| The Amazing Dr. Clitterhouse (1938) | The Motor (Butch) | 0:50:45 - Butch searches for the doctor | anxious | chromatic scale | criminal | dramatic | gangster | mickey-mousing | motor | ostinato | pedal tone | robbery | running | searching | store | tense | thief |
The Amazing Dr. Clitterhouse (1938) | Butch runs | 0:50:46 - Butch runs to the window | anxious | criminal | dramatic | gangster | mickey-mousing | robbery | running | searching | sequence | store | tense | thief |
The Amazing Dr. Clitterhouse (1938) | Butch runs back | 0:50:52 - Butch runs back from the window | anxious | chromatic scale | criminal | dramatic | gangster | mickey-mousing | robbery | running | searching | store | tense | thief |
The Amazing Dr. Clitterhouse (1938) | People running | 0:52:10 - Men run to the warehouse | added-note chord | crowd | exciting | mickey-mousing | robbery | running | street |
| Angels With Dirty Faces (1938) | The Chase | 0:04:21 - Cops chase boys through the train yard | chase scene | chasing | chromatic parallelism | chromatic scale | diminished 7th chord | dramatic | escaping | half-diminished 7th chord | mickey-mousing | police | polychord | running | street | teenager | whole-tone chord |
Angels With Dirty Faces (1938) | Running and shooting | 0:06:52 - Police chase gangsters and Rocky shoots | agent | augmented triad | chasing | dissonant bass | dominant 7th chord | dramatic | establish character | gangster | gun | gunshot | leading man | mickey-mousing | montage | newspaper | quartal chord | running | shooting | street | zoom out |
Angels With Dirty Faces (1938) | Crowd rushing | 0:41:09 - Crowd rushes to the crime scene | chromatic sequence | conflict | crowd | dissonant bass | hurrying | mickey-mousing | running | street | tense |
Angels With Dirty Faces (1938) | Underscoring (Dramatic) | 1:16:29 - Rocky shoots Mac and Frazier | agitated | attacking | casino | chaos | chasing | chromatic parallelism | chromatic scale | climbing | conflict | crowd | death | dissonant bass | dramatic | dying | escaping | falling | fighting | gangster | gun | gunshot | half-diminished 7th chord | hurrying | jumping | landing | lawyer | leading man | mickey-mousing | pedal tone | police | rooftop | room | running | sequence | shooting | sneaking | sneaky | street | tone cluster | underscoring |
Angels With Dirty Faces (1938) | Running on wall | 1:17:55 - Rocky runs on wall | agitated | chromatic scale | conflict | dramatic | gangster | half-diminished 7th chord | leading man | mickey-mousing | rooftop | running | sequence |
Angels With Dirty Faces (1938) | Underscoring (Dramatic) | 1:19:00 - Rocky is trapped in a building | 42 chord | agitated | chromatic parallelism | chromatic scale | conflict | dissonant bass | dramatic | escaping | fleeing | gangster | half-diminished 7th chord | leading man | major 7th chord | police | running | sequence | stairwell | tone cluster | underscoring |
Angels With Dirty Faces (1938) | Going down stairs | 1:19:05 - Rocky runs down the stairs | agitated | chromatic scale | conflict | down | dramatic | gangster | half-diminished 7th chord | leading man | mickey-mousing | running | stairs | stairwell |
Angels With Dirty Faces (1938) | Going up stairs | 1:19:27 - Rocky runs up the stairs | agitated | chromatic parallelism | chromatic scale | conflict | dissonant bass | dramatic | gangster | leading man | major 7th chord | mickey-mousing | running | sequence | stairs | stairwell | up |
Angels With Dirty Faces (1938) | Tear Gas | 1:19:48 - Tear gas spreads throughout the room | agitated | breaking | breaking | breathing | building | chromatic parallelism | chromatic scale | conflict | dissonant bass | dramatic | gangster | gun | gunshot | hurrying | leading man | mickey-mousing | pedal tone | police | quartal chord | running | shooting | smoke | street | tear gas | throwing | window |
Angels With Dirty Faces (1938) | Rocky runs | 1:25:13 - Rocky makes a run for it | agitated | chromatic scale | conflict | falling | gangster | gun | gunshot | hostage | leading man | octatonic | priest | running | sequence | shooting | street | whole-tone chord |
| Arsenic and Old Lace (1944) | Here Comes the Bride (Modulating) | 0:03:34 - Hiding in a telephone booth | added-note chord | arguing | bystander | conversing | deceptive resolution | establish character | familiar tune | fragmentation | leading lady | leading man | marriage | office | pump-up modulation | running | rushed | rushing | self-borrowing | sequence |
Arsenic and Old Lace (1944) | The Aunts (Allegretto) | 0:13:52 - The aunts run to the window | advance plot | aunt | cheerful | harmonic sequence | leading lady | mode mixture | pedal tone | room | running |
Arsenic and Old Lace (1944) | Chasing | 0:16:31 - Elaine runs off | bride | groom | hurrying | leading lady | leading man | light | love | love scene | running | secondary dominant | street |
Arsenic and Old Lace (1944) | Here Comes the Bride (Running) | 0:23:58 - Mortimer runs to the door | 9th chord | 13th chord | aunt | bride | child | chromatic scale | crazy person | dark | familiar tune | groom | Halloween | intervallic expansion | leading lady | leading man | murderer | room | running | rushing | source music | source to score | trick-or-treating | turning point |
Arsenic and Old Lace (1944) | Underscoring (Dramatic) | 1:01:21 - They take Elaine into the cellar | 9th chord | aunt | bride | brother | chromatic scale | conflict | crazy person | darkness | diminished 7th chord | doctor | dramatic | fear | fighting | gagging | harmonic sequence | leading lady | leading man | metric dissonance | murderer | oscillation | room | running | self-borrowing | struggling | suspenseful | underscoring |
| Beyond the Forest (1949) | Bicycle | 0:04:03 - A boy on a bicycle | bicycle | bicycle effect | child | establish setting | excited | riding | running | street | voice-over |
Beyond the Forest (1949) | Running | 0:14:40 - Rosa runs to the lodge | advance plot | leading lady | mickey-mousing | mysterious | ominous | outside | running | wife |
Beyond the Forest (1949) | Rosa (She Runs) | 0:49:22 - Rosa runs to the phone | advance plot | cafe | leading lady | optimistic | running | rushing | telephone |
Beyond the Forest (1949) | Chicago (Agitato Molto Marcato) | 0:55:48 - Rosa runs through the streets | agitated | crazy person | crying | familiar tune | laughing | leading lady | mad scene | manic | popular tune | running | rushing | scaring | stranger | street | tense |
Beyond the Forest (1949) | Rosa (On the Run) | 1:17:21 - Rosa approaches a bus | advance plot | bus | disguise | doctor | leading lady | leading man | murderer | mysterious | office | patient | runaway | running away | sneaking | street | watching |
Beyond the Forest (1949) | Hurrying (Fleeing) | 1:19:50 - Rosa leaps out of the car | action scene | canyon | car | cliff | fleeing | leading lady | leading man | murderer | runaway | running | rushed |
| The Big Sleep (1946) | Running | 0:20:06 - Carmen runs to Geiger's house | chromatic parallelism | dissonant bass | femme fatale | investigation scene | mysterious | rain | running | street | tense |
The Big Sleep (1946) | Action | 0:21:04 - Marlowe runs to the house | action scene | antagonist | chromatic parallelism | chromatic scale | chromatic sequence | chromatic wedge | diminished 7th chord | dramatic | hurrying | leading man | pc set | private eye | running | street | tense | underscoring |
The Big Sleep (1946) | Running down | 0:21:13 - Feet running down the stairs | action scene | antagonist | chromatic parallelism | chromatic scale | descending | dramatic | half-diminished 7th chord | hurrying | mickey-mousing | running | street | tense |
The Big Sleep (1946) | Marlowe (Heroic) | 0:21:28 - Marlowe enters the house | 9th chord | action scene | breaking in | heroic | inversion | leading man | private eye | running | street |
The Big Sleep (1946) | Running out | 0:56:36 - Marlowe runs after the killer | assassin | chase scene | chasing | chromatic scale | combination of themes | dramatic | gun | gunshot | leading man | mickey-mousing | murder | murderer | private eye | room | running | stairs | stinger |
The Big Sleep (1946) | Down the Stairs + The Chase + Marlowe (Action) | 0:56:39 - Marlowe chases the killer | assassin | chase scene | chasing | chromatic parallelism | chromatic scale | descending | dissonant bass | dramatic | gun | gunshot | heroic | layering | leading man | murderer | private eye | room | running | stairs | tense |
The Big Sleep (1946) | Underscoring (Dramatic) | 0:56:54 - Killer shoots at Marlowe | assassin | chase scene | chasing | chromatic scale | dramatic | leading man | murderer | pc set | private eye | running | shooting | street | tense | underscoring | whole-tone | whole-tone chord | whole-tone scale |
The Big Sleep (1946) | Marlowe (Action) | 0:57:01 - Marlowe runs to his car | 64 chord | assassin | augmented sixth chord | chase scene | chasing | common-tone diminished 7th | dramatic | fragmentation | heroic | leading man | murderer | private eye | running | sequential modulation | street | tense |
The Big Sleep (1946) | Underscoring (Dramatic) | 1:41:36 - Marlowe runs to his car | 9th chord | action scene | criminal | diminution | dramatic | fragmentation | leading lady | leading man | linear chromaticism | love interest | outside | private eye | running | underscoring | whole-tone chord |
The Big Sleep (1946) | Running and jumping | 1:42:10 - Man runs away | action scene | chromatic scale | criminal | fear | jumping | mickey-mousing | outside | running | tense |
| City for Conquest (1940) | Peggy runs | 0:47:31 - Peggy runs down the stairs | boxer | chromatic parallelism | chromatic sequence | dancer | descending | leading lady | leading man | love scene | mickey-mousing | running | source and scoring overlap | street | tense |
| Crime School (1938) | Underscoring (Tense) | 0:08:20 - The kids confront the junk shop owner | attacking | chromatic scale | conflict | death | diminished 7th chord | dissonant bass | fighting | gang | mickey-mousing | ominous | ostinato | running | shop | shopkeeper | stairs | stinger | teenager | tense | underscoring | up |
Crime School (1938) | Running away | 0:09:32 - Kids run away from cops | 42 chord | chasing | chromatic scale | conflict | dramatic | fleeing | gang | mickey-mousing | police | running | street | teenager | tense |
Crime School (1938) | Underscoring (Dramatic) | 0:28:01 - Frankie escapes from the warden's office | 9th chord | chromatic parallelism | dramatic | escape | escaping | half-diminished 7th chord | hiding | mickey-mousing | ostinato | reformatory | running | teenager | tense | throwing | tone cluster | warden | whole-tone scale |
Crime School (1938) | Escaping | 0:28:32 - Frankie runs and hides | chromatic parallelism | chromatic wedge | dissonant bass | dramatic | escape | escaping | hiding | mickey-mousing | police | reformatory | running | sequence | sneaking | teenager | tense | tone cluster |
Crime School (1938) | Searchlights (Sneaking) | 0:28:47 - Frankie hides from the searchlight | chromatic parallelism | dramatic | escape | escaping | hiding | jumping | mickey-mousing | police | reformatory | running | searchlight | sneaking | teenager | tense |
Crime School (1938) | Underscoring (Dramatic) | 0:29:09 - Frankie hides then runs | barbed wire fence | battle call | chromatic parallelism | chromatic scale | diminished 7th chord | dramatic | escape | escaping | gang | hiding | jumping | mickey-mousing | reformatory | running | teenager | tense |
Crime School (1938) | The Warden (The Guards) | 0:29:34 - Warden's guards run to catch Frankie | 64 chord | anguished | barbed wire fence | battle call | capturing | chromatic parallelism | chromatic scale | dragging | dramatic | escape | falling | pc set | police | reformatory | running | sequence | teenager | tense | warden |
Crime School (1938) | Gangster Blues (Explosion) | 0:56:04 - The boiler explodes | 13th chord | action scene | added-note chord | boiler room | collapsing | escaping | exploding | explosion | foreign key modulation | frantic | gang | mechanical | reformatory | running | sequence | teenager | tense | worker | yelling |
Crime School (1938) | Kids running down | 0:56:17 - Kids run down stairs | action scene | chromatic parallelism | down | dramatic | mickey-mousing | polychord | quartal chord | reformatory | running | stairs | teenager |
Crime School (1938) | Running around | 0:56:37 - Boys run out of the building | action scene | chromatic parallelism | gang | linear chromaticism | mickey-mousing | reformatory | running | rushing | teenager | tense | worker |
| They Made Me a Criminal (1939) | Underscoring (Dramatic) | 0:26:48 - Peggy rushes to help Johnnie | 64 chord | dramatic | establish character | heroine | leading lady | mickey-mousing | ranch | running | rushing | underscoring |
They Made Me a Criminal (1939) | The Fugitive (Ending) | 1:30:23 - A train rushes away | detective | foreign key modulation | leading man | mode mixture | optimistic | passionate | plagal cadence | resolution | resolution | running | teenager | train station | triumphant |
They Made Me a Criminal (1939) | Running | 1:30:35 - Johnnie runs to Tommy | leading man | mickey-mousing | optimistic | passionate | resolution | resolution | running | teenager | train station | triumphant |
| Death of a Scoundrel (1956) | Running | 0:24:53 - Man runs after Clementi in the street | chasing | flashback | running |
Death of a Scoundrel (1956) | The Chase (Sequence) | 0:24:57 - Man follows Clementi into an alley | chasing | flashback | running |
| Deep Valley (1947) | Joe | 0:01:29 - A dog | cheerful | dog | establish character | friendly | leading lady | mother | opening | porch | room | running | upbeat | waking |
Deep Valley (1947) | Woods | 0:08:25 - Libby leaves the house | cheerful | dog | establish character | forest | leading lady | playing | running | upbeat |
Deep Valley (1947) | Joe (Running) | 0:19:24 - Libby arrives at the farm | conversing | leading lady | lovers meet | running | rushed | street | upbeat |
Deep Valley (1947) | Running | 0:20:26 - Libby runs to Joe | convict | dog | leading lady | leading man | lovers meet | running | street | tense |
Deep Valley (1947) | Libby (Stormy) | 0:29:58 - Libby pulls away from Jeff's grasp | advance plot | boss | dark | leading lady | leading man | leaving | lightning | room | running | storm | thunder |
Deep Valley (1947) | Joe (Allegretto Grazioso) | 0:39:06 - Libby in the woods | advance plot | dog | forest | happy | leading lady | running | upbeat | walking |
Deep Valley (1947) | Law | 1:07:34 - Lawmen pursue after Barry | action scene | chasing | convict | dramatic | escaping | fanfare | forest | fugitive | leading man | love interest | manhunt | police | running | tense |
Deep Valley (1947) | Running (Extended) | 1:29:26 - Libby runs to the barn | advance plot | barn | convict | father | fugitive | hesitating | leading lady | leading man | love interest | mickey-mousing | running | tense | uneasy | yard |
Deep Valley (1947) | Libby (Running) | 1:36:13 - Libby and Barry run out of the barn | barn | begging | climax | convict | father | frantic | fugitive | leading lady | leading man | love interest | mother | pleading | running | rushing | tense | yard |
Deep Valley (1947) | Libby (Stormy) | 1:36:26 - Cliff looks for Ellie | barn | climax | convict | crying | dark | father | fugitive | hiding | leading lady | leading man | love interest | mother | running | rushing | sneaking | tense | yard |
Deep Valley (1947) | Barry (Drunk) | 1:36:39 - Barry steals a car | arguing | car | climax | convict | dark | fighting | fugitive | leading lady | leading man | love interest | running | rushing | street | tense | yelling |
Deep Valley (1947) | Barry (Running) | 1:37:23 - Libby chases Barry | arguing | car | chasing | climax | convict | crying | dramatic | driving | fleeing | fugitive | leading lady | leading man | love interest | running | street |
Deep Valley (1947) | Molto Expressivo | 1:37:28 - Barry pushes Libby away | arguing | car | chasing | climax | convict | crying | dramatic | driving | falling | fleeing | fugitive | leading lady | leading man | love interest | running | street |
Deep Valley (1947) | Fleeing | 1:38:08 - Barry makes a run for it | chasing | climax | convict | dramatic | fleeing | forest | fugitive | leading lady | leading man | love interest | mickey-mousing | police | running | shooting | transcribed by ear |
Deep Valley (1947) | Barry (Not in Score) | 1:38:32 - The posse chases after Barry | chasing | climax | convict | dramatic | fleeing | forest | fugitive | leading man | love interest | police | running | shooting | tense | transcribed by ear |
Deep Valley (1947) | Law | 1:38:44 - The posse chases after Barry | chasing | climax | convict | dramatic | fleeing | forest | fugitive | injury | leading man | love interest | police | running | tense |
Deep Valley (1947) | Sneaking (Molto Rubato) | 1:40:51 - Libby runs to find Barry | death scene | forest | leading lady | mysterious | resolution | running | tense |
| Dust Be My Destiny (1939) | Dust Be My Destiny (Running Away) | 0:25:55 - Joe and Mabel run | 64 chord | barn | conflict | diminution | dramatic | leading lady | leading man | running | sequence |
Dust Be My Destiny (1939) | Running | 0:26:05 - Joe and Mabel run | 9th chord | barn | conflict | dramatic | leading lady | leading man | mickey-mousing | octatonic | running |
Dust Be My Destiny (1939) | Running away | 0:26:45 - Joe and Mabel run away | barn | conflict | diminished 7th chord | dramatic | leading lady | leading man | mickey-mousing | pedal tone | runaway | running |
Dust Be My Destiny (1939) | Here Comes the Bride (Modulating) | 0:29:02 - Joe and Mabel run to the courthouse | added-note chord | deceptive resolution | excited | familiar tune | foreign key modulation | fragmentation | leading lady | leading man | love scene | marriage | pump-up modulation | romance | romantic | running | sequence | street |
Dust Be My Destiny (1939) | Dust Be My Destiny (Running Up and Down) | 0:30:12 - Man runs up the courthouse steps | 64 chord | chromatic parallelism | chromatic scale | courthouse | down | frantic | leading lady | leading man | love scene | mickey-mousing | mode mixture | producer | running | stairs | street | up |
Dust Be My Destiny (1939) | Fleeing | 0:34:56 - Joe and Mabel flee | alley | chromatic scale | danger | down | escape | fearful | fleeing | leading lady | leading man | linear chromaticism | mickey-mousing | police | runaway | running | street | suspenseful |
Dust Be My Destiny (1939) | Dust Be My Destiny (Running) | 0:39:33 - Mabel runs across the street | conflict | leading lady | leading man | mickey-mousing | runaway | running | somber | street | truck |
Dust Be My Destiny (1939) | Dust Be My Destiny (Reunited) | 0:40:03 - Joe runs to Mabel | 64 chord | altered dominant | foreign key modulation | joyful | leading lady | leading man | mickey-mousing | pump-up modulation | resolution | runaway | running | street |
Dust Be My Destiny (1939) | Underscoring (Dramatic) | 0:46:42 - Mabel yells to Joe | chromatic scale | create suspense | diminished 7th chord | dissonant bass | dramatic | escaping | gun | gunshot | leading lady | leading man | police | room | runaway | running | street | underscoring | yelling |
Dust Be My Destiny (1939) | Joe runs and falls | 0:46:50 - Joe runs and falls | chromatic scale | create suspense | diminished 7th chord | dissonant bass | dramatic | falling | leading lady | leading man | mickey-mousing | police | runaway | running | stinger | street |
Dust Be My Destiny (1939) | Underscoring (Dramatic) | 1:10:32 - Joe runs after the car | augmented triad | chromatic parallelism | chromatic scale | conflict | dramatic | gangster | half-diminished 7th chord | hero | leading man | mickey-mousing | newspaper editor | running | street |
| Each Dawn I Die (1939) | Confusion | 0:05:43 - Frank sits confused in car after crash | accusing | car | car crash | chromatic parallelism | chromatic scale | conflict | confused | crowd | dissonant bass | fire | glass | half-diminished 7th chord | hero | injury | leading man | reporter | running | street | yelling |
| The FBI Story (1959) | Floyd runs 1 | 1:20:41 - Pretty Boy Floyd runs to take cover before shooting | flashback | gangster | gun | mickey-mousing | mobster | running |
The FBI Story (1959) | Floyd runs 2 | 1:20:57 - Floyd runs from the FBI men | flashback | gangster | gun | mickey-mousing | mobster | running |
The FBI Story (1959) | Escape | 1:56:43 - Chip, Mario, and George quickly pack up and rush out | flashback | hurrying | running | rushing |
The FBI Story (1959) | Escape (Descending) | 1:56:53 - The men run away from camp | flashback | hurrying | running | rushing |
The FBI Story (1959) | Running downhill | 1:57:13 - Men run downhill | down | downhill | escaping | flashback | mickey-mousing | running |
The FBI Story (1959) | Running uphill | 1:57:24 - Men run up the hill | escaping | flashback | mickey-mousing | running | up | uphill |
The FBI Story (1959) | The Bureau (Running) | 1:57:49 - Men rush across the bridge | bridge | escaping | flashback | hurrying | running | rushing |
The FBI Story (1959) | Escape (Descending) | 1:58:03 - Mario turns around on the bridge and goes back | bridge | escaping | flashback | hurrying | running | rushing |
| Hell on Frisco Bay (1955) | Boy running | 0:36:50 - Georgie runs down the stairs | advance plot | child | conductor score | down | hurried | mickey-mousing | running | street |
Hell on Frisco Bay (1955) | Steve runs | 0:52:55 - Steve runs | advance plot | conductor score | gangster | investigator | leading man | mickey-mousing | running | street | tense |
Hell on Frisco Bay (1955) | Menace | 0:53:30 - Hammy tries to escape | action scene | conductor score | dramatic | escaping | fleeing | gangster | hurried | investigator | leading man | murderer | running | shooting | street | tense |
Hell on Frisco Bay (1955) | Steve | 1:33:17 - Marcia looks for Steve | action scene | dock | dramatic | leading lady | running | tense |
Hell on Frisco Bay (1955) | Amato runs | 1:34:27 - Amato runs to his boat | action scene | agitated | boat | dock | dramatic | following | gangster | inspector | leading man | running | tense |
Hell on Frisco Bay (1955) | Boat Chase | 1:34:33 - Amato tries to escape in a boat | action scene | agitated | boat | dock | dramatic | following | gangster | inspector | leading man | running | tense |
Hell on Frisco Bay (1955) | Police running | 1:35:32 - The policemen run | action scene | agitated | dock | down | dramatic | mickey-mousing | police | running | tense |
| Her Kind of Man (1946) | The Escape | 1:03:50 - Steve tries to escape | action scene | car | chasing | club | crowd | dramatic | driving | escaping | gambler | husband | jumping | leading man | mickey-mousing | murderer | police | running | sister | street | victim |
Her Kind of Man (1946) | Speeding | 1:16:29 - Candy tries to run away | arriving | capturing | car | chromatic parallelism | chromatic scale | chromatic sequence | climax | criminal | double-cross | dramatic | gambler | henchman | leading man | murder | murderer | omnibus progression | police | reporter | revenge | running | street | tense |
| I Was a Communist for the FBI (1951) | Sneaking | 0:58:02 - Matt and Eve sneak away | chromatic scale | communist | create suspense | hiding | leading lady | leading man | mickey-mousing | pc set | running | sneaking | spy | staircase | stairs | teacher | tense | undercover agent |
I Was a Communist for the FBI (1951) | Running and hiding | 1:03:28 - Matt runs and takes cover | communist | hiding | leading lady | leading man | mickey-mousing | running | shootout | shootout | spy | teacher | tense | train tracks | undercover agent |
I Was a Communist for the FBI (1951) | Undercover Agent (Gunfight) | 1:03:34 - Train tracks | augmented triad | communist | dissonant bass | diving | dramatic | gun | gunshot | hiding | leading lady | leading man | mickey-mousing | minor-major 7th chord | polychord | running | shooting | shootout | shootout | spy | syncopation | teacher | tense | train tracks | tritone oscillation | undercover agent |
I Was a Communist for the FBI (1951) | Running | 1:03:57 - Communist runs | communist | dramatic | leading lady | leading man | mickey-mousing | running | shootout | shootout | spy | teacher | tense | train tracks | undercover agent | whole-tone chord |
| In This Our Life (1942) | Stanley (She Runs) | 0:07:32 - Stanley runs inside | arriving | chromatic parallelism | chromatic sequence | diminution | establish character | hurried | leading lady | mickey-mousing | room | running | sequence | street |
In This Our Life (1942) | Anger | 1:04:56 - Stanley gets angry | angry | arguing | chromatic scale | conflict | leading lady | leaving | minor-major 7th chord | pc set | room | running | tense | uncle | upset | widow | yelling |
In This Our Life (1942) | Stanley B (Agitato) | 1:29:27 - Stanley runs inside | agitated | butler | chromatic sequence | criminal | dissonant bass | half-diminished 7th chord | leading lady | room | running | street | transition |
In This Our Life (1942) | Stanley (Triste) | 1:29:42 - Stanley enters the house | 9th chord | agitated | appoggiatura | circle of fifths | criminal | leading lady | room | running | sigh gesture | somber | tense | transition | uncle |
In This Our Life (1942) | Maestoso | 1:31:51 - Stanley runs off crying | conflict | criminal | crying | departing | dissonant bass | dramatic | leading lady | polychord | room | running | street | uncle | yelling |
In This Our Life (1942) | Stanley B (Very Agitated) | 1:32:15 - Stanley hides from the police | agitated | chromatic scale | conflict | criminal | dissonant bass | fragmentation | hiding | leading lady | mysterious | police | room | running | rushing | street |
In This Our Life (1942) | Underscoring (Dramatic) | 1:32:30 - Stanley dashes through the gate | conflict | criminal | dramatic | hiding | leading lady | police | running | rushing | street | underscoring |
In This Our Life (1942) | Police (Chase) | 1:32:36 - Stanley runs for her car | chromatic scale | conflict | criminal | dissonant bass | driving | fleeing | hiding | leading lady | ostinato | police | running | rushing | street | tense |
| The Informer (1935) | Running and hiding | 0:07:54 - Frankie runs and hides in the shadows | chromatic scale | establish character | familiar tune | folk song | hero | hiding | mickey-mousing | running | soldier | street | tense |
The Informer (1935) | Running (Not in Film) | NIF - not in film | chromatic scale | establish character | hero | mickey-mousing | running | street |
The Informer (1935) | The Escape | 1:19:46 - Gypo escapes and a chase ensues | advance plot | antagonist | chromatic scale | dramatic | escaping | headquarters | hurrying | leading man | mickey-mousing | prison | rebel | room | running | traitor | whole-tone | whole-tone chord |
The Informer (1935) | The Informer (Gypo Hides) | 1:20:38 - Gypo sees British soldiers marching | antagonist | hiding | leading man | marching | running | street | tense | traitor | transition |
The Informer (1935) | Gypo runs away | 1:21:26 - Gypo runs and hides | agitated | antagonist | chromatic parallelism | diminished 7th chord | hiding | leading man | mickey-mousing | running | sequence | street | tense | traitor | transition |
The Informer (1935) | The Informer (Up the Stairs) | 1:21:35 - Gypo goes up the stairs | 64 chord | agitated | antagonist | chromatic sequence | fragmentation | hallway | hiding | leading man | mickey-mousing | running | sequence | stairs | tense | traitor | transition | up |
The Informer (1935) | The Escape (The Fight) | 1:28:25 - Rebels shoot through the door | antagonist | augmented triad | chromatic parallelism | chromatic scale | climax | down | dramatic | escaping | falling | fighting | leading man | linear chromaticism | mickey-mousing | rebel | room | running | tense | traitor | whole-tone |
| Key Largo (1948) | Scrambling | 0:47:31 - Deputy runs for the gun | boss | conflict | dangerous | father | gangster | gun | hostage | hotel | leading lady | leading man | mickey-mousing | moll | running | scrambling | tense | violent |
Key Largo (1948) | Underscoring (Dramatic) | 1:15:32 - Sheriff runs to talk to the Indians | conflict | dock | dramatic | running | sheriff | underscoring |
Key Largo (1948) | Rocco 2 (Setup) | 1:15:43 - Indians run from the sheriff | conflict | death | dock | fleeing | gun | gunshot | menacing | running | setup | sheriff | shooting | tense | violent |
| The Letter (1940) | Runners | 0:05:14 - Workers run through jungle | action scene | chromatic parallelism | dramatic | heroic | jungle | running | sequential modulation | servant | tense |
| Lightning Strikes Twice (1951) | Spider | 1:18:41 - Trev hits a spider | actor | bug effect | fear | hitting | husband | leading lady | leading man | mad scene | room | running | scurrying | spider | suspect | tense |
Lightning Strikes Twice (1951) | Shelly (Escaping) | 1:19:17 - Shelly flees from Trev | actor | dramatic | escaping | fear | fleeing | husband | leading lady | leading man | mad scene | room | running | suspect | unlocking |
Lightning Strikes Twice (1951) | Shelly 2 (Fleeing) | 1:19:32 - Shelly runs to the car | actor | chasing | dramatic | driving | fear | fleeing | husband | leading lady | leading man | mad scene | ranch | running | running effect | suspect |
Lightning Strikes Twice (1951) | Shelly (Fleeing) | 1:19:41 - Trev sees Shelly drive away | actor | dramatic | driving | fear | fleeing | husband | leading lady | leading man | mad scene | ranch | running effect | suspect |
Lightning Strikes Twice (1951) | Underscoring (Dramatic) | 1:26:47 - Trev runs after Liza | actor | anger | chasing | climax | dramatic | friend | husband | leading lady | leading man | murderer | rancher | room | running | underscoring |
Lightning Strikes Twice (1951) | Trev runs | 1:27:01 - Trev runs after Liza | chasing | climax | dramatic | husband | leading man | mickey-mousing | murderer | ranch | rancher | running | tense |
| Mildred Pierce (1945) | Underscoring (Dramatic) | 0:10:21 - Wally reacts to the situation | action scene | breaking | chromatic parallelism | chromatic scale | chromatic wedge | death | dramatic | escaping | friend | half-diminished 7th chord | hurrying | mickey-mousing | murder | room | running | smashing | sneaking | telephone | underscoring | victim | walking | whole-tone chord | worrying |
Mildred Pierce (1945) | Wally runs | 0:11:01 - Wally runs out of the house | action scene | beach | chromatic scale | chromatic wedge | dramatic | friend | gun | gunshot | mickey-mousing | running | shooting | victim |
Mildred Pierce (1945) | Mildred (Frolicking) | 0:51:01 - Mildred runs to the beach | 9th chord | beach | cheerful | falling in love scene | flirting | foreign key modulation | frolicking | heroine | jaunty | leading lady | love interest | running | tritone |
Mildred Pierce (1945) | Frolicking in the Surf | 0:51:05 - Monte and Mildred run to the water | 9th chord | 64 chord | beach | falling in love scene | foreign key modulation | frolicking | heroine | jaunty | leading lady | love interest | mickey-mousing | playful | running | splashing | swimming | water | waves |
Mildred Pierce (1945) | Kay and Veda (Excited) | 1:13:21 - Veda drives away in her new car | added-note chord | advance plot | altered dominant | car | child | deceptive resolution | driving | excited | happy | heroine | kissing | leading lady | love interest | room | running |
Mildred Pierce (1945) | Mildred (Tragic) | 1:46:43 - Mildred runs away | altered dominant | antagonist | arguing | betrayal | chromatic scale | climax | daughter | dramatic | emotional | half-diminished 7th chord | heroine | leading lady | room | running | sequence |
| Out of the Fog (1941) | Stella Runs | 0:11:35 - Stella runs out of the restaurant | boyfriend | criminal | departing | dock | emotional | establish character | evaded cadence | leading lady | leading man | restaurant | running | transcribed by ear | watching |
| The Unfaithful (1947) | Chris 2 | 0:01:40 - Chris runs through the house | establish character | graceful | joyful | leading lady | room | running |
| We Are Not Alone (1939) | Boy runs downstairs | 0:03:07 - Gerald runs down the stairs | 9th chord | altered dominant | antagonist | boy | child | chromatic mediant | down | downstairs | establish character | foreign key modulation | gentle | home | mickey-mousing | mother | pedal tone | playful | running |
We Are Not Alone (1939) | Boy runs back and forth | 0:04:52 - Gerald runs to the door and back | back and forth | boy | child | establish character | father | hero | home | mickey-mousing | playful | running |
We Are Not Alone (1939) | Frolic | 0:33:45 - Leni and Gerald run through the park | advance plot | antagonist | boy | child | chromatic mediant | diminished 7th chord | foreign key modulation | gossiping | heroine | joyful | park | pedal tone | playing | running |
We Are Not Alone (1939) | Celebre Romance (Agitato) | 1:01:40 - News of the war | chaotic | classical music | conflict | crowd | dramatic | familiar tune | riot | Rubinstein | running | street | whole-tone | whole-tone chord |
| White Heat (1949) | Running to window | 1:14:22 - Verna runs to the window | action scene | dramatic | leading lady | mickey-mousing | moll | opening | room | running | stinger | tense | window |
White Heat (1949) | Underscoring (Dramatic) | 1:14:27 - Verna opens the window | action scene | dramatic | leading lady | mickey-mousing | moll | room | running | stinger | tense | underscoring | window |
White Heat (1949) | Big Ed's Death | 1:18:41 - Big Ed runs | dark | death | dramatic | dying | falling | gangster | gun | gunshot | leading lady | leading man | love interest | mickey-mousing | moll | murder | murderer | murder scene | room | running | rushing | shooting | violence |
White Heat (1949) | White Heat (Maestoso) | 1:43:03 - Police enter the factory | action scene | agent | dramatic | factory | guard | police | running | rushing | tense |
White Heat (1949) | Police Raid | 1:43:09 - Gangster acting as lookout | action scene | arriving | factory | fugitive | gangster | leading man | looking | march | murderer | police | running | rushing | tense | undercover agent |
White Heat (1949) | Climbing stairs | 1:47:22 - Gangsters climb up stairs | action scene | agent | ascending | dramatic | factory | fleeing | fugitive | gangster | leading man | mickey-mousing | murderer | police | running | rushing | stairs |
White Heat (1949) | Cody 2 (Brash) | 1:48:12 - Agents run up the stairs | action scene | agent | ascending | brash | dramatic | factory | fugitive | gangster | leading man | murderer | police | raid | running | rushing | shootout | stairs |
White Heat (1949) | Prison Fight + Agents | 1:48:17 - Gangsters run up the stairs | action scene | agent | ascending | combination of themes | dramatic | factory | fleeing | fugitive | gangster | gun | gunshot | leading man | murderer | police | raid | running | rushing | shootout | stairs | tense |
White Heat (1949) | Prison Fight + Agents | 1:48:30 - Agents run up the stairs | action scene | agent | ascending | chasing | dramatic | factory | fugitive | gangster | leading man | murderer | police | raid | running | stairs | tense |
| The Woman in White (1948) | Laura runs | 0:34:56 - Laura runs off | falling in love scene | garden | hurried | leading lady | leading man | mickey-mousing | running | rushing |
The Woman in White (1948) | Laura (Harp Countermelody) | 0:36:14 - Laura runs inside | advance plot | arriving | fiancé | gentle | leading lady | leading man | mansion | running |
The Woman in White (1948) | Appearing | 0:43:56 - The woman in white runs from Fosco | advance plot | garden | leading lady | leading man | magical | mysterious | running |
The Woman in White (1948) | Ann | 0:43:58 - The woman in white runs away | advance plot | garden | leading lady | leading man | mysterious | running |
The Woman in White (1948) | Appearing | 1:10:28 - The woman in white disappears | advance plot | antagonist | criminal | doctor | hiding | husband | leading lady | leading man | magical | mysterious | room | running | superimposed shot | victim |
| Transgression (1931) | Main Title | 0:00:15 - Title of film, starring list, cast list | AABA structure | altered dominant | cast list | gentle | happy | harmonic sequence | leading lady | mode mixture | opening title sequence | plagal cadence | pleasant | running | starring list | title of film | transcribed by ear |
| Gridiron Flash (1934) | Transition 2 | 0:33:47 - Sports montage | athlete | dramatic | football | football game | headline | montage | newspaper | playing | running |
| We're Only Human (1935) | The Informer (Up the Stairs) | 0:27:17 - Pete prepares to advance | 64 chord | action scene | agitated | bank | chromatic sequence | detective | dodging | fragmentation | gangster | gunshot | hiding | leading man | preparing | running | stinger | tense |
We're Only Human (1935) | Lost Patrol 1 | 1:03:12 - A man runs | climax | conflict | detective | dramatic | fleeing | frantic | gunshot | leading lady | leading man | reporter | running | shooting | victim | whole-tone | whole-tone chord | yard |
We're Only Human (1935) | The Wearin' o' the Green (Fighting) | 1:03:42 - Pete prepares to advance | chromatic parallelism | climax | conflict | detective | dramatic | fragmentation | gunshot | leading lady | leading man | reporter | running | sequence | shooting | tense | underscoring | victim | yard |
We're Only Human (1935) | Game 7 | 1:05:48 - Pete runs up the stairs | 9th chord | climax | conflict | detective | dramatic | gangster | leading man | murderer | parallelism | pc set | pedal tone | room | running | rushing | tense | underscoring | whole-tone chord |
| Without Honor (1949) | Dog | 0:01:55 - A dog running | car | dog | driving | establish setting | leading man | light | orchard | playful | running | street |
Without Honor (1949) | Underscoring (Tense) | 0:37:33 - Jane climbs out the window | action scene | escaping | hiding | leading lady | running | tense | underscoring | window | yard |
Without Honor (1949) | Good Humor Truck + Underscoring (Tense) | 0:37:46 - Jane runs to the road | | action scene | combination of themes | escaping | hiding | ice cream truck | leading lady | running | scored source music | source music | street | tense | underscoring |
Without Honor (1949) | Chasing bus | 0:38:22 - Jane runs after the bus | action scene | bus | chasing | dramatic | falling | leading lady | mickey-mousing | running | street |
Without Honor (1949) | Appassionato 2 (Molto Expressivo) | 0:59:06 - Jane cuts her wrist | antagonist | attempted suicide | bathroom | breaking | brother | climax | committing suicide | conversing | cutting | dramatic | entering | grabbing | husband | knocking | leading lady | leading man | razor blade | room | running | suicide | wife | yelling |
Without Honor (1949) | Valse Triste (Agitato) | 1:05:49 - Bill tries to stop Fred | anger | antagonist | brother | car | chasing | complaining | departing | dramatic | driving | harsh | husband | leading man | resolution | running | street | tense | yelling |
| The Most Dangerous Game (1932) | Emotions (Agitato) | 0:37:04 - The iron door | action scene | agitated | castle | descending | door | fear | leading lady | opening | running | rushing | screaming | tense |
The Most Dangerous Game (1932) | Emotions (Running Away) | 0:45:17 - Eve runs away | action scene | agitated | chasing | fleeing | following | jungle | leading lady | leading man | running | tense | victim |
The Most Dangerous Game (1932) | Emotions 2 (Running Away) | 0:45:34 - Eve jumps over a crevice | action scene | agitated | chasing | fleeing | following | jungle | leading lady | leading man | running | tense | victim |
The Most Dangerous Game (1932) | Zaroff (Deliberate) | 0:47:51 - Bob and Eve scramble away | action scene | count | dark | escaping | gun | hiding | hunting | jungle | leading lady | leading man | pursuing | running | scrambling | tense | victim | villain |
The Most Dangerous Game (1932) | The Fog | 0:48:02 - Bob and Eve in the fog | action scene | count | dark | escaping | gun | hunting | jungle | leading lady | leading man | pursuing | running | tense | victim | villain |
The Most Dangerous Game (1932) | The Chase + The Iron Door | 0:49:03 - A big door | barking | chase scene | chasing | combination of themes | dog | door | dramatic | jungle | opening | running | servant | tense |
The Most Dangerous Game (1932) | The Chase (Quasi Mysterioso) | 0:49:16 - Bob and Eve in the fog | barking | castle | chase scene | chasing | dog | dramatic | fog | jungle | leading lady | leading man | preparing | running | servant | tense | victim |
The Most Dangerous Game (1932) | Courage + Russian Waltz + Iron Door | 0:49:23 - Bob and Eve running away | chase scene | combination of themes | dark | dramatic | fog | jungle | leading lady | leading man | ominous | preparing | running | victim |
The Most Dangerous Game (1932) | The Chase (Tremolo) + The Iron Door (Horn Call) | 0:49:40 - The Count blows his hunting horn | chase scene | chasing | combination of themes | count | dog | dramatic | fog | horn | jungle | leading lady | leading man | playing | running | scored source music | score to source | servant | source music | tense | victim | villain |
The Most Dangerous Game (1932) | The Chase + Courage | 0:50:01 - Bob and Eve stumbling through the fog | chase scene | combination of themes | dramatic | fog | jungle | leading lady | leading man | running | stumbling | tense | victim |
The Most Dangerous Game (1932) | Zaroff (Tuttissimo) | 0:50:04 - The dogs appear | chase scene | chasing | dog | dramatic | jungle | running | servant | tense |
The Most Dangerous Game (1932) | Zaroff (Dogs Chasing) | 0:50:11 - The dogs running | chase scene | chasing | dog | dramatic | jungle | running | servant | tense |
The Most Dangerous Game (1932) | The Chase (Tense) + The Iron Door (Horn Call) | 0:50:16 - Bob and Eve in the water | barking | chase scene | chasing | combination of themes | dog | dramatic | fog | jungle | leading lady | leading man | running | scored source music | servant | source music | stumbling | tense | victim |
The Most Dangerous Game (1932) | Zaroff (Chasing) | 0:50:39 - The dogs chase after Bob and Eve | barking | chase scene | chasing | count | dog | dramatic | jungle | running | servant | tense | villain |
The Most Dangerous Game (1932) | Zaroff (Rising) | 0:50:52 - The dogs running | barking | chase scene | chasing | dog | dramatic | jungle | running | servant | tense |
The Most Dangerous Game (1932) | The Chase (Allegro) | 0:51:09 - Count Zaroff running | agitated | chase scene | chasing | count | dark | dog | dramatic | fanfare | fog | jungle | leading lady | leading man | running | servant | stumbling | victim | villain |
The Most Dangerous Game (1932) | Russian Waltz (Chasing) | 0:51:28 - Count Zaroff in pursuit | agitated | chase scene | chasing | count | dark | dog | dramatic | fog | jungle | leading lady | leading man | running | servant | victim | villain |
The Most Dangerous Game (1932) | The Approach (Fear) | 0:51:35 - Bob and Eve stop | agitated | chase scene | crocodile | dark | dramatic | fear | jungle | leading lady | leading man | running | stopping | victim |
The Most Dangerous Game (1932) | The Crocodile + Courage | 0:51:36 - A crocodile | chase scene | combination of themes | crocodile | dark | jungle | leading lady | leading man | running | stumbling | victim |
The Most Dangerous Game (1932) | The Chase + Russian Waltz (Augmented) | 0:52:02 - Dogs running through the swamp | agitated | barking | chase scene | chasing | combination of themes | count | dog | dramatic | jungle | leading lady | leading man | ominous | running | servant | victim | villain |
The Most Dangerous Game (1932) | The Chase (Furioso) | 0:52:13 - Eve runs towards a log | agitated | barking | chase scene | chasing | count | dark | dog | dramatic | falling | jungle | leading lady | leading man | log | mickey-mousing | running | servant | victim | villain |
The Most Dangerous Game (1932) | The Iron Door (Slow) | 0:52:19 - Eve falls on a log | chase scene | chasing | dark | jungle | leading lady | leading man | log | ominous | running | standing | victim |
The Most Dangerous Game (1932) | Emotions (Allegro) | 0:52:24 - Eve and Bob run over the log | agitated | barking | chase scene | chasing | dog | jungle | leading lady | leading man | log | running | tense | victim |
The Most Dangerous Game (1932) | Emotions 2 (Allegro) | 0:52:39 - Eve and Bob climb a tree | agitated | barking | chase scene | chasing | climbing | dog | jungle | leading lady | leading man | running | tense | tree | victim |
The Most Dangerous Game (1932) | Zaroff (Heavy) | 0:52:45 - The dogs bark up the tree | agitated | barking | chase scene | chasing | climbing | count | dark | dog | jungle | leading lady | leading man | running | servant | tense | tree | victim | villain |
The Most Dangerous Game (1932) | The Chase (Accelerando) + The Iron Door | 0:53:02 - The dogs bark up the tree | agitated | barking | chase scene | chasing | combination of themes | count | dark | dog | escaping | hiding | jumping | jungle | leading lady | leading man | lifting | log | mickey-mousing | running | servant | tense | tree | victim | villain | vine |
The Most Dangerous Game (1932) | Zaroff (Allegro con Fuoco) | 0:53:24 - Zaroff looks up at the tree | agitated | barking | chase scene | chasing | count | dark | dog | jungle | running | searching | servant | tense | tree | villain |
The Most Dangerous Game (1932) | The Chase + The Iron Door | 0:53:33 - Bob and Eve run along a clifftop | chase scene | cliff | combination of themes | dramatic | jungle | leading lady | leading man | running | tense | victim |
The Most Dangerous Game (1932) | The Approach (Risoluto) | 0:53:38 - Bob and Eve hide in the trees | barking | chase scene | cliff | climbing | cutting | dog | dramatic | hiding | jumping | jungle | leading lady | leading man | running | tense | victim |
The Most Dangerous Game (1932) | The Chase (Running) + The Iron Door | 0:54:08 - Bob runs through the jungle | chase scene | chasing | close-up | combination of themes | count | dramatic | jungle | leading lady | leading man | point-of-view shot | running | servant | tense | victim | villain |
The Most Dangerous Game (1932) | Zaroff (Running) | 0:54:15 - A close-up on Zaroff | chase scene | chasing | close-up | count | dramatic | jungle | leading lady | leading man | point-of-view shot | running | servant | tense | victim | villain |
The Most Dangerous Game (1932) | The Waterfall | 0:54:20 - Rushing water | chase scene | chasing | dog | falling | flowing | jungle | leading lady | leading man | mickey-mousing | planning | river | running | shirt | splashing | tense | trap | victim | water effect | waterfall |
The Most Dangerous Game (1932) | Dog attacking | 0:55:42 - A dog rushes at Bob | attacking | climax | count | dog | dramatic | fighting | jungle | leading lady | leading man | mickey-mousing | river | running | servant | tense | victim | villain | waterfall |
The Most Dangerous Game (1932) | Emotions (Agitato) | 1:00:32 - Bob is almost hit by a knife | castle | count | death | dodging | dramatic | escaping | gun | knife | leading lady | leading man | preparing | running | servant | tense | victim | villain |
The Most Dangerous Game (1932) | Emotions 2 (Agitato) | 1:00:45 - Bob and Eve escaping | arrow | castle | count | death | dramatic | escaping | gun | leading lady | leading man | rising | running | tense | victim | villain |
The Most Dangerous Game (1932) | Russian Waltz (Meno) + The Iron Door | 1:00:50 - The Count rises | castle | combination of themes | dark | death | escaping | gun | knife | leading lady | leading man | rising | running | servant | victim |
| White Heat (1949) | Danger (Tense) | 1:48:48 - Gangsters run away | action scene | agent | chasing | dramatic | factory | fanfare | fugitive | gangster | leading man | murderer | police | raid | running | rushing | tense |
White Heat (1949) | Agents + Gathering | 1:49:06 - Agents in action | action scene | agent | chasing | combination of themes | dramatic | factory | fugitive | gangster | leading man | murderer | police | raid | running | rushing | tense |
White Heat (1949) | Danger (Risoluto) | 1:49:17 - Agents advance | action scene | agent | chasing | dramatic | factory | fugitive | gangster | leading man | murderer | police | raid | running | rushing | tense |
White Heat (1949) | Underscoring (Dramatic) | 1:49:19 - Gangsters run away | action scene | agent | chasing | dramatic | factory | fugitive | gangster | leading man | murderer | police | raid | running | rushing | tense | underscoring |
White Heat (1949) | Plotting (Extended) | 1:49:34 - Gangsters hide | action scene | agent | factory | frantic | fugitive | gangster | hiding | leading man | murderer | police | raid | running | rushing | tense |
White Heat (1949) | Headache (Explosion) | 1:52:26 - Cody shoots a gas valve | agent | climax | dramatic | exploding | explosion | factory | fire | frantic | fugitive | gangster | gun | gunshot | laughing | leading man | murderer | police | raid | running | rushing | shooting |
| Caged (1950) | Caged (Waiting) | 0:56:52 - Marie waits by the parole office | advance plot | announcing | dissonant bass | fidgeting | guard | leading lady | prison | prisoner | running | shadow | sigh gesture | tense | waiting |
Caged (1950) | Hysteria | 1:00:55 - Marie runs down the hall | alarm | anxiety | chromatic parallelism | chromatic scale | dissonant bass | dramatic | escaping | guard | hysteria | leading lady | mad scene | pc set | polychord | prison | prisoner | running | tense |
| Mara Maru (1952) | Underscoring (Dramatic) | 0:46:32 - A boat on fire | arriving | crowd | death scene | dock | dousing | dramatic | fire | fire effect | hurrying | leading man | police | running | tense | underscoring |
Mara Maru (1952) | Rushing | 1:20:29 - Benedict runs in to check the compass | action scene | antogonist | captain | cross | diver | dramatic | hurrying | leading lady | leading man | love interest | private eye | rain | running | rushing | rushing effect | ship | storm | tense | treasure | wind | worker | yelling |
Mara Maru (1952) | Hurrying | 1:23:36 - People running from the boat | antogonist | chase scene | chasing | cross | escaping | fleeing | frantic | hurrying | leading lady | leading man | love interest | private eye | rain | rock | running | ship | ship wreck | storm | wave | wind | worker |
Mara Maru (1952) | The Escape | 1:23:42 - People running from the boat | antogonist | chase scene | chasing | corpse | cross | dark | death | dramatic | escaping | fleeing | frantic | gun | gunshot | hurrying | leading lady | leading man | love interest | mickey-mousing | murder | murderer | private eye | rain | rock | running | ship | ship wreck | shooting | stinger | storm | wind | worker |
Mara Maru (1952) | The Wind | 1:24:04 - Wind rushing through the trees | chase scene | chasing | cross | dramatic | escaping | fleeing | frantic | gun | hurrying | jungle | leading lady | leading man | love interest | rain | running | storm | wind | wind effect | worker |
Mara Maru (1952) | Benedict (Molto Marcato) | 1:24:17 - Benedict chases Gregory | antagonist | bodyguard | chase scene | chasing | cross | dark | dramatic | escaping | fleeing | frantic | gun | hurrying | jungle | murderer | rain | running | storm | wind |
Mara Maru (1952) | Gregory (Running) | 1:24:20 - Gregory runs from Benedict | chase scene | chasing | cross | dramatic | escaping | fleeing | frantic | gun | heroic | hurrying | jungle | leading lady | leading man | love interest | rain | running | running effect | storm | wind | worker |
Mara Maru (1952) | Benedict (Chasing) | 1:24:24 - Benedict chases Gregory | antagonist | bodyguard | chase scene | chasing | cross | dark | dramatic | escaping | fleeing | frantic | gun | hurrying | jungle | murderer | rain | running | storm | wind |
Mara Maru (1952) | Underscoring (Dramatic) | 1:24:27 - Gregory runs from Benedict | chase scene | chasing | cross | dramatic | escaping | fleeing | frantic | gun | hurrying | jungle | leading lady | leading man | love interest | rain | running | rushing effect | storm | wind | worker |
Mara Maru (1952) | The Wind | 1:24:31 - Gregory runs from Benedict | chase scene | chasing | cross | dramatic | escaping | fleeing | frantic | gun | hurrying | jungle | leading lady | leading man | love interest | rain | running | storm | wind | wind effect | worker |
Mara Maru (1952) | Benedict | 1:24:37 - Benedict chases Gregory | antagonist | bodyguard | chase scene | chasing | cross | dark | dramatic | escaping | fleeing | frantic | gun | gunshot | hurrying | jungle | murderer | rain | running | storm | wind |
Mara Maru (1952) | Pursuing | 1:24:39 - Benedict chases Gregory | antogonist | bodyguard | chase scene | chasing | cross | dark | dramatic | escaping | fear | fleeing | frantic | gun | hurrying | jungle | leading man | mickey-mousing | murderer | rain | running | running effect | rushing effect | storm | tense | wind |
Mara Maru (1952) | Benedict (Shrill) | 1:25:03 - Benedict chases Gregory | antogonist | bodyguard | chase scene | chasing | cross | dark | dramatic | escaping | fleeing | frantic | gun | hurrying | jungle | leading man | murderer | rain | running | shrill | storm | tense | wind |
Mara Maru (1952) | Gregory + Struggling (Dissonant) | 1:25:07 - Gregory runs away | antogonist | bodyguard | chase scene | chasing | cross | dark | dramatic | escaping | fleeing | frantic | gun | hurrying | jungle | leading man | murderer | rain | running | storm | tense | wind |
Mara Maru (1952) | Underscoring (Dramatic) | 1:33:58 - Fortuno shoots at Gregory | action scene | antagonist | bodyguard | catacomb | cave | chasing | climax | cross | dramatic | escaping | gun | gunshot | leading man | murderer | running | shooting | suspsect | tense | tunnel |
Mara Maru (1952) | The Chase | 1:34:03 - Ortega and Gregory run away | action scene | antagonist | bodyguard | catacomb | cave | chasing | climax | cross | dramatic | escaping | gun | gunshot | leading man | mickey-mousing | murderer | running | running effect | shooting | suspsect | tense | tunnel |
Mara Maru (1952) | Benedict (Menacing) | 1:34:30 - Ortega tries to block the door | action scene | antagonist | arguing | blocking | bodyguard | catacomb | cave | climax | cross | defending | dramatic | gun | gunshot | leading man | martyr | menacing | murderer | ominous | protecting | pushing | running | tunnel | victim |
Mara Maru (1952) | Police | 1:34:53 - The police enter | action scene | antagonist | bodyguard | catacomb | cave | chasing | climax | cross | dramatic | gun | gunshot | heroic | leading man | martyr | murderer | police | running | shooting | stairs | tense | tunnel | victim |
Mara Maru (1952) | Descending the stairs | 1:34:55 - Fortuno runs down the stairs | action scene | antagonist | bodyguard | catacomb | cave | chasing | climax | cross | descending | dramatic | gun | gunshot | leading man | martyr | mickey-mousing | murderer | police | running | stairs | tense | tunnel | victim |
Mara Maru (1952) | Ascending the stairs | 1:35:08 - Benedict runs up the stairs | action scene | antagonist | ascending | catacomb | cave | chasing | climax | dramatic | mickey-mousing | murderer | ominous | running | stairs | tense | tunnel |
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