Tag Search Results


Home | Tag Data


Loading...

83 results for "double exposure" in 20 films

FilmTheme nameInstanceTags
All This, and Heaven Too (1940)Valse1:03:32 - Montage of newspaper clippingsadded-note chord | ballroom | cheerful | crowd | dancing | double exposure | duchess | duke | leading lady | leading man | mode mixture | montage | upbeat | waltz

All This, and Heaven Too (1940)

Invitation from the King1:03:46 - Invitation from the King11th chord | ballroom | bold | double exposure | duchess | duke | fanfare | leading lady | leading man | montage | pedal tone | walking

All This, and Heaven Too (1940)

Ascending1:03:57 - The Duke and Duchess ascendascending | ballroom | chromatic sequence | double exposure | duchess | duke | leading lady | leading man | mickey-mousing | montage | stairs | tense

All This, and Heaven Too (1940)

The Duchess (Tutti)1:42:34 - Newspaper headlinebold | double exposure | headline | montage | newspaper | on-screen text | romantic | sequential modulation | street

All This, and Heaven Too (1940)

Henriette (Mysterioso)1:42:50 - An apartment building double exposure | half-diminished 7th chord | letter | montage | room | somber | writing

All This, and Heaven Too (1940)

Agitato 21:59:31 - Henriette is arrestedagitated | crowd | crying | diminished 7th chord | dissonant bass | double exposure | dramatic | fanfare | headline | leading lady | leaving | mob | montage | newspaper | soldier | street | suspect | yelling

All This, and Heaven Too (1940)

Henriette (Molto Moderato)2:04:10 - Women in prisondouble exposure | headline | leading lady | montage | newspaper | oscillation | pacing | prison | prisoner | solemn | suspect | walking
Angels With Dirty Faces (1938)Roulette0:07:01 - Roulette wheel spinsclub | double exposure | establish character | frantic | gambling | gangster | leading man | mickey-mousing | montage | parallelism | pedal tone | sequence | spinning

Angels With Dirty Faces (1938)

Night Club Music0:07:05 - Rocky gambles in a nightclubaltered dominant | club | dancing | double exposure | drinking | establish character | frantic | gambling | gangster | leading man | mickey-mousing | montage | pouring
Are These Our Children? (1931)Dreams (Marcia Maestoso)0:08:58 - Eddie dreamsapplauding | common-chord modulation | double exposure | dreaming | dream sequence | fragmentation | leading man | meter change | montage | reciting | thematic transformation | transcribed by ear | triumphant

Are These Our Children? (1931)

Dreams (Comical)0:09:17 - Eddie's dream ends abruptlycomical | double exposure | dream sequence | explosion | laughing | leading man | montage | student | transcribed by ear

Are These Our Children? (1931)

Makes You Forget Your Troubles (Dream Sequence)0:20:51 - Eddie dreamsadvance plot | augmented sixth chord | cheerful | double exposure | dreaming | dream sequence | eating | fragmentation | frantic | half-diminished 7th chord | humming | leading man | room | scored source music | sequence | source music

Are These Our Children? (1931)

Moonbeams (Dream Sequence)0:27:23 - Eddie takes Flo homeadded-note chord | advance plot | double exposure | dream sequence | entering | friend | hectic | kissing | leading man | mode mixture | romantic | source to score | street | transcribed by ear | waltz

Are These Our Children? (1931)

Dreams (Dream Sequence)0:27:44 - Time passesdouble exposure | dream sequence | fragmentation | hectic | montage | transcribed by ear

Are These Our Children? (1931)

Dreams (Dream Sequence 2)0:27:51 - Time passesdouble exposure | dream sequence | hectic | montage | pedal tone | transcribed by ear

Are These Our Children? (1931)

Dreams (Montage)0:29:57 - Eddie drinksangry | diminished 7th chord | double exposure | dreaming | dream sequence | drinking | fragmentation | gun | hectic | leading man | montage | pedal tone | room | sequence

Are These Our Children? (1931)

Makes You Forget Your Troubles (Listesso Tempo)0:30:13 - Eddie commits a crimeangry | chromatic scale | double exposure | dreaming | dream sequence | fragmentation | hectic | leading man | montage | room

Are These Our Children? (1931)

Moonbeams (Flashback)0:30:18 - Eddie dances with Flodance hall | dancing | double exposure | dream sequence | flashback | hectic | leading man | love interest | montage | room | waltz

Are These Our Children? (1931)

Underscoring (Dark)0:30:25 - Eddie attacks boyarguing | clock | dark | diminished 7th chord | double exposure | dream sequence | fighting | kissing | leading man | love interest | mickey-mousing | montage | ominous | pedal tone | stinger | ticking

Are These Our Children? (1931)

Dreams (Newspaper Montage)0:45:04 - Newspaper headlinesaugmentation | comforting | common-chord modulation | crying | double exposure | grandmother | headline | love interest | mickey-mousing | montage | newspaper | room | somber | spinning

Are These Our Children? (1931)

Dreams (Risoluto)0:48:55 - Newspaper headlinesdouble exposure | fragmentation | headline | montage | mysterious | newspaper | sequential modulation | spinning | tense | thematic transformation

Are These Our Children? (1931)

Dreams (Risoluto 2)0:53:55 - Newspaper headlinesadvance plot | arresting | dark | detective | double exposure | fragmentation | friend | headline | leading man | love interest | murderer | newspaper | ominous | room | sequential modulation | spinning | thematic transformation | underscoring

Are These Our Children? (1931)

Dreams (Allegro)1:15:33 - Newspaper headlinesaugmented triad | chromatic parallelism | double exposure | dramatic | fanfare | frantic | headline | montage | mother | newspaper | ostinato | spinning | tense | whole-tone chord | whole-tone scale

Are These Our Children? (1931)

Dreams (Minor) + Makes You Forget Your Troubles (Minor)1:15:51 - Newspaper headlinescombination of themes | conversing | double exposure | headline | minor-major 7th chord | montage | newspaper | police | preaching | priest | source to score | spinning | tense
Caged (1950)Prison Alarm0:32:00 - Ringing prison alarmagitated | alarm | alarm effect | bell | double exposure | dramatic | guard | leading lady | mickey-mousing | montage | montage | prison | prisoner | ringing | waking | yelling

Caged (1950)

Marie (Expressivo)0:32:12 - The prison laundryalarm | bell | double exposure | dramatic | guard | leading lady | montage | montage | prison | prisoner | ringing | roll call | working

Caged (1950)

Prison Alarm0:32:22 - Ringing prison alarmagitated | alarm | alarm effect | bell | double exposure | dramatic | eating | guard | leading lady | mickey-mousing | montage | montage | prison | prisoner | ringing | waking

Caged (1950)

Underscoring (Dramatic)0:32:30 - Marie in the prison cafeteriaalarm | alarm effect | bell | double exposure | dramatic | eating | fanning | guard | heat | leading lady | mickey-mousing | montage | montage | prison | prisoner | underscoring

Caged (1950)

Prison0:32:40 - Marie working in the prison laundrydouble exposure | dramatic | leading lady | montage | montage | prison | prisoner | working

Caged (1950)

Underscoring (Dramatic)0:32:47 - Marie working in the prison laundryalarm | alarm effect | bell | double exposure | dramatic | leading lady | mickey-mousing | montage | montage | pain | prison | prisoner | quick cuts | underscoring | working

Caged (1950)

Marie (Dark)0:32:55 - Marie's medical reportdark | double exposure | infirmary | leading lady | medical report | montage | montage | pain | prison | prisoner | working
City for Conquest (1940)Sidewalks of New York (Snake)0:02:35 - A montage of New York City scenes13th chord | 64 chord | altered dominant | bridge | chromatic sequence | city | conversing | countermelody | double exposure | Dutch angle | establish setting | foreign key modulation | fragmentation | grand | montage | old man | police | snake effect | soliloquy

City for Conquest (1940)

The Words Are in My Heart0:29:31 - Peggy dances with Murrayapplause | augmented triad | crowd | dance hall | dancer | dancing | double exposure | gentle | leading lady | montage | source music | waltz

City for Conquest (1940)

Original Rhumba0:29:38 - Peggy dances with Murrayapplause | crowd | dance hall | dancer | dancing | double exposure | leading lady | montage | rhumba | source music | upbeat

City for Conquest (1940)

Original Bolero0:29:43 - Peggy dances with Murrayapplause | bolero | chromatic mediant | crowd | dance hall | dancer | dancing | double exposure | leading lady | montage | source music | upbeat

City for Conquest (1940)

Jalousie0:29:51 - Peggy dances with Murrayadded-note chord | applause | crowd | dance hall | dancer | dancing | double exposure | leading lady | montage | source music | tango | upbeat

City for Conquest (1940)

Original Foxtrot0:29:57 - Peggy dances with Murrayapplause | common-tone diminished 7th | crowd | dance hall | dancer | dancing | double exposure | foxtrot | leading lady | montage | source music | upbeat

City for Conquest (1940)

Galop0:31:21 - Montage at an amusement parkamusement park | chromatic parallelism | chromatic scale | double exposure | excited | linear chromaticism | montage | neon light

City for Conquest (1940)

I'm Just Wild About Harry0:34:32 - Man operating a spotlightaudience | clapping | dancer | dancing | double exposure | leading lady | marquee | montage | source music | stage | upbeat

City for Conquest (1940)

Tone Poem A + Sidewalks of New York0:38:31 - Traveling montagecombination of themes | double exposure | gentle | montage | train | transcribed by ear | traveling

City for Conquest (1940)

Tone Poem A (Knock Out)0:38:33 - Montage of boxing scenesboxing | boxing ring | common-chord modulation | double exposure | falling | march | mickey-mousing | mode mixture | montage | transcribed by ear | triumphant

City for Conquest (1940)

42nd Street0:38:40 - Montage of dancing scenesbold | dancing | double exposure | montage | shadow | stage

City for Conquest (1940)

Boxing Poster0:38:48 - Montage of boxing scenesboxing | boxing ring | chromatic sequence | double exposure | fanfare | montage | poster | self-borrowing | triumphant

City for Conquest (1940)

Shadow Waltz (Dancing)0:38:57 - Montage of dancing scenesadded-note chord | altered dominant | augmented triad | dancing | double exposure | gentle | montage | shadow | stage | transcribed by ear

City for Conquest (1940)

Tone Poem A (Main Event)0:39:01 - Montage of boxing scenesboxing ring | double exposure | linear chromaticism | montage | poster | transcribed by ear | triumphant

City for Conquest (1940)

Burns and Company0:39:06 - Montage of dancing scenesadded-note chord | dance band | dancing | double exposure | headline | montage | newspaper | shadow | stage | transcribed by ear | upbeat

City for Conquest (1940)

Tone Poem A (Resolution)0:39:10 - Montage of boxing scenes9th chord | added-note chord | boxing ring | chromatic mediant | double exposure | foreign key modulation | headline | montage | newspaper | resolution | transcribed by ear | triumphant

City for Conquest (1940)

Tone Poem Introduction1:32:01 - Orchestra playing in a concert hall9th chord | audience | bold | Carnegie Hall | chromatic parallelism | common-tone dominant 7th | concert | concert hall | concert scene | conducting | conductor | dissonant bass | dominant 7th chord | double exposure | Dutch angle | Gershwinesque | listening | musician | on-screen music | orchestra | playing | radio | score to source | source music | watching

City for Conquest (1940)

Tone Poem Introduction (Abbreviated)1:34:01 - Orchestra playing9th chord | audience | bold | Carnegie Hall | chromatic parallelism | concert | concert hall | concert scene | conducting | conductor | dissonant bass | double exposure | Dutch angle | Gershwinesque | listening | musician | on-screen music | orchestra | playing | radio | source music | watching

City for Conquest (1940)

Tone Poem A (Grandioso)1:36:11 - Audience enjoying the performance9th chord | 13th chord | altered dominant | audience | bold | Carnegie Hall | concert | concert hall | concert scene | conducting | conductor | deceptive resolution | double exposure | dramatic | Gershwinesque | leading lady | leading man | listening | musician | on-screen music | orchestra | playing | romantic | sentimental | smiling | source music | watching

City for Conquest (1940)

Tone Poem A (Tutti 2)1:36:41 - Danny's figure appears in the concert hall9th chord | 13th chord | AABA structure | added-note chord | audience | bold | Carnegie Hall | concert | concert hall | concert scene | conducting | conductor | crying | deceptive resolution | double exposure | dramatic | Gershwinesque | leading man | listening | mode mixture | musician | on-screen music | orchestra | playing | romantic | sentimental | smiling | source music | watching | zoom out
They Made Me a Criminal (1939)Traveling0:22:25 - Johnnie becomes a fugitive9th chord | added-note chord | altered dominant | countryside | double exposure | dramatic | leading man | map | mickey-mousing | money | montage | montage | purchasing | street | traveling | walking
Her Kind of Man (1946)Night Clubs0:01:12 - Montage of night clubsbar | bluesy | club | crowd | dancer | dancing | double exposure | eating | journalist | montage | montage | performer | performing | simulated source music | street | voice-over

Her Kind of Man (1946)

Underscoring (Dramatic [Deutsch])1:04:46 - Montage of policemenaction scene | double exposure | dramatic | montage | police | searching | street | underscoring

Her Kind of Man (1946)

Headline1:04:52 - Newspaper headlineaction scene | double exposure | dramatic | headline | newspaper
I Was a Communist for the FBI (1951)Family0:25:26 - Matt looks at a photo albumadvance plot | baby | common-tone modulation | deceptive resolution | double exposure | flashback | foreign key modulation | gentle | leading man | letter | looking | love | memory | mode mixture | photograph | room | self-borrowing | sentimental | smiling | son | tender | thinking | undercover agent | voice-over | writing

I Was a Communist for the FBI (1951)

Family (Molto Expressivo)0:26:15 - Matt writes a letter to his son9th chord | added-note chord | advance plot | baby | deceptive resolution | double exposure | flashback | foreign key modulation | gentle | leading man | letter | looking | love | memory | photograph | room | self-borrowing | sentimental | smiling | son | tender | thinking | undercover agent | voice-over | writing
The Informer (1935)Here Comes the Bride0:49:55 - Dream sequence of a voyage to America64 chord | advance plot | antagonist | boat | double exposure | dreaming | familiar tune | leading lady | leading man | pedal tone | romantic | ship | street | vision | wedding
Lightning Strikes Twice (1951)Shelly (Traveling) + Shelly 20:10:13 - Shelly drives through desertactor | bright | car | cheerful | combination of themes | desert | double exposure | driving | leading lady | map | montage | motor effect | traveling | traveling scene | wheel | zoom in
Mildred Pierce (1945)Flashback starts0:20:16 - Flashback to the pastdouble exposure | establish character | flashback | gentle | heroine | leading lady | mickey-mousing | street

Mildred Pierce (1945)

Work (Singing Lesson)0:37:17 - Veda singsadded-note chord | child | double exposure | heroine | leading lady | montage | on-screen music | room | scored source music | self-borrowing | singing | upbeat | voice-over | working

Mildred Pierce (1945)

Ballet Lesson0:37:25 - Kay dances9th chord | 11th chord | ballet | child | dancing | double exposure | graceful | heroine | leading lady | montage | pleasant | room | voice-over

Mildred Pierce (1945)

Flashback starts 21:07:59 - Flashback to the pastadvance plot | double exposure | flashback | mickey-mousing

Mildred Pierce (1945)

Rushing train1:24:15 - A rushing traindouble exposure | excited | heroine | leading lady | mickey-mousing | train | train | transition | traveling
The Life of Vergie Winters (1934)Lullaby + Here Comes the Bride1:10:07 - Vergie imagines the weddingadded-note chord | bride | calm | chromatic mediant | combination of themes | common-chord modulation | daughter | double exposure | familiar tune | groom | leading lady | leading man | peaceful | secret lover | ternary form | transcribed by ear | walking | wedding | wedding | wedding music
Out of the Fog (1941)Speeding Car1:12:30 - A car racing down the streetaction scene | car | double exposure | dramatic | driving | leading lady | point-of-view shot | police | rushed | rushing | street | tense

Out of the Fog (1941)

Speeding Car (Extended)1:13:32 - A car racing down the streetaction scene | car | crowd | double exposure | dramatic | driving | leading lady | minor-major 7th chord | point-of-view shot | police | questioning | reporter | rushed | rushing | street | tense
Traveling Husbands (1931)There's a Sob in My Heart (Dixieland)0:34:27 - Music is played in a night clubbanjo | countermelody | dancing | Dixieland | double exposure | drums | improvisation | jazz | leading lady | montage | night club | popular song | salesman | source music | taxi | transcribed by ear | trombone | upbeat
White Heat (1949)Cody 2 (Montage)1:38:26 - Tanker drives down the streetcar | car | chase scene | dark | double exposure | electronic effect | fugitive | gangster | leading man | montage | murderer | pursuing | radio effect | speeding | street | truck | undercover agent

White Heat (1949)

Agents + Pursuit (Montage)1:38:33 - Police car in pursuitagent | antenna | car | car | chase scene | combination of themes | double exposure | electronic effect | montage | mysterious | police station | pursuing | radio | radio effect | speeding | street | tense

White Heat (1949)

Cody 21:39:10 - Tanker drives down the streetcar | chase scene | dark | double exposure | driving | fugitive | gangster | leading man | montage | murderer | radio | speeding | street | truck | undercover agent

White Heat (1949)

Pursuit (Frantic)1:39:12 - Police car in pursuitagent | antenna | car | car | chase scene | double exposure | montage | police station | pursuing | radio | speeding | street | tense

White Heat (1949)

Underscoring (Dramatic)1:39:16 - Agent at the control boardagent | antenna | car | car | chase scene | double exposure | dramatic | mapping | montage | police station | pursuing | radio | speeding | street | underscoring
Penguin Pool Murder (1932)Whirlpool0:00:20 - Penguin in a whirlpoolchromatic scale | double exposure | hectic | opening title sequence | penguin | pool | transcribed by ear | whirling | whirlpool

Penguin Pool Murder (1932)

Penguin Pool Murder0:00:23 - Main title, starring list, and cast listcast list | chromatic parallelism | diminution | diving | double exposure | dramatic | hemiola | linear chromaticism | mysterious | opening title sequence | penguin | pool | starring list | swimming | tense | thematic transformation | through-composed | title of film | transcribed by ear | whirlpool | whole-tone | whole-tone chord
Thirteen Women (1932)Hazel murders husband0:12:36 - Hazel murders her husbanddouble exposure | dramatic | half-diminished 7th chord | headline | husband | knife | murder | murderer | murdering | murder scene | newspaper | room | stabbing | stinger | transcribed by ear | victim | violent

Thirteen Women (1932)

Dramatic Agitato0:12:41 - Hazel screamsaugmented sixth chord | chromatic scale | double exposure | dramatic | half-diminished 7th chord | headline | letter | murder | murderer | murder scene | newspaper | room | screaming | stinger | transcribed by ear | victim | violent
Before Dawn (1933)Before Dawn A0:00:15 - Title over the image of hands grasping moneycoin | dark | diminished 7th chord | double exposure | grabbing | hand | money | mysterious | opening title sequence | self-borrowing | title of film | transcribed by ear

Before Dawn (1933)

Before Dawn B0:00:32 - Title and Cast list over a skullcast list | diminished 7th chord | double exposure | mysterious | opening title sequence | self-borrowing | sequence | skull | transcribed by ear

Before Dawn (1933)

Before Dawn C0:00:44 - Cast list over walking feetcast list | double exposure | Lydian mode | mysterious | opening title sequence | parallelism | self-borrowing | transcribed by ear | walking
Don’t Turn ‘em Loose (1936)Gimpy Walk0:26:34 - Bob walksadded-note chord | advance plot | calm | double exposure | gangster | imposter | leading man | oscillation | pacing | room | waiting | walking
Mara Maru (1952)The Storm1:11:04 - A wild storm at seaadvance plot | double exposure | dramatic | ocean | rain | raining | ship | storm | waves | wind

Mara Maru (1952)

Underwater (Fish)1:13:56 - Gregory moves toward the sunken boataction scene | captain | close-up | diver | diving | diving suit | double exposure | exploring | fish | leading man | mysterious | ocean | ship | swimming | underwater | walking | water effect