| Are These Our Children? (1931) | Dreams | 0:00:15 - Title of the film and opening credits | 11th chord | AABA structure | card | cast list | conductor score | gentle | mode mixture | opening title sequence | title of film |
Are These Our Children? (1931) | Dreams B | 0:01:33 - Two young people in love | common-chord modulation | common-tone diminished 7th | conductor score | conversing | establish character | gentle | leading lady | leading man | lovers | love scene | snuggling | street |
Are These Our Children? (1931) | Dreams | 0:02:11 - Eddie and Mary talk | 11th chord | AABA structure | conductor score | establish character | gentle | leading lady | leading man | leaving | lovers | love scene | mode mixture | street | waiting |
| The Breaking Point (1950) | Signature | 0:00:00 - WB shield | bold | chromatic mediant | conductor score | fanfare | main title | opening title sequence | oscillation | WB shield |
The Breaking Point (1950) | Transition | 0:00:07 - Birds flying | bird | boat | calm | chromatic scale | conductor score | harbor | opening title sequence | sequential modulation | starring list | tense |
The Breaking Point (1950) | The Breaking Point | 0:00:25 - Title of the film | boat | calm | cast list | conductor score | gentle | harbor | mixed meter | mode mixture | opening title sequence | tender | title of film |
The Breaking Point (1950) | The Breaking Point (Cellos) | 0:00:48 - Opening credits | boat | calm | cast list | chromatic mediant | conductor score | foreign key modulation | harbor | mixed meter | opening title sequence |
The Breaking Point (1950) | Calm | 0:01:08 - Ships in a harbor | augmented triad | boat | calm | conductor score | harbor | opening title sequence | pedal tone |
| City for Conquest (1940) | Tone Poem Introduction | 1:32:01 - Orchestra playing in a concert hall | 9th chord | audience | bold | Carnegie Hall | chromatic parallelism | common-tone dominant 7th | concert | concert hall | concert scene | conducting | conductor | dissonant bass | dominant 7th chord | double exposure | Dutch angle | Gershwinesque | listening | musician | on-screen music | orchestra | playing | radio | score to source | source music | watching |
City for Conquest (1940) | Tone Poem A | 1:32:32 - Violins playing | 9th chord | 11th chord | 13th chord | audience | Carnegie Hall | concert | concert hall | concert scene | conducting | conductor | deceptive resolution | dramatic | Gershwinesque | leading lady | listening | musician | on-screen music | orchestra | playing | romantic | sentimental | sequence | source music | watching | zoom in |
City for Conquest (1940) | Tone Poem A (Tutti) | 1:33:02 - Peggy watches from the audience | 9th chord | 11th chord | 13th chord | audience | bold | Carnegie Hall | concert | concert hall | concert scene | conducting | conductor | deceptive resolution | dramatic | fragmentation | Gershwinesque | leading lady | listening | musician | on-screen music | orchestra | playing | point-of-view shot | romantic | source music | watching | zoom in |
City for Conquest (1940) | Tone Poem Transition 1 | 1:33:15 - The conductor | 9th chord | added-note chord | audience | Carnegie Hall | common-tone diminished 7th | concert | concert hall | concert scene | conducting | conductor | dissonant bass | Dutch angle | excited | fragmentation | listening | musician | on-screen music | orchestra | playing | source music | watching |
City for Conquest (1940) | Tone Poem B | 1:33:32 - The wind section plays | 9th chord | added-note chord | Carnegie Hall | concert | concert hall | concert scene | conducting | conductor | excited | Mixolydian mode | musician | on-screen music | orchestra | ostinato | playing | pump-up modulation | source music |
City for Conquest (1940) | Tone Poem Train Whistle | 1:33:40 - The wind section plays | added-note chord | bold | Carnegie Hall | concert | concert hall | concert scene | conducting | conductor | dissonant bass | excited | fragmentation | Gershwinesque | musician | on-screen music | orchestra | pc set | playing | pump-up modulation | source music |
City for Conquest (1940) | Tone Poem Transition 2 | 1:33:48 - Orchestra playing | 9th chord | added-note chord | audience | bold | Carnegie Hall | concert | concert hall | concert scene | conducting | conductor | dramatic | Gershwinesque | grand | listening | musician | on-screen music | orchestra | playing | source music | watching |
City for Conquest (1940) | Tone Poem Introduction (Abbreviated) | 1:34:01 - Orchestra playing | 9th chord | audience | bold | Carnegie Hall | chromatic parallelism | concert | concert hall | concert scene | conducting | conductor | dissonant bass | double exposure | Dutch angle | Gershwinesque | listening | musician | on-screen music | orchestra | playing | radio | source music | watching |
City for Conquest (1940) | Tone Poem A (Very Broad) | 1:34:24 - Peggy reacts to the music | 9th chord | 13th chord | audience | bold | Carnegie Hall | chromatic parallelism | chromatic scale | chromatic sequence | concert | concert hall | concert scene | conducting | conductor | deceptive resolution | dissonant bass | dramatic | Gershwinesque | leading lady | leading man | listening | musician | newspaper | newspaper stand | on-screen music | orchestra | playing | radio | romantic | source music | street | watching | zoom out |
City for Conquest (1940) | Tone Poem A (Lento) | 1:35:02 - Orchestra playing | 9th chord | audience | Carnegie Hall | chromatic parallelism | chromatic sequence | concert | concert hall | concert scene | conducting | conductor | crying | leading lady | linear chromaticism | listening | musician | on-screen music | orchestra | playing | polychord | romantic | somber | source music | tender | watching |
City for Conquest (1940) | Tone Poem Transition 1 (Abbreviated) | 1:35:34 - Harp playing in the orchestra | added-note chord | bold | Carnegie Hall | concert | concert hall | concert scene | conducting | conductor | dramatic | Gershwinesque | musician | on-screen music | orchestra | playing | source music |
City for Conquest (1940) | Tone Poem B | 1:35:43 - Danny listens to the radio | 9th chord | added-note chord | audience | Carnegie Hall | concert | concert hall | concert scene | conducting | conductor | excited | Gershwinesque | leading man | listening | Mixolydian mode | musician | newspaper | newspaper stand | on-screen music | orchestra | playing | pump-up modulation | radio | source music | street | watching |
City for Conquest (1940) | Tone Poem Transition 2 (Allargando) | 1:35:58 - Orchestra playing in the concert hall | audience | bold | Carnegie Hall | concert | concert hall | concert scene | conducting | conductor | direct modulation | dramatic | Gershwinesque | grand | listening | musician | on-screen music | orchestra | pedal tone | playing | source music | watching |
City for Conquest (1940) | Tone Poem A (Grandioso) | 1:36:11 - Audience enjoying the performance | 9th chord | 13th chord | altered dominant | audience | bold | Carnegie Hall | concert | concert hall | concert scene | conducting | conductor | deceptive resolution | double exposure | dramatic | Gershwinesque | leading lady | leading man | listening | musician | on-screen music | orchestra | playing | romantic | sentimental | smiling | source music | watching |
City for Conquest (1940) | Tone Poem A (Tutti 2) | 1:36:41 - Danny's figure appears in the concert hall | 9th chord | 13th chord | AABA structure | added-note chord | audience | bold | Carnegie Hall | concert | concert hall | concert scene | conducting | conductor | crying | deceptive resolution | double exposure | dramatic | Gershwinesque | leading man | listening | mode mixture | musician | on-screen music | orchestra | playing | romantic | sentimental | smiling | source music | watching | zoom out |
City for Conquest (1940) | Tone Poem Introduction (Abbreviated 2) | 1:37:08 - The conductor leading the orchestra | added-note chord | audience | bold | Carnegie Hall | common-tone dominant 7th | concert | concert hall | concert scene | conducting | conductor | Gershwinesque | listening | musician | on-screen music | orchestra | playing | source music | watching |
City for Conquest (1940) | Tone Poem A (Coda) | 1:37:16 - The conductor leading the orchestra | added-note chord | audience | bold | Carnegie Hall | chromatic mediant | concert | concert hall | concert scene | conducting | conductor | diminution | dramatic | Gershwinesque | listening | musician | on-screen music | orchestra | playing | source music | watching |
| Hell on Frisco Bay (1955) | Menace | 0:00:00 - Starring list | conductor score | dark | menacing | opening title sequence | starring list | title of film |
Hell on Frisco Bay (1955) | Hell on Frisco Bay | 0:00:24 - Title of film and cast list | cast list | conductor score | gentle | lyrical | opening title sequence |
Hell on Frisco Bay (1955) | Prison Gate | 0:01:25 - Steve exits the prison gate | conductor score | establish character | friend | gate | leading lady | leading man | leaving | prison | serious | walking |
Hell on Frisco Bay (1955) | Hell on Frisco Bay | 0:02:01 - Marcia embraces Steve | conductor score | embracing | establish character | friend | gentle | leading lady | leading man | street |
Hell on Frisco Bay (1955) | Underscoring (Dark) | 0:02:12 - Steve mentions a divorce and leaves | conductor score | conversing | dark | establish character | friend | investigator | leading man | street | underscoring |
Hell on Frisco Bay (1955) | Steve | 0:04:44 - Steve wanders the docks | conductor score | dock | establish setting | investigator | leading man | noble | transcribed by ear | wandering |
Hell on Frisco Bay (1955) | Menace | 0:05:06 - Steve sees some boats | conductor score | dark | dock | establish setting | fanfare | investigator | leading man | transcribed by ear | wandering |
Hell on Frisco Bay (1955) | Menace 2 | 0:05:12 - Steve looks at the boats | brash | conductor score | dock | establish setting | investigator | leading man | transcribed by ear | wandering |
Hell on Frisco Bay (1955) | Steve | 0:05:25 - Steve wanders the dock | conductor score | dock | entering | establish setting | investigator | leading man | noble | transcribed by ear |
Hell on Frisco Bay (1955) | The Church | 0:07:19 - A church | church | conductor score | establish setting | pleasant |
Hell on Frisco Bay (1955) | Steve | 0:11:11 - Steve knocks on door | advance plot | arriving | conductor score | investigator | leading man | pleasant | porch | walking |
Hell on Frisco Bay (1955) | Amato | 0:13:04 - Steve talks to man | advance plot | brash | conductor score | conversing | dark | investigator | leading man | ominous | porch |
Hell on Frisco Bay (1955) | Amato | 0:14:48 - Mario runs to talk to Amato | conductor score | establish character | fearful | hurried | office |
Hell on Frisco Bay (1955) | Spring Song | 0:14:56 - Amato talks to Mario | antagonist | conductor score | conversing | dark | establish character | gangster | menacing | office | tritone |
Hell on Frisco Bay (1955) | Underscoring (Mysterious) | 0:15:33 - Amato talks to Lye | antagonist | conductor score | conversing | establish character | gangster | mysterious | office | underscoring |
Hell on Frisco Bay (1955) | Amato | 0:15:44 - Amato talks to Lye | antagonist | conductor score | conversing | establish character | gangster | harsh | office |
Hell on Frisco Bay (1955) | Lye | 0:16:52 - Amato talks to Lye | antagonist | conductor score | conversing | establish character | gangster | gentle | office |
Hell on Frisco Bay (1955) | Face twitching | 0:16:59 - Lye's face twitches | antagonist | comical | conductor score | establish character | gangster | mickey-mousing | office | twitching |
Hell on Frisco Bay (1955) | Menace | 0:17:13 - Gangsters talk | antagonist | conductor score | conversing | establish character | gangster | office | ominous |
Hell on Frisco Bay (1955) | Amato | 0:17:47 - Gangsters talk | antagonist | conductor score | conversing | establish character | gangster | harsh | office |
Hell on Frisco Bay (1955) | Underscoring (Dark) | 0:19:33 - Amato slaps old man | antagonist | conductor score | conversing | dark | establish character | gangster | office | slapping | stinger | underscoring |
Hell on Frisco Bay (1955) | Menace | 0:19:43 - Amato talks to old man | antagonist | conductor score | dark | establish character | gangster | office | yelling |
Hell on Frisco Bay (1955) | Menace | 0:20:30 - Amato talks to Lye | antagonist | conductor score | conversing | dark | establish character | gangster | office |
Hell on Frisco Bay (1955) | Amato | 0:20:40 - Amato leaves | antagonist | conductor score | conversing | establish character | gangster | office | ominous |
Hell on Frisco Bay (1955) | Kay | 0:20:48 - Lye goes to see Kay | antagonist | conductor score | conversing | establish character | gangster | kissing | love interest | lyrical | romantic | street |
Hell on Frisco Bay (1955) | Hell on Frisco Bay | 0:21:37 - Marcia on a poster | club | conductor score | establish character | investigator | leading man | romantic | walking |
Hell on Frisco Bay (1955) | The Very Thought of You | 0:21:51 - Marcia singing at a club | club | conductor score | establish character | familiar tune | investigator | leading lady | leading man | on-screen music | pianist | popular music | romantic | singer | singing | source music |
Hell on Frisco Bay (1955) | Hell on Frisco Bay | 0:23:26 - Marcia talks to Steve | club | conductor score | conversing | establish character | investigator | leading lady | leading man | on-screen music | pianist | playing | popular music | sentimental | source music | source score |
Hell on Frisco Bay (1955) | Hell on Frisco Bay | NIF - not in film | conductor score | cut from film |
Hell on Frisco Bay (1955) | Hell on Frisco Bay | NIF - not in film | conductor score | cut from film |
Hell on Frisco Bay (1955) | Hell on Frisco Bay | 0:24:15 - Steve goes home | advance plot | arriving | conductor score | leading man | room | sentimental |
Hell on Frisco Bay (1955) | Hell on Frisco Bay | 0:24:44 - Steve packs | advance plot | conductor score | leading lady | leading man | packing | room | troubled |
Hell on Frisco Bay (1955) | Hell on Frisco Bay | 0:25:00 - Marcia enters | advance plot | conductor score | entering | leading lady | leading man | room | sentimental |
Hell on Frisco Bay (1955) | Hell on Frisco Bay | 0:25:14 - Marcia and Steve argue | advance plot | arguing | conductor score | leading lady | leading man | room | tense |
Hell on Frisco Bay (1955) | Hell on Frisco Bay | 0:25:27 - Marcia and Steve talk | advance plot | agitated | conductor score | conversing | leading lady | leading man | room |
Hell on Frisco Bay (1955) | Hell on Frisco Bay | 0:25:56 - Marcia and Steve talk | advance plot | conductor score | conversing | leading lady | leading man | room | somber |
Hell on Frisco Bay (1955) | Picks up suitcase | 0:26:22 - Steve picks up his suitcase | advance plot | conductor score | hurried | leading man | mickey-mousing | picking up | room | rushing |
Hell on Frisco Bay (1955) | Walking | 0:26:31 - Marcia walks to the door | advance plot | conductor score | gangster | hurried | leading lady | leading man | mickey-mousing | room | walking |
Hell on Frisco Bay (1955) | Underscoring (Dramatic) | 0:27:50 - Steve fights Hammy | action scene | conductor score | dramatic | fighting | gangster | hurried | leading lady | leading man | room | strangling | tense | underscoring |
Hell on Frisco Bay (1955) | Underscoring (Tense) | 0:28:03 - The gangsters leave | action scene | conductor score | conversing | gangster | leading lady | leading man | leaving | room | tense | underscoring |
Hell on Frisco Bay (1955) | Hell on Frisco Bay | 0:28:43 - Marcia talks to Steve | action scene | conductor score | conversing | leading lady | leading man | leaving | room | somber |
Hell on Frisco Bay (1955) | Menace 2 | 0:28:55 - Marcia reacts to Steve's comment | action scene | conductor score | conversing | leading lady | leading man | leaving | room | upset |
Hell on Frisco Bay (1955) | Menace | NIF - not in film | conductor score | cut from film |
Hell on Frisco Bay (1955) | Menace | 0:29:01 - Steve cleans up | advance plot | cleaning | conductor score | leading man | ominous | room |
Hell on Frisco Bay (1955) | Menace | 0:31:38 - Steve talks with the detective | advance plot | conductor score | conversing | dark | detective | investigator | leading man | ominous | room |
Hell on Frisco Bay (1955) | Menace 2 | 0:32:00 - Steve talks with the detective | advance plot | conductor score | conversing | dark | detective | investigator | leading man | ominous | room |
Hell on Frisco Bay (1955) | Steve | 0:32:34 - Steve investigates | advance plot | arriving | conductor score | investigator | leading man | neutral | street | walking |
Hell on Frisco Bay (1955) | Disappointment | 0:36:18 - Steve leaves | advance plot | conductor score | dark | disappointed | investigator | leading man | leaving | somber | street |
Hell on Frisco Bay (1955) | Georgie | 0:36:40 - George talks to his son | advance plot | caring | child | conductor score | embracing | father | gentle | room | tender |
Hell on Frisco Bay (1955) | Boy running | 0:36:50 - Georgie runs down the stairs | advance plot | child | conductor score | down | hurried | mickey-mousing | running | street |
Hell on Frisco Bay (1955) | Steve | 0:38:01 - Steve shakes Georgie's hand | advance plot | cheerful | child | conductor score | gentle | investigator | leading man | street | thanking |
Hell on Frisco Bay (1955) | Dead Man | 0:38:18 - Dead man on the rocks | advance plot | body | brash | conductor score | dark | death | discovering | dock | violence |
Hell on Frisco Bay (1955) | Anna | 0:46:05 - Anna talks with Amato | antagonist | conductor score | conversing | establish character | gangster | gentle | leading man | room | sentimental | warning | wife | worrying |
Hell on Frisco Bay (1955) | Amato | 0:47:01 - Amato talks with Lye | advance plot | antagonist | brash | conductor score | conversing | gangster | harsh | leading man | room |
Hell on Frisco Bay (1955) | Face twitching | 0:47:44 - Amato talks with Lye | advance plot | antagonist | conductor score | conversing | gangster | leading man | room | uneasy |
Hell on Frisco Bay (1955) | Amato | 0:48:03 - Amato teases Lye | advance plot | agitated | antagonist | arguing | conductor score | gangster | leading man | room |
Hell on Frisco Bay (1955) | Amato | 0:48:11 - Amato threatens Lye | advance plot | antagonist | arguing | brash | conductor score | dark | gangster | leading man | room | threatening |
Hell on Frisco Bay (1955) | Anna | 0:48:38 - Anna comforts Mario | advance plot | comforting | conductor score | gangster | gentle | room | sentimental | wife |
Hell on Frisco Bay (1955) | Menace | 0:49:04 - Amato paces | action scene | conductor score | dark | gangster | leading man | menacing | pacing | room |
Hell on Frisco Bay (1955) | Underscoring (Dramatic) | 0:51:36 - Amato yells at Steve | action scene | angry | arguing | conductor score | fighting | gangster | investigator | leading man | room | underscoring | violence | yelling |
Hell on Frisco Bay (1955) | Underscoring (Tense) | 0:52:13 - Dan waits for Steve | advance plot | conductor score | friend | gangster | investigator | leading man | pacing | street | tense | underscoring | waiting |
Hell on Frisco Bay (1955) | Steve | 0:52:23 - Steve arrives | advance plot | conductor score | conversing | friend | gangster | investigator | leading man | neutral | street |
Hell on Frisco Bay (1955) | Steve runs | 0:52:55 - Steve runs | advance plot | conductor score | gangster | investigator | leading man | mickey-mousing | running | street | tense |
Hell on Frisco Bay (1955) | Menace | 0:53:06 - Steve talks with Dan | advance plot | conductor score | conversing | dark | gangster | investigator | leading man | sinister | street |
Hell on Frisco Bay (1955) | Steve | 0:53:15 - Steve leaves | action scene | aiming | conductor score | dark | gangster | investigator | leading man | murderer | neutral | shooting | street | tense | walking |
Hell on Frisco Bay (1955) | Climbing and jumping | 0:53:27 - Steve runs from Hammy | action scene | climbing | conductor score | hiding | hurried | investigator | jumping | leading man | mickey-mousing | street | tense |
Hell on Frisco Bay (1955) | Menace | 0:53:30 - Hammy tries to escape | action scene | conductor score | dramatic | escaping | fleeing | gangster | hurried | investigator | leading man | murderer | running | shooting | street | tense |
Hell on Frisco Bay (1955) | Hammy Is Shot | 0:53:37 - Hammy falls to the ground | action scene | conductor score | dramatic | dying | falling | gangster | investigator | leading man | mickey-mousing | street | tragic |
Hell on Frisco Bay (1955) | Underscoring (Dark) | 0:53:50 - Steve questions Hammy | action scene | conductor score | dark | death | dying | gangster | investigator | leading man | questioning | stinger | street | underscoring |
Hell on Frisco Bay (1955) | Menace | NIF - not in film | conductor score | cut from film |
Hell on Frisco Bay (1955) | I'm Off | NIF - not in film | conductor score | cut from film |
Hell on Frisco Bay (1955) | Steve | NIF - not in film | conductor score | cut from film |
Hell on Frisco Bay (1955) | Steve Arrives | 0:54:56 - Steve arrives at an apartment | arriving | conductor score | investigator | leading man | mickey-mousing | mysterious | street | tense | transition | walking |
Hell on Frisco Bay (1955) | Menace | 0:58:13 - Bessie prepares to leave | chase scene | conductor score | floozy | mysterious | preparing | room | tense | thinking |
Hell on Frisco Bay (1955) | Sneaking and following | 0:58:30 - Bessie sneaks away | chase scene | conductor score | descending | floozy | following | hiding | investigator | leading man | mysterious | sneaking | street | tense |
Hell on Frisco Bay (1955) | Menace | 0:58:48 - Bessie walks through the market | | agitated | chase scene | conductor score | dramatic | floozy | gangster | hurrying | investigator | leading man | mysterious | street | tense | walking |
Hell on Frisco Bay (1955) | Steve | 1:01:01 - Steve talks to Marcia | conductor score | conversing | entering | gentle | leading lady | leading man | love scene | room |
Hell on Frisco Bay (1955) | Underscoring (Subtle) | 1:01:30 - Marcia talks to Steve | conductor score | conversing | gentle | leading lady | leading man | love scene | room | underscoring |
Hell on Frisco Bay (1955) | Hell on Frisco Bay | 1:01:41 - Steve talks to Marcia | conductor score | conversing | leading lady | leading man | love scene | room | tense | underscoring |
Hell on Frisco Bay (1955) | Hell on Frisco Bay | 1:01:53 - Marcia talks to Steve | conductor score | conversing | leading lady | leading man | love scene | room | somber |
Hell on Frisco Bay (1955) | Menace | 1:02:28 - Steve talks to Marcia | conductor score | conversing | dark | leading lady | leading man | love scene | room |
Hell on Frisco Bay (1955) | Hell on Frisco Bay | 1:02:45 - Marcia talks to Steve | conductor score | conversing | leading lady | leading man | love scene | romantic | room | tender |
Hell on Frisco Bay (1955) | Pleading | 1:03:30 - Marcia talks to Steve | conductor score | conversing | leading lady | leading man | love scene | room | tender |
Hell on Frisco Bay (1955) | Hell on Frisco Bay | 1:03:46 - Marcia talks to Steve | conductor score | conversing | dark | leading lady | leading man | love scene | room | tender |
Hell on Frisco Bay (1955) | Menace | 1:04:15 - Steve answers the phone | advance plot | conductor score | dark | investigator | leading man | mysterious | room | waiting |
Hell on Frisco Bay (1955) | Steve | 1:04:47 - Steve hangs up the phone | advance plot | conductor score | dark | gentle | investigator | leading man | room | waiting |
Hell on Frisco Bay (1955) | Anna | 1:04:54 - Anna talks to Amato | advance plot | antagonist | conductor score | conversing | dark | gangster | gentle | leading man | room | wife |
Hell on Frisco Bay (1955) | Menace | 1:08:27 - Amato threatens Brody | advance plot | antagonist | conductor score | dark | gangster | leading man | street | threatening |
Hell on Frisco Bay (1955) | Amato | 1:08:39 - Amato arrives | advance plot | antagonist | arriving | brash | conductor score | dark | gangster | leading man | stinger | street |
Hell on Frisco Bay (1955) | Lye | 1:09:00 - Amato calls Lye | advance plot | antagonist | calling | conductor score | conversing | gangster | leading man | stinger | street | uneasy |
Hell on Frisco Bay (1955) | Hell on Frisco Bay | 1:17:47 - Marcia and Steve talk | advance plot | calm | club | conductor score | conversing | leading lady | leading man | on-screen music | popular music | source music | source score |
Hell on Frisco Bay (1955) | Hell on Frisco Bay | 1:18:13 - Marcia and Steve talk | calm | club | conductor score | conversing | leading lady | leading man | love scene | source to score |
Hell on Frisco Bay (1955) | Underscoring (Dark) | 1:19:09 - Marcia and Steve talk | club | conductor score | conversing | dark | leading lady | leading man | love scene | ominous | underscoring |
Hell on Frisco Bay (1955) | Hell on Frisco Bay | 1:19:28 - Marcia talks to Steve | club | conductor score | conversing | gentle | grand | leading lady | leading man | love scene |
| Her Kind of Man (1946) | Body and Soul | 0:56:43 - Georgia sings in a night club | AABA structure | applauding | club | conductor | crowd | leading lady | musician | music scene | on-screen music | performing | performing | romantic | score to source | singer | singing | source music | watching | wife |
| Sing and Like It (1934) | My Imaginary Sweetheart | 1:02:44 - A man conducts the pit orchestra | AABA structure | conducting | conductor | crowd | dancer | dancing | musical | musician | music scene | on-screen music | performer | performing | playing | source music | theater | upbeat | watching |
Sing and Like It (1934) | My Imaginary Sweetheart | 1:03:10 - The audience reacts | AABA structure | boss | conducting | conductor | critic | crowd | dancer | dancing | gangster | moll | musical | musician | music scene | on-screen music | performer | performing | playing | source music | theater | upbeat | watching |
Sing and Like It (1934) | My Imaginary Sweetheart | 1:03:34 - The critic reacts | AABA structure | boss | conducting | conductor | critic | crowd | dancer | dancing | gangster | gun | laughing | moll | musical | musician | music scene | on-screen music | performer | performing | playing | source music | theater | threatening | upbeat | watching |
Sing and Like It (1934) | My Imaginary Sweetheart | 1:04:10 - The critic reacts | AABA structure | boss | conducting | conductor | critic | crowd | dancer | dancing | gangster | gun | laughing | moll | musical | musician | music scene | on-screen music | performer | performing | playing | source music | theater | threatening | upbeat | watching |
Sing and Like It (1934) | Your Mother | 1:04:54 - A man conducts the pit orchestra | AABA structure | ballad | boss | conducting | conductor | critic | crowd | crying | dancing | gangster | gun | leading lady | moll | musical | musician | music scene | on-screen music | performer | performing | playing | sentimental | singer | singing | source music | theater | threatening | watching |
Sing and Like It (1934) | Your Mother (Curtain Call) | 1:07:57 - The audience applauds | AABA structure | applauding | boss | bowing | cheering | conducting | conductor | critic | crowd | gangster | leading lady | moll | musical | musician | music scene | on-screen music | performer | playing | secondary dominant | singer | source music | theater | transcribed by ear | upbeat |
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