| The Amazing Dr. Clitterhouse (1938) | Eine kleine Nachtmusik | 0:35:00 - Phonograph plays Mozart record | advance plot | doctor | gangster | leading man | Mozart | neutral | plotting | record player | room | source music | thief |
The Amazing Dr. Clitterhouse (1938) | Eine kleine Nachtmusik | 0:41:57 - Phonograph plays Mozart record | advance plot | doctor | gangster | leading man | moll | Mozart | neutral | plotting | record player | room | source music | thief |
| City for Conquest (1940) | Adios Muchachos | 0:50:27 - Peggy arrives home | advance plot | arriving | cheerful | conversing | dancer | leading lady | parallel double period | record player | room | source music | tango |
City for Conquest (1940) | Adios Muchachos | 0:51:19 - Peggy talks with Murray | advance plot | arriving | cheerful | conversing | dancer | leading lady | parallel double period | record player | room | source music | tango |
| The FBI Story (1959) | Jingle Bells | 1:03:00 - Chip works on the Christmas tree | Christmas | familiar tune | flashback | record | record player | source music | tree |
The FBI Story (1959) | Too Marvelous For Words | 1:44:51 - Music playing at a backyard barbecue | familiar tune | flashback | record player | source music |
The FBI Story (1959) | The Marines' Hymn | 1:46:14 - Music playing at a backyard barbecue | familiar tune | flashback | patriotic tune | record player | source music |
| Her Kind of Man (1946) | Speak to Me of Love | 0:28:06 - City skyline at night | balcony | conversing | leading lady | leading man | love interest | love scene | on-screen music | record player | reporter | romantic | singing | source music |
| I Was a Communist for the FBI (1951) | (I'm Gonna Wait) A Little Bit Longer (For That Never-on-Time Baby of Mine) | 0:39:06 - Matt goes to a record shop | advance plot | agent | arguing | arriving | conversing | jazz | leading man | record player | record shop | shopkeeper | source music | undercover agent | upbeat | walking |
I Was a Communist for the FBI (1951) | Don'cha Go 'Way Mad | 0:42:08 - Matt talks to agents in a back room | advance plot | agent | conversing | jazz | planning | record player | record shop | sentimental | source music |
| In This Our Life (1942) | South American Way | 0:24:06 - A spinning record | AABA structure | advance plot | conversing | dancing | Latin-American | leading lady | leading man | love interest | popular music | record player | room | source music | upbeat |
In This Our Life (1942) | Blues in the Night | 0:42:47 - Stanley puts a record on the phonograph | arguing | blue note | blues | conflict | leading lady | leading man | record player | room | source music | upbeat |
In This Our Life (1942) | Blues in the Night | 0:54:51 - Stanley dresses | advance plot | blues | dressing | leading lady | record player | room | source music | upbeat | widow |
In This Our Life (1942) | How Do I Know It's Sunday | 0:57:12 - Stanley starts a record playing | AABA structure | advance plot | conversing | crying | dancing | father | flirting | leading lady | leading man | popular music | record player | room | sister | source music | upbeat | widow |
In This Our Life (1942) | You're a Lucky Guy | 1:16:20 - Stanley dances | AABA structure | advance plot | arriving | conversing | criminal | dancing | drinking | leading lady | popular music | record player | room | source music | upbeat |
In This Our Life (1942) | Autumn Nocturne | 1:17:45 - Stanley puts on a record | AABA structure | accusing | arguing | conflict | criminal | defending | leading lady | lying | popular music | record player | room | sentimental | source music |
| Mildred Pierce (1945) | It Can't Be Wrong | 0:51:16 - Monte plays a record for Mildred | AABA structure | conversing | heroine | kissing | leading lady | love interest | love scene | popular music | record | record player | romantic | room | score to source borrowing | source music |
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