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212 results for "walking" — see also creeping | footsteps | marching | pacing | stepping | strolling

FilmTheme nameInstanceTags
All This, and Heaven Too (1940)School Girls0:01:12 - Young girls walking to schoolchatting | child | establish setting | pleasant | school | street | upbeat | walking

All This, and Heaven Too (1940)

Agitato0:06:49 - Henriette leaves the classroomagitated | distressed | establish character | hurrying | leading lady | leaving | minister | principal | school | teacher | walking

All This, and Heaven Too (1940)

The Duke (Maestoso)0:14:03 - Henriette enters the palacearriving | butler | calm | establish place | establish setting | gentle | leading lady | noble | palace | walking

All This, and Heaven Too (1940)

Invitation from the King1:03:46 - Invitation from the Kingballroom | bold | double exposure | duchess | duke | fanfare | leading lady | leading man | montage | walking

All This, and Heaven Too (1940)

All Hallows’ Eve1:23:22 - A forest scene at nightchild | conversing | create suspense | forest | governess | Halloween | hiding | leading lady | ombra topic | on-screen text | scaring | scary | spooky | walking

All This, and Heaven Too (1940)

Spring Time1:24:18 - The children laughcheerful | child | conversing | create suspense | forest | governess | leading lady | walking

All This, and Heaven Too (1940)

Henriette (Expressivo)1:32:32 - Henriette enters the palacegoverness | leading lady | love scene | ominous | palace | somber | walking

All This, and Heaven Too (1940)

Henriette (Appassionato 2)1:46:00 - Henriette descends the staircaseanxious | descending | excited | hurrying | leading lady | not mickey-moused | room | stairs | transition | walking

All This, and Heaven Too (1940)

Henriette (Molto Moderato)1:04:10 - Women in prisondouble exposure | headline | leading lady | montage | newspaper | pacing | prison | prisoner | solemn | suspect | walking

All This, and Heaven Too (1940)

Henriette (Moderato Maestoso)2:16:29 - A hand signing a release formhopeful | leading lady | leaving | noble | prison | resolution | walking | writing
The Amazing Dr. Clitterhouse (1938)The Amazing Doctor0:20:05 - Dr. Clitterhouse enters Hotel Sequin42 chord | advance plot | chromatic parallelism | dark | dissonant bass | doctor | half-diminished 7th chord | leading man | lobby | mysterious | quartal chord | sign | thief | walking

The Amazing Dr. Clitterhouse (1938)

Clitterhouse Onestep0:33:20 - Gangsters walk through music studioadded-note chord | common-tone diminished 7th | dancer | dancing | gangster | jaunty | on-screen music | parallel double period | pianist | playing | singing | studio | transition | walking | warming up

The Amazing Dr. Clitterhouse (1938)

Night Watchman0:44:29 - Watchman arrives at the storedarkness | dissonant bass | flashlight | guard | half-diminished 7th chord | keys | mysterious | opening | robbery | store | suspenseful | walking | working

The Amazing Dr. Clitterhouse (1938)

Walking0:44:39 - The watchman walksaugmented sixth chord | darkness | flashlight | guard | half-diminished 7th chord | mickey-mousing | mysterious | robbery | store | suspenseful | walking | working

The Amazing Dr. Clitterhouse (1938)

Night Watchman (Light and Shadow)0:44:51 - The watchman goes about his workaugmented sixth chord | criminal | flashlight | gangster | guard | mysterious | robbery | shadow | store | suspenseful | walking | working

The Amazing Dr. Clitterhouse (1938)

Sneaking0:45:13 - Criminals steal fursascending | carrying | chromatic parallelism | crime | criminal | diminished 7th chord | dissonant bass | gangster | pedal tone | robbery | sneaking | sneaky | stairs | stealing | store | thief | walking

The Amazing Dr. Clitterhouse (1938)

Underscoring (Mysterious)0:45:26 - Criminals on the rooftop42 chord | carrying | chromatic parallelism | chromatic scale | crime | criminal | dissonant bass | gangster | half-diminished 7th chord | mysterious | robbery | rooftop | sneaking | sneaky | stairs | stealing | thief | tossing | underscoring | walking | whole-tone

The Amazing Dr. Clitterhouse (1938)

Underscoring (Tense)0:47:04 - Doctor talks with the criminalsaugmented major 7th chord | chromatic parallelism | criminal | dissonant bass | doctor | examining | gangster | leading man | ostinato | pc set | robbery | rooftop | tense | thief | underscoring | walking | working

The Amazing Dr. Clitterhouse (1938)

Spiraling down0:47:38 - Doctor goes down the stairs9th chord | criminal | descending | diminished 7th chord | doctor | gangster | leading man | mickey-mousing | mysterious | robbery | spiraling | store | tense | thief | walking

The Amazing Dr. Clitterhouse (1938)

Rocks goes downstairs0:50:05 - Rocks goes down the stairsantagonist | anxious | criminal | descending | diminished 7th chord | double-cross | dramatic | gangster | mickey-mousing | murderer | robbery | stairs | store | temperature | tense | thief | walking

The Amazing Dr. Clitterhouse (1938)

The Amazing Doctor + The Motor0:50:22 - Butch runs downstairsanxious | chromatic scale | combination of themes | criminal | double-cross | down | downstairs | dramatic | gangster | mickey-mousing | motor | ostinato | robbery | store | tense | thief | walking

The Amazing Dr. Clitterhouse (1938)

Butch goes downstairs0:50:22 - Butch runs downstairsanxious | chromatic scale | combination of themes | criminal | double-cross | down | downstairs | dramatic | gangster | mickey-mousing | robbery | store | tense | thief | walking
Angels With Dirty Faces (1938)Sidewalks of New York0:00:58 - Organ grinder on the streets of New Yorkcheerful | conversing | establish place | establish setting | source music | street | teenager | walking

Angels With Dirty Faces (1938)

I’ve Got a Heartfelt of Music0:08:31 - People in the streetABAC structure | cheerful | crowd | driving | headline | newspaper | radio | source music | street | transition | walking

Angels With Dirty Faces (1938)

Whistling0:21:14 - Character whistlesadvance plot | cheerful | gang | on-screen music | source music | street | teenager | walking | whistling

Angels With Dirty Faces (1938)

Rocky and Laury (Not In Film 1)NIF - not in filmadded-note chord | altered dominant | augmented sixth chord | common-chord modulation | conversing | cut from film | establish character | following | gangster | leading lady | leading man | mode mixture | street | walking

Angels With Dirty Faces (1938)

Rocky and Laury (Not In Film 2)NIF - not in filmadded-note chord | altered dominant | augmented sixth chord | chromatic scale | conversing | cut from film | establish character | following | gangster | leading lady | leading man | street | walking

Angels With Dirty Faces (1938)

Underscoring (Dramatic)NIF - not in filmchromatic parallelism | chromatic scale | chromatic sequence | conflict | cut from film | diminished 7th chord | dissonant bass | evading | following | gangster | leading man | linear chromaticism | setup | shop | street | underscoring | walking

Angels With Dirty Faces (1938)

Jerry (Maestoso)1:22:13 - Jerry enters the buildingbuilding | conflict | entering | foreign key modulation | heroic | hopeful | leading man | pedal tone | priest | street | walking

Angels With Dirty Faces (1938)

Jerry (Slowly)1:23:44 - Jerry goes to the windowbuilding | conflict | coughing | gangster | leading man | menacing | priest | smoke | tear gas | walking

Angels With Dirty Faces (1938)

The Gangster (Triste)1:23:57 - Rocky uses Jerry as a hostage9th chord | building | chromatic parallelism | conflict | coughing | dark | double-cross | foreign key modulation | fragmentation | gangster | hostage | leading man | linear chromaticism | major 7th chord | menacing | polychord | priest | smoke | somber | street | tear gas | walking

Angels With Dirty Faces (1938)

Funebre1:32:03 - Jerry and Rocky walk down the hallclimax | dirge | execution chamber | gangster | leading man | marching | police | priest | prison | somber | tense | walking

Angels With Dirty Faces (1938)

Funebre (Sigh)1:33:19 - Rocky heads towards electric chairadded-note chord | climax | dirge | execution chamber | gangster | leading man | marching | priest | prison | sigh gesture | somber | tense | walking
Are These Our Children? (1931)Dreams (Whistling)0:03:29 - Eddie walks homecheerful | establish character | gentle | leading man | love scene | on-screen music | score to source | source and scoring overlap | street | transcribed by ear | walking | whistling

Are These Our Children? (1931)

Dreams (Whistling 2)0:03:59 - Eddie walks homeadvance plot | cheerful | leading man | on-screen music | street | transcribed by ear | walking | whistling

Are These Our Children? (1931)

Makes You Forget Your Troubles (Whistling)0:18:46 - Eddie whistles on his way homecheerful | leading man | on-screen music | source music | street | transcribed by ear | transition | walking | whistling

Are These Our Children? (1931)

Makes You Forget Your Troubles (Eddie Sings)0:19:13 - Eddie sings to himselfcheerful | leading man | on-screen music | singing | source music | street | transcribed by ear | transition | walking

Are These Our Children? (1931)

Makes You Forget Your Troubles (Whistling)0:23:11 - Eddie walks awayadvance plot | cheerful | leading man | on-screen music | source music | street | transcribed by ear | walking | whistling

Are These Our Children? (1931)

Makes You Forget Your Troubles (Whistling)0:28:36 - Eddie arrives homecheerful | leading man | on-screen music | source music | street | transition | walking | whistling

Are These Our Children? (1931)

Makes You Forget Your Troubles (Eddie Sings)0:40:40 - The boys leave the scene of the crimefriend | leading man | murderer | murder scene | nervous | singing | source music | street | walking
Arsenic and Old Lace (1944)Sidewalks of New York (Walking)0:05:30 - Cops patrol the neighborhoodcalm | establish setting | familiar tune | police | street | walking

Arsenic and Old Lace (1944)

Jonathan 20:40:30 - Jonathan enters the housearriving | close-up | criminal | dark | establish character | leading man | observing | ominous | room | walking | wedge | zoom in

Arsenic and Old Lace (1944)

The Aunts (Frightened)0:44:00 - The aunts go into the kitchenaunt | brother | conversing | crazy person | criminal | doctor | establish character | fear | leading lady | leading man | murderer | mysterious | ominous | room | walking | watching

Arsenic and Old Lace (1944)

The Aunts0:53:55 - Aunt Abby goes to the front dooradvance plot | aunt | brother | calm | crazy person | darkness | leading lady | leading man | murderer | room | silhouette | staring | upbeat | walking

Arsenic and Old Lace (1944)

The Aunts (Molto Misterioso)0:54:12 - Aunt Abby faces Jonathanadvance plot | aunt | brother | crazy person | darkness | intimidating | leading lady | leading man | murderer | mysterious | room | staring | walking

Arsenic and Old Lace (1944)

Underscoring (Tense)0:54:30 - Jonathan goes up the stairsadvance plot | brother | crazy person | darkness | leading man | murderer | mysterious | room | sneaking | tense | underscoring | walking

Arsenic and Old Lace (1944)

Happy Land (Dirge)0:54:54 - Teddy looks for the body in the darkadvance plot | brother | corpse | crazy person | creaking | darkness | dirge | familiar tune | mysterious | opening | room | sneaking | tense | walking

Arsenic and Old Lace (1944)

Funeral March0:55:21 - Teddy carries the body down the stairsadvance plot | brother | carrying | corpse | crazy person | darkness | dirge | familiar tune | funeral march | ominous | room | walking
The Big Sleep (1946)Walking0:01:26 - Carmen walks down the stairsarriving | daughter | descending | establish character | femme fatale | leading man | mysterious | private eye | room | walking

The Big Sleep (1946)

Sternwood0:02:31 - Carmen walks awaybluesy | daughter | establish character | femme fatale | leading man | private eye | room | seductive | walking

The Big Sleep (1946)

Underscoring (Tense)0:02:45 - Marlowe goes to meet Sternwoodbutler | establish character | leading man | private eye | room | tense | underscoring | walking

The Big Sleep (1946)

Walking0:13:02 - Marlowe leaves the mansionbutler | leading man | mysterious | private eye | room | transition | walking

The Big Sleep (1946)

Walking0:13:39 - Marlowe walks down the streetadvance plot | calm | investigating | leading man | private eye | street | walking

The Big Sleep (1946)

Walking (Extended)0:15:03 - Marlowe walks across the streetadvance plot | calm | investigating | leading man | private eye | street | walking

The Big Sleep (1946)

Hurrying0:19:26 - Geiger enters his houseantagonist | car | mysterious | rain | street | tense | transition | walking

The Big Sleep (1946)

Marlowe (Molto Misterioso)0:20:17 - Marlowe gets out to see the second carcar | investigating | investigation scene | leading man | mysterious | private eye | rain | street | tense | walking

The Big Sleep (1946)

WalkingNIF - not in filmdeleted scene | deleted scene | investigating | investigation | leading man | mysterious | private eye | room | searching | tense | walking

The Big Sleep (1946)

Walking0:25:22 - Vivian walks down the halladvance plot | butler | calm | inserted scene | leading lady | leading man | not in score | private eye | reused recording | room | walking

The Big Sleep (1946)

Hurrying0:27:25 - Marlowe goes back to Geiger's houseinvestigating | investigation scene | leading man | mysterious | private eye | street | walking

The Big Sleep (1946)

EnteringNIF - not in filmarriving | deleted scene | entering | gentle | leading man | not in score | private eye | room | transition | walking

The Big Sleep (1946)

Walking0:32:10 - Marlowe walks to his officeadvance plot | arriving | calm | leading lady | leading man | private eye | room | walking

The Big Sleep (1946)

Hurrying0:38:45 - Marlowe walks to a cabcar | car | driver | hurrying | investigation scene | leading man | mysterious | private eye | taxi | tense | walking

The Big Sleep (1946)

Walking 20:39:25 - Marlowe walks to the houseinvestigating | investigation scene | leading man | mysterious | private eye | street | tense | walking

The Big Sleep (1946)

Hurrying0:39:41 - Marlowe walks back to the cabhurrying | investigation scene | leading man | mysterious | private eye | street | tense | walking

The Big Sleep (1946)

Running0:47:40 - Vivian enters the apartment buildinghurrying | investigating | investigation scene | leading lady | leading man | mysterious | private eye | street | tense | walking

The Big Sleep (1946)

Marlowe (Determined)0:47:56 - Marlowe enters the apartment buildingarriving | ascending | bold | determined | heroic | investigating | investigation scene | leading lady | leading man | private eye | stairs | street | walking

The Big Sleep (1946)

Walking (Interrupted)1:22:27 - Marlowe walks down the streetinvestigating | investigation scene | leading man | private eye | street | tense | walking

The Big Sleep (1946)

Jones1:23:24 - Jones entersadvance plot | leading man | mysterious | private eye | street | tense | walking

The Big Sleep (1946)

Walking (Hesitant)1:26:55 - Marlowe walks into a buildinghallway | investigation scene | leading man | neutral | pain | private eye | walking

The Big Sleep (1946)

Hostage + Marlowe (Fragment)1:42:34 - Canino brings Vivian out as a hostageaction scene | criminal | hostage | leading lady | leading man | love interest | outside | private eye | tense | walking

The Big Sleep (1946)

Marlowe (Bold)1:45:44 - Marlowe and Vivian get out of the carbold | heroic | leading lady | leading man | love interest | outside | private eye | transition | walking

The Big Sleep (1946)

Walking1:45:45 - Marlowe and Vivian walk up to houseleading lady | leading man | love interest | outside | private eye | tense | transition | walking
Caged (1950)Evelyn0:40:19 - Evelyn walks into the cell showing off her new fashionfootsteps | heavy | mickey-mousing | prison | tritone | walking

Caged (1950)

Pacing0:44:27 - Mrs. Benton paces the roommickey-mousing | pacing | prison | walking

Caged (1950)

Pacing (Impatient)1:32:26 - Marie receives a $30.12 check for the 502 days that she worked in the prisonheroine | pacing | prison | walking
His Greatest Gamble (1934)Morning Glory Waltz (Radio)0:57:06 - Philip talks with Alice9th chord | advance plot | conversing | daughter | fugitive | gentle | leading lady | leading man | mansion | mode mixture | radio | score to source | sentimental | source music | transcribed by ear | walking
City for Conquest (1940)Sidewalks of New York (Street Organ)0:03:10 - A New York street cornerchild | conversing | crowd | dancing | old man | on-screen music | organ grinder | playing | pleasant | score to source | source music | street | street organ | thief | transition | upbeat | walking

City for Conquest (1940)

Tone Poem A1 (Walking)0:48:32 - Danny and Peggy walk down the streetboxer | conversing | dancer | leading lady | leading man | love scene | romantic | street | walking
Crime School (1938)Slips on paint0:51:01 - Guard chases boy then slips and falls on paintaccident | chromatic scale | comedy | comical | falling | mickey-mousing | police | reformatory | slipping | teenager | walking

Crime School (1938)

The Warden (Office)0:51:05 - The guard enters to talk to Markcomedy | dramatic | hero | leading man | marching | police | reformatory | walking

Crime School (1938)

Mark Saves Boy0:57:29 - Mark carries Squirt up the stairsaction scene | ascending | authentic cadence | dissonant bass | hero | heroic | leading man | mickey-mousing | reformatory | rising | stairs | teenager | walking
They Made Me a Criminal (1939)Traveling0:22:25 - Johnnie becomes a fugitive9th chord | added-note chord | altered dominant | countryside | double exposure | dramatic | leading man | map | mickey-mousing | money | montage | montage | purchasing | street | traveling | walking

They Made Me a Criminal (1939)

The Fugitive (Traveling)0:22:51 - Johnnie's plodding feetchromatic scale | chromatic wedge | countryside | desert | dissonant bass | dramatic | leading man | linear chromaticism | map | mickey-mousing | money | montage | montage | traveling | walking | whole-tone | whole-tone chord

They Made Me a Criminal (1939)

The Fugitive0:24:29 - Johnnie walks9th chord | advance plot | altered dominant | desert | foreign key modulation | leading man | Neapolitan | tired | traveling | walking | wandering

They Made Me a Criminal (1939)

The Fugitive (Looking Around)0:25:11 - The young man sees Johnnie9th chord | deceptive resolution | establish character | foreign key modulation | leading lady | leading man | ranch | teenager | tired | walking

They Made Me a Criminal (1939)

The Fugitive (Fainting)0:26:32 - Johnnie stumbles and faints9th chord | dark | deceptive resolution | dissonant bass | establish character | fainting | falling | foreign key modulation | leading man | ranch | tired | tragic | walking
Dust Be My Destiny (1939)Dust Be My Destiny (In Love)0:27:22 - Joe and Mabel talk9th chord | added-note chord | advance plot | common-tone diminished 7th | freedom | gentle | leading lady | leading man | mode mixture | runaway | secondary dominant | street | walking

Dust Be My Destiny (1939)

Dust Be My Destiny (Travel Montage)0:36:28 - A speeding trainadded-note chord | foreign key modulation | frantic | hitch-hiking | leading lady | leading man | linear chromaticism | map | montage | pc set | runaway | sign | train | train | train whistle | traveling | traveling scene | truck | walking

Dust Be My Destiny (1939)

Dust Be My Destiny (Wandering)0:37:16 - Joe and Mabel walk down the roadcar | car horn | diminished 7th chord | leading lady | leading man | montage | oscillation | runaway | street | tired | traveling scene | walking

Dust Be My Destiny (1939)

Underscoring (Tense)0:47:58 - Joe walks to the jail64 chord | friend | jail | jail break | leading man | runaway | shopkeeper | tense | underscoring | walking

Dust Be My Destiny (1939)

Dust Be My Destiny (Sehr Ominous)0:56:14 - Joe walks towards the shop9th chord | chromatic parallelism | crime scene | criminal | leading man | mysterious | sequence | shop | shopkeeper | street | walking

Dust Be My Destiny (1939)

Gangsters walk1:10:26 - The gangsters walk to their carchromatic parallelism | chromatic scale | chromatic sequence | conflict | gangster | mickey-mousing | newspaper editor | street | tense | walking
Each Dawn I Die (1939)Creeping0:04:47 - Two men sneak up behind Frankchromatic scale | chromatic sequence | conflict | creeping | gangster | mickey-mousing | mysterious | pizzicato | sneaking | street | walking

Each Dawn I Die (1939)

Walking0:22:22 - Man paces back and forth in the prison yardadvance plot | anxious | crazed | mickey-mousing | mysterious | pacing | pc set | prison | prisoner | walking

Each Dawn I Die (1939)

Freedom1:30:31 - Frank leaves the prisonartwork in score | chromatic mediant | conclusion | dissonant bass | freedom | hopeful | leading lady | leading man | optimistic | peaceful | The End | walking
The FBI Story (1959)The Bureau (Walking)1:01:18 - Chip and Sam walk into the bureaucity | FBI | flashback | walking

The FBI Story (1959)

The Bureau (Arrest)1:01:31 - FBI arrest a mobster who then is shotarrest | city | FBI | flashback | gangster | mobster | walking

The FBI Story (1959)

Mario climbs uphill 11:54:15 - Mario climbs uphillclimbing | flashback | mickey-mousing | up | uphill | walking

The FBI Story (1959)

Mario climbs uphill 21:54:39 - Mario climbs uphillclimbing | flashback | mickey-mousing | up | uphill | walking

The FBI Story (1959)

The Fountain in the Park2:10:45 - Communist strolls through the park one daybitonality | comical | familiar tune | flashback | park | popular music | strolling | syrupy | walking

The FBI Story (1959)

The Bureau (Moderato)2:24:05 - FBI agents pursue man on footagent | chasing | FBI | flashback | following | walking
Flamingo Road (1949)Titus 2 (Agitato)0:37:11 - Lane goes to confront Titusagitated | angry | chromatic sequence | hurrying | leading lady | self-borrowing | street | transition | walking

Flamingo Road (1949)

Agitato0:39:09 - Lane storms off angrilyagitated | angry | chromatic parallelism | chromatic scale | chromatic wedge | conflict | hurrying | leading lady | self-borrowing | sheriff | street | walking

Flamingo Road (1949)

Titus 2 (Walking)0:39:17 - Lane storms off angrilyagitated | angry | chromatic parallelism | conflict | diminished 7th chord | hurrying | leading lady | mickey-mousing | self-borrowing | sheriff | street | walking

Flamingo Road (1949)

Titus (Setup)0:39:31 - A car follows Laneconflict | dark | leading lady | police | self-borrowing | setup | street | walking

Flamingo Road (1949)

Titus 2 (Maestoso)0:41:11 - Women enter the prison advance plot | dark | dramatic | leading lady | prison | prisoner | self-borrowing | walking

Flamingo Road (1949)

Lane (Descending the Staircase)1:21:31 - Lane descends the stairsadvance plot | delicate | descending | leading lady | leading man | love interest | mickey-mousing | mysterious | parallelism | room | walking

Flamingo Road (1949)

Flamingo Road (Andante)1:24:05 - Lane goes to get a drink for Fieldaltered dominant | chromatic parallelism | dark | death scene | gentle | gunshot | hopeful | leading lady | leading man | love interest | mode mixture | room | self-borrowing | suicide | walking | warm
Hell on Frisco Bay (1955)Prison Gate0:01:25 - Steve exits the prison gateconductor score | establish character | friend | gate | leading lady | leading man | leaving | prison | serious | walking

Hell on Frisco Bay (1955)

Steve0:11:11 - Steve knocks on dooradvance plot | arriving | conductor score | investigator | leading man | pleasant | porch | walking

Hell on Frisco Bay (1955)

Hell on Frisco Bay0:21:37 - Marcia on a posterclub | conductor score | establish character | investigator | leading man | romantic | walking

Hell on Frisco Bay (1955)

Walking0:26:31 - Marcia walks to the dooradvance plot | conductor score | gangster | hurried | leading lady | leading man | mickey-mousing | room | walking

Hell on Frisco Bay (1955)

Steve0:32:34 - Steve investigatesadvance plot | arriving | conductor score | investigator | leading man | neutral | street | walking

Hell on Frisco Bay (1955)

Steve0:53:15 - Steve leavesaction scene | aiming | conductor score | dark | gangster | investigator | leading man | murderer | neutral | shooting | street | tense | walking

Hell on Frisco Bay (1955)

Steve Arrives0:54:56 - Steve arrives at an apartmentarriving | conductor score | investigator | leading man | mickey-mousing | mysterious | street | tense | transition | walking

Hell on Frisco Bay (1955)

Menace0:58:48 - Bessie walks through the market | agitated | chase scene | conductor score | dramatic | floozy | gangster | hurrying | investigator | leading man | mysterious | street | tense | walking

Hell on Frisco Bay (1955)

Hell on Frisco Bay1:37:52 - Steve and Marcia leave togetherdock | gentle | inspector | leading lady | leading man | peaceful | romantic | walking
I Was a Communist for the FBI (1951)Undercover Agent0:00:21 - Cast list over long, dark hallwaycast list | hallway | main title | march | mickey-mousing | tritone | walking

I Was a Communist for the FBI (1951)

Undercover Agent (Marcia)0:01:17 - Agent walks to the phoneagent | airport | main title | march | mickey-mousing | telephone | tritone | walking
Illegal (1955)Police Car (Walking)0:51:23 - Vic leaves the court room and talks to a reportercourtroom | drinking fountain | walking

Illegal (1955)

Scott (Minor)1:12:12 - Vic walks in a dark parking lotdark | parking lot | walking

Illegal (1955)

Menace1:12:47 - Andy pulls gun on Vic and they walkgun | tritone | walking
In This Our Life (1942)Asa (Expressivo)0:02:33 - Asa walksconversing | establish character | gentle | noble | street | walking | worker

In This Our Life (1942)

Roy (Triste)0:12:54 - Roy walks up the stairsestablish character | gentle | leading lady | room | somber | walking

In This Our Life (1942)

Driving + Stanley1:08:53 - Stanley drivingcar | car | child | combination of themes | crime scene | criminal | driving | drunk | leading lady | mysterious | street | tense | uneasy | victim | walking

In This Our Life (1942)

Underscoring (Tense)1:09:25 - Policemen approach the housearriving | conversing | criminal | investigation scene | leading lady | mysterious | police | room | tense | walking | watching

In This Our Life (1942)

Stanley1:09:49 - Policemen enter the housearriving | conversing | criminal | investigating | investigation scene | leading lady | mysterious | police | room | sneaking | tense | walking | watching

In This Our Life (1942)

Stanley (Driving Away)1:29:06 - Craig goes to the phoneagitated | calling | climax | lawyer | leading man | room | telephone | walking
The Informer (1935)The Informer (Walking)0:01:44 - Gypo walks down the streetcountermelody | establish character | leading man | mickey-mousing | mysterious | poster | Scotch snap | street | walking

The Informer (1935)

The Rose of Tralee0:02:54 - Man sings an Irish folk song by a lamp postcalm | establish character | familiar tune | folk song | Irish | leading man | on-screen music | poster | singing | source music | street | walking

The Informer (1935)

Katie0:04:31 - Katie walks down the streetestablish character | foreign key modulation | leading lady | parallelism | seductive | staring | street | sultry | walking

The Informer (1935)

Underscoring (Tense)0:05:04 - Gypo sees the man and walks towards himestablish character | leading lady | leading man | mysterious | street | tense | underscoring | walking | whole-tone

The Informer (1935)

Footsteps0:07:16 - Close-up on walking feetestablish character | footsteps | leading man | mickey-mousing | mysterious | street | tritone | walking

The Informer (1935)

Blind Man0:19:29 - Gypo meets the blind man64 chord | advance plot | antagonist | blind man | leading man | mysterious | street | walking

The Informer (1935)

Blind Man + Blood Money0:24:45 - Blind man wanders in and Gypo gives him moneyadvance plot | antagonist | augmented triad | blind man | combination of themes | giving | leading lady | leading man | money | mysterious | ominous | street | walking

The Informer (1935)

The Informer (Bold)0:25:26 - Gypo storms off down the street64 chord | advance plot | antagonist | bold | determined | hurrying | leading lady | leading man | Scotch snap | street | walking

The Informer (1935)

The Informer (Walking Fast)0:30:13 - Gypo storms off down the street64 chord | advance plot | antagonist | chromatic parallelism | diminished 7th chord | hurrying | leading man | Scotch snap | street | tense | walking

The Informer (1935)

Katie (Gypo is Drunk)0:46:36 - Gypo tells the rebel about "somebody waiting for me"advance plot | antagonist | augmented sixth chord | breaking | drunk | leading man | street | transcribed by ear | walking

The Informer (1935)

He Is Me Darling-O0:47:03 - Gypo and another man sing drunkenly advance plot | Aeolian mode | antagonist | drunk | familiar tune | folk song | Irish | leading man | street | transcribed by ear | walking

The Informer (1935)

The Informer (Dan Talking)0:56:57 - Dan and Mary talk about an informerconversing | hero | love interest | love scene | mysterious | room | walking bass

The Informer (1935)

Dan and Mary (Descending)1:05:08 - Mary enters, looking for Danchromatic sequence | courtroom scene | dissonant bass | down | headquarters | hero | love interest | love theme | mickey-mousing | romantic | stairs | street | suspect | walking

The Informer (1935)

Blood Money (Tuttissimo)1:28:53 - Gypo stumbles into a churchantagonist | church | climax | dirge | dissonant bass | dominant pedal | dying | half-diminished 7th chord | leading man | mysterious | street | stumbling | tense | traitor | walking | whole-tone | whole-tone chord

The Informer (1935)

The Informer (Pathetic)1:29:48 - Gypo stumbles toward Frankie's motherantagonist | church | climax | diminished 7th chord | dying | gentle | leading man | main theme | pedal tone | somber | stumbling | traitor | walking
Key Largo (1948)McCloud (Misterioso)0:12:13 - Nora walks downstairsestablish character | gangster | hotel | leading lady | mysterious | walking | watching

Key Largo (1948)

Rocco 2 (Molto Misterioso)0:12:22 - Curly walks down the halldangerous | establish character | gangster | hotel | mysterious | walking | watching

Key Largo (1948)

McCloud (Broad)0:17:00 - Nora and Frank go outsideadvance plot | bright | death | father | hotel | leading lady | leading man | memory | remembering | somber | storytelling | tender | walking | war

Key Largo (1948)

Gaye0:52:06 - Gaye awkwardly walks past Roccoawkward | bluesy | boss | develop character | gangster | hotel | jazz | moll | sultry | walking

Key Largo (1948)

Rocco Pacing1:02:01 - Rocco paces back and forthboss | develop character | father | gangster | hostage | hotel | leading lady | leading man | moll | nervous | ominous | pacing | sinister | walking

Key Largo (1948)

Walking1:24:21 - Gangsters go down the stairsadvance plot | gangster | hotel | mickey-mousing | tense | walking

Key Largo (1948)

Rocco (Leaving)1:25:33 - Gangsters leave the hotel with McCloudadvance plot | boss | father | gangster | hostage | hotel | leading lady | leading man | leaving | moll | ominous | walking

Key Largo (1948)

Rocco (Tense)1:25:49 - Gangsters leave to board the boatadvance plot | boss | dock | father | gangster | hostage | leading lady | leading man | moll | tense | walking

Key Largo (1948)

Hurrying1:26:02 - Gangsters walk to the boatadvance plot | boss | dock | father | gangster | hostage | hurrying | leading lady | leading man | mickey-mousing | moll | tense | walking

Key Largo (1948)

Underscoring (Somber)1:27:42 - Nora and Gaye enter the hoteladvance plot | conversing | hotel | leading lady | moll | somber | underscoring | walking
The Letter (1940)Andante Doloroso0:15:53 - Men walk outside to look at dead bodyadvance plot | chromatic parallelism | dark | death | murder | plantation | reveal | servant | sinister | walking

The Letter (1940)

Hammond B (Screwyoso)0:19:26 - Leslie closes the blindsdramatic | emotional | home | leading lady | love scene | sequence | walking

The Letter (1940)

Hammond A (Walking)0:30:58 - Leslie leaves the cell to go to the visiting roomadvance plot | leading lady | mysterious | parallelism | prison | walking

The Letter (1940)

Chinese Shop0:55:30 - Howard and Leslie enter a shop in the Chinese Quarterantagonist | Chinatown | Chinese | Chinese | exotic | exoticism | lawyer | layering | leading lady | Lydian mode | mysterious | open fifth | parallelism | polytonality | quintal chord | tense | transition | waiting | walking

The Letter (1940)

Mrs. Hammond (Slowly)0:57:27 - Howard and Leslie walk into the back roomantagonist | Chinatown | Chinese | Chinese | conflict | lawyer | leading lady | mysterious | pentatonic | quintal chord | shop | walking

The Letter (1940)

Hammond B (Glass Curtains)1:01:57 - Leslie approaches Mrs. Hammond with the moneyantagonist | Chinatown | Chinese | combination of themes | conflict | confronting | curtain | glass | lawyer | layering | leading lady | mysterious | ostinato | polyrhythm | shop | staring | tense | tinkling | walking

The Letter (1940)

Foxtrot No.1 B1:20:05 - Leslie getting ready for the partyadvance plot | calm | dance music | foxtrot | home | leading lady | source music | walking

The Letter (1940)

Mrs. Hammond (Dirge)1:29:32 - Leslie heads towards the doorChinese | climax | dark | dirge | home | leading lady | somber | walking

The Letter (1940)

Shadow1:30:30 - Leslie leaves the housechromatic parallelism | climax | leading lady | mysterious | plantation | shadow | walking

The Letter (1940)

Native (Climactic)1:30:42 - Leslie wanders through her gardenclimax | crying | exoticism | gamelan | Indonesian music | leading lady | mysterious | panning shot | parallelism | plantation | setting | somber | walking

The Letter (1940)

Deception (Appassionato)1:31:18 - Close-up of Leslieclimax | crying | leading lady | mysterious | plantation | polytonality | somber | walking

The Letter (1940)

Mrs. Hammond (Ambush)1:31:55 - Leslie moves through the gateantagonist | Chinese | climax | dark | leading lady | mysterious | plantation | polytonality | walking

The Letter (1940)

Hammond A (Deliberate)1:32:48 - Mrs. Hammond approaches Leslie with a knifeantagonist | Chinese | climax | dagger | leading lady | plantation | somber | walking

The Letter (1940)

Mrs. Hammond (Revenge)1:33:01 - Mrs. Hammond stabs Leslieantagonist | Chinese | Chinese | climax | dagger | leading lady | murder | open fifth | parallelism | pentatonic | plantation | somber | walking
Lightning Strikes Twice (1951)Shelly (Traveling 2)0:23:40 - Shelly travels to Tumblewood Ranchdesert | driving | traveling | walking

Lightning Strikes Twice (1951)

Shelly (Running)0:39:58 - Shelly looks for Trev then walks off with Lizaagitated | heroine | searching | walking
Mildred Pierce (1945)Mildred (Pier)0:02:15 - Santa Monica pier at nightdock | establish character | heroine | leading lady | mickey-mousing | pondering | somber | walking | water | wave

Mildred Pierce (1945)

Underscoring (Dramatic)0:08:53 - Wally looks for Mildredaction scene | ascending | down | dramatic | falling | friend | hurrying | knocking | mickey-mousing | room | searching | setup | suspenseful | underscoring | walking

Mildred Pierce (1945)

Underscoring (Dramatic)0:10:21 - Wally reacts to the situationaction scene | breaking | death | dramatic | escaping | friend | hurrying | mickey-mousing | murder | room | running | smashing | sneaking | telephone | underscoring | victim | walking | worrying

Mildred Pierce (1945)

Wally stands up and walks0:10:21 - Wally stands up to go to the phoneaction scene | friend | mickey-mousing | rising | room | standing | tense | up | victim | walking

Mildred Pierce (1945)

Wally walks0:10:32 - Wally hurriedly walks awayaction scene | dramatic | friend | hurrying | mickey-mousing | room | victim | walking

Mildred Pierce (1945)

Cops walk0:11:08 - The cops walk down the hillaction scene | beach | dramatic | lumbering | mickey-mousing | police | walking

Mildred Pierce (1945)

Hall of Justice0:13:35 - The Los Angeles Hall of Justiceadvance plot | arriving | bold | detective | entering | heroine | justice | leading lady | police | police station | walking

Mildred Pierce (1945)

Kay and Veda (Going Home)0:25:13 - Veda leads Kay homechild | establish character | graceful | street | walking

Mildred Pierce (1945)

Mildred (Tense)0:28:43 - Mildred goes to open the dooradvance plot | heroine | leading lady | room | tense | walking

Mildred Pierce (1945)

Mildred (Delicate)0:32:04 - Mildred walks up the stairsadvance plot | gentle | heroine | leading lady | room | up | walking

Mildred Pierce (1945)

Mildred (Desperate)0:34:05 - Mildred looks for a jobapplying | depressed | heroine | leading lady | montage | searching | street | voice-over | walking

Mildred Pierce (1945)

Walking0:42:58 - Mildred and Wally walk to the housearriving | beach house | excited | friend | heroine | leading lady | mickey-mousing | ocean | transition | walking

Mildred Pierce (1945)

Walking0:49:48 - Driving to the beach housebeach house | cheerful | driving | falling in love scene | friend | heroine | leading lady | room | traveling | walking

Mildred Pierce (1945)

Mildred (Angry)1:18:21 - Mildred walks out of an argumentaggressive | angry | arriving | conflict | heroine | hurrying | leading lady | leaving | room | walking

Mildred Pierce (1945)

Mildred stands and walks to window1:38:02 - Mildred stands up and goes to the windowadvance plot | delicate | graceful | heroine | leading lady | mickey-mousing | peaceful | rising | room | standing | up | walking

Mildred Pierce (1945)

Mildred (Mad)1:43:19 - Mildred makes a phone callanger | angry | calling | heroine | leading lady | room | tense | turbulent | turning point | walking
The Life of Vergie Winters (1934)Lullaby + Here Comes the Bride1:10:07 - Vergie imagines the weddingadded-note chord | bride | calm | chromatic mediant | combination of themes | common-chord modulation | daughter | double exposure | familiar tune | groom | leading lady | leading man | peaceful | secret lover | ternary form | transcribed by ear | walking | wedding | wedding | wedding music

The Life of Vergie Winters (1934)

Lullaby (Very Ethereal)1:19:04 - Vergie exits the prisondaughter | dissonant bass | husband | leading lady | pedal tone | prison | prisoner | resolution | somber | suspect | tense | walking
The Unfaithful (1947)Chris (Dark)0:07:46 - Chris walks from her car to her front dooradvance plot | antagonist | calm | danger | house | leading lady | ominous | shadow | tritone | tritone | walking

The Unfaithful (1947)

Danger0:08:19 - Man appears in the shadows and attacks Chrisadvance plot | antagonist | danger | fear | house | leading lady | monophonic | shadow | sinister | walking

The Unfaithful (1947)

Unfaithful (Dramatic Underscoring)0:43:06 - Larry walks into his officedramatic | law office | lawyer | mirroring | office | ostinato | polytonality | transition | walking

The Unfaithful (1947)

Chris 20:43:56 - Chris goes to visit Larry's officelaw office | leading lady | office | peaceful | transition | walking

The Unfaithful (1947)

Walking1:09:50 - Bob walks to meet with the art dealerhusband | park | pedal tone | tense | transition | walking

The Unfaithful (1947)

Tanner1:10:47 - Bob walks upstairs to meet with Mrs. Tanneraltered dominant | antagonist | arriving | foreshadowing | husband | quartal chord | street | syncopation | tense | transition | walking

The Unfaithful (1947)

Unfaithful (Triste)1:13:36 - Bob slowly walks away from the apartmentdirge | heartbroken | hotel | husband | ostinato | polychord | sad | somber | transition | walking

The Unfaithful (1947)

Unfaithful (Angry)1:15:00 - Bob walks around his homeangry | husband | intense | meandering | room | transition | walking

The Unfaithful (1947)

Unfaithful (Rising Anger)1:15:35 - Bob walks around his homeangry | half-diminished 7th chord | husband | intense | meandering | room | transition | walking
We Are Not Alone (1939)Surprise Symphony (Glissando)0:22:35 - David rides home on his bikeadvance plot | bicycle | classical music | familiar tune | fragmentation | glissando | happy | Haydn | hero | home | peaceful | quotation | sequence | walking

We Are Not Alone (1939)

Underscoring (Dramatic)1:03:40 - Jessica takes Gerald outside 11th chord | antagonist | boy | child | conflict | dramatic | street | tense | underscoring | walking

We Are Not Alone (1939)

Underscoring (Mysterious)1:36:37 - David walks down a prison corridoradvance plot | anticipation | guard | hero | heroine | mysterious | prison | underscoring | walking
White Heat (1949)Walk0:06:23 - Cody walks across the roomgangster | walking

White Heat (1949)

Plotting (Triste)0:29:13 - Verna and Ma walk out of the police stationtransition | walking
High Stakes (1931)Here Comes the Bride0:04:05 - Bride walks down the aisleadvance plot | bride | calm | crowd | establish place | familiar tune | source music | walking | wedding
Is My Face Red? (1932)Guilty0:47:40 - A radio orchestra plays on a soundstageadvance plot | band | broadcast | calm | dance music | leading lady | leading man | on-screen music | radio | source music | stage | transcribed by ear | walking
Before Dawn (1933)Before Dawn C0:00:44 - Cast list over walking feetcast list | double exposure | Lydian mode | mysterious | opening title sequence | parallelism | self-borrowing | transcribed by ear | walking
Murder on the Blackboard (1934)The Janitor0:01:30 - A janitor gets out of beddiminished 7th chord | dressing | establish character | janitor | mysterious | parallelism | school | transcribed by ear | waking | walking

Murder on the Blackboard (1934)

Blackboard Murder (Mysterious)0:01:52 - A janitor goes about his workestablish character | janitor | mysterious | school | transcribed by ear | walking
Star of Midnight (1935)Midnight in Manhattan (Montage)0:54:11 - Feet walkingbus | chromatic parallelism | fragmentation | hurried | montage | pedal tone | street | transcribed by ear | traveling | walking

Star of Midnight (1935)

Sidewalks of New York0:54:28 - Feet walkingbus | calm | chromatic parallelism | foreign key modulation | lighthearted | montage | street | transcribed by ear | traveling | walking

Star of Midnight (1935)

Midnight in Manhattan (Accelerando)0:54:42 - Feet walkingadded-note chord | bus | chromatic parallelism | hurried | mickey-mousing | mode mixture | montage | street | transcribed by ear | traveling | walking

Star of Midnight (1935)

Walking0:54:55 - Detective walkingdetective | mickey-mousing | montage | street | tired | transcribed by ear | walking
The Breaking Point (1950)Make Love With a Guitar0:46:27 - Harry and his wife come homeadvance plot | calm | child | conversing | drunk | leading lady | leading man | neighbor | on-screen music | sailor | source music | street | walking | wife

The Breaking Point (1950)

Humming0:54:33 - Wesley and Harry work on the boatarriving | calm | criminal | friend | harbor | humming | leading man | on-screen music | sailor | source music | transition | walking | working