| All This, and Heaven Too (1940) | The Duchess | 0:00:15 - Title of film | cast list | common-tone diminished 7th | enharmonic modulation | foreign key modulation | hopeful | opening title sequence | romantic | sequential modulation | title of film |
All This, and Heaven Too (1940) | Henriette (Appassionato) | 0:44:08 - Raynald plays outside | 64 chord | added-note chord | advance plot | child | common-tone diminished 7th | conversing | courtyard | duke | foreign key modulation | governess | happy | leading lady | leading man | passionate | playing |
All This, and Heaven Too (1940) | Henriette (Very Emotional) | 0:49:01 - The Duke looks at Henriette | advance plot | child | chromatic scale | common-chord modulation | common-tone diminished 7th | conversing | delicate | duke | gentle | governess | leading lady | leading man | looking | romance | romantic | room |
All This, and Heaven Too (1940) | Henriette (Music Box) | 0:54:04 - Henriette puts Louise to bed | advance plot | augmented sixth chord | calm | child | common-tone diminished 7th | conversing | goodnight | governess | happy | leading lady | lullaby | mode mixture | music box | room |
All This, and Heaven Too (1940) | Henriette (Transition) | 1:10:55 - The Duke talks to Henriette | advance plot | calm | common-tone diminished 7th | conversing | duke | enharmonic modulation | governess | leading lady | leading man | room |
All This, and Heaven Too (1940) | Spring Time | 1:25:18 - The Duke talks with his children | 64 chord | advance plot | cheerful | child | chromatic sequence | common-tone diminished 7th | duke | forest | governess | leading lady | leading man | pedal tone | recognizing | relief |
All This, and Heaven Too (1940) | Underscoring (Tender) | 1:26:48 - The Duke talks with the servants | 11th chord | 13th chord | 64 chord | added-note chord | advance plot | arriving | common-tone diminished 7th | conversing | duke | gentle | governess | leading lady | leading man | light | pentatonic | room | servant |
All This, and Heaven Too (1940) | Henriette (Appassionato 2) | 1:46:00 - Henriette descends the staircase | 9th chord | 11th chord | added-note chord | anxious | chromatic sequence | common-tone diminished 7th | descending | excited | foreign key modulation | hurrying | leading lady | not mickey-moused | room | stairs | transition | walking |
All This, and Heaven Too (1940) | Henriette (Gossiping) + Spring Time (Gossiping) | 1:47:25 - Henriette's landlady talks to the Duke | awkward | child | combination of themes | common-tone diminished 7th | diminished 7th chord | duke | gossiper | gossiping | landlady | leading lady | leading man | mysterious | parallelism | pedal tone | reunion scene | room | somber | tense | watching |
| The Amazing Dr. Clitterhouse (1938) | Clitterhouse Onestep | 0:33:20 - Gangsters walk through music studio | added-note chord | common-tone diminished 7th | dancer | dancing | gangster | jaunty | on-screen music | parallel double period | pianist | playing | singing | studio | transition | walking | warming up |
The Amazing Dr. Clitterhouse (1938) | The Printing Press + Cauldron 1 | 1:21:08 - Newspaper presses rolling | combination of themes | common-tone diminished 7th | headlines | layering | montage | newspaper | obsessive | ostinato | printing press | step modulation |
The Amazing Dr. Clitterhouse (1938) | The Printing Press + Cauldron 1 (Not in Film) + The Amazing Doctor (Not in Film) | NIF - not in film | combination of themes | common-tone diminished 7th | cut from film | layering | ostinato | step modulation |
| Angels With Dirty Faces (1938) | The Gangster (Maestoso) | 0:08:07 - Discharge papers from the penitentiary | common-chord modulation | common-tone diminished 7th | ledger | main title | marching | mickey-mousing | montage | prison | prisoner | serious | solemn | transition | writing |
Angels With Dirty Faces (1938) | Foxtrot | 1:02:20 - Rocky and Laury look out the window | added-note chord | altered dominant | common-tone diminished 7th | dreaming | foxtrot | gangster | hoping | leading lady | leading man | looking | love scene | mode mixture | romantic | room |
| Are These Our Children? (1931) | Dreams B | 0:01:33 - Two young people in love | common-chord modulation | common-tone diminished 7th | conductor score | conversing | establish character | gentle | leading lady | leading man | lovers | love scene | snuggling | street |
Are These Our Children? (1931) | Dreams (Washroom Sequence) | 0:24:25 - Eddie talks with his friends | advance plot | chromatic parallelism | common-tone diminished 7th | conversing | dance hall | friend | leading man | score to source | somber | source music | transcribed by ear |
Are These Our Children? (1931) | Moonbeams | 0:25:39 - Eddie dances with Flo | added-note chord | altered dominant | common-tone diminished 7th | dance hall | dance scene | dancing | leading man | love interest | mode mixture | on-screen music | parallel double period | romantic | source music | waltz |
Are These Our Children? (1931) | Dreams (Transition 8) | NIF - not in film | added-note chord | altered dominant | augmented triad | chromatic mediant | common-tone diminished 7th | cut from film | foreign key modulation | pedal tone | tense | turbulent |
Are These Our Children? (1931) | Makes You Forget Your Troubles | 0:50:55 - Young people dancing | AABA structure | arguing | augmented sixth chord | cheerful | common-tone diminished 7th | dance hall | dance scene | dancing | friend | leading man | love interest | murderer | on-screen music | source music |
Are These Our Children? (1931) | Dreams (Transition 13) + Makes You Forget Your Troubles (Transition 13) | NIF - not in film | 9th chord | added-note chord | chromatic sequence | common-tone diminished 7th | cut from film | dramatic | plagal cadence | somber |
Are These Our Children? (1931) | Incidental Music | NIF - not in film | ABAC structure | added-note chord | altered dominant | common-tone diminished 7th | cut from film | upbeat |
Are These Our Children? (1931) | Dance Tune | NIF - not in film | augmented triad | bluesy | common-tone diminished 7th | cut from film | mode mixture |
| Arsenic and Old Lace (1944) | Here Comes the Bride (Comical) | 0:05:05 - Goofy man turns around | 9th chord | comical | common-tone diminished 7th | establish character | familiar tune | leading lady | leading man | marriage | office | smiling | winking |
Arsenic and Old Lace (1944) | Sidewalks of New York (Quasi Barcarolle) | 0:05:13 - The Brewster home | 64 chord | calm | card | cemetery | chromatic mediant | common-tone diminished 7th | enharmonic modulation | establish setting | familiar tune | gravestone | ominous | stinger | street | wind | wind effect |
| The Big Sleep (1946) | Marlowe (Action) | 0:57:01 - Marlowe runs to his car | 64 chord | assassin | augmented sixth chord | chase scene | chasing | common-tone diminished 7th | dramatic | fragmentation | heroic | leading man | murderer | private eye | running | sequential modulation | street | tense |
| The Breaking Point (1950) | Fishermen | 0:07:40 - Ship leaving the harbor | boat | boat | boating | calm | common-tone diminished 7th | departing | fisherman | fishing | floozy | leading lady | leading man | montage | not by Steiner | sailor | tense | transcribed by ear | upbeat |
| Caged (1950) | June (Triste) | 0:38:14 - June and Marie talk | common-tone diminished 7th | conversing | cut from film | establish character | friend | leading lady | melancholy | prison | prisoner | somber |
Caged (1950) | June (Dead) | 0:43:38 - Shot of June's hanging body | common-tone diminished 7th | dark | death | death scene | friend | hanging | harsh | leading lady | prison | prisoner | suicide |
| His Greatest Gamble (1934) | Russian Waltz | 0:30:05 - Philip arrives at Florence's home | 9th chord | arriving | calm | chromatic sequence | common-tone diminished 7th | establish setting | fugitive | leading man | mansion | mode mixture | on-screen music | piano | playing | pleasant | source music | waltz | wandering |
| City for Conquest (1940) | Shadow Waltz (Ethereal) | 0:24:48 - Peggy peeks out of her door | added-note chord | advance plot | arriving | chromatic parallelism | chromatic wedge | common-tone diminished 7th | entering | gentle | leading lady | mysterious | parallelism | room | sneaking | source to score |
City for Conquest (1940) | I'm Just Wild About Harry (Delicato) | 0:25:06 - Peggy calls Murray | 11th chord | added-note chord | advance plot | altered dominant | calling | common-tone diminished 7th | conversing | leading lady | mode mixture | pleasant | room | source to score | telephone | upbeat |
City for Conquest (1940) | Original Foxtrot | 0:29:57 - Peggy dances with Murray | applause | common-tone diminished 7th | crowd | dance hall | dancer | dancing | double exposure | foxtrot | leading lady | montage | source music | upbeat |
City for Conquest (1940) | Tone Poem A (Expressivo) | 0:31:00 - Peggy apologizes to Danny | 9th chord | added-note chord | appoggiatura | chromatic mediant | common-tone diminished 7th | conversing | foreign key modulation | kiss | kissing | leading lady | leading man | love scene | parallelism | romantic | room |
City for Conquest (1940) | Tone Poem A (Dolcissimo) | 0:34:02 - Danny talks with Peggy | 9th chord | added-note chord | boat | common-tone diminished 7th | conversing | gentle | kissing | leading lady | leading man | love scene | romantic |
City for Conquest (1940) | Tone Poem A (Stride Piano) | 0:43:27 - Eddie plays the piano | 9th chord | 11th chord | 13th chord | added-note chord | advance plot | augmented sixth chord | boxer | brother | chord substitution | common-tone diminished 7th | composer | conversing | crowd | foreign key modulation | leading man | mode mixture | musician | on-screen music | parallelism | party | piano | playing | ragtime | source music | syncopation | upbeat |
City for Conquest (1940) | Tone Poem D (Dolce) | 1:28:33 - Gladys talks to Peggy | 9th chord | 11th chord | advance plot | blue note | chromatic sequence | comforting | common-tone diminished 7th | conversing | crying | friend | gentle | leading lady | mode mixture | newspaper | parallel fifths | room | sweet |
City for Conquest (1940) | Tone Poem Transition 1 | 1:33:15 - The conductor | 9th chord | added-note chord | audience | Carnegie Hall | common-tone diminished 7th | concert | concert hall | concert scene | conducting | conductor | dissonant bass | Dutch angle | excited | fragmentation | listening | musician | on-screen music | orchestra | playing | source music | watching |
| Crime School (1938) | Sue (Grazioso Mysterioso) | 1:13:38 - Frankie confronts Sue and Mark | cheerful | common-tone diminished 7th | conflict | conversing | deceptive resolution | dining | gun | happy | hero | heroine | leading lady | leading man | room | stick up | stinger | teenager | tone cluster | whole-tone chord |
| They Made Me a Criminal (1939) | The Ladder | 0:30:11 - Tommy sitting on a ladder | cheerful | chromatic scale | common-tone diminished 7th | conflict | diminished 7th chord | dissonant bass | fun | ladder | pedal tone | ranch | teenager | working |
| Dust Be My Destiny (1939) | Dust Be My Destiny (Opening A2) | 0:01:04 - Cast list | 9th chord | common-tone diminished 7th | dust | main title | mickey-mousing | opening title sequence | romantic |
Dust Be My Destiny (1939) | Dust Be My Destiny (Playful) | 0:13:38 - Mabel talks to Joe | barn | comical | common-tone diminished 7th | cow | laughing | leading lady | leading man | lovers meet | playful | prisoner | romantic |
Dust Be My Destiny (1939) | Dust Be My Destiny (In Love) | 0:22:04 - Mabel and Joe talk | 9th chord | added-note chord | barn | common-tone diminished 7th | leading lady | leading man | love scene | mode mixture | romantic | secondary dominant |
Dust Be My Destiny (1939) | Dust Be My Destiny (Expressivo) | 0:23:38 - Joe and Mabel talk | 9th chord | added-note chord | augmented sixth chord | barn | common-tone diminished 7th | leading lady | leading man | love scene | mode mixture | romantic | secondary dominant | sequence |
Dust Be My Destiny (1939) | Dust Be My Destiny (Ethereal) | 0:24:50 - Joe tells Mabel he loves her | barn | common-tone diminished 7th | deceptive resolution | inversion | kissing | leading lady | leading man | love scene | romantic |
Dust Be My Destiny (1939) | Dust Be My Destiny (In Love) | 0:27:22 - Joe and Mabel talk | 9th chord | added-note chord | advance plot | common-tone diminished 7th | freedom | gentle | leading lady | leading man | mode mixture | runaway | secondary dominant | street | walking |
Dust Be My Destiny (1939) | Dust Be My Destiny (Waiting) | 0:29:38 - Joe and Mabel talk about getting married | added-note chord | augmented sixth chord | chromatic mediant | common-tone diminished 7th | foreign key modulation | leading lady | leading man | love scene | romantic | street | waiting |
Dust Be My Destiny (1939) | Dust Be My Destiny (Fear and Devotion) | 0:35:50 - Joe and Mabel decide to stick together | alley | common-tone diminished 7th | devotion | dramatic | escape | fear | fragmentation | leading lady | leading man | love | mode mixture | obsessive | runaway | street |
Dust Be My Destiny (1939) | Dust Be My Destiny | 0:38:38 - Joe and Mabel part | common-tone diminished 7th | conflict | leading lady | leading man | leaving | runaway | somber | street |
Dust Be My Destiny (1939) | Dust Be My Destiny (Parting Ways) | 0:38:56 - Joe and Mabel part | altered dominant | common-tone diminished 7th | conflict | dark | leading lady | leading man | leaving | mode mixture | pedal tone | runaway | somber | street |
Dust Be My Destiny (1939) | Dust Be My Destiny (Delicatessen) | 0:43:38 - Mabel and Nick talk | common-tone diminished 7th | develop character | diner | friend | gentle | leading lady | leading man | secondary dominant | shopkeeper |
Dust Be My Destiny (1939) | Dust Be My Destiny (Delicatessen) | 0:44:01 - Mabel and Nick talk | common-tone diminished 7th | develop character | diner | friend | gentle | leading lady | leading man | secondary dominant | shopkeeper |
Dust Be My Destiny (1939) | Dust Be My Destiny (Not In Film) | NIF - not in film | 9th chord | common-tone diminished 7th | conflict | cut from film | sequence |
Dust Be My Destiny (1939) | Dust Be My Destiny (Religioso) | 1:22:41 - Mabel testifies for Joe | 11th chord | chromatic parallelism | common-tone diminished 7th | courtroom | crowd | diminished 7th chord | gentle | judge | jury | leading lady | leading man | loving | mode mixture | parallel double period | plagal cadence | sincere | suspect | tender | trial |
Dust Be My Destiny (1939) | Dust Be My Destiny (End Credits) | 1:26:54 - End credits | altered dominant | closing credits | common-tone diminished 7th | end title sequence | upbeat |
| Each Dawn I Die (1939) | Each Dawn B (Montage) | 1:03:40 - Newspaper headlines are shown | artwork in score | common-tone diminished 7th | dissonant bass | mickey-mousing | montage | montage | newspaper | panning shot | tragic |
Each Dawn I Die (1939) | Frank (Parole Denied) | 1:07:58 - Frank's parole is denied | 9th chord | common-tone diminished 7th | dark | despair | foreign key modulation | half-diminished 7th chord | hopeful | leading man | letter | prison | prisoner | reading | sigh gesture | solemn | turning point |
| Flamingo Road (1949) | Boldon City | 0:01:13 - Boldon City sign | busy | common-tone diminished 7th | dominant pedal | establish setting | light | pentatonic | street | townsfolk | voice-over | working |
Flamingo Road (1949) | If I Could Be With You (Lightly) | NIF - not in film | altered dominant | common-tone diminished 7th | cut from film | cut from film | flirting | leading lady | leading man | lovers meet | pedal tone | police | room |
Flamingo Road (1949) | Traveling | NIF - not in film | added-note chord | chromatic mediant | common-tone diminished 7th | cut from film | cut from film | deceptive resolution | leading lady | leading man | lovers meet | pedal tone | police | room |
Flamingo Road (1949) | If I Could Be With You (Ethereal) | 0:18:06 - Lane watches Field drive away | common-tone diminished 7th | falling in love scene | leading lady | leading man | leaving | love interest | pedal tone | police | porch | sentimental | source to score |
Flamingo Road (1949) | If I Could Be With You (Tenderly) | 0:29:32 - Lane and Field prepare to leave | 11th chord | 13th chord | altered dominant | common-tone diminished 7th | kissing | lake | leading lady | leading man | love interest | love scene | romance | romantic | secondary dominant | source to score |
Flamingo Road (1949) | If I Could Be With You (Somber) | 0:40:31 - Field talks to Lane's co-worker | 9th chord | 11th chord | advance plot | café | common-tone diminished 7th | conversing | coworker | deceptive resolution | diminished 7th chord | leading man | linear chromaticism | politician | reverse picardy | sigh gesture | somber |
| Her Kind of Man (1946) | It Had to Be You (Tempo di Foxtrot) | 1:11:50 - Steve talks to Candy | advance plot | common-tone diminished 7th | conversing | criminal | familiar tune | gambler | henchman | leading man | murderer | popular music | remembered source music | reminiscing | upbeat | warehouse |
| In This Our Life (1942) | Asa (Triste) | 0:21:45 - Asa arrives home | 64 chord | arriving | common-tone diminished 7th | conflict | father | leading lady | room | solemn | somber | tense |
In This Our Life (1942) | Minerva and Parry | 1:13:29 - Minerva talks with Roy | 9th chord | 11th chord | advance plot | blue note | calm | chromatic mediant | common-tone diminished 7th | conversing | foreign key modulation | leading lady | maid | mellow | mother | questioning | room | sentimental | solemn | spiritual |
In This Our Life (1942) | Minerva and Parry | 1:21:28 - Parry in his jail cell | 9th chord | 11th chord | blue note | chromatic mediant | common-tone diminished 7th | conflict | conversing | criminal | foreign key modulation | lawyer | leading lady | leading man | lying | prison | prisoner | somber | suspect | tender | testifying | victim |
| The Informer (1935) | Dan and Mary (Dolce) | 0:57:51 - Dan tells Mary: "I'll come back for you" | 11th chord | common-tone diminished 7th | crying | dissonant bass | embracing | hero | love interest | love scene | love theme | mode mixture | romantic | room |
| The Letter (1940) | Foxtrot No. 3 | 1:23:25 - Robert talks to friends at the party | 9th chord | added-note chord | common-tone diminished 7th | contrasting period | conversing | dance music | drinking | foxtrot | friend | happy | husband | leading lady | party | party | source music |
| Lightning Strikes Twice (1951) | Lightning 3 | 0:01:02 - Title card, cast list and prison | cast list | common-tone diminished 7th | conversing | dark | guard | opening title sequence | priest | prison | somber | warden |
| Mildred Pierce (1945) | Mazurka in B-Flat Major (Tense) | 0:38:47 - Veda plays a Chopin Mazurka | arguing | child | classical music | common-tone diminished 7th | conflict | familiar tune | half-diminished 7th chord | heroine | leading lady | on-screen music | playing | quotation | room | scored source music | source music | tense | upbeat | waltz |
Mildred Pierce (1945) | Work (Molto Grazioso) | 0:48:16 - Mildred works at her restaurant | cheerful | common-tone diminished 7th | friend | heroine | ladder | leading lady | legs | pedal tone | restaurant | self-borrowing | transition | working |
Mildred Pierce (1945) | First Kiss | 0:49:40 - Monte steals a kiss from Mildred | cheerful | common-tone diminished 7th | falling in love scene | friend | heroine | kissing | leading lady | restaurant | romance |
Mildred Pierce (1945) | French One-Step | 1:08:14 - Veda at a polo match | added-note chord | antagonist | cheering | common-tone diminished 7th | daughter | field | heroine | leading lady | love interest | montage | playing | polo | secondary dominant | sports | upbeat | voice-over | watching |
Mildred Pierce (1945) | Mildred (Revenge) | 1:43:57 - Mildred drives to the beach house | car | chromatic scale | common-tone diminished 7th | dark | dissonant bass | dramatic | driving | flashback ends | gun | heroine | leading lady | pc set | street | transition |
| The Life of Vergie Winters (1934) | Everybody's Doing It Now | 0:03:48 - Horses and buggies in a small town street | altered dominant | buggy | common-tone diminished 7th | deceptive resolution | driving | establish setting | establish time | horse | playful | popular song | riding | street |
The Life of Vergie Winters (1934) | Lullaby (Agitated) | 1:01:27 - John and Laura argue about Joan | agitated | arguing | common-tone diminished 7th | conflict | diminished 7th chord | direct modulation | fragmentation | harmonic sequence | leading man | octatonic scale | room | tense | transcribed by ear | wife |
| Rockabye (1932) | Sleep, My Sweet (The End) | 1:07:07 - The end | calm | common-tone diminished 7th | end title sequence | lullaby | mode mixture |
| Kid Galahad (1937) | Kid Galahad | 0:00:09 - Title of the film | 9th chord | appoggiatura | cast list | common-tone diminished 7th | fanfare | jaunty | march-like | opening title sequence | parallel period |
Kid Galahad (1937) | Kid Galahad (End Title) | 1:41:09 - End cast | 9th chord | added-note chord | common-tone diminished 7th | end title sequence | fanfare | jaunty | march-like | mode mixture | plagal cadence |
| We Are Not Alone (1939) | Surprise Symphony (Innocent) | 0:06:36 - Gerald runs inside | 9th chord | boy | child | classical music | comforting | common-tone diminished 7th | establish character | familiar tune | father | foreign key modulation | fragmentation | Haydn | hero | home | innocent | mode mixture | nagging | parallel fifths | playful | quotation | step modulation | tritone | Wagner |
We Are Not Alone (1939) | Surprise Symphony (Humbly) | 0:13:10 - David treats Leni's leg | classical music | common-tone diminished 7th | doctor | establish character | familiar tune | fragmentation | gentle | Haydn | hero | heroine | hymn-like | quotation | room | sweet |
We Are Not Alone (1939) | I Do Like to Be Beside the Seaside (Subconscious) | 0:31:36 - Jessica says goodnight to David | added-note chord | advance plot | common-tone diminished 7th | conversing | goodnight | happy | hero | home | wife |
| Hold ‘Em Jail (1932) | The Prisoner's Song | 0:00:15 - Title of film, starring list, cast list | altered dominant | cast list | cheerful | common-tone diminished 7th | establish place | opening title sequence | starring list | title of film | transcribed by ear | upbeat |
Hold ‘Em Jail (1932) | Bide-More Alma Mater | 0:00:46 - Cast list and prison sign | cast list | cheerful | common-chord modulation | common-tone diminished 7th | countermelody | establish place | opening title sequence | transcribed by ear | upbeat |
| Is My Face Red? (1932) | Close to Me | 0:13:53 - William and Peggy talk in a dressing room | advance plot | altered dominant | augmented sixth chord | Broadway | common-tone diminished 7th | conversing | dancer | Gypsy major scale | leading man | popular music | romantic | room | source music | transcribed by ear |
Is My Face Red? (1932) | Strolling the Deck | 0:16:29 - Camera moves from one window to another | advance plot | boat | cheerful | common-tone diminished 7th | eavesdropping | leading man | mode mixture | searching | transcribed by ear |
Is My Face Red? (1932) | Sailing | 0:19:56 - Boat moves through the water | boat | common-tone diminished 7th | crowd | excited | mode mixture | pedal tone | sailing | transcribed by ear | transition |
| Ladies of the Jury (1932) | Lady | 0:00:15 - Title of film, starring list, cast list | ABA structure | cast list | common-tone diminished 7th | mode mixture | opening title sequence | sentimental | starring list | title of film | transcribed by ear |
| The Roadhouse Murder (1932) | Lady | 1:12:12 - End titles | common-tone diminished 7th | end title sequence | mode mixture | self-borrowing | sentimental | The End |
| Thirteen Women (1932) | Serenade | 0:28:11 - Jo plays the piano | advance plot | calm | common-tone diminished 7th | conversing | friend | gentle | on-screen music | piano | playing | room | secondary dominant | self-borrowing | sentence form | source music | transcribed by ear |
| Headline Shooter (1933) | You Bunch of Fun | 0:00:44 - Cast list over racing vehicles | ABAA structure | added-note chord | cheerful | common-tone diminished 7th | opening title sequence | reused recording | split screen | transcribed by ear | video cast list |
| Dangerous Corner (1934) | Finishing School | 0:00:17 - Title of the film | altered dominant | cast list | common-tone diminished 7th | mode mixture | opening title sequence | parallel double period | pedal tone | romantic | transcribed by ear |
Dangerous Corner (1934) | Finishing School B | 0:01:05 - Video snapshots of the actors | 64 chord | common-tone diminished 7th | common-tone modulation | opening title sequence | pedal tone | phrase extension | pleasant | transcribed by ear | upbeat | video cast list |
Dangerous Corner (1934) | Fall of the Star | 0:17:05 - Newspaper headline about a suicide | common-tone diminished 7th | dramatic | headline | montage | montage | newspaper | pedal tone | somber | transcribed by ear |
| Sing and Like It (1934) | King Kong March | 0:58:31 - Annie's name in lights | 9th chord | 11th chord | 13th chord | added-note chord | advance plot | arriving | binary form | boss | common-tone diminished 7th | critic | crowd | dressing room | fanfare | fanfare | gangster | leading lady | lobby | mode mixture | neon lights | parallelism | self-borrowing | singer | street | theater | worker |
Sing and Like It (1934) | Makes You Forget Your Troubles | 1:08:27 - A man pours champagne | AABA structure | announcing | boss | celebrating | common-tone diminished 7th | conversing | crowd | drinking | gangster | leading lady | moll | party | party | room | singer | source music | upbeat |
| Hat, Coat, and Glove (1934) | Transient Love | 0:00:12 - Title of film; starring list; cast list | AABA structure | added-note chord | altered dominant | cast list | chromatic mediant | common-tone diminished 7th | opening title sequence | pedal tone | pleasant | starring list | title of film | transcribed by ear |
Hat, Coat, and Glove (1934) | Wonderful | 0:39:29 - Robert tells Dorothea goodbye | 11th chord | ABAC structure | added-note chord | advance plot | calm | club | common-tone diminished 7th | conversing | lawyer | leading lady | leading man | meeting | self-borrowing | source music | transcribed by ear |
| Don’t Turn ‘em Loose (1936) | Makes You Forget Your Troubles | 0:39:42 - Grace turns on the radio | AABA structure | arriving | cheerful | common-tone diminished 7th | confronting | conversing | gangster | gun | leading man | moll | murderer | murder scene | popular music | room | source music | staring | threatening |
Don’t Turn ‘em Loose (1936) | Makes You Forget Your Troubles | 0:40:17 - Grace is shot | AABA structure | cheerful | common-tone diminished 7th | gangster | gun | leading man | mirror shot | moll | murder | murderer | murder scene | planning | popular music | room | source music | staring | victim |
| Girl of the Rio (1932) | Paso Doble | 0:00:00 - Title of the film | 9th chord | cast list | common-tone diminished 7th | opening title sequence | Spanish | starring list | title of film | upbeat |
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