| All This, and Heaven Too (1940) | Arriving | 0:13:14 - Henriette gets out of the carriage | arriving | carriage | driver | gentle | leading lady | pleasant | street | transition |
All This, and Heaven Too (1940) | Arriving 2 | 0:13:24 - Henriette walks to the front door | arriving | caretaker | gentle | leading lady | pleasant | street | transition |
All This, and Heaven Too (1940) | The Duke (Maestoso) | 0:14:03 - Henriette enters the palace | arriving | butler | calm | establish place | establish setting | gentle | leading lady | noble | palace | walking |
All This, and Heaven Too (1940) | The Duke (Quasi Mysterioso) | 0:14:49 - Henriette hears the Duke and Duchess arguing | arriving | butler | duchess | duke | establish setting | interrupting | leading lady | leading man | mysterious | room | tense |
All This, and Heaven Too (1940) | Armide | 0:49:21 - The opera house | arriving | audience | child | concert scene | conversing | duke | governess | leading lady | leading man | opera | regal | source music | theater | upbeat | watching |
All This, and Heaven Too (1940) | La Parisienne (The King) | 0:50:33 - The king enters | arriving | audience | bowing | child | concert scene | duke | governess | king | leading lady | leading man | not by Steiner | patriotic music | regal | source music | theater | watching |
All This, and Heaven Too (1940) | La Parisienne (The King) | 1:06:08 - The children watch from the balcony | advance plot | arriving | ballroom | child | crowd | governess | king | leading lady | march | patriotic tune | regal | simulated source music |
All This, and Heaven Too (1940) | Underscoring (Dramatic) | 1:13:19 - Henriette watches the falling snow | advance plot | arriving | butler | dramatic | duchess | duke | leading lady | leading man | outside | panning shot | point-of-view shot | room | underscoring | watching |
All This, and Heaven Too (1940) | The Duke (Dignified) | 1:23:09 - A carriage arrives at the chateau | arriving | child | dignified | driver | governess | leading lady | noble | on-screen text | palace | transition |
All This, and Heaven Too (1940) | Spring Time (Grazioso) | 1:26:48 - The Duke talks with the servants | advance plot | arriving | conversing | duke | gentle | governess | leading lady | leading man | light | room | servant |
All This, and Heaven Too (1940) | Spring Time | 1:30:22 - A carriage approaches the palace | arriving | bright | carriage | chattering | cheerful | child | duke | governess | happy | leading lady | leading man | palace | riding | transition |
All This, and Heaven Too (1940) | Raynald | 1:30:33 - The carriage arrives | arriving | bright | carriage | chattering | child | duke | governess | happy | leading lady | leading man | palace | riding | transition |
All This, and Heaven Too (1940) | Henriette | 1:45:41 - A carriage arrives | arriving | carriage | child | duke | grand | leading man | pleasant | street | transition | traveling |
All This, and Heaven Too (1940) | Henriette (Tristan) | 1:46:15 - Henriette greets the children | arriving | child | duke | grand | greeting | leading lady | leading man | reunion scene | romantic | room |
All This, and Heaven Too (1940) | Henriette (Meno) | 1:46:24 - Henriette talks with the children | arriving | calm | child | duke | greeting | leading lady | leading man | reunion scene | room |
All This, and Heaven Too (1940) | Underscoring (Tense) | 2:10:17 - A carriage arrives at the palace | arriving | carriage | leading lady | prisoner | soldier | street | suspect | tense | transition | traveling | underscoring |
All This, and Heaven Too (1940) | The Duke (Maestoso) | 2:10:50 - Henriette enters the Duke's palace | arriving | dark | hearing voices | leading lady | palace | prisoner | soldier | spooky | suspect | transition | uneasy |
All This, and Heaven Too (1940) | Henriette (Ghostly) | 2:11:23 - Henriette hears voices | arriving | dark | hearing voices | leading lady | palace | prisoner | soldier | spooky | suspect | transition | uneasy |
All This, and Heaven Too (1940) | Henriette (Serious) | 2:11:50 - Henriette arrives upstairs | arriving | detective | hearing voices | leading lady | palace | prisoner | serious | soldier | solemn | somber | suspect | transition |
All This, and Heaven Too (1940) | Henriette (Noble) | 2:13:19 - Henriette comes into the Duke's room | arriving | dark | death scene | detective | duke | dying | hopeful | leading lady | leading man | noble | prisoner | room | soldier | suspect |
| Angels With Dirty Faces (1938) | Underscoring (Tense) | 0:41:20 - Police car arrives | arriving | chromatic parallelism | chromatic scale | conflict | crowd | dissonant bass | half-diminished 7th chord | rushing | shop | street | tense | underscoring |
Angels With Dirty Faces (1938) | Rocky and Laury | 0:41:37 - Laury pushes her way through the crowd | altered dominant | arriving | close-up | conflict | heartbroken | leading lady | love interest | rushing | sentimental | shop |
Angels With Dirty Faces (1938) | Car slowing down | 0:42:10 - Car slows down | advance plot | arriving | car | gangster | garage | lawyer | linear chromaticism | mysterious | sequence | slowing | stopping |
Angels With Dirty Faces (1938) | Underscoring (Mysterious) | 1:05:58 - Jerry goes to meet Rocky | advance plot | arriving | gangster | leading man | mickey-mousing | mysterious | pedal tone | priest | room | underscoring | waiting |
Angels With Dirty Faces (1938) | Pleading (Extended) | 1:21:00 - Jerry arrives on the scene | 9th chord | appoggiatura | arriving | chromatic sequence | circle of fifths | concerned | conflict | crowd | gun | gunshot | hurried | hurrying | leading lady | leading man | love interest | polychord | priest | pushing | street | yearning |
Angels With Dirty Faces (1938) | Jerry + Tear Gas | 1:21:14 - Rocky staggers through tear gas and Jerry arrives | agitated | arriving | building | chromatic parallelism | combination of themes | conflict | dissonant bass | dramatic | gangster | heroic | hurrying | leading man | mickey-mousing | priest | quartal chord | smoke | staggering | street | tear gas |
| Are These Our Children? (1931) | Makes You Forget Your Troubles (Eddie Sings) | 0:19:30 - Eddie arrives home | advance plot | arriving | cheerful | leading man | on-screen music | room | singing | source music | transcribed by ear |
| Arsenic and Old Lace (1944) | Here Comes the Bride (Marriage License Bureau) | 0:01:59 - "Marriage License Bureau" sign | arriving | calm | conversing | crowd | establish character | familiar tune | marriage | office | reporter | romantic | spouse |
Arsenic and Old Lace (1944) | Jonathan 2 | 0:40:30 - Jonathan enters the house | arriving | close-up | criminal | dark | establish character | leading man | observing | ominous | room | walking | wedge | zoom in |
| The Big Sleep (1946) | Underscoring (Tense) | 0:01:01 - Sign for the Sternwood mansion | arriving | butler | establish character | leading man | mansion | private eye | room | tense | underscoring |
The Big Sleep (1946) | Walking | 0:01:26 - Carmen walks down the stairs | arriving | daughter | descending | establish character | femme fatale | leading man | mysterious | private eye | room | walking |
The Big Sleep (1946) | Marlowe (Misterioso) | 0:19:40 - Marlowe pulls up in his car | arriving | car | investigating | leading man | mysterious | private eye | rain | street | tense | transition |
The Big Sleep (1946) | Carmen | NIF - not in film | arriving | butler | deleted scene | femme fatale | leading man | private eye | room | tense | transition |
The Big Sleep (1946) | Marlowe (Molto Misterioso) | 0:25:05 - Marlowe takes Carmen out of the house | arriving | butler | departing | femme fatale | inserted scene | leading man | not in score | private eye | reused recording | room | tense | transition |
The Big Sleep (1946) | Marlowe (Misterioso) | 0:27:44 - Marlowe returns to the scene of the crime | arriving | investigating | investigation scene | leading man | mysterious | private eye | room |
The Big Sleep (1946) | Marlowe (Major) | 0:28:47 - Marlowe's name on his apartment door | arriving | leading man | mysterious | name on screen | noble | private eye | room | transition |
The Big Sleep (1946) | Entering | NIF - not in film | arriving | deleted scene | entering | gentle | leading man | not in score | private eye | room | transition | walking |
The Big Sleep (1946) | Marlowe (Melancholy) | NIF - not in film | arriving | deleted scene | leading man | melancholy | not in score | private eye | room | transition |
The Big Sleep (1946) | Walking | 0:32:10 - Marlowe walks to his office | advance plot | arriving | calm | leading lady | leading man | private eye | room | walking |
The Big Sleep (1946) | Car | 0:47:32 - Another car arrives | arriving | driving | investigation scene | leading man | mysterious | private eye | street | tense | waiting |
The Big Sleep (1946) | Marlowe (Determined) | 0:47:56 - Marlowe enters the apartment building | arriving | ascending | bold | determined | heroic | investigating | investigation scene | leading lady | leading man | private eye | stairs | street | walking |
The Big Sleep (1946) | Marlowe (Sinister) | 0:58:24 - Marlowe takes Carol to Geiger's house | arriving | assassin | conflict | dark | gun | leading man | murderer | private eye | punching | sinister | stinger | street |
The Big Sleep (1946) | I Guess I'll Have to Change My Plan | 1:00:50 - Vivian enters a restaurant | arriving | club | conversing | falling in love scene | leading lady | leading man | love interest | pleasant | private eye | source music |
The Big Sleep (1946) | And Her Tears Flowed Like Wine | 1:05:55 - Marlowe arrives at Mars's place | advance plot | arriving | club | leading lady | leading man | love interest | musician | on-screen music | playing | private eye | singer | singing | source music | upbeat |
The Big Sleep (1946) | Driving 2 + Vivian | 1:45:21 - Marlowe tells Vivian he loves here | arriving | car | conversing | driving | leading lady | leading man | love | love interest | love scene | private eye | romantic | tense |
| His Greatest Gamble (1934) | Russian Waltz | 0:30:05 - Philip arrives at Florence's home | 9th chord | arriving | calm | chromatic sequence | common-tone diminished 7th | establish setting | fugitive | leading man | mansion | mode mixture | on-screen music | piano | playing | pleasant | source music | waltz | wandering |
| City for Conquest (1940) | Shadow Waltz (Ethereal) | 0:24:48 - Peggy peeks out of her door | advance plot | arriving | entering | gentle | leading lady | mysterious | room | sneaking | source to score |
City for Conquest (1940) | Negra Consentida | 0:41:21 - The Carleton Plaza Towers | advance plot | arriving | boxer | dance band | dancer | dancing | leading man | musician | on-screen music | party | playing | source music | upbeat |
City for Conquest (1940) | Adios Muchachos | 0:50:27 - Peggy arrives home | advance plot | arriving | cheerful | conversing | dancer | leading lady | record player | room | source music | tango |
City for Conquest (1940) | Adios Muchachos | 0:51:19 - Peggy talks with Murray | advance plot | arriving | cheerful | conversing | dancer | leading lady | record player | room | source music | tango |
City for Conquest (1940) | Underscoring (Gentle) | 0:55:19 - A taxi approaches | arriving | farewell scene | gentle | leading lady | leading man | source and scoring overlap | street | taxi | underscoring |
City for Conquest (1940) | Tone Poem A1 (Very Rough) | 1:15:00 - The car pulls to a stop | arriving | car | criminal | dark | dock | driving | gangster | manager | murderer | murder scene | threatening |
| They Made Me a Criminal (1939) | The Fugitive (Arriving) | 0:25:42 - Johnnie arrives at the ranch | 9th chord | arriving | establish character | foreign key modulation | leading lady | leading man | ranch | teenager | tired |
| Dust Be My Destiny (1939) | Arriving | 0:26:52 - Joe and Mabel settle into their new situation | 9th chord | arriving | calm | dramatic | freedom | leading lady | leading man | runaway | settling down | street | traveling | traveling scene | truck |
| Each Dawn I Die (1939) | Don’t Give Up the Ship | 0:26:47 - Prison orchestra plays | arriving | entering | military band | murder scene | on-screen music | orchestra | parallel double period | patriotic | prison | prisoner | source music |
| Flamingo Road (1949) | Titus (Inverted) | 0:33:27 - Field arrives at the café | arriving | breakup | café | inversion | leading man | ominous | self-borrowing | sheriff | telephone | worker |
Flamingo Road (1949) | Lute Mae (Driving) | 0:53:02 - Lane drives Dan to the construction site | 13th chord | added-note chord | arriving | car | car | comical | common-chord modulation | driving | leading lady | leading man | love interest | politician | rushed | self-borrowing | transition | traveling |
Flamingo Road (1949) | Flamingo Road (Expressivo) | 1:02:07 - The gate to 32 Flamingo Road | 11th chord | added-note chord | arriving | gentle | husband | leading man | self-borrowing | sign | street | transition |
Flamingo Road (1949) | Titus (Tutti) | 1:08:05 - Titus and Field arrive at the construction site | arriving | dark | dominant 7th chord | half-diminished 7th chord | leading man | ominous | politician | self-borrowing | sheriff | street | transition |
Flamingo Road (1949) | Underscoring (Tense) | 1:11:26 - Field drinks | alcohol | arriving | bullying | conflict | dramatic | drinking | leading man | linear chromaticism | politician | room | sheriff | underscoring |
Flamingo Road (1949) | Titus 2 (Buzzer) | 1:13:16 - Titus arrives | arriving | chromatic parallelism | dark | entering | leading lady | maid | ominous | politician | room | self-borrowing | sheriff | transition |
Flamingo Road (1949) | The Girl With the Spanish Drawl | 1:29:10 - Lane arrives at Lute Mae's | arriving | climax | club | dancer | dancing | leady lady | musician | on-screen music | playing | source and scoring overlap | source music | upbeat |
| Hell on Frisco Bay (1955) | Steve | 0:11:11 - Steve knocks on door | advance plot | arriving | conductor score | investigator | leading man | pleasant | porch | walking |
Hell on Frisco Bay (1955) | Hell on Frisco Bay | 0:24:15 - Steve goes home | advance plot | arriving | conductor score | leading man | room | sentimental |
Hell on Frisco Bay (1955) | Steve | 0:32:34 - Steve investigates | advance plot | arriving | conductor score | investigator | leading man | neutral | street | walking |
Hell on Frisco Bay (1955) | Steve Arrives | 0:54:56 - Steve arrives at an apartment | arriving | conductor score | investigator | leading man | mickey-mousing | mysterious | street | tense | transition | walking |
Hell on Frisco Bay (1955) | Amato | 1:08:39 - Amato arrives | advance plot | antagonist | arriving | brash | conductor score | dark | gangster | leading man | stinger | street |
Hell on Frisco Bay (1955) | Kay | 1:29:11 - Steve enters with Kay | arriving | entering | investigator | leading lady | leading man | love interest | room | somber | turning point | witness |
Hell on Frisco Bay (1955) | Underscoring (Tense) | 1:35:05 - The police arrive | action scene | arriving | conversing | dock | leading lady | police | tense | underscoring |
Hell on Frisco Bay (1955) | Menace | 1:36:57 - The police boat leaves | agitated | arriving | boat | dock | gangster | inspector | leading man | police | tense |
Hell on Frisco Bay (1955) | Steve | 1:37:30 - Steve gets off the boat | arriving | boat | bold | dock | gangster | heroic | inspector | leading man | police |
Hell on Frisco Bay (1955) | Hell on Frisco Bay | 1:37:36 - Steve goes to his wife | arriving | dock | gentle | inspector | leading lady | leading man | romantic |
| In This Our Life (1942) | Stanley Introduction | 0:06:35 - A car arrives | arriving | car | conversing | establish character | leading lady | leading man | love interest | stinger | tense |
In This Our Life (1942) | Stanley (She Runs) | 0:07:32 - Stanley runs inside | arriving | establish character | hurried | leading lady | mickey-mousing | room | running | street |
In This Our Life (1942) | Stanley B (Valse Triste) | 0:16:33 - Craig arrives | advance plot | arriving | dark | leading lady | leading man | somber | street | waltz | watching | window |
In This Our Life (1942) | Stanley B (Agitato) | 0:18:08 - Asa arrives in a car | advance plot | agitated | arriving | butler | father | room | tense |
In This Our Life (1942) | Asa (Triste) | 0:21:45 - Asa arrives home | arriving | conflict | father | leading lady | room | solemn | somber | tense |
In This Our Life (1942) | Stanley Introduction (Extended) | 0:36:41 - Peter goes home | arriving | car | leading man | love scene | room | solemn | somber | tense |
In This Our Life (1942) | Blues in the Night (Transition) | 0:43:37 - Craig's office door | arriving | assistant | calm | friend | leading lady | love scene | office | pleasant | source to score |
In This Our Life (1942) | Roy | 0:50:40 - Roy arrives at Stanley's apartment | advance plot | arriving | friend | gentle | leading lady | room | sweet |
In This Our Life (1942) | Caring | 0:51:39 - Roy greets Stanley | advance plot | arriving | gentle | leading lady | room | sister | tender | widow |
In This Our Life (1942) | Underscoring (Tense) | 1:05:14 - Craig in his office | advance plot | arriving | lawyer | leading lady | leading man | office | tense | underscoring |
In This Our Life (1942) | Police | 1:09:16 - A police car arrives | arriving | car | driving | investigation scene | menacing | police | room | tense |
In This Our Life (1942) | Underscoring (Tense) | 1:09:25 - Policemen approach the house | arriving | conversing | criminal | investigation scene | leading lady | mysterious | police | room | tense | walking | watching |
In This Our Life (1942) | Stanley | 1:09:49 - Policemen enter the house | arriving | conversing | criminal | investigating | investigation scene | leading lady | mysterious | police | room | sneaking | tense | walking | watching |
In This Our Life (1942) | Stanley (Packing) | 1:14:36 - Newspaper headline about the accident | arriving | conflict | conversing | headline | lawyer | leading lady | leading man | mysterious | newspaper | office |
In This Our Life (1942) | You’re a Lucky Guy | 1:16:20 - Stanley dances | advance plot | arriving | conversing | criminal | dancing | drinking | leading lady | popular music | record player | room | source music | upbeat |
In This Our Life (1942) | Underscoring (Tense) | 1:20:10 - Craig's car pulls up to the jail | arriving | car | car | conflict | conversing | criminal | lawyer | leading lady | leading man | street | tense | underscoring | uneasy |
| The Informer (1935) | The Wearin’ o’ the Green (Mysterious) | 0:08:57 - Frankie enters the Dunboy house to join the rebels | arriving | diminished 7th chord | dissonant bass | establish character | familiar tune | folk song | hero | Irish | leading man | mysterious | parallelism | room | street | tense |
The Informer (1935) | The Informer (Risoluto) | 1:20:12 - Rebels plan to catch Gypo | advance plot | arriving | headquarters | octatonic | planning | rebel | room | tense | whole-tone chord |
| Key Largo (1948) | Seminoles | 0:19:11 - Seminole Indians arrive | advance plot | arriving | boat | conversing | dock | Indian | Indian | leading lady | leading man | rowing | serious |
Key Largo (1948) | Seminoles (Grandma) | 0:19:46 - Elderly Indian woman talks to Nora | advance plot | arriving | boat | conversing | dock | grandmother | Indian | Indian | leading lady | leading man | old woman | serious | smoking |
Key Largo (1948) | Seminoles (Brothers) | 0:20:29 - Nora talks with Seminole Indians | advance plot | arriving | boat | conversing | dock | Indian | Indian | leading lady | leading man | serious |
| The Letter (1940) | Underscoring (Tense) | 0:06:21 - Robert goes in the house | arriving | home | husband | tense | transition | underscoring |
| Mildred Pierce (1945) | Mildred (Sehr Dramatic) | 0:12:06 - Mildred arrives home | advance plot | arriving | dark | daughter | dramatic | heroine | leading lady | street | tense | worrying |
Mildred Pierce (1945) | Hall of Justice | 0:13:35 - The Los Angeles Hall of Justice | advance plot | arriving | bold | detective | entering | heroine | justice | leading lady | police | police station | walking |
Mildred Pierce (1945) | Bert | 0:20:18 - Bert comes home | arriving | cooking | establish character | flashback | gentle | heroine | husband | leading lady | room | self-borrowing | street |
Mildred Pierce (1945) | Beach House | 0:42:49 - They drive up to the beach house | arriving | beach house | driving | friend | heroine | leading lady | ocean | peaceful | transition | water | wave |
Mildred Pierce (1945) | Walking | 0:42:58 - Mildred and Wally walk to the house | arriving | beach house | excited | friend | heroine | leading lady | mickey-mousing | ocean | transition | walking |
Mildred Pierce (1945) | Mildred (Angry) | 1:18:21 - Mildred walks out of an argument | aggressive | angry | arriving | conflict | heroine | hurrying | leading lady | leaving | room | walking |
Mildred Pierce (1945) | Mildred B (Twist) | 1:45:20 - Mildred walks into the beach house | arriving | climax | dark | flashback | heroine | leading lady | room |
Mildred Pierce (1945) | Mildred (Ominous) | 1:45:25 - Mildred walks downstairs | arriving | climax | dark | heroine | leading lady | ominous | room |
| Kid Galahad (1937) | Heart’s Affair (Arriving) | 0:58:30 - A newspaper headline | arriving | countermelody | farm | leading man | love scene | mode mixture | newspaper | playful | reading | sister | transcribed by ear |
Kid Galahad (1937) | Doublecross (Heated) | 1:16:02 - Nick arrives at the farm | advance plot | arguing | arriving | chromatic mediant | farm | leading man | manager | not by Steiner | sister | tense | transcribed by ear |
| The Unfaithful (1947) | Chris | 0:01:26 - Chris arrives at home | arriving | Beverly Hills | calm | establish character | house | leading lady |
The Unfaithful (1947) | Unfaithful (Dramatic) | 0:44:05 - Chris goes to visit Larry's office | advance plot | arriving | fanfare | heroic | law office | leading lady | mode mixture | office |
The Unfaithful (1947) | Unfaithful (Drone) | 0:51:08 - Chris enters the art shop | advance plot | arriving | leading lady | ostinato | shop | shopkeeper | somber |
The Unfaithful (1947) | Unfaithful (Distressed) | 0:52:17 - Chris returns home | advance plot | arriving | forlorn | leading lady | maid | minor-major 7th chord | obsession | ostinato | room | tense |
The Unfaithful (1947) | Attorney (Doorbell) | 0:53:31 - Chris takes off her jacket | advance plot | arriving | heroic | lawyer | leading lady | room | stinger | surprise |
The Unfaithful (1947) | Tanner | 1:10:47 - Bob walks upstairs to meet with Mrs. Tanner | altered dominant | antagonist | arriving | foreshadowing | husband | quartal chord | street | syncopation | tense | transition | walking |
The Unfaithful (1947) | Unfaithful (Risoluto) | 1:14:27 - Bob arrives home | angry | arriving | car | driving | house | husband | monophonic | transition |
| The Phantom of Crestwood (1932) | Transgression | 0:18:54 - Ms. Wren descends the staircase | 9th chord | AABA structure | advance plot | arriving | common-chord modulation | conversing | party | radio | romantic | self-borrowing | transcribed by ear |
| The Breaking Point (1950) | En Mi Canto de Amor | 0:08:57 - A dock at night | arriving | art song | boat | conversing | docking | establish setting | flirting | floozy | harbor | leading lady | leading man | not by Steiner | sailor | source music | upbeat | working |
The Breaking Point (1950) | La Adelita | 0:09:56 - A Mexican village at night | arriving | bar | bartender | conversing | establish setting | folk music | leading man | musician | on-screen music | performing | sailor | salesperson | selling | source music | street | upbeat | working |
The Breaking Point (1950) | Make Love With a Guitar | 0:33:28 - Harry arrives home | advance plot | arriving | calm | child | conversing | leading man | musician | neighbor | on-screen music | room | sailor | source music | street | wife | yard |
The Breaking Point (1950) | Humming | 0:54:33 - Wesley and Harry work on the boat | arriving | calm | criminal | friend | harbor | humming | leading man | on-screen music | sailor | source music | transition | walking | working |
