Tag Search Results


Home | Tag Data


116 results for "arriving" — see also landing

FilmTheme nameInstanceTags
All This, and Heaven Too (1940)Arriving0:13:14 - Henriette gets out of the carriagearriving | carriage | driver | gentle | leading lady | pleasant | street | transition

All This, and Heaven Too (1940)

Arriving 20:13:24 - Henriette walks to the front doorarriving | caretaker | gentle | leading lady | pleasant | street | transition

All This, and Heaven Too (1940)

The Duke (Maestoso)0:14:03 - Henriette enters the palacearriving | butler | calm | establish place | establish setting | gentle | leading lady | noble | palace | walking

All This, and Heaven Too (1940)

The Duke (Quasi Mysterioso)0:14:49 - Henriette hears the Duke and Duchess arguingarriving | butler | duchess | duke | establish setting | interrupting | leading lady | leading man | mysterious | room | tense

All This, and Heaven Too (1940)

Armide0:49:21 - The opera housearriving | audience | child | concert scene | conversing | duke | governess | leading lady | leading man | opera | regal | source music | theater | upbeat | watching

All This, and Heaven Too (1940)

La Parisienne (The King)0:50:33 - The king entersarriving | audience | bowing | child | concert scene | duke | governess | king | leading lady | leading man | not by Steiner | patriotic music | regal | source music | theater | watching

All This, and Heaven Too (1940)

La Parisienne (The King)1:06:08 - The children watch from the balconyadvance plot | arriving | ballroom | child | crowd | governess | king | leading lady | march | patriotic tune | regal | simulated source music

All This, and Heaven Too (1940)

Underscoring (Dramatic)1:13:19 - Henriette watches the falling snowadvance plot | arriving | butler | dramatic | duchess | duke | leading lady | leading man | outside | panning shot | point-of-view shot | room | underscoring | watching

All This, and Heaven Too (1940)

The Duke (Dignified)1:23:09 - A carriage arrives at the chateauarriving | child | dignified | driver | governess | leading lady | noble | on-screen text | palace | transition

All This, and Heaven Too (1940)

Spring Time (Grazioso)1:26:48 - The Duke talks with the servantsadvance plot | arriving | conversing | duke | gentle | governess | leading lady | leading man | light | room | servant

All This, and Heaven Too (1940)

Spring Time1:30:22 - A carriage approaches the palacearriving | bright | carriage | chattering | cheerful | child | duke | governess | happy | leading lady | leading man | palace | riding | transition

All This, and Heaven Too (1940)

Raynald1:30:33 - The carriage arrivesarriving | bright | carriage | chattering | child | duke | governess | happy | leading lady | leading man | palace | riding | transition

All This, and Heaven Too (1940)

Henriette1:45:41 - A carriage arrivesarriving | carriage | child | duke | grand | leading man | pleasant | street | transition | traveling

All This, and Heaven Too (1940)

Henriette (Tristan)1:46:15 - Henriette greets the childrenarriving | child | duke | grand | greeting | leading lady | leading man | reunion scene | romantic | room

All This, and Heaven Too (1940)

Henriette (Meno)1:46:24 - Henriette talks with the childrenarriving | calm | child | duke | greeting | leading lady | leading man | reunion scene | room

All This, and Heaven Too (1940)

Underscoring (Tense)2:10:17 - A carriage arrives at the palacearriving | carriage | leading lady | prisoner | soldier | street | suspect | tense | transition | traveling | underscoring

All This, and Heaven Too (1940)

The Duke (Maestoso)2:10:50 - Henriette enters the Duke's palacearriving | dark | hearing voices | leading lady | palace | prisoner | soldier | spooky | suspect | transition | uneasy

All This, and Heaven Too (1940)

Henriette (Ghostly)2:11:23 - Henriette hears voicesarriving | dark | hearing voices | leading lady | palace | prisoner | soldier | spooky | suspect | transition | uneasy

All This, and Heaven Too (1940)

Henriette (Serious)2:11:50 - Henriette arrives upstairsarriving | detective | hearing voices | leading lady | palace | prisoner | serious | soldier | solemn | somber | suspect | transition

All This, and Heaven Too (1940)

Henriette (Noble)2:13:19 - Henriette comes into the Duke's roomarriving | dark | death scene | detective | duke | dying | hopeful | leading lady | leading man | noble | prisoner | room | soldier | suspect
Angels With Dirty Faces (1938)Underscoring (Tense)0:41:20 - Police car arrivesarriving | chromatic parallelism | chromatic scale | conflict | crowd | dissonant bass | half-diminished 7th chord | rushing | shop | street | tense | underscoring

Angels With Dirty Faces (1938)

Rocky and Laury0:41:37 - Laury pushes her way through the crowdaltered dominant | arriving | close-up | conflict | heartbroken | leading lady | love interest | rushing | sentimental | shop

Angels With Dirty Faces (1938)

Car slowing down0:42:10 - Car slows downadvance plot | arriving | car | gangster | garage | lawyer | linear chromaticism | mysterious | sequence | slowing | stopping

Angels With Dirty Faces (1938)

Underscoring (Mysterious)1:05:58 - Jerry goes to meet Rockyadvance plot | arriving | gangster | leading man | mickey-mousing | mysterious | pedal tone | priest | room | underscoring | waiting

Angels With Dirty Faces (1938)

Pleading (Extended)1:21:00 - Jerry arrives on the scene9th chord | appoggiatura | arriving | chromatic sequence | circle of fifths | concerned | conflict | crowd | gun | gunshot | hurried | hurrying | leading lady | leading man | love interest | polychord | priest | pushing | street | yearning

Angels With Dirty Faces (1938)

Jerry + Tear Gas1:21:14 - Rocky staggers through tear gas and Jerry arrivesagitated | arriving | building | chromatic parallelism | combination of themes | conflict | dissonant bass | dramatic | gangster | heroic | hurrying | leading man | mickey-mousing | priest | quartal chord | smoke | staggering | street | tear gas
Are These Our Children? (1931)Makes You Forget Your Troubles (Eddie Sings)0:19:30 - Eddie arrives homeadvance plot | arriving | cheerful | leading man | on-screen music | room | singing | source music | transcribed by ear
Arsenic and Old Lace (1944)Here Comes the Bride (Marriage License Bureau)0:01:59 - "Marriage License Bureau" signarriving | calm | conversing | crowd | establish character | familiar tune | marriage | office | reporter | romantic | spouse

Arsenic and Old Lace (1944)

Jonathan 20:40:30 - Jonathan enters the housearriving | close-up | criminal | dark | establish character | leading man | observing | ominous | room | walking | wedge | zoom in
The Big Sleep (1946)Underscoring (Tense)0:01:01 - Sign for the Sternwood mansionarriving | butler | establish character | leading man | mansion | private eye | room | tense | underscoring

The Big Sleep (1946)

Walking0:01:26 - Carmen walks down the stairsarriving | daughter | descending | establish character | femme fatale | leading man | mysterious | private eye | room | walking

The Big Sleep (1946)

Marlowe (Misterioso)0:19:40 - Marlowe pulls up in his cararriving | car | investigating | leading man | mysterious | private eye | rain | street | tense | transition

The Big Sleep (1946)

CarmenNIF - not in filmarriving | butler | deleted scene | femme fatale | leading man | private eye | room | tense | transition

The Big Sleep (1946)

Marlowe (Molto Misterioso)0:25:05 - Marlowe takes Carmen out of the housearriving | butler | departing | femme fatale | inserted scene | leading man | not in score | private eye | reused recording | room | tense | transition

The Big Sleep (1946)

Marlowe (Misterioso)0:27:44 - Marlowe returns to the scene of the crimearriving | investigating | investigation scene | leading man | mysterious | private eye | room

The Big Sleep (1946)

Marlowe (Major)0:28:47 - Marlowe's name on his apartment doorarriving | leading man | mysterious | name on screen | noble | private eye | room | transition

The Big Sleep (1946)

EnteringNIF - not in filmarriving | deleted scene | entering | gentle | leading man | not in score | private eye | room | transition | walking

The Big Sleep (1946)

Marlowe (Melancholy)NIF - not in filmarriving | deleted scene | leading man | melancholy | not in score | private eye | room | transition

The Big Sleep (1946)

Walking0:32:10 - Marlowe walks to his officeadvance plot | arriving | calm | leading lady | leading man | private eye | room | walking

The Big Sleep (1946)

Car0:47:32 - Another car arrivesarriving | driving | investigation scene | leading man | mysterious | private eye | street | tense | waiting

The Big Sleep (1946)

Marlowe (Determined)0:47:56 - Marlowe enters the apartment buildingarriving | ascending | bold | determined | heroic | investigating | investigation scene | leading lady | leading man | private eye | stairs | street | walking

The Big Sleep (1946)

Marlowe (Sinister)0:58:24 - Marlowe takes Carol to Geiger's housearriving | assassin | conflict | dark | gun | leading man | murderer | private eye | punching | sinister | stinger | street

The Big Sleep (1946)

I Guess I'll Have to Change My Plan1:00:50 - Vivian enters a restaurantarriving | club | conversing | falling in love scene | leading lady | leading man | love interest | pleasant | private eye | source music

The Big Sleep (1946)

And Her Tears Flowed Like Wine1:05:55 - Marlowe arrives at Mars's placeadvance plot | arriving | club | leading lady | leading man | love interest | musician | on-screen music | playing | private eye | singer | singing | source music | upbeat

The Big Sleep (1946)

Driving 2 + Vivian1:45:21 - Marlowe tells Vivian he loves herearriving | car | conversing | driving | leading lady | leading man | love | love interest | love scene | private eye | romantic | tense
His Greatest Gamble (1934)Russian Waltz0:30:05 - Philip arrives at Florence's home9th chord | arriving | calm | chromatic sequence | common-tone diminished 7th | establish setting | fugitive | leading man | mansion | mode mixture | on-screen music | piano | playing | pleasant | source music | waltz | wandering
City for Conquest (1940)Shadow Waltz (Ethereal)0:24:48 - Peggy peeks out of her dooradvance plot | arriving | entering | gentle | leading lady | mysterious | room | sneaking | source to score

City for Conquest (1940)

Negra Consentida0:41:21 - The Carleton Plaza Towersadvance plot | arriving | boxer | dance band | dancer | dancing | leading man | musician | on-screen music | party | playing | source music | upbeat

City for Conquest (1940)

Adios Muchachos0:50:27 - Peggy arrives homeadvance plot | arriving | cheerful | conversing | dancer | leading lady | record player | room | source music | tango

City for Conquest (1940)

Adios Muchachos0:51:19 - Peggy talks with Murrayadvance plot | arriving | cheerful | conversing | dancer | leading lady | record player | room | source music | tango

City for Conquest (1940)

Underscoring (Gentle)0:55:19 - A taxi approachesarriving | farewell scene | gentle | leading lady | leading man | source and scoring overlap | street | taxi | underscoring

City for Conquest (1940)

Tone Poem A1 (Very Rough)1:15:00 - The car pulls to a stoparriving | car | criminal | dark | dock | driving | gangster | manager | murderer | murder scene | threatening
They Made Me a Criminal (1939)The Fugitive (Arriving)0:25:42 - Johnnie arrives at the ranch9th chord | arriving | establish character | foreign key modulation | leading lady | leading man | ranch | teenager | tired
Dust Be My Destiny (1939)Arriving0:26:52 - Joe and Mabel settle into their new situation9th chord | arriving | calm | dramatic | freedom | leading lady | leading man | runaway | settling down | street | traveling | traveling scene | truck
Each Dawn I Die (1939)Don’t Give Up the Ship0:26:47 - Prison orchestra playsarriving | entering | military band | murder scene | on-screen music | orchestra | parallel double period | patriotic | prison | prisoner | source music
Flamingo Road (1949)Titus (Inverted)0:33:27 - Field arrives at the caféarriving | breakup | café | inversion | leading man | ominous | self-borrowing | sheriff | telephone | worker

Flamingo Road (1949)

Lute Mae (Driving)0:53:02 - Lane drives Dan to the construction site13th chord | added-note chord | arriving | car | car | comical | common-chord modulation | driving | leading lady | leading man | love interest | politician | rushed | self-borrowing | transition | traveling

Flamingo Road (1949)

Flamingo Road (Expressivo)1:02:07 - The gate to 32 Flamingo Road11th chord | added-note chord | arriving | gentle | husband | leading man | self-borrowing | sign | street | transition

Flamingo Road (1949)

Titus (Tutti)1:08:05 - Titus and Field arrive at the construction sitearriving | dark | dominant 7th chord | half-diminished 7th chord | leading man | ominous | politician | self-borrowing | sheriff | street | transition

Flamingo Road (1949)

Underscoring (Tense)1:11:26 - Field drinksalcohol | arriving | bullying | conflict | dramatic | drinking | leading man | linear chromaticism | politician | room | sheriff | underscoring

Flamingo Road (1949)

Titus 2 (Buzzer)1:13:16 - Titus arrivesarriving | chromatic parallelism | dark | entering | leading lady | maid | ominous | politician | room | self-borrowing | sheriff | transition

Flamingo Road (1949)

The Girl With the Spanish Drawl1:29:10 - Lane arrives at Lute Mae'sarriving | climax | club | dancer | dancing | leady lady | musician | on-screen music | playing | source and scoring overlap | source music | upbeat
Hell on Frisco Bay (1955)Steve0:11:11 - Steve knocks on dooradvance plot | arriving | conductor score | investigator | leading man | pleasant | porch | walking

Hell on Frisco Bay (1955)

Hell on Frisco Bay0:24:15 - Steve goes homeadvance plot | arriving | conductor score | leading man | room | sentimental

Hell on Frisco Bay (1955)

Steve0:32:34 - Steve investigatesadvance plot | arriving | conductor score | investigator | leading man | neutral | street | walking

Hell on Frisco Bay (1955)

Steve Arrives0:54:56 - Steve arrives at an apartmentarriving | conductor score | investigator | leading man | mickey-mousing | mysterious | street | tense | transition | walking

Hell on Frisco Bay (1955)

Amato1:08:39 - Amato arrivesadvance plot | antagonist | arriving | brash | conductor score | dark | gangster | leading man | stinger | street

Hell on Frisco Bay (1955)

Kay1:29:11 - Steve enters with Kayarriving | entering | investigator | leading lady | leading man | love interest | room | somber | turning point | witness

Hell on Frisco Bay (1955)

Underscoring (Tense)1:35:05 - The police arriveaction scene | arriving | conversing | dock | leading lady | police | tense | underscoring

Hell on Frisco Bay (1955)

Menace1:36:57 - The police boat leavesagitated | arriving | boat | dock | gangster | inspector | leading man | police | tense

Hell on Frisco Bay (1955)

Steve1:37:30 - Steve gets off the boatarriving | boat | bold | dock | gangster | heroic | inspector | leading man | police

Hell on Frisco Bay (1955)

Hell on Frisco Bay1:37:36 - Steve goes to his wifearriving | dock | gentle | inspector | leading lady | leading man | romantic
In This Our Life (1942)Stanley Introduction0:06:35 - A car arrivesarriving | car | conversing | establish character | leading lady | leading man | love interest | stinger | tense

In This Our Life (1942)

Stanley (She Runs)0:07:32 - Stanley runs insidearriving | establish character | hurried | leading lady | mickey-mousing | room | running | street

In This Our Life (1942)

Stanley B (Valse Triste)0:16:33 - Craig arrivesadvance plot | arriving | dark | leading lady | leading man | somber | street | waltz | watching | window

In This Our Life (1942)

Stanley B (Agitato)0:18:08 - Asa arrives in a caradvance plot | agitated | arriving | butler | father | room | tense

In This Our Life (1942)

Asa (Triste)0:21:45 - Asa arrives homearriving | conflict | father | leading lady | room | solemn | somber | tense

In This Our Life (1942)

Stanley Introduction (Extended)0:36:41 - Peter goes homearriving | car | leading man | love scene | room | solemn | somber | tense

In This Our Life (1942)

Blues in the Night (Transition)0:43:37 - Craig's office doorarriving | assistant | calm | friend | leading lady | love scene | office | pleasant | source to score

In This Our Life (1942)

Roy0:50:40 - Roy arrives at Stanley's apartmentadvance plot | arriving | friend | gentle | leading lady | room | sweet

In This Our Life (1942)

Caring0:51:39 - Roy greets Stanleyadvance plot | arriving | gentle | leading lady | room | sister | tender | widow

In This Our Life (1942)

Underscoring (Tense)1:05:14 - Craig in his officeadvance plot | arriving | lawyer | leading lady | leading man | office | tense | underscoring

In This Our Life (1942)

Police1:09:16 - A police car arrivesarriving | car | driving | investigation scene | menacing | police | room | tense

In This Our Life (1942)

Underscoring (Tense)1:09:25 - Policemen approach the housearriving | conversing | criminal | investigation scene | leading lady | mysterious | police | room | tense | walking | watching

In This Our Life (1942)

Stanley1:09:49 - Policemen enter the housearriving | conversing | criminal | investigating | investigation scene | leading lady | mysterious | police | room | sneaking | tense | walking | watching

In This Our Life (1942)

Stanley (Packing)1:14:36 - Newspaper headline about the accidentarriving | conflict | conversing | headline | lawyer | leading lady | leading man | mysterious | newspaper | office

In This Our Life (1942)

You’re a Lucky Guy1:16:20 - Stanley dancesadvance plot | arriving | conversing | criminal | dancing | drinking | leading lady | popular music | record player | room | source music | upbeat

In This Our Life (1942)

Underscoring (Tense)1:20:10 - Craig's car pulls up to the jailarriving | car | car | conflict | conversing | criminal | lawyer | leading lady | leading man | street | tense | underscoring | uneasy
The Informer (1935)The Wearin’ o’ the Green (Mysterious)0:08:57 - Frankie enters the Dunboy house to join the rebelsarriving | diminished 7th chord | dissonant bass | establish character | familiar tune | folk song | hero | Irish | leading man | mysterious | parallelism | room | street | tense

The Informer (1935)

The Informer (Risoluto)1:20:12 - Rebels plan to catch Gypoadvance plot | arriving | headquarters | octatonic | planning | rebel | room | tense | whole-tone chord
Key Largo (1948)Seminoles0:19:11 - Seminole Indians arriveadvance plot | arriving | boat | conversing | dock | Indian | Indian | leading lady | leading man | rowing | serious

Key Largo (1948)

Seminoles (Grandma)0:19:46 - Elderly Indian woman talks to Noraadvance plot | arriving | boat | conversing | dock | grandmother | Indian | Indian | leading lady | leading man | old woman | serious | smoking

Key Largo (1948)

Seminoles (Brothers)0:20:29 - Nora talks with Seminole Indiansadvance plot | arriving | boat | conversing | dock | Indian | Indian | leading lady | leading man | serious
The Letter (1940)Underscoring (Tense)0:06:21 - Robert goes in the housearriving | home | husband | tense | transition | underscoring
Mildred Pierce (1945)Mildred (Sehr Dramatic)0:12:06 - Mildred arrives homeadvance plot | arriving | dark | daughter | dramatic | heroine | leading lady | street | tense | worrying

Mildred Pierce (1945)

Hall of Justice0:13:35 - The Los Angeles Hall of Justiceadvance plot | arriving | bold | detective | entering | heroine | justice | leading lady | police | police station | walking

Mildred Pierce (1945)

Bert0:20:18 - Bert comes homearriving | cooking | establish character | flashback | gentle | heroine | husband | leading lady | room | self-borrowing | street

Mildred Pierce (1945)

Beach House0:42:49 - They drive up to the beach housearriving | beach house | driving | friend | heroine | leading lady | ocean | peaceful | transition | water | wave

Mildred Pierce (1945)

Walking0:42:58 - Mildred and Wally walk to the housearriving | beach house | excited | friend | heroine | leading lady | mickey-mousing | ocean | transition | walking

Mildred Pierce (1945)

Mildred (Angry)1:18:21 - Mildred walks out of an argumentaggressive | angry | arriving | conflict | heroine | hurrying | leading lady | leaving | room | walking

Mildred Pierce (1945)

Mildred B (Twist)1:45:20 - Mildred walks into the beach housearriving | climax | dark | flashback | heroine | leading lady | room

Mildred Pierce (1945)

Mildred (Ominous)1:45:25 - Mildred walks downstairsarriving | climax | dark | heroine | leading lady | ominous | room
Kid Galahad (1937)Heart’s Affair (Arriving)0:58:30 - A newspaper headlinearriving | countermelody | farm | leading man | love scene | mode mixture | newspaper | playful | reading | sister | transcribed by ear

Kid Galahad (1937)

Doublecross (Heated)1:16:02 - Nick arrives at the farmadvance plot | arguing | arriving | chromatic mediant | farm | leading man | manager | not by Steiner | sister | tense | transcribed by ear
The Unfaithful (1947)Chris0:01:26 - Chris arrives at homearriving | Beverly Hills | calm | establish character | house | leading lady

The Unfaithful (1947)

Unfaithful (Dramatic)0:44:05 - Chris goes to visit Larry's officeadvance plot | arriving | fanfare | heroic | law office | leading lady | mode mixture | office

The Unfaithful (1947)

Unfaithful (Drone)0:51:08 - Chris enters the art shopadvance plot | arriving | leading lady | ostinato | shop | shopkeeper | somber

The Unfaithful (1947)

Unfaithful (Distressed)0:52:17 - Chris returns homeadvance plot | arriving | forlorn | leading lady | maid | minor-major 7th chord | obsession | ostinato | room | tense

The Unfaithful (1947)

Attorney (Doorbell)0:53:31 - Chris takes off her jacketadvance plot | arriving | heroic | lawyer | leading lady | room | stinger | surprise

The Unfaithful (1947)

Tanner1:10:47 - Bob walks upstairs to meet with Mrs. Tanneraltered dominant | antagonist | arriving | foreshadowing | husband | quartal chord | street | syncopation | tense | transition | walking

The Unfaithful (1947)

Unfaithful (Risoluto)1:14:27 - Bob arrives homeangry | arriving | car | driving | house | husband | monophonic | transition
The Phantom of Crestwood (1932)Transgression0:18:54 - Ms. Wren descends the staircase9th chord | AABA structure | advance plot | arriving | common-chord modulation | conversing | party | radio | romantic | self-borrowing | transcribed by ear
The Breaking Point (1950)En Mi Canto de Amor0:08:57 - A dock at nightarriving | art song | boat | conversing | docking | establish setting | flirting | floozy | harbor | leading lady | leading man | not by Steiner | sailor | source music | upbeat | working

The Breaking Point (1950)

La Adelita0:09:56 - A Mexican village at nightarriving | bar | bartender | conversing | establish setting | folk music | leading man | musician | on-screen music | performing | sailor | salesperson | selling | source music | street | upbeat | working

The Breaking Point (1950)

Make Love With a Guitar0:33:28 - Harry arrives homeadvance plot | arriving | calm | child | conversing | leading man | musician | neighbor | on-screen music | room | sailor | source music | street | wife | yard

The Breaking Point (1950)

Humming0:54:33 - Wesley and Harry work on the boatarriving | calm | criminal | friend | harbor | humming | leading man | on-screen music | sailor | source music | transition | walking | working