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406 results for "love interest" in 27 films — see also boyfriend | girlfriend | lover

FilmTheme nameInstanceTags
Angels With Dirty Faces (1938)Rocky and Laury0:41:37 - Laury pushes her way through the crowdaltered dominant | arriving | close-up | conflict | heartbroken | leading lady | love interest | rushing | sentimental | shop

Angels With Dirty Faces (1938)

Pleading1:11:08 - Laury pleads for Rocky9th chord | advance plot | appoggiatura | circle of fifths | common-chord modulation | crying | leading lady | leading man | love interest | pleading | priest | room | somber

Angels With Dirty Faces (1938)

Jerry1:11:35 - Jerry talks to Laury9th chord | advance plot | deceptive resolution | foreign key modulation | leading lady | leading man | love interest | memory | pleading | priest | room | tender

Angels With Dirty Faces (1938)

Pleading (Extended)1:21:00 - Jerry arrives on the scene9th chord | appoggiatura | arriving | chromatic sequence | circle of fifths | concerned | conflict | crowd | gun | gunshot | hurried | hurrying | leading lady | leading man | love interest | polychord | priest | pushing | street | yearning
Are These Our Children? (1931)Makes You Forget Your Troubles (Flo Sings)0:17:20 - Flo singsadvance plot | cheerful | dance hall | love interest | on-screen music | singing | source music | transcribed by ear

Are These Our Children? (1931)

Makes You Forget Your Troubles0:17:38 - Young people talking at a danceadvance plot | cheerful | conversing | dance hall | leading man | love interest | on-screen music | seductive | singing | source music

Are These Our Children? (1931)

Moonbeams0:25:39 - Eddie dances with Floadded-note chord | altered dominant | common-tone diminished 7th | dance hall | dance scene | dancing | leading man | love interest | mode mixture | on-screen music | parallel double period | romantic | source music | waltz

Are These Our Children? (1931)

Moonbeams (Flashback)0:30:18 - Eddie dances with Flodance hall | dancing | double exposure | dream sequence | flashback | hectic | leading man | love interest | montage | room | waltz

Are These Our Children? (1931)

Underscoring (Dark)0:30:25 - Eddie attacks boyarguing | clock | dark | diminished 7th chord | double exposure | dream sequence | fighting | kissing | leading man | love interest | mickey-mousing | montage | ominous | pedal tone | stinger | ticking

Are These Our Children? (1931)

Makes You Forget Your Troubles (Flo Sings)0:32:32 - Flo singsadvance plot | cheerful | leading man | love interest | singing | source music | train | train | traveling

Are These Our Children? (1931)

St. James Infirmary0:41:24 - Young people lounging aroundadvance plot | Dixieland | friend | lazy | leading man | lounging | love interest | murderer | radio | room | source music

Are These Our Children? (1931)

St. James Infirmary0:42:08 - Young people talkingadvance plot | conversing | Dixieland | friend | lazy | leading man | love interest | murderer | radio | room | source music

Are These Our Children? (1931)

Dreams (Newspaper Montage)0:45:04 - Newspaper headlinesaugmentation | comforting | common-chord modulation | crying | double exposure | grandmother | headline | love interest | mickey-mousing | montage | newspaper | room | somber | spinning

Are These Our Children? (1931)

Hey! Hey!0:50:14 - Eddie and Flo dance9th chord | AABA structure | altered dominant | augmented sixth chord | cheerful | dance hall | dance scene | dancing | friend | leading man | love interest | murderer | on-screen music | source music

Are These Our Children? (1931)

Makes You Forget Your Troubles0:50:55 - Young people dancingAABA structure | arguing | augmented sixth chord | cheerful | common-tone diminished 7th | dance hall | dance scene | dancing | friend | leading man | love interest | murderer | on-screen music | source music

Are These Our Children? (1931)

Stars and Stripes Forever0:52:14 - Young people cavorting in the streetadvance plot | cheerful | dancing | drunk | friend | leading man | love interest | murderer | on-screen music | singing | source music | street

Are These Our Children? (1931)

Makes You Forget Your Troubles0:53:07 - Drunken young peopleadvance plot | cheerful | dancing | drunk | friend | hallway | leading man | love interest | murderer | on-screen music | singing | source music

Are These Our Children? (1931)

Dreams (Risoluto 2)0:53:55 - Newspaper headlinesadvance plot | arresting | dark | detective | double exposure | fragmentation | friend | headline | leading man | love interest | murderer | newspaper | ominous | room | sequential modulation | spinning | thematic transformation | underscoring
Beyond the Forest (1949)For He’s a Jolly Good Fellow1:02:12 - Folk musiciansarriving | cake | cheerful | conversing | crowd | dance scene | doctor | familiar tune | leading lady | leading man | love interest | musician | on-screen music | party | playing | room | singing | source music | tuning | wife | wind

Beyond the Forest (1949)

The Arkansas Traveler1:02:55 - Folk musicianscrowd | dancer | dance scene | dancing | doctor | folk music | leading lady | leading man | love interest | musician | on-screen music | party | playing | room | singing | source music | square dance caller | square dance music | upbeat | wife

Beyond the Forest (1949)

Portland Fancy1:03:11 - People dancingcrowd | dancer | dance scene | dancing | doctor | folk music | leading lady | leading man | love interest | musician | on-screen music | party | playing | room | singing | source music | square dance caller | square dance music | upbeat | wife

Beyond the Forest (1949)

Devil’s Dream1:03:26 - People dancingcrowd | dancer | dance scene | dancing | doctor | folk music | leading lady | leading man | love interest | musician | on-screen music | party | playing | room | singing | source music | square dance caller | square dance music | upbeat | wife

Beyond the Forest (1949)

Little Brown Jug1:03:57 - People dancingcrowd | dancer | dance scene | dancing | doctor | folk music | leading lady | leading man | love interest | musician | on-screen music | party | playing | room | singing | source music | square dance caller | square dance music | upbeat | wife

Beyond the Forest (1949)

Varsovienne1:04:52 - Moose talks with Mr. Latimerconversing | dance scene | folk music | friend | friend | leading lady | leading man | love interest | on-screen music | party | plotting | proposal | room | sneaking | source music | square dance music | upbeat

Beyond the Forest (1949)

Chicago (Con Moto)1:11:06 - Rosa is relieved at the verdictcalm | conversing | courtroom | courtroom scene | expressive | familiar tune | hope | hopeful | husband | leading lady | leading man | love interest | murderer | popular tune | smiling | verdict

Beyond the Forest (1949)

Rosa (Sulking)1:12:32 - Rosa and Lewis at the funeralfuneral | graveyard | husband | leading lady | leading man | love interest | murderer | rain | solemn | sulking | victim | watching
The Big Sleep (1946)Waiting0:18:15 - Marlowe talks to lady in bookstoreadded-note chord | altered dominant | book shop | chromatic scale | conversing | leading man | love interest | love scene | mode mixture | mysterious | oscillation | private eye | romantic

The Big Sleep (1946)

Girl Driver0:39:53 - Marlowe pays the lady cab driverbluesy | chromatic parallelism | chromatic sequence | flirting | investigation scene | leading man | love interest | private eye | seductive | street

The Big Sleep (1946)

Vivian + Marlowe (Ear Business)NIF - not in filmadvance plot | altered dominant | combination of themes | conversing | cut from film | deleted scene | deleted scene | leading lady | leading man | love interest | mysterious | private eye | romantic | room | thinking | whole-tone

The Big Sleep (1946)

I Guess I'll Have to Change My Plan1:00:50 - Vivian enters a restaurantABACA structure | arriving | club | conversing | falling in love scene | leading lady | leading man | love interest | pleasant | private eye | source music

The Big Sleep (1946)

The Blue Room1:02:15 - Vivan pays MarloweAABA structure | club | conversing | falling in love scene | leading lady | leading man | love interest | pleasant | private eye | source music

The Big Sleep (1946)

You Go to My Head1:04:25 - Vivian and Marlowe talk in a restaurantclub | conversing | falling in love scene | leading lady | leading man | love interest | pleasant | private eye | source music

The Big Sleep (1946)

And Her Tears Flowed Like Wine1:05:55 - Marlowe arrives at Mars's placeadvance plot | arriving | club | leading lady | leading man | love interest | musician | on-screen music | playing | private eye | singer | singing | source music | upbeat

The Big Sleep (1946)

I'm in a Jam With Baby1:10:53 - Marlowe talks to people at the partyadvance plot | club | gambler | gambling | leading lady | leading man | love interest | private eye | source music | upbeat

The Big Sleep (1946)

Liza (All the Clouds'll Roll Away)1:12:27 - Marlowe leaves the gambling jointAABA structure | conflict | criminal | investigating | leading lady | leading man | love interest | private eye | source music | street | upbeat

The Big Sleep (1946)

What Are You Doin' the Rest of Your Life1:14:35 - Marlowe and Vivian leaveconflict | conversing | leading lady | leading man | love interest | parallel double period | private eye | source music | street | upbeat

The Big Sleep (1946)

Driving1:14:54 - Marlowe and Vivian in the caraugmented sixth chord | car | car | driving | leading lady | leading man | love interest | love scene | mickey-mousing | oscillation | ostinato | private eye | tense

The Big Sleep (1946)

Vivian1:15:22 - Marlowe and Vivian talk9th chord | 13th chord | AABA structure | added-note chord | altered dominant | car | chromatic mediant | chromatic parallelism | common-tone dominant 7th | conversing | foreign key modulation | kissing | leading lady | leading man | love | love interest | love scene | Neapolitan | private eye | romantic | suspension

The Big Sleep (1946)

Questions1:16:16 - Marlowe and Vivian argueangry | car | chromatic parallelism | chromatic scale | conversing | leading lady | leading man | love interest | love scene | private eye | tense

The Big Sleep (1946)

Sternwood (Tense)1:16:26 - Marlowe asks about Eddie Marsaccusing | car | fragmentation | half-diminished 7th chord | leading lady | leading man | love interest | love scene | private eye | tense | whole-tone chord

The Big Sleep (1946)

Underscoring (Tense)1:16:43 - Marlowe and Vivian argueaccusing | car | chromatic parallelism | half-diminished 7th chord | leading lady | leading man | love interest | love scene | pedal tone | private eye | tense | underscoring

The Big Sleep (1946)

Marlowe (Mysterious Organ)1:21:42 - Marlowe speaks to waitressadvance plot | café | conversing | leading lady | leading man | love interest | mysterious | pc set | phone call | private eye | tense

The Big Sleep (1946)

Underscoring (Mysterious)1:21:57 - Marlowe speaks with Vivian on the phoneadvance plot | café | chromatic parallelism | conversing | leading lady | leading man | linear chromaticism | love interest | mysterious | phone call | private eye | stinger | tense | underscoring

The Big Sleep (1946)

Marlowe (Whole Tone)1:39:25 - Marlowe talks to Viviancaptive | conversing | leading lady | leading man | love interest | love scene | mysterious | private eye | room | tense | whole-tone | whole-tone chord | whole-tone scale

The Big Sleep (1946)

Marlowe (Phone Call)1:39:39 - Marlowe talks to Viviancaptive | conversing | leading lady | leading man | love interest | love scene | mysterious | private eye | room | sequence | tense | whole-tone chord

The Big Sleep (1946)

Carmen1:39:52 - Marlowe talks to Viviancaptive | conversing | half-diminished 7th chord | leading lady | leading man | love interest | love scene | musical clue | music reveals thoughts | mysterious | private eye | room | whole-tone chord

The Big Sleep (1946)

Vivian1:40:03 - Marlowe and Vivian kiss9th chord | 13th chord | AABA structure | added-note chord | altered dominant | captive | chromatic mediant | chromatic parallelism | common-tone dominant 7th | foreign key modulation | freeing | kissing | leading lady | leading man | love interest | love scene | Neapolitan | private eye | romantic | room | suspension

The Big Sleep (1946)

Questions1:40:44 - Vivian tries to free Marlowecaptive | chromatic parallelism | freeing | leading lady | leading man | love interest | love scene | private eye | room | tense

The Big Sleep (1946)

Marlowe (Misterioso)1:41:01 - Marlowe plans his escapeaction scene | leading lady | leading man | love interest | mysterious | planning | private eye | room | tense

The Big Sleep (1946)

Marlowe 21:41:18 - Marlowe goes outsideaction scene | chromatic scale | escaping | leading lady | leading man | love interest | mysterious | private eye | room | screaming | tense

The Big Sleep (1946)

Underscoring (Dramatic)1:41:36 - Marlowe runs to his car9th chord | action scene | criminal | diminution | dramatic | fragmentation | leading lady | leading man | linear chromaticism | love interest | outside | private eye | running | underscoring | whole-tone chord

The Big Sleep (1946)

Hostage + Marlowe (Fragment)1:42:34 - Canino brings Vivian out as a hostage64 chord | action scene | criminal | hostage | leading lady | leading man | love interest | ostinato | ostinato | outside | private eye | tense | tritone oscillation | walking

The Big Sleep (1946)

Underscoring (Dramatic)1:43:17 - Canino shootsaction scene | criminal | dramatic | gun | gunshot | hostage | leading lady | leading man | love interest | outside | private eye | shooting | underscoring

The Big Sleep (1946)

Marlowe rises1:43:19 - Marlowe risesaction scene | criminal | dramatic | hostage | leading lady | leading man | love interest | outside | pc set | private eye | rising

The Big Sleep (1946)

Canino's Death1:43:22 - Canino is shotaction scene | chromatic parallelism | criminal | death | dramatic | dying | falling | gun | gunshot | hostage | leading lady | leading man | love interest | mirroring | outside | pc set | private eye | retrograde | stumbling | tense

The Big Sleep (1946)

Underscoring (Tense)1:43:35 - Marlowe gets the keys to the handcuffsaction scene | chromatic parallelism | criminal | death | escaping | gun | hostage | leading lady | leading man | love interest | outside | pc set | private eye | tense | underscoring | whole-tone | whole-tone chord

The Big Sleep (1946)

Marlowe (Escaping)1:43:48 - Vivian takes off the handcuffsaction scene | distortion | escaping | leading lady | leading man | love interest | mysterious | outside | private eye | tense

The Big Sleep (1946)

Driving 21:43:54 - Marlowe and Vivian drive awaycar | conversing | driving | leading lady | leading man | love interest | love scene | ostinato | pc set | private eye | sequence | tense

The Big Sleep (1946)

Driving 2 + Vivian1:44:16 - Vivian tells Marlowe she loves him9th chord | 13th chord | car | chromatic parallelism | conversing | driving | leading lady | leading man | love | love interest | love scene | ostinato | private eye | romantic | suspension | tense

The Big Sleep (1946)

Driving 21:44:32 - Vivian and Marlowe talk in the carcar | conversing | driving | leading lady | leading man | love interest | love scene | ostinato | private eye | sequence | tense

The Big Sleep (1946)

Driving 2 + Vivian1:44:44 - Vivian and Marlowe talk in the carcar | conversing | driving | leading lady | leading man | love | love interest | love scene | ostinato | private eye | romantic | tense | whole-tone chord

The Big Sleep (1946)

Driving 21:44:51 - Vivian and Marlowe talk in the carcar | conversing | driving | leading lady | leading man | love interest | love scene | ostinato | pc set | private eye | tense | whole-tone chord

The Big Sleep (1946)

Driving 2 + Carmen1:45:06 - Marlowe talks about Carmencar | conversing | driving | leading lady | leading man | love interest | love scene | ostinato | private eye | tense | whole-tone chord

The Big Sleep (1946)

Driving 2 + Vivian1:45:21 - Marlowe tells Vivian he loves her9th chord | 13th chord | arriving | car | chromatic parallelism | conversing | driving | leading lady | leading man | love | love interest | love scene | ostinato | private eye | romantic | suspension | tense

The Big Sleep (1946)

Marlowe (Bold)1:45:44 - Marlowe and Vivian get out of the carbold | chromatic scale | heroic | leading lady | leading man | love interest | outside | private eye | transition | walking

The Big Sleep (1946)

Walking (Extended)1:45:45 - Marlowe and Vivian walk up to housefragmentation | leading lady | leading man | love interest | outside | parallelism | pedal tone | private eye | sequential modulation | tense | transition | walking

The Big Sleep (1946)

Hangs up phone1:47:07 - Marlowe hangs up the phoneclimax | hanging up | leading lady | leading man | love interest | mickey-mousing | mysterious | private eye | room

The Big Sleep (1946)

Hurrying1:47:07 - Marlowe and Vivian make a planchromatic sequence | climax | fragmentation | hurrying | leading lady | leading man | love interest | parallelism | planning | private eye | room | tense

The Big Sleep (1946)

Marlowe (Misterioso)1:47:26 - Marlowe drops a bulletclimax | fear | leading lady | leading man | love interest | mysterious | private eye | room | shaking | tense

The Big Sleep (1946)

Marlowe 21:47:31 - Car pulls up outsidechromatic scale | climax | fear | leading lady | leading man | love interest | mysterious | private eye | room | shaking | tense | tritone

The Big Sleep (1946)

Carmen (Drugged)1:48:08 - Marlowe watches men outsideclimax | criminal | fear | leading lady | leading man | love interest | mysterious | ominous | planning | private eye | room | tense | waiting

The Big Sleep (1946)

Mars Dies1:51:43 - Mars falls dead to the groundcriminal | death | dying | falling | leading lady | leading man | love interest | mysterious | ominous | private eye | resolution | room | stinger | tense | underscoring

The Big Sleep (1946)

Marlowe (Risoluto)1:52:01 - Marlowe walks to the phoneadded-note chord | bold | death | fragmentation | leading lady | leading man | love interest | mysterious | plotting | private eye | resolution | room | tense

The Big Sleep (1946)

Carmen (Tense)1:52:28 - Marlowe talks on the phoneconversing | leading lady | leading man | love interest | lying | mysterious | oscillation | pedal tone | phone call | private eye | resolution | room | tense | uneasy | whole-tone chord

The Big Sleep (1946)

Vivian1:52:48 - Marlowe talks to Vivian9th chord | 13th chord | chromatic parallelism | conversing | leading lady | leading man | love | love interest | Neapolitan | private eye | resolution | romantic | room

The Big Sleep (1946)

Vivian (Expressivo)1:53:20 - Marlowe pulls Vivian close9th chord | 13th chord | chromatic parallelism | conversing | foreign key modulation | leading lady | leading man | love | love interest | private eye | resolution | romantic | room | suspension
His Greatest Gamble (1934)Blue Ridge Moon0:53:16 - Philip talks with Aliceadvance plot | conversing | daughter | gentle | leading lady | love interest | mansion | popular music | radio | sentimental | source music | waltz
City for Conquest (1940)Tone Poem A (Chorus)1:41:14 - Danny talks with Peggy9th chord | 11th chord | 13th chord | chromatic sequence | conversing | crying | ethereal | foreign key modulation | gentle | leading lady | leading man | love interest | love scene | optimistic | reunion | reuniting | romantic | shimmery | street | suspension | victim
Deep Valley (1947)Kiss0:51:58 - Barry kisses Libbyconvict | dog | embracing | exciting | falling in love scene | forest | fugitive | kissing | leading lady | leading man | love interest | mickey-mousing | staring

Deep Valley (1947)

Deep Valley0:52:10 - Barry kisses Libby againconvict | dog | embracing | falling in love scene | forest | fugitive | gentle | kissing | leading lady | leading man | love interest | romantic | staring

Deep Valley (1947)

Deep Valley (Misterioso)0:54:57 - Libby starts to leavecabin | calm | conversing | convict | dog | fugitive | leading lady | leading man | love interest | love scene | planning

Deep Valley (1947)

Barry (Tense)0:55:38 - Barry unloads his guncabin | convict | destroying | fugitive | leading lady | leading man | love interest | love scene | mysterious | tense

Deep Valley (1947)

Deep Valley (Appassionato)0:55:51 - Barry and Libby embracecabin | cheerful | convict | embracing | fugitive | kissing | leading lady | leading man | love interest | love scene | romantic

Deep Valley (1947)

Deep Valley (Sostenuto)0:56:17 - Libby turns to leavecabin | convict | dog | fugitive | gentle | leading lady | leading man | leaving | love interest | love scene

Deep Valley (1947)

Barry (Molto Misterioso) + Love Theme1:06:04 - Sheriff drinks coffeeaction scene | convict | drinking | forest | fugitive | leading lady | leading man | love interest | mysterious | police | room | somber | walking

Deep Valley (1947)

Law (Slowly)1:06:18 - Lawmen advanceaction scene | convict | forest | fugitive | leading man | love interest | manhunt | police | searching | serious | walking

Deep Valley (1947)

Underscoring (Dramatic)1:06:48 - Barry reacts to gunshotsaction scene | cabin | convict | dramatic | forest | fugitive | gunfight | hiding | leading man | loading | love interest | manhunt | police | shooting | stinger | tense | underscoring

Deep Valley (1947)

Law1:07:20 - Barry tries to escapeaction scene | cabin | convict | dramatic | fugitive | hiding | leading man | love interest | manhunt | police | retreating | shooting | tense

Deep Valley (1947)

Barry1:07:25 - Barry climbs out of a holeaction scene | cabin | climbing | convict | dramatic | escaping | fugitive | leading man | love interest | manhunt | police | tense

Deep Valley (1947)

Jumping down1:07:32 - Barry jumps off the roofaction scene | cabin | convict | dramatic | fugitive | jumping | leading man | love interest | manhunt | mickey-mousing | police | tense

Deep Valley (1947)

Law1:07:34 - Lawmen pursue after Barryaction scene | chasing | convict | dramatic | escaping | fanfare | forest | fugitive | leading man | love interest | manhunt | police | running | tense

Deep Valley (1947)

Underscoring (Tense)1:10:50 - Libby looks out the windowconvict | escape | fugitive | leading lady | leading man | looking | love interest | room | searching | tense | underscoring | yard

Deep Valley (1947)

Deep Valley1:11:53 - Libby and Barry embraceconvict | escape | fugitive | joyous | leading lady | leading man | love interest | reuniting | yard

Deep Valley (1947)

Wind1:12:11 - Libby listens carefullyafraid | convict | escape | fear | fugitive | leading lady | leading man | love interest | mickey-mousing | wind | wind effect | worrying | yard

Deep Valley (1947)

Sneaking1:12:20 - Barry and Libby run to the shedconvict | escape | fugitive | leading lady | leading man | love interest | sneaking | sneaking effect | tense | yard

Deep Valley (1947)

Barry (Tense 2)1:15:38 - Barry drops his gunadvance plot | barn | conversing | convict | fugitive | leading lady | leading man | love interest | tense

Deep Valley (1947)

Barry (Tender)1:15:59 - Barry apologizes to Libbyadvance plot | apologizing | barn | convict | embracing | fugitive | leading lady | leading man | love interest | tender

Deep Valley (1947)

Deep Valley (Kiss)1:16:19 - Barry kisses Libbyadvance plot | barn | convict | crying | embracing | fugitive | kissing | leading lady | leading man | love interest | tender

Deep Valley (1947)

Deep Valley (Sostenuto)1:16:37 - Libby talks with Barryadvance plot | barn | calm | conversing | convict | fugitive | hopeful | leading lady | leading man | love interest

Deep Valley (1947)

Underscoring (Tense)1:17:04 - Barry picks up the gunadvance plot | barn | conversing | convict | fugitive | leading lady | leading man | love interest | tense | underscoring

Deep Valley (1947)

Deep Valley (Dolce)1:17:25 - Barry talks with Libbyadvance plot | barn | conversing | convict | fugitive | gentle | leading lady | leading man | love interest | tender

Deep Valley (1947)

Underscoring (Dramatic)1:17:55 - Barry hears a noiseadvance plot | barn | convict | dramatic | fugitive | leading lady | leading man | love interest | sneaking | stinger | tense | walking

Deep Valley (1947)

My Bonnie Lies Over the Ocean1:21:19 - Barry listens at the dooradvance plot | barn | cheerful | convict | father | fugitive | leading man | love interest | singing

Deep Valley (1947)

Deep Valley (Misterioso)1:23:23 - Barry looks at Libbyadvance plot | barn | calm | convict | embracing | fugitive | kissing | leading lady | leading man | love interest | mysterious

Deep Valley (1947)

Underscoring (Dramatic)1:23:43 - Barry hears a noiseadvance plot | barn | convict | dramatic | fugitive | leading lady | leading man | love interest | rushing | tense | worrying

Deep Valley (1947)

Homestead (Walking)1:23:47 - Cliff on the porchadvance plot | arriving | calm | convict | father | fugitive | leading lady | leading man | love interest | porch

Deep Valley (1947)

Joe (Running)1:23:58 - Barry talks to Libbyadvance plot | barn | calm | conversing | convict | fugitive | leading lady | leading man | love interest

Deep Valley (1947)

Underscoring (Tense)1:24:11 - Libby talks to Barryadvance plot | barn | convict | fugitive | leading lady | leading man | love interest | tense | worrying

Deep Valley (1947)

Libby (Sneaking)1:24:14 - Libby talks to Barryadvance plot | barn | convict | fugitive | leading lady | leading man | love interest | tense | worrying | worrying effect

Deep Valley (1947)

Deep Valley1:24:39 - Libby talks to Barryadvance plot | barn | calm | convict | fugitive | hopeful | hoping | leading lady | leading man | love interest

Deep Valley (1947)

Barry (Misterioso)1:25:16 - Barry shavingadvance plot | arriving | convict | fugitive | leading lady | leading man | love interest | mysterious | street

Deep Valley (1947)

Barry (Misterioso)1:27:15 - Libby talks to Barryagitated | barn | conflict | convict | dark | father | fugitive | leading lady | leading man | love interest | mysterious | searching | worrying

Deep Valley (1947)

Underscoring (Tense)1:28:00 - Barry prepares to attackbarn | conflict | convict | dark | fugitive | leading lady | leading man | love interest | stinger | tense | waiting

Deep Valley (1947)

Deep Valley (Slowly)1:28:11 - Libby climbs the ladderbarn | conflict | convict | descending | fugitive | leading lady | leading man | love interest | tense | uneasy

Deep Valley (1947)

Libby 3 (Tense)1:28:28 - Libby comes down the ladderbarn | conflict | conversing | convict | father | fugitive | leading lady | leading man | love interest | tense | uneasy | walking

Deep Valley (1947)

Running (Extended)1:29:26 - Libby runs to the barnadvance plot | barn | convict | father | fugitive | hesitating | leading lady | leading man | love interest | mickey-mousing | running | tense | uneasy | yard

Deep Valley (1947)

Barry (Very Slowly)1:30:02 - Libby climbs the ladderadvance plot | arriving | barn | climbing | convict | fugitive | leading lady | leading man | love interest | somber | uneasy | walking

Deep Valley (1947)

Libby (Somber) + Barry (Somber)1:30:26 - Libby talks to Barryadvance plot | barn | combination of themes | comforting | convict | fugitive | leading lady | leading man | love interest | somber

Deep Valley (1947)

Deep Valley (Quasi Appassionato)1:30:51 - Barry looks at Libbyadvance plot | barn | comforting | conflicted | convict | fugitive | hopeful | leading lady | leading man | love interest

Deep Valley (1947)

Barry (Drunk)1:31:10 - Barry talks to Libbyadvance plot | anxious | anxious effect | barn | conversing | convict | fugitive | leading lady | leading man | love interest | worried | worrying

Deep Valley (1947)

Deep Valley (Delicato)1:31:30 - Barry embraces Libbyadvance plot | barn | comforting | convict | fugitive | hopeful | leading lady | leading man | love interest | street | tense

Deep Valley (1947)

Libby 2 (Molto Expressivo)1:33:40 - Ellie walks to the barnadvance plot | barn | convict | eavesdropping | fugitive | leading lady | leading man | love interest | mother | sneaking | tense | walking | yard

Deep Valley (1947)

Libby 2 (Misterioso)1:34:15 - Ellie climbs the ladderadvance plot | barn | climbing | convict | eavesdropping | fugitive | leading lady | leading man | love interest | mother | mysterious | sneaking | tense

Deep Valley (1947)

Rushing away1:36:01 - Libby rushes out of the barnbarn | climax | convict | descending | dramatic | fugitive | leading lady | leading man | love interest | mother | rushing | rushing effect | tense

Deep Valley (1947)

Libby 2 (Frantic)1:36:05 - Ellie calls after Libbybarn | begging | climax | convict | frantic | fugitive | leading lady | leading man | love interest | mother | pleading | tense

Deep Valley (1947)

Libby (Running)1:36:13 - Libby and Barry run out of the barnbarn | begging | climax | convict | father | frantic | fugitive | leading lady | leading man | love interest | mother | pleading | running | rushing | tense | yard

Deep Valley (1947)

Libby (Stormy)1:36:26 - Cliff looks for Elliebarn | climax | convict | crying | dark | father | fugitive | hiding | leading lady | leading man | love interest | mother | running | rushing | sneaking | tense | yard

Deep Valley (1947)

Barry (Drunk)1:36:39 - Barry steals a cararguing | car | climax | convict | dark | fighting | fugitive | leading lady | leading man | love interest | running | rushing | street | tense | yelling

Deep Valley (1947)

Barry1:36:57 - Jeff hits Barryarguing | attacking | car | climax | convict | dark | fighting | fugitive | leading lady | leading man | love interest | punching | street | tense | yelling

Deep Valley (1947)

Barry (Running)1:37:23 - Libby chases Barryarguing | car | chasing | climax | convict | crying | dramatic | driving | fleeing | fugitive | leading lady | leading man | love interest | running | street

Deep Valley (1947)

Molto Expressivo1:37:28 - Barry pushes Libby awayarguing | car | chasing | climax | convict | crying | dramatic | driving | falling | fleeing | fugitive | leading lady | leading man | love interest | running | street

Deep Valley (1947)

Deep Valley (Climactic)1:37:35 - Libby on the groundcar | chasing | climax | convict | crying | dramatic | driving | fleeing | fugitive | leading lady | leading man | love interest | street

Deep Valley (1947)

Car Crash1:37:49 - Barry's car runs off the roadcar | climax | convict | crashing | dramatic | driving | falling | fleeing | fugitive | leading man | love interest | mickey-mousing | street | swerving

Deep Valley (1947)

Underscoring (Dramatic)1:37:57 - Jeff gets up and looks aroundcar | climax | climbing | convict | dramatic | fleeing | fugitive | leading man | love interest | mickey-mousing | police | searching | street | transcribed by ear | underscoring

Deep Valley (1947)

Fleeing1:38:08 - Barry makes a run for itchasing | climax | convict | dramatic | fleeing | forest | fugitive | leading lady | leading man | love interest | mickey-mousing | police | running | shooting | transcribed by ear

Deep Valley (1947)

Barry (Not in Score)1:38:32 - The posse chases after Barrychasing | climax | convict | dramatic | fleeing | forest | fugitive | leading man | love interest | police | running | shooting | tense | transcribed by ear

Deep Valley (1947)

Underscoring (Tense)1:38:41 - Barry is shotclimax | convict | dramatic | falling | forest | fugitive | injury | leading man | love interest | police | stinger | tense | underscoring

Deep Valley (1947)

Law1:38:44 - The posse chases after Barrychasing | climax | convict | dramatic | fleeing | forest | fugitive | injury | leading man | love interest | police | running | tense

Deep Valley (1947)

Barry is shot1:38:57 - Barry is shotclimax | convict | dramatic | falling | forest | fugitive | injury | leading man | love interest | mickey-mousing | police | shooting

Deep Valley (1947)

Law (Searching)1:39:05 - The posse closes in on Barrychasing | climax | convict | dramatic | forest | fugitive | hiding | injury | leading man | love interest | police | searching

Deep Valley (1947)

Underscoring (Tense)1:39:09 - Barry hidesclimax | convict | forest | fugitive | hiding | injury | leading man | love interest | police | searching | tense | underscoring

Deep Valley (1947)

Law (Subtle)1:39:20 - The posse searches for Barryclimax | convict | forest | fugitive | hiding | injury | leading man | love interest | police | searching | tense

Deep Valley (1947)

Law1:39:28 - Barry crawls on the groundclimax | convict | forest | fugitive | hiding | injury | leading man | love interest | police | searching | tense

Deep Valley (1947)

Barry (Dark 2)1:39:35 - Barry hidesclimax | convict | forest | fugitive | hiding | injury | leading man | love interest | mysterious | police | tense

Deep Valley (1947)

Underscoring (Dramatic)1:40:00 - Barry hidesclimax | convict | forest | fugitive | hiding | injury | leading man | love interest | mysterious | police | searching | tense

Deep Valley (1947)

Law (Misterioso)1:40:10 - Barry hidesclimax | convict | forest | fugitive | hiding | injury | leading man | love interest | mysterious | searching | tense

Deep Valley (1947)

Barry (Misterioso 2)1:40:17 - Barry runsclimax | convict | forest | fugitive | hiding | injury | leading man | love interest | somber | stumbling | tense

Deep Valley (1947)

Barry (Triste)1:40:30 - Barry at the creekclimax | convict | forest | fugitive | hiding | injury | leading man | love interest | somber

Deep Valley (1947)

Molto Expressivo1:40:35 - Barry at the creekclimax | convict | forest | fugitive | hiding | injury | leading man | love interest | somber

Deep Valley (1947)

Sunrise1:40:46 - The sun risesclimax | convict | dramatic | forest | fugitive | hiding | injury | leading man | love interest | sunrise effect

Deep Valley (1947)

Barry (Dolce)1:41:24 - Libby finds Barryconvict | death scene | finding | forest | fugitive | gentle | leading lady | leading man | love interest | resolution | searching

Deep Valley (1947)

Deep Valley (Delicato 2)1:41:39 - Libby goes to Barrycomforting | convict | crying | death scene | delicate | dying | forest | fugitive | gentle | leading lady | leading man | love interest | resolution | reuniting | tender

Deep Valley (1947)

Deep Valley (Dying)1:42:30 - Barry talks to Libbycomforting | convict | crying | death scene | delicate | dying | forest | fugitive | gentle | leading lady | leading man | love interest | resolution | reuniting | tender

Deep Valley (1947)

Passing away1:43:19 - Barry diesconvict | death | death scene | delicate | dying | forest | fugitive | gentle | leading lady | leading man | love interest | mickey-mousing | resolution | tender

Deep Valley (1947)

Breeze1:43:22 - Libby looks at Barryconvict | crying | death | death scene | ethereal | forest | fugitive | leading lady | leading man | love interest | magical | resolution | wind effect

Deep Valley (1947)

Breeze + Love Theme1:43:32 - Libby embraces Barrycombination of themes | convict | crying | death | death scene | ethereal | forest | fugitive | leading lady | leading man | love interest | magical | resolution | wind effect
Flamingo Road (1949)If I Could Be With You (Dolce)0:17:22 - Lane and Field talkconversing | falling in love scene | leading lady | leading man | love interest | pedal tone | police | porch | sentimental | source to score

Flamingo Road (1949)

Goodnight0:17:45 - Lane and Field talkblue note | conversing | falling in love scene | leading lady | leading man | love interest | peaceful | pedal tone | police | porch

Flamingo Road (1949)

Lane (Dolce)0:17:58 - Lane flirts with Fieldfalling in love scene | flirting | leading lady | leading man | love interest | pedal tone | playful | police | porch | sweet

Flamingo Road (1949)

If I Could Be With You (Ethereal)0:18:06 - Lane watches Field drive awaycommon-tone diminished 7th | falling in love scene | leading lady | leading man | leaving | love interest | pedal tone | police | porch | sentimental | source to score

Flamingo Road (1949)

DrivingNIF - not in filmcar | cut from film | driving | foreign key modulation | leading lady | leading man | love interest | love scene

Flamingo Road (1949)

Tranquillo0:29:07 - Lane and Field talk at the lakesideappoggiatura | conversing | lake | leading lady | leading man | love interest | love scene | romance | yearning

Flamingo Road (1949)

If I Could Be With You (Tenderly)0:29:32 - Lane and Field prepare to leave11th chord | 13th chord | altered dominant | common-tone diminished 7th | kissing | lake | leading lady | leading man | love interest | love scene | romance | romantic | secondary dominant | source to score

Flamingo Road (1949)

Lane0:30:02 - Lane and Field kiss in the moonlightadded-note chord | augmentation | kissing | lake | leading lady | leading man | love interest | love scene | pedal tone | romance | romantic

Flamingo Road (1949)

Drinking whiskey0:49:50 - Dan drinkschromatic parallelism | comical | distressed | drinking | leading lady | leading man | love interest | lovers meet | mickey-mousing | politician | quintal chord | room

Flamingo Road (1949)

Lane (Lento)0:50:04 - Dan meets Laneadded-note chord | conversing | countermelody | gentle | graceful | leading lady | leading man | love interest | lovers meet | politician | room

Flamingo Road (1949)

Lane (Chromatic)0:50:24 - Lane ties Dan's tie9th chord | chromatic parallelism | conversing | dark | gentle | leading lady | leading man | love interest | lovers meet | politician | room

Flamingo Road (1949)

Titus 2 (Agitato)0:50:41 - Lane ties Dan's tiechromatic parallelism | conversing | leading lady | leading man | love interest | lovers meet | mysterious | politician | room | self-borrowing

Flamingo Road (1949)

Indigestion0:50:48 - Lane complains of a hangoverchromatic parallelism | chromatic scale | comical | distressed | grumbling | leading lady | leading man | love interest | lovers meet | politician | room

Flamingo Road (1949)

Lane0:50:59 - Lane gives Dan his moneyconversing | delicate | gentle | leading lady | leading man | love interest | lovers meet | mode mixture | pleasant | politician | room

Flamingo Road (1949)

If I Could Be With You (Misterioso)0:51:15 - Lane asks Dan about Fieldchromatic parallelism | conversing | diminished 7th chord | leading lady | leading man | love interest | lovers meet | politician | room | uneasy

Flamingo Road (1949)

Molto Grazioso0:51:40 - Dan notices Laneconversing | delicate | flirting | leading lady | leading man | love interest | lovers meet | politician | room

Flamingo Road (1949)

Lute Mae (Quasi Blues)0:51:46 - Dan flirts with Lane13th chord | added-note chord | conversing | countermelody | flirting | flirty | leading lady | leading man | love interest | lovers meet | politician | room | self-borrowing | sultry | thematic transference

Flamingo Road (1949)

Slide whistle0:53:00 - Dan surprises Lute Maecomical | employer | leading lady | leading man | love interest | mickey-mousing | politician | room | surprising | transition

Flamingo Road (1949)

Lute Mae (Driving)0:53:02 - Lane drives Dan to the construction site13th chord | added-note chord | arriving | car | car | comical | common-chord modulation | driving | leading lady | leading man | love interest | politician | rushed | self-borrowing | transition | traveling

Flamingo Road (1949)

Lane (Bell-like)0:54:43 - Lane gives Dan some changefragmentation | gentle | giving | leading lady | leading man | love interest | love scene | politician | porch | receiving | sweet

Flamingo Road (1949)

Flamingo Road (Bluesy)0:55:00 - Dan buys some cold drinks9th chord | altered dominant | bluesy | flirting | foreshadowing | leading lady | leading man | love interest | love scene | mode mixture | parallelism | politician | porch | self-borrowing

Flamingo Road (1949)

Flamingo Road (Romantic)0:55:41 - Dan kisses Laneembracing | foreign key modulation | foreshadowing | kissing | leading lady | leading man | love interest | love scene | mode mixture | parallelism | politician | porch | romantic | self-borrowing

Flamingo Road (1949)

Through a Thousand Dreams0:56:41 - The Olympic City hotelclub | conversing | dance scene | dancing | dining | leading lady | leading man | love interest | on-screen music | politician | sentimental | sheriff | source music | wife

Flamingo Road (1949)

Don't Take Your Love From Me0:58:50 - Dan and Lane sit at a tableABAC structure | club | conversing | dance scene | leading lady | leading man | love interest | on-screen music | politician | sentimental | sheriff | source music | wife

Flamingo Road (1949)

If I Could Be With You0:59:52 - A woman sings with the dance bandclub | conversing | dance scene | dancing | dining | leading lady | leading man | love interest | on-screen music | politician | sentimental | sheriff | singer | singing | source music | wife

Flamingo Road (1949)

I Guess I'll Have to Change My Plan1:01:40 - Lane and Dan talk at their tableclub | conversing | dance scene | leading lady | leading man | love interest | politician | sentimental | sheriff | source music | wife

Flamingo Road (1949)

Lane (Descending the Staircase)1:21:31 - Lane descends the stairsadvance plot | delicate | descending | leading lady | leading man | love interest | mickey-mousing | mysterious | parallelism | room | walking

Flamingo Road (1949)

If I Could Be With You (Triste)1:22:18 - Field enters the housedeath scene | diminished 7th chord | drunk | drunk | foreign key modulation | leading lady | leading man | love interest | room | somber | stumbling

Flamingo Road (1949)

Underscoring (Somber)1:22:33 - Field stumbles through the housechromatic parallelism | conversing | death scene | drunk | drunk | leading lady | leading man | love interest | room | somber | underscoring

Flamingo Road (1949)

If I Could Be With You (Drunk)1:22:58 - Field and Lane talk about their past lovearguing | chromatic parallelism | death scene | diminished 7th chord | drunk | leading lady | leading man | love interest | room | somber

Flamingo Road (1949)

Titus (Ostinato 2)1:23:34 - Field and Lane talk about Titus and Danarguing | dark | death scene | dramatic | leading lady | leading man | love interest | ominous | ostinato | room | self-borrowing

Flamingo Road (1949)

Flamingo Road (Andante)1:24:05 - Lane goes to get a drink for Fieldaltered dominant | chromatic parallelism | dark | death scene | gentle | gunshot | hopeful | leading lady | leading man | love interest | mode mixture | room | self-borrowing | suicide | walking | warm

Flamingo Road (1949)

If I Could Be With You (Dead)1:24:41 - Lane sees Field has committed suicideaugmentation | death scene | discovering | gunshot | leading lady | leading man | love interest | reacting | room | suicide | surprise | tragic | violent
Hell on Frisco Bay (1955)Kay0:20:48 - Lye goes to see Kayantagonist | conductor score | conversing | establish character | gangster | kissing | love interest | lyrical | romantic | street

Hell on Frisco Bay (1955)

Kay1:28:35 - Steve leaves with Kaycomforting | gentle | investigator | leading man | leaving | love interest | room | turning point | witness

Hell on Frisco Bay (1955)

Kay1:29:11 - Steve enters with Kayarriving | entering | investigator | leading lady | leading man | love interest | room | somber | turning point | witness

Hell on Frisco Bay (1955)

Hell on Frisco Bay1:29:23 - Marcia calls the policeagitated | calling | investigator | leading lady | leading man | leaving | love interest | room | turning point | witness

Hell on Frisco Bay (1955)

Underscoring (Tense)1:29:55 - Marcia talks to Kayconversing | leading lady | love interest | room | tense | turning point | witness
Her Kind of Man (1946)It Had to Be You0:11:33 - Steve whistlesestablish character | gambler | leading lady | leading man | love interest | love scene | on-screen music | room | sentimental | singer | source music | whistling

Her Kind of Man (1946)

April in Paris0:12:48 - Steve enters Georgia's dressing roomconversing | establish character | gambler | kissing | leading lady | leading man | love interest | love scene | popular music | room | sentimental | singer | source music

Her Kind of Man (1946)

Underscoring (Dark [Waxman])0:17:02 - Steve fights Felixaction scene | arguing | conversing | criminal | dark | death | dramatic | gambler | gun | gunshot | leading lady | leading man | love interest | owner | punching | room | self-defense | shooting | singer | stinger | tense | underscoring

Her Kind of Man (1946)

It Had to Be You (Kissing)0:18:22 - Steve kisses Georgiaaction scene | gambler | kissing | leading lady | leading man | love interest | room | singer | source to score | tense

Her Kind of Man (1946)

Gay White Way0:19:54 - Georgia looks at her jewelryadvance plot | cheery | conversing | crew | dancer | jewelry | leading lady | love interest | manager | on-screen music | piano | source music | stage

Her Kind of Man (1946)

Speak to Me of Love0:28:06 - City skyline at nightbalcony | conversing | leading lady | leading man | love interest | love scene | on-screen music | record player | reporter | romantic | singing | source music

Her Kind of Man (1946)

It Had to Be You0:29:37 - Georgia and Donbalcony | cheery | conversing | gambler | leading lady | leading man | love interest | love scene | on-screen music | reporter | room | source music | whistling

Her Kind of Man (1946)

Too Many Tears0:41:11 - Saratoga Casinoadvance plot | club | conversing | crowd | gambler | leading lady | leading man | love interest | manager | on-screen music | source music | upbeat

Her Kind of Man (1946)

Underscoring (Somber)0:44:48 - Georgia leavesarguing | conflict | departing | gambler | leading lady | leading man | love interest | room | somber | underscoring

Her Kind of Man (1946)

My Darling0:45:05 - Georgia and Don in a restaurantconversing | crowd | leading lady | leading man | love interest | love scene | photograph | photographer | reporter | restaurant | romantic | source music | waiter

Her Kind of Man (1946)

It Had to Be You0:47:09 - Georgia gets ready for bedadvance plot | cheery | gambler | leading lady | leading man | love interest | on-screen music | preparing | room | source music | waiting | whistling

Her Kind of Man (1946)

It Had to Be You (Passionate)0:47:50 - Georgia talks with Stevearguing | conversing | dark | gambler | kissing | leading lady | leading man | love interest | love scene | passionate | romantic | room | source to score | turbulent

Her Kind of Man (1946)

Here Comes the Bride0:49:40 - Steve proposes to Georgiaclassical music | criminal | familiar tune | gambler | henchman | leading lady | leading man | love interest | love scene | proposing | reporter | romantic | room | tense
In This Our Life (1942)Stanley Introduction0:06:35 - A car arrivesarriving | car | conversing | establish character | leading lady | leading man | love interest | stinger | tense

In This Our Life (1942)

Stanley0:06:56 - Stanley talks with Petercar | conversing | establish character | leading lady | leading man | love interest | sultry

In This Our Life (1942)

Stanley B0:07:06 - Stanley talks with Petercar | conversing | establish character | leading lady | leading man | love interest | sultry

In This Our Life (1942)

Stanley0:07:23 - Stanley drives awaycar | conversing | establish character | leading lady | leading man | love interest | sultry

In This Our Life (1942)

South American Way0:24:06 - A spinning recordadvance plot | conversing | dancing | Latin-American | leading lady | leading man | love interest | popular music | record player | room | source music | upbeat

In This Our Life (1942)

Driving0:38:19 - Roy and Craig in a carcalm | car | conversing | driving | leading lady | leading man | love interest | love scene

In This Our Life (1942)

Driving + Love Theme0:39:07 - Roy and Craig in a carcalm | car | combination of themes | conversing | driving | leading lady | leading man | love interest | love scene | romantic

In This Our Life (1942)

Danger0:39:54 - A forest rangerconversing | danger | fire | forest ranger | leading lady | leading man | love interest | love scene | outdoors | tense

In This Our Life (1942)

Forest Fire0:40:10 - A forest fireconversing | dangerous | eerie | fire | leading lady | leading man | love interest | love scene | outdoors

In This Our Life (1942)

Love Theme (Molto Expressivo)0:40:44 - Roy and Craig sit on the groundartwork in score | calm | conversing | fire | leading lady | leading man | love interest | love scene | outdoors | romantic
The Informer (1935)Dan and Mary0:55:53 - Dan and Mary talk aloneABA structure | chromatic parallelism | deceptive resolution | diminished 7th chord | dissonant bass | embracing | half-diminished 7th chord | hero | love interest | love scene | love theme | mode mixture | passionate | pedal tone | romantic | room

The Informer (1935)

The Informer (Dan Talking)0:56:57 - Dan and Mary talk about an informerconversing | hero | love interest | love scene | mysterious | room | walking bass

The Informer (1935)

The Wearin' o' the Green (Somber)0:57:08 - Dan and Mary talk about the rebel organization64 chord | conversing | diminished 7th chord | familiar tune | folk song | hero | heroic | love interest | love scene | room | tense

The Informer (1935)

The Informer (Pedal Tone)0:57:34 - Dan and Mary talk about Gypoconversing | hero | love interest | love scene | mysterious | room

The Informer (1935)

The Wearin' o' the Green (Fragment)0:57:42 - Dan and Mary talk about a rebel meetingconversing | familiar tune | folk song | hero | love interest | love scene | room | sentimental

The Informer (1935)

Dan and Mary (Dolce)0:57:51 - Dan tells Mary: "I'll come back for you"11th chord | common-tone diminished 7th | crying | dissonant bass | embracing | hero | love interest | love scene | love theme | mode mixture | romantic | room

The Informer (1935)

Dan and Mary (Descending)1:05:08 - Mary enters, looking for Danchromatic sequence | courtroom scene | dissonant bass | down | headquarters | hero | love interest | love theme | mickey-mousing | romantic | stairs | street | suspect | walking

The Informer (1935)

The Informer (Tranquillo)1:16:35 - Gypo is taken awayantagonist | arresting | authentic cadence | climax | confessing | confession | courtroom | courtroom scene | crying | guilt | headquarters | hero | leading man | leaving | love interest | pleading | remorseful | room | traitor

The Informer (1935)

Blood Money (Ostinato)1:22:00 - Gypo confesses to Katieantagonist | confessing | leading lady | leading man | love interest | love scene | money | ostinato | room | tense | traitor | whole-tone

The Informer (1935)

Katie (Allegro Appassionato)1:22:20 - Gypo talks to Katieantagonist | confessing | leading lady | leading man | love interest | love scene | room | sequence | tense | traitor

The Informer (1935)

By the Fire1:22:36 - Gypo rests by the fireantagonist | half-diminished 7th chord | leading lady | leading man | love interest | love scene | romantic | room | suspension | traitor | yearning

The Informer (1935)

Katie (Dolcissimo)1:22:57 - Gypo talks to Katieantagonist | chromatic sequence | leading lady | leading man | love | love interest | love scene | romantic | room | traitor | yearning

The Informer (1935)

Dan and Mary (Adagio)1:23:36 - Dan and Mary talk11th chord | dissonant bass | love | love interest | love scene | rebel | romantic | room | yearning

The Informer (1935)

Dan and Mary1:24:05 - Dan and Mary talkconversing | love | love interest | love scene | rebel | romantic | room

The Informer (1935)

Ireland1:24:14 - Dan and Mary talk about the rebel movementconversing | folk-like | love | love interest | love scene | rebel | romantic | room

The Informer (1935)

Dan and Mary (In Love)1:24:19 - Dan and Mary talk about lovelove | love interest | love scene | rebel | romantic | room | yearning

The Informer (1935)

Katie (Begging)1:24:42 - Katie pleads for Gypo64 chord | advance plot | begging | leading lady | love interest | rebel | room | sequence | serious | tense

The Informer (1935)

Begging1:25:13 - Katie pleads for Gypoadvance plot | begging | diminished 7th chord | dissonant bass | leading lady | love interest | pedal tone | rebel | room | sequence | serious | tense

The Informer (1935)

The Informer (Begging)1:25:50 - Katie pleads for Gypoadvance plot | begging | dramatic | leading lady | love interest | main theme | rebel | room

The Informer (1935)

Dan and Mary (Begging)1:25:53 - Katie talks to Mary about loving Gypoadvance plot | begging | gentle | leading lady | love interest | rebel | room | sequence | tender

The Informer (1935)

The Informer (Sympathetic)1:26:35 - Katie tells Dan where Gypo isadvance plot | eavesdropping | leading lady | love interest | main theme | rebel | room | spying | tense

The Informer (1935)

Begging 21:26:41 - Katie begs for Gypo's lifeadvance plot | anxiety | begging | chromatic scale | despair | leading lady | love interest | rebel | room | sequence | tense

The Informer (1935)

Katie (Furioso)1:26:55 - Katie becomes desperateadvance plot | anxiety | begging | chromatic parallelism | despair | dissonant bass | fragmentation | leading lady | love interest | rebel | room | sentence form | sequence | tense | whole-tone chord
Key Largo (1948)McCloud (Molto Expressivo)1:07:31 - McCloud wakes Nora after the stormconversing | gentle | hotel | leading lady | leading man | love interest | love scene | resting | romance | waking | warm

Key Largo (1948)

McCloud (Delicato)1:08:14 - McCloud talks with Noraconversing | delicate | father | gentle | hotel | leading lady | leading man | love interest | love scene | warm

Key Largo (1948)

McCloud (Slowly)1:24:14 - McCloud and Nora exchange glancesadvance plot | hotel | leading lady | leading man | looking | love interest | somber
Lightning Strikes Twice (1951)Shelly (Legato) + Shelly 2 (Legato)0:42:32 - Shelly gets off of her horseactor | arriving | calm | combination of themes | countryside | hiking | horse | leading lady | leading man | love interest | suspect | transition | walking

Lightning Strikes Twice (1951)

Stumbling0:42:50 - Shelly slips on a rock and almost fallsactor | cliff | countryside | danger | dramatic | falling in love scene | leading lady | leading man | love interest | mickey-mousing | slipping | stumbling | suspect

Lightning Strikes Twice (1951)

Fear (Vertigo)0:42:57 - Shelly talks with Trevactor | cliff | conversing | countryside | danger | falling in love scene | fear | heights | leading lady | leading man | love interest | suspect | tense | underscoring

Lightning Strikes Twice (1951)

Shelly (Expressivo) + Shelly 2 (Expressivo)0:43:13 - Shelly talks with Trevactor | calm | cliff | combination of themes | conversing | countryside | falling in love scene | leading lady | leading man | love interest | romance | suspect | tense

Lightning Strikes Twice (1951)

Shelly 2 (Dolce)0:43:38 - Shelly talks with Trevactor | cliff | conversing | countryside | falling in love scene | leading lady | leading man | love interest | romance | romantic | suspect

Lightning Strikes Twice (1951)

Shelly 3 (Appassionato)0:43:47 - Shelly talks with Trevactor | cliff | conversing | countryside | falling in love scene | leading lady | leading man | love interest | romance | romantic | suspect

Lightning Strikes Twice (1951)

Shelly 2 (Dolcissimo)0:44:07 - Shelly looks at Trevactor | cliff | conversing | countryside | falling in love scene | gentle | leading lady | leading man | love interest | romance | romantic | suspect

Lightning Strikes Twice (1951)

Underscoring (Tense)0:44:51 - Shelly talks with Trevactor | cliff | conversing | countryside | falling in love scene | leading lady | leading man | love interest | suspect | suspenseful | tense | underscoring

Lightning Strikes Twice (1951)

Shelly and Trev (Taken Aback)0:45:08 - Shelly reacts to Trev's questionactor | arguing | cliff | countryside | falling in love scene | leading lady | leading man | love interest | reacting | somber | suspect

Lightning Strikes Twice (1951)

Shelly (Menacing)0:45:23 - Shelly talks with Trevactor | arguing | cliff | countryside | falling in love scene | leading lady | leading man | love interest | menacing | reacting | suspect

Lightning Strikes Twice (1951)

Shelly 2 (Romantic)0:45:51 - Shelly talks with Trevactor | cliff | conversing | countryside | departing | falling in love scene | gentle | leading lady | leading man | love interest | romantic | suspect | underscoring

Lightning Strikes Twice (1951)

Stumbling 20:46:03 - Shelly starts back along pathactor | cliff | climbing | countryside | danger | dramatic | falling in love scene | hiking | leading lady | leading man | love interest | slipping | stumbling | suspect

Lightning Strikes Twice (1951)

Rock falls0:46:09 - A rock falls on the pathactor | cliff | countryside | danger | dramatic | falling | falling in love scene | leading lady | leading man | love interest | mickey-mousing | rock | suspect

Lightning Strikes Twice (1951)

Fear0:46:12 - Shelly is scared and can't moveactor | cliff | clinging | countryside | dark | falling in love scene | fear | heights | leading lady | leading man | love interest | suspect | tense

Lightning Strikes Twice (1951)

Trev (Triste 2)0:46:33 - Trev climbs to help Shellyactor | cliff | climbing | countryside | danger | falling in love scene | helping | heroic | leading lady | leading man | love interest | rescue | rescuing | romantic | somber | suspect | tense

Lightning Strikes Twice (1951)

Rescue0:47:42 - Trev rescues Shellyactor | cliff | climbing | countryside | dramatic | falling in love scene | helping | leading lady | leading man | love interest | rescue | rescuing | suspect | tense | triumphant

Lightning Strikes Twice (1951)

Shelly and Trev (Appassionato)0:47:56 - Trev embraces Shellyactor | cliff | countryside | falling in love scene | hugging | kissing | leading lady | leading man | love interest | romantic | suspect

Lightning Strikes Twice (1951)

Underneath a Western Sky0:56:48 - A chuckwagon dinneractor | advance plot | calm | campfire | chuckwagon | conversing | cowboy song | crowd | drinking | eating | father | flirting | food | friend | leading lady | love interest | mother | on-screen music | owner | playing | ranch | source music

Lightning Strikes Twice (1951)

Too Much Love0:59:02 - Shelly looks at Trev's portraitactor | advance plot | calm | conversing | flirting | friend | leading lady | love interest | party | popular music | portrait | ranch | source music

Lightning Strikes Twice (1951)

Mi Caballero1:00:08 - People dancing outsideactor | advance plot | crowd | dancing | friend | Latin American | leading lady | love interest | on-screen music | party | playing | ranch | source music | upbeat

Lightning Strikes Twice (1951)

Underscoring (Dark)1:02:38 - Harvey drivesactor | arriving | car | conflict | danger | dark | driving | friend | leading lady | love interest | ranch | stopping | tense | underscoring

Lightning Strikes Twice (1951)

Shelly (Worried)1:03:05 - Harvey gets out of the caractor | arriving | car | concerned | conflict | conversing | dark | friend | leading lady | love interest | ranch | tense | worried

Lightning Strikes Twice (1951)

Slipping1:03:21 - Shelly slipsactor | car | conflict | dark | friend | leading lady | love interest | mickey-mousing | ranch | slipping | stumbling

Lightning Strikes Twice (1951)

Shelly (Agitato)1:03:34 - Shelly runs awayactor | agitated | calm | conflict | embracing | escaping | friend | hurrying | leading lady | leading man | love interest | ranch | reuniting | suspect

Lightning Strikes Twice (1951)

Emotion1:05:10 - Shelly criesactor | comforting | conversing | crying | leading lady | leading man | love interest | love scene | ranch | somber | suspect

Lightning Strikes Twice (1951)

Menace (Nightmare)1:05:38 - Trev tells Shelly of a recurring dreamactor | comforting | conversing | crying | dark | leading lady | leading man | love interest | love scene | ranch | solemn | suspect | tense

Lightning Strikes Twice (1951)

Trev (Tenderly)1:06:09 - Trev kisses Shellyactor | crying | embracing | gentle | kissing | leading lady | leading man | love interest | love scene | marriage | proposal | ranch | romantic | suspect

Lightning Strikes Twice (1951)

Shelly and Trev (Tenderly)1:06:50 - Trev and Shelly embraceactor | conversing | embracing | kissing | leading lady | leading man | love interest | love scene | marriage | proposal | ranch | romantic | suspect

Lightning Strikes Twice (1951)

Shelly and Trev (Ecstatic)1:07:09 - A car pulls up the ranchactor | arriving | driving | embracing | kissing | leading lady | leading man | love interest | love scene | ranch | romantic | suspect

Lightning Strikes Twice (1951)

Shelly and Trev (Molto Tranquillo)1:07:22 - Trev and Shelly get out of the caractor | calm | conversing | embracing | leading lady | leading man | love interest | love scene | ranch | romantic | suspect

Lightning Strikes Twice (1951)

Shelly (Peaceful) + Shelly 2 (Peaceful)1:07:58 - Trev and Shelly embraceactor | calm | combination of themes | conversing | embracing | kissing | leading lady | leading man | love interest | love scene | mother | owner | ranch | romantic | room | suspect

Lightning Strikes Twice (1951)

Ave Maria (Religioso)1:10:24 - Justice of the Peace signactor | chapel | classical | familiar tune | justice of the peace | leading lady | leading man | love interest | marrying | religious | ring | Schubert | source music | suspect | tender | wedding | wedding
Mildred Pierce (1945)Opens closet0:49:57 - Mildred slides open a door9th chord | cheerful | falling in love scene | heroine | leading lady | love interest | mickey-mousing | opening | room | sliding

Mildred Pierce (1945)

Disrobes0:50:47 - Monte takes off Mildred's robebeach house | cheerful | disrobing | dissonant bass | falling | falling in love scene | flirting | heroine | leading lady | love interest | mickey-mousing | robe

Mildred Pierce (1945)

Bathing Suit0:50:49 - Monte looks at Mildred in her bathing suit9th chord | attraction | beach house | cheerful | dissonant bass | falling in love scene | flirting | foreign key modulation | heroine | leading lady | love interest | mickey-mousing

Mildred Pierce (1945)

Mildred (Frolicking)0:51:01 - Mildred runs to the beach9th chord | beach | cheerful | falling in love scene | flirting | foreign key modulation | frolicking | heroine | jaunty | leading lady | love interest | running | tritone

Mildred Pierce (1945)

Frolicking in the Surf0:51:05 - Monte and Mildred run to the water9th chord | 64 chord | beach | falling in love scene | foreign key modulation | frolicking | heroine | jaunty | leading lady | love interest | mickey-mousing | playful | running | splashing | swimming | water | waves

Mildred Pierce (1945)

Waves0:51:11 - Waves crash onto the beach64 chord | beach | calm | falling in love scene | heroine | leading lady | love interest | mickey-mousing | rolling | splashing | waves

Mildred Pierce (1945)

It Can't Be Wrong0:51:16 - Monte plays a record for MildredAABA structure | conversing | heroine | kissing | leading lady | love interest | love scene | popular music | record | record player | romantic | room | score to source borrowing | source music

Mildred Pierce (1945)

While You're Away0:59:47 - Monte arrives at the restaurantABAC structure | advance plot | antagonist | busy | conversing | daughter | dining | friend | guest | heroine | leading lady | love interest | parallel double period | popular music | restaurant | serving | source music | upbeat | working

Mildred Pierce (1945)

Please Think of Me1:01:54 - Monte dances with Vedaantagonist | celebrating | dance scene | dancing | daughter | friend | heroine | jukebox | leading lady | love interest | on-screen music | popular music | restaurant | singing | source music | upbeat

Mildred Pierce (1945)

Mildred (Sorrow)1:03:41 - Monte asks about Kayadvance plot | conversing | heroine | leading lady | love interest | minor-major 7th chord | mode mixture | restaurant | somber

Mildred Pierce (1945)

It Can't Be Wrong (Romantic)1:04:11 - Monte kisses Mildredadvance plot | chromatic mediant | door | ex-husband | familiar tune | foreign key modulation | heroine | interrupting | kissing | leading lady | love interest | mode mixture | popular music | restaurant | romantic | slamming | source to score | stinger

Mildred Pierce (1945)

It Can't Be Wrong (Troubled)1:04:30 - Bert interrupts Mildred and Monte's kissadvance plot | conversing | dark | ex-husband | familiar tune | heroine | leading lady | love interest | popular music | restaurant | source to score | suspension | tense | troubled

Mildred Pierce (1945)

Bert (Regretful)1:04:43 - Bert tells Mildred about the divorce9th chord | advance plot | chromatic mediant | common-chord modulation | conversing | divorce | ex-husband | heroine | leading lady | love interest | regretting | restaurant | somber

Mildred Pierce (1945)

Breaks glass1:05:35 - Bert slaps the glass out of Monte's handadvance plot | breaking | down | ex-husband | falling | glass | heroine | leading lady | love interest | mickey-mousing | restaurant | tense | throwing | violence

Mildred Pierce (1945)

It Can't Be Wrong (Uneasy)1:05:36 - Bert stares angrily at Monteadvance plot | dark | ex-husband | familiar tune | glaring | heroine | leading lady | leaving | love interest | pedal tone | popular music | restaurant | source to score | tense | uneasy

Mildred Pierce (1945)

French One-Step1:08:14 - Veda at a polo matchadded-note chord | antagonist | cheering | common-tone diminished 7th | daughter | field | heroine | leading lady | love interest | montage | playing | polo | secondary dominant | sports | upbeat | voice-over | watching

Mildred Pierce (1945)

How Sweet You Are1:08:28 - Veda dances at a clubABAB structure | advance plot | club | conversing | dance music | dancing | heroine | leading lady | love interest | on-screen music | relaxed | source music

Mildred Pierce (1945)

Kay and Veda (Excited)1:13:21 - Veda drives away in her new caradded-note chord | advance plot | altered dominant | car | child | deceptive resolution | driving | excited | happy | heroine | kissing | leading lady | love interest | room | running

Mildred Pierce (1945)

Kay and Veda (Sly)1:13:55 - Mildred tells Monte to not see Vedaarguing | breakup | chromatic wedge | chromatic wedge | conflict | disagreement | heroine | leading lady | love interest | ominous | room | sinister | tense | whole-tone chord

Mildred Pierce (1945)

Kay and Veda (Troubled)1:14:06 - Mildred and Monte arguearguing | breakup | chromatic scale | chromatic sequence | conflict | disagreement | fragmentation | heroine | leading lady | love interest | ominous | room | sinister | tense | whole-tone chord | whole-tone scale

Mildred Pierce (1945)

Mildred (Agitato)1:14:37 - Mildred and Monte argueagitated | arguing | breakup | conflict | distortion | half-diminished 7th chord | heroine | leading lady | love interest | room | tense

Mildred Pierce (1945)

Underscoring (Tense)1:14:53 - Mildred and Monte argue9th chord | added-note chord | arguing | bitter | breakup | conflict | deceptive resolution | heroine | leading lady | love interest | room | tense | underscoring

Mildred Pierce (1945)

It Can't Be Wrong (Bitter)1:15:29 - Mildred writes Monte a checkarguing | bitter | breakup | conflict | dissonant bass | familiar tune | fragmentation | heroine | leading lady | love interest | mickey-mousing | popular music | room | source to score | tense

Mildred Pierce (1945)

Work (Montage)1:34:44 - Montage of Mildred and Monte's marriageadded-note chord | cheerful | deceptive resolution | ex-husband | glass | heroine | leading lady | love interest | mickey-mousing | mode mixture | montage | newspaper | self-borrowing | shadow

Mildred Pierce (1945)

Glasses clink1:35:44 - Mildred and Monte clink glasses togethercheerful | clinking | glass | heroine | leading lady | love interest | mickey-mousing | montage
The Life of Vergie Winters (1934)Lullaby (Not in Score)0:32:18 - Vergie and John look at a baby pictureAABA structure | calm | common-chord modulation | conversing | cuddling | leading lady | leading man | love interest | love scene | lullaby | peaceful | room | score to source | secret love | transcribed by ear

The Life of Vergie Winters (1934)

Darktown Strutters' Ball0:40:06 - Sadie and Mike in a baradvance plot | business man | club | common-chord modulation | conversing | friend | love interest | plotting | ragtime | source music | upbeat

The Life of Vergie Winters (1934)

Lullaby (Military Band)0:45:45 - Newspaper montage64 chord | fanfare | leading man | love interest | montage | pedal tone | politician | soldier | triumphant

The Life of Vergie Winters (1934)

Over There (Military Band)0:45:52 - Newspaper montageleading man | love interest | montage | patriotic tune | politician | soldier | triumphant

The Life of Vergie Winters (1934)

Stars and Stripes Forever (Military Band)0:46:01 - Newspaper montageleading man | love interest | montage | patriotic tune | politician | soldier | triumphant

The Life of Vergie Winters (1934)

Stars and Stripes Forever (Allegro)0:46:04 - Newspaper montage64 chord | added-note chord | gentle | leading lady | leading man | love interest | montage | patriotic tune | pedal tone | politician | soldier

The Life of Vergie Winters (1934)

Old Lavender1:00:07 - Joan and Ranny talk9th chord | added-note chord | altered dominant | common-chord modulation | conversing | daughter | direct modulation | harmonic sequence | light | love interest | love scene | optimistic | proposal | proposing | room | transcribed by ear

The Life of Vergie Winters (1934)

Here Comes the Bride1:00:46 - Joan and Ranny talk about marriagecommon-chord modulation | conversing | daughter | familiar tune | gentle | love interest | love scene | peaceful | proposal | proposing | romantic | room | transcribed by ear

The Life of Vergie Winters (1934)

Old Lavender1:02:11 - Joan and Ranny enter9th chord | added-note chord | altered dominant | arguing | common-chord modulation | conflict | conversing | daughter | direct modulation | harmonic sequence | leading man | light | love interest | optimistic | room | surprise | wife

The Life of Vergie Winters (1934)

Old Lavender (Celeste Solo)1:02:43 - John paces aroundconflict | daughter | direct modulation | hesitating | leading man | love interest | lying | peaceful | room | surprise | wife

The Life of Vergie Winters (1934)

Underscoring (Lyrical)1:02:52 - Laura reveals that Joan is adoptedconflict | daughter | deflecting | hesitating | leading man | love interest | mode mixture | peaceful | pedal tone | room | surprise | wife

The Life of Vergie Winters (1934)

Lullaby (Adagio)1:03:02 - Joan reactsconflict | daughter | diminished 7th chord | direct modulation | dissonant bass | leading man | love interest | revealing | room | stinger | surprise | tense | wife

The Life of Vergie Winters (1934)

Lullaby (Harp Solo)1:03:33 - John tells Joan about her parentsconflict | daughter | deceiving | deceptive resolution | leading man | love interest | lullaby | lying | revealing | room | secondary dominant | surprise | tender | wife

The Life of Vergie Winters (1934)

Old Lavender (Allegretto)1:04:31 - Ranny reacts to the revelationchromatic mediant | conflict | conversing | daughter | foreign key modulation | fragmentation | leading man | light | love interest | mode mixture | optimistic | pedal tone | room | wife

The Life of Vergie Winters (1934)

Old Lavender (Gentle)1:04:45 - Ranny takes the ring back from Joan64 chord | altered dominant | conflict | daughter | leading man | love interest | peaceful | pedal tone | proposal | proposing | room | wife

The Life of Vergie Winters (1934)

Here Comes the Bride (Slow)1:05:05 - Ranny re-proposes to Joan64 chord | conflict | daughter | familiar tune | leading man | love interest | peaceful | proposal | proposing | room | wife

The Life of Vergie Winters (1934)

Lullaby (Dolcissimo)1:05:11 - Joan talks to Laura9th chord | conflict | daughter | leading man | love interest | peaceful | proposal | proposing | room | wife

The Life of Vergie Winters (1934)

Old Lavender (Ethereal)1:05:26 - Ranny talks to Joan's parentsadded-note chord | common-chord modulation | conflict | conversing | daughter | leading man | love interest | mode mixture | pedal tone | room | sentimental | wife

The Life of Vergie Winters (1934)

Lullaby (Tender)1:05:45 - Ranny leaves with Joan13th chord | conflict | daughter | leading man | leaving | love interest | peaceful | pedal tone | room | wife
Rockabye (1932)Till the Real Thing Comes My Way0:33:55 - Judy at the partyadvance plot | club | conversing | dancing | friend | leading lady | love interest | on-screen music | pianist | playing | playwright | source music | upbeat

Rockabye (1932)

Out of the Blue (Piano Improvisation)0:35:57 - Judy and Jacobs talkAABA structure | advance plot | calm | club | conversing | leading lady | love interest | on-screen music | playwright | score to source borrowing | source music

Rockabye (1932)

Till the Real Thing Comes My Way0:39:24 - Judy sings a songAABA structure | advance plot | club | dancing | leading lady | love interest | on-screen music | pianist | singing | source music | upbeat

Rockabye (1932)

Till the Real Thing Comes My Way0:40:21 - Judy sings on top of a truckadvance plot | leading lady | love interest | on-screen music | pianist | singing | source music | street | upbeat

Rockabye (1932)

Till the Real Thing Comes My Way1:01:37 - Judy sings at a partyadvance plot | cheerful | leading lady | love interest | on-screen music | party | playwright | singing | source music
White Heat (1949)Underscoring (Tense)0:42:03 - Ma talks to the gangstersadvance plot | conversing | gangster | leading lady | love interest | moll | mother | room | tense | underscoring

White Heat (1949)

Cody (Expressivo)0:42:17 - Ma talks to Big Edadvance plot | conversing | gangster | leading lady | love interest | moll | mother | room | tense

White Heat (1949)

Agitato0:42:32 - Verna leaves the roomadvance plot | agitated | conversing | departing | gangster | leading lady | love interest | moll | mother | room | tense | underscoring

White Heat (1949)

Big Ed0:42:41 - Big Ed leaves the roomadvance plot | gangster | leading lady | love interest | moll | mother | room | tense | walking

White Heat (1949)

Underscoring (Dramatic)0:42:52 - Big Ed talks to Vernaadvance plot | anger | angry | arguing | dramatic | gangster | leading lady | love interest | moll | porch | underscoring

White Heat (1949)

Moll (Arguing)0:43:06 - Verna argues with Big Edanger | arguing | gangster | leading lady | love interest | love scene | moll | porch | tense | uneasy

White Heat (1949)

Verna (Slowly)0:43:41 - Verna kisses Big Edbetrayal | bluesy | gangster | kissing | leading lady | love interest | love scene | moll | mother | porch | romantic | spying | sultry

White Heat (1949)

Five O'Clock Whistle1:11:01 - Verna watches Edadvance plot | conversing | gangster | leading lady | love interest | moll | popular music | radio | room | source music | upbeat

White Heat (1949)

Underscoring (Tense)1:13:20 - Big Ed walks up the stairsaction scene | dark | gangster | leading lady | love interest | moll | room | tense | underscoring | walking

White Heat (1949)

Danger (Agitato)1:13:33 - Verna sits upaction scene | anxiety | danger | gangster | leading lady | listening | love interest | moll | room | tense

White Heat (1949)

Underscoring (Tense)1:16:28 - Big Ed creates a decoydecoy | gangster | gun | love interest | murder scene | preparing | room | tense | underscoring

White Heat (1949)

Verna (Uneasy)1:18:05 - Big Ed kisses Vernadark | drinking | embracing | gangster | gun | kissing | leading lady | leading man | love interest | moll | murderer | murder scene | room | somber | spying | waiting

White Heat (1949)

Big Ed's Death1:18:41 - Big Ed runsdark | death | dramatic | dying | falling | gangster | gun | gunshot | leading lady | leading man | love interest | mickey-mousing | moll | murder | murderer | murder scene | room | running | rushing | shooting | violence

White Heat (1949)

Underscoring (Dramatic)1:19:20 - Big Ed's body falls down the stairsdark | death | dramatic | falling | fugitive | gangster | leading lady | leading man | love interest | mickey-mousing | moll | murderer | murder scene | panning shot | room | stairs | staring | statue | stinger | undercover agent | underscoring | watching

White Heat (1949)

Panning1:19:32 - Camera pans to the groupbeans | dramatic | fugitive | gangster | leading lady | leading man | love interest | mickey-mousing | moll | murderer | panning shot | room | throwing | transition | undercover agent | waiting
The Woman in White (1948)The Self Banished1:31:42 - Walter Kisses Marianconversing | embracing | friend | gentle | kissing | leading lady | leading man | leaving | love interest | love scene | romantic | room | thematic transference

The Woman in White (1948)

Fosco (Molto Moderato)1:38:43 - Fosco looks at Marianadvance plot | criminal | friend | leading lady | leading man | love interest | menacing | murderer | pacing | room | somber

The Woman in White (1948)

Underscoring (Tense)1:39:05 - The butler entersadvance plot | butler | conversing | criminal | friend | leading lady | leading man | love interest | murderer | room | tense | underscoring

The Woman in White (1948)

Fosco (Molto Moderato)1:39:33 - Fosco talks to Marianadvance plot | conversing | criminal | friend | leading lady | leading man | love interest | menacing | murderer | room | somber

The Woman in White (1948)

Underscoring (Tense)1:44:06 - The countess entersclimax | conversing | criminal | dark | friend | friend | leading lady | leading man | love interest | murderer | necklace | ominous | room | transcribed by ear | wife

The Woman in White (1948)

Ann (Not in Score)1:44:24 - Count Fosco talks to the Countessclimax | conversing | criminal | friend | friend | leading lady | leading man | love interest | murderer | mysterious | necklace | room | transcribed by ear | wife

The Woman in White (1948)

Fosco (Screwy)1:44:42 - The Countess walks across the roomclimax | criminal | friend | friend | leading lady | leading man | love interest | murderer | mysterious | necklace | room | sneaking | walking | wife

The Woman in White (1948)

Fosco (Sneaking)1:44:51 - The Countess walks across the roomclimax | criminal | friend | friend | leading lady | leading man | love interest | murderer | mysterious | necklace | room | sneaking | walking | wife

The Woman in White (1948)

Adagio1:45:00 - The Countess picks up a knifeclimax | conversing | criminal | friend | friend | knife | leading lady | leading man | love interest | murderer | necklace | room | somber | wife

The Woman in White (1948)

Fosco (Soft)1:45:18 - The Count talks to Marianarriving | climax | conversing | criminal | friend | friend | leading lady | leading man | love interest | murderer | mysterious | necklace | room | wife

The Woman in White (1948)

Stabbing1:45:23 - The Countess stabs Count Foscoclimax | criminal | dramatic | dropping | friend | friend | knife | leading lady | leading man | love interest | mickey-mousing | murder | murderer | murdering | necklace | revenge | room | stabbing | violent | wife

The Woman in White (1948)

Fosco (Dying)1:45:34 - The Countess picks up the necklacearriving | climax | criminal | death | dramatic | dying | falling | friend | friend | knife | leading lady | leading man | love interest | murder | murderer | necklace | revenge | rising | room | stinger | tense | victim | violent | wife

The Woman in White (1948)

Ann (Quasi Misterioso)1:46:05 - Various close-upsclimax | criminal | death | dying | friend | friend | knife | leading lady | leading man | love interest | murder | murderer | necklace | revenge | room | somber | victim | watching | wife

The Woman in White (1948)

Ann (Waltz 2)1:46:13 - A close-up on the Countesscriminal | death | embracing | friend | friend | leading lady | leading man | love interest | murder | murderer | necklace | reacting | resolution | revenge | room | tender | victim | waltz | wife
Transgression (1931)Dance0:08:10 - Elsie and Don Arturo at a clubAB structure | calm | club | conversing | establish character | leading lady | love interest | sophisticated | source music | tango

Transgression (1931)

Waltz0:18:26 - People at a partyadvance plot | calm | club | gambling | leading lady | linear chromaticism | love interest | parallel double period | sophisticated | source music | waltz

Transgression (1931)

Igualada0:23:20 - Elsie and Don Arturo talkingcalm | club | conversing | dance scene | dancing | leading lady | love interest | sophisticated | source music | tango

Transgression (1931)

Igualada0:24:58 - Elsie and Don Arturo dancingcalm | club | conversing | dance scene | dancing | leading lady | love interest | sophisticated | source music | tango

Transgression (1931)

Flute Solo0:43:22 - Don Arturo opens the doorcalm | conversing | leading lady | love interest | love scene | room | source music

Transgression (1931)

Serenade0:44:16 - Elsie and Don Arturo talkingABAC structure | calm | conversing | embracing | kissing | leading lady | love interest | love scene | romantic | room | source music

Transgression (1931)

Gong0:50:00 - Don Arturo is shotdeath | dying | gun | gunshot | leading lady | love interest | murder | murderer | murdering | murder scene | room | tense | victim
Hold ‘Em Jail (1932)Ain't That the Way it Goes0:14:53 - Spider and Curley look aroundAABA structure | advance plot | comic | conversing | goofing around | love interest | office | prisoner | radio | source music | upbeat

Hold ‘Em Jail (1932)

I'm Just a Vagabond Lover0:17:00 - Curley talks to BarbaraABAC structure | advance plot | comic | conversing | goofing around | love interest | office | prisoner | radio | sentimental | source music

Hold ‘Em Jail (1932)

I'm Wrapped Up in You0:18:18 - Spider dances with Violetadvance plot | comic | conversing | dancing | goofing around | love interest | office | prisoner | radio | source music | upbeat

Hold ‘Em Jail (1932)

Bide-More Alma Mater1:04:44 - Bidemore celebrates their victorycelebrating | comic | crowd | field | love interest | politician | prisoner | resolution | source music | upbeat | warden
State’s Attorney (1932)Business in F0:43:46 - Jazz musicians playing in a clubclub | conversing | dancing | daughter | jazz | lawyer | leading man | love interest | music scene | on-screen music | source music | upbeat
Thirteen Women (1932)Ursula (Exotic)0:32:54 - Burns enters the houseadvance plot | entering | exotic | exoticism | Gypsy major scale | leading lady | love interest | ostinato | room | transcribed by ear

Thirteen Women (1932)

Ursula (Romance 2)0:33:10 - Burns kisses Ursula9th chord | advance plot | kissing | leading lady | love interest | Neapolitan | romantic | room | secondary dominant | transcribed by ear | waltz

Thirteen Women (1932)

Ursula (Mysterious Waltz)0:33:37 - Ursula talks to Burns64 chord | advance plot | chromatic parallelism | conversing | half-diminished 7th chord | leading lady | love interest | mode mixture | romantic | room | transcribed by ear | waltz

Thirteen Women (1932)

Ursula (Exotic 2)0:33:52 - Ursula talks to Burnsadvance plot | conversing | dark | exotic | exoticism | Gypsy major scale | leading lady | love interest | mysterious | ostinato | room | transcribed by ear

Thirteen Women (1932)

Ursula (Exotic)0:34:06 - Ursula argues with Burnsadvance plot | arguing | dark | exotic | exoticism | Gypsy major scale | leading lady | love interest | mysterious | ostinato | room | transcribed by ear
Don’t Turn ‘em Loose (1936)Mildred Waltz0:24:13 - Bob and Letty go for a walkABA structure | advance plot | altered dominant | augmented sixth chord | calm | conversing | diminished 7th chord | gangster | imposter | leading man | love interest | street | transcribed by ear | walking | waltz
We're Only Human (1935)Silver Lining0:13:56 - Pete and Sally in a restaurantconversing | date | detective | flirting | gentle | leading lady | leading man | love interest | love scene | reporter | restaurant | source music

We're Only Human (1935)

Old Lavender (Gentle)0:22:34 - A man scoops up some pasta64 chord | advance plot | altered dominant | buying | detective | food | leading lady | leading man | love interest | ordering | peaceful | pedal tone | reporter | store | worker | working

We're Only Human (1935)

Old Lavender0:22:44 - Packaged-up food9th chord | added-note chord | advance plot | altered dominant | buying | common-chord modulation | detective | direct modulation | food | harmonic sequence | leading lady | leading man | light | love interest | optimistic | ordering | reporter | store | worker | working

We're Only Human (1935)

Old Lavender (Celeste Solo)0:23:14 - Pete and Sally buying foodadvance plot | buying | detective | direct modulation | food | leading lady | leading man | love interest | ordering | peaceful | reporter | store | street | worker | working

We're Only Human (1935)

Lullaby (Adagio)0:23:36 - Pete watches the car drive awayconflict | conversing | detective | diminished 7th chord | direct modulation | dissonant bass | food | leading lady | leading man | love interest | reacting | reporter | street | tense

We're Only Human (1935)

Isn't This a Night For Love (Moonlight)0:23:59 - Pete and Sally having dinnerAABA structure | conversing | date | detective | dinner | leading lady | leading man | love interest | love scene | reporter | romantic | room | source music

We're Only Human (1935)

Isn't This a Night For Love (The End)1:08:36 - Pete kisses Sally9th chord | altered dominant | car | detective | end title sequence | kissing | leading lady | leading man | love interest | mode mixture | reporter | resolution | romantic | The End | transcribed by ear
Girl of the Rio (1932)Was it Wrong?0:15:41 - Johnny rolls a pair of diceconversing | crowd | dancing | flirting | leading lady | leading man | love interest | lovers meet | night club | on-screen music | performing | romantic | singer | source music | syncopation | terrace | upbeat

Girl of the Rio (1932)

Querida0:48:40 - Dolores sees JohnnyABAC structure | conversing | gentle | guard | leading lady | leading man | love interest | love scene | romantic | singer | terrace
Without Honor (1949)Expressivo0:03:57 - Jane talks with Dennisadulterer | affair | conversing | establish character | leading lady | leading man | love interest | room | uneasy

Without Honor (1949)

Ecstatic0:04:07 - Jane talks with Dennisadulterer | affair | conversing | establish character | excited | leading lady | leading man | love interest | room

Without Honor (1949)

Ecstatic (Molto Expressivo)0:04:21 - Jane talks with Dennisadulterer | affair | conversing | establish character | excited | leading lady | leading man | love interest | room

Without Honor (1949)

Appassionato 20:04:37 - Jane talks with Dennisadulterer | affair | conversing | establish character | leading lady | leading man | love interest | room | uneasy

Without Honor (1949)

Molto Misterioso0:05:03 - Jane walks to the dooradulterer | affair | conversing | establish character | leading lady | leading man | love interest | mysterious | room | tense

Without Honor (1949)

Dog0:05:12 - Jane finds the dogadulterer | affair | conversing | dog | establish character | leading lady | leading man | light | love interest | mysterious | playful | room

Without Honor (1949)

Tempo di Gavotte0:05:30 - Jane talks with Dennisadulterer | affair | conversing | establish character | leading lady | leading man | light | love interest | playful | room

Without Honor (1949)

Twilight (Triste)NIF - not in filmadulterer | affair | conversing | cut from film | establish character | leading lady | leading man | love interest | room

Without Honor (1949)

Appassionato 2 (Molto Agitato)NIF - not in filmadulterer | affair | conversing | cut from film | establish character | leading lady | leading man | love interest | room

Without Honor (1949)

Twilight (Poco Agitato)NIF - not in filmadulterer | affair | conversing | cut from film | establish character | leading lady | leading man | love interest | room

Without Honor (1949)

Molto ExpressivoNIF - not in filmadulterer | affair | conversing | cut from film | establish character | leading lady | leading man | love interest | room

Without Honor (1949)

Twilight (Misterioso)NIF - not in filmadulterer | affair | conversing | cut from film | establish character | leading lady | leading man | love interest | room

Without Honor (1949)

Triste0:07:37 - Dennis tells Jane their relationship is overadulterer | affair | breaking up | breakup | crying | death scene | kitchen | leading lady | leading man | love interest | somber

Without Honor (1949)

Appassionato 2 (Agitato)0:07:57 - Jane tells Dennis she still loves himadulterer | affair | arguing | breaking up | breakup | crying | death scene | kitchen | leading lady | leading man | love interest | passionate | somber

Without Honor (1949)

Appassionato (Broad)0:08:11 - Jane criesadulterer | affair | arguing | breaking up | breakup | crying | death scene | kitchen | leading lady | leading man | love interest | passionate | somber

Without Honor (1949)

Desperation0:08:20 - Jane talks to Dennisadulterer | affair | arguing | breaking up | breakup | crying | death scene | dramatic | kitchen | leading lady | leading man | love interest | underscoring

Without Honor (1949)

Appassionato (Molto Expressivo)0:08:35 - Jane criesadulterer | affair | arguing | breaking up | breakup | crying | death scene | kitchen | leading lady | leading man | love interest | passionate | somber

Without Honor (1949)

Twilight (Agitato)0:08:54 - Jane talks to Dennisadulterer | affair | arguing | breaking up | breakup | crying | death scene | kitchen | leading lady | leading man | love interest | mysterious | ominous | tense

Without Honor (1949)

Underscoring (Agitated)0:09:10 - Jane threatens to kill herselfadulterer | affair | arguing | breaking up | breakup | crying | dark | death scene | dramatic | kitchen | leading lady | leading man | love interest | suicide | underscoring

Without Honor (1949)

Underscoring (Dramatic)0:09:23 - Jane and Dennis struggleaddicent | adulterer | death | death scene | dramatic | fighting | kitchen | knife | leading lady | leading man | love interest | skewer | struggling | underscoring

Without Honor (1949)

Twilight (Maestoso)0:09:36 - Dennis on the groundaddicent | adulterer | death | death scene | dramatic | dying | kitchen | knife | leading lady | leading man | love interest | ominous | reacting | skewer | standing | struggling

Without Honor (1949)

Twilight (Washing Machine)0:10:14 - Dennis by the washing machineaddicent | adulterer | death | death scene | dramatic | dying | kitchen | knife | leading lady | leading man | love interest | motor effect | ominous | reacting | skewer | struggling | washing machine

Without Honor (1949)

Underscoring (Tense)0:10:30 - Jane looks at Dennis's bodyaddicent | adulterer | corpse | death | death scene | kitchen | knife | leading lady | leading man | love interest | reacting | skewer | tense | thinking | underscoring

Without Honor (1949)

Fingers0:10:54 - Jane's fingers start twitchingaddicent | adulterer | corpse | crazed | death | death scene | hand | kitchen | knife | leading lady | leading man | love interest | mysterious | reacting | skewer | tense | thinking | twitching

Without Honor (1949)

Twilight (Bloody Hand)0:11:04 - Blood on Jane's handaddicent | adulterer | blood | dark | death | death scene | hand | kitchen | leading lady | leading man | love interest | reacting | thinking | washing

Without Honor (1949)

Twilight (Molto Expressivo)0:11:25 - Jane tries to get the blood off her handaddicent | adulterer | blood | death | death scene | hand | kitchen | leading lady | leading man | love interest | somber | washing