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230 results for "arriving" in 37 films — see also landing

FilmTheme nameInstanceTags
All This, and Heaven Too (1940)Arriving0:13:14 - Henriette gets out of the carriagearriving | augmented sixth chord | carriage | driver | enharmonic modulation | foreign key modulation | gentle | leading lady | pleasant | street | transition

All This, and Heaven Too (1940)

Arriving 20:13:24 - Henriette walks to the front door9th chord | arriving | caretaker | deceptive resolution | gentle | leading lady | pleasant | secondary dominant | street | transition

All This, and Heaven Too (1940)

The Duke (Maestoso)0:14:03 - Henriette enters the palacearriving | butler | calm | chromatic mediant | chromatic sequence | countermelody | establish place | establish setting | foreign key modulation | gentle | leading lady | noble | palace | sequential modulation | walking

All This, and Heaven Too (1940)

The Duke (Quasi Mysterioso)0:14:49 - Henriette hears the Duke and Duchess arguingarriving | butler | common-chord modulation | deceptive resolution | duchess | duke | establish setting | interrupting | leading lady | leading man | mysterious | room | tense

All This, and Heaven Too (1940)

Armide0:49:21 - The opera housearriving | audience | child | concert scene | conversing | duke | governess | leading lady | leading man | opera | regal | source music | theater | upbeat | watching

All This, and Heaven Too (1940)

La Parisienne (The King)0:50:33 - The king entersarriving | audience | bowing | child | concert scene | duke | governess | king | leading lady | leading man | not by Steiner | patriotic tune | regal | source music | theater | watching

All This, and Heaven Too (1940)

La Parisienne (The King)1:06:08 - The children watch from the balconyadvance plot | arriving | ballroom | child | crowd | governess | king | leading lady | march | patriotic tune | regal | simulated source music

All This, and Heaven Too (1940)

Underscoring (Dramatic)1:13:19 - Henriette watches the falling snowadvance plot | arriving | butler | dissonant bass | dramatic | duchess | duke | leading lady | leading man | outside | panning shot | pc set | point-of-view shot | room | sigh gesture | underscoring | watching

All This, and Heaven Too (1940)

The Duke (Dignified)1:23:09 - A carriage arrives at the chateauarriving | child | dignified | driver | governess | leading lady | noble | on-screen text | palace | transition

All This, and Heaven Too (1940)

Underscoring (Tender)1:26:48 - The Duke talks with the servants11th chord | 13th chord | 64 chord | added-note chord | advance plot | arriving | common-tone diminished 7th | conversing | duke | gentle | governess | leading lady | leading man | light | pentatonic | room | servant

All This, and Heaven Too (1940)

Spring Time1:30:22 - A carriage approaches the palace64 chord | arriving | bright | carriage | chattering | cheerful | child | duke | foreign key modulation | governess | happy | leading lady | leading man | Neapolitan | palace | pedal tone | riding | transition

All This, and Heaven Too (1940)

Raynald (Mysterioso 2)1:30:33 - The carriage arrivesarriving | bright | carriage | chattering | child | duke | governess | happy | leading lady | leading man | palace | riding | sequential modulation | transition

All This, and Heaven Too (1940)

Henriette1:45:41 - A carriage arrivesarriving | carriage | child | duke | grand | leading man | pleasant | street | transition | traveling

All This, and Heaven Too (1940)

Henriette (Tristan)1:46:15 - Henriette greets the children9th chord | arriving | child | duke | fragmentation | grand | greeting | leading lady | leading man | pump-up modulation | reunion scene | romantic | room

All This, and Heaven Too (1940)

Henriette (Meno)1:46:24 - Henriette talks with the childrenarriving | calm | child | duke | greeting | leading lady | leading man | mode mixture | Neapolitan | reunion scene | room

All This, and Heaven Too (1940)

Underscoring (Tense)2:10:17 - A carriage arrives at the palace9th chord | arriving | carriage | chromatic scale | leading lady | prisoner | soldier | street | suspect | tense | transition | traveling | underscoring

All This, and Heaven Too (1940)

The Duke (Maestoso)2:10:50 - Henriette enters the Duke's palacearriving | countermelody | dark | hearing voices | leading lady | mode change | palace | prisoner | soldier | spooky | suspect | transition | uneasy

All This, and Heaven Too (1940)

Henriette (Ghostly)2:11:23 - Henriette hears voicesarriving | chromatic parallelism | dark | dissonant bass | hearing voices | leading lady | palace | prisoner | soldier | spooky | suspect | transition | uneasy

All This, and Heaven Too (1940)

Henriette (Serious)2:11:50 - Henriette arrives upstairsarriving | detective | hearing voices | leading lady | palace | prisoner | serious | soldier | solemn | somber | suspect | transition | whole-tone chord

All This, and Heaven Too (1940)

Henriette (Noble)2:13:19 - Henriette comes into the Duke's roomarriving | dark | death scene | detective | duke | dying | hopeful | leading lady | leading man | mode mixture | noble | prisoner | room | soldier | suspect
Angels With Dirty Faces (1938)Underscoring (Tense)0:41:20 - Police car arrivesarriving | chromatic parallelism | chromatic scale | conflict | crowd | dissonant bass | half-diminished 7th chord | rushing | shop | street | tense | underscoring

Angels With Dirty Faces (1938)

Rocky and Laury0:41:37 - Laury pushes her way through the crowdaltered dominant | arriving | close-up | conflict | heartbroken | leading lady | love interest | rushing | sentimental | shop

Angels With Dirty Faces (1938)

Car slowing down0:42:10 - Car slows downadvance plot | arriving | car | gangster | garage | lawyer | linear chromaticism | mysterious | sequence | slowing | stopping

Angels With Dirty Faces (1938)

Underscoring (Mysterious)1:05:58 - Jerry goes to meet Rockyadvance plot | arriving | gangster | leading man | mickey-mousing | mysterious | pedal tone | priest | room | underscoring | waiting

Angels With Dirty Faces (1938)

Pleading (Extended)1:21:00 - Jerry arrives on the scene9th chord | appoggiatura | arriving | chromatic sequence | circle of fifths | concerned | conflict | crowd | gun | gunshot | hurried | hurrying | leading lady | leading man | love interest | polychord | priest | pushing | street | yearning

Angels With Dirty Faces (1938)

Jerry + Tear Gas1:21:14 - Rocky staggers through tear gas and Jerry arrivesagitated | arriving | building | chromatic parallelism | combination of themes | conflict | dissonant bass | dramatic | gangster | heroic | hurrying | leading man | mickey-mousing | priest | quartal chord | smoke | staggering | street | tear gas
Are These Our Children? (1931)Makes You Forget Your Troubles (Eddie Sings)0:19:30 - Eddie arrives homeadvance plot | arriving | cheerful | leading man | on-screen music | room | singing | source music | transcribed by ear
Arsenic and Old Lace (1944)Here Comes the Bride (Marriage License Bureau)0:01:59 - "Marriage License Bureau" sign64 chord | arriving | calm | conversing | crowd | direct modulation | establish character | familiar tune | marriage | office | parallelism | reporter | romantic | sequence | spouse

Arsenic and Old Lace (1944)

Jonathan 20:40:30 - Jonathan enters the housearriving | chromatic scale | chromatic wedge | close-up | criminal | dark | dissonant bass | establish character | leading man | observing | ominous | pc set | room | walking | zoom in
Beyond the Forest (1949)Rosa (Grazioso)0:15:01 - Rosa enters the lodgeadvance plot | arriving | cheerful | leading lady | room | wife | working

Beyond the Forest (1949)

Underscoring (Gentle)0:23:29 - Lewis arrives homeadvance plot | arriving | doctor | gentle | leading man | room | tender | underscoring

Beyond the Forest (1949)

Lewis (Triste)0:23:53 - Lewis at homeadvance plot | arriving | doctor | leading man | room | tender | tense

Beyond the Forest (1949)

Courthouse (Agitato Quasi Rubato)0:31:12 - Rosa arrives homeadvance plot | angry | arriving | leading lady | room | upset | yelling

Beyond the Forest (1949)

Chicago0:43:37 - Rosa sewsadvance plot | arriving | familiar tune | leading lady | leading man | on-screen music | popular tune | room | score to source | sewing | singing | source and scoring overlap | source music | upbeat | wife

Beyond the Forest (1949)

Chicago (City)0:44:28 - Downtown Chicagoarriving | bright | calling | calm | city | familiar tune | hotel | leading lady | phone book | popular tune | telephone | transition | traveling

Beyond the Forest (1949)

I’m in a Jam with Baby0:54:39 - Rosa walks down the streetadvance plot | arriving | bouncer | club | crying | departing | jazz | leading lady | sentimental | sitting | source music | stranger

Beyond the Forest (1949)

Rosa (Molto Tranquillo)0:57:36 - Lewis opens the doorarriving | calm | dark | doctor | leading lady | leading man | reunion scene | room | wife

Beyond the Forest (1949)

For He’s a Jolly Good Fellow1:02:12 - Folk musiciansarriving | cake | cheerful | conversing | crowd | dance scene | doctor | familiar tune | leading lady | leading man | love interest | musician | on-screen music | party | playing | room | singing | source music | tuning | wife | wind

Beyond the Forest (1949)

Rosa (Heavy)1:12:58 - Rosa and Lewis drive awayarriving | departing | dramatic | funeral | husband | leading lady | leading man | murderer | room | somber | transition | victim

Beyond the Forest (1949)

Lewis (Crescendo)1:13:15 - Rosa and Lewis at homearriving | calm | conversing | dark | dramatic | husband | leading lady | leading man | murderer | room | transition | victim | yelling

Beyond the Forest (1949)

Lewis (Triste 2)1:24:09 - Lewis walks insidearriving | calm | doctor | fever | illness scene | leading lady | leading man | murderer | room | sickness | solemn | street | waiting | walking

Beyond the Forest (1949)

Stinger1:31:51 - Rosa deadarriving | climax | dark | death | doctor | husband | leading lady | leading man | mad scene | murderer | solemn | stinger | train | train station | walking

Beyond the Forest (1949)

Rosa1:32:10 - Lewis arrivesarriving | checking | climax | dark | death | doctor | dramatic | husband | leading lady | leading man | mad scene | murderer | reacting | tender | train | train station
The Big Sleep (1946)Underscoring (Tense)0:01:01 - Sign for the Sternwood mansionarriving | butler | establish character | leading man | mansion | private eye | room | tense | underscoring

The Big Sleep (1946)

Walking0:01:26 - Carmen walks down the stairsarriving | daughter | deceptive resolution | descending | establish character | femme fatale | leading man | mysterious | parallelism | pedal tone | private eye | room | walking

The Big Sleep (1946)

Marlowe (Misterioso)0:19:40 - Marlowe pulls up in his cararriving | car | half-diminished 7th chord | investigating | leading man | mysterious | private eye | rain | street | tense | transition

The Big Sleep (1946)

CarmenNIF - not in filmarriving | butler | chromatic mediant | deleted scene | femme fatale | leading man | private eye | room | tense | transition

The Big Sleep (1946)

Marlowe (Molto Misterioso)0:25:05 - Marlowe arrives at Carmen's housearriving | butler | departing | dissonant bass | femme fatale | inserted scene | leading man | not in score | private eye | reused recording | room | tense | transition

The Big Sleep (1946)

Marlowe (Misterioso)0:27:44 - Marlowe returns to the scene of the crimearriving | investigating | investigation scene | leading man | mysterious | private eye | room

The Big Sleep (1946)

Marlowe (Major)0:28:47 - Marlowe's name on his apartment doorarriving | leading man | mode mixture | mysterious | name on screen | noble | private eye | room | sequential modulation | transition

The Big Sleep (1946)

EnteringNIF - not in filmarriving | augmented sixth chord | deleted scene | entering | gentle | leading man | not in score | parallel 63s | parallelism | private eye | room | transition | walking

The Big Sleep (1946)

Marlowe (Melancholy)NIF - not in filmadded-note chord | arriving | deleted scene | leading man | melancholy | not in score | private eye | room | transition

The Big Sleep (1946)

Walking0:32:10 - Marlowe walks to his officeadvance plot | arriving | calm | leading lady | leading man | parallelism | pedal tone | private eye | room | walking

The Big Sleep (1946)

Car0:47:32 - Another car arrivesarriving | driving | investigation scene | leading man | mysterious | ostinato | private eye | street | tense | waiting

The Big Sleep (1946)

Marlowe (Determined)0:47:56 - Marlowe enters the apartment buildingarriving | ascending | bold | common-chord modulation | determined | fragmentation | heroic | investigating | investigation scene | leading lady | leading man | parallel 63s | parallelism | private eye | sequence | stairs | street | walking

The Big Sleep (1946)

Marlowe (Sinister)0:58:24 - Marlowe takes Carol to Geiger's housearriving | assassin | conflict | dark | gun | leading man | murderer | private eye | punching | sinister | stinger | street | whole-tone chord

The Big Sleep (1946)

I Guess I'll Have to Change My Plan1:00:50 - Vivian enters a restaurantABACA structure | arriving | club | conversing | falling in love scene | leading lady | leading man | love interest | pleasant | private eye | source music

The Big Sleep (1946)

And Her Tears Flowed Like Wine1:05:55 - Marlowe arrives at Mars's placeadvance plot | arriving | club | leading lady | leading man | love interest | musician | on-screen music | playing | private eye | singer | singing | source music | upbeat

The Big Sleep (1946)

Driving 2 + Vivian1:45:21 - Marlowe tells Vivian he loves her9th chord | 13th chord | arriving | car | chromatic parallelism | conversing | driving | leading lady | leading man | love | love interest | love scene | ostinato | private eye | romantic | suspension | tense
The Breaking Point (1950)En Mi Canto de Amor0:08:57 - A dock at nightarriving | art song | boat | conversing | docking | establish setting | flirting | floozy | harbor | leading lady | leading man | not by Steiner | sailor | source music | upbeat | working

The Breaking Point (1950)

La Adelita0:09:56 - A Mexican village at nightarriving | bar | bartender | conversing | establish setting | folk music | leading man | musician | on-screen music | performing | sailor | salesperson | selling | source music | street | upbeat | working

The Breaking Point (1950)

Make Love With a Guitar0:33:28 - Harry arrives homeadvance plot | arriving | calm | child | conversing | leading man | musician | neighbor | on-screen music | room | sailor | source music | street | wife | yard

The Breaking Point (1950)

Humming0:54:33 - Wesley and Harry work on the boatarriving | calm | criminal | friend | harbor | humming | leading man | on-screen music | sailor | source music | transition | walking | working
Caged (1950)Molto ExpressivoNIF - not in filmadvance plot | arriving | cut from film | disbelief | guard | leading lady | pregnancy | prison | prisoner | realization | somber | stinger | tense | walking

Caged (1950)

June (Slowly)0:38:39 - Marie looks for Junearriving | conversing | establish character | friend | guard | leading lady | melancholy | prison | prisoner | somber
His Greatest Gamble (1934)Russian Waltz0:30:05 - Philip arrives at Florence's home9th chord | arriving | calm | chromatic sequence | common-tone diminished 7th | establish setting | fugitive | leading man | mansion | mode mixture | on-screen music | piano | playing | pleasant | source music | waltz | wandering
City for Conquest (1940)Shadow Waltz (Ethereal)0:24:48 - Peggy peeks out of her dooradded-note chord | advance plot | arriving | chromatic parallelism | chromatic wedge | common-tone diminished 7th | entering | gentle | leading lady | mysterious | parallelism | room | sneaking | source to score

City for Conquest (1940)

Negra Consentida0:41:21 - The Carleton Plaza Towersadvance plot | arriving | boxer | dance band | dancer | dancing | leading man | musician | on-screen music | parallel double period | party | playing | source music | upbeat

City for Conquest (1940)

Adios Muchachos0:50:27 - Peggy arrives homeadvance plot | arriving | cheerful | conversing | dancer | leading lady | parallel double period | record player | room | source music | tango

City for Conquest (1940)

Adios Muchachos0:51:19 - Peggy talks with Murrayadvance plot | arriving | cheerful | conversing | dancer | leading lady | parallel double period | record player | room | source music | tango

City for Conquest (1940)

Underscoring (Gentle)0:55:19 - A taxi approaches11th chord | appoggiatura | arriving | farewell scene | gentle | leading lady | leading man | source and scoring overlap | street | taxi | underscoring

City for Conquest (1940)

Tone Poem A (Very Rough)1:15:00 - The car pulls to a stoparriving | car | criminal | dark | dock | driving | gangster | manager | murderer | murder scene | threatening | tritone | whole-tone chord
They Made Me a Criminal (1939)The Fugitive (Arriving)0:25:42 - Johnnie arrives at the ranch9th chord | arriving | establish character | foreign key modulation | leading lady | leading man | ranch | teenager | tired
Deep Valley (1947)Homestead (Moderato 2)0:18:58 - A truck arrivesarriving | bright | calm | car | crew | driving | leading man | lovers meet | street

Deep Valley (1947)

Law0:23:19 - Guard taking Barry to a shedarriving | conflict | construction site | convict | dark | guard | leading man | march | stinger | walking

Deep Valley (1947)

Libby 30:30:31 - Libby watches the stormadvance plot | arriving | boss | hesitant | leading lady | leading man | leaving | lightning | room | storm | thunder | watching

Deep Valley (1947)

Homestead (Slowly)0:37:05 - Ellie in her roomadvance plot | arriving | father | mother | room | somber | street | waiting

Deep Valley (1947)

Love Theme (Full)0:39:50 - Libby in the cabinadvance plot | arriving | cabin | calm | dog | leading lady | noble

Deep Valley (1947)

Woods0:42:41 - Libby arrives at the cabinadvance plot | arriving | cabin | cheerful | convict | dog | fugitive | leading lady | leading man | upbeat

Deep Valley (1947)

Underscoring (Dramatic)1:02:02 - Libby in her roomadvance plot | arriving | dramatic | father | leading lady | police | room | searching | street | tense | underscoring | watching

Deep Valley (1947)

Homestead (Walking)1:23:47 - Cliff on the porchadvance plot | arriving | calm | convict | father | fugitive | leading lady | leading man | love interest | porch

Deep Valley (1947)

Barry (Misterioso)1:25:16 - Barry shavingadvance plot | arriving | convict | fugitive | leading lady | leading man | love interest | mysterious | street

Deep Valley (1947)

Barry (Very Slowly)1:30:02 - Libby climbs the ladderadvance plot | arriving | barn | climbing | convict | fugitive | leading lady | leading man | love interest | somber | uneasy | walking
Dust Be My Destiny (1939)Arriving0:26:52 - Joe and Mabel settle into their new situation9th chord | arriving | calm | dramatic | freedom | leading lady | leading man | runaway | settling down | street | traveling | traveling scene | truck
Each Dawn I Die (1939)Don’t Give Up the Ship0:26:47 - Prison orchestra playsarriving | entering | military band | murder scene | on-screen music | orchestra | parallel double period | patriotic | prison | prisoner | source music
Flamingo Road (1949)Titus (Inverted)0:33:27 - Field arrives at the caféarriving | breakup | café | inversion | leading man | ominous | self-borrowing | sheriff | telephone | worker

Flamingo Road (1949)

Lute Mae (Driving)0:53:02 - Lane drives Dan to the construction site13th chord | added-note chord | arriving | car | car | comical | common-chord modulation | driving | leading lady | leading man | love interest | politician | rushed | self-borrowing | transition | traveling

Flamingo Road (1949)

Flamingo Road (Expressivo)1:02:07 - The gate to 32 Flamingo Road11th chord | added-note chord | arriving | gentle | husband | leading man | self-borrowing | sign | street | transition

Flamingo Road (1949)

Titus (Tutti)1:08:05 - Titus and Field arrive at the construction sitearriving | dark | dominant 7th chord | half-diminished 7th chord | leading man | ominous | politician | self-borrowing | sheriff | street | transition

Flamingo Road (1949)

Underscoring (Tense)1:11:26 - Field drinksalcohol | arriving | bullying | conflict | dramatic | drinking | leading man | linear chromaticism | politician | room | sheriff | underscoring

Flamingo Road (1949)

Titus 2 (Buzzer)1:13:16 - Titus arrivesarriving | chromatic parallelism | dark | entering | leading lady | maid | ominous | politician | room | self-borrowing | sheriff | transition

Flamingo Road (1949)

The Girl With the Spanish Drawl1:29:10 - Lane arrives at Lute Mae'sarriving | climax | club | dancer | dancing | leading lady | musician | on-screen music | playing | source and scoring overlap | source music | upbeat
Hell on Frisco Bay (1955)Steve0:11:11 - Steve knocks on dooradvance plot | arriving | conductor score | investigator | leading man | pleasant | porch | walking

Hell on Frisco Bay (1955)

Hell on Frisco Bay0:24:15 - Steve goes homeadvance plot | arriving | conductor score | leading man | room | sentimental

Hell on Frisco Bay (1955)

Steve0:32:34 - Steve investigatesadvance plot | arriving | conductor score | investigator | leading man | neutral | street | walking

Hell on Frisco Bay (1955)

Steve Arrives0:54:56 - Steve arrives at an apartmentarriving | conductor score | investigator | leading man | mickey-mousing | mysterious | street | tense | transition | walking

Hell on Frisco Bay (1955)

Amato1:08:39 - Amato arrivesadvance plot | antagonist | arriving | brash | conductor score | dark | gangster | leading man | stinger | street

Hell on Frisco Bay (1955)

Kay1:29:11 - Steve enters with Kayarriving | entering | investigator | leading lady | leading man | love interest | room | somber | turning point | witness

Hell on Frisco Bay (1955)

Underscoring (Tense)1:35:05 - The police arriveaction scene | arriving | conversing | dock | leading lady | police | tense | underscoring

Hell on Frisco Bay (1955)

Menace1:36:57 - The police boat leavesagitated | arriving | boat | dock | gangster | inspector | leading man | police | tense

Hell on Frisco Bay (1955)

Steve1:37:30 - Steve gets off the boatarriving | boat | bold | dock | gangster | heroic | inspector | leading man | police

Hell on Frisco Bay (1955)

Hell on Frisco Bay1:37:36 - Steve goes to his wifearriving | dock | gentle | inspector | leading lady | leading man | romantic
Her Kind of Man (1946)Body and Soul (Intro)0:56:28 - Night club signarriving | crowd | dramatic | music scene | sign | street

Her Kind of Man (1946)

Underscoring (Mysterious)1:05:01 - A dark dooradvance plot | arriving | conversing | husband | leading man | mysterious | reporter | room | underscoring | widow

Her Kind of Man (1946)

It Had to Be You (Mysterious)1:07:50 - Don leavesadvance plot | arriving | car | car | criminal | driving | familiar tune | gambler | henchman | leading lady | leading man | murderer | mysterious | popular music | signaling | singer | street | warehouse | wife

Her Kind of Man (1946)

It Had to Be You (Secret Rendezvous)1:09:09 - Georgia enters the warehouseadvance plot | arriving | conversing | embracing | familiar tune | gambler | kissing | leading lady | leading man | murderer | popular music | romantic | singer | source to score | uneasy | warehouse | wife

Her Kind of Man (1946)

Candy1:11:27 - Candy approaches the warehouseadvance plot | arriving | criminal | gambler | henchman | leading man | murderer | pc set | tense | walking | warehouse

Her Kind of Man (1946)

Underscoring (Tense [Steiner])1:15:00 - Candy in the alleyarriving | climax | criminal | double-cross | driving | gambler | henchman | hiding | husband | leading man | murderer | revenge | signaling | sneaking | street | syncopation | tense | underscoring | warehouse | widow

Her Kind of Man (1946)

Speeding1:16:29 - Candy tries to run awayarriving | capturing | car | chromatic parallelism | chromatic scale | chromatic sequence | climax | criminal | double-cross | dramatic | gambler | henchman | leading man | murder | murderer | omnibus progression | police | reporter | revenge | running | street | tense
I Was a Communist for the FBI (1951)Undercover Agent (Marcia Misterioso)0:01:17 - Agent walks to the phoneagent | airport | arriving | calling | conversing | dialing | establish setting | march | mysterious | ostinato | polychord | sequence | telephone | tense | tone cluster | tritone oscillation | typewriter | typing | walking

I Was a Communist for the FBI (1951)

I'm in a Jam with Baby0:15:20 - Matt enters a barABAB structure | advance plot | agent | arriving | bar | calling | conversing | customer | dialing | jazz | jukebox | leading man | source music | sultry | telephone | undercover agent | walking

I Was a Communist for the FBI (1951)

(I'm Gonna Wait) A Little Bit Longer (For That Never-on-Time Baby of Mine)0:39:06 - Matt goes to a record shopadvance plot | agent | arguing | arriving | conversing | jazz | leading man | record player | record shop | shopkeeper | source music | undercover agent | upbeat | walking
In This Our Life (1942)Stanley Introduction0:06:35 - A car arrives9th chord | arriving | car | chromatic scale | conversing | establish character | leading lady | leading man | love interest | stinger | tense

In This Our Life (1942)

Stanley (She Runs)0:07:32 - Stanley runs insidearriving | chromatic parallelism | chromatic sequence | diminution | establish character | hurried | leading lady | mickey-mousing | room | running | sequence | street

In This Our Life (1942)

Stanley B (Valse Triste)0:16:33 - Craig arrives9th chord | advance plot | arriving | dark | dissonant bass | leading lady | leading man | somber | street | waltz | watching | window

In This Our Life (1942)

Stanley B (Agitato)0:18:08 - Asa arrives in a caradvance plot | agitated | arriving | butler | chromatic scale | chromatic sequence | dissonant bass | father | half-diminished 7th chord | room | tense

In This Our Life (1942)

Asa (Triste)0:21:45 - Asa arrives home64 chord | arriving | common-tone diminished 7th | conflict | father | leading lady | room | solemn | somber | tense

In This Our Life (1942)

Stanley Introduction (Extended)0:36:41 - Peter goes home9th chord | arriving | car | chromatic scale | leading man | love scene | room | solemn | somber | tense

In This Our Life (1942)

Blues in the Night (Transition)0:43:37 - Craig's office door9th chord | arriving | assistant | calm | friend | leading lady | love scene | office | pleasant | source to score

In This Our Life (1942)

Roy (Delicate)0:50:40 - Roy arrives at Stanley's apartmentadvance plot | arriving | deceptive resolution | foreign key modulation | friend | gentle | leading lady | room | sweet

In This Our Life (1942)

Caring0:51:39 - Roy greets Stanley9th chord | advance plot | arriving | chromatic parallelism | gentle | leading lady | room | sister | tender | widow

In This Our Life (1942)

Underscoring (Tense)1:05:14 - Craig in his officeadvance plot | arriving | augmented triad | lawyer | leading lady | leading man | office | pc set | pedal tone | tense | underscoring

In This Our Life (1942)

Police1:09:16 - A police car arrivesarriving | car | chromatic scale | driving | investigation scene | menacing | pedal tone | police | room | tense

In This Our Life (1942)

Underscoring (Tense)1:09:25 - Policemen approach the housearriving | chromatic parallelism | conversing | criminal | investigation scene | leading lady | mysterious | pedal tone | police | room | tense | walking | watching

In This Our Life (1942)

Stanley (Descending Staircase)1:09:49 - Policemen enter the housearriving | conversing | criminal | investigating | investigation scene | leading lady | mysterious | pc set | police | room | sneaking | tense | walking | watching

In This Our Life (1942)

Stanley (Packing)1:14:36 - Newspaper headline about the accident9th chord | appoggiatura | arriving | circle of fifths | conflict | conversing | headline | lawyer | leading lady | leading man | mysterious | newspaper | office

In This Our Life (1942)

You're a Lucky Guy1:16:20 - Stanley dancesAABA structure | advance plot | arriving | conversing | criminal | dancing | drinking | leading lady | popular music | record player | room | source music | upbeat

In This Our Life (1942)

Fast Driving (Tense)1:20:10 - Craig's car pulls up to the jailarriving | car | car | conflict | conversing | criminal | lawyer | leading lady | leading man | oscillation | pc set | street | tense | underscoring | uneasy
The Informer (1935)The Wearin' o' the Green (Mysterious)0:08:57 - Frankie enters the Dunboy house to join the rebelsarriving | diminished 7th chord | dissonant bass | establish character | familiar tune | folk song | hero | Irish | leading man | mysterious | parallelism | room | street | tense

The Informer (1935)

The Informer (Risoluto)1:20:12 - Rebels plan to catch Gypoadvance plot | arriving | headquarters | octatonic | planning | rebel | room | tense | whole-tone chord
Key Largo (1948)Seminoles0:19:11 - Seminole Indians arriveadvance plot | arriving | boat | conversing | dock | Indian | Indian | leading lady | leading man | rowing | serious

Key Largo (1948)

Seminoles (Grandma)0:19:46 - Elderly Indian woman talks to Noraadvance plot | arriving | boat | conversing | dock | grandmother | Indian | Indian | leading lady | leading man | old woman | serious | smoking

Key Largo (1948)

Seminoles (Brothers)0:20:29 - Nora talks with Seminole Indiansadvance plot | arriving | boat | conversing | dock | Indian | Indian | leading lady | leading man | serious
The Letter (1940)Underscoring (Tense)0:06:21 - Robert goes in the housearriving | chromatic scale | diminished 7th chord | home | husband | tense | transition | underscoring
Lightning Strikes Twice (1951)Menace0:01:23 - Priest in a prisonarriving | conversing | dark | establish character | funeral march | funereal | guard | leading man | priest | prison | prisoner | solemn | somber | walking | warden

Lightning Strikes Twice (1951)

Shelly (Traveling) + Shelly 2 (Allegretto)0:23:40 - Shelly travels to Tumblewood Ranchactor | arriving | bright | car | cheerful | combination of themes | countryside | cut from film | desert | driving | horse | leading lady | leading man | ranch | suspect | transition | traveling | walking

Lightning Strikes Twice (1951)

Shelly + Shelly 2 (Molto Misterioso)0:24:05 - Shelly looks around the ranchactor | arriving | calm | combination of themes | leading lady | mysterious | ranch | transition | walking

Lightning Strikes Twice (1951)

Shelly 2 (Dolce)0:24:34 - Shelly walks around the ranchactor | arriving | brother | calm | conversing | leading lady | ranch | rancher | transition | walking

Lightning Strikes Twice (1951)

Shelly 3 (Dolce)0:24:43 - Shelly sees Lizaactor | arriving | brother | calm | conversing | feeding | goat | leading lady | ranch | rancher | transition | watching

Lightning Strikes Twice (1951)

Father Paul (Carriage)0:35:13 - Priest riding in a carriagearriving | carriage | dog | flashback | galloping | horse | leading man | mysterious | priest | ranch | suspect | traveling | upbeat | voice-over

Lightning Strikes Twice (1951)

Trev (Triste)0:38:59 - Trev enters the storeactor | advance plot | arriving | leading lady | leading man | looking | somber | staring | store | suspect | watching | whispering | worker

Lightning Strikes Twice (1951)

Shelly (Gallop)0:40:52 - Shelly riding on a horseactor | arriving | countryside | galloping | galloping effect | horse | leading lady | riding | transition | upbeat

Lightning Strikes Twice (1951)

Shelly (Dolce) + Shelly 20:41:00 - Shelly gets off of her horseactor | arriving | calm | combination of themes | horse | leading lady | ranch | transition | walking | worker

Lightning Strikes Twice (1951)

Shelly (Gallop 2) + Shelly 20:42:19 - Shelly riding on a horseactor | arriving | calm | combination of themes | countryside | galloping | galloping effect | horse | leading lady | riding | transition | traveling | upbeat

Lightning Strikes Twice (1951)

Shelly (Legato) + Shelly 2 (Legato)0:42:32 - Shelly gets off of her horseactor | arriving | calm | combination of themes | countryside | hiking | horse | leading lady | leading man | love interest | suspect | transition | walking

Lightning Strikes Twice (1951)

Shelly 2 (Dolce)0:51:36 - Shelly arrives at the Nolan ranchactor | arriving | calm | leading lady | ranch | transition | walking

Lightning Strikes Twice (1951)

Shelly 3 (Dolce)0:51:45 - Shelly walks to the ranch houseactor | arriving | butler | calm | conversing | leading lady | ranch | stinger | transition | waiting | walking

Lightning Strikes Twice (1951)

Underscoring (Dark)1:02:38 - Harvey drivesactor | arriving | car | conflict | danger | dark | driving | friend | leading lady | love interest | ranch | stopping | tense | underscoring

Lightning Strikes Twice (1951)

Shelly (Worried)1:03:05 - Harvey gets out of the caractor | arriving | car | concerned | conflict | conversing | dark | friend | leading lady | love interest | ranch | tense | worried

Lightning Strikes Twice (1951)

Shelly and Trev (Ecstatic)1:07:09 - A car pulls up the ranchactor | arriving | driving | embracing | kissing | leading lady | leading man | love interest | love scene | ranch | romantic | suspect

Lightning Strikes Twice (1951)

Shelly (Molto Agitato)NIF - not in filmactor | agitated | arriving | car | cut from film | dark | driving | leading lady | ranch | tense | turning point

Lightning Strikes Twice (1951)

Menace (Expressivo)1:22:56 - Liza looks out the windowactor | arriving | car | dark | leading lady | looking | menacing | murderer | obsessive | ranch | rancher | room | turning point | watching | worrying

Lightning Strikes Twice (1951)

Shelly (Attack)NIF - not in filmactor | arriving | attacking | attempted murder | conflict | cut from film | dark | frantic | friend | husband | leading lady | leading man | murderer | rancher | room | rushing | strangling

Lightning Strikes Twice (1951)

Shelly 2 (Attack)NIF - not in filmactor | arriving | attacking | attempted murder | conflict | cut from film | dark | frantic | friend | husband | leading lady | leading man | murderer | rancher | room | rushing | strangling

Lightning Strikes Twice (1951)

Shelly 3 (Attack)NIF - not in filmactor | arriving | attacking | attempted murder | conflict | cut from film | dark | frantic | friend | husband | leading lady | leading man | murderer | rancher | room | rushing | strangling
Mildred Pierce (1945)Mildred (Sehr Dramatic)0:12:06 - Mildred arrives homeadvance plot | arriving | chromatic scale | chromatic sequence | dark | daughter | diminished 7th chord | dramatic | half-diminished 7th chord | heroine | imitation | leading lady | street | tense | tritone | worrying

Mildred Pierce (1945)

Hall of Justice0:13:35 - The Los Angeles Hall of Justiceadvance plot | arriving | bold | detective | entering | heroine | justice | leading lady | parallelism | pedal tone | police | police station | walking

Mildred Pierce (1945)

Bert0:20:18 - Bert comes home9th chord | added-note chord | arriving | common-chord modulation | cooking | establish character | flashback | gentle | heroine | husband | leading lady | mode mixture | room | self-borrowing | street

Mildred Pierce (1945)

Beach House0:42:49 - Mildred and Wally drive up to the beach house9th chord | arriving | beach house | driving | friend | heroine | leading lady | ocean | peaceful | transition | water | wave

Mildred Pierce (1945)

Walking0:42:58 - Mildred and Wally walk to the houseadded-note chord | arriving | beach house | excited | friend | heroine | leading lady | mickey-mousing | ocean | parallelism | transition | walking

Mildred Pierce (1945)

Mildred (Angry)1:18:21 - Mildred walks out of an argument9th chord | aggressive | angry | arriving | chromatic parallelism | conflict | heroine | hurrying | leading lady | leaving | Neapolitan | room | walking

Mildred Pierce (1945)

Mildred B (Twist)1:45:20 - Mildred walks into the beach housearriving | climax | dark | flashback | heroine | leading lady | room

Mildred Pierce (1945)

Mildred (Ominous)1:45:25 - Mildred walks downstairsarriving | climax | dark | fragmentation | half-diminished 7th chord | heroine | imitation | leading lady | ominous | room
Out of the Fog (1941)Concert in the Park0:01:57 - Goff walks along the dockarriving | conversing | criminal | dock | establish character | gambling | leading man | popular music | restaurant | source and scoring overlap | source music | upbeat | worker

Out of the Fog (1941)

Concert in the Park0:25:09 - Jonah and Olaf walk down the streetadvance plot | arriving | conversing | dock | father | fisherman | friend | popular music | source music | upbeat | walking

Out of the Fog (1941)

Underscoring (Dramatic)0:45:13 - Goff entersarriving | conflict | conversing | criminal | dock | dramatic | father | fisherman | friend | leading man | tense

Out of the Fog (1941)

Father and Daughter (Tender)0:51:32 - Maps of Cubaadvance plot | arriving | conversing | father | fisherman | leading lady | mirror shot | packing | room | tender | tense

Out of the Fog (1941)

Russian Folk Song0:54:43 - Jonah enters a roomadvance plot | arriving | cheerful | father | fisherman | folk music | friend | on-screen music | room | singing | source music

Out of the Fog (1941)

Morgue1:12:37 - The morgueaction scene | arriving | conversing | corpse | death | fear | leading lady | morgue | ominous | police | tense
Kid Galahad (1937)Heart's Affair (Arriving)0:58:30 - A newspaper headlinearriving | countermelody | farm | leading man | love scene | mode mixture | newspaper | playful | reading | sister | transcribed by ear

Kid Galahad (1937)

Doublecross (Heated)1:16:02 - Nick arrives at the farmadvance plot | arguing | arriving | chromatic mediant | farm | leading man | manager | not by Steiner | sister | tense | transcribed by ear
The Unfaithful (1947)Chris0:01:26 - Chris arrives at home9th chord | arriving | Beverly Hills | calm | establish character | foreign key modulation | house | leading lady

The Unfaithful (1947)

Unfaithful (Dramatic)0:44:05 - Chris goes to Larry's officeadvance plot | arriving | fanfare | heroic | law office | leading lady | mode mixture | office

The Unfaithful (1947)

Unfaithful (Drone)0:51:08 - Chris enters the art shopadvance plot | arriving | leading lady | ostinato | shop | shopkeeper | somber

The Unfaithful (1947)

Unfaithful (Distressed)0:52:17 - The maid turns on a lamp9th chord | advance plot | arriving | foreign key modulation | forlorn | leading lady | maid | obsession | ostinato | pc set | room | tense

The Unfaithful (1947)

Attorney (Doorbell)0:53:31 - Chris takes off her jacketadvance plot | arriving | enharmonic respelling | heroic | lawyer | leading lady | room | stinger | surprise

The Unfaithful (1947)

Tanner1:10:47 - Men get out of the caraltered dominant | antagonist | arriving | foreshadowing | fragmentation | husband | irregular meter | pc set | quartal chord | street | tense | transition | walking

The Unfaithful (1947)

Unfaithful (Risoluto)1:14:27 - Bob arrives homeangry | arriving | car | driving | fragmentation | house | husband | monophonic | transition
White Heat (1949)Big Ed0:06:00 - Big Ed talks to Codyarriving | dark | establish character | gangster | leading man | murderer | room | tense | victim

White Heat (1949)

Speed0:16:46 - Sign for Milbanke Motelsarriving | car | dark | driving | gangster | leading man | murderer | self-borrowing | street | tense | transition

White Heat (1949)

Backing up0:17:00 - Cody backs uparriving | backing up | car | dark | driving | gangster | leading man | mickey-mousing | murderer | street | tense | transition

White Heat (1949)

Underscoring (Tense)0:18:58 - Agents pull up in a caradvance plot | agent | arriving | car | driving | street | tense

White Heat (1949)

Pursuit (Ominous)0:22:08 - Agents arrive at the moteladvance plot | agent | arriving | car | driving | motor effect | ominous | pursuing | street | telephone | tense

White Heat (1949)

Cody (Mugs)1:39:57 - Gangsters in the tankerarriving | chase scene | dramatic | driving | factory | fugitive | gangster | guard | leading man | murderer | ominous | truck | truck | undercover agent | waiting

White Heat (1949)

Gate1:40:15 - The factory gate opensarriving | chase scene | closing | dark | driving | factory | fanfare | fugitive | gangster | gate | guard | leading man | murderer | opening | tense | truck | undercover agent

White Heat (1949)

Underscoring (Tense)1:40:42 - Truck pulls in to factoryarriving | chase scene | driving | factory | fugitive | gangster | leading man | murderer | tense | truck | undercover agent | underscoring

White Heat (1949)

Cody1:40:57 - Cody exits truckarriving | chase scene | dark | factory | fugitive | gangster | leading man | murderer | opening | tense | truck | undercover agent

White Heat (1949)

Plotting (Faster)1:41:49 - Gangsters enter the buildingaction scene | anxious | arriving | factory | fugitive | gangster | guard | hurrying | leading man | murderer | tense | undercover agent | working

White Heat (1949)

Police Raid1:43:09 - Gangster acting as lookoutaction scene | arriving | factory | fugitive | gangster | leading man | looking | march | murderer | police | running | rushing | tense | undercover agent
The Woman in White (1948)Fosco0:04:40 - Walter hears a carriage approachingarriving | bold | carriage | conversing | establish character | fanfare | forest | leading man | tense

The Woman in White (1948)

The Carman's Whistle0:06:09 - Walter walks awayarriving | calm | establish character | garden | leading man | mansion | walking

The Woman in White (1948)

The Carman's Whistle (Arriving) + Ann0:06:22 - The woman in white appearsarriving | calm | combination of themes | establish character | garden | leading lady | leading man | mansion | sneaking | tense | tremolo | walking

The Woman in White (1948)

Limmeridge0:06:41 - Walter arrives at the mansionarriving | bold | butler | establish character | leading lady | leading man | mansion

The Woman in White (1948)

Underscoring (Gentle)0:06:56 - Walter meets Marianarriving | butler | establish character | gentle | leading lady | leading man | mansion | underscoring

The Woman in White (1948)

Fairlie (Poco Meno)0:12:33 - They arrive at Mr. Fairlie's roomarriving | butler | establish character | gentle | leading man | mansion

The Woman in White (1948)

Fairlie (Gentle)0:12:57 - Walter enters Mr. Fairlie's roomarriving | butler | establish character | gentle | leading man | mansion

The Woman in White (1948)

Fosco (Ominous)0:35:03 - Fosco's carriage approachesarriving | carriage | dark | garden | leading lady | leading man | ominous | transition

The Woman in White (1948)

Laura (Harp Countermelody)0:36:14 - Laura runs insideadvance plot | arriving | fiancé | gentle | leading lady | leading man | mansion | running

The Woman in White (1948)

Pavan B0:50:44 - A carriage arrivesarriving | carriage | conversing | cousin | grand | headline | leading lady | mansion | montage | montage | newspaper | Renaissance music | servant | transition

The Woman in White (1948)

Fairlie (Meno)0:51:08 - Marian looks at Limmeridge Houseadvance plot | arriving | conversing | cousin | gentle | leading lady | mansion | servant | warm

The Woman in White (1948)

Hypnosis0:51:33 - The servants greet Marianadvance plot | arriving | butler | conversing | cousin | leading lady | mansion | servant | tense

The Woman in White (1948)

Fosco (Misterioso 2)0:51:57 - Marian learns that the countess is in the houseadvance plot | arriving | butler | conversing | cousin | leading lady | mansion | servant | stinger | tense

The Woman in White (1948)

Fosco (Screwy)1:13:05 - The countess enters quietlyadvance plot | arriving | helping | mysterious | room | sneaking | tense | time lapse | victim | wife

The Woman in White (1948)

Fosco (Misterioso)1:18:29 - The woman in white hears Sir Percival's voiceantagonist | arriving | criminal | death scene | hearing voices | husband | leading lady | madness | mysterious | room | screaming | shock | surprise | tense | victim | wife

The Woman in White (1948)

Fosco (Con Moto)1:23:29 - Fosco arrives in his carriageantagonist | arriving | carriage | criminal | dark | leading man | murderer | serious | street | transition | traveling

The Woman in White (1948)

Fosco (Soft)1:45:18 - The Count talks to Marianarriving | climax | conversing | criminal | friend | leading lady | leading man | love interest | murderer | mysterious | necklace | room | wife

The Woman in White (1948)

Fosco (Dying)1:45:34 - The Countess picks up the necklacearriving | climax | criminal | death | dramatic | dying | falling | friend | knife | leading lady | leading man | love interest | murder | murderer | necklace | revenge | rising | room | stinger | tense | victim | violent | wife

The Woman in White (1948)

Laura (Harp Countermelody)1:46:55 - The camera pans from the asylumarriving | butler | child | conversing | father | happy | husband | leading man | mansion | resolution | voice-over | waltz
The Phantom of Crestwood (1932)Transgression0:18:54 - Ms. Wren descends the staircase9th chord | AABA structure | advance plot | arriving | common-chord modulation | conversing | party | radio | romantic | self-borrowing | transcribed by ear
Sing and Like It (1934)King Kong March0:58:31 - Annie's name in lights9th chord | 11th chord | 13th chord | added-note chord | advance plot | arriving | binary form | boss | common-tone diminished 7th | critic | crowd | dressing room | fanfare | fanfare | gangster | leading lady | lobby | mode mixture | neon lights | parallelism | self-borrowing | singer | street | theater | worker
Don’t Turn ‘em Loose (1936)Makes You Forget Your Troubles0:39:42 - Grace turns on the radioAABA structure | arriving | cheerful | common-tone diminished 7th | confronting | conversing | gangster | gun | leading man | moll | murderer | murder scene | popular music | room | source music | staring | threatening
Another Face (1935)Lover's Quarrel0:01:38 - Gangsters get out of a cararriving | establish setting | gangster | mysterious | office | sequence | street | walking

Another Face (1935)

Suicide Transition0:01:57 - Gangsters arrive at doctor's officearriving | conversing | doctor | establish setting | gangster | mysterious | office | parallelism | pedal tone
Girl of the Rio (1932)Toreador Song0:04:23 - A man cues the orchestra to playarriving | celebrity | crowd | establish character | leading man | night club | source music | Spanish | three-phrase period | upbeat | walking

Girl of the Rio (1932)

Querida0:06:40 - Don Jose admires a womanABAC structure | arriving | celebrity | conversing | crowd | establish character | laughing | leading lady | leading man | night club | on-screen music | performing | romantic | singer | singing | source music | Spanish
Without Honor (1949)Liszt Waltz0:29:28 - Bill talks to Janeantagonist | arriving | brother | calm | classical music | conflict | conversing | leading lady | leading man | radio | room | source music | taunting | wife | zoom in
The Most Dangerous Game (1932)Sneaking0:09:54 - Bob approaches the iron doorarriving | castle | door | door knocker | establish setting | leading man | mickey-mousing | mysterious | sneaking | statue | walking

The Most Dangerous Game (1932)

Russian Waltz (Door Opens)0:10:26 - The iron door slowly opensarriving | castle | door | door knocker | establish setting | leading man | mickey-mousing | ominous | sneaking | statue | walking

The Most Dangerous Game (1932)

Emotions 2 (Agitato)0:37:23 - Eve runs to Bobaction scene | agitated | arriving | castle | conversing | count | fear | leading lady | leading man | mute | prisoner | servant | tense | villain
Lightning Strikes Twice (1951)Liza (Triste)1:29:20 - Father Paul climbs upactor | arriving | car crash | climbing | countryside | death | husband | leading lady | leading man | mother | owner | police | priest | resolution | somber
Mara Maru (1952)Gregory (Con Moto)0:04:24 - A boat in the harborarriving | boat | child | conversing | diver | establish character | gambling | grand | harbor | heroic | leading man | ocean | sailing | worker

Mara Maru (1952)

Manuelo (Stinger)0:14:44 - Gregory arrives homearriving | discovering | dramatic | gentle | leading man | room | stinger | transition | unconcious | worker

Mara Maru (1952)

Underscoring (Dramatic)0:15:56 - Gregory picks up the phoneadvance plot | arriving | conversing | discovering | dramatic | knocking | leading man | police | room | stinger | telephone | underscoring | worker

Mara Maru (1952)

Murder0:19:08 - Callahan's body is discoveredagitated | arriving | corpse | discovering | dramatic | leading man | murder | murder scene | police | room | stinger | tense

Mara Maru (1952)

Gregory (Police)0:19:31 - The police stationarriving | dark | leading man | police | street | transition | walking

Mara Maru (1952)

Underscoring (Dramatic)0:46:32 - A boat on firearriving | crowd | death scene | dock | dousing | dramatic | fire | fire effect | hurrying | leading man | police | running | tense | underscoring

Mara Maru (1952)

Mara Maru0:53:22 - A boat in the harborantagonist | arriving | bodyguard | captain | conversing | dock | dramatic | harbor | leading man | panning shot | private eye | sailing | sailor | ship | tense | transition

Mara Maru (1952)

Sailing (Stormy)1:22:59 - Gregory enters the boatantagonist | arriving | captain | dark | dramatic | gun | leading man | rain | ship | storm | transition | walking | wave | wind

Mara Maru (1952)

Benedict1:31:19 - Benedict arrives at the churchantagonist | arriving | bodyguard | car | departing | driver | leading lady | love interest | murderer | mysterious | spying | street | tense | transition | watching

Mara Maru (1952)

Mara Maru (Ethereal)1:36:15 - Gregory meets Stella and Manueloarriving | catacomb | cave | leading lady | leading man | love interest | martyr | mysterious | reacting | resolution | solemn | tunnel | victim | worker