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149 results for "crying" in 31 films — see also crying gesture | glaring | pleading | wailing | weeping | yelling

FilmTheme nameInstanceTags
All This, and Heaven Too (1940)The Duchess (Expressivo con Schmalzo)0:39:24 - The Duchess writes a letterangry | crying | despair | duchess | leading lady | mad scene | on-screen text | room | writing

All This, and Heaven Too (1940)

Desperation0:39:54 - The Duchess writes a letterangry | crying | despair | duchess | leading lady | mad scene | on-screen text | room | writing

All This, and Heaven Too (1940)

Desperation (Very Emotional)0:41:00 - The Duchess pleads with the Abbeangry | arguing | crying | despair | illness | leading lady | mad scene | priest | room

All This, and Heaven Too (1940)

Isabelle1:07:33 - Isabelle criesadvance plot | child | comforting | crying | governess | leading lady | room | serious | somber

All This, and Heaven Too (1940)

Isabelle 21:08:44 - Isabelle talks to Henrietteadvance plot | child | comforting | crying | governess | leading lady | room | serious | somber

All This, and Heaven Too (1940)

Henriette (Duet)1:09:26 - Isabelle talks to Henrietteadvance plot | child | comforting | crying | gentle | governess | leading lady | room | sweet

All This, and Heaven Too (1940)

Henriette (Cello Solo)1:10:09 - Henriette comforts Isabelleadvance plot | child | comforting | crying | gentle | governess | leading lady | room

All This, and Heaven Too (1940)

Underscoring (Tense)1:20:55 - Henriette calms the children downcaretaker | child | conflict | crying | governess | leading lady | room | tense

All This, and Heaven Too (1940)

Underscoring (Somber)1:21:26 - The Duke descends the stairschild | conflict | conversing | crying gesture | descending | governess | leading lady | room | somber | tense

All This, and Heaven Too (1940)

Henriette (Dolschissimo)1:36:07 - Henriette reads the locket inscriptionadvance plot | calm | child | conversing | crying | gift | governess | leading lady | locket | room | stinger | tender | tense

All This, and Heaven Too (1940)

Henriette (Romantic)1:39:53 - The Duke reads the locket inscriptionconversing | crying | crying gesture | duke | gentle | governess | leading lady | leading man | love scene | romantic | room | tender

All This, and Heaven Too (1940)

Raynald1:41:25 - Henriette says goodbye to the childrenchild | conversing | crying | farewell scene | gentle | governess | leading lady | room | tender

All This, and Heaven Too (1940)

Raynald (Dark)1:41:54 - Raynald talks with Henriettechild | conversing | crying | farewell scene | governess | leading lady | room | somber

All This, and Heaven Too (1940)

Henriette (Grandioso) + Desperation (Grandioso)1:53:13 - The police wagon leavesarresting | bold | carriage | conflict | conversing | crowd | crying | dark | landlady | leading lady | ominous | soldier | street | suspect | tense | testifying

All This, and Heaven Too (1940)

Agitato 21:59:31 - Henriette is arrestedagitated | crowd | crying | double exposure | dramatic | fanfare | headline | leading lady | leaving | mob | montage | newspaper | soldier | street | suspect | yelling

All This, and Heaven Too (1940)

Crying2:12:15 - Pierre looks at Henriettecaretaker | crying | detective | devastated | leading lady | looking | palace | prisoner | soldier | somber | suspect | transition

All This, and Heaven Too (1940)

Henriette (Adagio)2:18:52 - A child begins cryingchild | crying | leading lady | resolution | school | somber | storytelling | student | teacher
Angels With Dirty Faces (1938)Pleading1:11:08 - Laury pleads for Rocky9th chord | advance plot | appoggiatura | circle of fifths | common-chord modulation | crying | leading lady | leading man | love interest | pleading | priest | room | somber

Angels With Dirty Faces (1938)

Underscoring (Tense)1:33:36 - Rocky pleads for his lifebegging | climax | cowardice | crowd | crying | death | execution | execution chamber | gangster | leading man | pleading | police | priest | prison | shadow | tense | tone cluster | underscoring | wailing

Angels With Dirty Faces (1938)

Sanctus (Mournful)1:34:12 - Jerry cries after Rocky diesadded-note chord | climax | crying | death | dissonant bass | execution chamber | leading man | mourning | pedal tone | priest | prison | redemption | reverse picardy | sacred | somber
Are These Our Children? (1931)Dreams (Newspaper Montage)0:45:04 - Newspaper headlinesaugmentation | comforting | common-chord modulation | crying | double exposure | grandmother | headline | love interest | mickey-mousing | montage | newspaper | room | somber | spinning

Are These Our Children? (1931)

Dreams (Eddie’s Prayer)1:22:14 - Eddie behind barsadded-note chord | climax | crying | dramatic | jail | leading man | murderer | praying | prisoner | religious | sacred
Beyond the Forest (1949)Rosa (Dejected)0:49:45 - Rosa hangs up the phoneadvance plot | cafe | crying | leading lady | somber | telephone

Beyond the Forest (1949)

I’m in a Jam with Baby0:54:39 - Rosa walks down the streetadvance plot | arriving | bouncer | club | crying | departing | jazz | leading lady | sentimental | sitting | source music | stranger

Beyond the Forest (1949)

Chicago (Agitato Molto Marcato)0:55:48 - Rosa runs through the streetsagitated | crazy person | crying | familiar tune | laughing | leading lady | mad scene | manic | popular tune | running | rushing | scaring | stranger | street | tense
The Breaking Point (1950)The Breaking Point (Ethereal)1:34:41 - Harry recognizes Lucyboat | climax | comforting | conversing | crying | ethereal | leading lady | leading man | mixed meter | sailor | sweet | wife

The Breaking Point (1950)

The Breaking Point (Cellos)1:35:14 - Harry talks with Lucyboat | climax | comforting | conversing | crying | ethereal | leading lady | leading man | mixed meter | sailor | sweet | wife

The Breaking Point (1950)

Calm1:35:38 - Lucy leavesboat | climax | comforting | conversing | crying | ethereal | leading lady | leading man | sailor | sweet | wife

The Breaking Point (1950)

The Breaking Point (Triste)1:35:50 - Harry is carried out on a stretchercarrying | child | climax | crowd | crying | doctor | harbor | leading lady | leading man | sailor | somber | watching | wife

The Breaking Point (1950)

Leona1:36:26 - Leona watcheschild | climax | crowd | crying | doctor | harbor | leading lady | leading man | sailor | somber | watching | wife

The Breaking Point (1950)

Sad Boy1:36:44 - Sad orphaned boy looks onchild | climax | crowd | crying | harbor | leaving | somber | spiritual-like | triumphant | watching
Caged (1950)Mrs. Benton (Not in Film)NIF - not in filmcomforting | crying | cut from film | disbelief | establish character | gentle | leading lady | office | pregnancy | prison | prisoner | realization | warden

Caged (1950)

CryingNIF - not in filmcomforting | crying | cut from film | dramatic | establish character | leading lady | office | pregnancy | prison | prisoner | warden

Caged (1950)

Mrs. Benton (Not in Film 2)NIF - not in filmcomforting | crying | cut from film | establish character | gentle | leading lady | office | pregnancy | prison | prisoner | warden

Caged (1950)

Underscoring (Tense)NIF - not in filmbed | crazy person | crying | cut from film | leading lady | mad scene | prison | prisoner | sleeping | tense | underscoring

Caged (1950)

MadnessNIF - not in filmagitated | bed | crazy person | crying | cut from film | leading lady | mad scene | prison | prisoner | sleeping | standing

Caged (1950)

Train Whistle HallucinationNIF - not in filmagitated | bed | breaking | crazy person | crying | cut from film | dramatic | glass | hallucinating | leading lady | mad scene | prison | prisoner | screaming | smashing

Caged (1950)

Caged (Not in Film)NIF - not in filmbed | crazy person | crying | cut from film | dark | glass | leading lady | mad scene | prison | prisoner

Caged (1950)

WailingNIF - not in filmagitated | bed | crazy person | crying | crying effect | cut from film | glass | leading lady | mad scene | prison | prisoner | wailing

Caged (1950)

Wailing + Train Whistle HallucinationNIF - not in filmagitated | bed | combination of themes | crazy person | crying | crying effect | cut from film | dramatic | glass | leading lady | mad scene | prison | prisoner | rushing | unlocking | wailing

Caged (1950)

Wailing (Ominous)NIF - not in filmbed | bleeding | blood | crazy person | crying | cut from film | dark | leading lady | mad scene | ominous | prison | prisoner | wailing

Caged (1950)

Crying (Poco Agitato)0:44:27 - Mrs. Benton pacesbaby | childbirth | conversing | crying | doctor | infirmary | leading lady | mickey-mousing | operation scene | pacing | prison | prisoner | tense | uneasy | walking | warden
City for Conquest (1940)In the Evening0:45:08 - Peggy in her dressing roomarguing | boxer | conflict | conversing | crying | dancer | dressing room | leading lady | leading man | parallel double period | punching | source music | upbeat

City for Conquest (1940)

A Girl Like You0:46:49 - Danny in Peggy's dressing roomboxer | conflict | crying | dancer | dressing room | leading lady | leading man | leaving | parallel double period | source music | upbeat

City for Conquest (1940)

Tone Poem A (Farewell)0:55:31 - Peggy bids farewell to Danny9th chord | appoggiatura | augmented sixth chord | conversing | crying | embracing | enharmonic respelling | farewell scene | leading lady | leading man | leaving | mode mixture | plagal cadence | romantic | sentimental | street

City for Conquest (1940)

Piggy Wiggy Woo1:10:52 - Peggy criesadvance plot | conversing | crying | dancer | dressing room | leading lady | source music | upbeat

City for Conquest (1940)

Tone Poem A (Lento 2)1:28:11 - Peggy cries9th chord | advance plot | altered dominant | conversing | crying | foreign key modulation | friend | leading lady | room | sequence | somber

City for Conquest (1940)

Tone Poem D (Dolce)1:28:33 - Gladys talks to Peggy9th chord | 11th chord | advance plot | blue note | chromatic sequence | comforting | common-tone diminished 7th | conversing | crying | friend | gentle | leading lady | mode mixture | newspaper | parallel fifths | room | sweet

City for Conquest (1940)

Tone Poem A (Lento)1:35:02 - Orchestra playing9th chord | audience | Carnegie Hall | chromatic parallelism | chromatic sequence | concert | concert hall | concert scene | conducting | conductor | crying | leading lady | linear chromaticism | listening | musician | on-screen music | orchestra | playing | polychord | romantic | somber | source music | tender | watching

City for Conquest (1940)

Tone Poem A (Tutti 2)1:36:41 - Danny's figure appears in the concert hall9th chord | 13th chord | AABA structure | added-note chord | audience | bold | Carnegie Hall | concert | concert hall | concert scene | conducting | conductor | crying | deceptive resolution | double exposure | dramatic | Gershwinesque | leading man | listening | mode mixture | musician | on-screen music | orchestra | playing | romantic | sentimental | smiling | source music | watching | zoom out

City for Conquest (1940)

Tone Poem A (Chorus)1:41:14 - Danny talks with Peggy9th chord | 11th chord | 13th chord | chromatic sequence | conversing | crying | ethereal | foreign key modulation | gentle | leading lady | leading man | love interest | love scene | optimistic | reunion | reuniting | romantic | shimmery | street | suspension | victim
Crime School (1938)Sue (Quasi Blues)0:11:08 - Sue talks to Frankiebluesy | chromatic parallelism | common-chord modulation | conversing | crying | establish character | foreign key modulation | Gershwinesque | heroine | leading lady | room | somber

Crime School (1938)

Sue (Minor)0:20:38 - Judge sentences boys to the reformatoryaugmented sixth chord | chromatic parallelism | courthouse | crying | dissonant bass | gang | heroine | judge | leading lady | leading man | sister | somber | stinger | teenager | trial
They Made Me a Criminal (1939)On the Make (Crying)1:06:29 - Peggy cries after Johnnie leaves11th chord | conflict | crying | leading lady | leading man | room | somber
Death of a Scoundrel (1956)Stephanie (Weeping)1:28:53 - Stephanie leaves Clementicrying | deception | flashback | somber

Death of a Scoundrel (1956)

Clementi B1:36:49 - Clementi sends Zina off to her hotelcrying | deception | flashback

Death of a Scoundrel (1956)

Clementi's Mother (Disappointed)1:46:39 - Clementi's mother realizes that he brought her to America to help him escapecrying | flashback | honor | mother | refusal
Deep Valley (1947)Love Theme (Molto Expressivo)0:23:07 - Libby watches them take Barryboss | conflict | convict | crying | father | guard | leading lady | leading man | somber | street | watching

Deep Valley (1947)

Underscoring (Dramatic)0:31:10 - Close-up on Libbyarguing | conflict | crying | dark | dramatic | father | leading lady | lightning | room | storm | tense | thunder | underscoring

Deep Valley (1947)

Deep Valley (Kiss)1:16:19 - Barry kisses Libbyadvance plot | barn | convict | crying | embracing | fugitive | kissing | leading lady | leading man | love interest | tender

Deep Valley (1947)

Libby (Stormy)1:36:26 - Cliff looks for Elliebarn | climax | convict | crying | dark | father | fugitive | hiding | leading lady | leading man | love interest | mother | running | rushing | sneaking | tense | yard

Deep Valley (1947)

Barry (Running)1:37:23 - Libby chases Barryarguing | car | chasing | climax | convict | crying | dramatic | driving | fleeing | fugitive | leading lady | leading man | love interest | running | street

Deep Valley (1947)

Molto Expressivo1:37:28 - Barry pushes Libby awayarguing | car | chasing | climax | convict | crying | dramatic | driving | falling | fleeing | fugitive | leading lady | leading man | love interest | running | street

Deep Valley (1947)

Deep Valley (Climactic)1:37:35 - Libby on the groundcar | chasing | climax | convict | crying | dramatic | driving | fleeing | fugitive | leading lady | leading man | love interest | street

Deep Valley (1947)

Deep Valley (Delicato 2)1:41:39 - Libby goes to Barrycomforting | convict | crying | death scene | delicate | dying | forest | fugitive | gentle | leading lady | leading man | love interest | resolution | reuniting | tender

Deep Valley (1947)

Deep Valley (Dying)1:42:30 - Barry talks to Libbycomforting | convict | crying | death scene | delicate | dying | forest | fugitive | gentle | leading lady | leading man | love interest | resolution | reuniting | tender

Deep Valley (1947)

Breeze1:43:22 - Libby looks at Barryconvict | crying | death | death scene | ethereal | forest | fugitive | leading lady | leading man | love interest | magical | resolution | wind effect

Deep Valley (1947)

Breeze + Love Theme1:43:32 - Libby embraces Barrycombination of themes | convict | crying | death | death scene | ethereal | forest | fugitive | leading lady | leading man | love interest | magical | resolution | wind effect
The FBI Story (1959)Egg Hunt (Lento)1:27:41 - Lucy cries and comforts her daughterchild | crying | Easter | eggs | flashback | hunting

The FBI Story (1959)

Lucy A (Tragico)2:06:03 - Chip and Lucy mourn togethercrying | flashback | heroine | mourning | weeping
Flamingo Road (1949)Flamingo Road (Appassionato)1:32:54 - Dan visits Lane in prisoncrying | embracing | foreign key modulation | husband | joyous | kissing | leading lady | leading man | pedal tone | prison | resolution | reuniting | self-borrowing | wife

Flamingo Road (1949)

Flamingo Road (Dolce)1:33:08 - Dan and Lane embracecrying | dark | embracing | husband | kissing | leading lady | leading man | mode mixture | peaceful | prison | resolution | reuniting | self-borrowing | wife

Flamingo Road (1949)

Lute Mae (Delicato)1:33:28 - Lane smiles as Dan13th chord | added-note chord | crying | delicate | husband | kissing | leading lady | leading man | prison | resolution | reuniting | romance | self-borrowing | sentimental | wife
Hell on Frisco Bay (1955)Anna1:20:28 - Anna mourns Mario's deathconversing | crying | dark | funeral | funeral | gangster | leading man | wife
Her Kind of Man (1946)It Had to Be You (Tragic)1:17:10 - Georgia holds Steveclimax | comforting | conversing | corpse | cradling | criminal | crying | death | dying | familiar tune | gambler | henchman | leading lady | leading man | murderer | police | popular music | reporter | singer | street | tense | tragic | wife
Illegal (1955)Ellen (Triste)1:10:23 - Ellen is overcome with emotioncrying | emotional | heroine
In This Our Life (1942)Stanley (Valse Triste)0:53:23 - Roy comforts Stanleyadvance plot | comforting | crying | gentle | leading lady | room | sister | widow

In This Our Life (1942)

Stanley Introduction0:53:32 - Roy comforts Stanleyadvance plot | comforting | crying | leading lady | room | sister | tense | widow

In This Our Life (1942)

How Do I Know It's Sunday0:57:12 - Stanley starts a record playingadvance plot | conversing | crying | dancing | father | flirting | leading lady | leading man | popular music | record player | room | sister | source music | upbeat | widow

In This Our Life (1942)

Uncle Fitzroy1:04:26 - Uncle Fitzroy talks to Stanleyconflict | conversing | crying | dancing | flirting | leading lady | room | solemn | uncle | widow

In This Our Life (1942)

Stanley (Valse Triste)1:26:23 - Stanley confessesarguing | climax | confessing | confession | criminal | crying | dramatic | father | lawyer | leading lady | leading man | mother | room | suspect

In This Our Life (1942)

Stanley B (Slowly Extended)1:26:39 - Stanley confessesagitated | arguing | climax | confessing | confession | criminal | crying | father | lawyer | leading lady | leading man | lying | mother | room | suspect

In This Our Life (1942)

Stanley (Extended)1:27:33 - Stanley goes upstairsclimax | conversing | criminal | crying | father | lawyer | leading lady | leading man | mother | room | somber | suspect | uneasy

In This Our Life (1942)

Love Theme (Gentle)1:27:58 - Roy talks to Craigaccusing | climax | conversing | criminal | crying | embracing | gentle | lawyer | leading lady | leading man | room | sneaking | tender

In This Our Life (1942)

Maestoso1:31:51 - Stanley runs off cryingconflict | criminal | crying | departing | dramatic | leading lady | room | running | street | uncle | yelling

In This Our Life (1942)

Stanley (Crying)1:33:37 - Stanley crying in her carchase scene | chasing | climax | criminal | crying | dark | dramatic | driving | fleeing | leading lady | police | somber | street | tense

In This Our Life (1942)

Stanley (Desperate)1:34:02 - The police in hot pursuitchase scene | chasing | climax | criminal | crying | desperate | dramatic | driving | fleeing | leading lady | police | street | tense

In This Our Life (1942)

Underscoring (Dramatic)1:34:09 - Stanley's eyes in the rear-view mirrorchase scene | chasing | climax | criminal | crying | desperate | dramatic | driving | fleeing | leading lady | police | street | tense | underscoring
The Informer (1935)Katie (Tired and Sad)0:05:49 - Katie talks to Gypoconversing | crying | diminished 7th chord | establish character | leading lady | leading man | parallelism | Scotch snap | sobbing gesture | somber | street

The Informer (1935)

Katie (Hurt)0:06:58 - Katie is upset with Gypo and walks away upsetagitated | chromatic scale | crying | establish character | leading lady | leading man | leaving | street | tritone | upset

The Informer (1935)

The Informer (Suspicion)0:29:47 - Gypo leaves the wake64 chord | antagonist | coin | crying | dissonant bass | dropping | giving | leading man | leaving | mickey-mousing | money | mourner | pivotal scene | room | Scotch snap | sigh gesture | somber | staring

The Informer (1935)

Dan and Mary (Dolce)0:57:51 - Dan tells Mary: "I'll come back for you"11th chord | common-tone diminished 7th | crying | dissonant bass | embracing | hero | love interest | love scene | love theme | mode mixture | romantic | room

The Informer (1935)

Believe Me If All Those Endearing Young Charms0:58:23 - Singing continues (from the previous scene)advance plot | antagonist | crowd | crying | familiar tune | folk song | leading man | on-screen music | party | sentimental | singing

The Informer (1935)

The Informer (Confession)1:16:00 - Gypo confesses and cries9th chord | altered dominant | antagonist | confessing | confession | courtroom | courtroom scene | crying | deceptive resolution | diminished 7th chord | dissonant bass | guilt | half-diminished 7th chord | headquarters | leading man | pedal tone | pedal tone | remorseful | room | traitor

The Informer (1935)

Katie (Despair)1:16:18 - Gypo confesses and criesantagonist | climax | confessing | confession | courtroom | courtroom scene | crying | dissonant bass | guilt | headquarters | leading man | remorseful | room | sequence | traitor

The Informer (1935)

The Informer (Tranquillo)1:16:35 - Gypo is taken awayantagonist | arresting | authentic cadence | climax | confessing | confession | courtroom | courtroom scene | crying | guilt | headquarters | hero | leading man | leaving | love interest | pleading | remorseful | room | traitor
Key Largo (1948)Moanin’ Low (Quasi Appassionato)0:58:38 - McCloud gets a drink for Gayealcohol | bluesy | boss | crying | develop character | familiar tune | father | gangster | helping | hostage | hotel | leading lady | leading man | moll | somber | source to score
The Letter (1940)Leslie (Lacework)0:04:55 - Worker picks up Leslie's laceworkchanging meter | crying | foreign key modulation | home | leading lady | murder scene | mysterious | oscillation | sequence | sequential modulation

The Letter (1940)

Leslie (Rising) + Deception0:13:28 - Leslie continues her storyadvance plot | augmented triad | chromatic parallelism | combination of themes | crying | dramatic | emotional | home | leading lady | oscillation | ostinato | passionate | pc set | recounting | sequence

The Letter (1940)

Robert and Leslie0:15:28 - Robert comforts Leslieadvance plot | appoggiatura | comforting | crying | gentle | home | leading lady | love theme | murder | pedal tone | sigh gesture | suspension

The Letter (1940)

Robert and Leslie0:41:12 - Howard says he will help Leslieadvance plot | appoggiatura | calm | chromatic mediant | crying | deception | hospital | lawyer | leading lady | letter | love theme | sigh gesture | somber | suspension | tender

The Letter (1940)

Robert and Leslie (Triste)0:42:17 - Leslie and Howard talk about her husbandadvance plot | appoggiatura | calm | chromatic mediant | crying | hospital | lawyer | leading lady | letter | love theme | resolution | sigh gesture | somber | suspension | tender

The Letter (1940)

Leslie (Dramatic)1:18:32 - Leslie confesses to Robertconfessing | conflict | crying | dramatic | half-diminished 7th chord | home | husband | lawyer | leading lady | letter | murder | oscillation | recounting | sequence

The Letter (1940)

Robert and Leslie (Mournful)1:19:00 - Robert cries after hearing the confessionconflict | crying | crying gesture | home | husband | lawyer | leading lady | letter | love theme | mournful | murder | pedal tone | retardation | sad | suspension

The Letter (1940)

Leslie (Distraught)1:25:39 - Leslie criesaugmented sixth chord | climax | crying | dramatic | emotional | foreign key modulation | home | leading lady | oscillation | sequence

The Letter (1940)

Native (Climactic)1:30:42 - Leslie walks through her gardenclimax | crying | Dorian mode | exoticism | gamelan | Indonesian music | leading lady | mysterious | panning shot | parallelism | plantation | setting | somber | walking

The Letter (1940)

Deception (Appassionato)1:31:18 - Close-up of Leslieclimax | crying | leading lady | mysterious | pc set | Phrygian mode | plantation | somber | walking

The Letter (1940)

Leslie (The Moon)1:31:36 - Leslie sees the moon go behind a cloudclimax | cloud | crying | dramatic | half-diminished 7th chord | leading lady | looking | moon | oscillation | pc set | plantation | sequence
Lightning Strikes Twice (1951)Anger0:33:15 - String gets angryactor | anger | arguing | brother | conflict | crying | dramatic | leading lady | priest | rancher | room | tense | yelling

Lightning Strikes Twice (1951)

Father Paul0:33:25 - Liza comforts Stringactor | anger | brother | comforting | conflict | crying | dark | leading lady | priest | rancher | room | somber | tense

Lightning Strikes Twice (1951)

Emotion1:05:10 - Shelly criesactor | comforting | conversing | crying | leading lady | leading man | love interest | love scene | ranch | somber | suspect

Lightning Strikes Twice (1951)

Menace (Nightmare)1:05:38 - Trev tells Shelly of a recurring dreamactor | comforting | conversing | crying | dark | leading lady | leading man | love interest | love scene | ranch | solemn | suspect | tense

Lightning Strikes Twice (1951)

Trev (Tenderly)1:06:09 - Trev kisses Shellyactor | crying | embracing | gentle | kissing | leading lady | leading man | love interest | love scene | marriage | proposal | ranch | romantic | suspect

Lightning Strikes Twice (1951)

Menace (Molto Misterioso)1:18:21 - Shelly panicsactor | concerned | crying | hearing voices | leading lady | mad scene | panicking | room | violence | worried | worrying

Lightning Strikes Twice (1951)

Mournful (Scared)1:18:45 - Shelly is afraid of Trevactor | crying | fear | husband | leading lady | leading man | mad scene | room | somber | suspect | worrying

Lightning Strikes Twice (1951)

Afraid1:19:02 - Shelly leaves Trev in fearactor | crying | dramatic | escaping | fanfare | fear | husband | leading lady | leading man | mad scene | room | self-borrowing | stinger | suspect | worrying

Lightning Strikes Twice (1951)

Shelly (Frantic)NIF - not in filmactor | conflict | crying | cut from film | dark | frantic | leading lady | murderer | rancher | room
Mildred Pierce (1945)Bert (Triste)0:24:26 - Bert and Mildred separateaugmented sixth chord | breaking up | crying | establish character | fragmentation | heroine | husband | leading lady | leaving | Neapolitan | pedal tone | room | somber

Mildred Pierce (1945)

Mildred (Breakdown)1:47:11 - Mildred tries to start her car9th chord | climax | crying | dramatic | emotional | foreign key modulation | heroine | leading lady | leaving | street

Mildred Pierce (1945)

Kay and Veda (Returning Home 2)1:49:17 - Veda convinces her mother to not report herantagonist | crying | daughter | heroine | leading lady | loving | mode mixture | mother | murderer | murder scene | reverse picardy | room | sacrificing | tender | warm
The Life of Vergie Winters (1934)Lullaby (Ending) + Funeral March (Ending)1:18:06 - Vergie in her jail cellclassical music | combination of themes | crying | funeral | funeral march | leading lady | prisoner | somber | suspect

The Life of Vergie Winters (1934)

Lullaby (Resolution)1:21:03 - Joan talks about her motheradded-note chord | calm | conversing | crying | daughter | end title sequence | husband | peaceful | prison | redemption | resolution | The End | triumphant
Out of the Fog (1941)Stella and George (Tender)0:13:24 - George talks to Stellaboyfriend | conversing | crying | departing | dock | establish character | evaded cadence | leading lady | tender | transcribed by ear

Out of the Fog (1941)

Father and Daughter0:33:12 - Jonah talks to Stellaadvance plot | conversing | crying | father | gentle | hugging | leading lady | mode mixture | room | tender

Out of the Fog (1941)

Russian Barcarolle (Dead)1:13:15 - Stella sees Goff's bodyaction scene | arguing | corpse | crying | dark | death | fear | leading lady | morgue | ominous | police
Traveling Husbands (1931)There's a Sob in My Heart (Sentimental)1:10:39 - People are sad as the radio playsAABA structure | altered dominant | augmented sixth chord | countermelody | crying | leading lady | leading man | popular song | radio | resolution | room | salesman | sentimental | somber | transcribed by ear
We Are Not Alone (1939)Frohe Botschaft (Crying)0:45:45 - Leni kisses Gerald9th chord | 64 chord | advance plot | antagonist | boy | child | crying | deceptive resolution | familiar tune | folk song | fragmentation | German | heroine | home | leaving | mode mixture | mother | quotation | room | sequence | somber | tritone

We Are Not Alone (1939)

Surprise Symphony (Turbulent)0:50:14 - Jessica reacts to David's departure11th chord | angry | antagonist | chromatic parallelism | classical music | conflict | crying | dark | familiar tune | Haydn | hero | home | husband | leaving | quotation | room | sad | tragic | wife
White Heat (1949)Zuckie's Death0:12:29 - Cody ignores Zuckiecrying | dark | death | departing | funereal | gangster | leading lady | leading man | moaning | moll | mother | murderer | murder scene | pleading | room | somber | victim
The Woman in White (1948)The Carman’s Whistle (Accompaniment)0:39:58 - Walter wanders the groundsadvance plot | crying | garden | gentle | leading lady | leading man | listening | walking | wandering

The Woman in White (1948)

Ann 20:40:33 - Walter talks to the woman in whiteadvance plot | conversing | crying | garden | gentle | leading lady | leading man | remembering | tender

The Woman in White (1948)

Ann (Misterioso)1:21:57 - Marian talks to Waltercemetery | cousin | crying | funeral | funeral | leading lady | leading man | mysterious | somber | spying
Thirteen Women (1932)Ursula (Exotic) + The Train0:23:07 - Helen points the gun at herself and criesantagonist | combination of themes | crying | exotic | exoticism | gun | Gypsy major scale | hypnotic | murderer | murder scene | pedal tone | suicide | tense | train | train | transcribed by ear | traveling | victim
Sing and Like It (1934)Your Mother0:10:15 - Annie sings on stageAABA structure | ballad | boss | crying | gangster | leading lady | listening | musician | music scene | on-screen music | piano | robbery | score to source | sentimental | singer | singing | source music | stage | stealing

Sing and Like It (1934)

Your Mother0:13:55 - Annie sings on stageAABA structure | ballad | boss | crying | gangster | leading lady | listening | musician | music scene | on-screen music | piano | sentimental | singer | singing | source music | stage

Sing and Like It (1934)

Your Mother1:04:54 - A man conducts the pit orchestraAABA structure | ballad | boss | conducting | conductor | critic | crowd | crying | dancing | gangster | gun | leading lady | moll | musical | musician | music scene | on-screen music | performer | performing | playing | sentimental | singer | singing | source music | theater | threatening | watching
Without Honor (1949)Triste0:07:37 - Dennis tells Jane their relationship is overadulterer | affair | breaking up | breakup | crying | death scene | kitchen | leading lady | leading man | love interest | somber

Without Honor (1949)

Appassionato 2 (Agitato)0:07:57 - Jane tells Dennis she still loves himadulterer | affair | arguing | breaking up | breakup | crying | death scene | kitchen | leading lady | leading man | love interest | passionate | somber

Without Honor (1949)

Appassionato (Broad)0:08:11 - Jane criesadulterer | affair | arguing | breaking up | breakup | crying | death scene | kitchen | leading lady | leading man | love interest | passionate | somber

Without Honor (1949)

Desperation0:08:20 - Jane talks to Dennisadulterer | affair | arguing | breaking up | breakup | crying | death scene | dramatic | kitchen | leading lady | leading man | love interest | underscoring

Without Honor (1949)

Appassionato (Molto Expressivo)0:08:35 - Jane criesadulterer | affair | arguing | breaking up | breakup | crying | death scene | kitchen | leading lady | leading man | love interest | passionate | somber

Without Honor (1949)

Twilight (Agitato)0:08:54 - Jane talks to Dennisadulterer | affair | arguing | breaking up | breakup | crying | death scene | kitchen | leading lady | leading man | love interest | mysterious | ominous | tense

Without Honor (1949)

Underscoring (Agitated)0:09:10 - Jane threatens to kill herselfadulterer | affair | arguing | breaking up | breakup | crying | dark | death scene | dramatic | kitchen | leading lady | leading man | love interest | suicide | underscoring

Without Honor (1949)

Underscoring (Tense)0:14:37 - Jane stares at herself in the mirroradvance plot | audible thoughts | blaming | crying | leading lady | mirror | room | tense | thinking | underscoring

Without Honor (1949)

Agitation (Appassionato)0:52:28 - Jane criesagitated | antagonist | brother | climax | confessing | confession | crying | demanding | husband | leading lady | leading man | room | tense | wife

Without Honor (1949)

Confession0:52:54 - Jane confessesagitated | antagonist | brother | climax | confessing | confession | crying | husband | leading lady | leading man | room | wife

Without Honor (1949)

Appassionato 20:53:24 - Jane laughsantagonist | brother | climax | confession | crying | husband | laughing | leading lady | leading man | passionate | room | wife
Caged (1950)Water Dripping (Molto Expressivo)1:18:15 - Marie in solitarycrying | dripping | hysteria | isolation | leading lady | mad scene | mickey-mousing | mickey-mousing | mysterious | prison | prisoner | tense | uneasy | water | water effect | wipe | yelling

Caged (1950)

He Leadeth Me1:27:53 - Women in prisonadvance plot | calm | conversing | crying | hymn | leading lady | prison | prisoner | singing | source music