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169 results for "wife" in 11 films — see also bride | partner | spouse | woman

Film	Theme name	Instance	Tags
Beyond the Forest (1949)	Lewis (Moderato Expressivo)	0:06:23 - Fishing in a stream	calm \| canoe \| doctor \| establish character \| friend \| lake \| leading lady \| leading man \| rowing \| wife
Beyond the Forest (1949)	Lewis	0:10:42 - The doctor in a canoe	calm \| canoe \| departing \| doctor \| establish character \| friend \| lake \| leading lady \| leading man \| noble \| rowing \| wife
Beyond the Forest (1949)	Moose	0:11:22 - Moose enters the house	cabin \| conversing \| establish character \| exotic \| friend \| leading lady \| liquor \| wife \| working
Beyond the Forest (1949)	Porcupine	0:11:59 - A porcupine in a tree	cabin \| climbing \| comical \| dying \| establish character \| falling \| leading lady \| porcupine \| shooting \| wife
Beyond the Forest (1949)	Drunk	0:14:08 - Moose is drinking	advance plot \| cabin \| collapsing \| drinking \| drunk \| drunk effect \| friend \| leading lady \| liquor \| mickey-mousing \| stumbling \| wife
Beyond the Forest (1949)	Falling down	0:14:27 - Moose falls on a bed	advance plot \| cabin \| collapsing \| dramatic \| falling \| friend \| leading lady \| mickey-mousing \| pushing \| wife
Beyond the Forest (1949)	Underscoring (Mysterious)	0:14:31 - Rosa grabs the key	advance plot \| cabin \| friend \| key \| leading lady \| mysterious \| underscoring \| walking \| wife
Beyond the Forest (1949)	Running	0:14:40 - Rosa runs to the lodge	advance plot \| leading lady \| mickey-mousing \| mysterious \| ominous \| outside \| running \| wife
Beyond the Forest (1949)	Rosa (Grazioso)	0:15:01 - Rosa enters the lodge	advance plot \| arriving \| cheerful \| leading lady \| room \| wife \| working
Beyond the Forest (1949)	Hurrying	0:15:09 - Rosa lights a fire	advance plot \| hurrying \| leading lady \| room \| upbeat \| wife \| working
Beyond the Forest (1949)	Rosa (Grazioso)	0:15:23 - Rosa gets a drink	advance plot \| hurrying \| leading lady \| room \| upbeat \| wife \| working
Beyond the Forest (1949)	Hurrying	0:15:35 - Rosa carries a drink	advance plot \| hurrying \| leading lady \| room \| upbeat \| wife \| working
Beyond the Forest (1949)	Insolence	0:37:06 - Rosa argues with her maid Jenny	advance plot \| cleaning \| comical \| kitchen \| leading lady \| maid \| obeying \| wife
Beyond the Forest (1949)	Chicago (Molto Expressivo)	0:37:20 - Rosa sees the mink coat	advance plot \| coat \| contemplating \| expressive \| familiar tune \| jealousy \| leading lady \| popular tune \| room \| wife
Beyond the Forest (1949)	Chicago (Misterioso)	0:38:47 - Rosa lights a match	advance plot \| contemplating \| dramatic \| familiar tune \| jealousy \| leading lady \| obsession \| obsessive \| passage of time \| popular tune \| room \| smoking \| tense \| wife
Beyond the Forest (1949)	Rosa (Slower)	0:39:05 - Rosa in bed	advance plot \| calm \| contemplating \| dark \| leading lady \| leading man \| panning shot \| restlessness \| room \| smoking \| wife
Beyond the Forest (1949)	Sawmill (Agitato)	0:39:25 - Fire from the sawmill	advance plot \| agitated \| bedroom \| factory \| fire \| leading lady \| leading man \| restlessness \| wife \| yelling
Beyond the Forest (1949)	Rosa (Molto Misterioso)	0:41:50 - Rosa smokes in bed	advance plot \| bedroom \| contemplating \| leading lady \| leading man \| mysterious \| smoking \| wife
Beyond the Forest (1949)	Running (Quasi Misterioso)	0:42:06 - Rosa looks through the account book	advance plot \| leading lady \| mysterious \| ominous \| reading \| room \| wife \| writing
Beyond the Forest (1949)	Chicago	0:43:37 - Rosa sews	advance plot \| arriving \| familiar tune \| leading lady \| leading man \| on-screen music \| popular tune \| room \| score to source \| sewing \| singing \| source and scoring overlap \| source music \| upbeat \| wife
Beyond the Forest (1949)	Rosa (Molto Tranquillo)	0:57:36 - Lewis opens the door	arriving \| calm \| dark \| doctor \| leading lady \| leading man \| reunion scene \| room \| wife
Beyond the Forest (1949)	Lewis (Tender)	0:58:28 - Lewis takes care of Rosa	calm \| conversing \| doctor \| kissing \| leading lady \| leading man \| reunion scene \| room \| tender \| wife
Beyond the Forest (1949)	Whisper While You’re Waltzing	1:01:34 - People at a party	conversing \| crowd \| dance scene \| doctor \| eating \| folk music \| gentle \| leading lady \| leading man \| on-screen music \| party \| playing \| room \| source music \| waltz \| wife
Beyond the Forest (1949)	For He’s a Jolly Good Fellow	1:02:12 - Folk musicians	arriving \| cake \| cheerful \| conversing \| crowd \| dance scene \| doctor \| familiar tune \| leading lady \| leading man \| love interest \| musician \| on-screen music \| party \| playing \| room \| singing \| source music \| tuning \| wife \| wind
Beyond the Forest (1949)	The Arkansas Traveler	1:02:55 - Folk musicians	crowd \| dancer \| dance scene \| dancing \| doctor \| folk music \| leading lady \| leading man \| love interest \| musician \| on-screen music \| party \| playing \| room \| singing \| source music \| square dance caller \| square dance music \| upbeat \| wife
Beyond the Forest (1949)	Portland Fancy	1:03:11 - People dancing	crowd \| dancer \| dance scene \| dancing \| doctor \| folk music \| leading lady \| leading man \| love interest \| musician \| on-screen music \| party \| playing \| room \| singing \| source music \| square dance caller \| square dance music \| upbeat \| wife
Beyond the Forest (1949)	Devil’s Dream	1:03:26 - People dancing	crowd \| dancer \| dance scene \| dancing \| doctor \| folk music \| leading lady \| leading man \| love interest \| musician \| on-screen music \| party \| playing \| room \| singing \| source music \| square dance caller \| square dance music \| upbeat \| wife
Beyond the Forest (1949)	Little Brown Jug	1:03:57 - People dancing	crowd \| dancer \| dance scene \| dancing \| doctor \| folk music \| leading lady \| leading man \| love interest \| musician \| on-screen music \| party \| playing \| room \| singing \| source music \| square dance caller \| square dance music \| upbeat \| wife
The Breaking Point (1950)	Make Love With a Guitar	0:33:28 - Harry arrives home	advance plot \| arriving \| calm \| child \| conversing \| leading man \| musician \| neighbor \| on-screen music \| room \| sailor \| source music \| street \| wife \| yard
The Breaking Point (1950)	On an Ordinary Morning	0:43:33 - Leona and Harry sit together in a bar	advance plot \| bar \| conversing \| floozy \| jukebox \| leading lady \| leading man \| mellow \| sailor \| source music \| wife
The Breaking Point (1950)	Make Love With a Guitar	0:46:27 - A boy plays the accordion	advance plot \| calm \| child \| conversing \| drunk \| leading lady \| leading man \| neighbor \| on-screen music \| sailor \| source music \| street \| walking \| wife
The Breaking Point (1950)	The Breaking Point (Ethereal)	1:34:41 - Harry recognizes Lucy	9th chord \| boat \| climax \| comforting \| conversing \| crying \| ethereal \| leading lady \| leading man \| mixed meter \| mode mixture \| sailor \| sweet \| wife
The Breaking Point (1950)	The Breaking Point (Cellos)	1:35:14 - Harry talks with Lucy	boat \| climax \| comforting \| conversing \| crying \| ethereal \| foreign key modulation \| leading lady \| leading man \| mixed meter \| sailor \| sweet \| wife
The Breaking Point (1950)	Calm	1:35:38 - Lucy leaves	augmented triad \| boat \| climax \| comforting \| conversing \| crying \| ethereal \| leading lady \| leading man \| pedal tone \| sailor \| sweet \| wife
The Breaking Point (1950)	The Breaking Point (Triste)	1:35:50 - Harry is carried out on a stretcher	carrying \| child \| climax \| crowd \| crying \| deceptive resolution \| doctor \| harbor \| leading lady \| leading man \| sailor \| somber \| watching \| wife
The Breaking Point (1950)	Leona	1:36:26 - Leona watches	9th chord \| 11th chord \| 13th chord \| augmented sixth chord \| child \| chromatic parallelism \| climax \| crowd \| crying \| doctor \| harbor \| leading lady \| leading man \| sailor \| somber \| watching \| wife
His Greatest Gamble (1934)	Waltz in C-sharp Minor	0:40:28 - Philip talks with Alice and Florence	advance plot \| conversing \| daughter \| ex-wife \| fugitive \| leading lady \| leading man \| mansion \| serious \| source music \| waltz
Flamingo Road (1949)	Through a Thousand Dreams	0:56:41 - The Olympic City hotel	club \| conversing \| dance scene \| dancing \| dining \| leading lady \| leading man \| love interest \| on-screen music \| politician \| sentimental \| sheriff \| source music \| wife
Flamingo Road (1949)	Don't Take Your Love From Me	0:58:50 - Dan and Lane sit at a table	ABAC structure \| club \| conversing \| dance scene \| leading lady \| leading man \| love interest \| on-screen music \| politician \| sentimental \| sheriff \| source music \| wife
Flamingo Road (1949)	If I Could Be With You	0:59:52 - A woman sings with the dance band	club \| conversing \| dance scene \| dancing \| dining \| leading lady \| leading man \| love interest \| on-screen music \| politician \| sentimental \| sheriff \| singer \| singing \| source music \| wife
Flamingo Road (1949)	I Guess I'll Have to Change My Plan	1:01:40 - Lane and Dan talk at their table	club \| conversing \| dance scene \| leading lady \| leading man \| love interest \| politician \| sentimental \| sheriff \| source music \| wife
Flamingo Road (1949)	Lute Mae (Tenderly)	1:03:37 - Dan is grateful for Lane's gift to him	13th chord \| added-note chord \| advance plot \| comical \| common-chord modulation \| conversing \| embracing \| happy \| husband \| leading lady \| leading man \| maid \| room \| self-borrowing \| tender \| wife
Flamingo Road (1949)	Flamingo Road (Tenderly)	1:03:58 - Dan and Lane have tea	advance plot \| conversing \| gentle \| husband \| leading lady \| leading man \| mode mixture \| room \| self-borrowing \| serving \| tea \| wife
Flamingo Road (1949)	Lute Mae (Tenderly)	1:07:55 - Dan kisses Lane	13th chord \| added-note chord \| bluesy \| husband \| kissing \| leading lady \| leading man \| love scene \| room \| self-borrowing \| tender \| wife
Flamingo Road (1949)	Titus	1:11:01 - Annabelle leaves Titus	advance plot \| conversing \| dark \| ominous \| porch \| self-borrowing \| sheriff \| wife
Flamingo Road (1949)	Titus (Ostinato)	1:17:09 - Dan looks at some papers	brooding \| conflict \| dark \| hopeful \| husband \| leading lady \| leading man \| ominous \| politician \| room \| self-borrowing \| wife
Flamingo Road (1949)	Lane (Tragic)	1:18:10 - Lane talks to Dan about Titus	angry \| anxious \| conflict \| conversing \| husband \| leading lady \| leading man \| ostinato \| politician \| room \| tragic \| wife
Flamingo Road (1949)	If I Could Be With You (Tragic)	1:18:35 - Lane tells Dan about Field	confessing \| conflict \| diminished 7th chord \| husband \| leading lady \| leading man \| love \| politician \| room \| tragic \| wife
Flamingo Road (1949)	Flamingo Road (Agitato)	1:18:50 - Dan gets upset with Lane	9th chord \| accusing \| angry \| augmented sixth chord \| conflict \| fragmentation \| husband \| leading lady \| leading man \| politician \| quartal chord \| room \| self-borrowing \| wife
Flamingo Road (1949)	Appassionato	1:19:10 - Dan argues with Lane	arguing \| chromatic parallelism \| conflict \| diminished 7th chord \| harmonic sequence \| husband \| leading lady \| leading man \| passionate \| politician \| room \| wife \| yearning
Flamingo Road (1949)	Flamingo Road (Molto Expressivo)	1:19:32 - Dan leaves	conflict \| husband \| leading lady \| leading man \| leaving \| politician \| room \| self-borrowing \| tragic \| wife
Flamingo Road (1949)	Flamingo Road (Triste)	1:19:43 - Lane watches Dan leave	altered dominant \| conflict \| husband \| leading lady \| leading man \| politician \| room \| self-borrowing \| somber \| waiting \| wife
Flamingo Road (1949)	Somber Phone Call	1:19:54 - Dan calls Lane from the station	calling \| conflict \| half-diminished 7th chord \| husband \| leading lady \| leading man \| politician \| somber \| tone cluster \| train station \| wife
Flamingo Road (1949)	Titus (Triste 2)	1:20:10 - Dan and Lane talk on the phone	calling \| conflict \| husband \| leading lady \| leading man \| politician \| room \| somber \| train station \| wife
Flamingo Road (1949)	Flamingo Road (Appassionato)	1:32:54 - Dan visits Lane in prison	crying \| embracing \| foreign key modulation \| husband \| joyous \| kissing \| leading lady \| leading man \| pedal tone \| prison \| resolution \| reuniting \| self-borrowing \| wife
Flamingo Road (1949)	Flamingo Road (Dolce)	1:33:08 - Dan and Lane embrace	crying \| dark \| embracing \| husband \| kissing \| leading lady \| leading man \| mode mixture \| peaceful \| prison \| resolution \| reuniting \| self-borrowing \| wife
Flamingo Road (1949)	Lute Mae (Delicato)	1:33:28 - Lane smiles as Dan	13th chord \| added-note chord \| crying \| delicate \| husband \| kissing \| leading lady \| leading man \| prison \| resolution \| reuniting \| romance \| self-borrowing \| sentimental \| wife
Flamingo Road (1949)	If I Could Be With You (Ecstatic)	1:33:37 - Lane walks away	added-note chord \| altered dominant \| artwork in score \| chromatic parallelism \| friend \| husband \| joyous \| leading lady \| leading man \| leaving \| prison \| resolution \| reuniting \| romance \| secondary dominant \| The End \| thematic transference \| triumphant \| wife
Hell on Frisco Bay (1955)	Anna	0:46:05 - Anna talks with Amato	antagonist \| conductor score \| conversing \| establish character \| gangster \| gentle \| leading man \| room \| sentimental \| warning \| wife \| worrying
Hell on Frisco Bay (1955)	Anna	0:48:38 - Anna comforts Mario	advance plot \| comforting \| conductor score \| gangster \| gentle \| room \| sentimental \| wife
Hell on Frisco Bay (1955)	Anna	1:04:54 - Anna talks to Amato	advance plot \| antagonist \| conductor score \| conversing \| dark \| gangster \| gentle \| leading man \| room \| wife
Hell on Frisco Bay (1955)	Anna	1:20:28 - Anna mourns Mario's death	conversing \| crying \| dark \| funeral \| funeral \| gangster \| leading man \| wife
Hell on Frisco Bay (1955)	Underscoring (Dramatic)	1:30:27 - Steve tells Anna that Mario was murdered	advance plot \| conversing \| dark \| investigator \| leading man \| murder \| ominous \| priest \| room \| shock \| wife
Hell on Frisco Bay (1955)	Anna	1:30:35 - Anna tells Steve where to find Amato	advance plot \| betraying \| conversing \| dark \| investigator \| leading man \| ominous \| priest \| room \| somber \| wife
Her Kind of Man (1946)	Body and Soul	0:56:43 - Georgia sings in a night club	AABA structure \| applauding \| club \| conductor \| crowd \| leading lady \| musician \| music scene \| on-screen music \| performing \| performing \| romantic \| score to source \| singer \| singing \| source music \| watching \| wife
Her Kind of Man (1946)	Love Is Sweeping the Country	0:58:02 - The crowd applauds	advance plot \| club \| conversing \| criminal \| crowd \| gambler \| henchman \| husband \| leading lady \| leading man \| on-screen music \| owner \| performing \| reporter \| singer \| sister \| source music \| upbeat \| wife
Her Kind of Man (1946)	It Had to Be You (Sneaky)	1:05:51 - Georgia hides Candy	advance plot \| criminal \| familiar tune \| henchman \| leading lady \| leading man \| mysterious \| popular music \| reporter \| room \| singer \| sneaking \| sneaky \| source to score \| wife
Her Kind of Man (1946)	It Had to Be You (Mysterious)	1:07:50 - Don leaves	advance plot \| arriving \| car \| car \| criminal \| driving \| familiar tune \| gambler \| henchman \| leading lady \| leading man \| murderer \| mysterious \| popular music \| signaling \| singer \| street \| warehouse \| wife
Her Kind of Man (1946)	It Had to Be You	1:09:05 - Georgia approaches the warehouse	advance plot \| criminal \| familiar tune \| gambler \| henchman \| leading lady \| leading man \| murderer \| neutral \| popular music \| score to source \| singer \| warehouse \| whistling \| wife
Her Kind of Man (1946)	It Had to Be You (Secret Rendezvous)	1:09:09 - Georgia enters the warehouse	advance plot \| arriving \| conversing \| embracing \| familiar tune \| gambler \| kissing \| leading lady \| leading man \| murderer \| popular music \| romantic \| singer \| source to score \| uneasy \| warehouse \| wife
Her Kind of Man (1946)	It Had to Be You (Mysterious)	1:11:11 - Georgia leaves	advance plot \| departing \| familiar tune \| gambler \| leading lady \| leading man \| murderer \| mysterious \| popular music \| singer \| warehouse \| wife
Her Kind of Man (1946)	Underscoring (Dramatic [Steiner])	1:14:17 - Cop looks at his watch	climax \| conversing \| criminal \| double-cross \| dramatic \| henchman \| leading lady \| leading man \| parallelism \| police \| reporter \| room \| singer \| stinger \| telephone \| tense \| underscoring \| watch \| wife
Her Kind of Man (1946)	Speeding	1:14:21 - Policeman driving	car \| chromatic parallelism \| chromatic scale \| chromatic sequence \| climax \| dramatic \| driving \| hurrying \| leading lady \| leading man \| omnibus progression \| police \| reporter \| rushing \| singer \| tense \| wife \| yelling
Her Kind of Man (1946)	It Had to Be You (Tragic)	1:17:10 - Georgia holds Steve	9th chord \| augmented triad \| climax \| comforting \| conversing \| corpse \| cradling \| criminal \| crying \| death \| dying \| familiar tune \| gambler \| henchman \| leading lady \| leading man \| murderer \| police \| popular music \| reporter \| singer \| street \| tense \| tragic \| wife
Her Kind of Man (1946)	Water	1:17:41 - Steve's corpse	9th chord \| corpse \| criminal \| death \| flowing \| gambler \| henchman \| leading lady \| leading man \| murderer \| panning shot \| police \| reporter \| resolution \| singer \| street \| swirling \| tense \| tragic \| voice-over \| water \| water effect \| wife
Her Kind of Man (1946)	It Had to Be You (The End)	1:18:02 - The End	added-note chord \| criminal \| dark \| death \| dramatic \| end title sequence \| gambler \| henchman \| leading lady \| leading man \| mode mixture \| murderer \| police \| reporter \| singer \| street \| The End \| tragic \| wife
The Life of Vergie Winters (1934)	Lullaby (Clarinet Solo)	1:00:58 - John and Laura talk about Joan	added-note chord \| conflict \| conversing \| dramatic \| gentle \| leading man \| peaceful \| room \| stinger \| transcribed by ear \| wife
The Life of Vergie Winters (1934)	Lullaby (Agitated)	1:01:27 - John and Laura argue about Joan	agitated \| arguing \| common-tone diminished 7th \| conflict \| diminished 7th chord \| direct modulation \| fragmentation \| harmonic sequence \| leading man \| octatonic scale \| room \| tense \| transcribed by ear \| wife
The Life of Vergie Winters (1934)	Old Lavender	1:02:11 - Joan and Ranny enter	9th chord \| added-note chord \| altered dominant \| arguing \| common-chord modulation \| conflict \| conversing \| daughter \| direct modulation \| harmonic sequence \| leading man \| light \| love interest \| optimistic \| room \| surprise \| wife
The Life of Vergie Winters (1934)	Old Lavender (Celeste Solo)	1:02:43 - John paces around	conflict \| daughter \| direct modulation \| hesitating \| leading man \| love interest \| lying \| peaceful \| room \| surprise \| wife
The Life of Vergie Winters (1934)	Underscoring (Lyrical)	1:02:52 - Laura reveals that Joan is adopted	conflict \| daughter \| deflecting \| hesitating \| leading man \| love interest \| mode mixture \| peaceful \| pedal tone \| room \| surprise \| wife
The Life of Vergie Winters (1934)	Lullaby (Adagio)	1:03:02 - Joan reacts	conflict \| daughter \| diminished 7th chord \| direct modulation \| dissonant bass \| leading man \| love interest \| revealing \| room \| stinger \| surprise \| tense \| wife
The Life of Vergie Winters (1934)	Lullaby (Harp Solo)	1:03:33 - John tells Joan about her parents	conflict \| daughter \| deceiving \| deceptive resolution \| leading man \| love interest \| lullaby \| lying \| revealing \| room \| secondary dominant \| surprise \| tender \| wife
The Life of Vergie Winters (1934)	Old Lavender (Allegretto)	1:04:31 - Ranny reacts to the revelation	chromatic mediant \| conflict \| conversing \| daughter \| foreign key modulation \| fragmentation \| leading man \| light \| love interest \| mode mixture \| optimistic \| pedal tone \| room \| wife
The Life of Vergie Winters (1934)	Old Lavender (Gentle)	1:04:45 - Ranny takes the ring back from Joan	64 chord \| altered dominant \| conflict \| daughter \| leading man \| love interest \| peaceful \| pedal tone \| proposal \| proposing \| room \| wife
The Life of Vergie Winters (1934)	Here Comes the Bride (Slow)	1:05:05 - Ranny re-proposes to Joan	64 chord \| conflict \| daughter \| familiar tune \| leading man \| love interest \| peaceful \| proposal \| proposing \| room \| wife
The Life of Vergie Winters (1934)	Lullaby (Dolcissimo)	1:05:11 - Joan talks to Laura	9th chord \| conflict \| daughter \| leading man \| love interest \| peaceful \| proposal \| proposing \| room \| wife
The Life of Vergie Winters (1934)	Old Lavender (Ethereal)	1:05:26 - Ranny talks to Joan's parents	added-note chord \| common-chord modulation \| conflict \| conversing \| daughter \| leading man \| love interest \| mode mixture \| pedal tone \| room \| sentimental \| wife
The Life of Vergie Winters (1934)	Lullaby (Tender)	1:05:45 - Ranny leaves with Joan	13th chord \| conflict \| daughter \| leading man \| leaving \| love interest \| peaceful \| pedal tone \| room \| wife
The Life of Vergie Winters (1934)	Lullaby (Doloroso)	1:05:58 - John talks with his wife Laura	9th chord \| arguing \| conflict \| dark \| leading man \| leaving \| reverse picardy \| room \| tense \| wife
The Unfaithful (1947)	Unfaithful (Not in Film)	NIF - not in film	acceleration \| arguing \| climax \| cut from film \| husband \| Neapolitan \| ostinato \| room \| sequential modulation \| tense \| wife
The Unfaithful (1947)	Unfaithful (Distressed)	1:41:24 - Larry talks with Bob	9th chord \| conversing \| foreign key modulation \| husband \| lawyer \| ostinato \| pc set \| resolution \| room \| somber \| wife
The Unfaithful (1947)	Unfaithful (Leaving)	1:42:32 - Chris prepares to leave	9th chord \| conversing \| husband \| lawyer \| mode mixture \| ostinato \| pedal tone \| resolution \| room \| somber \| wife
The Unfaithful (1947)	Unfaithful (Dolce)	1:46:08 - Bob talks with Chris	altered dominant \| chromatic mediant \| common-chord modulation \| conversing \| foreign key modulation \| fragmentation \| hopeful \| husband \| lawyer \| mode mixture \| ostinato \| peaceful \| pedal tone \| plagal cadence \| resolution \| resolution \| romantic \| room \| triumphant \| wife
We Are Not Alone (1939)	Jessica	0:10:01 - Jessica enters the room	9th chord \| antagonist \| chromatic parallelism \| chromatic scale \| establish character \| half-diminished 7th chord \| office \| sour \| wife
We Are Not Alone (1939)	Jessica (Upset)	0:24:32 - Jessica enters and stops the conversation	advance plot \| antagonist \| chromatic scale \| conversing \| dark \| home \| parallelism \| upset \| wife
We Are Not Alone (1939)	Tuning	0:27:56 - David tunes his violin	advance plot \| hero \| home \| neutral \| on-screen music \| source music \| tuning \| violin \| wife
We Are Not Alone (1939)	Tuning	0:28:03 - David tunes his violin	advance plot \| hero \| home \| neutral \| on-screen music \| source music \| tuning \| violin \| wife
We Are Not Alone (1939)	Tuning	0:28:17 - David tunes his violin	advance plot \| hero \| home \| neutral \| on-screen music \| source music \| tuning \| violin \| wife
We Are Not Alone (1939)	Tuning	0:28:31 - David tunes his violin	advance plot \| hero \| home \| neutral \| on-screen music \| source music \| tuning \| violin \| wife
We Are Not Alone (1939)	Surprise Symphony	0:29:13 - David whistles	advance plot \| cheerful \| classical music \| familiar tune \| Haydn \| hero \| home \| quotation \| source music \| whistling \| wife
We Are Not Alone (1939)	Tuning	0:29:20 - David tunes his violin	advance plot \| hero \| home \| neutral \| on-screen music \| source music \| tuning \| tuning \| violin \| wife
We Are Not Alone (1939)	Minuet	0:29:28 - David plays the violin	advance plot \| hero \| home \| on-screen music \| playing \| source music \| violin \| warm \| wife
We Are Not Alone (1939)	Surprise Symphony	0:29:45 - David plays the violin	advance plot \| hero \| home \| on-screen music \| playing \| source music \| violin \| warm \| wife
We Are Not Alone (1939)	I Do Like to Be Beside the Seaside (Subconscious)	0:31:36 - Jessica says goodnight to David	added-note chord \| advance plot \| common-tone diminished 7th \| conversing \| goodnight \| happy \| hero \| home \| wife
We Are Not Alone (1939)	Surprise Symphony (Turbulent)	0:50:14 - Jessica reacts to David's departure	11th chord \| angry \| antagonist \| chromatic parallelism \| classical music \| conflict \| crying \| dark \| familiar tune \| Haydn \| hero \| home \| husband \| leaving \| quotation \| room \| sad \| tragic \| wife
The Woman in White (1948)	Fosco (Screwy)	1:13:05 - The countess enters quietly	advance plot \| arriving \| helping \| mysterious \| room \| sneaking \| tense \| time lapse \| victim \| wife
The Woman in White (1948)	Fosco (Sneaking)	1:13:18 - The countess sneaks into Laura's room	advance plot \| helping \| illness \| leading lady \| mysterious \| room \| servant \| sleeping \| sneaking \| tense \| victim \| wife
The Woman in White (1948)	Adagio	1:13:26 - The countess helps Laura	advance plot \| gentle \| helping \| illness \| leading lady \| room \| servant \| sleeping \| tense \| victim \| whispering \| wife
The Woman in White (1948)	Fosco (Sneaking)	1:13:48 - The maid leaves	advance plot \| departing \| helping \| illness \| leading lady \| mysterious \| room \| servant \| sleeping \| sneaking \| tense \| victim \| wife
The Woman in White (1948)	Underscoring (Mysterious)	1:13:57 - The countess looks around	advance plot \| helping \| illness \| leading lady \| mysterious \| room \| sleeping \| sneaking \| tense \| underscoring \| victim \| wife
The Woman in White (1948)	Ann (Waltz)	1:14:30 - The countess opens a secret door	advance plot \| foreshadowing \| helping \| leading lady \| room \| secret passageway \| sneaking \| tender \| victim \| waltz \| wife
The Woman in White (1948)	Ann (Lyrical)	1:15:15 - The countess approaches the woman in white	advance plot \| gentle \| helping \| leading lady \| lyrical \| room \| sleeping \| sneaking \| victim \| wife
The Woman in White (1948)	Ann 2	1:15:31 - The countess tends to the woman in white	advance plot \| gentle \| helping \| leading lady \| room \| sleeping \| sneaking \| stinger \| tender \| victim \| wife
The Woman in White (1948)	Hypnosis (Misterioso con moto)	1:16:57 - The countess talks to the woman in white	conversing \| death scene \| leading lady \| mysterious \| room \| tense \| victim \| wife
The Woman in White (1948)	Ann 2	1:17:48 - The woman in white talks to Laura	conversing \| death scene \| gentle \| leading lady \| room \| tender \| victim \| wife
The Woman in White (1948)	Ann	1:17:56 - The woman in white talks to Laura	conversing \| death scene \| leading lady \| mysterious \| room \| victim \| wife
The Woman in White (1948)	Hypnosis	1:18:17 - The woman in white hears Fosco's voice	death scene \| hearing voices \| leading lady \| madness \| mysterious \| room \| tense \| victim \| wife
The Woman in White (1948)	Fosco (Misterioso)	1:18:29 - The woman in white hears Sir Percival's voice	antagonist \| arriving \| criminal \| death scene \| hearing voices \| husband \| leading lady \| madness \| mysterious \| room \| screaming \| shock \| surprise \| tense \| victim \| wife
The Woman in White (1948)	Appearing	1:18:48 - The woman in white clutches her heart	antagonist \| criminal \| death scene \| dying \| husband \| leading lady \| mickey-mousing \| room \| screaming \| shock \| surprise \| tense \| victim \| wife
The Woman in White (1948)	Ann (Dead)	1:18:55 - The woman in white lies dead	antagonist \| conversing \| criminal \| dark \| death scene \| dying \| husband \| leading lady \| murderer \| room \| somber \| victim \| wife
The Woman in White (1948)	Ann (Slowly)	1:19:46 - The countess enters	angry \| antagonist \| criminal \| dark \| death scene \| glaring \| husband \| leading lady \| room \| shaking \| victim \| wife
The Woman in White (1948)	Ann (Sleeping)	1:34:27 - Laura in her bed in the asylum	asylum \| comedy \| dark \| key \| leading lady \| mysterious \| patient \| sleeping \| victim \| wife \| worker \| working
The Woman in White (1948)	Appearing	1:34:51 - Laura emerges from her room	asylum \| escape \| escaping \| hiding \| leading lady \| magical \| mickey-mousing \| mysterious \| patient \| sneaking \| victim \| wife
The Woman in White (1948)	Ann	1:34:57 - Laura sneaks down the hallway	asylum \| escape \| escaping \| hiding \| leading lady \| mysterious \| patient \| sneaking \| victim \| wife
The Woman in White (1948)	Appearing	1:35:26 - Laura takes a key	asylum \| escape \| escaping \| hiding \| key \| leading lady \| mickey-mousing \| mysterious \| patient \| sneaking \| victim \| wife
The Woman in White (1948)	Ann	1:35:32 - Laura heads for the exit	asylum \| escape \| escaping \| hiding \| key \| leading lady \| mysterious \| patient \| sneaking \| victim \| wife
The Woman in White (1948)	Appearing	1:35:44 - Laura appears outside	asylum \| escape \| escaping \| leading lady \| mickey-mousing \| mysterious \| patient \| sneaking \| street \| victim \| wife
The Woman in White (1948)	Ann	1:35:51 - Laura exits the asylum gate	asylum \| escape \| escaping \| leading lady \| mysterious \| patient \| sneaking \| street \| victim \| wife
The Woman in White (1948)	Ann 2	1:36:07 - Laura asks a man for help	asking \| escape \| gentle \| leading lady \| patient \| street \| tender \| victim \| wife
The Woman in White (1948)	Underscoring (Dramatic)	1:36:15 - Laura screams when she sees Sir Percival	conflict \| criminal \| dramatic \| hitting \| husband \| leading lady \| leading man \| murderer \| patient \| screaming \| street \| struggling \| underscoring \| victim \| wife
The Woman in White (1948)	Fight	1:36:33 - Walter fights the spy	conflict \| criminal \| dramatic \| fighting \| husband \| leading lady \| leading man \| murderer \| patient \| punching \| spy \| street \| victim \| wife
The Woman in White (1948)	Fosco (Dark)	1:36:50 - Sir Percival on the ground	conflict \| criminal \| dark \| husband \| leading lady \| leading man \| murderer \| ominous \| patient \| spy \| street \| victim \| walking \| wife
The Woman in White (1948)	Pavan (Distressed)	1:37:17 - Walter reads a note from Marian	advance plot \| dark \| leading lady \| leading man \| note \| patient \| reading \| room \| victim \| wife
The Woman in White (1948)	Underscoring (Tense)	1:44:06 - The countess enters	climax \| conversing \| criminal \| dark \| friend \| leading lady \| leading man \| love interest \| murderer \| necklace \| ominous \| room \| transcribed by ear \| wife
The Woman in White (1948)	Ann (Not in Score)	1:44:24 - Count Fosco talks to the Countess	climax \| conversing \| criminal \| friend \| leading lady \| leading man \| love interest \| murderer \| mysterious \| necklace \| room \| transcribed by ear \| wife
The Woman in White (1948)	Fosco (Screwy)	1:44:42 - The Countess walks across the room	climax \| criminal \| friend \| leading lady \| leading man \| love interest \| murderer \| mysterious \| necklace \| room \| sneaking \| walking \| wife
The Woman in White (1948)	Fosco (Sneaking)	1:44:51 - The Countess walks across the room	climax \| criminal \| friend \| leading lady \| leading man \| love interest \| murderer \| mysterious \| necklace \| room \| sneaking \| walking \| wife
The Woman in White (1948)	Adagio	1:45:00 - The Countess picks up a knife	climax \| conversing \| criminal \| friend \| knife \| leading lady \| leading man \| love interest \| murderer \| necklace \| room \| somber \| wife
The Woman in White (1948)	Fosco (Soft)	1:45:18 - The Count talks to Marian	arriving \| climax \| conversing \| criminal \| friend \| leading lady \| leading man \| love interest \| murderer \| mysterious \| necklace \| room \| wife
The Woman in White (1948)	Stabbing	1:45:23 - The Countess stabs Count Fosco	climax \| criminal \| dramatic \| dropping \| friend \| knife \| leading lady \| leading man \| love interest \| mickey-mousing \| murder \| murderer \| murdering \| necklace \| revenge \| room \| stabbing \| violent \| wife
The Woman in White (1948)	Fosco (Dying)	1:45:34 - The Countess picks up the necklace	arriving \| climax \| criminal \| death \| dramatic \| dying \| falling \| friend \| knife \| leading lady \| leading man \| love interest \| murder \| murderer \| necklace \| revenge \| rising \| room \| stinger \| tense \| victim \| violent \| wife
The Woman in White (1948)	Ann (Quasi Misterioso)	1:46:05 - Various close-ups	climax \| criminal \| death \| dying \| friend \| knife \| leading lady \| leading man \| love interest \| murder \| murderer \| necklace \| revenge \| room \| somber \| victim \| watching \| wife
The Woman in White (1948)	Ann (Waltz 2)	1:46:13 - A close-up on the Countess	criminal \| death \| embracing \| friend \| leading lady \| leading man \| love interest \| murder \| murderer \| necklace \| reacting \| resolution \| revenge \| room \| tender \| victim \| waltz \| wife
The Woman in White (1948)	The Self Banished (The End)	1:47:51 - Walter with the children	book \| child \| conversing \| embracing \| father \| greeting \| husband \| kissing \| leading lady \| leading man \| mother \| resolution \| tender \| The End \| voice-over \| wife \| yard
Without Honor (1949)	Liszt Waltz	0:29:28 - Bill talks to Jane	antagonist \| arriving \| brother \| calm \| classical music \| conflict \| conversing \| leading lady \| leading man \| radio \| room \| source music \| taunting \| wife \| zoom in
Without Honor (1949)	Prelude in D-Flat Major, Op. 28, No. 15 "Raindrop"	0:33:17 - Mrs. Williams talks to Jane	antagonist \| brother \| calm \| classical music \| conflict \| conversing \| leading lady \| leading man \| radio \| room \| source music \| wife
Without Honor (1949)	Unidentified dance tune 4	0:34:19 - Bill tunes the radio	antagonist \| brother \| calling \| conflict \| conversing \| dialing \| leading lady \| leading man \| popular music \| radio \| room \| source music \| telephone \| upbeat \| wandering \| wife
Without Honor (1949)	Expressivo (Slowly)	0:43:25 - Jane walks slowly past	conflict \| conversing \| leading lady \| reveal \| room \| secret \| solemn \| wife
Without Honor (1949)	Chromatic Clarinet	0:43:47 - Jane walks slowly over	conflict \| conversing \| leading lady \| reveal \| room \| secret \| solemn \| wife
Without Honor (1949)	Triste (Appassionato)	0:47:41 - Mrs. Williams talks to Jane	conflict \| conversing \| leading lady \| reveal \| revealing \| room \| secret \| solemn \| wife \| yelling
Without Honor (1949)	Desperation (Triste)	0:48:15 - Jane sinks down slowly	conflict \| conversing \| descending \| leading lady \| realizing \| reveal \| room \| secret \| sinking \| sitting \| solemn \| wife
Without Honor (1949)	Appassionato (Molto Expressivo)	0:48:38 - Mrs. Williams talks to Jane	conflict \| denying \| expressive \| leading lady \| reveal \| room \| secret \| wife
Without Honor (1949)	Twilight (Ethereal)	0:48:53 - Jane talks about love	conflict \| denying \| ethereal \| leading lady \| reveal \| room \| secret \| wife
Without Honor (1949)	Valse Triste (Andante Doloroso)	0:49:07 - Fred enters	antagonist \| brother \| conflict \| entering \| husband \| leading lady \| leading man \| reacting \| reveal \| room \| secret \| somber \| thinking \| wife
Without Honor (1949)	Underscoring (Tense)	0:49:48 - Bill talks to Fred	antagonist \| brother \| conflict \| conversing \| husband \| leading lady \| leading man \| reveal \| room \| secret \| tense \| thinking \| wife
Without Honor (1949)	Tension (Molto Misterioso)	0:50:03 - Bill stares at Jane	anger \| antagonist \| brother \| conflict \| conversing \| demanding \| dramatic \| husband \| leading lady \| leading man \| reveal \| room \| secret \| slapping \| tense \| wife
Without Honor (1949)	Agitation (Appassionato)	0:52:28 - Jane cries	agitated \| antagonist \| brother \| climax \| confessing \| confession \| crying \| demanding \| husband \| leading lady \| leading man \| room \| tense \| wife
Without Honor (1949)	Confession	0:52:54 - Jane confesses	agitated \| antagonist \| brother \| climax \| confessing \| confession \| crying \| husband \| leading lady \| leading man \| room \| wife
Without Honor (1949)	Appassionato 2	0:53:24 - Jane laughs	antagonist \| brother \| climax \| confession \| crying \| husband \| laughing \| leading lady \| leading man \| passionate \| room \| wife
Without Honor (1949)	Underscoring (Dramatic)	0:53:45 - Jane screams	antagonist \| blood \| brother \| climax \| confession \| dramatic \| handprint \| husband \| leading lady \| leading man \| room \| screaming \| tense \| underscoring \| wife
Without Honor (1949)	Desperation (The Scream)	0:53:50 - They look at the bloody handprint	antagonist \| blood \| brother \| climax \| confession \| departing \| dramatic \| handprint \| husband \| investigating \| leading lady \| leading man \| room \| screaming \| searching \| tense \| wife \| yard
Without Honor (1949)	Doloroso	0:57:10 - Mrs. Williams talks to Jane	antagonist \| apologizing \| brother \| climax \| conversing \| husband \| leading lady \| leading man \| room \| solemn \| wife
Without Honor (1949)	Twilight (Somber)	0:57:48 - Mrs. Williams forgives Jane	antagonist \| bathroom \| brother \| climax \| forgiveness \| husband \| leading lady \| leading man \| razor blade \| room \| somber \| thinking \| wife
Without Honor (1949)	Tension (Extended)	0:58:12 - Mrs. Williams talks to Fred and Bill	antagonist \| bathroom \| brother \| climax \| conversing \| forgiveness \| husband \| leading lady \| leading man \| razor blade \| room \| tense \| wife
Without Honor (1949)	Valse Triste (Suicide)	0:58:33 - Jane stares in the mirror	antagonist \| attempted suicide \| bathroom \| brother \| climax \| conversing \| husband \| knocking \| leading lady \| leading man \| razor blade \| room \| somber \| suicide \| wife
Without Honor (1949)	Valse Triste (Molto Appassionato)	0:58:58 - Jane stares down	antagonist \| attempted suicide \| bathroom \| brother \| climax \| conversing \| dramatic \| husband \| knocking \| leading lady \| leading man \| razor blade \| room \| suicide \| wife
Without Honor (1949)	Appassionato 2 (Molto Expressivo)	0:59:06 - Jane cuts her wrist	antagonist \| attempted suicide \| bathroom \| breaking \| brother \| climax \| committing suicide \| conversing \| cutting \| dramatic \| entering \| grabbing \| husband \| knocking \| leading lady \| leading man \| razor blade \| room \| running \| suicide \| wife \| yelling
Without Honor (1949)	Twilight (Rubato)	0:59:24 - Mrs. Williams helps Jane	antagonist \| attempted suicide \| brother \| climax \| doctor \| helping \| husband \| leading lady \| leading man \| razor blade \| room \| serious \| somber \| struggling \| suicide \| wife

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