| Are These Our Children? (1931) | Dreams (Whistling) | 0:03:29 - Eddie walks home | cheerful | establish character | gentle | leading man | love scene | on-screen music | score to source | source and scoring overlap | street | transcribed by ear | walking | whistling |
Are These Our Children? (1931) | Dreams (Washroom Sequence) | 0:24:25 - Eddie talks with his friends | advance plot | chromatic parallelism | common-tone diminished 7th | conversing | dance hall | friend | leading man | score to source | somber | source music | transcribed by ear |
| Arsenic and Old Lace (1944) | Here Comes the Bride (Full) | 0:14:00 - Elaine appears in the window | aunt | bride | cheerful | chromatic mediant | common-chord modulation | conversing | crazy person | familiar tune | greeting | groom | leading lady | leading man | love | love scene | on-screen music | pleasant | room | score to source | source music | street | whistling |
Arsenic and Old Lace (1944) | Happy Land | 0:20:06 - Abby sings | advance plot | aunt | cheerful | familiar tune | groom | leading lady | leading man | on-screen music | room | score to source | sequence | singing | source music |
Arsenic and Old Lace (1944) | Happy Land | 1:19:56 - Mortimer with the taxi driver | aunt | brother | calm | conversing | crazy person | doctor | driver | funeral | groom | hymn | leading lady | leading man | murderer | on-screen music | score to source | singing | source music | street |
| His Greatest Gamble (1934) | Morning Glory Waltz (Radio) | 0:57:06 - Philip talks with Alice | 9th chord | advance plot | conversing | daughter | fugitive | gentle | leading lady | leading man | mansion | mode mixture | radio | score to source | sentimental | source music | transcribed by ear | walking |
| City for Conquest (1940) | Sidewalks of New York (Street Organ) | 0:03:10 - A New York street corner (Forsyth St. and Delancey St.) | child | conversing | crowd | dancing | old man | on-screen music | organ grinder | playing | pleasant | score to source | source music | street | street organ | thief | transition | upbeat | walking |
City for Conquest (1940) | Tone Poem A1 | 0:10:50 - Eddie plays the piano | brother | composer | conversing | establish character | leading man | musician | piano | playing | romantic | room | score to source | source music |
| Dust Be My Destiny (1939) | Dust Be My Destiny (Irish Rose) | 0:42:25 - They go to work in the kitchen | diner | establish character | friend | happy | leading lady | leading man | score to source | shopkeeper |
Dust Be My Destiny (1939) | Dust Be My Destiny (Radio) | 0:52:28 - Mabel in an apartment | conflict | leading lady | leading man | popular song | radio | room | score to source | somber | source music |
| Mildred Pierce (1945) | It Can't Be Wrong | 0:51:16 - Monte plays a record for Mildred | conversing | heroine | kissing | leading lady | love interest | love scene | popular music | record | record player | romantic | room | score to source borrowing | source music |
| The Life of Vergie Winters (1934) | Lullaby (Not in Score) | 0:32:18 - Vergie and John look at a baby picture | AABA structure | calm | common-chord modulation | conversing | cuddling | leading lady | leading man | love interest | love scene | lullaby | peaceful | room | score to source | secret love | transcribed by ear |
The Life of Vergie Winters (1934) | Lullaby (Dolce) | 1:08:00 - Vergie talks with John | 9th chord | advance plot | common-chord modulation | conversing | leading lady | leading man | room | score to source | secret lover | tender |
| Rockabye (1932) | Sleep, My Sweet | 0:11:20 - Judy sings with her daughter | advance plot | calm | daughter | humming | leading lady | lullaby | mother | on-screen music | room | score to source | singing | source music |
Rockabye (1932) | Out of the Blue (Piano Improvisation) | 0:35:57 - Judy and Jacobs talk | AABA structure | advance plot | calm | club | conversing | leading lady | love interest | on-screen music | playwright | score to source borrowing | source music |
| We Are Not Alone (1939) | Surprise Symphony (Glissando) | 0:02:20 - David rides his bike home | bicycle | classical music | establish character | familiar tune | fragmentation | glissando | Haydn | hero | playful | quotation | score to source | sequence | source music | street |
We Are Not Alone (1939) | I Do Like to Be Beside the Seaside | 0:17:49 - Exterior of a British dance hall | ABAC structure | conflict | doctor | familiar tune | helping | hero | heroine | score to source | source music | street | tense |
We Are Not Alone (1939) | Frohe Botschaft (At the Piano) | 0:34:49 - Leni plays and sings | boy | cheerful | child | establish character | familiar tune | father | folk song | foreign key modulation | German | hero | heroine | home | on-screen music | piano | playing | score to source | singing | source music | transcribed by ear |
We Are Not Alone (1939) | Surprise Symphony (Whistling) | 1:48:34 - David whistles as he thinks | advance plot | augmentation | classical music | deceptive resolution | familiar tune | gentle | Haydn | hero | on-screen music | pedal tone | prison | quotation | score to source | source music | sweet | whistling |
| State’s Attorney (1932) | Blues (Piano) | 0:18:14 - People talking in a club | advance plot | blue note | club | conversing | gangster | leading lady | leading man | mistress | score to source | source music | upbeat |
| Star of Midnight (1935) | Midnight in Manhattan (Tango) | 0:08:56 - Dancers in a Broadway show | advance plot | countermelody | dancer | dancing | energetic | mode mixture | Neapolitan | on-screen music | pit orchestra | score to source | source music | syncopation | tango | theater |
Star of Midnight (1935) | Midnight in Manhattan (Exotic) | 0:09:14 - Clay and Donna in the audience | advance plot | altered dominant | conversing | countermelody | exotic | exotic | leading lady | leading man | mode mixture | on-screen music | score to source | source music | theater |
Star of Midnight (1935) | Midnight in Manhattan (Warm) | 0:09:35 - Clay in the theater lobby | advance plot | altered dominant | conversing | leading man | mode mixture | Neapolitan | score to source | sentimental | source music | theater |
Star of Midnight (1935) | Midnight in Manhattan (Restaurant) | 0:55:00 - Detective talks on the phone | advance plot | conversing | detective | leading lady | leading man | parallel double period | restaurant | score to source | sentimental | source music |
Star of Midnight (1935) | Midnight in Manhattan (Phonograph) | 1:14:27 - Clay plays a record on the phonograph | advance plot | conversing | detective | leading lady | leading man | parallel double period | phonograph | room | score to source | sentimental | source music |
Star of Midnight (1935) | Midnight in Manhattan (Phonograph) | 1:19:18 - Clay goes to answer the door | advance plot | conversing | detective | leading lady | leading man | phonograph | room | score to source | sentimental | source music |
Star of Midnight (1935) | Midnight in Manhattan (Phonograph) | 1:20:25 - Clay goes to answer the door | advance plot | conversing | detective | leading lady | leading man | phonograph | room | score to source | sentimental | source music |
Star of Midnight (1935) | Midnight in Manhattan (Phonograph) | 1:21:40 - Clay enters the room | advance plot | conversing | detective | leading lady | leading man | murderer | phonograph | room | score to source | sentimental | source music |
| Sing and Like It (1934) | Your Mother | 0:10:15 - Annie sings on stage | ballad | boss | crying | gangster | leading lady | listening | musician | music scene | on-screen music | piano | robbery | score to source | sentimental | singer | singing | source music | stage | stealing |
| Beyond the Forest (1949) | Chicago | 0:43:37 - Rosa sews | advance plot | arriving | familiar tune | leading lady | leading man | on-screen music | popular tune | room | score to source | sewing | singing | source and scoring overlap | source music | upbeat | wife |
Beyond the Forest (1949) | Chicago | 1:27:10 - Rosa sings to herself | delirious | familiar tune | fever | illness scene | leading lady | maid | murderer | on-screen music | popular tune | room | score to source | sickness | singing | source music |
| Out of the Fog (1941) | Russian Barcarolle | 0:55:11 - Sam sings a Russian folk song | advance plot | cheerful | father | fisherman | folk music | friend | on-screen music | room | score to source | singing | source music |
| Her Kind of Man (1946) | Body and Soul | 0:56:43 - Georgia singing in a night club | applauding | club | conductor | crowd | leading lady | musician | music scene | on-screen music | performing | performing | romantic | score to source | singer | singing | source music | watching | wife |
Her Kind of Man (1946) | It Had to Be You | 1:09:05 - Georgia approaches the warehouse | advance plot | criminal | familiar tune | gambler | henchman | leading lady | leading man | murderer | neutral | popular music | score to source | singer | warehouse | whistling | wife |
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