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32 results for "major 7th chord" in 13 films

FilmTheme nameInstanceTags
The Amazing Dr. Clitterhouse (1938)Underscoring (Tense)0:47:04 - Doctor talks with the criminalsaugmented major 7th chord | chromatic parallelism | criminal | dissonant bass | doctor | examining | gangster | leading man | ostinato | pc set | robbery | rooftop | tense | thief | underscoring | walking | working
Angels With Dirty Faces (1938)Underscoring (Dramatic)1:19:00 - Rocky is trapped in a building42 chord | agitated | chromatic parallelism | chromatic scale | conflict | dissonant bass | dramatic | escaping | fleeing | gangster | half-diminished 7th chord | leading man | major 7th chord | police | running | sequence | stairwell | tone cluster | underscoring

Angels With Dirty Faces (1938)

Going up stairs1:19:27 - Rocky runs up the stairsagitated | chromatic parallelism | chromatic scale | conflict | dissonant bass | dramatic | gangster | leading man | major 7th chord | mickey-mousing | running | sequence | stairs | stairwell | up

Angels With Dirty Faces (1938)

The Gangster (Triste)1:23:57 - Rocky uses Jerry as a hostage9th chord | building | chromatic parallelism | conflict | coughing | dark | double-cross | foreign key modulation | fragmentation | gangster | hostage | leading man | linear chromaticism | major 7th chord | menacing | polychord | priest | smoke | somber | street | tear gas | walking
Are These Our Children? (1931)Dreams (Minor) + Makes You Forget Your Troubles (Minor)1:15:51 - Newspaper headlinescombination of themes | conversing | double exposure | headline | minor-major 7th chord | montage | newspaper | police | preaching | priest | source to score | spinning | tense
The Big Sleep (1946)Jones falls1:29:50 - Jones falls and dieschromatic parallelism | death | death scene | dying | falling | leading man | major 7th chord | mickey-mousing | murder | mysterious | pc set | poison | private eye | room | victim | violent
City for Conquest (1940)Shadow Waltz (Dark)0:33:22 - Peggy talks with Dannyboat | chromatic sequence | conversing | dark | leading lady | leading man | love scene | major 7th chord | octatonic | somber
They Made Me a Criminal (1939)Underscoring (Dramatic)0:16:01 - Johnnie rushes insideadvance plot | chromatic scale | dramatic | leading man | minor-major 7th chord | newspaper | room | rushing | underscoring

They Made Me a Criminal (1939)

Lying1:25:16 - Johnnie lies to Peggy about where he's goingadded-note chord | augmented sixth chord | climax | common-chord modulation | detective | dissonant bass | foreign key modulation | leading lady | leading man | lying | minor-major 7th chord | room | turbulent
Flamingo Road (1949)Titus 2 (Triste)0:34:10 - Field tells Lane he is getting marriedbreaking up | breakup | café | chromatic sequence | dark | leading lady | leading man | major 7th chord | mysterious | self-borrowing | somber | waitress

Flamingo Road (1949)

Mob1:28:20 - A mob forms outside of Lane's homeadvance plot | angry | anxious | augmented triad | chromatic parallelism | chromatic scale | friend | leading lady | minor-major 7th chord | mob | mobbing | ostinato | polyrhythm | room | tense | whole-tone chord

Flamingo Road (1949)

Titus (Climax)1:31:43 - Lane struggles with Tituschromatic parallelism | chromatic wedge | climax | club | dramatic | fighting | gun | gunshot | leading lady | major 7th chord | self-borrowing | sequence | sheriff | struggling | tense

Flamingo Road (1949)

Struggling1:31:47 - Close-up on the gunclimax | close up | club | dramatic | fighting | gun | gunshot | leading lady | major 7th chord | mickey-mousing | oscillation | sheriff | struggling | tense
The Informer (1935)Katie (Tragic)1:04:39 - Katie is left alone on the streetadvance plot | appoggiatura | leading lady | minor-major 7th chord | money | somber | street | worrying
The Letter (1940)Leslie0:00:11 - The Letter9th chord | changing meter | main title | minor-major 7th chord | opening title sequence | oscillation | sequence | suspension | tense | title of film

The Letter (1940)

Leslie (Rubato)0:00:44 - Cast list9th chord | cast list | changing meter | main title | minor-major 7th chord | opening title sequence | oscillation | sequence | sequential modulation | suspension | tense

The Letter (1940)

Leslie (Dark)0:16:09 - Men look at dead bodyadvance plot | augmented major 7th chord | changing meter | chromatic parallelism | creeping | dark | death | dissonant bass | investigating | murder | pc set | plantation | servant | shadow | sinister

The Letter (1940)

Murder0:18:36 - Leslie reacts to the mention of murderadvance plot | eating | home | leading lady | major 7th chord | murder | mysterious | oscillation | stinger | tense

The Letter (1940)

Leslie (Delicato)0:21:46 - Men admire needlepointadvance plot | changing meter | conversing | delicate | foreign key modulation | gentle | home | lacework | lawyer | leading lady | minor-major 7th chord | oscillation | polychord | sequence

The Letter (1940)

Leslie (Mysterioso)0:30:04 - Howard in his officeadvance plot | augmented major 7th chord | lawyer | mysterious | office | oscillation | pc set | quartal chord | suspension | tense | thinking

The Letter (1940)

Leslie (Plotting)0:39:32 - Howard and Leslie plot their next move9th chord | advance plot | buildup | changing meter | chromatic sequence | fragmentation | hospital | lawyer | leading lady | letter | minor-major 7th chord | ominous | oscillation | plotting | tense

The Letter (1940)

Leslie (Restless)1:14:42 - Robert asks about the letterarguing | conflict | fragmentation | home | husband | lawyer | leading lady | lying | major 7th chord | sequence | tense

The Letter (1940)

Leslie (Wild)1:14:57 - Robert waits for a response9th chord | arguing | augmented major 7th chord | chromatic parallelism | conflict | distress | fragmentation | home | husband | lawyer | leading lady | lying | sequence | tense

The Letter (1940)

Leslie (Ending)1:34:28 - Camera pans to the moonappoggiatura | glorious | minor-major 7th chord | moon | oscillation | plagal cadence | plantation | resolution

The Letter (1940)

Letter1:34:41 - End creditschanging meter | closing credits | dramatic | end title sequence | minor-major 7th chord | oscillation | plagal cadence
Mildred Pierce (1945)Monte is shot0:01:50 - Monte is shotchromatic parallelism | collapsing | death | dying | falling | gun | gunshot | major 7th chord | mickey-mousing | murder | murder scene | room | staggering | tragic

Mildred Pierce (1945)

Pneumonia (Dying)0:55:24 - Kay passes away9th chord | child | chromatic parallelism | dark | death | death scene | doctor | dying | ex-husband | heroine | illness | leading lady | linear chromaticism | minor-major 7th chord | nurse | oscillation | patient | room | sick person | somber | tense | treating | turning point | waiting | watching

Mildred Pierce (1945)

Mildred (Sorrow)1:03:41 - Monte asks about Kayadvance plot | conversing | heroine | leading lady | love interest | minor-major 7th chord | mode mixture | restaurant | somber

Mildred Pierce (1945)

Monte is shot 21:47:28 - Monte is shot antagonist | chromatic parallelism | collapsing | death | dying | falling | gun | gunshot | major 7th chord | mickey-mousing | murder | murderer | murder scene | room | staggering | tragic
Out of the Fog (1941)Speeding Car (Extended)1:13:32 - A car racing down the streetaction scene | car | crowd | double exposure | dramatic | driving | leading lady | minor-major 7th chord | point-of-view shot | police | questioning | reporter | rushed | rushing | street | tense
The Unfaithful (1947)Unfaithful (Driving)1:10:31 - Bob rides in a carcar | driving | husband | minor-major 7th chord | ominous | street | transition | whole-tone
We Are Not Alone (1939)I Do Like to Be Beside the Seaside (Tragico)0:14:05 - Leni talks with Daviddoctor | establish character | familiar tune | hero | heroine | minor-major 7th chord | quotation | room | tragic