stands up to face the boys | antagonist | arguing | augmented triad | authority | chromatic parallelism | establish character | falling | gang | lightning | ominous | police | reformatory | slapping | stinger | teenager | warden | whole-tone chord |
Crime School (1938) | Escaping | 0:28:32 - Frankie runs and hides | chromatic parallelism | chromatic wedge | dissonant bass | dramatic | escape | escaping | hiding | mickey-mousing | police | reformatory | running | sequence | sneaking | teenager | tense | tone cluster |
Crime School (1938) | Searchlights (Sneaking) | 0:28:47 - Frankie hides from the searchlight | chromatic parallelism | dramatic | escape | escaping | hiding | jumping | mickey-mousing | police | reformatory | running | searchlight | sneaking | teenager | tense |
Crime School (1938) | The Warden (The Guards) | 0:29:34 - Warden's guards run to catch Frankie | 64 chord | anguished | barbed wire fence | battle call | capturing | chromatic parallelism | chromatic scale | dragging | dramatic | escape | falling | pc set | police | reformatory | running | sequence | teenager | tense | warden |
Crime School (1938) | Dragging | 0:29:51 - Warden's guards drag Frankie through the rain | accented dissonance | anguished | capturing | chromatic parallelism | dissonant bass | dragging | dramatic | escape | kicking | mickey-mousing | police | reformatory | splashing | teenager | tense | warden |
Crime School (1938) | The Warden (Capture) | 0:29:58 - Frankie is caught and dragged to the warden | dragging | dramatic | escape | police | reformatory | teenager | tense | warden |
Crime School (1938) | Paints face | 0:50:55 - Boy paints the guard's face | accident | comedy | comical | mickey-mousing | painting | police | reformatory | teenager |
Crime School (1938) | Slips on paint | 0:51:01 - Guard chases boy then slips and falls on paint | accident | chromatic scale | comedy | comical | falling | mickey-mousing | police | reformatory | slipping | teenager | walking |
Crime School (1938) | The Warden (Office) | 0:51:05 - The guard enters to talk to Mark | comedy | dramatic | hero | leading man | marching | police | reformatory | walking |
Crime School (1938) | Laughing | 0:51:11 - Mark laughs at the guard covered with paint | comedy | comical | hero | laughing | leading man | mickey-mousing | police | reformatory |
Crime School (1938) | Peeking | 1:12:11 - Cooper peeks out from the window | antagonist | authority | escape | mickey-mousing | mysterious | peeking | police | reformatory | whole-tone chord |
Crime School (1938) | Underscoring (Tense) | 1:12:21 - Cooper talks with the warden | chromatic parallelism | escape | half-diminished 7th chord | phone call | plotting | police | reformatory | telephone | tense | warden |
Crime School (1938) | Underscoring (Tense) | 1:14:26 - Mark talks to policeman | chromatic scale | conflict | deceptive resolution | gun | hero | heroine | hiding | knocking | leading lady | leading man | lying | mode mixture | pedal tone | police | room | teenager | tense | underscoring |
| Deep Valley (1947) | Law (Molto Misterioso) | 0:57:01 - Men hunting for Barry | forest | manhunt | mysterious | police | searching | tense | transition |
Deep Valley (1947) | Underscoring (Dramatic) | 1:02:02 - Libby in her room | advance plot | arriving | dramatic | father | leading lady | police | room | searching | street | tense | underscoring | watching |
Deep Valley (1947) | Law (Misterioso) | 1:02:41 - Libby looks out the window | advance plot | father | leading lady | manhunt | mysterious | police | room | searching | street | tense |
Deep Valley (1947) | Barry (Contrary Motion) | 1:04:10 - Libby gathers things | advance plot | leading lady | mickey-mousing | packing | police | rolling | room | rushing | tense |
Deep Valley (1947) | Barry (Molto Misterioso) + Love Theme | 1:06:04 - Sheriff drinks coffee | action scene | convict | drinking | forest | fugitive | leading lady | leading man | love interest | mysterious | police | room | somber | walking |
Deep Valley (1947) | Law (Slowly) | 1:06:18 - Lawmen advance | action scene | convict | forest | fugitive | leading man | love interest | manhunt | police | searching | serious | walking |
Deep Valley (1947) | Underscoring (Dramatic) | 1:06:48 - Barry reacts to gunshots | action scene | cabin | convict | dramatic | forest | fugitive | gunfight | hiding | leading man | loading | love interest | manhunt | police | shooting | stinger | tense | underscoring |
Deep Valley (1947) | Law | 1:07:20 - Barry tries to escape | action scene | cabin | convict | dramatic | fugitive | hiding | leading man | love interest | manhunt | police | retreating | shooting | tense |
Deep Valley (1947) | Barry | 1:07:25 - Barry climbs out of a hole | action scene | cabin | climbing | convict | dramatic | escaping | fugitive | leading man | love interest | manhunt | police | tense |
Deep Valley (1947) | Jumping down | 1:07:32 - Barry jumps off the roof | action scene | cabin | convict | dramatic | fugitive | jumping | leading man | love interest | manhunt | mickey-mousing | police | tense |
Deep Valley (1947) | Law | 1:07:34 - Lawmen pursue after Barry | action scene | chasing | convict | dramatic | escaping | fanfare | forest | fugitive | leading man | love interest | manhunt | police | running | tense |
Deep Valley (1947) | Law (Tense) | 1:25:09 - Posse on the prowl | advance plot | forest | police | tense | walking |
Deep Valley (1947) | Underscoring (Dramatic) | 1:37:57 - Jeff gets up and looks around | car | climax | climbing | convict | dramatic | fleeing | fugitive | leading man | love interest | mickey-mousing | police | searching | street | transcribed by ear | underscoring |
Deep Valley (1947) | Fleeing | 1:38:08 - Barry makes a run for it | chasing | climax | convict | dramatic | fleeing | forest | fugitive | leading lady | leading man | love interest | mickey-mousing | police | running | shooting | transcribed by ear |
Deep Valley (1947) | Barry (Not in Score) | 1:38:32 - The posse chases after Barry | chasing | climax | convict | dramatic | fleeing | forest | fugitive | leading man | love interest | police | running | shooting | tense | transcribed by ear |
Deep Valley (1947) | Underscoring (Tense) | 1:38:41 - Barry is shot | climax | convict | dramatic | falling | forest | fugitive | injury | leading man | love interest | police | stinger | tense | underscoring |
Deep Valley (1947) | Law | 1:38:44 - The posse chases after Barry | chasing | climax | convict | dramatic | fleeing | forest | fugitive | injury | leading man | love interest | police | running | tense |
Deep Valley (1947) | Barry is shot | 1:38:57 - Barry is shot | climax | convict | dramatic | falling | forest | fugitive | injury | leading man | love interest | mickey-mousing | police | shooting |
Deep Valley (1947) | Law (Searching) | 1:39:05 - The posse closes in on Barry | chasing | climax | convict | dramatic | forest | fugitive | hiding | injury | leading man | love interest | police | searching |
Deep Valley (1947) | Underscoring (Tense) | 1:39:09 - Barry hides | climax | convict | forest | fugitive | hiding | injury | leading man | love interest | police | searching | tense | underscoring |
Deep Valley (1947) | Law (Subtle) | 1:39:20 - The posse searches for Barry | climax | convict | forest | fugitive | hiding | injury | leading man | love interest | police | searching | tense |
Deep Valley (1947) | Law | 1:39:28 - Barry crawls on the ground | climax | convict | forest | fugitive | hiding | injury | leading man | love interest | police | searching | tense |
Deep Valley (1947) | Barry (Dark 2) | 1:39:35 - Barry hides | climax | convict | forest | fugitive | hiding | injury | leading man | love interest | mysterious | police | tense |
Deep Valley (1947) | Underscoring (Dramatic) | 1:40:00 - Barry hides | climax | convict | forest | fugitive | hiding | injury | leading man | love interest | mysterious | police | searching | tense |
| Dust Be My Destiny (1939) | Fleeing | 0:34:56 - Joe and Mabel flee | alley | chromatic scale | danger | down | escape | fearful | fleeing | leading lady | leading man | linear chromaticism | mickey-mousing | police | runaway | running | street | suspenseful |
Dust Be My Destiny (1939) | Dust Be My Destiny (Worried) | 0:46:02 - Mabel talks to the police | 11th chord | create suspense | leading lady | police | room | somber |
Dust Be My Destiny (1939) | Whistling (Suspenseful) | 0:46:25 - Mabel looks out the window | anxious | cheerful | concerned | create suspense | harmonic sequence | leading lady | leading man | on-screen music | police | polytonality | room | scored source music | source music | whistling |
Dust Be My Destiny (1939) | Underscoring (Dramatic) | 0:46:42 - Mabel yells to Joe | chromatic scale | create suspense | diminished 7th chord | dissonant bass | dramatic | escaping | gun | gunshot | leading lady | leading man | police | room | runaway | running | street | underscoring | yelling |
Dust Be My Destiny (1939) | Joe runs and falls | 0:46:50 - Joe runs and falls | chromatic scale | create suspense | diminished 7th chord | dissonant bass | dramatic | falling | leading lady | leading man | mickey-mousing | police | runaway | running | stinger | street |
Dust Be My Destiny (1939) | Underscoring (Dark) | 0:46:58 - Nick working | create suspense | dark | dissonant bass | friend | police | room | shopkeeper | street | underscoring |
Dust Be My Destiny (1939) | Patrol | 0:55:50 - Cop checks on a shop | clock | crime scene | criminal | leading man | police | shopkeeper | street | tense |
Dust Be My Destiny (1939) | Underscoring (Dramatic) | 0:59:53 - Police arrive at the scene | 64 chord | action scene | bank | chromatic scale | crowd | dramatic | leading man | police | street | underscoring |
Dust Be My Destiny (1939) | Dust Be My Destiny (Emergency Room) | 1:11:01 - The hospital waiting room | 64 chord | advance plot | concern | hospital | leading lady | pedal tone | police | reporter |
| Each Dawn I Die (1939) | Underscoring (Dramatic) | 0:06:06 - Crowd accuses Frank of murder | 9th chord | accusing | car crash | conflict | crowd | dissonant bass | dramatic | hero | injury | leading man | linear chromaticism | police | reporter | sequence | shaking | street | underscoring | yelling |
| The FBI Story (1959) | Policia | 1:49:34 - Police arrest FBI agent in South America | arrest | FBI | flashback | police |
| Flamingo Road (1949) | If I Could Be With You | 0:07:53 - Field hears music playing | carny | conversing | establish character | leading lady | leading man | on-screen music | parallel period | police | radio | room | sentimental | singer | singing | source music |
Flamingo Road (1949) | Lane (Moderato Grazioso) | NIF - not in film | conversing | cut from film | cut from film | leading lady | leading man | lovers meet | picardy third | police | room |
Flamingo Road (1949) | Underscoring (Lyrical) | NIF - not in film | 9th chord | altered dominant | conversing | cut from film | cut from film | leading lady | leading man | lovers meet | police | room | underscoring |
Flamingo Road (1949) | Lane (Poco Con Moto) | NIF - not in film | conversing | cut from film | cut from film | deceptive resolution | leading lady | leading man | lovers meet | parallelism | police | room |
Flamingo Road (1949) | Arabian Riff (Not in Film) | NIF - not in film | conversing | cut from film | cut from film | deceptive resolution | leading lady | leading man | lovers meet | pedal tone | police | room | source to score |
Flamingo Road (1949) | Underscoring (Lyrical) | NIF - not in film | chromatic parallelism | conversing | cut from film | cut from film | leading lady | leading man | lovers meet | police | room | underscoring |
Flamingo Road (1949) | Lane | NIF - not in film | conversing | cut from film | cut from film | leading lady | leading man | lovers meet | mode mixture | police | room |
Flamingo Road (1949) | If I Could Be With You (Timidly) | NIF - not in film | chromatic parallelism | conversing | cut from film | cut from film | leading lady | leading man | lovers meet | police | room | source to score |
Flamingo Road (1949) | If I Could Be With You (Lightly) | NIF - not in film | altered dominant | common-tone diminished 7th | cut from film | cut from film | flirting | leading lady | leading man | lovers meet | pedal tone | police | room |
Flamingo Road (1949) | Lane (Not in Film) | NIF - not in film | conversing | cut from film | cut from film | foreign key modulation | leading lady | leading man | lovers meet | mode mixture | police | room |
Flamingo Road (1949) | Traveling | NIF - not in film | added-note chord | chromatic mediant | common-tone diminished 7th | cut from film | cut from film | deceptive resolution | leading lady | leading man | lovers meet | pedal tone | police | room |
Flamingo Road (1949) | Put 'Em in a Box, Tie 'Em with a Ribbon, and Throw 'Em in the Deep Blue Sea | 0:12:05 - The Eagle Cafe | AABA structure | advance plot | conversing | leading lady | leading man | police | popular music | restaurant | source music | upbeat |
Flamingo Road (1949) | Can't We Be Friends | 0:13:38 - Lane and Field at the cafe | AABA structure | advance plot | conversing | leading lady | leading man | police | popular music | restaurant | sentimental | source music |
Flamingo Road (1949) | Lane (Sentimentale) | NIF - not in film | 9th chord | chromatic parallelism | conversing | cut from film | cut from film | falling in love scene | leading lady | leading man | police |
Flamingo Road (1949) | Lane (Molto Expressivo) | NIF - not in film | 11th chord | conversing | cut from film | cut from film | falling in love scene | leading lady | leading man | police |
Flamingo Road (1949) | If I Could Be With You (Dolce) | 0:17:22 - Lane and Field talk | conversing | falling in love scene | leading lady | leading man | love interest | pedal tone | police | porch | sentimental | source to score |
Flamingo Road (1949) | Goodnight | 0:17:45 - Lane and Field talk | blue note | conversing | falling in love scene | leading lady | leading man | love interest | peaceful | pedal tone | police | porch |
Flamingo Road (1949) | Lane (Dolce) | 0:17:58 - Lane flirts with Field | falling in love scene | flirting | leading lady | leading man | love interest | pedal tone | playful | police | porch | sweet |
Flamingo Road (1949) | If I Could Be With You (Ethereal) | 0:18:06 - Lane watches Field drive away | common-tone diminished 7th | falling in love scene | leading lady | leading man | leaving | love interest | pedal tone | police | porch | sentimental | source to score |
Flamingo Road (1949) | Cheatin' on Me | 0:19:12 - Lane works at the café | AABA structure | advance plot | café | leading lady | leading man | leaving | police | source music | upbeat | waitress | working |
Flamingo Road (1949) | South American Way | 0:22:08 - Field and Titus arrive at Lute Mae's Tavern | advance plot | club | dancer | dancing | gambling | leading man | musician | on-screen music | playing | police | politician | sheriff | source music | upbeat | waitress |
Flamingo Road (1949) | It Had to Be You | 0:23:44 - Politicians gamble and talk | ABAC structure | advance plot | club | gambling | leading man | police | politician | sentimental | sheriff | source music | waitress |
Flamingo Road (1949) | Somebody Loves Me | 0:25:19 - Politicians plot | AABA structure | advance plot | club | leading man | plotting | police | politician | sentimental | sheriff | source music |
Flamingo Road (1949) | If I Could Be With You | 0:26:58 - People gamble and dance | club | dancer | dance scene | dancing | fighting | gambling | leading lady | leading man | musician | on-screen music | playing | police | sentimental | sheriff | singer | singing | source music |
Flamingo Road (1949) | Titus (Setup) | 0:39:31 - A car follows Lane | conflict | dark | leading lady | police | self-borrowing | setup | street | walking |
Flamingo Road (1949) | Titus + Agitato (Extended) | 0:39:55 - Police take Lane away | arresting | combination of themes | conflict | driving | leading lady | police | self-borrowing | street | tense | turbulent |
Flamingo Road (1949) | Titus 2 (Triste) | NIF - not in film | cut from film | cut from film | police station | resolution | self-borrowing |
Flamingo Road (1949) | Lane (Not in Film 3) | NIF - not in film | cut from film | cut from film | foreign key modulation | mode mixture | police station | resolution |
| Hell on Frisco Bay (1955) | Anna (Very Slow) | 1:24:31 - Amato calls Detective Connors | advance plot | antagonist | boss | conversing | detective | gangster | leading man | mysterious | police station | religious | room | telephone |
Hell on Frisco Bay (1955) | Menace (Poco Con Moto) | 1:24:38 - Amato talks to Detective Connors | advance plot | antagonist | boss | detective | gangster | leading man | mysterious | plotting | police station | room | telephone | tense |
Hell on Frisco Bay (1955) | Underscoring (Tense) | 1:24:53 - Amato talks to Detective Connors | advance plot | antagonist | boss | detective | gangster | leading man | plotting | police station | room | tense |
Hell on Frisco Bay (1955) | Stinger | 1:25:11 - Amato talks to Detective Connors | advance plot | angry | antagonist | boss | detective | gangster | leading man | plotting | police station | room |
Hell on Frisco Bay (1955) | Amato (Molto Marcato) | 1:25:21 - Amato sets up Lye and Kay | advance plot | antagonist | betraying | boss | detective | gangster | harsh | leading man | plotting | police station | room | tense |
Hell on Frisco Bay (1955) | Underscoring (Tense) | 1:35:05 - The police arrive | action scene | arriving | conversing | dock | leading lady | police | tense | underscoring | wife |
Hell on Frisco Bay (1955) | Police running | 1:35:32 - The policemen run | action scene | agitated | descending | dock | dramatic | mickey-mousing | police | running | tense |
Hell on Frisco Bay (1955) | Underscoring (Dramatic) | 1:35:40 - The police boat leaves the dock | action scene | boat | departing | dock | dramatic | driving | police | tense | underscoring |
Hell on Frisco Bay (1955) | Amato (Climax) | 1:35:56 - The police boat advances | action scene | agitated | antagonist | boat | boss | chasing | detective | dock | dramatic | fighting | following | gangster | leading man | police | tense | underscoring |
Hell on Frisco Bay (1955) | Horn Call | 1:36:10 - The police boat advances | action scene | boat | chasing | dock | following | horn call | police | tense |
Hell on Frisco Bay (1955) | Lifting up | 1:36:50 - Amato is brought onboard | antagonist | boat | boss | detective | dock | dramatic | gangster | leading man | lifting | mickey-mousing | police | raising | resolution from here on? | tense | water |
Hell on Frisco Bay (1955) | Menace (Captured) | 1:36:57 - The police boat leaves | agitated | antagonist | arriving | boat | boss | detective | dock | gangster | leading lady | leading man | police | resolution from here on? | tense | waiting | wife |
Hell on Frisco Bay (1955) | Steve (Maestoso) | 1:37:30 - Steve gets off the boat | antagonist | arriving | boat | bold | boss | detective | dock | gangster | heroic | leading lady | leading man | police | resolution from here on? | wife |
Hell on Frisco Bay (1955) | Menace | 1:36:57 - The police boat leaves | agitated | arriving | boat | dock | gangster | inspector | leading man | police | tense |
Hell on Frisco Bay (1955) | Steve | 1:37:30 - Steve gets off the boat | arriving | boat | bold | dock | gangster | heroic | inspector | leading man | police |
| Her Kind of Man (1946) | Underscoring (Dramatic [Deutsch]) | 0:54:59 - Cop takes a witness | departing | dramatic | leading man | letter | mysterious | police | police station | reporter | signature | tense | turning point | typing | underscoring | waiter | witness |
Her Kind of Man (1946) | Shanty in Old Shanty Town | 0:59:36 - A cop waits | advance plot | arguing | club | conversing | leading man | observing | on-screen music | police | reporter | source music | upbeat | waiting |
Her Kind of Man (1946) | Steve Shoots Sister | 1:03:37 - Steve shoots his sister | action scene | chromatic scale | club | crowd | dramatic | dying | gambler | husband | leading man | murderer | police | reacting | shooting | sister | underscoring | victim |
Her Kind of Man (1946) | The Escape | 1:03:50 - Steve tries to escape | action scene | car | chasing | club | crowd | dramatic | driving | escaping | gambler | husband | jumping | leading man | mickey-mousing | murderer | police | running | sister | street | victim |
Her Kind of Man (1946) | Police Radio | 1:04:40 - Policeman on the radio | action scene | announcing | police | radio | radio effect | station | tense |
Her Kind of Man (1946) | Underscoring (Dramatic [Deutsch]) | 1:04:46 - Montage of policemen | action scene | double exposure | dramatic | montage | police | searching | street | underscoring |
Her Kind of Man (1946) | Underscoring (Dramatic [Steiner]) | 1:14:17 - Cop looks at his watch | climax | conversing | criminal | double-cross | dramatic | henchman | leading lady | leading man | parallelism | police | reporter | room | singer | stinger | telephone | tense | underscoring | watch | wife |
Her Kind of Man (1946) | Speeding | 1:14:21 - Policeman driving | car | chromatic parallelism | chromatic scale | chromatic sequence | climax | dramatic | driving | hurrying | leading lady | leading man | omnibus progression | police | reporter | rushing | singer | tense | wife | yelling |
Her Kind of Man (1946) | Speeding | 1:16:29 - Candy tries to run away | arriving | capturing | car | chromatic parallelism | chromatic scale | chromatic sequence | climax | criminal | double-cross | dramatic | gambler | henchman | leading man | murder | murderer | omnibus progression | police | reporter | revenge | running | street | tense |
Her Kind of Man (1946) | Candy (Agitato) | 1:16:53 - Don confronts Candy | agitated | arguing | climax | confronting | criminal | double-cross | gambler | henchman | leading man | murder | murderer | pc set | police | reporter | revenge | sequence | street | tense |
Her Kind of Man (1946) | It Had to Be You (Tragic) | 1:17:10 - Georgia holds Steve | 9th chord | augmented triad | climax | comforting | conversing | corpse | cradling | criminal | crying | death | dying | familiar tune | gambler | henchman | leading lady | leading man | murderer | police | popular music | reporter | singer | street | tense | tragic | wife |
Her Kind of Man (1946) | Water | 1:17:41 - Steve's corpse | 9th chord | corpse | criminal | death | flowing | gambler | henchman | leading lady | leading man | murderer | panning shot | police | reporter | resolution | singer | street | swirling | tense | tragic | voice-over | water | water effect | wife |
Her Kind of Man (1946) | It Had to Be You (The End) | 1:18:02 - The End | added-note chord | criminal | dark | death | dramatic | end title sequence | gambler | henchman | leading lady | leading man | mode mixture | murderer | police | reporter | singer | street | The End | tragic | wife |
| I Was a Communist for the FBI (1951) | Undercover Agent (Conflict) | 1:11:10 - Communists beat up Matt | attacking | communist | dramatic | fighting | interrogation | leading man | police | polychord | punching | tritone oscillation | undercover agent |
| Illegal (1955) | Scott (Bold) | 0:00:40 - Policemen working in an office | main title | police office | starring list |
Illegal (1955) | Police Car | 0:00:54 - Police car speeds out of the station; cast list | cast list | irregular meter | main title | police car | speeding |
Illegal (1955) | Typewriter | 0:01:21 - Typewriter filling out an APB for the suspected murderer | police station | typewriter | typing |
Illegal (1955) | Fingerprints | 0:01:35 - Man getting his fingerprints taken | fingerprints | police station |
Illegal (1955) | Police Car (Allegro) | 0:08:21 - Vic speeds away in a police car to the hospital | police car | speeding |
| In This Our Life (1942) | Police | 1:09:16 - A police car arrives | arriving | car | chromatic scale | driving | investigation scene | menacing | pedal tone | police | room | tense |
In This Our Life (1942) | Underscoring (Tense) | 1:09:25 - Policemen approach the house | arriving | chromatic parallelism | conversing | criminal | investigation scene | leading lady | mysterious | pedal tone | police | room | tense | walking | watching |
In This Our Life (1942) | Stanley (Descending Staircase) | 1:09:49 - Policemen enter the house | arriving | conversing | criminal | investigating | investigation scene | leading lady | mysterious | pc set | police | room | sneaking | tense | walking | watching |
In This Our Life (1942) | Stanley B (Very Agitated) | 1:32:15 - Stanley hides from the police | agitated | chromatic scale | conflict | criminal | dissonant bass | fragmentation | hiding | leading lady | mysterious | police | room | running | rushing | street |
In This Our Life (1942) | Underscoring (Dramatic) | 1:32:30 - Stanley dashes through the gate | conflict | criminal | dramatic | hiding | leading lady | police | running | rushing | street | underscoring |
In This Our Life (1942) | Police (Chase) | 1:32:36 - Stanley runs for her car | chromatic scale | conflict | criminal | dissonant bass | driving | fleeing | hiding | leading lady | ostinato | police | running | rushing | street | tense |
In This Our Life (1942) | Stanley (Chase) | 1:32:59 - The police chase after Stanley | 9th chord | acceleration | chase scene | chasing | chromatic scale | climax | criminal | desperate | dramatic | driving | fleeing | fragmentation | leading lady | police | street | tense |
In This Our Life (1942) | Stanley (Fleeing) | 1:33:12 - The police chase after Stanley | 64 chord | chase scene | chasing | chromatic mediant | climax | criminal | desperate | diminution | dramatic | driving | fleeing | leading lady | ostinato | police | sequential modulation | street | tense |
In This Our Life (1942) | Underscoring (Dramatic) | 1:33:29 - Two other policeman see Stanley | chase scene | chasing | chromatic scale | climax | criminal | dark | dramatic | driving | fleeing | half-diminished 7th chord | leading lady | pc set | police | street | tense | underscoring | watching |
In This Our Life (1942) | Stanley (Crying) | 1:33:37 - Stanley crying in her car | 9th chord | appoggiatura | chase scene | chasing | climax | criminal | crying | dark | dramatic | driving | fleeing | harmonic sequence | leading lady | police | somber | street | tense |
In This Our Life (1942) | Stanley + Stanley B (Rising Tension) | 1:33:49 - The police in hot pursuit | chase scene | chasing | chromatic scale | chromatic sequence | climax | combination of themes | criminal | desperate | dissonant bass | dramatic | driving | fleeing | half-diminished 7th chord | leading lady | police | street | tense |
In This Our Life (1942) | Stanley (Desperate) | 1:34:02 - The police in hot pursuit | 9th chord | chase scene | chasing | chromatic parallelism | climax | criminal | crying | desperate | dramatic | driving | fleeing | fragmentation | leading lady | police | street | tense |
In This Our Life (1942) | Underscoring (Dramatic) | 1:34:09 - Stanley's eyes in the rear-view mirror | 9th chord | acceleration | chase scene | chasing | climax | criminal | crying | desperate | dissonant bass | dramatic | driving | fleeing | leading lady | pc set | police | street | tense | tone cluster | underscoring |
In This Our Life (1942) | Car crash 2 | 1:34:17 - Stanley's car crashes | 9th chord | brash | car | car crash | chase scene | climax | crashing | criminal | dramatic | driving | dying | falling | fire | leading lady | mickey-mousing | police | street | tense |
In This Our Life (1942) | Stanley (Tragic) | 1:34:28 - Police run to Stanley's car | 9th chord | added-note chord | appoggiatura | brash | car | car crash | chase scene | climax | criminal | dramatic | dying | fire | half-diminished 7th chord | helping | leading lady | mournful | police | reporting | rescuing | rushing | sigh gesture | somber | street | tragic |
In This Our Life (1942) | Fast Driving (Dark) | 1:35:07 - Policemen on the radio | calling | oscillation | pc set | police | police station | reporting | resolution | room | solemn | somber | stinger |
In This Our Life (1942) | Underscoring (Tense) | 1:35:22 - Policemen on the radio | altered dominant | calling | police | police station | reporting | resolution | room | solemn | somber | tense | underscoring |
| The Informer (1935) | Katie (Fateful Decision) | 0:13:48 - Gypo heads towards the British headquarters | American | church bell | contemplating | deciding | diminished 7th chord | familiar tune | leading man | mickey-mousing | mysterious | parallelism | patriotic tune | pedal tone | pivotal scene | police station | street | tense |
The Informer (1935) | Blood Money (Extended) | 0:18:55 - British officer tosses money down on the table | antagonist | augmented triad | grabbing | leading man | money | mysterious | pivotal scene | police | police station | tense | tossing | tritone | whole-tone |
| Key Largo (1948) | The Bus | 0:01:26 - The bus is pulled over | agitated | bus | car | establish setting | police | street | tense | traveling |
Key Largo (1948) | Bus Stops | 0:01:42 - The bus stops | bus | car | establish setting | police | stopping | street | tense |
Key Largo (1948) | Tension | 0:26:48 - Rocco slaps bleeding man | boss | establish character | gangster | hostage | hotel | menacing | police | sinister | slapping | violence |
Key Largo (1948) | Tension | 0:28:58 - Sawyer stands up | conflict | gangster | hostage | hotel | menacing | mysterious | police | standing |
Key Largo (1948) | Rocco 3 (Heavily) | 0:29:04 - Sawyer enters the room | conflict | gangster | hostage | hotel | menacing | police | stumbling |
Key Largo (1948) | Rocco 3 (Agitato) | 0:29:15 - Toots trips Sawyer | conflict | falling | gangster | hostage | hotel | menacing | mickey-mousing | police | rolling | tripping |
Key Largo (1948) | Rocco 2 (Misterioso) | 1:13:37 - The sheriff leaves | boss | conflict | gangster | hotel | lying | menacing | police |
Key Largo (1948) | Sheriff Leaves | 1:13:51 - Rocco waits for the sheriff to leave | boss | conflict | deception | gangster | hotel | leaving | nervous | police | tense |
Key Largo (1948) | Rocco 2 (Dead Body) | 1:14:20 - Sheriff discovers the dead body | alarmed | conflict | corpse | discovering | horror | hotel | mickey-mousing | murder | police | rolling |
Key Largo (1948) | Rocco (Tense) | 1:15:03 - Rocco claims the Indians murdered Sawyer | angry | boss | conflict | dock | gangster | lying | murder | police | tense | violent |
Key Largo (1948) | Rocco 3 | 1:17:07 - Sheriff questions Rocco | boss | gangster | hotel | investigation scene | menacing | police | questioning |
Key Largo (1948) | Rocco | 1:17:15 - Sheriff questions Rocco | boss | gangster | hotel | investigation scene | menacing | police | questioning | tense |
Key Largo (1948) | Rocco 3 | 1:17:30 - Sheriff questions Curly | gangster | hotel | investigation scene | menacing | police | questioning |
Key Largo (1948) | McCloud (Somber) | 1:17:43 - Sheriff questions McCloud | determined | hotel | investigation scene | leading man | police | questioning | somber |
Key Largo (1948) | Rocco 3 (Tense) | 1:17:52 - Sheriff questions gangster | gangster | hotel | investigation scene | police | questioning | tense |
Key Largo (1948) | Underscoring (Tense) | 1:18:21 - Sheriff leaves | boss | gangster | hotel | investigation scene | police | questioning | tense | underscoring |
Key Largo (1948) | Rocco 2 | 1:18:34 - The policemen takes Sawyer's body | boss | gangster | hotel | investigation scene | menacing | police | tense | violent | watching |
| The Letter (1940) | Policeman | 1:33:31 - A policeman comes to investigate | antagonist | Chinese | climax | investigating | plantation | policeman | tense |
The Letter (1940) | Leslie (Reckoning) | 1:33:42 - Mrs. Hammond walks away | 11th chord | antagonist | augmentation | body | changing meter | Chinese | climax | death | leading lady | moon | oscillation | plantation | policeman | somber | suspension |
| Lightning Strikes Twice (1951) | Menace (The Chase) | 1:27:42 - Liza and String drive away | brother | car | chasing | climax | countryside | dramatic | driving | escaping | frantic | motorcycle | murderer | police | rancher | speeding | tense |
Lightning Strikes Twice (1951) | Menace (The Crash) | 1:28:30 - Liza drives off the hill | brother | car | car crash | climax | countryside | crashing | death | dramatic | dying | murderer | police | rancher | tense |
| Mildred Pierce (1945) | Waves rumbling | 0:03:15 - Policeman convinces Mildred not to jump | conversing | dock | establish character | heroine | leading lady | mickey-mousing | police | somber | suicide | water | wave |
Mildred Pierce (1945) | Cops walk | 0:11:08 - The cops walk down the hill | action scene | beach | dramatic | lumbering | mickey-mousing | police | walking |
Mildred Pierce (1945) | Opens coat | 0:11:12 - Policeman opens Wally's coat to frisk him | action scene | beach | dramatic | friend | mickey-mousing | opening | police | searching | victim |
Mildred Pierce (1945) | Underscoring (Tense) | 0:11:13 - Policemen investigate the scene | action scene | altered dominant | beach | conversing | dissonant bass | friend | mysterious | police | searching | sequence | tense | underscoring | victim |
Mildred Pierce (1945) | Hall of Justice | 0:13:35 - The Los Angeles Hall of Justice | advance plot | arriving | bold | detective | entering | heroine | justice | leading lady | parallelism | pedal tone | police | police station | walking |
Mildred Pierce (1945) | Mildred sits | 0:14:11 - Mildred sits down | advance plot | heroine | leading lady | mickey-mousing | mysterious | police station | sitting |
Mildred Pierce (1945) | Drink to Me Only With Thine Eyes | 0:16:07 - Cop whistles to himself | advance plot | detective | familiar tune | heroine | leading lady | on-screen music | police | police station | source music | tense | ticking | whistling |
Mildred Pierce (1945) | Flashback ends | 1:05:49 - Screen wipe back to the present day | advance plot | flashback | heroine | leading lady | mickey-mousing | police station | wipe |
Mildred Pierce (1945) | Kay and Veda (Coy 2) | 1:44:37 - Veda is brought in by the police | antagonist | chromatic parallelism | daughter | deceiving | deception | detective | entering | interrogating | interrogation | parallelism | police station | questioning | tense |
Mildred Pierce (1945) | Mildred (Waltz Fantasy) | 1:44:53 - Mildred tells Veda not to confess | 9th chord | appoggiatura | chromatic parallelism | detective | harsh | heroine | interrogating | interrogation | leading lady | pleading | police station |
Mildred Pierce (1945) | Mildred (Dark) | 1:45:09 - Mildred realizes that she cannot save Veda | crime | heroine | interrogating | interrogation | police station | somber |
Mildred Pierce (1945) | Kay and Veda (Triste) | 1:49:37 - Veda is led out by the police | antagonist | conversing | daughter | defeat | detective | heroine | leading lady | leaving | mother | murderer | police station | resigned | resolution | sigh gesture | somber |
Mildred Pierce (1945) | Mildred (The End) | 1:50:07 - Mildred leaves with Bert | added-note chord | ex-husband | heroine | leading lady | leaving | pedal tone | police station | resolution | triumphant |
| Out of the Fog (1941) | Russian Barcarolle (Fear) | 0:21:18 - Officer Magruder arrives | boat | chef | conflict | conversing | criminal | dock | extortion | father | fear | fisherman | friend | leading man | police | sandwich | solemn | somber |
Out of the Fog (1941) | Russian Barcarolle (Fragmented) | 0:46:14 - Jonah calls for the cop | arguing | conflict | criminal | dock | extortion | father | fisherman | fragmentation | friend | leading man | police | tense | yelling |
Out of the Fog (1941) | Underscoring (Tense) | 0:46:34 - Jonah accuses Goff | arguing | conflict | conversing | criminal | dock | extortion | father | fisherman | friend | leading man | police | tense | underscoring |
Out of the Fog (1941) | Russian Barcarolle (Fragmented) | 0:46:50 - Olaf accuses Goff | conflict | conversing | criminal | departing | dock | extortion | father | fisherman | fragmentation | friend | leading man | police | tense |
Out of the Fog (1941) | Underscoring (Dark) | 1:12:05 - Police ring the bell | action scene | arguing | conversing | dark | fisherman | friend | police | ringing | room | street | underscoring |
Out of the Fog (1941) | Speeding Car | 1:12:30 - A car racing down the street | action scene | car | double exposure | dramatic | driving | leading lady | point-of-view shot | police | rushed | rushing | street | tense |
Out of the Fog (1941) | Morgue | 1:12:37 - The morgue | action scene | arriving | conversing | corpse | death | fear | leading lady | morgue | ominous | police | tense |
Out of the Fog (1941) | Russian Barcarolle (Dead) | 1:13:15 - Stella sees Goff's body | action scene | arguing | corpse | crying | dark | death | fear | leading lady | morgue | ominous | police |
Out of the Fog (1941) | Speeding Car (Extended) | 1:13:32 - A car racing down the street | action scene | car | crowd | double exposure | dramatic | driving | leading lady | minor-major 7th chord | point-of-view shot | police | questioning | reporter | rushed | rushing | street | tense |
| The Unfaithful (1947) | Unfaithful (Tragic) | 0:24:34 - Mrs. Tanner walks down the street | advance plot | antagonist | husband | leading lady | newspaper | ostinato | panicked | panicking | pedal tone | police station | street | transition | trolley | victim | widow |
The Unfaithful (1947) | Tanner (Headlines) | 1:24:17 - Chris is suspected of murder | altered dominant | chromatic scale | climax | fragmentation | friend | hurrying | montage | newspaper | newspaper boy | panicked | police station | polychord | polytonality | quartal chord | radio | reporter | room | rushing | street | surprise | tritone oscillation | widow |
| We Are Not Alone (1939) | Frohe Botschaft (Drifting) | 1:14:30 - David gives Leni money for her travels | altered dominant | arrest | arresting | chromatic parallelism | conflict | conversing | dark | death | familiar tune | folk song | gentle | German | happy | hero | heroine | mode mixture | murder | police | quotation | sad | sweet | tense | train station | whole-tone chord |
We Are Not Alone (1939) | Underscoring (Tense) | 1:15:25 - David is taken away by the police | 9th chord | added-note chord | arresting | conflict | hero | heroine | pedal tone | police | tense | train station | underscoring |
| White Heat (1949) | Morgue | 0:14:17 - Tahoe County Morgue sign | conversing | corpse | dark | detective | investigation scene | menacing | morgue | mortician | police | self-borrowing | transition |
White Heat (1949) | Underscoring (Mysterious) | 0:14:51 - The agents talk | agent | clue | dark | investigating | investigation scene | morgue | mysterious | police | underscoring |
White Heat (1949) | Plotting (Mysterious) | 0:29:13 - Verna and Ma leave the police station | agent | leading lady | leading man | moll | mother | mysterious | police station | transition | walking |
White Heat (1949) | Cody 2 | 0:29:18 - Newspaper headline | agent | bold | dark | dramatic | headline | leading man | newspaper | police station | transition | typing |
White Heat (1949) | Pursuit | 1:08:44 - The agents turn around | agent | car | driving | leading man | police | prison break | rushing | street | tense | uneasy |
White Heat (1949) | Agents (Message) | 1:37:03 - Gas station attendant goes to washroom | conversing | gas station | message | mirror | police | radio | tense | transition | worker |
White Heat (1949) | Pursuit (Tracking) | 1:37:43 - Policemen pursue the truck | agent | antenna | car | car | chase scene | map | police station | pursuing | radio | speeding | street | tense |
White Heat (1949) | Agents + Pursuit (Antenna) | 1:37:59 - | agent | chase scene | combination of themes | conversing | cut from film | police station | radio | tense |
White Heat (1949) | T-Men (The Station) | 1:38:03 - Agents track progress of truck on the map | agent | chase scene | heroic | map | mapping | planning | police station |
White Heat (1949) | Agents + Pursuit (Montage) | 1:38:33 - Police car in pursuit | agent | antenna | car | car | chase scene | combination of themes | double exposure | electronic effect | montage | mysterious | police station | pursuing | radio | radio effect | speeding | street | tense |
White Heat (1949) | T-Men (The Map) | 1:38:58 - Agents map coordinates of the truck | agent | chase scene | map | mapping | noble | planning | police station | radio |
White Heat (1949) | Pursuit (Frantic) | 1:39:12 - Police car in pursuit | agent | antenna | car | car | chase scene | double exposure | montage | police station | pursuing | radio | speeding | street | tense |
White Heat (1949) | Underscoring (Dramatic) | 1:39:16 - Agent at the control board | agent | antenna | car | car | chase scene | double exposure | dramatic | mapping | montage | police station | pursuing | radio | speeding | street | underscoring |
White Heat (1949) | Underscoring (Tense) | 1:39:35 - Agents map coordinates of the truck | agent | chase scene | map | mapping | police station | tense | underscoring |
White Heat (1949) | Underscoring (Dramatic) | 1:41:22 - Agents map coordinates of the truck | agent | chase scene | dramatic | fanfare | map | mapping | police station | radio | underscoring |
White Heat (1949) | Agents (Extended) | 1:41:31 - Agents map coordinates of the truck | agent | chase scene | map | mapping | police station | radio | tense |
White Heat (1949) | Pursuit (Arriving) | 1:42:48 - Police cars rush to factory | action scene | agent | car | factory | guard | police | pursuing | speeding | tense |
White Heat (1949) | White Heat (Maestoso) | 1:43:03 - Police enter the factory | action scene | agent | dramatic | factory | guard | police | running | rushing | tense |
White Heat (1949) | Police Raid | 1:43:09 - Gangster acting as lookout | action scene | arriving | factory | fugitive | gangster | leading man | looking | march | murderer | police | running | rushing | tense | undercover agent |
White Heat (1949) | Agents (Tutti) | 1:46:31 - Agents watch men exiting | action scene | agent | aiming | dramatic | factory | gun | leading man | police | rushing | stopping | tear gas | tense |
White Heat (1949) | T-Men (Escaping) | 1:46:36 - Hank escapes | action scene | agent | crawling | dark | escaping | factory | gun | leading man | police | reporting | tear gas | tense |
White Heat (1949) | Agents (Marcato) | 1:46:58 - Evans signals to another agent | action scene | agent | bold | commanding | factory | fanfare | leading man | police |
White Heat (1949) | Danger (Extended) | 1:47:06 - Cody sends men out | action scene | agent | death | dying | factory | falling | fugitive | gangster | gun | gunshot | leading man | murderer | police | pushing | rushing | shooting | tense |
White Heat (1949) | Climbing stairs | 1:47:22 - Gangsters climb up stairs | action scene | agent | ascending | dramatic | factory | fleeing | fugitive | gangster | leading man | mickey-mousing | murderer | police | running | rushing | stairs |
White Heat (1949) | Underscoring (Dramatic) | 1:47:35 - Gangsters get off of ladder | action scene | agent | dramatic | factory | fugitive | gangster | hiding | leading man | murderer | police | rushing | tense | underscoring |
White Heat (1949) | White Heat (Police Raid) | 1:47:47 - Police advance on the gangsters | action scene | advancing | agent | death | dramatic | dying | factory | falling | fugitive | gangster | gun | gunshot | hidiging | leading man | mickey-mousing | murder | murderer | police | raid | searching | shooting | shootout | tense |
White Heat (1949) | Falling and dying | 1:48:09 - Gangster falls down | action scene | death | descending | dramatic | dying | factory | falling | gangster | gun | gunshot | mickey-mousing | police | raid | shootout | tense |
White Heat (1949) | Cody 2 (Brash) | 1:48:12 - Agents run up the stairs | action scene | agent | ascending | brash | dramatic | factory | fugitive | gangster | leading man | murderer | police | raid | running | rushing | shootout | stairs |
White Heat (1949) | Prison Fight + Agents | 1:48:17 - Gangsters run up the stairs | action scene | agent | ascending | combination of themes | dramatic | factory | fleeing | fugitive | gangster | gun | gunshot | leading man | murderer | police | raid | running | rushing | shootout | stairs | tense |
White Heat (1949) | Falling down stairs | 1:48:21 - Gangster falls down the stairs | action scene | death | descending | dramatic | dying | factory | falling | gangster | gun | mickey-mousing | police | raid | shootout | stairs | tense |
White Heat (1949) | Prison Fight + Agents | 1:48:30 - Agents run up the stairs | action scene | agent | ascending | chasing | dramatic | factory | fugitive | gangster | leading man | murderer | police | raid | running | stairs | tense |
| The Public Defender (1931) | Beautiful Thing | 0:05:58 - Dance music played at a dinner party | advance plot | banker | cheerful | conversing | crowd | dance music | on-screen music | party | police | source music | transcribed by ear |
| White Heat (1949) | Sliding down pole | 1:48:43 - Cody slides down a pole | action scene | agent | descending | dramatic | factory | fugitive | gangster | leading man | mickey-mousing | murderer | pole | police | raid | sliding | tense |
White Heat (1949) | Danger (Tense) | 1:48:48 - Gangsters run away | action scene | agent | chasing | dramatic | factory | fanfare | fugitive | gangster | leading man | murderer | police | raid | running | rushing | tense |
White Heat (1949) | Agents + Gathering | 1:49:06 - Agents in action | action scene | agent | chasing | combination of themes | dramatic | factory | fugitive | gangster | leading man | murderer | police | raid | running | rushing | tense |
White Heat (1949) | Danger (Risoluto) | 1:49:17 - Agents advance | action scene | agent | chasing | dramatic | factory | fugitive | gangster | leading man | murderer | police | raid | running | rushing | tense |
White Heat (1949) | Underscoring (Dramatic) | 1:49:19 - Gangsters run away | action scene | agent | chasing | dramatic | factory | fugitive | gangster | leading man | murderer | police | raid | running | rushing | tense | underscoring |
White Heat (1949) | Plotting (Extended) | 1:49:34 - Gangsters hide | action scene | agent | factory | frantic | fugitive | gangster | hiding | leading man | murderer | police | raid | running | rushing | tense |
White Heat (1949) | Rushing + Agents | 1:49:44 - Police advance | action scene | advancing | agent | combination of themes | factory | fugitive | gangster | hiding | leading man | murderer | police | raid | rushing | searching | tense |
White Heat (1949) | White Heat (Maestoso 2) | 1:49:55 - Police advance | action scene | advancing | agent | dramatic | factory | fugitive | gangster | hiding | leading man | murderer | police | raid | rushing | searching | tense |
White Heat (1949) | Agents (Searching) | 1:50:02 - Agents plan their next move | action scene | advancing | agent | dramatic | factory | fugitive | gangster | hiding | leading man | murderer | police | raid | rushing | searching | tense |
White Heat (1949) | Rushing (Searchlights) | 1:50:05 - Searchlights | action scene | agent | factory | fugitive | gangster | hiding | laughing | leading man | mickey-mousing | murderer | police | raid | searching | searchlight | tense |
White Heat (1949) | Madness | 1:50:16 - Cody talks to Riley | action scene | agent | factory | fugitive | gangster | hiding | leading man | madness | murderer | plotting | police | raid | tense |
White Heat (1949) | Plotting (Agitato) | 1:50:27 - Cody gets up | action scene | agent | factory | fugitive | gangster | hiding | laughing | leading man | madness | murderer | police | raid | sneaking | tense |
White Heat (1949) | Cody (Climbing) | 1:50:30 - Cody climbs the stairs | action scene | agent | ascending | dramatic | factory | fugitive | gangster | hiding | leading man | murderer | police | raid | rushing | stairs | tense |
White Heat (1949) | Plotting | 1:50:41 - Cody hides | action scene | agent | factory | fugitive | gangster | hiding | leading man | murderer | police | raid | tense |
White Heat (1949) | Rushing (Searchlights 2) | 1:50:48 - Searchlights | action scene | agent | announcing | death | factory | fugitive | gangster | gun | gunshot | hiding | killing | laughing | leading man | mickey-mousing | murder | murderer | police | raid | searching | searchlight | shooting | surrendering | tense |
White Heat (1949) | Riley's Death | 1:51:15 - Riley hits the ground | action scene | agent | dark | death | dying | factory | fugitive | gangster | laughing | leading man | murder | murderer | police | raid | stinger |
White Heat (1949) | Cody 3 (Mocking) | 1:51:30 - Cody shoots | action scene | agent | brash | factory | frantic | fugitive | gangster | gun | gunshot | laughing | leading man | mocking | murderer | police | raid |
White Heat (1949) | Trap | 1:51:37 - Policeman hands Hank a rifle | action scene | agent | aiming | factory | fugitive | gangster | gun | leading man | murderer | police | raid | searching | tense |
White Heat (1949) | Rushing | 1:51:44 - Searchlights | action scene | agent | aiming | factory | fugitive | gangster | gun | gunshot | hiding | leading man | mickey-mousing | murderer | police | raid | searching | searchlight | shooting | tense |
White Heat (1949) | Headache (Explosion) | 1:52:26 - Cody shoots a gas valve | agent | climax | dramatic | exploding | explosion | factory | fire | frantic | fugitive | gangster | gun | gunshot | laughing | leading man | murderer | police | raid | running | rushing | shooting |
White Heat (1949) | Struggle | 1:52:46 - Explosion | agent | climax | conversing | death | dramatic | exploding | explosion | factory | fire | fugitive | gangster | leading man | murderer | police | raid |
White Heat (1949) | Cody (The End) | 1:53:02 - Explosion | agent | climax | conversing | dark | death | dramatic | exploding | explosion | factory | fire | fugitive | gangster | leading man | murderer | police | raid | The End |
| Lightning Strikes Twice (1951) | Aftermath | 1:28:48 - Man gets out of the jalopy | approaching | brother | bystander | car | car crash | climax | countryside | death | murderer | police | rancher | solemn |
Lightning Strikes Twice (1951) | Father Paul (Slow) | 1:29:00 - Shelly and Myra wait for the news | actor | bell effect | car crash | countryside | death | funereal | leading lady | mother | owner | police | resolution | somber | waiting |
Lightning Strikes Twice (1951) | Liza (Triste) | 1:29:20 - Father Paul climbs up | actor | arriving | car crash | climbing | countryside | death | husband | leading lady | leading man | mother | owner | police | priest | resolution | somber |
Lightning Strikes Twice (1951) | Shelly and Trev (Appassionato 2) | 1:29:33 - Trev and Shelly embrace | actor | calm | comforting | countryside | departing | driving | embracing | husband | kissing | leading lady | leading man | mother | owner | peace | peaceful | police | priest | resolution | smiling |
| Mara Maru (1952) | Underscoring (Dramatic) | 0:15:56 - Gregory picks up the phone | advance plot | arriving | conversing | discovering | dramatic | knocking | leading man | police | room | stinger | telephone | underscoring | worker |
Mara Maru (1952) | Murder | 0:19:08 - Callahan's body is discovered | agitated | arriving | corpse | discovering | dramatic | leading man | murder | murder scene | police | room | stinger | tense |
Mara Maru (1952) | Gregory (Police) | 0:19:31 - The police station | arriving | dark | leading man | police | street | transition | walking |
Mara Maru (1952) | Underscoring (Dramatic) | 0:46:32 - A boat on fire | arriving | crowd | death scene | dock | dousing | dramatic | fire | fire effect | hurrying | leading man | police | running | tense | underscoring |
Mara Maru (1952) | Adoramus te Christe | 0:49:05 - A cross and some candles | brother | church | conversing | cross | crowd | crying | embracing | evidence | funeral scene | leading man | mother | mourner | mourning | police | praying | priest | private eye | somber | source music | worker |
Mara Maru (1952) | Police | 1:34:53 - The police enter | action scene | antagonist | bodyguard | catacomb | cave | chasing | climax | cross | dramatic | gun | gunshot | heroic | leading man | martyr | murderer | police | running | shooting | stairs | tense | tunnel | victim |
Mara Maru (1952) | Descending the stairs | 1:34:55 - Fortuno runs down the stairs | action scene | antagonist | bodyguard | catacomb | cave | chasing | climax | cross | descending | dramatic | gun | gunshot | leading man | martyr | mickey-mousing | murderer | police | running | stairs | tense | tunnel | victim |
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