| All This, and Heaven Too (1940) | Armide | 0:49:21 - The opera house | arriving | audience | child | concert scene | conversing | duke | governess | leading lady | leading man | opera | regal | source music | theater | upbeat | watching |
All This, and Heaven Too (1940) | La Parisienne (The King) | 0:50:33 - The king enters | arriving | audience | bowing | child | concert scene | duke | governess | king | leading lady | leading man | not by Steiner | patriotic tune | regal | source music | theater | watching |
All This, and Heaven Too (1940) | Air pour La Jeunesse | 0:51:43 - A montage of people applauding | audience | child | classical music | concert scene | dramatic | duke | governess | leading lady | leading man | listening | source music | theater | watching |
All This, and Heaven Too (1940) | Henriette (Sad Waltz) | 1:12:55 - Henriette watches the people dancing | 9th chord | 64 chord | advance plot | ballroom | crowd | dancing | dissolve | governess | leading lady | pedal tone | point-of-view shot | room | somber | watching |
All This, and Heaven Too (1940) | Underscoring (Dramatic) | 1:13:19 - Henriette watches the falling snow | advance plot | arriving | butler | dissonant bass | dramatic | duchess | duke | leading lady | leading man | outside | panning shot | pc set | point-of-view shot | room | sigh gesture | underscoring | watching |
All This, and Heaven Too (1940) | The Duchess (Con Moto) | 1:13:45 - Henriette watches the Duke and Duchess | advance plot | dramatic | duchess | duke | leading lady | leading man | leaving | painful | point-of-view shot | room | sequential modulation | watching |
All This, and Heaven Too (1940) | Desperation (Dark) | 1:13:56 - Henriette watches the Duke leaving | 9th chord | advance plot | altered dominant | dark | dissonant bass | duke | leading man | leaving | parallelism | point-of-view shot | room | watching |
All This, and Heaven Too (1940) | Gossip 2 | 1:47:20 - Henriette sees her landlady gossiping | 9th chord | chromatic parallelism | dissonant bass | duke | gossiper | gossiping | harsh | landlady | leading man | minor second | reunion scene | room | tense | watching |
All This, and Heaven Too (1940) | Henriette (Gossiping) + Spring Time (Gossiping) | 1:47:25 - Henriette's landlady talks to the Duke | awkward | child | combination of themes | common-tone diminished 7th | diminished 7th chord | duke | gossiper | gossiping | landlady | leading lady | leading man | mysterious | parallelism | pedal tone | reunion scene | room | somber | tense | watching |
| Arsenic and Old Lace (1944) | The Aunts (Frightened) | 0:44:00 - The aunts go into the kitchen | augmentation | aunt | brother | conversing | crazy person | criminal | doctor | establish character | fear | foreign key modulation | fragmentation | leading lady | leading man | murderer | mysterious | Neapolitan | ominous | parallel 63s | pedal tone | room | walking | watching |
Arsenic and Old Lace (1944) | The Aunts (Frightened) | 0:45:22 - The aunts peek through the kitchen window | aunt | brother | conversing | crazy person | criminal | doctor | establish character | face | fear | leading lady | leading man | murderer | mysterious | Neapolitan | ominous | parallel 63s | pedal tone | room | snooping | watching |
Arsenic and Old Lace (1944) | Scar (Dark) | 0:50:14 - Jonathan and Dr. Einstein watch Teddy dig | advance plot | brother | conversing | crazy person | criminal | dark | digging | dissonant bass | doctor | familiar tune | leading man | march | murderer | on-screen music | patriotic tune | room | source and scoring overlap | watching | whistling |
| Beyond the Forest (1949) | Courthouse | 0:04:14 - People in a courthouse | courtroom | crowd | establish setting | tense | trial | voice-over | waiting | watching |
Beyond the Forest (1949) | Rosa (Molto Moderato Misterioso) | 0:04:33 - People in a courthouse | courtroom | crowd | establish setting | juror | mysterious | stinger | trial | voice-over | waiting | watching |
Beyond the Forest (1949) | Rosa (Sulking) | 0:28:33 - Rosa watches the train | advance plot | leading lady | solemn | train | train station | walking | watching |
Beyond the Forest (1949) | Sawmill | 0:32:53 - The sawmill | advance plot | factory | fire | industrious | leading lady | machinery effect | porch | sulking | watching |
Beyond the Forest (1949) | Sawmill + Steam Whistle | 0:33:06 - Rosa on her porch | advance plot | combination of themes | factory | fire | harsh | industrious | leading lady | machinery effect | porch | sulking | watching | whistle effect |
Beyond the Forest (1949) | Sawmill + Rosa | 0:33:25 - Rosa lies down | advance plot | combination of themes | factory | fire | leading lady | machinery effect | porch | sulking | upset | watching |
Beyond the Forest (1949) | Religioso | 1:11:19 - A church steeple in the rain | calm | casket | crowd | funeral | graveyard | listening | mourner | mourning | rain | religious | victim | watching |
Beyond the Forest (1949) | Rosa (Sulking) | 1:12:32 - Rosa and Lewis at the funeral | funeral | graveyard | husband | leading lady | leading man | love interest | murderer | rain | solemn | sulking | victim | watching |
Beyond the Forest (1949) | Underscoring (Mysterious) | 1:16:20 - Rosa stares out the window | advance plot | departing | leading lady | maid | murderer | mysterious | plotting | room | street | underscoring | walking | watching |
Beyond the Forest (1949) | Rosa (On the Run) | 1:17:21 - Rosa approaches a bus | advance plot | bus | disguise | doctor | leading lady | leading man | murderer | mysterious | office | patient | runaway | running away | sneaking | street | watching |
| The Breaking Point (1950) | The Breaking Point (Triste) | 1:35:50 - Harry is carried out on a stretcher | carrying | child | climax | crowd | crying | deceptive resolution | doctor | harbor | leading lady | leading man | sailor | somber | watching | wife |
The Breaking Point (1950) | Leona | 1:36:26 - Leona watches | 9th chord | 11th chord | 13th chord | augmented sixth chord | child | chromatic parallelism | climax | crowd | crying | doctor | harbor | leading lady | leading man | sailor | somber | watching | wife |
The Breaking Point (1950) | Sad Boy | 1:36:44 - Sad orphaned boy looks on | 9th chord | 11th chord | blue note | child | climax | crowd | crying | harbor | leaving | somber | spiritual | triumphant | watching |
| City for Conquest (1940) | Where Were You When the Moon Came Out (Sad) | 1:20:48 - Eddie plays the piano | advance plot | altered dominant | blur | brother | composer | leading man | musician | on-screen music | playing | room | sentimental | source music | victim | watching |
City for Conquest (1940) | Tone Poem Introduction | 1:32:01 - Orchestra playing in a concert hall | 9th chord | audience | bold | Carnegie Hall | chromatic parallelism | common-tone dominant 7th | concert | concert hall | concert scene | conducting | conductor | dissonant bass | dominant 7th chord | double exposure | Dutch angle | Gershwinesque | listening | musician | on-screen music | orchestra | playing | radio | score to source | source music | watching |
City for Conquest (1940) | Tone Poem A | 1:32:32 - Violins playing | 9th chord | 11th chord | 13th chord | audience | Carnegie Hall | concert | concert hall | concert scene | conducting | conductor | deceptive resolution | dramatic | Gershwinesque | leading lady | listening | musician | on-screen music | orchestra | playing | romantic | sentimental | sequence | source music | watching | zoom in |
City for Conquest (1940) | Tone Poem A (Tutti) | 1:33:02 - Peggy watches from the audience | 9th chord | 11th chord | 13th chord | audience | bold | Carnegie Hall | concert | concert hall | concert scene | conducting | conductor | deceptive resolution | dramatic | fragmentation | Gershwinesque | leading lady | listening | musician | on-screen music | orchestra | playing | point-of-view shot | romantic | source music | watching | zoom in |
City for Conquest (1940) | Tone Poem Transition 1 | 1:33:15 - The conductor | 9th chord | added-note chord | audience | Carnegie Hall | common-tone diminished 7th | concert | concert hall | concert scene | conducting | conductor | dissonant bass | Dutch angle | excited | fragmentation | listening | musician | on-screen music | orchestra | playing | source music | watching |
City for Conquest (1940) | Tone Poem Transition 2 | 1:33:48 - Orchestra playing | 9th chord | added-note chord | audience | bold | Carnegie Hall | concert | concert hall | concert scene | conducting | conductor | dramatic | Gershwinesque | grand | listening | musician | on-screen music | orchestra | playing | source music | watching |
City for Conquest (1940) | Tone Poem Introduction (Abbreviated) | 1:34:01 - Orchestra playing | 9th chord | audience | bold | Carnegie Hall | chromatic parallelism | concert | concert hall | concert scene | conducting | conductor | dissonant bass | double exposure | Dutch angle | Gershwinesque | listening | musician | on-screen music | orchestra | playing | radio | source music | watching |
City for Conquest (1940) | Tone Poem A (Very Broad) | 1:34:24 - Peggy reacts to the music | 9th chord | 13th chord | audience | bold | Carnegie Hall | chromatic parallelism | chromatic scale | chromatic sequence | concert | concert hall | concert scene | conducting | conductor | deceptive resolution | dissonant bass | dramatic | Gershwinesque | leading lady | leading man | listening | musician | newspaper | newspaper stand | on-screen music | orchestra | playing | radio | romantic | source music | street | watching | zoom out |
City for Conquest (1940) | Tone Poem A (Lento) | 1:35:02 - Orchestra playing | 9th chord | audience | Carnegie Hall | chromatic parallelism | chromatic sequence | concert | concert hall | concert scene | conducting | conductor | crying | leading lady | linear chromaticism | listening | musician | on-screen music | orchestra | playing | polychord | romantic | somber | source music | tender | watching |
City for Conquest (1940) | Tone Poem B | 1:35:43 - Danny listens to the radio | 9th chord | added-note chord | audience | Carnegie Hall | concert | concert hall | concert scene | conducting | conductor | excited | Gershwinesque | leading man | listening | Mixolydian mode | musician | newspaper | newspaper stand | on-screen music | orchestra | playing | pump-up modulation | radio | source music | street | watching |
City for Conquest (1940) | Tone Poem Transition 2 (Allargando) | 1:35:58 - Orchestra playing in the concert hall | audience | bold | Carnegie Hall | concert | concert hall | concert scene | conducting | conductor | direct modulation | dramatic | Gershwinesque | grand | listening | musician | on-screen music | orchestra | pedal tone | playing | source music | watching |
City for Conquest (1940) | Tone Poem A (Grandioso) | 1:36:11 - Audience enjoying the performance | 9th chord | 13th chord | altered dominant | audience | bold | Carnegie Hall | concert | concert hall | concert scene | conducting | conductor | deceptive resolution | double exposure | dramatic | Gershwinesque | leading lady | leading man | listening | musician | on-screen music | orchestra | playing | romantic | sentimental | smiling | source music | watching |
City for Conquest (1940) | Tone Poem A (Tutti 2) | 1:36:41 - Danny's figure appears in the concert hall | 9th chord | 13th chord | AABA structure | added-note chord | audience | bold | Carnegie Hall | concert | concert hall | concert scene | conducting | conductor | crying | deceptive resolution | double exposure | dramatic | Gershwinesque | leading man | listening | mode mixture | musician | on-screen music | orchestra | playing | romantic | sentimental | smiling | source music | watching | zoom out |
City for Conquest (1940) | Tone Poem Introduction (Abbreviated 2) | 1:37:08 - The conductor leading the orchestra | added-note chord | audience | bold | Carnegie Hall | common-tone dominant 7th | concert | concert hall | concert scene | conducting | conductor | Gershwinesque | listening | musician | on-screen music | orchestra | playing | source music | watching |
City for Conquest (1940) | Tone Poem A (Coda) | 1:37:16 - The conductor leading the orchestra | added-note chord | audience | bold | Carnegie Hall | chromatic mediant | concert | concert hall | concert scene | conducting | conductor | diminution | dramatic | Gershwinesque | listening | musician | on-screen music | orchestra | playing | source music | watching |
| Crime School (1938) | Temperature rising | 0:54:53 - Close up of rising temperature gauge | action scene | boiler room | danger | frantic | gang | gauge | heat | mechanical | mickey-mousing | reformatory | rising | teenager | temperature | tense | tone cluster | watching |
Crime School (1938) | Temperature stable | 0:55:07 - Close up of stable temperature gauge | action scene | boiler room | danger | frantic | gang | gauge | heat | mechanical | mickey-mousing | reformatory | teenager | temperature | tense | tone cluster | watching |
Crime School (1938) | Temperature oscillating | 0:55:28 - Close up of oscillating temperature gauge | action scene | boiler room | danger | frantic | gang | gauge | heat | mechanical | mickey-mousing | reformatory | teenager | temperature | tense | tone cluster | watching |
| Deep Valley (1947) | Love Theme (Molto Expressivo) | 0:23:07 - Libby watches them take Barry | boss | conflict | convict | crying | father | guard | leading lady | leading man | somber | street | watching |
Deep Valley (1947) | Libby 3 | 0:30:31 - Libby watches the storm | advance plot | arriving | boss | hesitant | leading lady | leading man | leaving | lightning | room | storm | thunder | watching |
Deep Valley (1947) | Barry (Slowly) | 0:45:50 - Barry watches Libby | cabin | convict | dog | falling in love scene | fugitive | leading lady | leading man | uneasy | watching |
Deep Valley (1947) | Joe (Calm) | 0:46:14 - Joe comes in | cabin | calm | convict | dog | falling in love scene | fugitive | leading lady | leading man | watching |
Deep Valley (1947) | Homestead (Gentle) | 1:01:50 - Ellie sits at the table | father | gentle | mother | reconciliation scene | room | watching |
Deep Valley (1947) | Underscoring (Dramatic) | 1:02:02 - Libby in her room | advance plot | arriving | dramatic | father | leading lady | police | room | searching | street | tense | underscoring | watching |
Deep Valley (1947) | Law (Working) | 1:44:28 - Libby looks at the worksite | calm | construction site | dog | leading lady | resolution | watching | worker | working |
Deep Valley (1947) | Deep Valley (Appassionato) | 1:44:57 - Libby looks off into the distance | dog | forest | leading lady | leading man | passionate | resolution | watching |
| Each Dawn I Die (1939) | Underscoring (Mysterious) | 0:04:28 - Frank leaves the newspaper office | close-up | conflict | diminished 7th chord | gangster | hero | leading man | mysterious | reading | reporter | street | underscoring | watching |
Each Dawn I Die (1939) | Wings Over the Navy | 0:28:04 - Prisoners watch a movie | dying | film music | knife | movie | murdering | murder scene | patriotic | prison | prisoner | source music | watching |
| Her Kind of Man (1946) | Body and Soul | 0:56:43 - Georgia sings in a night club | AABA structure | applauding | club | conductor | crowd | leading lady | musician | music scene | on-screen music | performing | performing | romantic | score to source | singer | singing | source music | watching | wife |
| I Was a Communist for the FBI (1951) | Underscoring (Tense) | 0:57:39 - Communists watch apartment | communist | create suspense | sneaking | spy | street | tense | underscoring | walking | watching |
| In This Our Life (1942) | Big Sweep | 0:12:41 - Stanley leaves | altered dominant | dramatic | establish character | leading lady | pc set | room | sister | stinger | tense | watching |
In This Our Life (1942) | Stanley (Valse Triste) | 0:16:22 - Roy looks out the window | 9th chord | advance plot | altered dominant | appoggiatura | circle of fifths | dark | leading lady | leading man | leaving | room | somber | waltz | watching | window |
In This Our Life (1942) | Stanley B (Valse Triste) | 0:16:33 - Craig arrives | 9th chord | advance plot | arriving | dark | dissonant bass | leading lady | leading man | somber | street | waltz | watching | window |
In This Our Life (1942) | Underscoring (Tense) | 1:09:25 - Policemen approach the house | arriving | chromatic parallelism | conversing | criminal | investigation scene | leading lady | mysterious | pedal tone | police | room | tense | walking | watching |
In This Our Life (1942) | Stanley (Descending Staircase) | 1:09:49 - Policemen enter the house | arriving | conversing | criminal | investigating | investigation scene | leading lady | mysterious | pc set | police | room | sneaking | tense | walking | watching |
In This Our Life (1942) | Big Sweep | 1:28:57 - Stanley escapes | 11th chord | altered dominant | climax | criminal | dramatic | driving | escaping | lawyer | leading lady | leading man | pc set | room | underscoring | watching |
In This Our Life (1942) | Underscoring (Dramatic) | 1:33:29 - Two other policeman see Stanley | chase scene | chasing | chromatic scale | climax | criminal | dark | dramatic | driving | fleeing | half-diminished 7th chord | leading lady | pc set | police | street | tense | underscoring | watching |
| The Informer (1935) | Katie (Triste) | 0:22:38 - Katie appears at the window | 64 chord | advance plot | antagonist | conversing | foreign key modulation | leading lady | leading man | parallelism | pub | sultry | watching |
The Informer (1935) | The Minstrel Boy | 0:25:32 - Man sings a folk tune at the street corner | 9th chord | AABA structure | advance plot | angelic | antagonist | calm | familiar tune | folk song | gentle | leading man | listening | mode mixture | mourner | mourning | on-screen music | playing | praying | singer | singing | street | violinist | watching |
The Informer (1935) | Dan and Mary (Legato) | 1:07:46 - Gypo looks at Mary | antagonist | courtroom | courtroom scene | delicate | gentle | headquarters | leading man | pedal tone | room | sister | suspect | watching |
The Informer (1935) | Judges (Maestoso) | 1:08:01 - Gypo looks at the judges | 64 chord | chromatic scale | courtroom | courtroom scene | headquarters | judge | judging | pedal tone | room | serious | somber | watching |
The Informer (1935) | Blind Man (Tribunal) | 1:08:08 - Gypo looks at the blind man | 64 chord | accusing | antagonist | blind man | chromatic scale | courtroom | courtroom scene | headquarters | leading man | pedal tone | room | serious | suspect | watching |
| Key Largo (1948) | Rocco 2 (Subito) | 0:12:07 - Nora sees Curly | dangerous | establish character | gangster | hotel | leading lady | mysterious | watching |
Key Largo (1948) | McCloud (Misterioso) | 0:12:13 - Nora walks downstairs | establish character | gangster | hotel | leading lady | mysterious | walking | watching |
Key Largo (1948) | Rocco 2 (Molto Misterioso) | 0:12:22 - Curly walks down the hall | dangerous | establish character | gangster | hotel | mysterious | walking | watching |
Key Largo (1948) | Nora (Con Moto) | 0:18:40 - Nora smiles at Frank | dock | falling in love scene | leading lady | leading man | romantic | smiling | watching |
Key Largo (1948) | Rocco 3 | 0:39:45 - Rocco looks at Nora | boss | conflict | creepy | father | gangster | hostage | hotel | leading lady | leading man | mysterious | tense | watching |
Key Largo (1948) | Rocco 2 (Agitato) | 0:46:26 - Look of horror on Gaye's face | boss | conflict | father | fear | gangster | horror | hostage | hotel | leading lady | leading man | look of horror | moll | stinger | watching |
Key Largo (1948) | Rocco 2 | 1:18:34 - The policemen takes Sawyer's body | boss | gangster | hotel | investigation scene | menacing | police | tense | violent | watching |
| The Letter (1940) | Leslie (Shimmery) | 0:02:57 - Leslie stands over the dead body | cloud | death | half-diminished 7th chord | home | leading lady | moon | murder | murderer | murder scene | mysterious | oscillation | parallelism | plantation | sequence | suspension | watching |
The Letter (1940) | Leslie (Ominous) | 0:22:58 - The site of the murder | advance plot | augmentation | call and response | Chinese | dramatic | leading lady | leaving | mysterious | plantation | reveal | shadow | spying | stinger | tense | watching | widow |
| Lightning Strikes Twice (1951) | Shelly 3 (Dolce) | 0:24:43 - Shelly sees Liza | actor | arriving | brother | calm | common-chord modulation | conversing | enharmonic respelling | feeding | goat | leading lady | Neapolitan | ranch | rancher | transition | watching |
Lightning Strikes Twice (1951) | Trev (Triste) | 0:38:59 - Trev enters the store | actor | advance plot | arriving | leading lady | leading man | looking | somber | staring | store | suspect | watching | whispering | worker |
Lightning Strikes Twice (1951) | Menace (Expressivo) | 1:22:56 - Liza looks out the window | actor | arriving | car | dark | leading lady | looking | menacing | murderer | obsessive | ranch | rancher | room | turning point | watching | worrying |
| Mildred Pierce (1945) | Kay and Veda (Ashamed) | 0:28:13 - Mildred overhears Veda complaining about her new dress | advance plot | child | heroine | leading lady | Neapolitan | room | sigh gesture | somber | watching |
Mildred Pierce (1945) | Pneumonia | 0:54:25 - A doctor works on Kay | child | chromatic scale | dark | death scene | doctor | dying | ex-husband | heroine | illness | leading lady | mickey-mousing | nurse | oscillation | patient | pc set | room | sick person | somber | tense | treating | turning point | waiting | watching |
Mildred Pierce (1945) | Kay and Veda (Dying) | 0:55:05 - Kay's family waits and watches | 11th chord | child | dark | death scene | doctor | dying | ex-husband | heroine | illness | leading lady | nurse | patient | room | sick person | somber | tense | treating | turning point | waiting | watching |
Mildred Pierce (1945) | Pneumonia (Dying) | 0:55:24 - Kay passes away | 9th chord | child | chromatic parallelism | dark | death | death scene | doctor | dying | ex-husband | heroine | illness | leading lady | linear chromaticism | minor-major 7th chord | nurse | oscillation | patient | room | sick person | somber | tense | treating | turning point | waiting | watching |
Mildred Pierce (1945) | French One-Step | 1:08:14 - Veda at a polo match | added-note chord | antagonist | cheering | common-tone diminished 7th | daughter | field | heroine | leading lady | love interest | montage | playing | polo | secondary dominant | sports | upbeat | voice-over | watching |
Mildred Pierce (1945) | Kay and Veda (Returning Home) | 1:38:10 - Mildred looks at Veda through the window | advance plot | chromatic mediant | conversing | daughter | deceptive resolution | emotional | foreign key modulation | happy | heroine | leading lady | loving | mode mixture | mother | room | warm | watching |
| The Life of Vergie Winters (1934) | Funeral March | 0:01:12 - A funeral march | altered dominant | brass band | classical music | crowd | establish place | funeral | funeral march | marching | mode change | on-screen music | parallel 63s | pedal tone | performer | secondary dominant | somber | source music | street | watching |
The Life of Vergie Winters (1934) | Lullaby + Funeral March | 0:02:32 - Vergie in her jail cell | classical music | combination of themes | funeral | funeral march | leading lady | plagal cadence | pondering | prison | prisoner | sequence | somber | source music | suspect | watching |
The Life of Vergie Winters (1934) | Funeral March | 1:17:18 - John's funeral procession | altered dominant | brass band | classical music | crowd | establish place | funeral | funeral march | marching | on-screen music | parallel 63s | somber | source music | street | watching |
| Out of the Fog (1941) | Stella Runs | 0:11:35 - Stella runs out of the restaurant | boyfriend | criminal | departing | dock | emotional | establish character | evaded cadence | leading lady | leading man | restaurant | running | transcribed by ear | watching |
| We Are Not Alone (1939) | Frohe Botschaft (Restful) | 1:41:47 - David watches Leni sleep | 9th chord | advance plot | delicate | familiar tune | folk song | German | hero | heroine | mode mixture | plagal cadence | prison | quotation | watching |
| White Heat (1949) | Underscoring (Dramatic) | 1:19:20 - Big Ed's body falls down the stairs | dark | death | dramatic | falling | fugitive | gangster | leading lady | leading man | love interest | mickey-mousing | moll | murderer | murder scene | panning shot | room | stairs | staring | statue | stinger | undercover agent | underscoring | watching |
| The Woman in White (1948) | Fosco (Molto Misterioso) | 0:19:16 - Fosco walks outside | advance plot | garden | leading man | mysterious | room | tense | walking | watching |
The Woman in White (1948) | Limmeridge 2 | 0:19:36 - Walter walks outside | establish character | garden | leading lady | leading man | mansion | noble | walking | watching |
The Woman in White (1948) | Ann (Misterioso) | 0:29:34 - Fosco sees Laura outside | advance plot | conversing | leading lady | leading man | mysterious | room | tense | watching |
The Woman in White (1948) | Fosco (Spying) | 0:31:31 - Fosco spies on Laura and Walter | advance plot | garden | leading lady | leading man | mysterious | point-of-view shot | snooping | spying | watching |
The Woman in White (1948) | Pavan (Garden) | 0:33:09 - Marian talks to Fosco | arguing | conversing | cousin | falling in love scene | garden | instrument effect | leading lady | leading man | mysterious | Renaissance music | somber | watching |
The Woman in White (1948) | Ann (Quasi Misterioso) | 1:46:05 - Various close-ups | climax | criminal | death | dying | friend | knife | leading lady | leading man | love interest | murder | murderer | necklace | revenge | room | somber | victim | watching | wife |
| Sing and Like It (1934) | Hi-De-Ho | 1:01:43 - The audience | AABA structure | boss | critic | crowd | dance | dancing | gangster | moll | musical | music scene | on-screen music | performer | performing | singer | singing | source music | theater | upbeat | watching |
Sing and Like It (1934) | My Imaginary Sweetheart | 1:02:44 - A man conducts the pit orchestra | AABA structure | conducting | conductor | crowd | dancer | dancing | musical | musician | music scene | on-screen music | performer | performing | playing | source music | theater | upbeat | watching |
Sing and Like It (1934) | My Imaginary Sweetheart | 1:03:10 - The audience reacts | AABA structure | boss | conducting | conductor | critic | crowd | dancer | dancing | gangster | moll | musical | musician | music scene | on-screen music | performer | performing | playing | source music | theater | upbeat | watching |
Sing and Like It (1934) | My Imaginary Sweetheart | 1:03:34 - The critic reacts | AABA structure | boss | conducting | conductor | critic | crowd | dancer | dancing | gangster | gun | laughing | moll | musical | musician | music scene | on-screen music | performer | performing | playing | source music | theater | threatening | upbeat | watching |
Sing and Like It (1934) | My Imaginary Sweetheart | 1:04:10 - The critic reacts | AABA structure | boss | conducting | conductor | critic | crowd | dancer | dancing | gangster | gun | laughing | moll | musical | musician | music scene | on-screen music | performer | performing | playing | source music | theater | threatening | upbeat | watching |
Sing and Like It (1934) | Your Mother | 1:04:54 - A man conducts the pit orchestra | AABA structure | ballad | boss | conducting | conductor | critic | crowd | crying | dancing | gangster | gun | leading lady | moll | musical | musician | music scene | on-screen music | performer | performing | playing | sentimental | singer | singing | source music | theater | threatening | watching |
| The Most Dangerous Game (1932) | Zaroff | 0:13:51 - Bob looks at Zaroff | castle | count | establish character | leading man | mute | ominous | servant | staring | walking | watching |
The Most Dangerous Game (1932) | Zaroff (Staring) | 0:14:08 - The Count watches Bob | castle | count | establish character | leading man | mute | ominous | servant | staring | walking | watching |
The Most Dangerous Game (1932) | Zaroff (Slowly) + Russian Waltz + The Iron Door | 0:39:04 - Zaroff stares at Bob and Eve | action scene | combination of themes | count | jungle | ominous | smoking | staring | villain | watching |
The Most Dangerous Game (1932) | Russian Waltz (Poco Agitato) | 0:42:12 - The Count approaches | action scene | count | dark | hiding | hunting | jungle | knife | leading lady | leading man | sneaking | stalking | tense | trap | victim | villain | waiting | watching |
The Most Dangerous Game (1932) | Zaroff (Poco Agitato) | 0:42:25 - Bob and Eve hide in a cave | action scene | agitated | count | hiding | hunting | jungle | knife | leading lady | leading man | sneaking | stalking | tense | trap | victim | villain | waiting | watching |
The Most Dangerous Game (1932) | Courage (Hiding) | 0:42:33 - Bob and Eve watch and wait | action scene | combination of themes | count | hiding | hunting | jungle | knife | leading lady | leading man | mysterious | sneaking | stalking | tense | trap | victim | villain | waiting | watching |
The Most Dangerous Game (1932) | The Count Approaches | 0:42:44 - The Count approaches slowly | action scene | approaching | arrow | count | dark | hiding | hunting | jungle | knife | leading lady | leading man | shooting | sneaking | stalking | tense | trap | victim | villain | waiting | watching |
The Most Dangerous Game (1932) | Emotions (Agitato Mysterioso) | 0:43:29 - Eve reacts to the arrow | action scene | agitated | count | hiding | hunting | jungle | knife | leading lady | leading man | sneaking | stalking | tense | victim | villain | waiting | watching |
The Most Dangerous Game (1932) | Emotions 2 (Agitato Mysterioso) | 0:43:44 - Bob and Eve watch and wait | action scene | agitated | count | hiding | hunting | jungle | knife | leading lady | leading man | sneaking | stalking | tense | victim | villain | waiting | watching |
The Most Dangerous Game (1932) | Zaroff (Hunting) + The Iron Door | 0:43:48 - Zaroff talks to Bob | action scene | combination of themes | count | dark | hiding | hunting | jungle | knife | leading lady | leading man | mysterious | sneaking | stalking | victim | villain | waiting | watching |
The Most Dangerous Game (1932) | Russian Waltz (Andante) | 0:44:07 - Close up on Zaroff | action scene | count | dark | departing | hiding | jungle | knife | leading lady | leading man | ominous | sneaking | victim | villain | waiting | watching |
The Most Dangerous Game (1932) | Courage (Allegro) | 0:44:26 - Bob prepare to leave | action scene | agitated | departing | hiding | jungle | knife | leading lady | leading man | sneaking | tense | victim | waiting | watching |
The Most Dangerous Game (1932) | Courage (Moderato) | 0:44:51 - Bob tells Eve to come out | action scene | calm | hiding | jungle | knife | leading lady | leading man | sneaking | unsettled | victim | waiting | watching |
The Most Dangerous Game (1932) | Mysterioso Dramatico | 0:45:01 - Bob and Eve look for Zaroff | action scene | conversing | fanfare | heroic | jungle | leading lady | leading man | preparing | tense | victim | watching |
The Most Dangerous Game (1932) | Russian Waltz (Low Brass) | 0:45:12 - Bob talks with Eve | action scene | conversing | jungle | leading lady | leading man | preparing | tense | victim | watching |
| Caged (1950) | Rock of Ages | 1:30:31 - Women in prison | advance plot | calm | conversing | guard | hymn | leading lady | prison | prisoner | singing | source music | watching |
Caged (1950) | Molto Expressivo (Quasi Blues) | 1:35:01 - Marie leaves the prison | added-note chord | bluesy | bluesy | car | climax | ex-convict | freedom | leading lady | leaving | prison | smoking | street | warden | watching |
| Mara Maru (1952) | Benedict | 1:31:19 - Benedict arrives at the church | antagonist | arriving | bodyguard | car | departing | driver | leading lady | love interest | murderer | mysterious | spying | street | tense | transition | watching |
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