Tag Search

369 results for "chromatic parallelism" in 33 films — see also linear chromaticism

Film	Theme name	Instance	Tags
All This, and Heaven Too (1940)	Underscoring (Agitated)	0:07:52 - Henriette talks to Henry Field	agitated \| chromatic parallelism \| chromatic sequence \| conversing \| distressed \| establish character \| leading lady \| minister \| principal \| school \| teacher
All This, and Heaven Too (1940)	Underscoring (Agitated)	0:22:23 - The Duke rebukes the Duchess	agitated \| arguing \| chromatic parallelism \| chromatic scale \| distressed \| dominant 7th chord \| duchess \| duke \| establish character \| leading lady \| leading man \| room
All This, and Heaven Too (1940)	The Duchess (Molto Screwieoso)	0:44:50 - Henriette looks at a gift from the Duchess	64 chord \| advance plot \| chromatic parallelism \| distressed \| gift \| governess \| leading lady \| looking \| opening \| pedal tone \| room \| stinger
All This, and Heaven Too (1940)	Gossip	0:55:36 - Scissors cut a newspaper clipping	9th chord \| advance plot \| chromatic parallelism \| cutting \| dissonant bass \| gossiper \| gossiping \| harsh \| minor second \| newspaper \| room \| scissors \| tense
All This, and Heaven Too (1940)	Henriette (Gentle)	1:09:26 - Isabelle talks to Henriette	9th chord \| advance plot \| child \| chromatic parallelism \| comforting \| crying \| gentle \| governess \| leading lady \| Neapolitan \| room \| sweet
All This, and Heaven Too (1940)	The Duchess (Expressivo)	1:10:42 - The Duke complains to Henriette	abrupt \| advance plot \| angry \| chromatic parallelism \| complaining \| duke \| governess \| leading lady \| leading man \| room \| sequential modulation
All This, and Heaven Too (1940)	Henriette + Falling Snow	1:12:16 - The Duke talks to Henriette	advance plot \| augmented triad \| chromatic parallelism \| combination of themes \| conversing \| duke \| governess \| leading lady \| leading man \| mickey-mousing \| mode mixture \| room \| snow \| snow globe \| snowing \| uneasy
All This, and Heaven Too (1940)	Falling Snow	1:12:39 - Henriette watches the falling snow	64 chord \| advance plot \| chromatic parallelism \| chromatic scale \| chromatic sequence \| conversing \| dissonant bass \| duke \| governess \| leading lady \| leading man \| mickey-mousing \| pedal tone \| point-of-view shot \| room \| snow \| snow globe \| snowing \| uneasy
All This, and Heaven Too (1940)	The Duchess (The Letter)	1:14:48 - A letter is pushed under the door	9th chord \| advance plot \| agitated \| chromatic parallelism \| conflicted \| deceptive resolution \| duke \| fragmentation \| leading man \| letter \| pacing \| pondering \| room \| turbulent
All This, and Heaven Too (1940)	Henriette + Falling Snow	1:18:26 - Snow swirling in a snow globe	advance plot \| calm \| chromatic parallelism \| combination of themes \| deceptive resolution \| gift \| governess \| leading lady \| room \| snow \| snow globe \| snowing \| swirling
All This, and Heaven Too (1940)	All Hallows Eve	1:23:22 - A forest scene at night	augmented triad \| child \| chromatic parallelism \| chromatic scale \| conversing \| create suspense \| dissonant bass \| forest \| governess \| Halloween \| hiding \| leading lady \| ombra topic \| on-screen text \| pc set \| pedal tone \| scaring \| scary \| spooky \| walking \| whole-tone chord
All This, and Heaven Too (1940)	Loti's Song	1:24:31 - Apples roasting on a fire	9th chord \| child \| chromatic mediant \| chromatic parallelism \| chromatic scale \| cooking \| create suspense \| dissonant bass \| forest \| governess \| leading lady \| linear chromaticism \| old man \| pedal tone \| scary \| scored source music \| singer \| singing \| split-third chord \| spooky
All This, and Heaven Too (1940)	Creeping	1:25:02 - A stranger approaches	child \| chromatic parallelism \| create suspense \| creeping \| diminished 7th chord \| duke \| forest \| governess \| leading lady \| leading man \| mickey-mousing \| retardation \| scary \| sneaking \| spooky
All This, and Heaven Too (1940)	Raynald (Mysterioso 3)	1:30:51 - The children talk to Henriette	9th chord \| bright \| child \| chromatic parallelism \| conversing \| duke \| governess \| leading lady \| leading man \| palace \| surprise \| tense \| transition
All This, and Heaven Too (1940)	Henriette (Molto Expressivo)	1:31:48 - The Duke talks to Henriette	chromatic mediant \| chromatic parallelism \| conversing \| duke \| governess \| leading lady \| leading man \| love scene \| mode mixture \| Neapolitan \| palace \| pedal tone \| reassuring \| romantic \| sigh gesture \| stinger \| tender
All This, and Heaven Too (1940)	Underscoring (Agitated)	1:35:05 - Henriette with the children	advance plot \| agitated \| child \| chromatic parallelism \| chromatic scale \| chromatic sequence \| conversing \| governess \| leading lady \| room \| worried
All This, and Heaven Too (1940)	Gossip 2	1:47:20 - Henriette sees her landlady gossiping	9th chord \| chromatic parallelism \| dissonant bass \| duke \| gossiper \| gossiping \| harsh \| landlady \| leading man \| minor second \| reunion scene \| room \| tense \| watching
All This, and Heaven Too (1940)	Desperation (Tense)	1:48:14 - The Duke talks with Henriette	chromatic parallelism \| chromatic sequence \| conflict \| conversing \| dissonant bass \| duke \| leading lady \| leading man \| room \| tense
All This, and Heaven Too (1940)	Henriette (Ghostly)	2:11:23 - Henriette hears voices	arriving \| chromatic parallelism \| dark \| dissonant bass \| hearing voices \| leading lady \| palace \| prisoner \| soldier \| spooky \| suspect \| transition \| uneasy
All This, and Heaven Too (1940)	Henriette (Duet)	2:14:06 - A close-up on Henriette	appoggiatura \| chromatic parallelism \| conversing \| death bed \| death scene \| deceptive resolution \| detective \| duke \| dying \| leading lady \| leading man \| mode mixture \| prisoner \| questioning \| room \| sad \| soldier \| suspect \| tender
All This, and Heaven Too (1940)	Dying (Molto Expressivo)	2:14:46 - The Duke talks to Pierre	caretaker \| chromatic parallelism \| confessing \| conversing \| death bed \| death scene \| diminished 7th chord \| duke \| dying \| leading man \| love \| pedal tone \| room \| sigh gesture \| somber
All This, and Heaven Too (1940)	Henriette + Falling Snow	2:21:43 - Henriette sees the falling snow	augmented triad \| chromatic parallelism \| combination of themes \| hearing voices \| leading lady \| minister \| mode mixture \| resolution \| school \| snow \| teacher \| tense
The Amazing Dr. Clitterhouse (1938)	Cauldron 2	0:00:27 - Cast list	9th chord \| beaker \| bubbling \| cast list \| chromatic parallelism \| dramatic \| main title \| ominous \| opening title sequence \| ostinato \| title of film
The Amazing Dr. Clitterhouse (1938)	The Amazing Doctor	0:20:05 - Dr. Clitterhouse enters Hotel Sequin	42 chord \| advance plot \| chromatic parallelism \| dark \| dissonant bass \| doctor \| half-diminished 7th chord \| leading man \| lobby \| mysterious \| quartal chord \| sign \| thief \| walking
The Amazing Dr. Clitterhouse (1938)	The Amazing Doctor (Meeting)	0:21:30 - Dr. Clitterhouse is taken upstairs	64 chord \| advance plot \| chromatic parallelism \| conversing \| doctor \| fragmentation \| gangster \| leading man \| lobby \| mysterious \| pedal tone \| sequence \| thief
The Amazing Dr. Clitterhouse (1938)	The Amazing Doctor (Montage)	0:33:03 - A news article about the doctor	chromatic parallelism \| dissonant bass \| Gershwinesque \| jaunty \| journal \| montage \| montage \| newspaper \| sequence \| sign
The Amazing Dr. Clitterhouse (1938)	The Fur Store	0:44:20 - Truck arrives at the United Fur Co.	chromatic parallelism \| darkness \| half-diminished 7th chord \| mysterious \| pedal tone \| store \| street \| suspenseful \| transition \| truck
The Amazing Dr. Clitterhouse (1938)	Night Watchman (Knocked Out)	0:45:04 - Watchman knocked out on the floor	9th chord \| chromatic parallelism \| crime \| criminal \| diminished 7th chord \| gangster \| guard \| mysterious \| robbery \| stealing \| store \| thief
The Amazing Dr. Clitterhouse (1938)	Sneaking	0:45:13 - Criminals steal furs	ascending \| carrying \| chromatic parallelism \| crime \| criminal \| diminished 7th chord \| dissonant bass \| gangster \| pedal tone \| robbery \| sneaking \| sneaky \| stairs \| stealing \| store \| thief \| walking
The Amazing Dr. Clitterhouse (1938)	Underscoring (Mysterious)	0:45:26 - Criminals on the rooftop	42 chord \| carrying \| chromatic parallelism \| chromatic scale \| crime \| criminal \| dissonant bass \| gangster \| half-diminished 7th chord \| mysterious \| robbery \| rooftop \| sneaking \| sneaky \| stairs \| stealing \| thief \| tossing \| underscoring \| walking \| whole-tone
The Amazing Dr. Clitterhouse (1938)	The Amazing Doctor (Comical)	0:46:08 - Doctor examines a criminal	64 chord \| chromatic parallelism \| comical \| criminal \| doctor \| examining \| fragmentation \| gangster \| leading man \| pedal tone \| robbery \| rooftop \| sequence \| thief \| underscoring
The Amazing Dr. Clitterhouse (1938)	Underscoring (Tense)	0:47:04 - Doctor talks with the criminals	augmented major 7th chord \| chromatic parallelism \| criminal \| dissonant bass \| doctor \| examining \| gangster \| leading man \| ostinato \| pc set \| robbery \| rooftop \| tense \| thief \| underscoring \| walking \| working
The Amazing Dr. Clitterhouse (1938)	Arms crossing	0:47:10 - Criminal crosses his arms	arm \| chromatic parallelism \| comical \| criminal \| crossing \| diminished 7th chord \| gangster \| mickey-mousing \| robbery \| rooftop \| thief \| wedge
The Amazing Dr. Clitterhouse (1938)	The Amazing Doctor (Giving Orders)	0:48:32 - Doctor gives orders to the criminals	64 chord \| anger \| annoyance \| chromatic parallelism \| commanding \| criminal \| doctor \| fragmentation \| gangster \| leading man \| ordering \| pedal tone \| robbery \| sequence \| store \| tense \| thief
The Amazing Dr. Clitterhouse (1938)	Rocks (Double Cross)	0:48:56 - Rocks thinks of a double-cross	antagonist \| chromatic parallelism \| criminal \| diminished 7th chord \| doctor \| double-cross \| dramatic \| gangster \| leading man \| murderer \| murdering \| plotting \| robbery \| sinister \| store \| thief \| trapping
The Amazing Dr. Clitterhouse (1938)	Locked in vault	0:49:06 - Dr. Clitterhouse locked in safe	anxious \| chromatic parallelism \| chromatic scale \| criminal \| doctor \| double-cross \| dramatic \| gangster \| leading man \| murderer \| murdering \| panicking \| polychord \| pounding \| robbery \| safe \| store \| tense \| thief \| trapping \| vault \| yelling
The Amazing Dr. Clitterhouse (1938)	The Amazing Doctor (Brass) + The Motor	0:51:00 - Dr. Clitterhouse in the safe	anxious \| chromatic parallelism \| chromatic scale \| combination of themes \| criminal \| dramatic \| gangster \| knocking \| motor \| ostinato \| panicking \| robbery \| store \| tense \| thief
The Amazing Dr. Clitterhouse (1938)	The Torch (Burning)	0:51:12 - Butch opens safe with welder's torch	anxious \| burning \| chromatic parallelism \| criminal \| dramatic \| fire \| flame \| gangster \| half-diminished 7th chord \| hero \| rescuing \| robbery \| sparks \| store \| tense \| thief \| torch
The Amazing Dr. Clitterhouse (1938)	The Motor (Rescue)	0:52:29 - Dr. Clitterhouse escapes from safe	anxious \| chromatic parallelism \| chromatic scale \| criminal \| dramatic \| escaping \| gangster \| hero \| motor \| ostinato \| rescuing \| robbery \| store \| tense \| thief
The Amazing Dr. Clitterhouse (1938)	Poison	1:08:46 - Rocks feels the effect of the poison	blur \| chromatic parallelism \| diminution \| doctor \| dreaming \| drugs \| ethereal \| gangster \| layering \| leading lady \| leading man \| murder \| murderer \| murdering \| murder scene \| office \| oscillation \| ostinato \| pc set \| poison \| poisoning \| polychord \| stinger \| tone cluster
The Amazing Dr. Clitterhouse (1938)	Rocks struggles and falls	1:09:52 - Rocks tries to get up, then collapses	chromatic parallelism \| chromatic scale \| death \| doctor \| down \| drugs \| dying \| falling \| gangster \| leading lady \| leading man \| murder \| murderer \| murder scene \| office \| oscillation \| poison \| rising \| split-third chord \| struggling \| tense \| up
The Amazing Dr. Clitterhouse (1938)	The Amazing Doctor (Funebre)	1:10:07 - Dr. Clitterhouse talks with Jo	9th chord \| chromatic parallelism \| dark \| death \| doctor \| gangster \| leading lady \| leading man \| murder \| murderer \| murder scene \| office \| pleading \| realizing \| tense
The Amazing Dr. Clitterhouse (1938)	The Amazing Doctor (Murder)	1:10:49 - Montage of newspaper headlines	chromatic parallelism \| corpse \| dark \| dissonant bass \| fingerprints \| headlines \| investigating \| montage \| morgue \| mortician \| murder \| newspaper \| police \| printing press \| tense \| triadic transformation
Angels With Dirty Faces (1938)	The Chase	0:04:21 - Cops chase boys through the train yard	chase scene \| chasing \| chromatic parallelism \| chromatic scale \| diminished 7th chord \| dramatic \| escaping \| half-diminished 7th chord \| mickey-mousing \| police \| polychord \| running \| street \| teenager \| whole-tone chord
Angels With Dirty Faces (1938)	Underscoring (Dramatic)	NIF - not in film	chromatic parallelism \| chromatic scale \| chromatic sequence \| conflict \| cut from film \| diminished 7th chord \| dissonant bass \| evading \| following \| gangster \| leading man \| linear chromaticism \| setup \| shop \| street \| underscoring \| walking
Angels With Dirty Faces (1938)	Pushing forward	0:40:26 - Man pulls a gun on the cashier	advancing \| chromatic parallelism \| chromatic scale \| conflict \| dominant 7th chord \| gangster \| gun \| leading man \| mickey-mousing \| ominous \| pedal tone \| pushing \| shop
Angels With Dirty Faces (1938)	Underscoring (Tense)	0:41:20 - Police car arrives	arriving \| chromatic parallelism \| chromatic scale \| conflict \| crowd \| dissonant bass \| half-diminished 7th chord \| rushing \| shop \| street \| tense \| underscoring
Angels With Dirty Faces (1938)	Crowd	0:41:46 - Hustling crowd	chromatic parallelism \| conflict \| crowd \| dissonant bass \| rushing \| street \| tense
Angels With Dirty Faces (1938)	The Gangster (Elevator Music)	0:42:40 - Elevator goes up	advance plot \| chromatic parallelism \| elevator \| gangster \| half-diminished 7th chord \| lawyer \| leading man \| mickey-mousing \| rising \| room \| tense
Angels With Dirty Faces (1938)	The Cartoon	1:04:49 - Jerry looks at newspaper cartoon of Rocky	9th chord \| advance plot \| cartoon \| chromatic parallelism \| comical \| leading man \| priest \| reading \| room
Angels With Dirty Faces (1938)	Underscoring (Dramatic)	1:16:29 - Rocky shoots Mac and Frazier	agitated \| attacking \| casino \| chaos \| chasing \| chromatic parallelism \| chromatic scale \| climbing \| conflict \| crowd \| death \| dissonant bass \| dramatic \| dying \| escaping \| falling \| fighting \| gangster \| gun \| gunshot \| half-diminished 7th chord \| hurrying \| jumping \| landing \| lawyer \| leading man \| mickey-mousing \| pedal tone \| police \| rooftop \| room \| running \| sequence \| shooting \| sneaking \| sneaky \| street \| tone cluster \| underscoring
Angels With Dirty Faces (1938)	Mac gets shot	1:16:35 - Mac gets shot and dies	agitated \| chromatic parallelism \| chromatic scale \| conflict \| death \| dramatic \| dying \| falling \| gangster \| gun \| gunshot \| lawyer \| leading man \| mickey-mousing \| room \| shooting
Angels With Dirty Faces (1938)	Going up a ladder	1:17:41 - Rocky climbs up an escape ladder	agitated \| ascending \| chromatic parallelism \| climbing \| conflict \| dramatic \| gangster \| ladder \| leading man \| mickey-mousing \| pedal tone \| sequence \| street \| up
Angels With Dirty Faces (1938)	Underscoring (Dramatic)	1:19:00 - Rocky is trapped in a building	42 chord \| agitated \| chromatic parallelism \| chromatic scale \| conflict \| dissonant bass \| dramatic \| escaping \| fleeing \| gangster \| half-diminished 7th chord \| leading man \| major 7th chord \| police \| running \| sequence \| stairwell \| tone cluster \| underscoring
Angels With Dirty Faces (1938)	Going up stairs	1:19:27 - Rocky runs up the stairs	agitated \| chromatic parallelism \| chromatic scale \| conflict \| dissonant bass \| dramatic \| gangster \| leading man \| major 7th chord \| mickey-mousing \| running \| sequence \| stairs \| stairwell \| up
Angels With Dirty Faces (1938)	Tear Gas	1:19:48 - Tear gas spreads throughout the room	agitated \| breaking \| breaking \| breathing \| building \| chromatic parallelism \| chromatic scale \| conflict \| dissonant bass \| dramatic \| gangster \| gun \| gunshot \| hurrying \| leading man \| mickey-mousing \| pedal tone \| police \| quartal chord \| running \| shooting \| smoke \| street \| tear gas \| throwing \| window
Angels With Dirty Faces (1938)	Machine Gun	1:20:24 - Policeman shoots at Rocky with machine gun	agitated \| building \| chromatic parallelism \| conflict \| death \| dramatic \| falling \| gangster \| gun \| gunshot \| hiding \| leading man \| police \| polychord \| shooting \| street \| underscoring
Angels With Dirty Faces (1938)	Jerry + Tear Gas	1:21:14 - Rocky staggers through tear gas and Jerry arrives	agitated \| arriving \| building \| chromatic parallelism \| combination of themes \| conflict \| dissonant bass \| dramatic \| gangster \| heroic \| hurrying \| leading man \| mickey-mousing \| priest \| quartal chord \| smoke \| staggering \| street \| tear gas
Angels With Dirty Faces (1938)	Tear Gas (Desperate)	1:21:40 - Rocky tries to hold off the cops	agitated \| building \| chromatic parallelism \| chromatic scale \| conflict \| dissonant bass \| dramatic \| gangster \| gun \| gunshot \| leading man \| mickey-mousing \| pedal tone \| police \| priest \| quartal chord \| shooting \| smoke \| staggering \| street \| tear gas
Angels With Dirty Faces (1938)	The Gangster (Triste)	1:23:57 - Rocky uses Jerry as a hostage	9th chord \| building \| chromatic parallelism \| conflict \| coughing \| dark \| double-cross \| foreign key modulation \| fragmentation \| gangster \| hostage \| leading man \| linear chromaticism \| major 7th chord \| menacing \| polychord \| priest \| smoke \| somber \| street \| tear gas \| walking
Angels With Dirty Faces (1938)	Underscoring (Dramatic)	1:31:44 - Rocky punches a guard	agitated \| chromatic parallelism \| chromatic scale \| chromatic wedge \| climax \| fighting \| gangster \| half-diminished 7th chord \| leading man \| police \| priest \| prison \| punching \| tense \| underscoring
Are These Our Children? (1931)	Dreams (Coney Island)	NIF - not in film	chromatic mediant \| chromatic parallelism \| cut from film \| foreign key modulation \| joyful
Are These Our Children? (1931)	Dreams (Washroom Sequence)	0:24:25 - Eddie talks with his friends	advance plot \| chromatic parallelism \| common-tone diminished 7th \| conversing \| dance hall \| friend \| leading man \| score to source \| somber \| source music \| transcribed by ear
Are These Our Children? (1931)	Dreams (Washroom Sequence Coda)	NIF - not in film	chromatic parallelism \| cut from film
Are These Our Children? (1931)	Dreams (Allegro)	1:15:33 - Newspaper headlines	augmented triad \| chromatic parallelism \| double exposure \| dramatic \| fanfare \| frantic \| headline \| montage \| mother \| newspaper \| ostinato \| spinning \| tense \| whole-tone chord \| whole-tone scale
Are These Our Children? (1931)	Dreams (Meno)	NIF - not in film	added-note chord \| chromatic parallelism \| common-tone dominant 7th \| cut from film \| half-diminished 7th chord \| peaceful
Arsenic and Old Lace (1944)	Chromatic Fall	0:00:58 - Max Steiner's name	42 chord \| cast list \| chromatic parallelism \| chromatic scale \| dramatic \| opening title sequence \| pedal tone
Arsenic and Old Lace (1944)	Underscoring (Comical)	0:02:20 - Mortimer hides from the reporters	chromatic parallelism \| chromatic wedge \| comical \| disguise \| establish character \| hiding \| leading lady \| leading man \| looking \| marriage \| office \| reporter \| underscoring \| whole-tone chord
Arsenic and Old Lace (1944)	Wind blowing	0:13:48 - Wind blows the curtains at the window	advance plot \| aunt \| blowing \| chromatic parallelism \| leading lady \| looking \| mysterious \| room \| wind \| wind effect
Arsenic and Old Lace (1944)	Scar (Face)	0:42:29 - Jonathan talks about his scar	augmented triad \| aunt \| brother \| chromatic parallelism \| conversing \| crazy person \| criminal \| doctor \| establish character \| fragmentation \| leading lady \| leading man \| murderer \| mysterious \| pc set \| polychord \| room \| scar \| tense
Arsenic and Old Lace (1944)	Home Sweet Home (Tranquillo)	0:43:40 - Jonathan sits down	augmented triad \| aunt \| brother \| calm \| chromatic parallelism \| conversing \| crazy person \| criminal \| direct modulation \| distortion \| doctor \| establish character \| familiar tune \| leading lady \| leading man \| murderer \| pedal tone \| room
Arsenic and Old Lace (1944)	Wind blowing 2	0:52:32 - The aunts walk to the window	advance plot \| aunt \| blowing \| chromatic parallelism \| crazy person \| half-diminished 7th chord \| leading lady \| looking \| murderer \| mysterious \| room \| wind \| wind effect \| window
Arsenic and Old Lace (1944)	Molto Agitato	1:29:57 - Jonathan ties Mortimer to a chair	9th chord \| brother \| captive \| chromatic parallelism \| conflict \| crazy person \| diminished 7th chord \| doctor \| dramatic \| fear \| gagging \| leading man \| mickey-mousing \| murderer \| room \| stinger \| tying \| victim
Arsenic and Old Lace (1944)	Knives	1:31:05 - Mortimer looks at the knives	acceleration \| brother \| captive \| chromatic parallelism \| close-up \| conflict \| crazy person \| diminution \| doctor \| fear \| layering \| leading man \| murderer \| ominous \| oscillation \| ostinato \| pc set \| polychord \| room \| tense \| tone cluster \| torturing \| victim
Arsenic and Old Lace (1944)	Panic	1:31:48 - Einstein agrees to do the torture	alcohol \| brother \| captive \| chromatic parallelism \| chromatic scale \| conflict \| crazy person \| doctor \| dramatic \| fear \| leading man \| murderer \| oscillation \| panicked \| panicking \| polychord \| room \| sequence \| split-third chord \| tense \| torturing \| victim
The Big Sleep (1946)	Flirtation	0:01:42 - Carmen flirts with Marlowe	chromatic parallelism \| chromatic scale \| comical \| daughter \| establish character \| femme fatale \| flirting \| half-diminished 7th chord \| leading man \| private eye \| room
The Big Sleep (1946)	Running	0:20:06 - Carmen runs to Geiger's house	chromatic parallelism \| dissonant bass \| femme fatale \| investigation scene \| mysterious \| rain \| running \| street \| tense
The Big Sleep (1946)	Action	0:21:04 - Marlowe runs to the house	action scene \| antagonist \| chromatic parallelism \| chromatic scale \| chromatic sequence \| chromatic wedge \| diminished 7th chord \| dramatic \| hurrying \| leading man \| pc set \| private eye \| running \| street \| tense \| underscoring
The Big Sleep (1946)	Running down	0:21:13 - Feet running down the stairs	action scene \| antagonist \| chromatic parallelism \| chromatic scale \| descending \| dramatic \| half-diminished 7th chord \| hurrying \| mickey-mousing \| running \| street \| tense
The Big Sleep (1946)	Marlowe (Thinking)	0:24:26 - Marlowe tries to solve the mystery	added-note chord \| chromatic parallelism \| chromatic scale \| clue \| investigating \| investigation scene \| leading man \| mysterious \| private eye \| room \| secret code \| thinking
The Big Sleep (1946)	Marlowe (Risoluto)	0:24:39 - Marlowe searches for clues	added-note chord \| chromatic parallelism \| fragmentation \| investigating \| investigation scene \| leading man \| private eye \| resolved \| room \| searching
The Big Sleep (1946)	Girl Driver	0:39:53 - Marlowe pays the lady cab driver	bluesy \| chromatic parallelism \| chromatic sequence \| flirting \| investigation scene \| leading man \| love interest \| private eye \| seductive \| street
The Big Sleep (1946)	Running	0:47:40 - Vivian enters the apartment building	chromatic parallelism \| dissonant bass \| hurrying \| investigating \| investigation scene \| leading lady \| leading man \| mysterious \| private eye \| street \| tense \| walking
The Big Sleep (1946)	Underscoring (Mysterious)	0:48:15 - Marlowe talks to Joe Brody	blackmailer \| chromatic parallelism \| conversing \| criminal \| gun \| investigation scene \| leading man \| mysterious \| private eye \| room \| suspect \| underscoring
The Big Sleep (1946)	Underscoring (Tense)	0:51:31 - Joe reacts to the doorbell ringing	blackmailer \| chromatic parallelism \| conflict \| conversing \| criminal \| doorbell \| gun \| leading lady \| leading man \| mysterious \| pc set \| private eye \| room \| suspect \| tense \| tone cluster \| underscoring \| whole-tone chord
The Big Sleep (1946)	Underscoring (Dramatic)	0:52:02 - Marlowe pushes Agnes	blackmailer \| chromatic parallelism \| chromatic scale \| conflict \| criminal \| diminished 7th chord \| dramatic \| falling \| femme fatale \| gun \| leading lady \| leading man \| private eye \| room \| suspect \| tense \| tripping \| underscoring
The Big Sleep (1946)	Sternwood (Extended)	0:52:29 - Carmen asks for her picture back	9th chord \| altered dominant \| blackmail \| chromatic parallelism \| conflict \| diminished 7th chord \| evidence \| femme fatale \| flirting \| leading lady \| leading man \| mysterious \| pc set \| private eye \| room \| seductive \| whole-tone chord
The Big Sleep (1946)	Down the Stairs + The Chase + Marlowe (Action)	0:56:39 - Marlowe chases the killer	assassin \| chase scene \| chasing \| chromatic parallelism \| chromatic scale \| descending \| dissonant bass \| dramatic \| gun \| gunshot \| heroic \| layering \| leading man \| murderer \| private eye \| room \| running \| stairs \| tense
The Big Sleep (1946)	Vivian	1:15:22 - Marlowe and Vivian talk	9th chord \| 13th chord \| AABA structure \| added-note chord \| altered dominant \| car \| chromatic mediant \| chromatic parallelism \| common-tone dominant 7th \| conversing \| foreign key modulation \| kissing \| leading lady \| leading man \| love \| love interest \| love scene \| Neapolitan \| private eye \| romantic \| suspension
The Big Sleep (1946)	Questions	1:16:16 - Marlowe and Vivian argue	angry \| car \| chromatic parallelism \| chromatic scale \| conversing \| leading lady \| leading man \| love interest \| love scene \| private eye \| tense
The Big Sleep (1946)	Underscoring (Tense)	1:16:43 - Marlowe and Vivian argue	accusing \| car \| chromatic parallelism \| half-diminished 7th chord \| leading lady \| leading man \| love interest \| love scene \| pedal tone \| private eye \| tense \| underscoring
The Big Sleep (1946)	Underscoring (Tense)	NIF - not in film	advance plot \| chromatic parallelism \| conversing \| cut from film \| diminished 7th chord \| femme fatale \| leading man \| oscillation \| private eye \| room \| tritone \| underscoring \| whole-tone chord
The Big Sleep (1946)	Marlowe (Major)	NIF - not in film	advance plot \| chromatic parallelism \| conversing \| cut from film \| femme fatale \| leading man \| mode mixture \| pc set \| private eye \| room
The Big Sleep (1946)	Bites hand	NIF - not in film	advance plot \| biting \| chromatic parallelism \| cut from film \| femme fatale \| leading man \| mickey-mousing \| pc set \| private eye \| room \| stinger
The Big Sleep (1946)	Marlowe (Thinking)	1:20:49 - Marlowe sits in a diner	11th chord \| added-note chord \| advance plot \| café \| chromatic parallelism \| fragmentation \| leading man \| mysterious \| private eye \| tense \| thinking
The Big Sleep (1946)	Underscoring (Mysterious)	1:21:57 - Marlowe speaks with Vivian on the phone	advance plot \| café \| chromatic parallelism \| conversing \| leading lady \| leading man \| linear chromaticism \| love interest \| mysterious \| phone call \| private eye \| stinger \| tense \| underscoring
The Big Sleep (1946)	Jones	1:23:24 - Jones enters	advance plot \| chromatic parallelism \| leading man \| mysterious \| parallelism \| pedal tone \| private eye \| street \| tense \| walking
The Big Sleep (1946)	Marlowe (Beaten)	1:23:35 - Jones helps Marlowe up	advance plot \| chromatic parallelism \| dazed \| half-diminished 7th chord \| leading man \| lifting \| mickey-mousing \| pain \| private eye \| rising \| street \| whole-tone chord \| whole-tone scale
The Big Sleep (1946)	Jones (Eavesdropping)	1:27:22 - Marlowe hears Jones talking to someone	chromatic parallelism \| eavesdropping \| hallway \| investigation scene \| leading man \| mysterious \| parallelism \| pedal tone \| private eye \| sneaking \| tense
The Big Sleep (1946)	Jones falls	1:29:50 - Jones falls and dies	chromatic parallelism \| death \| death scene \| dying \| falling \| leading man \| major 7th chord \| mickey-mousing \| murder \| mysterious \| pc set \| poison \| private eye \| room \| victim \| violent
The Big Sleep (1946)	Wrong Address	1:30:46 - Marlowe ends the phone call	9th chord \| altered dominant \| chromatic parallelism \| conversing \| death \| death scene \| half-diminished 7th chord \| leading man \| phone call \| private eye \| room \| somber \| victim
The Big Sleep (1946)	Jones (Dolce)	1:31:04 - Marlowe sits down on the couch	chromatic parallelism \| death \| death scene \| leading man \| mourning \| parallelism \| pedal tone \| private eye \| room \| somber \| victim
The Big Sleep (1946)	Vivian	1:40:03 - Marlowe and Vivian kiss	9th chord \| 13th chord \| AABA structure \| added-note chord \| altered dominant \| captive \| chromatic mediant \| chromatic parallelism \| common-tone dominant 7th \| foreign key modulation \| freeing \| kissing \| leading lady \| leading man \| love interest \| love scene \| Neapolitan \| private eye \| romantic \| room \| suspension
The Big Sleep (1946)	Questions	1:40:44 - Vivian tries to free Marlowe	captive \| chromatic parallelism \| freeing \| leading lady \| leading man \| love interest \| love scene \| private eye \| room \| tense
The Big Sleep (1946)	Canino's Death	1:43:22 - Canino is shot	action scene \| chromatic parallelism \| criminal \| death \| dramatic \| dying \| falling \| gun \| gunshot \| hostage \| leading lady \| leading man \| love interest \| mirroring \| outside \| pc set \| private eye \| retrograde \| stumbling \| tense
The Big Sleep (1946)	Underscoring (Tense)	1:43:35 - Marlowe gets the keys to the handcuffs	action scene \| chromatic parallelism \| criminal \| death \| escaping \| gun \| hostage \| leading lady \| leading man \| love interest \| outside \| pc set \| private eye \| tense \| underscoring \| whole-tone \| whole-tone chord
The Big Sleep (1946)	Driving 2 + Vivian	1:44:16 - Vivian tells Marlowe she loves him	9th chord \| 13th chord \| car \| chromatic parallelism \| conversing \| driving \| leading lady \| leading man \| love \| love interest \| love scene \| ostinato \| private eye \| romantic \| suspension \| tense
The Big Sleep (1946)	Driving 2 + Vivian	1:45:21 - Marlowe tells Vivian he loves her	9th chord \| 13th chord \| arriving \| car \| chromatic parallelism \| conversing \| driving \| leading lady \| leading man \| love \| love interest \| love scene \| ostinato \| private eye \| romantic \| suspension \| tense
The Big Sleep (1946)	Vivian	1:52:48 - Marlowe talks to Vivian	9th chord \| 13th chord \| chromatic parallelism \| conversing \| leading lady \| leading man \| love \| love interest \| Neapolitan \| private eye \| resolution \| romantic \| room
The Big Sleep (1946)	Vivian (Expressivo)	1:53:20 - Marlowe pulls Vivian close	9th chord \| 13th chord \| chromatic parallelism \| conversing \| foreign key modulation \| leading lady \| leading man \| love \| love interest \| private eye \| resolution \| romantic \| room \| suspension
The Breaking Point (1950)	Leona	1:36:26 - Leona watches	9th chord \| 11th chord \| 13th chord \| augmented sixth chord \| child \| chromatic parallelism \| climax \| crowd \| crying \| doctor \| harbor \| leading lady \| leading man \| sailor \| somber \| watching \| wife
Caged (1950)	Caged (Van Stops)	NIF - not in film	car \| chromatic parallelism \| cut from film \| dark \| dissonant bass \| driving \| guard \| opening title sequence \| police car \| prisoner \| riding \| tense
Caged (1950)	Swimmy	NIF - not in film	advance plot \| chromatic parallelism \| chromatic scale \| cut from film \| disbelief \| dissonant bass \| fragmentation \| guard \| leading lady \| pregnancy \| prison \| prisoner \| reacting \| realization \| tense
Caged (1950)	Train Whistle Hallucination	NIF - not in film	acceleration \| agitated \| bed \| breaking \| chromatic parallelism \| chromatic scale \| crazy person \| crying \| cut from film \| diminished 7th chord \| dramatic \| glass \| hallucinating \| leading lady \| mad scene \| ostinato \| pedal tone \| polychord \| prison \| prisoner \| screaming \| smashing
Caged (1950)	Wailing + Train Whistle Hallucination	NIF - not in film	acceleration \| agitated \| bed \| chromatic parallelism \| chromatic scale \| combination of themes \| crazy person \| crying \| crying effect \| cut from film \| diminished 7th chord \| dramatic \| glass \| leading lady \| mad scene \| ostinato \| pedal tone \| polychord \| prison \| prisoner \| rushing \| unlocking \| wailing
Caged (1950)	Agitato	NIF - not in film	agitated \| chromatic parallelism \| chromatic scale \| cut from film \| fragmentation \| mad scene \| ostinato \| pc set \| prison \| whole-tone chord
Caged (1950)	Underscoring (Dramatic)	0:32:30 - Marie in the prison cafeteria	alarm \| alarm effect \| bell \| chromatic parallelism \| double exposure \| dramatic \| eating \| fanning \| guard \| heat \| leading lady \| mickey-mousing \| montage \| montage \| pc set \| prison \| prisoner \| underscoring \| whole-tone scale
Caged (1950)	Swimmy (Poco Agitato)	0:43:53 - Mrs. Benton on the phone	advance plot \| calling \| cards \| chromatic parallelism \| conversing \| dissonant bass \| phone call \| playing \| prison \| telephone \| tense \| warden
Caged (1950)	Swimmy (Party)	NIF - not in film	advance plot \| chromatic parallelism \| cut from film \| pedal tone \| syncopation
City for Conquest (1940)	Tone Poem B + Train	0:01:19 - Sign for the Williamsburg Bridge	9th chord \| added-note chord \| bridge \| busy \| chromatic parallelism \| city \| combination of themes \| countermelody \| hurried \| Mixolydian mode \| old man \| police \| train \| transition \| traveling
City for Conquest (1940)	Sidewalks of New York (Soliloquy)	0:01:33 - A cop tells a man to keep moving	9th chord \| 13th chord \| bridge \| chromatic parallelism \| city \| conversing \| establish place \| establish setting \| old man \| police \| soliloquy \| uneasy
City for Conquest (1940)	Sidewalks of New York (Montage)	0:02:18 - A montage of New York City scenes	added-note chord \| boat \| bridge \| car \| chromatic parallelism \| city \| conversing \| Dutch angle \| establish setting \| excited \| fragmentation \| montage \| old man \| panning shot \| police \| pump-up modulation \| soliloquy \| train
City for Conquest (1940)	Sidewalks of New York (Soliloquy)	0:02:50 - Old-timer talks with cop	9th chord \| 13th chord \| arguing \| bluesy \| bridge \| chromatic parallelism \| city \| establish setting \| old man \| police \| sentimental \| soliloquy
City for Conquest (1940)	Sidewalks of New York (Cop Grabs Bum)	0:03:06 - Cop pushes old-timer	9th chord \| arguing \| bridge \| chromatic parallelism \| chromatic scale \| city \| comical \| establish setting \| mickey-mousing \| old man \| police \| pushing \| rushing \| tense
City for Conquest (1940)	Sidewalks of New York (Soliloquy 2)	0:05:44 - Old-timer talks to a stone carver	9th chord \| 13th chord \| bluesy \| child \| chromatic parallelism \| conversing \| establish character \| fragmentation \| love \| old man \| romantic \| sentimental \| soliloquy \| street \| worker
City for Conquest (1940)	Tone Poem A (Very Broad)	0:12:16 - Eddie plays the piano	13th chord \| brother \| chromatic parallelism \| chromatic scale \| composer \| conversing \| describing \| dissonant bass \| establish character \| explaining \| leading man \| musician \| name of film \| pentatonic \| piano \| playing \| romantic \| room \| source music \| transcribed by ear
City for Conquest (1940)	Tone Poem A (Unattainable Stars)	0:12:37 - Eddie plays the piano	brother \| chromatic parallelism \| composer \| conversing \| describing \| establish character \| explaining \| leading man \| musician \| piano \| playing \| romantic \| room \| somber \| source music \| transcribed by ear
City for Conquest (1940)	Shadow Waltz (Ethereal)	0:24:48 - Peggy peeks out of her door	added-note chord \| advance plot \| arriving \| chromatic parallelism \| chromatic wedge \| common-tone diminished 7th \| entering \| gentle \| leading lady \| mysterious \| parallelism \| room \| sneaking \| source to score
City for Conquest (1940)	Tone Poem A (Dolce)	0:30:28 - Peggy talks to Danny	9th chord \| 11th chord \| arguing \| chromatic parallelism \| common-chord modulation \| conversing \| flirting \| gentle \| leading lady \| leading man \| love scene \| playful \| room \| shaving
City for Conquest (1940)	Galop	0:31:21 - Montage at an amusement park	amusement park \| chromatic parallelism \| chromatic scale \| double exposure \| excited \| linear chromaticism \| montage \| neon light
City for Conquest (1940)	Peggy runs	0:47:31 - Peggy runs down the stairs	boxer \| chromatic parallelism \| chromatic sequence \| dancer \| descending \| leading lady \| leading man \| love scene \| mickey-mousing \| running \| source and scoring overlap \| street \| tense
City for Conquest (1940)	Mysterioso	1:13:36 - Googi leaves	augmented triad \| chromatic parallelism \| criminal \| gangster \| leaving \| locker room \| manager \| murder scene \| mysterious \| parallelism \| whole-tone
City for Conquest (1940)	Underscoring (Tense)	1:14:48 - Googi threatens Cobb	car \| car \| chromatic parallelism \| chromatic scale \| criminal \| dissonant bass \| driving \| gangster \| manager \| murder \| murderer \| murder scene \| ominous \| tense \| threatening
City for Conquest (1940)	Slap	1:14:53 - Googi slaps Cobb	car \| car \| chromatic parallelism \| criminal \| gangster \| manager \| mickey-mousing \| murder \| murderer \| murder scene \| ominous \| pc set \| slapping \| tense
City for Conquest (1940)	Googi (Molto Mysterioso e Screwyoso)	1:15:19 - Cobb sees the gun	car \| chromatic parallelism \| conversing \| corpse \| criminal \| disposing \| dissonant bass \| dock \| fragmentation \| gangster \| half-diminished 7th chord \| manager \| murderer \| murder scene \| ominous \| ostinato \| tense \| tritone oscillation \| working
City for Conquest (1940)	Googi dies	1:15:34 - Googi is shot	chromatic parallelism \| criminal \| dock \| dying \| falling \| gangster \| gun \| gunshot \| half-diminished 7th chord \| manager \| mickey-mousing \| murderer \| murdering \| murder scene \| ominous \| shooting \| slumping \| tense
City for Conquest (1940)	Tone Poem Introduction	1:32:01 - Orchestra playing in a concert hall	9th chord \| audience \| bold \| Carnegie Hall \| chromatic parallelism \| common-tone dominant 7th \| concert \| concert hall \| concert scene \| conducting \| conductor \| dissonant bass \| dominant 7th chord \| double exposure \| Dutch angle \| Gershwinesque \| listening \| musician \| on-screen music \| orchestra \| playing \| radio \| score to source \| source music \| watching
City for Conquest (1940)	Tone Poem Introduction (Abbreviated)	1:34:01 - Orchestra playing	9th chord \| audience \| bold \| Carnegie Hall \| chromatic parallelism \| concert \| concert hall \| concert scene \| conducting \| conductor \| dissonant bass \| double exposure \| Dutch angle \| Gershwinesque \| listening \| musician \| on-screen music \| orchestra \| playing \| radio \| source music \| watching
City for Conquest (1940)	Tone Poem Transition 3	NIF - not in film	acceleration \| bold \| chromatic parallelism \| chromatic sequence \| concert scene \| cut from film \| diminution \| dominant 7th chord \| exciting \| foreign key modulation \| fragmentation \| polyrhythm
City for Conquest (1940)	Tone Poem A (Very Broad)	1:34:24 - Peggy reacts to the music	9th chord \| 13th chord \| audience \| bold \| Carnegie Hall \| chromatic parallelism \| chromatic scale \| chromatic sequence \| concert \| concert hall \| concert scene \| conducting \| conductor \| deceptive resolution \| dissonant bass \| dramatic \| Gershwinesque \| leading lady \| leading man \| listening \| musician \| newspaper \| newspaper stand \| on-screen music \| orchestra \| playing \| radio \| romantic \| source music \| street \| watching \| zoom out
City for Conquest (1940)	Tone Poem A (Lento)	1:35:02 - Orchestra playing	9th chord \| audience \| Carnegie Hall \| chromatic parallelism \| chromatic sequence \| concert \| concert hall \| concert scene \| conducting \| conductor \| crying \| leading lady \| linear chromaticism \| listening \| musician \| on-screen music \| orchestra \| playing \| polychord \| romantic \| somber \| source music \| tender \| watching
City for Conquest (1940)	Tone Poem D	NIF - not in film	9th chord \| AABA structure \| added-note chord \| altered dominant \| blue note \| bluesy \| chromatic parallelism \| chromatic sequence \| concert scene \| countermelody \| cut from film \| mode mixture \| parallelism
City for Conquest (1940)	Sidewalks of New York (Soliloquy)	1:42:56 - Old timer talks to himself	altered dominant \| chromatic parallelism \| conversing \| countermelody \| old man \| resolution \| sentimental \| soliloquy
Crime School (1938)	Sue (Quasi Blues)	0:11:08 - Sue talks to Frankie	bluesy \| chromatic parallelism \| common-chord modulation \| conversing \| crying \| establish character \| foreign key modulation \| Gershwinesque \| heroine \| leading lady \| room \| somber
Crime School (1938)	Sue (Minor)	0:20:38 - Judge sentences boys to the reformatory	augmented sixth chord \| chromatic parallelism \| courthouse \| crying \| dissonant bass \| gang \| heroine \| judge \| leading lady \| leading man \| sister \| somber \| stinger \| teenager \| trial
Crime School (1938)	The Patrol Wagon	0:21:41 - Boys get loaded into the patrol wagon	car \| chromatic parallelism \| cut from film \| dissonant bass \| pedal tone \| police car \| traveling
Crime School (1938)	The Warden	0:23:15 - Warden stands up to face the boys	antagonist \| arguing \| augmented triad \| authority \| chromatic parallelism \| establish character \| falling \| gang \| lightning \| ominous \| police \| reformatory \| slapping \| stinger \| teenager \| warden \| whole-tone chord
Crime School (1938)	The Warden (Quasi Mysterioso)	0:27:46 - Warden approaches Frankie with a whip	chromatic parallelism \| develop character \| reformatory \| rising \| standing \| teenager \| tense \| threatening \| warden \| whip
Crime School (1938)	Underscoring (Dramatic)	0:28:01 - Frankie escapes from the warden's office	9th chord \| chromatic parallelism \| dramatic \| escape \| escaping \| half-diminished 7th chord \| hiding \| mickey-mousing \| ostinato \| reformatory \| running \| teenager \| tense \| throwing \| tone cluster \| warden \| whole-tone scale
Crime School (1938)	Underscoring (Tense)	0:28:21 - Boys wonder about the alarm	alarm \| chromatic parallelism \| chromatic wedge \| dissonant bass \| escape \| gang \| pc set \| reformatory \| teenager \| tense \| whistle \| wondering
Crime School (1938)	Searchlights	0:28:27 - Boys wonder about the searchlight	chromatic parallelism \| escape \| gang \| mickey-mousing \| reformatory \| searchlight \| teenager \| tense \| wondering
Crime School (1938)	Escaping	0:28:32 - Frankie runs and hides	chromatic parallelism \| chromatic wedge \| dissonant bass \| dramatic \| escape \| escaping \| hiding \| mickey-mousing \| police \| reformatory \| running \| sequence \| sneaking \| teenager \| tense \| tone cluster
Crime School (1938)	Searchlights (Sneaking)	0:28:47 - Frankie hides from the searchlight	chromatic parallelism \| dramatic \| escape \| escaping \| hiding \| jumping \| mickey-mousing \| police \| reformatory \| running \| searchlight \| sneaking \| teenager \| tense
Crime School (1938)	Underscoring (Dramatic)	0:29:09 - Frankie hides then runs	barbed wire fence \| battle call \| chromatic parallelism \| chromatic scale \| diminished 7th chord \| dramatic \| escape \| escaping \| gang \| hiding \| jumping \| mickey-mousing \| reformatory \| running \| teenager \| tense
Crime School (1938)	Sue (Barbed Wire)	0:29:18 - Frankie gets caught on barbed wire	anguished \| barbed wire fence \| battle call \| chromatic parallelism \| chromatic scale \| climbing \| diminished 7th chord \| dissonant bass \| dramatic \| escape \| half-diminished 7th chord \| pain \| pc set \| reformatory \| struggling \| teenager \| tense
Crime School (1938)	The Warden (The Guards)	0:29:34 - Warden's guards run to catch Frankie	64 chord \| anguished \| barbed wire fence \| battle call \| capturing \| chromatic parallelism \| chromatic scale \| dragging \| dramatic \| escape \| falling \| pc set \| police \| reformatory \| running \| sequence \| teenager \| tense \| warden
Crime School (1938)	Dragging	0:29:51 - Warden's guards drag Frankie through the rain	accented dissonance \| anguished \| capturing \| chromatic parallelism \| dissonant bass \| dragging \| dramatic \| escape \| kicking \| mickey-mousing \| police \| reformatory \| splashing \| teenager \| tense \| warden
Crime School (1938)	Window closing	0:30:05 - Boys close their window	chromatic parallelism \| closing \| escape \| gang \| mickey-mousing \| reformatory \| somber \| teenager \| whole-tone scale \| window
Crime School (1938)	Spots	0:49:20 - Squirt has spots on his pajamas	9th chord \| chromatic parallelism \| comedy \| comical \| conversing \| gang \| hero \| leading man \| mickey-mousing \| paint \| reformatory \| spots \| teenager \| tense
Crime School (1938)	Unveiling the statue	0:49:31 - Mark takes the veil off of the statue	64 chord \| chromatic parallelism \| chromatic wedge \| comedy \| gang \| hero \| leading man \| mickey-mousing \| reformatory \| teenager \| tense \| uncovering \| unveiling
Crime School (1938)	The Boiler Room	0:54:27 - Boys talk about stoking the boiler	action scene \| auctioning \| boiler room \| chromatic parallelism \| chromatic scale \| dissonant bass \| fanfare \| gang \| heroic \| reformatory \| teenager \| working
Crime School (1938)	Kids running down	0:56:17 - Kids run down stairs	action scene \| chromatic parallelism \| down \| dramatic \| mickey-mousing \| polychord \| quartal chord \| reformatory \| running \| stairs \| teenager
Crime School (1938)	Running around	0:56:37 - Boys run out of the building	action scene \| chromatic parallelism \| gang \| linear chromaticism \| mickey-mousing \| reformatory \| running \| rushing \| teenager \| tense \| worker
Crime School (1938)	Underscoring (Dramatic)	0:56:50 - Mark goes to rescue Squirt	action scene \| altered dominant \| boiler room \| chromatic parallelism \| dissonant bass \| dramatic \| hero \| leading man \| linear chromaticism \| reformatory \| rushing \| saving \| teenager \| tense \| underscoring
Crime School (1938)	Temperature rising 2	0:57:12 - The temperature gauge rises	action scene \| altered dominant \| boiler room \| chromatic parallelism \| danger \| dramatic \| gauge \| heat \| hero \| leading man \| mickey-mousing \| reformatory \| rising \| teenager \| temperature \| tense
Crime School (1938)	Underscoring (Dramatic)	1:06:55 - Frankie hits Spike	advance plot \| anger \| arguing \| chromatic parallelism \| chromatic wedge \| dramatic \| reformatory \| teenager \| underscoring
Crime School (1938)	Sue (Troubled)	1:07:37 - Frankie is troubled about his sister	advance plot \| chromatic parallelism \| chromatic sequence \| conversing \| gang \| reformatory \| teenager \| thinking \| troubled \| worried
Crime School (1938)	Sue (Prison Moods)	1:08:48 - Boys talk to Frankie about his sister	advance plot \| chromatic parallelism \| dissonant \| dissonant bass \| distortion \| gang \| minor second \| mysterious \| plotting \| reformatory \| teenager \| tense \| tone cluster
Crime School (1938)	Underscoring (Tense)	1:09:46 - Boys talk to Frankie	advance plot \| chromatic parallelism \| gang \| gun \| keys \| mickey-mousing \| mysterious \| ominous \| pc set \| plotting \| reformatory \| teenager \| tense \| underscoring
Crime School (1938)	Underscoring (Dramatic)	1:11:24 - Boys plot their escape	9th chord \| arguing \| chromatic parallelism \| chromatic scale \| dramatic \| escape \| gang \| plotting \| reformatory \| teenager \| underscoring
Crime School (1938)	Underscoring (Tense)	1:12:21 - Cooper talks with the warden	chromatic parallelism \| escape \| half-diminished 7th chord \| phone call \| plotting \| police \| reformatory \| telephone \| tense \| warden
Crime School (1938)	Resolution	1:22:31 - Sue enters the room	42 chord \| antagonist \| calm \| chromatic parallelism \| chromatic scale \| comical \| conversing \| hero \| leading man \| reformatory \| resolution \| resolution \| tense \| tritone
Crime School (1938)	Sue (Allegretto)	1:24:18 - Boys talk about Sue	9th chord \| chromatic parallelism \| conversing \| courthouse \| fragmentation \| gang \| optimistic \| resolution \| sequence \| teenager
Crime School (1938)	Sue (End Credits)	1:24:49 - Cast list	added-note chord \| bluesy \| chromatic parallelism \| closing credits \| end title sequence \| Gershwinesque \| mode mixture \| not by Steiner \| upbeat
They Made Me a Criminal (1939)	Transition	0:00:07 - Starring list	added-note chord \| chromatic parallelism \| dissonant bass \| dramatic \| main title \| opening title sequence \| pedal tone \| starring list \| tense \| title of film
They Made Me a Criminal (1939)	Underscoring (Dramatic)	0:56:17 - Johnnie sees his picture in the paper	angry \| arguing \| chromatic parallelism \| dissonant bass \| dramatic \| fighting \| half-diminished 7th chord \| hero \| leading man \| mickey-mousing \| photograph \| ranch \| teenager \| tense \| turning point \| underscoring
Dust Be My Destiny (1939)	Dust Be My Destiny (Injustice)	0:02:29 - Joe reacts to the warden	9th chord \| 64 chord \| agitated \| chromatic parallelism \| conversing \| dramatic \| establish character \| injustice \| leading man \| prison \| prisoner \| warden
Dust Be My Destiny (1939)	Charlie (Extended)	0:11:41 - Charlie talks to inmates	chromatic parallelism \| dark \| drunk \| establish character \| leading man \| prison \| prisoner \| sequence \| slapping \| stinger \| warden
Dust Be My Destiny (1939)	Comedy fall	0:13:08 - Joe falls over while milking the cow	barn \| chromatic parallelism \| chromatic scale \| comical \| falling \| leading lady \| leading man \| lovers meet \| mickey-mousing \| prisoner
Dust Be My Destiny (1939)	Underscoring (Humorous)	0:13:13 - Joe talks to the cow	barn \| chromatic parallelism \| comical \| conversing \| cow \| diminished triad \| dissonant bass \| leading man \| lovers meet \| prisoner \| underscoring
Dust Be My Destiny (1939)	Joe fights cow	0:13:56 - Joe fights cow (off-screen)	augmented triad \| barn \| chromatic parallelism \| chromatic scale \| comical \| cow \| diminished 7th chord \| fighting \| leading lady \| leading man \| lovers meet \| mickey-mousing \| prisoner
Dust Be My Destiny (1939)	Dust Be My Destiny (Laughing)	0:14:07 - Mabel laughs at Joe	barn \| chromatic parallelism \| comical \| diminished 7th chord \| laughing \| leading lady \| leading man \| lovers meet \| prisoner
Dust Be My Destiny (1939)	Laughing	0:14:10 - Mabel laughs at Joe	barn \| chromatic parallelism \| comical \| diminished 7th chord \| laughing \| leading lady \| leading man \| lovers meet \| mickey-mousing \| prisoner
Dust Be My Destiny (1939)	Dust Be My Destiny (Fight)	0:25:41 - Charlie and Joe fight	42 chord \| barn \| chromatic parallelism \| chromatic scale \| chromatic wedge \| conflict \| dramatic \| fighting \| leading lady \| leading man \| linear chromaticism \| mickey-mousing \| octatonic scale \| punching \| villain \| warden \| whole-tone scale
Dust Be My Destiny (1939)	Dust Be My Destiny (Running Up and Down)	0:30:12 - Man runs up the courthouse steps	64 chord \| chromatic parallelism \| chromatic scale \| courthouse \| down \| frantic \| leading lady \| leading man \| love scene \| mickey-mousing \| mode mixture \| producer \| running \| stairs \| street \| up
Dust Be My Destiny (1939)	Here Comes the Bride (Triple)	0:30:31 - Man talks to Joe and Mabel	9th chord \| 64 chord \| chromatic parallelism \| courthouse \| familiar tune \| leading lady \| leading man \| love scene \| marriage \| producer \| pump-up modulation \| romantic \| sequence \| street
Dust Be My Destiny (1939)	Agitato Risoluto	0:35:11 - Joe and Mabel hide under the stairs	agitated \| alley \| chromatic parallelism \| concerned \| danger \| escape \| hiding \| leading lady \| leading man \| pedal tone \| runaway \| street
Dust Be My Destiny (1939)	Dust Be My Destiny (Injustice)	0:35:25 - Joe and Mabel talk in the alley	9th chord \| alley \| chromatic parallelism \| escape \| fearful \| leading lady \| leading man \| runaway \| street
Dust Be My Destiny (1939)	Dust Be My Destiny (Weary)	0:37:38 - They rest by the side of the road	chromatic parallelism \| conflict \| leading lady \| leading man \| resting \| runaway \| street \| tired
Dust Be My Destiny (1939)	Dust Be My Destiny (Sordini)	0:48:21 - Joe talks to the jailer	chromatic parallelism \| jail \| jail break \| leading man \| major triad \| mysterious \| pedal tone \| tense \| warden
Dust Be My Destiny (1939)	Dust Be My Destiny (The Escape)	0:50:26 - Joe and Mabel leave the jail	64 chord \| chromatic parallelism \| dark \| escaping \| foreign key modulation \| friend \| hopeful \| jail \| jail break \| leading lady \| leading man \| shopkeeper
Dust Be My Destiny (1939)	Dust Be My Destiny (Sehr Ominous)	0:56:14 - Joe walks towards the shop	9th chord \| chromatic parallelism \| crime scene \| criminal \| leading man \| mysterious \| sequence \| shop \| shopkeeper \| street \| walking
Dust Be My Destiny (1939)	Underscoring (Dramatic)	0:59:15 - A bank alarm sounds	42 chord \| 64 chord \| action scene \| bank \| chromatic parallelism \| chromatic scale \| chromatic wedge \| crowd \| dramatic \| leading man \| photographer \| robbery \| shopkeeper \| street \| tone cluster \| underscoring
Dust Be My Destiny (1939)	Buzzing	1:01:05 - Men working in the dark room	64 chord \| action scene \| added-note chord \| buzzy \| chromatic parallelism \| dark room \| enharmonic modulation \| exciting \| foreign key modulation \| leading man \| mode mixture \| Neapolitan \| newspaper \| newspaper editor \| parallelism \| photographer \| photography \| pump-up modulation \| Rimsky-Korsakov \| working
Dust Be My Destiny (1939)	Dust Be My Destiny (Mysterioso)	1:05:26 - Joe talks to Mike	advance plot \| chromatic parallelism \| chromatic sequence \| dark \| leading man \| linear chromaticism \| newspaper editor \| office \| ominous \| somber
Dust Be My Destiny (1939)	Underscoring (Tense)	1:09:28 - Mike is confronted by gangsters	bribe \| chromatic parallelism \| conflict \| gangster \| linear chromaticism \| newspaper editor \| street \| tense \| underscoring
Dust Be My Destiny (1939)	Gangsters walk	1:10:26 - The gangsters walk to their car	chromatic parallelism \| chromatic scale \| chromatic sequence \| conflict \| gangster \| mickey-mousing \| newspaper editor \| street \| tense \| walking
Dust Be My Destiny (1939)	Underscoring (Dramatic)	1:10:32 - Joe runs after the car	augmented triad \| chromatic parallelism \| chromatic scale \| conflict \| dramatic \| gangster \| half-diminished 7th chord \| hero \| leading man \| mickey-mousing \| newspaper editor \| running \| street
Dust Be My Destiny (1939)	Dust Be My Destiny (Brave)	1:10:38 - Joe jumps onto the car	action scene \| augmented triad \| car \| chromatic parallelism \| dramatic \| fighting \| gangster \| hero \| leading man \| newspaper editor \| street \| whole-tone chord
Dust Be My Destiny (1939)	Dust Be My Destiny (Appassionatissimo)	1:13:14 - Joe makes a run for it	chromatic parallelism \| chromatic scale \| climax \| conflict \| diminished 7th chord \| dissonant bass \| escaping \| hospital \| intervallic expansion \| leading lady \| leading man \| runaway \| sequence \| tense
Dust Be My Destiny (1939)	Dust Be My Destiny (Religioso)	1:22:41 - Mabel testifies for Joe	11th chord \| chromatic parallelism \| common-tone diminished 7th \| courtroom \| crowd \| diminished 7th chord \| gentle \| judge \| jury \| leading lady \| leading man \| loving \| mode mixture \| parallel double period \| plagal cadence \| sincere \| suspect \| tender \| trial
Each Dawn I Die (1939)	Confusion	0:05:43 - Frank sits confused in car after crash	accusing \| car \| car crash \| chromatic parallelism \| chromatic scale \| conflict \| confused \| crowd \| dissonant bass \| fire \| glass \| half-diminished 7th chord \| hero \| injury \| leading man \| reporter \| running \| street \| yelling
Each Dawn I Die (1939)	Montage	0:22:54 - Montage showing the passing of time	chromatic parallelism \| clock \| dramatic \| linear chromaticism \| mickey-mousing \| montage \| montage \| prison \| prisoner \| tense \| waiting \| whole-tone chord
Each Dawn I Die (1939)	Headlines	0:41:50 - Newspaper headline is shown	9th chord \| chromatic parallelism \| dark \| fanfare \| headline \| montage \| montage \| newspaper \| pedal tone
Each Dawn I Die (1939)	Calendar Pages	0:59:53 - Pages falling from a calendar	calendar \| chromatic parallelism \| diminished 7th chord \| falling \| leading man \| mickey-mousing \| montage \| montage \| mysterious \| prisoner \| sequence
Each Dawn I Die (1939)	Newspaper Fanfare (Extended)	1:03:36 - Newspaper headline is shown	chromatic parallelism \| fanfare \| headline \| justice \| mickey-mousing \| montage \| montage \| noble \| zooming
Flamingo Road (1949)	Underscoring (Lyrical)	NIF - not in film	chromatic parallelism \| conversing \| cut from film \| cut from film \| leading lady \| leading man \| lovers meet \| police \| room \| underscoring
Flamingo Road (1949)	If I Could Be With You (Timidly)	NIF - not in film	chromatic parallelism \| conversing \| cut from film \| cut from film \| leading lady \| leading man \| lovers meet \| police \| room \| source to score
Flamingo Road (1949)	Lane (Sentimentale)	NIF - not in film	9th chord \| chromatic parallelism \| conversing \| cut from film \| cut from film \| falling in love scene \| leading lady \| leading man \| police
Flamingo Road (1949)	Titus 2	0:18:16 - A newspaper headline	chromatic parallelism \| dark \| headline \| newspaper \| politician \| porch \| self-borrowing \| sheriff \| throwing \| transition \| tritone
Flamingo Road (1949)	Lane (Not in Film 2)	NIF - not in film	9th chord \| advance plot \| chromatic parallelism \| conversing \| cut from film \| cut from film \| leading lady \| newspaper editor \| office \| whole-tone chord
Flamingo Road (1949)	Titus 2 (Not in Film)	NIF - not in film	advance plot \| chromatic parallelism \| conversing \| cut from film \| cut from film \| leading lady \| newspaper editor \| office \| self-borrowing
Flamingo Road (1949)	Agitato	0:39:09 - Lane storms off angrily	agitated \| angry \| chromatic parallelism \| chromatic scale \| chromatic wedge \| conflict \| hurrying \| leading lady \| self-borrowing \| sheriff \| street \| walking
Flamingo Road (1949)	Titus 2 (Walking)	0:39:17 - Lane storms off angrily	agitated \| angry \| chromatic parallelism \| conflict \| diminished 7th chord \| hurrying \| leading lady \| mickey-mousing \| self-borrowing \| sheriff \| street \| walking
Flamingo Road (1949)	Agitato (Angry)	0:45:50 - Dan argues with Titus	advance plot \| anger \| angry \| arguing \| chromatic parallelism \| chromatic scale \| chromatic wedge \| club \| leading lady \| politician \| polychord \| self-borrowing \| sheriff \| smashing \| stinger \| waitress
Flamingo Road (1949)	Drinking whiskey	0:49:50 - Dan drinks	chromatic parallelism \| comical \| distressed \| drinking \| leading lady \| leading man \| love interest \| lovers meet \| mickey-mousing \| politician \| quintal chord \| room
Flamingo Road (1949)	Lane (Chromatic)	0:50:24 - Lane ties Dan's tie	9th chord \| chromatic parallelism \| conversing \| dark \| gentle \| leading lady \| leading man \| love interest \| lovers meet \| politician \| room
Flamingo Road (1949)	Titus 2 (Agitato)	0:50:41 - Lane ties Dan's tie	chromatic parallelism \| conversing \| leading lady \| leading man \| love interest \| lovers meet \| mysterious \| politician \| room \| self-borrowing
Flamingo Road (1949)	Indigestion	0:50:48 - Lane complains of a hangover	chromatic parallelism \| chromatic scale \| comical \| distressed \| grumbling \| leading lady \| leading man \| love interest \| lovers meet \| politician \| room
Flamingo Road (1949)	If I Could Be With You (Misterioso)	0:51:15 - Lane asks Dan about Field	chromatic parallelism \| conversing \| diminished 7th chord \| leading lady \| leading man \| love interest \| lovers meet \| politician \| room \| uneasy
Flamingo Road (1949)	Titus 2 (Threatening)	1:04:45 - Titus threatens Lane	advance plot \| chromatic parallelism \| leading lady \| room \| self-borrowing \| sheriff \| threatening \| threatening
Flamingo Road (1949)	Titus 2 (Slowly)	1:06:43 - Dan talks to Lane about Titus	advance plot \| chromatic parallelism \| leading lady \| leading man \| lying \| room \| self-borrowing \| tense
Flamingo Road (1949)	Agitato (Angry)	1:09:25 - Titus leaves	advance plot \| agitated \| angry \| chromatic parallelism \| chromatic scale \| chromatic wedge \| leading man \| leaving \| politician \| polychord \| sheriff \| street \| tense
Flamingo Road (1949)	Titus + Titus 2	1:09:43 - Titus bullies Field	advance plot \| bullying \| chromatic parallelism \| combination of themes \| commanding \| dark \| leading man \| ominous \| ostinato \| politician \| self-borrowing \| sheriff \| street
Flamingo Road (1949)	The Sheriff	1:12:01 - Titus stands and walks	arguing \| bullying \| chromatic parallelism \| conflict \| dark \| leading man \| mickey-mousing \| ominous \| politician \| room \| self-borrowing \| sheriff \| standing
Flamingo Road (1949)	Anger	1:12:20 - Titus and Field face off	angry \| arguing \| bullying \| chromatic parallelism \| chromatic wedge \| conflict \| leading man \| pc set \| politician \| room \| self-borrowing \| sheriff \| tense
Flamingo Road (1949)	Rising Anger	1:12:26 - Titus throws open the door	angry \| arguing \| bullying \| chromatic parallelism \| conflict \| diminished 7th chord \| leading man \| politician \| room \| self-borrowing \| sheriff
Flamingo Road (1949)	Underscoring (Dramatic)	1:12:32 - Titus throws Field out the door	augmented triad \| bullying \| chromatic parallelism \| conflict \| dark \| dramatic \| leading man \| politician \| polychord \| pushing \| room \| sheriff \| throwing \| underscoring
Flamingo Road (1949)	Titus 2 (Buzzer)	1:13:16 - Titus arrives	arriving \| chromatic parallelism \| dark \| entering \| leading lady \| maid \| ominous \| politician \| room \| self-borrowing \| sheriff \| transition
Flamingo Road (1949)	Appassionato	1:19:10 - Dan argues with Lane	arguing \| chromatic parallelism \| conflict \| diminished 7th chord \| harmonic sequence \| husband \| leading lady \| leading man \| passionate \| politician \| room \| wife \| yearning
Flamingo Road (1949)	Underscoring (Somber)	1:22:33 - Field stumbles through the house	chromatic parallelism \| conversing \| death scene \| drunk \| drunk \| leading lady \| leading man \| love interest \| room \| somber \| underscoring
Flamingo Road (1949)	If I Could Be With You (Drunk)	1:22:58 - Field and Lane talk about their past love	arguing \| chromatic parallelism \| death scene \| diminished 7th chord \| drunk \| leading lady \| leading man \| love interest \| room \| somber
Flamingo Road (1949)	Flamingo Road (Andante)	1:24:05 - Lane goes to get a drink for Field	altered dominant \| chromatic parallelism \| dark \| death scene \| gentle \| gunshot \| hopeful \| leading lady \| leading man \| love interest \| mode mixture \| room \| self-borrowing \| suicide \| walking \| warm
Flamingo Road (1949)	If I Could Be With You (Maestoso)	1:26:31 - Dan reads a telegram about Field's death	advance plot \| chromatic parallelism \| diminished 7th chord \| lawyer \| leading man \| linear chromaticism \| politician \| reading \| suicide \| telegram \| tragic \| train \| violent
Flamingo Road (1949)	Mob	1:28:20 - A mob forms outside of Lane's home	advance plot \| angry \| anxious \| augmented triad \| chromatic parallelism \| chromatic scale \| friend \| leading lady \| minor-major 7th chord \| mob \| mobbing \| ostinato \| polyrhythm \| room \| tense \| whole-tone chord
Flamingo Road (1949)	Agitato (Angry)	1:29:00 - Lane goes to confront Titus	advance plot \| angry \| car \| chromatic parallelism \| chromatic scale \| chromatic wedge \| dramatic \| driving \| leading lady \| polychord \| source and scoring overlap \| tense
Flamingo Road (1949)	Titus 2 (Ominous)	1:30:55 - Titus pretends to make a phone call	calling \| chromatic parallelism \| climax \| club \| dark \| deceiving \| gun \| leading lady \| mysterious \| self-borrowing \| sheriff \| telephone
Flamingo Road (1949)	Underscoring (Dramatic)	1:31:15 - Titus attacks Lane	attacking \| breaking \| chromatic parallelism \| climax \| club \| dramatic \| dropping \| gun \| leading lady \| linear chromaticism \| oscillation \| sheriff \| staggering \| stinger \| telephone \| tense \| throwing \| underscoring
Flamingo Road (1949)	Breaking door	1:31:19 - Titus throws the phone at Lane	chromatic parallelism \| climax \| club \| dramatic \| gun \| leading lady \| mickey-mousing \| sheriff \| telephone \| throwing
Flamingo Road (1949)	Titus (Climax)	1:31:43 - Lane struggles with Titus	chromatic parallelism \| chromatic wedge \| climax \| club \| dramatic \| fighting \| gun \| gunshot \| leading lady \| major 7th chord \| self-borrowing \| sequence \| sheriff \| struggling \| tense
Flamingo Road (1949)	If I Could Be With You (Ecstatic)	1:33:37 - Lane walks away	added-note chord \| altered dominant \| artwork in score \| chromatic parallelism \| friend \| husband \| joyous \| leading lady \| leading man \| leaving \| prison \| resolution \| reuniting \| romance \| secondary dominant \| The End \| thematic transference \| triumphant \| wife
Her Kind of Man (1946)	Underscoring (Tense [Steiner])	1:12:07 - Steve talks to Candy	advance plot \| arguing \| chromatic parallelism \| conversing \| criminal \| gambler \| henchman \| leading man \| murderer \| pedal tone \| slapping \| tense \| underscoring \| warehouse
Her Kind of Man (1946)	Speeding	1:14:21 - Policeman driving	car \| chromatic parallelism \| chromatic scale \| chromatic sequence \| climax \| dramatic \| driving \| hurrying \| leading lady \| leading man \| omnibus progression \| police \| reporter \| rushing \| singer \| tense \| wife \| yelling
Her Kind of Man (1946)	Speeding	1:16:29 - Candy tries to run away	arriving \| capturing \| car \| chromatic parallelism \| chromatic scale \| chromatic sequence \| climax \| criminal \| double-cross \| dramatic \| gambler \| henchman \| leading man \| murder \| murderer \| omnibus progression \| police \| reporter \| revenge \| running \| street \| tense
I Was a Communist for the FBI (1951)	Communist	0:00:09 - Title of film	bold \| chromatic parallelism \| chromatic scale \| dark \| dramatic \| half-diminished 7th chord \| hallway \| march \| opening title sequence \| oscillation \| parallelism \| stranger \| title of film \| tritone oscillation \| zoom in
I Was a Communist for the FBI (1951)	Communist (Alternate)	NIF - not in film	alternate music \| cast list \| chromatic parallelism \| chromatic scale \| half-diminished 7th chord \| opening title sequence \| oscillation \| parallelism \| starring list \| title of film \| tritone oscillation \| zoom in
I Was a Communist for the FBI (1951)	Communist (Pittsburgh)	0:03:38 - Aerial view of Pittsburgh	augmented triad \| bridge \| busy \| chromatic parallelism \| city \| establish setting \| factory \| frantic \| machinery effect \| oscillation \| ostinato \| panning shot \| sequential modulation \| tense \| tone cluster \| train \| voice-over \| whistle
I Was a Communist for the FBI (1951)	Underscoring (Dramatic)	0:24:58 - Matt reacts	chromatic parallelism \| chromatic scale \| chromatic wedge \| departing \| diminished 7th chord \| dissonant bass \| dramatic \| insult \| leading man \| neighbor \| reacting \| room \| stinger \| transition \| undercover agent
I Was a Communist for the FBI (1951)	Agitato Molto Misterioso	0:38:32 - Matt notices that he has lost his letter	advance plot \| chromatic parallelism \| leading man \| letter \| mysterious \| ostinato \| pc set \| polychord \| reacting \| room \| searching \| tense \| undercover agent \| whole-tone chord
I Was a Communist for the FBI (1951)	Throws lamp	0:59:39 - Commie throws lamp at FBI man	agent \| augmented triad \| chromatic parallelism \| communist \| dramatic \| falling \| lamp \| mickey-mousing \| murder scene \| room \| spy \| throwing
I Was a Communist for the FBI (1951)	Agents Fight	0:59:39 - Communists fight the FBI man	agent \| attacking \| augmented triad \| chromatic parallelism \| communist \| death \| dramatic \| fighting \| knife \| minor-major 7th chord \| murder \| murder scene \| pc set \| polychord \| room \| spy \| stabbing \| stinger \| tritone oscillation
I Was a Communist for the FBI (1951)	Agitato Molto Misterioso	1:10:18 - Communists interrogate Matt	chromatic parallelism \| chromatic scale \| communist \| interrogating \| interrogation \| leading man \| mysterious \| ostinato \| pc set \| questioning \| room \| shallow focus \| suspicion \| tense \| undercover agent \| whole-tone scale
I Was a Communist for the FBI (1951)	Riot	1:11:05 - Communists beat up Matt	anger \| attacking \| chromatic parallelism \| chromatic scale \| chromatic sequence \| communist \| dramatic \| fighting \| interrogation \| leading man \| punching \| undercover agent \| whole-tone chord
I Was a Communist for the FBI (1951)	Riot	1:14:50 - Rioters fighting	chromatic parallelism \| chromatic scale \| crowd \| dramatic \| fighting \| montage \| ostinato \| pc set \| riot \| rioting \| violence \| whole-tone scale
In This Our Life (1942)	Meno	0:00:34 - Cast list	64 chord \| cast list \| chromatic parallelism \| deceptive resolution \| dramatic \| fanfare \| opening title sequence \| pedal tone \| tritone
In This Our Life (1942)	Stanley (She Runs)	0:07:32 - Stanley runs inside	arriving \| chromatic parallelism \| chromatic sequence \| diminution \| establish character \| hurried \| leading lady \| mickey-mousing \| room \| running \| sequence \| street
In This Our Life (1942)	Caring	0:13:08 - Roy talks to Peter	9th chord \| advance plot \| chromatic parallelism \| conversing \| leading lady \| leading man \| packing \| parallelism \| passionate \| room \| tender
In This Our Life (1942)	Roy (Rubato)	0:14:34 - Roy talks with Peter	9th chord \| advance plot \| chromatic parallelism \| conversing \| dark \| fragmentation \| leading lady \| leading man \| major 7th chord \| playful \| room
In This Our Life (1942)	Roy (Risoluto)	0:22:40 - Roy talks to Asa	64 chord \| chromatic parallelism \| conflict \| conversing \| deceptive resolution \| father \| gentle \| leading lady \| room
In This Our Life (1942)	Caring	0:23:19 - Asa talks to Roy	9th chord \| chromatic parallelism \| conflict \| conversing \| father \| leading lady \| room \| sentimental \| underscoring
In This Our Life (1942)	Asa (Ostinato)	0:23:26 - Asa talks to Roy	chromatic parallelism \| conflict \| conversing \| dark \| father \| leading lady \| ostinato \| room \| sequential modulation \| serious \| whole-tone chord
In This Our Life (1942)	Stanley (Gloomy)	0:28:32 - Roy walking in the park	9th chord \| advance plot \| altered dominant \| appoggiatura \| chromatic parallelism \| dark \| depressed \| leading lady \| leading man \| park \| sigh gesture \| sitting \| tritone substitution
In This Our Life (1942)	Roy (Rubato)	0:29:00 - Roy talks to Craig	9th chord \| advance plot \| chromatic parallelism \| conversing \| fragmentation \| leading lady \| leading man \| major 7th chord \| park \| uneasy
In This Our Life (1942)	Stanley (Morendo)	0:29:32 - Craig talks with Roy	9th chord \| advance plot \| appoggiatura \| chromatic parallelism \| conversing \| harmonic sequence \| leading lady \| leading man \| park \| somber
In This Our Life (1942)	Stanley (She Runs)	0:32:24 - Stanley talks to Peter	car \| chromatic parallelism \| chromatic sequence \| conversing \| diminution \| leading lady \| leading man \| playful \| sequence \| wedding \| wedding
In This Our Life (1942)	Underscoring (Gentle)	0:50:58 - Roy talks with Betty	added-note chord \| advance plot \| chromatic parallelism \| conversing \| friend \| gentle \| leading lady \| parallelism \| room \| tender \| underscoring \| whole-tone chord
In This Our Life (1942)	Caring	0:51:39 - Roy greets Stanley	9th chord \| advance plot \| arriving \| chromatic parallelism \| gentle \| leading lady \| room \| sister \| tender \| widow
In This Our Life (1942)	Stanley B (Slowly)	1:06:13 - Stanley talks to Craig	9th chord \| advance plot \| chromatic parallelism \| chromatic scale \| conversing \| dissonant bass \| lawyer \| leading lady \| leading man \| office \| uneasy
In This Our Life (1942)	Underscoring (Tense)	1:09:25 - Policemen approach the house	arriving \| chromatic parallelism \| conversing \| criminal \| investigation scene \| leading lady \| mysterious \| pedal tone \| police \| room \| tense \| walking \| watching
In This Our Life (1942)	Stanley (Molto Expressivo)	1:12:57 - Stanley talks with Roy	13th chord \| advance plot \| augmented sixth chord \| calm \| chromatic parallelism \| conversing \| criminal \| leading lady \| lying \| room
In This Our Life (1942)	Stanley (Driving Away)	1:29:06 - Craig goes to the phone	agitated \| calling \| chromatic parallelism \| chromatic sequence \| climax \| diminished 7th chord \| lawyer \| leading man \| pedal tone \| room \| telephone \| walking
In This Our Life (1942)	Stanley (Desperate)	1:34:02 - The police in hot pursuit	9th chord \| chase scene \| chasing \| chromatic parallelism \| climax \| criminal \| crying \| desperate \| dramatic \| driving \| fleeing \| fragmentation \| leading lady \| police \| street \| tense
The Informer (1935)	The Informer (Walking Fast)	0:30:13 - Gypo storms off down the street	64 chord \| advance plot \| antagonist \| chromatic parallelism \| diminished 7th chord \| hurrying \| leading man \| Scotch snap \| street \| tense \| walking
The Informer (1935)	Dan and Mary	0:55:53 - Dan and Mary talk alone	ABA structure \| chromatic parallelism \| deceptive resolution \| diminished 7th chord \| dissonant bass \| embracing \| half-diminished 7th chord \| hero \| love interest \| love scene \| love theme \| mode mixture \| passionate \| pedal tone \| romantic \| room
The Informer (1935)	The Informer (Molto Agitato)	1:03:45 - Katie worries for Gypo	advance plot \| antagonist \| chromatic parallelism \| conversing \| drunk \| half-diminished 7th chord \| leading lady \| leading man \| rebel \| street
The Informer (1935)	The Wearin' o' the Green (Fighting)	1:03:51 - Gypo struggles with the rebels	64 chord \| advance plot \| antagonist \| chromatic parallelism \| conversing \| dominant 7th chord \| drunk \| familiar tune \| fighting \| folk song \| fragmentation \| leading lady \| leading man \| reassuring \| rebel \| sequence \| street \| struggling \| syncopation
The Informer (1935)	Gypo runs away	1:21:26 - Gypo runs and hides	agitated \| antagonist \| chromatic parallelism \| diminished 7th chord \| hiding \| leading man \| mickey-mousing \| running \| sequence \| street \| tense \| traitor \| transition
The Informer (1935)	Katie (Furioso)	1:26:55 - Katie becomes desperate	advance plot \| anxiety \| begging \| chromatic parallelism \| despair \| dissonant bass \| fragmentation \| leading lady \| love interest \| rebel \| room \| sentence form \| sequence \| tense \| whole-tone chord
The Informer (1935)	The Escape (The Fight)	1:28:25 - Rebels shoot through the door	antagonist \| augmented triad \| chromatic parallelism \| chromatic scale \| climax \| down \| dramatic \| escaping \| falling \| fighting \| leading man \| linear chromaticism \| mickey-mousing \| rebel \| room \| running \| tense \| traitor \| whole-tone
The Letter (1940)	Runners	0:05:14 - Workers run through jungle	action scene \| chromatic parallelism \| dramatic \| heroic \| jungle \| running \| sequential modulation \| servant \| tense
The Letter (1940)	Leslie (Rising) + Deception	0:13:28 - Leslie continues her story	advance plot \| augmented triad \| chromatic parallelism \| combination of themes \| crying \| dramatic \| emotional \| home \| leading lady \| oscillation \| ostinato \| passionate \| pc set \| recounting \| sequence
The Letter (1940)	Leslie (Risoluto)	0:14:07 - Leslie continues her story	advance plot \| augmented triad \| chromatic parallelism \| dramatic \| fragmentation \| home \| leading lady \| pc set \| polychord \| recounting \| sequence \| tense
The Letter (1940)	Leslie (Dark)	0:16:09 - Men look at dead body	advance plot \| augmented major 7th chord \| changing meter \| chromatic parallelism \| creeping \| dark \| death \| dissonant bass \| investigating \| murder \| pc set \| plantation \| servant \| shadow \| sinister
The Letter (1940)	Leslie (Walking)	0:30:58 - Leslie in jail	64 chord \| advance plot \| chromatic parallelism \| fragmentation \| leading lady \| mysterious \| oscillation \| prison \| walking
The Letter (1940)	Leslie (Tense)	0:34:20 - Howard tells Leslie about the letter	9th chord \| altered dominant \| chromatic parallelism \| conversing \| lawyer \| leading lady \| letter \| pivotal scene \| prison \| sequence \| suspenseful \| tense
The Letter (1940)	Leslie (Rising) + Deception	0:34:47 - Howard gives Leslie the letter	altered dominant \| augmented triad \| chromatic parallelism \| combination of themes \| deception \| denying \| lawyer \| leading lady \| letter \| lying \| oscillation \| ostinato \| pc set \| pivotal scene \| prison \| reading \| sequence \| tense
The Letter (1940)	Leslie (Risoluto)	0:35:11 - Leslie reacts angrily to the letter	arguing \| augmented triad \| chromatic parallelism \| deception \| fragmentation \| lawyer \| leading lady \| letter \| lying \| oscillation \| pc set \| pivotal scene \| polychord \| prison \| sequence \| tense
The Letter (1940)	Denial	0:35:39 - Leslie denies writing the letter	augmented triad \| chromatic parallelism \| deception \| lawyer \| leading lady \| letter \| lying \| pivotal scene \| prison \| tense
The Letter (1940)	Leslie (Risoluto)	0:37:07 - Howard reads the letter to Leslie	anxious \| augmented triad \| buildup \| chromatic parallelism \| fearful \| fragmentation \| lawyer \| leading lady \| letter \| oscillation \| pc set \| pivotal scene \| polychord \| prison \| reading \| sequence \| tense
The Letter (1940)	Leslie (Rising) + Deception	0:40:57 - Leslie talks to Howard	advance plot \| angry \| augmented triad \| chromatic parallelism \| combination of themes \| conversing \| deception \| hospital \| lawyer \| leading lady \| letter \| sequence \| staring \| tense
The Letter (1940)	Mrs. Hammond (Bitter)	1:08:54 - Leslie sees Mrs. Hammond in the courtroom	11th chord \| antagonist \| Chinese \| Chinese \| chromatic parallelism \| confronting \| courtroom \| dark \| husband \| leading lady \| trial
The Letter (1940)	Leslie (Wild)	1:14:57 - Robert waits for a response	9th chord \| arguing \| augmented major 7th chord \| chromatic parallelism \| conflict \| distress \| fragmentation \| home \| husband \| lawyer \| leading lady \| lying \| sequence \| tense
The Letter (1940)	Leslie (Molto Agitato)	1:15:28 - Robert argues with Leslie	arguing \| chromatic parallelism \| conflict \| distress \| home \| husband \| lawyer \| leading lady \| oscillation \| pc set \| sequence \| tense
The Letter (1940)	Leslie (Rising) + Deception	1:17:52 - Leslie confesses to Robert	augmented triad \| chromatic parallelism \| combination of themes \| confessing \| conflict \| dramatic \| home \| husband \| lawyer \| leading lady \| letter \| oscillation \| ostinato \| recounting \| sequence \| tense
The Letter (1940)	Shadow	1:30:30 - Leslie leaves the house	chromatic parallelism \| climax \| leading lady \| major triad \| mysterious \| plantation \| polychord \| shadow \| walking
Lightning Strikes Twice (1951)	Lightning 2	0:00:41 - Title card, cast list and prison	cast list \| chromatic parallelism \| dark \| opening title sequence \| parallelism \| pedal tone \| self-borrowing \| thunder effect
Lightning Strikes Twice (1951)	Fear	0:19:42 - Shelly lies down in the dark	actor \| chromatic parallelism \| darkness \| establish character \| fear \| leading lady \| leading man \| listening \| room \| suspect \| tense \| thinking \| whole-tone chord
Lightning Strikes Twice (1951)	Shelly and Trev (Smile)	0:20:20 - Shelly looks at Trev	actor \| calm \| chromatic parallelism \| establish character \| foreign key modulation \| leading lady \| leading man \| looking \| morning \| peaceful \| room \| sleeping \| smiling \| staring \| suspect \| thinking \| waking
Lightning Strikes Twice (1951)	Molto Agitato	0:32:50 - String gets angry	actor \| anger \| arguing \| brother \| chromatic parallelism \| chromatic scale \| chromatic wedge \| conflict \| dramatic \| half-diminished 7th chord \| leading lady \| oscillation \| pc set \| priest \| rancher \| room \| tense
Lightning Strikes Twice (1951)	Menace (Poco Meno)	0:33:06 - String argues	actor \| anger \| arguing \| brother \| chromatic parallelism \| conflict \| diminished 7th chord \| leading lady \| priest \| rancher \| room \| tense
Mildred Pierce (1945)	Monte is shot	0:01:50 - Monte is shot	chromatic parallelism \| collapsing \| death \| dying \| falling \| gun \| gunshot \| major 7th chord \| mickey-mousing \| murder \| murder scene \| room \| staggering \| tragic
Mildred Pierce (1945)	Mildred (Pier)	0:02:15 - Santa Monica pier at night	chromatic parallelism \| dock \| establish character \| fragmentation \| heroine \| leading lady \| mickey-mousing \| pedal tone \| pondering \| sequence \| somber \| walking \| water \| wave
Mildred Pierce (1945)	Underscoring (Dramatic)	0:08:53 - Wally looks for Mildred	9th chord \| action scene \| ascending \| augmented triad \| chromatic parallelism \| chromatic scale \| down \| dramatic \| falling \| friend \| half-diminished 7th chord \| hurrying \| knocking \| mickey-mousing \| room \| searching \| setup \| suspenseful \| underscoring \| walking \| whole-tone chord \| whole-tone scale
Mildred Pierce (1945)	Underscoring (Dramatic)	0:10:21 - Wally reacts to the situation	action scene \| breaking \| chromatic parallelism \| chromatic scale \| chromatic wedge \| death \| dramatic \| escaping \| friend \| half-diminished 7th chord \| hurrying \| mickey-mousing \| murder \| room \| running \| smashing \| sneaking \| telephone \| underscoring \| victim \| walking \| whole-tone chord \| worrying
Mildred Pierce (1945)	Wally walks	0:10:32 - Wally hurriedly walks away	action scene \| chromatic parallelism \| dramatic \| friend \| half-diminished 7th chord \| hurrying \| mickey-mousing \| room \| victim \| walking
Mildred Pierce (1945)	Kay and Veda (Coy)	0:32:32 - Veda talks to her mother	advance plot \| child \| chromatic parallelism \| conversing \| heroine \| leading lady \| parallelism \| room \| sleeping \| uneasy
Mildred Pierce (1945)	Mildred (Waltz Fantasy)	0:32:38 - Veda fantasizes about her mother marrying Wally	9th chord \| advance plot \| appoggiatura \| child \| chromatic parallelism \| dreaming \| fantasy \| greed \| heroine \| leading lady \| room \| uneasy
Mildred Pierce (1945)	Kay and Veda (Deception)	0:33:08 - Veda lies to her mother	64 chord \| advance plot \| child \| chromatic parallelism \| deceiving \| deception \| heroine \| leading lady \| room \| selfishness \| unstable \| whole-tone
Mildred Pierce (1945)	Kay and Veda (Dolce Foxtrot)	0:33:37 - Mildred puts Veda to bed	64 chord \| added-note chord \| advance plot \| child \| chromatic parallelism \| dark \| heroine \| leading lady \| mode mixture \| optimistic \| promising \| room \| tragic
Mildred Pierce (1945)	Secret Revealed	0:39:10 - Mildred argues with Veda	angry \| arguing \| child \| chromatic parallelism \| chromatic scale \| chromatic wedge \| conflict \| harsh \| heroine \| leading lady \| linear chromaticism \| octatonic chord \| room \| tense
Mildred Pierce (1945)	Mildred (Not in Film)	NIF - not in film	added-note chord \| chromatic parallelism \| cut from film \| tender
Mildred Pierce (1945)	Pneumonia (Dying)	0:55:24 - Kay passes away	9th chord \| child \| chromatic parallelism \| dark \| death \| death scene \| doctor \| dying \| ex-husband \| heroine \| illness \| leading lady \| linear chromaticism \| minor-major 7th chord \| nurse \| oscillation \| patient \| room \| sick person \| somber \| tense \| treating \| turning point \| waiting \| watching
Mildred Pierce (1945)	Mildred (Angry)	1:18:21 - Mildred walks out of an argument	9th chord \| aggressive \| angry \| arriving \| chromatic parallelism \| conflict \| heroine \| hurrying \| leading lady \| leaving \| Neapolitan \| room \| walking
Mildred Pierce (1945)	Underscoring (Tense)	1:18:34 - Veda tells her mother she is married	antagonist \| chromatic parallelism \| chromatic wedge \| conflict \| conversing \| daughter \| diminished 7th chord \| friend \| heroine \| leading lady \| oscillation \| reverse stinger \| room \| tense \| underscoring
Mildred Pierce (1945)	Secret Revealed	1:18:59 - Veda talks to her mother	antagonist \| chromatic parallelism \| chromatic scale \| chromatic wedge \| conflict \| conversing \| daughter \| fear \| friend \| heroine \| leading lady \| linear chromaticism \| octatonic chord \| room \| surprise \| tense
Mildred Pierce (1945)	Kay and Veda (Coy)	1:19:11 - Veda talks to her mother	antagonist \| apologizing \| chromatic parallelism \| conflict \| daughter \| friend \| heroine \| leading lady \| room \| tense
Mildred Pierce (1945)	Mildred (Waltz Fantasy)	1:19:18 - Mildred talks to Veda	9th chord \| antagonist \| appoggiatura \| chromatic parallelism \| comforting \| conflict \| daughter \| dream-like \| friend \| heroine \| leading lady \| room \| tense
Mildred Pierce (1945)	Mildred (Tenderly)	1:19:37 - Wally talks about a settlement	antagonist \| chromatic parallelism \| conflict \| conversing \| daughter \| fragmentation \| friend \| heroine \| leading lady \| pedal tone \| room \| tender
Mildred Pierce (1945)	Mildred (Vicious)	1:23:21 - Veda insults her mother	angry \| antagonist \| arguing \| chromatic parallelism \| chromatic wedge \| conflict \| daughter \| heroine \| insulting \| leading lady \| reverse stinger \| room \| tense \| whole-tone chord
Mildred Pierce (1945)	Kay and Veda (Coy 2)	1:44:37 - Veda is brought in by the police	antagonist \| chromatic parallelism \| daughter \| deceiving \| deception \| detective \| entering \| interrogating \| interrogation \| parallelism \| police station \| questioning \| tense
Mildred Pierce (1945)	Mildred (Waltz Fantasy)	1:44:53 - Mildred tells Veda not to confess	9th chord \| appoggiatura \| chromatic parallelism \| detective \| harsh \| heroine \| interrogating \| interrogation \| leading lady \| pleading \| police station
Mildred Pierce (1945)	Secret Revealed	1:45:37 - Mildred finds Veda and Monte together	antagonist \| chromatic parallelism \| chromatic scale \| chromatic wedge \| climax \| dark \| daughter \| discovering \| kissing \| linear chromaticism \| reveal \| room \| stinger \| tense
Mildred Pierce (1945)	Monte is shot 2	1:47:28 - Monte is shot	antagonist \| chromatic parallelism \| collapsing \| death \| dying \| falling \| gun \| gunshot \| major 7th chord \| mickey-mousing \| murder \| murderer \| murder scene \| room \| staggering \| tragic
The Life of Vergie Winters (1934)	Underscoring (Gentle)	0:51:06 - Joan talks with Vergie	9th chord \| advance plot \| altered dominant \| augmented sixth chord \| child \| chromatic parallelism \| conversing \| daughter \| foreign key modulation \| gentle \| half-diminished 7th chord \| leading lady \| mother \| reunion \| secret \| shop \| timid
Kid Galahad (1937)	Kid Galahad (Montage)	0:46:47 - Montage of newspaper headlines	64 chord \| advance plot \| appoggiatura \| boxer \| boxing \| boxing ring \| cheering \| chromatic parallelism \| fanfare \| fragmentation \| harmonic sequence \| heroic \| leading man \| montage \| newspaper
The Unfaithful (1947)	Unfaithful (Rising)	0:43:06 - Larry walks into his office	chromatic parallelism \| dramatic \| law office \| lawyer \| office \| ostinato \| sequence \| transition \| walking
We Are Not Alone (1939)	Appassionato	0:03:13 - Gerald is scolded by his mother	antagonist \| boy \| child \| chromatic parallelism \| chromatic scale \| deceptive resolution \| dominant 7th chord \| establish character \| fragmentation \| harmonic sequence \| hero \| home \| linear chromaticism \| mother \| passionate \| scolding \| sequence \| telling a story \| tense
We Are Not Alone (1939)	Surprise Symphony (Imagination)	0:03:55 - David talks to his son	boy \| child \| chromatic parallelism \| establish character \| father \| gentle \| hero \| home \| playful \| sweet \| telling a story
We Are Not Alone (1939)	Jessica	0:10:01 - Jessica enters the room	9th chord \| antagonist \| chromatic parallelism \| chromatic scale \| establish character \| half-diminished 7th chord \| office \| sour \| wife
We Are Not Alone (1939)	Surprise Symphony (Imagination)	0:10:16 - Jessica rushes David away	antagonist \| chromatic parallelism \| classical music \| establish character \| familiar tune \| Haydn \| hero \| office \| playful \| quotation
We Are Not Alone (1939)	Frohe Botschaft (Drifting)	0:38:09 - Jessica tells Leni to leave	altered dominant \| antagonist \| chromatic parallelism \| conflict \| conversing \| familiar tune \| folk song \| gentle \| German \| heroine \| home \| quotation \| sinister \| tense \| whole-tone chord
We Are Not Alone (1939)	Jessica	0:45:10 - Jessica enters the room	9th chord \| advance plot \| antagonist \| chromatic parallelism \| chromatic scale \| conversing \| half-diminished 7th chord \| home \| mother \| room \| sour
We Are Not Alone (1939)	Surprise Symphony (Expanded)	0:45:36 - Leni hugs Gerald	advance plot \| boy \| child \| chromatic parallelism \| classical music \| dissonant bass \| familiar tune \| Haydn \| heroine \| home \| hugging \| quotation \| room \| sweet
We Are Not Alone (1939)	Surprise Symphony (Turbulent)	0:50:14 - Jessica reacts to David's departure	11th chord \| angry \| antagonist \| chromatic parallelism \| classical music \| conflict \| crying \| dark \| familiar tune \| Haydn \| hero \| home \| husband \| leaving \| quotation \| room \| sad \| tragic \| wife
We Are Not Alone (1939)	Birds (Extended)	NIF - not in film	augmentation \| birds \| chromatic mediant \| chromatic parallelism \| cut from film \| inversion \| pastoral \| pentatonic
We Are Not Alone (1939)	Frohe Botschaft (Drifting)	1:14:30 - David gives Leni money for her travels	altered dominant \| arrest \| arresting \| chromatic parallelism \| conflict \| conversing \| dark \| death \| familiar tune \| folk song \| gentle \| German \| happy \| hero \| heroine \| mode mixture \| murder \| police \| quotation \| sad \| sweet \| tense \| train station \| whole-tone chord
We Are Not Alone (1939)	Birds	NIF - not in film	chromatic parallelism \| cut from film \| pastoral \| pentatonic
Penguin Pool Murder (1932)	Penguin Pool Murder	0:00:23 - Main title, starring list, and cast list	cast list \| chromatic parallelism \| diminution \| diving \| double exposure \| dramatic \| hemiola \| linear chromaticism \| mysterious \| opening title sequence \| penguin \| pool \| starring list \| swimming \| tense \| thematic transformation \| through-composed \| title of film \| transcribed by ear \| whirlpool \| whole-tone \| whole-tone chord
Penguin Pool Murder (1932)	Fish	0:01:32 - Fish	augmented triad \| chromatic parallelism \| dramatic \| establish setting \| fish \| fluttering \| stinger \| transcribed by ear \| underwater \| whole-tone chord
Thirteen Women (1932)	The Swami (Past Life)	0:08:18 - The swami talks to Ursula	antagonist \| chromaticism \| chromatic parallelism \| conversing \| establish character \| fortune teller \| leading lady \| room \| somber \| swami \| transcribed by ear
Thirteen Women (1932)	Ursula (Mysterious Waltz)	0:33:37 - Ursula talks to Burns	64 chord \| advance plot \| chromatic parallelism \| conversing \| half-diminished 7th chord \| leading lady \| love interest \| mode mixture \| romantic \| room \| transcribed by ear \| waltz
Blind Adventure (1933)	My Imaginary Sweetheart	0:00:32 - Credits over a foggy background	AABA structure \| cast list \| cheerful \| chromatic parallelism \| mode mixture \| opening title sequence \| popular music \| secondary dominant \| transcribed by ear \| video cast list
Headline Shooter (1933)	You Bunch of Fun (Introduction)	0:00:15 - Title and starring list over camera lens montage	9th chord \| boat \| camera lens \| car \| cast list \| cheerful \| chromatic parallelism \| kaleidoscope effect \| opening title sequence \| plane \| racing \| reused recording \| sequence \| split screen \| title of film \| transcribed by ear
Headline Shooter (1933)	You Bunch of Fun (Transition)	0:01:08 - Video cast list	augmented triad \| chromatic parallelism \| excited \| opening title sequence \| parallelism \| pedal tone \| reused recording \| transcribed by ear \| video cast list
Star of Midnight (1935)	Midnight in Manhattan (Montage)	0:54:11 - Feet walking	bus \| chromatic parallelism \| fragmentation \| hurried \| montage \| pedal tone \| street \| transcribed by ear \| traveling \| walking
Star of Midnight (1935)	Sidewalks of New York	0:54:28 - Feet walking	bus \| calm \| chromatic parallelism \| foreign key modulation \| lighthearted \| montage \| street \| transcribed by ear \| traveling \| walking
Star of Midnight (1935)	Midnight in Manhattan (Accelerando)	0:54:42 - Feet walking	added-note chord \| bus \| chromatic parallelism \| hurried \| mickey-mousing \| mode mixture \| montage \| street \| transcribed by ear \| traveling \| walking
Don’t Turn ‘em Loose (1936)	Suicide Transition	0:26:55 - Bob sits	augmented triad \| chromatic parallelism \| dissonant bass \| gangster \| guard \| gun \| gunshot \| imposter \| leading man \| mysterious \| parallelism \| plotting \| preparing \| reading \| robbery \| room \| sequence \| shooting \| store \| transcribed by ear \| whole-tone \| whole-tone chord
We're Only Human (1935)	Gypo Runs Away	0:27:09 - Pete and Danny hide	action scene \| agitated \| chromatic parallelism \| detective \| diminished 7th chord \| gangster \| hiding \| leading man \| street \| tense
We're Only Human (1935)	Kong 1	0:28:23 - Pete jumps on a criminal	action scene \| bank \| chromatic parallelism \| detective \| dramatic \| fighting \| gangster \| jumping \| leading man \| pedal tone \| punching \| tense
We're Only Human (1935)	Kong 3	1:01:06 - Pete leaves	car \| chromatic parallelism \| climax \| conflict \| departing \| detective \| diminished 7th chord \| dramatic \| hurried \| leading lady \| leading man \| pedal tone \| reporter \| rushing \| sequence \| street \| victim
We're Only Human (1935)	Game 2	1:01:56 - Witness threatens to kill the criminals	acceleration \| arguing \| car \| car \| chromatic parallelism \| climax \| conflict \| detective \| dramatic \| driving \| hurried \| leading lady \| leading man \| pedal tone \| reporter \| rushing \| threat \| threatening \| victim
We're Only Human (1935)	Game 3	1:02:23 - Approaching the house	chromatic parallelism \| chromatic parallelism \| climax \| conflict \| detective \| leading lady \| leading man \| mysterious \| pc set \| reporter \| sneaking \| tense \| victim \| yard
We're Only Human (1935)	The Wearin' o' the Green (Fighting)	1:03:42 - Pete prepares to advance	chromatic parallelism \| climax \| conflict \| detective \| dramatic \| fragmentation \| gunshot \| leading lady \| leading man \| reporter \| running \| sequence \| shooting \| tense \| underscoring \| victim \| yard
We're Only Human (1935)	Game 5	1:05:03 - Pete prepares to shoot	chromatic parallelism \| climax \| conflict \| detective \| gangster \| gunshot \| leading man \| murderer \| pc set \| pedal tone \| room \| shooting \| sneaking \| tense \| underscoring \| whole-tone chord
Another Face (1935)	Underscoring (Tense)	0:02:30 - Gangster talks with nurse	chromatic parallelism \| conversing \| doctor \| establish character \| gangster \| half-diminished 7th chord \| nurse \| office \| tense \| underscoring
Another Face (1935)	Underscoring (Mysterious)	0:03:08 - Gangster smoking in chair	augmented triad \| chromatic parallelism \| establish character \| gangster \| office \| smoking \| tense \| underscoring \| waiting
Another Face (1935)	Zaroff (Poco Agitato)	0:05:01 - Nurse argues with doctor	advance plot \| arguing \| blackmail \| chromatic parallelism \| doctor \| half-diminished 7th chord \| nurse \| operating room \| tense
Caged (1950)	Underscoring (Dark)	0:56:40 - Kitty and Harper	advance plot \| chromatic parallelism \| dark \| guard \| low-angle shot \| pc set \| pedal tone \| prison \| prisoner \| shadow \| threatening \| underscoring
Caged (1950)	Prison Alarm (The Scream)	1:00:42 - Marie covers her ears	alarm \| alarm effect \| anxiety \| chromatic parallelism \| chromatic scale \| dramatic \| fidgeting \| guard \| hysteria \| leading lady \| mad scene \| prison \| prisoner \| screaming \| tense \| tone cluster \| whole-tone chord
Caged (1950)	Hysteria	1:00:55 - Marie runs down the hall	alarm \| anxiety \| chromatic parallelism \| chromatic scale \| dissonant bass \| dramatic \| escaping \| guard \| hysteria \| leading lady \| mad scene \| pc set \| polychord \| prison \| prisoner \| running \| tense
Caged (1950)	Water Dripping + Caged (Tense)	NIF - not in film	9th chord \| chromatic parallelism \| chromatic sequence \| combination of themes \| cut from film \| dark \| dissonant bass \| hysteria \| isolation \| leading lady \| mad scene \| melodic cell \| mickey-mousing \| mysterious \| ostinato \| prison \| prisoner \| sigh gesture \| tense \| uneasy \| water effect
Caged (1950)	Water Dripping (Frantic)	NIF - not in film	chromatic parallelism \| chromatic scale \| cut from film \| dark \| dissonant bass \| frantic \| hysteria \| isolation \| mad scene \| mickey-mousing \| mysterious \| parallel 63s \| pc set \| prison \| tense \| uneasy \| water effect
Caged (1950)	Molto Expressivo (Not in Film)	NIF - not in film	advance plot \| chromatic parallelism \| cut from film \| prison \| solemn \| whole-tone chord
Caged (1950)	Underscoring (Tense)	1:32:21 - Marie unpacks her belongings	advance plot \| chromatic parallelism \| leading lady \| leaving \| prison \| prisoner \| tense \| underscoring \| unpacking \| whole-tone chord
Caged (1950)	Molto Expressivo (Rubato)	1:32:37 - Marie checks out	advance plot \| chromatic parallelism \| conversing \| guard \| leading lady \| leaving \| prison \| prisoner \| solemn \| underscoring
Caged (1950)	Marie (Checking Out)	1:32:47 - Marie opens an envelope	advance plot \| chromatic parallelism \| chromatic wedge \| dramatic \| guard \| leading lady \| leaving \| looking \| polychord \| prison \| prisoner \| ring \| solemn \| throwing
Caged (1950)	Isolation Ward (The End)	NIF - not in film	chromatic parallelism \| climax \| cut from film \| dramatic \| pc set \| uneasy
All This, and Heaven Too (1940)	Henriette (Resolution) + Falling Snow (Resolution)	2:22:03 - Henry talks to Henriette	9th chord \| chromatic parallelism \| combination of themes \| conversing \| diminished third chord \| gentle \| leading lady \| minister \| mode mixture \| promising \| resolution \| school \| snow \| teacher

Tag Search Results