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275 results for "police" in 28 films — see also guard | law | policeman | sheriff

Film	Theme name	Instance	Tags
The Amazing Dr. Clitterhouse (1938)	The Amazing Doctor (Murder)	1:10:49 - Montage of newspaper headlines	chromatic parallelism \| corpse \| dark \| dissonant bass \| fingerprints \| headlines \| investigating \| montage \| morgue \| mortician \| murder \| newspaper \| police \| printing press \| tense \| triadic transformation
The Amazing Dr. Clitterhouse (1938)	Rocks (Dead)	1:11:10 - Rocks's mugshot and fingerprints	dark \| fingerprints \| investigating \| montage \| morgue \| mortician \| mug shot \| murder \| police \| tense
Angels With Dirty Faces (1938)	The Chase	0:04:21 - Cops chase boys through the train yard	chase scene \| chasing \| chromatic parallelism \| chromatic scale \| diminished 7th chord \| dramatic \| escaping \| half-diminished 7th chord \| mickey-mousing \| police \| polychord \| running \| street \| teenager \| whole-tone chord
Angels With Dirty Faces (1938)	Underscoring (Dramatic)	1:16:29 - Rocky shoots Mac and Frazier	agitated \| attacking \| casino \| chaos \| chasing \| chromatic parallelism \| chromatic scale \| climbing \| conflict \| crowd \| death \| dissonant bass \| dramatic \| dying \| escaping \| falling \| fighting \| gangster \| gun \| gunshot \| half-diminished 7th chord \| hurrying \| jumping \| landing \| lawyer \| leading man \| mickey-mousing \| pedal tone \| police \| rooftop \| room \| running \| sequence \| shooting \| sneaking \| sneaky \| street \| tone cluster \| underscoring
Angels With Dirty Faces (1938)	Underscoring (Dramatic)	1:19:00 - Rocky is trapped in a building	42 chord \| agitated \| chromatic parallelism \| chromatic scale \| conflict \| dissonant bass \| dramatic \| escaping \| fleeing \| gangster \| half-diminished 7th chord \| leading man \| major 7th chord \| police \| running \| sequence \| stairwell \| tone cluster \| underscoring
Angels With Dirty Faces (1938)	Tear Gas	1:19:48 - Tear gas spreads throughout the room	agitated \| breaking \| breaking \| breathing \| building \| chromatic parallelism \| chromatic scale \| conflict \| dissonant bass \| dramatic \| gangster \| gun \| gunshot \| hurrying \| leading man \| mickey-mousing \| pedal tone \| police \| quartal chord \| running \| shooting \| smoke \| street \| tear gas \| throwing \| window
Angels With Dirty Faces (1938)	Machine Gun	1:20:24 - Policeman shoots at Rocky with machine gun	agitated \| building \| chromatic parallelism \| conflict \| death \| dramatic \| falling \| gangster \| gun \| gunshot \| hiding \| leading man \| police \| polychord \| shooting \| street \| underscoring
Angels With Dirty Faces (1938)	Underscoring (Dramatic)	1:20:39 - Policemen shoot tear gas in through the window	agitated \| appoggiatura \| building \| conflict \| dramatic \| gangster \| gun \| gunshot \| leading man \| mickey-mousing \| police \| shooting \| street \| tone cluster \| underscoring
Angels With Dirty Faces (1938)	Launching tear gas	1:20:51 - Policemen shoot tear gas in through the window	agitated \| building \| conflict \| dramatic \| gangster \| gun \| gunshot \| launching \| leading man \| mickey-mousing \| police \| shooting \| street \| tear gas \| tone cluster
Angels With Dirty Faces (1938)	Tear Gas (Desperate)	1:21:40 - Rocky tries to hold off the cops	agitated \| building \| chromatic parallelism \| chromatic scale \| conflict \| dissonant bass \| dramatic \| gangster \| gun \| gunshot \| leading man \| mickey-mousing \| pedal tone \| police \| priest \| quartal chord \| shooting \| smoke \| staggering \| street \| tear gas
Angels With Dirty Faces (1938)	Underscoring (Dramatic)	1:25:20 - Rocky throws his gun	capturing \| chromatic scale \| conflict \| dissonant bass \| dramatic \| gangster \| gun \| leading man \| police \| sequence \| street \| throwing \| underscoring
Angels With Dirty Faces (1938)	The Gangster (Captured)	1:25:31 - Rocky is captured	capturing \| conflict \| gangster \| leading man \| police \| somber \| street \| taunting
Angels With Dirty Faces (1938)	Jerry (Upset)	1:31:40 - Jerry follows Rocky out of his cell	agitated \| climax \| conversing \| gangster \| leading man \| police \| priest \| prison
Angels With Dirty Faces (1938)	Underscoring (Dramatic)	1:31:44 - Rocky punches a guard	agitated \| chromatic parallelism \| chromatic scale \| chromatic wedge \| climax \| fighting \| gangster \| half-diminished 7th chord \| leading man \| police \| priest \| prison \| punching \| tense \| underscoring
Angels With Dirty Faces (1938)	The Gangster (Funebre)	1:31:55 - Rocky is taken away	64 chord \| climax \| gangster \| leading man \| police \| priest \| prison \| pushing \| somber
Angels With Dirty Faces (1938)	Funebre	1:32:03 - Jerry and Rocky walk down the hall	climax \| dirge \| execution chamber \| gangster \| leading man \| marching \| police \| priest \| prison \| somber \| tense \| walking
Angels With Dirty Faces (1938)	Underscoring (Tense)	1:33:36 - Rocky pleads for his life	begging \| climax \| cowardice \| crowd \| crying \| death \| execution \| execution chamber \| gangster \| leading man \| pleading \| police \| priest \| prison \| shadow \| tense \| tone cluster \| underscoring \| wailing
Are These Our Children? (1931)	Dreams (Minor) + Makes You Forget Your Troubles (Minor)	1:15:51 - Newspaper headlines	combination of themes \| conversing \| double exposure \| headline \| minor-major 7th chord \| montage \| newspaper \| police \| preaching \| priest \| source to score \| spinning \| tense
Arsenic and Old Lace (1944)	Sidewalks of New York (Walking)	0:05:30 - Cops patrol the neighborhood	64 chord \| calm \| establish setting \| familiar tune \| fragmentation \| police \| street \| walking
Caged (1950)	Caged (Main Title)	NIF - not in film	car \| chromatic scale \| cut from film \| dark \| dissonant bass \| driving \| guard \| opening title sequence \| oscillation \| police car \| prisoner \| riding \| sigh gesture \| title of film
Caged (1950)	Police Van	NIF - not in film	car \| cut from film \| dark \| diminished 7th chord \| dissonant bass \| driving \| guard \| opening title sequence \| oscillation \| point-of-view shot \| police car \| polychord \| prisoner \| riding \| siren effect \| tense \| whole-tone chord
Caged (1950)	Caged (Van Stops)	NIF - not in film	car \| chromatic parallelism \| cut from film \| dark \| dissonant bass \| driving \| guard \| opening title sequence \| police car \| prisoner \| riding \| tense
Caged (1950)	Prisoners get out	NIF - not in film	car \| cut from film \| exiting \| guard \| opening title sequence \| pc set \| police car \| prisoner \| quartal chord \| tense \| whole-tone chord
Caged (1950)	Marie (Main Title)	NIF - not in film	augmented sixth chord \| car \| cut from film \| dark \| guard \| leading lady \| looking \| opening title sequence \| police car \| prisoner \| tense
Caged (1950)	Prison	NIF - not in film	9th chord \| augmented sixth chord \| conversing \| cut from film \| dark \| exiting \| guard \| leading lady \| opening title sequence \| police car \| prison \| prisoner \| suspension \| underscoring
Caged (1950)	Caged	0:00:08 - Title of film	car \| cast list \| chromatic scale \| dark \| dissonant bass \| driving \| guard \| opening title sequence \| point-of-view shot \| police car \| prisoner \| title of film
City for Conquest (1940)	Train	0:01:09 - An elevated train approaches	added-note chord \| bridge \| busy \| city \| hurried \| mickey-mousing \| old man \| ostinato \| police \| pump-up modulation \| train \| transition \| traveling
City for Conquest (1940)	Tone Poem B + Train	0:01:19 - Sign for the Williamsburg Bridge	9th chord \| added-note chord \| bridge \| busy \| chromatic parallelism \| city \| combination of themes \| countermelody \| hurried \| Mixolydian mode \| old man \| police \| train \| transition \| traveling
City for Conquest (1940)	Sidewalks of New York (Soliloquy)	0:01:33 - A cop tells a man to keep moving	9th chord \| 13th chord \| bridge \| chromatic parallelism \| city \| conversing \| establish place \| establish setting \| old man \| police \| soliloquy \| uneasy
City for Conquest (1940)	Sidewalks of New York (City Struck)	0:02:03 - Old-timer talks with cop	9th chord \| bridge \| chromatic scale \| city \| conversing \| establish setting \| excited \| old man \| police \| soliloquy
City for Conquest (1940)	Sidewalks of New York (Montage)	0:02:18 - A montage of New York City scenes	added-note chord \| boat \| bridge \| car \| chromatic parallelism \| city \| conversing \| Dutch angle \| establish setting \| excited \| fragmentation \| montage \| old man \| panning shot \| police \| pump-up modulation \| soliloquy \| train
City for Conquest (1940)	Sidewalks of New York (Snake)	0:02:35 - A montage of New York City scenes	13th chord \| 64 chord \| altered dominant \| bridge \| chromatic sequence \| city \| conversing \| countermelody \| double exposure \| Dutch angle \| establish setting \| foreign key modulation \| fragmentation \| grand \| montage \| old man \| police \| snake effect \| soliloquy
City for Conquest (1940)	Sidewalks of New York (Soliloquy)	0:02:50 - Old-timer talks with cop	9th chord \| 13th chord \| arguing \| bluesy \| bridge \| chromatic parallelism \| city \| establish setting \| old man \| police \| sentimental \| soliloquy
City for Conquest (1940)	Sidewalks of New York (Cop Grabs Bum)	0:03:06 - Cop pushes old-timer	9th chord \| arguing \| bridge \| chromatic parallelism \| chromatic scale \| city \| comical \| establish setting \| mickey-mousing \| old man \| police \| pushing \| rushing \| tense
Crime School (1938)	Running away	0:09:32 - Kids run away from cops	42 chord \| chasing \| chromatic scale \| conflict \| dramatic \| fleeing \| gang \| mickey-mousing \| police \| running \| street \| teenager \| tense
Crime School (1938)	Underscoring (Tense)	0:09:40 - Spike is captured by the cops	9th chord \| arresting \| capturing \| conflict \| dramatic \| police \| street \| teenager \| tense
Crime School (1938)	Sue (Policeman)	0:12:34 - Cop comes to the house	advance plot \| building \| mysterious \| police
Crime School (1938)	Policeman walks up stairs	0:12:47 - Cop walks up the stairs to Sue's flat	advance plot \| ascending \| building \| mickey-mousing \| mysterious \| police \| quartal chord \| up
Crime School (1938)	The Patrol Wagon	0:21:41 - Boys get loaded into the patrol wagon	car \| chromatic parallelism \| cut from film \| dissonant bass \| pedal tone \| police car \| traveling
Crime School (1938)	The Warden	0:23:15 - Warden stands up to face the boys	antagonist \| arguing \| augmented triad \| authority \| chromatic parallelism \| establish character \| falling \| gang \| lightning \| ominous \| police \| reformatory \| slapping \| stinger \| teenager \| warden \| whole-tone chord
Crime School (1938)	Escaping	0:28:32 - Frankie runs and hides	chromatic parallelism \| chromatic wedge \| dissonant bass \| dramatic \| escape \| escaping \| hiding \| mickey-mousing \| police \| reformatory \| running \| sequence \| sneaking \| teenager \| tense \| tone cluster
Crime School (1938)	Searchlights (Sneaking)	0:28:47 - Frankie hides from the searchlight	chromatic parallelism \| dramatic \| escape \| escaping \| hiding \| jumping \| mickey-mousing \| police \| reformatory \| running \| searchlight \| sneaking \| teenager \| tense
Crime School (1938)	The Warden (The Guards)	0:29:34 - Warden's guards run to catch Frankie	64 chord \| anguished \| barbed wire fence \| battle call \| capturing \| chromatic parallelism \| chromatic scale \| dragging \| dramatic \| escape \| falling \| pc set \| police \| reformatory \| running \| sequence \| teenager \| tense \| warden
Crime School (1938)	Dragging	0:29:51 - Warden's guards drag Frankie through the rain	accented dissonance \| anguished \| capturing \| chromatic parallelism \| dissonant bass \| dragging \| dramatic \| escape \| kicking \| mickey-mousing \| police \| reformatory \| splashing \| teenager \| tense \| warden
Crime School (1938)	The Warden (Capture)	0:29:58 - Frankie is caught and dragged to the warden	dragging \| dramatic \| escape \| police \| reformatory \| teenager \| tense \| warden
Crime School (1938)	Paints face	0:50:55 - Boy paints the guard's face	accident \| comedy \| comical \| mickey-mousing \| painting \| police \| reformatory \| teenager
Crime School (1938)	Slips on paint	0:51:01 - Guard chases boy then slips and falls on paint	accident \| chromatic scale \| comedy \| comical \| falling \| mickey-mousing \| police \| reformatory \| slipping \| teenager \| walking
Crime School (1938)	The Warden (Office)	0:51:05 - The guard enters to talk to Mark	comedy \| dramatic \| hero \| leading man \| marching \| police \| reformatory \| walking
Crime School (1938)	Laughing	0:51:11 - Mark laughs at the guard covered with paint	comedy \| comical \| hero \| laughing \| leading man \| mickey-mousing \| police \| reformatory
Crime School (1938)	Peeking	1:12:11 - Cooper peeks out from the window	antagonist \| authority \| escape \| mickey-mousing \| mysterious \| peeking \| police \| reformatory \| whole-tone chord
Crime School (1938)	Underscoring (Tense)	1:12:21 - Cooper talks with the warden	chromatic parallelism \| escape \| half-diminished 7th chord \| phone call \| plotting \| police \| reformatory \| telephone \| tense \| warden
Crime School (1938)	Underscoring (Tense)	1:14:26 - Mark talks to policeman	chromatic scale \| conflict \| deceptive resolution \| gun \| hero \| heroine \| hiding \| knocking \| leading lady \| leading man \| lying \| mode mixture \| pedal tone \| police \| room \| teenager \| tense \| underscoring
Deep Valley (1947)	Law (Molto Misterioso)	0:57:01 - Men hunting for Barry	forest \| manhunt \| mysterious \| police \| searching \| tense \| transition
Deep Valley (1947)	Underscoring (Dramatic)	1:02:02 - Libby in her room	advance plot \| arriving \| dramatic \| father \| leading lady \| police \| room \| searching \| street \| tense \| underscoring \| watching
Deep Valley (1947)	Law (Misterioso)	1:02:41 - Libby looks out the window	advance plot \| father \| leading lady \| manhunt \| mysterious \| police \| room \| searching \| street \| tense
Deep Valley (1947)	Barry (Contrary Motion)	1:04:10 - Libby gathers things	advance plot \| leading lady \| mickey-mousing \| packing \| police \| rolling \| room \| rushing \| tense
Deep Valley (1947)	Barry (Molto Misterioso) + Love Theme	1:06:04 - Sheriff drinks coffee	action scene \| convict \| drinking \| forest \| fugitive \| leading lady \| leading man \| love interest \| mysterious \| police \| room \| somber \| walking
Deep Valley (1947)	Law (Slowly)	1:06:18 - Lawmen advance	action scene \| convict \| forest \| fugitive \| leading man \| love interest \| manhunt \| police \| searching \| serious \| walking
Deep Valley (1947)	Underscoring (Dramatic)	1:06:48 - Barry reacts to gunshots	action scene \| cabin \| convict \| dramatic \| forest \| fugitive \| gunfight \| hiding \| leading man \| loading \| love interest \| manhunt \| police \| shooting \| stinger \| tense \| underscoring
Deep Valley (1947)	Law	1:07:20 - Barry tries to escape	action scene \| cabin \| convict \| dramatic \| fugitive \| hiding \| leading man \| love interest \| manhunt \| police \| retreating \| shooting \| tense
Deep Valley (1947)	Barry	1:07:25 - Barry climbs out of a hole	action scene \| cabin \| climbing \| convict \| dramatic \| escaping \| fugitive \| leading man \| love interest \| manhunt \| police \| tense
Deep Valley (1947)	Jumping down	1:07:32 - Barry jumps off the roof	action scene \| cabin \| convict \| dramatic \| fugitive \| jumping \| leading man \| love interest \| manhunt \| mickey-mousing \| police \| tense
Deep Valley (1947)	Law	1:07:34 - Lawmen pursue after Barry	action scene \| chasing \| convict \| dramatic \| escaping \| fanfare \| forest \| fugitive \| leading man \| love interest \| manhunt \| police \| running \| tense
Deep Valley (1947)	Law (Tense)	1:25:09 - Posse on the prowl	advance plot \| forest \| police \| tense \| walking
Deep Valley (1947)	Underscoring (Dramatic)	1:37:57 - Jeff gets up and looks around	car \| climax \| climbing \| convict \| dramatic \| fleeing \| fugitive \| leading man \| love interest \| mickey-mousing \| police \| searching \| street \| transcribed by ear \| underscoring
Deep Valley (1947)	Fleeing	1:38:08 - Barry makes a run for it	chasing \| climax \| convict \| dramatic \| fleeing \| forest \| fugitive \| leading lady \| leading man \| love interest \| mickey-mousing \| police \| running \| shooting \| transcribed by ear
Deep Valley (1947)	Barry (Not in Score)	1:38:32 - The posse chases after Barry	chasing \| climax \| convict \| dramatic \| fleeing \| forest \| fugitive \| leading man \| love interest \| police \| running \| shooting \| tense \| transcribed by ear
Deep Valley (1947)	Underscoring (Tense)	1:38:41 - Barry is shot	climax \| convict \| dramatic \| falling \| forest \| fugitive \| injury \| leading man \| love interest \| police \| stinger \| tense \| underscoring
Deep Valley (1947)	Law	1:38:44 - The posse chases after Barry	chasing \| climax \| convict \| dramatic \| fleeing \| forest \| fugitive \| injury \| leading man \| love interest \| police \| running \| tense
Deep Valley (1947)	Barry is shot	1:38:57 - Barry is shot	climax \| convict \| dramatic \| falling \| forest \| fugitive \| injury \| leading man \| love interest \| mickey-mousing \| police \| shooting
Deep Valley (1947)	Law (Searching)	1:39:05 - The posse closes in on Barry	chasing \| climax \| convict \| dramatic \| forest \| fugitive \| hiding \| injury \| leading man \| love interest \| police \| searching
Deep Valley (1947)	Underscoring (Tense)	1:39:09 - Barry hides	climax \| convict \| forest \| fugitive \| hiding \| injury \| leading man \| love interest \| police \| searching \| tense \| underscoring
Deep Valley (1947)	Law (Subtle)	1:39:20 - The posse searches for Barry	climax \| convict \| forest \| fugitive \| hiding \| injury \| leading man \| love interest \| police \| searching \| tense
Deep Valley (1947)	Law	1:39:28 - Barry crawls on the ground	climax \| convict \| forest \| fugitive \| hiding \| injury \| leading man \| love interest \| police \| searching \| tense
Deep Valley (1947)	Barry (Dark 2)	1:39:35 - Barry hides	climax \| convict \| forest \| fugitive \| hiding \| injury \| leading man \| love interest \| mysterious \| police \| tense
Deep Valley (1947)	Underscoring (Dramatic)	1:40:00 - Barry hides	climax \| convict \| forest \| fugitive \| hiding \| injury \| leading man \| love interest \| mysterious \| police \| searching \| tense
Dust Be My Destiny (1939)	Fleeing	0:34:56 - Joe and Mabel flee	alley \| chromatic scale \| danger \| down \| escape \| fearful \| fleeing \| leading lady \| leading man \| linear chromaticism \| mickey-mousing \| police \| runaway \| running \| street \| suspenseful
Dust Be My Destiny (1939)	Dust Be My Destiny (Worried)	0:46:02 - Mabel talks to the police	11th chord \| create suspense \| leading lady \| police \| room \| somber
Dust Be My Destiny (1939)	Whistling (Suspenseful)	0:46:25 - Mabel looks out the window	anxious \| cheerful \| concerned \| create suspense \| harmonic sequence \| leading lady \| leading man \| on-screen music \| police \| polytonality \| room \| scored source music \| source music \| whistling
Dust Be My Destiny (1939)	Underscoring (Dramatic)	0:46:42 - Mabel yells to Joe	chromatic scale \| create suspense \| diminished 7th chord \| dissonant bass \| dramatic \| escaping \| gun \| gunshot \| leading lady \| leading man \| police \| room \| runaway \| running \| street \| underscoring \| yelling
Dust Be My Destiny (1939)	Joe runs and falls	0:46:50 - Joe runs and falls	chromatic scale \| create suspense \| diminished 7th chord \| dissonant bass \| dramatic \| falling \| leading lady \| leading man \| mickey-mousing \| police \| runaway \| running \| stinger \| street
Dust Be My Destiny (1939)	Underscoring (Dark)	0:46:58 - Nick working	create suspense \| dark \| dissonant bass \| friend \| police \| room \| shopkeeper \| street \| underscoring
Dust Be My Destiny (1939)	Patrol	0:55:50 - Cop checks on a shop	clock \| crime scene \| criminal \| leading man \| police \| shopkeeper \| street \| tense
Dust Be My Destiny (1939)	Underscoring (Dramatic)	0:59:53 - Police arrive at the scene	64 chord \| action scene \| bank \| chromatic scale \| crowd \| dramatic \| leading man \| police \| street \| underscoring
Dust Be My Destiny (1939)	Dust Be My Destiny (Emergency Room)	1:11:01 - The hospital waiting room	64 chord \| advance plot \| concern \| hospital \| leading lady \| pedal tone \| police \| reporter
Each Dawn I Die (1939)	Underscoring (Dramatic)	0:06:06 - Crowd accuses Frank of murder	9th chord \| accusing \| car crash \| conflict \| crowd \| dissonant bass \| dramatic \| hero \| injury \| leading man \| linear chromaticism \| police \| reporter \| sequence \| shaking \| street \| underscoring \| yelling
The FBI Story (1959)	Policia	1:49:34 - Police arrest FBI agent in South America	arrest \| FBI \| flashback \| police
Flamingo Road (1949)	If I Could Be With You	0:07:53 - Field hears music playing	carny \| conversing \| establish character \| leading lady \| leading man \| on-screen music \| parallel period \| police \| radio \| room \| sentimental \| singer \| singing \| source music
Flamingo Road (1949)	Lane (Moderato Grazioso)	NIF - not in film	conversing \| cut from film \| cut from film \| leading lady \| leading man \| lovers meet \| picardy third \| police \| room
Flamingo Road (1949)	Underscoring (Lyrical)	NIF - not in film	9th chord \| altered dominant \| conversing \| cut from film \| cut from film \| leading lady \| leading man \| lovers meet \| police \| room \| underscoring
Flamingo Road (1949)	Lane (Poco Con Moto)	NIF - not in film	conversing \| cut from film \| cut from film \| deceptive resolution \| leading lady \| leading man \| lovers meet \| parallelism \| police \| room
Flamingo Road (1949)	Arabian Riff (Not in Film)	NIF - not in film	conversing \| cut from film \| cut from film \| deceptive resolution \| leading lady \| leading man \| lovers meet \| pedal tone \| police \| room \| source to score
Flamingo Road (1949)	Underscoring (Lyrical)	NIF - not in film	chromatic parallelism \| conversing \| cut from film \| cut from film \| leading lady \| leading man \| lovers meet \| police \| room \| underscoring
Flamingo Road (1949)	Lane	NIF - not in film	conversing \| cut from film \| cut from film \| leading lady \| leading man \| lovers meet \| mode mixture \| police \| room
Flamingo Road (1949)	If I Could Be With You (Timidly)	NIF - not in film	chromatic parallelism \| conversing \| cut from film \| cut from film \| leading lady \| leading man \| lovers meet \| police \| room \| source to score
Flamingo Road (1949)	If I Could Be With You (Lightly)	NIF - not in film	altered dominant \| common-tone diminished 7th \| cut from film \| cut from film \| flirting \| leading lady \| leading man \| lovers meet \| pedal tone \| police \| room
Flamingo Road (1949)	Lane (Not in Film)	NIF - not in film	conversing \| cut from film \| cut from film \| foreign key modulation \| leading lady \| leading man \| lovers meet \| mode mixture \| police \| room
Flamingo Road (1949)	Traveling	NIF - not in film	added-note chord \| chromatic mediant \| common-tone diminished 7th \| cut from film \| cut from film \| deceptive resolution \| leading lady \| leading man \| lovers meet \| pedal tone \| police \| room
Flamingo Road (1949)	Put 'Em in a Box, Tie 'Em with a Ribbon, and Throw 'Em in the Deep Blue Sea	0:12:05 - The Eagle Cafe	AABA structure \| advance plot \| conversing \| leading lady \| leading man \| police \| popular music \| restaurant \| source music \| upbeat
Flamingo Road (1949)	Can't We Be Friends	0:13:38 - Lane and Field at the cafe	AABA structure \| advance plot \| conversing \| leading lady \| leading man \| police \| popular music \| restaurant \| sentimental \| source music
Flamingo Road (1949)	Lane (Sentimentale)	NIF - not in film	9th chord \| chromatic parallelism \| conversing \| cut from film \| cut from film \| falling in love scene \| leading lady \| leading man \| police
Flamingo Road (1949)	Lane (Molto Expressivo)	NIF - not in film	11th chord \| conversing \| cut from film \| cut from film \| falling in love scene \| leading lady \| leading man \| police
Flamingo Road (1949)	If I Could Be With You (Dolce)	0:17:22 - Lane and Field talk	conversing \| falling in love scene \| leading lady \| leading man \| love interest \| pedal tone \| police \| porch \| sentimental \| source to score
Flamingo Road (1949)	Goodnight	0:17:45 - Lane and Field talk	blue note \| conversing \| falling in love scene \| leading lady \| leading man \| love interest \| peaceful \| pedal tone \| police \| porch
Flamingo Road (1949)	Lane (Dolce)	0:17:58 - Lane flirts with Field	falling in love scene \| flirting \| leading lady \| leading man \| love interest \| pedal tone \| playful \| police \| porch \| sweet
Flamingo Road (1949)	If I Could Be With You (Ethereal)	0:18:06 - Lane watches Field drive away	common-tone diminished 7th \| falling in love scene \| leading lady \| leading man \| leaving \| love interest \| pedal tone \| police \| porch \| sentimental \| source to score
Flamingo Road (1949)	Cheatin' on Me	0:19:12 - Lane works at the café	AABA structure \| advance plot \| café \| leading lady \| leading man \| leaving \| police \| source music \| upbeat \| waitress \| working
Flamingo Road (1949)	South American Way	0:22:08 - Field and Titus arrive at Lute Mae's Tavern	advance plot \| club \| dancer \| dancing \| gambling \| leading man \| musician \| on-screen music \| playing \| police \| politician \| sheriff \| source music \| upbeat \| waitress
Flamingo Road (1949)	It Had to Be You	0:23:44 - Politicians gamble and talk	ABAC structure \| advance plot \| club \| gambling \| leading man \| police \| politician \| sentimental \| sheriff \| source music \| waitress
Flamingo Road (1949)	Somebody Loves Me	0:25:19 - Politicians plot	AABA structure \| advance plot \| club \| leading man \| plotting \| police \| politician \| sentimental \| sheriff \| source music
Flamingo Road (1949)	If I Could Be With You	0:26:58 - People gamble and dance	club \| dancer \| dance scene \| dancing \| fighting \| gambling \| leading lady \| leading man \| musician \| on-screen music \| playing \| police \| sentimental \| sheriff \| singer \| singing \| source music
Flamingo Road (1949)	Titus (Setup)	0:39:31 - A car follows Lane	conflict \| dark \| leading lady \| police \| self-borrowing \| setup \| street \| walking
Flamingo Road (1949)	Titus + Agitato (Extended)	0:39:55 - Police take Lane away	arresting \| combination of themes \| conflict \| driving \| leading lady \| police \| self-borrowing \| street \| tense \| turbulent
Flamingo Road (1949)	Titus 2 (Triste)	NIF - not in film	cut from film \| cut from film \| police station \| resolution \| self-borrowing
Flamingo Road (1949)	Lane (Not in Film 3)	NIF - not in film	cut from film \| cut from film \| foreign key modulation \| mode mixture \| police station \| resolution
Hell on Frisco Bay (1955)	Menace	1:24:38 - Amato talks to detective	advance plot \| detective \| gangster \| leading man \| mysterious \| plotting \| police station \| tense
Hell on Frisco Bay (1955)	Underscoring (Tense)	1:24:53 - Amato talks to detective	advance plot \| detective \| gangster \| leading man \| plotting \| police station \| tense
Hell on Frisco Bay (1955)	Amato	1:25:21 - Amato sets up Lye and Kay	advance plot \| betraying \| detective \| gangster \| harsh \| leading man \| plotting \| police station \| tense
Hell on Frisco Bay (1955)	Underscoring (Tense)	1:35:05 - The police arrive	action scene \| arriving \| conversing \| dock \| leading lady \| police \| tense \| underscoring
Hell on Frisco Bay (1955)	Police running	1:35:32 - The policemen run	action scene \| agitated \| dock \| down \| dramatic \| mickey-mousing \| police \| running \| tense
Hell on Frisco Bay (1955)	Underscoring (Dramatic)	1:35:44 - The police boat leaves the dock	action scene \| boat \| departing \| dock \| dramatic \| police \| tense \| underscoring
Hell on Frisco Bay (1955)	Horn Call	1:36:10 - The police boat advances	action scene \| battle call \| boat \| departing \| dock \| police \| tense
Hell on Frisco Bay (1955)	Lifting up	1:36:50 - Amato is brought onboard	boat \| dock \| dramatic \| gangster \| inspector \| leading man \| lifting \| mickey-mousing \| police \| raising \| tense \| up \| water
Hell on Frisco Bay (1955)	Menace	1:36:57 - The police boat leaves	agitated \| arriving \| boat \| dock \| gangster \| inspector \| leading man \| police \| tense
Hell on Frisco Bay (1955)	Steve	1:37:30 - Steve gets off the boat	arriving \| boat \| bold \| dock \| gangster \| heroic \| inspector \| leading man \| police
Her Kind of Man (1946)	Underscoring (Dramatic [Deutsch])	0:54:59 - Cop takes a witness	departing \| dramatic \| leading man \| letter \| mysterious \| police \| police station \| reporter \| signature \| tense \| turning point \| typing \| underscoring \| waiter \| witness
Her Kind of Man (1946)	Shanty in Old Shanty Town	0:59:36 - A cop waits	advance plot \| arguing \| club \| conversing \| leading man \| observing \| on-screen music \| police \| reporter \| source music \| upbeat \| waiting
Her Kind of Man (1946)	Steve Shoots Sister	1:03:37 - Steve shoots his sister	action scene \| chromatic scale \| club \| crowd \| dramatic \| dying \| gambler \| husband \| leading man \| murderer \| police \| reacting \| shooting \| sister \| underscoring \| victim
Her Kind of Man (1946)	The Escape	1:03:50 - Steve tries to escape	action scene \| car \| chasing \| club \| crowd \| dramatic \| driving \| escaping \| gambler \| husband \| jumping \| leading man \| mickey-mousing \| murderer \| police \| running \| sister \| street \| victim
Her Kind of Man (1946)	Police Radio	1:04:40 - Policeman on the radio	action scene \| announcing \| police \| radio \| radio effect \| station \| tense
Her Kind of Man (1946)	Underscoring (Dramatic [Deutsch])	1:04:46 - Montage of policemen	action scene \| double exposure \| dramatic \| montage \| police \| searching \| street \| underscoring
Her Kind of Man (1946)	Underscoring (Dramatic [Steiner])	1:14:17 - Cop looks at his watch	climax \| conversing \| criminal \| double-cross \| dramatic \| henchman \| leading lady \| leading man \| parallelism \| police \| reporter \| room \| singer \| stinger \| telephone \| tense \| underscoring \| watch \| wife
Her Kind of Man (1946)	Speeding	1:14:21 - Policeman driving	car \| chromatic parallelism \| chromatic scale \| chromatic sequence \| climax \| dramatic \| driving \| hurrying \| leading lady \| leading man \| omnibus progression \| police \| reporter \| rushing \| singer \| tense \| wife \| yelling
Her Kind of Man (1946)	Speeding	1:16:29 - Candy tries to run away	arriving \| capturing \| car \| chromatic parallelism \| chromatic scale \| chromatic sequence \| climax \| criminal \| double-cross \| dramatic \| gambler \| henchman \| leading man \| murder \| murderer \| omnibus progression \| police \| reporter \| revenge \| running \| street \| tense
Her Kind of Man (1946)	Candy (Agitato)	1:16:53 - Don confronts Candy	agitated \| arguing \| climax \| confronting \| criminal \| double-cross \| gambler \| henchman \| leading man \| murder \| murderer \| pc set \| police \| reporter \| revenge \| sequence \| street \| tense
Her Kind of Man (1946)	It Had to Be You (Tragic)	1:17:10 - Georgia holds Steve	9th chord \| augmented triad \| climax \| comforting \| conversing \| corpse \| cradling \| criminal \| crying \| death \| dying \| familiar tune \| gambler \| henchman \| leading lady \| leading man \| murderer \| police \| popular music \| reporter \| singer \| street \| tense \| tragic \| wife
Her Kind of Man (1946)	Water	1:17:41 - Steve's corpse	9th chord \| corpse \| criminal \| death \| flowing \| gambler \| henchman \| leading lady \| leading man \| murderer \| panning shot \| police \| reporter \| resolution \| singer \| street \| swirling \| tense \| tragic \| voice-over \| water \| water effect \| wife
Her Kind of Man (1946)	It Had to Be You (The End)	1:18:02 - The End	added-note chord \| criminal \| dark \| death \| dramatic \| end title sequence \| gambler \| henchman \| leading lady \| leading man \| mode mixture \| murderer \| police \| reporter \| singer \| street \| The End \| tragic \| wife
I Was a Communist for the FBI (1951)	Undercover Agent (Conflict)	1:11:10 - Communists beat up Matt	attacking \| communist \| dramatic \| fighting \| interrogation \| leading man \| police \| polychord \| punching \| tritone oscillation \| undercover agent
Illegal (1955)	Scott (Bold)	0:00:40 - Policemen working in an office	main title \| police office \| starring list
Illegal (1955)	Police Car	0:00:54 - Police car speeds out of the station; cast list	cast list \| irregular meter \| main title \| police car \| speeding
Illegal (1955)	Typewriter	0:01:21 - Typewriter filling out an APB for the suspected murderer	police station \| typewriter \| typing
Illegal (1955)	Fingerprints	0:01:35 - Man getting his fingerprints taken	fingerprints \| police station
Illegal (1955)	Police Car (Allegro)	0:08:21 - Vic speeds away in a police car to the hospital	police car \| speeding
In This Our Life (1942)	Police	1:09:16 - A police car arrives	arriving \| car \| chromatic scale \| driving \| investigation scene \| menacing \| pedal tone \| police \| room \| tense
In This Our Life (1942)	Underscoring (Tense)	1:09:25 - Policemen approach the house	arriving \| chromatic parallelism \| conversing \| criminal \| investigation scene \| leading lady \| mysterious \| pedal tone \| police \| room \| tense \| walking \| watching
In This Our Life (1942)	Stanley (Descending Staircase)	1:09:49 - Policemen enter the house	arriving \| conversing \| criminal \| investigating \| investigation scene \| leading lady \| mysterious \| pc set \| police \| room \| sneaking \| tense \| walking \| watching
In This Our Life (1942)	Stanley B (Very Agitated)	1:32:15 - Stanley hides from the police	agitated \| chromatic scale \| conflict \| criminal \| dissonant bass \| fragmentation \| hiding \| leading lady \| mysterious \| police \| room \| running \| rushing \| street
In This Our Life (1942)	Underscoring (Dramatic)	1:32:30 - Stanley dashes through the gate	conflict \| criminal \| dramatic \| hiding \| leading lady \| police \| running \| rushing \| street \| underscoring
In This Our Life (1942)	Police (Chase)	1:32:36 - Stanley runs for her car	chromatic scale \| conflict \| criminal \| dissonant bass \| driving \| fleeing \| hiding \| leading lady \| ostinato \| police \| running \| rushing \| street \| tense
In This Our Life (1942)	Stanley (Chase)	1:32:59 - The police chase after Stanley	9th chord \| acceleration \| chase scene \| chasing \| chromatic scale \| climax \| criminal \| desperate \| dramatic \| driving \| fleeing \| fragmentation \| leading lady \| police \| street \| tense
In This Our Life (1942)	Stanley (Fleeing)	1:33:12 - The police chase after Stanley	64 chord \| chase scene \| chasing \| chromatic mediant \| climax \| criminal \| desperate \| diminution \| dramatic \| driving \| fleeing \| leading lady \| ostinato \| police \| sequential modulation \| street \| tense
In This Our Life (1942)	Underscoring (Dramatic)	1:33:29 - Two other policeman see Stanley	chase scene \| chasing \| chromatic scale \| climax \| criminal \| dark \| dramatic \| driving \| fleeing \| half-diminished 7th chord \| leading lady \| pc set \| police \| street \| tense \| underscoring \| watching
In This Our Life (1942)	Stanley (Crying)	1:33:37 - Stanley crying in her car	9th chord \| appoggiatura \| chase scene \| chasing \| climax \| criminal \| crying \| dark \| dramatic \| driving \| fleeing \| harmonic sequence \| leading lady \| police \| somber \| street \| tense
In This Our Life (1942)	Stanley + Stanley B (Rising Tension)	1:33:49 - The police in hot pursuit	chase scene \| chasing \| chromatic scale \| chromatic sequence \| climax \| combination of themes \| criminal \| desperate \| dissonant bass \| dramatic \| driving \| fleeing \| half-diminished 7th chord \| leading lady \| police \| street \| tense
In This Our Life (1942)	Stanley (Desperate)	1:34:02 - The police in hot pursuit	9th chord \| chase scene \| chasing \| chromatic parallelism \| climax \| criminal \| crying \| desperate \| dramatic \| driving \| fleeing \| fragmentation \| leading lady \| police \| street \| tense
In This Our Life (1942)	Underscoring (Dramatic)	1:34:09 - Stanley's eyes in the rear-view mirror	9th chord \| acceleration \| chase scene \| chasing \| climax \| criminal \| crying \| desperate \| dissonant bass \| dramatic \| driving \| fleeing \| leading lady \| pc set \| police \| street \| tense \| tone cluster \| underscoring
In This Our Life (1942)	Car crash 2	1:34:17 - Stanley's car crashes	9th chord \| brash \| car \| car crash \| chase scene \| climax \| crashing \| criminal \| dramatic \| driving \| dying \| falling \| fire \| leading lady \| mickey-mousing \| police \| street \| tense
In This Our Life (1942)	Stanley (Tragic)	1:34:28 - Police run to Stanley's car	9th chord \| added-note chord \| appoggiatura \| brash \| car \| car crash \| chase scene \| climax \| criminal \| dramatic \| dying \| fire \| half-diminished 7th chord \| helping \| leading lady \| mournful \| police \| reporting \| rescuing \| rushing \| sigh gesture \| somber \| street \| tragic
In This Our Life (1942)	Fast Driving (Dark)	1:35:07 - Policemen on the radio	calling \| oscillation \| pc set \| police \| police station \| reporting \| resolution \| room \| solemn \| somber \| stinger
In This Our Life (1942)	Underscoring (Tense)	1:35:22 - Policemen on the radio	altered dominant \| calling \| police \| police station \| reporting \| resolution \| room \| solemn \| somber \| tense \| underscoring
The Informer (1935)	Katie (Fateful Decision)	0:13:48 - Gypo heads towards the British headquarters	American \| church bell \| contemplating \| deciding \| diminished 7th chord \| familiar tune \| leading man \| mickey-mousing \| mysterious \| parallelism \| patriotic tune \| pedal tone \| pivotal scene \| police station \| street \| tense
The Informer (1935)	Blood Money (Extended)	0:18:55 - British officer tosses money down on the table	antagonist \| augmented triad \| grabbing \| leading man \| money \| mysterious \| pivotal scene \| police \| police station \| tense \| tossing \| tritone \| whole-tone
Key Largo (1948)	The Bus	0:01:26 - The bus is pulled over	agitated \| bus \| car \| establish setting \| police \| street \| tense \| traveling
Key Largo (1948)	Bus Stops	0:01:42 - The bus stops	bus \| car \| establish setting \| police \| stopping \| street \| tense
Key Largo (1948)	Tension	0:26:48 - Rocco slaps bleeding man	boss \| establish character \| gangster \| hostage \| hotel \| menacing \| police \| sinister \| slapping \| violence
Key Largo (1948)	Tension	0:28:58 - Sawyer stands up	conflict \| gangster \| hostage \| hotel \| menacing \| mysterious \| police \| standing
Key Largo (1948)	Rocco 3 (Heavily)	0:29:04 - Sawyer enters the room	conflict \| gangster \| hostage \| hotel \| menacing \| police \| stumbling
Key Largo (1948)	Rocco 3 (Agitato)	0:29:15 - Toots trips Sawyer	conflict \| falling \| gangster \| hostage \| hotel \| menacing \| mickey-mousing \| police \| rolling \| tripping
Key Largo (1948)	Rocco 2 (Misterioso)	1:13:37 - The sheriff leaves	boss \| conflict \| gangster \| hotel \| lying \| menacing \| police
Key Largo (1948)	Sheriff Leaves	1:13:51 - Rocco waits for the sheriff to leave	boss \| conflict \| deception \| gangster \| hotel \| leaving \| nervous \| police \| tense
Key Largo (1948)	Rocco 2 (Dead Body)	1:14:20 - Sheriff discovers the dead body	alarmed \| conflict \| corpse \| discovering \| horror \| hotel \| mickey-mousing \| murder \| police \| rolling
Key Largo (1948)	Rocco (Tense)	1:15:03 - Rocco claims the Indians murdered Sawyer	angry \| boss \| conflict \| dock \| gangster \| lying \| murder \| police \| tense \| violent
Key Largo (1948)	Rocco 3	1:17:07 - Sheriff questions Rocco	boss \| gangster \| hotel \| investigation scene \| menacing \| police \| questioning
Key Largo (1948)	Rocco	1:17:15 - Sheriff questions Rocco	boss \| gangster \| hotel \| investigation scene \| menacing \| police \| questioning \| tense
Key Largo (1948)	Rocco 3	1:17:30 - Sheriff questions Curly	gangster \| hotel \| investigation scene \| menacing \| police \| questioning
Key Largo (1948)	McCloud (Somber)	1:17:43 - Sheriff questions McCloud	determined \| hotel \| investigation scene \| leading man \| police \| questioning \| somber
Key Largo (1948)	Rocco 3 (Tense)	1:17:52 - Sheriff questions gangster	gangster \| hotel \| investigation scene \| police \| questioning \| tense
Key Largo (1948)	Underscoring (Tense)	1:18:21 - Sheriff leaves	boss \| gangster \| hotel \| investigation scene \| police \| questioning \| tense \| underscoring
Key Largo (1948)	Rocco 2	1:18:34 - The policemen takes Sawyer's body	boss \| gangster \| hotel \| investigation scene \| menacing \| police \| tense \| violent \| watching
The Letter (1940)	Policeman	1:33:31 - A policeman comes to investigate	antagonist \| Chinese \| climax \| investigating \| plantation \| policeman \| tense
The Letter (1940)	Leslie (Reckoning)	1:33:42 - Mrs. Hammond walks away	11th chord \| antagonist \| augmentation \| body \| changing meter \| Chinese \| climax \| death \| leading lady \| moon \| oscillation \| plantation \| policeman \| somber \| suspension
Lightning Strikes Twice (1951)	Menace (The Chase)	1:27:42 - Liza and String drive away	brother \| car \| chasing \| climax \| countryside \| dramatic \| driving \| escaping \| frantic \| motorcycle \| murderer \| police \| rancher \| speeding \| tense
Lightning Strikes Twice (1951)	Menace (The Crash)	1:28:30 - Liza drives off the hill	brother \| car \| car crash \| climax \| countryside \| crashing \| death \| dramatic \| dying \| murderer \| police \| rancher \| tense
Mildred Pierce (1945)	Waves rumbling	0:03:15 - Policeman convinces Mildred not to jump	conversing \| dock \| establish character \| heroine \| leading lady \| mickey-mousing \| police \| somber \| suicide \| water \| wave
Mildred Pierce (1945)	Cops walk	0:11:08 - The cops walk down the hill	action scene \| beach \| dramatic \| lumbering \| mickey-mousing \| police \| walking
Mildred Pierce (1945)	Opens coat	0:11:12 - Policeman opens Wally's coat to frisk him	action scene \| beach \| dramatic \| friend \| mickey-mousing \| opening \| police \| searching \| victim
Mildred Pierce (1945)	Underscoring (Tense)	0:11:13 - Policemen investigate the scene	action scene \| altered dominant \| beach \| conversing \| dissonant bass \| friend \| mysterious \| police \| searching \| sequence \| tense \| underscoring \| victim
Mildred Pierce (1945)	Hall of Justice	0:13:35 - The Los Angeles Hall of Justice	advance plot \| arriving \| bold \| detective \| entering \| heroine \| justice \| leading lady \| parallelism \| pedal tone \| police \| police station \| walking
Mildred Pierce (1945)	Mildred sits	0:14:11 - Mildred sits down	advance plot \| heroine \| leading lady \| mickey-mousing \| mysterious \| police station \| sitting
Mildred Pierce (1945)	Drink to Me Only With Thine Eyes	0:16:07 - Cop whistles to himself	advance plot \| detective \| familiar tune \| heroine \| leading lady \| on-screen music \| police \| police station \| source music \| tense \| ticking \| whistling
Mildred Pierce (1945)	Flashback ends	1:05:49 - Screen wipe back to the present day	advance plot \| flashback \| heroine \| leading lady \| mickey-mousing \| police station \| wipe
Mildred Pierce (1945)	Kay and Veda (Coy 2)	1:44:37 - Veda is brought in by the police	antagonist \| chromatic parallelism \| daughter \| deceiving \| deception \| detective \| entering \| interrogating \| interrogation \| parallelism \| police station \| questioning \| tense
Mildred Pierce (1945)	Mildred (Waltz Fantasy)	1:44:53 - Mildred tells Veda not to confess	9th chord \| appoggiatura \| chromatic parallelism \| detective \| harsh \| heroine \| interrogating \| interrogation \| leading lady \| pleading \| police station
Mildred Pierce (1945)	Mildred (Dark)	1:45:09 - Mildred realizes that she cannot save Veda	crime \| heroine \| interrogating \| interrogation \| police station \| somber
Mildred Pierce (1945)	Kay and Veda (Triste)	1:49:37 - Veda is led out by the police	antagonist \| conversing \| daughter \| defeat \| detective \| heroine \| leading lady \| leaving \| mother \| murderer \| police station \| resigned \| resolution \| sigh gesture \| somber
Mildred Pierce (1945)	Mildred (The End)	1:50:07 - Mildred leaves with Bert	added-note chord \| ex-husband \| heroine \| leading lady \| leaving \| pedal tone \| police station \| resolution \| triumphant
Out of the Fog (1941)	Russian Barcarolle (Fear)	0:21:18 - Officer Magruder arrives	boat \| chef \| conflict \| conversing \| criminal \| dock \| extortion \| father \| fear \| fisherman \| friend \| leading man \| police \| sandwich \| solemn \| somber
Out of the Fog (1941)	Russian Barcarolle (Fragmented)	0:46:14 - Jonah calls for the cop	arguing \| conflict \| criminal \| dock \| extortion \| father \| fisherman \| fragmentation \| friend \| leading man \| police \| tense \| yelling
Out of the Fog (1941)	Underscoring (Tense)	0:46:34 - Jonah accuses Goff	arguing \| conflict \| conversing \| criminal \| dock \| extortion \| father \| fisherman \| friend \| leading man \| police \| tense \| underscoring
Out of the Fog (1941)	Russian Barcarolle (Fragmented)	0:46:50 - Olaf accuses Goff	conflict \| conversing \| criminal \| departing \| dock \| extortion \| father \| fisherman \| fragmentation \| friend \| leading man \| police \| tense
Out of the Fog (1941)	Underscoring (Dark)	1:12:05 - Police ring the bell	action scene \| arguing \| conversing \| dark \| fisherman \| friend \| police \| ringing \| room \| street \| underscoring
Out of the Fog (1941)	Speeding Car	1:12:30 - A car racing down the street	action scene \| car \| double exposure \| dramatic \| driving \| leading lady \| point-of-view shot \| police \| rushed \| rushing \| street \| tense
Out of the Fog (1941)	Morgue	1:12:37 - The morgue	action scene \| arriving \| conversing \| corpse \| death \| fear \| leading lady \| morgue \| ominous \| police \| tense
Out of the Fog (1941)	Russian Barcarolle (Dead)	1:13:15 - Stella sees Goff's body	action scene \| arguing \| corpse \| crying \| dark \| death \| fear \| leading lady \| morgue \| ominous \| police
Out of the Fog (1941)	Speeding Car (Extended)	1:13:32 - A car racing down the street	action scene \| car \| crowd \| double exposure \| dramatic \| driving \| leading lady \| minor-major 7th chord \| point-of-view shot \| police \| questioning \| reporter \| rushed \| rushing \| street \| tense
The Unfaithful (1947)	Unfaithful (Tragic)	0:24:34 - Mrs. Tanner walks down the street	advance plot \| antagonist \| husband \| leading lady \| newspaper \| ostinato \| panicked \| panicking \| pedal tone \| police station \| street \| transition \| trolley \| victim \| widow
The Unfaithful (1947)	Tanner (Headlines)	1:24:17 - Chris is suspected of murder	altered dominant \| chromatic scale \| climax \| fragmentation \| friend \| hurrying \| montage \| newspaper \| newspaper boy \| panicked \| police station \| polychord \| polytonality \| quartal chord \| radio \| reporter \| room \| rushing \| street \| surprise \| tritone oscillation \| widow
We Are Not Alone (1939)	Frohe Botschaft (Drifting)	1:14:30 - David gives Leni money for her travels	altered dominant \| arrest \| arresting \| chromatic parallelism \| conflict \| conversing \| dark \| death \| familiar tune \| folk song \| gentle \| German \| happy \| hero \| heroine \| mode mixture \| murder \| police \| quotation \| sad \| sweet \| tense \| train station \| whole-tone chord
We Are Not Alone (1939)	Underscoring (Tense)	1:15:25 - David is taken away by the police	9th chord \| added-note chord \| arresting \| conflict \| hero \| heroine \| pedal tone \| police \| tense \| train station \| underscoring
White Heat (1949)	Morgue	0:14:17 - Tahoe County Morgue sign	conversing \| corpse \| dark \| detective \| investigation scene \| menacing \| morgue \| mortician \| police \| self-borrowing \| transition
White Heat (1949)	Underscoring (Mysterious)	0:14:51 - The agents talk	agent \| clue \| dark \| investigating \| investigation scene \| morgue \| mysterious \| police \| underscoring
White Heat (1949)	Plotting (Mysterious)	0:29:13 - Verna and Ma leave the police station	agent \| leading lady \| leading man \| moll \| mother \| mysterious \| police station \| transition \| walking
White Heat (1949)	Cody 2	0:29:18 - Newspaper headline	agent \| bold \| dark \| dramatic \| headline \| leading man \| newspaper \| police station \| transition \| typing
White Heat (1949)	Pursuit	1:08:44 - The agents turn around	agent \| car \| driving \| leading man \| police \| prison break \| rushing \| street \| tense \| uneasy
White Heat (1949)	Agents (Message)	1:37:03 - Gas station attendant goes to washroom	conversing \| gas station \| message \| mirror \| police \| radio \| tense \| transition \| worker
White Heat (1949)	Pursuit (Tracking)	1:37:43 - Policemen pursue the truck	agent \| antenna \| car \| car \| chase scene \| map \| police station \| pursuing \| radio \| speeding \| street \| tense
White Heat (1949)	Agents + Pursuit (Antenna)	1:37:59 -	agent \| chase scene \| combination of themes \| conversing \| cut from film \| police station \| radio \| tense
White Heat (1949)	T-Men (The Station)	1:38:03 - Agents track progress of truck on the map	agent \| chase scene \| heroic \| map \| mapping \| planning \| police station
White Heat (1949)	Agents + Pursuit (Montage)	1:38:33 - Police car in pursuit	agent \| antenna \| car \| car \| chase scene \| combination of themes \| double exposure \| electronic effect \| montage \| mysterious \| police station \| pursuing \| radio \| radio effect \| speeding \| street \| tense
White Heat (1949)	T-Men (The Map)	1:38:58 - Agents map coordinates of the truck	agent \| chase scene \| map \| mapping \| noble \| planning \| police station \| radio
White Heat (1949)	Pursuit (Frantic)	1:39:12 - Police car in pursuit	agent \| antenna \| car \| car \| chase scene \| double exposure \| montage \| police station \| pursuing \| radio \| speeding \| street \| tense
White Heat (1949)	Underscoring (Dramatic)	1:39:16 - Agent at the control board	agent \| antenna \| car \| car \| chase scene \| double exposure \| dramatic \| mapping \| montage \| police station \| pursuing \| radio \| speeding \| street \| underscoring
White Heat (1949)	Underscoring (Tense)	1:39:35 - Agents map coordinates of the truck	agent \| chase scene \| map \| mapping \| police station \| tense \| underscoring
White Heat (1949)	Underscoring (Dramatic)	1:41:22 - Agents map coordinates of the truck	agent \| chase scene \| dramatic \| fanfare \| map \| mapping \| police station \| radio \| underscoring
White Heat (1949)	Agents (Extended)	1:41:31 - Agents map coordinates of the truck	agent \| chase scene \| map \| mapping \| police station \| radio \| tense
White Heat (1949)	Pursuit (Arriving)	1:42:48 - Police cars rush to factory	action scene \| agent \| car \| factory \| guard \| police \| pursuing \| speeding \| tense
White Heat (1949)	White Heat (Maestoso)	1:43:03 - Police enter the factory	action scene \| agent \| dramatic \| factory \| guard \| police \| running \| rushing \| tense
White Heat (1949)	Police Raid	1:43:09 - Gangster acting as lookout	action scene \| arriving \| factory \| fugitive \| gangster \| leading man \| looking \| march \| murderer \| police \| running \| rushing \| tense \| undercover agent
White Heat (1949)	Agents (Tutti)	1:46:31 - Agents watch men exiting	action scene \| agent \| aiming \| dramatic \| factory \| gun \| leading man \| police \| rushing \| stopping \| tear gas \| tense
White Heat (1949)	T-Men (Escaping)	1:46:36 - Hank escapes	action scene \| agent \| crawling \| dark \| escaping \| factory \| gun \| leading man \| police \| reporting \| tear gas \| tense
White Heat (1949)	Agents (Marcato)	1:46:58 - Evans signals to another agent	action scene \| agent \| bold \| commanding \| factory \| fanfare \| leading man \| police
White Heat (1949)	Danger (Extended)	1:47:06 - Cody sends men out	action scene \| agent \| death \| dying \| factory \| falling \| fugitive \| gangster \| gun \| gunshot \| leading man \| murderer \| police \| pushing \| rushing \| shooting \| tense
White Heat (1949)	Climbing stairs	1:47:22 - Gangsters climb up stairs	action scene \| agent \| ascending \| dramatic \| factory \| fleeing \| fugitive \| gangster \| leading man \| mickey-mousing \| murderer \| police \| running \| rushing \| stairs
White Heat (1949)	Underscoring (Dramatic)	1:47:35 - Gangsters get off of ladder	action scene \| agent \| dramatic \| factory \| fugitive \| gangster \| hiding \| leading man \| murderer \| police \| rushing \| tense \| underscoring
White Heat (1949)	White Heat (Police Raid)	1:47:47 - Police advance on the gangsters	action scene \| advancing \| agent \| death \| dramatic \| dying \| factory \| falling \| fugitive \| gangster \| gun \| gunshot \| hidiging \| leading man \| mickey-mousing \| murder \| murderer \| police \| raid \| searching \| shooting \| shootout \| tense
White Heat (1949)	Falling and dying	1:48:09 - Gangster falls down	action scene \| death \| descending \| dramatic \| dying \| factory \| falling \| gangster \| gun \| gunshot \| mickey-mousing \| police \| raid \| shootout \| tense
White Heat (1949)	Cody 2 (Brash)	1:48:12 - Agents run up the stairs	action scene \| agent \| ascending \| brash \| dramatic \| factory \| fugitive \| gangster \| leading man \| murderer \| police \| raid \| running \| rushing \| shootout \| stairs
White Heat (1949)	Prison Fight + Agents	1:48:17 - Gangsters run up the stairs	action scene \| agent \| ascending \| combination of themes \| dramatic \| factory \| fleeing \| fugitive \| gangster \| gun \| gunshot \| leading man \| murderer \| police \| raid \| running \| rushing \| shootout \| stairs \| tense
White Heat (1949)	Falling down stairs	1:48:21 - Gangster falls down the stairs	action scene \| death \| descending \| dramatic \| dying \| factory \| falling \| gangster \| gun \| mickey-mousing \| police \| raid \| shootout \| stairs \| tense
White Heat (1949)	Prison Fight + Agents	1:48:30 - Agents run up the stairs	action scene \| agent \| ascending \| chasing \| dramatic \| factory \| fugitive \| gangster \| leading man \| murderer \| police \| raid \| running \| stairs \| tense
The Public Defender (1931)	Beautiful Thing	0:05:58 - Dance music played at a dinner party	advance plot \| banker \| cheerful \| conversing \| crowd \| dance music \| on-screen music \| party \| police \| source music \| transcribed by ear
White Heat (1949)	Sliding down pole	1:48:43 - Cody slides down a pole	action scene \| agent \| descending \| dramatic \| factory \| fugitive \| gangster \| leading man \| mickey-mousing \| murderer \| pole \| police \| raid \| sliding \| tense
White Heat (1949)	Danger (Tense)	1:48:48 - Gangsters run away	action scene \| agent \| chasing \| dramatic \| factory \| fanfare \| fugitive \| gangster \| leading man \| murderer \| police \| raid \| running \| rushing \| tense
White Heat (1949)	Agents + Gathering	1:49:06 - Agents in action	action scene \| agent \| chasing \| combination of themes \| dramatic \| factory \| fugitive \| gangster \| leading man \| murderer \| police \| raid \| running \| rushing \| tense
White Heat (1949)	Danger (Risoluto)	1:49:17 - Agents advance	action scene \| agent \| chasing \| dramatic \| factory \| fugitive \| gangster \| leading man \| murderer \| police \| raid \| running \| rushing \| tense
White Heat (1949)	Underscoring (Dramatic)	1:49:19 - Gangsters run away	action scene \| agent \| chasing \| dramatic \| factory \| fugitive \| gangster \| leading man \| murderer \| police \| raid \| running \| rushing \| tense \| underscoring
White Heat (1949)	Plotting (Extended)	1:49:34 - Gangsters hide	action scene \| agent \| factory \| frantic \| fugitive \| gangster \| hiding \| leading man \| murderer \| police \| raid \| running \| rushing \| tense
White Heat (1949)	Rushing + Agents	1:49:44 - Police advance	action scene \| advancing \| agent \| combination of themes \| factory \| fugitive \| gangster \| hiding \| leading man \| murderer \| police \| raid \| rushing \| searching \| tense
White Heat (1949)	White Heat (Maestoso 2)	1:49:55 - Police advance	action scene \| advancing \| agent \| dramatic \| factory \| fugitive \| gangster \| hiding \| leading man \| murderer \| police \| raid \| rushing \| searching \| tense
White Heat (1949)	Agents (Searching)	1:50:02 - Agents plan their next move	action scene \| advancing \| agent \| dramatic \| factory \| fugitive \| gangster \| hiding \| leading man \| murderer \| police \| raid \| rushing \| searching \| tense
White Heat (1949)	Rushing (Searchlights)	1:50:05 - Searchlights	action scene \| agent \| factory \| fugitive \| gangster \| hiding \| laughing \| leading man \| mickey-mousing \| murderer \| police \| raid \| searching \| searchlight \| tense
White Heat (1949)	Madness	1:50:16 - Cody talks to Riley	action scene \| agent \| factory \| fugitive \| gangster \| hiding \| leading man \| madness \| murderer \| plotting \| police \| raid \| tense
White Heat (1949)	Plotting (Agitato)	1:50:27 - Cody gets up	action scene \| agent \| factory \| fugitive \| gangster \| hiding \| laughing \| leading man \| madness \| murderer \| police \| raid \| sneaking \| tense
White Heat (1949)	Cody (Climbing)	1:50:30 - Cody climbs the stairs	action scene \| agent \| ascending \| dramatic \| factory \| fugitive \| gangster \| hiding \| leading man \| murderer \| police \| raid \| rushing \| stairs \| tense
White Heat (1949)	Plotting	1:50:41 - Cody hides	action scene \| agent \| factory \| fugitive \| gangster \| hiding \| leading man \| murderer \| police \| raid \| tense
White Heat (1949)	Rushing (Searchlights 2)	1:50:48 - Searchlights	action scene \| agent \| announcing \| death \| factory \| fugitive \| gangster \| gun \| gunshot \| hiding \| killing \| laughing \| leading man \| mickey-mousing \| murder \| murderer \| police \| raid \| searching \| searchlight \| shooting \| surrendering \| tense
White Heat (1949)	Riley's Death	1:51:15 - Riley hits the ground	action scene \| agent \| dark \| death \| dying \| factory \| fugitive \| gangster \| laughing \| leading man \| murder \| murderer \| police \| raid \| stinger
White Heat (1949)	Cody 3 (Mocking)	1:51:30 - Cody shoots	action scene \| agent \| brash \| factory \| frantic \| fugitive \| gangster \| gun \| gunshot \| laughing \| leading man \| mocking \| murderer \| police \| raid
White Heat (1949)	Trap	1:51:37 - Policeman hands Hank a rifle	action scene \| agent \| aiming \| factory \| fugitive \| gangster \| gun \| leading man \| murderer \| police \| raid \| searching \| tense
White Heat (1949)	Rushing	1:51:44 - Searchlights	action scene \| agent \| aiming \| factory \| fugitive \| gangster \| gun \| gunshot \| hiding \| leading man \| mickey-mousing \| murderer \| police \| raid \| searching \| searchlight \| shooting \| tense
White Heat (1949)	Headache (Explosion)	1:52:26 - Cody shoots a gas valve	agent \| climax \| dramatic \| exploding \| explosion \| factory \| fire \| frantic \| fugitive \| gangster \| gun \| gunshot \| laughing \| leading man \| murderer \| police \| raid \| running \| rushing \| shooting
White Heat (1949)	Struggle	1:52:46 - Explosion	agent \| climax \| conversing \| death \| dramatic \| exploding \| explosion \| factory \| fire \| fugitive \| gangster \| leading man \| murderer \| police \| raid
White Heat (1949)	Cody (The End)	1:53:02 - Explosion	agent \| climax \| conversing \| dark \| death \| dramatic \| exploding \| explosion \| factory \| fire \| fugitive \| gangster \| leading man \| murderer \| police \| raid \| The End
Lightning Strikes Twice (1951)	Aftermath	1:28:48 - Man gets out of the jalopy	approaching \| brother \| bystander \| car \| car crash \| climax \| countryside \| death \| murderer \| police \| rancher \| solemn
Lightning Strikes Twice (1951)	Father Paul (Slow)	1:29:00 - Shelly and Myra wait for the news	actor \| bell effect \| car crash \| countryside \| death \| funereal \| leading lady \| mother \| owner \| police \| resolution \| somber \| waiting
Lightning Strikes Twice (1951)	Liza (Triste)	1:29:20 - Father Paul climbs up	actor \| arriving \| car crash \| climbing \| countryside \| death \| husband \| leading lady \| leading man \| mother \| owner \| police \| priest \| resolution \| somber
Lightning Strikes Twice (1951)	Shelly and Trev (Appassionato 2)	1:29:33 - Trev and Shelly embrace	actor \| calm \| comforting \| countryside \| departing \| driving \| embracing \| husband \| kissing \| leading lady \| leading man \| mother \| owner \| peace \| peaceful \| police \| priest \| resolution \| smiling
Mara Maru (1952)	Underscoring (Dramatic)	0:15:56 - Gregory picks up the phone	advance plot \| arriving \| conversing \| discovering \| dramatic \| knocking \| leading man \| police \| room \| stinger \| telephone \| underscoring \| worker
Mara Maru (1952)	Murder	0:19:08 - Callahan's body is discovered	agitated \| arriving \| corpse \| discovering \| dramatic \| leading man \| murder \| murder scene \| police \| room \| stinger \| tense
Mara Maru (1952)	Gregory (Police)	0:19:31 - The police station	arriving \| dark \| leading man \| police \| street \| transition \| walking
Mara Maru (1952)	Underscoring (Dramatic)	0:46:32 - A boat on fire	arriving \| crowd \| death scene \| dock \| dousing \| dramatic \| fire \| fire effect \| hurrying \| leading man \| police \| running \| tense \| underscoring
Mara Maru (1952)	Adoramus te Christe	0:49:05 - A cross and some candles	brother \| church \| conversing \| cross \| crowd \| crying \| embracing \| evidence \| funeral scene \| leading man \| mother \| mourner \| mourning \| police \| praying \| priest \| private eye \| somber \| source music \| worker
Mara Maru (1952)	Police	1:34:53 - The police enter	action scene \| antagonist \| bodyguard \| catacomb \| cave \| chasing \| climax \| cross \| dramatic \| gun \| gunshot \| heroic \| leading man \| martyr \| murderer \| police \| running \| shooting \| stairs \| tense \| tunnel \| victim
Mara Maru (1952)	Descending the stairs	1:34:55 - Fortuno runs down the stairs	action scene \| antagonist \| bodyguard \| catacomb \| cave \| chasing \| climax \| cross \| descending \| dramatic \| gun \| gunshot \| leading man \| martyr \| mickey-mousing \| murderer \| police \| running \| stairs \| tense \| tunnel \| victim

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