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121 results for "watching" in 25 films — see also glaring | looking | observing | peeking | staring

FilmTheme nameInstanceTags
All This, and Heaven Too (1940)Armide0:49:21 - The opera housearriving | audience | child | concert scene | conversing | duke | governess | leading lady | leading man | opera | regal | source music | theater | upbeat | watching

All This, and Heaven Too (1940)

La Parisienne (The King)0:50:33 - The king entersarriving | audience | bowing | child | concert scene | duke | governess | king | leading lady | leading man | not by Steiner | patriotic tune | regal | source music | theater | watching

All This, and Heaven Too (1940)

Air pour La Jeunesse0:51:43 - A montage of people applaudingaudience | child | classical music | concert scene | dramatic | duke | governess | leading lady | leading man | listening | source music | theater | watching

All This, and Heaven Too (1940)

Henriette (Sad Waltz)1:12:55 - Henriette watches the people dancing9th chord | 64 chord | advance plot | ballroom | crowd | dancing | dissolve | governess | leading lady | pedal tone | point-of-view shot | room | somber | watching

All This, and Heaven Too (1940)

Underscoring (Dramatic)1:13:19 - Henriette watches the falling snowadvance plot | arriving | butler | dissonant bass | dramatic | duchess | duke | leading lady | leading man | outside | panning shot | pc set | point-of-view shot | room | sigh gesture | underscoring | watching

All This, and Heaven Too (1940)

The Duchess (Con Moto)1:13:45 - Henriette watches the Duke and Duchessadvance plot | dramatic | duchess | duke | leading lady | leading man | leaving | painful | point-of-view shot | room | sequential modulation | watching

All This, and Heaven Too (1940)

Desperation (Dark)1:13:56 - Henriette watches the Duke leaving9th chord | advance plot | altered dominant | dark | dissonant bass | duke | leading man | leaving | parallelism | point-of-view shot | room | watching

All This, and Heaven Too (1940)

Gossip 21:47:20 - Henriette sees her landlady gossiping9th chord | chromatic parallelism | dissonant bass | duke | gossiper | gossiping | harsh | landlady | leading man | minor second | reunion scene | room | tense | watching

All This, and Heaven Too (1940)

Henriette (Gossiping) + Spring Time (Gossiping)1:47:25 - Henriette's landlady talks to the Dukeawkward | child | combination of themes | common-tone diminished 7th | diminished 7th chord | duke | gossiper | gossiping | landlady | leading lady | leading man | mysterious | parallelism | pedal tone | reunion scene | room | somber | tense | watching
Arsenic and Old Lace (1944)The Aunts (Frightened)0:44:00 - The aunts go into the kitchenaugmentation | aunt | brother | conversing | crazy person | criminal | doctor | establish character | fear | foreign key modulation | fragmentation | leading lady | leading man | murderer | mysterious | Neapolitan | ominous | parallel 63s | pedal tone | room | walking | watching

Arsenic and Old Lace (1944)

The Aunts (Frightened)0:45:22 - The aunts peek through the kitchen windowaunt | brother | conversing | crazy person | criminal | doctor | establish character | face | fear | leading lady | leading man | murderer | mysterious | Neapolitan | ominous | parallel 63s | pedal tone | room | snooping | watching

Arsenic and Old Lace (1944)

Scar (Dark)0:50:14 - Jonathan and Dr. Einstein watch Teddy digadvance plot | brother | conversing | crazy person | criminal | dark | digging | dissonant bass | doctor | familiar tune | leading man | march | murderer | on-screen music | patriotic tune | room | source and scoring overlap | watching | whistling
Beyond the Forest (1949)Courthouse0:04:14 - People in a courthousecourtroom | crowd | establish setting | tense | trial | voice-over | waiting | watching

Beyond the Forest (1949)

Rosa (Molto Moderato Misterioso)0:04:33 - People in a courthousecourtroom | crowd | establish setting | juror | mysterious | stinger | trial | voice-over | waiting | watching

Beyond the Forest (1949)

Rosa (Sulking)0:28:33 - Rosa watches the trainadvance plot | leading lady | solemn | train | train station | walking | watching

Beyond the Forest (1949)

Sawmill0:32:53 - The sawmilladvance plot | factory | fire | industrious | leading lady | machinery effect | porch | sulking | watching

Beyond the Forest (1949)

Sawmill + Steam Whistle0:33:06 - Rosa on her porchadvance plot | combination of themes | factory | fire | harsh | industrious | leading lady | machinery effect | porch | sulking | watching | whistle effect

Beyond the Forest (1949)

Sawmill + Rosa0:33:25 - Rosa lies downadvance plot | combination of themes | factory | fire | leading lady | machinery effect | porch | sulking | upset | watching

Beyond the Forest (1949)

Religioso1:11:19 - A church steeple in the raincalm | casket | crowd | funeral | graveyard | listening | mourner | mourning | rain | religious | victim | watching

Beyond the Forest (1949)

Rosa (Sulking)1:12:32 - Rosa and Lewis at the funeralfuneral | graveyard | husband | leading lady | leading man | love interest | murderer | rain | solemn | sulking | victim | watching

Beyond the Forest (1949)

Underscoring (Mysterious)1:16:20 - Rosa stares out the windowadvance plot | departing | leading lady | maid | murderer | mysterious | plotting | room | street | underscoring | walking | watching

Beyond the Forest (1949)

Rosa (On the Run)1:17:21 - Rosa approaches a busadvance plot | bus | disguise | doctor | leading lady | leading man | murderer | mysterious | office | patient | runaway | running away | sneaking | street | watching
The Breaking Point (1950)The Breaking Point (Triste)1:35:50 - Harry is carried out on a stretchercarrying | child | climax | crowd | crying | doctor | harbor | leading lady | leading man | sailor | somber | watching | wife

The Breaking Point (1950)

Leona1:36:26 - Leona watcheschild | climax | crowd | crying | doctor | harbor | leading lady | leading man | sailor | somber | watching | wife

The Breaking Point (1950)

Sad Boy1:36:44 - Sad orphaned boy looks onchild | climax | crowd | crying | harbor | leaving | somber | spiritual-like | triumphant | watching
City for Conquest (1940)Where Were You When the Moon Came Out (Sad)1:20:48 - Eddie plays the pianoadvance plot | altered dominant | blur | brother | composer | leading man | musician | on-screen music | playing | room | sentimental | source music | victim | watching

City for Conquest (1940)

Tone Poem Introduction1:32:01 - Orchestra playing in a concert hall9th chord | audience | bold | Carnegie Hall | chromatic parallelism | common-tone dominant 7th | concert | concert hall | concert scene | conducting | conductor | dissonant bass | dominant 7th chord | double exposure | Dutch angle | Gershwinesque | listening | musician | on-screen music | orchestra | playing | radio | score to source | source music | watching

City for Conquest (1940)

Tone Poem A1:32:32 - Violins playing9th chord | 11th chord | 13th chord | audience | Carnegie Hall | concert | concert hall | concert scene | conducting | conductor | deceptive resolution | dramatic | Gershwinesque | leading lady | listening | musician | on-screen music | orchestra | playing | romantic | sentimental | sequence | source music | watching | zoom in

City for Conquest (1940)

Tone Poem A (Tutti)1:33:02 - Peggy watches from the audience9th chord | 11th chord | 13th chord | audience | bold | Carnegie Hall | concert | concert hall | concert scene | conducting | conductor | deceptive resolution | dramatic | fragmentation | Gershwinesque | leading lady | listening | musician | on-screen music | orchestra | playing | point-of-view shot | romantic | source music | watching | zoom in

City for Conquest (1940)

Tone Poem Transition 11:33:15 - The conductor9th chord | added-note chord | audience | Carnegie Hall | common-tone diminished 7th | concert | concert hall | concert scene | conducting | conductor | dissonant bass | Dutch angle | excited | fragmentation | listening | musician | on-screen music | orchestra | playing | source music | watching

City for Conquest (1940)

Tone Poem Transition 21:33:48 - Orchestra playing9th chord | added-note chord | audience | bold | Carnegie Hall | concert | concert hall | concert scene | conducting | conductor | dramatic | Gershwinesque | grand | listening | musician | on-screen music | orchestra | playing | source music | watching

City for Conquest (1940)

Tone Poem Introduction (Abbreviated)1:34:01 - Orchestra playing9th chord | audience | bold | Carnegie Hall | chromatic parallelism | concert | concert hall | concert scene | conducting | conductor | dissonant bass | double exposure | Dutch angle | Gershwinesque | listening | musician | on-screen music | orchestra | playing | radio | source music | watching

City for Conquest (1940)

Tone Poem A (Very Broad)1:34:24 - Peggy reacts to the music9th chord | 13th chord | audience | bold | Carnegie Hall | chromatic parallelism | chromatic scale | chromatic sequence | concert | concert hall | concert scene | conducting | conductor | deceptive resolution | dissonant bass | dramatic | Gershwinesque | leading lady | leading man | listening | musician | newspaper | newspaper stand | on-screen music | orchestra | playing | radio | romantic | source music | street | watching | zoom out

City for Conquest (1940)

Tone Poem A (Lento)1:35:02 - Orchestra playing9th chord | audience | Carnegie Hall | chromatic parallelism | chromatic sequence | concert | concert hall | concert scene | conducting | conductor | crying | leading lady | linear chromaticism | listening | musician | on-screen music | orchestra | playing | polychord | romantic | somber | source music | tender | watching

City for Conquest (1940)

Tone Poem B1:35:43 - Danny listens to the radio9th chord | added-note chord | audience | Carnegie Hall | concert | concert hall | concert scene | conducting | conductor | excited | Gershwinesque | leading man | listening | Mixolydian mode | musician | newspaper | newspaper stand | on-screen music | orchestra | playing | pump-up modulation | radio | source music | street | watching

City for Conquest (1940)

Tone Poem Transition 2 (Allargando)1:35:58 - Orchestra playing in the concert hallaudience | bold | Carnegie Hall | concert | concert hall | concert scene | conducting | conductor | direct modulation | dramatic | Gershwinesque | grand | listening | musician | on-screen music | orchestra | pedal tone | playing | source music | watching

City for Conquest (1940)

Tone Poem A (Grandioso)1:36:11 - Audience enjoying the performance9th chord | 13th chord | altered dominant | audience | bold | Carnegie Hall | concert | concert hall | concert scene | conducting | conductor | deceptive resolution | double exposure | dramatic | Gershwinesque | leading lady | leading man | listening | musician | on-screen music | orchestra | playing | romantic | sentimental | smiling | source music | watching

City for Conquest (1940)

Tone Poem A (Tutti 2)1:36:41 - Danny's figure appears in the concert hall9th chord | 13th chord | AABA structure | added-note chord | audience | bold | Carnegie Hall | concert | concert hall | concert scene | conducting | conductor | crying | deceptive resolution | double exposure | dramatic | Gershwinesque | leading man | listening | mode mixture | musician | on-screen music | orchestra | playing | romantic | sentimental | smiling | source music | watching | zoom out

City for Conquest (1940)

Tone Poem Introduction (Abbreviated 2)1:37:08 - The conductor leading the orchestraadded-note chord | audience | bold | Carnegie Hall | common-tone dominant 7th | concert | concert hall | concert scene | conducting | conductor | Gershwinesque | listening | musician | on-screen music | orchestra | playing | source music | watching

City for Conquest (1940)

Tone Poem A (Coda)1:37:16 - The conductor leading the orchestraadded-note chord | audience | bold | Carnegie Hall | chromatic mediant | concert | concert hall | concert scene | conducting | conductor | diminution | dramatic | Gershwinesque | listening | musician | on-screen music | orchestra | playing | source music | watching
Crime School (1938)Temperature rising0:54:53 - Close up of rising temperature gaugeaction scene | boiler room | danger | frantic | gang | gauge | heat | mechanical | mickey-mousing | reformatory | rising | teenager | temperature | tense | tone cluster | watching

Crime School (1938)

Temperature stable0:55:07 - Close up of stable temperature gaugeaction scene | boiler room | danger | frantic | gang | gauge | heat | mechanical | mickey-mousing | reformatory | teenager | temperature | tense | tone cluster | watching

Crime School (1938)

Temperature oscillating0:55:28 - Close up of oscillating temperature gaugeaction scene | boiler room | danger | frantic | gang | gauge | heat | mechanical | mickey-mousing | reformatory | teenager | temperature | tense | tone cluster | watching
Deep Valley (1947)Love Theme (Molto Expressivo)0:23:07 - Libby watches them take Barryboss | conflict | convict | crying | father | guard | leading lady | leading man | somber | street | watching

Deep Valley (1947)

Libby 30:30:31 - Libby watches the stormadvance plot | arriving | boss | hesitant | leading lady | leading man | leaving | lightning | room | storm | thunder | watching

Deep Valley (1947)

Barry (Slowly)0:45:50 - Barry watches Libbycabin | convict | dog | falling in love scene | fugitive | leading lady | leading man | uneasy | watching

Deep Valley (1947)

Joe (Calm)0:46:14 - Joe comes incabin | calm | convict | dog | falling in love scene | fugitive | leading lady | leading man | watching

Deep Valley (1947)

Homestead (Gentle)1:01:50 - Ellie sits at the tablefather | gentle | mother | reconciliation scene | room | watching

Deep Valley (1947)

Underscoring (Dramatic)1:02:02 - Libby in her roomadvance plot | arriving | dramatic | father | leading lady | police | room | searching | street | tense | underscoring | watching

Deep Valley (1947)

Law (Working)1:44:28 - Libby looks at the worksitecalm | construction site | dog | leading lady | resolution | watching | worker | working

Deep Valley (1947)

Deep Valley (Appassionato)1:44:57 - Libby looks off into the distancedog | forest | leading lady | leading man | passionate | resolution | watching
Each Dawn I Die (1939)Underscoring (Mysterious)0:04:28 - Frank leaves the newspaper officeclose-up | conflict | diminished 7th chord | gangster | hero | leading man | mysterious | reading | reporter | street | underscoring | watching

Each Dawn I Die (1939)

Wings Over the Navy0:28:04 - Prisoners watch a moviedying | film music | knife | movie | murdering | murder scene | patriotic | prison | prisoner | source music | watching
Her Kind of Man (1946)Body and Soul0:56:43 - Georgia sings in a night clubAABA structure | applauding | club | conductor | crowd | leading lady | musician | music scene | on-screen music | performing | performing | romantic | score to source | singer | singing | source music | watching | wife
I Was a Communist for the FBI (1951)Underscoring (Tense)0:57:39 - Communists watch apartmentcommunist | create suspense | sneaking | spy | street | tense | underscoring | walking | watching
In This Our Life (1942)Big Sweep0:12:41 - Stanley leavesaltered dominant | dramatic | establish character | leading lady | pc set | room | sister | stinger | tense | watching

In This Our Life (1942)

Stanley (Valse Triste)0:16:22 - Roy looks out the window9th chord | advance plot | altered dominant | appoggiatura | circle of fifths | dark | leading lady | leading man | leaving | room | somber | waltz | watching | window

In This Our Life (1942)

Stanley B (Valse Triste)0:16:33 - Craig arrives9th chord | advance plot | arriving | dark | dissonant bass | leading lady | leading man | somber | street | waltz | watching | window

In This Our Life (1942)

Underscoring (Tense)1:09:25 - Policemen approach the housearriving | chromatic parallelism | conversing | criminal | investigation scene | leading lady | mysterious | pedal tone | police | room | tense | walking | watching

In This Our Life (1942)

Stanley (Descending Staircase)1:09:49 - Policemen enter the housearriving | conversing | criminal | investigating | investigation scene | leading lady | mysterious | pc set | police | room | sneaking | tense | walking | watching

In This Our Life (1942)

Big Sweep1:28:57 - Stanley escapes11th chord | altered dominant | climax | criminal | dramatic | driving | escaping | lawyer | leading lady | leading man | pc set | room | underscoring | watching

In This Our Life (1942)

Underscoring (Dramatic)1:33:29 - Two other policeman see Stanleychase scene | chasing | chromatic scale | climax | criminal | dark | dramatic | driving | fleeing | half-diminished 7th chord | leading lady | pc set | police | street | tense | underscoring | watching
The Informer (1935)Katie (Triste)0:22:38 - Katie appears at the window64 chord | advance plot | antagonist | conversing | foreign key modulation | leading lady | leading man | parallelism | pub | sultry | watching

The Informer (1935)

The Minstrel Boy0:25:32 - Man sings a folk tune at the street corner9th chord | AABA structure | advance plot | angelic | antagonist | calm | familiar tune | folk song | gentle | leading man | listening | mode mixture | mourner | mourning | on-screen music | playing | praying | singer | singing | street | violinist | watching

The Informer (1935)

Dan and Mary (Legato)1:07:46 - Gypo looks at Maryantagonist | courtroom | courtroom scene | delicate | gentle | headquarters | leading man | pedal tone | room | sister | suspect | watching

The Informer (1935)

Judges (Maestoso)1:08:01 - Gypo looks at the judges64 chord | chromatic scale | courtroom | courtroom scene | headquarters | judge | judging | pedal tone | room | serious | somber | watching

The Informer (1935)

Blind Man (Tribunal)1:08:08 - Gypo looks at the blind man64 chord | accusing | antagonist | blind man | chromatic scale | courtroom | courtroom scene | headquarters | leading man | pedal tone | room | serious | suspect | watching
Key Largo (1948)Rocco 2 (Subito)0:12:07 - Nora sees Curlydangerous | establish character | gangster | hotel | leading lady | mysterious | watching

Key Largo (1948)

McCloud (Misterioso)0:12:13 - Nora walks downstairsestablish character | gangster | hotel | leading lady | mysterious | walking | watching

Key Largo (1948)

Rocco 2 (Molto Misterioso)0:12:22 - Curly walks down the halldangerous | establish character | gangster | hotel | mysterious | walking | watching

Key Largo (1948)

Nora (Con Moto)0:18:40 - Nora smiles at Frankdock | falling in love scene | leading lady | leading man | romantic | smiling | watching

Key Largo (1948)

Rocco 30:39:45 - Rocco looks at Noraboss | conflict | creepy | father | gangster | hostage | hotel | leading lady | leading man | mysterious | tense | watching

Key Largo (1948)

Rocco 2 (Agitato)0:46:26 - Look of horror on Gaye's faceboss | conflict | father | fear | gangster | horror | hostage | hotel | leading lady | leading man | look of horror | moll | stinger | watching

Key Largo (1948)

Rocco 21:18:34 - The policemen takes Sawyer's bodyboss | gangster | hotel | investigation scene | menacing | police | tense | violent | watching
The Letter (1940)Leslie (Shimmery)0:02:57 - Leslie stands over the dead bodycloud | death | half-diminished 7th chord | home | leading lady | moon | murder | murderer | murder scene | mysterious | oscillation | parallelism | plantation | sequence | suspension | watching

The Letter (1940)

Leslie (Ominous)0:22:58 - The site of the murderadvance plot | augmentation | call and response | Chinese | dramatic | leading lady | leaving | mysterious | plantation | reveal | shadow | spying | stinger | tense | watching | widow
Lightning Strikes Twice (1951)Shelly 3 (Dolce)0:24:43 - Shelly sees Lizaactor | arriving | brother | calm | conversing | feeding | goat | leading lady | ranch | rancher | transition | watching

Lightning Strikes Twice (1951)

Trev (Triste)0:38:59 - Trev enters the storeactor | advance plot | arriving | leading lady | leading man | looking | somber | staring | store | suspect | watching | whispering | worker

Lightning Strikes Twice (1951)

Menace (Expressivo)1:22:56 - Liza looks out the windowactor | arriving | car | dark | leading lady | looking | menacing | murderer | obsessive | ranch | rancher | room | turning point | watching | worrying
Mildred Pierce (1945)Kay and Veda (Ashamed)0:28:13 - Mildred overhears Veda complaining about her new dressadvance plot | child | heroine | leading lady | Neapolitan | room | sigh gesture | somber | watching

Mildred Pierce (1945)

Pneumonia0:54:25 - A doctor works on Kaychild | chromatic scale | dark | death scene | doctor | dying | ex-husband | heroine | illness | leading lady | mickey-mousing | nurse | oscillation | patient | pc set | room | sick person | somber | tense | treating | turning point | waiting | watching

Mildred Pierce (1945)

Kay and Veda (Dying)0:55:05 - Kay's family waits and watches11th chord | child | dark | death scene | doctor | dying | ex-husband | heroine | illness | leading lady | nurse | patient | room | sick person | somber | tense | treating | turning point | waiting | watching

Mildred Pierce (1945)

Pneumonia (Dying)0:55:24 - Kay passes away9th chord | child | chromatic parallelism | dark | death | death scene | doctor | dying | ex-husband | heroine | illness | leading lady | linear chromaticism | minor-major 7th chord | nurse | oscillation | patient | room | sick person | somber | tense | treating | turning point | waiting | watching

Mildred Pierce (1945)

French One-Step1:08:14 - Veda at a polo matchadded-note chord | antagonist | cheering | common-tone diminished 7th | daughter | field | heroine | leading lady | love interest | montage | playing | polo | secondary dominant | sports | upbeat | voice-over | watching

Mildred Pierce (1945)

Kay and Veda (Returning Home)1:38:10 - Mildred looks at Veda through the windowadvance plot | chromatic mediant | conversing | daughter | deceptive resolution | emotional | foreign key modulation | happy | heroine | leading lady | loving | mode mixture | mother | room | warm | watching
The Life of Vergie Winters (1934)Funeral March0:01:12 - A funeral marchaltered dominant | brass band | classical music | crowd | establish place | funeral | funeral march | marching | mode change | on-screen music | parallel 63s | pedal tone | performer | secondary dominant | somber | source music | street | watching

The Life of Vergie Winters (1934)

Lullaby + Funeral March0:02:32 - Vergie in her jail cellclassical music | combination of themes | funeral | funeral march | leading lady | plagal cadence | pondering | prison | prisoner | sequence | somber | source music | suspect | watching

The Life of Vergie Winters (1934)

Funeral March1:17:18 - John's funeral processionaltered dominant | brass band | classical music | crowd | establish place | funeral | funeral march | marching | on-screen music | parallel 63s | somber | source music | street | watching
Out of the Fog (1941)Stella Runs0:11:35 - Stella runs out of the restaurantboyfriend | criminal | departing | dock | emotional | establish character | evaded cadence | leading lady | leading man | restaurant | running | transcribed by ear | watching
We Are Not Alone (1939)Frohe Botschaft (Restful)1:41:47 - David watches Leni sleep9th chord | advance plot | delicate | familiar tune | folk song | German | hero | heroine | mode mixture | plagal cadence | prison | quotation | watching
White Heat (1949)Underscoring (Dramatic)1:19:20 - Big Ed's body falls down the stairsdark | death | dramatic | falling | fugitive | gangster | leading lady | leading man | love interest | mickey-mousing | moll | murderer | murder scene | panning shot | room | stairs | staring | statue | stinger | undercover agent | underscoring | watching
The Woman in White (1948)Fosco (Molto Misterioso)0:19:16 - Fosco walks outsideadvance plot | garden | leading man | mysterious | room | tense | walking | watching

The Woman in White (1948)

Limmeridge 20:19:36 - Walter walks outsideestablish character | garden | leading lady | leading man | mansion | noble | walking | watching

The Woman in White (1948)

Ann (Misterioso)0:29:34 - Fosco sees Laura outsideadvance plot | conversing | leading lady | leading man | mysterious | room | tense | watching

The Woman in White (1948)

Fosco (Spying)0:31:31 - Fosco spies on Laura and Walteradvance plot | garden | leading lady | leading man | mysterious | point-of-view shot | snooping | spying | watching

The Woman in White (1948)

Pavan (Garden)0:33:09 - Marian talks to Foscoarguing | conversing | cousin | falling in love scene | garden | instrument effect | leading lady | leading man | mysterious | Renaissance music | somber | watching

The Woman in White (1948)

Ann (Quasi Misterioso)1:46:05 - Various close-upsclimax | criminal | death | dying | friend | knife | leading lady | leading man | love interest | murder | murderer | necklace | revenge | room | somber | victim | watching | wife
Sing and Like It (1934)Hi-De-Ho1:01:43 - The audienceAABA structure | boss | critic | crowd | dance | dancing | gangster | moll | musical | music scene | on-screen music | performer | performing | singer | singing | source music | theater | upbeat | watching

Sing and Like It (1934)

My Imaginary Sweetheart1:02:44 - A man conducts the pit orchestraAABA structure | conducting | conductor | crowd | dancer | dancing | musical | musician | music scene | on-screen music | performer | performing | playing | source music | theater | upbeat | watching

Sing and Like It (1934)

My Imaginary Sweetheart1:03:10 - The audience reactsAABA structure | boss | conducting | conductor | critic | crowd | dancer | dancing | gangster | moll | musical | musician | music scene | on-screen music | performer | performing | playing | source music | theater | upbeat | watching

Sing and Like It (1934)

My Imaginary Sweetheart1:03:34 - The critic reactsAABA structure | boss | conducting | conductor | critic | crowd | dancer | dancing | gangster | gun | laughing | moll | musical | musician | music scene | on-screen music | performer | performing | playing | source music | theater | threatening | upbeat | watching

Sing and Like It (1934)

My Imaginary Sweetheart1:04:10 - The critic reactsAABA structure | boss | conducting | conductor | critic | crowd | dancer | dancing | gangster | gun | laughing | moll | musical | musician | music scene | on-screen music | performer | performing | playing | source music | theater | threatening | upbeat | watching

Sing and Like It (1934)

Your Mother1:04:54 - A man conducts the pit orchestraAABA structure | ballad | boss | conducting | conductor | critic | crowd | crying | dancing | gangster | gun | leading lady | moll | musical | musician | music scene | on-screen music | performer | performing | playing | sentimental | singer | singing | source music | theater | threatening | watching
The Most Dangerous Game (1932)Zaroff0:13:51 - Bob looks at Zaroffcastle | count | establish character | leading man | mute | ominous | servant | staring | walking | watching

The Most Dangerous Game (1932)

Zaroff (Staring)0:14:08 - The Count watches Bobcastle | count | establish character | leading man | mute | ominous | servant | staring | walking | watching

The Most Dangerous Game (1932)

Zaroff (Slowly) + Russian Waltz + The Iron Door0:39:04 - Zaroff stares at Bob and Eveaction scene | combination of themes | count | jungle | ominous | smoking | staring | villain | watching

The Most Dangerous Game (1932)

Russian Waltz (Poco Agitato)0:42:12 - The Count approachesaction scene | count | dark | hiding | hunting | jungle | knife | leading lady | leading man | sneaking | stalking | tense | trap | victim | villain | waiting | watching

The Most Dangerous Game (1932)

Zaroff (Poco Agitato)0:42:25 - Bob and Eve hide in a caveaction scene | agitated | count | hiding | hunting | jungle | knife | leading lady | leading man | sneaking | stalking | tense | trap | victim | villain | waiting | watching

The Most Dangerous Game (1932)

Courage (Hiding)0:42:33 - Bob and Eve watch and waitaction scene | combination of themes | count | hiding | hunting | jungle | knife | leading lady | leading man | mysterious | sneaking | stalking | tense | trap | victim | villain | waiting | watching

The Most Dangerous Game (1932)

The Count Approaches0:42:44 - The Count approaches slowlyaction scene | approaching | arrow | count | dark | hiding | hunting | jungle | knife | leading lady | leading man | shooting | sneaking | stalking | tense | trap | victim | villain | waiting | watching

The Most Dangerous Game (1932)

Emotions (Agitato Mysterioso)0:43:29 - Eve reacts to the arrowaction scene | agitated | count | hiding | hunting | jungle | knife | leading lady | leading man | sneaking | stalking | tense | victim | villain | waiting | watching

The Most Dangerous Game (1932)

Emotions 2 (Agitato Mysterioso)0:43:44 - Bob and Eve watch and waitaction scene | agitated | count | hiding | hunting | jungle | knife | leading lady | leading man | sneaking | stalking | tense | victim | villain | waiting | watching

The Most Dangerous Game (1932)

Zaroff (Hunting) + The Iron Door0:43:48 - Zaroff talks to Bobaction scene | combination of themes | count | dark | hiding | hunting | jungle | knife | leading lady | leading man | mysterious | sneaking | stalking | victim | villain | waiting | watching

The Most Dangerous Game (1932)

Russian Waltz (Andante)0:44:07 - Close up on Zaroffaction scene | count | dark | departing | hiding | jungle | knife | leading lady | leading man | ominous | sneaking | victim | villain | waiting | watching

The Most Dangerous Game (1932)

Courage (Allegro)0:44:26 - Bob prepare to leaveaction scene | agitated | departing | hiding | jungle | knife | leading lady | leading man | sneaking | tense | victim | waiting | watching

The Most Dangerous Game (1932)

Courage (Moderato)0:44:51 - Bob tells Eve to come outaction scene | calm | hiding | jungle | knife | leading lady | leading man | sneaking | unsettled | victim | waiting | watching

The Most Dangerous Game (1932)

Mysterioso Dramatico0:45:01 - Bob and Eve look for Zaroffaction scene | conversing | fanfare | heroic | jungle | leading lady | leading man | preparing | tense | victim | watching

The Most Dangerous Game (1932)

Russian Waltz (Low Brass)0:45:12 - Bob talks with Eveaction scene | conversing | jungle | leading lady | leading man | preparing | tense | victim | watching
Caged (1950)Rock of Ages1:30:31 - Women in prisonadvance plot | calm | conversing | guard | hymn | leading lady | prison | prisoner | singing | source music | watching

Caged (1950)

Molto Expressivo (Quasi Blues)1:35:01 - Marie leaves the prisonbluesy | bluesy | car | climax | ex-convict | freedom | leading lady | leaving | prison | smoking | street | warden | watching
Mara Maru (1952)Benedict1:31:19 - Benedict arrives at the churchantagonist | arriving | bodyguard | car | departing | driver | leading lady | love interest | murderer | mysterious | spying | street | tense | transition | watching