| All This, and Heaven Too (1940) | Counting | 0:33:30 - Henriette counts tangerine slices | advance plot | calm | child | chromatic sequence | conversing | counting | distracting | duke | governess | illness | leading lady | leading man | pc set | room | tense | wedge | zoom in |
| Arsenic and Old Lace (1944) | Jonathan 2 | 0:40:30 - Jonathan enters the house | arriving | chromatic scale | chromatic wedge | close-up | criminal | dark | dissonant bass | establish character | leading man | observing | ominous | pc set | room | walking | zoom in |
| City for Conquest (1940) | Tone Poem A | 1:32:32 - Violins playing | 9th chord | 11th chord | 13th chord | audience | Carnegie Hall | concert | concert hall | concert scene | conducting | conductor | deceptive resolution | dramatic | Gershwinesque | leading lady | listening | musician | on-screen music | orchestra | playing | romantic | sentimental | sequence | source music | watching | zoom in |
City for Conquest (1940) | Tone Poem A (Tutti) | 1:33:02 - Peggy watches from the audience | 9th chord | 11th chord | 13th chord | audience | bold | Carnegie Hall | concert | concert hall | concert scene | conducting | conductor | deceptive resolution | dramatic | fragmentation | Gershwinesque | leading lady | listening | musician | on-screen music | orchestra | playing | point-of-view shot | romantic | source music | watching | zoom in |
| They Made Me a Criminal (1939) | On the Make (Lohenblueish) | 1:09:07 - Johnnie decides that he will stay | added-note chord | augmentation | chromatic mediant | direct modulation | foreign key modulation | hero | hopeful | hopeless | leading man | linear chromaticism | passionate | room | thinking | turning point | zoom in |
| Flamingo Road (1949) | Titus | 1:28:52 - Lane says Titus's name | advance plot | conversing | dark | friend | leading lady | mob | ominous | room | self-borrowing | zoom in |
| I Was a Communist for the FBI (1951) | Communist | 0:00:09 - Title of film | bold | chromatic parallelism | chromatic scale | dark | dramatic | half-diminished 7th chord | hallway | march | opening title sequence | oscillation | parallelism | stranger | title of film | tritone oscillation | zoom in |
I Was a Communist for the FBI (1951) | Communist (Alternate) | NIF - not in film | alternate music | cast list | chromatic parallelism | chromatic scale | half-diminished 7th chord | opening title sequence | oscillation | parallelism | starring list | title of film | tritone oscillation | zoom in |
| The Informer (1935) | The Irish Washerwoman (Pub) + Blood Money + The Wearin' o' the Green + The Informer | 0:44:52 - People celebrate in the pub | advance plot | antagonist | bar | chaotic | chromatic scale | close-up | combination of themes | crowd | dark | dissonant bass | excited | familiar tune | folk song | foreign key modulation | happy | heroic | Irish | layering | leading man | mob | mobbing | octatonic | parallelism | pedal tone | polytonality | rebel | serving | source to score | spying | tense | whole-tone | yelling | zoom in |
| The Letter (1940) | Foxtrot No. 3 | 1:33:58 - Camera pans to the party | added-note chord | calm | dance music | foxtrot | plantation | resolution | source music | zoom in |
| Lightning Strikes Twice (1951) | Shelly (Traveling) + Shelly 2 | 0:10:13 - Shelly drives through the desert | actor | bright | car | cheerful | combination of themes | desert | double exposure | driving | foreign key modulation | leading lady | map | montage | motor effect | ostinato | sequential modulation | traveling | traveling scene | wheel | zoom in |
Lightning Strikes Twice (1951) | Trev (Realization) | 1:26:36 - Close-up on Trev's face | actor | anger | chasing | climax | close-up | dark | friend | husband | leading lady | leading man | menacing | murderer | rancher | realizing | room | zoom in |
| Kid Galahad (1937) | Boxing poster | 0:00:41 - Boxing poster | 64 chord | augmentation | chromatic sequence | diminution | establish character | jaunty | poster | street | zoom in |
| The Unfaithful (1947) | Stinger | 0:52:10 - Chris reacts | advance plot | leading lady | shop | shopkeeper | stinger | surprise | suspenseful | zoom in |
The Unfaithful (1947) | Unfaithful (Attack 2) | 1:13:06 - Bob attacks the art shop owner | 9th chord | angry | antagonist | attacking | chromatic scale | fighting | husband | pc set | pivotal scene | room | widow | zoom in |
| Without Honor (1949) | Andante and Variations | 0:29:28 - Bill talks to Jane | antagonist | arriving | brother | calm | classical music | conflict | conversing | leading lady | leading man | radio | room | source music | taunting | wife | zoom in |
| The Most Dangerous Game (1932) | The Iron Door | 0:00:14 - Large iron door | castle | cast list | door | door knocker | knocking | mysterious | opening | opening title sequence | statue | tense | title of film | zoom in | zoom out |
The Most Dangerous Game (1932) | Russian Waltz (Zoom In) | 0:27:16 - Zaroff looks up at Eve | advance plot | brother | castle | close-up | conversing | count | departing | drunk | frantic | leading lady | leading man | mute | ominous | servant | stinger | zoom in |
| Mara Maru (1952) | Manuelo | 0:00:00 - WB shield | cheerful | establish setting | map | opening title sequence | Spanish | WB shield | zoom in |
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