| Beyond the Forest (1949) | Lewis (Moderato Expressivo) | 0:06:23 - Fishing in a stream | calm | canoe | doctor | establish character | friend | lake | leading lady | leading man | rowing | wife |
Beyond the Forest (1949) | Lewis | 0:10:42 - The doctor in a canoe | calm | canoe | departing | doctor | establish character | friend | lake | leading lady | leading man | noble | rowing | wife |
Beyond the Forest (1949) | Moose | 0:11:22 - Moose enters the house | cabin | conversing | establish character | exotic | friend | leading lady | liquor | wife | working |
Beyond the Forest (1949) | Porcupine | 0:11:59 - A porcupine in a tree | cabin | climbing | comical | dying | establish character | falling | leading lady | porcupine | shooting | wife |
Beyond the Forest (1949) | Drunk | 0:14:08 - Moose is drinking | advance plot | cabin | collapsing | drinking | drunk | drunk effect | friend | leading lady | liquor | mickey-mousing | stumbling | wife |
Beyond the Forest (1949) | Falling down | 0:14:27 - Moose falls on a bed | advance plot | cabin | collapsing | dramatic | falling | friend | leading lady | mickey-mousing | pushing | wife |
Beyond the Forest (1949) | Underscoring (Mysterious) | 0:14:31 - Rosa grabs the key | advance plot | cabin | friend | key | leading lady | mysterious | underscoring | walking | wife |
Beyond the Forest (1949) | Running | 0:14:40 - Rosa runs to the lodge | advance plot | leading lady | mickey-mousing | mysterious | ominous | outside | running | wife |
Beyond the Forest (1949) | Rosa (Grazioso) | 0:15:01 - Rosa enters the lodge | advance plot | arriving | cheerful | leading lady | room | wife | working |
Beyond the Forest (1949) | Hurrying | 0:15:09 - Rosa lights a fire | advance plot | hurrying | leading lady | room | upbeat | wife | working |
Beyond the Forest (1949) | Rosa (Grazioso) | 0:15:23 - Rosa gets a drink | advance plot | hurrying | leading lady | room | upbeat | wife | working |
Beyond the Forest (1949) | Hurrying | 0:15:35 - Rosa carries a drink | advance plot | hurrying | leading lady | room | upbeat | wife | working |
Beyond the Forest (1949) | Insolence | 0:37:06 - Rosa argues with her maid Jenny | advance plot | cleaning | comical | kitchen | leading lady | maid | obeying | wife |
Beyond the Forest (1949) | Chicago (Molto Expressivo) | 0:37:20 - Rosa sees the mink coat | advance plot | coat | contemplating | expressive | familiar tune | jealousy | leading lady | popular tune | room | wife |
Beyond the Forest (1949) | Chicago (Misterioso) | 0:38:47 - Rosa lights a match | advance plot | contemplating | dramatic | familiar tune | jealousy | leading lady | obsession | obsessive | passage of time | popular tune | room | smoking | tense | wife |
Beyond the Forest (1949) | Rosa (Slower) | 0:39:05 - Rosa in bed | advance plot | calm | contemplating | dark | leading lady | leading man | panning shot | restlessness | room | smoking | wife |
Beyond the Forest (1949) | Sawmill (Agitato) | 0:39:25 - Fire from the sawmill | advance plot | agitated | bedroom | factory | fire | leading lady | leading man | restlessness | wife | yelling |
Beyond the Forest (1949) | Rosa (Molto Misterioso) | 0:41:50 - Rosa smokes in bed | advance plot | bedroom | contemplating | leading lady | leading man | mysterious | smoking | wife |
Beyond the Forest (1949) | Running (Quasi Misterioso) | 0:42:06 - Rosa looks through the account book | advance plot | leading lady | mysterious | ominous | reading | room | wife | writing |
Beyond the Forest (1949) | Chicago | 0:43:37 - Rosa sews | advance plot | arriving | familiar tune | leading lady | leading man | on-screen music | popular tune | room | score to source | sewing | singing | source and scoring overlap | source music | upbeat | wife |
Beyond the Forest (1949) | Rosa (Molto Tranquillo) | 0:57:36 - Lewis opens the door | arriving | calm | dark | doctor | leading lady | leading man | reunion scene | room | wife |
Beyond the Forest (1949) | Lewis (Tender) | 0:58:28 - Lewis takes care of Rosa | calm | conversing | doctor | kissing | leading lady | leading man | reunion scene | room | tender | wife |
Beyond the Forest (1949) | Whisper While You’re Waltzing | 1:01:34 - People at a party | conversing | crowd | dance scene | doctor | eating | folk music | gentle | leading lady | leading man | on-screen music | party | playing | room | source music | waltz | wife |
Beyond the Forest (1949) | For He’s a Jolly Good Fellow | 1:02:12 - Folk musicians | arriving | cake | cheerful | conversing | crowd | dance scene | doctor | familiar tune | leading lady | leading man | love interest | musician | on-screen music | party | playing | room | singing | source music | tuning | wife | wind |
Beyond the Forest (1949) | The Arkansas Traveler | 1:02:55 - Folk musicians | crowd | dancer | dance scene | dancing | doctor | folk music | leading lady | leading man | love interest | musician | on-screen music | party | playing | room | singing | source music | square dance caller | square dance music | upbeat | wife |
Beyond the Forest (1949) | Portland Fancy | 1:03:11 - People dancing | crowd | dancer | dance scene | dancing | doctor | folk music | leading lady | leading man | love interest | musician | on-screen music | party | playing | room | singing | source music | square dance caller | square dance music | upbeat | wife |
Beyond the Forest (1949) | Devil’s Dream | 1:03:26 - People dancing | crowd | dancer | dance scene | dancing | doctor | folk music | leading lady | leading man | love interest | musician | on-screen music | party | playing | room | singing | source music | square dance caller | square dance music | upbeat | wife |
Beyond the Forest (1949) | Little Brown Jug | 1:03:57 - People dancing | crowd | dancer | dance scene | dancing | doctor | folk music | leading lady | leading man | love interest | musician | on-screen music | party | playing | room | singing | source music | square dance caller | square dance music | upbeat | wife |
| The Breaking Point (1950) | Make Love With a Guitar | 0:33:28 - Harry arrives home | advance plot | arriving | calm | child | conversing | leading man | musician | neighbor | on-screen music | room | sailor | source music | street | wife | yard |
The Breaking Point (1950) | On an Ordinary Morning | 0:43:33 - Leona and Harry sit together in a bar | advance plot | bar | conversing | floozy | jukebox | leading lady | leading man | mellow | sailor | source music | wife |
The Breaking Point (1950) | Make Love With a Guitar | 0:46:27 - A boy plays the accordion | advance plot | calm | child | conversing | drunk | leading lady | leading man | neighbor | on-screen music | sailor | source music | street | walking | wife |
The Breaking Point (1950) | The Breaking Point (Ethereal) | 1:34:41 - Harry recognizes Lucy | 9th chord | boat | climax | comforting | conversing | crying | ethereal | leading lady | leading man | mixed meter | mode mixture | sailor | sweet | wife |
The Breaking Point (1950) | The Breaking Point (Cellos) | 1:35:14 - Harry talks with Lucy | boat | climax | comforting | conversing | crying | ethereal | foreign key modulation | leading lady | leading man | mixed meter | sailor | sweet | wife |
The Breaking Point (1950) | Calm | 1:35:38 - Lucy leaves | augmented triad | boat | climax | comforting | conversing | crying | ethereal | leading lady | leading man | pedal tone | sailor | sweet | wife |
The Breaking Point (1950) | The Breaking Point (Triste) | 1:35:50 - Harry is carried out on a stretcher | carrying | child | climax | crowd | crying | deceptive resolution | doctor | harbor | leading lady | leading man | sailor | somber | watching | wife |
The Breaking Point (1950) | Leona | 1:36:26 - Leona watches | 9th chord | 11th chord | 13th chord | augmented sixth chord | child | chromatic parallelism | climax | crowd | crying | doctor | harbor | leading lady | leading man | sailor | somber | watching | wife |
| His Greatest Gamble (1934) | Waltz in C-sharp Minor | 0:40:28 - Philip talks with Alice and Florence | advance plot | conversing | daughter | ex-wife | fugitive | leading lady | leading man | mansion | serious | source music | waltz |
| Flamingo Road (1949) | Through a Thousand Dreams | 0:56:41 - The Olympic City hotel | club | conversing | dance scene | dancing | dining | leading lady | leading man | love interest | on-screen music | politician | sentimental | sheriff | source music | wife |
Flamingo Road (1949) | Don't Take Your Love From Me | 0:58:50 - Dan and Lane sit at a table | ABAC structure | club | conversing | dance scene | leading lady | leading man | love interest | on-screen music | politician | sentimental | sheriff | source music | wife |
Flamingo Road (1949) | If I Could Be With You | 0:59:52 - A woman sings with the dance band | club | conversing | dance scene | dancing | dining | leading lady | leading man | love interest | on-screen music | politician | sentimental | sheriff | singer | singing | source music | wife |
Flamingo Road (1949) | I Guess I'll Have to Change My Plan | 1:01:40 - Lane and Dan talk at their table | club | conversing | dance scene | leading lady | leading man | love interest | politician | sentimental | sheriff | source music | wife |
Flamingo Road (1949) | Lute Mae (Tenderly) | 1:03:37 - Dan is grateful for Lane's gift to him | 13th chord | added-note chord | advance plot | comical | common-chord modulation | conversing | embracing | happy | husband | leading lady | leading man | maid | room | self-borrowing | tender | wife |
Flamingo Road (1949) | Flamingo Road (Tenderly) | 1:03:58 - Dan and Lane have tea | advance plot | conversing | gentle | husband | leading lady | leading man | mode mixture | room | self-borrowing | serving | tea | wife |
Flamingo Road (1949) | Lute Mae (Tenderly) | 1:07:55 - Dan kisses Lane | 13th chord | added-note chord | bluesy | husband | kissing | leading lady | leading man | love scene | room | self-borrowing | tender | wife |
Flamingo Road (1949) | Titus | 1:11:01 - Annabelle leaves Titus | advance plot | conversing | dark | ominous | porch | self-borrowing | sheriff | wife |
Flamingo Road (1949) | Titus (Ostinato) | 1:17:09 - Dan looks at some papers | brooding | conflict | dark | hopeful | husband | leading lady | leading man | ominous | politician | room | self-borrowing | wife |
Flamingo Road (1949) | Lane (Tragic) | 1:18:10 - Lane talks to Dan about Titus | angry | anxious | conflict | conversing | husband | leading lady | leading man | ostinato | politician | room | tragic | wife |
Flamingo Road (1949) | If I Could Be With You (Tragic) | 1:18:35 - Lane tells Dan about Field | confessing | conflict | diminished 7th chord | husband | leading lady | leading man | love | politician | room | tragic | wife |
Flamingo Road (1949) | Flamingo Road (Agitato) | 1:18:50 - Dan gets upset with Lane | 9th chord | accusing | angry | augmented sixth chord | conflict | fragmentation | husband | leading lady | leading man | politician | quartal chord | room | self-borrowing | wife |
Flamingo Road (1949) | Appassionato | 1:19:10 - Dan argues with Lane | arguing | chromatic parallelism | conflict | diminished 7th chord | harmonic sequence | husband | leading lady | leading man | passionate | politician | room | wife | yearning |
Flamingo Road (1949) | Flamingo Road (Molto Expressivo) | 1:19:32 - Dan leaves | conflict | husband | leading lady | leading man | leaving | politician | room | self-borrowing | tragic | wife |
Flamingo Road (1949) | Flamingo Road (Triste) | 1:19:43 - Lane watches Dan leave | altered dominant | conflict | husband | leading lady | leading man | politician | room | self-borrowing | somber | waiting | wife |
Flamingo Road (1949) | Somber Phone Call | 1:19:54 - Dan calls Lane from the station | calling | conflict | half-diminished 7th chord | husband | leading lady | leading man | politician | somber | tone cluster | train station | wife |
Flamingo Road (1949) | Titus (Triste 2) | 1:20:10 - Dan and Lane talk on the phone | calling | conflict | husband | leading lady | leading man | politician | room | somber | train station | wife |
Flamingo Road (1949) | Flamingo Road (Appassionato) | 1:32:54 - Dan visits Lane in prison | crying | embracing | foreign key modulation | husband | joyous | kissing | leading lady | leading man | pedal tone | prison | resolution | reuniting | self-borrowing | wife |
Flamingo Road (1949) | Flamingo Road (Dolce) | 1:33:08 - Dan and Lane embrace | crying | dark | embracing | husband | kissing | leading lady | leading man | mode mixture | peaceful | prison | resolution | reuniting | self-borrowing | wife |
Flamingo Road (1949) | Lute Mae (Delicato) | 1:33:28 - Lane smiles as Dan | 13th chord | added-note chord | crying | delicate | husband | kissing | leading lady | leading man | prison | resolution | reuniting | romance | self-borrowing | sentimental | wife |
Flamingo Road (1949) | If I Could Be With You (Ecstatic) | 1:33:37 - Lane walks away | added-note chord | altered dominant | artwork in score | chromatic parallelism | friend | husband | joyous | leading lady | leading man | leaving | prison | resolution | reuniting | romance | secondary dominant | The End | thematic transference | triumphant | wife |
| Hell on Frisco Bay (1955) | Anna | 0:46:05 - Anna talks with Amato | antagonist | boss | conductor score | conversing | establish character | gangster | gentle | leading man | room | sentimental | warning | wife | worrying |
Hell on Frisco Bay (1955) | Anna (Gentle) | 0:48:38 - Anna comforts Mario | advance plot | aunt | comforting | conductor score | gangster | gentle | nephew | room | sentimental | wife |
Hell on Frisco Bay (1955) | Hell on Frisco Bay (Agitato) | 1:01:30 - Marcia talks to Steve | conductor score | conversing | gentle | leading lady | leading man | love scene | room | tense | wife |
Hell on Frisco Bay (1955) | Hell on Frisco Bay (Rubato) | 1:01:53 - Marcia talks to Steve | conductor score | conversing | leading lady | leading man | love scene | room | somber | wife |
Hell on Frisco Bay (1955) | Menace (Sinister) | 1:02:28 - Steve talks to Marcia | conductor score | conversing | dark | leading lady | leading man | love scene | room | wife |
Hell on Frisco Bay (1955) | Hell on Frisco Bay (Molto Expressivo) | 1:02:45 - Marcia talks to Steve | conductor score | conversing | leading lady | leading man | love scene | romantic | room | tender | wife |
Hell on Frisco Bay (1955) | Tenderly | 1:03:30 - Marcia talks to Steve | conductor score | conversing | leading lady | leading man | love scene | room | tender | wife |
Hell on Frisco Bay (1955) | Hell on Frisco Bay (In Love) | 1:03:46 - Marcia talks to Steve | arguing | conductor score | conversing | dark | leading lady | leading man | love scene | room | tender | wife |
Hell on Frisco Bay (1955) | Anna (Drone) | 1:04:54 - Anna talks to Amato | advance plot | antagonist | boss | conductor score | conversing | dark | gangster | gentle | leading man | room | wife |
Hell on Frisco Bay (1955) | It Had to Be You | 1:17:06 - Marcia sings at a club | advance plot | calm | club | jazz | leading lady | leading man | on-screen music | pianist | singer | singing | source music | wife |
Hell on Frisco Bay (1955) | Hell on Frisco Bay (Piano Solo) | 1:17:47 - Marcia and Steve talk | advance plot | calm | club | conductor score | conversing | leading lady | leading man | on-screen music | pianist | popular music | score to source | singer | source music | wife |
Hell on Frisco Bay (1955) | Hell on Frisco Bay (Invisible Orchestra) | 1:18:13 - Marcia and Steve talk | calm | club | conductor score | conversing | leading lady | leading man | love scene | scored source music | singer | source to score | wife |
Hell on Frisco Bay (1955) | Underscoring (Dark) | 1:19:09 - Marcia and Steve talk | club | conductor score | conversing | dark | leading lady | leading man | love scene | ominous | singer | underscoring | wife |
Hell on Frisco Bay (1955) | Hell on Frisco Bay (Resolution) | 1:19:28 - Marcia talks to Steve | club | conductor score | conversing | gentle | grand | leading lady | leading man | love scene | singer | tender | wife |
Hell on Frisco Bay (1955) | Anna (Funereal) | 1:20:28 - Mario's coffin | antagonist | boss | conversing | crying | dark | funeral | funeral | gangster | leading man | mourning | priest | wife |
Hell on Frisco Bay (1955) | Hell on Frisco Bay (Waking Up) | 1:28:48 - Marcia wakes up and answers the door | bussing | doorbell | gentle | leading lady | matched source pitch | room | turning point | waking | wife |
Hell on Frisco Bay (1955) | Hell on Frisco Bay (Agitato) | 1:29:23 - Steve leaves | agitated | calling | conversing | detective | leading lady | leading man | leaving | love interest | room | telephone | tense | turning point | wife | witness |
Hell on Frisco Bay (1955) | Underscoring (Tense) | 1:29:55 - Marcia talks to Kay | conversing | leading lady | love interest | room | telephone | tense | turning point | underscoring | wife | witness |
Hell on Frisco Bay (1955) | Underscoring (Dramatic) | 1:30:27 - Steve tells Anna that Mario was murdered | advance plot | conversing | dark | denial | detective | leading man | murder | ominous | priest | room | shock | stinger | underscoring | wife |
Hell on Frisco Bay (1955) | Anna (Rubato) | 1:30:35 - Anna tells Steve where to find Amato | advance plot | betraying | conversing | dark | detective | leading man | ominous | priest | room | somber | wife |
Hell on Frisco Bay (1955) | Menace | 1:33:12 - Amato hides | action scene | antagonist | boss | dark | fleeing | gangster | hiding | leading lady | leading man | ominous | street | wife |
Hell on Frisco Bay (1955) | Steve (Agitato) | 1:33:17 - Marcia looks for Steve | action scene | dock | dramatic | leading lady | running | searching | tense | wife |
Hell on Frisco Bay (1955) | Amato (Slower) | 1:33:23 - Amato takes Marcia hostage | action scene | conversing | detective | dock | dramatic | gangster | gun | kidnapping | leading lady | leading man | ominous | tense | wife |
Hell on Frisco Bay (1955) | Amato (Molto Marcato) | 1:34:08 - Steve confronts Amato | action scene | detective | dock | dramatic | gangster | gun | gunshot | kidnapping | leading lady | leading man | shooting | tense | wife |
Hell on Frisco Bay (1955) | Running | 1:34:27 - Amato runs to his boat | action scene | agitated | boat | chasing | descending | detective | dock | dramatic | following | gangster | leading lady | leading man | mickey-mousing | running | tense | wife |
Hell on Frisco Bay (1955) | Underscoring (Tense) | 1:35:05 - The police arrive | action scene | arriving | conversing | dock | leading lady | police | tense | underscoring | wife |
Hell on Frisco Bay (1955) | Menace (Captured) | 1:36:57 - The police boat leaves | agitated | antagonist | arriving | boat | boss | detective | dock | gangster | leading lady | leading man | police | resolution from here on? | tense | waiting | wife |
Hell on Frisco Bay (1955) | Steve (Maestoso) | 1:37:30 - Steve gets off the boat | antagonist | arriving | boat | bold | boss | detective | dock | gangster | heroic | leading lady | leading man | police | resolution from here on? | wife |
Hell on Frisco Bay (1955) | Hell on Frisco Bay (Expressivo) | 1:37:36 - Steve goes to his wife | arriving | detective | dock | gentle | leading lady | leading man | resolution from here on? | reuniting | romantic | wife |
Hell on Frisco Bay (1955) | Hell on Frisco Bay (The End) | 1:37:52 - Steve and Marcia leave together | caressing | detective | dock | gentle | leading lady | leading man | peaceful | resolution from here on? | reuniting | romantic | walking | wife |
| Her Kind of Man (1946) | Body and Soul | 0:56:43 - Georgia sings in a night club | AABA structure | applauding | club | conductor | crowd | leading lady | musician | music scene | on-screen music | performing | performing | romantic | score to source | singer | singing | source music | watching | wife |
Her Kind of Man (1946) | Love Is Sweeping the Country | 0:58:02 - The crowd applauds | advance plot | club | conversing | criminal | crowd | gambler | henchman | husband | leading lady | leading man | on-screen music | owner | performing | reporter | singer | sister | source music | upbeat | wife |
Her Kind of Man (1946) | It Had to Be You (Sneaky) | 1:05:51 - Georgia hides Candy | advance plot | criminal | familiar tune | henchman | leading lady | leading man | mysterious | popular music | reporter | room | singer | sneaking | sneaky | source to score | wife |
Her Kind of Man (1946) | It Had to Be You (Mysterious) | 1:07:50 - Don leaves | advance plot | arriving | car | car | criminal | driving | familiar tune | gambler | henchman | leading lady | leading man | murderer | mysterious | popular music | signaling | singer | street | warehouse | wife |
Her Kind of Man (1946) | It Had to Be You | 1:09:05 - Georgia approaches the warehouse | advance plot | criminal | familiar tune | gambler | henchman | leading lady | leading man | murderer | neutral | popular music | score to source | singer | warehouse | whistling | wife |
Her Kind of Man (1946) | It Had to Be You (Secret Rendezvous) | 1:09:09 - Georgia enters the warehouse | advance plot | arriving | conversing | embracing | familiar tune | gambler | kissing | leading lady | leading man | murderer | popular music | romantic | singer | source to score | uneasy | warehouse | wife |
Her Kind of Man (1946) | It Had to Be You (Mysterious) | 1:11:11 - Georgia leaves | advance plot | departing | familiar tune | gambler | leading lady | leading man | murderer | mysterious | popular music | singer | warehouse | wife |
Her Kind of Man (1946) | Underscoring (Dramatic [Steiner]) | 1:14:17 - Cop looks at his watch | climax | conversing | criminal | double-cross | dramatic | henchman | leading lady | leading man | parallelism | police | reporter | room | singer | stinger | telephone | tense | underscoring | watch | wife |
Her Kind of Man (1946) | Speeding | 1:14:21 - Policeman driving | car | chromatic parallelism | chromatic scale | chromatic sequence | climax | dramatic | driving | hurrying | leading lady | leading man | omnibus progression | police | reporter | rushing | singer | tense | wife | yelling |
Her Kind of Man (1946) | It Had to Be You (Tragic) | 1:17:10 - Georgia holds Steve | 9th chord | augmented triad | climax | comforting | conversing | corpse | cradling | criminal | crying | death | dying | familiar tune | gambler | henchman | leading lady | leading man | murderer | police | popular music | reporter | singer | street | tense | tragic | wife |
Her Kind of Man (1946) | Water | 1:17:41 - Steve's corpse | 9th chord | corpse | criminal | death | flowing | gambler | henchman | leading lady | leading man | murderer | panning shot | police | reporter | resolution | singer | street | swirling | tense | tragic | voice-over | water | water effect | wife |
Her Kind of Man (1946) | It Had to Be You (The End) | 1:18:02 - The End | added-note chord | criminal | dark | death | dramatic | end title sequence | gambler | henchman | leading lady | leading man | mode mixture | murderer | police | reporter | singer | street | The End | tragic | wife |
| The Life of Vergie Winters (1934) | Lullaby (Clarinet Solo) | 1:00:58 - John and Laura talk about Joan | added-note chord | conflict | conversing | dramatic | gentle | leading man | peaceful | room | stinger | transcribed by ear | wife |
The Life of Vergie Winters (1934) | Lullaby (Agitated) | 1:01:27 - John and Laura argue about Joan | agitated | arguing | common-tone diminished 7th | conflict | diminished 7th chord | direct modulation | fragmentation | harmonic sequence | leading man | octatonic scale | room | tense | transcribed by ear | wife |
The Life of Vergie Winters (1934) | Old Lavender | 1:02:11 - Joan and Ranny enter | 9th chord | added-note chord | altered dominant | arguing | common-chord modulation | conflict | conversing | daughter | direct modulation | harmonic sequence | leading man | light | love interest | optimistic | room | surprise | wife |
The Life of Vergie Winters (1934) | Old Lavender (Celeste Solo) | 1:02:43 - John paces around | conflict | daughter | direct modulation | hesitating | leading man | love interest | lying | peaceful | room | surprise | wife |
The Life of Vergie Winters (1934) | Underscoring (Lyrical) | 1:02:52 - Laura reveals that Joan is adopted | conflict | daughter | deflecting | hesitating | leading man | love interest | mode mixture | peaceful | pedal tone | room | surprise | wife |
The Life of Vergie Winters (1934) | Lullaby (Adagio) | 1:03:02 - Joan reacts | conflict | daughter | diminished 7th chord | direct modulation | dissonant bass | leading man | love interest | revealing | room | stinger | surprise | tense | wife |
The Life of Vergie Winters (1934) | Lullaby (Harp Solo) | 1:03:33 - John tells Joan about her parents | conflict | daughter | deceiving | deceptive resolution | leading man | love interest | lullaby | lying | revealing | room | secondary dominant | surprise | tender | wife |
The Life of Vergie Winters (1934) | Old Lavender (Allegretto) | 1:04:31 - Ranny reacts to the revelation | chromatic mediant | conflict | conversing | daughter | foreign key modulation | fragmentation | leading man | light | love interest | mode mixture | optimistic | pedal tone | room | wife |
The Life of Vergie Winters (1934) | Old Lavender (Gentle) | 1:04:45 - Ranny takes the ring back from Joan | 64 chord | altered dominant | conflict | daughter | leading man | love interest | peaceful | pedal tone | proposal | proposing | room | wife |
The Life of Vergie Winters (1934) | Here Comes the Bride (Slow) | 1:05:05 - Ranny re-proposes to Joan | 64 chord | conflict | daughter | familiar tune | leading man | love interest | peaceful | proposal | proposing | room | wife |
The Life of Vergie Winters (1934) | Lullaby (Dolcissimo) | 1:05:11 - Joan talks to Laura | 9th chord | conflict | daughter | leading man | love interest | peaceful | proposal | proposing | room | wife |
The Life of Vergie Winters (1934) | Old Lavender (Ethereal) | 1:05:26 - Ranny talks to Joan's parents | added-note chord | common-chord modulation | conflict | conversing | daughter | leading man | love interest | mode mixture | pedal tone | room | sentimental | wife |
The Life of Vergie Winters (1934) | Lullaby (Tender) | 1:05:45 - Ranny leaves with Joan | 13th chord | conflict | daughter | leading man | leaving | love interest | peaceful | pedal tone | room | wife |
The Life of Vergie Winters (1934) | Lullaby (Doloroso) | 1:05:58 - John talks with his wife Laura | 9th chord | arguing | conflict | dark | leading man | leaving | reverse picardy | room | tense | wife |
| The Unfaithful (1947) | Unfaithful (Not in Film) | NIF - not in film | acceleration | arguing | climax | cut from film | husband | Neapolitan | ostinato | room | sequential modulation | tense | wife |
The Unfaithful (1947) | Unfaithful (Distressed) | 1:41:24 - Larry talks with Bob | 9th chord | conversing | foreign key modulation | husband | lawyer | ostinato | pc set | resolution | room | somber | wife |
The Unfaithful (1947) | Unfaithful (Leaving) | 1:42:32 - Chris prepares to leave | 9th chord | conversing | husband | lawyer | mode mixture | ostinato | pedal tone | resolution | room | somber | wife |
The Unfaithful (1947) | Unfaithful (Dolce) | 1:46:08 - Bob talks with Chris | altered dominant | chromatic mediant | common-chord modulation | conversing | foreign key modulation | fragmentation | hopeful | husband | lawyer | mode mixture | ostinato | peaceful | pedal tone | plagal cadence | resolution | resolution | romantic | room | triumphant | wife |
| We Are Not Alone (1939) | Jessica | 0:10:01 - Jessica enters the room | 9th chord | antagonist | chromatic parallelism | chromatic scale | establish character | half-diminished 7th chord | office | sour | wife |
We Are Not Alone (1939) | Jessica (Upset) | 0:24:32 - Jessica enters and stops the conversation | advance plot | antagonist | chromatic scale | conversing | dark | home | parallelism | upset | wife |
We Are Not Alone (1939) | Tuning | 0:27:56 - David tunes his violin | advance plot | hero | home | neutral | on-screen music | source music | tuning | violin | wife |
We Are Not Alone (1939) | Tuning | 0:28:03 - David tunes his violin | advance plot | hero | home | neutral | on-screen music | source music | tuning | violin | wife |
We Are Not Alone (1939) | Tuning | 0:28:17 - David tunes his violin | advance plot | hero | home | neutral | on-screen music | source music | tuning | violin | wife |
We Are Not Alone (1939) | Tuning | 0:28:31 - David tunes his violin | advance plot | hero | home | neutral | on-screen music | source music | tuning | violin | wife |
We Are Not Alone (1939) | Surprise Symphony | 0:29:13 - David whistles | advance plot | cheerful | classical music | familiar tune | Haydn | hero | home | quotation | source music | whistling | wife |
We Are Not Alone (1939) | Tuning | 0:29:20 - David tunes his violin | advance plot | hero | home | neutral | on-screen music | source music | tuning | tuning | violin | wife |
We Are Not Alone (1939) | Minuet | 0:29:28 - David plays the violin | advance plot | hero | home | on-screen music | playing | source music | violin | warm | wife |
We Are Not Alone (1939) | Surprise Symphony | 0:29:45 - David plays the violin | advance plot | hero | home | on-screen music | playing | source music | violin | warm | wife |
We Are Not Alone (1939) | I Do Like to Be Beside the Seaside (Subconscious) | 0:31:36 - Jessica says goodnight to David | added-note chord | advance plot | common-tone diminished 7th | conversing | goodnight | happy | hero | home | wife |
We Are Not Alone (1939) | Surprise Symphony (Turbulent) | 0:50:14 - Jessica reacts to David's departure | 11th chord | angry | antagonist | chromatic parallelism | classical music | conflict | crying | dark | familiar tune | Haydn | hero | home | husband | leaving | quotation | room | sad | tragic | wife |
| The Woman in White (1948) | Fosco (Screwy) | 1:13:05 - The countess enters quietly | advance plot | arriving | helping | mysterious | room | sneaking | tense | time lapse | victim | wife |
The Woman in White (1948) | Fosco (Sneaking) | 1:13:18 - The countess sneaks into Laura's room | advance plot | helping | illness | leading lady | mysterious | room | servant | sleeping | sneaking | tense | victim | wife |
The Woman in White (1948) | Adagio | 1:13:26 - The countess helps Laura | advance plot | gentle | helping | illness | leading lady | room | servant | sleeping | tense | victim | whispering | wife |
The Woman in White (1948) | Fosco (Sneaking) | 1:13:48 - The maid leaves | advance plot | departing | helping | illness | leading lady | mysterious | room | servant | sleeping | sneaking | tense | victim | wife |
The Woman in White (1948) | Underscoring (Mysterious) | 1:13:57 - The countess looks around | advance plot | helping | illness | leading lady | mysterious | room | sleeping | sneaking | tense | underscoring | victim | wife |
The Woman in White (1948) | Ann (Waltz) | 1:14:30 - The countess opens a secret door | advance plot | foreshadowing | helping | leading lady | room | secret passageway | sneaking | tender | victim | waltz | wife |
The Woman in White (1948) | Ann (Lyrical) | 1:15:15 - The countess approaches the woman in white | advance plot | gentle | helping | leading lady | lyrical | room | sleeping | sneaking | victim | wife |
The Woman in White (1948) | Ann 2 | 1:15:31 - The countess tends to the woman in white | advance plot | gentle | helping | leading lady | room | sleeping | sneaking | stinger | tender | victim | wife |
The Woman in White (1948) | Hypnosis (Misterioso con moto) | 1:16:57 - The countess talks to the woman in white | conversing | death scene | leading lady | mysterious | room | tense | victim | wife |
The Woman in White (1948) | Ann 2 | 1:17:48 - The woman in white talks to Laura | conversing | death scene | gentle | leading lady | room | tender | victim | wife |
The Woman in White (1948) | Ann | 1:17:56 - The woman in white talks to Laura | conversing | death scene | leading lady | mysterious | room | victim | wife |
The Woman in White (1948) | Hypnosis | 1:18:17 - The woman in white hears Fosco's voice | death scene | hearing voices | leading lady | madness | mysterious | room | tense | victim | wife |
The Woman in White (1948) | Fosco (Misterioso) | 1:18:29 - The woman in white hears Sir Percival's voice | antagonist | arriving | criminal | death scene | hearing voices | husband | leading lady | madness | mysterious | room | screaming | shock | surprise | tense | victim | wife |
The Woman in White (1948) | Appearing | 1:18:48 - The woman in white clutches her heart | antagonist | criminal | death scene | dying | husband | leading lady | mickey-mousing | room | screaming | shock | surprise | tense | victim | wife |
The Woman in White (1948) | Ann (Dead) | 1:18:55 - The woman in white lies dead | antagonist | conversing | criminal | dark | death scene | dying | husband | leading lady | murderer | room | somber | victim | wife |
The Woman in White (1948) | Ann (Slowly) | 1:19:46 - The countess enters | angry | antagonist | criminal | dark | death scene | glaring | husband | leading lady | room | shaking | victim | wife |
The Woman in White (1948) | Ann (Sleeping) | 1:34:27 - Laura in her bed in the asylum | asylum | comedy | dark | key | leading lady | mysterious | patient | sleeping | victim | wife | worker | working |
The Woman in White (1948) | Appearing | 1:34:51 - Laura emerges from her room | asylum | escape | escaping | hiding | leading lady | magical | mickey-mousing | mysterious | patient | sneaking | victim | wife |
The Woman in White (1948) | Ann | 1:34:57 - Laura sneaks down the hallway | asylum | escape | escaping | hiding | leading lady | mysterious | patient | sneaking | victim | wife |
The Woman in White (1948) | Appearing | 1:35:26 - Laura takes a key | asylum | escape | escaping | hiding | key | leading lady | mickey-mousing | mysterious | patient | sneaking | victim | wife |
The Woman in White (1948) | Ann | 1:35:32 - Laura heads for the exit | asylum | escape | escaping | hiding | key | leading lady | mysterious | patient | sneaking | victim | wife |
The Woman in White (1948) | Appearing | 1:35:44 - Laura appears outside | asylum | escape | escaping | leading lady | mickey-mousing | mysterious | patient | sneaking | street | victim | wife |
The Woman in White (1948) | Ann | 1:35:51 - Laura exits the asylum gate | asylum | escape | escaping | leading lady | mysterious | patient | sneaking | street | victim | wife |
The Woman in White (1948) | Ann 2 | 1:36:07 - Laura asks a man for help | asking | escape | gentle | leading lady | patient | street | tender | victim | wife |
The Woman in White (1948) | Underscoring (Dramatic) | 1:36:15 - Laura screams when she sees Sir Percival | conflict | criminal | dramatic | hitting | husband | leading lady | leading man | murderer | patient | screaming | street | struggling | underscoring | victim | wife |
The Woman in White (1948) | Fight | 1:36:33 - Walter fights the spy | conflict | criminal | dramatic | fighting | husband | leading lady | leading man | murderer | patient | punching | spy | street | victim | wife |
The Woman in White (1948) | Fosco (Dark) | 1:36:50 - Sir Percival on the ground | conflict | criminal | dark | husband | leading lady | leading man | murderer | ominous | patient | spy | street | victim | walking | wife |
The Woman in White (1948) | Pavan (Distressed) | 1:37:17 - Walter reads a note from Marian | advance plot | dark | leading lady | leading man | note | patient | reading | room | victim | wife |
The Woman in White (1948) | Underscoring (Tense) | 1:44:06 - The countess enters | climax | conversing | criminal | dark | friend | leading lady | leading man | love interest | murderer | necklace | ominous | room | transcribed by ear | wife |
The Woman in White (1948) | Ann (Not in Score) | 1:44:24 - Count Fosco talks to the Countess | climax | conversing | criminal | friend | leading lady | leading man | love interest | murderer | mysterious | necklace | room | transcribed by ear | wife |
The Woman in White (1948) | Fosco (Screwy) | 1:44:42 - The Countess walks across the room | climax | criminal | friend | leading lady | leading man | love interest | murderer | mysterious | necklace | room | sneaking | walking | wife |
The Woman in White (1948) | Fosco (Sneaking) | 1:44:51 - The Countess walks across the room | climax | criminal | friend | leading lady | leading man | love interest | murderer | mysterious | necklace | room | sneaking | walking | wife |
The Woman in White (1948) | Adagio | 1:45:00 - The Countess picks up a knife | climax | conversing | criminal | friend | knife | leading lady | leading man | love interest | murderer | necklace | room | somber | wife |
The Woman in White (1948) | Fosco (Soft) | 1:45:18 - The Count talks to Marian | arriving | climax | conversing | criminal | friend | leading lady | leading man | love interest | murderer | mysterious | necklace | room | wife |
The Woman in White (1948) | Stabbing | 1:45:23 - The Countess stabs Count Fosco | climax | criminal | dramatic | dropping | friend | knife | leading lady | leading man | love interest | mickey-mousing | murder | murderer | murdering | necklace | revenge | room | stabbing | violent | wife |
The Woman in White (1948) | Fosco (Dying) | 1:45:34 - The Countess picks up the necklace | arriving | climax | criminal | death | dramatic | dying | falling | friend | knife | leading lady | leading man | love interest | murder | murderer | necklace | revenge | rising | room | stinger | tense | victim | violent | wife |
The Woman in White (1948) | Ann (Quasi Misterioso) | 1:46:05 - Various close-ups | climax | criminal | death | dying | friend | knife | leading lady | leading man | love interest | murder | murderer | necklace | revenge | room | somber | victim | watching | wife |
The Woman in White (1948) | Ann (Waltz 2) | 1:46:13 - A close-up on the Countess | criminal | death | embracing | friend | leading lady | leading man | love interest | murder | murderer | necklace | reacting | resolution | revenge | room | tender | victim | waltz | wife |
The Woman in White (1948) | The Self Banished (The End) | 1:47:51 - Walter with the children | book | child | conversing | embracing | father | greeting | husband | kissing | leading lady | leading man | mother | resolution | tender | The End | voice-over | wife | yard |
| Without Honor (1949) | Andante and Variations | 0:29:28 - Bill talks to Jane | antagonist | arriving | brother | calm | classical music | conflict | conversing | leading lady | leading man | radio | room | source music | taunting | wife | zoom in |
Without Honor (1949) | Prelude in D-Flat Major, Op. 28, No. 15 | 0:33:17 - Mrs. Williams talks to Jane | antagonist | brother | calm | classical music | conflict | conversing | leading lady | leading man | radio | room | source music | wife |
Without Honor (1949) | Unidentified dance tune 4 | 0:34:19 - Bill tunes the radio | antagonist | brother | calling | conflict | conversing | dialing | leading lady | leading man | popular music | radio | room | source music | telephone | upbeat | wandering | wife |
Without Honor (1949) | Expressivo (Slowly) | 0:43:25 - Jane walks slowly past | conflict | conversing | leading lady | reveal | room | secret | solemn | wife |
Without Honor (1949) | Chromatic Clarinet | 0:43:47 - Jane walks slowly over | conflict | conversing | leading lady | reveal | room | secret | solemn | wife |
Without Honor (1949) | Triste (Appassionato) | 0:47:41 - Mrs. Williams talks to Jane | conflict | conversing | leading lady | reveal | revealing | room | secret | solemn | wife | yelling |
Without Honor (1949) | Desperation (Triste) | 0:48:15 - Jane sinks down slowly | conflict | conversing | descending | leading lady | realizing | reveal | room | secret | sinking | sitting | solemn | wife |
Without Honor (1949) | Appassionato (Molto Expressivo) | 0:48:38 - Mrs. Williams talks to Jane | conflict | denying | expressive | leading lady | reveal | room | secret | wife |
Without Honor (1949) | Twilight (Ethereal) | 0:48:53 - Jane talks about love | conflict | denying | ethereal | leading lady | reveal | room | secret | wife |
Without Honor (1949) | Valse Triste (Andante Doloroso) | 0:49:07 - Fred enters | antagonist | brother | conflict | entering | husband | leading lady | leading man | reacting | reveal | room | secret | somber | thinking | wife |
Without Honor (1949) | Underscoring (Tense) | 0:49:48 - Bill talks to Fred | antagonist | brother | conflict | conversing | husband | leading lady | leading man | reveal | room | secret | tense | thinking | wife |
Without Honor (1949) | Tension (Molto Misterioso) | 0:50:03 - Bill stares at Jane | anger | antagonist | brother | conflict | conversing | demanding | dramatic | husband | leading lady | leading man | reveal | room | secret | slapping | tense | wife |
Without Honor (1949) | Agitation (Appassionato) | 0:52:28 - Jane cries | agitated | antagonist | brother | climax | confessing | confession | crying | demanding | husband | leading lady | leading man | room | tense | wife |
Without Honor (1949) | Confession | 0:52:54 - Jane confesses | agitated | antagonist | brother | climax | confessing | confession | crying | husband | leading lady | leading man | room | wife |
Without Honor (1949) | Appassionato 2 | 0:53:24 - Jane laughs | antagonist | brother | climax | confession | crying | husband | laughing | leading lady | leading man | passionate | room | wife |
Without Honor (1949) | Underscoring (Dramatic) | 0:53:45 - Jane screams | antagonist | blood | brother | climax | confession | dramatic | handprint | husband | leading lady | leading man | room | screaming | tense | underscoring | wife |
Without Honor (1949) | Desperation (The Scream) | 0:53:50 - They look at the bloody handprint | antagonist | blood | brother | climax | confession | departing | dramatic | handprint | husband | investigating | leading lady | leading man | room | screaming | searching | tense | wife | yard |
Without Honor (1949) | Doloroso | 0:57:10 - Mrs. Williams talks to Jane | antagonist | apologizing | brother | climax | conversing | husband | leading lady | leading man | room | solemn | wife |
Without Honor (1949) | Twilight (Somber) | 0:57:48 - Mrs. Williams forgives Jane | antagonist | bathroom | brother | climax | forgiveness | husband | leading lady | leading man | razor blade | room | somber | thinking | wife |
Without Honor (1949) | Tension (Extended) | 0:58:12 - Mrs. Williams talks to Fred and Bill | antagonist | bathroom | brother | climax | conversing | forgiveness | husband | leading lady | leading man | razor blade | room | tense | wife |
Without Honor (1949) | Valse Triste (Suicide) | 0:58:33 - Jane stares in the mirror | antagonist | attempted suicide | bathroom | brother | climax | conversing | husband | knocking | leading lady | leading man | razor blade | room | somber | suicide | wife |
Without Honor (1949) | Valse Triste (Molto Appassionato) | 0:58:58 - Jane stares down | antagonist | attempted suicide | bathroom | brother | climax | conversing | dramatic | husband | knocking | leading lady | leading man | razor blade | room | suicide | wife |
Without Honor (1949) | Appassionato 2 (Molto Expressivo) | 0:59:06 - Jane cuts her wrist | antagonist | attempted suicide | bathroom | breaking | brother | climax | committing suicide | conversing | cutting | dramatic | entering | grabbing | husband | knocking | leading lady | leading man | razor blade | room | running | suicide | wife | yelling |
Without Honor (1949) | Twilight (Rubato) | 0:59:24 - Mrs. Williams helps Jane | antagonist | attempted suicide | brother | climax | doctor | helping | husband | leading lady | leading man | razor blade | room | serious | somber | struggling | suicide | wife |
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