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386 results for "street"

FilmTheme nameInstanceTags
All This, and Heaven Too (1940)School Girls0:01:12 - Young girls walking to schoolchatting | child | establish setting | pleasant | school | street | upbeat | walking

All This, and Heaven Too (1940)

La Parisienne0:12:55 - A shot of Parisestablish place | establish time | fanfare | noble | on-screen text | patriotic tune | street | transition

All This, and Heaven Too (1940)

Henriette (Carriage)0:13:05 - A carriage arrivescarriage | driver | leading lady | pleasant | street | transition | traveling | upbeat

All This, and Heaven Too (1940)

Arriving0:13:14 - Henriette gets out of the carriagearriving | carriage | driver | gentle | leading lady | pleasant | street | transition

All This, and Heaven Too (1940)

Arriving 20:13:24 - Henriette walks to the front doorarriving | caretaker | gentle | leading lady | pleasant | street | transition

All This, and Heaven Too (1940)

Underscoring (Mysterious)0:13:37 - Henriette meets the caretakercaretaker | conversing | leading lady | mysterious | street | transition | underscoring

All This, and Heaven Too (1940)

Pierre0:13:47 - Pierre introduces himselfcaretaker | conversing | introducing | leading lady | pleasant | street | tense | transition

All This, and Heaven Too (1940)

Henriette (Carriage)0:46:53 - Horses pulling a carriagecarriage | child | conversing | governess | horse | leading lady | mickey-mousing | pleasant | riding | street | traveling scene | trotting | upbeat

All This, and Heaven Too (1940)

The Duchess (Tutti)1:42:34 - Newspaper headlinebold | double exposure | headline | montage | newspaper | on-screen text | romantic | street

All This, and Heaven Too (1940)

Henriette1:45:41 - A carriage arrivesarriving | carriage | child | duke | grand | leading man | pleasant | street | transition | traveling

All This, and Heaven Too (1940)

Henriette (Dark)1:52:57 - A police wagon approachesarresting | carriage | conflict | crowd | dark | landlady | leading lady | soldier | street | suspect

All This, and Heaven Too (1940)

Henriette (Grandioso) + Desperation (Grandioso)1:53:13 - The police wagon leavesarresting | bold | carriage | conflict | conversing | crowd | crying | dark | landlady | leading lady | ominous | soldier | street | suspect | tense | testifying

All This, and Heaven Too (1940)

Agitato 21:59:31 - Henriette is arrestedagitated | crowd | crying | double exposure | dramatic | fanfare | headline | leading lady | leaving | mob | montage | newspaper | soldier | street | suspect | yelling

All This, and Heaven Too (1940)

Henriette (Ostinato)2:10:09 - A carriage leavescarriage | crowd | dramatic | leading lady | mob | ominous | ostinato | prisoner | soldier | street | suspect | tense | transition | traveling

All This, and Heaven Too (1940)

Underscoring (Tense)2:10:17 - A carriage arrives at the palacearriving | carriage | leading lady | prisoner | soldier | street | suspect | tense | transition | traveling | underscoring
The Amazing Dr. Clitterhouse (1938)The Fur Store0:44:20 - Truck arrives at the United Fur Co.chromatic parallelism | darkness | half-diminished 7th chord | mysterious | pedal tone | store | street | suspenseful | transition | truck

The Amazing Dr. Clitterhouse (1938)

The Amazing Doctor (Rocks) + Rocks (The Amazing Doctor)0:50:33 - Rocks goes out to the truckantagonist | anxious | combination of themes | criminal | dissonant bass | double-cross | dramatic | gangster | lying | murderer | pc set | robbery | street | tense | thief | tritone

The Amazing Dr. Clitterhouse (1938)

People running0:52:10 - Men run to the warehouseadded-note chord | crowd | exciting | mickey-mousing | robbery | running | street
Angels With Dirty Faces (1938)Sidewalks of New York0:00:58 - Organ grinder on the streets of New Yorkcheerful | conversing | establish place | establish setting | source music | street | teenager | walking

Angels With Dirty Faces (1938)

The Chase0:04:21 - Cops chase boys through the train yardchase scene | chasing | chromatic parallelism | chromatic scale | diminished 7th chord | dramatic | escaping | half-diminished 7th chord | mickey-mousing | police | polychord | running | street | teenager | whole-tone chord

Angels With Dirty Faces (1938)

Running and shooting0:06:52 - Police chase gangsters and Rocky shootsagent | augmented triad | chasing | dissonant bass | dominant 7th chord | dramatic | establish character | gangster | gun | gunshot | leading man | mickey-mousing | montage | newspaper | quartal chord | running | shooting | street | zoom out

Angels With Dirty Faces (1938)

Explosion0:07:16 - Building explodes after car drives bybomb | chromatic scale | dissonant bass | dramatic | driving | establish character | explosion | gangster | mickey-mousing | montage | polychord | street | throwing

Angels With Dirty Faces (1938)

The Gangster (Headlines)0:07:21 - Newspaper headlinedark | establish character | headline | main title | montage | mysterious | newspaper | octatonic scale | pedal tone | street

Angels With Dirty Faces (1938)

I’ve Got a Heartfelt of Music0:08:31 - People in the streetABAC structure | cheerful | crowd | driving | headline | newspaper | radio | source music | street | transition | walking

Angels With Dirty Faces (1938)

Whistling0:21:14 - Character whistlesadvance plot | cheerful | gang | on-screen music | source music | street | teenager | walking | whistling

Angels With Dirty Faces (1938)

Rocky and Laury (Not In Film 1)NIF - not in filmadded-note chord | altered dominant | augmented sixth chord | common-chord modulation | conversing | cut from film | establish character | following | gangster | leading lady | leading man | mode mixture | street | walking

Angels With Dirty Faces (1938)

Rocky and Laury (Not In Film 2)NIF - not in filmadded-note chord | altered dominant | augmented sixth chord | chromatic scale | conversing | cut from film | establish character | following | gangster | leading lady | leading man | street | walking

Angels With Dirty Faces (1938)

Underscoring (Dramatic)NIF - not in filmchromatic parallelism | chromatic scale | chromatic sequence | conflict | cut from film | diminished 7th chord | dissonant bass | evading | following | gangster | leading man | linear chromaticism | setup | shop | street | underscoring | walking

Angels With Dirty Faces (1938)

Crowd rushing0:41:09 - Crowd rushes to the crime scenechromatic sequence | conflict | crowd | dissonant bass | hurrying | mickey-mousing | running | street | tense

Angels With Dirty Faces (1938)

Underscoring (Tense)0:41:20 - Police car arrivesarriving | chromatic parallelism | chromatic scale | conflict | crowd | dissonant bass | half-diminished 7th chord | rushing | shop | street | tense | underscoring

Angels With Dirty Faces (1938)

Crowd0:41:46 - Hustling crowd chromatic parallelism | conflict | crowd | dissonant bass | rushing | street | tense

Angels With Dirty Faces (1938)

Underscoring (Dramatic)1:16:29 - Rocky shoots Mac and Frazieragitated | attacking | casino | chaos | chasing | chromatic parallelism | chromatic scale | climbing | conflict | crowd | death | dissonant bass | dramatic | dying | escaping | falling | fighting | gangster | gun | gunshot | half-diminished 7th chord | hurrying | jumping | landing | lawyer | leading man | mickey-mousing | pedal tone | police | rooftop | room | running | sequence | shooting | sneaking | sneaky | street | tone cluster | underscoring

Angels With Dirty Faces (1938)

Going down a ladder1:17:32 - Rocky goes down an escape ladderagitated | chromatic scale | climbing | conflict | descending | down | dramatic | escaping | gangster | hurrying | ladder | leading man | mickey-mousing | street

Angels With Dirty Faces (1938)

Going up a ladder1:17:41 - Rocky climbs up an escape ladderagitated | ascending | chromatic parallelism | climbing | conflict | dramatic | gangster | ladder | leading man | mickey-mousing | pedal tone | sequence | street | up

Angels With Dirty Faces (1938)

Tear Gas1:19:48 - Tear gas spreads throughout the roomagitated | breaking | breaking | breathing | building | chromatic parallelism | chromatic scale | conflict | dissonant bass | dramatic | gangster | gun | gunshot | hurrying | leading man | mickey-mousing | pedal tone | police | quartal chord | running | shooting | smoke | street | tear gas | throwing | window

Angels With Dirty Faces (1938)

Machine Gun1:20:24 - Policeman shoots at Rocky with machine gunagitated | building | chromatic parallelism | conflict | death | dramatic | falling | gangster | gun | gunshot | hiding | leading man | police | polychord | shooting | street | underscoring

Angels With Dirty Faces (1938)

Underscoring (Dramatic)1:20:39 - Policemen shoot tear gas in through the windowagitated | appoggiatura | building | conflict | dramatic | gangster | gun | gunshot | leading man | mickey-mousing | police | shooting | street | tone cluster | underscoring

Angels With Dirty Faces (1938)

Launching tear gas1:20:51 - Policemen shoot tear gas in through the windowagitated | building | conflict | dramatic | gangster | gun | gunshot | launching | leading man | mickey-mousing | police | shooting | street | tear gas | tone cluster

Angels With Dirty Faces (1938)

Pleading (Extended)1:21:00 - Jerry arrives on the scene9th chord | appoggiatura | arriving | chromatic sequence | circle of fifths | concerned | conflict | crowd | gun | gunshot | hurried | hurrying | leading lady | leading man | love interest | polychord | priest | pushing | street | yearning

Angels With Dirty Faces (1938)

Jerry + Tear Gas1:21:14 - Rocky staggers through tear gas and Jerry arrivesagitated | arriving | building | chromatic parallelism | combination of themes | conflict | dissonant bass | dramatic | gangster | heroic | hurrying | leading man | mickey-mousing | priest | quartal chord | smoke | staggering | street | tear gas

Angels With Dirty Faces (1938)

Jerry (Pleading)1:21:26 - Jerry talks to the copsbuilding | conflict | deceptive resolution | heroic | hopeful | leading man | pleading | priest | street

Angels With Dirty Faces (1938)

Tear Gas (Desperate)1:21:40 - Rocky tries to hold off the copsagitated | building | chromatic parallelism | chromatic scale | conflict | dissonant bass | dramatic | gangster | gun | gunshot | leading man | mickey-mousing | pedal tone | police | priest | quartal chord | shooting | smoke | staggering | street | tear gas

Angels With Dirty Faces (1938)

Jerry (Maestoso)1:22:13 - Jerry enters the buildingbuilding | conflict | entering | foreign key modulation | heroic | hopeful | leading man | pedal tone | priest | street | walking

Angels With Dirty Faces (1938)

The Gangster (Triste)1:23:57 - Rocky uses Jerry as a hostage9th chord | building | chromatic parallelism | conflict | coughing | dark | double-cross | foreign key modulation | fragmentation | gangster | hostage | leading man | linear chromaticism | major 7th chord | menacing | polychord | priest | smoke | somber | street | tear gas | walking

Angels With Dirty Faces (1938)

Jerry (Hostage)1:25:07 - Rocky pushes Jerry augmented sixth chord | conflict | double-cross | gangster | hostage | leading man | mysterious | priest | pushing | street | tense

Angels With Dirty Faces (1938)

Rocky runs1:25:13 - Rocky makes a run for itagitated | chromatic scale | conflict | falling | gangster | gun | gunshot | hostage | leading man | octatonic | priest | running | sequence | shooting | street | whole-tone chord

Angels With Dirty Faces (1938)

Underscoring (Dramatic)1:25:20 - Rocky throws his guncapturing | chromatic scale | conflict | dissonant bass | dramatic | gangster | gun | leading man | police | sequence | street | throwing | underscoring

Angels With Dirty Faces (1938)

The Gangster (Captured)1:25:31 - Rocky is capturedcapturing | conflict | gangster | leading man | police | somber | street | taunting
Are These Our Children? (1931)Dreams B0:01:33 - Two young people in lovecommon-chord modulation | common-tone diminished 7th | conductor score | conversing | establish character | gentle | leading lady | leading man | lovers | love scene | snuggling | street

Are These Our Children? (1931)

Dreams0:02:11 - Eddie and Mary talk11th chord | AABA structure | conductor score | establish character | gentle | leading lady | leading man | leaving | lovers | love scene | mode mixture | street | waiting

Are These Our Children? (1931)

Dreams (Whistling)0:03:29 - Eddie walks homecheerful | establish character | gentle | leading man | love scene | on-screen music | score to source | source and scoring overlap | street | transcribed by ear | walking | whistling

Are These Our Children? (1931)

Dreams (Whistling 2)0:03:59 - Eddie walks homeadvance plot | cheerful | leading man | on-screen music | street | transcribed by ear | walking | whistling

Are These Our Children? (1931)

Makes You Forget Your Troubles (Whistling)0:18:46 - Eddie whistles on his way homecheerful | leading man | on-screen music | source music | street | transcribed by ear | transition | walking | whistling

Are These Our Children? (1931)

Makes You Forget Your Troubles (Eddie Sings)0:19:13 - Eddie sings to himselfcheerful | leading man | on-screen music | singing | source music | street | transcribed by ear | transition | walking

Are These Our Children? (1931)

Makes You Forget Your Troubles (Whistling)0:23:11 - Eddie walks awayadvance plot | cheerful | leading man | on-screen music | source music | street | transcribed by ear | walking | whistling

Are These Our Children? (1931)

Moonbeams (Dream Sequence)0:27:23 - Eddie takes Flo homeadded-note chord | advance plot | double exposure | dream sequence | entering | friend | hectic | kissing | leading man | mode mixture | romantic | source to score | street | transcribed by ear | waltz

Are These Our Children? (1931)

Makes You Forget Your Troubles (Moderato)0:27:59 - Eddie walks outsidecheerful | leading man | leaving | source to score | street | transition

Are These Our Children? (1931)

Makes You Forget Your Troubles (Whistling)0:28:36 - Eddie arrives homecheerful | leading man | on-screen music | source music | street | transition | walking | whistling

Are These Our Children? (1931)

Makes You Forget Your Troubles (Eddie Sings)0:40:40 - The boys leave the scene of the crimefriend | leading man | murderer | murder scene | nervous | singing | source music | street | walking

Are These Our Children? (1931)

Stars and Stripes Forever0:52:14 - Young people cavorting in the streetadvance plot | cheerful | dancing | drunk | friend | leading man | love interest | murderer | on-screen music | singing | source music | street
Arsenic and Old Lace (1944)Sidewalks of New York (Quasi Barcarolle)0:05:13 - The Brewster homecalm | card | cemetery | establish setting | familiar tune | gravestone | ominous | stinger | street | wind | wind effect

Arsenic and Old Lace (1944)

Sidewalks of New York (Walking)0:05:30 - Cops patrol the neighborhoodcalm | establish setting | familiar tune | police | street | walking

Arsenic and Old Lace (1944)

The Aunts0:12:26 - Reverend leavesadvance plot | aunt | cheerful | conversing | crazy person | delicate | gentle | leading lady | street

Arsenic and Old Lace (1944)

Here Comes the Bride (Full)0:14:00 - Elaine appears in the windowaunt | bride | cheerful | conversing | crazy person | familiar tune | greeting | groom | leading lady | leading man | love | love scene | on-screen music | pleasant | room | score to source | source music | street | whistling

Arsenic and Old Lace (1944)

Here Comes the Bride (Modulating)0:14:10 - Mortimer calls to Elaineaunt | bride | cemetery | conversing | driver | familiar tune | flirting | groom | hurrying | leading lady | leading man | love | love scene | rushed | rushing | source to score | street

Arsenic and Old Lace (1944)

Chasing 20:16:31 - Elaine runs offbride | groom | hurrying | leading lady | leading man | light | love | love scene | running | street

Arsenic and Old Lace (1944)

Here Comes the Bride0:16:37 - Elaine whistlesbride | cheerful | familiar tune | groom | leading lady | leading man | love | love scene | on-screen music | source music | street | whistling

Arsenic and Old Lace (1944)

Happy Land1:19:56 - Mortimer with the taxi driveraunt | brother | calm | conversing | crazy person | doctor | driver | funeral | groom | hymn | leading lady | leading man | murderer | on-screen music | score to source | singing | source music | street

Arsenic and Old Lace (1944)

Happy Land1:22:17 - Mortimer talking with Elaine through her windowaunt | bride | calm | conversing | crazy person | doctor | funeral | groom | hymn | leading lady | leading man | murderer | singing | street

Arsenic and Old Lace (1944)

Happy Land (The End)1:57:05 - Mortimer carries Elaine awaybride | driver | end title sequence | familiar tune | groom | kissing | leading lady | leading man | resolution | street | The End | upbeat
The Big Sleep (1946)Walking0:13:39 - Marlowe walks down the streetadvance plot | calm | investigating | leading man | private eye | street | walking

The Big Sleep (1946)

Marlowe (Grazioso)0:13:46 - Marlowe puts on a disguiseadvance plot | disguise | disguising | leading man | mysterious | private eye | street

The Big Sleep (1946)

Walking (Extended)0:15:03 - Marlowe walks across the streetadvance plot | calm | investigating | leading man | private eye | street | walking

The Big Sleep (1946)

Underscoring (Tense)0:18:57 - Geiger enters carantagonist | car | departing | rain | street | tense | transition | underscoring

The Big Sleep (1946)

Marlowe (Agitato)0:19:05 - Marlowe gets in his carcar | following | leading man | mysterious | private eye | rain | street | tense | transition

The Big Sleep (1946)

Car0:19:13 - Car arrives at Geiger's housecar | driving | leading man | mysterious | private eye | rain | street | tense | transition

The Big Sleep (1946)

Hurrying0:19:26 - Geiger enters his houseantagonist | car | mysterious | rain | street | tense | transition | walking

The Big Sleep (1946)

Marlowe (Misterioso)0:19:40 - Marlowe pulls up in his cararriving | car | investigating | leading man | mysterious | private eye | rain | street | tense | transition

The Big Sleep (1946)

Marlowe 20:19:47 - Marlowe spies on the housecar | investigating | investigation scene | leading man | mysterious | private eye | rain | street | tense | waiting

The Big Sleep (1946)

Running0:20:06 - Carmen runs to Geiger's housefemme fatale | investigation scene | mysterious | rain | running | street | tense

The Big Sleep (1946)

Marlowe (Molto Misterioso)0:20:17 - Marlowe gets out to see the second carcar | investigating | investigation scene | leading man | mysterious | private eye | rain | street | tense | walking

The Big Sleep (1946)

Carmen0:20:39 - Marlowe sees Carmen's name on the car registrationcar | investigating | investigation scene | leading man | mysterious | name on screen | private eye | rain | street | tense

The Big Sleep (1946)

Underscoring (Dramatic)0:21:04 - Marlowe runs to the houseaction scene | antagonist | dramatic | hurrying | leading man | private eye | running | street | tense | underscoring

The Big Sleep (1946)

Running down0:21:13 - Feet running down the stairsaction scene | antagonist | descending | dramatic | hurrying | mickey-mousing | running | street | tense

The Big Sleep (1946)

Marlowe (Heroic)0:21:28 - Marlowe enters the houseaction scene | breaking in | heroic | leading man | private eye | running | street

The Big Sleep (1946)

Hurrying0:27:25 - Marlowe goes back to Geiger's houseinvestigating | investigation scene | leading man | mysterious | private eye | street | walking

The Big Sleep (1946)

Walking 20:39:25 - Marlowe walks to the houseinvestigating | investigation scene | leading man | mysterious | private eye | street | tense | walking

The Big Sleep (1946)

Hurrying0:39:41 - Marlowe walks back to the cabhurrying | investigation scene | leading man | mysterious | private eye | street | tense | walking

The Big Sleep (1946)

Girl Driver0:39:53 - Marlowe pays the lady cab driverbluesy | flirting | investigation scene | leading man | love interest | private eye | seductive | street

The Big Sleep (1946)

Car0:47:32 - Another car arrivesarriving | driving | investigation scene | leading man | mysterious | private eye | street | tense | waiting

The Big Sleep (1946)

Running0:47:40 - Vivian enters the apartment buildinghurrying | investigating | investigation scene | leading lady | leading man | mysterious | private eye | street | tense | walking

The Big Sleep (1946)

Marlowe (Determined)0:47:56 - Marlowe enters the apartment buildingarriving | ascending | bold | determined | heroic | investigating | investigation scene | leading lady | leading man | private eye | stairs | street | walking

The Big Sleep (1946)

Underscoring (Dramatic)0:56:54 - Killer shoots at Marloweassassin | chase scene | chasing | dramatic | leading man | murderer | private eye | running | shooting | street | tense | underscoring

The Big Sleep (1946)

Marlowe (Action)0:57:01 - Marlowe runs to his carassassin | chase scene | chasing | dramatic | heroic | leading man | murderer | private eye | running | street | tense

The Big Sleep (1946)

The Pursuit0:57:09 - Marlowe pursues killer in his carassassin | car | chase scene | chasing | driving | gun | hiding | leading man | murderer | private eye | pursuing | street | tense

The Big Sleep (1946)

Marlowe (Sinister)0:58:24 - Marlowe takes Carol to Geiger's housearriving | assassin | conflict | dark | gun | leading man | murderer | private eye | punching | sinister | stinger | street

The Big Sleep (1946)

Liza (All the Clouds'll Roll Away)1:12:27 - Marlowe leaves the gambling jointconflict | criminal | investigating | leading lady | leading man | love interest | private eye | source music | street | upbeat

The Big Sleep (1946)

What Are You Doin' the Rest of Your Life1:14:35 - Marlowe and Vivian leaveconflict | conversing | leading lady | leading man | love interest | private eye | source music | street | upbeat

The Big Sleep (1946)

Walking (Interrupted)1:22:27 - Marlowe walks down the streetinvestigating | investigation scene | leading man | private eye | street | tense | walking

The Big Sleep (1946)

Marlowe (Investigating)1:22:38 - Marlowe looks at car registrationinvestigating | investigation scene | leading man | mysterious | private eye | punching | street | tense

The Big Sleep (1946)

Jones1:23:24 - Jones entersadvance plot | leading man | mysterious | private eye | street | tense | walking

The Big Sleep (1946)

Marlowe (Beaten)1:23:35 - Jones helps Marlowe upadvance plot | dazed | leading man | lifting | mickey-mousing | pain | private eye | rising | street

The Big Sleep (1946)

Marlowe (Dazed)1:23:48 - Marlowe recoversadvance plot | conversing | dazed | leading man | pain | private eye | street

The Big Sleep (1946)

Recovering1:24:06 - Jones helps Marlowe upadvance plot | conversing | impressionism | leading man | mysterious | pain | private eye | street

The Big Sleep (1946)

Door slam1:33:12 - Marlowe closes the car doorclosing | hurried | informer | leading man | mickey-mousing | private eye | slamming | street | tense | traveling scene

The Big Sleep (1946)

Hurrying (Car)1:33:13 - Marlowe drives in a carcar | driving | hurried | leading man | private eye | street | tense | traveling scene

The Big Sleep (1946)

Underscoring (Tense)1:33:20 - Marlowe backs the car upcar | driving | leading man | private eye | street | tense | traveling scene | underscoring

The Big Sleep (1946)

Hurrying (Car)1:33:25 - Marlowe continues drivingcar | driving | hurried | leading man | private eye | street | tense | traveling scene

The Big Sleep (1946)

Marlowe (Dramatic)1:33:37 - Marlowe looks at signcar | dramatic | investigating | leading man | private eye | street | tense | traveling scene

The Big Sleep (1946)

Hurrying (Car)1:33:50 - Marlowe drives off of the roadcar | driving | hurried | leading man | private eye | street | tense | traveling scene

The Big Sleep (1946)

He skids1:33:53 - Marlowe's car skids to a stopcar | leading man | mickey-mousing | private eye | skidding | street | tense | traveling scene
City for Conquest (1940)Sidewalks of New York (Street Organ)0:03:10 - A New York street cornerchild | conversing | crowd | dancing | old man | on-screen music | organ grinder | playing | pleasant | score to source | source music | street | street organ | thief | transition | upbeat | walking

City for Conquest (1940)

The Bowery0:05:00 - People on a New York streetchild | conversing | crowd | establish character | on-screen music | playing | pleasant | source music | street | street organ | upbeat

City for Conquest (1940)

Sidewalks of New York (Soliloquy 3)0:05:44 - Old-timer talks to a stone carverbluesy | child | conversing | establish character | love | old man | romantic | sentimental | soliloquy | street | worker

City for Conquest (1940)

Sidewalks of New York (Waltz Grazioso)0:06:09 - Two children playingchild | conversing | establish character | love | old man | romantic | sentimental | soliloquy | street | waltz

City for Conquest (1940)

Underscoring (Dramatic)0:34:31 - Marquee for Palace Gardensbold | fanfare | marquee | montage | street

City for Conquest (1940)

Peggy runs0:47:31 - Peggy runs down the stairsboxer | dancer | descending | leading lady | leading man | love scene | mickey-mousing | running | source and scoring overlap | street | tense

City for Conquest (1940)

Tone Poem A1 (Romantic)0:47:41 - Peggy talks with Dannyboxer | conversing | dancer | leading lady | leading man | love scene | street | tense

City for Conquest (1940)

Tone Poem A1 (Dolce)0:48:06 - Danny talks to Peggyboxer | dancer | embracing | kissing | leading lady | leading man | love scene | romantic | street

City for Conquest (1940)

Tone Poem A1 (Walking)0:48:32 - Danny and Peggy walk down the streetboxer | conversing | dancer | leading lady | leading man | love scene | romantic | street | walking

City for Conquest (1940)

Tone Poem A1 (Molto Expressivo)0:48:44 - Danny talks with Peggyboxer | dancer | embracing | kissing | leading lady | leading man | love scene | romantic | street

City for Conquest (1940)

Underscoring (Gentle)0:55:19 - A taxi approachesarriving | farewell scene | gentle | leading lady | leading man | source and scoring overlap | street | taxi | underscoring

City for Conquest (1940)

Tone Poem A1 (Farewell) + Tone Poem A20:55:31 - Peggy bids farewell to Dannyconversing | crying | embracing | farewell scene | leading lady | leading man | leaving | romantic | sentimental | street

City for Conquest (1940)

Tone Poem A1 (Beoootiful) + Tone Poem A2 (Beoootiful)1:40:11 - Danny working at his newsstandblur | conversing | ethereal | gentle | into focus | leading lady | leading man | love scene | reunion | reuniting | shimmery | squinting | street | victim

City for Conquest (1940)

Tone Poem A1 (Chorus) + Tone Poem A2 (Chorus)1:41:14 - Danny talks with Peggyconversing | ethereal | gentle | leading lady | leading man | love scene | optimistic | reunion | reuniting | romantic | shimmery | street | victim
Crime School (1938)Gangster Blues0:01:16 - New York City streets13th chord | added-note chord | altered dominant | blues | cut from film | establish setting | fun | Gershwinesque | main title | setting | street | upbeat

Crime School (1938)

Elephant Walk0:04:57 - Kids whistle as cop walks awaycomical | establish character | gang | on-screen music | source music | street | teenager | whistling

Crime School (1938)

Running away0:09:32 - Kids run away from cops42 chord | chasing | chromatic scale | conflict | dramatic | fleeing | gang | mickey-mousing | police | running | street | teenager | tense

Crime School (1938)

Underscoring (Tense)0:09:40 - Spike is captured by the cops9th chord | arresting | capturing | conflict | dramatic | police | street | teenager | tense

Crime School (1938)

Underscoring (Mysterious)1:12:35 - The boys walk through the cityescape | gang | mysterious | pedal tone | plotting | sneaking | street | teenager | tense

Crime School (1938)

Climbing ladder1:13:05 - Frankie climbs the ladderclimbing | escape | ladder | mickey-mousing | street | teenager | tense

Crime School (1938)

Underscoring (Dramatic)1:15:31 - Frankie fights Spikeagitated | arguing | chromatic scale | conflict | dissonant bass | fighting | gang | hero | leading man | sequence | street | teenager | underscoring
They Made Me a Criminal (1939)The Street0:14:31 - Newspaper boy on street64 chord | chromatic sequence | dark | newspaper | newspaper boy | selling | street | tense | transition

They Made Me a Criminal (1939)

The Bicycle0:14:42 - Newspaper boy on bicycle9th chord | 13th chord | bicycle | cheerful | mickey-mousing | newspaper | newspaper boy | riding | street | throwing | transition

They Made Me a Criminal (1939)

Traveling0:22:25 - Johnnie becomes a fugitive9th chord | added-note chord | altered dominant | countryside | double exposure | dramatic | leading man | map | mickey-mousing | money | montage | montage | purchasing | street | traveling | walking

They Made Me a Criminal (1939)

The Arena1:01:22 - A fight posteradvance plot | augmented sixth chord | dark | detective | fanfare | leading man | light | polytonality | poster | street | thinking
Dust Be My Destiny (1939)Arriving0:26:52 - Joe and Mabel settle into their new situation9th chord | arriving | calm | dramatic | freedom | leading lady | leading man | runaway | settling down | street | traveling | traveling scene | truck

Dust Be My Destiny (1939)

Dust Be My Destiny (In Love)0:27:22 - Joe and Mabel talk9th chord | added-note chord | advance plot | common-tone diminished 7th | freedom | gentle | leading lady | leading man | mode mixture | runaway | secondary dominant | street | walking

Dust Be My Destiny (1939)

Dust Be My Destiny (Milkman)0:27:38 - Joe and Mabel talk to the milkmanadvance plot | comical | glass | leading lady | leading man | milk | milkman | pizzicato | street

Dust Be My Destiny (1939)

Dust Be My Destiny (A Hotel)0:28:47 - Joe mentions going to a hoteladvance plot | altered dominant | concerned | leading lady | leading man | street

Dust Be My Destiny (1939)

Here Comes the Bride (Modulating)0:29:02 - Joe and Mabel run to the courthouseadded-note chord | deceptive resolution | excited | familiar tune | foreign key modulation | fragmentation | leading lady | leading man | love scene | marriage | pump-up modulation | romance | romantic | running | sequence | street

Dust Be My Destiny (1939)

Dust Be My Destiny (Waiting)0:29:38 - Joe and Mabel talk about getting marriedadded-note chord | augmented sixth chord | chromatic mediant | common-tone diminished 7th | foreign key modulation | leading lady | leading man | love scene | romantic | street | waiting

Dust Be My Destiny (1939)

Dust Be My Destiny (Running Up and Down)0:30:12 - Man runs up the courthouse steps64 chord | chromatic parallelism | chromatic scale | courthouse | down | frantic | leading lady | leading man | love scene | mickey-mousing | mode mixture | producer | running | stairs | street | up

Dust Be My Destiny (1939)

Here Comes the Bride (Triple)0:30:31 - Man talks to Joe and Mabel9th chord | 64 chord | chromatic parallelism | courthouse | familiar tune | leading lady | leading man | love scene | marriage | producer | pump-up modulation | romantic | sequence | street

Dust Be My Destiny (1939)

Dust Be My Destiny (Got Each Other)0:30:49 - Mabel proclaims her love for Joecourthouse | leading lady | leading man | love scene | producer | romantic | street

Dust Be My Destiny (1939)

Fairy Music0:30:58 - Man takes their luggage64 chord | courthouse | happy | leading lady | leading man | love scene | producer | pump-up modulation | romantic | street

Dust Be My Destiny (1939)

Here Comes the Bride (Advertisement)0:31:07 - A marquee advertising "Marriage on Stage Tonite"common-chord modulation | crowd | familiar tune | foreign key modulation | happy | love scene | marriage | street | theater

Dust Be My Destiny (1939)

Fleeing0:34:56 - Joe and Mabel fleealley | chromatic scale | danger | down | escape | fearful | fleeing | leading lady | leading man | linear chromaticism | mickey-mousing | police | runaway | running | street | suspenseful

Dust Be My Destiny (1939)

Agitato Risoluto0:35:11 - Joe and Mabel hide under the stairsagitated | alley | chromatic parallelism | concerned | danger | escape | hiding | leading lady | leading man | pedal tone | runaway | street

Dust Be My Destiny (1939)

Dust Be My Destiny (Injustice)0:35:25 - Joe and Mabel talk in the alley9th chord | alley | chromatic parallelism | escape | fearful | leading lady | leading man | runaway | street

Dust Be My Destiny (1939)

Dust Be My Destiny (Fear and Devotion)0:35:50 - Joe and Mabel decide to stick togetheralley | common-tone diminished 7th | devotion | dramatic | escape | fear | fragmentation | leading lady | leading man | love | mode mixture | obsessive | runaway | street

Dust Be My Destiny (1939)

Dust Be My Destiny (Wandering)0:37:16 - Joe and Mabel walk down the roadcar | car horn | diminished 7th chord | leading lady | leading man | montage | oscillation | runaway | street | tired | traveling scene | walking

Dust Be My Destiny (1939)

Dust Be My Destiny (Weary)0:37:38 - They rest by the side of the roadchromatic parallelism | conflict | leading lady | leading man | resting | runaway | street | tired

Dust Be My Destiny (1939)

Underscoring (Dramatic)0:38:00 - Joe and Mabel argue9th chord | arguing | conflict | dissonant bass | dramatic | leading lady | leading man | runaway | street | underscoring

Dust Be My Destiny (1939)

Dust Be My Destiny0:38:38 - Joe and Mabel partcommon-tone diminished 7th | conflict | leading lady | leading man | leaving | runaway | somber | street

Dust Be My Destiny (1939)

Dust Be My Destiny (Parting Ways)0:38:56 - Joe and Mabel partaltered dominant | common-tone diminished 7th | conflict | dark | leading lady | leading man | leaving | mode mixture | pedal tone | runaway | somber | street

Dust Be My Destiny (1939)

Dust Be My Destiny (Running)0:39:33 - Mabel runs across the streetconflict | leading lady | leading man | mickey-mousing | runaway | running | somber | street | truck

Dust Be My Destiny (1939)

Dust Be My Destiny (Regret)0:39:53 - Joe walks away sadlyconflict | dark | leading lady | leading man | parallelism | pedal tone | runaway | somber | street

Dust Be My Destiny (1939)

Dust Be My Destiny (Reunited)0:40:03 - Joe runs to Mabel64 chord | altered dominant | foreign key modulation | joyful | leading lady | leading man | mickey-mousing | pump-up modulation | resolution | runaway | running | street

Dust Be My Destiny (1939)

The Poster0:40:39 - Joe and Mabel see a sign for the trainchromatic sequence | comedy | comical | laughing | leading lady | leading man | runaway | sign | street

Dust Be My Destiny (1939)

Whistling0:45:44 - Joe whistles as he walks64 chord | cheerful | chromatic mediant | deceptive resolution | foreign key modulation | leading man | on-screen music | scored source music | source music | street | traveling scene | whistling

Dust Be My Destiny (1939)

Underscoring (Dramatic)0:46:42 - Mabel yells to Joechromatic scale | create suspense | diminished 7th chord | dissonant bass | dramatic | escaping | gun | gunshot | leading lady | leading man | police | room | runaway | running | street | underscoring | yelling

Dust Be My Destiny (1939)

Joe runs and falls0:46:50 - Joe runs and fallschromatic scale | create suspense | diminished 7th chord | dissonant bass | dramatic | falling | leading lady | leading man | mickey-mousing | police | runaway | running | stinger | street

Dust Be My Destiny (1939)

Underscoring (Dark)0:46:58 - Nick workingcreate suspense | dark | dissonant bass | friend | police | room | shopkeeper | street | underscoring

Dust Be My Destiny (1939)

Dust Be My Destiny (Grandioso)0:50:50 - Joe and Mabel outside42 chord | 64 chord | deceptive resolution | escaping | friend | heroic | jail break | leading lady | leading man | pedal tone | shopkeeper | street | triumphant

Dust Be My Destiny (1939)

Stinger0:51:01 - They see approaching headlights42 chord | danger | friend | jail break | leading lady | leading man | ominous | shopkeeper | siren | stinger | street

Dust Be My Destiny (1939)

Speeding car0:51:08 - The car speeds offcar | chromatic scale | diminished 7th chord | dramatic | escape | friend | leading lady | leading man | mickey-mousing | shopkeeper | street | traveling

Dust Be My Destiny (1939)

Patrol0:55:50 - Cop checks on a shopclock | crime scene | criminal | leading man | police | shopkeeper | street | tense

Dust Be My Destiny (1939)

Dust Be My Destiny (Sehr Ominous)0:56:14 - Joe walks towards the shop9th chord | chromatic parallelism | crime scene | criminal | leading man | mysterious | sequence | shop | shopkeeper | street | walking

Dust Be My Destiny (1939)

Underscoring (Dramatic)0:59:15 - A bank alarm sounds42 chord | 64 chord | action scene | bank | chromatic parallelism | chromatic scale | chromatic wedge | crowd | dramatic | leading man | photographer | robbery | shopkeeper | street | tone cluster | underscoring

Dust Be My Destiny (1939)

Alarm0:59:15 - Alarm soundsaction scene | alarm | bank | crowd | dramatic | leading man | mickey-mousing | photographer | robbery | shopkeeper | street

Dust Be My Destiny (1939)

Dust Be My Destiny (Heroic)0:59:42 - Joe takes pictures of the robbery42 chord | action scene | bank | chromatic scale | criminal | crowd | dramatic | fragmentation | gangster | leading man | photographer | retrograde | shopkeeper | street

Dust Be My Destiny (1939)

Underscoring (Dramatic)0:59:53 - Police arrive at the scene64 chord | action scene | bank | chromatic scale | crowd | dramatic | leading man | police | street | underscoring

Dust Be My Destiny (1939)

The Daily Journal1:00:10 - Sign for The Daily Journalestablish setting | fanfare | heroic | mode mixture | Neapolitan | newspaper | sign | street | triumphant

Dust Be My Destiny (1939)

Headlines1:03:23 - Headline about the robberyadvance plot | augmented triad | chromatic sequence | diner | dramatic | newspaper | newspaper boy | selling | street

Dust Be My Destiny (1939)

Underscoring (Tense)1:09:28 - Mike is confronted by gangstersbribe | chromatic parallelism | conflict | gangster | linear chromaticism | newspaper editor | street | tense | underscoring

Dust Be My Destiny (1939)

Gangsters walk1:10:26 - The gangsters walk to their carchromatic parallelism | chromatic scale | chromatic sequence | conflict | gangster | mickey-mousing | newspaper editor | street | tense | walking

Dust Be My Destiny (1939)

Underscoring (Dramatic)1:10:32 - Joe runs after the caraugmented triad | chromatic parallelism | chromatic scale | conflict | dramatic | gangster | half-diminished 7th chord | hero | leading man | mickey-mousing | newspaper editor | running | street

Dust Be My Destiny (1939)

Dust Be My Destiny (Brave)1:10:38 - Joe jumps onto the caraction scene | augmented triad | car | chromatic parallelism | dramatic | fighting | gangster | hero | leading man | newspaper editor | street | whole-tone chord

Dust Be My Destiny (1939)

Dust Be My Destiny (Heroic)1:10:32 - Joe heroically wrestles away the steering wheelaction scene | chromatic scale | dramatic | fighting | fragmentation | gangster | hero | leading man | newspaper editor | retrograde | street

Dust Be My Destiny (1939)

Car crash1:10:55 - Gangsters crash the caraction scene | car | chromatic scale | crashing | dramatic | gangster | hero | leading man | mickey-mousing | newspaper editor | street

Dust Be My Destiny (1939)

Dust Be My Destiny (Newspaper Montage)1:13:48 - Newspaper montage about Joecourthouse | exciting | headlines | montage | montage | newspaper | printing press | street
Each Dawn I Die (1939)Underscoring (Mysterious)0:04:28 - Frank leaves the newspaper officeclose-up | conflict | diminished 7th chord | gangster | hero | leading man | mysterious | reading | reporter | street | underscoring | watching

Each Dawn I Die (1939)

Lights match0:04:40 - Man lights a match on a lamp postconflict | gangster | lighting | match | mickey-mousing | mysterious | street

Each Dawn I Die (1939)

Creeping0:04:47 - Two men sneak up behind Frankchromatic scale | chromatic sequence | conflict | creeping | gangster | mickey-mousing | mysterious | pizzicato | sneaking | street | walking

Each Dawn I Die (1939)

Underscoring (Dramatic)0:04:55 - Frank is pushed into a carcar | chromatic scale | conflict | diminished 7th chord | dissonant bass | dramatic | fragmentation | gangster | gun | hero | kidnapping | leading man | pushing | reporter | street | underscoring | violence

Each Dawn I Die (1939)

Underscoring (Tense)0:05:11 - Newspaper on the sidewalkconflict | dissonant bass | gangster | newspaper | reading | street | tense | underscoring | whole-tone | whole-tone chord

Each Dawn I Die (1939)

Underscoring (Dramatic)0:05:24 - Frank is framed for drunk driving9th chord | attacking | car | conflict | diminished 7th chord | dramatic | gangster | hero | leading man | minor second | murder | pushing | reporter | setup | street | underscoring | violence

Each Dawn I Die (1939)

Hits with bottle0:05:26 - A bottle of alcohol is broken9th chord | bottle | breaking | conflict | dramatic | gangster | hero | leading man | mickey-mousing | reporter | street | violence

Each Dawn I Die (1939)

Car Crash0:05:40 - Two cars crashcar | car crash | chromatic scale | conflict | crashing | explosion | frantic | hero | leading man | metric dissonance | minor second | reporter | street | tone cluster

Each Dawn I Die (1939)

Confusion0:05:43 - Frank sits confused in car after crashaccusing | car | car crash | chromatic parallelism | chromatic scale | conflict | confused | crowd | dissonant bass | fire | glass | half-diminished 7th chord | hero | injury | leading man | reporter | running | street | yelling

Each Dawn I Die (1939)

Underscoring (Dramatic)0:06:06 - Crowd accuses Frank of murder9th chord | accusing | car crash | conflict | crowd | dissonant bass | dramatic | hero | injury | leading man | linear chromaticism | police | reporter | sequence | shaking | street | underscoring | yelling
The FBI Story (1959)Lucy A (Walking)0:37:12 - Lucy walks down the street with her childrenchild | flashback | heroine | mother | street
Flamingo Road (1949)Flamingo Road (Chapter One)0:00:54 - Chapter one from Flamingo Roadchromatic mediant | common-chord modulation | establish setting | gentle | mode mixture | self-borrowing | street | voice-over

Flamingo Road (1949)

Boldon City0:01:13 - Boldon City signbusy | common-tone diminished 7th | dominant pedal | establish setting | light | pentatonic | street | townsfolk | voice-over | working

Flamingo Road (1949)

Titus0:01:22 - The Palmer Housealtered dominant | dark | establish setting | ominous | politician | self-borrowing | sheriff | street | voice-over

Flamingo Road (1949)

Titus (Inverted)0:30:13 - Townsfolk talk about Titusadvance plot | dark | inversion | newspaper | reading | self-borrowing | street | townsfolk

Flamingo Road (1949)

Titus 2 (Extended)0:30:27 - Field overhears people talking about Titusadvance plot | chromatic sequence | dark | leading man | mysterious | newspaper | parallelism | reading | self-borrowing | street | townsfolk

Flamingo Road (1949)

Titus 2 (Agitato)0:37:11 - Lane goes to confront Titusagitated | angry | chromatic sequence | hurrying | leading lady | self-borrowing | street | transition | walking

Flamingo Road (1949)

Agitato0:39:09 - Lane storms off angrilyagitated | angry | chromatic parallelism | chromatic scale | chromatic wedge | conflict | hurrying | leading lady | self-borrowing | sheriff | street | walking

Flamingo Road (1949)

Titus 2 (Walking)0:39:17 - Lane storms off angrilyagitated | angry | chromatic parallelism | conflict | diminished 7th chord | hurrying | leading lady | mickey-mousing | self-borrowing | sheriff | street | walking

Flamingo Road (1949)

Titus (Setup)0:39:31 - A car follows Laneconflict | dark | leading lady | police | self-borrowing | setup | street | walking

Flamingo Road (1949)

Titus + Agitato (Extended)0:39:55 - Police take Lane awayarresting | combination of themes | conflict | driving | leading lady | police | self-borrowing | street | tense | turbulent

Flamingo Road (1949)

Flamingo Road (Expressivo)1:02:07 - The gate to 32 Flamingo Road11th chord | added-note chord | arriving | gentle | husband | leading man | self-borrowing | sign | street | transition

Flamingo Road (1949)

Titus (Tutti)1:08:05 - Titus and Field arrive at the construction sitearriving | dark | dominant 7th chord | half-diminished 7th chord | leading man | ominous | politician | self-borrowing | sheriff | street | transition

Flamingo Road (1949)

Agitato (Angry)1:09:25 - Titus leavesadvance plot | agitated | angry | chromatic parallelism | chromatic scale | chromatic wedge | leading man | leaving | politician | polychord | sheriff | street | tense

Flamingo Road (1949)

Titus + Titus 21:09:43 - Titus bullies Fieldadvance plot | bullying | chromatic parallelism | combination of themes | commanding | dark | leading man | ominous | ostinato | politician | self-borrowing | sheriff | street

Flamingo Road (1949)

Titus (Menacing)1:09:59 - Titus and Field leaveadvance plot | bullying | commanding | dark | leading man | menacing | ominous | politician | self-borrowing | sheriff | street

Flamingo Road (1949)

If I Could Be With You (Dramatic)1:11:05 - Boldon Lumber Companyconflict | dark | dramatic | driving | foreshadowing | half-diminished 7th chord | sheriff | street
Hell on Frisco Bay (1955)Hell on Frisco Bay0:02:01 - Marcia embraces Steveconductor score | embracing | establish character | friend | gentle | leading lady | leading man | street

Hell on Frisco Bay (1955)

Underscoring (Dark)0:02:12 - Steve mentions a divorce and leavesconductor score | conversing | dark | establish character | friend | investigator | leading man | street | underscoring

Hell on Frisco Bay (1955)

Kay0:20:48 - Lye goes to see Kayantagonist | conductor score | conversing | establish character | gangster | kissing | love interest | lyrical | romantic | street

Hell on Frisco Bay (1955)

Steve0:32:34 - Steve investigatesadvance plot | arriving | conductor score | investigator | leading man | neutral | street | walking

Hell on Frisco Bay (1955)

Disappointment0:36:18 - Steve leavesadvance plot | conductor score | dark | disappointed | investigator | leading man | leaving | somber | street

Hell on Frisco Bay (1955)

Boy running0:36:50 - Georgie runs down the stairsadvance plot | child | conductor score | down | hurried | mickey-mousing | running | street

Hell on Frisco Bay (1955)

Steve0:38:01 - Steve shakes Georgie's handadvance plot | cheerful | child | conductor score | gentle | investigator | leading man | street | thanking

Hell on Frisco Bay (1955)

Underscoring (Tense)0:52:13 - Dan waits for Steveadvance plot | conductor score | friend | gangster | investigator | leading man | pacing | street | tense | underscoring | waiting

Hell on Frisco Bay (1955)

Steve0:52:23 - Steve arrivesadvance plot | conductor score | conversing | friend | gangster | investigator | leading man | neutral | street

Hell on Frisco Bay (1955)

Steve runs0:52:55 - Steve runsadvance plot | conductor score | gangster | investigator | leading man | mickey-mousing | running | street | tense

Hell on Frisco Bay (1955)

Menace0:53:06 - Steve talks with Danadvance plot | conductor score | conversing | dark | gangster | investigator | leading man | sinister | street

Hell on Frisco Bay (1955)

Steve0:53:15 - Steve leavesaction scene | aiming | conductor score | dark | gangster | investigator | leading man | murderer | neutral | shooting | street | tense | walking

Hell on Frisco Bay (1955)

Climbing and jumping0:53:27 - Steve runs from Hammyaction scene | climbing | conductor score | hiding | hurried | investigator | jumping | leading man | mickey-mousing | street | tense

Hell on Frisco Bay (1955)

Menace0:53:30 - Hammy tries to escapeaction scene | conductor score | dramatic | escaping | fleeing | gangster | hurried | investigator | leading man | murderer | running | shooting | street | tense

Hell on Frisco Bay (1955)

Hammy Is Shot0:53:37 - Hammy falls to the groundaction scene | conductor score | dramatic | dying | falling | gangster | investigator | leading man | mickey-mousing | street | tragic

Hell on Frisco Bay (1955)

Underscoring (Dark)0:53:50 - Steve questions Hammyaction scene | conductor score | dark | death | dying | gangster | investigator | leading man | questioning | stinger | street | underscoring

Hell on Frisco Bay (1955)

Steve Arrives0:54:56 - Steve arrives at an apartmentarriving | conductor score | investigator | leading man | mickey-mousing | mysterious | street | tense | transition | walking

Hell on Frisco Bay (1955)

Sneaking and following0:58:30 - Bessie sneaks awaychase scene | conductor score | descending | floozy | following | hiding | investigator | leading man | mysterious | sneaking | street | tense

Hell on Frisco Bay (1955)

Menace0:58:48 - Bessie walks through the market | agitated | chase scene | conductor score | dramatic | floozy | gangster | hurrying | investigator | leading man | mysterious | street | tense | walking

Hell on Frisco Bay (1955)

Menace1:08:27 - Amato threatens Brodyadvance plot | antagonist | conductor score | dark | gangster | leading man | street | threatening

Hell on Frisco Bay (1955)

Amato1:08:39 - Amato arrivesadvance plot | antagonist | arriving | brash | conductor score | dark | gangster | leading man | stinger | street

Hell on Frisco Bay (1955)

Lye1:09:00 - Amato calls Lyeadvance plot | antagonist | calling | conductor score | conversing | gangster | leading man | stinger | street | uneasy

Hell on Frisco Bay (1955)

Lye's Death1:32:58 - Lye is killedaction scene | brash | gangster | harsh | leading man | murder | murdering | shooting | street | violence

Hell on Frisco Bay (1955)

Menace1:33:12 - Amato hidesaction scene | fleeing | gangster | hiding | leading man | ominous | street
In This Our Life (1942)Asa0:02:02 - The Timberlake crestestablish character | noble | street | worker | working

In This Our Life (1942)

Asa (Expressivo)0:02:33 - Asa walksconversing | establish character | gentle | noble | street | walking | worker

In This Our Life (1942)

Stanley (She Runs)0:07:32 - Stanley runs insidearriving | establish character | hurried | leading lady | mickey-mousing | room | running | street

In This Our Life (1942)

Stanley B (Valse Triste)0:16:33 - Craig arrivesadvance plot | arriving | dark | leading lady | leading man | somber | street | waltz | watching | window

In This Our Life (1942)

Here Comes the Bride (A Little Shimmer)0:31:40 - A convertiblecar | courthouse | happy | leading lady | leading man | leaving | street | wedding | wedding

In This Our Life (1942)

Driving + Stanley1:08:53 - Stanley drivingcar | car | child | combination of themes | crime scene | criminal | driving | drunk | leading lady | mysterious | street | tense | uneasy | victim | walking

In This Our Life (1942)

Underscoring (Dramatic)1:09:01 - Stanley has an accidentcar | child | crashing | crime scene | criminal | dramatic | driving | drunk | leading lady | street | victim

In This Our Life (1942)

Car crash1:09:01 - Stanley hits two pedestriansaccident | car | car crash | crashing | crime scene | criminal | dramatic | driving | drunk | dying | falling | hit and run | leading lady | mickey-mousing | street | victim

In This Our Life (1942)

Turning around1:09:06 - Stanley turns aroundaccident | car | car crash | crime scene | criminal | dramatic | drunk | glaring | hit and run | leading lady | mickey-mousing | stinger | street | turning

In This Our Life (1942)

Underscoring (Tense)1:20:10 - Craig's car pulls up to the jailarriving | car | car | conflict | conversing | criminal | lawyer | leading lady | leading man | street | tense | underscoring | uneasy

In This Our Life (1942)

Stanley Introduction (Extended 4)1:23:09 - Stanley and Craig leave the jailcar | conflict | criminal | lawyer | leading lady | leading man | leaving | street | tense

In This Our Life (1942)

Driving1:29:17 - Stanley driving her carcriminal | driving | escaping | leading lady | street | tense | transition

In This Our Life (1942)

Stanley B (Agitato)1:29:27 - Stanley runs insideagitated | butler | criminal | leading lady | room | running | street | transition

In This Our Life (1942)

Maestoso1:31:51 - Stanley runs off cryingconflict | criminal | crying | departing | dramatic | leading lady | room | running | street | uncle | yelling

In This Our Life (1942)

Stanley B (Agitato Extended)1:32:15 - Stanley hides from the policeagitated | conflict | criminal | hiding | leading lady | mysterious | police | room | running | rushing | street

In This Our Life (1942)

Underscoring (Dramatic)1:32:30 - Stanley dashes through the gateconflict | criminal | dramatic | hiding | leading lady | police | running | rushing | street | underscoring

In This Our Life (1942)

Police (Chase)1:32:36 - Stanley runs for her carconflict | criminal | driving | fleeing | hiding | leading lady | police | running | rushing | street | tense

In This Our Life (1942)

Stanley (Chase)1:32:59 - The police chase after Stanleychase scene | chasing | climax | criminal | desperate | dramatic | driving | fleeing | leading lady | police | street | tense

In This Our Life (1942)

Stanley (Fleeing)1:33:12 - The police chase after Stanleychase scene | chasing | climax | criminal | desperate | dramatic | driving | fleeing | leading lady | police | street | tense

In This Our Life (1942)

Underscoring (Dramatic)1:33:29 - Two other policeman see Stanleychase scene | chasing | climax | criminal | dark | dramatic | driving | fleeing | leading lady | police | street | tense | underscoring | watching

In This Our Life (1942)

Stanley (Crying)1:33:37 - Stanley crying in her carchase scene | chasing | climax | criminal | crying | dark | dramatic | driving | fleeing | leading lady | police | somber | street | tense

In This Our Life (1942)

Stanley B (Rising Tension)1:33:49 - The police in hot pursuitchase scene | chasing | climax | criminal | desperate | dramatic | driving | fleeing | leading lady | police | street | tense

In This Our Life (1942)

Stanley (Desperate)1:34:02 - The police in hot pursuitchase scene | chasing | climax | criminal | crying | desperate | dramatic | driving | fleeing | leading lady | police | street | tense

In This Our Life (1942)

Underscoring (Dramatic)1:34:09 - Stanley's eyes in the rear-view mirrorchase scene | chasing | climax | criminal | crying | desperate | dramatic | driving | fleeing | leading lady | police | street | tense | underscoring

In This Our Life (1942)

Car crash 21:34:17 - Stanley's car crashesbrash | car | car crash | chase scene | climax | crashing | criminal | dramatic | driving | dying | falling | fire | leading lady | mickey-mousing | police | street | tense

In This Our Life (1942)

Stanley (Tragic)1:34:28 - Police run to Stanley's carbrash | car | car crash | chase scene | climax | criminal | dramatic | dying | fire | helping | leading lady | mournful | police | reporting | rescuing | rushing | somber | street | tragic
The Informer (1935)The Informer0:00:14 - Shadows move across the screen behind the cast listcast list | Dorian mode | folk-like | informer | marching | minor pentatonic | mysterious | opening title sequence | Scotch snap | searching | serious | shadow | soldier | street | title of film

The Informer (1935)

The Informer (Bridge)0:00:46 - Shadows move across the screen behind the cast list9th chord | cast list | informer | march | marching | mysterious | Neapolitan | opening title sequence | Scotch snap | searching | serious | shadow | soldier | street

The Informer (1935)

The Informer (Dublin)0:01:03 - Title card establishes the setting in Dublin, Ireland9th chord | 11th chord | establish setting | informer | marching | minor pentatonic | mysterious | nun | opening title sequence | religious symbolism | Scotch snap | searching | serious | shadow | street | title card | tritone substitution

The Informer (1935)

The Informer (Walking)0:01:44 - Gypo walks down the streetcountermelody | establish character | leading man | mickey-mousing | mysterious | poster | Scotch snap | street | walking

The Informer (1935)

Poster0:02:01 - Gypo looks at the reward poster for Frankie McPhillipestablish character | leading man | mickey-mousing | mysterious | poster | stepping | stinger | street

The Informer (1935)

Drinking Song0:02:15 - Gypo and Frankie sing at a pubcheerful | drinking | establish character | flashback | leading man | on-screen music | pub | remembering | singing | somber | source music | street

The Informer (1935)

Underscoring (Tense)0:02:23 - Gypo stares at the poster, thinking64 chord | establish character | leading man | muttering | mysterious | street | thinking | underscoring

The Informer (1935)

Rule, Britannia!0:02:32 - Close-up on the 20 pound reward on the posterBritish | dark | establish character | familiar tune | leading man | linear chromaticism | looking | mode change | patriotic tune | poster | source music | street | tense

The Informer (1935)

Tearing down poster0:02:47 - Gypo tears the reward poster off of the walldissonant bass | down | establish character | leading man | linear chromaticism | mickey-mousing | poster | removing | street | tearing | upset

The Informer (1935)

The Rose of Tralee0:02:54 - Man sings an Irish folk song by a lamp postcalm | establish character | familiar tune | folk song | Irish | leading man | on-screen music | poster | singing | source music | street | walking

The Informer (1935)

Poster blowing 10:03:05 - Torn poster blows down the street onto Gypo's legaugmented sixth chord | blowing | establish character | leading man | mickey-mousing | mysterious | parallelism | poster | street | wind

The Informer (1935)

Poster blowing 20:03:26 - Torn poster blows down the street onto Gypo's leg againblowing | clinging | diminished 7th chord | establish character | leading man | mickey-mousing | mysterious | parallelism | poster | street | wind

The Informer (1935)

Underscoring (Subtle)0:04:22 - Close-up on Katieestablish character | leading lady | linear chromaticism | mysterious | staring | street | underscoring

The Informer (1935)

Katie0:04:31 - Katie walks down the streetestablish character | foreign key modulation | leading lady | parallelism | seductive | staring | street | sultry | walking

The Informer (1935)

Match strike0:05:03 - Man strikes a match on the lamp postestablish character | leading lady | lighting | match | mickey-mousing | playful | street

The Informer (1935)

Underscoring (Tense)0:05:04 - Gypo sees the man and walks towards himestablish character | leading lady | leading man | mysterious | street | tense | underscoring | walking | whole-tone

The Informer (1935)

Blowing smoke0:05:16 - Man blows smoke into Katie's faceblowing | establish character | leading lady | mickey-mousing | mysterious | smoke | street | whole-tone

The Informer (1935)

Throwing man down0:05:31 - Gypo picks the man up and throws him in the streetangry | down | establish character | falling | leading man | mickey-mousing | street | throwing | whole-tone | whole-tone chord

The Informer (1935)

Katie Calls Gypo0:05:38 - Katie says Gypo's nameconversing | diminished 7th chord | dissonant bass | establish character | leading lady | leading man | mickey-mousing | somber | staring | street

The Informer (1935)

Katie (Tired and Sad)0:05:49 - Katie talks to Gypoconversing | crying | diminished 7th chord | establish character | leading lady | leading man | parallelism | Scotch snap | sobbing gesture | somber | street

The Informer (1935)

Yankee Doodle (Octatonic)0:06:21 - Katie looks at the poster about a trip to AmericaAmerican | comical | conversing | dark | diminished 7th chord | establish character | leading lady | leading man | octatonic | parallelism | patriotic tune | source music | street

The Informer (1935)

Katie (Hurt)0:06:58 - Katie is upset with Gypo and walks away upsetagitated | chromatic scale | crying | establish character | leading lady | leading man | leaving | street | tritone | upset

The Informer (1935)

Footsteps0:07:16 - Close-up on walking feetestablish character | footsteps | leading man | mickey-mousing | mysterious | street | tritone | walking

The Informer (1935)

The Wearin’ o’ the Green0:07:32 - Frankie looks at reward poster with his picture on it64 chord | dark | establish character | folk song | hero | Irish | marching | mickey-mousing | mysterious | source music | street | thinking

The Informer (1935)

Running and hiding0:07:54 - Frankie runs and hides in the shadowschromatic scale | establish character | familiar tune | folk song | hero | hiding | mickey-mousing | running | soldier | street | tense

The Informer (1935)

Running (Not in Film)NIF - not in filmchromatic scale | establish character | hero | mickey-mousing | running | street

The Informer (1935)

The Wearin’ o’ the Green (Mysterious)0:08:57 - Frankie enters the Dunboy house to join the rebelsarriving | diminished 7th chord | dissonant bass | establish character | familiar tune | folk song | hero | Irish | leading man | mysterious | parallelism | room | street | tense

The Informer (1935)

Yankee Doodle (Fateful Decision)0:12:56 - Gypo has a vision of the wanted posterAmerican | contemplating | deciding | familiar tune | flashback | leading man | linear chromaticism | montage | mysterious | patriotic tune | pedal tone | pivotal scene | room | street | tense | vision

The Informer (1935)

Katie (Fateful Decision)0:13:48 - Gypo heads towards the British headquartersAmerican | church bell | contemplating | deciding | diminished 7th chord | familiar tune | leading man | mickey-mousing | mysterious | parallelism | patriotic tune | pedal tone | pivotal scene | police station | street | tense

The Informer (1935)

Blood Money (Counting Money)0:19:21 - Gypo closes the dooradvance plot | antagonist | counting | leading man | money | mysterious | street | tense | tritone

The Informer (1935)

Blind Man0:19:29 - Gypo meets the blind man64 chord | advance plot | antagonist | blind man | leading man | mysterious | street | walking

The Informer (1935)

Blood Money + Blind Man0:20:27 - Gypo looks at Frankie's poster againadvance plot | antagonist | combination of themes | leading man | looking | mysterious | poster | street | tense | whole-tone

The Informer (1935)

Blind Man + Blood Money0:24:45 - Blind man wanders in and Gypo gives him moneyadvance plot | antagonist | augmented triad | blind man | combination of themes | giving | leading lady | leading man | money | mysterious | ominous | street | walking

The Informer (1935)

The Informer (Bold)0:25:26 - Gypo storms off down the street64 chord | advance plot | antagonist | bold | determined | hurrying | leading lady | leading man | Scotch snap | street | walking

The Informer (1935)

The Minstrel Boy0:25:32 - Man sings a folk tune at the street corner9th chord | AABA structure | advance plot | angelic | antagonist | calm | familiar tune | folk song | gentle | leading man | listening | mode mixture | mourner | mourning | on-screen music | playing | praying | singer | singing | street | violinist | watching

The Informer (1935)

The Informer (Walking Fast)0:30:13 - Gypo storms off down the street64 chord | advance plot | antagonist | chromatic parallelism | diminished 7th chord | hurrying | leading man | Scotch snap | street | tense | walking

The Informer (1935)

Drinking Song 20:40:12 - Gypo sings a drunken songadvance plot | antagonist | drunk | leading man | on-screen music | singing | source music | street

The Informer (1935)

Katie (Gypo is Drunk)0:46:36 - Gypo tells the rebel about "somebody waiting for me"advance plot | antagonist | augmented sixth chord | breaking | drunk | leading man | street | transcribed by ear | walking

The Informer (1935)

He Is Me Darling-O0:47:03 - Gypo and another man sing drunkenly advance plot | Aeolian mode | antagonist | drunk | familiar tune | folk song | Irish | leading man | street | transcribed by ear | walking

The Informer (1935)

Katie (Poster)0:47:58 - Gypo looks at the America posteradvance plot | antagonist | leading man | pondering | poster | sentimental | street | transcribed by ear

The Informer (1935)

Blood money (Thinking)0:48:58 - Gypo pulls out and counts his moneyadvance plot | antagonist | conversing | leading man | money | mysterious | ostinato | pondering | street

The Informer (1935)

Katie (Thinking)0:49:37 - Gypo looks at the money and the poster9th chord | advance plot | antagonist | leading man | money | pondering | sentimental | street

The Informer (1935)

Here Comes the Bride0:49:55 - Dream sequence of a voyage to America64 chord | advance plot | antagonist | boat | double exposure | dreaming | familiar tune | leading lady | leading man | pedal tone | romantic | ship | street | vision | wedding

The Informer (1935)

My Man0:50:19 - Gypo talks with his friendAB structure | advance plot | antagonist | cheerful | conversing | leading man | party | source music | street

The Informer (1935)

The Informer (Drunk)1:03:23 - Gypo walks down the street drunkadvance plot | antagonist | drunk | leading lady | leading man | marching | rebel | street

The Informer (1935)

The Informer (Molto Agitato)1:03:45 - Katie worries for Gypoadvance plot | antagonist | chromatic parallelism | conversing | drunk | half-diminished 7th chord | leading lady | leading man | rebel | street

The Informer (1935)

The Wearin’ o’ the Green (Fighting)1:03:51 - Gypo struggles with the rebels64 chord | advance plot | antagonist | chromatic parallelism | conversing | dominant 7th chord | drunk | familiar tune | fighting | folk song | fragmentation | leading lady | leading man | reassuring | rebel | sequence | street | struggling | syncopation

The Informer (1935)

Blood Money (Ostinato)1:04:10 - The rebels overhear Gypo talking about the moneyadvance plot | antagonist | conversing | drunk | leading lady | leading man | money | mysterious | ostinato | rebel | street | whole-tone chord

The Informer (1935)

Katie (Tragic)1:04:39 - Katie is left alone on the streetadvance plot | appoggiatura | leading lady | minor-major 7th chord | money | somber | street | worrying

The Informer (1935)

Dan and Mary (Descending)1:05:08 - Mary enters, looking for Danchromatic sequence | courtroom scene | dissonant bass | down | headquarters | hero | love interest | love theme | mickey-mousing | romantic | stairs | street | suspect | walking

The Informer (1935)

The Informer (Gypo Hides)1:20:38 - Gypo sees British soldiers marchingantagonist | hiding | leading man | marching | running | street | tense | traitor | transition

The Informer (1935)

The Informer (Adagio)1:21:15 - Gypo imagines Frankie's posterantagonist | hallucinating | hallucination | leading man | mysterious | street | suspension | traitor | transition

The Informer (1935)

Gypo runs away1:21:26 - Gypo runs and hidesagitated | antagonist | chromatic parallelism | diminished 7th chord | hiding | leading man | mickey-mousing | running | sequence | street | tense | traitor | transition

The Informer (1935)

Blood Money (Tuttissimo)1:28:53 - Gypo stumbles into a churchantagonist | church | climax | dirge | dissonant bass | dominant pedal | dying | half-diminished 7th chord | leading man | mysterious | street | stumbling | tense | traitor | walking | whole-tone | whole-tone chord
Key Largo (1948)The Keys0:01:07 - On-screen text establishing the Florida keysbus | car | establish place | establish setting | on-screen text | peaceful | street | traveling

Key Largo (1948)

The Bus0:01:26 - The bus is pulled overagitated | bus | car | establish setting | police | street | tense | traveling

Key Largo (1948)

Bus Stops0:01:42 - The bus stopsbus | car | establish setting | police | stopping | street | tense

Key Largo (1948)

Traveling0:02:21 - The bus drives onbus | establish setting | exciting | starting | street | traveling
Mildred Pierce (1945)Mildred (Sehr Dramatic)0:12:06 - Mildred arrives homeadvance plot | arriving | dark | daughter | dramatic | heroine | leading lady | street | tense | worrying

Mildred Pierce (1945)

Underscoring (Tense)0:13:03 - Mildred leaves with the detectivesadvance plot | conversing | detective | heroine | leading lady | murder | street | tense | underscoring

Mildred Pierce (1945)

Flashback starts0:20:16 - Flashback to the pastdouble exposure | establish character | flashback | gentle | heroine | leading lady | mickey-mousing | street

Mildred Pierce (1945)

Bert0:20:18 - Bert comes homearriving | cooking | establish character | flashback | gentle | heroine | husband | leading lady | room | self-borrowing | street

Mildred Pierce (1945)

Kay and Veda0:25:03 - Kay plays football in the streetchild | establish character | football | mickey-mousing | playing | street | upbeat

Mildred Pierce (1945)

Kay falls0:25:12 - Kay falls to the groundchild | establish character | falling | football | mickey-mousing | playing | street | upbeat

Mildred Pierce (1945)

Kay and Veda (Going Home)0:25:13 - Veda leads Kay homechild | establish character | graceful | street | walking

Mildred Pierce (1945)

Kay and Veda (Skipping)0:25:25 - Kay skips on her way homechild | establish character | graceful | playing | skipping | street

Mildred Pierce (1945)

Kay and Veda (Sentimental)0:25:37 - Veda and Kay see their father leavingchild | establish character | interrupting | leaving | packing | sentimental | somber | stopping | street

Mildred Pierce (1945)

Mildred (Desperate)0:34:05 - Mildred looks for a jobapplying | depressed | heroine | leading lady | montage | searching | street | voice-over | walking

Mildred Pierce (1945)

Kay and Veda (Misterioso)0:54:01 - Bert tells Mildred that Kay is sickbad news | conversing | dark | death scene | distress | ex-husband | heroine | leading lady | mysterious | ominous | stinger | street | turning point

Mildred Pierce (1945)

Bert (Dark)0:54:14 - Bert and Mildred rush off to see Kaybad news | conversing | dark | death scene | distress | ex-husband | heroine | leading lady | leaving | street | turning point

Mildred Pierce (1945)

Mildred (Revenge)1:43:57 - Mildred drives to the beach housecar | dark | dramatic | driving | flashback ends | gun | heroine | leading lady | street | transition

Mildred Pierce (1945)

Mildred (Breakdown)1:47:11 - Mildred tries to start her carclimax | crying | dramatic | emotional | heroine | leading lady | leaving | street
The Life of Vergie Winters (1934)Funeral March0:01:12 - A funeral marchaltered dominant | brass band | classical music | crowd | establish place | funeral | funeral march | marching | mode change | on-screen music | parallel 63s | pedal tone | performer | secondary dominant | somber | source music | street | watching

The Life of Vergie Winters (1934)

Everybody’s Doing It Now0:03:48 - Horses and buggies in a small town streetaltered dominant | buggy | common-tone diminished 7th | deceptive resolution | driving | establish setting | establish time | horse | playful | popular song | riding | street

The Life of Vergie Winters (1934)

Semper Fidelis0:30:32 - A march is played outsideadvance plot | celebrating | cheering | child | common-chord modulation | conversing | crowd | gossiper | leading lady | leading man | march | patriotic tune | politician | source music | spouse | street | upbeat

The Life of Vergie Winters (1934)

Funeral March1:17:18 - John's funeral processionaltered dominant | brass band | classical music | crowd | establish place | funeral | funeral march | marching | on-screen music | parallel 63s | somber | source music | street | watching
Rockabye (1932)Till the Real Thing Comes My Way0:40:21 - Judy sings on top of a truckadvance plot | leading lady | love interest | on-screen music | pianist | singing | source music | street | upbeat
Kid Galahad (1937)Boxing poster0:00:41 - Boxing poster64 chord | augmentation | chromatic sequence | diminution | establish character | jaunty | poster | street | zoom in

Kid Galahad (1937)

City Fanfare0:32:24 - Bright lights of the cityadvance plot | augmented triad | bold | city | light | not by Steiner | sign | street | transcribed by ear

Kid Galahad (1937)

New York Scene0:32:31 - Ward and Louise ride in a taxiadvance plot | driving | hurried | not by Steiner | street | transcribed by ear

Kid Galahad (1937)

The Escape0:33:23 - Nick punches man on streetadvance plot | boxer | car | hurried | hurrying | leading lady | leading man | not by Steiner | street | transcribed by ear
The Unfaithful (1947)Beverly Hills0:01:00 - Cars driving down road in Beverly HillsBeverly Hills | cheerful | establish location | panning shot | sequential modulation | street | upbeat | voice-over

The Unfaithful (1947)

Beverly Hills (Leggiero)0:01:10 - Focus on one car as it pulls into a drivewayBeverly Hills | car | cheerful | establish location | panning shot | sequential modulation | street | traveling | voice-over

The Unfaithful (1947)

Chris0:07:27 - Chris drives homecalm | car | driving | leading lady | street | transition

The Unfaithful (1947)

Tanner0:23:46 - Mrs. Tanner boards a trolleyadvance plot | altered dominant | antagonist | newspaper | quartal chord | reading | street | syncopation | tense | traveling | trolley | widow

The Unfaithful (1947)

Tanner (Panic)0:24:21 - Mrs. Tanner reads about her husband's name in the paperadvance plot | antagonist | newspaper | ostinato | panicked | panicking | street | trolley | widow

The Unfaithful (1947)

Unfaithful (Tragic)0:24:34 - Mrs. Tanner walks away down the streetadvance plot | antagonist | husband | leading lady | newspaper | ostinato | panicked | panicking | police station | street | transition | trolley | victim | widow

The Unfaithful (1947)

Attorney1:09:14 - Larry drives to the art shopdeceptive resolution | driving | heroic | lawyer | street | transition

The Unfaithful (1947)

Unfaithful (Driving)1:10:31 - Bob rides in a carcar | driving | husband | minor-major 7th chord | ominous | street | transition | whole-tone

The Unfaithful (1947)

Tanner1:10:47 - Bob walks upstairs to meet with Mrs. Tanneraltered dominant | antagonist | arriving | foreshadowing | husband | quartal chord | street | syncopation | tense | transition | walking

The Unfaithful (1947)

Tanner (Headlines)1:24:17 - Chris is suspected of murderclimax | friend | hurrying | montage | newspaper | newspaper boy | ostinato | panicked | police station | polytonality | radio | reporter | room | rushing | street | surprise | widow
We Are Not Alone (1939)Surprise Symphony (Glissando)0:02:20 - David rides his bike homebicycle | classical music | establish character | familiar tune | fragmentation | glissando | Haydn | hero | playful | quotation | score to source | sequence | source music | street

We Are Not Alone (1939)

Surprise Symphony (Theme and Variations)0:02:37 - David enters his homeaugmented triad | classical music | deceptive resolution | establish character | familiar tune | Haydn | hero | home | playful | quotation | scored source music | source music | street | whistling

We Are Not Alone (1939)

I Do Like to Be Beside the Seaside0:17:49 - Exterior of a British dance hallABAC structure | conflict | doctor | familiar tune | helping | hero | heroine | score to source | source music | street | tense

We Are Not Alone (1939)

As You Walk Down the Strand0:19:59 - David helps LeniAABC structure | advance plot | calm | doctor | familiar tune | hero | heroine | source music | street

We Are Not Alone (1939)

Poor Old Adam Was My Father0:20:32 - David talks to Leni by the seasideABAC structure | advance plot | calm | doctor | familiar tune | hero | heroine | source music | street

We Are Not Alone (1939)

Surprise Symphony (Galloping)0:32:07 - David arrives in a carriagecarriage | classical music | familiar tune | galloping | happy | Haydn | hero | horse | quotation | street | transition | traveling

We Are Not Alone (1939)

Celebre Romance (Agitato)1:01:40 - News of the warchaotic | classical music | conflict | crowd | dramatic | familiar tune | riot | Rubinstein | running | street | whole-tone | whole-tone chord

We Are Not Alone (1939)

Agitato1:02:31 - Crowd presses forward11th chord | chaotic | classical music | conflict | conversing | crowd | dissonant bass | dissonant bass | dramatic | familiar tune | riot | Rubinstein | street

We Are Not Alone (1939)

Underscoring (Dramatic)1:03:40 - Jessica takes Gerald outside 11th chord | antagonist | boy | child | conflict | dramatic | street | tense | underscoring | walking

We Are Not Alone (1939)

Underscoring (Tense)1:03:56 - The crowd outsideagitated | chromatic scale | conflict | confused | crowd | hero | linear chromaticism | metric dissonance | pedal tone | polychord | riot | rioting | street | tense | underscoring

We Are Not Alone (1939)

Furioso1:04:49 - Man throws rock through shop window chromatic scale | conflict | crowd | dissonant bass | dramatic | riot | rioting | street | underscoring

We Are Not Alone (1939)

God Save the King (Violent)1:05:00 - British mobs in the streetBritish | chromatic scale | conflict | crowd | familiar tune | patriotic | riot | rioting | street

We Are Not Alone (1939)

Rule, Britannia1:05:03 - Men attack a German shopBritish | conflict | crowd | familiar tune | patriotic | riot | rioting | street

We Are Not Alone (1939)

God Save the King (Angry)1:05:06 - British mobs in the street9th chord | angry | British | conflict | crowd | diminished 7th chord | familiar tune | mode mixture | patriotic | riot | rioting | street

We Are Not Alone (1939)

Rule, Britannia (Throwing Stones)1:05:14 - Susan throws a rock at the shop64 chord | angry | antagonist | conflict | mickey-mousing | rock | street | throwing

We Are Not Alone (1939)

Underscoring (Tense)1:05:17 - David scolds Susan64 chord | antagonist | chromatic scale | conflict | conversing | foreign key modulation | hero | street | tense | underscoring

We Are Not Alone (1939)

Surprise Symphony (Window)1:05:40 - Susan sees Leni and David in the windowantagonist | classical music | conflict | familiar tune | Haydn | quotation | spying | street | tense | window

We Are Not Alone (1939)

God Save the King1:09:06 - Mob sings "God Save the King" outsideadvance plot | antagonist | British | choral singing | familiar tune | home | mob | patriotic | singing | source music | source to score | street

We Are Not Alone (1939)

La Marseillaise1:15:41 - News bulletins in a windowadvance plot | announcing | deceptive resolution | familiar tune | French | patriotic | shop | sign | street | war | window

We Are Not Alone (1939)

Frohe Botschaft (War Bulletin)1:22:12 - News bulletins about the trialadvance plot | announcing | familiar tune | fanfare | folk song | German | news | quotation | shop | sign | street | tense | window

We Are Not Alone (1939)

Surprise Symphony (Tense)1:31:42 - News bulletins about the trial9th chord | advance plot | announcing | classical music | dark | familiar tune | Haydn | main theme | quotation | shop | sign | street | tense | window
The Public Defender (1931)Crowd thronging0:01:17 - A crowd pressing towards a guarded doorarguing | chromatic scale | crowd | hurried | noise | street | tense | transcribed by ear | transition

The Public Defender (1931)

Mystery (Bank Closed)0:01:25 - Notice posted on the doorarguing | chromaticism | crowd | mysterious | mystery | noise | pc set | street | transcribed by ear | transition
Three Who Loved (1931)St. Patrick’s Day0:18:32 - Organ grinder on streetcheerful | musician | on-screen music | organ grinder | playing | source music | street | transition
Is My Face Red? (1932)Transition0:01:22 - Speeding truck and a doordiminished 7th chord | establish setting | mysterious | poster | street | transcribed by ear | transition
Emergency Call (1933)Ambulance0:00:11 - Main titles over a speeding ambulanceambulance | augmented triad | dissonant bass | Dorian mode | dramatic | driving | half-diminished 7th chord | main title | opening title sequence | parallelism | paramedic | pedal tone | siren | street | through-composed | whole-tone
Headline Shooter (1933)Transition0:01:23 - Video cast listdiminished 7th chord | establish setting | mysterious | poster | reused recording | street | transcribed by ear
Star of Midnight (1935)Westminster Quarters0:53:50 - Clay waitsadvance plot | calm | detective | detective | leading man | source music | street | waiting

Star of Midnight (1935)

Rushing0:54:02 - Clay rushes to catch the busbus | detective | hurried | leading man | montage | parallelism | rushing | street | transcribed by ear

Star of Midnight (1935)

Midnight in Manhattan (Montage)0:54:11 - Feet walkingbus | chromatic parallelism | fragmentation | hurried | montage | pedal tone | street | transcribed by ear | traveling | walking

Star of Midnight (1935)

Sidewalks of New York0:54:28 - Feet walkingbus | calm | chromatic parallelism | foreign key modulation | lighthearted | montage | street | transcribed by ear | traveling | walking

Star of Midnight (1935)

Midnight in Manhattan (Accelerando)0:54:42 - Feet walkingadded-note chord | bus | chromatic parallelism | hurried | mickey-mousing | mode mixture | montage | street | transcribed by ear | traveling | walking

Star of Midnight (1935)

Walking0:54:55 - Detective walkingdetective | mickey-mousing | montage | street | tired | transcribed by ear | walking
The Breaking Point (1950)La Adelita0:09:56 - A Mexican village at nightarriving | bar | bartender | conversing | establish setting | folk music | leading man | musician | on-screen music | performing | sailor | salesperson | selling | source music | street | upbeat | working

The Breaking Point (1950)

Make Love With a Guitar0:33:28 - Harry arrives homeadvance plot | arriving | calm | child | conversing | leading man | musician | neighbor | on-screen music | room | sailor | source music | street | wife | yard

The Breaking Point (1950)

Make Love With a Guitar0:46:27 - Harry and his wife come homeadvance plot | calm | child | conversing | drunk | leading lady | leading man | neighbor | on-screen music | sailor | source music | street | walking | wife