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240 results for "climax" in 27 films — see also end | point | second | stage | turning point

FilmTheme nameInstanceTags
All This, and Heaven Too (1940)The Murder1:51:56 - The Duke advances towards the Duchessapproaching | blur | climax | dark | duchess | duke | leading lady | leading man | menacing | murder | murdering | murder scene | ominous | room | strangling
Angels With Dirty Faces (1938)Jerry (Somber)1:31:04 - Rocky leaves his cell for his executionaltered dominant | climax | conversing | gangster | gentle | leading man | pc set | priest | prison | reverse picardy | stinger | tone cluster

Angels With Dirty Faces (1938)

Jerry (Upset)1:31:40 - Jerry follows Rocky out of his cellagitated | climax | conversing | gangster | leading man | police | priest | prison

Angels With Dirty Faces (1938)

Underscoring (Dramatic)1:31:44 - Rocky punches a guardagitated | chromatic parallelism | chromatic scale | chromatic wedge | climax | fighting | gangster | half-diminished 7th chord | leading man | police | priest | prison | punching | tense | underscoring

Angels With Dirty Faces (1938)

The Gangster (Funebre)1:31:55 - Rocky is taken away64 chord | climax | gangster | leading man | police | priest | prison | pushing | somber

Angels With Dirty Faces (1938)

Funebre1:32:03 - Jerry and Rocky walk down the hallclimax | dirge | execution chamber | gangster | leading man | marching | police | priest | prison | somber | tense | walking

Angels With Dirty Faces (1938)

Jerry (Goodbye)1:33:12 - Jerry says goodbye to Rockyadded-note chord | climax | conversing | dissonant bass | execution chamber | gangster | leading man | priest | prison | serious | sigh gesture | somber

Angels With Dirty Faces (1938)

Funebre (Sigh)1:33:19 - Rocky heads towards electric chairadded-note chord | climax | dirge | execution chamber | gangster | leading man | marching | priest | prison | sigh gesture | somber | tense | walking

Angels With Dirty Faces (1938)

Underscoring (Tense)1:33:36 - Rocky pleads for his lifebegging | climax | cowardice | crowd | crying | death | execution | execution chamber | gangster | leading man | pleading | police | priest | prison | shadow | tense | tone cluster | underscoring | wailing

Angels With Dirty Faces (1938)

Sanctus (Mournful)1:34:12 - Jerry cries after Rocky diesadded-note chord | climax | crying | death | dissonant bass | execution chamber | leading man | mourning | pedal tone | priest | prison | redemption | reverse picardy | sacred | somber
Are These Our Children? (1931)Dreams (Eddie’s Prayer)1:22:14 - Eddie behind barsadded-note chord | climax | crying | dramatic | jail | leading man | murderer | praying | prisoner | religious | sacred
Arsenic and Old Lace (1944)Bugle Call1:49:14 - Mortimer blows the buglebugle | bugle call | climax | dramatic | leading man | on-screen music | playing | room | source music

Arsenic and Old Lace (1944)

Happy Land1:50:41 - Mortimer singsbugle call | climax | leading man | on-screen music | room | singing | source music | upbeat
Beyond the Forest (1949)Chicago (Echo Chambre)1:28:20 - Rosa prepares to leaveangry | arguing | climax | crazed | delirious | eerie | familiar tune | leading lady | mad | madness | mad scene | maid | murderer | popular tune | preparing | room | stumbling | unsettling | yelling

Beyond the Forest (1949)

Chicago (She Walks Down)1:29:25 - Rosa walks down the stairsclimax | dark | descending | familiar tune | leading lady | madness | mad scene | maid | mickey-mousing | murderer | popular tune | room | solemn | stairs | stumbling

Beyond the Forest (1949)

Sawmill1:29:51 - Rosa opens the dooragitated | climax | leading lady | machinery effect | madness | mad scene | maid | murderer | street | stumbling | tense | walking

Beyond the Forest (1949)

Sawmill + Steam Whistle1:30:02 - The maid makes a phone callagitated | climax | collapsing | combination of themes | cut from film | falling | leading lady | machinery effect | madness | mad scene | maid | murderer | street | stumbling | tense | walking | whistle effect

Beyond the Forest (1949)

Sawmill + Rosa (Stumbling)1:30:10 - Rosa struggles to her feetclimax | combination of themes | dark | leading lady | machinery effect | madness | mad scene | murderer | ominous | standing | street | stumbling | walking

Beyond the Forest (1949)

Rosa (Fever 2)1:30:23 - Rosa stumbles forwardclimax | dark | leading lady | madness | mad scene | murderer | ominous | street | stumbling | walking

Beyond the Forest (1949)

Sawmill + Steam Whistle1:30:36 - Darknessagitated | climax | combination of themes | leading lady | madness | mad scene | murderer | stumbling | tense | train | train station | walking | whistle effect

Beyond the Forest (1949)

Train1:30:52 - A locomotiveagitated | climax | cut from film | leading lady | madness | mad scene | murderer | stumbling | tense | train | train effect | train station | walking

Beyond the Forest (1949)

Train + Chicago (Shrill)1:30:54 - Rosa stumbles towards the trainagitated | climax | combination of themes | cut from film | familiar tune | leading lady | madness | mad scene | murderer | popular tune | shrill | stumbling | tense | train | train effect | train station | walking

Beyond the Forest (1949)

Train (Heating Up) + Chicago (Fragmented)1:31:05 - Rosa stumbles towards the trainagitated | climax | combination of themes | desperate | familiar tune | leading lady | madness | mad scene | murderer | popular tune | stumbling | tense | train | train effect | train station | walking

Beyond the Forest (1949)

Chicago1:31:21 - Rosa stumbles towards the trainclimax | desperate | familiar tune | leading lady | madness | mad scene | murderer | popular tune | stumbling | tense | train | train station | walking

Beyond the Forest (1949)

Chicago1:31:26 - The train leaves the stationagitated | climax | departing | familiar tune | leading lady | madness | mad scene | murderer | obsessive | popular tune | shrill | tense | train | train station

Beyond the Forest (1949)

Stinger1:31:51 - Rosa deadarriving | climax | dark | death | doctor | husband | leading lady | leading man | mad scene | murderer | solemn | stinger | train | train station | walking

Beyond the Forest (1949)

Rosa1:32:10 - Lewis arrivesarriving | checking | climax | dark | death | doctor | dramatic | husband | leading lady | leading man | mad scene | murderer | reacting | tender | train | train station
The Big Sleep (1946)Hangs up phone1:47:07 - Marlowe hangs up the phoneclimax | hanging up | leading lady | leading man | love interest | mickey-mousing | mysterious | private eye | room

The Big Sleep (1946)

Hurrying1:47:07 - Marlowe and Vivian make a planchromatic sequence | climax | fragmentation | hurrying | leading lady | leading man | love interest | parallelism | planning | private eye | room | tense

The Big Sleep (1946)

Marlowe (Misterioso)1:47:26 - Marlowe drops a bulletclimax | fear | leading lady | leading man | love interest | mysterious | private eye | room | shaking | tense

The Big Sleep (1946)

Marlowe 21:47:31 - Car pulls up outsidechromatic scale | climax | fear | leading lady | leading man | love interest | mysterious | private eye | room | shaking | tense | tritone

The Big Sleep (1946)

Carmen (Drugged)1:48:08 - Marlowe watches men outsideclimax | criminal | fear | leading lady | leading man | love interest | mysterious | ominous | planning | private eye | room | tense | waiting

The Big Sleep (1946)

Marlowe (Danger)1:48:32 - Men approach the houseclimax | fear | hiding | leading man | mysterious | ominous | pc set | planning | private eye | room | tense | tone cluster | underscoring | waiting

The Big Sleep (1946)

Marlowe (Misterioso)1:48:55 - Marlowe sneaks up behind Marsclimax | criminal | fear | hiding | leading man | mysterious | private eye | room | sneaking | tense

The Big Sleep (1946)

Marlowe 21:49:05 - Marlowe holds a gun on Marsclimax | criminal | fear | leading man | mysterious | ominous | private eye | room | sneaking | tense
The Breaking Point (1950)The Breaking Point (Ethereal)1:34:41 - Harry recognizes Lucyboat | climax | comforting | conversing | crying | ethereal | leading lady | leading man | mixed meter | sailor | sweet | wife

The Breaking Point (1950)

The Breaking Point (Cellos)1:35:14 - Harry talks with Lucyboat | climax | comforting | conversing | crying | ethereal | leading lady | leading man | mixed meter | sailor | sweet | wife

The Breaking Point (1950)

Calm1:35:38 - Lucy leavesboat | climax | comforting | conversing | crying | ethereal | leading lady | leading man | sailor | sweet | wife

The Breaking Point (1950)

The Breaking Point (Triste)1:35:50 - Harry is carried out on a stretchercarrying | child | climax | crowd | crying | doctor | harbor | leading lady | leading man | sailor | somber | watching | wife

The Breaking Point (1950)

Leona1:36:26 - Leona watcheschild | climax | crowd | crying | doctor | harbor | leading lady | leading man | sailor | somber | watching | wife

The Breaking Point (1950)

Sad Boy1:36:44 - Sad orphaned boy looks onchild | climax | crowd | crying | harbor | leaving | somber | spiritual-like | triumphant | watching
They Made Me a Criminal (1939)Peggy (Waiting)1:24:39 - The detective talks to Johnniechromatic scale | climax | dark | detective | diminished 7th chord | dissonant | dissonant bass | leading lady | leading man | lying | ominous | room | waiting

They Made Me a Criminal (1939)

Lying1:25:16 - Johnnie lies to Peggy about where he's goingadded-note chord | augmented sixth chord | climax | common-chord modulation | detective | dissonant bass | foreign key modulation | leading lady | leading man | lying | minor-major 7th chord | room | turbulent

They Made Me a Criminal (1939)

On the Make (Appassionato)1:25:51 - Peggy wants to go with Johnnie9th chord | altered dominant | climax | detective | embracing | kissing | leading lady | leading man | leaving | linear chromaticism | mode mixture | pedal tone | romantic | room | sentimental | sigh gesture | tender
Deep Valley (1947)Rushing away1:36:01 - Libby rushes out of the barnbarn | climax | convict | descending | dramatic | fugitive | leading lady | leading man | love interest | mother | rushing | rushing effect | tense

Deep Valley (1947)

Libby 2 (Frantic)1:36:05 - Ellie calls after Libbybarn | begging | climax | convict | frantic | fugitive | leading lady | leading man | love interest | mother | pleading | tense

Deep Valley (1947)

Libby (Running)1:36:13 - Libby and Barry run out of the barnbarn | begging | climax | convict | father | frantic | fugitive | leading lady | leading man | love interest | mother | pleading | running | rushing | tense | yard

Deep Valley (1947)

Libby (Stormy)1:36:26 - Cliff looks for Elliebarn | climax | convict | crying | dark | father | fugitive | hiding | leading lady | leading man | love interest | mother | running | rushing | sneaking | tense | yard

Deep Valley (1947)

Barry (Drunk)1:36:39 - Barry steals a cararguing | car | climax | convict | dark | fighting | fugitive | leading lady | leading man | love interest | running | rushing | street | tense | yelling

Deep Valley (1947)

Barry1:36:57 - Jeff hits Barryarguing | attacking | car | climax | convict | dark | fighting | fugitive | leading lady | leading man | love interest | punching | street | tense | yelling

Deep Valley (1947)

Barry (Running)1:37:23 - Libby chases Barryarguing | car | chasing | climax | convict | crying | dramatic | driving | fleeing | fugitive | leading lady | leading man | love interest | running | street

Deep Valley (1947)

Molto Expressivo1:37:28 - Barry pushes Libby awayarguing | car | chasing | climax | convict | crying | dramatic | driving | falling | fleeing | fugitive | leading lady | leading man | love interest | running | street

Deep Valley (1947)

Deep Valley (Climactic)1:37:35 - Libby on the groundcar | chasing | climax | convict | crying | dramatic | driving | fleeing | fugitive | leading lady | leading man | love interest | street

Deep Valley (1947)

Car Crash1:37:49 - Barry's car runs off the roadcar | climax | convict | crashing | dramatic | driving | falling | fleeing | fugitive | leading man | love interest | mickey-mousing | street | swerving

Deep Valley (1947)

Underscoring (Dramatic)1:37:57 - Jeff gets up and looks aroundcar | climax | climbing | convict | dramatic | fleeing | fugitive | leading man | love interest | mickey-mousing | police | searching | street | transcribed by ear | underscoring

Deep Valley (1947)

Fleeing1:38:08 - Barry makes a run for itchasing | climax | convict | dramatic | fleeing | forest | fugitive | leading lady | leading man | love interest | mickey-mousing | police | running | shooting | transcribed by ear

Deep Valley (1947)

Barry (Not in Score)1:38:32 - The posse chases after Barrychasing | climax | convict | dramatic | fleeing | forest | fugitive | leading man | love interest | police | running | shooting | tense | transcribed by ear

Deep Valley (1947)

Underscoring (Tense)1:38:41 - Barry is shotclimax | convict | dramatic | falling | forest | fugitive | injury | leading man | love interest | police | stinger | tense | underscoring

Deep Valley (1947)

Law1:38:44 - The posse chases after Barrychasing | climax | convict | dramatic | fleeing | forest | fugitive | injury | leading man | love interest | police | running | tense

Deep Valley (1947)

Barry is shot1:38:57 - Barry is shotclimax | convict | dramatic | falling | forest | fugitive | injury | leading man | love interest | mickey-mousing | police | shooting

Deep Valley (1947)

Law (Searching)1:39:05 - The posse closes in on Barrychasing | climax | convict | dramatic | forest | fugitive | hiding | injury | leading man | love interest | police | searching

Deep Valley (1947)

Underscoring (Tense)1:39:09 - Barry hidesclimax | convict | forest | fugitive | hiding | injury | leading man | love interest | police | searching | tense | underscoring

Deep Valley (1947)

Law (Subtle)1:39:20 - The posse searches for Barryclimax | convict | forest | fugitive | hiding | injury | leading man | love interest | police | searching | tense

Deep Valley (1947)

Law1:39:28 - Barry crawls on the groundclimax | convict | forest | fugitive | hiding | injury | leading man | love interest | police | searching | tense

Deep Valley (1947)

Barry (Dark 2)1:39:35 - Barry hidesclimax | convict | forest | fugitive | hiding | injury | leading man | love interest | mysterious | police | tense

Deep Valley (1947)

Underscoring (Dramatic)1:40:00 - Barry hidesclimax | convict | forest | fugitive | hiding | injury | leading man | love interest | mysterious | police | searching | tense

Deep Valley (1947)

Law (Misterioso)1:40:10 - Barry hidesclimax | convict | forest | fugitive | hiding | injury | leading man | love interest | mysterious | searching | tense

Deep Valley (1947)

Barry (Misterioso 2)1:40:17 - Barry runsclimax | convict | forest | fugitive | hiding | injury | leading man | love interest | somber | stumbling | tense

Deep Valley (1947)

Barry (Triste)1:40:30 - Barry at the creekclimax | convict | forest | fugitive | hiding | injury | leading man | love interest | somber

Deep Valley (1947)

Molto Expressivo1:40:35 - Barry at the creekclimax | convict | forest | fugitive | hiding | injury | leading man | love interest | somber

Deep Valley (1947)

Sunrise1:40:46 - The sun risesclimax | convict | dramatic | forest | fugitive | hiding | injury | leading man | love interest | sunrise effect
Dust Be My Destiny (1939)Dust Be My Destiny (Appassionatissimo)1:13:14 - Joe makes a run for itchromatic parallelism | chromatic scale | climax | conflict | diminished 7th chord | dissonant bass | escaping | hospital | intervallic expansion | leading lady | leading man | runaway | sequence | tense
Flamingo Road (1949)The Girl With the Spanish Drawl1:29:10 - Lane arrives at Lute Mae'sarriving | climax | club | dancer | dancing | leady lady | musician | on-screen music | playing | source and scoring overlap | source music | upbeat

Flamingo Road (1949)

Titus (Fragmented) + Titus 2 (Fragmented)1:29:47 - Lane confronts Titusarguing | climax | club | combination of themes | dark | fragmentation | inversion | leading lady | motivic transformation | mysterious | ominous | retrograde | self-borrowing | sheriff

Flamingo Road (1949)

Titus (Rising Tension)1:30:09 - Lane confronts Titusarguing | climax | club | dark | half-diminished 7th chord | leading lady | ominous | self-borrowing | sequence | sheriff

Flamingo Road (1949)

Underscoring (Dramatic)1:30:24 - Lane pulls a gun on Titusarguing | climax | club | dark | demanding | dramatic | gun | leading lady | ominous | sheriff | stinger | threatening

Flamingo Road (1949)

Titus (Slowly)1:30:42 - Lane holds Titus at gunpointarguing | climax | club | dark | demanding | dramatic | gun | leading lady | ominous | self-borrowing | sheriff | telephone | threatening

Flamingo Road (1949)

Titus 2 (Ominous)1:30:55 - Titus pretends to make a phone callcalling | chromatic parallelism | climax | club | dark | deceiving | gun | leading lady | mysterious | self-borrowing | sheriff | telephone

Flamingo Road (1949)

Underscoring (Dramatic)1:31:15 - Titus attacks Laneattacking | breaking | chromatic parallelism | climax | club | dramatic | dropping | gun | leading lady | linear chromaticism | oscillation | sheriff | staggering | stinger | telephone | tense | throwing | underscoring

Flamingo Road (1949)

Breaking door1:31:19 - Titus throws the phone at Lanechromatic parallelism | climax | club | dramatic | gun | leading lady | mickey-mousing | sheriff | telephone | throwing

Flamingo Road (1949)

Lane staggers1:31:22 - Lane staggers after being hitclimax | club | dramatic | leading lady | mickey-mousing | oscillation | sheriff | staggering

Flamingo Road (1949)

Titus (Ostinato 3)1:31:25 - Titus holds a gun on Laneclimax | club | dramatic | fighting | gun | gunshot | leading lady | menacing | ostinato | self-borrowing | sequence | sheriff | struggling | tense | threatening

Flamingo Road (1949)

Titus (Climax)1:31:43 - Lane struggles with Tituschromatic parallelism | chromatic wedge | climax | club | dramatic | fighting | gun | gunshot | leading lady | major 7th chord | self-borrowing | sequence | sheriff | struggling | tense

Flamingo Road (1949)

Struggling1:31:47 - Close-up on the gunclimax | close up | club | dramatic | fighting | gun | gunshot | leading lady | major 7th chord | mickey-mousing | oscillation | sheriff | struggling | tense

Flamingo Road (1949)

Titus 2 (Sinks)1:31:50 - Titus collapses to the floorclimax | club | death | dying | falling | gun | gunshot | leading lady | self-borrowing | sequence | sheriff | sinking | tragic
Her Kind of Man (1946)Underscoring (Dramatic [Steiner])1:14:17 - Cop looks at his watchclimax | conversing | criminal | double-cross | dramatic | henchman | leading lady | leading man | police | reporter | room | singer | stinger | telephone | tense | underscoring | watch | wife

Her Kind of Man (1946)

Speeding1:14:21 - Policeman drivingcar | climax | dramatic | driving | hurrying | leading lady | leading man | police | reporter | rushing | singer | tense | wife | yelling

Her Kind of Man (1946)

Candy (Molto Marcato)1:14:49 - Gun in a glove compartmentcar | climax | dark | double-cross | driving | gun | hurrying | husband | revenge | rushing | widow

Her Kind of Man (1946)

Underscoring (Tense [Steiner])1:15:00 - Candy in the alleyarriving | climax | criminal | double-cross | driving | gambler | henchman | hiding | husband | leading man | murderer | revenge | signaling | sneaking | street | tense | underscoring | warehouse | widow

Her Kind of Man (1946)

Candy (Tragic)1:15:28 - Candy in the shadowsclimax | conversing | criminal | double-cross | gambler | henchman | hiding | husband | leading man | murderer | revenge | street | tense | tragic | walking | widow

Her Kind of Man (1946)

Underscoring (Dramatic [Steiner])1:15:53 - Joe shoots at Steveclimax | criminal | double-cross | dramatic | dying | falling | gambler | gun | gunshot | henchman | husband | leading man | murder | murderer | revenge | shooting | street | widow

Her Kind of Man (1946)

Candy (Mr. Candy)1:16:09 - Candy bends over Steve's bodyclimax | conversing | criminal | dark | double-cross | dying | gambler | heavy | henchman | leading man | murder | murderer | revenge | street

Her Kind of Man (1946)

Speeding1:16:29 - Candy tries to run awayarriving | capturing | car | climax | criminal | double-cross | dramatic | gambler | henchman | leading man | murder | murderer | police | reporter | revenge | running | street | tense

Her Kind of Man (1946)

Candy (Agitato)1:16:53 - Don confronts Candyagitated | arguing | climax | confronting | criminal | double-cross | gambler | henchman | leading man | murder | murderer | police | reporter | revenge | street | tense

Her Kind of Man (1946)

It Had to Be You (Tragic)1:17:10 - Georgia holds Steveclimax | comforting | conversing | corpse | cradling | criminal | crying | death | dying | familiar tune | gambler | henchman | leading lady | leading man | murderer | police | popular music | reporter | singer | street | tense | tragic | wife
In This Our Life (1942)Stanley (Agitato)1:25:21 - Craig talks to Stanleyagitated | climax | conversing | criminal | father | lawyer | leading lady | leading man | mother | room | suspect

In This Our Life (1942)

Underscoring (Tense) + South American Way1:25:34 - Stanley reactsaccusing | climax | criminal | father | lawyer | leading lady | leading man | lying | mother | mysterious | ominous | remembered source music | remembering | room | source and scoring overlap | source music | suspect | tense | underscoring

In This Our Life (1942)

Stanley (Valse Triste)1:26:23 - Stanley confessesarguing | climax | confessing | confession | criminal | crying | dramatic | father | lawyer | leading lady | leading man | mother | room | suspect

In This Our Life (1942)

Stanley B (Slowly Extended)1:26:39 - Stanley confessesagitated | arguing | climax | confessing | confession | criminal | crying | father | lawyer | leading lady | leading man | lying | mother | room | suspect

In This Our Life (1942)

Expressivo (Extended 2)1:27:04 - Lavinia risesarguing | climax | criminal | emotional | father | lawyer | leading lady | leading man | mother | pleading | room | suspect

In This Our Life (1942)

Underscoring (Tense)1:27:23 - Stanley reactsclimax | conversing | criminal | father | lawyer | leading lady | leading man | mother | plotting | room | suspect | tense | underscoring

In This Our Life (1942)

Stanley (Extended)1:27:33 - Stanley goes upstairsclimax | conversing | criminal | crying | father | lawyer | leading lady | leading man | mother | room | somber | suspect | uneasy

In This Our Life (1942)

Love Theme (Gentle)1:27:58 - Roy talks to Craigaccusing | climax | conversing | criminal | crying | embracing | gentle | lawyer | leading lady | leading man | room | sneaking | tender

In This Our Life (1942)

Underscoring (Dramatic)1:28:57 - Stanley escapesclimax | criminal | dramatic | driving | escaping | lawyer | leading lady | leading man | room | underscoring | watching

In This Our Life (1942)

Stanley (Driving Away)1:29:06 - Craig goes to the phoneagitated | calling | climax | lawyer | leading man | room | telephone | walking

In This Our Life (1942)

Stanley (Chase)1:32:59 - The police chase after Stanleychase scene | chasing | climax | criminal | desperate | dramatic | driving | fleeing | leading lady | police | street | tense

In This Our Life (1942)

Stanley (Fleeing)1:33:12 - The police chase after Stanleychase scene | chasing | climax | criminal | desperate | dramatic | driving | fleeing | leading lady | police | street | tense

In This Our Life (1942)

Underscoring (Dramatic)1:33:29 - Two other policeman see Stanleychase scene | chasing | climax | criminal | dark | dramatic | driving | fleeing | leading lady | police | street | tense | underscoring | watching

In This Our Life (1942)

Stanley (Crying)1:33:37 - Stanley crying in her carchase scene | chasing | climax | criminal | crying | dark | dramatic | driving | fleeing | leading lady | police | somber | street | tense

In This Our Life (1942)

Stanley B (Rising Tension)1:33:49 - The police in hot pursuitchase scene | chasing | climax | combination of themes | criminal | desperate | dramatic | driving | fleeing | leading lady | police | street | tense

In This Our Life (1942)

Stanley (Desperate)1:34:02 - The police in hot pursuitchase scene | chasing | climax | criminal | crying | desperate | dramatic | driving | fleeing | leading lady | police | street | tense

In This Our Life (1942)

Underscoring (Dramatic)1:34:09 - Stanley's eyes in the rear-view mirrorchase scene | chasing | climax | criminal | crying | desperate | dramatic | driving | fleeing | leading lady | police | street | tense | underscoring

In This Our Life (1942)

Car crash 21:34:17 - Stanley's car crashesbrash | car | car crash | chase scene | climax | crashing | criminal | dramatic | driving | dying | falling | fire | leading lady | mickey-mousing | police | street | tense

In This Our Life (1942)

Stanley (Tragic)1:34:28 - Police run to Stanley's carbrash | car | car crash | chase scene | climax | criminal | dramatic | dying | fire | helping | leading lady | mournful | police | reporting | rescuing | rushing | somber | street | tragic
The Informer (1935)Katie (Despair)1:16:18 - Gypo confesses and criesantagonist | climax | confessing | confession | courtroom | courtroom scene | crying | dissonant bass | guilt | headquarters | leading man | remorseful | room | sequence | traitor

The Informer (1935)

The Informer (Tranquillo)1:16:35 - Gypo is taken awayantagonist | arresting | authentic cadence | climax | confessing | confession | courtroom | courtroom scene | crying | guilt | headquarters | hero | leading man | leaving | love interest | pleading | remorseful | room | traitor

The Informer (1935)

Blood Money (Ostinato)1:27:32 - Rebels come to capture Gypoantagonist | climax | leading man | mysterious | ostinato | rebel | room | sneaking | tense | traitor | whispering

The Informer (1935)

The Escape (The Fight)1:28:25 - Rebels shoot through the doorantagonist | augmented triad | chromatic parallelism | chromatic scale | climax | down | dramatic | escaping | falling | fighting | leading man | linear chromaticism | mickey-mousing | rebel | room | running | tense | traitor | whole-tone

The Informer (1935)

Blood Money (Tuttissimo)1:28:53 - Gypo stumbles into a churchantagonist | church | climax | dirge | dissonant bass | dominant pedal | dying | half-diminished 7th chord | leading man | mysterious | street | stumbling | tense | traitor | walking | whole-tone | whole-tone chord

The Informer (1935)

The Informer (Pathetic)1:29:48 - Gypo stumbles toward Frankie's motherantagonist | church | climax | diminished 7th chord | dying | gentle | leading man | main theme | pedal tone | somber | stumbling | traitor | walking

The Informer (1935)

Sancta Maria1:30:27 - Frankie's mother forgives Gypoantagonist | church | climax | confessing | dying | gentle | leading man | mother | sacred | somber | suspension | traitor
The Letter (1940)Leslie (Tragic)0:37:21 - Howard talks to Leslieanxious | changing meter | climax | conversing | fearful | lawyer | leading lady | letter | oscillation | pivotal scene | prison | sequence | sequential modulation | suspension | tense

The Letter (1940)

Leslie + Foxtrot No. 31:25:08 - Leslie looks out the windowadded-note chord | climax | combination of themes | common-chord modulation | dance music | foreign key modulation | foxtrot | home | lacework | leading lady | obsession | obsessive | oscillation | sequence | source music | tense | thinking

The Letter (1940)

Leslie (Distraught)1:25:39 - Leslie criesaugmented sixth chord | climax | crying | dramatic | emotional | foreign key modulation | home | leading lady | oscillation | sequence

The Letter (1940)

Underscoring (Dark)NIF - not in filmclimax | dark | home | lacework | leading lady | leaving | pedal tone

The Letter (1940)

Underscoring (Mysterious)1:26:07 - Leslie talks to Robertclimax | conversing | home | husband | leading lady | mysterious | open fifth | oscillation | pedal tone | staring | underscoring

The Letter (1940)

Leslie (Ethereal)1:26:36 - Leslie and Robert look at each otherclimax | home | husband | leading lady | oscillation | pc set | pedal tone | staring | tense

The Letter (1940)

Underscoring (Tense)1:26:52 - Leslie talks to Robertclimax | conversing | home | husband | leading lady | staring | tense | underscoring

The Letter (1940)

Robert and Leslie (Tense)1:27:06 - Leslie talks to Robertchromatic mediant | climax | conversing | gentle | home | husband | leading lady | love theme | Neapolitan | suspension | tender | tense

The Letter (1940)

Deception (Lohengreenish)1:28:01 - Leslie reacts to Robert's forgivenesschromatic mediant | climax | conversing | diminished 7th chord | dissonant bass | home | husband | kissing | leading lady | ostinato | retardation | romantic | sequence | suspension | tense

The Letter (1940)

Leslie (Very Slow)1:29:01 - Leslie rejects Robertaugmented sixth chord | changing meter | climax | enharmonic respelling | home | leading lady | oscillation | sequence | somber | stern | weeping

The Letter (1940)

Mrs. Hammond (Dirge)1:29:32 - Leslie heads towards the doorChinese | climax | dark | dirge | home | leading lady | parallelism | somber | walking

The Letter (1940)

Mrs. Hammond (Missing Dagger)1:29:49 - Leslie opens the doorChinese | climax | dagger | door | gentle | home | leading lady | mysterious | open fifth | opening | parallel fifths | parallelism | pentatonic

The Letter (1940)

Leslie (Climactic)1:30:02 - Leslie sees that the knife is goneclimax | dagger | door | home | leading lady | looking | oscillation | passionate | sequence

The Letter (1940)

Shadow1:30:30 - Leslie leaves the housechromatic parallelism | climax | leading lady | major triad | mysterious | plantation | polychord | shadow | walking

The Letter (1940)

Native (Climactic)1:30:42 - Leslie walks through her gardenclimax | crying | Dorian mode | exoticism | gamelan | Indonesian music | leading lady | mysterious | panning shot | parallelism | plantation | setting | somber | walking

The Letter (1940)

Deception (Appassionato)1:31:18 - Close-up of Leslieclimax | crying | leading lady | mysterious | pc set | Phrygian mode | plantation | somber | walking

The Letter (1940)

Leslie (The Moon)1:31:36 - Leslie sees the moon go behind a cloudclimax | cloud | crying | dramatic | half-diminished 7th chord | leading lady | looking | moon | oscillation | pc set | plantation | sequence

The Letter (1940)

Mrs. Hammond (Ambush)1:31:55 - Leslie moves through the gateAeolian mode | antagonist | Chinese | climax | dark | leading lady | mysterious | open fifth | parallel fifths | parallelism | pentatonic | plantation | walking

The Letter (1940)

Leslie (Deliberate)1:32:48 - Mrs. Hammond approaches Leslie with a knifeantagonist | changing meter | Chinese | climax | dagger | leading lady | oscillation | plantation | somber | walking

The Letter (1940)

Mrs. Hammond (Revenge)1:33:01 - Mrs. Hammond stabs Leslie64 chord | antagonist | Chinese | Chinese | climax | dagger | leading lady | murder | open fifth | parallel fifths | parallelism | pentatonic | plantation | somber | walking

The Letter (1940)

Policeman1:33:31 - A policeman comes to investigateantagonist | Chinese | climax | investigating | plantation | policeman | tense

The Letter (1940)

Leslie (Reckoning)1:33:42 - Mrs. Hammond walks away11th chord | antagonist | augmentation | body | changing meter | Chinese | climax | death | leading lady | moon | oscillation | plantation | policeman | somber | suspension

The Letter (1940)

Robert and Leslie (The Body)NIF - not in filmalternate music | body | chromatic mediant | climax | death | foreign key modulation | love theme | Neapolitan | pedal tone | plantation | somber
Lightning Strikes Twice (1951)Trev (Realization)1:26:36 - Close-up on Trev's faceactor | anger | chasing | climax | close-up | dark | friend | husband | leading lady | leading man | menacing | murderer | rancher | realizing | room | zoom in

Lightning Strikes Twice (1951)

Underscoring (Dramatic)1:26:47 - Trev runs after Lizaactor | anger | chasing | climax | dramatic | friend | husband | leading lady | leading man | murderer | rancher | room | running | underscoring

Lightning Strikes Twice (1951)

Escape1:26:51 - Liza runs awayactor | brother | chasing | climax | dark | escaping | friend | husband | leading lady | leading man | murderer | ranch | rancher | room | tense

Lightning Strikes Twice (1951)

Trev runs1:27:01 - Trev runs after Lizachasing | climax | dramatic | husband | leading man | mickey-mousing | murderer | ranch | rancher | running | tense

Lightning Strikes Twice (1951)

Escape (Getaway)1:27:08 - Trev runs back insideactor | brother | chasing | climax | dramatic | escaping | friend | husband | leading lady | leading man | murderer | ranch | rancher | room | tense

Lightning Strikes Twice (1951)

Menace (The Chase)1:27:42 - Liza and String drive awaybrother | car | chasing | climax | countryside | dramatic | driving | escaping | frantic | motorcycle | murderer | police | rancher | speeding | tense

Lightning Strikes Twice (1951)

Menace (The Crash)1:28:30 - Liza drives off the hillbrother | car | car crash | climax | countryside | crashing | death | dramatic | dying | murderer | police | rancher | tense
Mildred Pierce (1945)Mildred B (Twist)1:45:20 - Mildred walks into the beach housearriving | climax | dark | flashback | heroine | leading lady | room

Mildred Pierce (1945)

Mildred (Ominous)1:45:25 - Mildred walks downstairsarriving | climax | dark | fragmentation | half-diminished 7th chord | heroine | imitation | leading lady | ominous | room

Mildred Pierce (1945)

Secret Revealed1:45:37 - Mildred finds Veda and Monte togetherantagonist | chromatic parallelism | chromatic scale | chromatic wedge | climax | dark | daughter | discovering | kissing | linear chromaticism | reveal | room | stinger | tense

Mildred Pierce (1945)

Kay and Veda (Agitato)1:46:05 - Veda reveals that she is in love with Monte antagonist | augmented sixth chord | betrayal | betraying | chromatic scale | chromatic sequence | climax | dark | daughter | fragmentation | heroine | leading lady | revealing | room | tense

Mildred Pierce (1945)

Kay and Veda (Very Slow)1:46:22 - Mildred reacts to Veda's betrayalantagonist | betrayal | climax | contemplating | dark | daughter | gun | heroine | leading lady | ominous | parallel 63s | room

Mildred Pierce (1945)

Mildred (Tragic)1:46:43 - Mildred runs awayaltered dominant | antagonist | arguing | betrayal | chromatic scale | climax | daughter | dramatic | emotional | half-diminished 7th chord | heroine | leading lady | room | running | sequence

Mildred Pierce (1945)

Mildred (Breakdown)1:47:11 - Mildred tries to start her car9th chord | climax | crying | dramatic | emotional | foreign key modulation | heroine | leading lady | leaving | street
Out of the Fog (1941)Russian Barcarolle (Menacing)1:09:32 - Goffs sees Olaf holding a lead pipearguing | attempted murder | climax | criminal | dark | fisherman | friend | leading man | menacing | ominous | sea | stinger

Out of the Fog (1941)

Underscoring (Dramatic)1:09:45 - Goff struggles with Jonah and Olafattempted murder | climax | criminal | dramatic | fighting | fisherman | friend | leading man | punching | sea | underscoring

Out of the Fog (1941)

Russian Barcarolle (Drowning)1:09:58 - Goff drownsattempted murder | climax | criminal | dark | death | drowning | fisherman | friend | leading man | ominous | sea
Kid Galahad (1937)Kid Galahad (Montage 2)1:18:47 - Newspaper headline montage64 chord | chromatic mediant | climax | fanfare | foreign key modulation | heroic | hurrying | manager | montage | newspaper | pedal tone | room | syncopation

Kid Galahad (1937)

Underscoring (Tender)1:38:49 - Nick lies dying on a tableclimax | dying | linear chromaticism | manager | pedal tone | room | somber | tender

Kid Galahad (1937)

Kid Galahad (Tender)1:39:15 - Nick speaks his final words9th chord | 64 chord | added-note chord | appoggiatura | climax | death | dying | fanfare | foreign key modulation | leading lady | leading man | manager | mode mixture | pedal tone | room | sister | somber | stretto imitation
The Unfaithful (1947)Unfaithful (Not in Film)NIF - not in filmacceleration | arguing | climax | cut from film | husband | Neapolitan | ostinato | room | sequential modulation | tense | wife

The Unfaithful (1947)

Tanner (Headlines)1:24:17 - Chris is suspected of murderaltered dominant | chromatic scale | climax | fragmentation | friend | hurrying | montage | newspaper | newspaper boy | panicked | police station | polychord | polytonality | quartal chord | radio | reporter | room | rushing | street | surprise | tritone oscillation | widow

The Unfaithful (1947)

Unfaithful (Scandal)1:24:55 - Newspaper headlines about the murderclimax | courtroom | crowd | dramatic | hurrying | montage | newspaper | ostinato | radio | rushing | sequential modulation

The Unfaithful (1947)

Unfaithful (The Trial)1:25:17 - A woman in the courtroomchromatic wedge | climax | courtroom | crowd | dissonant bass | dramatic | hurrying | knife | lawyer | montage | prosecuting | prosecutor | rushing | witness

The Unfaithful (1947)

Clocking out1:25:41 - Salesgirls with time cardsclimax | comical | mickey-mousing | montage | office | saleswoman | time card | working

The Unfaithful (1947)

Tanner1:25:44 - Mrs. Tanner testifiesaltered dominant | climax | courtroom | dramatic | fragmentation | hurrying | irregular meter | montage | prosecuting | quartal chord | rushing | testifying | witness

The Unfaithful (1947)

Underscoring (Dramatic)1:25:51 - Art shop owner testifiesclimax | courtroom | dramatic | hurrying | montage | prosecuting | quartal chord | rushing | testifying | tritone oscillation | underscoring | witness

The Unfaithful (1947)

Unfaithful (Heavy)1:26:02 - Newspaper headlineclimax | courtroom | crowd | dramatic | hurrying | montage | newspaper | rushing
The Woman in White (1948)Underscoring (Tense)1:44:06 - The countess entersclimax | conversing | criminal | dark | friend | friend | leading lady | leading man | love interest | murderer | necklace | ominous | room | transcribed by ear | wife

The Woman in White (1948)

Ann (Not in Score)1:44:24 - Count Fosco talks to the Countessclimax | conversing | criminal | friend | friend | leading lady | leading man | love interest | murderer | mysterious | necklace | room | transcribed by ear | wife

The Woman in White (1948)

Fosco (Screwy)1:44:42 - The Countess walks across the roomclimax | criminal | friend | friend | leading lady | leading man | love interest | murderer | mysterious | necklace | room | sneaking | walking | wife

The Woman in White (1948)

Fosco (Sneaking)1:44:51 - The Countess walks across the roomclimax | criminal | friend | friend | leading lady | leading man | love interest | murderer | mysterious | necklace | room | sneaking | walking | wife

The Woman in White (1948)

Adagio1:45:00 - The Countess picks up a knifeclimax | conversing | criminal | friend | friend | knife | leading lady | leading man | love interest | murderer | necklace | room | somber | wife

The Woman in White (1948)

Fosco (Soft)1:45:18 - The Count talks to Marianarriving | climax | conversing | criminal | friend | friend | leading lady | leading man | love interest | murderer | mysterious | necklace | room | wife

The Woman in White (1948)

Stabbing1:45:23 - The Countess stabs Count Foscoclimax | criminal | dramatic | dropping | friend | friend | knife | leading lady | leading man | love interest | mickey-mousing | murder | murderer | murdering | necklace | revenge | room | stabbing | violent | wife

The Woman in White (1948)

Fosco (Dying)1:45:34 - The Countess picks up the necklacearriving | climax | criminal | death | dramatic | dying | falling | friend | friend | knife | leading lady | leading man | love interest | murder | murderer | necklace | revenge | rising | room | stinger | tense | victim | violent | wife

The Woman in White (1948)

Ann (Quasi Misterioso)1:46:05 - Various close-upsclimax | criminal | death | dying | friend | friend | knife | leading lady | leading man | love interest | murder | murderer | necklace | revenge | room | somber | victim | watching | wife
Thirteen Women (1932)Ursula (The End)0:59:03 - Ursula jumps to her deathchromatic scale | climax | dark | dramatic | dying | jumping | leading lady | murderer | The End | train | transcribed by ear
We're Only Human (1935)Kong 31:01:06 - Pete leavescar | chromatic parallelism | climax | conflict | departing | detective | diminished 7th chord | dramatic | hurried | leading lady | leading man | pedal tone | reporter | rushing | sequence | street | victim

We're Only Human (1935)

Game 11:01:21 - Driving in a carcar | car | chromatic sequence | climax | conflict | detective | dissonant bass | dramatic | driving | hurried | leading lady | leading man | pedal tone | reporter | rushing | victim | wipe

We're Only Human (1935)

Game 21:01:56 - Witness threatens to kill the criminalsacceleration | arguing | car | car | chromatic parallelism | climax | conflict | detective | dramatic | driving | hurried | leading lady | leading man | pedal tone | reporter | rushing | threat | threatening | victim

We're Only Human (1935)

Russian Waltz (Poco Agitato)1:02:12 - Getting out the carcar | chromatic scale | climax | conflict | dark | detective | leading lady | leading man | reporter | sneaking | tense | victim | yard

We're Only Human (1935)

Game 31:02:23 - Approaching the housechromatic parallelism | chromatic parallelism | climax | conflict | detective | leading lady | leading man | mysterious | pc set | reporter | sneaking | tense | victim | yard

We're Only Human (1935)

Russian Waltz (Pizzicato)1:02:55 - Spying on the houseclimax | conflict | detective | leading lady | leading man | mysterious | reporter | sneaking | tense | victim | yard

We're Only Human (1935)

Saroff1:03:07 - They arguearguing | chromatic scale | climax | conflict | detective | leading lady | leading man | mysterious | reporter | tense | victim | whole-tone | whole-tone chord | yard

We're Only Human (1935)

Lost Patrol 11:03:12 - A man runsclimax | conflict | detective | dramatic | fleeing | frantic | gunshot | leading lady | leading man | reporter | running | shooting | victim | whole-tone | whole-tone chord | yard

We're Only Human (1935)

The Informer (Burning Poster) + Blood Money1:03:25 - A man falls to the groundclimax | conflict | crawling | detective | diminished 7th chord | dying | gunshot | leading lady | leading man | mysterious | octatonic | reporter | Scotch snap | shooting | tense | tone cluster | victim | yard

We're Only Human (1935)

The Wearin' o' the Green (Fighting)1:03:42 - Pete prepares to advancechromatic parallelism | climax | conflict | detective | dramatic | fragmentation | gunshot | leading lady | leading man | reporter | running | sequence | shooting | tense | underscoring | victim | yard

We're Only Human (1935)

The Informer (Tense)1:04:11 - Pete prepares to enter the houseclimax | conflict | detective | leading man | mysterious | Scotch snap | sneaking | tense | whole-tone | whole-tone chord | yard

We're Only Human (1935)

The Escape1:04:31 - Pete enters the housechromatic scale | climax | conflict | detective | dodging | dramatic | gangster | gunshot | hiding | leading man | murderer | room | shooting | underscoring | whole-tone | whole-tone chord

We're Only Human (1935)

Game 41:04:54 - Pete crawls on the floorclimax | conflict | crawling | detective | gangster | leading man | murderer | room | tense | underscoring | whole-tone chord

We're Only Human (1935)

Game 51:05:03 - Pete prepares to shootchromatic parallelism | climax | conflict | detective | gangster | gunshot | leading man | murderer | pc set | pedal tone | room | shooting | sneaking | tense | underscoring | whole-tone chord

We're Only Human (1935)

Blood Money (Counting Money)1:05:25 - Pete looks at the fallen manclimax | conflict | detective | gangster | leading man | murderer | mysterious | room | sneaking | tense | tone cluster

We're Only Human (1935)

Game 61:05:34 - Pete dodges gunfireclimax | conflict | dark | detective | gangster | leading man | murderer | room | sneaking | taunting | tense | underscoring

We're Only Human (1935)

Game 71:05:48 - Pete runs up the stairs9th chord | climax | conflict | detective | dramatic | gangster | leading man | murderer | parallelism | pc set | pedal tone | room | running | rushing | tense | underscoring | whole-tone chord

We're Only Human (1935)

Game 81:05:55 - Pete advances slowlyarguing | chromatic scale | climax | conflict | detective | gangster | half-diminished 7th chord | hostage | leading man | murderer | pedal tone | polychord | room | sneaking | taunting | tense | tricking | underscoring

We're Only Human (1935)

Lost Patrol 21:06:45 - Berger falls to the groundclimax | conflict | death | detective | dramatic | dying | falling | gangster | gunshot | hostage | leading man | murderer | room | tone cluster | underscoring

We're Only Human (1935)

Lost Patrol 31:06:52 - Pete looks at Berger64 chord | climax | conflict | death | detective | gangster | hostage | leading man | murderer | reacting | room | solemn
Without Honor (1949)Agitation (Appassionato)0:52:28 - Jane criesagitated | antagonist | brother | climax | confessing | confession | crying | demanding | husband | leading lady | leading man | room | tense | wife

Without Honor (1949)

Confession0:52:54 - Jane confessesagitated | antagonist | brother | climax | confessing | confession | crying | husband | leading lady | leading man | room | wife

Without Honor (1949)

Appassionato 20:53:24 - Jane laughsantagonist | brother | climax | confession | crying | husband | laughing | leading lady | leading man | passionate | room | wife

Without Honor (1949)

Underscoring (Dramatic)0:53:45 - Jane screamsantagonist | blood | brother | climax | confession | dramatic | handprint | husband | leading lady | leading man | room | screaming | tense | underscoring | wife

Without Honor (1949)

Desperation (The Scream)0:53:50 - They look at the bloody handprintantagonist | blood | brother | climax | confession | departing | dramatic | handprint | husband | investigating | leading lady | leading man | room | screaming | searching | tense | wife | yard

Without Honor (1949)

Appassionato 2 (Agitato)0:54:14 - Jane exits the houseclimax | leading lady | searching | tense | wandering | yard

Without Honor (1949)

Appassionato (Broad)0:54:27 - Bill talks on the phoneantagonist | brother | calling | climax | leading lady | leading man | room | searching | telephone | tense | wandering | yard

Without Honor (1949)

Desperation0:54:35 - The orchardclimax | leading lady | orchard | searching | tense

Without Honor (1949)

Twilight (Bloody Hand)0:54:40 - Jane looks around the orchardclimax | leading lady | orchard | searching | tense

Without Honor (1949)

Twilight (Molto Expressivo)0:54:55 - Jane is startledclimax | leading lady | orchard | searching | tense

Without Honor (1949)

Doloroso0:57:10 - Mrs. Williams talks to Janeantagonist | apologizing | brother | climax | conversing | husband | leading lady | leading man | room | solemn | wife

Without Honor (1949)

Twilight (Somber)0:57:48 - Mrs. Williams forgives Janeantagonist | bathroom | brother | climax | forgiveness | husband | leading lady | leading man | razor blade | room | somber | thinking | wife

Without Honor (1949)

Tension (Extended)0:58:12 - Mrs. Williams talks to Fred and Billantagonist | bathroom | brother | climax | conversing | forgiveness | husband | leading lady | leading man | razor blade | room | tense | wife

Without Honor (1949)

Valse Triste (Suicide)0:58:33 - Jane stares in the mirrorantagonist | attempted suicide | bathroom | brother | climax | conversing | husband | knocking | leading lady | leading man | razor blade | room | somber | suicide | wife

Without Honor (1949)

Valse Triste (Molto Appassionato)0:58:58 - Jane stares downantagonist | attempted suicide | bathroom | brother | climax | conversing | dramatic | husband | knocking | leading lady | leading man | razor blade | room | suicide | wife

Without Honor (1949)

Appassionato 2 (Molto Expressivo)0:59:06 - Jane cuts her wristantagonist | attempted suicide | bathroom | breaking | brother | climax | committing suicide | conversing | cutting | dramatic | entering | grabbing | husband | knocking | leading lady | leading man | razor blade | room | running | suicide | wife | yelling

Without Honor (1949)

Twilight (Rubato)0:59:24 - Mrs. Williams helps Janeantagonist | attempted suicide | brother | climax | doctor | helping | husband | leading lady | leading man | razor blade | room | serious | somber | struggling | suicide | wife
The Most Dangerous Game (1932)Dog attacking0:55:19 - A dog rushes at Bobattacking | climax | count | dog | dramatic | fighting | jungle | leading lady | leading man | mickey-mousing | river | servant | tense | victim | villain | waterfall

The Most Dangerous Game (1932)

Zaroff (Dog Fight)0:55:24 - Bob fights a dogattacking | climax | count | dog | dramatic | fighting | jungle | leading lady | leading man | river | servant | tense | victim | villain | waterfall

The Most Dangerous Game (1932)

Russian Waltz (Dog Fight)0:55:33 - A barking dogattacking | climax | count | dog | dramatic | fighting | jungle | leading lady | leading man | river | servant | tense | victim | villain | waterfall

The Most Dangerous Game (1932)

Dog falling 20:55:37 - Bob kills the dogattacking | climax | count | dog | dramatic | falling | fighting | jungle | leading lady | leading man | mickey-mousing | river | servant | tense | victim | villain | waterfall

The Most Dangerous Game (1932)

Dog attacking0:55:42 - A dog rushes at Bobattacking | climax | count | dog | dramatic | fighting | jungle | leading lady | leading man | mickey-mousing | river | running | servant | tense | victim | villain | waterfall

The Most Dangerous Game (1932)

Falling off cliff0:55:47 - Bob and the dog fall off the cliffclimax | count | death | dog | dramatic | dying | falling | gun | gunshot | jungle | leading lady | leading man | mickey-mousing | river | servant | shooting | tense | victim | villain | waterfall

The Most Dangerous Game (1932)

The Iron Door (Meno)0:55:50 - Zaroff reacts to Bob's fallclimax | count | dramatic | jungle | murderer | reacting | river | tense | villain | waterfall

The Most Dangerous Game (1932)

Emotions0:55:59 - Eve reacts to Bob's fallcapturing | climax | count | dramatic | jungle | leading lady | reacting | river | servant | tense | victim | villain | watch | waterfall

The Most Dangerous Game (1932)

Russian Waltz (Moderato Quasi Maestoso)0:56:11 - Zaroff looks at his watchcapturing | climax | count | dramatic | jungle | leading lady | river | servant | tense | victim | villain | watch | waterfall

The Most Dangerous Game (1932)

Zaroff (Risolutissimo) + The Iron Door0:56:17 - Eve is capturedcapturing | climax | close-up | combination of themes | count | jungle | leading lady | ominous | river | servant | victim | villain | walking | waterfall

The Most Dangerous Game (1932)

The Iron Door (Climax)0:56:25 - A close-up on Eveclimax | close-up | count | jungle | leading lady | ominous | reacting | river | servant | victim | villain | waterfall
White Heat (1949)Headache (Explosion)1:52:26 - Cody shoots a gas valveagent | climax | dramatic | exploding | explosion | factory | fire | frantic | fugitive | gangster | gun | gunshot | laughing | leading man | murderer | police | raid | running | rushing | shooting

White Heat (1949)

Struggle1:52:46 - Explosionagent | climax | conversing | death | dramatic | exploding | explosion | factory | fire | fugitive | gangster | leading man | murderer | police | raid

White Heat (1949)

Cody (The End)1:53:02 - Explosionagent | climax | conversing | dark | death | dramatic | exploding | explosion | factory | fire | fugitive | gangster | leading man | murderer | police | raid | The End
Caged (1950)Molto Expressivo (Con Moto)1:34:42 - Marie leaves Mrs. Benton's officeclimax | dramatic | ex-convict | guard | leading lady | leaving | prison | prisoner | stinger | uneasy | warden

Caged (1950)

Molto Expressivo (Quasi Blues)1:35:01 - Marie leaves the prisonbluesy | bluesy | car | climax | ex-convict | freedom | leading lady | leaving | prison | smoking | street | warden | watching

Caged (1950)

Marie (The End)1:36:04 - Mrs. Benton and her secretaryclimax | closing credits | conversing | prison | somber | warden

Caged (1950)

Molto Expressivo (Timidly)NIF - not in filmclimax | cut from film | somber

Caged (1950)

Isolation Ward (The End)NIF - not in filmclimax | cut from film | dramatic | uneasy
Lightning Strikes Twice (1951)Jalopy1:28:41 - Old jalopy drives alongbystander | car | car crash | climax | comical | countryside | death | driving

Lightning Strikes Twice (1951)

Aftermath1:28:48 - Man gets out of the jalopyapproaching | brother | bystander | car | car crash | climax | countryside | death | murderer | police | rancher | solemn