Tag Search Results


Home | Tag Data


134 results for "arguing" — see also argument | conflict | fighting | scolding | screaming

FilmTheme nameInstanceTags
All This, and Heaven Too (1940)The Duchess (Agitato)0:22:02 - The Duchess argues with the Dukeagitated | arguing | distressed | duchess | duke | establish character | leading lady | leading man | room

All This, and Heaven Too (1940)

Underscoring (Agitato)0:22:23 - The Duke rebukes the Duchessagitated | arguing | distressed | duchess | duke | establish character | leading lady | leading man | room

All This, and Heaven Too (1940)

Rushing0:22:31 - The Duchess rushes after the Dukeagitated | arguing | distressed | duchess | duke | establish character | leading lady | leading man | mickey-mousing | rising | room | rushing

All This, and Heaven Too (1940)

Pleading0:22:41 - The Duchess pleads with the Duke to stayagitated | arguing | distressed | duchess | duke | establish character | leading lady | leading man | pleading | room

All This, and Heaven Too (1940)

Desperation (Furioso)0:22:53 - The Duchess curses the Dukeagitated | arguing | distressed | duchess | duke | establish character | leading lady | leading man | pleading | priest | room | tense

All This, and Heaven Too (1940)

Not in film segmentNIF - not in filmadvance plot | arguing | child | cut from film | duchess | governess | leading lady | room

All This, and Heaven Too (1940)

Underscoring (Tense)0:30:19 - Henriette dresses Raynaldadvance plot | arguing | caring | child | duke | governess | illness | leading lady | leading man | room | tense | underscoring

All This, and Heaven Too (1940)

Underscoring (Gentle)0:30:34 - Henriette puts Raynald in bedadvance plot | arguing | caring | child | duke | gentle | governess | illness | leading lady | leading man | room | tense | underscoring

All This, and Heaven Too (1940)

Romance0:30:48 - Henriette talks with the Dukeadvance plot | arguing | child | duke | governess | illness | leading lady | leading man | romantic | room

All This, and Heaven Too (1940)

The Duchess (Agitato)0:38:09 - The Duchess argues with the doctorarguing | doctor | duchess | illness | leading lady | religious scene | room | tense

All This, and Heaven Too (1940)

Rushing0:40:15 - The Duchess rushes to the Abbeangry | arguing | despair | duchess | leading lady | mad scene | mickey-mousing | priest | room

All This, and Heaven Too (1940)

Pleading (Extended)0:40:26 - The Abbe talks with the Duchessangry | arguing | despair | duchess | leading lady | mad scene | priest | room

All This, and Heaven Too (1940)

Desperation (Very Emotional)0:41:00 - The Duchess pleads with the Abbeangry | arguing | crying | despair | illness | leading lady | mad scene | priest | room

All This, and Heaven Too (1940)

Rushing 20:43:14 - The Duchess rushes into the roomarguing | child | duchess | duke | governess | hurried | illness | illness scene | leading lady | leading man | mickey-mousing | room | rushing

All This, and Heaven Too (1940)

The Duchess (Arguing)1:00:32 - Henriette leavesarguing | conflict | dramatic | duchess | duke | governess | leading lady | leading man | listening | romantic | room | serious | trouble

All This, and Heaven Too (1940)

Underscoring (Dramatic)1:01:03 - Henriette packs her thingsarguing | conflict | dramatic | duke | governess | leading lady | leading man | room | trouble

All This, and Heaven Too (1940)

Desperation (Very Emotional)1:01:26 - Henrietta talks to the Dukearguing | conflict | dramatic | duke | governess | leading lady | leading man | room | trouble

All This, and Heaven Too (1940)

Pleading (Extended)1:01:39 - The Duke responds to Henriettearguing | conflict | dramatic | duke | governess | leading lady | leading man | room | trouble

All This, and Heaven Too (1940)

Desperation (Very Emotional)1:02:00 - The Duke talks to Henriettearguing | conflict | dramatic | duke | governess | leading lady | leading man | room | trouble

All This, and Heaven Too (1940)

Rushing1:19:33 - The Duchess rushes forwardangry | arguing | conflict | desperate | duchess | duke | hurried | leading lady | leading man | room | rushing

All This, and Heaven Too (1940)

Pleading (Extended 2)1:19:43 - The Duchess pleads with the Dukearguing | conflict | desperate | duchess | duke | leading lady | leading man | room

All This, and Heaven Too (1940)

Desperation (Very Emotional)1:20:06 - The Duchess threatens the Dukearguing | conflict | desperate | duchess | duke | leading lady | leading man | room | tense | threatening

All This, and Heaven Too (1940)

Desperation (Sempre Accelerando1:20:39 - The Duke and Duchess arguearguing | conflict | desperate | duchess | duke | leading lady | leading man | panning shot | room | screaming | tense | threatening

All This, and Heaven Too (1940)

Henriette (Tense)1:47:51 - The Duke argues with Henriettearguing | conflict | duke | leading lady | leading man | room | tense

All This, and Heaven Too (1940)

The Duchess (Tense)1:48:04 - Henriette talks with the Dukearguing | conflict | duke | leading lady | leading man | room | tense

All This, and Heaven Too (1940)

Underscoring (Tense)2:06:17 - Henriette argues with Henryadvance plot | arguing | leading lady | minister | prison | prisoner | suspect | tense | underscoring
The Amazing Dr. Clitterhouse (1938)Underscoring (Tense)1:00:10 - Jo and Rocks quarreladvance plot | antagonist | arguing | dissonant bass | gangster | half-diminished 7th chord | leading lady | quarreling | room | tense
Angels With Dirty Faces (1938)Underscoring (Dramatic)1:23:10 - Jerry and Rocky confront one another42 chord | agitated | arguing | building | conflict | dramatic | entering | gangster | leading man | priest | underscoring | wedge | yelling

Angels With Dirty Faces (1938)

Jerry (Agitato)1:23:21 - Jerry and Rocky talkagitated | arguing | building | conflict | diminished 7th chord | gangster | leading man | pedal tone | priest
Are These Our Children? (1931)Underscoring (Dark)0:30:25 - Eddie attacks boyarguing | clock | dark | diminished 7th chord | double exposure | dream sequence | fighting | kissing | leading man | love interest | mickey-mousing | montage | ominous | pedal tone | stinger | ticking

Are These Our Children? (1931)

Makes You Forget Your Troubles0:50:55 - Young people dancingAABA structure | arguing | augmented sixth chord | cheerful | common-tone diminished 7th | dance hall | dance scene | dancing | friend | leading man | love interest | murderer | on-screen music | source music
Arsenic and Old Lace (1944)Here Comes the Bride (Modulating)0:03:34 - Hiding in a telephone bootharguing | bystander | conversing | establish character | familiar tune | leading lady | leading man | marriage | office | running | rushed | rushing | self-borrowing

Arsenic and Old Lace (1944)

The Old Maid0:04:17 - Mortimer talks to Elainearguing | conversing | establish character | kissing | leading lady | leading man | marriage | office | romantic | self-borrowing

Arsenic and Old Lace (1944)

Organ Stinger1:01:40 - Aunts emerge in black upstairsarguing | aunt | brother | conflict | crazy person | leading lady | leading man | murderer | ominous | room | stinger

Arsenic and Old Lace (1944)

The Aunts (Frightened)1:01:49 - Aunts talk to Jonathanarguing | aunt | brother | conflict | crazy person | fear | leading lady | leading man | murderer | room | tense
The Big Sleep (1946)Marlowe (Ear Music)0:38:26 - Marlowe talks with Agnesarguing | book shop | investigation scene | leading man | private eye | secretary | tense
City for Conquest (1940)Sidewalks of New York (Soliloquy 2)0:02:50 - Old-timer talks with coparguing | bluesy | bridge | city | establish setting | old man | police | sentimental | soliloquy

City for Conquest (1940)

Sidewalks of New York (Cop Grabs Bum)0:03:06 - Cop pushes old-timerarguing | bridge | city | establish setting | mickey-mousing | old man | police | pushing | rushing | tense

City for Conquest (1940)

Scales0:09:16 - Danny and Peggy go upstairsarguing | conversing | establish character | leading lady | leading man | mother | on-screen music | piano | room | source music | tedious

City for Conquest (1940)

Tone Poem A1 + Tone Poem A20:30:28 - Peggy talks to Dannyarguing | conversing | flirting | gentle | leading lady | leading man | love scene | playful | room | shaving

City for Conquest (1940)

Only Fooling0:30:54 - Peggy cleans Danny's facearguing | conversing | flirting | leading lady | leading man | love scene | playful | room | shaving

City for Conquest (1940)

In the Evening0:45:08 - Peggy in her dressing roomarguing | boxer | conflict | conversing | crying | dancer | dressing room | leading lady | leading man | punching | source music | upbeat

City for Conquest (1940)

Tone Poem A1 (Ominous)1:14:02 - Googi talks with the boxing managersarguing | car | car | criminal | driving | gangster | manager | murder scene | ominous | tense
Crime School (1938)The Warden0:23:15 - Warden stands up to face the boysantagonist | arguing | augmented triad | authority | chromatic parallelism | establish character | falling | gang | lightning | ominous | police | reformatory | slapping | stinger | teenager | warden | whole-tone chord

Crime School (1938)

Boiler Overheating0:55:31 - Danger as the boiler gets really hotaction scene | arguing | boiler room | danger | frantic | gang | gauge | heat | hurrying | linear chromaticism | mechanical | pc set | reformatory | shoveling | teenager | temperature | tense | tone cluster | worker | working

Crime School (1938)

Underscoring (Tense)1:06:17 - Spike talks to Frankie about his sisteradvance plot | anger | arguing | mysterious | pc set | reformatory | teenager | tense | underscoring

Crime School (1938)

Underscoring (Dramatic)1:06:55 - Frankie hits Spikeadvance plot | anger | arguing | chromatic parallelism | chromatic wedge | dramatic | reformatory | teenager | underscoring

Crime School (1938)

Sue (Mysterious)1:07:09 - Spike talks to Frankie about his sisteradvance plot | arguing | mysterious | reformatory | teenager | thinking | worrying

Crime School (1938)

Underscoring (Dramatic)1:11:24 - Boys plot their escape9th chord | arguing | chromatic parallelism | chromatic scale | dramatic | escape | gang | plotting | reformatory | teenager | underscoring

Crime School (1938)

Underscoring (Dramatic)1:15:31 - Frankie fights Spikeagitated | arguing | chromatic scale | conflict | dissonant bass | fighting | gang | hero | leading man | sequence | street | teenager | underscoring
They Made Me a Criminal (1939)Underscoring (Dramatic)0:56:17 - Johnnie sees his picture in the paperangry | arguing | chromatic parallelism | dissonant bass | dramatic | fighting | half-diminished 7th chord | hero | leading man | mickey-mousing | photograph | ranch | teenager | tense | turning point | underscoring

They Made Me a Criminal (1939)

On the Make (Dolce)1:05:13 - Peggy talks to Johnnieadded-note chord | altered dominant | arguing | conflict | leading lady | leading man | linear chromaticism | lying | room | tender

They Made Me a Criminal (1939)

On the Make (Heartbreak)1:06:05 - Johnny talks to Peggy9th chord | arguing | conflict | dissonant bass | dramatic | leading lady | leading man | room | slamming | somber | tense

They Made Me a Criminal (1939)

The Fugitive (Let Down)1:06:51 - The boys talk about Johnnieadded-note chord | arguing | conflict | criticizing | foreign key modulation | leading man | room | somber | teenager

They Made Me a Criminal (1939)

On the Make (Tenderly)1:07:57 - Tommy talks to Johnnie9th chord | ABAB structure | altered dominant | arguing | chromatic mediant | conversing | direct modulation | foreign key modulation | hero | leading man | room | tender | turning point
Dust Be My Destiny (1939)Dust Be My Destiny (Agitated)0:14:22 - Joe argues with Mabelagitated | arguing | barn | fragmentation | leading lady | leading man | lovers meet | prisoner | sequence

Dust Be My Destiny (1939)

Underscoring (Dramatic)0:38:00 - Joe and Mabel argue9th chord | arguing | conflict | dissonant bass | dramatic | leading lady | leading man | runaway | street | underscoring

Dust Be My Destiny (1939)

Dust Be My Destiny (Arguing)0:55:00 - Mabel confronts Joeagitated | arguing | conflict | dark | leading lady | leading man | parallelism | pc set | pleading | room
Flamingo Road (1949)Vision of Salome0:03:12 - Two men arguearguing | carnival | carny | dancer | establish setting | exotic | Gypsy minor scale | leading lady | mysterious | on-screen music | source music

Flamingo Road (1949)

Titus (Ostinato)NIF - not in filmadvance plot | arguing | café | cut from film | cut from film | employer | leading lady | lying | ostinato | self-borrowing | waitress

Flamingo Road (1949)

Agitato (Angry)0:45:50 - Dan argues with Titusadvance plot | anger | angry | arguing | chromatic parallelism | chromatic scale | chromatic wedge | club | leading lady | politician | polychord | self-borrowing | sheriff | smashing | stinger | waitress

Flamingo Road (1949)

Titus (Ominous)1:11:44 - Titus argues with Fieldarguing | bullying | conflict | drinking | leading man | mysterious | politician | room | self-borrowing | sheriff | tense

Flamingo Road (1949)

Underscoring (Tense)1:11:51 - Titus argues with Fieldarguing | bullying | conflict | drinking | leading man | politician | room | sheriff | tense | underscoring

Flamingo Road (1949)

The Sheriff1:12:01 - Titus stands and walksarguing | bullying | chromatic parallelism | conflict | dark | leading man | mickey-mousing | ominous | politician | room | self-borrowing | sheriff | standing

Flamingo Road (1949)

Titus (Violent)1:12:11 - Titus and Field arguearguing | bullying | conflict | dark | leading man | ominous | politician | room | self-borrowing | sheriff | violent

Flamingo Road (1949)

Anger1:12:20 - Titus and Field face offangry | arguing | bullying | chromatic parallelism | chromatic wedge | conflict | leading man | pc set | politician | room | self-borrowing | sheriff | tense

Flamingo Road (1949)

Rising Anger1:12:26 - Titus throws open the doorangry | arguing | bullying | chromatic parallelism | conflict | diminished 7th chord | leading man | politician | room | self-borrowing | sheriff

Flamingo Road (1949)

Appassionato1:19:10 - Dan argues with Lanearguing | chromatic parallelism | conflict | diminished 7th chord | harmonic sequence | husband | leading lady | leading man | passionate | politician | room | wife | yearning

Flamingo Road (1949)

If I Could Be With You (Drunk)1:22:58 - Field and Lane talk about their past lovearguing | chromatic parallelism | death scene | diminished 7th chord | drunk | leading lady | leading man | love interest | room | somber

Flamingo Road (1949)

Titus (Ostinato 2)1:23:34 - Field and Lane talk about Titus and Danarguing | dark | death scene | dramatic | leading lady | leading man | love interest | ominous | ostinato | room | self-borrowing

Flamingo Road (1949)

Titus (Fragmented) + Titus 2 (Fragmented)1:29:47 - Lane confronts Titusarguing | climax | club | combination of themes | dark | fragmentation | inversion | leading lady | motivic transformation | mysterious | ominous | retrograde | self-borrowing | sheriff

Flamingo Road (1949)

Titus (Rising Tension)1:30:09 - Lane confronts Titusarguing | climax | club | dark | half-diminished 7th chord | leading lady | ominous | self-borrowing | sequence | sheriff

Flamingo Road (1949)

Underscoring (Dramatic)1:30:24 - Lane pulls a gun on Titusarguing | climax | club | dark | demanding | dramatic | gun | leading lady | ominous | sheriff | stinger | threatening

Flamingo Road (1949)

Titus (Slowly)1:30:42 - Lane holds Titus at gunpointarguing | climax | club | dark | demanding | dramatic | gun | leading lady | ominous | self-borrowing | sheriff | telephone | threatening
Hell on Frisco Bay (1955)Hell on Frisco Bay0:25:14 - Marcia and Steve argueadvance plot | arguing | conductor score | leading lady | leading man | room | tense

Hell on Frisco Bay (1955)

Amato0:48:03 - Amato teases Lyeadvance plot | agitated | antagonist | arguing | conductor score | gangster | leading man | room

Hell on Frisco Bay (1955)

Amato0:48:11 - Amato threatens Lyeadvance plot | antagonist | arguing | brash | conductor score | dark | gangster | leading man | room | threatening

Hell on Frisco Bay (1955)

Underscoring (Dramatic)0:51:36 - Amato yells at Steveaction scene | angry | arguing | conductor score | fighting | gangster | investigator | leading man | room | underscoring | violence | yelling
In This Our Life (1942)Stanley B (Agitato)0:15:19 - Peter replies to Royadvance plot | agitated | arguing | leading lady | leading man | room | tense

In This Our Life (1942)

Blues in the Night0:42:47 - Stanley puts a record on the phonographarguing | blues | conflict | leading lady | leading man | record player | room | source music | upbeat

In This Our Life (1942)

Stanley B (Agitato)0:49:32 - Uncle Fitzroy asks about Stanleyagitated | arguing | father | leading lady | leading man | room | suicide | tense | turning point | uncle

In This Our Life (1942)

Anger1:04:56 - Stanley gets angryangry | arguing | conflict | leading lady | leaving | room | running | tense | uncle | upset | widow | yelling

In This Our Life (1942)

Autumn Nocturne1:17:45 - Stanley puts on a recordaccusing | arguing | conflict | criminal | defending | leading lady | lying | popular music | record player | room | sentimental | source music

In This Our Life (1942)

Stanley (Valse Triste)1:26:23 - Stanley confessesarguing | climax | confessing | confession | criminal | crying | dramatic | father | lawyer | leading lady | leading man | mother | room | suspect

In This Our Life (1942)

Stanley B (Slowly Extended)1:26:39 - Stanley confessesagitated | arguing | climax | confessing | confession | criminal | crying | father | lawyer | leading lady | leading man | lying | mother | room | suspect

In This Our Life (1942)

Expressivo (Extended 2)1:27:04 - Lavinia risesarguing | climax | criminal | emotional | father | lawyer | leading lady | leading man | mother | pleading | room | suspect

In This Our Life (1942)

Anger (Agitato)1:31:34 - Stanley yells at her uncleagitated | angry | arguing | conflict | criminal | distressed | leading lady | room | uncle | yelling
The Informer (1935)The Informer (Quiet!)1:01:27 - The rebels enter and start an argument64 chord | advance plot | antagonist | arguing | bold | crowd | dark | friend | interrupting | leading man | matching speech | mickey-mousing | party | rebel
Key Largo (1948)Underscoring (Dramatic)0:33:17 - Mr. Temple rises to attack Roccoangry | arguing | attacking | boss | conflict | dramatic | father | gangster | hostage | hotel | laughing | leading lady | leading man | tense | underscoring

Key Largo (1948)

Rocco 3 (Nervous)1:02:52 - Rocco yells at Gayearguing | boss | dark | develop character | father | gangster | hostage | hotel | leading lady | leading man | menacing | moll
The Letter (1940)Hammond A (Risoluto)0:35:11 - Leslie decides how to defend her having written the letterarguing | augmented triad | deception | fragmentation | lawyer | leading lady | letter | lying | parallelism | pc set | pivotal scene | polychord | prison | tense

The Letter (1940)

Hammond A (Restless)1:14:42 - Robert asks about the letterarguing | conflict | fragmentation | home | husband | lawyer | leading lady | lying | sequence | tense

The Letter (1940)

Hammond A (Wild)1:14:57 - Robert waits for a responsearguing | chromatic parallelism | conflict | distress | home | husband | lawyer | leading lady | lying | tense

The Letter (1940)

Distress1:15:08 - Robert confronts the lawyerarguing | conflict | distress | home | husband | lawyer | leading lady | tense

The Letter (1940)

Hammond A (Molto Agitato)1:15:28 - Robert argues with Lesliearguing | conflict | distress | home | husband | lawyer | leading lady | parallelism | pc set | tense

The Letter (1940)

Underscoring (Dramatic)1:15:45 - Robert asks to see the letterarguing | conflict | dramatic | home | husband | lawyer | leading lady | letter | tense | underscoring
Mildred Pierce (1945)Mazurka in B-Flat Major (Tense)0:38:47 - Veda plays a Chopin Mazurkaarguing | child | classical music | conflict | familiar tune | heroine | leading lady | on-screen music | playing | quotation | room | scored source music | source music | tense | upbeat | waltz

Mildred Pierce (1945)

Secret Revealed0:39:10 - Mildred argues with Vedaangry | arguing | child | conflict | harsh | heroine | leading lady | room | tense

Mildred Pierce (1945)

Mildred (Appassionato)0:39:22 - Mildred argues with Vedaangry | arguing | child | conflict | heroine | leading lady | raising | room | standing | tense

Mildred Pierce (1945)

Mildred raises Veda0:39:22 - Mildred lifts her daughter up by the armangry | arguing | child | conflict | heroine | leading lady | mickey-mousing | raising | room | standing | tense

Mildred Pierce (1945)

Mildred B (Angry)0:39:30 - Mildred argues with Vedaangry | arguing | child | conflict | heroine | leading lady | room | slapping | tense

Mildred Pierce (1945)

Kay and Veda (Sly)1:13:55 - Mildred tells Monte to not see Vedaarguing | breakup | conflict | disagreement | heroine | leading lady | love interest | ominous | room | sinister | tense

Mildred Pierce (1945)

Kay and Veda (Troubled)1:14:06 - Mildred and Monte arguearguing | breakup | conflict | disagreement | heroine | leading lady | love interest | ominous | room | sinister | tense

Mildred Pierce (1945)

Mildred (Agitato)1:14:37 - Mildred and Monte argueagitated | arguing | breakup | conflict | heroine | leading lady | love interest | room | tense

Mildred Pierce (1945)

Underscoring (Tense)1:14:53 - Mildred and Monte arguearguing | bitter | breakup | conflict | heroine | leading lady | love interest | room | tense | underscoring

Mildred Pierce (1945)

It Can’t Be Wrong (Bitter)1:15:29 - Mildred writes Monte a checkarguing | bitter | breakup | conflict | familiar tune | heroine | leading lady | love interest | mickey-mousing | popular music | room | source to score | tense

Mildred Pierce (1945)

Kay and Veda (Agitato)1:22:22 - Veda and her mother argueagitated | antagonist | arguing | blackmail | conflict | daughter | heroine | leading lady | room | tense

Mildred Pierce (1945)

Kay and Veda (Ominous)1:22:43 - Veda argues with her motherantagonist | arguing | conflict | dark | daughter | heroine | insulting | leading lady | ominous | room | ugly

Mildred Pierce (1945)

Mildred (Appassionato)1:23:00 - Veda expresses her disgust with her motherangry | antagonist | arguing | conflict | daughter | heroine | insulting | leading lady | room | tense

Mildred Pierce (1945)

Mildred B (Angry 2)1:23:09 - Mildred gets angry at Vedaangry | antagonist | arguing | conflict | daughter | heroine | insulting | leading lady | room | tense

Mildred Pierce (1945)

Mildred (Vicious)1:23:21 - Veda insults her motherangry | antagonist | arguing | conflict | daughter | heroine | insulting | leading lady | reverse stinger | room | tense

Mildred Pierce (1945)

Mildred B (Angry)1:23:38 - Mildred tears up Veda's check angry | antagonist | arguing | check | conflict | daughter | fighting | heroine | leading lady | room | slapping | tearing | tense | violence | yelling

Mildred Pierce (1945)

Mildred (Tragic)1:46:43 - Mildred runs awayantagonist | arguing | betrayal | climax | daughter | dramatic | emotional | heroine | leading lady | room | running
The Life of Vergie Winters (1934)Lullaby (Agitated)1:01:27 - John and Laura argue about Joanagitated | arguing | common-tone diminished 7th | conflict | diminished 7th chord | direct modulation | fragmentation | harmonic sequence | leading man | octatonic scale | room | tense | transcribed by ear | wife

The Life of Vergie Winters (1934)

Old Lavender1:02:11 - Joan and Ranny enter9th chord | added-note chord | altered dominant | arguing | common-chord modulation | conflict | conversing | daughter | direct modulation | harmonic sequence | leading man | light | love interest | optimistic | room | surprise | wife

The Life of Vergie Winters (1934)

Lullaby (Doloroso)1:05:58 - John talks with his wife Laura9th chord | arguing | conflict | dark | leading man | leaving | reverse picardy | room | tense | wife
Kid Galahad (1937)Green Lady1:12:08 - Ward, Marie, and Louise talk in the clubadvance plot | arguing | cheerful | fighting | gangster | night club | source music | trainer | transcribed by ear

Kid Galahad (1937)

Doublecross (Heated)1:16:02 - Nick arrives at the farmadvance plot | arguing | arriving | chromatic mediant | farm | leading man | manager | not by Steiner | sister | tense | transcribed by ear
Traveling Husbands (1931)There’s a Sob in My Heart (Slow Waltz)0:57:47 - Music is played on the radioAABA structure | advance plot | arguing | calm | leading lady | leading man | mode mixture | popular song | radio | room | salesman | source music | transcribed by ear
The Unfaithful (1947)Deep Night0:05:47 - Roger arrives at party and argues with Paulaantagonist | arguing | establish character | lawyer | leading lady | on-screen music | party | sister | somber | source music

The Unfaithful (1947)

Unfaithful (Not in Film)NIF - not in filmarguing | climax | cut from film | husband | ostinato | room | sequential modulation | tense | wife
White Heat (1949)Danger (Con Moto)0:17:39 - Cody and Verna arguingarguing | tense
The Public Defender (1931)Crowd thronging0:01:17 - A crowd pressing towards a guarded doorarguing | chromatic scale | crowd | hurried | noise | street | tense | transcribed by ear | transition

The Public Defender (1931)

Mystery (Bank Closed)0:01:25 - Notice posted on the doorarguing | chromaticism | crowd | mysterious | mystery | noise | pc set | street | transcribed by ear | transition

The Public Defender (1931)

An Armchair With An Armful of You0:12:46 - Dance music played at a dinner partyABAC structure | advance plot | arguing | banker | cheerful | conversing | crowd | dance music | party | source music | transcribed by ear | waiter

The Public Defender (1931)

Mystery (End Title)1:08:56 - A kiss and The Endarguing | end title sequence | kissing | leading man | mode mixture | pedal tone | romantic | room | The End | transcribed by ear
Is My Face Red? (1932)Keyhole (Gossip)0:01:35 - Man and woman argue about a newspaper storyarguing | argument | dramatic | establish setting | gossip | newspaper | room | sequence | transcribed by ear

Is My Face Red? (1932)

Burlesque0:13:10 - Backstage at a Broadway showABAC structure | advance plot | arguing | Broadway | burlesque | cheerful | common-chord modulation | dancer | leading man | pedal tone | plagal cadence | popular music | source music | stage | transcribed by ear

Is My Face Red? (1932)

Sailing of the Olympic (Argument)0:16:24 - Two people argueadvance plot | arguing | boat | eavesdropping | leading man | parallelism | tense | transcribed by ear

Is My Face Red? (1932)

Sailing of the Olympic (Commotion)0:16:39 - Four people talk at once to Mildredadvance plot | arguing | argument | boat | chromatic sequence | eavesdropping | hurried | leading lady | leading man | metric dissonance | parallelism | tense | transcribed by ear

Is My Face Red? (1932)

Trysting Place, The0:50:25 - William talks to Peggy and Mildredadvance plot | arguing | band | broadcast | calm | conversing | dance music | leading man | radio | sentence form | source music | stage | transcribed by ear
Thirteen Women (1932)Ursula (Exotic)0:34:06 - Ursula argues with Burnsadvance plot | arguing | dark | exotic | exoticism | Gypsy major scale | leading lady | love interest | mysterious | ostinato | room | transcribed by ear
The Breaking Point (1950)Mi Mariposa0:15:21 - Harry talks to the bartenderadvance plot | arguing | art song | bar | bartender | calm | conversing | leading man | on-screen music | sailor | source music

The Breaking Point (1950)

Ask Me No Questions0:40:46 - Harry talks to Duncanadvance plot | arguing | bar | bartender | conversing | criminal | floozy | jukebox | leading lady | leading man | mellow | sailor | source music