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267 results for "police" in 27 films — see also guard | law | policeman | sheriff

FilmTheme nameInstanceTags
The Amazing Dr. Clitterhouse (1938)The Amazing Doctor (Murder)1:10:49 - Montage of newspaper headlineschromatic parallelism | corpse | dark | dissonant bass | fingerprints | headlines | investigating | montage | morgue | mortician | murder | newspaper | police | printing press | tense | triadic transformation

The Amazing Dr. Clitterhouse (1938)

Rocks (Dead)1:11:10 - Rocks's mugshot and fingerprintsdark | fingerprints | investigating | montage | morgue | mortician | mug shot | murder | police | tense
Angels With Dirty Faces (1938)The Chase0:04:21 - Cops chase boys through the train yardchase scene | chasing | chromatic parallelism | chromatic scale | diminished 7th chord | dramatic | escaping | half-diminished 7th chord | mickey-mousing | police | polychord | running | street | teenager | whole-tone chord

Angels With Dirty Faces (1938)

Underscoring (Dramatic)1:16:29 - Rocky shoots Mac and Frazieragitated | attacking | casino | chaos | chasing | chromatic parallelism | chromatic scale | climbing | conflict | crowd | death | dissonant bass | dramatic | dying | escaping | falling | fighting | gangster | gun | gunshot | half-diminished 7th chord | hurrying | jumping | landing | lawyer | leading man | mickey-mousing | pedal tone | police | rooftop | room | running | sequence | shooting | sneaking | sneaky | street | tone cluster | underscoring

Angels With Dirty Faces (1938)

Underscoring (Dramatic)1:19:00 - Rocky is trapped in a building42 chord | agitated | chromatic parallelism | chromatic scale | conflict | dissonant bass | dramatic | escaping | fleeing | gangster | half-diminished 7th chord | leading man | major 7th chord | police | running | sequence | stairwell | tone cluster | underscoring

Angels With Dirty Faces (1938)

Tear Gas1:19:48 - Tear gas spreads throughout the roomagitated | breaking | breaking | breathing | building | chromatic parallelism | chromatic scale | conflict | dissonant bass | dramatic | gangster | gun | gunshot | hurrying | leading man | mickey-mousing | pedal tone | police | quartal chord | running | shooting | smoke | street | tear gas | throwing | window

Angels With Dirty Faces (1938)

Machine Gun1:20:24 - Policeman shoots at Rocky with machine gunagitated | building | chromatic parallelism | conflict | death | dramatic | falling | gangster | gun | gunshot | hiding | leading man | police | polychord | shooting | street | underscoring

Angels With Dirty Faces (1938)

Underscoring (Dramatic)1:20:39 - Policemen shoot tear gas in through the windowagitated | appoggiatura | building | conflict | dramatic | gangster | gun | gunshot | leading man | mickey-mousing | police | shooting | street | tone cluster | underscoring

Angels With Dirty Faces (1938)

Launching tear gas1:20:51 - Policemen shoot tear gas in through the windowagitated | building | conflict | dramatic | gangster | gun | gunshot | launching | leading man | mickey-mousing | police | shooting | street | tear gas | tone cluster

Angels With Dirty Faces (1938)

Tear Gas (Desperate)1:21:40 - Rocky tries to hold off the copsagitated | building | chromatic parallelism | chromatic scale | conflict | dissonant bass | dramatic | gangster | gun | gunshot | leading man | mickey-mousing | pedal tone | police | priest | quartal chord | shooting | smoke | staggering | street | tear gas

Angels With Dirty Faces (1938)

Underscoring (Dramatic)1:25:20 - Rocky throws his guncapturing | chromatic scale | conflict | dissonant bass | dramatic | gangster | gun | leading man | police | sequence | street | throwing | underscoring

Angels With Dirty Faces (1938)

The Gangster (Captured)1:25:31 - Rocky is capturedcapturing | conflict | gangster | leading man | police | somber | street | taunting

Angels With Dirty Faces (1938)

Jerry (Upset)1:31:40 - Jerry follows Rocky out of his cellagitated | climax | conversing | gangster | leading man | police | priest | prison

Angels With Dirty Faces (1938)

Underscoring (Dramatic)1:31:44 - Rocky punches a guardagitated | chromatic parallelism | chromatic scale | chromatic wedge | climax | fighting | gangster | half-diminished 7th chord | leading man | police | priest | prison | punching | tense | underscoring

Angels With Dirty Faces (1938)

The Gangster (Funebre)1:31:55 - Rocky is taken away64 chord | climax | gangster | leading man | police | priest | prison | pushing | somber

Angels With Dirty Faces (1938)

Funebre1:32:03 - Jerry and Rocky walk down the hallclimax | dirge | execution chamber | gangster | leading man | marching | police | priest | prison | somber | tense | walking

Angels With Dirty Faces (1938)

Underscoring (Tense)1:33:36 - Rocky pleads for his lifebegging | climax | cowardice | crowd | crying | death | execution | execution chamber | gangster | leading man | pleading | police | priest | prison | shadow | tense | tone cluster | underscoring | wailing
Are These Our Children? (1931)Dreams (Minor) + Makes You Forget Your Troubles (Minor)1:15:51 - Newspaper headlinescombination of themes | conversing | double exposure | headline | minor-major 7th chord | montage | newspaper | police | preaching | priest | source to score | spinning | tense
Arsenic and Old Lace (1944)Sidewalks of New York (Walking)0:05:30 - Cops patrol the neighborhood64 chord | calm | establish setting | familiar tune | fragmentation | police | street | walking
Caged (1950)Caged (Main Title)NIF - not in filmcar | cut from film | dark | driving | guard | opening title sequence | police car | prisoner | riding | title of film

Caged (1950)

Police VanNIF - not in filmcar | cut from film | dark | driving | guard | opening title sequence | point-of-view shot | police car | prisoner | riding | siren effect | tense

Caged (1950)

Caged (Van Stops)NIF - not in filmcar | cut from film | dark | driving | guard | opening title sequence | police car | prisoner | riding | tense

Caged (1950)

Prisoners get outNIF - not in filmcar | cut from film | exiting | guard | opening title sequence | police car | prisoner | tense

Caged (1950)

Marie (Main Title)NIF - not in filmcar | cut from film | dark | guard | leading lady | looking | opening title sequence | police car | prisoner | tense

Caged (1950)

PrisonNIF - not in filmconversing | cut from film | dark | exiting | guard | leading lady | opening title sequence | police car | prison | prisoner | underscoring

Caged (1950)

Caged0:00:08 - Title of filmcar | cast list | dark | driving | guard | opening title sequence | point-of-view shot | police car | prisoner | title of film
City for Conquest (1940)Train0:01:09 - An elevated train approachesadded-note chord | bridge | busy | city | hurried | mickey-mousing | old man | ostinato | police | pump-up modulation | train | transition | traveling

City for Conquest (1940)

Tone Poem B + Train0:01:19 - Sign for the Williamsburg Bridge9th chord | added-note chord | bridge | busy | chromatic parallelism | city | combination of themes | countermelody | hurried | Mixolydian mode | old man | police | train | transition | traveling

City for Conquest (1940)

Sidewalks of New York (Soliloquy)0:01:33 - A cop tells a man to keep moving9th chord | 13th chord | bridge | chromatic parallelism | city | conversing | establish place | establish setting | old man | police | soliloquy | uneasy

City for Conquest (1940)

Sidewalks of New York (City Struck)0:02:03 - Old-timer talks with cop9th chord | bridge | chromatic scale | city | conversing | establish setting | excited | old man | police | soliloquy

City for Conquest (1940)

Sidewalks of New York (Montage)0:02:18 - A montage of New York City scenesadded-note chord | boat | bridge | car | chromatic parallelism | city | conversing | Dutch angle | establish setting | excited | fragmentation | montage | old man | panning shot | police | pump-up modulation | soliloquy | train

City for Conquest (1940)

Sidewalks of New York (Snake)0:02:35 - A montage of New York City scenes13th chord | 64 chord | altered dominant | bridge | chromatic sequence | city | conversing | countermelody | double exposure | Dutch angle | establish setting | foreign key modulation | fragmentation | grand | montage | old man | police | snake effect | soliloquy

City for Conquest (1940)

Sidewalks of New York (Soliloquy)0:02:50 - Old-timer talks with cop9th chord | 13th chord | arguing | bluesy | bridge | chromatic parallelism | city | establish setting | old man | police | sentimental | soliloquy

City for Conquest (1940)

Sidewalks of New York (Cop Grabs Bum)0:03:06 - Cop pushes old-timer9th chord | arguing | bridge | chromatic parallelism | chromatic scale | city | comical | establish setting | mickey-mousing | old man | police | pushing | rushing | tense
Crime School (1938)Running away0:09:32 - Kids run away from cops42 chord | chasing | chromatic scale | conflict | dramatic | fleeing | gang | mickey-mousing | police | running | street | teenager | tense

Crime School (1938)

Underscoring (Tense)0:09:40 - Spike is captured by the cops9th chord | arresting | capturing | conflict | dramatic | police | street | teenager | tense

Crime School (1938)

Sue (Policeman)0:12:34 - Cop comes to the houseadvance plot | building | mysterious | police

Crime School (1938)

Policeman walks up stairs0:12:47 - Cop walks up the stairs to Sue's flatadvance plot | ascending | building | mickey-mousing | mysterious | police | quartal chord | up

Crime School (1938)

The Patrol Wagon0:21:41 - Boys get loaded into the patrol wagon car | chromatic parallelism | cut from film | dissonant bass | pedal tone | police car | traveling

Crime School (1938)

The Warden0:23:15 - Warden stands up to face the boysantagonist | arguing | augmented triad | authority | chromatic parallelism | establish character | falling | gang | lightning | ominous | police | reformatory | slapping | stinger | teenager | warden | whole-tone chord

Crime School (1938)

Escaping0:28:32 - Frankie runs and hideschromatic parallelism | chromatic wedge | dissonant bass | dramatic | escape | escaping | hiding | mickey-mousing | police | reformatory | running | sequence | sneaking | teenager | tense | tone cluster

Crime School (1938)

Searchlights (Sneaking)0:28:47 - Frankie hides from the searchlightchromatic parallelism | dramatic | escape | escaping | hiding | jumping | mickey-mousing | police | reformatory | running | searchlight | sneaking | teenager | tense

Crime School (1938)

The Warden (The Guards)0:29:34 - Warden's guards run to catch Frankie64 chord | anguished | barbed wire fence | battle call | capturing | chromatic parallelism | chromatic scale | dragging | dramatic | escape | falling | pc set | police | reformatory | running | sequence | teenager | tense | warden

Crime School (1938)

Dragging0:29:51 - Warden's guards drag Frankie through the rainaccented dissonance | anguished | capturing | chromatic parallelism | dissonant bass | dragging | dramatic | escape | kicking | mickey-mousing | police | reformatory | splashing | teenager | tense | warden

Crime School (1938)

The Warden (Capture)0:29:58 - Frankie is caught and dragged to the wardendragging | dramatic | escape | police | reformatory | teenager | tense | warden

Crime School (1938)

Paints face0:50:55 - Boy paints the guard's face accident | comedy | comical | mickey-mousing | painting | police | reformatory | teenager

Crime School (1938)

Slips on paint0:51:01 - Guard chases boy then slips and falls on paintaccident | chromatic scale | comedy | comical | falling | mickey-mousing | police | reformatory | slipping | teenager | walking

Crime School (1938)

The Warden (Office)0:51:05 - The guard enters to talk to Markcomedy | dramatic | hero | leading man | marching | police | reformatory | walking

Crime School (1938)

Laughing0:51:11 - Mark laughs at the guard covered with paintcomedy | comical | hero | laughing | leading man | mickey-mousing | police | reformatory

Crime School (1938)

Peeking1:12:11 - Cooper peeks out from the window antagonist | authority | escape | mickey-mousing | mysterious | peeking | police | reformatory | whole-tone chord

Crime School (1938)

Underscoring (Tense)1:12:21 - Cooper talks with the wardenchromatic parallelism | escape | half-diminished 7th chord | phone call | plotting | police | reformatory | telephone | tense | warden

Crime School (1938)

Underscoring (Tense)1:14:26 - Mark talks to policemanchromatic scale | conflict | deceptive resolution | gun | hero | heroine | hiding | knocking | leading lady | leading man | lying | mode mixture | pedal tone | police | room | teenager | tense | underscoring
Deep Valley (1947)Law (Molto Misterioso)0:57:01 - Men hunting for Barryforest | manhunt | mysterious | police | searching | tense | transition

Deep Valley (1947)

Underscoring (Dramatic)1:02:02 - Libby in her roomadvance plot | arriving | dramatic | father | leading lady | police | room | searching | street | tense | underscoring | watching

Deep Valley (1947)

Law (Misterioso)1:02:41 - Libby looks out the windowadvance plot | father | leading lady | manhunt | mysterious | police | room | searching | street | tense

Deep Valley (1947)

Barry (Contrary Motion)1:04:10 - Libby gathers thingsadvance plot | leading lady | mickey-mousing | packing | police | rolling | room | rushing | tense

Deep Valley (1947)

Barry (Molto Misterioso) + Love Theme1:06:04 - Sheriff drinks coffeeaction scene | convict | drinking | forest | fugitive | leading lady | leading man | love interest | mysterious | police | room | somber | walking

Deep Valley (1947)

Law (Slowly)1:06:18 - Lawmen advanceaction scene | convict | forest | fugitive | leading man | love interest | manhunt | police | searching | serious | walking

Deep Valley (1947)

Underscoring (Dramatic)1:06:48 - Barry reacts to gunshotsaction scene | cabin | convict | dramatic | forest | fugitive | gunfight | hiding | leading man | loading | love interest | manhunt | police | shooting | stinger | tense | underscoring

Deep Valley (1947)

Law1:07:20 - Barry tries to escapeaction scene | cabin | convict | dramatic | fugitive | hiding | leading man | love interest | manhunt | police | retreating | shooting | tense

Deep Valley (1947)

Barry1:07:25 - Barry climbs out of a holeaction scene | cabin | climbing | convict | dramatic | escaping | fugitive | leading man | love interest | manhunt | police | tense

Deep Valley (1947)

Jumping down1:07:32 - Barry jumps off the roofaction scene | cabin | convict | dramatic | fugitive | jumping | leading man | love interest | manhunt | mickey-mousing | police | tense

Deep Valley (1947)

Law1:07:34 - Lawmen pursue after Barryaction scene | chasing | convict | dramatic | escaping | fanfare | forest | fugitive | leading man | love interest | manhunt | police | running | tense

Deep Valley (1947)

Law (Tense)1:25:09 - Posse on the prowladvance plot | forest | police | tense | walking

Deep Valley (1947)

Underscoring (Dramatic)1:37:57 - Jeff gets up and looks aroundcar | climax | climbing | convict | dramatic | fleeing | fugitive | leading man | love interest | mickey-mousing | police | searching | street | transcribed by ear | underscoring

Deep Valley (1947)

Fleeing1:38:08 - Barry makes a run for itchasing | climax | convict | dramatic | fleeing | forest | fugitive | leading lady | leading man | love interest | mickey-mousing | police | running | shooting | transcribed by ear

Deep Valley (1947)

Barry (Not in Score)1:38:32 - The posse chases after Barrychasing | climax | convict | dramatic | fleeing | forest | fugitive | leading man | love interest | police | running | shooting | tense | transcribed by ear

Deep Valley (1947)

Underscoring (Tense)1:38:41 - Barry is shotclimax | convict | dramatic | falling | forest | fugitive | injury | leading man | love interest | police | stinger | tense | underscoring

Deep Valley (1947)

Law1:38:44 - The posse chases after Barrychasing | climax | convict | dramatic | fleeing | forest | fugitive | injury | leading man | love interest | police | running | tense

Deep Valley (1947)

Barry is shot1:38:57 - Barry is shotclimax | convict | dramatic | falling | forest | fugitive | injury | leading man | love interest | mickey-mousing | police | shooting

Deep Valley (1947)

Law (Searching)1:39:05 - The posse closes in on Barrychasing | climax | convict | dramatic | forest | fugitive | hiding | injury | leading man | love interest | police | searching

Deep Valley (1947)

Underscoring (Tense)1:39:09 - Barry hidesclimax | convict | forest | fugitive | hiding | injury | leading man | love interest | police | searching | tense | underscoring

Deep Valley (1947)

Law (Subtle)1:39:20 - The posse searches for Barryclimax | convict | forest | fugitive | hiding | injury | leading man | love interest | police | searching | tense

Deep Valley (1947)

Law1:39:28 - Barry crawls on the groundclimax | convict | forest | fugitive | hiding | injury | leading man | love interest | police | searching | tense

Deep Valley (1947)

Barry (Dark 2)1:39:35 - Barry hidesclimax | convict | forest | fugitive | hiding | injury | leading man | love interest | mysterious | police | tense

Deep Valley (1947)

Underscoring (Dramatic)1:40:00 - Barry hidesclimax | convict | forest | fugitive | hiding | injury | leading man | love interest | mysterious | police | searching | tense
Dust Be My Destiny (1939)Fleeing0:34:56 - Joe and Mabel fleealley | chromatic scale | danger | down | escape | fearful | fleeing | leading lady | leading man | linear chromaticism | mickey-mousing | police | runaway | running | street | suspenseful

Dust Be My Destiny (1939)

Dust Be My Destiny (Worried)0:46:02 - Mabel talks to the police11th chord | create suspense | leading lady | police | room | somber

Dust Be My Destiny (1939)

Whistling (Suspenseful)0:46:25 - Mabel looks out the windowanxious | cheerful | concerned | create suspense | harmonic sequence | leading lady | leading man | on-screen music | police | polytonality | room | scored source music | source music | whistling

Dust Be My Destiny (1939)

Underscoring (Dramatic)0:46:42 - Mabel yells to Joechromatic scale | create suspense | diminished 7th chord | dissonant bass | dramatic | escaping | gun | gunshot | leading lady | leading man | police | room | runaway | running | street | underscoring | yelling

Dust Be My Destiny (1939)

Joe runs and falls0:46:50 - Joe runs and fallschromatic scale | create suspense | diminished 7th chord | dissonant bass | dramatic | falling | leading lady | leading man | mickey-mousing | police | runaway | running | stinger | street

Dust Be My Destiny (1939)

Underscoring (Dark)0:46:58 - Nick workingcreate suspense | dark | dissonant bass | friend | police | room | shopkeeper | street | underscoring

Dust Be My Destiny (1939)

Patrol0:55:50 - Cop checks on a shopclock | crime scene | criminal | leading man | police | shopkeeper | street | tense

Dust Be My Destiny (1939)

Underscoring (Dramatic)0:59:53 - Police arrive at the scene64 chord | action scene | bank | chromatic scale | crowd | dramatic | leading man | police | street | underscoring

Dust Be My Destiny (1939)

Dust Be My Destiny (Emergency Room)1:11:01 - The hospital waiting room64 chord | advance plot | concern | hospital | leading lady | pedal tone | police | reporter
Each Dawn I Die (1939)Underscoring (Dramatic)0:06:06 - Crowd accuses Frank of murder9th chord | accusing | car crash | conflict | crowd | dissonant bass | dramatic | hero | injury | leading man | linear chromaticism | police | reporter | sequence | shaking | street | underscoring | yelling
The FBI Story (1959)Policia1:49:34 - Police arrest FBI agent in South Americaarrest | FBI | flashback | police
Flamingo Road (1949)If I Could Be With You0:07:53 - Field hears music playingcarny | conversing | establish character | leading lady | leading man | on-screen music | parallel period | police | radio | room | sentimental | singer | singing | source music

Flamingo Road (1949)

Lane (Moderato Grazioso)NIF - not in filmconversing | cut from film | cut from film | leading lady | leading man | lovers meet | Picardy third | police | room

Flamingo Road (1949)

Underscoring (Lyrical)NIF - not in film9th chord | altered dominant | conversing | cut from film | cut from film | leading lady | leading man | lovers meet | police | room | underscoring

Flamingo Road (1949)

Lane (Poco Con Moto)NIF - not in filmconversing | cut from film | cut from film | deceptive resolution | leading lady | leading man | lovers meet | parallelism | police | room

Flamingo Road (1949)

Arabian Riff (Not in Film)NIF - not in filmconversing | cut from film | cut from film | deceptive resolution | leading lady | leading man | lovers meet | pedal tone | police | room | source to score

Flamingo Road (1949)

Underscoring (Lyrical)NIF - not in filmchromatic parallelism | conversing | cut from film | cut from film | leading lady | leading man | lovers meet | police | room | underscoring

Flamingo Road (1949)

LaneNIF - not in filmconversing | cut from film | cut from film | leading lady | leading man | lovers meet | mode mixture | police | room

Flamingo Road (1949)

If I Could Be With You (Timidly)NIF - not in filmchromatic parallelism | conversing | cut from film | cut from film | leading lady | leading man | lovers meet | police | room | source to score

Flamingo Road (1949)

If I Could Be With You (Lightly)NIF - not in filmaltered dominant | common-tone diminished 7th | cut from film | cut from film | flirting | leading lady | leading man | lovers meet | pedal tone | police | room

Flamingo Road (1949)

Lane (Not in Film)NIF - not in filmconversing | cut from film | cut from film | foreign key modulation | leading lady | leading man | lovers meet | mode mixture | police | room

Flamingo Road (1949)

TravelingNIF - not in filmadded-note chord | chromatic mediant | common-tone diminished 7th | cut from film | cut from film | deceptive resolution | leading lady | leading man | lovers meet | pedal tone | police | room

Flamingo Road (1949)

Put 'Em in a Box, Tie 'Em with a Ribbon, and Throw 'Em in the Deep Blue Sea0:12:05 - The Eagle CafeAABA structure | advance plot | conversing | leading lady | leading man | police | popular music | restaurant | source music | upbeat

Flamingo Road (1949)

Can't We Be Friends0:13:38 - Lane and Field at the cafeAABA structure | advance plot | conversing | leading lady | leading man | police | popular music | restaurant | sentimental | source music

Flamingo Road (1949)

Lane (Sentimentale)NIF - not in film9th chords | chromatic parallelism | conversing | cut from film | cut from film | falling in love scene | leading lady | leading man | police

Flamingo Road (1949)

Lane (Molto Expressivo)NIF - not in film11th chord | conversing | cut from film | cut from film | falling in love scene | leading lady | leading man | police

Flamingo Road (1949)

If I Could Be With You (Dolce)0:17:22 - Lane and Field talkconversing | falling in love scene | leading lady | leading man | love interest | pedal tone | police | porch | sentimental | source to score

Flamingo Road (1949)

Goodnight0:17:45 - Lane and Field talkblue note | conversing | falling in love scene | leading lady | leading man | love interest | peaceful | pedal tone | police | porch

Flamingo Road (1949)

Lane (Dolce)0:17:58 - Lane flirts with Fieldfalling in love scene | flirting | leading lady | leading man | love interest | pedal tone | playful | police | porch | sweet

Flamingo Road (1949)

If I Could Be With You (Ethereal)0:18:06 - Lane watches Field drive awaycommon-tone diminished 7th | falling in love scene | leading lady | leading man | leaving | love interest | pedal tone | police | porch | sentimental | source to score

Flamingo Road (1949)

Cheatin' on Me0:19:12 - Lane works at the caféAABA structure | advance plot | café | leading lady | leading man | leaving | police | source music | upbeat | waitress | working

Flamingo Road (1949)

South American Way0:22:08 - Field and Titus arrive at Lute Mae's Tavernadvance plot | club | dancer | dancing | gambling | leading man | musician | on-screen music | playing | police | politician | sheriff | source music | upbeat | waitress

Flamingo Road (1949)

It Had to Be You0:23:44 - Politicians gamble and talkABAC structure | advance plot | club | gambling | leading man | police | politician | sentimental | sheriff | source music | waitress

Flamingo Road (1949)

Somebody Loves Me0:25:19 - Politicians plotAABA structure | advance plot | club | leading man | plotting | police | politician | sentimental | sheriff | source music

Flamingo Road (1949)

If I Could Be With You0:26:58 - People gamble and danceclub | dancer | dance scene | dancing | fighting | gambling | leading lady | leading man | musician | on-screen music | playing | police | sentimental | sheriff | singer | singing | source music

Flamingo Road (1949)

Titus (Setup)0:39:31 - A car follows Laneconflict | dark | leading lady | police | self-borrowing | setup | street | walking

Flamingo Road (1949)

Titus + Agitato (Extended)0:39:55 - Police take Lane awayarresting | combination of themes | conflict | driving | leading lady | police | self-borrowing | street | tense | turbulent

Flamingo Road (1949)

Titus 2 (Triste)NIF - not in filmcut from film | cut from film | police station | resolution | self-borrowing

Flamingo Road (1949)

Lane (Not in Film 2)NIF - not in filmcut from film | cut from film | foreign key modulation | mode mixture | police station | resolution
Hell on Frisco Bay (1955)Menace1:24:38 - Amato talks to detectiveadvance plot | detective | gangster | leading man | mysterious | plotting | police station | tense

Hell on Frisco Bay (1955)

Underscoring (Tense)1:24:53 - Amato talks to detectiveadvance plot | detective | gangster | leading man | plotting | police station | tense

Hell on Frisco Bay (1955)

Amato1:25:21 - Amato sets up Lye and Kayadvance plot | betraying | detective | gangster | harsh | leading man | plotting | police station | tense

Hell on Frisco Bay (1955)

Underscoring (Tense)1:35:05 - The police arriveaction scene | arriving | conversing | dock | leading lady | police | tense | underscoring

Hell on Frisco Bay (1955)

Police running1:35:32 - The policemen runaction scene | agitated | dock | down | dramatic | mickey-mousing | police | running | tense

Hell on Frisco Bay (1955)

Underscoring (Dramatic)1:35:44 - The police boat leaves the dockaction scene | boat | departing | dock | dramatic | police | tense | underscoring

Hell on Frisco Bay (1955)

Horn Call1:36:10 - The police boat advancesaction scene | battle call | boat | departing | dock | police | tense

Hell on Frisco Bay (1955)

Lifting up1:36:50 - Amato is brought onboardboat | dock | dramatic | gangster | inspector | leading man | lifting | mickey-mousing | police | raising | tense | up | water

Hell on Frisco Bay (1955)

Menace1:36:57 - The police boat leavesagitated | arriving | boat | dock | gangster | inspector | leading man | police | tense

Hell on Frisco Bay (1955)

Steve1:37:30 - Steve gets off the boatarriving | boat | bold | dock | gangster | heroic | inspector | leading man | police
Her Kind of Man (1946)Underscoring (Dramatic [Deutsch])0:54:59 - Cop takes a witnessdeparting | dramatic | leading man | letter | mysterious | police | police station | reporter | signature | tense | turning point | typing | underscoring | waiter | witness

Her Kind of Man (1946)

Shanty in Old Shanty Town0:59:36 - A cop waitsadvance plot | arguing | club | conversing | leading man | observing | on-screen music | police | reporter | source music | upbeat | waiting

Her Kind of Man (1946)

Underscoring (Dramatic [Deutsch])1:03:37 - Steve shoots his sisteraction scene | club | crowd | dramatic | dying | gambler | husband | leading man | murderer | police | reacting | shooting | sister | underscoring | victim

Her Kind of Man (1946)

The Escape1:03:50 - Steve tries to escapeaction scene | car | chasing | club | crowd | dramatic | driving | escaping | gambler | husband | jumping | leading man | mickey-mousing | murderer | police | running | sister | street | victim

Her Kind of Man (1946)

Police Radio1:04:40 - Policeman on the radioaction scene | announcing | police | radio | radio effect | station | tense

Her Kind of Man (1946)

Underscoring (Dramatic [Deutsch])1:04:46 - Montage of policemenaction scene | double exposure | dramatic | montage | police | searching | street | underscoring

Her Kind of Man (1946)

Underscoring (Dramatic [Steiner])1:14:17 - Cop looks at his watchclimax | conversing | criminal | double-cross | dramatic | henchman | leading lady | leading man | police | reporter | room | singer | stinger | telephone | tense | underscoring | watch | wife

Her Kind of Man (1946)

Speeding1:14:21 - Policeman drivingcar | climax | dramatic | driving | hurrying | leading lady | leading man | police | reporter | rushing | singer | tense | wife | yelling

Her Kind of Man (1946)

Speeding1:16:29 - Candy tries to run awayarriving | capturing | car | climax | criminal | double-cross | dramatic | gambler | henchman | leading man | murder | murderer | police | reporter | revenge | running | street | tense

Her Kind of Man (1946)

Candy (Agitato)1:16:53 - Don confronts Candyagitated | arguing | climax | confronting | criminal | double-cross | gambler | henchman | leading man | murder | murderer | police | reporter | revenge | street | tense

Her Kind of Man (1946)

It Had to Be You (Tragic)1:17:10 - Georgia holds Steveclimax | comforting | conversing | corpse | cradling | criminal | crying | death | dying | familiar tune | gambler | henchman | leading lady | leading man | murderer | police | popular music | reporter | singer | street | tense | tragic | wife

Her Kind of Man (1946)

Water1:17:41 - Steve's corpsecorpse | criminal | death | flowing | gambler | henchman | leading lady | leading man | murderer | panning shot | police | reporter | resolution | singer | street | swirling | tense | tragic | voice-over | water | water effect | wife

Her Kind of Man (1946)

It Had to Be You (The End)1:18:02 - The Endcriminal | dark | death | dramatic | end title sequence | gambler | henchman | leading lady | leading man | murderer | police | reporter | singer | street | The End | tragic | wife
I Was a Communist for the FBI (1951)Undercover Agent (Conflict)1:11:10 - Communists beat up Mattattacking | communist | dramatic | fighting | interrogation | leading man | police | punching | undercover agent
Illegal (1955)Scott (Bold)0:00:40 - Policemen working in an officemain title | police office | starring list

Illegal (1955)

Police Car0:00:54 - Police car speeds out of the station; cast listcast list | irregular meter | main title | police car | speeding

Illegal (1955)

Typewriter0:01:21 - Typewriter filling out an APB for the suspected murdererpolice station | typewriter | typing

Illegal (1955)

Fingerprints0:01:35 - Man getting his fingerprints takenfingerprints | police station

Illegal (1955)

Police Car (Allegro)0:08:21 - Vic speeds away in a police car to the hospitalpolice car | speeding
In This Our Life (1942)Police1:09:16 - A police car arrivesarriving | car | driving | investigation scene | menacing | police | room | tense

In This Our Life (1942)

Underscoring (Tense)1:09:25 - Policemen approach the housearriving | conversing | criminal | investigation scene | leading lady | mysterious | police | room | tense | walking | watching

In This Our Life (1942)

Stanley1:09:49 - Policemen enter the housearriving | conversing | criminal | investigating | investigation scene | leading lady | mysterious | police | room | sneaking | tense | walking | watching

In This Our Life (1942)

Stanley B (Agitato Extended)1:32:15 - Stanley hides from the policeagitated | conflict | criminal | hiding | leading lady | mysterious | police | room | running | rushing | street

In This Our Life (1942)

Underscoring (Dramatic)1:32:30 - Stanley dashes through the gateconflict | criminal | dramatic | hiding | leading lady | police | running | rushing | street | underscoring

In This Our Life (1942)

Police (Chase)1:32:36 - Stanley runs for her carconflict | criminal | driving | fleeing | hiding | leading lady | police | running | rushing | street | tense

In This Our Life (1942)

Stanley (Chase)1:32:59 - The police chase after Stanleychase scene | chasing | climax | criminal | desperate | dramatic | driving | fleeing | leading lady | police | street | tense

In This Our Life (1942)

Stanley (Fleeing)1:33:12 - The police chase after Stanleychase scene | chasing | climax | criminal | desperate | dramatic | driving | fleeing | leading lady | police | street | tense

In This Our Life (1942)

Underscoring (Dramatic)1:33:29 - Two other policeman see Stanleychase scene | chasing | climax | criminal | dark | dramatic | driving | fleeing | leading lady | police | street | tense | underscoring | watching

In This Our Life (1942)

Stanley (Crying)1:33:37 - Stanley crying in her carchase scene | chasing | climax | criminal | crying | dark | dramatic | driving | fleeing | leading lady | police | somber | street | tense

In This Our Life (1942)

Stanley B (Rising Tension)1:33:49 - The police in hot pursuitchase scene | chasing | climax | combination of themes | criminal | desperate | dramatic | driving | fleeing | leading lady | police | street | tense

In This Our Life (1942)

Stanley (Desperate)1:34:02 - The police in hot pursuitchase scene | chasing | climax | criminal | crying | desperate | dramatic | driving | fleeing | leading lady | police | street | tense

In This Our Life (1942)

Underscoring (Dramatic)1:34:09 - Stanley's eyes in the rear-view mirrorchase scene | chasing | climax | criminal | crying | desperate | dramatic | driving | fleeing | leading lady | police | street | tense | underscoring

In This Our Life (1942)

Car crash 21:34:17 - Stanley's car crashesbrash | car | car crash | chase scene | climax | crashing | criminal | dramatic | driving | dying | falling | fire | leading lady | mickey-mousing | police | street | tense

In This Our Life (1942)

Stanley (Tragic)1:34:28 - Police run to Stanley's carbrash | car | car crash | chase scene | climax | criminal | dramatic | dying | fire | helping | leading lady | mournful | police | reporting | rescuing | rushing | somber | street | tragic

In This Our Life (1942)

Underscoring (Tense)1:35:07 - Policemen on the radiocalling | police | police station | reporting | resolution | room | solemn | somber | stinger | tense | underscoring
The Informer (1935)Katie (Fateful Decision)0:13:48 - Gypo heads towards the British headquartersAmerican | church bell | contemplating | deciding | diminished 7th chord | familiar tune | leading man | mickey-mousing | mysterious | parallelism | patriotic tune | pedal tone | pivotal scene | police station | street | tense

The Informer (1935)

Blood Money (Extended)0:18:55 - British officer tosses money down on the tableantagonist | augmented triad | grabbing | leading man | money | mysterious | pivotal scene | police | police station | tense | tossing | tritone | whole-tone
Key Largo (1948)The Bus0:01:26 - The bus is pulled overagitated | bus | car | establish setting | police | street | tense | traveling

Key Largo (1948)

Bus Stops0:01:42 - The bus stopsbus | car | establish setting | police | stopping | street | tense

Key Largo (1948)

Tension0:26:48 - Rocco slaps bleeding manboss | establish character | gangster | hostage | hotel | menacing | police | sinister | slapping | violence

Key Largo (1948)

Tension0:28:58 - Sawyer stands upconflict | gangster | hostage | hotel | menacing | mysterious | police | standing

Key Largo (1948)

Rocco 3 (Heavily)0:29:04 - Sawyer enters the roomconflict | gangster | hostage | hotel | menacing | police | stumbling

Key Largo (1948)

Rocco 3 (Agitato)0:29:15 - Toots trips Sawyerconflict | falling | gangster | hostage | hotel | menacing | mickey-mousing | police | rolling | tripping

Key Largo (1948)

Rocco 2 (Misterioso)1:13:37 - The sheriff leavesboss | conflict | gangster | hotel | lying | menacing | police

Key Largo (1948)

Sheriff Leaves1:13:51 - Rocco waits for the sheriff to leaveboss | conflict | deception | gangster | hotel | leaving | nervous | police | tense

Key Largo (1948)

Rocco 2 (Dead Body)1:14:20 - Sheriff discovers the dead bodyalarmed | conflict | corpse | discovering | horror | hotel | mickey-mousing | murder | police | rolling

Key Largo (1948)

Rocco (Tense)1:15:03 - Rocco claims the Indians murdered Sawyerangry | boss | conflict | dock | gangster | lying | murder | police | tense | violent

Key Largo (1948)

Rocco 31:17:07 - Sheriff questions Roccoboss | gangster | hotel | investigation scene | menacing | police | questioning

Key Largo (1948)

Rocco1:17:15 - Sheriff questions Roccoboss | gangster | hotel | investigation scene | menacing | police | questioning | tense

Key Largo (1948)

Rocco 31:17:30 - Sheriff questions Curlygangster | hotel | investigation scene | menacing | police | questioning

Key Largo (1948)

McCloud (Somber)1:17:43 - Sheriff questions McClouddetermined | hotel | investigation scene | leading man | police | questioning | somber

Key Largo (1948)

Rocco 3 (Tense)1:17:52 - Sheriff questions gangstergangster | hotel | investigation scene | police | questioning | tense

Key Largo (1948)

Underscoring (Tense)1:18:21 - Sheriff leavesboss | gangster | hotel | investigation scene | police | questioning | tense | underscoring

Key Largo (1948)

Rocco 21:18:34 - The policemen takes Sawyer's bodyboss | gangster | hotel | investigation scene | menacing | police | tense | violent | watching
The Letter (1940)Policeman1:33:31 - A policeman comes to investigateantagonist | Chinese | climax | investigating | plantation | policeman | tense

The Letter (1940)

Leslie (Reckoning)1:33:42 - Mrs. Hammond walks away11th chord | antagonist | augmentation | body | changing meter | Chinese | climax | death | leading lady | moon | oscillation | plantation | policeman | somber | suspension
Lightning Strikes Twice (1951)Menace (The Chase)1:27:42 - Liza and String drive awaybrother | car | chasing | climax | countryside | dramatic | driving | escaping | frantic | motorcycle | murderer | police | rancher | speeding | tense

Lightning Strikes Twice (1951)

Menace (The Crash)1:28:30 - Liza drives off the hillbrother | car | car crash | climax | countryside | crashing | death | dramatic | dying | murderer | police | rancher | tense
Mildred Pierce (1945)Waves rumbling0:03:15 - Policeman convinces Mildred not to jumpconversing | dock | establish character | heroine | leading lady | mickey-mousing | police | somber | suicide | water | wave

Mildred Pierce (1945)

Cops walk0:11:08 - The cops walk down the hillaction scene | beach | dramatic | lumbering | mickey-mousing | police | walking

Mildred Pierce (1945)

Opens coat0:11:12 - Policeman opens Wally's coat to frisk himaction scene | beach | dramatic | friend | mickey-mousing | opening | police | searching | victim

Mildred Pierce (1945)

Underscoring (Tense)0:11:13 - Policemen investigate the sceneaction scene | altered dominant | beach | conversing | dissonant bass | friend | mysterious | police | searching | sequence | tense | underscoring | victim

Mildred Pierce (1945)

Hall of Justice0:13:35 - The Los Angeles Hall of Justiceadvance plot | arriving | bold | detective | entering | heroine | justice | leading lady | parallelism | pedal tone | police | police station | walking

Mildred Pierce (1945)

Mildred sits0:14:11 - Mildred sits downadvance plot | heroine | leading lady | mickey-mousing | mysterious | police station | sitting

Mildred Pierce (1945)

Drink to Me Only With Thine Eyes0:16:07 - Cop whistles to himselfadvance plot | detective | familiar tune | heroine | leading lady | on-screen music | police | police station | source music | tense | ticking | whistling

Mildred Pierce (1945)

Flashback ends1:05:49 - Screen wipe back to the present dayadvance plot | flashback | heroine | leading lady | mickey-mousing | police station | wipe

Mildred Pierce (1945)

Kay and Veda (Coy 2)1:44:37 - Veda is brought in by the policeantagonist | chromatic parallelism | daughter | deceiving | deception | detective | entering | interrogating | interrogation | parallelism | police station | questioning | tense

Mildred Pierce (1945)

Mildred (Waltz Fantasy)1:44:53 - Mildred tells Veda not to confess9th chord | appoggiatura | chromatic parallelism | detective | harsh | heroine | interrogating | interrogation | leading lady | pleading | police station

Mildred Pierce (1945)

Mildred (Dark)1:45:09 - Mildred realizes that she cannot save Vedacrime | heroine | interrogating | interrogation | police station | somber

Mildred Pierce (1945)

Kay and Veda (Triste)1:49:37 - Veda is led out by the policeantagonist | conversing | daughter | defeat | detective | heroine | leading lady | leaving | mother | murderer | police station | resigned | resolution | sigh gesture | somber

Mildred Pierce (1945)

Mildred (The End)1:50:07 - Mildred leaves with Bertadded-note chord | ex-husband | heroine | leading lady | leaving | pedal tone | police station | resolution | triumphant
Out of the Fog (1941)Russian Barcarolle (Fear)0:21:18 - Officer Magruder arrivesboat | chef | conflict | conversing | criminal | dock | extortion | father | fear | fisherman | friend | leading man | police | sandwich | solemn | somber

Out of the Fog (1941)

Russian Barcarolle (Fragmented)0:46:14 - Jonah calls for the coparguing | conflict | criminal | dock | extortion | father | fisherman | fragmentation | friend | leading man | police | tense | yelling

Out of the Fog (1941)

Underscoring (Tense)0:46:34 - Jonah accuses Goffarguing | conflict | conversing | criminal | dock | extortion | father | fisherman | friend | leading man | police | tense | underscoring

Out of the Fog (1941)

Russian Barcarolle (Fragmented)0:46:50 - Olaf accuses Goffconflict | conversing | criminal | departing | dock | extortion | father | fisherman | fragmentation | friend | leading man | police | tense

Out of the Fog (1941)

Underscoring (Dark)1:12:05 - Police ring the bellaction scene | arguing | conversing | dark | fisherman | friend | police | ringing | room | street | underscoring

Out of the Fog (1941)

Speeding Car1:12:30 - A car racing down the streetaction scene | car | double exposure | dramatic | driving | leading lady | point-of-view shot | police | rushed | rushing | street | tense

Out of the Fog (1941)

Morgue1:12:37 - The morgueaction scene | arriving | conversing | corpse | death | fear | leading lady | morgue | ominous | police | tense

Out of the Fog (1941)

Russian Barcarolle (Dead)1:13:15 - Stella sees Goff's bodyaction scene | arguing | corpse | crying | dark | death | fear | leading lady | morgue | ominous | police

Out of the Fog (1941)

Speeding Car (Extended)1:13:32 - A car racing down the streetaction scene | car | crowd | double exposure | dramatic | driving | leading lady | minor-major 7th chord | point-of-view shot | police | questioning | reporter | rushed | rushing | street | tense
The Unfaithful (1947)Unfaithful (Tragic)0:24:34 - Mrs. Tanner walks down the streetadvance plot | antagonist | husband | leading lady | newspaper | ostinato | panicked | panicking | pedal tone | police station | street | transition | trolley | victim | widow

The Unfaithful (1947)

Tanner (Headlines)1:24:17 - Chris is suspected of murderaltered dominant | chromatic scale | climax | fragmentation | friend | hurrying | montage | newspaper | newspaper boy | panicked | police station | polychord | polytonality | quartal chord | radio | reporter | room | rushing | street | surprise | tritone oscillation | widow
We Are Not Alone (1939)Frohe Botschaft (Drifting)1:14:30 - David gives Leni money for her travels altered dominant | arrest | arresting | chromatic parallelism | conflict | conversing | dark | death | familiar tune | folk song | gentle | German | happy | hero | heroine | mode mixture | murder | police | quotation | sad | sweet | tense | train station | whole-tone chord

We Are Not Alone (1939)

Underscoring (Tense)1:15:25 - David is taken away by the police9th chord | added-note chord | arresting | conflict | hero | heroine | pedal tone | police | tense | train station | underscoring
White Heat (1949)Morgue0:14:17 - Tahoe County Morgue signconversing | corpse | dark | detective | investigation scene | menacing | morgue | mortician | police | self-borrowing | transition

White Heat (1949)

Underscoring (Mysterious)0:14:51 - The agents talkagent | clue | dark | investigating | investigation scene | morgue | mysterious | police | underscoring

White Heat (1949)

Plotting (Mysterious)0:29:13 - Verna and Ma leave the police stationagent | leading lady | leading man | moll | mother | mysterious | police station | transition | walking

White Heat (1949)

Cody 20:29:18 - Newspaper headlineagent | bold | dark | dramatic | headline | leading man | newspaper | police station | transition | typing

White Heat (1949)

Pursuit1:08:44 - The agents turn aroundagent | car | driving | leading man | police | prison break | rushing | street | tense | uneasy

White Heat (1949)

Agents (Message)1:37:03 - Gas station attendant goes to washroomconversing | gas station | message | mirror | police | radio | tense | transition | worker

White Heat (1949)

Pursuit (Tracking)1:37:43 - Policemen pursue the truckagent | antenna | car | car | chase scene | map | police station | pursuing | radio | speeding | street | tense

White Heat (1949)

Agents + Pursuit (Antenna)1:37:59 - agent | chase scene | combination of themes | conversing | cut from film | police station | radio | tense

White Heat (1949)

T-Men (The Station)1:38:03 - Agents track progress of truck on the mapagent | chase scene | heroic | map | mapping | planning | police station

White Heat (1949)

Agents + Pursuit (Montage)1:38:33 - Police car in pursuitagent | antenna | car | car | chase scene | combination of themes | double exposure | electronic effect | montage | mysterious | police station | pursuing | radio | radio effect | speeding | street | tense

White Heat (1949)

T-Men (The Map)1:38:58 - Agents map coordinates of the truckagent | chase scene | map | mapping | noble | planning | police station | radio

White Heat (1949)

Pursuit (Frantic)1:39:12 - Police car in pursuitagent | antenna | car | car | chase scene | double exposure | montage | police station | pursuing | radio | speeding | street | tense

White Heat (1949)

Underscoring (Dramatic)1:39:16 - Agent at the control boardagent | antenna | car | car | chase scene | double exposure | dramatic | mapping | montage | police station | pursuing | radio | speeding | street | underscoring

White Heat (1949)

Underscoring (Tense)1:39:35 - Agents map coordinates of the truckagent | chase scene | map | mapping | police station | tense | underscoring

White Heat (1949)

Underscoring (Dramatic)1:41:22 - Agents map coordinates of the truckagent | chase scene | dramatic | fanfare | map | mapping | police station | radio | underscoring

White Heat (1949)

Agents (Extended)1:41:31 - Agents map coordinates of the truckagent | chase scene | map | mapping | police station | radio | tense

White Heat (1949)

Pursuit (Arriving)1:42:48 - Police cars rush to factoryaction scene | agent | car | factory | guard | police | pursuing | speeding | tense

White Heat (1949)

White Heat (Maestoso)1:43:03 - Police enter the factoryaction scene | agent | dramatic | factory | guard | police | running | rushing | tense

White Heat (1949)

Police Raid1:43:09 - Gangster acting as lookoutaction scene | arriving | factory | fugitive | gangster | leading man | looking | march | murderer | police | running | rushing | tense | undercover agent

White Heat (1949)

Agents (Tutti)1:46:31 - Agents watch men exitingaction scene | agent | aiming | dramatic | factory | gun | leading man | police | rushing | stopping | tear gas | tense

White Heat (1949)

T-Men (Escaping)1:46:36 - Hank escapesaction scene | agent | crawling | dark | escaping | factory | gun | leading man | police | reporting | tear gas | tense

White Heat (1949)

Agents (Marcato)1:46:58 - Evans signals to another agentaction scene | agent | bold | commanding | factory | fanfare | leading man | police

White Heat (1949)

Danger (Extended)1:47:06 - Cody sends men outaction scene | agent | death | dying | factory | falling | fugitive | gangster | gun | gunshot | leading man | murderer | police | pushing | rushing | shooting | tense

White Heat (1949)

Climbing stairs1:47:22 - Gangsters climb up stairsaction scene | agent | ascending | dramatic | factory | fleeing | fugitive | gangster | leading man | mickey-mousing | murderer | police | running | rushing | stairs

White Heat (1949)

Underscoring (Dramatic)1:47:35 - Gangsters get off of ladderaction scene | agent | dramatic | factory | fugitive | gangster | hiding | leading man | murderer | police | rushing | tense | underscoring

White Heat (1949)

White Heat (Police Raid)1:47:47 - Police advance on the gangstersaction scene | advancing | agent | death | dramatic | dying | factory | falling | fugitive | gangster | gun | gunshot | hidiging | leading man | mickey-mousing | murder | murderer | police | raid | searching | shooting | shootout | tense

White Heat (1949)

Falling and dying1:48:09 - Gangster falls downaction scene | death | descending | dramatic | dying | factory | falling | gangster | gun | gunshot | mickey-mousing | police | raid | shootout | tense

White Heat (1949)

Cody 2 (Brash)1:48:12 - Agents run up the stairsaction scene | agent | ascending | brash | dramatic | factory | fugitive | gangster | leading man | murderer | police | raid | running | rushing | shootout | stairs

White Heat (1949)

Prison Fight + Agents1:48:17 - Gangsters run up the stairsaction scene | agent | ascending | combination of themes | dramatic | factory | fleeing | fugitive | gangster | gun | gunshot | leading man | murderer | police | raid | running | rushing | shootout | stairs | tense

White Heat (1949)

Falling down stairs1:48:21 - Gangster falls down the stairsaction scene | death | descending | dramatic | dying | factory | falling | gangster | gun | mickey-mousing | police | raid | shootout | stairs | tense

White Heat (1949)

Prison Fight + Agents1:48:30 - Agents run up the stairsaction scene | agent | ascending | chasing | dramatic | factory | fugitive | gangster | leading man | murderer | police | raid | running | stairs | tense
The Public Defender (1931)Beautiful Thing0:05:58 - Dance music played at a dinner partyadvance plot | banker | cheerful | conversing | crowd | dance music | on-screen music | party | police | source music | transcribed by ear
White Heat (1949)Sliding down pole1:48:43 - Cody slides down a poleaction scene | agent | descending | dramatic | factory | fugitive | gangster | leading man | mickey-mousing | murderer | pole | police | raid | sliding | tense

White Heat (1949)

Danger (Tense)1:48:48 - Gangsters run awayaction scene | agent | chasing | dramatic | factory | fanfare | fugitive | gangster | leading man | murderer | police | raid | running | rushing | tense

White Heat (1949)

Agents + Gathering1:49:06 - Agents in actionaction scene | agent | chasing | combination of themes | dramatic | factory | fugitive | gangster | leading man | murderer | police | raid | running | rushing | tense

White Heat (1949)

Danger (Risoluto)1:49:17 - Agents advanceaction scene | agent | chasing | dramatic | factory | fugitive | gangster | leading man | murderer | police | raid | running | rushing | tense

White Heat (1949)

Underscoring (Dramatic)1:49:19 - Gangsters run awayaction scene | agent | chasing | dramatic | factory | fugitive | gangster | leading man | murderer | police | raid | running | rushing | tense | underscoring

White Heat (1949)

Plotting (Extended)1:49:34 - Gangsters hideaction scene | agent | factory | frantic | fugitive | gangster | hiding | leading man | murderer | police | raid | running | rushing | tense

White Heat (1949)

Rushing + Agents1:49:44 - Police advanceaction scene | advancing | agent | combination of themes | factory | fugitive | gangster | hiding | leading man | murderer | police | raid | rushing | searching | tense

White Heat (1949)

White Heat (Maestoso 2)1:49:55 - Police advanceaction scene | advancing | agent | dramatic | factory | fugitive | gangster | hiding | leading man | murderer | police | raid | rushing | searching | tense

White Heat (1949)

Agents (Searching)1:50:02 - Agents plan their next moveaction scene | advancing | agent | dramatic | factory | fugitive | gangster | hiding | leading man | murderer | police | raid | rushing | searching | tense

White Heat (1949)

Rushing (Searchlights)1:50:05 - Searchlightsaction scene | agent | factory | fugitive | gangster | hiding | laughing | leading man | mickey-mousing | murderer | police | raid | searching | searchlight | tense

White Heat (1949)

Madness1:50:16 - Cody talks to Rileyaction scene | agent | factory | fugitive | gangster | hiding | leading man | madness | murderer | plotting | police | raid | tense

White Heat (1949)

Plotting (Agitato)1:50:27 - Cody gets upaction scene | agent | factory | fugitive | gangster | hiding | laughing | leading man | madness | murderer | police | raid | sneaking | tense

White Heat (1949)

Cody (Climbing)1:50:30 - Cody climbs the stairsaction scene | agent | ascending | dramatic | factory | fugitive | gangster | hiding | leading man | murderer | police | raid | rushing | stairs | tense

White Heat (1949)

Plotting1:50:41 - Cody hidesaction scene | agent | factory | fugitive | gangster | hiding | leading man | murderer | police | raid | tense

White Heat (1949)

Rushing (Searchlights 2)1:50:48 - Searchlightsaction scene | agent | announcing | death | factory | fugitive | gangster | gun | gunshot | hiding | killing | laughing | leading man | mickey-mousing | murder | murderer | police | raid | searching | searchlight | shooting | surrendering | tense

White Heat (1949)

Riley's Death1:51:15 - Riley hits the groundaction scene | agent | dark | death | dying | factory | fugitive | gangster | laughing | leading man | murder | murderer | police | raid | stinger

White Heat (1949)

Cody 3 (Mocking)1:51:30 - Cody shootsaction scene | agent | brash | factory | frantic | fugitive | gangster | gun | gunshot | laughing | leading man | mocking | murderer | police | raid

White Heat (1949)

Trap1:51:37 - Policeman hands Hank a rifleaction scene | agent | aiming | factory | fugitive | gangster | gun | leading man | murderer | police | raid | searching | tense

White Heat (1949)

Rushing1:51:44 - Searchlightsaction scene | agent | aiming | factory | fugitive | gangster | gun | gunshot | hiding | leading man | mickey-mousing | murderer | police | raid | searching | searchlight | shooting | tense

White Heat (1949)

Headache (Explosion)1:52:26 - Cody shoots a gas valveagent | climax | dramatic | exploding | explosion | factory | fire | frantic | fugitive | gangster | gun | gunshot | laughing | leading man | murderer | police | raid | running | rushing | shooting

White Heat (1949)

Struggle1:52:46 - Explosionagent | climax | conversing | death | dramatic | exploding | explosion | factory | fire | fugitive | gangster | leading man | murderer | police | raid

White Heat (1949)

Cody (The End)1:53:02 - Explosionagent | climax | conversing | dark | death | dramatic | exploding | explosion | factory | fire | fugitive | gangster | leading man | murderer | police | raid | The End
Lightning Strikes Twice (1951)Aftermath1:28:48 - Man gets out of the jalopyapproaching | brother | bystander | car | car crash | climax | countryside | death | murderer | police | rancher | solemn

Lightning Strikes Twice (1951)

Father Paul (Slow)1:29:00 - Shelly and Myra wait for the newsactor | bell effect | car crash | countryside | death | funereal | leading lady | mother | owner | police | resolution | somber | waiting

Lightning Strikes Twice (1951)

Liza (Triste)1:29:20 - Father Paul climbs upactor | arriving | car crash | climbing | countryside | death | husband | leading lady | leading man | mother | owner | police | priest | resolution | somber

Lightning Strikes Twice (1951)

Shelly and Trev (Appassionato 2)1:29:33 - Trev and Shelly embraceactor | calm | comforting | countryside | departing | driving | embracing | husband | kissing | leading lady | leading man | mother | owner | peace | peaceful | police | priest | resolution | smiling