| Arsenic and Old Lace (1944) | Here Comes the Bride (Chinese) | 0:05:00 - Chinese girl turns around | Chinese | establish character | exotic | familiar tune | leading lady | leading man | marriage | office | open fifth | smiling | stereotype | winking |
Arsenic and Old Lace (1944) | Here Comes the Bride (Comical) | 0:05:05 - Goofy man turns around | 9th chord | comical | common-tone diminished 7th | establish character | familiar tune | leading lady | leading man | marriage | office | smiling | winking |
| Key Largo (1948) | Nora (Con Moto) | 0:18:40 - Nora smiles at Frank | dock | falling in love scene | leading lady | leading man | romantic | smiling | watching |
| Mildred Pierce (1945) | Mildred (Sweepingly) | 1:08:09 - Mildred greets customers | happy | heroine | leading lady | montage | restaurant | smiling | voice-over | working |
| Beyond the Forest (1949) | Chicago (Con Moto) | 1:11:06 - Rosa is relieved at the verdict | calm | conversing | courtroom | courtroom scene | expressive | familiar tune | hope | hopeful | husband | leading lady | leading man | love interest | murderer | popular tune | smiling | verdict |
| City for Conquest (1940) | Tone Poem A (Tutti 2) | 1:36:41 - Danny's figure appears in the concert hall | audience | bold | Carnegie Hall | concert | concert hall | concert scene | conducting | conductor | crying | double exposure | dramatic | Gershwinesque | leading man | listening | musician | on-screen music | orchestra | playing | romantic | sentimental | smiling | source music | watching | zoom out |
City for Conquest (1940) | Tone Poem A (Grandioso) | 1:36:11 - Audience enjoying the performance | audience | bold | Carnegie Hall | concert | concert hall | concert scene | conducting | conductor | double exposure | dramatic | Gershwinesque | leading lady | leading man | listening | musician | on-screen music | orchestra | playing | romantic | sentimental | smiling | source music | watching |
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