| All This, and Heaven Too (1940) | Henriette (Appassionato) | 0:44:08 - Raynald plays outside | advance plot | child | conversing | courtyard | duke | governess | happy | leading lady | leading man | passionate | playing |
All This, and Heaven Too (1940) | Raynald (Mysterioso) | 0:44:22 - Raynald talks with Henriette | advance plot | child | conversing | courtyard | duke | governess | happy | leading lady | leading man | mysterious |
All This, and Heaven Too (1940) | Louise | 0:52:39 - Louise hugs her father | advance plot | child | conversing | duke | excited | governess | happy | hugging | leading lady | leading man | room |
All This, and Heaven Too (1940) | Louise (Poco Animato) | 0:53:39 - Louise talks to Henriette | advance plot | child | conversing | excited | governess | happy | leading lady | room |
All This, and Heaven Too (1940) | Henriette (Poco Animato) | 0:53:44 - Henriette puts out the lights | advance plot | child | conversing | excited | governess | happy | leading lady | room |
All This, and Heaven Too (1940) | Henriette (Music Box) | 0:54:04 - Henriette puts Louise to bed | advance plot | calm | child | conversing | goodnight | governess | happy | leading lady | lullaby | music box | room |
All This, and Heaven Too (1940) | Henriette (Tristan) | 1:18:13 - Henriette opens a gift | advance plot | gift | governess | happy | leading lady | opening | room | snow globe |
All This, and Heaven Too (1940) | Spring Time | 1:30:22 - A carriage approaches the palace | arriving | bright | carriage | chattering | cheerful | child | duke | governess | happy | leading lady | leading man | palace | riding | transition |
All This, and Heaven Too (1940) | Raynald | 1:30:33 - The carriage arrives | arriving | bright | carriage | chattering | child | duke | governess | happy | leading lady | leading man | palace | riding | transition |
All This, and Heaven Too (1940) | Spring Time | 1:30:41 - The children get out of the carriage | bright | cheerful | child | conversing | duke | governess | happy | leading lady | leading man | palace | transition |
All This, and Heaven Too (1940) | Spring Time (Harry Cohn Moto) | 1:35:26 - Henriette opens a gift | advance plot | cheerful | child | gift | governess | happy | leading lady | opening | room | tense | unwrapping |
All This, and Heaven Too (1940) | Henriette (End Credits) | 2:22:42 - Closing credits | cast list | end title sequence | happy | upbeat |
| Are These Our Children? (1931) | Foxtrot | NIF - not in film | AABA structure | common-chord modulation | cut from film | happy | plagal cadence | sentence form | ternary form |
| Arsenic and Old Lace (1944) | Happy Land (Screwy Gavotte) | 0:00:39 - Cast list | 9th chord | 64 chord | added-note chord | cast list | happy | opening title sequence | ostinato | pedal tone | upbeat |
| Crime School (1938) | Sue (Grazioso) | 1:13:10 - Sue and Mark talk in the kitchen | cheerful | conflict | conversing | cooking | happy | hero | heroine | kitchen | leading lady | leading man | mode mixture | secondary dominant |
Crime School (1938) | Sue (Grazioso Mysterioso) | 1:13:38 - Frankie confronts Sue and Mark | cheerful | common-tone diminished 7th | conflict | conversing | deceptive resolution | dining | gun | happy | hero | heroine | leading lady | leading man | room | stick up | stinger | teenager | tone cluster | whole-tone chord |
| They Made Me a Criminal (1939) | They Say | 0:13:05 - Doc and Goldie in Johnnie's car | action scene | car | car | criminal | drinking | driving | floozy | happy | murderer | radio | source music |
| Deep Valley (1947) | Joe (Allegretto Grazioso) | 0:39:06 - Libby in the woods | advance plot | dog | forest | happy | leading lady | running | upbeat | walking |
| Dust Be My Destiny (1939) | Fairy Music | 0:30:58 - Man takes their luggage | 64 chord | courthouse | happy | leading lady | leading man | love scene | producer | pump-up modulation | romantic | street |
Dust Be My Destiny (1939) | Here Comes the Bride (Advertisement) | 0:31:07 - A marquee advertising "Marriage on Stage Tonite" | common-chord modulation | crowd | familiar tune | foreign key modulation | happy | love scene | marriage | street | theater |
Dust Be My Destiny (1939) | Here Comes the Bride | 0:31:19 - Crowd sings and claps at a wedding | crowd | happy | leading lady | leading man | marriage | on-screen music | source music | theater | wedding |
Dust Be My Destiny (1939) | Here Comes the Bride | 0:32:48 - Joe kisses Mabel | crowd | happy | leading lady | leading man | marriage | on-screen music | pianist | source music | theater | wedding |
Dust Be My Destiny (1939) | In a Moment of Weakness | 0:33:37 - Mabel looks at her wedding ring | develop character | happy | leading lady | leading man | radio | source music | theater |
Dust Be My Destiny (1939) | Radio Fanfare | 0:34:20 - Mabel talks to Joe | chromatic mediant | develop character | happy | leading lady | leading man | radio | source music | theater |
Dust Be My Destiny (1939) | My Wild Irish Rose | 0:40:51 - Joe and Mabel in Nick's Diner | accompanied source music | altered dominant | common-chord modulation | diner | establish character | familiar tune | friend | happy | leading lady | leading man | mode mixture | parallel double period | popular song | radio | shopkeeper | singing | source music | ternary form |
Dust Be My Destiny (1939) | Dust Be My Destiny (Irish Rose) | 0:42:25 - They go to work in the kitchen | diner | establish character | friend | happy | leading lady | leading man | score to source | shopkeeper |
Dust Be My Destiny (1939) | Dust Be My Destiny (Reunited) | 1:11:25 - Mabel embraces Joe after she meets him | 64 chord | advance plot | doctor | embracing | happy | hero | hospital | leading lady | leading man | nurse |
Dust Be My Destiny (1939) | Dust Be My Destiny (Travel Montage) | 1:26:04 - Train approaches the screen | added-note chord | foreign key modulation | happy | leading lady | leading man | pc set | resolution | train | train | traveling |
Dust Be My Destiny (1939) | Dust Be My Destiny (Train) | 1:26:17 - Joe and Mabel on the train | 11th chord | added-note chord | happy | leading lady | leading man | resolution | sequence | train | train | traveling |
Dust Be My Destiny (1939) | Dust Be My Destiny (Hanging Hats) | 1:26:31 - Joe and Mabel toss their hats | 11th chord | chromatic mediant | foreign key modulation | happy | hat | hook | leading lady | leading man | mickey-mousing | resolution | throwing | train | traveling | whistle effect |
Dust Be My Destiny (1939) | Dust Be My Destiny (The End) | 1:26:45 - "The End" | closing credits | end title sequence | foreign key modulation | happy | leading lady | leading man | The End | train | traveling |
| Flamingo Road (1949) | Lute Mae (Tenderly) | 1:03:37 - Dan is grateful for Lane's gift to him | 13th chord | added-note chord | advance plot | comical | common-chord modulation | conversing | embracing | happy | husband | leading lady | leading man | maid | room | self-borrowing | tender | wife |
| In This Our Life (1942) | Here Comes the Bride (A Little Shimmer) | 0:31:40 - A convertible | car | courthouse | happy | leading lady | leading man | leaving | street | wedding | wedding |
In This Our Life (1942) | Flirting | 0:37:31 - Peter goes to Stanley | conversing | flirting | happy | leading lady | leading man | love scene | room |
In This Our Life (1942) | Stanley (Grazioso) | 0:37:56 - Stanley talks to Peter | conversing | flirting | happy | leading lady | leading man | love scene | pleasant | room | sultry |
| The Informer (1935) | The Irish Washerwoman | 0:43:45 - People sing and dance in a pub | advance plot | antagonist | bar | familiar tune | folk song | happy | Irish | leading man | source music | whistling |
The Informer (1935) | The Irish Washerwoman (Pub) + Blood Money + The Wearin' o' the Green + The Informer | 0:44:52 - People celebrate in the pub | advance plot | antagonist | bar | chaotic | chromatic scale | close-up | combination of themes | crowd | dark | dissonant bass | excited | familiar tune | folk song | foreign key modulation | happy | heroic | Irish | layering | leading man | mob | mobbing | octatonic | parallelism | pedal tone | polytonality | rebel | serving | source to score | spying | tense | whole-tone | yelling | zoom in |
| The Letter (1940) | Sociable | 0:48:42 - People having dinner | ABA structure | cheerful | conversing | deceptive resolution | dinner | Dorian mode | foreign key modulation | happy | home | husband | lacework | lawyer | leading lady | party | whole-tone chord |
The Letter (1940) | Sociable (Ending) | 0:49:58 - Pleasant conversation | cheerful | conversing | dinner | foreign key modulation | happy | home | husband | lawyer | leading lady | reverse picardy |
The Letter (1940) | Sociable | 1:09:09 - Leslie and Robert meet with friends | 64 chord | celebrating | dinner music | drinking | foreign key modulation | happy | home | husband | lawyer | leading lady | party | pump-up modulation | reverse picardy |
The Letter (1940) | Foxtrot No. 2 | 1:22:12 - Leslie joins the party | 9th chord | AABA structure | altered dominant | conversing | dance music | dancing | foxtrot | friend | happy | husband | leading lady | party | party | pump-up modulation | secondary dominant | source music |
The Letter (1940) | Foxtrot No. 3 | 1:23:25 - Robert talks to friends at the party | 9th chord | added-note chord | common-tone diminished 7th | contrasting period | conversing | dance music | drinking | foxtrot | friend | happy | husband | leading lady | party | party | source music |
| Lightning Strikes Twice (1951) | Shelly 3 (Meno) | 1:16:52 - Shelly's concerns are alleviated | happy | heroine | peace |
Lightning Strikes Twice (1951) | Shelly (Grazioso) | 1:17:01 - Shelly talks about her acting history and mentions that she got tired of getting murdered every night | happy | heroine | peace |
| Mildred Pierce (1945) | Mildred (Sweepingly) | 1:08:09 - Mildred greets customers | happy | heroine | leading lady | montage | restaurant | smiling | voice-over | working |
Mildred Pierce (1945) | Kay and Veda (Excited) | 1:13:21 - Veda drives away in her new car | added-note chord | advance plot | altered dominant | car | child | deceptive resolution | driving | excited | happy | heroine | kissing | leading lady | love interest | room | running |
Mildred Pierce (1945) | Kay and Veda (Returning Home) | 1:38:10 - Mildred looks at Veda through the window | advance plot | chromatic mediant | conversing | daughter | deceptive resolution | emotional | foreign key modulation | happy | heroine | leading lady | loving | mode mixture | mother | room | warm | watching |
Mildred Pierce (1945) | Mildred (Happy Homecoming) | 1:38:50 - Mildred and her daughter embrace | added-note chord | advance plot | apologizing | chromatic mediant | daughter | embracing | foreign key modulation | forgiveness | happy | heroine | leading lady | loving | mode mixture | mother | returning | reuniting | room | warm |
| The Life of Vergie Winters (1934) | Lullaby (Flowing) | 0:53:59 - John talks with Vergie by the lake | altered dominant | conversing | diminished 7th chord | happy | leading lady | leading man | love scene | outside | pedal tone | reassuring | secret love | secret lover |
| Kid Galahad (1937) | Heart's Affair (Kiss) | 0:58:47 - Ward talks to Marie | AABA structure | altered dominant | cheerful | conversing | deceptive resolution | farm | happy | kissing | leading man | love scene | mode mixture | sister | transcribed by ear |
| We Are Not Alone (1939) | Surprise Symphony (Glissando) | 0:22:35 - David rides home on his bike | advance plot | bicycle | classical music | familiar tune | fragmentation | glissando | happy | Haydn | hero | home | peaceful | quotation | sequence | walking |
We Are Not Alone (1939) | I Do Like to Be Beside the Seaside (Subconscious) | 0:31:36 - Jessica says goodnight to David | added-note chord | advance plot | common-tone diminished 7th | conversing | goodnight | happy | hero | home | wife |
We Are Not Alone (1939) | Surprise Symphony (Newspaper) | 0:31:52 - David sits and whistles | 9th chord | classical music | deceptive resolution | familiar tune | foreshadowing | happy | Haydn | hero | home | ominous | quotation | reveal | transition | whistling |
We Are Not Alone (1939) | Surprise Symphony (Galloping) | 0:32:07 - David arrives in a carriage | carriage | classical music | familiar tune | galloping | happy | Haydn | hero | horse | quotation | street | transition | traveling |
We Are Not Alone (1939) | Frohe Botschaft (Drifting) | 1:14:30 - David gives Leni money for her travels | altered dominant | arrest | arresting | chromatic parallelism | conflict | conversing | dark | death | familiar tune | folk song | gentle | German | happy | hero | heroine | mode mixture | murder | police | quotation | sad | sweet | tense | train station | whole-tone chord |
| The Woman in White (1948) | Laura | 0:55:43 - Sitting at the dining table | advance plot | antagonist | butler | cigarette | conversing | cousin | eating | happy | husband | leading lady | light | mansion | monkey | servant | smoking | somber |
The Woman in White (1948) | Laura | 1:46:37 - Walter, Marian, and Laura together | asylum | conversing | friend | happy | murderer | necklace | patient | resolution | time lapse | voice-over | waltz |
The Woman in White (1948) | Laura (Harp Countermelody) | 1:46:55 - The camera pans from the asylum | arriving | butler | child | conversing | father | happy | husband | leading man | mansion | resolution | voice-over | waltz |
| Transgression (1931) | Main Title | 0:00:15 - Title of film, starring list, cast list | AABA structure | altered dominant | cast list | gentle | happy | harmonic sequence | leading lady | mode mixture | opening title sequence | plagal cadence | pleasant | running | starring list | title of film | transcribed by ear |
Transgression (1931) | Main Title (Ending) | 1:09:15 - The End | embracing | end title sequence | gentle | happy | husband | leading lady | pleasant | The End | transcribed by ear |
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