| All This, and Heaven Too (1940) | Valse | 1:03:32 - Montage of newspaper clippings | ballroom | cheerful | crowd | dancing | double exposure | duchess | duke | leading lady | leading man | montage | upbeat | waltz |
All This, and Heaven Too (1940) | Invitation to the Dance | 1:04:19 - People waltzing | advance plot | ballroom | child | classical music | crowd | dancing | duchess | duke | leading lady | leading man | simulated source music | upbeat | waltz |
| Are These Our Children? (1931) | Flapper and Eddie Waltz | NIF - not in film | added-note chord | altered dominant | cut from film | linear chromaticism | parallel double period | waltz |
Are These Our Children? (1931) | Moonbeams | 0:25:39 - Eddie dances with Flo | added-note chord | altered dominant | common-tone diminished 7th | dance hall | dance scene | dancing | leading man | love interest | mode mixture | on-screen music | parallel double period | romantic | source music | waltz |
Are These Our Children? (1931) | Moonbeams (Dream Sequence) | 0:27:23 - Eddie takes Flo home | added-note chord | advance plot | double exposure | dream sequence | entering | friend | hectic | kissing | leading man | mode mixture | romantic | source to score | street | transcribed by ear | waltz |
Are These Our Children? (1931) | Moonbeams (Flashback) | 0:30:18 - Eddie dances with Flo | dance hall | dancing | double exposure | dream sequence | flashback | hectic | leading man | love interest | montage | room | waltz |
| Beyond the Forest (1949) | Whisper While You’re Waltzing | 1:01:34 - People at a party | conversing | crowd | dance scene | doctor | eating | folk music | gentle | leading lady | leading man | on-screen music | party | playing | room | source music | waltz | wife |
| His Greatest Gamble (1934) | Morning Glory Waltz | 0:00:28 - Cast list | cast list | gentle | mode mixture | opening title sequence | transcribed by ear | waltz |
His Greatest Gamble (1934) | Morning Glory Waltz (Tender) | 0:02:35 - Philip in the casino | casino | child | conversing | establish character | gentle | leading man | leaving | transcribed by ear | waltz |
His Greatest Gamble (1934) | Russian Waltz | 0:30:05 - Philip arrives at Florence's home | 9th chord | arriving | calm | chromatic sequence | common-tone diminished 7th | establish setting | fugitive | leading man | mansion | mode mixture | on-screen music | piano | playing | pleasant | source music | waltz | wandering |
His Greatest Gamble (1934) | Waltz in C-sharp Minor | 0:40:28 - Philip talks with Alice and Florence | advance plot | conversing | daughter | ex-wife | fugitive | leading lady | leading man | mansion | serious | source music | waltz |
His Greatest Gamble (1934) | Blue Ridge Moon | 0:53:16 - Philip talks with Alice | advance plot | conversing | daughter | gentle | leading lady | love interest | mansion | popular music | radio | sentimental | source music | waltz |
His Greatest Gamble (1934) | Morning Glory Waltz (The End) | 1:10:18 - Philip leaves | detective | end title sequence | fugitive | leading man | leaving | mode mixture | secondary dominant | transcribed by ear | triumphant | waltz |
| City for Conquest (1940) | Sidewalks of New York (Waltz Grazioso) | 0:06:09 - Two children playing | 9th chord | child | conversing | establish character | foreign key modulation | love | Neapolitan | old man | romantic | sentimental | soliloquy | street | waltz |
City for Conquest (1940) | The Words Are in My Heart | 0:29:31 - Peggy dances with Murray | applause | augmented triad | crowd | dance hall | dancer | dancing | double exposure | gentle | leading lady | montage | source music | waltz |
| Death of a Scoundrel (1956) | Clementi C (Waltz) | 0:41:38 - Clementi and Mrs. Ryan go outside to see the garden | elegant | flashback | garden | romance | waltz |
Death of a Scoundrel (1956) | Waltz | 0:59:28 - People dancing at a fancy party | dancing | flashback | on screen music | source music | waltz |
Death of a Scoundrel (1956) | Waltz 2 | 1:02:27 - Bridget talks with a rich man at the party | dancing | flashback | on screen music | source music | waltz |
Death of a Scoundrel (1956) | Waltz 3 | 1:03:04 - Stephanie (Mrs. Ryan's secretary) joins the party | dancing | flashback | on screen music | source music | waltz |
Death of a Scoundrel (1956) | Clementi C | 1:11:07 - Clementi talks to Edith at lunch | elegant | flashback | romance | waltz |
Death of a Scoundrel (1956) | Clementi A | 1:42:01 - Clementi and Bridget go to dinner, but are told he is not allowed to dine there | flashback | restaurant | waltz |
| In This Our Life (1942) | Stanley (Valse Triste) | 0:16:22 - Roy looks out the window | advance plot | dark | leading lady | leading man | leaving | room | somber | waltz | watching | window |
In This Our Life (1942) | Stanley B (Valse Triste) | 0:16:33 - Craig arrives | advance plot | arriving | dark | leading lady | leading man | somber | street | waltz | watching | window |
In This Our Life (1942) | Stanley (Valse Triste) | 0:16:44 - Craig comes inside | advance plot | dark | father | leading lady | leading man | room | somber | waltz |
In This Our Life (1942) | Love Theme (Valse Sentimentale) | 0:44:06 - Roy and Craig embrace | calm | conversing | leading lady | leading man | love scene | office | romantic | waltz |
In This Our Life (1942) | Love Theme (Valse Sentimentale) | 0:46:31 - Roy talks with her uncle | conversing | leading lady | leading man | love scene | pleasant | proposal | room | tender | uncle | waltz |
In This Our Life (1942) | Love Theme (End Title) | 1:36:17 - End title credits | cast list | cheerful | end title sequence | waltz |
| Mildred Pierce (1945) | Waltz Brillante | 0:26:39 - Veda plays the piano | advance plot | child | classical music | conversing | dancing | familiar tune | gentle | heroine | leading lady | on-screen music | parallel period | playing | room | source music | waltz |
Mildred Pierce (1945) | Waltz Brillante | 0:27:21 - Veda plays the piano | advance plot | child | classical music | conversing | familiar tune | gentle | heroine | leading lady | on-screen music | playing | room | source music | waltz |
Mildred Pierce (1945) | Mazurka in B-Flat Major (Tense) | 0:38:47 - Veda plays a Chopin Mazurka | arguing | child | classical music | common-tone diminished 7th | conflict | familiar tune | half-diminished 7th chord | heroine | leading lady | on-screen music | playing | quotation | room | scored source music | source music | tense | upbeat | waltz |
| White Heat (1949) | Verna | 0:06:56 - Verna comes out and talks with Cody | awkward | dark | female | waltz |
White Heat (1949) | Verna (Expressivo) | 0:11:38 - Cody says that Verna is cute and embraces her | awkward | dark | female | waltz |
White Heat (1949) | Verna (Glance) | 0:14:04 - Verna exchanges glances with Big Ed | female | glance | waltz |
| The Woman in White (1948) | Ann (Waltz) | 1:14:30 - The countess opens a secret door | advance plot | foreshadowing | helping | leading lady | room | secret passageway | sneaking | tender | victim | waltz | wife |
The Woman in White (1948) | Ann (Waltz 2) | 1:46:13 - A close-up on the Countess | criminal | death | embracing | friend | friend | leading lady | leading man | love interest | murder | murderer | necklace | reacting | resolution | revenge | room | tender | victim | waltz | wife |
The Woman in White (1948) | Laura | 1:46:37 - Walter, Marian, and Laura together | asylum | conversing | friend | happy | murderer | necklace | patient | resolution | time lapse | voice-over | waltz |
The Woman in White (1948) | Laura (Harp Countermelody) | 1:46:55 - The camera pans from the asylum | arriving | butler | child | conversing | father | happy | husband | leading man | mansion | resolution | voice-over | waltz |
| Transgression (1931) | Waltz | 0:18:26 - People at a party | advance plot | calm | club | gambling | leading lady | linear chromaticism | love interest | parallel double period | sophisticated | source music | waltz |
| Secrets of the French Police (1932) | Berceuse | 0:13:09 - The flower girl talks with her father | advance plot | conversing | father | leading lady | restaurant | somber | waltz |
| Thirteen Women (1932) | Ursula (Romance) | 0:08:37 - The swami kisses Ursula | antagonist | embracing | establish character | fortune teller | kissing | leading lady | romantic | room | secondary dominant | swami | transcribed by ear | waltz |
Thirteen Women (1932) | Ursula (Romance 2) | 0:33:10 - Burns kisses Ursula | 9th chord | advance plot | kissing | leading lady | love interest | Neapolitan | romantic | room | secondary dominant | transcribed by ear | waltz |
Thirteen Women (1932) | Ursula (Mysterious Waltz) | 0:33:37 - Ursula talks to Burns | 64 chord | advance plot | chromatic parallelism | conversing | half-diminished 7th chord | leading lady | love interest | mode mixture | romantic | room | transcribed by ear | waltz |
| Don’t Turn ‘em Loose (1936) | Mildred Waltz | 0:24:13 - Bob and Letty go for a walk | ABA structure | advance plot | altered dominant | augmented sixth chord | calm | conversing | diminished 7th chord | gangster | imposter | leading man | love interest | street | transcribed by ear | walking | waltz |
| Without Honor (1949) | Valse Triste | 0:23:06 - Bill talks with Jane | antagonist | brother | conflict | kitchen | leading lady | leading man | memory | recounting | somber | uneasy | waltz |
Without Honor (1949) | Valse Triste (Poco Appassionato) | 0:23:31 - Bill grabs Jane's arm | antagonist | brother | conflict | dramatic | grabbing | kitchen | leading lady | leading man | memory | reacting | recounting | tense | waltz |
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