| The Amazing Dr. Clitterhouse (1938) | The Poison Victim | 1:07:50 - Rocks is poisoned | dissonant | doctor | gangster | leading lady | leading man | murder | murderer | murdering | murder scene | mysterious | office | parallel fifths | poison | poisoning | quartal chord | tense | tone cluster | tritone |
The Amazing Dr. Clitterhouse (1938) | Poison | 1:08:46 - Rocks feels the effect of the poison | blur | chromatic parallelism | diminution | doctor | dreaming | drugs | ethereal | gangster | layering | leading lady | leading man | murder | murderer | murdering | murder scene | office | oscillation | ostinato | pc set | poison | poisoning | polychord | stinger | tone cluster |
The Amazing Dr. Clitterhouse (1938) | Rocks struggles and falls | 1:09:52 - Rocks tries to get up, then collapses | chromatic parallelism | chromatic scale | death | doctor | down | drugs | dying | falling | gangster | leading lady | leading man | murder | murderer | murder scene | office | oscillation | poison | rising | split-third chord | struggling | tense | up |
The Amazing Dr. Clitterhouse (1938) | The Amazing Doctor (Funebre) | 1:10:07 - Dr. Clitterhouse talks with Jo | 9th chord | chromatic parallelism | dark | death | doctor | gangster | leading lady | leading man | murder | murderer | murder scene | office | pleading | realizing | tense |
| Angels With Dirty Faces (1938) | Underscoring (Dramatic) | 1:09:49 - Jerry talks to newspaper editor | conversing | diminution | leading man | montage | montage | newspaper editor | newspaper office | parallelism | priest | sign | tense |
Angels With Dirty Faces (1938) | Newspaper Editor | 1:10:09 - A newspaper editor accepts Jerry's story | accepting | conversing | heroic | leading man | montage | montage | newspaper editor | newspaper office | priest | secondary dominant |
Angels With Dirty Faces (1938) | Headlines | 1:10:28 - A montage of newspaper headlines | 9th chord | 42 chord | 64 chord | dramatic | foreign key modulation | headline | mickey-mousing | montage | montage | newspaper | newspaper editor | newspaper office | spinning | zooming |
Angels With Dirty Faces (1938) | Hurrying | 1:10:54 - A newspaper editor gives orders to his men | assigning | chromatic scale | commanding | dissonant bass | hurried | mickey-mousing | montage | montage | newspaper editor | newspaper office |
| Arsenic and Old Lace (1944) | Here Comes the Bride (Marriage License Bureau) | 0:01:59 - "Marriage License Bureau" sign | 64 chord | arriving | calm | conversing | crowd | direct modulation | establish character | familiar tune | marriage | office | parallelism | reporter | romantic | sequence | spouse |
Arsenic and Old Lace (1944) | Underscoring (Comical) | 0:02:20 - Mortimer hides from the reporters | chromatic parallelism | chromatic wedge | comical | disguise | establish character | hiding | leading lady | leading man | looking | marriage | office | reporter | underscoring | whole-tone chord |
Arsenic and Old Lace (1944) | Here Comes the Bride (Wow Wow Trumpet) | 0:02:42 - Reporters talk | 64 chord | chromatic mediant | comical | conversing | establish character | familiar tune | foreign key modulation | marriage | office | reporter |
Arsenic and Old Lace (1944) | Two by Two | 0:02:51 - The marriage clerk sings | clerk | establish character | marriage | office | on-screen music | singing | source music | upbeat |
Arsenic and Old Lace (1944) | Here Comes the Bride (Modulating) | 0:03:34 - Hiding in a telephone booth | added-note chord | arguing | bystander | conversing | deceptive resolution | establish character | familiar tune | fragmentation | leading lady | leading man | marriage | office | pump-up modulation | running | rushed | rushing | self-borrowing | sequence |
Arsenic and Old Lace (1944) | Hanging up | 0:03:53 - Mortimer hangs up the phone | bystander | diminished 7th chord | establish character | hanging up | leading lady | leading man | marriage | mickey-mousing | office | rushed |
Arsenic and Old Lace (1944) | The Old Maid | 0:04:17 - Mortimer talks to Elaine | added-note chord | arguing | conversing | enharmonic modulation | establish character | kissing | leading lady | leading man | marriage | mode mixture | office | parallel period | pedal tone | romantic | self-borrowing |
Arsenic and Old Lace (1944) | Here Comes the Bride (Modulating) | 0:04:54 - Mortimer and Elaine rush off | establish character | familiar tune | foreign key modulation | leading lady | leading man | marriage | office | rushed | rushing | self-borrowing | sequence |
Arsenic and Old Lace (1944) | Here Comes the Bride (Chinese) | 0:05:00 - Chinese girl turns around | Chinese | establish character | exotic | familiar tune | leading lady | leading man | marriage | office | open fifth | smiling | stereotype | winking |
Arsenic and Old Lace (1944) | Here Comes the Bride (Comical) | 0:05:05 - Goofy man turns around | 9th chord | comical | common-tone diminished 7th | establish character | familiar tune | leading lady | leading man | marriage | office | smiling | winking |
| Beyond the Forest (1949) | Rosa (Turbulent) | 0:30:21 - Rosa checks her mail | advance plot | leading lady | mail | post office | reading | turbulent | upset |
Beyond the Forest (1949) | Chicago (Mail) | 0:30:30 - Rosa reads her mail | advance plot | familiar tune | hurried | leading lady | mail | optimistic | popular tune | post office | reading |
Beyond the Forest (1949) | Underscoring (Mysterious) | 0:30:40 - Rosa reacts to her mail | advance plot | crumpling | leading lady | mail | mysterious | post office | reading | underscoring |
Beyond the Forest (1949) | Hurrying (Rather Slowly) | 0:30:48 - Rosa leaves the post office | advance plot | child | departing | leading lady | mother | neighbor | post office | upset |
Beyond the Forest (1949) | Rosa (Slowly) | 0:47:08 - Rosa reads a magazine | advance plot | cut from film | leading lady | office | reading | receptionist | solemn | waiting |
Beyond the Forest (1949) | Rosa (Solemn) | 0:48:04 - Rosa leaves the office | dark | departing | leading lady | office | receptionist | somber | street | transition | walking |
Beyond the Forest (1949) | Rosa (On the Run) | 1:17:21 - Rosa approaches a bus | advance plot | bus | disguise | doctor | leading lady | leading man | murderer | mysterious | office | patient | runaway | running away | sneaking | street | watching |
Beyond the Forest (1949) | Rosa (Sombre) | 1:17:53 - Lewis talks to a patient | advance plot | conversing | doctor | leading man | mysterious | office | patient | working |
Beyond the Forest (1949) | Rosa (Cello Solo) | 1:18:09 - Rosa sitting in a chair | advance plot | disguise | leading lady | leading man | murderer | mysterious | office | sitting |
| Caged (1950) | Mrs. Benton (Not in Film) | NIF - not in film | 9th chord | added-note chord | altered dominant | augmented sixth chord | comforting | common-tone modulation | crying | cut from film | disbelief | establish character | gentle | leading lady | mode mixture | office | pregnancy | prison | prisoner | realization | warden |
Caged (1950) | Crying | NIF - not in film | comforting | crying | cut from film | deceptive resolution | dramatic | establish character | leading lady | office | pregnancy | prison | prisoner | sequential modulation | warden |
Caged (1950) | Mrs. Benton (Not in Film 2) | NIF - not in film | comforting | crying | cut from film | establish character | foreign key modulation | gentle | leading lady | mode mixture | office | pregnancy | prison | prisoner | warden |
Caged (1950) | Marie 2 (Not in Film) | NIF - not in film | added-note chord | conversing | cut from film | establish character | gentle | leading lady | office | pregnancy | prison | prisoner | warden |
Caged (1950) | Lullaby | NIF - not in film | 9th chord | added-note chord | conversing | cut from film | establish character | gentle | leading lady | office | pregnancy | prison | prisoner | sequential modulation | warden |
Caged (1950) | Mrs. Benton (Not in Film 3) | NIF - not in film | altered dominant | chromatic mediant | conversing | cut from film | establish character | gentle | guard | leading lady | mode mixture | office | pregnancy | prison | prisoner | reading | room | sigh gesture | warden |
| Dust Be My Destiny (1939) | Dust Be My Destiny (Mysterioso) | 1:05:26 - Joe talks to Mike | advance plot | chromatic parallelism | chromatic sequence | dark | leading man | linear chromaticism | newspaper editor | office | ominous | somber |
Dust Be My Destiny (1939) | Dust Be My Destiny (Relief) | 1:06:54 - Mike talks with Joe | advance plot | hopeful | leading man | mode mixture | newspaper editor | office | relieved |
| Each Dawn I Die (1939) | Newspaper Fanfare | 0:04:24 - Sign for "The Banton Record" newspaper office | conflict | fanfare | justice | newspaper office | noble | parallelism | sign |
| The FBI Story (1959) | The Bureau (Investigating) | 0:05:51 - Investigators doing research and interviewing various people | FBI | investigation | office | pharmacist | working |
The FBI Story (1959) | Klansmen (Agitato) | 0:34:58 - Newspaper headline attacking the Klan | flashback | KKK | march | newspaper | office |
The FBI Story (1959) | FBI March A (Marcia) | 1:30:44 - Agents working at FBI headquarters | agent | FBI | flashback | office | working |
The FBI Story (1959) | The Bureau (Working) | 1:32:13 - Chip working at FBI headquarters | FBI | flashback | office | working |
| Flamingo Road (1949) | Lane (Not in Film 2) | NIF - not in film | 9th chord | advance plot | chromatic parallelism | conversing | cut from film | cut from film | leading lady | newspaper editor | office | whole-tone chord |
Flamingo Road (1949) | Titus 2 (Not in Film) | NIF - not in film | advance plot | chromatic parallelism | conversing | cut from film | cut from film | leading lady | newspaper editor | office | self-borrowing |
| Hell on Frisco Bay (1955) | Amato | 0:14:48 - Mario runs to talk to Amato | conductor score | establish character | fearful | hurried | office |
Hell on Frisco Bay (1955) | Spring Song | 0:14:56 - Amato talks to Mario | antagonist | conductor score | conversing | dark | establish character | gangster | menacing | office | tritone |
Hell on Frisco Bay (1955) | Underscoring (Mysterious) | 0:15:33 - Amato talks to Lye | antagonist | conductor score | conversing | establish character | gangster | mysterious | office | underscoring |
Hell on Frisco Bay (1955) | Amato | 0:15:44 - Amato talks to Lye | antagonist | conductor score | conversing | establish character | gangster | harsh | office |
Hell on Frisco Bay (1955) | Lye | 0:16:52 - Amato talks to Lye | antagonist | conductor score | conversing | establish character | gangster | gentle | office |
Hell on Frisco Bay (1955) | Face twitching | 0:16:59 - Lye's face twitches | antagonist | comical | conductor score | establish character | gangster | mickey-mousing | office | twitching |
Hell on Frisco Bay (1955) | Menace | 0:17:13 - Gangsters talk | antagonist | conductor score | conversing | establish character | gangster | office | ominous |
Hell on Frisco Bay (1955) | Amato | 0:17:47 - Gangsters talk | antagonist | conductor score | conversing | establish character | gangster | harsh | office |
Hell on Frisco Bay (1955) | Underscoring (Dark) | 0:19:33 - Amato slaps old man | antagonist | conductor score | conversing | dark | establish character | gangster | office | slapping | stinger | underscoring |
Hell on Frisco Bay (1955) | Menace | 0:19:43 - Amato talks to old man | antagonist | conductor score | dark | establish character | gangster | office | yelling |
Hell on Frisco Bay (1955) | Menace | 0:20:30 - Amato talks to Lye | antagonist | conductor score | conversing | dark | establish character | gangster | office |
Hell on Frisco Bay (1955) | Amato | 0:20:40 - Amato leaves | antagonist | conductor score | conversing | establish character | gangster | office | ominous |
| I Was a Communist for the FBI (1951) | FBI | 0:02:10 - FBI building | agent | chromatic mediant | conversing | establish setting | noble | office | oscillation | secretary | tense | triadic transformation | typing | working |
I Was a Communist for the FBI (1951) | FBI (Extended) | 0:02:33 - Pittsburgh FBI office sign | agent | chromatic mediant | conversing | establish setting | noble | office | oscillation | tense | triadic transformation | typing | working |
I Was a Communist for the FBI (1951) | Undercover Agent (Molto Misterioso) | 0:02:57 - Mason gets his assignment | agent | conversing | establish setting | map | march | mysterious | office | ostinato | planning | polychord | sequence | tense | tone cluster | tritone oscillation | working |
| Illegal (1955) | Scott (Bold) | 0:00:40 - Policemen working in an office | main title | police office | starring list |
Illegal (1955) | Scott (Slow) | 0:38:47 - Vic enters his old office | hero | office |
| In This Our Life (1942) | Blues in the Night (Transition) | 0:43:37 - Craig's office door | 9th chord | arriving | assistant | calm | friend | leading lady | love scene | office | pleasant | source to score |
In This Our Life (1942) | Roy (Expressivo) | 0:43:43 - Roy talks with Parry | 64 chord | assistant | calm | conversing | deceptive resolution | friend | leading lady | love scene | office | pleasant |
In This Our Life (1942) | Love Theme (Valse Sentimentale) | 0:44:06 - Roy and Craig embrace | 9th chord | altered dominant | calm | conversing | iii chord | leading lady | leading man | love scene | office | romantic | waltz |
In This Our Life (1942) | Underscoring (Tense) | 1:05:14 - Craig in his office | advance plot | arriving | augmented triad | lawyer | leading lady | leading man | office | pc set | pedal tone | tense | underscoring |
In This Our Life (1942) | Stanley Introduction (Extended 2) | 1:05:31 - Stanley in Craig's office | 9th chord | advance plot | chromatic scale | conversing | lawyer | leading lady | leading man | office | reading | uneasy | whole-tone chord |
In This Our Life (1942) | Stanley (Extended) | 1:05:53 - Stanley talks to Craig | 9th chord | advance plot | appoggiatura | circle of fifths | conversing | lawyer | leading lady | leading man | office | solemn | uneasy |
In This Our Life (1942) | Stanley B (Slowly) | 1:06:13 - Stanley talks to Craig | 9th chord | advance plot | chromatic parallelism | chromatic scale | conversing | dissonant bass | lawyer | leading lady | leading man | office | uneasy |
In This Our Life (1942) | Stanley (Triste) | 1:06:29 - Stanley talks to Craig | 9th chord | advance plot | appoggiatura | circle of fifths | conversing | lawyer | leading lady | leading man | office | uneasy |
In This Our Life (1942) | Stanley (Misterioso) | 1:06:47 - Stanley hesitates at the door | advance plot | fragmentation | hesitating | lawyer | leading lady | leading man | mysterious | office | pc set |
In This Our Life (1942) | Stanley Introduction | 1:07:01 - Stanley talks to Craig | 9th chord | advance plot | chromatic scale | lawyer | leading lady | leading man | manipulating | office | passionate |
In This Our Life (1942) | Stanley | 1:07:11 - Stanley talks to Craig | 9th chord | advance plot | appoggiatura | circle of fifths | lawyer | leading lady | leading man | manipulating | office | uneasy |
In This Our Life (1942) | Stanley B (Slowly) | 1:07:19 - Stanley talks to Craig | advance plot | anxious | chromatic sequence | dissonant bass | lawyer | leading lady | leading man | manipulating | office | tense |
In This Our Life (1942) | Stanley (Dark) | 1:07:32 - Stanley leaves | 9th chord | advance plot | dark | lawyer | leading lady | leading man | manipulating | office | uneasy |
In This Our Life (1942) | Stanley (Packing) | 1:14:36 - Newspaper headline about the accident | 9th chord | appoggiatura | arriving | circle of fifths | conflict | conversing | headline | lawyer | leading lady | leading man | mysterious | newspaper | office |
In This Our Life (1942) | Underscoring (Tense) | 1:15:04 - Craig refuses Parry's case | conflict | conversing | denying | lawyer | leading lady | leading man | office | ominous | refusing | tritone oscillation | underscoring |
In This Our Life (1942) | Stanley (Molto Accell) | 1:15:15 - Craig talks about Stanley | anxious | conflict | conversing | defending | denying | half-diminished 7th chord | lawyer | leading lady | leading man | office | pc set | refusing | sigh gesture | tense |
In This Our Life (1942) | Roy (Molto Moderato) | 1:15:51 - Roy leaves | added-note chord | angry | conflict | half-diminished 7th chord | lawyer | leading lady | leading man | leaving | office |
In This Our Life (1942) | Stanley (Slowly) | 1:16:07 - Craig reads a note | 9th chord | altered dominant | conflict | lawyer | leading man | note | office | sentimental | thinking | whole-tone chord |
| The Letter (1940) | Law Office | 0:24:33 - Sign for a law firm | city | justice | lawyer | noble | office | setting | sign | transition |
The Letter (1940) | Leslie (Mysterioso) | 0:30:04 - Howard in his office | advance plot | augmented major 7th chord | lawyer | mysterious | office | oscillation | pc set | quartal chord | suspension | tense | thinking |
The Letter (1940) | Leslie B (Screwyoso 2) | 0:30:23 - Howard grabs the letter | advance plot | lawyer | letter | mysterious | office | sequence | tense | thinking |
The Letter (1940) | Mrs. Hammond (Lawyer) | 0:30:45 - Ong speaks to Howard | advance plot | Chinese | lawyer | leaving | mysterious | office | pc set | tritone |
| Lightning Strikes Twice (1951) | News Office | 0:03:08 - Newspaper headlines about the trial | conversing | frantic | headline | newspaper | newspaper editor | office | telephone | transition |
Lightning Strikes Twice (1951) | Menace (Expressivo) | 0:03:24 - Newspaper editor on the phone | bus | conversing | headline | newspaper | newspaper editor | office | telephone | transition | uneasy | worker |
| The Unfaithful (1947) | Attorney | 0:42:51 - Close up of sign on the lawyer's door | 64 chord | altered dominant | deceptive resolution | door | glorious | heroic | law office | office | parallel 63s | sign | transition |
The Unfaithful (1947) | Unfaithful (Rising) | 0:43:06 - Larry walks into his office | chromatic parallelism | dramatic | law office | lawyer | office | ostinato | sequence | transition | walking |
The Unfaithful (1947) | Underscoring (Tense) | 0:43:21 - Lady talks to Larry | advance plot | conversing | law office | lawyer | office | pedal tone | tense | underscoring |
The Unfaithful (1947) | Unfaithful (Ominous) | 0:43:39 - Secretary makes a call | advance plot | dialing | law office | lawyer | monophonic | office | ominous | phone call | sinister | spinning |
The Unfaithful (1947) | Chris | 0:43:45 - Chris pulls up in a cab | 9th chord | added-note chord | driving | foreign key modulation | law office | leading lady | office | peaceful | spinning | transition |
The Unfaithful (1947) | Chris 2 | 0:43:56 - Chris goes to Larry's office | 9th chord | law office | leading lady | office | peaceful | pedal tone | sequential modulation | transition | walking |
The Unfaithful (1947) | Unfaithful (Dramatic) | 0:44:05 - Chris goes to Larry's office | advance plot | arriving | fanfare | heroic | law office | leading lady | mode mixture | office |
The Unfaithful (1947) | Unfaithful (Ostinato) | 0:50:56 - Chris leaves Larry's office | advance plot | exiting | law office | lawyer | leading lady | office | pedal tone | somber |
The Unfaithful (1947) | Unfaithful (Ominous) | 1:09:06 - Chris on the phone | advance plot | lawyer | leading lady | monophonic | office | phone call | room | tense | thinking |
The Unfaithful (1947) | Clocking out | 1:25:41 - Salesgirls with time cards | climax | comical | mickey-mousing | montage | office | saleswoman | time card | working |
| We Are Not Alone (1939) | Doctor | 0:08:10 - David sees Tommy (his patient) | augmented sixth chord | boy | cat | delicate | establish character | foreign key modulation | gentle | hero | office |
We Are Not Alone (1939) | Tommy | 0:08:41 - David and Tommy talk about cats | 64 chord | boy | cat | deceptive resolution | doctor | establish character | hero | mode mixture | office | parallelism | playful |
We Are Not Alone (1939) | Allergic Reaction | 0:09:04 - Tommy has an allergic reaction to the cat | 9th chord | 64 chord | allergies | boy | cat | doctor | dramatic | establish character | hero | office |
We Are Not Alone (1939) | Tommy (Recovering) | 0:09:17 - David tells Tommy he is allergic to cats | 11th chord | boy | cat | cheerful | doctor | establish character | fragmentation | hero | office | playful | sequence |
We Are Not Alone (1939) | Tommy (Lyrical) | 0:09:34 - David gets some medicine for Tommy | 9th chord | boy | cat | doctor | establish character | gentle | hero | lyrical | Mozart | office | peaceful |
We Are Not Alone (1939) | Surprise Symphony (Chromatic Shift) | 0:09:49 - David puts the cat outside | cat | classical music | establish character | familiar tune | foreign key modulation | Haydn | hero | office | playful | quotation | step modulation |
We Are Not Alone (1939) | Jessica | 0:10:01 - Jessica enters the room | 9th chord | antagonist | chromatic parallelism | chromatic scale | establish character | half-diminished 7th chord | office | sour | wife |
We Are Not Alone (1939) | Surprise Symphony (Imagination) | 0:10:16 - Jessica rushes David away | antagonist | chromatic parallelism | classical music | establish character | familiar tune | Haydn | hero | office | playful | quotation |
We Are Not Alone (1939) | Surprise Symphony | 0:17:34 - David whistles while helping a patient | classical music | comical | diminution | doctor | establish character | familiar tune | Haydn | hero | heroine | office | on-screen music | quotation | source music | whistling |
| White Heat (1949) | T-Men (Agitato) | 0:16:28 - Agents picks up the death mask | agent | clue | death mask | heroic | investigation scene | noble | office | walking |
| Hold ‘Em Jail (1932) | A Moment in the Dark | 0:14:05 - Curley turns on the radio | AABA structure | advance plot | comic | goofing around | office | prisoner | radio | source music | upbeat |
Hold ‘Em Jail (1932) | Ain't That the Way it Goes | 0:14:53 - Spider and Curley look around | AABA structure | advance plot | comic | conversing | goofing around | love interest | office | prisoner | radio | source music | upbeat |
Hold ‘Em Jail (1932) | I'm Just a Vagabond Lover | 0:17:00 - Curley talks to Barbara | ABAC structure | advance plot | comic | conversing | goofing around | love interest | office | prisoner | radio | sentimental | source music |
Hold ‘Em Jail (1932) | I'm Wrapped Up in You | 0:18:18 - Spider dances with Violet | advance plot | comic | conversing | dancing | goofing around | love interest | office | prisoner | radio | source music | upbeat |
Hold ‘Em Jail (1932) | Improvisation | 0:39:35 - Violet plays the piano and sings | advance plot | comic | comical | conversing | office | on-screen music | playing | prisoner | singing | source music |
Hold ‘Em Jail (1932) | Improvisation | 0:40:44 - Violet plays the piano and sings | advance plot | comic | comical | conversing | office | on-screen music | playing | prisoner | singing | source music |
Hold ‘Em Jail (1932) | Improvisation | 0:41:43 - Violet plays the piano and sings | advance plot | comic | comical | conversing | office | on-screen music | playing | prisoner | singing | source music |
Hold ‘Em Jail (1932) | Chopsticks | 0:42:09 - Violet and Spider play a piano duet | advance plot | comic | comical | office | on-screen music | playing | prisoner | source music |
Hold ‘Em Jail (1932) | Improvisation | 0:42:44 - Violet plays the piano and sings | advance plot | comic | comical | office | on-screen music | playing | prisoner | singing | source music |
| Another Face (1935) | Lover's Quarrel | 0:01:38 - Gangsters get out of a car | arriving | establish setting | gangster | mysterious | office | sequence | street | walking |
Another Face (1935) | Suicide Transition | 0:01:57 - Gangsters arrive at doctor's office | arriving | conversing | doctor | establish setting | gangster | mysterious | office | parallelism | pedal tone |
Another Face (1935) | Russian Waltz (Meno) + The Iron Door | 0:02:11 - Gangsters talk with doctor | chromatic scale | combination of themes | conversing | doctor | establish character | gangster | mysterious | nurse | office | pedal tone | tense |
Another Face (1935) | Underscoring (Tense) | 0:02:30 - Gangster talks with nurse | chromatic parallelism | conversing | doctor | establish character | gangster | half-diminished 7th chord | nurse | office | tense | underscoring |
Another Face (1935) | Zaroff (Molto Moderato) + The Iron Door | 0:02:43 - The gangsters depart | chromatic scale | combination of themes | conversing | departing | doctor | establish character | gangster | half-diminished 7th chord | mysterious | nurse | office | tense |
Another Face (1935) | Courage + The Iron Door | 0:02:53 - Close up on the nurse | dramatic | establish character | gangster | headline | laughing | newspaper | nurse | office | pedal tone | reacting | reading | stinger | tense |
Another Face (1935) | Underscoring (Mysterious) | 0:03:08 - Gangster smoking in chair | augmented triad | chromatic parallelism | establish character | gangster | office | smoking | tense | underscoring | waiting |
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