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96 results for "office" — see also authority | business | newspaper office | place | staff

FilmTheme nameInstanceTags
The Amazing Dr. Clitterhouse (1938)The Poison Victim1:07:50 - Rocks is poisoneddissonant | doctor | gangster | leading lady | leading man | murder | murderer | murdering | murder scene | mysterious | office | parallel fifths | poison | poisoning | quartal chord | tense | tone cluster | tritone

The Amazing Dr. Clitterhouse (1938)

Poison1:08:46 - Rocks feels the effect of the poisonblur | chromatic parallelism | diminution | doctor | dreaming | drugs | ethereal | gangster | layering | leading lady | leading man | murder | murderer | murdering | murder scene | office | oscillation | ostinato | pc set | poison | poisoning | polychord | stinger | tone cluster

The Amazing Dr. Clitterhouse (1938)

Rocks struggles and falls1:09:52 - Rocks tries to get up, then collapseschromatic parallelism | chromatic scale | death | doctor | down | drugs | dying | falling | gangster | leading lady | leading man | murder | murderer | murder scene | office | oscillation | poison | rising | split-third chord | struggling | tense | up

The Amazing Dr. Clitterhouse (1938)

The Amazing Doctor (Funebre)1:10:07 - Dr. Clitterhouse talks with Jo9th chord | chromatic parallelism | dark | death | doctor | gangster | leading lady | leading man | murder | murderer | murder scene | office | pleading | realizing | tense
Angels With Dirty Faces (1938)Underscoring (Dramatic)1:09:49 - Jerry talks to newspaper editorconversing | diminution | leading man | montage | montage | newspaper editor | newspaper office | parallelism | priest | sign | tense

Angels With Dirty Faces (1938)

Newspaper Editor1:10:09 - A newspaper editor accepts Jerry's storyaccepting | conversing | heroic | leading man | montage | montage | newspaper editor | newspaper office | priest | secondary dominant

Angels With Dirty Faces (1938)

Headlines1:10:28 - A montage of newspaper headlines9th chord | 42 chord | 64 chord | dramatic | foreign key modulation | headline | mickey-mousing | montage | montage | newspaper | newspaper editor | newspaper office | spinning | zooming

Angels With Dirty Faces (1938)

Hurrying1:10:54 - A newspaper editor gives orders to his menassigning | chromatic scale | commanding | dissonant bass | hurried | mickey-mousing | montage | montage | newspaper editor | newspaper office
Arsenic and Old Lace (1944)Here Comes the Bride (Marriage License Bureau)0:01:59 - "Marriage License Bureau" signarriving | calm | conversing | crowd | establish character | familiar tune | marriage | office | reporter | romantic | spouse

Arsenic and Old Lace (1944)

Underscoring (Comical)0:02:20 - Mortimer hides from the reporterscomical | disguise | establish character | hiding | leading lady | leading man | looking | marriage | office | reporter | underscoring

Arsenic and Old Lace (1944)

Here Comes the Bride (Wow Wow Trumpet)0:02:42 - Rushing around and hiding in a telephone boothcomical | conversing | establish character | familiar tune | marriage | office | reporter

Arsenic and Old Lace (1944)

Two by Two0:02:51 - The marriage clerk singsclerk | establish character | marriage | office | on-screen music | singing | source music | upbeat

Arsenic and Old Lace (1944)

Here Comes the Bride (Modulating)0:03:34 - Hiding in a telephone bootharguing | bystander | conversing | establish character | familiar tune | leading lady | leading man | marriage | office | running | rushed | rushing | self-borrowing

Arsenic and Old Lace (1944)

Pushing0:03:53 - Mortimer pushes manbystander | establish character | leading lady | leading man | marriage | mickey-mousing | office | pushing | rushed

Arsenic and Old Lace (1944)

The Old Maid0:04:17 - Mortimer talks to Elainearguing | conversing | establish character | kissing | leading lady | leading man | marriage | office | romantic | self-borrowing

Arsenic and Old Lace (1944)

Here Comes the Bride (Modulating)0:04:54 - Mortimer and Elaine rush offestablish character | familiar tune | leading lady | leading man | marriage | office | rushed | rushing | self-borrowing

Arsenic and Old Lace (1944)

Here Comes the Bride (Chinese)0:05:00 - Chinese girl turns aroundChinese | establish character | exotic | familiar tune | leading lady | leading man | marriage | office | smiling | stereotype | winking

Arsenic and Old Lace (1944)

Here Comes the Bride (Comical)0:05:05 - Goofy man turns aroundcomical | establish character | familiar tune | leading lady | leading man | marriage | office | smiling | winking
Dust Be My Destiny (1939)Dust Be My Destiny (Mysterioso)1:05:26 - Joe talks to Mikeadvance plot | chromatic parallelism | chromatic sequence | dark | leading man | linear chromaticism | newspaper editor | office | ominous | somber

Dust Be My Destiny (1939)

Dust Be My Destiny (Relief)1:06:54 - Mike talks with Joeadvance plot | hopeful | leading man | mode mixture | newspaper editor | office | relieved
Each Dawn I Die (1939)Newspaper Fanfare0:04:24 - Sign for "The Banton Record" newspaper officeconflict | fanfare | justice | newspaper office | noble | parallelism | sign
The FBI Story (1959)The Bureau (Investigating)0:05:51 - Investigators doing research and interviewing various peopleFBI | investigation | office | pharmacist | working

The FBI Story (1959)

Klansmen (Agitato)0:34:58 - Newspaper headline attacking the Klanflashback | KKK | march | newspaper | office

The FBI Story (1959)

FBI March A (Marcia)1:30:44 - Agents working at FBI headquartersagent | FBI | flashback | office | working

The FBI Story (1959)

The Bureau (Working)1:32:13 - Chip working at FBI headquartersFBI | flashback | office | working
Flamingo Road (1949)Lane (Not in Film 2)NIF - not in film9th chord | advance plot | chromatic parallelism | conversing | cut from film | cut from film | leading lady | newspaper editor | office | whole-tone chord

Flamingo Road (1949)

Titus 2 (Not in Film)NIF - not in filmadvance plot | chromatic parallelism | conversing | cut from film | cut from film | leading lady | newspaper editor | office | self-borrowing
Hell on Frisco Bay (1955)Amato0:14:48 - Mario runs to talk to Amatoconductor score | establish character | fearful | hurried | office

Hell on Frisco Bay (1955)

Spring Song0:14:56 - Amato talks to Marioantagonist | conductor score | conversing | dark | establish character | gangster | menacing | office | tritone

Hell on Frisco Bay (1955)

Underscoring (Mysterious)0:15:33 - Amato talks to Lyeantagonist | conductor score | conversing | establish character | gangster | mysterious | office | underscoring

Hell on Frisco Bay (1955)

Amato0:15:44 - Amato talks to Lyeantagonist | conductor score | conversing | establish character | gangster | harsh | office

Hell on Frisco Bay (1955)

Lye0:16:52 - Amato talks to Lyeantagonist | conductor score | conversing | establish character | gangster | gentle | office

Hell on Frisco Bay (1955)

Face twitching0:16:59 - Lye's face twitchesantagonist | comical | conductor score | establish character | gangster | mickey-mousing | office | twitching

Hell on Frisco Bay (1955)

Menace0:17:13 - Gangsters talkantagonist | conductor score | conversing | establish character | gangster | office | ominous

Hell on Frisco Bay (1955)

Amato0:17:47 - Gangsters talkantagonist | conductor score | conversing | establish character | gangster | harsh | office

Hell on Frisco Bay (1955)

Underscoring (Dark)0:19:33 - Amato slaps old manantagonist | conductor score | conversing | dark | establish character | gangster | office | slapping | stinger | underscoring

Hell on Frisco Bay (1955)

Menace0:19:43 - Amato talks to old manantagonist | conductor score | dark | establish character | gangster | office | yelling

Hell on Frisco Bay (1955)

Menace0:20:30 - Amato talks to Lyeantagonist | conductor score | conversing | dark | establish character | gangster | office

Hell on Frisco Bay (1955)

Amato0:20:40 - Amato leavesantagonist | conductor score | conversing | establish character | gangster | office | ominous
I Was a Communist for the FBI (1951)FBI0:02:10 - FBI sign and the people working insideFBI | noble | office

I Was a Communist for the FBI (1951)

FBI 20:02:20 - Report on communist leader is delivereddanger | FBI | office | tense

I Was a Communist for the FBI (1951)

FBI (Pittsburgh)0:02:33 - Pittsburgh FBI office signFBI | noble | office

I Was a Communist for the FBI (1951)

FBI 2 (Pittsburgh)0:02:42 - Report on communist leader is delivereddanger | FBI | office | tense

I Was a Communist for the FBI (1951)

Undercover Agent (Marcia)0:02:57 - Mason gets his assignmentagent | FBI | main title | march | office
Illegal (1955)Scott (Bold)0:00:40 - Policemen working in an officemain title | police office | starring list

Illegal (1955)

Scott (Slow)0:38:47 - Vic enters his old officehero | office
In This Our Life (1942)Blues in the Night (Transition)0:43:37 - Craig's office doorarriving | assistant | calm | friend | leading lady | love scene | office | pleasant | source to score

In This Our Life (1942)

Roy (Expressivo)0:43:43 - Roy talks with Parryassistant | calm | conversing | friend | leading lady | love scene | office | pleasant

In This Our Life (1942)

Love Theme (Valse Sentimentale)0:44:06 - Roy and Craig embracecalm | conversing | leading lady | leading man | love scene | office | romantic | waltz

In This Our Life (1942)

Underscoring (Tense)1:05:14 - Craig in his officeadvance plot | arriving | lawyer | leading lady | leading man | office | tense | underscoring

In This Our Life (1942)

Stanley Introduction (Extended 2)1:05:31 - Stanley in Craig's officeadvance plot | conversing | lawyer | leading lady | leading man | office | reading | uneasy

In This Our Life (1942)

Stanley (Extended)1:05:53 - Stanley talks to Craigadvance plot | conversing | lawyer | leading lady | leading man | office | solemn | uneasy

In This Our Life (1942)

Stanley B (Slowly)1:06:13 - Stanley talks to Craigadvance plot | conversing | lawyer | leading lady | leading man | office | uneasy

In This Our Life (1942)

Stanley (Triste)1:06:29 - Stanley talks to Craigadvance plot | conversing | lawyer | leading lady | leading man | office | uneasy

In This Our Life (1942)

Stanley (Misterioso)1:06:47 - Stanley hesitates at the dooradvance plot | hesitating | lawyer | leading lady | leading man | mysterious | office

In This Our Life (1942)

Stanley Introduction (Appassionato)1:07:01 - Stanley talks to Craigadvance plot | lawyer | leading lady | leading man | manipulating | office | passionate

In This Our Life (1942)

Stanley1:07:11 - Stanley talks to Craigadvance plot | lawyer | leading lady | leading man | manipulating | office | uneasy

In This Our Life (1942)

Stanley B (Slowly)1:07:19 - Stanley talks to Craigadvance plot | anxious | lawyer | leading lady | leading man | manipulating | office | tense

In This Our Life (1942)

Stanley (Dark)1:07:32 - Stanley leavesadvance plot | dark | lawyer | leading lady | leading man | manipulating | office | uneasy

In This Our Life (1942)

Stanley (Packing)1:14:36 - Newspaper headline about the accidentarriving | conflict | conversing | headline | lawyer | leading lady | leading man | mysterious | newspaper | office

In This Our Life (1942)

Underscoring (Tense)1:15:04 - Craig refuses Parry's caseconflict | conversing | denying | lawyer | leading lady | leading man | office | ominous | refusing | tritone | underscoring

In This Our Life (1942)

Stanley (Molto Accell)1:15:15 - Craig talks about Stanleyanxious | conflict | conversing | defending | denying | lawyer | leading lady | leading man | office | refusing | tense

In This Our Life (1942)

Roy (Molto Modto)1:15:51 - Roy leavesangry | conflict | lawyer | leading lady | leading man | leaving | office

In This Our Life (1942)

Stanley (Slowly)1:16:07 - Craig reads a noteconflict | lawyer | leading man | note | office | sentimental | thinking
The Letter (1940)Law Office0:24:33 - Sign for Mr. Joyce's law firmcity | justice | lawyer | noble | office | setting | sign | transition

The Letter (1940)

Hammond A (Mysterioso)0:30:04 - Howard in his officeadvance plot | lawyer | mysterious | office | pc set | quartal chord | tense | thinking

The Letter (1940)

Hammond B (Screwyoso)0:30:23 - Howard grabs the letteradvance plot | lawyer | letter | mysterious | office | sequence | tense | thinking

The Letter (1940)

Mrs. Hammond (Lawyer)0:30:45 - Howard speaks with his secretaryadvance plot | Chinese | lawyer | leaving | mysterious | office | pc set | tritone
The Unfaithful (1947)Attorney0:42:51 - Close up of sign on the lawyer's doordeceptive resolution | door | glorious | heroic | law office | office | sign | transition

The Unfaithful (1947)

Unfaithful (Dramatic Underscoring)0:43:06 - Larry walks into his officedramatic | law office | lawyer | mirroring | office | ostinato | polytonality | transition | walking

The Unfaithful (1947)

Underscoring (Tense)0:43:21 - Lady talks to Larryadvance plot | conversing | law office | lawyer | office | tense | underscoring

The Unfaithful (1947)

Unfaithful (Ominous)0:43:39 - Secretary makes a calladvance plot | dialing | law office | lawyer | monophonic | office | ominous | phone call | sinister | spinning

The Unfaithful (1947)

Chris0:43:45 - Chris pulls up in a cabdriving | law office | leading lady | office | peaceful | spinning | transition

The Unfaithful (1947)

Chris 20:43:56 - Chris goes to visit Larry's officelaw office | leading lady | office | peaceful | transition | walking

The Unfaithful (1947)

Unfaithful (Dramatic)0:44:05 - Chris goes to visit Larry's officeadvance plot | arriving | fanfare | heroic | law office | leading lady | mode mixture | office

The Unfaithful (1947)

Unfaithful (Ostinato)0:50:56 - Chris leaves larry's officeadvance plot | exiting | law office | lawyer | leading lady | office | somber

The Unfaithful (1947)

Unfaithful (Ominous)1:09:06 - Larry and Chris talk on the phoneadvance plot | lawyer | leading lady | monophonic | office | phone call | room | tense | thinking

The Unfaithful (1947)

Clocking out1:25:41 - Time cardclimax | comical | mickey-mousing | montage | office | saleswoman | time card | working
We Are Not Alone (1939)Doctor0:08:10 - David sees Tommy (his patient)augmented sixth chord | boy | cat | delicate | establish character | foreign key modulation | gentle | hero | office

We Are Not Alone (1939)

Tommy0:08:41 - David and Tommy talk about cats64 chord | boy | cat | deceptive resolution | doctor | establish character | hero | mode mixture | office | parallelism | playful

We Are Not Alone (1939)

Allergic Reaction0:09:04 - Tommy has an allergic reaction to the cat9th chord | 64 chord | allergies | boy | cat | doctor | dramatic | establish character | hero | office

We Are Not Alone (1939)

Tommy (Recovering)0:09:17 - David tells Tommy he is allergic to cats11th chord | boy | cat | cheerful | doctor | establish character | fragmentation | hero | office | playful | sequence

We Are Not Alone (1939)

Tommy (Lyrical)0:09:34 - David gets some medicine for Tommy9th chord | boy | cat | doctor | establish character | gentle | hero | lyrical | Mozart | office | peaceful

We Are Not Alone (1939)

Surprise Symphony (Chromatic Shift)0:09:49 - David puts the cat outsidecat | classical music | establish character | familiar tune | foreign key modulation | Haydn | hero | office | playful | quotation | step modulation

We Are Not Alone (1939)

Jessica0:10:01 - Jessica enters the room 9th chord | antagonist | chromatic parallelism | chromatic scale | establish character | half-diminished 7th chord | office | sour | wife

We Are Not Alone (1939)

Surprise Symphony (Imagination)0:10:16 - Jessica rushes David awayantagonist | chromatic parallelism | classical music | establish character | familiar tune | Haydn | hero | office | playful | quotation

We Are Not Alone (1939)

Surprise Symphony0:17:34 - David whistles while helping a patientclassical music | comical | diminution | doctor | establish character | familiar tune | Haydn | hero | heroine | office | on-screen music | quotation | source music | whistling
Hold ‘Em Jail (1932)A Moment in the Dark0:14:05 - Curley turns on the radioAABA structure | advance plot | comic | goofing around | office | prisoner | radio | source music | upbeat

Hold ‘Em Jail (1932)

Ain’t That the Way it Goes0:14:53 - Spider and Curley look aroundAABA structure | advance plot | comic | conversing | goofing around | love interest | office | prisoner | radio | source music | upbeat

Hold ‘Em Jail (1932)

I’m Just a Vagabond Lover0:17:00 - Curley talks to BarbaraABAC structure | advance plot | comic | conversing | goofing around | love interest | office | prisoner | radio | sentimental | source music

Hold ‘Em Jail (1932)

I’m Wrapped Up in You0:18:18 - Spider dances with Violetadvance plot | comic | conversing | dancing | goofing around | love interest | office | prisoner | radio | source music | upbeat

Hold ‘Em Jail (1932)

Improvisation0:39:35 - Violet plays the piano and singsadvance plot | comic | comical | conversing | office | on-screen music | playing | prisoner | singing | source music

Hold ‘Em Jail (1932)

Improvisation0:40:44 - Violet plays the piano and singsadvance plot | comic | comical | conversing | office | on-screen music | playing | prisoner | singing | source music

Hold ‘Em Jail (1932)

Improvisation0:41:43 - Violet plays the piano and singsadvance plot | comic | comical | conversing | office | on-screen music | playing | prisoner | singing | source music

Hold ‘Em Jail (1932)

Chopsticks0:42:09 - Violet and Spider play a piano duetadvance plot | comic | comical | office | on-screen music | playing | prisoner | source music

Hold ‘Em Jail (1932)

Improvisation0:42:44 - Violet plays the piano and singsadvance plot | comic | comical | office | on-screen music | playing | prisoner | singing | source music