| The Amazing Dr. Clitterhouse (1938) | Camera panning | 0:51:39 - Camera pans to the watchman | anxious | dramatic | guard | mickey-mousing | panning shot | robbery | store | tense | waking |
| They Made Me a Criminal (1939) | The Awakening | 0:14:48 - Johnnie wakes up | advance plot | chromatic scale | confusion | deceptive resolution | leading man | metric modulation | mysterious | octatonic chord | octatonic scale | pc set | room | waking | whole-tone chord |
They Made Me a Criminal (1939) | The Fugitive (Recovering) | 0:27:13 - Peggy takes care of Johnnie | 9th chord | foreign key modulation | heroine | leading lady | leading man | lovers meet | nursing | recovering | romance | room | sweet | waking |
| Death of a Scoundrel (1956) | Gerry | 0:07:35 - Clementi knocks on his brother's door in the middle of the night and wakes him up | flashback | nighttime | tired | waking up |
Death of a Scoundrel (1956) | Gerry | 0:12:41 - Policeman knock on Gerry's door and wake him up | flashback | nighttime | tired | waking up |
| Hell on Frisco Bay (1955) | Hell on Frisco Bay | 1:28:48 - Marcia wakes up and answers the door | gentle | leading lady | room | turning point | waking |
| Key Largo (1948) | McCloud (Molto Expressivo) | 1:07:31 - McCloud wakes Nora after the storm | conversing | gentle | hotel | leading lady | leading man | love interest | love scene | resting | romance | waking | warm |
| Lightning Strikes Twice (1951) | Shelly | 0:07:42 - Shelly wakes up | heroine | mickey-mousing | waking up |
| White Heat (1949) | Sleeping | 0:06:40 - Cody talks to Verna who slowly wakes up | sleeping | waking up |
| Murder on the Blackboard (1934) | The Janitor | 0:01:30 - A janitor gets out of bed | diminished 7th chord | dressing | establish character | janitor | mysterious | parallelism | school | transcribed by ear | waking | walking |
| Deep Valley (1947) | Joe | 0:01:29 - A dog | cheerful | dog | establish character | friendly | leading lady | mother | opening | porch | room | running | upbeat | waking |
Deep Valley (1947) | Joe (Poco Meno Expressivo) | 0:01:59 - Libby gets up | dog | dressing | establish character | leading lady | mother | room | scolding | upbeat | waking |
| Beyond the Forest (1949) | Underscoring (Gentle) | 0:33:36 - A car pulls up | advance plot | gentle | leading lady | porch | sleeping | underscoring | waking |
Beyond the Forest (1949) | Rosa (Molto Tranquillo 2) | 1:20:12 - Rosa in bed | advance plot | calm | leading lady | murderer | recovering | resting | room | sickness | sleeping | sultry | waking |
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