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241 results for "arguing" in 39 films — see also argument | conflict | fighting | scolding | screaming

Film	Theme name	Instance	Tags
All This, and Heaven Too (1940)	The Duchess (Agitato)	0:22:02 - The Duchess argues with the Duke	agitated \| arguing \| chromatic scale \| chromatic sequence \| distressed \| duchess \| duke \| establish character \| leading lady \| leading man \| mode mixture \| room
All This, and Heaven Too (1940)	Underscoring (Agitated)	0:22:23 - The Duke rebukes the Duchess	agitated \| arguing \| chromatic parallelism \| chromatic scale \| distressed \| dominant 7th chord \| duchess \| duke \| establish character \| leading lady \| leading man \| room
All This, and Heaven Too (1940)	Rushing	0:22:31 - The Duchess rushes after the Duke	agitated \| arguing \| augmented triad \| distressed \| duchess \| duke \| establish character \| leading lady \| leading man \| mickey-mousing \| rising \| room \| rushing \| turn figure
All This, and Heaven Too (1940)	Pleading	0:22:41 - The Duchess pleads with the Duke to stay	acceleration \| agitated \| arguing \| chromatic sequence \| distressed \| duchess \| duke \| establish character \| fragmentation \| leading lady \| leading man \| parallelism \| pleading \| room
All This, and Heaven Too (1940)	Desperation (Furioso)	0:22:53 - The Duchess curses the Duke	agitated \| arguing \| dissonant bass \| distressed \| duchess \| duke \| establish character \| leading lady \| leading man \| parallelism \| pleading \| priest \| room \| tense
All This, and Heaven Too (1940)	Rubato	NIF - not in film	9th chord \| added-note chord \| advance plot \| arguing \| child \| cut from film \| deceptive resolution \| duchess \| governess \| leading lady \| room \| tense
All This, and Heaven Too (1940)	Desperation (Very Dramatic)	NIF - not in film	advance plot \| altered dominant \| arguing \| child \| cut from film \| duchess \| governess \| leading lady \| room \| tense
All This, and Heaven Too (1940)	Underscoring (Tense)	0:30:19 - Henriette dresses Raynald	9th chord \| advance plot \| arguing \| caring \| child \| duke \| governess \| illness \| leading lady \| leading man \| room \| sequence \| tense \| underscoring
All This, and Heaven Too (1940)	Underscoring (Gentle)	0:30:34 - Henriette puts Raynald in bed	advance plot \| arguing \| caring \| child \| chromatic sequence \| duke \| gentle \| governess \| illness \| leading lady \| leading man \| mode mixture \| room \| tense \| underscoring
All This, and Heaven Too (1940)	Romance	0:30:48 - Henriette talks with the Duke	added-note chord \| advance plot \| arguing \| child \| duke \| governess \| illness \| leading lady \| leading man \| romantic \| room \| sequence
All This, and Heaven Too (1940)	The Duchess (Agitato)	0:38:09 - The Duchess argues with the doctor	arguing \| common-chord modulation \| doctor \| duchess \| illness \| leading lady \| mode mixture \| religious scene \| room \| syncopation \| tense
All This, and Heaven Too (1940)	Rushing	0:40:15 - The Duchess rushes to the Abbe	angry \| arguing \| augmented triad \| despair \| duchess \| leading lady \| mad scene \| mickey-mousing \| priest \| room \| turn figure
All This, and Heaven Too (1940)	Pleading (Extended)	0:40:26 - The Abbe talks with the Duchess	9th chord \| angry \| arguing \| chromatic sequence \| despair \| duchess \| fragmentation \| leading lady \| mad scene \| oscillation \| parallelism \| priest \| room
All This, and Heaven Too (1940)	Desperation (Very Emotional)	0:41:00 - The Duchess pleads with the Abbe	angry \| arguing \| chromatic scale \| chromatic sequence \| crying \| despair \| dissonant bass \| illness \| leading lady \| mad scene \| priest \| room
All This, and Heaven Too (1940)	Rushing 2	0:43:14 - The Duchess rushes into the room	arguing \| child \| duchess \| duke \| governess \| half-diminished 7th chord \| hurried \| illness \| illness scene \| leading lady \| leading man \| mickey-mousing \| room \| rushing
All This, and Heaven Too (1940)	The Duchess (Arguing)	1:00:32 - Henriette leaves	added-note chord \| arguing \| conflict \| dramatic \| duchess \| duke \| governess \| leading lady \| leading man \| linear chromaticism \| listening \| romantic \| room \| serious \| trouble
All This, and Heaven Too (1940)	Underscoring (Dramatic)	1:01:03 - Henriette packs her things	arguing \| conflict \| dramatic \| duke \| governess \| leading lady \| leading man \| room \| trouble
All This, and Heaven Too (1940)	Desperation (Very Emotional)	1:01:26 - Henriette talks to the Duke	arguing \| chromatic sequence \| conflict \| dramatic \| duke \| governess \| leading lady \| leading man \| room \| trouble
All This, and Heaven Too (1940)	Pleading (Extended)	1:01:39 - The Duke responds to Henriette	9th chord \| arguing \| chromatic sequence \| conflict \| dramatic \| duke \| governess \| leading lady \| leading man \| room \| trouble
All This, and Heaven Too (1940)	Desperation (Very Emotional)	1:02:00 - The Duke talks to Henriette	arguing \| chromatic scale \| chromatic sequence \| conflict \| dissonant bass \| dramatic \| duke \| governess \| leading lady \| leading man \| room \| trouble
All This, and Heaven Too (1940)	Rushing	1:19:33 - The Duchess rushes forward	angry \| arguing \| augmented triad \| compound melody \| conflict \| desperate \| duchess \| duke \| hurried \| leading lady \| leading man \| room \| rushing \| turn figure
All This, and Heaven Too (1940)	Pleading (Extended 2)	1:19:43 - The Duchess pleads with the Duke	9th chord \| acceleration \| arguing \| chromatic sequence \| conflict \| desperate \| duchess \| duke \| fragmentation \| leading lady \| leading man \| parallelism \| room
All This, and Heaven Too (1940)	Desperation (Very Emotional)	1:20:06 - The Duchess threatens the Duke	arguing \| augmented triad \| chromatic scale \| chromatic sequence \| conflict \| desperate \| dissonant bass \| duchess \| duke \| leading lady \| leading man \| room \| tense \| threatening
All This, and Heaven Too (1940)	Desperation (Sempre Accelerando	1:20:39 - The Duke and Duchess argue	acceleration \| arguing \| augmented triad \| chromatic scale \| chromatic sequence \| conflict \| desperate \| dissonant bass \| duchess \| duke \| leading lady \| leading man \| panning shot \| pc set \| room \| screaming \| tense \| threatening
All This, and Heaven Too (1940)	Henriette (Tense)	1:47:51 - The Duke argues with Henriette	arguing \| conflict \| diminished 7th chord \| duke \| fragmentation \| leading lady \| leading man \| pedal tone \| room \| tense
All This, and Heaven Too (1940)	The Duchess (Tense)	1:48:04 - Henriette talks with the Duke	arguing \| conflict \| duke \| leading lady \| leading man \| room \| sequential modulation \| tense
All This, and Heaven Too (1940)	Underscoring (Tense)	2:06:17 - Henriette argues with Henry	advance plot \| arguing \| fragmentation \| leading lady \| minister \| pedal tone \| prison \| prisoner \| sequence \| suspect \| tense \| underscoring
The Amazing Dr. Clitterhouse (1938)	Underscoring (Tense)	1:00:10 - Jo and Rocks quarrel	advance plot \| antagonist \| arguing \| dissonant bass \| gangster \| half-diminished 7th chord \| leading lady \| quarreling \| room \| tense
Angels With Dirty Faces (1938)	Underscoring (Dramatic)	1:23:10 - Jerry and Rocky confront one another	42 chord \| agitated \| arguing \| building \| conflict \| dramatic \| entering \| gangster \| leading man \| priest \| underscoring \| wedge \| yelling
Angels With Dirty Faces (1938)	Jerry (Agitato)	1:23:21 - Jerry and Rocky talk	agitated \| arguing \| building \| conflict \| diminished 7th chord \| gangster \| leading man \| pedal tone \| priest
Are These Our Children? (1931)	Underscoring (Dark)	0:30:25 - Eddie attacks boy	arguing \| clock \| dark \| diminished 7th chord \| double exposure \| dream sequence \| fighting \| kissing \| leading man \| love interest \| mickey-mousing \| montage \| ominous \| pedal tone \| stinger \| ticking
Are These Our Children? (1931)	Makes You Forget Your Troubles	0:50:55 - Young people dancing	AABA structure \| arguing \| augmented sixth chord \| cheerful \| common-tone diminished 7th \| dance hall \| dance scene \| dancing \| friend \| leading man \| love interest \| murderer \| on-screen music \| source music
Arsenic and Old Lace (1944)	Here Comes the Bride (Modulating)	0:03:34 - Hiding in a telephone booth	added-note chord \| arguing \| bystander \| conversing \| deceptive resolution \| establish character \| familiar tune \| fragmentation \| leading lady \| leading man \| marriage \| office \| pump-up modulation \| running \| rushed \| rushing \| self-borrowing \| sequence
Arsenic and Old Lace (1944)	The Old Maid	0:04:17 - Mortimer talks to Elaine	added-note chord \| arguing \| conversing \| enharmonic modulation \| establish character \| kissing \| leading lady \| leading man \| marriage \| mode mixture \| office \| parallel period \| pedal tone \| romantic \| self-borrowing
Arsenic and Old Lace (1944)	Organ Stinger	1:01:40 - Aunts emerge in black upstairs	arguing \| aunt \| brother \| conflict \| crazy person \| leading lady \| leading man \| murderer \| ominous \| room \| stinger
Arsenic and Old Lace (1944)	The Aunts (Frightened)	1:01:49 - Aunts talk to Jonathan	arguing \| aunt \| brother \| conflict \| crazy person \| fear \| fragmentation \| leading lady \| leading man \| murderer \| Neapolitan \| parallel 63s \| pedal tone \| room \| tense
Beyond the Forest (1949)	Chicago (Echo Chambre)	1:28:20 - Rosa prepares to leave	angry \| arguing \| climax \| crazed \| delirious \| eerie \| familiar tune \| leading lady \| mad \| madness \| mad scene \| maid \| murderer \| popular tune \| preparing \| room \| stumbling \| unsettling \| yelling
The Big Sleep (1946)	Marlowe (Ear Music)	0:38:26 - Marlowe talks with Agnes	arguing \| book shop \| chromatic scale \| fragmentation \| investigation scene \| leading man \| private eye \| secretary \| tense \| whole-tone chord
The Breaking Point (1950)	Mi Mariposa	0:15:21 - Harry talks to the bartender	advance plot \| arguing \| art song \| bar \| bartender \| calm \| conversing \| leading man \| on-screen music \| sailor \| source music
The Breaking Point (1950)	Ask Me No Questions	0:40:46 - Harry talks to Duncan	advance plot \| arguing \| bar \| bartender \| conversing \| criminal \| floozy \| jukebox \| leading lady \| leading man \| mellow \| sailor \| source music
Caged (1950)	Underscoring (Dark)	0:37:58 - June and Marie argue	arguing \| dark \| dissonant bass \| establish character \| friend \| leading lady \| prison \| prisoner \| underscoring
City for Conquest (1940)	Sidewalks of New York (Soliloquy)	0:02:50 - Old-timer talks with cop	9th chord \| 13th chord \| arguing \| bluesy \| bridge \| chromatic parallelism \| city \| establish setting \| old man \| police \| sentimental \| soliloquy
City for Conquest (1940)	Sidewalks of New York (Cop Grabs Bum)	0:03:06 - Cop pushes old-timer	9th chord \| arguing \| bridge \| chromatic parallelism \| chromatic scale \| city \| comical \| establish setting \| mickey-mousing \| old man \| police \| pushing \| rushing \| tense
City for Conquest (1940)	Scales	0:09:16 - Danny and Peggy go upstairs	arguing \| conversing \| establish character \| leading lady \| leading man \| mother \| on-screen music \| piano \| room \| source music \| tedious \| transcribed by ear
City for Conquest (1940)	Tone Poem A (Dolce)	0:30:28 - Peggy talks to Danny	9th chord \| 11th chord \| arguing \| chromatic parallelism \| common-chord modulation \| conversing \| flirting \| gentle \| leading lady \| leading man \| love scene \| playful \| room \| shaving
City for Conquest (1940)	Only Fooling	0:30:54 - Peggy cleans Danny's face	arguing \| common-tone modulation \| conversing \| diminished 7th chord \| flirting \| leading lady \| leading man \| love scene \| parallelism \| playful \| room \| shaving
City for Conquest (1940)	In the Evening	0:45:08 - Peggy in her dressing room	arguing \| boxer \| conflict \| conversing \| crying \| dancer \| dressing room \| leading lady \| leading man \| parallel double period \| punching \| source music \| upbeat
City for Conquest (1940)	Tone Poem A (Ominous)	1:14:02 - Googi talks with the boxing managers	9th chord \| arguing \| car \| car \| criminal \| dissonant bass \| driving \| fragmentation \| gangster \| manager \| murder scene \| ominous \| tense
Crime School (1938)	The Warden	0:23:15 - Warden stands up to face the boys	antagonist \| arguing \| augmented triad \| authority \| chromatic parallelism \| establish character \| falling \| gang \| lightning \| ominous \| police \| reformatory \| slapping \| stinger \| teenager \| warden \| whole-tone chord
Crime School (1938)	Boiler Overheating	0:55:31 - Danger as the boiler gets really hot	action scene \| arguing \| boiler room \| danger \| frantic \| gang \| gauge \| heat \| hurrying \| linear chromaticism \| mechanical \| pc set \| reformatory \| shoveling \| teenager \| temperature \| tense \| tone cluster \| worker \| working
Crime School (1938)	Underscoring (Tense)	1:06:17 - Spike talks to Frankie about his sister	advance plot \| anger \| arguing \| mysterious \| pc set \| reformatory \| teenager \| tense \| underscoring
Crime School (1938)	Underscoring (Dramatic)	1:06:55 - Frankie hits Spike	advance plot \| anger \| arguing \| chromatic parallelism \| chromatic wedge \| dramatic \| reformatory \| teenager \| underscoring
Crime School (1938)	Sue (Mysterious)	1:07:09 - Spike talks to Frankie about his sister	advance plot \| arguing \| mysterious \| reformatory \| teenager \| thinking \| worrying
Crime School (1938)	Underscoring (Dramatic)	1:11:24 - Boys plot their escape	9th chord \| arguing \| chromatic parallelism \| chromatic scale \| dramatic \| escape \| gang \| plotting \| reformatory \| teenager \| underscoring
Crime School (1938)	Underscoring (Dramatic)	1:15:31 - Frankie fights Spike	agitated \| arguing \| chromatic scale \| conflict \| dissonant bass \| fighting \| gang \| hero \| leading man \| sequence \| street \| teenager \| underscoring
They Made Me a Criminal (1939)	Underscoring (Dramatic)	0:56:17 - Johnnie sees his picture in the paper	angry \| arguing \| chromatic parallelism \| dissonant bass \| dramatic \| fighting \| half-diminished 7th chord \| hero \| leading man \| mickey-mousing \| photograph \| ranch \| teenager \| tense \| turning point \| underscoring
They Made Me a Criminal (1939)	On the Make (Dolce)	1:05:13 - Peggy talks to Johnnie	added-note chord \| altered dominant \| arguing \| conflict \| leading lady \| leading man \| linear chromaticism \| lying \| room \| tender
They Made Me a Criminal (1939)	On the Make (Heartbreak)	1:06:05 - Johnny talks to Peggy	9th chord \| arguing \| conflict \| dissonant bass \| dramatic \| leading lady \| leading man \| room \| slamming \| somber \| tense
They Made Me a Criminal (1939)	The Fugitive (Let Down)	1:06:51 - The boys talk about Johnnie	added-note chord \| arguing \| conflict \| criticizing \| foreign key modulation \| leading man \| room \| somber \| teenager
They Made Me a Criminal (1939)	On the Make (Tenderly)	1:07:57 - Tommy talks to Johnnie	9th chord \| ABAB structure \| altered dominant \| arguing \| chromatic mediant \| conversing \| direct modulation \| foreign key modulation \| hero \| leading man \| room \| tender \| turning point
Deep Valley (1947)	Libby 2 (Slowly)	0:19:39 - Jeff talks with Libby	arguing \| crew \| dog \| father \| leading lady \| leading man \| lovers meet \| street \| tense
Deep Valley (1947)	Barry	0:22:35 - Barry threatens the guard	angry \| arguing \| boss \| conflict \| convict \| dramatic \| father \| guard \| leading lady \| leading man \| street \| threatening \| yelling
Deep Valley (1947)	Law (Subtle)	0:22:45 - Barry looks at the guard	arguing \| boss \| conflict \| convict \| father \| guard \| leading lady \| leading man \| street \| tense \| underscoring
Deep Valley (1947)	Underscoring (Dramatic)	0:31:10 - Close-up on Libby	arguing \| conflict \| crying \| dark \| dramatic \| father \| leading lady \| lightning \| room \| storm \| tense \| thunder \| underscoring
Deep Valley (1947)	Barry (Drunk)	1:36:39 - Barry steals a car	arguing \| car \| climax \| convict \| dark \| fighting \| fugitive \| leading lady \| leading man \| love interest \| running \| rushing \| street \| tense \| yelling
Deep Valley (1947)	Barry	1:36:57 - Jeff hits Barry	arguing \| attacking \| car \| climax \| convict \| dark \| fighting \| fugitive \| leading lady \| leading man \| love interest \| punching \| street \| tense \| yelling
Deep Valley (1947)	Barry (Running)	1:37:23 - Libby chases Barry	arguing \| car \| chasing \| climax \| convict \| crying \| dramatic \| driving \| fleeing \| fugitive \| leading lady \| leading man \| love interest \| running \| street
Deep Valley (1947)	Molto Expressivo	1:37:28 - Barry pushes Libby away	arguing \| car \| chasing \| climax \| convict \| crying \| dramatic \| driving \| falling \| fleeing \| fugitive \| leading lady \| leading man \| love interest \| running \| street
Dust Be My Destiny (1939)	Dust Be My Destiny (Agitated)	0:14:22 - Joe argues with Mabel	agitated \| arguing \| barn \| fragmentation \| leading lady \| leading man \| lovers meet \| prisoner \| sequence
Dust Be My Destiny (1939)	Underscoring (Dramatic)	0:38:00 - Joe and Mabel argue	9th chord \| arguing \| conflict \| dissonant bass \| dramatic \| leading lady \| leading man \| runaway \| street \| underscoring
Dust Be My Destiny (1939)	Dust Be My Destiny (Arguing)	0:55:00 - Mabel confronts Joe	agitated \| arguing \| conflict \| dark \| leading lady \| leading man \| parallelism \| pc set \| pleading \| room
Flamingo Road (1949)	Vision of Salome	0:03:12 - Two men argue	arguing \| carnival \| carny \| dancer \| establish setting \| exotic \| Gypsy minor scale \| leading lady \| mysterious \| on-screen music \| source music
Flamingo Road (1949)	Titus (Ostinato)	NIF - not in film	advance plot \| arguing \| café \| cut from film \| cut from film \| employer \| leading lady \| lying \| ostinato \| self-borrowing \| waitress
Flamingo Road (1949)	Agitato (Angry)	0:45:50 - Dan argues with Titus	advance plot \| anger \| angry \| arguing \| chromatic parallelism \| chromatic scale \| chromatic wedge \| club \| leading lady \| politician \| polychord \| self-borrowing \| sheriff \| smashing \| stinger \| waitress
Flamingo Road (1949)	Titus (Ominous)	1:11:44 - Titus argues with Field	arguing \| bullying \| conflict \| drinking \| leading man \| mysterious \| politician \| room \| self-borrowing \| sheriff \| tense
Flamingo Road (1949)	Underscoring (Tense)	1:11:51 - Titus argues with Field	arguing \| bullying \| conflict \| drinking \| leading man \| politician \| room \| sheriff \| tense \| underscoring
Flamingo Road (1949)	The Sheriff	1:12:01 - Titus stands and walks	arguing \| bullying \| chromatic parallelism \| conflict \| dark \| leading man \| mickey-mousing \| ominous \| politician \| room \| self-borrowing \| sheriff \| standing
Flamingo Road (1949)	Titus (Violent)	1:12:11 - Titus and Field argue	arguing \| bullying \| conflict \| dark \| leading man \| ominous \| politician \| room \| self-borrowing \| sheriff \| violent
Flamingo Road (1949)	Anger	1:12:20 - Titus and Field face off	angry \| arguing \| bullying \| chromatic parallelism \| chromatic wedge \| conflict \| leading man \| pc set \| politician \| room \| self-borrowing \| sheriff \| tense
Flamingo Road (1949)	Rising Anger	1:12:26 - Titus throws open the door	angry \| arguing \| bullying \| chromatic parallelism \| conflict \| diminished 7th chord \| leading man \| politician \| room \| self-borrowing \| sheriff
Flamingo Road (1949)	Appassionato	1:19:10 - Dan argues with Lane	arguing \| chromatic parallelism \| conflict \| diminished 7th chord \| harmonic sequence \| husband \| leading lady \| leading man \| passionate \| politician \| room \| wife \| yearning
Flamingo Road (1949)	If I Could Be With You (Drunk)	1:22:58 - Field and Lane talk about their past love	arguing \| chromatic parallelism \| death scene \| diminished 7th chord \| drunk \| leading lady \| leading man \| love interest \| room \| somber
Flamingo Road (1949)	Titus (Ostinato 2)	1:23:34 - Field and Lane talk about Titus and Dan	arguing \| dark \| death scene \| dramatic \| leading lady \| leading man \| love interest \| ominous \| ostinato \| room \| self-borrowing
Flamingo Road (1949)	Titus (Fragmented) + Titus 2 (Fragmented)	1:29:47 - Lane confronts Titus	arguing \| climax \| club \| combination of themes \| dark \| fragmentation \| inversion \| leading lady \| motivic transformation \| mysterious \| ominous \| retrograde \| self-borrowing \| sheriff
Flamingo Road (1949)	Titus (Rising Tension)	1:30:09 - Lane confronts Titus	arguing \| climax \| club \| dark \| half-diminished 7th chord \| leading lady \| ominous \| self-borrowing \| sequence \| sheriff
Flamingo Road (1949)	Underscoring (Dramatic)	1:30:24 - Lane pulls a gun on Titus	arguing \| climax \| club \| dark \| demanding \| dramatic \| gun \| leading lady \| ominous \| sheriff \| stinger \| threatening
Flamingo Road (1949)	Titus (Slowly)	1:30:42 - Lane holds Titus at gunpoint	arguing \| climax \| club \| dark \| demanding \| dramatic \| gun \| leading lady \| ominous \| self-borrowing \| sheriff \| telephone \| threatening
Hell on Frisco Bay (1955)	Hell on Frisco Bay	0:25:14 - Marcia and Steve argue	advance plot \| arguing \| conductor score \| leading lady \| leading man \| room \| tense
Hell on Frisco Bay (1955)	Amato	0:48:03 - Amato teases Lye	advance plot \| agitated \| antagonist \| arguing \| conductor score \| gangster \| leading man \| room
Hell on Frisco Bay (1955)	Amato	0:48:11 - Amato threatens Lye	advance plot \| antagonist \| arguing \| brash \| conductor score \| dark \| gangster \| leading man \| room \| threatening
Hell on Frisco Bay (1955)	Underscoring (Dramatic)	0:51:36 - Amato yells at Steve	action scene \| angry \| arguing \| conductor score \| fighting \| gangster \| investigator \| leading man \| room \| underscoring \| violence \| yelling
Her Kind of Man (1946)	Underscoring (Dark [Waxman])	0:17:02 - Steve fights Felix	action scene \| arguing \| conversing \| criminal \| dark \| death \| dramatic \| gambler \| gun \| gunshot \| leading lady \| leading man \| love interest \| owner \| punching \| room \| self-defense \| shooting \| singer \| stinger \| tense \| underscoring
Her Kind of Man (1946)	It Had to Be You (Somber)	0:44:48 - Georgia leaves	9th chord \| arguing \| conflict \| departing \| gambler \| leading lady \| leading man \| love interest \| room \| somber \| underscoring
Her Kind of Man (1946)	It Had to Be You (Passionate)	0:47:50 - Georgia talks with Steve	arguing \| conversing \| dark \| gambler \| kissing \| leading lady \| leading man \| love interest \| love scene \| passionate \| romantic \| room \| sequence \| source to score \| turbulent
Her Kind of Man (1946)	It Had to Be You (Dramatic)	0:51:26 - Don shoves Candy	arguing \| conflict \| criminal \| departing \| dramatic \| fighting \| gambler \| henchman \| leading man \| reporter \| room \| underscoring
Her Kind of Man (1946)	Shanty in Old Shanty Town	0:59:36 - A cop waits	advance plot \| arguing \| club \| conversing \| leading man \| observing \| on-screen music \| police \| reporter \| source music \| upbeat \| waiting
Her Kind of Man (1946)	Underscoring (Tense [Steiner])	1:12:07 - Steve talks to Candy	advance plot \| arguing \| chromatic parallelism \| conversing \| criminal \| gambler \| henchman \| leading man \| murderer \| pedal tone \| slapping \| tense \| underscoring \| warehouse
Her Kind of Man (1946)	Underscoring (Dark [Steiner])	1:12:32 - Candy reacts	9th chord \| advance plot \| arguing \| conversing \| criminal \| dark \| gambler \| half-diminished 7th chord \| henchman \| leading man \| murderer \| ominous \| ostinato \| underscoring \| warehouse
Her Kind of Man (1946)	Candy (Agitato)	1:16:53 - Don confronts Candy	agitated \| arguing \| climax \| confronting \| criminal \| double-cross \| gambler \| henchman \| leading man \| murder \| murderer \| pc set \| police \| reporter \| revenge \| sequence \| street \| tense
I Was a Communist for the FBI (1951)	(I'm Gonna Wait) A Little Bit Longer (For That Never-on-Time Baby of Mine)	0:39:06 - Matt goes to a record shop	advance plot \| agent \| arguing \| arriving \| conversing \| jazz \| leading man \| record player \| record shop \| shopkeeper \| source music \| undercover agent \| upbeat \| walking
I Was a Communist for the FBI (1951)	Ice Cold Katy	0:53:21 - Matt follows Eve	advance plot \| arguing \| communist \| jazz \| leading lady \| leading man \| source music \| spy \| street \| teacher \| undercover agent \| upbeat
I Was a Communist for the FBI (1951)	Undercover Agent (Conflict)	1:15:06 - Protestors marching	arguing \| crowd \| dramatic \| montage \| polychord \| protesting \| riot \| tritone oscillation \| violence
In This Our Life (1942)	Stanley B (Agitato)	0:15:19 - Peter replies to Roy	advance plot \| agitated \| arguing \| chromatic scale \| dissonant bass \| half-diminished 7th chord \| leading lady \| leading man \| room \| tense \| whole-tone chord
In This Our Life (1942)	Blues in the Night	0:42:47 - Stanley puts a record on the phonograph	arguing \| blue note \| blues \| conflict \| leading lady \| leading man \| record player \| room \| source music \| upbeat
In This Our Life (1942)	Stanley B (Agitato)	0:49:32 - Uncle Fitzroy asks about Stanley	agitated \| altered dominant \| arguing \| chromatic scale \| chromatic sequence \| dissonant bass \| father \| leading lady \| leading man \| room \| suicide \| tense \| turning point \| uncle \| whole-tone chord
In This Our Life (1942)	Anger	1:04:56 - Stanley gets angry	angry \| arguing \| chromatic scale \| conflict \| leading lady \| leaving \| minor-major 7th chord \| pc set \| room \| running \| tense \| uncle \| upset \| widow \| yelling
In This Our Life (1942)	Autumn Nocturne	1:17:45 - Stanley puts on a record	AABA structure \| accusing \| arguing \| conflict \| criminal \| defending \| leading lady \| lying \| popular music \| record player \| room \| sentimental \| source music
In This Our Life (1942)	Stanley (Valse Triste)	1:26:23 - Stanley confesses	9th chord \| altered dominant \| appoggiatura \| arguing \| circle of fifths \| climax \| confessing \| confession \| criminal \| crying \| dramatic \| father \| lawyer \| leading lady \| leading man \| mother \| room \| suspect \| whole-tone chord
In This Our Life (1942)	Stanley B (Slowly Extended)	1:26:39 - Stanley confesses	9th chord \| agitated \| arguing \| chromatic scale \| chromatic sequence \| climax \| confessing \| confession \| criminal \| crying \| dissonant bass \| father \| lawyer \| leading lady \| leading man \| lying \| mother \| room \| suspect
In This Our Life (1942)	Expressivo (Extended)	1:27:04 - Lavinia rises	added-note chord \| arguing \| chromatic scale \| climax \| criminal \| emotional \| father \| lawyer \| leading lady \| leading man \| mother \| pleading \| retardation \| room \| suspect
In This Our Life (1942)	Anger (Agitato)	1:31:34 - Stanley yells at her uncle	agitated \| angry \| arguing \| conflict \| criminal \| distressed \| leading lady \| minor-major 7th chord \| oscillation \| room \| uncle \| yelling
The Informer (1935)	The Informer (Quiet!)	1:01:27 - The rebels enter and start an argument	64 chord \| advance plot \| antagonist \| arguing \| bold \| crowd \| dark \| friend \| interrupting \| leading man \| matching speech \| mickey-mousing \| party \| rebel
Key Largo (1948)	Underscoring (Dramatic)	0:33:17 - Mr. Temple rises to attack Rocco	angry \| arguing \| attacking \| boss \| conflict \| dramatic \| father \| gangster \| hostage \| hotel \| laughing \| leading lady \| leading man \| tense \| underscoring
Key Largo (1948)	Rocco 3 (Nervous)	1:02:52 - Rocco yells at Gaye	arguing \| boss \| dark \| develop character \| father \| gangster \| hostage \| hotel \| leading lady \| leading man \| menacing \| moll
The Letter (1940)	Leslie (Risoluto)	0:35:11 - Leslie reacts angrily to the letter	arguing \| augmented triad \| chromatic parallelism \| deception \| fragmentation \| lawyer \| leading lady \| letter \| lying \| oscillation \| pc set \| pivotal scene \| polychord \| prison \| sequence \| tense
The Letter (1940)	Leslie (Restless)	1:14:42 - Robert asks about the letter	arguing \| conflict \| fragmentation \| home \| husband \| lawyer \| leading lady \| lying \| major 7th chord \| sequence \| tense
The Letter (1940)	Leslie (Wild)	1:14:57 - Robert waits for a response	9th chord \| arguing \| augmented major 7th chord \| chromatic parallelism \| conflict \| distress \| fragmentation \| home \| husband \| lawyer \| leading lady \| lying \| sequence \| tense
The Letter (1940)	Distress	1:15:08 - Robert confronts the lawyer	9th chord \| arguing \| conflict \| dissonant bass \| distress \| home \| husband \| lawyer \| leading lady \| tense
The Letter (1940)	Leslie (Molto Agitato)	1:15:28 - Robert argues with Leslie	arguing \| chromatic parallelism \| conflict \| distress \| home \| husband \| lawyer \| leading lady \| oscillation \| pc set \| sequence \| tense
The Letter (1940)	Underscoring (Dramatic)	1:15:45 - Robert asks to see the letter	arguing \| augmented triad \| conflict \| diminished 7th chord \| dramatic \| home \| husband \| lawyer \| leading lady \| letter \| pc set \| sequence \| tense \| underscoring
Lightning Strikes Twice (1951)	Molto Agitato	0:32:50 - String gets angry	actor \| anger \| arguing \| brother \| chromatic parallelism \| chromatic scale \| chromatic wedge \| conflict \| dramatic \| half-diminished 7th chord \| leading lady \| oscillation \| pc set \| priest \| rancher \| room \| tense
Lightning Strikes Twice (1951)	Menace (Poco Meno)	0:33:06 - String argues	actor \| anger \| arguing \| brother \| chromatic parallelism \| conflict \| diminished 7th chord \| leading lady \| priest \| rancher \| room \| tense
Lightning Strikes Twice (1951)	Anger	0:33:15 - String gets angry	actor \| anger \| arguing \| brother \| conflict \| crying \| dramatic \| leading lady \| oscillation \| priest \| rancher \| room \| tense \| tone cluster \| whole-tone chord \| yelling
Lightning Strikes Twice (1951)	Shelly and Trev (Taken Aback)	0:45:08 - Shelly reacts to Trev's question	actor \| arguing \| cliff \| countryside \| falling in love scene \| leading lady \| leading man \| love interest \| reacting \| somber \| suspect
Lightning Strikes Twice (1951)	Shelly (Menacing)	0:45:23 - Shelly talks with Trev	actor \| arguing \| cliff \| countryside \| falling in love scene \| leading lady \| leading man \| love interest \| menacing \| reacting \| suspect
Lightning Strikes Twice (1951)	Menace (Misterioso)	1:19:48 - Trev calls Harvey	arguing \| conversing \| husband \| leading man \| mad scene \| mysterious \| room \| suspect \| suspense \| telephone
Lightning Strikes Twice (1951)	Menace (Frantic)	NIF - not in film	actor \| arguing \| conflict \| cut from film \| dark \| frantic \| leading lady \| murderer \| rancher \| room
Mildred Pierce (1945)	Mazurka in B-Flat Major (Tense)	0:38:47 - Veda plays a Chopin Mazurka	arguing \| child \| classical music \| common-tone diminished 7th \| conflict \| familiar tune \| half-diminished 7th chord \| heroine \| leading lady \| on-screen music \| playing \| quotation \| room \| scored source music \| source music \| tense \| upbeat \| waltz
Mildred Pierce (1945)	Secret Revealed	0:39:10 - Mildred argues with Veda	angry \| arguing \| child \| chromatic parallelism \| chromatic scale \| chromatic wedge \| conflict \| harsh \| heroine \| leading lady \| linear chromaticism \| octatonic chord \| room \| tense
Mildred Pierce (1945)	Mildred (Appassionato)	0:39:22 - Mildred argues with Veda	angry \| arguing \| child \| chromatic scale \| conflict \| foreign key modulation \| heroine \| leading lady \| raising \| room \| standing \| tense \| whole-tone scale
Mildred Pierce (1945)	Mildred raises Veda	0:39:22 - Mildred lifts her daughter up by the arm	angry \| arguing \| child \| conflict \| heroine \| leading lady \| mickey-mousing \| raising \| room \| standing \| tense \| whole-tone scale
Mildred Pierce (1945)	Mildred B (Angry)	0:39:30 - Mildred argues with Veda	11th chord \| angry \| arguing \| child \| conflict \| fragmentation \| heroine \| leading lady \| room \| slapping \| tense
Mildred Pierce (1945)	Kay and Veda (Sly)	1:13:55 - Mildred tells Monte to not see Veda	arguing \| breakup \| chromatic wedge \| chromatic wedge \| conflict \| disagreement \| heroine \| leading lady \| love interest \| ominous \| room \| sinister \| tense \| whole-tone chord
Mildred Pierce (1945)	Kay and Veda (Troubled)	1:14:06 - Mildred and Monte argue	arguing \| breakup \| chromatic scale \| chromatic sequence \| conflict \| disagreement \| fragmentation \| heroine \| leading lady \| love interest \| ominous \| room \| sinister \| tense \| whole-tone chord \| whole-tone scale
Mildred Pierce (1945)	Mildred (Agitato)	1:14:37 - Mildred and Monte argue	agitated \| arguing \| breakup \| conflict \| distortion \| half-diminished 7th chord \| heroine \| leading lady \| love interest \| room \| tense
Mildred Pierce (1945)	Underscoring (Tense)	1:14:53 - Mildred and Monte argue	9th chord \| added-note chord \| arguing \| bitter \| breakup \| conflict \| deceptive resolution \| heroine \| leading lady \| love interest \| room \| tense \| underscoring
Mildred Pierce (1945)	It Can't Be Wrong (Bitter)	1:15:29 - Mildred writes Monte a check	arguing \| bitter \| breakup \| conflict \| dissonant bass \| familiar tune \| fragmentation \| heroine \| leading lady \| love interest \| mickey-mousing \| popular music \| room \| source to score \| tense
Mildred Pierce (1945)	Kay and Veda (Agitato)	1:22:22 - Veda and her mother argue	agitated \| antagonist \| arguing \| augmented sixth chord \| blackmail \| chromatic sequence \| conflict \| daughter \| fragmentation \| heroine \| leading lady \| room \| tense
Mildred Pierce (1945)	Kay and Veda (Ominous)	1:22:43 - Veda argues with her mother	antagonist \| arguing \| conflict \| dark \| daughter \| heroine \| insulting \| leading lady \| ominous \| room \| ugly
Mildred Pierce (1945)	Mildred (Appassionato)	1:23:00 - Veda expresses her disgust with her mother	angry \| antagonist \| arguing \| chromatic scale \| conflict \| daughter \| foreign key modulation \| heroine \| insulting \| leading lady \| room \| tense
Mildred Pierce (1945)	Mildred B (Angry 2)	1:23:09 - Mildred gets angry at Veda	angry \| antagonist \| arguing \| conflict \| daughter \| fragmentation \| heroine \| insulting \| leading lady \| room \| tense
Mildred Pierce (1945)	Mildred (Vicious)	1:23:21 - Veda insults her mother	angry \| antagonist \| arguing \| chromatic parallelism \| chromatic wedge \| conflict \| daughter \| heroine \| insulting \| leading lady \| reverse stinger \| room \| tense \| whole-tone chord
Mildred Pierce (1945)	Mildred B (Angry)	1:23:38 - Mildred tears up Veda's check	angry \| antagonist \| arguing \| check \| conflict \| daughter \| fighting \| heroine \| leading lady \| pc set \| room \| slapping \| tearing \| tense \| violence \| yelling
Mildred Pierce (1945)	Mildred (Tragic)	1:46:43 - Mildred runs away	altered dominant \| antagonist \| arguing \| betrayal \| chromatic scale \| climax \| daughter \| dramatic \| emotional \| half-diminished 7th chord \| heroine \| leading lady \| room \| running \| sequence
The Life of Vergie Winters (1934)	Lullaby (Agitated)	1:01:27 - John and Laura argue about Joan	agitated \| arguing \| common-tone diminished 7th \| conflict \| diminished 7th chord \| direct modulation \| fragmentation \| harmonic sequence \| leading man \| octatonic scale \| room \| tense \| transcribed by ear \| wife
The Life of Vergie Winters (1934)	Old Lavender	1:02:11 - Joan and Ranny enter	9th chord \| added-note chord \| altered dominant \| arguing \| common-chord modulation \| conflict \| conversing \| daughter \| direct modulation \| harmonic sequence \| leading man \| light \| love interest \| optimistic \| room \| surprise \| wife
The Life of Vergie Winters (1934)	Lullaby (Doloroso)	1:05:58 - John talks with his wife Laura	9th chord \| arguing \| conflict \| dark \| leading man \| leaving \| reverse picardy \| room \| tense \| wife
Out of the Fog (1941)	Stella and George	0:11:54 - George talks to Stella	AABA structure \| arguing \| boyfriend \| conversing \| dock \| establish character \| leading lady \| romantic \| transcribed by ear
Out of the Fog (1941)	Underscoring (Subtle)	0:13:05 - A boy runs in	arguing \| boyfriend \| conversing \| dock \| establish character \| leading lady \| underscoring \| uneasy
Out of the Fog (1941)	Underscoring (Dark)	0:20:11 - Jonah reacts	arguing \| boat \| chef \| conflict \| conversing \| criminal \| dark \| dock \| extortion \| father \| fisherman \| friend \| leading man \| stinger \| tense \| threatening \| underscoring
Out of the Fog (1941)	Russian Barcarolle (Threatening)	0:20:40 - Goff threatens Jonah	arguing \| boat \| breaking \| chef \| conflict \| conversing \| criminal \| dark \| dock \| extortion \| father \| fisherman \| friend \| leading man \| tense \| threatening \| violence
Out of the Fog (1941)	Underscoring (Dramatic)	0:26:42 - Goff slaps Jonah	arguing \| chef \| conflict \| criminal \| dock \| dramatic \| extortion \| falling \| father \| fisherman \| friend \| leading man \| mickey-mousing \| punching \| slapping \| stinger \| underscoring \| violence
Out of the Fog (1941)	Russian Barcarolle (Dark 2)	0:27:12 - Jonah and Olaf react	arguing \| chef \| conflict \| conversing \| criminal \| dark \| dock \| extortion \| father \| fisherman \| friend \| gun \| leading man \| stinger \| tense \| threatening
Out of the Fog (1941)	Stella and George (Extended)	0:41:45 - George talks to Stella	arguing \| boyfriend \| conversing \| foreign key modulation \| leading lady \| love scene \| room \| tender
Out of the Fog (1941)	Whistle While You Work	0:43:46 - Eddie sets the table	AABA structure \| advance plot \| arguing \| boss \| conversing \| dock \| popular music \| restaurant \| source music \| upbeat \| worker
Out of the Fog (1941)	Russian Barcarolle (Solemn)	0:45:25 - Goff asks for money	arguing \| conflict \| conversing \| criminal \| dock \| extortion \| father \| fisherman \| foreign key modulation \| friend \| leading man \| sequence \| solemn
Out of the Fog (1941)	Underscoring (Dramatic)	0:46:00 - Jonah calls for the cop	arguing \| conflict \| criminal \| dock \| dramatic \| extortion \| father \| fisherman \| friend \| leading man \| underscoring \| yelling
Out of the Fog (1941)	Russian Barcarolle (Fragmented)	0:46:14 - Jonah calls for the cop	arguing \| conflict \| criminal \| dock \| extortion \| father \| fisherman \| fragmentation \| friend \| leading man \| police \| tense \| yelling
Out of the Fog (1941)	Underscoring (Tense)	0:46:34 - Jonah accuses Goff	arguing \| conflict \| conversing \| criminal \| dock \| extortion \| father \| fisherman \| friend \| leading man \| police \| tense \| underscoring
Out of the Fog (1941)	Animato (Extended)	1:07:04 - Jonah and Olaf help George	arguing \| boyfriend \| conflict \| criminal \| dock \| fisherman \| friend \| leading man \| tense \| violence
Out of the Fog (1941)	Russian Barcarolle (Menacing)	1:09:32 - Goffs sees Olaf holding a lead pipe	arguing \| attempted murder \| climax \| criminal \| dark \| fisherman \| friend \| leading man \| menacing \| ominous \| sea \| stinger
Out of the Fog (1941)	Underscoring (Dark)	1:12:05 - Police ring the bell	action scene \| arguing \| conversing \| dark \| fisherman \| friend \| police \| ringing \| room \| street \| underscoring
Out of the Fog (1941)	Russian Barcarolle (Dead)	1:13:15 - Stella sees Goff's body	action scene \| arguing \| corpse \| crying \| dark \| death \| fear \| leading lady \| morgue \| ominous \| police
Kid Galahad (1937)	Green Lady	1:12:08 - Ward, Marie, and Louise talk in the club	advance plot \| arguing \| cheerful \| fighting \| gangster \| night club \| source music \| trainer \| transcribed by ear
Kid Galahad (1937)	Doublecross (Heated)	1:16:02 - Nick arrives at the farm	advance plot \| arguing \| arriving \| chromatic mediant \| farm \| leading man \| manager \| not by Steiner \| sister \| tense \| transcribed by ear
Traveling Husbands (1931)	There's a Sob in My Heart (Slow Waltz)	0:57:47 - Music is played on the radio	AABA structure \| advance plot \| arguing \| calm \| leading lady \| leading man \| mode mixture \| popular song \| radio \| room \| salesman \| source music \| transcribed by ear
The Unfaithful (1947)	Deep Night	0:05:47 - Roger argues with Paula	AABA structure \| antagonist \| arguing \| establish character \| lawyer \| leading lady \| on-screen music \| party \| sister \| somber \| source music
The Unfaithful (1947)	Unfaithful (Not in Film)	NIF - not in film	acceleration \| arguing \| climax \| cut from film \| husband \| Neapolitan \| ostinato \| room \| sequential modulation \| tense \| wife
White Heat (1949)	Verna	0:06:56 - Verna gets up	arguing \| bluesy \| complaining \| dark \| establish character \| gangster \| leading lady \| leading man \| moll \| mother \| murderer \| rising \| room \| victim \| waking
White Heat (1949)	Rushing	0:10:49 - A gangster comes in the door	advance plot \| arguing \| dark \| gangster \| leading lady \| leading man \| moll \| mother \| murderer \| punching \| room \| storm \| tense \| victim \| wind
White Heat (1949)	Danger (Con Moto)	0:17:39 - Cody argues with Verna	agitated \| arguing \| conflict \| gangster \| leading lady \| leading man \| moll \| murderer \| room \| tense
White Heat (1949)	Underscoring (Dramatic)	0:42:52 - Big Ed talks to Verna	advance plot \| anger \| angry \| arguing \| dramatic \| gangster \| leading lady \| love interest \| moll \| porch \| underscoring
White Heat (1949)	Moll (Arguing)	0:43:06 - Verna argues with Big Ed	anger \| arguing \| gangster \| leading lady \| love interest \| love scene \| moll \| porch \| tense \| uneasy
White Heat (1949)	T-Men (Misterioso)	1:27:39 - Hank talks to Cody	advance plot \| arguing \| conversing \| fugitive \| gangster \| leading man \| murderer \| mysterious \| stinger \| undercover agent \| yard
White Heat (1949)	Underscoring (Tense)	1:27:53 - Hank talks to Cody	advance plot \| arguing \| conversing \| fugitive \| gangster \| leading man \| murderer \| tense \| undercover agent \| underscoring \| yard
The Woman in White (1948)	Pavan (Garden)	0:33:09 - Marian talks to Fosco	arguing \| conversing \| cousin \| falling in love scene \| garden \| instrument effect \| leading lady \| leading man \| mysterious \| Renaissance music \| somber \| watching
The Woman in White (1948)	Pavan (Agitato)	0:33:43 - Walter argues with Laura	agitated \| arguing \| argument \| falling in love scene \| garden \| leading lady \| leading man
The Woman in White (1948)	Ann (Poco Agitato)	0:46:06 - Walter talks to Marian	arguing \| conflict \| cousin \| leading lady \| leading man \| mansion \| tense
The Woman in White (1948)	Fairlie (Moderato)	0:46:16 - Marian argues with Walter	agitated \| arguing \| conflict \| cousin \| leading lady \| leading man \| mansion
The Woman in White (1948)	Ann (Agitato Quasi Misterioso)	0:46:28 - Walter argues with Marian	arguing \| butler \| conflict \| cousin \| leading lady \| leading man \| mansion \| mysterious \| stinger
The Woman in White (1948)	Fosco (Marcato)	1:08:44 - Fosco talks to the servant	antagonist \| arguing \| butler \| confining \| conflict \| conversing \| cousin \| criminal \| dark \| leading lady \| leading man \| mysterious \| prisoner \| room
The Woman in White (1948)	Pavan (Distressed)	1:25:43 - Laura confronts Sir Percival	antagonist \| arguing \| asylum \| criminal \| dark \| husband \| hypnosis \| hypnotist \| leading lady \| leading man \| mad scene \| murderer \| victim
The Public Defender (1931)	Crowd thronging	0:01:17 - A crowd pressing towards a guarded door	arguing \| chromatic scale \| crowd \| hurried \| noise \| street \| tense \| transcribed by ear \| transition
The Public Defender (1931)	Mystery (Bank Closed)	0:01:25 - Notice posted on the door	arguing \| chromaticism \| crowd \| mysterious \| mystery \| noise \| pc set \| street \| transcribed by ear \| transition
The Public Defender (1931)	An Armchair With An Armful of You	0:12:46 - Dance music played at a dinner party	ABAC structure \| advance plot \| arguing \| banker \| cheerful \| conversing \| crowd \| dance music \| party \| source music \| transcribed by ear \| waiter
The Public Defender (1931)	Mystery (End Title)	1:08:56 - A kiss and The End	arguing \| end title sequence \| kissing \| leading man \| mode mixture \| pedal tone \| romantic \| room \| The End \| transcribed by ear
Is My Face Red? (1932)	Keyhole (Gossip)	0:01:35 - Man and woman argue about a newspaper story	arguing \| argument \| dramatic \| establish setting \| gossip \| newspaper \| room \| sequence \| transcribed by ear
Is My Face Red? (1932)	Burlesque	0:13:10 - Backstage at a Broadway show	ABAC structure \| advance plot \| arguing \| Broadway \| burlesque \| cheerful \| common-chord modulation \| dancer \| leading man \| pedal tone \| plagal cadence \| popular music \| source music \| stage \| transcribed by ear
Is My Face Red? (1932)	Sailing of the Olympic (Argument)	0:16:24 - Two people argue	advance plot \| arguing \| boat \| eavesdropping \| leading man \| parallelism \| tense \| transcribed by ear
Is My Face Red? (1932)	Sailing of the Olympic (Commotion)	0:16:39 - Four people talk at once to Mildred	advance plot \| arguing \| argument \| boat \| chromatic sequence \| eavesdropping \| hurried \| leading lady \| leading man \| metric dissonance \| parallelism \| tense \| transcribed by ear
Is My Face Red? (1932)	Trysting Place, The	0:50:25 - William talks to Peggy and Mildred	advance plot \| arguing \| band \| broadcast \| calm \| conversing \| dance music \| leading man \| radio \| sentence form \| source music \| stage \| transcribed by ear
Thirteen Women (1932)	Ursula (Exotic)	0:34:06 - Ursula argues with Burns	advance plot \| arguing \| dark \| exotic \| exoticism \| Gypsy major scale \| leading lady \| love interest \| mysterious \| ostinato \| room \| transcribed by ear
Sing and Like It (1934)	Dinah	0:02:34 - Ruby and Fenny listen to the radio	AABA structure \| arguing \| boss \| conversing \| establish character \| gangster \| gum \| jazz \| leading lady \| leading man \| listening \| moll \| radio \| room \| source music \| upbeat
Sing and Like It (1934)	Your Mother	0:23:01 - Call board for a dress rehearsal	AABA structure \| arguing \| ballad \| boss \| conversing \| gangster \| leading lady \| listening \| musician \| music scene \| on-screen music \| piano \| sentimental \| singer \| singing \| source music \| stage
We're Only Human (1935)	Katie (Triste)	0:28:47 - Pete talks to the criminal	action scene \| arguing \| bank \| detective \| foreign key modulation \| gangster \| leading man \| parallelism \| stinger \| sultry
We're Only Human (1935)	Blood Money (Extended)	0:28:58 - Pete walks away with the criminal	action scene \| arguing \| augmented triad \| bank \| detective \| gangster \| leading man \| mysterious \| tense \| tritone \| whole-tone
We're Only Human (1935)	Begging	0:29:35 - Pete talks with Danny	action scene \| arguing \| bank \| detective \| diminished 7th chord \| dissonant bass \| gangster \| leading man \| pedal tone \| sequence \| serious \| tense \| victim
We're Only Human (1935)	Isn't This a Night For Love (Dance Band)	0:33:11 - Pete walks into a diner	AABA structure \| advance plot \| arguing \| conversing \| detective \| diner \| leading lady \| leading man \| reporter \| sentimental \| source music
We're Only Human (1935)	Midnight in Manhattan (Warm)	0:36:50 - Mary and Pete in a restaurant	advance plot \| altered dominant \| arguing \| conversing \| detective \| leading lady \| leading man \| mode mixture \| Neapolitan \| reporter \| restaurant \| sentimental \| source music
We're Only Human (1935)	Game 2	1:01:56 - Witness threatens to kill the criminals	acceleration \| arguing \| car \| car \| chromatic parallelism \| climax \| conflict \| detective \| dramatic \| driving \| hurried \| leading lady \| leading man \| pedal tone \| reporter \| rushing \| threat \| threatening \| victim
We're Only Human (1935)	Saroff	1:03:07 - They argue	arguing \| chromatic scale \| climax \| conflict \| detective \| leading lady \| leading man \| mysterious \| reporter \| tense \| victim \| whole-tone \| whole-tone chord \| yard
We're Only Human (1935)	Game 8	1:05:55 - Pete advances slowly	arguing \| chromatic scale \| climax \| conflict \| detective \| gangster \| half-diminished 7th chord \| hostage \| leading man \| murderer \| pedal tone \| polychord \| room \| sneaking \| taunting \| tense \| tricking \| underscoring
Another Face (1935)	Russian Waltz (Poco Agitato)	0:04:46 - Nurse argues with doctor	advance plot \| arguing \| blackmail \| doctor \| nurse \| operating room \| tense
Another Face (1935)	Zaroff (Poco Agitato)	0:05:01 - Nurse argues with doctor	advance plot \| arguing \| blackmail \| chromatic parallelism \| doctor \| half-diminished 7th chord \| nurse \| operating room \| tense
Another Face (1935)	Courage (Hiding)	0:05:09 - Doctor threatens nurse	advance plot \| arguing \| blackmail \| doctor \| nurse \| operating room \| tense \| whole-tone chord
Another Face (1935)	You're an Angel	0:25:47 - A man knocks on a door	AABA structure \| actress \| advance plot \| arguing \| conversing \| embracing \| kissing \| maid \| manager \| proposal \| room \| sentimental \| source music
Without Honor (1949)	Appassionato 2 (Agitato)	0:07:57 - Jane tells Dennis she still loves him	adulterer \| affair \| arguing \| breaking up \| breakup \| crying \| death scene \| kitchen \| leading lady \| leading man \| love interest \| passionate \| somber
Without Honor (1949)	Appassionato (Broad)	0:08:11 - Jane cries	adulterer \| affair \| arguing \| breaking up \| breakup \| crying \| death scene \| kitchen \| leading lady \| leading man \| love interest \| passionate \| somber
Without Honor (1949)	Desperation	0:08:20 - Jane talks to Dennis	adulterer \| affair \| arguing \| breaking up \| breakup \| crying \| death scene \| dramatic \| kitchen \| leading lady \| leading man \| love interest \| underscoring
Without Honor (1949)	Appassionato (Molto Expressivo)	0:08:35 - Jane cries	adulterer \| affair \| arguing \| breaking up \| breakup \| crying \| death scene \| kitchen \| leading lady \| leading man \| love interest \| passionate \| somber
Without Honor (1949)	Twilight (Agitato)	0:08:54 - Jane talks to Dennis	adulterer \| affair \| arguing \| breaking up \| breakup \| crying \| death scene \| kitchen \| leading lady \| leading man \| love interest \| mysterious \| ominous \| tense
Without Honor (1949)	Underscoring (Agitated)	0:09:10 - Jane threatens to kill herself	adulterer \| affair \| arguing \| breaking up \| breakup \| crying \| dark \| death scene \| dramatic \| kitchen \| leading lady \| leading man \| love interest \| suicide \| underscoring
Without Honor (1949)	Valse Triste (Reeds)	1:04:26 - Fred argues with Bill	antagonist \| arguing \| brother \| husband \| leading man \| resolution \| room \| tense
Without Honor (1949)	Valse Triste (Triple Beguin)	1:05:18 - Fred starts to leave for the hospital	antagonist \| arguing \| brother \| fighting \| husband \| leading man \| punching \| resolution \| tense \| yard
Mara Maru (1952)	Baby Face	0:07:12 - Gregory arrives at a bar	advance plot \| arguing \| bar \| bartender \| conversing \| crowd \| fighting \| leading man \| partner \| sailor \| server \| source music \| upbeat
Mara Maru (1952)	Misterioso	0:12:16 - Gregory talks to Stella	arguing \| conversing \| establish character \| leading lady \| leading man \| mysterious \| room \| stinger \| tense
Mara Maru (1952)	Underscoring (Tense)	0:12:54 - Gregory talks to Stella	arguing \| conversing \| establish character \| leading lady \| leading man \| room \| tense \| underscoring
Mara Maru (1952)	Appassionato	0:13:27 - Stella argues with Gregory	arguing \| conversing \| establish character \| leading lady \| leading man \| passionate \| room
Mara Maru (1952)	Ortega	0:40:26 - Gregory talks with Ortega	arguing \| brother \| conversing \| distrust \| establish character \| leading man \| mysterious \| room \| tense
Mara Maru (1952)	Grabbing	0:41:15 - Gregory grabs Ortega	arguing \| brother \| distrust \| dramatic \| establish character \| grabbing \| gun \| leading man \| mickey-mousing \| room \| tense
Mara Maru (1952)	Underscoring (Tense)	0:41:23 - Ortega points a gun at Gregory	arguing \| brother \| distrust \| establish character \| gun \| leading man \| room \| stinger \| tense \| underscoring
Mara Maru (1952)	Cross (Fragment)	0:41:40 - A cross on Ortega's keychain	arguing \| brother \| cross \| distrust \| dramatic \| establish character \| gun \| keys \| leading man \| room \| stinger
Mara Maru (1952)	Ortega	0:41:50 - Gregory tosses Ortega's keys	arguing \| brother \| distrust \| establish character \| gun \| leading man \| mysterious \| room \| tense
Mara Maru (1952)	Appassionato (Tenderly 2)	1:07:51 - Stella approaches	arguing \| captain \| conversing \| leading lady \| leading man \| love interest \| love scene \| rushing \| sailing \| ship \| ship \| uneasy \| walking \| warning
Mara Maru (1952)	Appassionato (Extended)	1:08:25 - Stella talks with Gregory	arguing \| captain \| conversing \| leading lady \| leading man \| love interest \| love scene \| passionate \| sailing \| ship \| ship \| warning
Mara Maru (1952)	Stella	1:09:02 - Stella tells Gregory she loves him	arguing \| captain \| embracing \| leading lady \| leading man \| love interest \| love scene \| romantic \| sailing \| ship \| ship
Mara Maru (1952)	Appassionato (Molto Expressivo)	1:11:48 - Crew on deck of the ship	action scene \| antogonist \| arguing \| captain \| conversing \| diver \| diving suit \| leading lady \| leading man \| love interest \| passionate \| preparing \| private eye \| ship \| ship \| worker
Mara Maru (1952)	Cross (Distorted)	1:19:49 - The cross is revealed	action scene \| antogonist \| arguing \| captain \| cross \| dark \| diver \| hymn-like \| leading lady \| leading man \| love interest \| private eye \| rain \| ship \| storm \| tense \| treasure \| wind \| worker \| yelling
Mara Maru (1952)	Underscoring (Tense)	1:20:01 - Benedict grabs the cross	action scene \| antogonist \| arguing \| captain \| cross \| diver \| dramatic \| falling \| leading lady \| leading man \| love interest \| ordering \| private eye \| punching \| rain \| ship \| storm \| tense \| treasure \| underscoring \| wind \| worker
Mara Maru (1952)	Cross	1:26:54 - Manuelo holds the cross	arguing \| calm \| cross \| hut \| hymn-like \| leading lady \| leading man \| love interest \| religious \| turning point \| worker
Mara Maru (1952)	Cross (Tense)	1:27:07 - Gregory grabs Manuelo	arguing \| cross \| falling \| hut \| hymn-like \| leading lady \| leading man \| love interest \| religious \| slapping \| tense \| turning point \| worker
Mara Maru (1952)	Cross (Maestoso)	1:27:18 - Gregory slaps Manuelo	arguing \| cross \| hut \| hymn-like \| leading lady \| leading man \| love interest \| majestic \| reacting \| slapping \| tense \| turning point \| worker
Mara Maru (1952)	Underscoring (Tense)	1:27:44 - Gregory follows after Manuelo	arguing \| following \| hut \| jungle \| leading lady \| leading man \| love interest \| searching \| tense \| thinking \| turning point \| underscoring
Mara Maru (1952)	Grabbing	1:32:13 - Gregory grabs Ortega	advance plot \| arguing \| catacomb \| cave \| cross \| dramatic \| grabbing \| interrogating \| leading man \| mickey-mousing \| mysterious \| suspsect \| tunnel
Mara Maru (1952)	Underscoring (Tense)	1:32:18 - Gregory interrogates Ortega	advance plot \| arguing \| catacomb \| cave \| cross \| grabbing \| interrogating \| leading man \| suspsect \| tense \| tunnel \| underscoring
Mara Maru (1952)	Cross (Fragment)	1:32:29 - Ortega explains himself	advance plot \| arguing \| catacomb \| cave \| cross \| dark \| grabbing \| interrogating \| leading man \| suspsect \| tunnel
Mara Maru (1952)	Benedict (Agitato)	1:32:39 - Ortega accuses Benedict	advance plot \| agitated \| arguing \| catacomb \| cave \| cross \| interrogating \| leading man \| mysterious \| suspsect \| tunnel \| uneasy
Mara Maru (1952)	Grabbing 2	1:32:55 - Gregory grabs Ortega	advance plot \| arguing \| catacomb \| cave \| cross \| dramatic \| grabbing \| interrogating \| leading man \| mickey-mousing \| suspsect \| tunnel
Mara Maru (1952)	Cross (Maestoso Religioso)	1:33:02 - Ortega offers Gregory the cross	advance plot \| arguing \| catacomb \| cave \| cross \| giving \| hymn-like \| leading man \| pleading \| reacting \| religious \| suspsect \| tense \| tunnel
Mara Maru (1952)	Underscoring (Tense)	1:33:38 - Ortega pleads with Gregory	advance plot \| arguing \| catacomb \| cave \| cross \| leading man \| pleading \| suspsect \| tense \| tunnel \| underscoring
Mara Maru (1952)	Benedict (Menacing)	1:34:30 - Ortega tries to block the door	action scene \| antagonist \| arguing \| blocking \| bodyguard \| catacomb \| cave \| climax \| cross \| defending \| dramatic \| gun \| gunshot \| leading man \| martyr \| menacing \| murderer \| ominous \| protecting \| pushing \| running \| tunnel \| victim

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