| The Amazing Dr. Clitterhouse (1938) | The Amazing Doctor | 0:20:05 - Dr. Clitterhouse enters Hotel Sequin | 42 chord | advance plot | chromatic parallelism | dark | dissonant bass | doctor | half-diminished 7th chord | leading man | lobby | mysterious | quartal chord | sign | thief | walking |
The Amazing Dr. Clitterhouse (1938) | The Amazing Doctor (Montage) | 0:33:03 - A news article about the doctor | chromatic parallelism | dissonant bass | Gershwinesque | jaunty | journal | montage | montage | newspaper | sequence | sign |
| Angels With Dirty Faces (1938) | The Gangster (Reformatory) | 0:05:04 - Sign: "Society for Juvenile Delinquents" | establish character | main title | Neapolitan | prisoner | reformatory | serious | sign | somber | teenager |
Angels With Dirty Faces (1938) | Underscoring (Dramatic) | 1:09:49 - Jerry talks to newspaper editor | conversing | diminution | leading man | montage | montage | newspaper editor | newspaper office | parallelism | priest | sign | tense |
| Death of a Scoundrel (1956) | Stephanie (Regret) | 1:53:37 - Clementi sees a marquee with Stephanie's name on it | flashback | marquee | sign |
Death of a Scoundrel (1956) | Clementi C (Guilty) | 1:54:01 - Clementi exits the taxi and walks down the street past a church sign: "For what shall it profit a man, if he shall gain the whole world, and lose his own soul?" (Mark 8:36) | bible | flashback | scripture | sign | slow | tired |
| Dust Be My Destiny (1939) | Dust Be My Destiny (Travel Montage) | 0:36:28 - A speeding train | added-note chord | foreign key modulation | frantic | hitch-hiking | leading lady | leading man | linear chromaticism | map | montage | pc set | runaway | sign | train | train | train whistle | traveling | traveling scene | truck | walking |
Dust Be My Destiny (1939) | The Poster | 0:40:39 - Joe and Mabel see a sign for the train | chromatic sequence | comedy | comical | laughing | leading lady | leading man | runaway | sign | street |
Dust Be My Destiny (1939) | The Daily Journal | 1:00:10 - Sign for The Daily Journal | establish setting | fanfare | heroic | mode mixture | Neapolitan | newspaper | sign | street | triumphant |
| Each Dawn I Die (1939) | Newspaper Fanfare | 0:04:24 - Sign for "The Banton Record" newspaper office | conflict | fanfare | justice | newspaper office | noble | parallelism | sign |
| Flamingo Road (1949) | Flamingo Road (Expressivo) | 1:02:07 - The gate to 32 Flamingo Road | 11th chord | added-note chord | arriving | gentle | husband | leading man | self-borrowing | sign | street | transition |
| Her Kind of Man (1946) | Underscoring (Dramatic [Deutsch]) | 0:54:59 - Cop takes a witness | departing | dramatic | leading man | letter | mysterious | police | police station | reporter | signature | tense | turning point | typing | underscoring | waiter | witness |
Her Kind of Man (1946) | Body and Soul (Intro) | 0:56:28 - Night club sign | arriving | crowd | dramatic | music scene | sign | street |
Her Kind of Man (1946) | It Had to Be You (Mysterious) | 1:07:50 - Don leaves | advance plot | arriving | car | car | criminal | driving | familiar tune | gambler | henchman | leading lady | leading man | murderer | mysterious | popular music | signaling | singer | street | warehouse | wife |
Her Kind of Man (1946) | Underscoring (Tense [Steiner]) | 1:15:00 - Candy in the alley | arriving | climax | criminal | double-cross | driving | gambler | henchman | hiding | husband | leading man | murderer | revenge | signaling | sneaking | street | tense | underscoring | warehouse | widow |
| The Letter (1940) | Plantation | 0:00:58 - Plantation sign | calm | establish location | exotic | exoticism | gamelan | Indonesian music | open fifth | pentatonic | plantation | quintal chord | setting | sign | Singapore |
The Letter (1940) | Law Office | 0:24:33 - Sign for a law firm | city | justice | lawyer | noble | office | setting | sign | transition |
| Kid Galahad (1937) | City Fanfare | 0:32:24 - Bright lights of the city | advance plot | augmented triad | bold | city | light | not by Steiner | sign | street | transcribed by ear |
| The Unfaithful (1947) | Attorney | 0:42:51 - Close up of sign on the lawyer's door | 64 chord | altered dominant | deceptive resolution | door | glorious | heroic | law office | office | parallel 63s | sign | transition |
| We Are Not Alone (1939) | La Marseillaise | 1:15:41 - News bulletins in a window | advance plot | announcing | deceptive resolution | familiar tune | French | patriotic | shop | sign | street | war | window |
We Are Not Alone (1939) | Frohe Botschaft (War Bulletin) | 1:22:12 - News bulletins about the trial | advance plot | announcing | familiar tune | fanfare | folk song | German | news | quotation | shop | sign | street | tense | window |
We Are Not Alone (1939) | Surprise Symphony (Tense) | 1:31:42 - News bulletins about the trial | 9th chord | advance plot | announcing | classical music | dark | familiar tune | Haydn | main theme | quotation | shop | sign | street | tense | window |
| White Heat (1949) | Message on the Mirror | 1:34:49 - Message on the washroom mirror | advance plot | bathroom | dramatic | fanfare | gas station | leading man | message | mirror | Morse code | radio effect | radio signal | tense | undercover agent | writing |
| Thirteen Women (1932) | Ursula (Exotic) | 0:11:45 - Ursula forges the swami's signature | advance plot | antagonist | dark | exotic | exoticism | forging | Gypsy major scale | horoscope | leading lady | mysterious | ostinato | room | signing | transcribed by ear |
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