| All This, and Heaven Too (1940) | School Girls | 0:01:12 - Young girls walking to school | chatting | child | establish setting | pleasant | school | street | upbeat | walking |
All This, and Heaven Too (1940) | Agitato | 0:06:49 - Henriette leaves the classroom | agitated | distressed | establish character | hurrying | leading lady | leaving | minister | principal | school | teacher | walking |
All This, and Heaven Too (1940) | The Duke (Maestoso) | 0:14:03 - Henriette enters the palace | arriving | butler | calm | establish place | establish setting | gentle | leading lady | noble | palace | walking |
All This, and Heaven Too (1940) | Invitation from the King | 1:03:46 - Invitation from the King | ballroom | bold | double exposure | duchess | duke | fanfare | leading lady | leading man | montage | walking |
All This, and Heaven Too (1940) | All Hallows' Eve | 1:23:22 - A forest scene at night | child | conversing | create suspense | forest | governess | Halloween | hiding | leading lady | ombra topic | on-screen text | scaring | scary | spooky | walking |
All This, and Heaven Too (1940) | Spring Time | 1:24:18 - The children laugh | cheerful | child | conversing | create suspense | forest | governess | leading lady | walking |
All This, and Heaven Too (1940) | Henriette (Expressivo) | 1:32:32 - Henriette enters the palace | governess | leading lady | love scene | ominous | palace | somber | walking |
All This, and Heaven Too (1940) | Henriette (Appassionato 2) | 1:46:00 - Henriette descends the staircase | anxious | descending | excited | hurrying | leading lady | not mickey-moused | room | stairs | transition | walking |
All This, and Heaven Too (1940) | Henriette (Molto Moderato) | 1:04:10 - Women in prison | double exposure | headline | leading lady | montage | newspaper | pacing | prison | prisoner | solemn | suspect | walking |
All This, and Heaven Too (1940) | Henriette (Moderato Maestoso) | 2:16:29 - A hand signing a release form | hopeful | leading lady | leaving | noble | prison | resolution | walking | writing |
| The Amazing Dr. Clitterhouse (1938) | The Amazing Doctor | 0:20:05 - Dr. Clitterhouse enters Hotel Sequin | 42 chord | advance plot | chromatic parallelism | dark | dissonant bass | doctor | half-diminished 7th chord | leading man | lobby | mysterious | quartal chord | sign | thief | walking |
The Amazing Dr. Clitterhouse (1938) | Clitterhouse Onestep | 0:33:20 - Gangsters walk through music studio | added-note chord | common-tone diminished 7th | dancer | dancing | gangster | jaunty | on-screen music | parallel double period | pianist | playing | singing | studio | transition | walking | warming up |
The Amazing Dr. Clitterhouse (1938) | Night Watchman | 0:44:29 - Watchman arrives at the store | darkness | dissonant bass | flashlight | guard | half-diminished 7th chord | keys | mysterious | opening | robbery | store | suspenseful | walking | working |
The Amazing Dr. Clitterhouse (1938) | Walking | 0:44:39 - The watchman walks | augmented sixth chord | darkness | flashlight | guard | half-diminished 7th chord | mickey-mousing | mysterious | robbery | store | suspenseful | walking | working |
The Amazing Dr. Clitterhouse (1938) | Night Watchman (Light and Shadow) | 0:44:51 - The watchman goes about his work | augmented sixth chord | criminal | flashlight | gangster | guard | mysterious | robbery | shadow | store | suspenseful | walking | working |
The Amazing Dr. Clitterhouse (1938) | Sneaking | 0:45:13 - Criminals steal furs | ascending | carrying | chromatic parallelism | crime | criminal | diminished 7th chord | dissonant bass | gangster | pedal tone | robbery | sneaking | sneaky | stairs | stealing | store | thief | walking |
The Amazing Dr. Clitterhouse (1938) | Underscoring (Mysterious) | 0:45:26 - Criminals on the rooftop | 42 chord | carrying | chromatic parallelism | chromatic scale | crime | criminal | dissonant bass | gangster | half-diminished 7th chord | mysterious | robbery | rooftop | sneaking | sneaky | stairs | stealing | thief | tossing | underscoring | walking | whole-tone |
The Amazing Dr. Clitterhouse (1938) | Underscoring (Tense) | 0:47:04 - Doctor talks with the criminals | augmented major 7th chord | chromatic parallelism | criminal | dissonant bass | doctor | examining | gangster | leading man | ostinato | pc set | robbery | rooftop | tense | thief | underscoring | walking | working |
The Amazing Dr. Clitterhouse (1938) | Spiraling down | 0:47:38 - Doctor goes down the stairs | 9th chord | criminal | descending | diminished 7th chord | doctor | gangster | leading man | mickey-mousing | mysterious | robbery | spiraling | store | tense | thief | walking |
The Amazing Dr. Clitterhouse (1938) | Rocks goes downstairs | 0:50:05 - Rocks goes down the stairs | antagonist | anxious | criminal | descending | diminished 7th chord | double-cross | dramatic | gangster | mickey-mousing | murderer | robbery | stairs | store | temperature | tense | thief | walking |
The Amazing Dr. Clitterhouse (1938) | The Amazing Doctor + The Motor | 0:50:22 - Butch runs downstairs | anxious | chromatic scale | combination of themes | criminal | double-cross | down | downstairs | dramatic | gangster | mickey-mousing | motor | ostinato | robbery | store | tense | thief | walking |
The Amazing Dr. Clitterhouse (1938) | Butch goes downstairs | 0:50:22 - Butch runs downstairs | anxious | chromatic scale | combination of themes | criminal | double-cross | down | downstairs | dramatic | gangster | mickey-mousing | robbery | store | tense | thief | walking |
| Angels With Dirty Faces (1938) | Sidewalks of New York | 0:00:58 - Organ grinder on the streets of New York | cheerful | conversing | establish place | establish setting | source music | street | teenager | walking |
Angels With Dirty Faces (1938) | I've Got a Heartfelt of Music | 0:08:31 - People in the street | ABAC structure | cheerful | crowd | driving | headline | newspaper | radio | source music | street | transition | walking |
Angels With Dirty Faces (1938) | Whistling | 0:21:14 - Character whistles | advance plot | cheerful | gang | on-screen music | source music | street | teenager | walking | whistling |
Angels With Dirty Faces (1938) | Rocky and Laury (Not In Film 1) | NIF - not in film | added-note chord | altered dominant | augmented sixth chord | common-chord modulation | conversing | cut from film | establish character | following | gangster | leading lady | leading man | mode mixture | street | walking |
Angels With Dirty Faces (1938) | Rocky and Laury (Not In Film 2) | NIF - not in film | added-note chord | altered dominant | augmented sixth chord | chromatic scale | conversing | cut from film | establish character | following | gangster | leading lady | leading man | street | walking |
Angels With Dirty Faces (1938) | Underscoring (Dramatic) | NIF - not in film | chromatic parallelism | chromatic scale | chromatic sequence | conflict | cut from film | diminished 7th chord | dissonant bass | evading | following | gangster | leading man | linear chromaticism | setup | shop | street | underscoring | walking |
Angels With Dirty Faces (1938) | Jerry (Maestoso) | 1:22:13 - Jerry enters the building | building | conflict | entering | foreign key modulation | heroic | hopeful | leading man | pedal tone | priest | street | walking |
Angels With Dirty Faces (1938) | Jerry (Slowly) | 1:23:44 - Jerry goes to the window | building | conflict | coughing | gangster | leading man | menacing | priest | smoke | tear gas | walking |
Angels With Dirty Faces (1938) | The Gangster (Triste) | 1:23:57 - Rocky uses Jerry as a hostage | 9th chord | building | chromatic parallelism | conflict | coughing | dark | double-cross | foreign key modulation | fragmentation | gangster | hostage | leading man | linear chromaticism | major 7th chord | menacing | polychord | priest | smoke | somber | street | tear gas | walking |
Angels With Dirty Faces (1938) | Funebre | 1:32:03 - Jerry and Rocky walk down the hall | climax | dirge | execution chamber | gangster | leading man | marching | police | priest | prison | somber | tense | walking |
Angels With Dirty Faces (1938) | Funebre (Sigh) | 1:33:19 - Rocky heads towards electric chair | added-note chord | climax | dirge | execution chamber | gangster | leading man | marching | priest | prison | sigh gesture | somber | tense | walking |
| Are These Our Children? (1931) | Dreams (Whistling) | 0:03:29 - Eddie walks home | cheerful | establish character | gentle | leading man | love scene | on-screen music | score to source | source and scoring overlap | street | transcribed by ear | walking | whistling |
Are These Our Children? (1931) | Dreams (Whistling 2) | 0:03:59 - Eddie walks home | advance plot | cheerful | leading man | on-screen music | street | transcribed by ear | walking | whistling |
Are These Our Children? (1931) | Makes You Forget Your Troubles (Whistling) | 0:18:46 - Eddie whistles on his way home | cheerful | leading man | on-screen music | source music | street | transcribed by ear | transition | walking | whistling |
Are These Our Children? (1931) | Makes You Forget Your Troubles (Eddie Sings) | 0:19:13 - Eddie sings to himself | cheerful | leading man | on-screen music | singing | source music | street | transcribed by ear | transition | walking |
Are These Our Children? (1931) | Makes You Forget Your Troubles (Whistling) | 0:23:11 - Eddie walks away | advance plot | cheerful | leading man | on-screen music | source music | street | transcribed by ear | walking | whistling |
Are These Our Children? (1931) | Makes You Forget Your Troubles (Whistling) | 0:28:36 - Eddie arrives home | cheerful | leading man | on-screen music | source music | street | transition | walking | whistling |
Are These Our Children? (1931) | Makes You Forget Your Troubles (Eddie Sings) | 0:40:40 - The boys leave the scene of the crime | friend | leading man | murderer | murder scene | nervous | singing | source music | street | walking |
| Arsenic and Old Lace (1944) | Sidewalks of New York (Walking) | 0:05:30 - Cops patrol the neighborhood | 64 chord | calm | establish setting | familiar tune | fragmentation | police | street | walking |
Arsenic and Old Lace (1944) | Jonathan 2 | 0:40:30 - Jonathan enters the house | arriving | chromatic scale | chromatic wedge | close-up | criminal | dark | dissonant bass | establish character | leading man | observing | ominous | pc set | room | walking | zoom in |
Arsenic and Old Lace (1944) | The Aunts (Frightened) | 0:44:00 - The aunts go into the kitchen | augmentation | aunt | brother | conversing | crazy person | criminal | doctor | establish character | fear | foreign key modulation | fragmentation | leading lady | leading man | murderer | mysterious | Neapolitan | ominous | parallel 63s | pedal tone | room | walking | watching |
Arsenic and Old Lace (1944) | The Aunts | 0:53:55 - Aunt Abby goes to the front door | advance plot | aunt | brother | calm | crazy person | darkness | harmonic sequence | leading lady | leading man | murderer | room | silhouette | staring | upbeat | walking |
Arsenic and Old Lace (1944) | The Aunts (Molto Misterioso) | 0:54:12 - Aunt Abby faces Jonathan | advance plot | aunt | brother | crazy person | darkness | foreign key modulation | fragmentation | intimidating | leading lady | leading man | murderer | mysterious | parallel 63s | pedal tone | room | staring | walking |
Arsenic and Old Lace (1944) | Underscoring (Tense) | 0:54:30 - Jonathan goes up the stairs | advance plot | brother | crazy person | darkness | leading man | murderer | mysterious | room | sneaking | tense | tone cluster | underscoring | walking |
Arsenic and Old Lace (1944) | Happy Land (Dirge) | 0:54:54 - Teddy looks for the body in the dark | advance plot | brother | corpse | crazy person | creaking | darkness | dirge | familiar tune | mysterious | opening | pc set | room | sneaking | tense | walking | whole-tone chord |
Arsenic and Old Lace (1944) | Funeral March | 0:55:21 - Teddy carries the body down the stairs | advance plot | brother | carrying | chromatic scale | corpse | crazy person | darkness | diminution | dirge | familiar tune | foreign key modulation | funeral march | linear chromaticism | ominous | ostinato | room | tritone | walking |
| Beyond the Forest (1949) | Rosa (Moderato) | 0:03:32 - Rosa's house | establish setting | house | maid | somber | voice-over | walking | yard |
Beyond the Forest (1949) | Rosa (Maestoso) | 0:03:57 - Rosa's maid | establish setting | house | maid | tense | voice-over | walking | yard |
Beyond the Forest (1949) | Underscoring (Mysterious) | 0:14:31 - Rosa grabs the key | advance plot | cabin | friend | key | leading lady | mysterious | underscoring | walking | wife |
Beyond the Forest (1949) | Rosa (Sulking) | 0:28:33 - Rosa watches the train | advance plot | leading lady | solemn | train | train station | walking | watching |
Beyond the Forest (1949) | Rosa (Sombre) | 0:32:36 - Rosa walks away | advance plot | leading lady | room | somber | sulking | tense | upset | walking |
Beyond the Forest (1949) | Lewis (Moderato Quasi Rubato) | 0:42:23 - Lewis talks to some men | advance plot | calm | conversing | doctor | leading man | room | somber | source and scoring overlap | street | townsfolk | walking | warm |
Beyond the Forest (1949) | Flowers | 0:46:12 - Flowers | advance plot | cheerful | flower | leading lady | optimistic | street | walking |
Beyond the Forest (1949) | Rosa (Solemn) | 0:48:04 - Rosa leaves the office | dark | departing | leading lady | office | receptionist | somber | street | transition | walking |
Beyond the Forest (1949) | Underscoring (Mysterious) | 1:16:20 - Rosa stares out the window | advance plot | departing | leading lady | maid | murderer | mysterious | plotting | room | street | underscoring | walking | watching |
Beyond the Forest (1949) | Rosa (Agitato Misterioso) | 1:22:49 - Rosa in bed | agitated | fever | illness scene | leading lady | murderer | room | sickness | sweating | tense | walking |
Beyond the Forest (1949) | Lewis (Triste 2) | 1:24:09 - Lewis walks inside | arriving | calm | doctor | fever | illness scene | leading lady | leading man | murderer | room | sickness | solemn | street | waiting | walking |
Beyond the Forest (1949) | Sawmill | 1:29:51 - Rosa opens the door | agitated | climax | leading lady | machinery effect | madness | mad scene | maid | murderer | street | stumbling | tense | walking |
Beyond the Forest (1949) | Sawmill + Steam Whistle | 1:30:02 - The maid makes a phone call | agitated | climax | collapsing | combination of themes | cut from film | falling | leading lady | machinery effect | madness | mad scene | maid | murderer | street | stumbling | tense | walking | whistle effect |
Beyond the Forest (1949) | Sawmill + Rosa (Stumbling) | 1:30:10 - Rosa struggles to her feet | climax | combination of themes | dark | leading lady | machinery effect | madness | mad scene | murderer | ominous | standing | street | stumbling | walking |
Beyond the Forest (1949) | Rosa (Fever 2) | 1:30:23 - Rosa stumbles forward | climax | dark | leading lady | madness | mad scene | murderer | ominous | street | stumbling | walking |
Beyond the Forest (1949) | Sawmill + Steam Whistle | 1:30:36 - Darkness | agitated | climax | combination of themes | leading lady | madness | mad scene | murderer | stumbling | tense | train | train station | walking | whistle effect |
Beyond the Forest (1949) | Train | 1:30:52 - A locomotive | agitated | climax | cut from film | leading lady | madness | mad scene | murderer | stumbling | tense | train | train effect | train station | walking |
Beyond the Forest (1949) | Train + Chicago (Shrill) | 1:30:54 - Rosa stumbles towards the train | agitated | climax | combination of themes | cut from film | familiar tune | leading lady | madness | mad scene | murderer | popular tune | shrill | stumbling | tense | train | train effect | train station | walking |
Beyond the Forest (1949) | Train (Heating Up) + Chicago (Fragmented) | 1:31:05 - Rosa stumbles towards the train | agitated | climax | combination of themes | desperate | familiar tune | leading lady | madness | mad scene | murderer | popular tune | stumbling | tense | train | train effect | train station | walking |
Beyond the Forest (1949) | Chicago | 1:31:21 - Rosa stumbles towards the train | climax | desperate | familiar tune | leading lady | madness | mad scene | murderer | popular tune | stumbling | tense | train | train station | walking |
Beyond the Forest (1949) | Stinger | 1:31:51 - Rosa dead | arriving | climax | dark | death | doctor | husband | leading lady | leading man | mad scene | murderer | solemn | stinger | train | train station | walking |
| The Big Sleep (1946) | Walking | 0:01:26 - Carmen walks down the stairs | arriving | daughter | deceptive resolution | descending | establish character | femme fatale | leading man | mysterious | parallelism | pedal tone | private eye | room | walking |
The Big Sleep (1946) | Sternwood | 0:02:31 - Carmen walks away | 9th chord | added-note chord | altered dominant | bluesy | daughter | establish character | femme fatale | leading man | Neapolitan | private eye | retardation | room | seductive | walking |
The Big Sleep (1946) | Underscoring (Tense) | 0:02:45 - Marlowe goes to meet Sternwood | 9th chord | altered dominant | butler | chromatic scale | establish character | leading man | private eye | room | tense | underscoring | walking |
The Big Sleep (1946) | Walking | 0:13:02 - Marlowe leaves the mansion | butler | leading man | mysterious | private eye | room | transition | walking |
The Big Sleep (1946) | Walking | 0:13:39 - Marlowe walks down the street | advance plot | calm | investigating | leading man | private eye | street | walking |
The Big Sleep (1946) | Walking (Extended) | 0:15:03 - Marlowe walks across the street | advance plot | calm | investigating | leading man | private eye | street | walking |
The Big Sleep (1946) | Hurrying | 0:19:26 - Geiger enters his house | antagonist | car | mysterious | rain | street | tense | transition | walking |
The Big Sleep (1946) | Marlowe (Molto Misterioso) | 0:20:17 - Marlowe gets out to see the second car | car | investigating | investigation scene | leading man | mysterious | private eye | rain | street | tense | walking |
The Big Sleep (1946) | Walking | NIF - not in film | deleted scene | deleted scene | investigating | investigation | leading man | mysterious | private eye | room | searching | tense | walking |
The Big Sleep (1946) | Walking | 0:25:22 - Vivian walks down the hall | advance plot | butler | calm | inserted scene | leading lady | leading man | not in score | private eye | reused recording | room | walking |
The Big Sleep (1946) | Hurrying | 0:27:25 - Marlowe goes back to Geiger's house | investigating | investigation scene | leading man | mysterious | private eye | street | walking |
The Big Sleep (1946) | Entering | NIF - not in film | arriving | deleted scene | entering | gentle | leading man | not in score | private eye | room | transition | walking |
The Big Sleep (1946) | Walking | 0:32:10 - Marlowe walks to his office | advance plot | arriving | calm | leading lady | leading man | private eye | room | walking |
The Big Sleep (1946) | Hurrying | 0:38:45 - Marlowe walks to a cab | car | car | driver | hurrying | investigation scene | leading man | mysterious | private eye | taxi | tense | walking |
The Big Sleep (1946) | Walking 2 | 0:39:25 - Marlowe walks to the house | investigating | investigation scene | leading man | mysterious | private eye | street | tense | walking |
The Big Sleep (1946) | Hurrying | 0:39:41 - Marlowe walks back to the cab | hurrying | investigation scene | leading man | mysterious | private eye | street | tense | walking |
The Big Sleep (1946) | Running | 0:47:40 - Vivian enters the apartment building | hurrying | investigating | investigation scene | leading lady | leading man | mysterious | private eye | street | tense | walking |
The Big Sleep (1946) | Marlowe (Determined) | 0:47:56 - Marlowe enters the apartment building | arriving | ascending | bold | determined | heroic | investigating | investigation scene | leading lady | leading man | private eye | stairs | street | walking |
The Big Sleep (1946) | Walking (Interrupted) | 1:22:27 - Marlowe walks down the street | investigating | investigation scene | leading man | private eye | street | tense | walking |
The Big Sleep (1946) | Jones | 1:23:24 - Jones enters | advance plot | leading man | mysterious | private eye | street | tense | walking |
The Big Sleep (1946) | Walking (Hesitant) | 1:26:55 - Marlowe walks into a building | hallway | investigation scene | leading man | neutral | pain | private eye | walking |
The Big Sleep (1946) | Hostage + Marlowe (Fragment) | 1:42:34 - Canino brings Vivian out as a hostage | action scene | criminal | hostage | leading lady | leading man | love interest | outside | private eye | tense | walking |
The Big Sleep (1946) | Marlowe (Bold) | 1:45:44 - Marlowe and Vivian get out of the car | bold | heroic | leading lady | leading man | love interest | outside | private eye | transition | walking |
The Big Sleep (1946) | Walking | 1:45:45 - Marlowe and Vivian walk up to house | leading lady | leading man | love interest | outside | private eye | tense | transition | walking |
| The Breaking Point (1950) | Make Love With a Guitar | 0:46:27 - Harry and his wife come home | advance plot | calm | child | conversing | drunk | leading lady | leading man | neighbor | on-screen music | sailor | source music | street | walking | wife |
The Breaking Point (1950) | Humming | 0:54:33 - Wesley and Harry work on the boat | arriving | calm | criminal | friend | harbor | humming | leading man | on-screen music | sailor | source music | transition | walking | working |
| Caged (1950) | Evelyn | 0:40:19 - Evelyn walks into the cell showing off her new fashion | footsteps | heavy | mickey-mousing | prison | tritone | walking |
Caged (1950) | Pacing | 0:44:27 - Mrs. Benton paces the room | mickey-mousing | pacing | prison | walking |
Caged (1950) | Pacing (Impatient) | 1:32:26 - Marie receives a $30.12 check for the 502 days that she worked in the prison | heroine | pacing | prison | walking |
| His Greatest Gamble (1934) | Morning Glory Waltz (Radio) | 0:57:06 - Philip talks with Alice | 9th chord | advance plot | conversing | daughter | fugitive | gentle | leading lady | leading man | mansion | mode mixture | radio | score to source | sentimental | source music | transcribed by ear | walking |
| City for Conquest (1940) | Sidewalks of New York | 0:03:10 - A New York street corner | AABA structure | child | conversing | crowd | dancing | old man | on-screen music | organ grinder | playing | pleasant | score to source | source music | street | street organ | thief | transition | upbeat | walking |
City for Conquest (1940) | Tone Poem A (Walking) | 0:48:32 - Danny and Peggy walk down the street | 11th chord | boxer | chromatic sequence | conversing | dancer | leading lady | leading man | love scene | romantic | street | walking |
| Crime School (1938) | Slips on paint | 0:51:01 - Guard chases boy then slips and falls on paint | accident | chromatic scale | comedy | comical | falling | mickey-mousing | police | reformatory | slipping | teenager | walking |
Crime School (1938) | The Warden (Office) | 0:51:05 - The guard enters to talk to Mark | comedy | dramatic | hero | leading man | marching | police | reformatory | walking |
Crime School (1938) | Mark Saves Boy | 0:57:29 - Mark carries Squirt up the stairs | action scene | ascending | authentic cadence | dissonant bass | hero | heroic | leading man | mickey-mousing | reformatory | rising | stairs | teenager | walking |
| They Made Me a Criminal (1939) | Traveling | 0:22:25 - Johnnie becomes a fugitive | 9th chord | added-note chord | altered dominant | countryside | double exposure | dramatic | leading man | map | mickey-mousing | money | montage | montage | purchasing | street | traveling | walking |
They Made Me a Criminal (1939) | The Fugitive (Traveling) | 0:22:51 - Johnnie's plodding feet | chromatic scale | chromatic wedge | countryside | desert | dissonant bass | dramatic | leading man | linear chromaticism | map | mickey-mousing | money | montage | montage | traveling | walking | whole-tone | whole-tone chord |
They Made Me a Criminal (1939) | The Fugitive | 0:24:29 - Johnnie walks | 9th chord | advance plot | altered dominant | desert | foreign key modulation | leading man | Neapolitan | tired | traveling | walking | wandering |
They Made Me a Criminal (1939) | The Fugitive (Looking Around) | 0:25:11 - The young man sees Johnnie | 9th chord | deceptive resolution | establish character | foreign key modulation | leading lady | leading man | ranch | teenager | tired | walking |
They Made Me a Criminal (1939) | The Fugitive (Fainting) | 0:26:32 - Johnnie stumbles and faints | 9th chord | dark | deceptive resolution | dissonant bass | establish character | fainting | falling | foreign key modulation | leading man | ranch | tired | tragic | walking |
| Deep Valley (1947) | Drudge | 0:03:59 - Libby goes downstairs | descending | establish character | leading lady | room | somber | stairs | upset | walking |
Deep Valley (1947) | Woods | 0:09:57 - Libby walks in the woods | cheerful | cut from film | dog | establish character | forest | leading lady | upbeat | walking |
Deep Valley (1947) | Homestead (Walking) | 0:19:15 - Jeff arrives at the farm | bright | crew | leading man | lovers meet | street | walking |
Deep Valley (1947) | Law | 0:23:19 - Guard taking Barry to a shed | arriving | conflict | construction site | convict | dark | guard | leading man | march | stinger | walking |
Deep Valley (1947) | Libby (Dark) | 0:33:17 - Libby walks to her mother's room | conflict | conversing | dark | leading lady | lightning | mother | room | somber | storm | thunder | walking |
Deep Valley (1947) | Joe (Allegretto Grazioso) | 0:39:06 - Libby in the woods | advance plot | dog | forest | happy | leading lady | running | upbeat | walking |
Deep Valley (1947) | Triste (Timidly) | 0:57:32 - Ellie leaves her room | cleaning | father | mother | reconciliation scene | room | somber | timid | walking |
Deep Valley (1947) | Barry (Molto Misterioso) + Love Theme | 1:06:04 - Sheriff drinks coffee | action scene | convict | drinking | forest | fugitive | leading lady | leading man | love interest | mysterious | police | room | somber | walking |
Deep Valley (1947) | Law (Slowly) | 1:06:18 - Lawmen advance | action scene | convict | forest | fugitive | leading man | love interest | manhunt | police | searching | serious | walking |
Deep Valley (1947) | Underscoring (Dramatic) | 1:17:55 - Barry hears a noise | advance plot | barn | convict | dramatic | fugitive | leading lady | leading man | love interest | sneaking | stinger | tense | walking |
Deep Valley (1947) | Law (Tense) | 1:25:09 - Posse on the prowl | advance plot | forest | police | tense | walking |
Deep Valley (1947) | Libby 3 (Tense) | 1:28:28 - Libby comes down the ladder | barn | conflict | conversing | convict | father | fugitive | leading lady | leading man | love interest | tense | uneasy | walking |
Deep Valley (1947) | Barry (Very Slowly) | 1:30:02 - Libby climbs the ladder | advance plot | arriving | barn | climbing | convict | fugitive | leading lady | leading man | love interest | somber | uneasy | walking |
Deep Valley (1947) | Love Theme | 1:33:30 - A shot of the barn | advance plot | mellow | mother | porch | sheriff | uneasy | walking |
Deep Valley (1947) | Libby 2 (Molto Expressivo) | 1:33:40 - Ellie walks to the barn | advance plot | barn | convict | eavesdropping | fugitive | leading lady | leading man | love interest | mother | sneaking | tense | walking | yard |
Deep Valley (1947) | Love Theme (Full) | 1:44:14 - Libby appears over the horizon | dog | forest | leading lady | peaceful | resolution | silhouette | walking |
Deep Valley (1947) | Deep Valley (Sostenuto) | 1:45:05 - Jeff and Libby on the cliffside | dog | forest | leading lady | leading man | passionate | resolution | walking |
| Dust Be My Destiny (1939) | Dust Be My Destiny (In Love) | 0:27:22 - Joe and Mabel talk | 9th chord | added-note chord | advance plot | common-tone diminished 7th | freedom | gentle | leading lady | leading man | mode mixture | runaway | secondary dominant | street | walking |
Dust Be My Destiny (1939) | Dust Be My Destiny (Travel Montage) | 0:36:28 - A speeding train | added-note chord | foreign key modulation | frantic | hitch-hiking | leading lady | leading man | linear chromaticism | map | montage | pc set | runaway | sign | train | train | train whistle | traveling | traveling scene | truck | walking |
Dust Be My Destiny (1939) | Dust Be My Destiny (Wandering) | 0:37:16 - Joe and Mabel walk down the road | car | car horn | diminished 7th chord | leading lady | leading man | montage | oscillation | runaway | street | tired | traveling scene | walking |
Dust Be My Destiny (1939) | Underscoring (Tense) | 0:47:58 - Joe walks to the jail | 64 chord | friend | jail | jail break | leading man | runaway | shopkeeper | tense | underscoring | walking |
Dust Be My Destiny (1939) | Dust Be My Destiny (Sehr Ominous) | 0:56:14 - Joe walks towards the shop | 9th chord | chromatic parallelism | crime scene | criminal | leading man | mysterious | sequence | shop | shopkeeper | street | walking |
Dust Be My Destiny (1939) | Gangsters walk | 1:10:26 - The gangsters walk to their car | chromatic parallelism | chromatic scale | chromatic sequence | conflict | gangster | mickey-mousing | newspaper editor | street | tense | walking |
| Each Dawn I Die (1939) | Creeping | 0:04:47 - Two men sneak up behind Frank | chromatic scale | chromatic sequence | conflict | creeping | gangster | mickey-mousing | mysterious | pizzicato | sneaking | street | walking |
Each Dawn I Die (1939) | Walking | 0:22:22 - Man paces back and forth in the prison yard | advance plot | anxious | crazed | mickey-mousing | mysterious | pacing | pc set | prison | prisoner | walking |
Each Dawn I Die (1939) | Freedom | 1:30:31 - Frank leaves the prison | artwork in score | chromatic mediant | conclusion | dissonant bass | freedom | hopeful | leading lady | leading man | optimistic | peaceful | The End | walking |
| The FBI Story (1959) | The Bureau (Walking) | 1:01:18 - Chip and Sam walk into the bureau | city | FBI | flashback | walking |
The FBI Story (1959) | The Bureau (Arrest) | 1:01:31 - FBI arrest a mobster who then is shot | arrest | city | FBI | flashback | gangster | mobster | walking |
The FBI Story (1959) | Mario climbs uphill 1 | 1:54:15 - Mario climbs uphill | climbing | flashback | mickey-mousing | up | uphill | walking |
The FBI Story (1959) | Mario climbs uphill 2 | 1:54:39 - Mario climbs uphill | climbing | flashback | mickey-mousing | up | uphill | walking |
The FBI Story (1959) | The Fountain in the Park | 2:10:45 - Communist strolls through the park one day | bitonality | comical | familiar tune | flashback | park | popular music | strolling | syrupy | walking |
The FBI Story (1959) | The Bureau (Moderato) | 2:24:05 - FBI agents pursue man on foot | agent | chasing | FBI | flashback | following | walking |
| Flamingo Road (1949) | Titus 2 (Agitato) | 0:37:11 - Lane goes to confront Titus | agitated | angry | chromatic sequence | hurrying | leading lady | self-borrowing | street | transition | walking |
Flamingo Road (1949) | Agitato | 0:39:09 - Lane storms off angrily | agitated | angry | chromatic parallelism | chromatic scale | chromatic wedge | conflict | hurrying | leading lady | self-borrowing | sheriff | street | walking |
Flamingo Road (1949) | Titus 2 (Walking) | 0:39:17 - Lane storms off angrily | agitated | angry | chromatic parallelism | conflict | diminished 7th chord | hurrying | leading lady | mickey-mousing | self-borrowing | sheriff | street | walking |
Flamingo Road (1949) | Titus (Setup) | 0:39:31 - A car follows Lane | conflict | dark | leading lady | police | self-borrowing | setup | street | walking |
Flamingo Road (1949) | Titus 2 (Maestoso) | 0:41:11 - Women enter the prison | advance plot | dark | dramatic | leading lady | prison | prisoner | self-borrowing | walking |
Flamingo Road (1949) | Lane (Descending the Staircase) | 1:21:31 - Lane descends the stairs | advance plot | delicate | descending | leading lady | leading man | love interest | mickey-mousing | mysterious | parallelism | room | walking |
Flamingo Road (1949) | Flamingo Road (Andante) | 1:24:05 - Lane goes to get a drink for Field | altered dominant | chromatic parallelism | dark | death scene | gentle | gunshot | hopeful | leading lady | leading man | love interest | mode mixture | room | self-borrowing | suicide | walking | warm |
| Hell on Frisco Bay (1955) | Prison Gate | 0:01:25 - Steve exits the prison gate | conductor score | establish character | friend | gate | leading lady | leading man | leaving | prison | serious | walking |
Hell on Frisco Bay (1955) | Steve | 0:11:11 - Steve knocks on door | advance plot | arriving | conductor score | investigator | leading man | pleasant | porch | walking |
Hell on Frisco Bay (1955) | Hell on Frisco Bay | 0:21:37 - Marcia on a poster | club | conductor score | establish character | investigator | leading man | romantic | walking |
Hell on Frisco Bay (1955) | Walking | 0:26:31 - Marcia walks to the door | advance plot | conductor score | gangster | hurried | leading lady | leading man | mickey-mousing | room | walking |
Hell on Frisco Bay (1955) | Steve | 0:32:34 - Steve investigates | advance plot | arriving | conductor score | investigator | leading man | neutral | street | walking |
Hell on Frisco Bay (1955) | Steve | 0:53:15 - Steve leaves | action scene | aiming | conductor score | dark | gangster | investigator | leading man | murderer | neutral | shooting | street | tense | walking |
Hell on Frisco Bay (1955) | Steve Arrives | 0:54:56 - Steve arrives at an apartment | arriving | conductor score | investigator | leading man | mickey-mousing | mysterious | street | tense | transition | walking |
Hell on Frisco Bay (1955) | Menace | 0:58:48 - Bessie walks through the market | | agitated | chase scene | conductor score | dramatic | floozy | gangster | hurrying | investigator | leading man | mysterious | street | tense | walking |
Hell on Frisco Bay (1955) | Hell on Frisco Bay | 1:37:52 - Steve and Marcia leave together | dock | gentle | inspector | leading lady | leading man | peaceful | romantic | walking |
| Her Kind of Man (1946) | Candy | 1:11:27 - Candy approaches the warehouse | advance plot | arriving | criminal | gambler | henchman | leading man | murderer | tense | walking | warehouse |
Her Kind of Man (1946) | Candy (Tragic) | 1:15:28 - Candy in the shadows | climax | conversing | criminal | double-cross | gambler | henchman | hiding | husband | leading man | murderer | revenge | street | tense | tragic | walking | widow |
| I Was a Communist for the FBI (1951) | Undercover Agent | 0:00:21 - Cast list over long, dark hallway | cast list | hallway | main title | march | mickey-mousing | tritone | walking |
I Was a Communist for the FBI (1951) | Undercover Agent (Marcia) | 0:01:17 - Agent walks to the phone | agent | airport | main title | march | mickey-mousing | telephone | tritone | walking |
| Illegal (1955) | Police Car (Walking) | 0:51:23 - Vic leaves the court room and talks to a reporter | courtroom | drinking fountain | walking |
Illegal (1955) | Scott (Minor) | 1:12:12 - Vic walks in a dark parking lot | dark | parking lot | walking |
Illegal (1955) | Menace | 1:12:47 - Andy pulls gun on Vic and they walk | gun | tritone | walking |
| In This Our Life (1942) | Asa (Expressivo) | 0:02:33 - Asa walks | conversing | establish character | gentle | noble | street | walking | worker |
In This Our Life (1942) | Roy (Triste) | 0:12:54 - Roy walks up the stairs | establish character | gentle | leading lady | room | somber | walking |
In This Our Life (1942) | Driving + Stanley | 1:08:53 - Stanley driving | car | car | child | combination of themes | crime scene | criminal | driving | drunk | leading lady | mysterious | street | tense | uneasy | victim | walking |
In This Our Life (1942) | Underscoring (Tense) | 1:09:25 - Policemen approach the house | arriving | conversing | criminal | investigation scene | leading lady | mysterious | police | room | tense | walking | watching |
In This Our Life (1942) | Stanley | 1:09:49 - Policemen enter the house | arriving | conversing | criminal | investigating | investigation scene | leading lady | mysterious | police | room | sneaking | tense | walking | watching |
In This Our Life (1942) | Stanley (Driving Away) | 1:29:06 - Craig goes to the phone | agitated | calling | climax | lawyer | leading man | room | telephone | walking |
| The Informer (1935) | The Informer (Walking) | 0:01:44 - Gypo walks down the street | countermelody | establish character | leading man | mickey-mousing | mysterious | poster | Scotch snap | street | walking |
The Informer (1935) | The Rose of Tralee | 0:02:54 - Man sings an Irish folk song by a lamp post | calm | establish character | familiar tune | folk song | Irish | leading man | on-screen music | poster | singing | source music | street | walking |
The Informer (1935) | Katie | 0:04:31 - Katie walks down the street | establish character | foreign key modulation | leading lady | parallelism | seductive | staring | street | sultry | walking |
The Informer (1935) | Underscoring (Tense) | 0:05:04 - Gypo sees the man and walks towards him | establish character | leading lady | leading man | mysterious | street | tense | underscoring | walking | whole-tone |
The Informer (1935) | Footsteps | 0:07:16 - Close-up on walking feet | establish character | footsteps | leading man | mickey-mousing | mysterious | street | tritone | walking |
The Informer (1935) | Blind Man | 0:19:29 - Gypo meets the blind man | 64 chord | advance plot | antagonist | blind man | leading man | mysterious | street | walking |
The Informer (1935) | Blind Man + Blood Money | 0:24:45 - Blind man wanders in and Gypo gives him money | advance plot | antagonist | augmented triad | blind man | combination of themes | giving | leading lady | leading man | money | mysterious | ominous | street | walking |
The Informer (1935) | The Informer (Bold) | 0:25:26 - Gypo storms off down the street | 64 chord | advance plot | antagonist | bold | determined | hurrying | leading lady | leading man | Scotch snap | street | walking |
The Informer (1935) | The Informer (Walking Fast) | 0:30:13 - Gypo storms off down the street | 64 chord | advance plot | antagonist | chromatic parallelism | diminished 7th chord | hurrying | leading man | Scotch snap | street | tense | walking |
The Informer (1935) | Katie (Gypo is Drunk) | 0:46:36 - Gypo tells the rebel about "somebody waiting for me" | advance plot | antagonist | augmented sixth chord | breaking | drunk | leading man | street | transcribed by ear | walking |
The Informer (1935) | He Is Me Darling-O | 0:47:03 - Gypo and another man sing drunkenly | advance plot | Aeolian mode | antagonist | drunk | familiar tune | folk song | Irish | leading man | street | transcribed by ear | walking |
The Informer (1935) | The Informer (Dan Talking) | 0:56:57 - Dan and Mary talk about an informer | conversing | hero | love interest | love scene | mysterious | room | walking bass |
The Informer (1935) | Dan and Mary (Descending) | 1:05:08 - Mary enters, looking for Dan | chromatic sequence | courtroom scene | dissonant bass | down | headquarters | hero | love interest | love theme | mickey-mousing | romantic | stairs | street | suspect | walking |
The Informer (1935) | Blood Money (Tuttissimo) | 1:28:53 - Gypo stumbles into a church | antagonist | church | climax | dirge | dissonant bass | dominant pedal | dying | half-diminished 7th chord | leading man | mysterious | street | stumbling | tense | traitor | walking | whole-tone | whole-tone chord |
The Informer (1935) | The Informer (Pathetic) | 1:29:48 - Gypo stumbles toward Frankie's mother | antagonist | church | climax | diminished 7th chord | dying | gentle | leading man | main theme | pedal tone | somber | stumbling | traitor | walking |
| Key Largo (1948) | McCloud (Misterioso) | 0:12:13 - Nora walks downstairs | establish character | gangster | hotel | leading lady | mysterious | walking | watching |
Key Largo (1948) | Rocco 2 (Molto Misterioso) | 0:12:22 - Curly walks down the hall | dangerous | establish character | gangster | hotel | mysterious | walking | watching |
Key Largo (1948) | McCloud (Broad) | 0:17:00 - Nora and Frank go outside | advance plot | bright | death | father | hotel | leading lady | leading man | memory | remembering | somber | storytelling | tender | walking | war |
Key Largo (1948) | Gaye | 0:52:06 - Gaye awkwardly walks past Rocco | awkward | bluesy | boss | develop character | gangster | hotel | jazz | moll | sultry | walking |
Key Largo (1948) | Rocco Pacing | 1:02:01 - Rocco paces back and forth | boss | develop character | father | gangster | hostage | hotel | leading lady | leading man | moll | nervous | ominous | pacing | sinister | walking |
Key Largo (1948) | Walking | 1:24:21 - Gangsters go down the stairs | advance plot | gangster | hotel | mickey-mousing | tense | walking |
Key Largo (1948) | Rocco (Leaving) | 1:25:33 - Gangsters leave the hotel with McCloud | advance plot | boss | father | gangster | hostage | hotel | leading lady | leading man | leaving | moll | ominous | walking |
Key Largo (1948) | Rocco (Tense) | 1:25:49 - Gangsters leave to board the boat | advance plot | boss | dock | father | gangster | hostage | leading lady | leading man | moll | tense | walking |
Key Largo (1948) | Hurrying | 1:26:02 - Gangsters walk to the boat | advance plot | boss | dock | father | gangster | hostage | hurrying | leading lady | leading man | mickey-mousing | moll | tense | walking |
Key Largo (1948) | Underscoring (Somber) | 1:27:42 - Nora and Gaye enter the hotel | advance plot | conversing | hotel | leading lady | moll | somber | underscoring | walking |
| The Letter (1940) | Andante Doloroso + Leslie | 0:15:53 - Men go to look at dead body | advance plot | combination of themes | dark | death | murder | parallelism | plantation | reveal | servant | sinister | walking |
The Letter (1940) | Leslie B (Appassionato) | 0:19:26 - Leslie closes the blinds | changing meter | dramatic | emotional | home | leading lady | linear chromaticism | love scene | sequence | walking |
The Letter (1940) | Leslie (Walking) | 0:30:58 - Leslie in jail | 64 chord | advance plot | chromatic parallelism | fragmentation | leading lady | mysterious | oscillation | prison | walking |
The Letter (1940) | Chinese Shop | 0:55:30 - Howard and Leslie look around | antagonist | Chinatown | Chinese | Chinese | exotic | exoticism | lawyer | layering | leading lady | Lydian mode | mirroring | mysterious | open fifth | parallel fifths | parallelism | polytonality | quintal chord | tense | transition | waiting | walking |
The Letter (1940) | Mrs. Hammond (Slowly) | 0:57:27 - Howard and Leslie walk into the back room | antagonist | Chinatown | Chinese | Chinese | conflict | lawyer | leading lady | mysterious | pentatonic | quintal chord | shop | walking |
The Letter (1940) | Leslie B + Glass Curtains | 1:01:57 - Leslie approaches Mrs. Hammond | antagonist | Chinatown | Chinese | chromatic scale | combination of themes | conflict | confronting | curtain | glass | lawyer | layering | leading lady | mirroring | mysterious | ostinato | parallelism | pc set | polyrhythm | sequence | shop | staring | tense | tinkling | tone cluster | walking | whole-tone | whole-tone chord |
The Letter (1940) | Foxtrot No. 1 B | 1:20:05 - Leslie getting ready for the party | added-note chord | advance plot | calm | dance music | foxtrot | home | leading lady | source music | walking |
The Letter (1940) | Mrs. Hammond (Dirge) | 1:29:32 - Leslie heads towards the door | Chinese | climax | dark | dirge | home | leading lady | parallelism | somber | walking |
The Letter (1940) | Shadow | 1:30:30 - Leslie leaves the house | chromatic parallelism | climax | leading lady | major triad | mysterious | plantation | polychord | shadow | walking |
The Letter (1940) | Native (Climactic) | 1:30:42 - Leslie walks through her garden | climax | crying | Dorian mode | exoticism | gamelan | Indonesian music | leading lady | mysterious | panning shot | parallelism | plantation | setting | somber | walking |
The Letter (1940) | Deception (Appassionato) | 1:31:18 - Close-up of Leslie | climax | crying | leading lady | mysterious | pc set | Phrygian mode | plantation | somber | walking |
The Letter (1940) | Mrs. Hammond (Ambush) | 1:31:55 - Leslie moves through the gate | Aeolian mode | antagonist | Chinese | climax | dark | leading lady | mysterious | open fifth | parallel fifths | parallelism | pentatonic | plantation | walking |
The Letter (1940) | Leslie (Deliberate) | 1:32:48 - Mrs. Hammond approaches Leslie with a knife | antagonist | changing meter | Chinese | climax | dagger | leading lady | oscillation | plantation | somber | walking |
The Letter (1940) | Mrs. Hammond (Revenge) | 1:33:01 - Mrs. Hammond stabs Leslie | 64 chord | antagonist | Chinese | Chinese | climax | dagger | leading lady | murder | open fifth | parallel fifths | parallelism | pentatonic | plantation | somber | walking |
| Lightning Strikes Twice (1951) | Shelly (Traveling 2) | 0:23:40 - Shelly travels to Tumblewood Ranch | desert | driving | traveling | walking |
Lightning Strikes Twice (1951) | Shelly (Running) | 0:39:58 - Shelly looks for Trev then walks off with Liza | agitated | heroine | searching | walking |
| Mildred Pierce (1945) | Mildred (Pier) | 0:02:15 - Santa Monica pier at night | chromatic parallelism | dock | establish character | fragmentation | heroine | leading lady | mickey-mousing | pedal tone | pondering | sequence | somber | walking | water | wave |
Mildred Pierce (1945) | Underscoring (Dramatic) | 0:08:53 - Wally looks for Mildred | 9th chord | action scene | ascending | augmented triad | chromatic parallelism | chromatic scale | down | dramatic | falling | friend | half-diminished 7th chord | hurrying | knocking | mickey-mousing | room | searching | setup | suspenseful | underscoring | walking | whole-tone chord | whole-tone scale |
Mildred Pierce (1945) | Underscoring (Dramatic) | 0:10:21 - Wally reacts to the situation | action scene | breaking | chromatic parallelism | chromatic scale | chromatic wedge | death | dramatic | escaping | friend | half-diminished 7th chord | hurrying | mickey-mousing | murder | room | running | smashing | sneaking | telephone | underscoring | victim | walking | whole-tone chord | worrying |
Mildred Pierce (1945) | Wally stands up and walks | 0:10:21 - Wally stands up to go to the phone | action scene | friend | mickey-mousing | rising | room | standing | tense | up | victim | walking |
Mildred Pierce (1945) | Wally walks | 0:10:32 - Wally hurriedly walks away | action scene | chromatic parallelism | dramatic | friend | half-diminished 7th chord | hurrying | mickey-mousing | room | victim | walking |
Mildred Pierce (1945) | Cops walk | 0:11:08 - The cops walk down the hill | action scene | beach | dramatic | lumbering | mickey-mousing | police | walking |
Mildred Pierce (1945) | Hall of Justice | 0:13:35 - The Los Angeles Hall of Justice | advance plot | arriving | bold | detective | entering | heroine | justice | leading lady | parallelism | pedal tone | police | police station | walking |
Mildred Pierce (1945) | Kay and Veda (Going Home) | 0:25:13 - Veda leads Kay home | child | establish character | graceful | oscillation | street | walking |
Mildred Pierce (1945) | Mildred (Tense) | 0:28:43 - Mildred goes to open the door | advance plot | fragmentation | heroine | leading lady | pedal tone | room | tense | walking |
Mildred Pierce (1945) | Mildred (Delicate) | 0:32:04 - Mildred walks up the stairs | advance plot | gentle | heroine | leading lady | parallelism | pedal tone | room | up | walking |
Mildred Pierce (1945) | Mildred (Desperate) | 0:34:05 - Mildred looks for a job | applying | depressed | enharmonic reinterpretation | foreign key modulation | heroine | leading lady | montage | searching | street | voice-over | walking |
Mildred Pierce (1945) | Walking | 0:42:58 - Mildred and Wally walk to the house | added-note chord | arriving | beach house | excited | friend | heroine | leading lady | mickey-mousing | ocean | parallelism | transition | walking |
Mildred Pierce (1945) | Walking | 0:49:48 - Driving to the beach house | 9th chord | beach house | cheerful | driving | falling in love scene | friend | heroine | leading lady | parallelism | room | traveling | walking |
Mildred Pierce (1945) | Mildred (Angry) | 1:18:21 - Mildred walks out of an argument | 9th chord | aggressive | angry | arriving | chromatic parallelism | conflict | heroine | hurrying | leading lady | leaving | Neapolitan | room | walking |
Mildred Pierce (1945) | Mildred stands and walks to window | 1:38:02 - Mildred stands up and goes to the window | advance plot | delicate | graceful | heroine | leading lady | mickey-mousing | peaceful | rising | room | standing | up | walking |
Mildred Pierce (1945) | Mildred (Mad) | 1:43:19 - Mildred makes a phone call | anger | angry | calling | dissonant bass | half-diminished 7th chord | heroine | leading lady | room | tense | turbulent | turning point | walking |
| The Life of Vergie Winters (1934) | Lullaby + Here Comes the Bride | 1:10:07 - Vergie imagines the wedding | added-note chord | bride | calm | chromatic mediant | combination of themes | common-chord modulation | daughter | double exposure | familiar tune | groom | leading lady | leading man | peaceful | secret lover | ternary form | transcribed by ear | walking | wedding | wedding | wedding music |
The Life of Vergie Winters (1934) | Lullaby (Very Ethereal) | 1:19:04 - Vergie exits the prison | daughter | dissonant bass | husband | leading lady | pedal tone | prison | prisoner | resolution | somber | suspect | tense | walking |
| Out of the Fog (1941) | Russian Barcarolle (Dark) | 0:19:34 - Goff walks | boat | chef | conflict | conversing | criminal | dark | dock | extortion | father | fisherman | friend | leading man | threatening | walking |
Out of the Fog (1941) | Concert in the Park | 0:25:09 - Jonah and Olaf walk down the street | advance plot | arriving | conversing | dock | father | fisherman | friend | popular music | source music | upbeat | walking |
Out of the Fog (1941) | Underscoring (Dark) | 0:40:27 - Stella reacts | criminal | dark | dock | leading lady | leading man | love scene | reacting | stinger | walking |
Out of the Fog (1941) | Underscoring (Dramatic) | 0:49:39 - Goff stops Jonah | conflict | conversing | criminal | dark | dramatic | extortion | father | fisherman | leading man | mickey-mousing | panning shot | stinger | street | threatening | underscoring | violence | walking | weapon |
Out of the Fog (1941) | Russian Barcarolle (Ethereal) | 1:23:47 - Jonah talks to Stella | conversing | dock | ethereal | father | fisherman | leading lady | peaceful | resolution | walking |
Out of the Fog (1941) | Russian Barcarolle (Tango) | 1:24:07 - Stella and Jonah walk away | conversing | dock | exotic | father | fisherman | leading lady | peaceful | resolution | street | tango | walking |
Out of the Fog (1941) | Russian Barcarolle (The End) | 1:24:24 - The dock at night | conversing | dock | end title sequence | father | fisherman | grand | leading lady | peaceful | resolution | street | The End | walking |
| The Unfaithful (1947) | Chris (Dark) | 0:07:46 - Chris walks from her car to her front door | advance plot | antagonist | calm | danger | house | leading lady | ominous | shadow | tritone | tritone | walking |
The Unfaithful (1947) | Danger | 0:08:19 - Man appears in the shadows and attacks Chris | advance plot | antagonist | danger | fear | house | leading lady | monophonic | shadow | sinister | walking |
The Unfaithful (1947) | Unfaithful (Dramatic Underscoring) | 0:43:06 - Larry walks into his office | dramatic | law office | lawyer | mirroring | office | ostinato | polytonality | transition | walking |
The Unfaithful (1947) | Chris 2 | 0:43:56 - Chris goes to visit Larry's office | law office | leading lady | office | peaceful | transition | walking |
The Unfaithful (1947) | Walking | 1:09:50 - Bob walks to meet with the art dealer | husband | park | pedal tone | tense | transition | walking |
The Unfaithful (1947) | Tanner | 1:10:47 - Bob walks upstairs to meet with Mrs. Tanner | altered dominant | antagonist | arriving | foreshadowing | husband | quartal chord | street | syncopation | tense | transition | walking |
The Unfaithful (1947) | Unfaithful (Triste) | 1:13:36 - Bob slowly walks away from the apartment | dirge | heartbroken | hotel | husband | ostinato | polychord | sad | somber | transition | walking |
The Unfaithful (1947) | Unfaithful (Angry) | 1:15:00 - Bob walks around his home | angry | husband | intense | meandering | room | transition | walking |
The Unfaithful (1947) | Unfaithful (Rising Anger) | 1:15:35 - Bob walks around his home | angry | half-diminished 7th chord | husband | intense | meandering | room | transition | walking |
| We Are Not Alone (1939) | Surprise Symphony (Glissando) | 0:22:35 - David rides home on his bike | advance plot | bicycle | classical music | familiar tune | fragmentation | glissando | happy | Haydn | hero | home | peaceful | quotation | sequence | walking |
We Are Not Alone (1939) | Underscoring (Dramatic) | 1:03:40 - Jessica takes Gerald outside | 11th chord | antagonist | boy | child | conflict | dramatic | street | tense | underscoring | walking |
We Are Not Alone (1939) | Underscoring (Mysterious) | 1:36:37 - David walks down a prison corridor | advance plot | anticipation | guard | hero | heroine | mysterious | prison | underscoring | walking |
| White Heat (1949) | Walk | 0:06:23 - Cody walks across the room | gangster | walking |
White Heat (1949) | Plotting (Triste) | 0:29:13 - Verna and Ma walk out of the police station | transition | walking |
| The Woman in White (1948) | The Carman’s Whistle | 0:02:16 - Walter asks for directions | calm | directions | establish place | establish setting | establish time | forest | gentle | leading man | Renaissance music | voice-over | walking | worker |
The Woman in White (1948) | The Carman’s Whistle | 0:06:09 - Walter walks away | arriving | calm | establish character | garden | leading man | mansion | walking |
The Woman in White (1948) | The Carman’s Whistle (Arriving) + Ann | 0:06:22 - The woman in white appears | arriving | calm | combination of themes | establish character | garden | leading lady | leading man | mansion | sneaking | tense | tremolo | walking |
The Woman in White (1948) | Fairlie | 0:18:35 - Walter leaves Mr. Fairlie | advance plot | butler | gentle | leading man | room | walking |
The Woman in White (1948) | The Carman’s Whistle (Accompaniment) | 0:19:09 - Walter walks to the window | advance plot | gentle | leading man | room | walking |
The Woman in White (1948) | Fosco (Molto Misterioso) | 0:19:16 - Fosco walks outside | advance plot | garden | leading man | mysterious | room | tense | walking | watching |
The Woman in White (1948) | Limmeridge 2 | 0:19:36 - Walter walks outside | establish character | garden | leading lady | leading man | mansion | noble | walking | watching |
The Woman in White (1948) | Ann (Poco Agitato) | 0:20:03 - Walter sees Laura | conversing | establish character | garden | leading lady | leading man | mansion | tense | walking |
The Woman in White (1948) | Laura | 0:21:27 - Walter talks with Laura | butler | conversing | establish character | family | gentle | leading lady | leading man | refined | room | walking |
The Woman in White (1948) | Laura (Harp Countermelody) | 0:22:03 - The Fairlies sit at the table | butler | conversing | establish character | family | gentle | leading lady | leading man | refined | room | walking |
The Woman in White (1948) | Ann (Poco Agitato) | 0:22:39 - Laura talks about a mysterious woman | butler | conversing | establish character | family | leading lady | leading man | mysterious | room | tense | walking |
The Woman in White (1948) | Fosco | 0:22:53 - Closeup on Fosco's face | butler | conversing | establish character | family | leading lady | leading man | room | tense | walking |
The Woman in White (1948) | The Carman’s Whistle | 0:23:04 - Walter talks about the woman in white | butler | conversing | establish character | family | leading lady | leading man | room | tense | walking |
The Woman in White (1948) | Underscoring (Mysterious) | 0:23:16 - Fosco gets up to leave | butler | conversing | establish character | family | leading lady | leading man | mysterious | room | walking |
The Woman in White (1948) | Fosco | 0:23:42 - Fosco walks up the stairs | butler | establish character | leading man | pushing | room | rushing | tense | walking |
The Woman in White (1948) | The Self Banished (Slowly) | 0:36:40 - Laura leaves with Sir Percival | advance plot | calm | cousin | fiancé | leading lady | mansion | walking |
The Woman in White (1948) | The Self Banished (Con Moto) | 0:36:48 - Marian walks outside | advance plot | agitated | calm | cousin | leading lady | leading man | mansion | walking |
The Woman in White (1948) | The Carman’s Whistle (Accompaniment) | 0:39:58 - Walter wanders the grounds | advance plot | crying | garden | gentle | leading lady | leading man | listening | walking | wandering |
The Woman in White (1948) | Fosco (Slowly) | 0:43:36 - Walter and the woman in white approach the house | advance plot | garden | leading lady | leading man | tense | walking |
The Woman in White (1948) | Fosco | 1:12:05 - Fosco talks to the maid | agitated | anger | antagonist | conflict | criminal | doctor | headache | husband | illness | leading lady | leading man | pain | room | searching | servant | tense | victim | walking |
The Woman in White (1948) | Fosco (Molto Agitato) | 1:12:15 - Fosco walks | agitated | anger | antagonist | conflict | criminal | dark | doctor | headache | husband | illness | leading lady | leading man | pain | room | rushing | searching | servant | tense | victim | walking |
The Woman in White (1948) | Ann (Accelerando) | 1:12:32 - Fosco looks in the closet | agitated | anger | antagonist | conflict | criminal | leading man | mysterious | room | rushing | searching | walking |
The Woman in White (1948) | Ann (Accelerando) + Fosco (Dark) | 1:12:47 - Fosco leaves | agitated | anger | antagonist | combination of themes | conflict | conversing | criminal | departing | doctor | husband | leading man | room | rushing | searching | tense | walking |
The Woman in White (1948) | Ann 2 | 1:28:39 - The nurse takes Laura to her room | antagonist | asylum | criminal | husband | hypnosis | hypnotist | leading lady | leading man | leaving | mad scene | murderer | nurse | tender | victim | walking |
The Woman in White (1948) | The Carman’s Whistle (Accompaniment) | 1:32:33 - Walter walks | calm | comedy | criminal | leading man | sneaking | spy | spying | street | walking |
The Woman in White (1948) | The Carman’s Whistle (Bassoon) | 1:32:48 - A man spies on Walter | calm | comedy | criminal | following | husband | leading man | murderer | sneaking | spy | spying | street | walking |
The Woman in White (1948) | Balmy Porter | 1:33:09 - A man locks the gate of the asylum | asylum | comedy | comical | key | shuffling | street | walking | worker | working |
The Woman in White (1948) | Balmy Porter | 1:33:49 - The porter walks away | asylum | comedy | comical | key | maid | shuffling | walking | worker | working |
The Woman in White (1948) | Underscoring (Dark) | 1:34:10 - A patient in the asylum | asylum | comedy | key | ominous | patient | shuffling | underscoring | walking | worker | working |
The Woman in White (1948) | One, Two, Buckle My Shoe (Shuffling Around) | 1:34:17 - The porter continues his work | accompanied source music | asylum | comedy | comical | key | nursery rhyme | on screen music | shuffling | walking | worker | working |
The Woman in White (1948) | Balmy Porter (Minor) | 1:34:44 - The porter goes to the get the right key | asylum | comedy | comical | hurrying | key | shuffling | walking | worker |
The Woman in White (1948) | Balmy Porter | 1:35:10 - The porter returns to lock the door | asylum | comical | escape | escaping | hiding | hurrying | key | locking | shuffling | sneaking | walking | worker |
The Woman in White (1948) | Fosco (Dark) | 1:36:50 - Sir Percival on the ground | conflict | criminal | dark | husband | leading lady | leading man | murderer | ominous | patient | spy | street | victim | walking | wife |
The Woman in White (1948) | Fosco (Screwy) | 1:44:42 - The Countess walks across the room | climax | criminal | friend | friend | leading lady | leading man | love interest | murderer | mysterious | necklace | room | sneaking | walking | wife |
The Woman in White (1948) | Fosco (Sneaking) | 1:44:51 - The Countess walks across the room | climax | criminal | friend | friend | leading lady | leading man | love interest | murderer | mysterious | necklace | room | sneaking | walking | wife |
| High Stakes (1931) | Here Comes the Bride | 0:04:05 - Bride walks down the aisle | advance plot | bride | calm | crowd | establish place | familiar tune | source music | walking | wedding |
| Is My Face Red? (1932) | Guilty | 0:47:40 - A radio orchestra plays on a soundstage | advance plot | band | broadcast | calm | dance music | leading lady | leading man | on-screen music | radio | source music | stage | transcribed by ear | walking |
| Before Dawn (1933) | Before Dawn C | 0:00:44 - Cast list over walking feet | cast list | double exposure | Lydian mode | mysterious | opening title sequence | parallelism | self-borrowing | transcribed by ear | walking |
| Murder on the Blackboard (1934) | The Janitor | 0:01:30 - A janitor gets out of bed | diminished 7th chord | dressing | establish character | janitor | mysterious | parallelism | school | transcribed by ear | waking | walking |
Murder on the Blackboard (1934) | Blackboard Murder (Mysterious) | 0:01:52 - A janitor goes about his work | establish character | janitor | mysterious | school | transcribed by ear | walking |
| Star of Midnight (1935) | Midnight in Manhattan (Montage) | 0:54:11 - Feet walking | bus | chromatic parallelism | fragmentation | hurried | montage | pedal tone | street | transcribed by ear | traveling | walking |
Star of Midnight (1935) | Sidewalks of New York | 0:54:28 - Feet walking | bus | calm | chromatic parallelism | foreign key modulation | lighthearted | montage | street | transcribed by ear | traveling | walking |
Star of Midnight (1935) | Midnight in Manhattan (Accelerando) | 0:54:42 - Feet walking | added-note chord | bus | chromatic parallelism | hurried | mickey-mousing | mode mixture | montage | street | transcribed by ear | traveling | walking |
Star of Midnight (1935) | Walking | 0:54:55 - Detective walking | detective | mickey-mousing | montage | street | tired | transcribed by ear | walking |
| Don’t Turn ‘em Loose (1936) | Mildred Waltz | 0:24:13 - Bob and Letty go for a walk | ABA structure | advance plot | altered dominant | augmented sixth chord | calm | conversing | diminished 7th chord | gangster | imposter | leading man | love interest | street | transcribed by ear | walking | waltz |
Don’t Turn ‘em Loose (1936) | Gimpy Walk | 0:26:00 - Bob walks | advance plot | appoggiatura | gangster | imposter | leading man | oscillation | pacing | room | street | tense | walking |
Don’t Turn ‘em Loose (1936) | Gimpy Walk | 0:26:12 - Bob walks | added-note chord | advance plot | gangster | imposter | leading man | oscillation | pacing | room | street | tense | walking |
Don’t Turn ‘em Loose (1936) | Gimpy Walk | 0:26:17 - Bob walks | added-note chord | advance plot | calm | gangster | imposter | leading man | mode mixture | oscillation | pacing | reverse picardy | room | waiting | walking |
Don’t Turn ‘em Loose (1936) | Gimpy Walk | 0:26:34 - Bob walks | added-note chord | advance plot | calm | double exposure | gangster | imposter | leading man | oscillation | pacing | room | waiting | walking |
Don’t Turn ‘em Loose (1936) | Here Comes the Bride | 1:04:36 - Mildred at her wedding | bride | calm | father | guest | mother | parallel period | pleasant | resolution | walking | wedding | wedding | wedding |
| We're Only Human (1935) | Underscoring (Lyrical) | 0:23:23 - Pete exits the store | attempted murder | conflict | departing | detective | drive by shooting | food | gunshot | leading man | mode mixture | peaceful | pedal tone | shooting | street | underscoring | walking |
| Another Face (1935) | Lover's Quarrel | 0:01:38 - Gangsters get out of a car | arriving | establish setting | gangster | mysterious | office | sequence | street | walking |
| Girl of the Rio (1932) | Piano noise | 0:00:52 - A busy street in Mexicana | crowd | neutral | on-screen text | source music | street | transition | walking |
Girl of the Rio (1932) | Toreador Song | 0:04:23 - A man cues the orchestra to play | arriving | celebrity | crowd | establish character | leading man | night club | source music | Spanish | three-phrase period | upbeat | walking |
| Without Honor (1949) | Twilight (Triste) | 0:02:19 - Dennis exits his car | car | establish setting | house | leading man | somber | street | walking |
Without Honor (1949) | Underscoring (Tense) | 0:15:21 - | advance plot | calling | conversing | doorbell | fidgeting | leading lady | room | telephone | tense | underscoring | walking |
Without Honor (1949) | Twilight (Very Slow) | 0:16:06 - Jane stops suddenly | advance plot | child | dark | door | leading lady | ominous | room | scout | walking |
Without Honor (1949) | Chromatic Clarinet | 0:16:42 - Jane talks to the girl scouts | advance plot | child | leading lady | reacting | room | scout | tense | underscoring | walking |
Without Honor (1949) | Underscoring (Dramatic) | 0:16:50 - Jane brings her purse | advance plot | child | dramatic | leading lady | reacting | room | scout | walking |
Without Honor (1949) | Girl Scouts (Extended) | 0:17:22 - The girl scouts leave | advance plot | child | leading lady | light | reacting | room | scout | thinking | underscoring | walking |
Without Honor (1949) | Twilight (Adagio) | 0:17:41 - Jane walks | advance plot | dark | leading lady | ominous | reacting | room | thinking | walking |
Without Honor (1949) | Twilight (Rubato) | 0:39:03 - Jane stands in the road | action scene | car | husband | leading lady | leading man | solemn | street | walking |
| The Most Dangerous Game (1932) | The Beach | 0:08:11 - Bob walks onto the beach | action scene | beach | calm | leading man | ship wreck | stumbling | walking | wave effect |
The Most Dangerous Game (1932) | The Approach | 0:09:31 - Bob approaches | approaching | establish setting | jungle | leading man | tense | walking |
The Most Dangerous Game (1932) | Russian Waltz (The Castle) + The Iron Door | 0:09:42 - Count Zaroff's castle | approaching | castle | combination of themes | establish setting | jungle | leading man | looking | ominous | walking |
The Most Dangerous Game (1932) | Sneaking | 0:09:54 - Bob approaches the iron door | arriving | castle | door | door knocker | establish setting | leading man | mickey-mousing | mysterious | sneaking | statue | walking |
The Most Dangerous Game (1932) | Russian Waltz (Door Opens) | 0:10:26 - The iron door slowly opens | arriving | castle | door | door knocker | establish setting | leading man | mickey-mousing | ominous | sneaking | statue | walking |
The Most Dangerous Game (1932) | Zaroff | 0:13:51 - Bob looks at Zaroff | castle | count | establish character | leading man | mute | ominous | servant | staring | walking | watching |
The Most Dangerous Game (1932) | Zaroff (Staring) | 0:14:08 - The Count watches Bob | castle | count | establish character | leading man | mute | ominous | servant | staring | walking | watching |
The Most Dangerous Game (1932) | Russian Waltz (Upstairs) | 0:26:51 - Eve goes up the stairs | advance plot | ascending | brother | castle | conversing | count | departing | drunk | leading lady | leading man | mickey-mousing | mute | mysterious | servant | source to score | stairs | tense | walking |
The Most Dangerous Game (1932) | Russian Waltz (Sneaking) | 0:30:29 - Bob and Eve sneak downstairs | candle | castle | descending | leading lady | leading man | mysterious | sneaking | tense | turning point | walking |
The Most Dangerous Game (1932) | The Approach (Sneaking) | 0:30:39 - Bob and Eve sneak downstairs | candle | castle | descending | leading lady | leading man | mysterious | sneaking | tense | turning point | walking |
The Most Dangerous Game (1932) | Zaroff (Very Mysterious) | 0:30:58 - Bob and Eve enter the trophy room | candle | castle | descending | leading lady | leading man | mickey-mousing | mysterious | sneaking | turning point | walking |
The Most Dangerous Game (1932) | Russian Waltz (Adagio) + The Iron Door | 0:31:06 - Bob and Eve descend the stairs | candle | castle | dark | descending | leading lady | leading man | ominous | searching | sneaking | turning point | walking |
The Most Dangerous Game (1932) | Zaroff (Sneaking) | 0:31:29 - Bob and Eve look around | candle | castle | descending | leading lady | leading man | mysterious | searching | sneaking | turning point | walking |
The Most Dangerous Game (1932) | Walking | 0:36:42 - Zaroff walks to the door | action scene | agitated | castle | closing | count | leading man | marching | mickey-mousing | mute | preparing | prisoner | servant | tense | villain | walking |
The Most Dangerous Game (1932) | Russian Waltz (Maestoso) | 0:38:32 - Bob and Eve are taken to the jungle | action scene | conversing | fanfare | jungle | leading lady | leading man | mute | ominous | preparing | prisoner | releasing | servant | walking |
The Most Dangerous Game (1932) | Emotions (Dramatic) | 0:39:00 - Bob and Eve take one last look back | action scene | dramatic | jungle | leading lady | leading man | looking | walking |
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